Original subtitles

Subtitles by explosiveskull

Tuna, egg, chicken?

Chicken and egg.

Egg and tuna.

- Let's see. - Mm!

Come on.

Lemme have a look.

Come on.

THERAPIST: She got caught.

You said you always woke up before she was caught.

Not this time.

You never thought she was missing.

Nobody panicked until after she missed our birthday.

She liked presents.

THERAPIST: Did she?

Yes.

THERAPIST: Pills can help the anxiety.

But they can't make you sleep.

I don't want to sleep.

THERAPIST: Let's go back to the accident.

(SCREAMING)

(PANTING)

(BARKING)

Maude.

(VOICE ON LOUDSPEAKER SPEAKING FAINTLY)

THERAPIST: How do you feel about going home?

MAUDE: Great.

THERAPIST: After tragedy...

You keep talking about it like she's dead.

THERAPIST: Do you think she's still alive?

(DISCORDANT MUSIC)

(LOUD, SOMBRE MUSIC)

(VOICE ON LOUDSPEAKER SPEAKING FAINTLY)

RALPH: Maude.

Maude.

Hey.

Good to see you.

- Oh. - Long time.

I got Ten to come pick you up.

Cool?

Long flight?

- Three flights. - Wow.

I couldn't do that.

See your mum hasn't been feeling very well.

- I could have got a taxi. - No, no no, it's fine.

(SOFT, MENACING MUSIC)

(BIRDS TWITTERING)

MAUDE: You okay, Mum?

Just a migraine.

You still eat lamb, don't you?

Yeah, yeah, I love lamb.

It's good, Barry.

Well I was gonna do sausages, but I

thought probably get a lot of that.

(CHUCKLING)

How do you feel?

Fine, yeah.

The doctor from Germany asked me if

our family had heart troubles.

So I told him about my great-uncle

who had a stroke after the war.

MAUDE: The house looks really nice.

Yeah, the front garden's come along well

since you were here.

Have to show you.

Ralph's been helping me paint.

- Yeah. - He said.

It's good to have him 'round.

RALPH: Thanks, man.

MOTHER: Are you gonna stay?

For a bit.

I put some fresh sheets out.

It was beginning to get a little damp in there.

- You had a funeral. - We did.

It was a lovely service.

Good turnout.

Still seeing that doctor?

Yes, she wants me to sleep more.

Sleep more?

Do you want to ask me something, Dad?

You got the invite.

You buried some wood.

(SCOFFS) You crazy bitch.

Tell us about your new doctor...

What did you just say?

Do you wish it was me?

- This is not about you. - No, it never was!

Did you really hate her that much?

I never hated her.

Barry.

This isn't easy on anyone.

Look at Mother.

You're hurting her face.

- I didn't do anything. - You didn't do anything.

No, no of course not.

Of course not.

Let's all eat some lamb.

Yeah.

(CUTLERY SHRIEKING)

(MUSIC-BOX MUSIC)

RALPH: Hey.

You okay?

(MAUDE SNIFFS)

I'm sorry, I didn't mean to freak you out today.

They like you.

Yeah.

Yeah, they do.

I've been helpin' 'em

organise some of Cleo's stuff.

You should keep some of it.

Take whatever you want.

Don't need permission.

I didn't mean it like that.

Show-off.

Do you think she's alive?

I don't know.

Then why are you here?

I see her too, you know.

I have this dream.

I see her and she's in trouble,

and I wanna reach out to her,

and I wanna help her.

But I can't.

I miss her.

I like the wedding ring.

It's an engagement ring, actually.

I like the feel of it.

She told me to keep it on.

So I keep it on.

She never said anything to you, one day she was just gone?

You sound like the cops.

Henry Parker called me a lot.

RALPH: Yeah, I'll bet he did.

- He was intense. - He's fuckin' crazy.

Him and your dad used to talk all the time.

Yeah, that makes sense.

He even came to the funeral.

This would have been such a cool room, growin' up.

MAUDE: Yeah, I guess.

(TV ANNOUNCER SPEAKS FAINTLY)

Good night, Barry.

