Original subtitles

Provided by explosiveskull https://twitter.com/kaboomskull

[lively piano music playing]

- [door opens] - [indistinct chatter]

[C.L.] Ree?

Ree?

Wake up, baby.

They wanna hear you sing.

You wanna sing?

Yes, please.

All right.

[indistinct chatter and laughter]

Clarence, Ella's looking for you.

Wait here, Ree.

- I'll be right back. - Okay.

[woman] They butchered my essay.

Took all the politics out.

Can you believe that?

Communism is absolutely for the Negro.

How else are we gonna have everything we ever wanted?

Now, how does a man with one eye

play like he has four hands?

You been practicing?

Yes, Mr. Tatum.

[woman] She could hit three octaves easy.

[man] You know, you the finest looking cat here, right?

Nigga, I know that.

What else you got?

Hey, Ree.

Hey, Uncle Sam.

[Sam] No more segregated clubs for me.

I'm not walking through no one's kitchen

to get to the stage.

[woman] I said to them, "I'm so happy to be performing in England,

but just remember

there's only one Heaven, one Earth,

and one queen.

Me. Dinah Washington."

[chuckles]

"That Elizabeth on y'alls throne is an imposter."

- You didn't. - Oh, yes, I did.

- And I made 'em bow before me. - [chuckles]

Well, look out, y'all.

The entertainer is here.

Hi.

[Duke] He said he wanted a race novel.

Sure, he desegregated the army.

But he didn't do a damn thing after that.

- Hi, Aunt Ella. Uncle Duke. - Hey.

[C.L.] You ready, Ree? Come on.

Excuse me? [clears throat] Everyone.

Everyone.

For those of you visiting my home for the first time,

this is my daughter, Aretha.

She'd like to sing a little something for you.

What would you like to sing, Ree?

How old is she?

She's 10,

but her voice's going on 30, honey.

[C.L.] Aretha would like to perform

My Baby Likes to Bebop.

Damn!

I was gonna record that on my next album.

[laughter]

Can we do a duet?

♪ I was bopped on the head ♪

♪ Now I'm tall as a treetop ♪

♪ And just to end like new ♪

♪ I find the melody's dead 'Cause my baby likes to bebop ♪

♪ And I love to bebop too ♪

[scatting]

♪ I love to bebop too ♪

[man] Sing, baby!

[scatting]

♪ How I love to bebop too ♪

♪ I saw old Uncle Ned Do a dance and a flip-flop ♪

♪ He jumped Like the hepcats do ♪

♪ I flipped my lid when he said "My baby likes to bebop" ♪

♪ And boy... ♪

[scatting]

♪ And I like to bebop too ♪

[cheering and applauding]

Back to bed with you.

[all groan]

[cheering and applause]

[young Aretha singing along] ♪ Oh, when the saints ♪

♪ Go marching in ♪

♪ Oh, when the saints Go marching in ♪

Those white folks don't know what to do with her.

Sock it to 'em, Clara!

[young Erma] Yeah, Grandma!

Sock it to 'em! Sock it to 'em!

[singing continues on TV]

[doorbell rings]

Momma's here!

[door opens]

- [Aretha] Momma! - [chuckling]

God! Babe, I missed you so much.

[Aretha] Hi! Momma!

[chuckles]

Mommy!

[screams excitedly]

My babies!

[chuckling] My precious!

[children chuckling]

[Barbara chuckles]

Come on, let's go! Let's go!

- Let's go! - [young Erma] Bye, Grandma!

[Barbara] Come on, baby!

[young Aretha] Let's go in the car!

[Barbara] ♪ In everything ♪

♪ That's light and gay ♪

♪ I'll always think of you That way ♪

♪ I'll find you In the morning sun ♪

♪ And even when The night is new ♪

♪ I'll be looking at the moon ♪

♪ But I'll be seeing ♪

♪ You ♪

[kisses]

Sing another one, Momma!

Oh, Ree, that's the third song now.

Please?

[clicks tongue] No, I want to talk.

- [pleadingly] Please? - Oh, God.

Oh, all right.

What if I sing-talk, hmm?

♪ How is Aretha doing? ♪

♪ Aretha's doing all right ♪

♪ Just all right? ♪

♪ What about church? ♪

[Aretha] ♪ We praising the Lord, Momma! ♪

♪ Praising the Lord! ♪

- ♪ Praising! ♪ - ♪ Praising! ♪

- ♪ Praising! ♪ - ♪ Praising! ♪

- ♪ Praising the Lord! ♪ - ♪ Praising the Lord! ♪

[both] ♪ All day long ♪

[Barbara chuckling]

You still singing at the Saturday night parties?

Yeah.

Mmm. Don't say "yeah".

"Yeah" is common. Say "yes".

Yes.

You enjoy it?

- Yeah. Yes. - Uh-uh.

[Barbara chuckles]

Look at me, Ree.

If you ever don't want to sing, don't.

I love singing.

No, I know. I know.

Your daddy doesn't own your voice, Ree.

Nobody does but God.

And you don't ever have to fear any man.

You understand?

You are so worthy, Ree.

Don't you ever let anybody tell you otherwise.

Yes, Momma.

[young Aretha sobbing softly]

Oh, Ree, don't cry.

Come on, I'll see you for your birthday.

Three weeks is a long time.

I know, but I am always with you.

Even when I'm not there.

Okay?

Go.

[C.L.] Ree, get back here!

Ree!

[softly] Goodbye!

Bye, Momma!

[Clara] ♪ We're marching ♪

[congregation] ♪ We're marching Marching up to Zion ♪

♪ That beautiful ♪

[congregation] ♪ That beautiful ♪

♪ City of Zion ♪

Ree?

Ree?

I'm the oldest. I should be in the front of the line.

Hush.

We have nothing to fear, church.

'Cause what is the white man compared to God?

[congregation agreeing]

What is any law, any injustice

compared to the power of our Lord?

[congregation agreeing]

'Cause He will deliver us from the den like Daniel.

And Daniel went into that lion's den.

Daniel went into that lion's den.

- Yes, Jesus! - Not yelling,

nor fussing.

Not crying!

- Not complaining! - No!

Praising the Lord!

- Yeah! - 'Cause he knew

the Lord was with him.

He feared no man!

Can you hear me, church?

I wish somebody would pray with me

- 'cause He will! - He will!

- [C.L.] He will! - He will!

He will shut the jaws of segregation,

and any man, person,

or institution that would dare

stand against us.

He took us from slavery,

he took us from the valley of reconstruction.

- [applause] - [C.L.] Freedom!

- Freedom! - [C.L.] Freedom!

Freedom!

- Freedom! - [congregation] Freedom!

Freedom now! Praise Him! Praise Him!

- Preach, Daddy, preach! - [C.L.] Hallelujah.

[indistinct chatter]

[boy] Hey? Ree?

Ree!

How come you're not singing tonight?

Daddy didn't ask me to.

What's your doll's name?

Dee.

Mmm. That's a pretty name.

You're pretty, too.

What's your boyfriend's name?

[laughs] I don't have a boyfriend.

I can be your boyfriend.

Would you like that?

We'll have fun.

[Mama Franklin singing] ♪ There's my ♪

♪ Luck wrong ♪

Come on, Ree!

I don't want to.

Ree, I will beat your behind.

What are you doing?

I don't care if you beat me.

I don't want my hair done.

Don't you wanna look pretty for church tomorrow?

No!

Y'all wait in the living room.

Come on.

Don't sweat out all my work.

That's gotta last you all week!

Sit down.

You wanna tell me what's wrong?

Ree-Ree?

I know you don't wanna tell me,

but you can always tell the Lord, Ree.

He loves you, no matter what.

[sighs]

[Sam on speakers] ♪ I am standing ♪

♪ On the Jordan ♪

♪ Gazing across ♪

♪ Thy stormy tide ♪

You're supposed to be in bed, Ree.

♪ There I'll rest my every burden ♪

Come, come and join me for a while.

♪ Till all doubts and fears ♪

♪ Lord, subside Whoa, yes ♪

What if I wasn't here?

What do you mean by that?

- I don't know. - [phone ringing]

Hello?

[C.L.] See how nicely their voices are blending?

They let Sam take the proper lead.

Too many members of our choir try to stand out

instead of supporting the soloist.

Clarence?

Come to the phone.

- Play this next. - Okay.

Right back.

- [Mama Franklin] Barbara's dead. - [C.L.] How?

[Mama Franklin] Heart attack.

[Sam continues singing on speakers]

[C.L.] I'll tell them in the morning, Mama.

No. No, you cannot wait till tomorrow

to tell them their momma is dead.

- [gasps] - [glass shatters]

[softly] No. No.

Ree?

[young Aretha crying]

Ree?

[young Aretha wailing]

I'm sorry, baby.

Let's go inside.

[young Aretha continues wailing]

[all] ♪ Happy birthday to you ♪

♪ Happy birthday to you ♪

♪ Happy birthday, dear Ree-Ree ♪

♪ Happy birthday to you ♪

Come on now, Ree.

She just miss her momma.

They all missin' her,

but how long she gonna keep silent?

Goin' on three weeks. She gotta...

She just needs a little time. That's all.

Ree?

Miss Clara made you this beautiful cake,

and Reverend James came especially for you.

What do you say, Ree?

Do you say, "Thank you"?

- Do you say something? - [bangs table]

Make a wish, Ree.

[crying]

I can't do this.

- [Mama Franklin] Come on. - [crying] Momma. Momma.

[Mama Franklin] Come on, baby. It's all right.

- Momma. Momma. - It's all right.

- Come on, baby. - Momma.

- [gentle piano music playing] - [James] ♪ Do not carry ♪

♪ Everything ♪

♪ To God in prayer ♪

Why are you hiding over there?

Come on over here and get your lesson.

You know this one.

Tell you what, I'll be the choir

and you play the lead.

Three, four...

[playing upbeat melody]

Ree is helping me with my arrangement.

I see.

Has she spoken to you?

♪ No, we ain't gotten that far ♪

Do you think you can stay silent forever, Ree? Hmm?

[piano stops playing]

Look at me.

We must honor the gifts that God has given us, Ree.

You will be singing in church tomorrow.

James, can you prepare her?

[clears throat] Yes, sir.

Thank you.

[James clears throat]

Don't let nothin' come between you and your music, Ree.

Music will save your life.

[C.L.] God holds our hand.

