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Would you like to inspect the original subtitles? These are the user uploaded subtitles that are being translated: 1 00:00:02,611 --> 00:00:04,134 QUE PARKS: ♪ YEAH, YEAH 2 00:00:04,178 --> 00:00:05,831 ♪ YEAH, YEAH, LOOKIN' GOOD 3 00:00:05,875 --> 00:00:07,355 ♪ LOOKIN' GOOD, YEAH 4 00:00:07,398 --> 00:00:11,576 ♪ YEAH, YEAH, YEAH, YEAH, UH 5 00:00:11,620 --> 00:00:14,579 OK. YOU READY? 6 00:00:14,623 --> 00:00:16,799 "DETERMINATION, 7 00:00:16,842 --> 00:00:19,193 "PERSEVERANCE, STRENGTH, 8 00:00:19,236 --> 00:00:21,412 LOYALTY, AND LEADERSHIP." 9 00:00:21,456 --> 00:00:23,675 WORDS THAT DESCRIBE SPENCER JAMES? 10 00:00:23,719 --> 00:00:25,808 DING DING DING! HEH! 11 00:00:25,851 --> 00:00:27,984 OK, SO THAT GOOD? DID I FIND MY BRAND? 12 00:00:28,028 --> 00:00:30,595 UM, I'M NOT SURE ABOUT YOUR BRAND, 13 00:00:30,639 --> 00:00:33,033 BUT YOU DEFINITELY FOUND SOME WORDS. 14 00:00:33,076 --> 00:00:35,644 I MEAN, THEY'RE JUST A LITTLE GENERIC. 15 00:00:35,687 --> 00:00:37,428 THEY COULD DESCRIBE A LOT OF DIFFERENT PEOPLE. 16 00:00:37,472 --> 00:00:39,561 IS THAT WHAT YOU'VE BEEN WORKING ON FOR THE PAST HOUR? 17 00:00:39,604 --> 00:00:41,128 - IT HASN'T BEEN AN HOUR. - IS THAT WHAT YOU'VE BEEN 18 00:00:41,171 --> 00:00:43,086 WORKING ON FOR THE PAST 53 MINUTES? 19 00:00:43,130 --> 00:00:45,306 YOU TRY DESCRIBING EXACTLY HOW YOU WANT THE WORLD TO SEE YOU. 20 00:00:45,349 --> 00:00:48,048 SUPPOSED TO SELL MYSELF. THIS AIN'T EASY. 21 00:00:48,091 --> 00:00:50,659 I KNOW, SO JUST DON'T-- DON'T RUSH IT, YOU KNOW? 22 00:00:50,702 --> 00:00:53,270 JUST REALLY TAKE SOME TIME TO FIGURE IT OUT. SPENCER: I CAN'T. 23 00:00:53,314 --> 00:00:55,925 DAVITA SAYS IF MY BRAND HAS ANY CHANCE OF TAKING OFF, 24 00:00:55,968 --> 00:00:57,927 IT NEEDS TO HIT WHILE I GOT HEAT, 25 00:00:57,970 --> 00:01:00,016 AND I'M GETTING COLDER BY THE SECOND. OLIVIA: WELL, 26 00:01:00,060 --> 00:01:02,627 WELL, I ALWAYS THINK YOU'RE HOT, SO 27 00:01:02,671 --> 00:01:06,022 MAYBE I'M JUST THE WRONG PERSON TO ASK. 28 00:01:06,066 --> 00:01:08,633 BUT WHATEVER YOU DO, DO NOT USE WORDS LIKE 29 00:01:08,677 --> 00:01:12,376 "OPPORTUNISTIC," "EGOTISTICAL," AND "SELF-SERVING" 30 00:01:12,420 --> 00:01:14,596 BECAUSE YOUR BOY WADE WATERS HAS THAT BRAND COVERED. 31 00:01:14,639 --> 00:01:16,728 YEAH, MAYBE, BUT HE'S TALENTED. 32 00:01:16,772 --> 00:01:19,166 [SPENCER CLEARS THROAT] OLIVIA: YOU... 33 00:01:19,209 --> 00:01:21,168 ARE SPECIAL. 34 00:01:21,211 --> 00:01:22,865 LET'S TALK MORE ABOUT YOUR BRAND TONIGHT, OK? 35 00:01:22,908 --> 00:01:24,867 SOMEWHERE IMPORTANT YOU GOTTA BE? 36 00:01:24,910 --> 00:01:26,869 UH, JUST WORK. [SIGHS] 37 00:01:26,912 --> 00:01:28,871 I'LL SEE YOU LATER? SPENCER: YEAH. 38 00:01:28,914 --> 00:01:31,874 [KISS] SINGER: ♪ OH, OH, OH, OH 39 00:01:31,917 --> 00:01:35,007 ♪ OH, OH, OH, OH 40 00:01:35,051 --> 00:01:37,227 SPENCER: SPECIAL. SINGER: ♪ OH, OH 41 00:01:37,271 --> 00:01:39,490 ♪ OH, OH... SPENCER: SPECIAL. 42 00:01:39,534 --> 00:01:41,710 YOUR OFFICIAL V.I.P. INVITE 43 00:01:41,753 --> 00:01:43,712 TO PATIENCE'S RECORD RELEASE PARTY TONIGHT. 44 00:01:43,755 --> 00:01:45,714 DON'T LOSE IT. JORDAN: OK, UH, WOULDN'T IT HAVE 45 00:01:45,757 --> 00:01:47,933 JUST BEEN EASIER TO MAIL THIS? LAYLA: YEAH, IT WOULD HAVE, 46 00:01:47,977 --> 00:01:50,153 WHICH IS WHY I ASKED PATIENCE TO DO IT LAST WEEK, 47 00:01:50,197 --> 00:01:52,764 AND DO YOU THINK SHE DID? JORDAN: HOLD ON. LET ME THINK ABOUT THIS. 48 00:01:52,808 --> 00:01:55,158 BOTH: NO. LAYLA: YES, WHICH IS WHY 49 00:01:55,202 --> 00:01:57,160 I AM SPENDING THE MORNING DELIVERING THEM 'CAUSE IF I 50 00:01:57,204 --> 00:01:59,380 DIDN'T DO EVERYTHING MYSELF, NOTHING WOULD EVER GET DONE. 51 00:01:59,423 --> 00:02:02,034 MMM. WOMAN: HEY, JORDAN BAKER. 52 00:02:02,078 --> 00:02:04,646 JORDAN: HI. LAYLA: BIG MAN ON CAMPUS, JORDAN BAKER. 53 00:02:04,689 --> 00:02:06,648 NAH, MORE LIKE BACKUP MAN ON CAMPUS. 54 00:02:06,691 --> 00:02:09,172 - HEH! - UH, HOLD ON. 55 00:02:09,216 --> 00:02:11,827 I WANT TO MAKE SURE ME AND WADE ARE COOL AFTER LAST GAME. 56 00:02:11,870 --> 00:02:13,481 WHY WOULDN'T YOU BE? 57 00:02:13,524 --> 00:02:16,701 HEY, WADE. UH, WE GOOD? 58 00:02:16,745 --> 00:02:18,616 I'M GOOD. I HAVEN'T GIVEN YOU A THOUGHT, 59 00:02:18,660 --> 00:02:20,227 BUT I WOULD SAY YOU'RE MORE LUCKY THAN GOOD. 60 00:02:20,270 --> 00:02:22,229 YEAH, I JUST--I KNOW YOU WERE PRETTY UPSET 61 00:02:22,272 --> 00:02:24,883 AFTER LAST GAME, SO-- WADE: YOU'RE DAMN RIGHT I WAS. 62 00:02:24,927 --> 00:02:27,103 IF COACH PUT ME IN, THE GAME WOULDN'T HAVE BEEN CLOSE. 63 00:02:27,147 --> 00:02:28,757 HE'S JUST LUCKY THAT WE GOT AWAY WITH A "W." 64 00:02:28,800 --> 00:02:30,324 A LOT OF LUCK GOING AROUND, DON'T YOU THINK? 65 00:02:30,367 --> 00:02:31,629 I'M NOT YOUR FRIEND, BAKER. 66 00:02:31,673 --> 00:02:32,891 YOU'RE NOT EVEN MY BACKUP. 67 00:02:32,935 --> 00:02:34,893 YOU'RE MY BACKUP'S BACKUP, OK? 68 00:02:34,937 --> 00:02:37,157 SO STICK TO CARRYING MY BAG. JORDAN: YEAH. 69 00:02:37,200 --> 00:02:39,333 UH, SORRY. OUR BAGS. 70 00:02:41,161 --> 00:02:42,510 [WHISPERS] Yeah. 71 00:02:44,468 --> 00:02:47,079 [JORDAN SIGHS, CLEARS THROAT] 72 00:02:47,123 --> 00:02:49,169 UH, WHAT WAS THAT? 73 00:02:49,212 --> 00:02:51,606 JUST HAZING. JUST... 74 00:02:59,135 --> 00:03:01,703 MAN ON TV: IN THIS ONE SEGMENT OF "A CALL TO ACTION," 75 00:03:01,746 --> 00:03:04,488 THE COMMUNITY SHELTER IN DOWNTOWN LOS ANGELES IS... 76 00:03:04,532 --> 00:03:06,882 HEY, DID YOU SEND ME YOUR GUEST LIST FOR TONIGHT? 77 00:03:06,925 --> 00:03:09,232 - YEAH. - I'M NOT SEEING IT HERE. 78 00:03:09,276 --> 00:03:11,800 THEN NO, PROBABLY. MMM. 79 00:03:11,843 --> 00:03:14,411 OK, WELL, WOULD YOU MIND? 80 00:03:14,455 --> 00:03:17,066 MAN ON TV: ...OUT TO SEA BY A VIOLENT RIPTIDE. 81 00:03:17,109 --> 00:03:19,068 [SIGHS] 82 00:03:19,111 --> 00:03:21,505 OK, UH, SENDING... 83 00:03:21,549 --> 00:03:23,159 NOW. 84 00:03:23,203 --> 00:03:25,770 LAYLA: OK. [LAPTOP CHIMES] 85 00:03:25,814 --> 00:03:29,774 MMM, YOU FORGOT TO ATTACH THE, UM... 86 00:03:29,818 --> 00:03:33,778 YOU KNOW WHAT? NEVER MIND. I KNOW ALL YOUR FRIENDS. 87 00:03:33,822 --> 00:03:35,302 WHY ARE YOU SO STRESSED? 88 00:03:35,345 --> 00:03:36,955 IT'S ALL GONNA GET DONE. 89 00:03:36,999 --> 00:03:39,567 YUP, BY ME. 90 00:03:39,610 --> 00:03:41,656 [KNOCK ON DOOR] 91 00:03:43,571 --> 00:03:46,182 CAN YOU AT LEAST GET THE DOOR? 92 00:03:46,226 --> 00:03:48,880 [GRUNTS] SURE. 93 00:03:51,231 --> 00:03:53,885 SEE? I DO STUFF. 