Night, Ralph. (SPEAKS FAINTLY)

Hey, Ralph, um,

um,

thanks.

That's all right.

It's good just to talk sometimes.

Yeah.

It is.

(LAUGHING)

I don't think you're crazy.

Okay.

(SOFT MUSIC) (CRICKETS CHIRPING)

See ya.

(FAINT TV MUSIC)

Hey, Cleo's car, does it still go?

Mm.

(SOMBRE MUSIC)

MAUDE: Henry?

Maude.

MAUDE: Sorry it's late.

Come in.

MAUDE: Thank you.

- There. - Oh.

You okay, you want a drink?

MAUDE: Oh, I'm okay.

Don't usually take house calls.

Are you not police anymore?

Three months' leave, got a few things to sort out.

I'm working from home.

Is the case still open? (BABY CRYING)

Yeah, the case is still open.

People drop off...

WIFE: Hi.

Lisa, this is Maude.

- We need some formula. - Okay, give us minute.

No, we need it now.

(BABY CRYING)

I should go.

Why did you come here?

It hasn't stopped.

I see her so clearly.

She's in a room somewhere and there's an old woman

and sandwiches.

(SOFT PIANO MUSIC)

(SOMBRE MUSIC)

(SWELLING DISCORDANT MUSIC)

This is the last photo taken of her.

Ralph took it.

(LOUD SOMBRE MUSIC)

(FAINTLY SHOUTING) (CLATTERING)

(LOUD SOMBRE MUSIC)

(DISCORDANT MUSIC)

(YELLS)

(SIGHS SHAKILY)

(VOICES ECHOING) (SCREAMING)

(REVERBERATING, DISCORDANT MUSIC)

Everyone leaves.

Is she in pain, Maudie?

Will you come back?

(PIANO MUSIC)

RALPH: You okay?

MAUDE: Fine.

Thanks for doing this.

Of course, we're in this together.

What really happened between you two?

Why did you leave?

MAUDE VOICEOVER: As kids, I'd look in the mirror

and see myself.

But then I'd turn around and she'd be standing behind me.

That's being a twin, Dad would say.

RALPH: Creepy.

MAUDE VOICEOVER: I went away to be alone.

But even on the other side of the world, I couldn't escape.

I can see her, and I'm the only one who knows where she is.

And I know this all sounds crazy.

RALPH VOICEOVER: You're not crazy.

MAUDE VOICEOVER: Maybe I am,

but I'm gonna bring her home.

(ORCHESTRAL MUSIC)

(HIGH-PITCHED EERIE MUSIC)

CLEO: Maude.

Maudie!

(MOTOR RUMBLING)

(STATIC SCRATCHING)

(FAINT POP MUSIC)

RALPH: You havin' another crack at the case, Henry?

Henry.

Are you here officially?

Takin' some time off.

- Personal time? - Yeah.

RALPH: Feels pretty personal.

Your dad was worried.

RALPH: (scoffs) Unbelievable.

(SOMBRE MUSIC)

There she is.

Right here.

My sister came to you and now she's locked in your house.

Is she?

Thanks.

(DISCORDANT MUSIC)

She wrote her name.

(DISCORDANT MUSIC)

She wrote her name here.

On the wall.

I swear to fucking God I'm not crazy.

(DISCORDANT MUSIC)

(FAINTLY SPEAKING AND LAUGHING)

RALPH: How's it goin'?

I'm gonna take a look around.

(RALPH SIGHS)

Chicken and egg.

Egg and chicken.

WOMAN: You came back.

At the time you said you would.

Yeah.

Yeah.

Do you recognise me?

MAN: I told you stay in the car.

Why, she recognised me, she did.

She sees a lot of things.

No good with faces.

Even pretty ones.

(DISCORDANT MUSIC)

Where is she?

- Is she alive? - Cunt!

- Where is she? - Hey, hey!

Hey!

(SOMBRE MUSIC)

(CHILDREN SPEAKING FAINTLY)

(BIRD CALLING)

Have you seen a big girl?

She's disabled.

She just came out from that truck.

She's a bit slow.

Slow?