- [congregation] Yeah! - Through Him,

we can do anything!

He's a catcher!

A dream catcher!

Amen!

- [congregation] Amen. - [C.L.] Amen.

And now,

my daughter Aretha will bless us with song.

[applause]

[piano playing]

♪ There is ♪

♪ A fountain ♪

♪ Filled ♪

♪ With blood ♪

[applause]

♪ Drawn from ♪

♪ Emmanuel's veins ♪

♪ And sinners ♪

♪ Sinners plunged ♪

♪ Beneath that flood ♪

[choir vocalizing]

[young Aretha vocalizes]

[Aretha] ♪ Sinners ♪

♪ Sinners plunged ♪

♪ Beneath ♪

♪ That flood ♪

♪ Lose all ♪

♪ Their guilty stains ♪

- [choir vocalizes] - ♪ Lose all their guilty stains ♪

[choir] ♪ Guilty stains ♪

- ♪ Lose all their guilty stains ♪ - ♪ All their guilty stains ♪

- ♪ And sinners plunged ♪ - ♪ Sinners plunged ♪

♪ Beneath that flood ♪

♪ Lose all ♪

♪ Their guilt ♪

♪ Guilty stains ♪

♪ Yeah ♪

- ♪ Hallelujah ♪ - ♪ Hallelujah ♪

- ♪ Hallelujah ♪ - ♪ Hallelujah ♪

♪ Yeah, yeah, yeah ♪

♪ Hallelujah ♪

- [Aretha vocalizes] - [upbeat music playing]

♪ Hallelujah ♪

♪ Did somebody say we are running through the flood? ♪

♪ Yeah! ♪

♪ Yeah ♪

♪ Yeah, yeah, yeah ♪

♪ Yeah ♪

[vocalizing]

I wonder, do you feel all right?

[congregation] Yes!

[C.L.] I said, do you feel all right?

[congregation] Yes!

Amen.

I'm ecstatic to be able to report to you

that the day before yesterday, we filled up the jail.

[congregation cheers]

We have already won a victory here in Birmingham.

Amen!

[C.L.] Due, in no small part,

to the valiant work of our leader.

A man whom I feel honored to call my friend.

The Dr. Martin Luther King Jr.

All right! Yes, sir! Yes, sir! Yes, sir!

Come on! Somebody!

Some people

think that we are crazy

for taking on this fight.

[congregation] Yes!

But the forces against us are strong,

and they are determined to stop us.

But we are just as determined to go on!

[shouting in agreement]

Non-violently,

with love.

As long as it takes to win our freedom.

Yes!

And Jesus is here with us every single step of the way.

Amen!

Yes, sir!

[Aretha] Uncle Martin...

Now don't call me Uncle Martin anymore.

You make me feel old, that's the problem.

I want to march.

Don't look at me like I'm still a child.

I'm not afraid.

- Oh, you're not? - No.

Well, damn.

Then you need to be leadin' this movement

and teaching me how to not be

terrified of these crazy white folks.

- [Aretha] Martin... - [indistinct chatter]

Why do you want to march?

After all this time traveling with you,

after all the horror we've seen,

what kind of question is that?

Are you runnin' from your daddy?

No.

So, you tell him you wanna march?

I don't have to.

It's my decision. I'm a grown woman, remember?

[laughs] Oh, so, you ready to orphan your kids now, hmm?

- Are you? - No.

But you're doing it anyway.

Because I have to.

- And I don't? - Ree...

Singing for the movement

and sending people into battle with a song

is not enough anymore.

I need to be with them.

You have a good talk?

Yes.

It was a good talk.

Brother, come on.

She's restless, I can tell.

I... I... I don't know if it's restless.

She just wants to do more.

What kind of more?

I'll be there in a minute.

Momma!

Clarence! Eddie!

- Momma! Momma! Momma! - My babies! My babies!

- Are you all right, baby? - [crying]

Clarence, you go in your room and wait for me.

Come here. It's all right, baby, it's all right.

Come on. Come on.

It's all right. It's all right.

[sighs] Every time I come back, they want me less.

[sighs] That's not true.

They talk about you all the time.

Every night, I show 'em where you are on the map.

One cookie.

Fix your face now.

This party is for y'all.

- How are you, Mama? - God is good.

All the time.

Amen. [chuckles]

Let's eat. I'm starving.

- [jazz music playing] - [man singing]

[Erma] So, where y'all headed?

We go to Tennessee, then to Georgia,

then to North Carolina, and then back to Alabama, I think.

Damn. Martin's tour's busier than Daddy's.

Erma, sometimes we hit two states in one day.

What was that story about Aunt Mahalia not paying you?

She said I would receive my reward in Heaven.

[Erma and Carolyn laughing]

[Aretha] Oh.

No, Ree. Uh-uh.

[Erma sighs]

Oh, oh, oh, oh, oh...

- Smokey... - Hey, hey, hey, hey.

[Cecil] He's got some news, Ree.

I heard you're cuttin' a record.

Yeah, with Berry over at Motown.

They got some sweet sounds, Ree.

They're signing a bunch of folks in the neighborhood.

Listen, we are trying to put Detroit on the map.

You gotta be a part of it.

- I would love that. - Yeah?

Cecil, let me talk to Daddy about it.

Don't bring it up until I say.

You know what? Let's let Berry talk to him.

[Cecil] Better yet, his sister.

She can talk ice out of the devil's mouth.

[Smokey chuckles]

What are you drinking?

Iced tea.

Just iced tea?

- With a little bourbon. - [chuckles]

Yeah, you look like a bourbon girl.

How long are you in town for?

[Aretha] A week.

Then I return to Tennessee.

Well, then, I won't waste any time.

[Aretha] Mm.

- I'd like to take you out. - Hmm.

I'd like you to take me out.

How about tonight?

Ree!

Come and help me set this table.

Yes, to tonight.

- Okay. - Excuse me a moment.

Reverend.

I put up with you coming to my house all these years

'cause you were friends with my friends.

But I don't want you around here anymore.

May I give you some counsel, Reverend?

Ephesians 6:4 says, "Fathers,

do not exasperate your children.

Instead, bring them up in the training

and the instruction of the Lord."

[laughing] Lord, give me strength.

Are you serious?

You may wanna loosen your grip on Aretha.

You know, every minister's daughter I've ever known...

Nigga, you don't wanna mess with me...

or mine.

[band continues playing music]

[lighter clicks open]

[lighter clicks shut]

I got this.

I got it.

- [jazz music playing] - [man] ♪ Honey ♪

- [all in unison] Whoo! - ♪ Honey ♪

Whoo!

♪ Please don't leave me now ♪

♪ Oh, you know I love to party ♪

♪ And I want, I want you by my side ♪

Take that off.

- Everyone! everyone! - [music stops]

Please, please, gather around.

Aretha, will you join me, please?

This party is not just, uh,

a homecoming.

It's also an announcement.

God is moving us on to our next chapter.

I've been talking to a number of record producers

about Aretha.

There were many

who were interested in working with her.

Tell them what it is, Ree.

[Aretha] Ah...

A plane ticket to New York City.

[cheering and applause]

Congratulations, Ree.

Thank you.

[upbeat soul music playing] ♪ Think, think ♪

♪ About the good things ♪

[C.L.] This is it.

Wow.

[C.L.] Excuse me?

I have a meeting with a John Hammond

of Columbia Records.

[man] Sign in, please.

[upbeat soul music continues playing over speaker]

You ready?

- [elevator bell dings] - I'm ready.

[C.L.] I've always seen Aretha as more than a gospel singer.

Well, clearly from her demo, she's so much more.

[chuckles]

Stand up, Ree.

Turn around.

There can sometimes be a lack of effortlessness

of the kind you find

in a Lena Horne or a Dorothy Dandridge.

But what Aretha lacks in formal education,

she more than makes up for in experience.

She has performed before every type of crowd imaginable,

from small churches to audiences of thousands.

You can sit down now, Ree.

[chuckles] I... I'm curious.

Who are your favorite artists?

Dinah Washington.

Ella Fitzgerald.

- Hmm. - [Aretha] Sam Cooke.

All family friends.

Sam would very much like Aretha

to sign with RCA.

Well, we can't have that.

Welcome

to Columbia Records.

Oh. [chuckles]

[John over speaker] Prove yourself

as a jazz artist, and everything else will follow.

[Aretha] I understand.

[John] Wonderful.

Are you ready, Aretha?

- Yes, Mr. Hammond. - Wonderful.

The conductor will point at you

when he's ready for you to begin.

[playing lively jazz music]

♪ You got to accentuate the positive ♪

♪ And eliminate the negative ♪

♪ And hang on to the affirmative ♪

♪ But don't mess with mister in-between ♪

She sounds wonderful, doesn't she?

She does.

Like a black Judy Garland.

[Aretha] ♪ You got to spread joy up to the maximum ♪

♪ And bring gloom down to the minimum ♪

♪ And have faith or pandemonium ♪

♪ Is liable to walk upon the scene ♪

[announcer on mic] Ladies and gentlemen,

the Village Vanguard is proud to present

Miss Aretha Franklin,

debuting her latest record, Unforgettable.

[applause]

Good evening, ladies and gentlemen.

We hope you enjoy the show tonight.

I see an old family friend.

Dinah Washington is in the audience.

[cheering and applause]

I'd like to sing a song

in honor of her great artistry and talent.

[playing soft soul music]

♪ This bitter ♪

♪ Bitter... ♪

[Dinah] Bitch!

Don't you ever sing the Queen's songs

when the Queen is in front of you!

What the hell were you thinking?

I'm sorry.

You wanna take me on?

- No. - [Dinah] Liar.

You wouldn't be here if you wasn't trying to replace me

and every other bitch out here singin'.

How many albums have you had?

Four.

And no hits.

[liquid pours]

You out here, but I can see you

still that little girl in your daddy's living room.

You're singin' everything and anything.

Shoop Shoop one day, Skylark the next,

and then some Billie Holiday blues.

Girl, you're all over the place.

What do you wanna sing?

I don't know.

You don't know?

I want hits. I just want hits.

Girl, you need to let go of that "up with the race"

Booker T. Washington proper Negro shit.

That's not you.

Your daddy likes to pretend that's who he is,

but that's not who he is either.

Child, y'all church folks

are some of the nastiest people out here.

Ray Charles told me that the best sex he ever had

was when he was singin' on the gospel circuit.