94 00:03:57,019 --> 00:03:59,630 PATIENCE: OH! OH, MY GOD! OH, MY-- 95 00:04:02,024 --> 00:04:04,287 PATIENCE: OH, MY-- OH, MY--OH, MY GOD. I'M SORRY. 96 00:04:04,331 --> 00:04:06,246 SORRY. UM, YOU'RE SABINE. YOU'RE SABINE. 97 00:04:06,289 --> 00:04:08,813 YEP, I'M HERE FOR LAYLA, IF I COULD GET PAST HER BODYGUARD. 98 00:04:08,857 --> 00:04:11,033 YEAH, NO--I'M SORRY! OH, MY GOD! YEAH. COME IN. 99 00:04:11,076 --> 00:04:13,035 I'M JUST, LIKE, HEH! I'M, LIKE, A HUGE FAN. 100 00:04:13,078 --> 00:04:15,646 SABINE: AW, THANK YOU. ME, TOO, ACTUALLY, OF YOU, NOT--NOT MYSELF. 101 00:04:15,690 --> 00:04:17,648 PATIENCE: YEAH? SABINE: I MEAN, I'M PRETTY GOOD, BUT-- 102 00:04:17,692 --> 00:04:19,911 YEAH, LAYLA SENT ME YOUR ALBUM. YOU'RE PATIENCE, YEAH? 103 00:04:19,955 --> 00:04:21,913 PATIENCE: WOW. YEAH. THANK YOU. 104 00:04:21,957 --> 00:04:23,524 WE'RE HAVING, LIKE, A RELEASE PARTY TONIGHT. 105 00:04:23,567 --> 00:04:25,177 I KNOW YOU'RE PROBABLY BUSY, 106 00:04:25,221 --> 00:04:27,005 BUT YOU SHOULD COME IF YOU CAN. 107 00:04:27,049 --> 00:04:28,877 UM, WE COULD PUT YOU ON THE GUEST LIST, YEAH? 108 00:04:28,920 --> 00:04:30,835 SABINE: I'M GONNA TRY TO MAKE IT. PATIENCE: YEAH? 109 00:04:30,879 --> 00:04:33,403 - IT WAS SO NICE TO MEET YOU. - SO NICE TO MEET YOU, TOO. 110 00:04:33,447 --> 00:04:35,971 LAYLA: HEY, SORRY. SABINE: HEY, GIRL. 111 00:04:36,014 --> 00:04:37,973 BILLY: OH, MAN. 112 00:04:38,016 --> 00:04:39,975 AW, BABY, YOU MADE BREAKFAST. 113 00:04:40,018 --> 00:04:41,585 EXCELLENT. [PLATE CLINKS] 114 00:04:41,629 --> 00:04:44,196 ♪ CRISPY BACON ALL RIGHT. 115 00:04:44,240 --> 00:04:47,199 ALL RIGHT, UM-- LAURA: WOW. 116 00:04:47,243 --> 00:04:50,202 I REALLY LOVE OUR MORNINGS TOGETHER. 117 00:04:50,246 --> 00:04:52,204 OK, I'M SORRY. 118 00:04:52,248 --> 00:04:54,381 I'M SORRY, BABY. I, UH, 119 00:04:54,424 --> 00:04:57,035 I JUST--WHO KNEW THAT BEING A PRINCIPAL WAS THIS HARD? 120 00:04:57,079 --> 00:05:00,038 I MEAN, CARTER DOES IT, RIGHT? UH, THEN YOU ADD COACHING ON TOP OF IT, 121 00:05:00,082 --> 00:05:02,606 AND I JUST DON'T--I DON'T EVEN HAVE TIME TO BREATHE. 122 00:05:02,650 --> 00:05:04,652 WELL, MAYBE YOU SHOULD SIT, 123 00:05:04,695 --> 00:05:06,741 BREATHE, CHEW, EVEN. 124 00:05:06,784 --> 00:05:08,960 I KNOW. I GOTTA GET OUT OF HERE. I HAVE--OH. 125 00:05:09,004 --> 00:05:11,572 I HAVE A MEETING WITH COACH GARRETT IN AN HOUR. 126 00:05:11,615 --> 00:05:13,574 I WANT TO PUT JABARI AND SOME OF THE BOYS 127 00:05:13,617 --> 00:05:15,532 ON HIS RADAR, SO I GOTTA GET OUTTA HERE. 128 00:05:15,576 --> 00:05:17,969 WELL, THEY'RE LUCKY TO HAVE YOU. 129 00:05:18,013 --> 00:05:20,363 THANK YOU, BABY. LOOK, I'MMA COME BACK, 130 00:05:20,407 --> 00:05:22,365 WE'RE GONNA HAVE DINNER, AND WE'LL SIT, 131 00:05:22,409 --> 00:05:24,367 WE'LL EAT, WE'LL TALK. LAURA: OK. 132 00:05:24,411 --> 00:05:25,977 - MAYBE A LITTLE BIT OF... - OK. 133 00:05:26,021 --> 00:05:27,805 - ALL RIGHT. BYE. SEE YOU. - GET OUTTA HERE. 134 00:05:27,849 --> 00:05:29,416 - GIVE ME A KISS. I LOVE YOU. - BYE. 135 00:05:29,459 --> 00:05:31,069 THANK YOU. 136 00:05:31,113 --> 00:05:32,680 YOU'RE THE BEST. 137 00:05:32,723 --> 00:05:34,508 I KNOW. 138 00:05:38,250 --> 00:05:41,210 THIS IS ONE OF D's "KING CRENSHAW" COMICS. WHAT'S THE BIG DEAL? 139 00:05:41,253 --> 00:05:43,299 KEEP READING. 140 00:05:45,257 --> 00:05:48,826 "THE SNOOZE" IS A VILLAIN WHO'S SO BORING, 141 00:05:48,870 --> 00:05:50,959 HE PUTS HIS VICTIMS TO SLEEP. 142 00:05:51,002 --> 00:05:53,004 DOES HE LOOK FAMILIAR? 143 00:05:53,048 --> 00:05:55,006 THAT'S MR. HANDELMAN, THE HISTORY TEACHER. GRACE: YEAH. 144 00:05:55,050 --> 00:05:56,530 HEH HEH! 145 00:05:56,573 --> 00:05:58,749 IT LOOKS JUST LIKE HIM. THIS IS PRETTY GOOD. 146 00:05:58,793 --> 00:06:00,751 UH, MR. HANDELMAN DIDN'T THINK SO. 147 00:06:00,795 --> 00:06:02,666 HE GAVE DILLON DETENTION. 148 00:06:02,710 --> 00:06:04,668 OH, HANDELMAN'S ALWAYS BEEN TOUGH 149 00:06:04,712 --> 00:06:06,975 AND BORING AS HELL. [GRACE SIGHS] 150 00:06:07,018 --> 00:06:08,977 LOOK, IT'S NOT JUST THE COMIC. 151 00:06:09,020 --> 00:06:11,283 YOUR BROTHER HAS BEEN ACTING OUT A LOT LATELY. 152 00:06:11,327 --> 00:06:13,547 I'M STARTING TO WORRY ABOUT HIM. 153 00:06:13,590 --> 00:06:15,418 I'M SURE HE'S FINE, MA. YOU USED TO WORRY 154 00:06:15,462 --> 00:06:17,289 ABOUT ME, TOO, AND LOOK HOW I TURNED OUT. 155 00:06:17,333 --> 00:06:19,422 WELL, EVEN AT YOUR WORST, YOU TALKED TO ME, 156 00:06:19,466 --> 00:06:21,424 BUT DILLON IS DIFFERENT. 157 00:06:21,468 --> 00:06:23,600 I CAN'T GET THROUGH TO HIM. 158 00:06:23,644 --> 00:06:25,602 IT'S PROBABLY A GIRL. 159 00:06:25,646 --> 00:06:27,691 I'LL TALK TO HIM. 160 00:06:30,085 --> 00:06:32,043 "THE SNOOZE." 161 00:06:32,087 --> 00:06:34,959 I'LL TALK TO HIM. I'LL TALK TO HIM. 162 00:06:37,222 --> 00:06:39,355 [RECORDER BEEPS] OLIVIA: OK. 163 00:06:39,399 --> 00:06:41,488 THANK YOU SO MUCH FOR MEETING ME. 164 00:06:41,531 --> 00:06:43,620 UH, ANYTHING FOR A FAN. 165 00:06:43,664 --> 00:06:45,622 WELL, I'M A JOURNALIST, BUT, UM... 166 00:06:45,666 --> 00:06:47,972 - RIGHT. - OK. UH, 167 00:06:48,016 --> 00:06:50,410 SO, I SEE YOU'RE AVERAGING ABOUT 400 PASSING YARDS 168 00:06:50,453 --> 00:06:52,150 AND 3 TOUCHDOWNS PER GAME THIS SEASON. 169 00:06:52,194 --> 00:06:53,761 I MEAN, THOSE STATS HAVE GOT TO PUT YOU 170 00:06:53,804 --> 00:06:55,589 IN THE CONVERSATION FOR THE HEISMAN. 171 00:06:55,632 --> 00:06:57,242 I WAS ALREADY IN THE CONVERSATION. 172 00:06:57,286 --> 00:06:59,244 AND YOU STILL THINK YOU'RE IN IT 173 00:06:59,288 --> 00:07:01,856 AFTER MISSING LAST GAME? WADE: YEAH. WHY WOULDN'T I BE? 174 00:07:01,899 --> 00:07:04,075 WELL, WHY DID COACH GARRETT BENCH YOU? 175 00:07:04,119 --> 00:07:06,469 I MEAN, YOU MISSED PRACTICE, BUT YOU WEREN'T ON 176 00:07:06,513 --> 00:07:08,471 THE INJURY REPORT. DOES THAT HAVE ANYTHING 177 00:07:08,515 --> 00:07:11,126 TO DO WITH YOUR N.I.L. DEAL? 178 00:07:11,169 --> 00:07:14,216 LOOK, I KNOW WHAT YOU'RE DOING, AND IT'S PATHETIC. 179 00:07:14,259 --> 00:07:17,001 I'M JUST TRYING TO GET YOUR SIDE OF THE STORY. 180 00:07:17,045 --> 00:07:19,613 NO, THIS INTERVIEW'S OVER. LOOK, I ONLY AGREED TO DO THIS 181 00:07:19,656 --> 00:07:22,616 'CAUSE YOU'RE KINDA HOT, BUT REALLY, YOU'RE JUST SOME SNEAKY SKANK 182 00:07:22,659 --> 00:07:25,270 WHO'S TRYING TO MAKE ME LOOK BAD SO YOUR BROTHER CAN STEAL MY SPOT, 183 00:07:25,314 --> 00:07:28,317 BUT THAT'S NOT GONNA HAPPEN. 