Handicapped, she's handicapped.

Dumb.

(EERIE MUSIC)

Can I get a van, a caravan?

(ROCK MUSIC)

Romeo.

Do you know who owns this truck outside?

Ben.

Big Ben.

Ben.

We've gotta go a little further.

This place is fucked.

(SOMBRE MUSIC)

(SOMBRE ORCHESTRAL MUSIC)

(YELLING)

Romeo.

(RALPH WHISTLES APPRAISINGLY)

HENRY: I'll take the car.

Mix with the locals.

What's with you two?

He thinks I killed your sister.

- Did you? - That's not funny.

Hey.

He followed us here, do you think that's a bit weird?

He wants to find her.

I don't think it's weird.

Not anymore.

RALPH: Okay.

Those chicks were twins, do you think that's weird?

This whole place is weird.

(STATICKY RADIO BUZZING) (HOWLING)

(SOFT MUSIC)

Hey!

Hey.

Hey it's me.

Cleo, it's me.

- It's me. - No it isn't.

I'm Maude, I'm her sister.

I know who you are.

You do?

I'm not stupid.

Where is she?

You came all this way to find her.

I have six siblings: three are brothers,

won't go anywhere for them.

My brother Kieran, he tortured my cat.

I have that cat somewhere.

I glued it back together.

(SIGHS) Fuckin' bitch.

Please, do you know where she is?

The big house.

In the sky.

You can sleep forever there.

It's magical.

Hey!

MAUDE: Fuck, I'm sorry.

You're really pretty.

Ben.

I'm Nerida.

Are you okay?

How long was she here for?

A few days.

And then all of a sudden she disappeared.

MAUDE: And was she with anyone?

- Yeah. - She had a bunch of friends.

- Yeah. - Friendly.

Did she say where she was going next?

- No. - She didn't.

That girl mentioned a big house.

That girl is nuts.

She's autistic.

Retarded, fat, she's got a bunch of problems.

She's troubled.

She has some troubles, yes, sorry, Doctor.

- You're a doctor. - I am, I'm on break.

Where are you from?

Oh, (SIGHS) where am I from.

Hmm, I was born in Germany and then raised in a castle,

spent some time all over Europe.

And then we met in Bristol. (CHUCKLING)

Forgive me, is there anything you can tell us?

No, not much, we just...

You must be Ralph.

- Must I? - Keith.

- Hi. - My wife, Nerida.

- Nice to meet you. - Likewise.

Come, have a seat.

Oh, thanks.

Where've you been?

RALPH: I went for a walk.

- Fish? - No thanks.

I'm very sorry.

This place is interesting.

It's a good place.

Lots of friendly people.

- Not everyone's friendly. - Big Ben's harmless.

RALPH: Did Cleo meet Big Ben?

- I doubt it. - What?

- What? - Cleo was here.

Okay, a father and a son are in a horrible car crash.

Father gets killed.

And the son is rushed to the hospital

and just as about

he's going under the knife,

the surgeon says, "Sorry, can't do that.

"That boy's my son."

The surgeon is the son's mother.

Good.

By third year, I think, they started taking me seriously.

As smart as the boys?

Smarter.

But don't tell, don't ever tell 'em.

I'm sorry about your sister.

(PIANO MUSIC)

Were you close?

We're twins.

That means you're close.

(DISCORDANT MUSIC)

(YELLING) (LOUD, SOMBRE MUSIC)

KEITH: So Maude tracked her here.

She did.

Not you, Henry.

No, not me.

Not him.

- She was unpredictable. - I bet.

A loose cannon, she kept weird company.

Most people thought she'd just run away.

I was the prime suspect.

- Really? - Wasn't I?

HENRY: Last one to see her alive.

Yeah well, we were getting married, so.

Tend to see a bit of each other.

We found her wedding ring in your car.

Our car.

You found her wedding ring in our car.

You're all levities.

(LAUGHING) Whatever, man.

NERIDA: Can I see that?

- Oh, it's just... - Oh.

It's a rabbit.

It's cute.

Our house backed onto bush.

A nature reserve.