Honey, find the songs that suit you. That move you.

Until you do that, you ain't goin' nowhere.

Put some teabags on that.

Take the puffiness down.

How's Big Mama?

She's all right.

The kids?

They're good.

Child, you ever gonna tell us who their daddy is?

[soft music playing]

[shuddering]

Ree-Ree?

You wanna tell me what's wrong?

I can't.

[phone ringing]

[phone continues ringing]

[soft music continues playing]

[John] No answer.

[C.L.] Call her again.

Oh, there we go. [chuckles]

Hmm.

I didn't know you were comin' in today, Daddy.

[C.L.] You are 68 minutes late.

Mr. Hammond asked me to come in.

You've been skipping interviews and gigs.

The demon is back.

Ree has a tendency to indulge her pain.

Can we talk about this somewhere else?

[C.L.] John. John.

It's important that you understand that this behavior

is not a reflection of her upbringing or her race.

[John] Well, I've worked with Bessie Smith

and Billie Holiday.

Aretha is a saint in comparison.

She wasn't raised in a whorehouse like them.

She was raised in a proper home

with every convenience and luxury.

But still, a darkness would descend on her.

I called it the demon.

She'd lock herself away, wouldn't speak, move,

just wallow in whatever imaginary...

I...

You told me before we came out here

that you had it under control.

I have control.

You keep complaining that you don't have any hits.

This is why you don't have any hits.

Acting like a trifling...

Apologize to Mr. Hammond.

No, there's no need to apologize.

That is not why I don't have hits.

You don't pick good songs for me.

Sorry for being late, Mr. Hammond.

It won't happen again.

I'm ready to record when you are.

[C.L.] Hmm.

Please excuse me while I go to the ladies' room.

[indistinct chatter]

[peppy pop instrumental music playing]

So, you gonna come with us this weekend?

I have a gig.

We can go after your gig.

You work too hard.

- Not according to my daddy. - [chuckles]

Well, you need some fun.

Come with us.

Can you introduce me to his friend?

I don't know him.

- [music stops] - [all groan]

- [peppy pop music resumes] - [all cheer]

You were supposed to take me out in Detroit.

Yes, one of my singers

ran into a little trouble out of town,

so I had to take care of it.

I think my father said something to you

- to make you reconsider. - Oh. [chuckles]

That's a nice little fable you got goin' on in your head.

[laughs]

I know what you do.

It doesn't bother me.

I know it doesn't bother you.

You're rebelling against your daddy. [chuckles]

I don't mind.

Listen, you wanna use me for my body,

you can use me, baby.

You can wring me dry.

You and me, we've been through it.

So we can skip all the flowers

and the promises, and the love bullshit,

and just have some fun.

I like fun.

And we'll have plenty of it.

I want one thing from you.

What?

To hear you sing.

Just for me.

What will I get in return?

The best night of your life.

Taxi!

I want you to think about me when you sing tomorrow.

You're not coming home with me?

No.

What about the best night of my life?

I didn't say it would be tonight.

[smooth jazz music playing]

♪ There was a boy ♪

♪ A very strange enchanted boy ♪

♪ They say he wandered very far Very far ♪

♪ Over land and sea ♪

♪ A little shy ♪

♪ Sad of eye ♪

♪ But very wise was he ♪

[misses line]

♪ That very day He passed my way ♪

I'm sorry.

I'm sorry.

Would you like to take a break, Aretha?

No.

I'll get it right this time.

[John] Take 12.

[smooth jazz music resumes playing]

♪ Ooh, yeah ♪

♪ There was a boy ♪

♪ A very strange enchanted boy ♪

♪ They say he wandered very far Very far ♪

♪ Over land and sea ♪

♪ A little shy ♪

♪ Sad of eye ♪

♪ But very wise was he ♪

♪ And then one day ♪

♪ One magic day, he passed my way ♪

♪ And while we spoke of many things ♪

♪ Fools and kings ♪

♪ This he said to me ♪

♪ "The greatest thing ♪

♪ You'll ever learn ♪

♪ Is just to love ♪

♪ And be loved in return" ♪

[music fades]

You have all my records.

You like them?

I bought them.

Which one you like best?

They've all got something.

Is this one your favorite?

Hmm?

Or this?

What are you doing?

Or this one?

Went to 64 on the charts.

You didn't even open this one.

You don't like them?

I didn't say that.

Then say it.

I won't be upset.

No one does.

First, I've listened to all your albums.

Including this one.

More than once.

Secondly, I love music.

I take it seriously.

I managed my first artist when I was 15.

Thirdly, what you experienced yesterday,

17 takes on one song?

That happens to me every time I hear you sing.

My brain gets all...

muddled.

Well, first,

my apologies for putting you through so much pain.

- And secondly... - Mm-hmm.

...you should have never told me about your Achilles' heel.

On our first date.

♪ Jazz ♪

[vocalizing]

Oh, damn it.

- [humming] - [chuckling]

- Keep singing. - [humming]

I didn't think you were comin' home for two weeks.

- I miss my babies. - [doorbell rings]

And y'all.

Who's that plate for?

Ted.

Oh, sweet Jesus, are you serious?

- What are you thinking? - Please help me with Daddy.

- No... - Help me.

Good Sunday, everybody.

What the hell is this?

You didn't tell them I was coming?

I don't know what you think you're doing here

and I don't care.

Just leave. Now.

Aretha asked me to come

and Aretha can ask me to leave.

- I want him to stay. - This is my house.

Since when do you get to tell me

who gets to be in my house, Ree, huh?

I want you to get to know him.

He's not what you think.

Are you pregnant again?

No!

We just wanna be together.

I love your daughter, Reverend.

And I think she loves me.

I do.

- No! No! - [Mama Franklin] Oh, my Lord!

- [Erma] Ree... - [Mama Franklin] Clarence! No!

[C.L.] Didn't I tell you not to mess with me or mine?

- Didn't I tell you? - Clarence!

Son, don't you let this man

put your church and your soul in jeopardy.

Reverend,

we have to figure this out.

I'm not going anywhere.

You can't see through this hustler?

- You're the greatest hustler I ever seen. - [C.L. chuckles dryly]

Every night, she picks herself apart because of you.

She thinks it's her hair, her body, her voice.

She worries about failing you, but it's your failure.

Get out! Just...

Daddy, I know how busy you are.

You have so much going on all the time.

Running a church, the speakin' engagements,

managing Carolyn.

I know about your contract at Horizon Records.

I was gonna tell you.

When? When the damn album came out?

Nobody can tell you anything, Ree. You're so jealous.

Jealous? Of you two?

You think you better than us?

That's exactly

- what she's saying. - [Aretha] No!

Quiet! Quiet! Quiet!

You are not leaving this family

for that piece of trash.

I need a change.

I wanna sing what I wanna sing

and I wanna dress like I want to dress.

And I want Ted to manage me.

He's not worth the shit at the bottom of my shoe.

So that means that you think I'm worth less than that.

After all we've been through.

After all that I've done for you.

I have to do this, Daddy.

You are going to beg me to take you back.

But I won't.

I won't.

I'm gonna say goodbye to my children.

- Okay. - And then we'll go.

Okay.

[Ted sighs]

Y'all not gonna fix me a plate?

[Erma scoffs]

[rock music playing]

♪ Hey, Joe ♪

[imitates airplane engine]

[yelling]

[both chuckle]

[rock music continues playing]

♪ Hey, Joe ♪

♪ I said, where you goin' with that gun in your hand? ♪

You keep beating up these club owners,

there won't be any clubs left for me to sing at.

No one disrespects us.

I just don't know what else to do...

after nine albums.

Yes, this is Ted White.

I'm calling to speak to Mr. Whitfield.

Well, I'd like to speak to him about Aretha Franklin.

- Mommy can't cook either. - It's sticky!

[phone ringing]

I'm gonna be honest with ya.

Your version of Skylark is one of my favorite songs.

Thank you, Mr. Wexler.

Oh, please, call me Jerry.

You know what Etta James said when she heard it?

She said you pissed all over that song,

and she would never sing it again in her entire life.

You ruined that song for Etta James.

That is how good it was.

And I'm not bullshittin' ya, okay?

A lot of these guys out here

will say anything to get in your drawers,

but that's not me.

I'm sorry. All right, I'm crude.

And you're a church girl, and I should watch my mouth.

I'm sorry.

You do talk, don't ya? Not just sing?

You are the sweetest thing, Aretha.

I'd like you to call me Miss Franklin.

Okay, Miss Franklin.

What songs would you like to sing?

I want hits.

[Ted] We're done with standards.

We want original songs made for Aretha only.

Great! We are speaking the same language, my man.

One of the songwriters I represent

wrote a good song for Aretha,

I Never Loved A Man.

Terrific. I've got the perfect place to record it.

I'm working with this little studio

down in Alabama and...

Aretha's only recorded in New York.

Yeah, I know that, but I think that's part of the problem.

It's overproduced, it's a little too polished.

I mean, these boys down there...

"Boys"?

Don't be offended, all right?

I say boys because they're young like Aretha,

like Miss Franklin, not because they're Negroes.

These guys are the best musicians

I have ever worked with in my life,

and that's saying something.

I've been doing this a long time.

They don't need to read charts.

They just feel their way through the music.

It's really something. How does that sound to you?

Sounds good.

And I'm not controlling like Hammond, okay?

I'm gonna give you plenty of space

to do your thing, all right?

This is your show, Miss Franklin.

Your record.

Okay?

[upbeat soul music playing]

♪ Any way you wanna ♪

[Aretha humming softly]

This is it?

What did all the glamor at Columbia get me?

Do you know who you're messing with?

"Do I know who I'm..." Do you know who you're messing

- with, buddy? - You tryin' to screw me over,

- Rick? - You in my town now, buddy!

This is my place!

It's my record!

Everything you see here is mine!

This is my record!

Miss Franklin, Ted,

- welcome. - Jerry.

Nice to see you. Hello.

I'm Rick Hall.

This is my place. [chuckles]

You don't have any Negro musicians in this town?

Uh...

- We were just discussing that. - Not today.

Not today?

There was a miscommunication, Ted.

Negroes only allowed to pick cotton in these parts, huh?

[Rick chuckling]

Percy Sledge had that same look on his face

when he first come in here.

And then he heard 'em play

and he was very satisfied with his record.

I think you will be, too.

- Drink? - We don't have time

for this right now.

