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Would you like to inspect the original subtitles? These are the user uploaded subtitles that are being translated: 1 00:00:00,352 --> 00:00:02,117 ♪ YEAH, YEAH 2 00:00:02,304 --> 00:00:04,671 ♪ YEAH, YEAH, LOOKIN' GOOD 3 00:00:04,756 --> 00:00:06,195 ♪ LOOKIN' GOOD, YEAH 4 00:00:06,539 --> 00:00:10,458 ♪ YEAH, YEAH, YEAH, YEAH, UH 5 00:00:10,712 --> 00:00:13,548 OK. YOU READY? 6 00:00:13,750 --> 00:00:15,767 "DETERMINATION, 7 00:00:15,851 --> 00:00:18,161 "PERSEVERANCE, STRENGTH, 8 00:00:18,245 --> 00:00:20,381 LOYALTY, AND LEADERSHIP." 9 00:00:20,465 --> 00:00:22,644 WORDS THAT DESCRIBE SPENCER JAMES? 10 00:00:22,728 --> 00:00:24,776 DING DING DING! HEH! 11 00:00:24,860 --> 00:00:26,953 OK, SO THAT GOOD? DID I FIND MY BRAND? 12 00:00:27,037 --> 00:00:29,564 UM, I'M NOT SURE ABOUT YOUR BRAND, 13 00:00:29,648 --> 00:00:32,001 BUT YOU DEFINITELY FOUND SOME WORDS. 14 00:00:32,085 --> 00:00:34,612 I MEAN, THEY'RE JUST A LITTLE GENERIC. 15 00:00:34,696 --> 00:00:36,397 THEY COULD DESCRIBE A LOT OF DIFFERENT PEOPLE. 16 00:00:36,481 --> 00:00:38,529 IS THAT WHAT YOU'VE BEEN WORKING ON FOR THE PAST HOUR? 17 00:00:38,613 --> 00:00:40,096 - IT HASN'T BEEN AN HOUR. - IS THAT WHAT YOU'VE BEEN 18 00:00:40,180 --> 00:00:41,921 WORKING ON FOR THE PAST 53 MINUTES? 19 00:00:42,006 --> 00:00:43,506 YOU TRY DESCRIBING EXACTLY HOW YOU WANT 20 00:00:43,590 --> 00:00:44,867 THE WORLD TO SEE YOU. 21 00:00:45,318 --> 00:00:47,016 SUPPOSED TO SELL MYSELF. THIS AIN'T EASY. 22 00:00:47,100 --> 00:00:49,627 I KNOW, SO JUST DON'T... DON'T RUSH IT, YOU KNOW? 23 00:00:49,711 --> 00:00:51,481 JUST REALLY TAKE SOME TIME TO FIGURE IT OUT. 24 00:00:51,565 --> 00:00:52,415 I CAN'T. 25 00:00:52,500 --> 00:00:54,893 DAVITA SAYS IF MY BRAND HAS ANY CHANCE OF TAKING OFF, 26 00:00:54,977 --> 00:00:56,895 IT NEEDS TO HIT WHILE I GOT HEAT, 27 00:00:56,979 --> 00:00:58,985 - AND I'M GETTING COLDER BY THE SECOND. - WELL, 28 00:00:59,069 --> 00:01:01,596 WELL, I ALWAYS THINK YOU'RE HOT, SO 29 00:01:01,680 --> 00:01:04,991 MAYBE I'M JUST THE WRONG PERSON TO ASK. 30 00:01:05,075 --> 00:01:07,602 BUT WHATEVER YOU DO, DO NOT USE WORDS LIKE 31 00:01:07,686 --> 00:01:11,345 "OPPORTUNISTIC," "EGOTISTICAL," AND "SELF-SERVING" 32 00:01:11,429 --> 00:01:13,564 BECAUSE YOUR BOY WADE WATERS HAS THAT BRAND COVERED. 33 00:01:13,648 --> 00:01:15,697 YEAH, MAYBE, BUT HE'S TALENTED. 34 00:01:15,781 --> 00:01:18,134 YOU... 35 00:01:18,218 --> 00:01:20,136 ARE SPECIAL. 36 00:01:20,220 --> 00:01:22,243 LET'S TALK MORE ABOUT YOUR BRAND TONIGHT, OK? 37 00:01:22,328 --> 00:01:23,835 SOMEWHERE IMPORTANT YOU GOTTA BE? 38 00:01:23,919 --> 00:01:26,165 UH, JUST WORK. 39 00:01:26,250 --> 00:01:27,839 - I'll SEE YOU LATER? - YEAH. 40 00:01:27,923 --> 00:01:30,842 ♪ OH, OH, OH, OH 41 00:01:30,926 --> 00:01:33,976 ♪ OH, OH, OH, OH 42 00:01:34,060 --> 00:01:36,196 - SPECIAL. - ♪ OH, OH 43 00:01:36,280 --> 00:01:38,459 - ♪ OH, OH... - SPECIAL. 44 00:01:38,543 --> 00:01:40,844 YOUR OFFICIAL V.I.P. INVITE 45 00:01:40,929 --> 00:01:42,680 TO PATIENCE'S RECORD RELEASE PARTY TONIGHT. 46 00:01:42,764 --> 00:01:44,954 - DON'T LOSE IT. - OK, UH, WOULDN'T IT HAVE 47 00:01:45,039 --> 00:01:47,134 - JUST BEEN EASIER TO MAIL THIS? - YEAH, IT WOULD HAVE, 48 00:01:47,218 --> 00:01:49,122 WHICH IS WHY I ASKED PATIENCE TO DO IT LAST WEEK, 49 00:01:49,206 --> 00:01:51,733 - AND DO YOU THINK SHE DID? - HOLD ON. LET ME THINK ABOUT THIS. 50 00:01:51,817 --> 00:01:54,266 - NO. - YES, WHICH IS WHY 51 00:01:54,351 --> 00:01:56,353 I AM SPENDING THE MORNING DELIVERING THEM 'CAUSE IF I DIDN'T 52 00:01:56,437 --> 00:01:58,348 DO EVERYTHING MYSELF, NOTHING WOULD EVER GET DONE. 53 00:01:58,432 --> 00:02:01,003 - MMM. - HEY, JORDAN BAKER. 54 00:02:01,087 --> 00:02:03,614 - HI. - BIG MAN ON CAMPUS, JORDAN BAKER. 55 00:02:03,698 --> 00:02:05,616 NAH, MORE LIKE BACKUP MAN ON CAMPUS. 56 00:02:05,700 --> 00:02:07,906 - HEH! - UH, HOLD ON. 57 00:02:07,991 --> 00:02:10,867 I WANT TO MAKE SURE ME AND WADE ARE COOL AFTER LAST GAME. 58 00:02:11,132 --> 00:02:12,449 WHY WOULDN'T YOU BE? 59 00:02:12,687 --> 00:02:15,670 HEY, WADE. UH, WE GOOD? 60 00:02:15,754 --> 00:02:17,774 I'M GOOD. I HAVEN'T GIVEN YOU A THOUGHT, 61 00:02:17,859 --> 00:02:19,195 BUT I WOULD SAY YOU'RE MORE LUCKY THAN GOOD. 62 00:02:19,279 --> 00:02:21,320 YEAH, I JUST... I KNOW YOU WERE PRETTY UPSET 63 00:02:21,414 --> 00:02:23,852 - AFTER LAST GAME, SO... - YOU'RE DAMN RIGHT I WAS. 64 00:02:23,936 --> 00:02:26,072 IF COACH PUT ME IN, THE GAME WOULDN'T HAVE BEEN CLOSE. 65 00:02:26,156 --> 00:02:27,725 HE'S JUST LUCKY THAT WE GOT AWAY WITH A "W." 66 00:02:27,809 --> 00:02:29,157 A LOT OF LUCK GOING AROUND, DON'T YOU THINK? 67 00:02:29,241 --> 00:02:30,463 I'M NOT YOUR FRIEND, BAKER. 68 00:02:30,548 --> 00:02:31,726 YOU'RE NOT EVEN MY BACKUP. 69 00:02:31,811 --> 00:02:33,729 YOU'RE MY BACKUP'S BACKUP, OK? 70 00:02:33,946 --> 00:02:36,383 - SO STICK TO CARRYING MY BAG. - YEAH. 71 00:02:36,468 --> 00:02:38,515 UH, SORRY. OUR BAGS. 72 00:02:40,060 --> 00:02:41,593 Yeah. 73 00:02:46,632 --> 00:02:48,137 UH, WHAT WAS THAT? 74 00:02:48,221 --> 00:02:50,615 JUST HAZING. JUST... 75 00:02:54,371 --> 00:02:56,371 *ALL AMERICAN* Season 04 Episode 06 76 00:02:56,455 --> 00:02:58,060 Episode Title: "Labels" Aired on: April 25, 2022. 77 00:02:58,144 --> 00:03:00,671 IN THIS ONE SEGMENT OF "A CALL TO ACTION," 78 00:03:00,755 --> 00:03:03,457 THE COMMUNITY SHELTER IN DOWNTOWN LOS ANGELES IS... 79 00:03:03,541 --> 00:03:05,850 HEY, DID YOU SEND ME YOUR GUEST LIST FOR TONIGHT? 80 00:03:05,934 --> 00:03:08,201 - YEAH. - I'M NOT SEEING IT HERE. 81 00:03:08,285 --> 00:03:10,768 - THEN NO, PROBABLY. - MMM. 82 00:03:11,562 --> 00:03:13,380 OK, WELL, WOULD YOU MIND? 83 00:03:13,487 --> 00:03:16,781 ...OUT TO SEA BY A VIOLENT RIPTIDE. 84 00:03:18,367 --> 00:03:20,474 OK, UH, SENDING... 85 00:03:20,968 --> 00:03:22,235 NOW. 86 00:03:22,320 --> 00:03:24,739 OK. 87 00:03:24,823 --> 00:03:28,234 MMM, YOU FORGOT TO ATTACH THE, UM... 88 00:03:29,281 --> 00:03:32,640 YOU KNOW WHAT? NEVER MIND. I KNOW ALL YOUR FRIENDS. 89 00:03:32,831 --> 00:03:34,270 WHY ARE YOU SO STRESSED? 90 00:03:34,354 --> 00:03:35,924 IT'S ALL GONNA GET DONE. 91 00:03:36,008 --> 00:03:38,535 YUP, BY ME. 92 00:03:42,580 --> 00:03:45,151 CAN YOU AT LEAST GET THE DOOR? 93 00:03:45,235 --> 00:03:47,889 SURE. 94 00:03:50,240 --> 00:03:52,894 SEE? I DO STUFF. 95 00:03:56,028 --> 00:03:58,639 OH! OH, MY GOD! OH, MY... 96 00:04:01,033 --> 00:04:03,256 OH, MY... OH, MY... OH, MY GOD. I'M SORRY. 97 00:04:03,340 --> 00:04:05,214 SORRY. UM, YOU'RE SABINE. YOU'RE SABINE. 98 00:04:05,298 --> 00:04:07,782 YEP, I'M HERE FOR LAYLA, IF I COULD GET PAST HER BODYGUARD. 99 00:04:07,866 --> 00:04:10,001 YEAH, NO... I'M SORRY! OH, MY GOD! YEAH. COME IN. 100 00:04:10,085 --> 00:04:12,003 I'M JUST, LIKE, HEH! I'M, LIKE, A HUGE FAN. 101 00:04:12,087 --> 00:04:14,615 AW, THANK YOU. ME, TOO, ACTUALLY, OF YOU, NOT... NOT MYSELF. 102 00:04:14,699 --> 00:04:16,617 - YEAH? - I MEAN, I'M PRETTY GOOD, BUT... 103 00:04:16,701 --> 00:04:18,880 YEAH, LAYLA SENT ME YOUR ALBUM. YOU'RE PATIENCE, YEAH? 104 00:04:18,964 --> 00:04:20,882 WOW. YEAH. THANK YOU. 105 00:04:20,966 --> 00:04:22,492 WE'RE HAVING, LIKE, A RELEASE PARTY TONIGHT. 106 00:04:22,576 --> 00:04:24,146 I KNOW YOU'RE PROBABLY BUSY, 107 00:04:24,230 --> 00:04:25,974 BUT YOU SHOULD COME IF YOU CAN. 108 00:04:26,058 --> 00:04:27,845 UM, WE COULD PUT YOU ON THE GUEST LIST, YEAH? 109 00:04:27,929 --> 00:04:29,804 - I'M GONNA TRY TO MAKE IT. - YEAH? 110 00:04:29,888 --> 00:04:32,372 - IT WAS SO NICE TO MEET YOU. - SO NICE TO MEET YOU, TOO. 111 00:04:32,456 --> 00:04:34,939 - HEY, SORRY. - HEY, GIRL. 112 00:04:35,023 --> 00:04:36,941 OH, MAN. 113 00:04:37,025 --> 00:04:38,943 AW, BABY, YOU MADE BREAKFAST. 114 00:04:39,027 --> 00:04:40,554 EXCELLENT. 115 00:04:40,638 --> 00:04:43,165 ♪ CRISPY BACON ALL RIGHT. 116 00:04:43,249 --> 00:04:46,168 - ALL RIGHT, UM... - WOW. 117 00:04:46,252 --> 00:04:49,171 I REALLY LOVE OUR MORNINGS TOGETHER. 118 00:04:49,255 --> 00:04:51,173 OK, I'M SORRY. 