184 00:07:37,282 --> 00:07:39,589 PATIENCE: I CANNOT BELIEVE SABINE WAS HERE. 185 00:07:39,633 --> 00:07:41,591 LIKE, SHE WAS STANDING RIGHT HERE. 186 00:07:41,635 --> 00:07:45,595 UH, UM, ARE YOU GONNA PUT HER ON THE GUEST LIST? 187 00:07:45,639 --> 00:07:48,468 OH, SO NOW YOU CARE ABOUT THE GUEST LIST? 188 00:07:48,511 --> 00:07:50,470 YOU NEED TO WORRY MORE ABOUT EVERYTHING ELSE. 189 00:07:50,513 --> 00:07:52,080 OH, MY GOD. GIRL, I HAVE DONE 190 00:07:52,123 --> 00:07:53,690 EVERYTHING YOU'VE ASKED ME TO. 191 00:07:53,734 --> 00:07:55,779 [SCOFFS] EVENTUALLY. 192 00:07:55,823 --> 00:07:58,565 OK, GIRL, YOU JUST NEED TO RELAX. 193 00:07:58,608 --> 00:08:02,482 THE ALBUM IS FINISHED AND THE VENUE'S SET. EVERYTHING IS FINE. 194 00:08:02,525 --> 00:08:04,919 [KNOCK ON DOOR] 195 00:08:04,962 --> 00:08:07,182 LAYLA: CAN YOU... PATIENCE: OOH, 196 00:08:07,225 --> 00:08:10,011 MAYBE SABINE FORGOT SOMETHING. 197 00:08:14,363 --> 00:08:17,366 HEY, I'M SKYE. IS COOP HERE? 198 00:08:19,934 --> 00:08:21,892 FEMALE SINGER: ♪ FROM THE DIRT, STRAIGHT TO THE SEA ♪ 199 00:08:21,936 --> 00:08:23,894 ♪ GOT INTO MY ROOM AND I AIN'T NEVER HAD NO HINT ♪ 200 00:08:23,938 --> 00:08:26,767 ♪ GET UP ON MY LINE... PATIENCE: YO. 201 00:08:26,810 --> 00:08:28,856 THERE'S SOME STRANGE GIRL HERE LOOKING FOR YOU. 202 00:08:28,899 --> 00:08:31,554 - STRANGE, HOW? - STRANGE AS IN 203 00:08:31,598 --> 00:08:33,556 "I NEVER SEEN HER BEFORE" 204 00:08:33,600 --> 00:08:35,732 AND "SHOWED UP TO OUR FRONT DOOR" STRANGE. 205 00:08:35,776 --> 00:08:38,213 DOES THIS STRANGE GIRL HAVE A NAME? 206 00:08:38,256 --> 00:08:40,128 - SKYE. - [SCOFFS] 207 00:08:40,171 --> 00:08:41,782 AIN'T YOU GONNA SAY, "STRANGE NAME"? 208 00:08:41,825 --> 00:08:43,914 - WHO IS SHE? - LISTEN, CALM DOWN, OK? 209 00:08:43,958 --> 00:08:46,700 THAT'S JUST MS. MARITTA'S GRANDDAUGHTER, THE GIRL I WAS BEEFING WITH? 210 00:08:46,743 --> 00:08:48,353 [SCOFFS, CHUCKLES] 211 00:08:48,397 --> 00:08:50,486 OH, THE FASHION INFLUENCER? 212 00:08:50,530 --> 00:08:53,663 YES, THE FASHION INFLUENCER. DID SHE SAY WHAT SHE WANT? 213 00:08:53,707 --> 00:08:55,752 YEAH. YOU. 214 00:08:55,796 --> 00:08:57,406 HEH! 215 00:08:57,449 --> 00:08:59,016 YOU'RE TRIPPIN'. 216 00:08:59,060 --> 00:09:00,931 MMM. 217 00:09:00,975 --> 00:09:03,543 "SKYE." STUPID NAME. 218 00:09:09,461 --> 00:09:12,029 YOU NOT HUNGRY? 219 00:09:12,073 --> 00:09:15,598 I AM, JUST NOT FOR THIS. 220 00:09:15,642 --> 00:09:17,252 I WENT ALL THE WAY ACROSS TOWN TO GET 221 00:09:17,295 --> 00:09:19,428 YOUR FAVORITE BARBECUE, MAN. YOU KNOW WHY? 222 00:09:19,471 --> 00:09:21,604 'CAUSE IT'S YOUR FAVORITE, TOO? 223 00:09:21,648 --> 00:09:24,607 HEH! YOU'RE TOO SMART FOR ME, MAN. 224 00:09:24,651 --> 00:09:27,305 MUST BE THE HAIR. 225 00:09:29,264 --> 00:09:32,136 HEARD YOU GOT IN SOME TROUBLE AT SCHOOL. 226 00:09:34,095 --> 00:09:36,271 YEAH. DON'T WORRY. 227 00:09:36,314 --> 00:09:39,666 I USED TO FALL ASLEEP IN HANDELMAN'S CLASS ALL THE TIME. 228 00:09:39,709 --> 00:09:42,320 WE USED TO CALL HIM "PROFESSOR BORING." 229 00:09:42,364 --> 00:09:44,322 [CHUCKLING] I KNOW, I KNOW. 230 00:09:44,366 --> 00:09:46,411 "SNOOZE" IS BETTER. 231 00:09:46,455 --> 00:09:49,023 LISTEN, I THOUGHT YOUR COMIC WAS DOPE, MAN. 232 00:09:49,066 --> 00:09:52,243 JUST DON'T TELL MOM I SAID THAT, A'IGHT? DILLON: I WON'T. 233 00:09:52,287 --> 00:09:54,158 YOU UPSET ABOUT THE DETENTION OR SOMETHING? 234 00:09:54,202 --> 00:09:56,117 'CAUSE I HAD PLENTY OF THOSE. 235 00:09:56,160 --> 00:09:58,075 HEH! LISTEN, THIS ONE TIME-- 236 00:09:58,119 --> 00:09:59,816 SPENCER, YOU DON'T GOTTA ACT LIKE WE'RE THE SAME. 237 00:09:59,860 --> 00:10:01,818 I'M NOT. 238 00:10:01,862 --> 00:10:04,473 D., I DON'T KNOW WHAT'S GOING ON WITH YOU, MAN, 239 00:10:04,516 --> 00:10:06,518 BUT YOU CAN TALK TO ME. 240 00:10:06,562 --> 00:10:09,391 I COME HOME AFTER PRACTICE, AND WE CAN HIT THE PARK OR SOMETHING. 241 00:10:09,434 --> 00:10:11,393 DON'T BOTHER. 242 00:10:11,436 --> 00:10:13,395 I DON'T WANT TO TALK. 243 00:10:13,438 --> 00:10:15,397 JUST GO BACK TO YOUR FANCY COLLEGE, 244 00:10:15,440 --> 00:10:18,487 AND I'MMA GO EAT THIS IN MY ROOM. 245 00:10:20,445 --> 00:10:22,491 [SIGHS] 246 00:10:25,102 --> 00:10:27,061 SKYE: SORRY FOR JUST DROPPING BY LIKE THIS. 247 00:10:27,104 --> 00:10:29,019 HOPE I'M NOT INTERRUPTING ANYTHING. 248 00:10:29,063 --> 00:10:31,152 COOP: NOT AT ALL. YOU'RE GOOD. SKYE: WELL, I JUST WANTED TO 249 00:10:31,195 --> 00:10:33,371 RETURN THIS PHONE CHARGER YOU LEFT AT MY GRANDMA'S. 250 00:10:33,415 --> 00:10:36,374 PATIENCE: MMM, COULDN'T GO A DAY WITHOUT THAT, HUH? 251 00:10:36,418 --> 00:10:40,291 UH, THOSE ARE MY ROOMMATES, PATIENCE AND LAYLA. 252 00:10:40,335 --> 00:10:42,206 LAYLA: HI. PATIENCE: "ROOMMATE"? HEH! 253 00:10:42,250 --> 00:10:44,513 BUT THE CHARGER'S NOT MINE, BUT I WILL TAKE IT. 254 00:10:44,556 --> 00:10:47,037 SKYE: AND YOU THOUGHT I WAS THE THIEF. [COOP CHUCKLES] 255 00:10:47,081 --> 00:10:49,997 I WAS GONNA VISIT MY GRANDMA LATER TONIGHT. WILL I SEE YOU? 256 00:10:50,040 --> 00:10:53,653 UH, NOT TONIGHT. I GOT A RECORD RELEASE PARTY I GOTTA GO TO. 257 00:10:53,696 --> 00:10:55,916 YEAH, THAT WOULD BE MY RECORD RELEASE PARTY. 258 00:10:55,959 --> 00:10:57,874 YOU WANT TO COME OVER HERE INSTEAD OF PIPING IN FROM THERE? 259 00:10:57,918 --> 00:10:59,876 PATIENCE: NO. SKYE: OH, CONGRATULATIONS. 260 00:10:59,920 --> 00:11:01,530 THAT'S SO EXCITING. 261 00:11:01,573 --> 00:11:03,706 IS THERE, UH, ANY ROOM FOR ME? 262 00:11:03,750 --> 00:11:06,666 NOT REALLY SURE IF I HAVE A PLUS-ONE. 263 00:11:06,709 --> 00:11:09,233 THE GUEST LIST IS PRETTY FULL, I THINK, SO, SORRY. 264 00:11:09,277 --> 00:11:11,453 OH, WELL, IT WOULDN'T BE JUST ONE ANYWAYS. 265 00:11:11,496 --> 00:11:14,412 IT'D BE 2.5 MILLION IF YOU INCLUDE MY FOLLOWERS. 266 00:11:14,456 --> 00:11:17,807 WELL, LOOKS LIKE OUR GUEST LIST JUST GOT A LOT BIGGER. 267 00:11:17,851 --> 00:11:20,201 [LAYLA CHUCKLES] 268 00:11:23,073 --> 00:11:25,685 [QUIETLY] WHAT? IT'S GOOD PUBLICITY. 269 00:11:25,728 --> 00:11:28,296 LAYLA: OK, SO... [SPENCER GRUNTING] 270 00:11:28,339 --> 00:11:30,298 JORDAN: COME ON. 271 00:11:30,341 --> 00:11:32,300 THERE YOU GO. 272 00:11:32,343 --> 00:11:34,911 YO...DID YOU HEAR ABOUT BRYANT? 273 00:11:34,955 --> 00:11:36,913 HIGH ANKLE SPRAIN. 