I like your style. [chuckles]

Where can I get a jacket like that?

You'd have to come to Harlem.

[chuckles]

Always wanted to go to Harlem.

Yeah.

[piano music playing over speaker]

[man] ♪ You're a no good heartbreaker ♪

Who's this singin'?

The songwriter.

♪ And you're a cheat ♪

[laughter]

Sings like a writer.

[scoffs]

[Roger] Rick, you want drums on this?

Or you just wanna keep it boring?

I don't know, Roger. You know any good drummers around here?

Don't, actually.

It's just slow.

- It's just a little slow. - [Roger] Little slow, yeah.

All right! Come on, guys!

Hang with me on this. This is a good song!

It's a great song.

It is what it is.

[music stops]

All right. Let's see what we can make of it.

[Rick] Hey, Spooner.

You wanna keep that shuffle on there or straighten it out?

Let's straighten it out.

Straighten it out.

[Roger] Straightening out.

[electric guitar playing]

Put some fatback on it.

Yeah, like a King Curtis deal?

- [Chips] Yeah... - [playing melody on piano]

Hey, man, that's groovy.

All right, let's go with that.

- Yeah. - [band playing along]

♪ You're a no good heartbreaker ♪

♪ You're a liar and you're a cheat ♪

♪ And I don't know why ♪

♪ I let you do these things... ♪

Okay, let's hold up.

Hold up. It sounds like,

uh, Sunday morning service in there.

Yeah, I was just about to say,

it's a little too churchy, guys.

I liked it.

Let's find a different pocket, all right?

Something with more swing.

Speed it up.

[Jimmy] Yeah.

No, don't speed it up. Follow me.

[resumes playing piano]

♪ Friends keep telling me ♪

♪ That you ain't no good ♪

♪ But, oh, they don't know ♪

♪ I would leave you if I could ♪

Stop. Stop.

It's too busy.

Let the song do the work.

Yeah, stop showing off, guys.

Yeah, boys, if you're trying

to impress me, it's not working.

Yeah, and more importantly, it's startin' to piss me off.

Maybe we should do something closer

to the original arrangement.

- [Rick] Nah. - No, it's done.

[resumes playing piano]

[Chips] You kept steppin' on me.

[Jimmy] You were all over the neck.

I couldn't tell what you were doing.

I'm all over the neck?

Find your lane, Jimmy.

[Jimmy] Look who's talkin'.

They could hear your crash in Texas.

[Jack] Well, my horn arrangement's killer.

Y'all let me know when you're ready to hear it.

[Tommy] You gonna save the song, Jack?

As I have on many an occasion, okay.

Okay.

- [musicians] Good job, Jack. - [Chips] How about that.

[piano and keyboard harmonizing]

[musicians exclaim]

[Chips] Spooner's got it! Spooner's got it!

[Rick] Yeah, he does.

[band joining in]

♪ You're a no good heartbreaker ♪

♪ You're a liar, you're a cheat ♪

♪ I don't know why ♪

♪ I let you do these things to me ♪

♪ Friends keep telling me ♪

♪ That you ain't no good ♪

♪ But, oh, they don't know ♪

- [laughing] - Go on, baby.

♪ I'd leave you if I could ♪

♪ I guess I'm uptight ♪

♪ And I'm stuck like glue ♪

♪ 'Cause I ain't never I ain't ♪

♪ I ain't never, oh, no ♪

♪ Loved a man ♪

♪ The way that I I love you, yeah ♪

[over speaker] ♪ Sometime ago I thought ♪

♪ That you had run out of fools ♪

♪ But I was so wrong ♪

♪ You got one that you'll never lose ♪

That is rocking.

Yeah, it sounds pretty good.

- I can do better. - [chuckles]

It's like the perfect mixture of gospel, blues...

[Jack] And sex.

Baby, that's some of the best singin' and playin'

I've ever heard.

I want to overdub some backgrounds on the chorus.

You know, I was just thinkin' about that.

We can bring in some local talent...

No, I want to do it.

Okay, even better. Save me some money.

Jerry.

Let me talk to you for a moment.

Okay, okay.

Had a rocking thing on it.

- [Chips] Yeah, it did. - It was rocking.

[Aretha] ♪ The way that I, I love you ♪

I wasn't lookin' at nobody. I was trying to do my work.

He was looking at you.

Thought he was gonna get him some nigga tail.

Pack the bags.

It sounded good.

Real good.

It was really comin' together,

and you had to show your ignorant ass.

I oughta leave you here

and let those crackers have a go at you.

This was the best I ever sounded.

Couldn't you hear that?

We'll finish this in New York.

With my musicians.

Your musicians ain't shit.

You're not about to mess this up for me.

[Ted] Where the hell do you think you're going?

[Aretha] I've waited too long for this.

Where the...

Like hell you are.

You don't know who you're fucking with! Come here!

[knocking on door]

- Ted, it's Rick Hall. Open up. - [door handle rattling]

[Ted] This cracker here.

[door handle rattles]

[Rick] Evenin'.

May I come inside?

No.

I thought we should talk.

I got nothin' to say to your hillbilly ass.

I wish you wouldn't call me names. [chuckles]

Do I call you names?

And what would you like to call me, whitey?

[sighs]

I come here to make peace.

No, I don't wanna make peace with you, cracker.

[Ted sighs]

I come here to tell you that I fired

that horn player who was troublin' you.

And how'd it feel to take orders from a nigger?

[chuckles]

You know,

I don't hate you 'cause you're a...

a Negro.

I hate you 'cause you're a giant asshole.

Don't you ever step foot

near my studio again, all right?

Miss Franklin, you are welcome at any...

Don't you talk to my wife, cracker!

Now, you keep pushin' me...

Yeah, what you gonna do, redneck?

- And you keep pushin' me... - Peckerwood!

Now, you gonna "redneck" me one more time,

and you gonna "whitey" me one more time,

- and I'm gonna "nigger" you! - [yells]

[Ted] Bitch, call me a nigger again.

[both grunting]

[Rick] Call me a bitch again, huh.

- You stupid! Ass! Bitch! - [groaning]

- [objects clattering] - [both grunting]

You hungry?

[Aretha] I'm all right.

Come on now, baby.

Come on, come on. Come to Grandma. Come on.

Ree is home!

[gasps]

That bastard.

I'm gonna kill him.

You here for long?

I'm not sure.

[C.L.] Hmm.

[Otis Redding over speaker] ♪ All I'm asking ♪

♪ Is for a little respect when I come home ♪

♪ Hey now ♪

- ♪ Hey, hey, hey ♪ - [Aretha] ♪ Hey ♪

[children giggling]

Did Aretha Franklin call?

- [Linda] No. - No?

Get it, Momma!

♪ If you wanna ♪

♪ You can do me wrong ♪

Call Ted White.

♪ But all I'm asking ♪

♪ Is for a little respect when I come home ♪

Do that thing, Momma!

Just start callin' everybody on that list.

[Aretha] Give me more mashed potato.

[all laughing]

♪ Hey, little girl ♪

- ♪ You're sweeter than honey ♪ - [phone ringing]

♪ Oh, I'm about to give you ♪

[Aretha] Come on, Mama Franklin!

- Now, let's see you dance! - [laughing]

- [phone continues ringing] - [Aretha] All right! Oop.

♪ A little respect when I come home ♪

♪ Hey, hey, hey ♪

[chuckles]

Hello?

She isn't here.

And if you touch her again, I'll...

Go to hell.

♪ All my money ♪

Okay.

♪ And all I want to do ♪

♪ Is get me some respect Respect when I get home ♪

♪ Hey, hey, hey ♪

- Mind if I sing with y'all? - Me too!

♪ Hey, hey, hey ♪

[Aretha] ♪ That's what I need ♪

♪ That's what I want That's what I need ♪

Your momma cut her first record at that store.

Jesus Be A Fence.

Folks lined up around the block to buy it.

They lined up to buy your records, too.

[C.L.] Ha. I'm about to tell 'em that story now.

- Momma... - [music playing on speaker]

- Ain't that... - Don't say "ain't."

But ain't that you singing?

[Aretha over speaker] ♪ But, oh, oh, oh ♪

♪ They don't know ♪

They... They released that?

♪ That I'd leave you if I could ♪

[Erma] All right!

- [gasps] - [all chuckling]

[Cecil] It's a hit!

Ree, it sounds wonderful. [chuckles]

Don't you think so, baby?

It's amazing, Ree.

- [Erma] That's my sister! - It's amazing.

[Erma] That's your momma singing! That's amazing!

♪ The way that I, I love you ♪

[Erma] That's your momma singing!

[phone ringing]

Hello?

Mr. Wexler,

I'm ready to record.

Oh.

Thank God.

I want to record with the Muscle Shoals band.

Those boys have soul.

Yes, they do. They do.

And I want to provide the backup singers.

[backup singers] ♪ Woman ♪

[Aretha] ♪ You've gotta be a ♪

- ♪ Do-right ♪ - ♪ Do-right, do-right ♪

- [Aretha] ♪ All-night man ♪ - ♪ Do-right, do-right ♪

♪ Man ♪

[Aretha] ♪ Yeah, yeah ♪

♪ They say that it's a man's world ♪

♪ But you can't prove that by me ♪

♪ And as long as we're together, baby ♪

♪ Show some respect for me ♪

- ♪ 'Cause if you want a do-right ♪ - ♪ Do-right, do-right ♪

- [Aretha] ♪ All-day ♪ - ♪ Do-right, do-right ♪

[Aretha] ♪ Woman ♪

[Carolyn and Erma] ♪ Woman ♪

[music fades]

♪ Sittin' 'round ♪

♪ Me and my man ♪

- [soft piano music playing] - ♪ Be it my mother, my brother ♪

[door opens]

[piano stops playing]

Sorry.

You can't treat me like that.

I know.

I got demons too, Ree.

Can you help me fight mine

the way I help you fight yours?

Please.

I'm so sorry.

I will help you, baby.

I love you so much.

I love you, too.

[soul music playing]

♪ 'Cause company's all right with me ♪

♪ Every, every once in a while ♪

♪ Yeah ♪

♪ Oh, when me and that man... ♪

Ree, we've been talkin'.

How's Clara doin'?

- She's fine. - She's good.

[Aretha] Is Daddy ever gonna marry Clara?

[sisters chuckle]

[Carolyn] I'm surprised she's stayed this long.

Why would she leave? They're church royalty.