119 00:04:51,257 --> 00:04:53,349 I'M SORRY, BABY. I, UH, 120 00:04:53,433 --> 00:04:56,004 I JUST... WHO KNEW THAT BEING A PRINCIPAL WAS THIS HARD? 121 00:04:56,088 --> 00:04:59,007 I MEAN, CARTER DOES IT, RIGHT? UH, THEN YOU ADD COACHING ON TOP OF IT, 122 00:04:59,091 --> 00:05:01,575 AND I JUST DON'T... I DON'T EVEN HAVE TIME TO BREATHE. 123 00:05:01,659 --> 00:05:03,620 WELL, MAYBE YOU SHOULD SIT, 124 00:05:03,704 --> 00:05:05,709 BREATHE, CHEW, EVEN. 125 00:05:05,793 --> 00:05:07,929 I KNOW. I GOTTA GET OUT OF HERE. I HAVE... OH. 126 00:05:08,013 --> 00:05:10,540 I HAVE A MEETING WITH COACH GARRETT IN AN HOUR. 127 00:05:10,624 --> 00:05:12,542 I WANT TO PUT JABARI AND SOME OF THE BOYS 128 00:05:12,626 --> 00:05:14,501 ON HIS RADAR, SO I GOTTA GET OUTTA HERE. 129 00:05:14,585 --> 00:05:16,938 WELL, THEY'RE LUCKY TO HAVE YOU. 130 00:05:17,022 --> 00:05:19,332 THANK YOU, BABY. LOOK, I'MMA COME BACK, 131 00:05:19,416 --> 00:05:21,334 WE'RE GONNA HAVE DINNER, AND WE'LL SIT, 132 00:05:21,418 --> 00:05:23,336 - WE'LL EAT, WE'LL TALK. - OK. 133 00:05:23,420 --> 00:05:24,946 - MAYBE A LITTLE BIT OF... - OK. 134 00:05:25,030 --> 00:05:26,774 - ALL RIGHT. BYE. SEE YOU. - GET OUTTA HERE. 135 00:05:26,858 --> 00:05:28,384 - GIVE ME A KISS. I LOVE YOU. - BYE. 136 00:05:28,468 --> 00:05:30,038 THANK YOU. 137 00:05:30,122 --> 00:05:31,648 YOU'RE THE BEST. 138 00:05:31,732 --> 00:05:33,517 I KNOW. 139 00:05:37,259 --> 00:05:40,178 THIS IS ONE OF D's "KING CRENSHAW" COMICS. WHAT'S THE BIG DEAL? 140 00:05:40,262 --> 00:05:42,308 KEEP READING. 141 00:05:44,266 --> 00:05:47,795 "THE SNOOZE" IS A VILLAIN WHO'S SO BORING, 142 00:05:47,879 --> 00:05:49,927 HE PUTS HIS VICTIMS TO SLEEP. 143 00:05:50,011 --> 00:05:51,973 DOES HE LOOK FAMILIAR? 144 00:05:52,057 --> 00:05:53,975 THAT'S MR. HANDELMAN, THE HISTORY TEACHER. - YEAH. 145 00:05:54,059 --> 00:05:55,498 HEH HEH! 146 00:05:55,582 --> 00:05:57,718 IT LOOKS JUST LIKE HIM. THIS IS PRETTY GOOD. 147 00:05:57,802 --> 00:05:59,720 UH, MR. HANDELMAN DIDN'T THINK SO. 148 00:05:59,804 --> 00:06:01,635 HE GAVE DILLON DETENTION. 149 00:06:01,719 --> 00:06:03,637 OH, HANDELMAN'S ALWAYS BEEN TOUGH 150 00:06:03,721 --> 00:06:05,943 AND BORING AS HELL. 151 00:06:06,027 --> 00:06:07,945 LOOK, IT'S NOT JUST THE COMIC. 152 00:06:08,029 --> 00:06:10,252 YOUR BROTHER HAS BEEN ACTING OUT A LOT LATELY. 153 00:06:10,336 --> 00:06:12,515 I'M STARTING TO WORRY ABOUT HIM. 154 00:06:12,599 --> 00:06:14,387 I'M SURE HE'S FINE, MA. YOU USED TO WORRY 155 00:06:14,471 --> 00:06:16,258 ABOUT ME, TOO, AND LOOK HOW I TURNED OUT. 156 00:06:16,342 --> 00:06:18,391 WELL, EVEN AT YOUR WORST, YOU TALKED TO ME, 157 00:06:18,475 --> 00:06:20,393 BUT DILLON IS DIFFERENT. 158 00:06:20,477 --> 00:06:22,569 I CAN'T GET THROUGH TO HIM. 159 00:06:22,653 --> 00:06:24,571 IT'S PROBABLY A GIRL. 160 00:06:24,655 --> 00:06:26,700 I'll TALK TO HIM. 161 00:06:29,094 --> 00:06:31,012 "THE SNOOZE." 162 00:06:31,096 --> 00:06:33,968 I'll TALK TO HIM. I'll TALK TO HIM. 163 00:06:36,231 --> 00:06:38,324 OK. 164 00:06:38,408 --> 00:06:40,456 THANK YOU SO MUCH FOR MEETING ME. 165 00:06:40,540 --> 00:06:42,589 UH, ANYTHING FOR A FAN. 166 00:06:42,673 --> 00:06:44,852 WELL, I'M A JOURNALIST, BUT, UM... 167 00:06:44,937 --> 00:06:46,941 - RIGHT. - OK. UH, 168 00:06:47,025 --> 00:06:49,378 SO, I SEE YOU'RE AVERAGING ABOUT 400 PASSING YARDS 169 00:06:49,462 --> 00:06:51,119 AND 3 TOUCHDOWNS PER GAME THIS SEASON. 170 00:06:51,203 --> 00:06:52,729 I MEAN, THOSE STATS HAVE GOT TO PUT YOU 171 00:06:52,813 --> 00:06:54,557 IN THE CONVERSATION FOR THE HEISMAN. 172 00:06:54,641 --> 00:06:56,211 I WAS ALREADY IN THE CONVERSATION. 173 00:06:56,411 --> 00:06:58,329 AND YOU STILL THINK YOU'RE IN IT 174 00:06:58,414 --> 00:07:00,824 - AFTER MISSING LAST GAME? - YEAH. WHY WOULDN'T I BE? 175 00:07:00,908 --> 00:07:03,044 WELL, WHY DID COACH GARRETT BENCH YOU? 176 00:07:03,128 --> 00:07:05,438 I MEAN, YOU MISSED PRACTICE, BUT YOU WEREN'T ON 177 00:07:05,522 --> 00:07:07,440 THE INJURY REPORT. DOES THAT HAVE ANYTHING 178 00:07:07,524 --> 00:07:10,094 TO DO WITH YOUR N.I.L. DEAL? 179 00:07:10,178 --> 00:07:13,184 LOOK, I KNOW WHAT YOU'RE DOING, AND IT'S PATHETIC. 180 00:07:13,268 --> 00:07:15,970 I'M JUST TRYING TO GET YOUR SIDE OF THE STORY. 181 00:07:16,054 --> 00:07:18,581 NO, THIS INTERVIEW'S OVER. LOOK, I ONLY AGREED TO DO THIS 182 00:07:18,665 --> 00:07:21,584 'CAUSE YOU'RE KINDA HOT, BUT REALLY, YOU'RE JUST SOME SNEAKY SKANK 183 00:07:21,668 --> 00:07:24,239 WHO'S TRYING TO MAKE ME LOOK BAD SO YOUR BROTHER CAN STEAL MY SPOT, 184 00:07:24,323 --> 00:07:27,326 BUT THAT'S NOT GONNA HAPPEN. 185 00:07:33,391 --> 00:07:36,593 I CANNOT BELIEVE SABINE WAS HERE. 186 00:07:36,727 --> 00:07:39,047 LIKE, SHE WAS STANDING RIGHT HERE. 187 00:07:39,132 --> 00:07:42,929 UH, UM, ARE YOU GONNA PUT HER ON THE GUEST LIST? 188 00:07:43,125 --> 00:07:45,521 OH, SO NOW YOU CARE ABOUT THE GUEST LIST? 189 00:07:45,605 --> 00:07:47,827 YOU NEED TO WORRY MORE ABOUT EVERYTHING ELSE. 190 00:07:47,912 --> 00:07:49,438 OH, MY GOD. GIRL, I HAVE DONE 191 00:07:49,523 --> 00:07:50,744 EVERYTHING YOU'VE ASKED ME TO. 192 00:07:50,828 --> 00:07:52,833 EVENTUALLY. 193 00:07:52,917 --> 00:07:55,618 OK, GIRL, YOU JUST NEED TO RELAX. 194 00:07:55,702 --> 00:08:00,007 THE ALBUM IS FINISHED AND THE VENUE'S SET. EVERYTHING IS FINE. 195 00:08:02,056 --> 00:08:04,235 - CAN YOU... - OOH, 196 00:08:04,319 --> 00:08:07,796 MAYBE SABINE FORGOT SOMETHING. 197 00:08:11,948 --> 00:08:14,951 HEY, I'M SKYE. IS COOP HERE? 198 00:08:17,028 --> 00:08:18,946 ♪ FROM THE DIRT, STRAIGHT TO THE SEA ♪ 199 00:08:19,030 --> 00:08:21,461 ♪ GOT INTO MY ROOM AND I AIN'T NEVER HAD NO HINT ♪ 200 00:08:21,546 --> 00:08:23,820 - ♪ GET UP ON MY LINE... - YO. 201 00:08:23,904 --> 00:08:26,290 THERE'S SOME STRANGE GIRL HERE LOOKING FOR YOU. 202 00:08:26,375 --> 00:08:28,821 - STRANGE, HOW? - STRANGE AS IN 203 00:08:28,906 --> 00:08:30,610 "I NEVER SEEN HER BEFORE" 204 00:08:30,694 --> 00:08:32,786 AND "SHOWED UP TO OUR FRONT DOOR" STRANGE. 205 00:08:32,870 --> 00:08:35,266 DOES THIS STRANGE GIRL HAVE A NAME? 206 00:08:35,350 --> 00:08:37,181 SKYE. 207 00:08:37,265 --> 00:08:38,835 AIN'T YOU GONNA SAY, "STRANGE NAME"? 208 00:08:38,919 --> 00:08:40,968 - WHO IS SHE? - LISTEN, CALM DOWN, OK? 209 00:08:41,052 --> 00:08:43,753 THAT'S JUST MS. MARITTA'S GRANDDAUGHTER, THE GIRL I WAS BEEFING WITH? 210 00:08:45,671 --> 00:08:47,720 OH, THE FASHION INFLUENCER? 211 00:08:47,805 --> 00:08:50,898 YES, THE FASHION INFLUENCER. DID SHE SAY WHAT SHE WANT? 212 00:08:50,982 --> 00:08:52,987 YEAH. YOU. 213 00:08:53,071 --> 00:08:54,640 HEH! 214 00:08:54,724 --> 00:08:56,251 YOU'RE TRIPPIN'. 215 00:08:56,335 --> 00:08:58,166 MMM. 216 00:08:58,250 --> 00:09:00,818 "SKYE." STUPID NAME. 217 00:09:07,265 --> 00:09:09,264 YOU NOT HUNGRY? 218 00:09:10,140 --> 00:09:12,833 I AM, JUST NOT FOR THIS. 219 00:09:12,917 --> 00:09:14,486 I WENT ALL THE WAY ACROSS TOWN TO GET 220 00:09:14,570 --> 00:09:16,662 YOUR FAVORITE BARBECUE, MAN. YOU KNOW WHY? 221 00:09:16,746 --> 00:09:18,839 'CAUSE IT'S YOUR FAVORITE, TOO? 222 00:09:18,923 --> 00:09:21,842 HEH! YOU'RE TOO SMART FOR ME, MAN. 223 00:09:22,409 --> 00:09:25,063 MUST BE THE HAIR. 224 00:09:26,539 --> 00:09:29,411 HEARD YOU GOT IN SOME TROUBLE AT SCHOOL. 225 00:09:31,182 --> 00:09:33,317 YEAH. DON'T WORRY. 226 00:09:33,589 --> 00:09:36,900 I USED TO FALL ASLEEP IN HANDELMAN'S CLASS ALL THE TIME. 227 00:09:36,984 --> 00:09:39,555 WE USED TO CALL HIM "PROFESSOR BORING." 228 00:09:39,639 --> 00:09:41,557 I KNOW, I KNOW. 229 00:09:41,641 --> 00:09:43,646 "SNOOZE" IS BETTER. 230 00:09:44,289 --> 00:09:46,257 LISTEN, I THOUGHT YOUR COMIC WAS DOPE, MAN. 231 00:09:46,341 --> 00:09:49,478 JUST DON'T TELL MOM I SAID THAT, A'IGHT? - I WON'T. 232 00:09:49,562 --> 00:09:51,393 YOU UPSET ABOUT THE DETENTION OR SOMETHING? 233 00:09:51,477 --> 00:09:53,351 'CAUSE I HAD PLENTY OF THOSE. 234 00:09:53,435 --> 00:09:55,310 HEH! LISTEN, THIS ONE TIME... 235 00:09:55,394 --> 00:09:57,051 SPENCER, YOU DON'T GOTTA ACT LIKE WE'RE THE SAME. 236 00:09:57,135 --> 00:09:59,053 I'M NOT. 237 00:09:59,137 --> 00:10:01,707 D., I DON'T KNOW WHAT'S GOING ON WITH YOU, MAN, 238 00:10:01,791 --> 00:10:03,753 BUT YOU CAN TALK TO ME. 239 00:10:03,837 --> 00:10:06,625 I COME HOME AFTER PRACTICE, AND WE CAN HIT THE PARK OR SOMETHING. 240 00:10:06,709 --> 00:10:08,627 DON'T BOTHER. 