274 00:11:36,957 --> 00:11:38,567 HE'S GONNA BE OUT FOR A WHILE. [SPENCER SIGHS] 275 00:11:38,610 --> 00:11:41,048 YEAH, THAT'S GREAT, MAN. NOT FOR HIM. 276 00:11:41,091 --> 00:11:43,267 - NO. - I MEAN FOR YOU. THAT OFFICIALLY MAKES YOU 277 00:11:43,311 --> 00:11:46,575 QB2, RIGHT? JORDAN: YEAH. LUCKY ME. 278 00:11:46,618 --> 00:11:48,229 WADE: BAKER. JORDAN: HMM? 279 00:11:48,272 --> 00:11:50,274 MAN, YOU MIGHT BE THE BIGGEST WIMP I'VE EVER MET. 280 00:11:50,318 --> 00:11:52,450 LOOK, IF YOU WANT MY SPOT, WHY DON'T YOU MAN UP AND TAKE IT 281 00:11:52,494 --> 00:11:54,409 FROM ME YOURSELF? DON'T HAVE YOUR SISTER DO IT FOR YOU. 282 00:11:54,452 --> 00:11:56,759 WHAT? WHAT ARE YOU TALKING ABOUT? 283 00:11:56,803 --> 00:12:00,197 RIGHT, 'CAUSE NEITHER OF YOU TWO KNEW THAT SHE WAS DOING A HIT PIECE ON ME. 284 00:12:00,241 --> 00:12:03,113 YOU GUYS REALLY THINK SOME STUPID ARTICLE'S GONNA TAKE ME OUT? 285 00:12:03,157 --> 00:12:04,724 [CHUCKLING] HEY, HEY, FALL BACK, WADE. 286 00:12:04,767 --> 00:12:06,900 NOBODY IS TRYING TO TAKE YOU DOWN, WADE. 287 00:12:06,943 --> 00:12:09,337 [GARRETT AND BILLY CHUCKLING] BILLY: RIGHT? 288 00:12:09,380 --> 00:12:12,906 GARRETT: HEY, HAPPY TO TAKE A LOOK AT ANY OF YOUR PLAYERS... 289 00:12:12,949 --> 00:12:15,909 BILLY: ALL RIGHT. GARRETT: ESPECIALLY AFTER THE WAY YOUR BOYS PLAYED LAST GAME. 290 00:12:15,952 --> 00:12:18,912 AH. I WISH I COULD SAY THEY, UH, THEY LEARNED IT ALL FROM ME. 291 00:12:18,955 --> 00:12:20,914 I'MMA SAY IT. THEY LEARNED IT ALL FROM ME. GARRETT: HA HA! 292 00:12:20,957 --> 00:12:22,959 - THANKS FOR THE TIME, MAN, SERIOUSLY. - YOU GOT IT. 293 00:12:23,003 --> 00:12:25,570 - ALL RIGHT. BE GOOD. - ALL RIGHT. [PATS BILLY'S BACK] 294 00:12:25,614 --> 00:12:27,964 BILLY: ALL RIGHT, FELLAS. BACK TO WORK. 295 00:12:28,008 --> 00:12:30,314 SITTING AROUND. 296 00:12:30,358 --> 00:12:33,665 WADE: UNBELIEVABLE. JORDAN: I HONESTLY HAD NO IDEA HE WAS EVEN HERE-- 297 00:12:33,709 --> 00:12:35,667 NO, YOU KNOW WHAT? BRING YOUR DAD, 298 00:12:35,711 --> 00:12:37,844 YOUR SISTERS, ALL YOUR DRUNK UNCLES, FOR ALL I CARE. 299 00:12:37,887 --> 00:12:40,063 WOULDN'T MATTER. SEE, THE TRUTH IS 300 00:12:40,107 --> 00:12:42,283 IS YOU'LL NEVER BE A STARTER, 301 00:12:42,326 --> 00:12:44,764 AND YOU'RE DEFINITELY NOT A THREAT. 302 00:12:50,204 --> 00:12:52,249 [SIGHS] 303 00:12:56,297 --> 00:12:57,254 COOP: I DON'T UNDERSTAND WHAT'S SO HARD. 304 00:12:57,298 --> 00:12:58,168 YOU'RE JUST SELLING YOURSELF. 305 00:12:58,212 --> 00:12:59,300 YEAH, BUT WHO IS SPENCER JAMES? 306 00:12:59,343 --> 00:13:01,302 COME ON, MAN. NOT THAT AGAIN. 307 00:13:01,345 --> 00:13:04,174 YOU'RE SPENCER, OK? YOU PLAY FOOTBALL. 308 00:13:04,218 --> 00:13:07,917 YOU LOVE TO SAVE THE WORLD. YOU DRESS KINDA OK. 309 00:13:07,961 --> 00:13:10,528 GOT A WEIRD-SHAPED HEAD AND A DOPE FRIEND NAMED COOP. 310 00:13:10,572 --> 00:13:12,530 DID I SAY PLAY FOOTBALL? SPENCER: COOP, 311 00:13:12,574 --> 00:13:15,707 FOR REAL, I NEED YOUR HELP. HOW'D YOU DO IT FOR YOUR ALBUM? 312 00:13:15,751 --> 00:13:18,710 HEY... IT'S NOT THE SAME, OK? 313 00:13:18,754 --> 00:13:22,105 I'M--I'M TOP-SHELF, MAN. I JUST SHOWED UP AND BAM! COOP TROOP. 314 00:13:22,149 --> 00:13:24,107 - HEH HEH! OK. - SERIOUSLY. 315 00:13:24,151 --> 00:13:26,327 HEH! 316 00:13:26,370 --> 00:13:29,721 - YO, DID DILLON DRAW THESE? - YEAH, YEAH. 317 00:13:29,765 --> 00:13:31,898 WAIT! THAT'S MR. HANDELMAN! 318 00:13:31,941 --> 00:13:33,856 "THE SNOOZE"? 319 00:13:33,900 --> 00:13:36,685 [CHUCKLING] BRO, HE WAS BORING AS HELL. 320 00:13:36,728 --> 00:13:40,515 - YEAH AND MEAN, TOO. DILLON GOT DETENTION 'CAUSE OF THAT. - SHOOT, I STAYED IN DETENTION. 321 00:13:40,558 --> 00:13:43,431 MAN, ASK THE BOYS IF MY NAME'S STILL WRITTEN ALL OVER THEM DESKS. 322 00:13:43,474 --> 00:13:45,607 LOOK, MAN, FOR REAL. MY MOM'S WORRIED. 323 00:13:45,650 --> 00:13:47,914 DILLON'S BEEN ACTING OUT A LOT LATELY. COOP: HE IN MIDDLE SCHOOL. 324 00:13:47,957 --> 00:13:51,569 MS. GRACE MUST HAVE FORGOT HOW BAD WE WAS. DUDE, BETWEEN MY MOUTH 325 00:13:51,613 --> 00:13:54,181 AND YOUR FISTS, IT'S A MIRACLE WE MADE IT OUT ALIVE. 326 00:13:54,224 --> 00:13:56,879 THE ONLY REASON I HAD TO USE MY FISTS WAS 'CAUSE OF YOUR MOUTH. 327 00:13:56,923 --> 00:13:58,228 WHATEVER. 328 00:13:58,272 --> 00:14:00,665 FOR REAL, YOU THINK THAT'S ALL IT IS? 329 00:14:00,709 --> 00:14:03,494 'CAUSE WHEN I TRIED TO TALK TO HIM, HE JUST SNAPPED AT ME. 330 00:14:03,538 --> 00:14:05,496 YOU CAST A BIG SHADOW, MAN. 331 00:14:05,540 --> 00:14:07,716 IT'S HARD ENOUGH TRYING TO MAKE A NAME FOR YOURSELF AT THAT AGE 332 00:14:07,759 --> 00:14:10,719 WITHOUT A BIG BROTHER BRINGING DOWN THE HOUSE ON ESPN. 333 00:14:10,762 --> 00:14:13,635 DILLON IS PROBABLY JUST TRYING TO FIND HIS WAY. 334 00:14:13,678 --> 00:14:17,160 YEAH. I GUESS WE BOTH TRYING TO FIGURE OUT WHO WE ARE. 335 00:14:17,204 --> 00:14:20,163 WAIT, DID-- DID YOU JUST TAKE 336 00:14:20,207 --> 00:14:23,166 WHAT I SAID ABOUT DILLON AND MAKE IT ABOUT YOURSELF? 337 00:14:23,210 --> 00:14:25,168 GO AHEAD AND ADD "NARCISSIST" TO YOUR REÉSUME. 338 00:14:25,212 --> 00:14:27,170 SPENCER: HEH HEH! CHILL. COOP: GET OFF OF ME. 339 00:14:27,214 --> 00:14:28,824 OLIVIA: THOUGHT I HEARD YOU DOWN HERE. SPENCER: HEY. 340 00:14:28,868 --> 00:14:30,391 IS COOP HELPING WITH YOUR BRAND? 341 00:14:30,434 --> 00:14:32,001 COOP: YEP. SPENCER: NO. 342 00:14:32,045 --> 00:14:34,569 YOU GET MY TEXT? OLIVIA: NO. WHY? WHAT'S UP? 343 00:14:34,612 --> 00:14:36,701 [FRONT DOOR OPENS] JORDAN: OLIVIA? SPENCER: THAT. 344 00:14:36,745 --> 00:14:39,313 WHAT THE HELL, LIV? WHAT THE HELL? 345 00:14:39,356 --> 00:14:42,098 DO YOU HAVE ANY IDEA HOW HARD I HAD TO WORK TO MAKE IT ON THAT TEAM? 346 00:14:42,142 --> 00:14:44,405 DO YOU EVEN CARE? NO. 'COURSE YOU DON'T CARE. 347 00:14:44,448 --> 00:14:47,016 NO, YOU'RE JUST LIKE, "I'M OLIVIA. I'M GONNA PISS OFF THE ONE GUY 348 00:14:47,060 --> 00:14:49,366 WHO CAN MAKE JORDAN'S LIFE MISERABLE! LA LA LA LA LA!" 349 00:14:49,410 --> 00:14:51,978 FIRST OFF, SPOT-ON IMPRESSION, AND I'M JUST DOING 350 00:14:52,021 --> 00:14:54,328 MY JOB, JORDAN; I MEAN, IT HAS NOTHING TO DO WITH YOU. 351 00:14:54,371 --> 00:14:56,939 YES, IT DOES. YOU JUST DON'T THINK THAT ANYTHING THAT I DO MATTERS. 352 00:14:56,983 --> 00:14:58,593 THE ONLY THING YOU CARE ABOUT IS YOURSELF. 353 00:14:58,636 --> 00:15:00,421 YOU'RE THE EXACT, SAME THING WITH MOM. 354 00:15:00,464 --> 00:15:02,423 CAN'T YOU JUST DO A STORY ON SOMETHING, 355 00:15:02,466 --> 00:15:04,773 ANYTHING THAT DOESN'T SCREW WITH OUR FAMILY FOR A CHANGE? 