The same reason they all leave.

Same reason Momma left.

The same reason you need to leave Ted.

Ted is nothing like Daddy.

The way you two go at it?

Just like Momma and Daddy.

Momma and Daddy didn't fight.

[Carolyn and Erma laughing]

Wait...

You're not joking?

- Joking about what? - You don't remember?

Even I remember, and I was just three or four.

Remember what?

Aretha,

we used to climb up on the roof

and sing as loud as we could to drown them out.

How could you forget?

I still have nightmares about it.

Well, I was glad when Momma finally left.

[somber music playing]

Why did you leave?

You don't remember?

Remember what?

Nothing.

[Aretha] ♪ What you want ♪

[soft piano music playing]

♪ You know I got it ♪

♪ What you need ♪

♪ You know I got ♪

What are you doing?

Get Erma.

Sure thing.

[Aretha vocalizing]

♪ Oh, yeah ♪

♪ What you want ♪

♪ You know I got it ♪

♪ What you need ♪

♪ Ooh, you know I got it ♪

♪ All I'm askin' ♪

[vocalizing]

♪ Is for For ♪

Give me...

♪ Just a little bit ♪

[clears throat]

[both] ♪ Just a little bit ♪

♪ Just a little bit ♪

[Aretha] ♪ Just a little bit ♪

[clears throat]

♪ Just a little bit ♪

[Carolyn and Erma] ♪ Just a little bit ♪

♪ Just a little bit ♪

One more time.

[Carolyn and Erma] ♪ Just a little bit ♪

♪ Just a little bit ♪

Go a third below, Carolyn.

[Carolyn and Erma] ♪ Just a little bit ♪

Yeah.

♪ Just a little bit ♪

[Aretha] Yes.

♪ Just a little bit ♪

Yeah.

[all] ♪ Just a little bit ♪

♪ Just a little bit ♪

- ♪ Yeah, baby ♪ - ♪ Just a little bit ♪

- ♪ Take it home ♪ - ♪ Just a little bit ♪

- ♪ Sock it to me ♪ - ♪ Just... [laughing]

♪ Sock it to me ♪

Oh, Big Mama...

What the hell?

It's almost 3:00 a.m.

We're writin' a hit song.

It's Otis Redding's song.

- Just a little bit. - [laughs]

[Carolyn and Erma snickering]

Oh, God.

You really like it?

- It's wonderful, Ree. - It's great.

You're sure?

Don't do that.

Y'all tell me

- if you don't really like it. - I like it.

- I love it. - We love it, Ree.

Ree-Ree.

- Re-re-re-re-re-re-re-re-re. - ♪ Re-re-re ♪

- Ree. - ♪ Re-re ♪

[laughing]

♪ Re-re-re ♪

- ♪ Re-re-re-re ♪ - [piano playing]

♪ Re-re-re-re ♪

♪ Re-re-re-re Re-re-re-re ♪

That's really good.

♪ Respect Just a little bit ♪

[Jerry] Yeah!

[Tommy] What a line!

♪ R-E-S-P-E-C-T ♪

♪ Find out what it means to me ♪

♪ R-E-S-P-E-C-T ♪

♪ Take care, TCB ♪

[playing upbeat music]

- [Aretha] All right. - [man] Here we go. Yeah.

I need a Harlem bassline, Tommy.

- Not Alabama. - [chuckles]

Well, I ain't been to Harlem yet.

But let's funk it up.

[Erma vocalizes]

[Aretha] That's nice.

- [guitar playing funky riff] - [all exclaim]

That is groovy!

Come on in, Spooner. What ya got?

- [playing funky synth music] - Yeah!

I'm gonna keep it simple.

Like you always do.

- [Tom] All right. - [Aretha] That's groovy.

- [Tommy] I dig that. - Oh, it's her song now.

- Otis who? - [laughs]

- [playing improvised solo] - [Aretha] Solo? Okay.

[musicians cheering]

[vocalizes]

All right!

- [music continues] - [crowd cheering]

[applause]

[music continues]

♪ What you want Baby, I got it ♪

♪ What you need You know I got it? ♪

♪ All I'm askin' ♪

♪ Is for a little respect when you come home ♪

- ♪ Just a little bit ♪ - [Aretha] ♪ Hey, baby ♪

- ♪ Just a little bit ♪ - ♪ When you get home ♪

♪ Just a little bit Just a little bit ♪

♪ I ain't gonna do you wrong while you gone ♪

♪ I ain't gonna do you wrong 'cause I don't wanna ♪

♪ But all I'm askin' ♪

♪ Is for a little respect when you come home ♪

- ♪ Just a little bit ♪ - [Aretha] ♪ Yeah, baby ♪

- ♪ Just a little bit ♪ - ♪ When you get home ♪

- ♪ Just a little bit ♪ - [Aretha] ♪ Yes, sir ♪

♪ Just a little bit ♪

♪ I'm about to give you all of my money ♪

♪ And all I'm askin' in return, honey ♪

♪ Is to give me my propers when you get home ♪

♪ Just a, just a, just a ♪

♪ Hey, baby When you get home ♪

- ♪ Just a little bit ♪ - [Aretha] ♪ Yeah ♪

♪ Just a little bit ♪

- [saxophone solo plays] - [crowd cheering]

♪ Ooh, your kisses ♪

- ♪ Sweeter than honey ♪ - ♪ Ooh ♪

♪ And guess what? So is my money ♪

♪ Ooh ♪

♪ But all I want you to do for me ♪

♪ Is give me some respect ♪

♪ Yeah, baby Bring it to me ♪

♪ Just a little bit ♪

- [Aretha] ♪ Listen ♪ - ♪ Just a little bit ♪

♪ R-E-S-P-E-C-T Find out what it means to me ♪

♪ R-E-S-P-E-C-T Take care, TCB ♪

♪ Sock it to me, sock it to me, sock it to me, sock it to me ♪

♪ Sock it to me, sock it to me, sock it to me, sock it to me ♪

- ♪ A little respect ♪ - ♪ Just a little bit ♪

- [Aretha] ♪ I got to have ♪ - ♪ Just a little bit ♪

- [Aretha] ♪ Bring it home ♪ - ♪ Just a little bit ♪

- ♪ Respect ♪ - ♪ Just a little bit ♪

[vocalizing]

[applause]

[music ends]

[crowd chanting] Aretha! Aretha! Aretha!

[cheering and applause continue]

[chanting continues] Aretha! Aretha! Aretha!

Aretha! Aretha!

[upbeat soul music playing]

- ♪ Baby, baby, sweet baby ♪ - [cheering and applauding]

♪ I didn't mean to run you away ♪

♪ It was pride on my lips... ♪

- Smokey! - [laughing]

Nobody is talking about Motown anymore.

All they want to talk about is Aretha Franklin.

You did it, Ree.

- I did it. - Yes, you did.

[upbeat soul music continues]

♪ I don't know what I'm gonna do ♪

♪ Got to get you back somehow ♪

[applause]

[Ted] What did you wish for?

More hits.

[all laugh]

Aretha Franklin, you are the Queen of Soul.

[applause]

♪ Since you've been gone ♪

♪ Why'd you do it? Why'd you have to do it? ♪

- ♪ Since you've been gone ♪ - ♪ Why'd you do it? ♪

What is soul music?

The musician having the biggest influence

on this genre

is Grammy-winning soul singer, Aretha Franklin.

From a young age,

I saw Aretha possess extraordinary talent.

Ted is my husband, manager, and favorite critic.

Hello, Ted.

Right now, gospel is the main influence

on contemporary rhythm and blues,

and that's due to Aretha. Others have mixed

gospel and so-called secular music before her,

but Aretha puts a unique spin on it

that people can relate to.

It's always great when families sing together

because there's a language between siblings

that you can't recreate with just hired hands.

Ain't No Way is a song written by Carolyn for Aretha,

and something Aretha can relate to because,

I think, they know each other so well.

Show me how the melody goes in the verse.

[soft piano music plays]

♪ Ain't no way ♪

♪ For me to love you ♪

♪ If you won't let me ♪

That's it.

Let me try.

[playing piano]

♪ Ain't no way ♪

♪ For me to love you ♪

♪ If you won't let me ♪

[bass guitar joins in]

[imperceptible]

♪ It ain't no way ♪

♪ For me to give you all you need ♪

[brass instruments join in]

♪ If you won't let me give all of me ♪

[vocalizing]

♪ I know that a woman's duty ♪

♪ Is to help and love a man ♪

♪ And that's the way it was planned ♪

[drums join in]

- ♪ Oh, but how can I ♪ - [Erma vocalizing]

♪ How can I, how can I ♪

♪ Give you all the things I can ♪

♪ If you're tying ♪

♪ Both of my hands ♪

♪ Oh, it ain't no way ♪

♪ Ain't no way ♪

♪ It ain't no way Yeah ♪

♪ Ain't no way ♪

♪ It just ain't no way, baby ♪

♪ Ain't no way ♪

♪ Ain't no way, baby ♪

♪ Ain't no way ♪

♪ Ain't no way ♪

♪ For me to love you ♪

[all vocalize]

♪ If you won't let me ♪

♪ Stop tryin' to be someone you're not ♪

[Carolyn and Erma vocalize]

♪ How cold and cruel is a man ♪

♪ Who paid too much for what he got? ♪

♪ And if you need me like you say ♪

♪ Say you do ♪

♪ Oh, then please Please, please ♪

♪ Don't you know that I need you? ♪

♪ Oh, it ain't no way ♪

[vocalizing]

[Aretha] ♪ It ain't no way ♪

♪ Baby, ain't no way ♪

♪ It sure ain't no way ♪

♪ Ain't no way, baby ♪

So it fades right here?

You genius you.

[music stops]

You really feelin' this one, aren't you, Ree?

- I love it. - [Erma chuckles]

I can tell.

See, so, she's just being completely honest

in a song about what she feels

at any given moment.

And that's why the audience relates to her.

I'm still trying to figure out who I am.

I'm not sure yet,

but I'm trying to find the answer.

[cheering and applauding]

Now, I am here to honor Aretha.

Or Ree, as I like to call her... [laughs]

...for her tireless work for the Civil Rights Movement.

Every time

I ask Aretha to sing at a fundraiser,

church event, or a conference,

she shows up.

[audience shouts in agreement]

No matter where she is or what she's doing,

- she always answers the call. - [cheering]

And I am honored to present Aretha

with this proclamation today.