241 00:10:08,711 --> 00:10:10,629 I DON'T WANT TO TALK. 242 00:10:10,713 --> 00:10:12,631 JUST GO BACK TO YOUR FANCY COLLEGE, 243 00:10:12,715 --> 00:10:15,762 AND I'MMA GO EAT THIS IN MY ROOM. 244 00:10:22,377 --> 00:10:24,295 SORRY FOR JUST DROPPING BY LIKE THIS. 245 00:10:24,379 --> 00:10:26,254 HOPE I'M NOT INTERRUPTING ANYTHING. 246 00:10:26,338 --> 00:10:28,386 - NOT AT ALL. YOU'RE GOOD. - WELL, I JUST WANTED TO 247 00:10:28,470 --> 00:10:30,606 RETURN THIS PHONE CHARGER YOU LEFT AT MY GRANDMA'S. 248 00:10:30,690 --> 00:10:33,609 MMM, COULDN'T GO A DAY WITHOUT THAT, HUH? 249 00:10:33,693 --> 00:10:37,526 UH, THOSE ARE MY ROOMMATES, PATIENCE AND LAYLA. 250 00:10:37,610 --> 00:10:39,441 - HI. - "ROOMMATE"? HEH! 251 00:10:39,525 --> 00:10:41,747 BUT THE CHARGER'S NOT MINE, BUT I WILL TAKE IT. 252 00:10:41,831 --> 00:10:44,272 AND YOU THOUGHT I WAS THE THIEF. 253 00:10:44,356 --> 00:10:47,231 I WAS GONNA VISIT MY GRANDMA LATER TONIGHT. WILL I SEE YOU? 254 00:10:47,315 --> 00:10:50,887 UH, NOT TONIGHT. I GOT A RECORD RELEASE PARTY I GOTTA GO TO. 255 00:10:50,971 --> 00:10:53,150 YEAH, THAT WOULD BE MY RECORD RELEASE PARTY. 256 00:10:53,234 --> 00:10:55,109 YOU WANT TO COME OVER HERE INSTEAD OF PIPING IN FROM THERE? 257 00:10:55,193 --> 00:10:57,111 - NO. - OH, CONGRATULATIONS. 258 00:10:57,195 --> 00:10:58,764 THAT'S SO EXCITING. 259 00:10:58,848 --> 00:11:00,941 IS THERE, UH, ANY ROOM FOR ME? 260 00:11:01,025 --> 00:11:03,900 NOT REALLY SURE IF I HAVE A PLUS-ONE. 261 00:11:03,984 --> 00:11:06,468 THE GUEST LIST IS PRETTY FULL, I THINK, SO, SORRY. 262 00:11:06,552 --> 00:11:08,687 OH, WELL, IT WOULDN'T BE JUST ONE ANYWAYS. 263 00:11:08,771 --> 00:11:11,647 IT'D BE 2.5 MILLION IF YOU INCLUDE MY FOLLOWERS. 264 00:11:11,731 --> 00:11:15,042 WELL, LOOKS LIKE OUR GUEST LIST JUST GOT A LOT BIGGER. 265 00:11:20,348 --> 00:11:22,919 WHAT? IT'S GOOD PUBLICITY. 266 00:11:23,003 --> 00:11:25,530 OK, SO... 267 00:11:25,614 --> 00:11:27,532 COME ON. 268 00:11:27,616 --> 00:11:29,534 THERE YOU GO. 269 00:11:29,618 --> 00:11:32,146 YO... DID YOU HEAR ABOUT BRYANT? 270 00:11:32,230 --> 00:11:34,148 HIGH ANKLE SPRAIN. 271 00:11:34,232 --> 00:11:35,801 HE'S GONNA BE OUT FOR A WHILE. 272 00:11:35,885 --> 00:11:38,282 YEAH, THAT'S GREAT, MAN. NOT FOR HIM. 273 00:11:38,366 --> 00:11:40,502 - NO. - I MEAN FOR YOU. THAT OFFICIALLY MAKES YOU 274 00:11:40,586 --> 00:11:43,809 - QB2, RIGHT? - YEAH. LUCKY ME. 275 00:11:43,893 --> 00:11:45,463 - BAKER. - HMM? 276 00:11:45,547 --> 00:11:47,509 MAN, YOU MIGHT BE THE BIGGEST WIMP I'VE EVER MET. 277 00:11:47,593 --> 00:11:49,685 LOOK, IF YOU WANT MY SPOT, WHY DON'T YOU MAN UP AND TAKE IT 278 00:11:49,769 --> 00:11:51,643 FROM ME YOURSELF? DON'T HAVE YOUR SISTER DO IT FOR YOU. 279 00:11:51,727 --> 00:11:53,994 WHAT? WHAT ARE YOU TALKING ABOUT? 280 00:11:54,078 --> 00:11:57,432 RIGHT, 'CAUSE NEITHER OF YOU TWO KNEW THAT SHE WAS DOING A HIT PIECE ON ME. 281 00:11:57,527 --> 00:12:00,347 YOU GUYS REALLY THINK SOME STUPID ARTICLE'S GONNA TAKE ME OUT? 282 00:12:00,432 --> 00:12:01,958 HEY, HEY, FALL BACK, WADE. 283 00:12:02,042 --> 00:12:04,134 NOBODY IS TRYING TO TAKE YOU DOWN, WADE. 284 00:12:04,218 --> 00:12:06,571 RIGHT? 285 00:12:06,655 --> 00:12:10,140 HEY, HAPPY TO TAKE A LOOK AT ANY OF YOUR PLAYERS... 286 00:12:10,224 --> 00:12:13,143 ALL RIGHT. ESPECIALLY AFTER THE WAY YOUR BOYS PLAYED LAST GAME. 287 00:12:13,227 --> 00:12:16,146 AH. I WISH I COULD SAY THEY, UH, THEY LEARNED IT ALL FROM ME. 288 00:12:16,230 --> 00:12:18,148 I'MMA SAY IT. THEY LEARNED IT ALL FROM ME. - HA HA! 289 00:12:18,232 --> 00:12:19,965 - THANKS FOR THE TIME, MAN, SERIOUSLY. - YOU GOT IT. 290 00:12:20,049 --> 00:12:22,576 - ALL RIGHT. BE GOOD. - ALL RIGHT. 291 00:12:22,889 --> 00:12:25,199 ALL RIGHT, FELLAS. BACK TO WORK. 292 00:12:25,283 --> 00:12:27,549 SITTING AROUND. 293 00:12:28,227 --> 00:12:29,352 UNBELIEVABLE. 294 00:12:29,437 --> 00:12:30,900 I HONESTLY HAD NO IDEA HE WAS EVEN HERE... 295 00:12:30,984 --> 00:12:32,902 NO, YOU KNOW WHAT? BRING YOUR DAD, 296 00:12:32,986 --> 00:12:35,078 YOUR SISTERS, ALL YOUR DRUNK UNCLES, FOR ALL I CARE. 297 00:12:35,162 --> 00:12:37,298 WOULDN'T MATTER. SEE, THE TRUTH IS 298 00:12:37,382 --> 00:12:39,517 IS YOU'LL NEVER BE A STARTER, 299 00:12:39,601 --> 00:12:42,039 AND YOU'RE DEFINITELY NOT A THREAT. 300 00:12:50,141 --> 00:12:51,917 I DON'T UNDERSTAND WHAT'S SO HARD. 301 00:12:52,002 --> 00:12:53,112 YOU'RE JUST SELLING YOURSELF. 302 00:12:53,196 --> 00:12:54,473 YEAH, BUT WHO IS SPENCER JAMES? 303 00:12:54,558 --> 00:12:56,476 COME ON, MAN. NOT THAT AGAIN. 304 00:12:56,561 --> 00:12:59,350 YOU'RE SPENCER, OK? YOU PLAY FOOTBALL. 305 00:12:59,434 --> 00:13:03,093 YOU LOVE TO SAVE THE WORLD. YOU DRESS KINDA OK. 306 00:13:03,177 --> 00:13:05,704 GOT A WEIRD-SHAPED HEAD AND A DOPE FRIEND NAMED COOP. 307 00:13:05,788 --> 00:13:07,706 - DID I SAY PLAY FOOTBALL? - COOP, 308 00:13:07,790 --> 00:13:10,883 FOR REAL, I NEED YOUR HELP. HOW'D YOU DO IT FOR YOUR ALBUM? 309 00:13:10,967 --> 00:13:13,886 HEY... IT'S NOT THE SAME, OK? 310 00:13:13,970 --> 00:13:17,281 I'M... I'M TOP-SHELF, MAN. I JUST SHOWED UP AND BAM! COOP TROOP. 311 00:13:17,365 --> 00:13:19,283 - HEH HEH! OK. - SERIOUSLY. 312 00:13:19,367 --> 00:13:21,502 HEH! 313 00:13:21,586 --> 00:13:24,897 - YO, DID DILLON DRAW THESE? - YEAH, YEAH. 314 00:13:24,981 --> 00:13:27,073 WAIT! THAT'S MR. HANDELMAN! 315 00:13:27,157 --> 00:13:29,032 "THE SNOOZE"? 316 00:13:29,116 --> 00:13:31,860 BRO, HE WAS BORING AS HELL. 317 00:13:31,944 --> 00:13:34,217 YEAH AND MEAN, TOO. DILLON GOT DETENTION 'CAUSE OF THAT. 318 00:13:34,301 --> 00:13:36,017 SHOOT, I STAYED IN DETENTION. 319 00:13:36,102 --> 00:13:38,606 MAN, ASK THE BOYS IF MY NAME'S STILL WRITTEN ALL OVER THEM DESKS. 320 00:13:38,690 --> 00:13:40,782 LOOK, MAN, FOR REAL. MY MOM'S WORRIED. 321 00:13:40,866 --> 00:13:43,089 DILLON'S BEEN ACTING OUT A LOT LATELY. - HE IN MIDDLE SCHOOL. 322 00:13:43,173 --> 00:13:46,745 MS. GRACE MUST HAVE FORGOT HOW BAD WE WAS. DUDE, BETWEEN MY MOUTH 323 00:13:46,829 --> 00:13:48,657 AND YOUR FISTS, IT'S A MIRACLE WE MADE IT OUT ALIVE. 324 00:13:48,741 --> 00:13:51,719 THE ONLY REASON I HAD TO USE MY FISTS WAS 'CAUSE OF YOUR MOUTH. 325 00:13:52,334 --> 00:13:53,599 WHATEVER. 326 00:13:53,914 --> 00:13:56,484 FOR REAL, YOU THINK THAT'S ALL IT IS? 327 00:13:56,570 --> 00:13:58,670 'CAUSE WHEN I TRIED TO TALK TO HIM, HE JUST SNAPPED AT ME. 328 00:13:58,754 --> 00:14:00,672 YOU CAST A BIG SHADOW, MAN. 329 00:14:00,756 --> 00:14:03,072 IT'S HARD ENOUGH TRYING TO MAKE A NAME FOR YOURSELF AT THAT AGE 330 00:14:03,156 --> 00:14:05,894 WITHOUT A BIG BROTHER BRINGING DOWN THE HOUSE ON ESPN. 331 00:14:05,978 --> 00:14:08,810 DILLON IS PROBABLY JUST TRYING TO FIND HIS WAY. 332 00:14:08,945 --> 00:14:12,734 YEAH. I GUESS WE BOTH TRYING TO FIGURE OUT WHO WE ARE. 333 00:14:13,687 --> 00:14:15,338 WAIT, DID... DID YOU JUST TAKE 334 00:14:15,423 --> 00:14:18,342 WHAT I SAID ABOUT DILLON AND MAKE IT ABOUT YOURSELF? 335 00:14:18,426 --> 00:14:20,368 GO AHEAD AND ADD "NARCISSIST" TO YOUR REÉSUME. 336 00:14:20,453 --> 00:14:22,347 - HEH HEH! CHILL. - GET OFF OF ME. 337 00:14:22,431 --> 00:14:24,228 THOUGHT I HEARD YOU DOWN HERE. - HEY. 338 00:14:24,312 --> 00:14:25,565 IS COOP HELPING WITH YOUR BRAND? 339 00:14:25,650 --> 00:14:27,177 - YEP. - NO. 340 00:14:28,016 --> 00:14:29,954 - YOU GET MY TEXT? - NO. WHY? WHAT'S UP? 341 00:14:30,039 --> 00:14:31,877 OLIVIA? THAT. 342 00:14:31,961 --> 00:14:34,774 WHAT THE HELL, LIV? WHAT THE HELL? 343 00:14:34,859 --> 00:14:37,274 DO YOU HAVE ANY IDEA HOW HARD I HAD TO WORK TO MAKE IT ON THAT TEAM? 344 00:14:37,358 --> 00:14:39,580 DO YOU EVEN CARE? NO. 'COURSE YOU DON'T CARE. 345 00:14:39,664 --> 00:14:42,192 NO, YOU'RE JUST LIKE, "I'M OLIVIA. I'M GONNA PISS OFF THE ONE GUY 346 00:14:42,276 --> 00:14:44,542 WHO CAN MAKE JORDAN'S LIFE MISERABLE! LA LA LA LA LA!" 347 00:14:44,626 --> 00:14:47,509 FIRST OFF, SPOT-ON IMPRESSION, AND I'M JUST DOING 348 00:14:47,594 --> 00:14:49,503 MY JOB, JORDAN; I MEAN, IT HAS NOTHING TO DO WITH YOU. 349 00:14:49,587 --> 00:14:52,115 YES, IT DOES. YOU JUST DON'T THINK THAT ANYTHING THAT I DO MATTERS. 350 00:14:52,199 --> 00:14:53,768 THE ONLY THING YOU CARE ABOUT IS YOURSELF. 