356 00:15:04,816 --> 00:15:06,906 LAYLA: HOW COULD YOU BE SO CARELESS? PATIENCE: OH, MY GOD, GIRL. 357 00:15:06,949 --> 00:15:09,952 IT IS NOT THAT BIG OF A DEAL. LIKE, I JUST FORGOT ONE THING. GOD! 358 00:15:09,996 --> 00:15:11,954 YEAH, YOUR GUITAR. YOU KINDA NEED THAT. 359 00:15:11,998 --> 00:15:13,782 IT'S LITERALLY THE ONE THING I ASKED YOU TO REMEMBER. 360 00:15:13,825 --> 00:15:16,045 OK, WELL, WE CAN JUST GO GET IT. LIKE, RELAX. 361 00:15:16,089 --> 00:15:18,265 [SCOFFS] PLEASE DON'T TELL ME TO RELAX. 362 00:15:18,308 --> 00:15:20,702 YOU'VE BEEN DOING THAT ENOUGH FOR THE BOTH OF US, OK? 363 00:15:20,745 --> 00:15:22,704 I WILL GO TO THE STUDIO AND GET YOUR GUITAR. 364 00:15:22,747 --> 00:15:24,619 YOU NEED TO GO TO THE VENUE EARLY 365 00:15:24,662 --> 00:15:26,577 FOR REHEARSAL AND SOUND CHECK. CAN YOU DO THAT? 366 00:15:26,621 --> 00:15:28,884 PATIENCE: HEH! OK, YEAH, WHAT YOU'RE NOT GONNA DO IS TALK 367 00:15:28,928 --> 00:15:31,887 TO ME LIKE I'M A LITTLE KID. YOU'RE NOT GONNA DO THAT. LAYLA: OK. 368 00:15:31,931 --> 00:15:33,889 I AM GONNA LEAVE BEFORE I SAY 369 00:15:33,933 --> 00:15:35,847 SOMETHING I REGRET, OK? 370 00:15:35,891 --> 00:15:37,893 I'LL GO WITH YOU. 371 00:15:37,937 --> 00:15:39,982 [OLIVIA SIGHS] 372 00:15:40,026 --> 00:15:42,202 [FRONT DOOR SLAMS] 373 00:15:44,073 --> 00:15:46,162 "THE SNOOZE." 374 00:15:46,206 --> 00:15:48,164 SHOULD I PUT "HANDSOME"? 375 00:15:48,208 --> 00:15:49,818 WHAT? 376 00:15:49,861 --> 00:15:52,386 [SCHOOL BELL RINGS] 377 00:15:52,429 --> 00:15:54,388 UH, YOU MISSED A FACULTY MEETING. 378 00:15:54,431 --> 00:15:56,825 HEY, MY BAD. MY MEETING AT G.A.U. TOOK A MINUTE. 379 00:15:56,868 --> 00:15:59,001 IT'S OK, THOUGH. I GOT A PASS FROM THE PRINCIPAL. 380 00:15:59,045 --> 00:16:01,873 OH, ANYTHING COME UP? PREACH: YEAH, YOUR ABSENCE. 381 00:16:01,917 --> 00:16:04,485 IT WAS JUST ONE MEETING. IT'S NOT THE END OF THE WORLD. 382 00:16:04,528 --> 00:16:07,096 PREACH: I'M NOT SAYING IT'S THE APOCALYPSE. 383 00:16:07,140 --> 00:16:09,098 IT'S JUST NOT A GOOD LOOK FOR YOU, 384 00:16:09,142 --> 00:16:11,231 ESPECIALLY WHEN MS. LAWSON'S GUNNING FOR YOUR JOB. 385 00:16:11,274 --> 00:16:13,711 - OK. GOOD LOOKING OUT. - [SIGHS] 386 00:16:13,755 --> 00:16:16,192 I'M NOT JUST LOOKING OUT FOR YOU. 387 00:16:16,236 --> 00:16:18,716 YOU BROUGHT ME HERE. WE'RE KIND OF LIKE A PACKAGE DEAL. 388 00:16:18,760 --> 00:16:20,892 CAN'T HAVE ANYONE MESSING WITH THAT. 389 00:16:20,936 --> 00:16:22,894 OH. YOU'RE RIGHT. I FEEL YOU. 390 00:16:22,938 --> 00:16:25,158 MY BAD, PREACH. [PREACH SIGHS] 391 00:16:25,201 --> 00:16:28,552 IT'S JUST--IT'S TOUGH JUGGLING BOTH THESE JOBS AT THE SAME TIME. 392 00:16:28,596 --> 00:16:30,554 LOOK, I GOT A LOT OF SIDE HUSTLES. 393 00:16:30,598 --> 00:16:32,992 SOME I HANDLE SOLO, SOME I GOT A CREW FOR, 394 00:16:33,035 --> 00:16:35,603 AND YOU GOT A WHOLE CREW OF ASSISTANT COACHES. 395 00:16:35,646 --> 00:16:39,215 OH, NO. HEH! I DON'T OPERATE LIKE THAT. I GOTTA BE HANDS-ON. 396 00:16:39,259 --> 00:16:42,218 I GET IT, BUT YOU ONLY GOT TWO HANDS. 397 00:16:42,262 --> 00:16:45,178 YOU MIGHT WANT TO FIGURE OUT WHAT'S MOST IMPORTANT TO YOU 398 00:16:45,221 --> 00:16:48,442 AND HANG ONTO THAT AS HARD AS YOU CAN. 399 00:16:55,144 --> 00:16:57,755 JORDAN: OK, AND NOW, WADE THINKS I'M COMING FOR HIS SPOT. 400 00:16:57,799 --> 00:16:59,975 I MEAN, HOW DUMB CAN LIV BE, RIGHT? 401 00:17:00,019 --> 00:17:02,151 PATIENCE ONLY NEEDED TWO THINGS FOR TONIGHT-- 402 00:17:02,195 --> 00:17:04,371 HER VOICE AND HER GUITAR. JORDAN: OK, WELL, 403 00:17:04,414 --> 00:17:06,460 PEOPLE FORGET THINGS ALL THE TIME, LAYLA. I MEAN, I ONCE FORGOT 404 00:17:06,503 --> 00:17:08,549 MY PANTS ON THE WAY TO SCHOOL. 405 00:17:08,592 --> 00:17:10,899 DON'T ASK. LAYLA: I WASN'T GOING TO. 406 00:17:10,942 --> 00:17:13,380 LOOK, OK, IF YOU ASK ME, LIV'S NOT YOUR PROBLEM. 407 00:17:13,423 --> 00:17:15,904 SHE'S GOING AFTER WADE, SHE PROBABLY HAS A GOOD REASON. 408 00:17:15,947 --> 00:17:18,037 - I DIDN'T ASK, BUT... - OK. 409 00:17:18,080 --> 00:17:20,039 NOW THAT YOU BRING IT UP, WADE IS THE STARTING QUARTERBACK, 410 00:17:20,082 --> 00:17:21,997 ALL RIGHT? AND ONE OF THE BEST IN THE NATION, LAYLA. 411 00:17:22,041 --> 00:17:23,825 I CAN'T LEARN FROM HIM IF HE THINKS I'M THE ENEMY, 412 00:17:23,868 --> 00:17:26,480 SO I'VE JUST GOT TO SUCK IT UP AND PLAY NICE. 413 00:17:26,523 --> 00:17:29,657 SIMONE SAID THE SAME THING. LAYLA: SIMONE WASN'T THERE TO HEAR HOW HE TALKED TO YOU. 414 00:17:29,700 --> 00:17:32,442 YOU NEED TO STAND UP TO HIM, JORDAN, LET HIM KNOW WHO'S IN CHARGE. 415 00:17:32,486 --> 00:17:35,054 OFFICIALLY, HE'S IN CHARGE, ALL RIGHT? I'M JUST HIS BACKUP. 416 00:17:35,097 --> 00:17:37,447 YEAH, LOOK AT THAT. YOU'RE LEARNING FROM HIM ALREADY. 417 00:17:37,491 --> 00:17:40,146 YOU'RE EVEN STARTING TO SOUND LIKE HIM. 418 00:17:43,018 --> 00:17:44,672 [SIGHS] 419 00:17:46,674 --> 00:17:48,632 WHAT DID YOU DO? 420 00:17:48,676 --> 00:17:50,243 NOTHING. 421 00:17:50,286 --> 00:17:52,245 [JIGGLES HANDLE] JORDAN. 422 00:17:52,288 --> 00:17:55,378 - OK, OK, RELAX. - DO NOT TELL ME TO RELAX, JORDAN! 423 00:17:55,422 --> 00:17:58,816 [SIGHS] JORDAN: OK, MOVE, MOVE, MOVE, MOVE. 424 00:17:58,860 --> 00:18:01,645 IT'S A DOOR, OK? LET'S JUST... [JIGGLES HANDLE] 425 00:18:01,689 --> 00:18:03,865 YEAH? THAT'S WHAT I THOUGHT. JORDAN: WE NEED-- 426 00:18:03,908 --> 00:18:06,607 YOU HAVE TO--JORDAN, STOP! DUDE, LET ME DO IT! 427 00:18:10,132 --> 00:18:12,787 JORDAN: NOPE. [LAYLA THUMPS 3 TIMES] 428 00:18:12,830 --> 00:18:14,789 NOPE. 429 00:18:14,832 --> 00:18:17,618 COME ON, COME ON, COME ON. NOPE! 430 00:18:17,661 --> 00:18:20,621 WILL YOU JU--SHUT UP, JORDAN! JUST SHUT UP. JUST SHUT UP, OK? 431 00:18:20,664 --> 00:18:23,058 THIS ROOM IS A DEAD ZONE. THERE'S NO SIGNAL. 432 00:18:23,102 --> 00:18:25,495 - [QUIETLY] I WISH YOU HAD NO SIGNAL. - WHAT ARE WE GONNA DO? 433 00:18:25,539 --> 00:18:28,324 MY TECH'S NOT IN FOR ANOTHER TWO HOURS. JORDAN: OK, SO WE ONLY 434 00:18:28,368 --> 00:18:30,674 HAVE TO WAIT A COUPLE HOURS. THAT'S FINE. - "ONLY"? 435 00:18:30,718 --> 00:18:33,024 PATIENCE'S SHOW IS GONNA BE DONE BY THEN-- 436 00:18:33,068 --> 00:18:35,418 YOU KNOW, THE THING I'VE BEEN PLANNING FOR A MONTH? 437 00:18:35,462 --> 00:18:38,073 OK, AND I'M SURE YOU HAVE EVERYTHING SET UP BY NOW, RIGHT? 438 00:18:38,117 --> 00:18:40,510 I MEAN, ALL SHE HAS TO DO IS GET UP THERE AND PLAY. SHE CAN DO THAT. 439 00:18:40,554 --> 00:18:42,904 NOT WITHOUT THIS. THIS IS A DISASTER, 440 00:18:42,947 --> 00:18:45,254 AND, YOU KNOW, I BET YOU SHE DID THIS ON PURPOSE. 