Cleo and I loved to play hide and seek with our dad.

We called it catch-a-rabbit.

And I used to always hide with her,

'cause she always had the best hiding spots.

NERIDA: Hmm.

And I was scared to be on my own.

She let me squeeze in to a small cave that she'd found,

or bury me behind the branches and sticks

that she'd fashioned into a cubby hole.

She was really good at it.

And then we'd wait for a while.

And then I'd accidentally giggle or whisper.

And then she'd pull me close,

she'd look me straight in the eye,

and she'd say, "Don't say a word."

And then she'd grab onto my wrist,

and squeeze it really tightly,

and then she'd twist it until I yelped.

Like a dog.

And then she'd disappear and I'd be caught.

The rabbit.

I fell for it every time.

(LOUDLY CRASHING)

(GRUNTING)

Ralph!

Stop it!

Stop it, don't.

(BLOWS THUDDING) Stop it!

RALPH: He came at me.

You started it.

MAUDE: You're being ridiculous.

RALPH: Sorry.

- Maude... - You're sorry.

NERIDA: It's okay.

She's in a cabin.

And there's a man with her.

He's got a mask on, like a,

like a clumsy animal mask.

Are you in love with my sister?

I don't know what I'm doing anymore.

I spent so long looking at her face in that little room.

My life is... (SCOFFS)

All I know is the things you say make sense to me.

God, you look so much like her.

I'm gonna find her, Maude.

I'm gonna find her.

(ACOUSTIC GUITAR MUSIC)

♪ The air I breathe Is filtered through the lungs

♪ Whispered echoes linger on our tongues

♪ Wouldn't know we spoke at once

♪ Wouldn't know we spoke at once

♪ When she falls, the bones I've grown go weak

♪ When I cry, her heart breaks piece by piece

♪ Wouldn't know you walk on different feet

♪ Wouldn't know we walk on different feet

(EERIE MUSIC) ♪ La da

♪ Da da da

♪ La da da da

♪ La da da da da da da

♪ La da da da da da da da

♪ The air I breathe

♪ Is filtered through the lungs

♪ Whispered echoes linger on our tongues

♪ We know, we know we spoke at once

♪ Wouldn't know, we spoke at once

♪ La da da da da

♪ La da ah

(DISCORDANT MUSIC)

(SINGING IN FOREIGN LANGUAGE)

(BIRDS TWITTERING)

(SIGHS)

(BIRDS TWITTERING)

("DER HOELLE RACHE" FROM THE MAGIC FLUTE BY MOZART)

(MAUDE GASPING AND CRYING OUT)

(MAUDE PANTING)

(STEREO CLICKS)

Sir Francis Galton was a pioneer of behavioural genetics.

Where is my sister?

- Sh. - He said that twins

have a special claim upon our attention.

It is that their history affords means of distinguishing

between the effects of tendencies received at birth

and those that were imposed

by the special circumstances of their lives.

Ah, thank you, Rita.

Breakfast.

What, what is this?

What did you put in me?

Took a little blood, was all.

Are you hungry?

(MAUDE CRYING OUT)

(SLAP RESOUNDING)

- Clean her up. - No, let her eat first.

Mm.

Mm.

Thank you, Lydia.

Eat something.

Hmm?

You're hungry.

Very important.

Good walk, Jess?

Oh, Jess, why did you do that?

I don't take coffee, you know that.

Come, sit down.

You don't have to be scared.

My poor girl, it's just a small procedure.

Oh, Maude, this is... (CHAIR SCRAPING)

Don't, don't, don't, don't.

She just needs time.

(CHORAL MUSIC) (DISCORDANT MUSIC)

(RHYTHMIC ELECTRONIC MUSIC)

(DRAMATIC MUSIC)

(CRYING OUT)

(SCREAMING) (CHORAL MUSIC)

(MAUDE GASPS) (DOG BARKING)

I'll be here when you wake up, okay?

You won't feel a thing.

Now remember what I told you.

You're strong.

You're a girl.

Okay.

She's a good one, Nelly.

Sit down.

You feel better?

Running away won't help.

(FAINTLY SOBBING)

Hey.