[audience cheering and applauding]

And I wish that every day

was Aretha Franklin Day!

[woman] We love you, Aretha!

After all of that,

there's really only one thing left to say, right?

[cheering and applauding]

[band playing soul music]

♪ Lookin' out on the mornin' rain ♪

♪ I used to feel so uninspired ♪

- [backup singers vocalizing] - ♪ And when I knew ♪

♪ I had to face another day ♪

♪ Lord, it made me feel so tired ♪

♪ Before the day I met you ♪

♪ Life was so unkind ♪

♪ But you're the key to my peace of mind ♪

♪ 'Cause you make me feel ♪

- [audience cheers] - ♪ You make me feel ♪

♪ You make me ♪

♪ Feel like a natural woman ♪

♪ Woman ♪

♪ Oh, baby, what you've done to me ♪

♪ What you've done to me ♪

♪ You make me feel so good inside ♪

[backup singers] ♪ Good inside ♪

♪ And I just wanna be ♪

[backup singers] ♪ Wanna be ♪

♪ Close to you You make me feel so alive ♪

Excuse me, Miss Franklin.

I'm so sorry to bother you,

- but I just have to tell you. - It's all right.

When you sing,

I feel like you are talking about my life.

It helps me, because it is hard out here.

But I feel like you understand,

and, well, I just have to thank you.

Stay strong.

Okay.

Yes, thank you. Thank you very much.

We have to go now.

I'm flying to Atlanta tomorrow to do a benefit for SNCC.

Cancel it.

I have some meetings and interviews lined up.

No.

Daddy and Martin asked me to do it.

- I'm going. - [elevator bell dings]

[applause]

Aretha!

[Aretha] Jerry.

Oh, I love when you call me Jerry.

It means you're not mad at me.

Hello, Ted.

Jerry.

Come on in.

[Ken] Everyone wants you, Miss Franklin.

We've got interest in France, England, Germany...

[Jerry] All right, we don't have to name every country.

All of Europe.

The entire continent wants you

and I think we should schedule something.

We should schedule a tour

that coincides with the new album.

We could do that or we could send her out now

to create an appetite for the new record.

I think that's best.

I have six venues ready to clear this...

And who are you,

brother?

Ken Cunningham. I'm the tour manager.

[Ted] Tour manager?

So, you already booked the tour?

It's not booked.

[Ted] No, he said the venues was ready.

[Jerry] That's right. They were available if we want 'em.

You have to gauge interest early for it.

- I know how a tour works. - [Jerry] Okay.

- No. - No what?

[Ted] No European tour dates.

[Jerry] Why not?

[Ted] Because

we have some TV dates we'd like to schedule first.

Oh, yeah? With whom?

Carol Burnett, Andy Williams. Mike Douglas.

All right. So, those shows will be there

when she gets back.

We have a chance here

to expand her reach around the world.

To make her a global superstar.

Do you know what a rare opportunity that is?

We're considering some movie offers as well.

[Jerry] Movies?

Aretha. You wanna do movies?

I think I could.

Of course you could.

You could do any damn thing you want.

You thought you could just bring us in here,

tell us where to go, what to do,

and send us on our way?

You should know by now, Jerry,

that is not the way I do business.

Ken, how much money could Aretha make on the tour?

Quarter of a million.

[Jerry] Carol Burnett payin' that?

Movies payin' that?

We'll consider it. With the right band.

[Jerry] All right.

Well, the Muscle Shoals guys have started their own label.

King Curtis is ready to go.

- Curtis is rockin'. - [Jerry] He's perfect for you.

Curtis is good, but I've got some people lined up.

Really? Five minutes ago,

you didn't wanna go on this tour.

Now, you've got people lined up?

Check the tone, Jerry.

Just take it easy, Ted.

I'm sorry. Forgive me for my tone.

What musicians do you have lined up, Ted?

[Ted] George Davidson.

Miller Brisker. Russell Conway.

All right. You can't have the premier singer of our time

touring Europe with a ragtag bunch of amateurs

suitable for backing some third-rate blues singer

in a bucket of blood in Loserville, Louisiana.

I want to use Ted's musicians, Mr. Wexler.

"Mr. Wexler"?

Oh, God. Aretha, please.

Can we move on

to the next item on the agenda, please?

Whatever you say, Miss Franklin.

[Ken] So, they do this funny thing in Amsterdam

when they really love a performer.

They pelt them with flowers.

Pardon me.

I warned them not to get too crazy with it,

but you might get hit with a few.

After the show, please. After the show.

Right through this door.

Watch your step.

- ♪ Chain chain chain ♪ - [upbeat soul music playing]

[backup singers] ♪ Chain chain chain ♪

♪ Chain chain chain ♪

♪ Chain chain chain ♪

♪ Chain chain chain ♪

[vocalizing]

♪ Chain of fools ♪

♪ For five long years ♪

♪ I thought you were my man ♪

♪ But I found out ♪

♪ I'm just a link in your chain ♪

♪ Ya got me where you want me ♪

♪ I ain't nothin' but your fool ♪

♪ Ya treated me mean, yeah ♪

♪ Oh, you treated me cruel ♪

♪ Oh ♪

- ♪ Chain chain chain ♪ - ♪ Chain chain chain ♪

♪ Chain of fools ♪

♪ Now every chain ♪

♪ Has got a weak link ♪

♪ I might be weak, yeah ♪

♪ Oh, but I'll give you strength ♪

♪ Oh ♪

♪ You told me to leave you alone ♪

Fix this or I'll have your job.

[Aretha] ♪ My father said, "Come on home" ♪

♪ My doctor said, "Take it easy" ♪

- [reporters clamoring] - [cameras clicking]

[reporter] Aretha! Aretha!

[speaking Dutch]

Can you comment on the recent Time magazine cover story?

Oh, I haven't read it yet,

but it is a great honor to grace the cover

of such a prestigious magazine.

[reporters clamoring]

[interpreter] This Time article says that your husband

beat you in a hotel lobby.

Excuse me?

[Ted grunts]

Is this true?

No more questions! Let's go!

- [reporters clamoring] - Move.

It's a lie!

It's a dirty lie!

Get off! Come here!

No, that's too low. I want $10 million.

[receiver rattles]

[throws phone]

They're gonna be sorry they wrote this shit.

And you know, your daddy,

he doesn't come across too well either.

He may wanna sue 'em his damn self.

How are you gonna prove that you didn't hit me?

You did and everyone saw it!

Another man would have killed you by now.

Crazy way you act.

Get out of my way.

What are you gonna do, huh? What are you gonna do?

I mean it.

[breathing heavily]

You would still be singing

some Al Jolson shit if it wasn't for me.

- I wrote half your hits. - [chuckles dryly]

Are you laughing at me?

You know damn well you didn't write one word.

One note of anything.

I just let you put your name on it

to keep you from throwing a fit.

I Never Loved A Man came from me.

My songwriter!

That song wasn't anything until I rearranged it.

And I sang the hell out of it because it was about you.

You're a lying, no good,

just useless, psychopath.

- [grunts] - No!

I'm done with you.

Yeah, you've said that before.

You wait until your demons come back!

After livin' with you,

I'm ready for 'em.

[audience cheering and applauding]

This song goes out

to anyone who has ever felt mistreated.

Two, three, four.

- [cheers and applause] - [playing upbeat soul music]

- ♪ You better think ♪ - [backup singers] ♪ Think ♪

♪ Think about what you're trying to do to me ♪

- ♪ Think ♪ - ♪ Think, think ♪

♪ Let your mind go Let yourself be free ♪

♪ Let's go back, let's go back ♪

♪ Let's go way on, way back when ♪

♪ I didn't even know you ♪

♪ You couldn't have been too much more than 10 ♪

♪ Just a child ♪

♪ I ain't no psychiatrist, I ain't no doctor with degree ♪

♪ But it don't take too much high IQ ♪

♪ To see what you're doing to me ♪

- ♪ You better think ♪ - ♪ Think ♪

♪ Think about what you're trying to do to me ♪

- ♪ Yeah, think ♪ - ♪ Think, think ♪

♪ Let your mind go, let yourself be free ♪

- ♪ Oh, freedom ♪ - ♪ Freedom ♪

- ♪ Freedom ♪ - ♪ Freedom ♪

♪ Freedom ♪

♪ Freedom ♪

[music muffling]

♪ Freedom ♪

♪ Freedom ♪

♪ Freedom ♪

♪ Hey, think about it You, think about it ♪

♪ There ain't nothing you could ask ♪

♪ I could answer you with I won't ♪

♪ And I won't ♪

♪ But I was gonna change, but I'm not ♪

♪ 'Cause you keep doing things I don't ♪

- ♪ You better think ♪ - ♪ Think ♪

♪ Think about what you're trying to do to me ♪

- ♪ I said think ♪ - ♪ Think ♪

♪ Let your mind go, let yourself be free ♪

- ♪ And you need me ♪ - ♪ Need me ♪

- ♪ And I need you ♪ - ♪ Don't you know ♪

♪ Without each other There ain't nothing we can do ♪

♪ Think Think about it right now ♪

♪ What you're trying to do me ♪

- [vocalizes] - ♪ Think about it ♪

♪ You better think ♪

[vocalizing]

- [music ends] - [cheering and applauding]

[luggage thuds]

Thank you.

[soft jazz instrumental music playing]

I have some trash I need taken downstairs.

Right now, please.

[receiver thuds]

[soft jazz instrumental music continues]

Just come over.

I know.

I don't care.

Just...

be with me.

[knock on door]

[soft jazz instrumental music continues]

[Cecil] You sure that ain't too much, Ree?

[Aretha] Listen, you're about to have the meal of your life.

[Ken] She put her foot in there. Smell it.

[Aretha] Yes, I did, yes, I did.

- She put somethin' in there. - Put her foot in, she did.

[Cecil] I don't know. That smells funny.

- [phone ringing] - Darlin', get outta there.

- You want me to get that, Ree? - [Aretha] Yes, answer. Get...

Get outta here!

All right, put it back.

Hello?

[Aretha] And that's me.

This will bring Big Mama to her knees, honey.

[Cecil] You goin' to Hell for that.

[Aretha] Hey.

She knows.

[Ken] No, no, no.

- No, no, no. - [Cecil] What's wrong?

What's wrong?

Hello?

What is it?

What?

- What? - It's Martin.

They...