441 00:18:45,298 --> 00:18:47,082 YEAH? 442 00:18:47,126 --> 00:18:48,997 LEFT HER GUITAR IN YOUR STUDIO, HOPING THAT YOU'D LOCK 443 00:18:49,040 --> 00:18:50,999 YOURSELF IN WHEN YOU CAME BACK TO GET IT, ALL SO THAT 444 00:18:51,042 --> 00:18:54,394 YOU'D MISS HER SHOW? SHE ISN'T A BOND VILLAIN, LAYLA. 445 00:18:54,437 --> 00:18:57,092 YOU KNOW, I WOULDN'T PUT IT PAST HER, AND SHE'LL PROBABLY BE HAPPY I DON'T SHOW UP. 446 00:18:57,136 --> 00:18:59,094 I MEAN, COULD YOU REALLY BLAME HER? 447 00:18:59,138 --> 00:19:01,444 YOU HAVEN'T EXACTLY BEEN NICE TO HER LATELY, OR ANYONE, REALLY. 448 00:19:01,488 --> 00:19:03,664 WOW. WELL, THIS COMING FROM THE GUY WHO JUST 449 00:19:03,707 --> 00:19:06,449 LETS EVERYONE WALK ALL OVER HIM. 450 00:19:18,809 --> 00:19:20,855 WHAT'S UP, D.? 451 00:19:23,205 --> 00:19:25,773 LOOK, MAN, I KNOW YOU DON'T WANT TO TALK 452 00:19:25,816 --> 00:19:28,602 ABOUT WHATEVER'S GOING ON WITH YOU, AND I COULD RESPECT THAT, 453 00:19:28,645 --> 00:19:30,734 BUT MAYBE YOU CAN HELP ME OUT WITH SOMETHING. 454 00:19:30,778 --> 00:19:33,389 I NEED TO COME UP WITH MY BRAND, LET PEOPLE KNOW WHO I AM 455 00:19:33,433 --> 00:19:35,391 BEFORE THEY TRY AND TELL ME WHO I AM. 456 00:19:35,435 --> 00:19:38,742 WHAT'S SO HARD ABOUT THAT? YOU'RE SPENCER JAMES. 457 00:19:38,786 --> 00:19:40,744 YEAH, YOU AND I KNOW WHO I AM, 458 00:19:40,788 --> 00:19:42,746 BUT THAT DON'T MEAN ANYTHING TO THE REST OF THE WORLD. 459 00:19:42,790 --> 00:19:45,401 I GOTTA SHOW EVERYBODY ELSE WHAT I'M ALL ABOUT. 460 00:19:45,445 --> 00:19:48,230 WHY NOT SHOW 'EM YOUR GAME TAPES OR ALL YOUR TROPHIES 461 00:19:48,274 --> 00:19:50,450 OR YOUR CHAMPIONSHIP RING? 462 00:19:50,493 --> 00:19:52,452 THERE ARE A LOT OF GOOD PLAYERS OUT THERE, MAN, 463 00:19:52,495 --> 00:19:54,454 AND THEY ALL GOT GAME TAPES, THEY ALL GOT TROPHIES, 464 00:19:54,497 --> 00:19:56,891 THEY ALL GOT CHAMPIONSHIP RINGS. I GOTTA COME UP 465 00:19:56,934 --> 00:19:59,502 WITH SOMETHING THAT MAKES ME STAND OUT, 466 00:19:59,546 --> 00:20:02,157 SOMETHING ENTIRELY ME. 467 00:20:02,201 --> 00:20:05,465 TAKE YOU, FOR EXAMPLE. YOU GOT A LOT GOING FOR YOU, BRUH. 468 00:20:05,508 --> 00:20:07,684 YOU'RE FUNNY, YOU'RE COOL, 469 00:20:07,728 --> 00:20:09,904 YOU'RE BETTER-LOOKING THAN YOUR BROTHER. 470 00:20:09,947 --> 00:20:11,514 HEH! 471 00:20:11,558 --> 00:20:14,822 AND YOU'RE A DOPE ARTIST. [DILLON SCOFFS] 472 00:20:14,865 --> 00:20:17,564 WHO CARES, MAN? NONE OF THAT MEANS ANYTHING. 473 00:20:17,607 --> 00:20:19,218 EXCUSE ME. 474 00:20:19,261 --> 00:20:21,698 MOMS AIN'T NEVER PUT MY DRAWINGS ON THE FRIDGE. 475 00:20:21,742 --> 00:20:23,657 THAT'S PRIME REAL ESTATE, BRUH. 476 00:20:23,700 --> 00:20:26,007 I'D GIVE ANYTHING TO HAVE YOUR TALENT. 477 00:20:26,050 --> 00:20:30,011 YEAH, WELL, MR. HANDELMAN SAID THAT MY "DOODLES" WERE A WASTE OF TIME 478 00:20:30,054 --> 00:20:33,580 AND THAT THEY AIN'T NEVER GONNA GET ME OUTTA CRENSHAW. 479 00:20:33,623 --> 00:20:35,799 - HE SAID THAT? - YEAH, AND HE AIN'T WRONG. 480 00:20:35,843 --> 00:20:39,020 YES, HE IS. HANDELMAN AIN'T EVEN AN ART TEACHER. 481 00:20:39,063 --> 00:20:41,631 HE'S A HISTORY TEACHER WHO BARELY KNOWS HISTORY, 482 00:20:41,675 --> 00:20:44,373 AND HE DEFINITELY DON'T KNOW THE FUTURE. DILLON: OH, MY GOD. 483 00:20:44,417 --> 00:20:46,375 YOU WOULDN'T GET IT. 484 00:20:46,419 --> 00:20:48,377 YOU HAD FOOTBALL. 485 00:20:48,421 --> 00:20:50,466 I GOT NOTHING. 486 00:20:55,428 --> 00:20:58,126 GOOD LUCK WITH YOUR BRAND. 487 00:21:06,003 --> 00:21:08,963 LAURA: YOUR BROTHER WILL BE FINE. HE'S JUST UPSET. 488 00:21:09,006 --> 00:21:11,835 YEAH, WELL, THROW A COUPLE "VERYS" IN FRONT OF THAT, AND YOU'RE GETTING CLOSE. 489 00:21:11,879 --> 00:21:13,924 I MEAN, HE WENT FULL-ON MMJ. 490 00:21:13,968 --> 00:21:17,798 WOW. IT'S BEEN A WHILE SINCE MEAN MUG JORDAN CAME OUT. 491 00:21:17,841 --> 00:21:21,845 MAYBE I SHOULD SCRAP THE STORY. I MEAN, HE THINKS I ONLY DO 'EM TO RUIN MY FAMILY'S LIVES. 492 00:21:21,889 --> 00:21:23,717 THAT'S A BIT DRAMATIC. 493 00:21:23,760 --> 00:21:25,936 MEAN MUG'S WORDS, NOT MINE. [SIGHS] 494 00:21:25,980 --> 00:21:28,156 BUT, I MEAN, HE'S RIGHT. 495 00:21:28,199 --> 00:21:30,811 I MEAN, MY STORY ON TAMIKA PRATT GOT YOU FIRED. 496 00:21:30,854 --> 00:21:33,422 I DIDN'T GET FIRED, I QUIT 497 00:21:33,466 --> 00:21:36,077 BECAUSE THE TRUTH ABOUT TAMIKA NEEDED TO COME OUT. 498 00:21:36,120 --> 00:21:38,775 YOU KNEW THAT AND DID WHAT YOU NEEDED TO DO, AND SO DID I. 499 00:21:38,819 --> 00:21:41,082 YEAH, BUT I COULD HAVE HANDLED IT BETTER. 500 00:21:41,125 --> 00:21:43,693 LIFE IS FULL OF SACRIFICES, SWEETIE. 501 00:21:43,737 --> 00:21:46,522 TAKE YOUR FATHER AND I, FOR INSTANCE. 502 00:21:46,566 --> 00:21:48,524 WE WERE SUPPOSED TO HAVE DINNER TONIGHT, 503 00:21:48,568 --> 00:21:50,700 BUT AS YOU CAN SEE, HE'S NOT HERE. 504 00:21:50,744 --> 00:21:52,572 - OH, MY GOD. IS THIS HIS? - IT'S FINE. 505 00:21:52,615 --> 00:21:54,835 I KNEW HE'D BE WORKING IN CRENSHAW A LOT, 506 00:21:54,878 --> 00:21:56,532 SO I MOVED DOWN HERE TO BE WITH HIM. 507 00:21:56,576 --> 00:21:58,621 AND HOW IS THAT GOING? 508 00:21:58,665 --> 00:22:01,494 BETTER THAN IT WOULD HAVE IF I'D STAYED IN BEVERLY HILLS. 509 00:22:01,537 --> 00:22:04,714 EVERYTHING WORTH FIGHTING FOR INVOLVES SACRIFICE. 510 00:22:04,758 --> 00:22:08,892 IF YOUR GUT IS TELLING YOU TO DO THIS STORY, THEN STICK WITH IT, 511 00:22:08,936 --> 00:22:11,112 EVEN IF IT MEANS RUFFLING SOME FEATHERS. 512 00:22:11,155 --> 00:22:13,375 JORDAN CAN'T STAY MEAN MUG FOREVER. 513 00:22:14,985 --> 00:22:16,944 HEY, I'M SO SORRY 514 00:22:16,987 --> 00:22:18,598 I'M LATE. 515 00:22:18,641 --> 00:22:20,382 OH, HEY, SWEETIE. 516 00:22:20,426 --> 00:22:22,341 OH, I'M SO SORRY. LAURA: HI. [KISS] 517 00:22:22,384 --> 00:22:24,517 I TRIED TO GET OUT OF THERE AS SOON AS I COULD, BUT, UH, 518 00:22:24,560 --> 00:22:27,389 I HAD TO DO DAMAGE CONTROL, AND THAT REGINA LAWSON DON'T PLAY. 519 00:22:27,433 --> 00:22:29,826 I NEED HER ON MY DEFENSE. 520 00:22:31,524 --> 00:22:34,483 LAURA: UH, IT'S FINE. I GOT YOUR TEXTS, SO I KNEW YOU WERE GOING 521 00:22:34,527 --> 00:22:37,486 TO BE LATE, SO LET ME JUST WARM THIS UP FOR YOU. 522 00:22:37,530 --> 00:22:40,924 BABY...I REALLY-- REALLY, I'M SORRY. 523 00:22:40,968 --> 00:22:43,057 IT REALLY IS FINE. I PROMISE. 