- Where is my sister? - Calm down.

Tell us what she shows you.

What are you talking about?

Tell us what she shows you.

What do you mean, what?

She's been missing for a year, what...

You fucking freaks, where is my sister?

- Jonathon. - I need to see my sister!

KEITH: Jonathon.

Jonathon.

She's our guest.

- Just a few tests. - Yes.

And then you'll get to see her.

I need you to trust me.

Trust.

(LOUD, SOMBRE MUSIC)

(CHORAL MUSIC)

Good morning, I'm sorry, I'm running a little bit late.

I'm going to ask you some basic questions.

Just answer quickly, and try not to filter your answer

or to anticipate what you think we want to hear.

There is no right answer, only a false answer.

What is your name?

Maude Ashton.

What is your earliest memory?

What?

What is your earliest memory?

Don't think.

- Why? - Your earliest memory.

Getting lost on a picnic and

being caught outside in the rain.

DOCTOR: What are you feeling right now?

Anger, fear, frustration.

Hate.

What do you think of your parents?

I just wanna see my sister.

Answer the question.

My parents are my parents.

Do you love your parents?

Yes.

What is your happiest memory of growing up?

Christmas.

Would you say you were easy to excite?

No.

Yes.

DOCTOR: Would you say that you're easy to excite?

No.

Would you say that you were impatient?

Yes.

What is your biggest, greatest fear?

MAUDE: Being alone.

Dying alone.

DOCTOR: Are you scared right now?

What do you want to do right now?

MAUDE: I want to kill you.

What is this?

DOCTOR: Do you resent your sister?

- Fuck you. - Answer the question.

MAUDE: Fuck you!

DOCTOR VOICEOVER: What is your name?

Cleo Ashton.

DOCTOR VOICEOVER: What is your earliest memory?

I got lost on a picnic,

and I got caught outside in the rain.

DOCTOR VOICEOVER: How are you feeling right now.

- What... - Frustration.

I just want to see my sister.

- Angry... - I just want...

Dammit,

let me out of here!

- (YELLING) - My sister.

Answer the question. (MAUDE SCREAMING)

CLEO: My parents are my parents.

DOCTOR VOICEOVER: Do you love your parents?

CLEO: Yes.

DOCTOR: What is your favourite memory from growing up?

CLEO: Christmas.

DOCTOR: Would you say you're easy to excite?

CLEO: No.

- Yes. - Would you say

that you're easy to excite?

MAUDE VOICEOVER: Uh, no.

DOCTOR: What is your greatest fear?

CLEO OR MAUDE: Being alone, dying alone.

DOCTOR: Are you scared right now?

CLEO: Yeah.

(PIANO MUSIC)

(DISCORDANT MUSIC)

(ECHOING VOICES)

(DOOR LATCH CLICKS)

That rain just keeps on coming.

Aren't you cold?

Huh?

Here, that'll keep you warm.

I'll get you some golden milk.

Just a few minutes.

- Ralph! - What?

- Ralph. - What?

Ralph.

Where are we?

RALPH: They did something to my eyes.

What can I... (RALPH YELLS)

- Sorry. - Fuck.

Fuck.

You must be so hurt.

I saw her, she's alive.

They're making me do these tests.

- Oh, God. - I have to,

but I saw her.

Just do whatever he tells you to do, okay?

Whatever (RALPH YELLS)

MAUDE: Ralph!

- Ralph! - Maude,

you were right.

(YELLING)

NELLY: It's okay.

You need to rest whenever you can.

You will do so well here.

- (SCREAMING) - Ralph!

Ralph! (POUNDING ON DOOR)

RALPH: Maude!

(POUNDING ON DOOR) (MAN YELLING)

MAUDE: You freaks!

Shit!

(PIANO MUSIC)

How do you feel?

Relaxed.

Okay.

Maude.

I would like you to look at my finger.

And now follow it.

You're doing well.

Just follow

my finger.

(PIANO MUSIC)

CLEO: Where are you?

I can't see you.

Come to me.

Come to me.

(GRUNTING)

(FAINTLY SPEAKING)

(MAUDE PANTING)

Maude, I need you to come.