351 00:14:53,852 --> 00:14:55,596 YOU'RE THE EXACT, SAME THING WITH MOM. 352 00:14:55,680 --> 00:14:57,598 CAN'T YOU JUST DO A STORY ON SOMETHING, 353 00:14:57,682 --> 00:14:59,948 ANYTHING THAT DOESN'T SCREW WITH OUR FAMILY FOR A CHANGE? 354 00:15:00,032 --> 00:15:02,299 - HOW COULD YOU BE SO CARELESS? - OH, MY GOD, GIRL. 355 00:15:02,383 --> 00:15:05,128 IT IS NOT THAT BIG OF A DEAL. LIKE, I JUST FORGOT ONE THING. GOD! 356 00:15:05,212 --> 00:15:07,130 YEAH, YOUR GUITAR. YOU KINDA NEED THAT. 357 00:15:07,214 --> 00:15:08,957 IT'S LITERALLY THE ONE THING I ASKED YOU TO REMEMBER. 358 00:15:09,041 --> 00:15:11,221 OK, WELL, WE CAN JUST GO GET IT. LIKE, RELAX. 359 00:15:11,305 --> 00:15:13,440 PLEASE DON'T TELL ME TO RELAX. 360 00:15:13,524 --> 00:15:15,877 YOU'VE BEEN DOING THAT ENOUGH FOR THE BOTH OF US, OK? 361 00:15:15,961 --> 00:15:17,879 I WILL GO TO THE STUDIO AND GET YOUR GUITAR. 362 00:15:17,963 --> 00:15:19,794 YOU NEED TO GO TO THE VENUE EARLY 363 00:15:19,878 --> 00:15:21,753 FOR REHEARSAL AND SOUND CHECK. CAN YOU DO THAT? 364 00:15:21,837 --> 00:15:24,060 HEH! OK, YEAH, WHAT YOU'RE NOT GONNA DO IS TALK 365 00:15:24,144 --> 00:15:25,969 TO ME LIKE I'M A LITTLE KID. YOU'RE NOT GONNA DO THAT. 366 00:15:26,053 --> 00:15:27,063 OK. 367 00:15:27,203 --> 00:15:29,065 I AM GONNA LEAVE BEFORE I SAY 368 00:15:29,149 --> 00:15:31,023 SOMETHING I REGRET, OK? 369 00:15:31,107 --> 00:15:33,000 I'll GO WITH YOU. 370 00:15:39,828 --> 00:15:41,338 "THE SNOOZE." 371 00:15:41,422 --> 00:15:43,641 SHOULD I PUT "HANDSOME"? 372 00:15:43,758 --> 00:15:44,993 WHAT? 373 00:15:48,039 --> 00:15:49,563 UH, YOU MISSED A FACULTY MEETING. 374 00:15:49,647 --> 00:15:52,000 HEY, MY BAD. MY MEETING AT G.A.U. TOOK A MINUTE. 375 00:15:52,084 --> 00:15:54,177 IT'S OK, THOUGH. I GOT A PASS FROM THE PRINCIPAL. 376 00:15:54,261 --> 00:15:57,049 - OH, ANYTHING COME UP? - YEAH, YOUR ABSENCE. 377 00:15:57,375 --> 00:15:59,660 IT WAS JUST ONE MEETING. IT'S NOT THE END OF THE WORLD. 378 00:16:00,211 --> 00:16:02,272 I'M NOT SAYING IT'S THE APOCALYPSE. 379 00:16:02,356 --> 00:16:04,274 IT'S JUST NOT A GOOD LOOK FOR YOU, 380 00:16:04,358 --> 00:16:06,406 ESPECIALLY WHEN MS. LAWSON'S GUNNING FOR YOUR JOB. 381 00:16:06,490 --> 00:16:08,887 OK. GOOD LOOKING OUT. 382 00:16:08,971 --> 00:16:11,368 I'M NOT JUST LOOKING OUT FOR YOU. 383 00:16:11,452 --> 00:16:13,892 YOU BROUGHT ME HERE. WE'RE KIND OF LIKE A PACKAGE DEAL. 384 00:16:13,976 --> 00:16:16,068 CAN'T HAVE ANYONE MESSING WITH THAT. 385 00:16:16,152 --> 00:16:18,070 OH. YOU'RE RIGHT. I FEEL YOU. 386 00:16:18,154 --> 00:16:20,333 MY BAD, PREACH. 387 00:16:20,417 --> 00:16:23,728 IT'S JUST... IT'S TOUGH JUGGLING BOTH THESE JOBS AT THE SAME TIME. 388 00:16:23,812 --> 00:16:25,730 LOOK, I GOT A LOT OF SIDE HUSTLES. 389 00:16:25,814 --> 00:16:28,167 SOME I HANDLE SOLO, SOME I GOT A CREW FOR, 390 00:16:28,251 --> 00:16:30,778 AND YOU GOT A WHOLE CREW OF ASSISTANT COACHES. 391 00:16:30,862 --> 00:16:34,391 OH, NO. HEH! I DON'T OPERATE LIKE THAT. I GOTTA BE HANDS-ON. 392 00:16:34,475 --> 00:16:37,394 I GET IT, BUT YOU ONLY GOT TWO HANDS. 393 00:16:37,478 --> 00:16:40,353 YOU MIGHT WANT TO FIGURE OUT WHAT'S MOST IMPORTANT TO YOU 394 00:16:40,437 --> 00:16:43,658 AND HANG ONTO THAT AS HARD AS YOU CAN. 395 00:16:50,360 --> 00:16:53,212 OK, AND NOW, WADE THINKS I'M COMING FOR HIS SPOT. 396 00:16:53,297 --> 00:16:55,332 I MEAN, HOW DUMB CAN LIV BE, RIGHT? 397 00:16:55,417 --> 00:16:57,509 PATIENCE ONLY NEEDED TWO THINGS FOR TONIGHT... 398 00:16:57,594 --> 00:16:59,539 - HER VOICE AND HER GUITAR. - OK, WELL, 399 00:16:59,624 --> 00:17:01,818 PEOPLE FORGET THINGS ALL THE TIME, LAYLA. I MEAN, I ONCE FORGOT 400 00:17:01,902 --> 00:17:03,907 MY PANTS ON THE WAY TO SCHOOL. 401 00:17:03,991 --> 00:17:06,109 - DON'T ASK. - I WASN'T GOING TO. 402 00:17:06,194 --> 00:17:09,173 LOOK, OK, IF YOU ASK ME, LIV'S NOT YOUR PROBLEM. 403 00:17:09,266 --> 00:17:11,262 SHE'S GOING AFTER WADE, SHE PROBABLY HAS A GOOD REASON. 404 00:17:11,346 --> 00:17:12,766 - I DIDN'T ASK, BUT... - OK. 405 00:17:12,851 --> 00:17:15,118 NOW THAT YOU BRING IT UP, WADE IS THE STARTING QUARTERBACK, 406 00:17:15,202 --> 00:17:17,078 ALL RIGHT? AND ONE OF THE BEST IN THE NATION, LAYLA. 407 00:17:17,162 --> 00:17:19,181 I CAN'T LEARN FROM HIM IF HE THINKS I'M THE ENEMY, 408 00:17:19,266 --> 00:17:21,837 SO I'VE JUST GOT TO SUCK IT UP AND PLAY NICE. 409 00:17:21,922 --> 00:17:23,454 - SIMONE SAID THE SAME THING. - SIMONE 410 00:17:23,538 --> 00:17:25,181 WASN'T THERE TO HEAR HOW HE TALKED TO YOU. 411 00:17:25,359 --> 00:17:27,801 YOU NEED TO STAND UP TO HIM, JORDAN, LET HIM KNOW WHO'S IN CHARGE. 412 00:17:27,885 --> 00:17:30,412 OFFICIALLY, HE'S IN CHARGE, ALL RIGHT? I'M JUST HIS BACKUP. 413 00:17:30,496 --> 00:17:32,806 YEAH, LOOK AT THAT. YOU'RE LEARNING FROM HIM ALREADY. 414 00:17:32,891 --> 00:17:35,546 YOU'RE EVEN STARTING TO SOUND LIKE HIM. 415 00:17:42,469 --> 00:17:43,991 WHAT DID YOU DO? 416 00:17:44,258 --> 00:17:45,601 NOTHING. 417 00:17:45,685 --> 00:17:47,603 JORDAN. 418 00:17:47,687 --> 00:17:50,737 - OK, OK, RELAX. - DO NOT TELL ME TO RELAX, JORDAN! 419 00:17:50,821 --> 00:17:54,175 OK, MOVE, MOVE, MOVE, MOVE. 420 00:17:54,259 --> 00:17:56,648 - IT'S A DOOR, OK? - LET'S JUST... 421 00:17:56,733 --> 00:17:58,868 - YEAH? THAT'S WHAT I THOUGHT. - WE NEED... 422 00:17:58,953 --> 00:18:01,652 YOU HAVE TO... JORDAN, STOP! DUDE, LET ME DO IT! 423 00:18:03,211 --> 00:18:05,508 NOPE. 424 00:18:06,740 --> 00:18:08,200 NOPE. 425 00:18:08,434 --> 00:18:10,787 COME ON, COME ON, COME ON. NOPE! 426 00:18:10,912 --> 00:18:14,202 WILL YOU JU... SHUT UP, JORDAN! JUST SHUT UP. JUST SHUT UP, OK? 427 00:18:14,287 --> 00:18:16,269 THIS ROOM IS A DEAD ZONE. THERE'S NO SIGNAL. 428 00:18:16,353 --> 00:18:18,905 - I WISH YOU HAD NO SIGNAL. - WHAT ARE WE GONNA DO? 429 00:18:18,990 --> 00:18:21,967 - MY TECH'S NOT IN FOR ANOTHER TWO HOURS. - OK, SO WE ONLY 430 00:18:22,052 --> 00:18:24,052 - HAVE TO WAIT A COUPLE HOURS. THAT'S FINE. - "ONLY"? 431 00:18:24,536 --> 00:18:27,030 PATIENCE'S SHOW IS GONNA BE DONE BY THEN... 432 00:18:27,115 --> 00:18:28,921 YOU KNOW, THE THING I'VE BEEN PLANNING FOR A MONTH? 433 00:18:29,005 --> 00:18:31,286 OK, AND I'M SURE YOU HAVE EVERYTHING SET UP BY NOW, RIGHT? 434 00:18:31,411 --> 00:18:33,721 I MEAN, ALL SHE HAS TO DO IS GET UP THERE AND PLAY. SHE CAN DO THAT. 435 00:18:33,805 --> 00:18:36,577 NOT WITHOUT THIS. THIS IS A DISASTER, 436 00:18:36,662 --> 00:18:38,465 AND, YOU KNOW, I BET YOU SHE DID THIS ON PURPOSE. 437 00:18:38,549 --> 00:18:40,099 YEAH? 438 00:18:40,184 --> 00:18:42,057 LEFT HER GUITAR IN YOUR STUDIO, HOPING THAT YOU'D LOCK 439 00:18:42,141 --> 00:18:44,060 YOURSELF IN WHEN YOU CAME BACK TO GET IT, ALL SO THAT 440 00:18:44,144 --> 00:18:47,455 YOU'D MISS HER SHOW? SHE ISN'T A BOND VILLAIN, LAYLA. 441 00:18:47,540 --> 00:18:50,156 YOU KNOW, I WOULDN'T PUT IT PAST HER, AND SHE'LL PROBABLY BE HAPPY I DON'T SHOW UP. 442 00:18:50,240 --> 00:18:52,158 I MEAN, COULD YOU REALLY BLAME HER? 443 00:18:52,243 --> 00:18:54,510 YOU HAVEN'T EXACTLY BEEN NICE TO HER LATELY, OR ANYONE, REALLY. 444 00:18:54,594 --> 00:18:56,729 WOW. WELL, THIS COMING FROM THE GUY WHO JUST 445 00:18:56,814 --> 00:18:59,556 LETS EVERYONE WALK ALL OVER HIM. 446 00:19:11,942 --> 00:19:13,988 WHAT'S UP, D.? 447 00:19:16,662 --> 00:19:18,983 LOOK, MAN, I KNOW YOU DON'T WANT TO TALK 448 00:19:19,067 --> 00:19:21,865 ABOUT WHATEVER'S GOING ON WITH YOU, AND I COULD RESPECT THAT, 449 00:19:22,271 --> 00:19:23,945 BUT MAYBE YOU CAN HELP ME OUT WITH SOMETHING. 450 00:19:24,029 --> 00:19:26,944 I NEED TO COME UP WITH MY BRAND, LET PEOPLE KNOW WHO I AM 451 00:19:27,029 --> 00:19:28,602 BEFORE THEY TRY AND TELL ME WHO I AM. 452 00:19:28,686 --> 00:19:31,953 WHAT'S SO HARD ABOUT THAT? YOU'RE SPENCER JAMES. 453 00:19:32,037 --> 00:19:33,955 YEAH, YOU AND I KNOW WHO I AM, 454 00:19:34,039 --> 00:19:36,159 BUT THAT DON'T MEAN ANYTHING TO THE REST OF THE WORLD. 455 00:19:36,474 --> 00:19:38,612 I GOTTA SHOW EVERYBODY ELSE WHAT I'M ALL ABOUT. 