524 00:22:43,100 --> 00:22:46,408 ALL RIGHT. [KISS] THIS LOOKS AMAZING. AH. 525 00:22:46,452 --> 00:22:49,063 OH, BOY. OLIVIA: IT'S NOT FINE. 526 00:22:49,106 --> 00:22:51,326 YOU SHOULD HAVE BEEN HERE. 527 00:22:52,936 --> 00:22:55,243 PATIENCE: ♪ YEAH, YEAH 528 00:22:55,286 --> 00:22:57,637 ♪ YEAH, YEAH, YEAH, YEAH 529 00:22:57,680 --> 00:22:59,856 ♪ YEAH, YEAH [MUSIC STOPS] 530 00:22:59,900 --> 00:23:01,858 IT'S GOOD. COOP: YO, THE CROWD 531 00:23:01,902 --> 00:23:04,600 IS GONNA LOVE IT. I GOT ONE NOTE. 532 00:23:04,644 --> 00:23:07,647 THEY GONNA SEE YOUR FACE, SO YOU GOTTA PRETEND TO LOVE IT, TOO. 533 00:23:07,690 --> 00:23:09,649 LAYLA SHOULD BE HERE BY NOW, 534 00:23:09,692 --> 00:23:11,651 AND, LIKE, SHE NEVER MISSES SOUND CHECK, 535 00:23:11,694 --> 00:23:13,609 SO--AND SHE'S NOT ANSWERING MY TEXTS. 536 00:23:13,653 --> 00:23:15,611 LOOK, YOU KNOW YOU AIN'T GOT TO WORRY ABOUT LAYLA, OK? 537 00:23:15,655 --> 00:23:17,439 THAT GIRL'D COME BACK FROM THE DEAD TO BE HERE FOR THIS. 538 00:23:17,483 --> 00:23:19,441 YEAH. [GASPS] 539 00:23:19,485 --> 00:23:21,530 OH, YES! SHE MADE IT. OK. 540 00:23:21,574 --> 00:23:23,619 I TOLD YOU. 541 00:23:25,578 --> 00:23:27,754 PATIENCE: HEY, SPENCE. THANKS FOR COMING. 542 00:23:27,797 --> 00:23:29,973 SPENCER: MY PLEASURE. PATIENCE: YEAH. SORRY. 543 00:23:30,017 --> 00:23:31,975 SABINE: HEY, GIRL. PATIENCE: HOW ARE YOU? 544 00:23:32,019 --> 00:23:34,978 - GOOD. YOURSELF? - GOOD, GOOD. [KISS] THANK YOU. 545 00:23:35,022 --> 00:23:39,200 AM I MISSING SOMETHING? SINCE WHEN IS PATIENCE SO TIGHT WITH SABINE? 546 00:23:39,243 --> 00:23:41,811 SINCE NOW, I GUESS. 547 00:23:41,855 --> 00:23:44,901 SPENCER: OK. PATIENCE: THANKS FOR COMING. AH! 548 00:23:49,253 --> 00:23:51,821 JORDAN: HOW, EXACTLY, AM I A DOORMAT? 549 00:23:51,865 --> 00:23:53,823 [WHINY VOICE] "I WANT WADE TO LIKE ME. I WANT OLIVIA TO STOP 550 00:23:53,867 --> 00:23:55,999 BEING MEAN TO ME." JORDAN: OH, I'M SORRY. 551 00:23:56,043 --> 00:23:58,611 I THOUGHT I WAS TALKING TO A FRIEND. LAYLA: WHINING TO A FRIEND! 552 00:23:58,654 --> 00:24:00,613 AND I'M TELLING YOU THE TRUTH, JORDAN, 553 00:24:00,656 --> 00:24:02,876 SO IF YOU WANT TO BE CODDLED, GO TO LITERALLY ANYONE ELSE! 554 00:24:02,919 --> 00:24:05,444 YOU'RE ALL, "MY DAD SAYS," "SIMONE SAYS." 555 00:24:05,487 --> 00:24:07,837 WHO CARES? WHAT DOES JORDAN SAY? 556 00:24:07,881 --> 00:24:10,361 - SCREW YOU, LAYLA. - WELL, THAT'S A START. 557 00:24:10,405 --> 00:24:12,494 AND WITH YOU, IT'S THE END! YOU KNOW, THE ONLY WAY 558 00:24:12,538 --> 00:24:15,105 TO GET CLOSE TO YOU RECENTLY IS IN THE BEDROOM? "HEY, ASH, 559 00:24:15,149 --> 00:24:18,239 LET'S HOOK UP, NOW GO AWAY." "HEY, CLAY, LET'S HOOK UP, 560 00:24:18,282 --> 00:24:21,503 NOW GO AWAY." WALLS UP, PANTS DOWN! THAT'S YOUR NEW MOTTO! 561 00:24:21,547 --> 00:24:23,897 - YOU KNOW, IT SOUNDS LIKE SOMEONE'S JEALOUS. - HEH! OK. 562 00:24:23,940 --> 00:24:26,029 BUT IT'D NEVER HAPPEN, JORDAN, 'CAUSE YOU'D HAVE TO GROW A PAIR. 563 00:24:26,073 --> 00:24:28,118 AND YOU USED TO BE SO CONFIDENT. 564 00:24:28,162 --> 00:24:30,947 WHEN DID YOU BECOME THE GUY THAT JUST LET EVERYONE PUSH YOU AROUND? 565 00:24:30,991 --> 00:24:32,949 I KNOW THE EXACT MOMENT WHEN YOU BECAME THE GIRL WHO STARTED 566 00:24:32,993 --> 00:24:35,343 PUSHING EVERYONE AROUND. - YEAH? OK, ENLIGHTEN ME. 567 00:24:35,386 --> 00:24:37,388 THE NIGHT CARRIE TRIED TO PUSH YOU OFF THAT CLIFF. 568 00:24:37,432 --> 00:24:39,782 SINCE THEN, YOU'VE PRETENDED TO BE OK, 569 00:24:39,826 --> 00:24:42,437 PRETENDED TO MOVE ON, LIED THAT YOU WERE OVER IT, 570 00:24:42,481 --> 00:24:45,440 BECAME A CONTROL FREAK, YOU USED WHOEVER YOU NEEDED TO, AND PUSHED 571 00:24:45,484 --> 00:24:47,921 EVERYONE ELSE AWAY! I'M THE ONLY ONE WHO WOULDN'T LET YOU! 572 00:24:47,964 --> 00:24:50,053 - WELL, YOU CAN WALK AWAY ANYTIME-- - NO, I CAN'T! 573 00:24:50,097 --> 00:24:52,403 BECAUSE WE'RE STUCK IN THIS STUPID ROOM! 574 00:24:52,447 --> 00:24:54,971 YOU KNOW WHAT? YOU ACT ALL BOSS-LADY BADASS, BUT YOU AREN'T 575 00:24:55,015 --> 00:24:57,452 EVEN BRAVE ENOUGH TO ADMIT THAT YOU AREN'T OVER THAT NIGHT! 576 00:24:57,496 --> 00:25:01,543 YOU MAY HAVE SAVED CARRIE, BUT I THINK SHE KILLED A PART OF YOU. 577 00:25:01,587 --> 00:25:03,763 - YOU WANT OUT? - MM-HMM. 578 00:25:03,806 --> 00:25:05,765 - I'LL LET YOU OUT. - MM-HMM. WHOA, LAYLA-- 579 00:25:05,808 --> 00:25:07,549 - LET US OUT! - LAYLA! 580 00:25:07,593 --> 00:25:09,159 - LET US OUT! LET US OUT! - LAYLA! 581 00:25:09,203 --> 00:25:11,161 LAYLA! LAYLA! HOLD ON TO ME! 582 00:25:11,205 --> 00:25:13,381 [CRYING] NO! LET ME GO! LET ME GO! 583 00:25:13,424 --> 00:25:15,514 LET ME GO! JORDAN: HEY, HEY, HEY. 584 00:25:15,557 --> 00:25:17,690 LET ME GO! 585 00:25:17,733 --> 00:25:19,779 [SOBBING] 586 00:25:19,822 --> 00:25:21,998 IT'S OK. 587 00:25:28,657 --> 00:25:29,571 [PROBCAUSE & THE BELIEF CYCLE'S "PURPOSE" PLAYING] 588 00:25:29,615 --> 00:25:32,531 ♪ DA DA 589 00:25:32,574 --> 00:25:35,011 ♪ DA DA 590 00:25:37,057 --> 00:25:39,015 ♪ WE'RE ALL JUST PEOPLE 591 00:25:39,059 --> 00:25:41,017 ♪ POETS AND POLITICIANS 592 00:25:41,061 --> 00:25:43,019 YOU LOOKING FOR LAYLA? WHERE'S SABINE? 593 00:25:43,063 --> 00:25:45,239 UH, SABINE'S AT THE BAR. 594 00:25:45,282 --> 00:25:48,242 ♪ SEARCHING TO FIND OUR MISSION, LOOKING TO FIND OURSELVES ♪ 595 00:25:48,285 --> 00:25:50,853 YOU THINK LAYLA IS STAYING AWAY ON PURPOSE? 596 00:25:50,897 --> 00:25:53,508 I MEAN, NOT THAT, YOU KNOW, I WOULD BLAME HER. 597 00:25:53,552 --> 00:25:55,510 THAT'S NOT HER STYLE. 598 00:25:55,554 --> 00:25:58,513 SO WHAT'S UP WITH YOU AND SABINE? 599 00:25:58,557 --> 00:26:01,603 I MEAN, YOU HER FANGIRL OR YOU HER GIRL? 600 00:26:01,647 --> 00:26:05,476 - I JUST MET HER FOR THE FIRST TIME THIS MORNING. - HMM. 601 00:26:05,520 --> 00:26:08,610 HEH! I MEAN, RIGHT BEFORE YOUR GIRL, RIGHT? 602 00:26:08,654 --> 00:26:10,220 - NO. THAT'S NOT MY GIRL. - HA HA! 603 00:26:10,264 --> 00:26:12,222 OK. YEAH. - SHE JUST WANTED TO-- 604 00:26:12,266 --> 00:26:14,224 - WANTED TO RETURN THE CHARGER, RIGHT? - YES, YEAH. 605 00:26:14,268 --> 00:26:16,009 YEAH, OK. 606 00:26:16,052 --> 00:26:18,272 LOOK... [SIGHS] 607 00:26:18,315 --> 00:26:20,535 LAYLA'LL MAKE IT, BUT EVEN IF SHE DOESN'T, 608 00:26:20,579 --> 00:26:22,842 LIKE, IT AIN'T LIKE YOU NEW TO THIS. 609 00:26:22,885 --> 00:26:25,409 YOU CAN DO THE SHOW WITHOUT HER. PATIENCE: MM-MMM, NOT WITHOUT MY GUITAR. 