(PIANO MUSIC)

Come on, Maude.

Come a little further.

(GLASS CLINKING)

MAN: Please.

You've never been that close?

We're sisters.

MAN: Why doesn't she like you?

Stop! (CLEO AND MAUDE YELLING)

(WOMAN'S VOICE ECHOING)

It's okay, Lisbeth.

It's okay.

She will come for me.

(SOBBING) Cleo!

It's okay.

Sh.

(EERIE MUSIC)

(SLURPING)

Untie me, please.

MAN: Why don't you use my name?

They'll kill you if you run out that door.

Doesn't matter how fast you can run.

Please, Richie.

RICHIE: Wait.

I use it for my burns.

(GASPING AND CRYING OUT)

(DOOR LATCH CLICKS)

What's going on?

(HANDCUFFS CLINKING)

Why isn't she coming?

I'm trying.

(SOMBRE MUSIC)

You're counting on me, Lisbeth.

(CUFFS CLINKING) (YELLING)

(SOBBING)

(YELLING)

(SOMBRE ORCHESTRAL MUSIC)

(WORDLESS VOCALISING)

(DOOR LATCH CLICKS)

There you are.

Come inside.

- Come to bed. - It's her.

She's sleeping.

- Right? - She bled.

Real blood.

She came back.

KEITH: I know.

Come to bed.

Good night.

This is gonna sting a bit.

Hold still.

You okay?

Is that you and Cleo?

The drawing.

Who's Lisbeth?

You see so much.

Is she your twin?

You're lucky, you know that?

Lucky?

Yeah.

I used to cut myself.

When I had a mark,

she had to have one too.

Did you cut her?

Did she hate you for it?

My mother used to dress us exactly the same way.

Same haircut.

Same dresses.

Always.

That, she hated.

Where is she?

She drowned.

(FAINTLY CRYING OUT)

(STEPS CREAKING)

(SOMBRE MUSIC)

(THUNDER RUMBLING) (EERIE MUSIC)

CLEO: Just take it off.

(DRAWER RATTLING)

You should take it off, Richie.

(SOMBRE MUSIC)

(SOMBRE ORCHESTRAL MUSIC)

You see?

I'm sorry.

SILVER-HAIRED MAN: Easy.

Easy, easy.

Easy.

I'm sorry.

Maude.

(SPITS)

(SOMBRE PIANO MUSIC)

We used to camp around here.

This was our secret hideaway.

We even had a trap door.

This is where she found us.

I'd like to think our parents looked for us.

My brother was so scared.

So scared.

RALPH VOICEOVER: Please, Daddy, where are you?

I had to protect him.

So I gave them everything I had.

(CHILD RALPH SPEAKS FAINTLY)

(YELLING)

MAUDE: Please.

Come closer.

(WORDLESS VOCALISING) (SOMBRE MUSIC)

Thank you.

(BIRDS TWITTERING)

(CLUNKING)

(CAWING)

(SOMBRE ORCHESTRAL MUSIC)

(BASS VOICES SINGING IN FOREIGN LANGUAGE)

(WHOOSHING) (DISCORDANT MUSIC)

Come inside now, you'll catch a chill.

(ROCK GUITAR MUSIC) (CHORAL MUSIC)

MAN: Council will relay your findings.

We have other things for you to do now.

Let me tell council.

Let me relay the findings.

Why is the boy still here?

COUNCILWOMAN: Do you keep them all?

Not all of them.

COUNCILWOMAN: You care too much.

That's my charter.

We'll see you at council.

Please let me do this.

The job is done.

Your job was to find her.

I found her.

I deserve this.

(BIRDS TWITTERING)

KEITH: You okay?

Fine.

KEITH: What is it?

Why did you call them?

KEITH: You've been distant.

Something's going on with you.

They were checking up on me.

Yes they were.

Pass me those clippers.

They've been waiting a long time for her.

What are you doing?

What do you mean?

Don't screw these people.

We have a chance here.

Stop and smell the roses.

We have a good life, don't we?