456 00:19:38,696 --> 00:19:41,441 WHY NOT SHOW 'EM YOUR GAME TAPES OR ALL YOUR TROPHIES 457 00:19:41,525 --> 00:19:43,660 OR YOUR CHAMPIONSHIP RING? 458 00:19:43,744 --> 00:19:45,662 THERE ARE A LOT OF GOOD PLAYERS OUT THERE, MAN, 459 00:19:45,746 --> 00:19:47,664 AND THEY ALL GOT GAME TAPES, THEY ALL GOT TROPHIES, 460 00:19:47,748 --> 00:19:50,101 THEY ALL GOT CHAMPIONSHIP RINGS. I GOTTA COME UP 461 00:19:50,185 --> 00:19:52,713 WITH SOMETHING THAT MAKES ME STAND OUT, 462 00:19:53,662 --> 00:19:55,368 SOMETHING ENTIRELY ME. 463 00:19:55,452 --> 00:19:58,675 TAKE YOU, FOR EXAMPLE. YOU GOT A LOT GOING FOR YOU, BRUH. 464 00:19:58,759 --> 00:20:00,895 YOU'RE FUNNY, YOU'RE COOL, 465 00:20:00,979 --> 00:20:02,927 YOU'RE BETTER-LOOKING THAN YOUR BROTHER. 466 00:20:03,012 --> 00:20:04,539 HEH! 467 00:20:05,497 --> 00:20:07,763 AND YOU'RE A DOPE ARTIST. 468 00:20:07,880 --> 00:20:10,538 WHO CARES, MAN? NONE OF THAT MEANS ANYTHING. 469 00:20:10,623 --> 00:20:12,193 EXCUSE ME. 470 00:20:12,779 --> 00:20:14,909 MOMS AIN'T NEVER PUT MY DRAWINGS ON THE FRIDGE. 471 00:20:14,993 --> 00:20:16,867 THAT'S PRIME REAL ESTATE, BRUH. 472 00:20:17,271 --> 00:20:19,217 I'D GIVE ANYTHING TO HAVE YOUR TALENT. 473 00:20:19,301 --> 00:20:23,513 YEAH, WELL, MR. HANDELMAN SAID THAT MY "DOODLES" WERE A WASTE OF TIME 474 00:20:23,958 --> 00:20:26,790 AND THAT THEY AIN'T NEVER GONNA GET ME OUTTA CRENSHAW. 475 00:20:26,874 --> 00:20:28,872 - HE SAID THAT? - YEAH, AND HE AIN'T WRONG. 476 00:20:28,957 --> 00:20:32,505 YES, HE IS. HANDELMAN AIN'T EVEN AN ART TEACHER. 477 00:20:32,677 --> 00:20:34,842 HE'S A HISTORY TEACHER WHO BARELY KNOWS HISTORY, 478 00:20:34,926 --> 00:20:37,225 AND HE DEFINITELY DON'T KNOW THE FUTURE. - OH, MY GOD. 479 00:20:37,309 --> 00:20:39,227 YOU WOULDN'T GET IT. 480 00:20:39,312 --> 00:20:41,230 YOU HAD FOOTBALL. 481 00:20:41,315 --> 00:20:43,360 I GOT NOTHING. 482 00:20:48,679 --> 00:20:51,377 GOOD LUCK WITH YOUR BRAND. 483 00:20:59,254 --> 00:21:02,173 YOUR BROTHER WILL BE FINE. HE'S JUST UPSET. 484 00:21:02,257 --> 00:21:05,046 YEAH, WELL, THROW A COUPLE "VERYS" IN FRONT OF THAT, AND YOU'RE GETTING CLOSE. 485 00:21:05,130 --> 00:21:07,135 I MEAN, HE WENT FULL-ON MMJ. 486 00:21:07,412 --> 00:21:11,008 WOW. IT'S BEEN A WHILE SINCE MEAN MUG JORDAN CAME OUT. 487 00:21:11,092 --> 00:21:12,693 MAYBE I SHOULD SCRAP THE STORY. I MEAN, 488 00:21:12,778 --> 00:21:14,874 HE THINKS I ONLY DO 'EM TO RUIN MY FAMILY'S LIVES. 489 00:21:15,140 --> 00:21:16,927 THAT'S A BIT DRAMATIC. 490 00:21:17,011 --> 00:21:19,147 MEAN MUG'S WORDS, NOT MINE. 491 00:21:19,231 --> 00:21:21,366 BUT, I MEAN, HE'S RIGHT. 492 00:21:21,450 --> 00:21:24,021 I MEAN, MY STORY ON TAMIKA PRATT GOT YOU FIRED. 493 00:21:24,105 --> 00:21:26,633 I DIDN'T GET FIRED, I QUIT 494 00:21:26,717 --> 00:21:29,287 BECAUSE THE TRUTH ABOUT TAMIKA NEEDED TO COME OUT. 495 00:21:29,371 --> 00:21:31,986 YOU KNEW THAT AND DID WHAT YOU NEEDED TO DO, AND SO DID I. 496 00:21:32,070 --> 00:21:34,292 YEAH, BUT I COULD HAVE HANDLED IT BETTER. 497 00:21:34,376 --> 00:21:36,904 LIFE IS FULL OF SACRIFICES, SWEETIE. 498 00:21:36,988 --> 00:21:39,733 TAKE YOUR FATHER AND I, FOR INSTANCE. 499 00:21:39,817 --> 00:21:41,735 WE WERE SUPPOSED TO HAVE DINNER TONIGHT, 500 00:21:41,819 --> 00:21:43,911 BUT AS YOU CAN SEE, HE'S NOT HERE. 501 00:21:43,995 --> 00:21:45,782 - OH, MY GOD. IS THIS HIS? - IT'S FINE. 502 00:21:45,866 --> 00:21:48,045 I KNEW HE'D BE WORKING IN CRENSHAW A LOT, 503 00:21:48,129 --> 00:21:49,743 SO I MOVED DOWN HERE TO BE WITH HIM. 504 00:21:49,827 --> 00:21:51,832 AND HOW IS THAT GOING? 505 00:21:51,916 --> 00:21:54,704 BETTER THAN IT WOULD HAVE IF I'D STAYED IN BEVERLY HILLS. 506 00:21:54,788 --> 00:21:57,925 EVERYTHING WORTH FIGHTING FOR INVOLVES SACRIFICE. 507 00:21:58,009 --> 00:22:02,103 IF YOUR GUT IS TELLING YOU TO DO THIS STORY, THEN STICK WITH IT, 508 00:22:02,187 --> 00:22:04,322 EVEN IF IT MEANS RUFFLING SOME FEATHERS. 509 00:22:04,406 --> 00:22:06,626 JORDAN CAN'T STAY MEAN MUG FOREVER. 510 00:22:08,236 --> 00:22:10,154 HEY, I'M SO SORRY 511 00:22:10,238 --> 00:22:11,808 I'M LATE. 512 00:22:11,892 --> 00:22:13,593 OH, HEY, SWEETIE. 513 00:22:13,677 --> 00:22:15,551 - OH, I'M SO SORRY. - HI. 514 00:22:15,635 --> 00:22:17,727 I TRIED TO GET OUT OF THERE AS SOON AS I COULD, BUT, UH, 515 00:22:17,811 --> 00:22:20,600 I HAD TO DO DAMAGE CONTROL, AND THAT REGINA LAWSON DON'T PLAY. 516 00:22:20,684 --> 00:22:23,077 I NEED HER ON MY DEFENSE. 517 00:22:24,775 --> 00:22:27,694 UH, IT'S FINE. I GOT YOUR TEXTS, SO I KNEW YOU WERE GOING 518 00:22:27,778 --> 00:22:30,697 TO BE LATE, SO LET ME JUST WARM THIS UP FOR YOU. 519 00:22:30,781 --> 00:22:34,135 BABY... I REALLY... REALLY, I'M SORRY. 520 00:22:34,219 --> 00:22:36,267 IT REALLY IS FINE. I PROMISE. 521 00:22:36,351 --> 00:22:39,619 ALL RIGHT. THIS LOOKS AMAZING. AH. 522 00:22:39,703 --> 00:22:42,273 - OH, BOY. - IT'S NOT FINE. 523 00:22:42,357 --> 00:22:44,577 YOU SHOULD HAVE BEEN HERE. 524 00:22:46,187 --> 00:22:48,453 ♪ YEAH, YEAH 525 00:22:48,537 --> 00:22:50,847 ♪ YEAH, YEAH, YEAH, YEAH 526 00:22:50,931 --> 00:22:53,067 ♪ YEAH, YEAH 527 00:22:53,151 --> 00:22:55,069 - IT'S GOOD. - YO, THE CROWD 528 00:22:55,153 --> 00:22:57,811 IS GONNA LOVE IT. I GOT ONE NOTE. 529 00:22:57,895 --> 00:23:00,857 THEY GONNA SEE YOUR FACE, SO YOU GOTTA PRETEND TO LOVE IT, TOO. 530 00:23:00,941 --> 00:23:02,859 LAYLA SHOULD BE HERE BY NOW, 531 00:23:02,943 --> 00:23:04,861 AND, LIKE, SHE NEVER MISSES SOUND CHECK, 532 00:23:04,945 --> 00:23:06,820 SO... AND SHE'S NOT ANSWERING MY TEXTS. 533 00:23:06,904 --> 00:23:08,822 LOOK, YOU KNOW YOU AIN'T GOT TO WORRY ABOUT LAYLA, OK? 534 00:23:08,906 --> 00:23:10,650 THAT GIRL'D COME BACK FROM THE DEAD TO BE HERE FOR THIS. 535 00:23:10,734 --> 00:23:12,652 YEAH. 536 00:23:12,736 --> 00:23:14,741 OH, YES! SHE MADE IT. OK. 537 00:23:14,825 --> 00:23:16,870 I TOLD YOU. 538 00:23:18,696 --> 00:23:21,178 HEY, SPENCE. THANKS FOR COMING. 539 00:23:21,263 --> 00:23:23,184 - MY PLEASURE. - YEAH. SORRY. 540 00:23:23,268 --> 00:23:25,186 - HEY, GIRL. - HOW ARE YOU? 541 00:23:25,270 --> 00:23:28,189 - GOOD. YOURSELF? - GOOD, GOOD. THANK YOU. 542 00:23:28,273 --> 00:23:32,410 AM I MISSING SOMETHING? SINCE WHEN IS PATIENCE SO TIGHT WITH SABINE? 543 00:23:32,494 --> 00:23:35,022 SINCE NOW, I GUESS. 544 00:23:35,106 --> 00:23:39,349 - OK. - THANKS FOR COMING. AH! 545 00:23:42,503 --> 00:23:45,031 HOW, EXACTLY, AM I A DOORMAT? 546 00:23:45,116 --> 00:23:47,034 "I WANT WADE TO LIKE ME. I WANT OLIVIA TO STOP 547 00:23:47,118 --> 00:23:49,210 - BEING MEAN TO ME." - OH, I'M SORRY. 548 00:23:49,294 --> 00:23:51,821 I THOUGHT I WAS TALKING TO A FRIEND. - WHINING TO A FRIEND! 549 00:23:51,905 --> 00:23:53,823 AND I'M TELLING YOU THE TRUTH, JORDAN, 550 00:23:53,907 --> 00:23:56,086 SO IF YOU WANT TO BE CODDLED, GO TO LITERALLY ANYONE ELSE! 551 00:23:56,170 --> 00:23:58,654 YOU'RE ALL, "MY DAD SAYS," "SIMONE SAYS." 552 00:23:58,738 --> 00:24:01,048 WHO CARES? WHAT DOES JORDAN SAY? 553 00:24:01,132 --> 00:24:03,572 - SCREW YOU, LAYLA. - WELL, THAT'S A START. 554 00:24:03,656 --> 00:24:05,705 AND WITH YOU, IT'S THE END! YOU KNOW, THE ONLY WAY 555 00:24:05,789 --> 00:24:08,316 TO GET CLOSE TO YOU RECENTLY IS IN THE BEDROOM? "HEY, ASH, 556 00:24:08,400 --> 00:24:11,449 LET'S HOOK UP, NOW GO AWAY. "" HEY, CLAY, LET'S HOOK UP, 557 00:24:11,533 --> 00:24:14,714 NOW GO AWAY." WALLS UP, PANTS DOWN! THAT'S YOUR NEW MOTTO! 558 00:24:14,798 --> 00:24:16,488 YOU KNOW, IT SOUNDS LIKE SOMEONE'S JEALOUS. 559 00:24:16,572 --> 00:24:17,107 HEH! OK. 560 00:24:17,191 --> 00:24:19,240 BUT IT'D NEVER HAPPEN, JORDAN, 'CAUSE YOU'D HAVE TO GROW A PAIR. 561 00:24:19,324 --> 00:24:21,329 AND YOU USED TO BE SO CONFIDENT. 562 00:24:21,413 --> 00:24:24,158 WHEN DID YOU BECOME THE GUY THAT JUST LET EVERYONE PUSH YOU AROUND? 563 00:24:24,242 --> 00:24:26,160 I KNOW THE EXACT MOMENT WHEN YOU BECAME THE GIRL WHO STARTED 564 00:24:26,244 --> 00:24:28,553 - PUSHING EVERYONE AROUND. - YEAH? OK, ENLIGHTEN ME. 565 00:24:28,637 --> 00:24:30,599 THE NIGHT CARRIE TRIED TO PUSH YOU OFF THAT CLIFF. 566 00:24:30,683 --> 00:24:32,993 SINCE THEN, YOU'VE PRETENDED TO BE OK, 567 00:24:33,077 --> 00:24:35,648 PRETENDED TO MOVE ON, LIED THAT YOU WERE OVER IT, 568 00:24:35,732 --> 00:24:38,651 BECAME A CONTROL FREAK, YOU USED WHOEVER YOU NEEDED TO, AND PUSHED 569 00:24:38,735 --> 00:24:41,131 EVERYONE ELSE AWAY! I'M THE ONLY ONE WHO WOULDN'T LET YOU! 570 00:24:41,215 --> 00:24:43,264 - WELL, YOU CAN WALK AWAY ANYTIME... - NO, I CAN'T! 571 00:24:43,348 --> 00:24:45,614 BECAUSE WE'RE STUCK IN THIS STUPID ROOM! 572 00:24:45,698 --> 00:24:48,182 YOU KNOW WHAT? YOU ACT ALL BOSS-LADY BADASS, BUT YOU AREN'T 573 00:24:48,266 --> 00:24:50,663 EVEN BRAVE ENOUGH TO ADMIT THAT YOU AREN'T OVER THAT NIGHT! 