- [Cecil] Oh, God. - [Ken] They shot him.

[Cecil] Oh, God.

[Aretha] ♪ I wanna say it one more time ♪

[somber synth music playing]

♪ For the broken-hearted ♪

♪ I want you to take my hand ♪

♪ Lord, lead me on home ♪

♪ 'Cause we got to stand ♪

♪ Lord knows I get tired ♪

♪ Lord knows I get weak ♪

♪ And, oh, every day ♪

♪ Every day ♪

♪ I'm worn ♪

♪ But, oh, Jesus ♪

♪ Through the storm ♪

[sniffles]

♪ Ooh ♪

[somber synth music continues]

[sighs]

[scattered applause]

[mourners exclaiming softly]

♪ Lord, I need you to ♪

♪ Hold my hand ♪

♪ 'Cause you a precious Lord ♪

♪ Ooh ♪

♪ Precious Lord ♪

♪ Ooh ♪

♪ Lead us home ♪

[light applause]

He kept telling me

that they were gonna get him.

But I said, "Martin, the Lord has more for you to do.

You're gonna be all right."

[muffled jazz music playing]

But he knew.

He knew.

Other ministers were jealous of him,

- but I never was. - Mm.

He was my friend.

- I ministered him... - Yeah.

...advised him.

Prayed with him.

- Yes, you did. - More time than I can count.

I loved him, Ree.

He loved you.

Who's gonna lead us now?

They don't listen to me anymore.

You still have the biggest church in Detroit.

I still know how to get 'em goin'.

- Yes, you do. - I do.

[Clara] Can I join you?

No. I just wanna talk to Ree. Can I do that?

- Can I just talk to Ree? - Of course you can.

- Daddy, Daddy, Daddy. - Of course you can.

Um, I'll be right there when you need me.

They need leadership, Ree.

You should see the way these fools

are steppin' over Martin's body to be in charge.

I don't want no part of that.

And these young revolutionaries out here,

they don't want no part of what we built.

They want to free our people.

They all talk.

Not all of them. I like Angela Davis.

She don't care about public opinion

and she's not afraid to speak up

to those pigs or anyone else.

- Pigs? - Yes, pigs.

You saw what they did to us during the rebellion.

Riots.

Why shouldn't we fight back?

And start a full-on war? You think we can win that?

We're tired of gettin' our heads kicked in.

Non-violence got us our civil rights

and our right to vote.

At what price? Our souls?

Our dignity?

[C.L.] Hmm.

I've been thinking.

We should hit the road again.

Why not?

A northern tour.

Me preachin' and you singin'.

[Aretha] Mm-mmm.

Just think on it.

You don't gotta decide tonight.

I'm not doing that, Daddy.

I know you got your very busy tourin'

and recordin' schedule.

This won't interfere with that.

- I won't interfere with that. - No.

I'm done with that.

I can't go back to headlining with you.

You're not walkin' in the spirit anymore.

That is not true.

You're drinking and you're whoring around.

Same as you!

You not too old for me to knock you on your ass!

- You know that, right? - Is everything all right?

Just mind your own business! I'm talkin' to...

Don't talk to her like that.

Have you lost your mind, huh?

Maybe.

Maybe I found it.

Come on, let's get you to bed.

Just...

Just don't.

- I heard your conversation. - Mm...

I'm not sorry.

No, no, you ain't got nothin' to be sorry for.

Just do your thing, Ree.

And you do it as big and as loud

and as long as you can.

[kisses]

[upbeat soul music playing]

♪ La, la, la, la, la, la, la, la, la, la, ♪

♪ La, la, la, la, la, la, la, la, la, la ♪

♪ There's a rose in black at Spanish Harlem ♪

Please, just listen to it again, okay?

I have a great feeling about this song,

and The Beatles are getting restless.

They said if you don't do it, they will.

The song is Catholic, Jerry.

I'm a Baptist.

That's... That's crazy.

- You thought that's gonna... - They caught Angela Davis.

- What? - [Jerry] That can't be right.

No, no, no, no.

[newscaster] Angela Davis, a young Black militant

who has been hunted for nearly two months

on murder and kidnapping charges,

was arrested yesterday at a hotel in midtown Manhattan

by agents of the Federal Bureau of Investigation.

- [grunts softly] - [indistinct talking on TV]

[Aretha] Angela Davis must go free.

Black people will be free.

My daddy says I don't know what I'm doing.

I respect him, of course,

but I have to stick by my beliefs.

You have to disturb the peace when you can't get no peace.

[babbles]

What the hell is this tour schedule?

- Half the damn dates are gone! - All right, all right,

we were just about to have a talk with you about this.

We?

We're not having a family barbecue?

This is one of these Ken hippie talks?

I told you this wasn't gonna work.

Just breathe.

Put the damn dates back.

Don't do it, Cecil. Listen, Ree...

You work for me, Cecil.

[Cecil] You overbook.

You don't show up for half the dates,

then I have to deal with the fallout.

It's your damn job!

[Carolyn] We're trying to help you.

Aretha, you need to slow down.

You stop for five minutes, they forget all about you.

That's ridiculous.

How would you know, Erma? You barely have one hit.

[Ken] Ree, you haven't slept in months.

[Carolyn] And you look like it.

You don't want me to tell you what you look like, Carolyn.

Well, next time you have a breakdown,

don't call us, all right?

I won't.

[Mama Franklin] Come on, let's go outside. Come on.

And don't call me when you need a gig,

or you want me to write liner notes in your jive-ass album,

or introduce you to some producers,

or just borrow some cash that your ass never pay back.

If I don't work, y'all don't eat.

Right.

Put the damn dates back, Cecil.

Three venues in three states in three days.

- Happy now? - Yes, I am.

And don't ever pull that bullshit with me again.

I know how to run my damn business.

You asked me.

Y'all just wanna take my crown.

- Oh, God. - Please.

Ree, think about our son. This isn't good for him.

Don't tell me I'm a bad mother.

- Here comes the paranoia. - [Ken] I never said that!

Olga, bring Miss Franklin a fruit juice.

Don't you dare.

What you staring at? Go get my lunch.

Yes, ma'am.

Tell me y'all don't want what I got.

[Cecil] All right, forget it!

I can't talk to you when that demon takes hold.

You don't know what I go through.

Y'all don't know what I've been through!

We love you, Ree.

Why can't you see that, Ree?

Get the hell out of my house.

No, don't move. We're going to deal with this, Ree.

Out!

Out!

Out!

- Come on, baby, please. - Mm-mm.

[Ken] Ree, listen to me. They're here to help you.

- [playing piano] - [Ken] Please.

It's your family.

Teddy! Calf! Come help your momma sing now.

[continues playing piano]

♪ To be young, gifted, and Black ♪

♪ Oh, what a lovely precious thing ♪

[Ted Jr.] ♪ Young, gifted, and Black ♪

♪ Oh, what a lovely precious thing ♪

Say it again.

♪ To be young, gifted, and Black ♪

♪ Open your heart to what I mean ♪

♪ When you're young, gifted, and Black ♪

♪ Your soul's intact ♪

I'm gonna take the kids back to Detroit with me.

I think that's best.

[Ken] What are you thinking right now?

Just things.

[Ken sighs]

What things?

Private things.

After all this time, you're still keepin' stuff from me?

You don't keep stuff from me?

No.

You should.

Why? I trust you.

Don't you trust me?

Sometimes.

What do I have to do to make it all the time?

Just let me be.

I know what to do.

Mmm.

Be here with me.

Just let your mind go quiet for a moment.

That would be easy if you stopped talking.

[chuckles]

What's wrong?

Nothing.

I have to make some calls.

You don't have to call anyone, Ree.

You don't know what I have to do.

Don't go to that dark place.

Come here.

Come here.

Tell me what's wrong, baby.

You're shaking.

You act so tough.

I can see that little scared girl in you.

[groans] Shit!

- [groans] - I'm sorry.

I'm so sorry.

It's all right.

Shit!

[Ken groans]

She can't do it, Cecil.

[Cecil] Put her on the phone.

She's asleep right now. Her migraine.

Man, who do you think you're bullshittin'?

Tell Ree she's gonna get sued again.

[Ken hangs up]

[Ken] One of us needs to go check on her.

[Cecil] Well, it's your job to keep an eye on her.

[announcer] Ladies and gentlemen,

the Queen of Soul,

Miss Aretha Franklin!

- [upbeat soul music playing] - [Ken] Ree!

[Cecil] Hey, let us help you.

[Ken] Please.

[cheering and applauding]

[music ends]

- [audience whistling] - [playing midtempo soul music]

♪ I say a little prayer for you ♪

[woozily] ♪ Moment I wake up ♪

♪ Before I put on my makeup ♪

- [backup singers] ♪ Makeup ♪ - [misses line]

♪ Prayer for you ♪

[continues singing woozily] ♪ Combing my hair now ♪

♪ Wonderin' what dress to wear now ♪

[backup singers] ♪ Wear now ♪

- ♪ Say a little ♪ - ♪ Prayer for you ♪

♪ Forever and ever You'll stay in my heart ♪

♪ And I will love you ♪

♪ Forever and ever We never will part ♪

♪ Oh, how I love you ♪

- ♪ Together, forever ♪ - ♪ Ooh! ♪

♪ That's how it must be To live without you ♪

[out of sync] ♪ Only bring heartbreak for me ♪

[woozily] ♪ I run for the bus, dear ♪

♪ While ridin', I think of us ♪

- [backup singers] ♪ Us, dear ♪ - [misses line]

[backup singers] ♪ Prayer for you ♪

[missing line]

♪ And all through my coffee ♪

[backup singers] ♪ Break time ♪

[music stops]

- [all clamoring] - Ree? Ree?

Ree? Ree? Can you hear me?

- Don't move. - [Cecil] Don't... Don't move.

- Your arm? - [man] Someone get a medic!

[Ken] Come here, baby, come here.

Roll over. Roll over.

- [man] Easy, easy, easy. - Stay back!

[Ken] I got you, I got you.

[guard] Back, please. Get back, please.

- [moans] - Keep back, please!

[man] Is she okay?

It's gonna be all right, Ree.

I can't do this anymore.

[phone ringing]

Mm.

[phone continues ringing]

[phone continues ringing]

[melancholy music playing]

Please...

Please...