(CLIPPERS SNAPPING)

You've nothing more to prove.

She'll do what her sister did,

exactly the way you said it would happen.

Everything else is in the past.

Aiden's back.

Good, I've missed him about the house.

(CLASSICAL MUSIC)

You okay?

Fine.

You're angry with me.

No.

This'll all be over soon.

I know.

Now the journey will begin.

The future, moving up.

Of course.

KEITH: There he is!

You look fantastic.

Big handsome boy.

NERIDA: Hey. (smooching)

KEITH: You have a big sleep now.

(CLASSICAL MUSIC)

Thanks.

He's coming for you.

Me and him made all this, I helped.

My sister told me that you're the special one,

and they've been waiting for you.

MAUDE: Where's your sister?

Over the border.

They told me that I couldn't see her again

and I believed them.

What did they do to you?

They made a hole in

my stomach,

and they took my baby.

They wanted her to see that they

hurt me to get to her.

Hey.

Let's go have a nice tea together.

Yeah, I'd like that, we can be sisters.

- Yes. - Okay.

(CLASSICAL MUSIC)

Hey.

We're just having some cake downstairs for Jess,

if you're interested.

It's her birthday.

She's been feelin' a bit down, so.

Yeah, sounds good.

Right.

Maude.

Your sister was...

I don't care.

I'll see you down there.

Okay.

(PIANO MUSIC)

(TABLE KNIFE RASPING)

Darling.

Happy birthday.

(SINGING "OHNE DICH" BY RAMMSTEIN)

Happy birthday.

Hey.

Hi.

KEITH: You were beautiful tonight.

Thank you.

Keeping her won't bring her back.

You did it.

Yes.

What is it?

Do you remember when we met?

You wanted to take on the world.

You told me to look after you,

to keep you there,

remind you of what was important.

I remember.

This is important, Nelly.

I know.

- Do you? - Of course.

Lisbeth died a long time ago.

You were a kid.

It wasn't your fault.

You were just a kid.

So is she.

Enough.

Enough.

(EERIE MUSIC)

(BIRDS CALLING)

("SYMPHONY NO. 9 IN D MINOR CHORAL" BY BEETHOVEN)

(SOFT MUSIC)

MAN IN GREY SUIT: It's good to see you again.

You're looking well.

It was a great sacrifice.

Thank you.

NERIDA VOICEOVER: Just over a year ago,

I was asked by this council to find a twin.

A very special twin.

With the ability to communicate without speaking.

I found her.

As I said I would.

(SUSPENSEFUL MUSIC)

This twin has indeed the DNA we require for a perfect pair.

The evidence appears undeniable.

Her visions could have been seen as merely random dreams.

Premonitions, maybe.

But not to her.

What first started as a mimicking of behaviour

moved across the spectrum of pain,

suffering,

and anxiety,

to even a physical manifestation of symptoms.

One could bleed when the other was cut.

As we pushed the subject,

her twin drew closer.

Stage 4 was the final test.

Total crossover.

(DRAMATIC MUSIC)

(YELLING)

(CLEO GASPING)

MAUDE: She's gone, isn't she?

RALPH: For weeks now.

MAUDE: I was in Germany.

They've been doing this for a long time.

They just never got this far before.

(SOMBRE ORCHESTRAL MUSIC)

Did she know?

Did she know that I loved her?

I did.

I don't why I rationed it sometimes.

But I loved her.

(BIRD CALLING)

(DOG BARKING)

Ralph.

Ralph.

Where's your brother? (GUNSHOT BOOMING)

(SOMBRE MUSIC)

(WHISPERING)

(PIANO MUSIC)

(SQUELCHING) (GRUNTING)

(GROANING AND GASPING)

Help me.

My theory was always that the chosen twin, when found,

would travel the exact same path as the subject before her.

But is there a guarantee?

(NERIDA WHIMPERING)

Is fate predetermined?

Can we really lead others?

Or do any of us really know the answer?

Unlike this council, who believe

that we can harness and control thought,

I now realise that we may able to alter fate,

but we can't escape it.

Drop it. (FAINTLY)

Subtitles by explosiveskull