574 00:24:50,747 --> 00:24:54,754 YOU MAY HAVE SAVED CARRIE, BUT I THINK SHE KILLED A PART OF YOU. 575 00:24:54,838 --> 00:24:56,973 - YOU WANT OUT? - MM-HMM. 576 00:24:57,057 --> 00:24:58,975 - I'll LET YOU OUT. - MM-HMM. WHOA, LAYLA... 577 00:24:59,059 --> 00:25:00,760 - LET US OUT! - LAYLA! 578 00:25:00,844 --> 00:25:02,370 - LET US OUT! LET US OUT! - LAYLA! 579 00:25:02,454 --> 00:25:04,372 LAYLA! LAYLA! HOLD ON TO ME! 580 00:25:04,456 --> 00:25:06,591 NO! LET ME GO! LET ME GO! 581 00:25:06,675 --> 00:25:08,724 - LET ME GO! - HEY, HEY, HEY. 582 00:25:08,808 --> 00:25:10,900 LET ME GO! 583 00:25:12,774 --> 00:25:14,950 IT'S OK. 584 00:25:18,124 --> 00:25:20,477 PROBCAUSE & THE BELIEF CYCLE'S "PURPOSE" PLAYING... 585 00:25:20,562 --> 00:25:23,437 ♪ DA DA 586 00:25:23,522 --> 00:25:25,959 ♪ DA DA 587 00:25:28,355 --> 00:25:30,273 ♪ WE'RE ALL JUST PEOPLE 588 00:25:30,358 --> 00:25:31,924 ♪ POETS AND POLITICIANS 589 00:25:32,008 --> 00:25:34,890 YOU LOOKING FOR LAYLA? WHERE'S SABINE? 590 00:25:34,974 --> 00:25:36,453 UH, SABINE'S AT THE BAR. 591 00:25:36,538 --> 00:25:39,148 ♪ SEARCHING TO FIND OUR MISSION, LOOKING TO FIND OURSELVES ♪ 592 00:25:39,460 --> 00:25:41,760 YOU THINK LAYLA IS STAYING AWAY ON PURPOSE? 593 00:25:42,405 --> 00:25:44,843 I MEAN, NOT THAT, YOU KNOW, I WOULD BLAME HER. 594 00:25:44,928 --> 00:25:46,417 THAT'S NOT HER STYLE. 595 00:25:47,397 --> 00:25:49,420 SO WHAT'S UP WITH YOU AND SABINE? 596 00:25:49,936 --> 00:25:52,510 I MEAN, YOU HER FANGIRL OR YOU HER GIRL? 597 00:25:53,171 --> 00:25:55,682 I JUST MET HER FOR THE FIRST TIME THIS MORNING. 598 00:25:55,767 --> 00:25:56,852 HMM. 599 00:25:57,169 --> 00:25:59,966 HEH! I MEAN, RIGHT BEFORE YOUR GIRL, RIGHT? 600 00:26:00,163 --> 00:26:01,689 - NO. THAT'S NOT MY GIRL. - HA HA! 601 00:26:01,773 --> 00:26:03,691 - OK. YEAH. - SHE JUST WANTED TO... 602 00:26:03,775 --> 00:26:05,693 - WANTED TO RETURN THE CHARGER, RIGHT? - YES, YEAH. 603 00:26:05,777 --> 00:26:07,477 YEAH, OK. 604 00:26:07,561 --> 00:26:09,740 LOOK... 605 00:26:09,824 --> 00:26:12,195 LAYLA'LL MAKE IT, BUT EVEN IF SHE DOESN'T, 606 00:26:12,280 --> 00:26:14,310 LIKE, IT AIN'T LIKE YOU NEW TO THIS. 607 00:26:14,394 --> 00:26:16,878 - YOU CAN DO THE SHOW WITHOUT HER. - MM-MMM, NOT WITHOUT MY GUITAR. 608 00:26:16,962 --> 00:26:19,007 - YES, YOU CAN. - EVERYTHING OK? 609 00:26:19,092 --> 00:26:21,538 YEAH, WE GOOD. JUST, UM... 610 00:26:21,706 --> 00:26:24,146 - AHEM. - LITTLE PREGAME JITTERS. 611 00:26:24,561 --> 00:26:27,062 MMM. UH, HAVE YOU HEARD FROM LAYLA? 612 00:26:27,146 --> 00:26:29,934 NOT SINCE THE MORNING, BUT I'M SURE SHE'LL BE HERE. 613 00:26:30,018 --> 00:26:31,467 THAT'S WHAT I'VE BEEN TELLING HER. 614 00:26:31,552 --> 00:26:33,903 HMM. 615 00:26:36,502 --> 00:26:38,202 - I'M COOP. - HEY. 616 00:26:38,287 --> 00:26:40,858 - I'M HER... - SHE'S MY ROOMMATE. 617 00:26:41,991 --> 00:26:44,453 UH, YEAH, SO, LAYLA, 618 00:26:44,538 --> 00:26:47,082 SHE HAS MY GUITAR, AND I AM SUPPOSED TO GO ON, 619 00:26:47,166 --> 00:26:50,139 - LIKE, NOW, SO... - I HAVE ONE YOU CAN BORROW. 620 00:26:50,224 --> 00:26:52,752 - YOU WOULD LET ME BORROW YOUR GUITAR? - OF COURSE. 621 00:26:53,216 --> 00:26:55,134 - GIRL, I GOT YOU. - NO. 622 00:26:55,218 --> 00:26:57,263 I'll BE RIGHT BACK. 623 00:26:58,786 --> 00:27:00,614 MM-HMM. 624 00:27:04,183 --> 00:27:07,276 THANK YOU. HA HA HA! 625 00:27:07,360 --> 00:27:09,496 HA HA! 626 00:27:09,580 --> 00:27:11,411 UM, THANK YOU, GUYS. 627 00:27:11,495 --> 00:27:13,848 I CANNOT TELL YOU GUYS HOW MUCH IT MEANS TO ME 628 00:27:13,932 --> 00:27:16,851 THAT YOU GUYS ARE CELEBRATING MY FIRST OFFICIAL RECORD, 629 00:27:16,935 --> 00:27:18,858 "WELCOME TO THE VORTEX." 630 00:27:18,943 --> 00:27:22,297 YEAH, UM, HEH! OK, WHO HERE IS FROM CRENSHAW? 631 00:27:22,408 --> 00:27:24,424 - YEAH! - YEAH? OK. 632 00:27:24,508 --> 00:27:26,209 WELL, AS MOST OF YOU GUYS KNOW, 633 00:27:26,294 --> 00:27:27,951 CRENSHAW IS HOME TO ME. 634 00:27:28,065 --> 00:27:30,070 IT'S WHERE I BECAME WHO I AM. 635 00:27:30,155 --> 00:27:32,290 THIS ALBUM IS KIND OF LIKE A LOVE LETTER TO MY 'HOOD 636 00:27:32,575 --> 00:27:35,712 AND THE PEOPLE IN IT, AND I WOULD LIKE TO THANK ONE 637 00:27:35,797 --> 00:27:38,324 OF MY IDOLS, SABINE... 638 00:27:38,409 --> 00:27:40,458 UM, WHO CAME HERE TO SUPPORT ME TONIGHT... 639 00:27:40,543 --> 00:27:43,462 FOR SAVING MY LIFE BY LENDING ME 640 00:27:43,614 --> 00:27:46,837 HER PERSONAL GUITAR... HEH! SO, UM, YEAH, THANK YOU. 641 00:27:46,921 --> 00:27:49,623 AND, LAYLA KEATING, UM, 642 00:27:49,707 --> 00:27:53,279 WHEREVER YOU ARE, THANK YOU. ALL RIGHT, LET'S GET IN IT. 643 00:27:53,363 --> 00:27:56,934 "TRUST" PLAYING... ♪ YEAH, YEAH 644 00:27:57,018 --> 00:27:59,546 ♪ YEAH, YEAH, YEAH, YEAH 645 00:27:59,630 --> 00:28:02,201 ♪ YEAH, YEAH 646 00:28:02,285 --> 00:28:05,029 ♪ WE GO THROUGH CHANGES 647 00:28:05,113 --> 00:28:07,641 ♪ NOTHING IS PAINLESS 648 00:28:07,725 --> 00:28:12,646 ♪ I CAN'T EXPLAIN IT, BUT I JUST FEEL AMAZING ♪ 649 00:28:12,730 --> 00:28:16,084 ♪ WHEN I FEEL ALONE, I KNOW... ♪ 650 00:28:16,168 --> 00:28:20,219 I'M SORRY, JORDAN. I WAS JUST FRUSTRATED. I DIDN'T MEAN WHAT I SAID. 651 00:28:20,303 --> 00:28:23,222 DOESN'T MEAN IT WASN'T TRUE. NOT THE STUFF 652 00:28:23,306 --> 00:28:26,486 - BELOW THE BELT, THOUGH. - HEH! 653 00:28:26,570 --> 00:28:28,314 YOU'RE A GOOD GUY, 654 00:28:28,398 --> 00:28:30,533 AND YOU LISTEN TO PEOPLE WHO CARE ABOUT YOU. 655 00:28:30,617 --> 00:28:32,535 IT'S A GOOD THING. 656 00:28:32,619 --> 00:28:36,191 YEAH, WELL, I ALSO LISTEN TO PEOPLE WHO DON'T CARE ABOUT ME. 657 00:28:36,275 --> 00:28:38,193 I DON'T KNOW. 658 00:28:38,277 --> 00:28:41,196 I JUST FEEL LIKE, EVER SINCE HIGH SCHOOL, I LOST MY CONFIDENCE. 659 00:28:41,280 --> 00:28:43,807 EVERYTHING USED TO BE SO EASY, 660 00:28:44,870 --> 00:28:47,376 THEN I HAD TO WALK ONTO A FIELD WHERE NOBODY WANTED ME. 661 00:28:47,460 --> 00:28:49,770 WELL, THAT CAN'T BE TRUE. 662 00:28:49,854 --> 00:28:51,989 YOU'RE ONE OF THE BEST PLAYERS OUT THERE. 663 00:28:52,073 --> 00:28:55,123 LAYLA, IF I WANTED CODDLING, I WOULD GO TO LITERALLY ANYWHERE ELSE. 664 00:28:55,207 --> 00:28:57,081 HEH! I'M NOT CODDLING. 665 00:28:57,165 --> 00:28:59,693 YOU SAVED YOUR TEAM LAST GAME, AND YOU DIDN'T LEAD 666 00:28:59,777 --> 00:29:02,696 BEVERLY TO TWO CHAMPIONSHIPS OFF OF YOUR GOOD LOOKS. 667 00:29:04,434 --> 00:29:06,482 YOU'RE A NATURAL-BORN LEADER, JORDAN. 668 00:29:06,566 --> 00:29:08,615 YOU JUST HAVE TO BELIEVE IT. 669 00:29:08,699 --> 00:29:11,226 WHERE WAS THIS LAYLA 20 MINUTES AGO? 670 00:29:11,310 --> 00:29:14,229 UM, AT THE BOTTOM OF A CLIFF, APPARENTLY. 671 00:29:14,313 --> 00:29:15,862 YEAH. 672 00:29:16,006 --> 00:29:18,189 I DIDN'T MEAN THAT. I'M SORRY. 673 00:29:18,274 --> 00:29:20,711 DOESN'T MEAN IT WASN'T TRUE. 674 00:29:22,278 --> 00:29:25,022 DO YOU WANT TO... TALK ABOUT IT? 675 00:29:25,106 --> 00:29:27,183 IT'S NOT LIKE WE HAVE ANYWHERE ELSE TO GO. 676 00:29:27,268 --> 00:29:30,405 THIS IS A NEW SONG. IT'S CALLED "SHINE MY LIGHT," 677 00:29:30,490 --> 00:29:33,644 AND I HOPE YOU GUYS ENJOY IT. 678 00:29:52,717 --> 00:29:55,462 ♪ LIVING WITH NO REGRETS 679 00:29:55,547 --> 00:29:57,900 ♪ LIFE SOMETIMES A VORTEX 680 00:29:57,985 --> 00:30:01,467 ♪ I'M PLACING ALL MY BETS ON ME ♪ 681 00:30:03,034 --> 00:30:05,889 ♪ SOMETIMES BEING STRONG IS HARD ♪ 682 00:30:05,973 --> 00:30:08,501 ♪ I MADE IT DOWN THE ROAD THIS FAR ♪ 683 00:30:08,585 --> 00:30:13,157 ♪ I'M EXACTLY WHERE I NEED TO BE ♪ 684 00:30:13,241 --> 00:30:15,508 ♪ SHININ'... 685 00:30:15,592 --> 00:30:18,162 AND SO HOW'S DILLON? 686 00:30:18,246 --> 00:30:20,164 NOT GREAT. 