[sobs softly]

[sniffling]

[melancholy music continues playing]

[Aretha sighs]

[softly] ♪ Amazing Grace ♪

- ♪ How sweet the sound ♪ - [crying]

♪ That saved a wretch ♪

[sniffles]

♪ Like me ♪

♪ I once was lost ♪

♪ But now am found ♪

[voice breaking] Our Father...

♪ Was blind ♪

- ♪ But now ♪ - Which art in Heaven...

♪ I see ♪

Hallowed be Thy name.

Thy kingdom come.

[glass clinking]

[glasses and bottles clinking]

[children murmuring]

You always did know how to make an entrance.

[Aretha] James.

All right.

Okay. You come and sit.

Come on.

What y'all wanna sing?

[Alexander] And...

[choir] ♪ In the morning... ♪

An all-gospel record has a very limited audience.

- I don't care. - You do care.

You sat in that office with me six years ago,

and you said you wanted to make hits,

and I think you still do.

I'm making this album, Jerry.

All right, can you just hear me out, please?

I'm making this album,

or I'll never make an album with you again.

All I wanna do is drink now, Jerry.

Well, let me get you into a program.

I'm in a program, but I need the church.

I need the spirit.

It has always gotten me through,

and it will get me through again.

Okay. Well, can we just...

I... I mean, just think about this...

This album is not for me or for you or anybody else.

This album is for God.

And you can't jive God, Jerry, so stop trying.

- [chuckles] - [Jerry] Oh.

I'm not trying to jive you or Jesus, okay?

It's the gospel record.

It's 1972, for Christ's sake. Sorry. I...

Hey,

how about we make a documentary film

to go along with the record?

Why?

So, the international fans, the hippies,

the atheists like me can see you in your element

and understand the music that made you.

You mean for white people?

Well, I...

All right. Yes.

That's a great idea.

[laughs] Okay. Well, good. So, you're not gonna leave me?

We're not done yet.

Oh, boy. What?

I want to produce the album, too.

Oh.

[Jerry sighs]

All right. Okay. Okay.

[synth music playing]

[choir] ♪ Flood my soul ♪

[choir vocalizing]

Hold! Hold!

You have to do something with the longer notes.

You're not giving yourself anywhere to go.

Start straight, then hit the vibrato halfway through.

[Alexander] Tension and release, y'all.

Yes, and this song is a lot more, uh, deliberate.

- Mm. - [James] Yeah?

Take it from where we left off.

"In the stillness."

[choir] ♪ In... ♪

♪ In the stillness ♪

Yeah, that's it.

♪ Of... ♪

♪ Of the midnight ♪

♪ Oh, Lord ♪

[choir] ♪ Sacred ♪

- ♪ Sacred secrets ♪ - [choir] ♪ Secrets ♪

- ♪ Secrets ♪ - [James] ♪ Oh, yes ♪

- ♪ Yeah ♪ - ♪ He'll unfold ♪

Thank you!

♪ Oh, Lord ♪

- ♪ Inside I was ♪ - [choir vocalizing]

♪ Said I remember ♪

[choir continues vocalizing]

♪ I remember my dear mother ♪

♪ Lord, she used to pray ♪

[vocalizing continues]

♪ Oh, sweet ♪

♪ Sweet Sweet precious memories ♪

[choir continues vocalizing]

♪ In my soul ♪

♪ And in these times ♪

♪ She taught me to pray ♪

♪ Yes ♪

♪ Yes, she did Oh, Lord ♪

[Aretha vocalizes]

[voice breaking] ♪ Oh... Oh, Lord ♪

Okay, all right, we're gonna take a ten.

Let's take ten. Let's, uh...

Are you all right?

I can't make a fool out of myself.

There's gonna be a film crew here.

[sniffles]

And if I break down like I did right now,

they gonna think I lost my mind.

Ree...

Ree, the spirit is the spirit.

It moves when it moves.

What you want us to do? Behave like Episcopalians?

Now what's really bothering you?

[inhales deeply]

You told me once

that music would save my life.

I did.

What if it doesn't?

The demon is strong.

Ain't no demon hauntin' you, Ree.

There never was.

Just the pain you've been runnin' from your whole life.

But you gotta let it go, Ree.

Give it to God.

It wasn't your fault.

[sniffles]

And He knows that.

I don't know about tomorrow

or the concert or the album or the documentary.

You in church right now.

You're safe.

So, Ree,

let's have church.

[muffled synth music playing]

Daddy.

It's good to see you.

We were in California, and

we heard that you were singing gospel, and...

Clara dragged me here.

Clara can't make you do anything.

She's got pretty feisty since you last saw her.

Glad you came.

That surprises me,

'cause we haven't been getting on as of late.

You told me I wasn't walking in the spirit.

I was angry.

You were with God.

You have always been with God.

He was with me.

I tried to run from Him, but He brought me back.

Like Jonah.

Like Jonah.

You taught me every song I'm singing today.

I did my best.

But you have exceeded all of my expectations, Ree.

I'm about to bust wide open,

and you're just getting started.

I can't imagine what you're gonna do next.

Because you can do anything, Ree.

First, give an honor to God

who's the head of all our lives.

- Yes. Amen. - [applause]

I'm sure you all have noticed the cameras by now.

Don't get distracted by it.

We here to have church, right?

- [congregation] Amen. - [James] All right.

This is the first religious recordin'

by our First Lady of Soul.

Give a warm round of applause for Miss Aretha Franklin.

[cheering and applauding]

We love you.

[whooping and cheering]

[indistinct]

[soft synth music playing]

[piano playing]

[vocalizing]

- ♪ Amazing ♪ - [applause]

♪ Amazing grace ♪

♪ How ♪

♪ How sweet ♪

♪ The ♪

♪ Ooh The sound ♪

[people cheering]

♪ That ♪

♪ Oh, that saved ♪

♪ A wretch ♪

♪ Like me ♪

[cheering]

♪ I, I, I once ♪

♪ Was ♪

♪ Was lost ♪

♪ But, but now ♪

[people cheering]

[vocalizes]

♪ I'm found ♪

♪ I was blind ♪

♪ But now ♪

♪ I see ♪

- [cheering continues] - [mouthing] Amen. Amen.

♪ Through, through ♪

♪ Through ♪

♪ Through ♪

♪ Through many ♪

♪ Dangers ♪

♪ And toils ♪

♪ Toils and snares ♪

♪ I, I been in the midst of the storm ♪

♪ I, I've already ♪

♪ I've already come ♪

♪ Don't you know that it was ♪

♪ It was It was grace ♪

[applause]

[Aretha vocalizes]

♪ Grace that brought me ♪

♪ Safe ♪

♪ So safe Safe ♪

[people cheer]

♪ Thus far ♪

♪ And don't you know ♪

♪ That same old grace ♪

♪ Will lead ♪

♪ Me right home ♪

♪ Right home ♪

♪ Right home ♪

[vocalizes]

♪ Right on home ♪

[applause]

[applause continues]

[soul music playing]

♪ Looking out on the morning rain ♪

♪ I used to feel so uninspired ♪

♪ When I knew I had to face another day ♪

♪ Lord, it made me feel so tired ♪

♪ Before the day I met you, life was so unkind ♪

♪ But you're the key to my piece of mind ♪

♪ 'Cause you make me feel You make me feel ♪

♪ You make me feel like a natural woman ♪

♪ When my soul was in the lost and found ♪

♪ A lot of good men came along to claim it ♪

♪ Oh, yeah! ♪

♪ I didn't know just what was wrong with me ♪

♪ Until his kiss helped me name it ♪

[vocalizes]

♪ I'm no longer doubtful of what I'm living for ♪

♪ 'Cause if I make it happen I don't need to do more ♪

♪ 'Cause you make me feel You make me feel ♪

♪ You make me feel like a natural woman ♪

[backup singers] ♪ Like a natural woman, yes ♪

[Aretha] ♪ Oh, baby What you done to me ♪

[backup singers] ♪ What you done to me ♪

♪ You make me feel so, so, so good inside ♪

- ♪ And I, I just wanna be ♪ - ♪ Wanna be ♪

♪ I wanna get next to the man that makes me feel so alive ♪

[backup singers] ♪ You make me feel ♪

- ♪ You make me feel ♪ - [Aretha] ♪ He makes me feel ♪

- ♪ He makes me feel like a ♪ - ♪ You make me feel like a ♪

- ♪ Natural woman ♪ - ♪ I feel like, I feel like ♪

- ♪ Oh, yes, oh, yes ♪ - [backup singers] ♪ Woman ♪

♪ He makes me feel ♪

- ♪ He makes me feel like ♪ - ♪ You make me feel like ♪

- ♪ A natural woman ♪ - ♪ Oh, yeah, yeah ♪

♪ Oh, yeah ♪

[vocalizing]

- ♪ He makes me feel ♪ - ♪ You make me feel ♪

- ♪ He makes me feel like ♪ - ♪ You make me feel like ♪

- ♪ I feel like ♪ - ♪ A natural woman ♪

♪ A natural woman who ♪

- ♪ A woman, a woman, a woman ♪ - ♪ You make me feel ♪

- [vocalizing] - ♪ You make me feel ♪

- ♪ A woman ♪ - ♪ Like a natural woman ♪

[Aretha] ♪ A woman ♪

♪ A woman, a woman ♪

♪ I am woman ♪

♪ Oh, yeah ♪

- [music ends] - [cheers and applause]

[cheering and applauding continue]

[gospel soul music playing]

♪ I trusted ♪

♪ Your way ♪

♪ For too Too long ♪

♪ It's time for me to sing ♪

♪ Sing my ♪

♪ My own ♪

♪ Lord ♪

♪ Open the gates ♪

♪ And evermore ♪

♪ Oh, Lord ♪

♪ I'm gonna sing my ♪

♪ Sing my ♪

♪ Sing my way ♪

♪ Sing my Sing my way ♪

♪ Sing my way home ♪

♪ Ooh, yeah ♪

♪ Whoo-hoo-hoo ♪

♪ Well, you're a girl ♪

♪ Born with a voice But unheard ♪

♪ What now? ♪

♪ And you're denied, girl ♪

♪ You sing 'cause they won't let you fly ♪

♪ What now? ♪

♪ Stepped out on the road ♪

♪ Became a woman on the way ♪

♪ There's a whole world down ♪

♪ Till you hold it in your hands ♪

♪ And say ♪

♪ "Here I am" ♪

♪ Here I am ♪

Provided by explosiveskull https://twitter.com/kaboomskull