687 00:30:20,248 --> 00:30:22,776 MR. HANDELMAN TOLD HIM HIS ART IS A WASTE OF TIME. 688 00:30:22,860 --> 00:30:25,474 WHAT? DID YOU TELL HIM THAT LISTENING TO MR. HANDELMAN IS A WASTE OF TIME? 689 00:30:25,558 --> 00:30:27,476 - HEH HEH! YEAH. - MAN. 690 00:30:27,560 --> 00:30:30,436 SOMEBODY'S TRYING TO HOLLA AT YOU. 691 00:30:30,520 --> 00:30:33,441 ♪ COME ON MY WAY - DAMN. 692 00:30:33,525 --> 00:30:36,267 AT PATIENCE'S ALBUM RELEASE PARTY, BEING BOLD WITH IT? 693 00:30:36,352 --> 00:30:40,010 NO, LISTEN, ONLY PERSON BEING BOLD TONIGHT IS PATIENCE, OK, AND IT AIN'T WITH ME. 694 00:30:40,094 --> 00:30:42,404 - OK. - YO, AIN'T THAT OLIVIA? 695 00:30:42,488 --> 00:30:45,277 - ♪ NA NA NA NA NA - OH, YEAH. 696 00:30:45,361 --> 00:30:48,671 ♪ NA NA NA NA NA, NA NA NA NA NA... ♪ 697 00:30:48,755 --> 00:30:50,891 LOOK WHO GOT ALL DRESSED UP. 698 00:30:50,975 --> 00:30:53,285 YOUR 2.5 MILLION FOLLOWERS GONNA BE IMPRESSED. 699 00:30:53,369 --> 00:30:56,505 MAYBE, BUT I'M ONLY TRYING TO IMPRESS ONE TONIGHT. 700 00:30:56,589 --> 00:30:58,725 WHY HAVEN'T YOU FOLLOWED ME YET? 701 00:30:58,809 --> 00:31:01,510 'CAUSE I DON'T NEED TO. YOU BEEN FOLLOWING ME. 702 00:31:01,594 --> 00:31:04,513 SO, WHAT? YOU HERE FOR THE SHOW TONIGHT, 703 00:31:04,597 --> 00:31:07,473 OR DID I FORGET A PEN CAP AT YOUR GRANDMA'S? 704 00:31:07,557 --> 00:31:10,693 WHAT CAN I SAY? I WANTED TO SEE YOU. 705 00:31:10,777 --> 00:31:12,739 AND A PHONE CHARGER WAS THE BEST YOU CAN COME UP WITH? 706 00:31:12,823 --> 00:31:14,741 OH, SO YOU'RE SAYING IT DIDN'T WORK? 707 00:31:14,825 --> 00:31:17,570 ♪ NA NA NA NA NA 708 00:31:17,654 --> 00:31:20,573 ♪ NA NA NA NA, NA NA NA NA NA... ♪ 709 00:31:20,657 --> 00:31:24,316 UM... I DIDN'T SAY THAT. 710 00:31:24,400 --> 00:31:26,230 ♪ NA NA NA NA NA 711 00:31:26,314 --> 00:31:27,841 ♪ NA NA NA NA NA 712 00:31:27,925 --> 00:31:29,529 ♪ NA NA NA NA 713 00:31:29,614 --> 00:31:31,532 HAVE YOU SEEN JORDAN? 714 00:31:31,700 --> 00:31:34,584 NOT SINCE HE STORMED OUTTA YOUR PLACE. 715 00:31:34,669 --> 00:31:37,240 WERE YOU EVER GONNA TELL ME YOU'RE DOING A STORY ON WADE? 716 00:31:37,448 --> 00:31:40,873 YOU TOLD ME TO KEEP YOU OUT OF IT, SO I KEPT YOU OUT OF IT. 717 00:31:41,155 --> 00:31:43,654 I DIDN'T WANT YOU TO REACT THE SAME WAY THAT JORDAN DID. 718 00:31:43,739 --> 00:31:45,266 AND DID I? 719 00:31:45,351 --> 00:31:46,921 NO. 720 00:31:47,006 --> 00:31:48,532 WHICH MEANS? 721 00:31:48,617 --> 00:31:50,752 YOU HAVE TO ADMIT THAT YOU HAVE A TEMPER, 722 00:31:51,009 --> 00:31:53,363 OK? I DIDN'T WANT TO UPSET YOU. 723 00:31:53,448 --> 00:31:55,319 WHICH MEANS? 724 00:31:57,084 --> 00:31:59,002 WHICH MEANS THAT I WAS WRONG 725 00:31:59,086 --> 00:32:01,440 - AND YOU'RE THE BEST. YOU HAPPY? - HEH HEH! VERY. 726 00:32:01,524 --> 00:32:03,442 WHEN YOU GONNA LEARN 727 00:32:03,526 --> 00:32:05,444 THAT I ALWAYS GOT YOUR BACK, NO MATTER WHAT? 728 00:32:05,528 --> 00:32:07,446 I JUST NEED TO KNOW WHAT'S GOING ON. 729 00:32:07,530 --> 00:32:09,381 ♪ NA NA NA NA NA... 730 00:32:09,466 --> 00:32:11,950 I'll BE MORE OPEN IN THE FUTURE. - OK. 731 00:32:12,166 --> 00:32:14,334 ♪ NA NA NA NA NA 732 00:32:14,450 --> 00:32:16,368 ♪ NA NA NA NA NA 733 00:32:16,452 --> 00:32:18,576 I REALLY MESSED UP WITH JORDAN. 734 00:32:18,661 --> 00:32:20,970 I MEAN, HE HONESTLY THINKS THAT I DON'T CARE 735 00:32:21,055 --> 00:32:23,322 ABOUT HIM OR VALUE WHAT HE DOES. 736 00:32:23,548 --> 00:32:25,466 YEAH, THERE'S A LOT OF THAT GOING ON. 737 00:32:25,566 --> 00:32:28,485 DILLON DOESN'T THINK ANYBODY VALUES WHAT HE DOES. 738 00:32:28,725 --> 00:32:31,490 HIS TEACHER TOLD HIM HIS ART WAS A WASTE OF TIME AND THAT 739 00:32:31,728 --> 00:32:34,928 - HE'LL NEVER LEAVE CRENSHAW. - HIS ART IS INCREDIBLE. 740 00:32:35,013 --> 00:32:37,301 - I KNOW. - DOES HE EVEN WANT TO GET OUT OF CRENSHAW? 741 00:32:37,717 --> 00:32:40,304 I MEAN, EVERYONE THAT I KNOW FROM THERE 742 00:32:40,388 --> 00:32:42,513 IS RIDE-OR-DIE FOR THAT PLACE. 743 00:32:42,598 --> 00:32:45,125 I MEAN, EVEN MY DAD MOVED BACK. 744 00:32:45,873 --> 00:32:48,051 AND I HAVE NEVER KNOWN ANYONE PROUDER 745 00:32:48,135 --> 00:32:49,928 OF WHERE HE'S FROM THAN YOU. 746 00:32:50,873 --> 00:32:52,881 FIGURED DILLON WOULD BE THE SAME. 747 00:32:53,364 --> 00:32:55,493 THEN AGAIN, 748 00:32:55,578 --> 00:32:59,149 JORDAN AND I ARE TWINS, AND OBVIOUSLY WE'RE NOT ALWAYS ON THE SAME PAGE. 749 00:32:59,233 --> 00:33:01,761 ♪ SOME LIGHT, BABY, COME ON... ♪ 750 00:33:01,845 --> 00:33:05,155 SO HOW DO WE CONVINCE OUR BROTHERS THAT WHAT THEY DO MATTERS TO US? 751 00:33:05,239 --> 00:33:07,209 ♪ NA NA NA NA NA, NA NA NA ♪ 752 00:33:07,294 --> 00:33:09,778 FIND A WAY TO MAKE WHAT'S IMPORTANT TO THEM A PART OF US. 753 00:33:09,983 --> 00:33:13,337 ♪ NA NA NA NA NA, NA NA NA NA NA ♪ 754 00:33:13,421 --> 00:33:15,467 ♪ NA NA NA NA 755 00:33:17,145 --> 00:33:20,455 CARRIE NEEDED ME MORE THAN ANYONE EVER DID, 756 00:33:20,875 --> 00:33:23,756 AND IN SOME WEIRD WAY, I NEEDED HER, TOO. 757 00:33:24,389 --> 00:33:27,443 SOMEONE WHO WAS THERE FOR ME, 758 00:33:27,528 --> 00:33:30,646 WANTED TO BE THERE, JUST FOR ME. 759 00:33:30,731 --> 00:33:33,650 I KNEW SHE WAS SICK, AND I LET HER IN ANYWAY. 760 00:33:34,051 --> 00:33:36,053 WELL, YOU DIDN'T KNOW SHE WAS PSYCHOTIC. 761 00:33:36,138 --> 00:33:38,665 DON'T, JORDAN. SHE'S NOT PSYCHOTIC. 762 00:33:38,750 --> 00:33:40,277 SHE... 763 00:33:40,710 --> 00:33:42,844 SHE HAD AN EPISODE. YOU KNOW, 764 00:33:42,929 --> 00:33:45,282 HER MIND BETRAYED HER. I KNOW WHAT THAT FEELS LIKE. 765 00:33:45,366 --> 00:33:46,889 - WE'RE NOT THAT DIFFERENT. - YES, YOU ARE. 766 00:33:46,973 --> 00:33:49,501 LOOK, YOU TRIED TO SAVE HER LIFE, LAYLA. SHE TRIED TO END YOURS. 767 00:33:49,863 --> 00:33:52,216 - SHE WAS IN PAIN, JORDAN. - A LOT OF PEOPLE ARE IN PAIN. 768 00:33:52,417 --> 00:33:54,335 THAT DOESN'T MAKE WHAT SHE DID OK. 769 00:33:54,419 --> 00:33:56,990 - WHY DO YOU KEEP DEFENDING HER? - BECAUSE IT WASN'T HER FAULT. 770 00:33:57,074 --> 00:33:58,992 AND IT ISN'T YOURS, EITHER. 771 00:33:59,076 --> 00:34:01,780 LAYLA, SHE TRIED TO KILL YOU. 772 00:34:01,865 --> 00:34:03,823 HOW DOES THAT NOT MAKE YOU MAD? 773 00:34:03,907 --> 00:34:06,359 I AM MAD AT HER, JORDAN. I'M FURIOUS. IS THAT WHAT YOU WANT TO HEAR? 774 00:34:06,443 --> 00:34:08,535 YES, BECAUSE I'M MAD AT HER, TOO. 775 00:34:08,825 --> 00:34:10,944 SHE ALMOST TOOK ONE OF MY FAVORITE PEOPLE AWAY. 776 00:34:11,029 --> 00:34:14,451 I KNEW SOMETHING WAS WRONG WHEN SHE ASKED ME TO TAKE HER HAND. 777 00:34:15,850 --> 00:34:18,444 AND I WANTED TO TRUST HER, SO I DID IT ANYWAY, 778 00:34:18,529 --> 00:34:21,448 AND I LET MY GUARD DOWN AND IT WON'T HAPPEN AGAIN. 779 00:34:22,685 --> 00:34:26,385 PART OF ME WISHES I LET HER JUMP. 780 00:34:28,018 --> 00:34:30,589 WHAT DOES THAT SAY ABOUT ME? 781 00:34:30,673 --> 00:34:32,242 HEY... 782 00:34:32,326 --> 00:34:35,245 THAT YOU'RE HUMAN, AND THE FACT THAT YOU DIDN'T... 783 00:34:35,329 --> 00:34:37,575 INSTEAD, YOU HELPED HER GET TO RUNNING SPRINGS FACILITY... 784 00:34:37,659 --> 00:34:40,207 JUST PROVES THAT YOU'RE AN AMAZING PERSON. 785 00:34:40,291 --> 00:34:42,775 YOU KNOW SHE'S OUT? 786 00:34:42,859 --> 00:34:44,548 SHE'S BACK HOME WITH HER PARENTS. 787 00:34:44,736 --> 00:34:47,045 SHE WROTE ME A LETTER WHEN SHE WAS RELEASED, 788 00:34:47,129 --> 00:34:49,611 APOLOGIZING FOR EVERYTHING AND 789 00:34:50,173 --> 00:34:52,244 SAYING SHE WOULDN'T BOTHER ME AGAIN. 790 00:34:52,329 --> 00:34:54,088 DID YOU RESPOND? 791 00:34:54,282 --> 00:34:56,852 I BURNED IT... 792 00:34:57,139 --> 00:34:58,978 THE LETTER. 793 00:35:00,666 --> 00:35:02,870 I'M SO TIRED OF BEING ANGRY, JORDAN, 794 00:35:02,955 --> 00:35:06,326 AT HER, AT MYSELF. I... 795 00:35:07,134 --> 00:35:09,330 I WANT TO MOVE PAST IT. 796 00:35:09,752 --> 00:35:11,069 I JUST DON'T KNOW HOW. 797 00:35:15,375 --> 00:35:17,467 - HEH! - Y'ALL GOOD? 798 00:35:17,551 --> 00:35:19,904 - THAT'S A START. - HEH! YEAH. 799 00:35:19,988 --> 00:35:22,298 COME ON. 800 00:35:22,382 --> 00:35:24,300 THANK Y'ALL FOR COMING TONIGHT. 801 00:35:24,384 --> 00:35:28,130 I HOPE YOU ALL ENJOYED IT AND, UH, YEAH, SHINE BRIGHT. 802 00:35:43,475 --> 00:35:45,394 - HEY. HEH HEH! - THAT WAS SO GOOD. 803 00:35:45,478 --> 00:35:48,176 OH, REALLY? THANK YOU. THANK YOU. 804 00:35:50,177 --> 00:35:52,140 UM, I'M... I'M SORRY. 805 00:35:52,225 --> 00:35:54,312 I DON'T KNOW... I DON'T KNOW WHY I DID THAT. 806 00:35:54,414 --> 00:35:57,774 MY GUESS IS IT HAD SOMETHING TO DO WITH YOUR "ROOMMATE," COOP? 807 00:35:57,859 --> 00:36:00,937 - YEAH, I'M EMBARRASSED. I'M SORRY. - - DON'T BE, DON'T BE. 808 00:36:01,050 --> 00:36:02,969 FIVE YEARS AGO, I WOULD HAVE HAPPILY MIXED IT UP WITH YOU, 809 00:36:03,053 --> 00:36:05,319 BUT WHEN I STARTED TAKING MY CAREER MORE SERIOUSLY, 810 00:36:05,404 --> 00:36:08,243 I PUT MY PERSONAL DRAMA IN THE REARVIEW. 811 00:36:08,328 --> 00:36:11,217 YOU SHOULD DO THE SAME. YOUR VOICE IS MAGICAL, 812 00:36:11,527 --> 00:36:15,139 SO FOCUS ON THAT AND JUST... LET THE REST GO. 813 00:36:16,811 --> 00:36:18,960 IT'S ALREADY GONE. 814 00:36:19,312 --> 00:36:21,249 SORRY. 815 00:36:21,458 --> 00:36:24,054 HEH! 816 00:36:24,966 --> 00:36:28,054 - LOOKS LIKE THE SHOW WENT WELL. - YEAH, REALLY WELL. 817 00:36:28,281 --> 00:36:30,110 - SEE? - HMM. 818 00:36:30,195 --> 00:36:31,981 IT'S OK TO RELY ON OTHER PEOPLE. 819 00:36:32,066 --> 00:36:34,201 NOT EVERYONE IS LIKE CARRIE. 820 00:36:34,286 --> 00:36:36,553 YOUR FRIENDS ARE THERE TO LIFT YOU UP, 821 00:36:36,638 --> 00:36:38,773 NOT PULL YOU DOWN, AND 822 00:36:38,858 --> 00:36:40,907 THEY STEP UP WHENEVER YOU NEED THEM MOST. 823 00:36:40,992 --> 00:36:44,172 LIKE YOU DID TONIGHT. YOU EVEN STOOD UP FOR YOURSELF. 824 00:36:44,256 --> 00:36:46,304 YOU GOT RIGHT UP IN MY FACE. 825 00:36:46,388 --> 00:36:48,263 - I GUESS I DID, YEAH... - MM-HMM. 826 00:36:48,347 --> 00:36:50,265 AND YOU ARE WAY SCARIER THAN WADE WATERS. 827 00:36:50,349 --> 00:36:51,953 HEY, UM, 828 00:36:52,038 --> 00:36:55,175 DON'T EVER LET ANYONE MAKE YOU THINK LESS OF YOURSELF. 829 00:36:55,999 --> 00:36:57,838 YOU KNOW WHAT? 830 00:36:58,484 --> 00:37:00,362 I'll STAND UP TO WADE 831 00:37:00,446 --> 00:37:02,364 IF YOU GO AND TALK WITH CARRIE. 832 00:37:02,448 --> 00:37:04,235 I NEED TO LET HER MOVE ON WITH HER LIFE. 833 00:37:04,319 --> 00:37:06,093 WHAT ABOUT YOUR LIFE, LAYLA? 834 00:37:06,178 --> 00:37:09,070 I MEAN, YOU DESERVE CLOSURE. COME ON. 835 00:37:09,390 --> 00:37:10,720 GROW A PAIR. 836 00:37:12,524 --> 00:37:15,095 ♪ SO BRIGHT 837 00:37:15,320 --> 00:37:17,238 MAN, 838 00:37:17,323 --> 00:37:19,365 I WOULD NOT WANT TO BE AROUND COOP AND PATIENCE LATER. 839 00:37:19,449 --> 00:37:21,759 DON'T NEED YOU REPORTING FROM THE WAR ZONE TONIGHT. 840 00:37:21,859 --> 00:37:23,951 YEAH. I'll PROBABLY JUST DUCK AND COVER. 841 00:37:24,035 --> 00:37:25,953 YEAH. 842 00:37:26,037 --> 00:37:27,955 SMART MOVE. THINK MY TEMPER'S BAD, 843 00:37:28,039 --> 00:37:31,521 THEM CRENSHAW WOMEN DON'T PLAY. 844 00:37:40,355 --> 00:37:42,012 WHAT'S UP? 845 00:37:42,096 --> 00:37:44,841 NOTHING. JUST RUFFLING A FEW FEATHERS. 846 00:37:44,925 --> 00:37:46,190 OK. 847 00:37:46,274 --> 00:37:47,928 YEAH. 848 00:37:50,714 --> 00:37:53,850 OH, MORNIN', BABY. COFFEE? 849 00:37:53,934 --> 00:37:56,853 - OH. - OK. WAIT RIGHT THERE. 850 00:37:56,937 --> 00:37:59,508 DID YOU CANCEL MORNING WORKOUT? 851 00:37:59,592 --> 00:38:01,510 I DID NOT; I'M GONNA HAVE COACH DAVIS 852 00:38:01,594 --> 00:38:03,947 HANDLE THOSE FROM HERE ON OUT. OK. 853 00:38:04,031 --> 00:38:05,949 DID SOMETHING HAPPEN WITH THE SCHOOL BOARD? 854 00:38:06,033 --> 00:38:07,951 NO, THIS ISN'T ABOUT THAT RIGHT NOW. 855 00:38:08,035 --> 00:38:10,563 THIS IS ABOUT US SPENDING MORE TIME WITH EACH OTHER. 856 00:38:10,647 --> 00:38:12,565 HERE WE GO. 857 00:38:12,649 --> 00:38:15,350 OH. WELL, IT LOOKS GREAT. 858 00:38:15,434 --> 00:38:17,961 THANK YOU. WELL, I'M SORRY I'VE BEEN FOCUSING SO MUCH 859 00:38:18,045 --> 00:38:20,964 ON TRYING TO BE A PRINCIPAL AND A COACH. 860 00:38:21,048 --> 00:38:23,489 I FORGOT TO BE YOUR HUSBAND. 861 00:38:23,573 --> 00:38:27,318 I'M FINE, BILLY. YOUR WORK IS IMPORTANT TO YOU. 862 00:38:27,402 --> 00:38:29,930 IT IS, BUT THIS RELATIONSHIP, 863 00:38:30,014 --> 00:38:32,933 THIS RIGHT HERE, THIS IS EVERYTHING. 864 00:38:33,017 --> 00:38:34,671 AW. 865 00:38:41,460 --> 00:38:44,379 HEY, WADE, TALK TO YOU FOR A SECOND? 866 00:38:44,463 --> 00:38:48,328 WHY, BAKER? WHAT, IS YOUR MOM HERE TO YELL AT ME? 867 00:38:48,413 --> 00:38:50,929 HERE, I GOT SOMETHING FOR HER. 868 00:38:51,117 --> 00:38:53,083 YOU KNOW, YOU WERE PART OF THE REASON I CHOSE THIS SCHOOL? 869 00:38:53,167 --> 00:38:55,303 - SO SWEET. - AND WHEN I MADE THE TEAM, 870 00:38:55,387 --> 00:38:57,392 I COULDN'T WAIT TO LEARN FROM YOU, 871 00:38:57,476 --> 00:38:59,481 BUT ALL I LEARNED IS THAT YOU'RE A JERK. 872 00:38:59,565 --> 00:39:02,391 WHATEVER, BAKER. LOOK, MAN, YOU CAN'T 873 00:39:02,476 --> 00:39:04,878 TEACH TALENT; YOU EITHER GOT IT OR YOU DON'T. YOU DON'T. 874 00:39:04,962 --> 00:39:07,881 I GUESS WE'LL FIND OUT, WON'T WE? 'CAUSE WHILE YOU'RE OFF JET-SETTING, 875 00:39:07,965 --> 00:39:10,555 I'M GONNA BE ON THE FIELD WORKING, SO THE NEXT TIME 876 00:39:10,640 --> 00:39:14,104 YOU MISS PRACTICE, I'M GONNA BE READY, ALL RIGHT? 877 00:39:14,188 --> 00:39:16,150 AND LOOK... 878 00:39:16,359 --> 00:39:18,587 I DON'T NEED MY FAMILY'S HELP TO TAKE YOUR SPOT. 879 00:39:18,671 --> 00:39:20,718 I'll DO IT ALL ON MY OWN. 880 00:39:20,998 --> 00:39:22,525 I'll SEE YA IN THE LOCKER ROOM. 881 00:39:22,610 --> 00:39:24,528 DON'T FORGET YOUR BAG. 882 00:39:24,613 --> 00:39:26,182 OH... 883 00:39:26,593 --> 00:39:28,921 AND IF MY SISTER'S COMING AFTER YOU, 884 00:39:29,111 --> 00:39:31,157 GOOD LUCK. 885 00:39:37,007 --> 00:39:38,564 MORNIN'. 886 00:39:38,648 --> 00:39:42,023 SPENCER. I DIDN'T KNOW YOU WERE COMING OVER THIS MORNING. 887 00:39:42,108 --> 00:39:43,568 LET ME GET YOU SOMETHING TO EAT. 888 00:39:43,653 --> 00:39:46,572 - THANKS, MA. - DILLON, YOU NEED ANYTHING? 889 00:39:46,656 --> 00:39:47,790 NO. 890 00:39:47,874 --> 00:39:49,357 NO, WHAT? 891 00:39:49,558 --> 00:39:52,648 NO... THANK... YOU. 892 00:39:59,757 --> 00:40:01,674 HEY. 893 00:40:01,945 --> 00:40:03,458 HEY! 894 00:40:03,542 --> 00:40:05,460 YOU GOTTA DROP THE ATTITUDE, MAN. 895 00:40:05,544 --> 00:40:07,810 IT AIN'T MOM'S FAULT YOU NEVER LEAVING CRENSHAW. 896 00:40:07,894 --> 00:40:11,374 YEAH, HANDELMAN'S A JERK, BUT HE WAS RIGHT ABOUT THAT, 897 00:40:11,531 --> 00:40:13,120 'CAUSE I AIN'T NEVER LEAVING, EITHER. 898 00:40:13,204 --> 00:40:15,035 CRENSHAW IS WHO WE ARE, DILLON. 899 00:40:15,119 --> 00:40:17,167 IT'S IN OUR DNA, IT'S WHAT MAKES US STRONG. 900 00:40:17,251 --> 00:40:19,779 IT MAKES YOU STRONG, NOT ME. 901 00:40:19,863 --> 00:40:24,218 YES, IT DID. THIS PLACE TAUGHT US HOW TO TURN PAIN INTO POWER, MAN. 902 00:40:24,445 --> 00:40:27,132 I DO IT THROUGH FOOTBALL, WHICH IS EASY 903 00:40:27,281 --> 00:40:29,353 'CAUSE I GOT A PLAYBOOK. 904 00:40:30,211 --> 00:40:32,866 YOU DOIN' IT THROUGH YOUR ART. 905 00:40:36,406 --> 00:40:38,536 - WHAT IS THIS, MAN? - THIS IS YOUR PLAYBOOK. 906 00:40:39,264 --> 00:40:41,147 YOU'VE ALREADY DRAWN UP ALL YOUR OWN PLAYS, 907 00:40:41,232 --> 00:40:43,887 AND IT'S GONNA TAKE YOU WHEREVER YOU WANT TO GO. 908 00:40:45,442 --> 00:40:48,056 I NEVER WANT TO SEE THIS IN THE TRASH AGAIN. 909 00:40:48,195 --> 00:40:50,548 YOUR ART MATTERS, DILLON, 910 00:40:50,632 --> 00:40:54,857 TO ME, TO CRENSHAW, AND IT'S GONNA MATTER TO THE WORLD ONE DAY. 911 00:40:54,941 --> 00:40:56,729 THANKS. 912 00:40:56,813 --> 00:40:59,469 AS A MATTER OF FACT, IF IT'S COOL WITH YOU, 913 00:40:59,554 --> 00:41:01,843 I WANT TO TAKE A PAGE OUT OF YOUR PLAYBOOK. 914 00:41:02,514 --> 00:41:04,960 CRENSHAW IS MY BRAND. 915 00:41:05,603 --> 00:41:08,130 IT'S WHO WE ARE... 916 00:41:08,710 --> 00:41:11,382 SO I WANT THIS TO BE MY LOGO. 917 00:41:11,546 --> 00:41:14,311 - IS THAT A'IGHT WITH YOU? - WAIT. FOR REAL? 918 00:41:14,395 --> 00:41:16,923 - YEAH, FOR REAL. - AND YOU'RE SERIOUS? 919 00:41:17,007 --> 00:41:20,404 - DEAD SERIOUS, MAN. - YEAH! YEAH, THAT'S ALL RIGHT! 920 00:41:20,488 --> 00:41:23,233 ♪ MORE OF THAT LOVE, LOVE, LOVE ♪ 921 00:41:23,317 --> 00:41:25,820 GO HELP MOM WITH BREAKFAST, MAN. I'M HUNGRY. 922 00:41:26,151 --> 00:41:28,199 - ♪ MAKE IT BETTER - ♪ YEAH 923 00:41:28,322 --> 00:41:31,415 ♪ ALL OF US TOGETHER, WE GOT LOVE ♪ 924 00:41:31,499 --> 00:41:34,027 ♪ LOVE, LOVE 925 00:41:34,111 --> 00:41:36,682 ♪ MORE OF THAT, MORE OF THAT LOVE ♪ 926 00:41:36,766 --> 00:41:40,294 ♪ MORE OF THAT, MORE OF THAT, HEY ♪ 927 00:41:40,378 --> 00:41:43,424 ♪ OH, YEAH, YEAH 928 00:42:05,212 --> 00:42:06,779 GREG, MOVE YOUR HEAD! 71828

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