610 00:26:25,453 --> 00:26:27,934 COOP: YES, YOU CAN. SABINE: EVERYTHING OK? 611 00:26:27,977 --> 00:26:30,153 YEAH, WE GOOD. JUST, UM... 612 00:26:30,197 --> 00:26:32,678 - AHEM. - LITTLE PREGAME JITTERS. 613 00:26:32,721 --> 00:26:35,594 SABINE: MMM. PATIENCE: UH, HAVE YOU HEARD FROM LAYLA? 614 00:26:35,637 --> 00:26:38,466 NOT SINCE THE MORNING, BUT I'M SURE SHE'LL BE HERE. 615 00:26:38,509 --> 00:26:40,468 THAT'S WHAT I'VE BEEN TELLING HER. 616 00:26:40,511 --> 00:26:42,862 HMM. 617 00:26:44,994 --> 00:26:46,953 COOP: I'M COOP. SABINE: HEY. 618 00:26:46,996 --> 00:26:49,608 COOP: I'M HER-- PATIENCE: SHE'S MY ROOMMATE. 619 00:26:49,651 --> 00:26:52,611 UH, YEAH, SO, LAYLA, 620 00:26:52,654 --> 00:26:55,614 SHE HAS MY GUITAR, AND I AM SUPPOSED TO GO ON, 621 00:26:55,657 --> 00:26:59,052 LIKE, NOW, SO... SABINE: I HAVE ONE YOU CAN BORROW. 622 00:26:59,095 --> 00:27:01,663 - YOU WOULD LET ME BORROW YOUR GUITAR? - OF COURSE. 623 00:27:01,707 --> 00:27:03,665 GIRL, I GOT YOU. PATIENCE: NO. 624 00:27:03,709 --> 00:27:05,754 I'LL BE RIGHT BACK. 625 00:27:07,277 --> 00:27:09,105 [SINGSONG] MM-HMM. 626 00:27:10,629 --> 00:27:12,631 [CHEERING AND APPLAUSE] 627 00:27:12,674 --> 00:27:15,808 PATIENCE: THANK YOU. HA HA HA! 628 00:27:15,851 --> 00:27:18,027 [CROWD WHISTLING] HA HA! 629 00:27:18,071 --> 00:27:19,942 UM, THANK YOU, GUYS. 630 00:27:19,986 --> 00:27:22,379 I CANNOT TELL YOU GUYS HOW MUCH IT MEANS TO ME 631 00:27:22,423 --> 00:27:25,382 THAT YOU GUYS ARE CELEBRATING MY FIRST OFFICIAL RECORD, 632 00:27:25,426 --> 00:27:27,776 "WELCOME TO THE VORTEX." [CHEERING AND APPLAUSE] 633 00:27:27,820 --> 00:27:31,214 YEAH, UM, HEH! OK, WHO HERE IS FROM CRENSHAW? 634 00:27:31,258 --> 00:27:33,260 SPENCER AND COOP: YEAH! PATIENCE, CHUCKLING: YEAH? OK. 635 00:27:33,303 --> 00:27:35,044 WELL, AS MOST OF YOU GUYS KNOW, 636 00:27:35,088 --> 00:27:36,785 CRENSHAW IS HOME TO ME. 637 00:27:36,829 --> 00:27:38,874 IT'S WHERE I BECAME WHO I AM. 638 00:27:38,918 --> 00:27:41,094 THIS ALBUM IS KIND OF LIKE A LOVE LETTER TO MY 'HOOD 639 00:27:41,137 --> 00:27:44,314 AND THE PEOPLE IN IT, AND I WOULD LIKE TO THANK ONE 640 00:27:44,358 --> 00:27:46,926 OF MY IDOLS, SABINE-- 641 00:27:46,969 --> 00:27:49,058 UM, WHO CAME HERE TO SUPPORT ME TONIGHT-- 642 00:27:49,102 --> 00:27:52,061 FOR SAVING MY LIFE BY LENDING ME 643 00:27:52,105 --> 00:27:55,369 HER PERSONAL GUITAR--HEH!-- SO, UM, YEAH, THANK YOU. 644 00:27:55,412 --> 00:27:58,154 AND, LAYLA KEATING, UM, 645 00:27:58,198 --> 00:28:01,810 WHEREVER YOU ARE, THANK YOU. ALL RIGHT, LET'S GET IN IT. 646 00:28:01,854 --> 00:28:05,466 ["TRUST" PLAYING] ♪ YEAH, YEAH 647 00:28:05,509 --> 00:28:08,077 ♪ YEAH, YEAH, YEAH, YEAH 648 00:28:08,121 --> 00:28:10,732 ♪ YEAH, YEAH 649 00:28:10,776 --> 00:28:13,561 ♪ WE GO THROUGH CHANGES 650 00:28:13,604 --> 00:28:16,172 ♪ NOTHING IS PAINLESS 651 00:28:16,216 --> 00:28:21,177 ♪ I CAN'T EXPLAIN IT, BUT I JUST FEEL AMAZING ♪ 652 00:28:21,221 --> 00:28:24,615 ♪ WHEN I FEEL ALONE, I KNOW... ♪ 653 00:28:24,659 --> 00:28:28,750 I'M SORRY, JORDAN. I WAS JUST FRUSTRATED. I DIDN'T MEAN WHAT I SAID. 654 00:28:28,794 --> 00:28:31,753 DOESN'T MEAN IT WASN'T TRUE. NOT THE STUFF 655 00:28:31,797 --> 00:28:35,017 BELOW THE BELT, THOUGH. LAYLA: HEH! 656 00:28:35,061 --> 00:28:36,845 YOU'RE A GOOD GUY, 657 00:28:36,889 --> 00:28:39,065 AND YOU LISTEN TO PEOPLE WHO CARE ABOUT YOU. 658 00:28:39,108 --> 00:28:41,067 IT'S A GOOD THING. 659 00:28:41,110 --> 00:28:44,723 YEAH, WELL, I ALSO LISTEN TO PEOPLE WHO DON'T CARE ABOUT ME. 660 00:28:44,766 --> 00:28:46,725 I DON'T KNOW. 661 00:28:46,768 --> 00:28:49,728 I JUST FEEL LIKE, EVER SINCE HIGH SCHOOL, I LOST MY CONFIDENCE. 662 00:28:49,771 --> 00:28:52,339 EVERYTHING USED TO BE SO EASY, 663 00:28:52,382 --> 00:28:55,908 THEN I HAD TO WALK ONTO A FIELD WHERE NOBODY WANTED ME. 664 00:28:55,951 --> 00:28:58,301 WELL, THAT CAN'T BE TRUE. 665 00:28:58,345 --> 00:29:00,521 YOU'RE ONE OF THE BEST PLAYERS OUT THERE. 666 00:29:00,564 --> 00:29:03,654 LAYLA, IF I WANTED CODDLING, I WOULD GO TO LITERALLY ANYWHERE ELSE. 667 00:29:03,698 --> 00:29:05,613 HEH! I'M NOT CODDLING. 668 00:29:05,656 --> 00:29:08,224 YOU SAVED YOUR TEAM LAST GAME, AND YOU DIDN'T LEAD 669 00:29:08,268 --> 00:29:11,227 BEVERLY TO TWO CHAMPIONSHIPS OFF OF YOUR GOOD LOOKS. 670 00:29:11,271 --> 00:29:12,881 [CHUCKLES] 671 00:29:12,925 --> 00:29:15,014 YOU'RE A NATURAL-BORN LEADER, JORDAN. 672 00:29:15,057 --> 00:29:17,146 YOU JUST HAVE TO BELIEVE IT. 673 00:29:17,190 --> 00:29:19,758 - WHERE WAS THIS LAYLA 20 MINUTES AGO? - [SNICKERS] 674 00:29:19,801 --> 00:29:22,761 UM, AT THE BOTTOM OF A CLIFF, APPARENTLY. 675 00:29:22,804 --> 00:29:24,719 YEAH. 676 00:29:24,763 --> 00:29:26,721 I DIDN'T MEAN THAT. I'M SORRY. 677 00:29:26,765 --> 00:29:29,202 DOESN'T MEAN IT WASN'T TRUE. 678 00:29:30,769 --> 00:29:33,554 DO YOU WANT TO... TALK ABOUT IT? 679 00:29:33,597 --> 00:29:35,861 IT'S NOT LIKE WE HAVE ANYWHERE ELSE TO GO. 680 00:29:35,904 --> 00:29:39,081 PATIENCE: THIS IS A NEW SONG. IT'S CALLED "SHINE MY LIGHT," 681 00:29:39,125 --> 00:29:42,171 AND I HOPE YOU GUYS ENJOY IT. [PLAYING GUITAR] 682 00:30:01,364 --> 00:30:04,150 ♪ LIVING WITH NO REGRETS 683 00:30:04,193 --> 00:30:06,587 ♪ LIFE SOMETIMES A VORTEX 684 00:30:06,630 --> 00:30:10,112 ♪ I'M PLACING ALL MY BETS ON ME ♪ 685 00:30:11,635 --> 00:30:14,421 ♪ SOMETIMES BEING STRONG IS HARD ♪ 686 00:30:14,464 --> 00:30:17,032 ♪ I MADE IT DOWN THE ROAD THIS FAR ♪ 687 00:30:17,076 --> 00:30:21,689 ♪ I'M EXACTLY WHERE I NEED TO BE ♪ [ECHOING] 688 00:30:21,732 --> 00:30:24,039 ♪ SHININ'... 689 00:30:24,083 --> 00:30:26,694 AND SO HOW'S DILLON? 690 00:30:26,737 --> 00:30:28,696 NOT GREAT. 691 00:30:28,739 --> 00:30:31,307 MR. HANDELMAN TOLD HIM HIS ART IS A WASTE OF TIME. 692 00:30:31,351 --> 00:30:34,006 WHAT? DID YOU TELL HIM THAT LISTENING TO MR. HANDELMAN IS A WASTE OF TIME? 693 00:30:34,049 --> 00:30:36,008 - HEH HEH! YEAH. - MAN. 694 00:30:36,051 --> 00:30:38,967 SOMEBODY'S TRYING TO HOLLA AT YOU. 695 00:30:39,011 --> 00:30:41,970 PATIENCE: ♪ COME ON MY WAY SPENCER: DAMN. 696 00:30:42,014 --> 00:30:44,799 AT PATIENCE'S ALBUM RELEASE PARTY, BEING BOLD WITH IT? 697 00:30:44,843 --> 00:30:48,542 NO, LISTEN, ONLY PERSON BEING BOLD TONIGHT IS PATIENCE, OK, AND IT AIN'T WITH ME. 698 00:30:48,585 --> 00:30:50,936 - OK. - YO, AIN'T THAT OLIVIA? 699 00:30:50,979 --> 00:30:53,808 PATIENCE: ♪ NA NA NA NA NA SPENCER: OH, YEAH. 700 00:30:53,852 --> 00:30:57,203 PATIENCE: ♪ NA NA NA NA NA, NA NA NA NA NA... ♪ 701 00:30:57,246 --> 00:30:59,422 LOOK WHO GOT ALL DRESSED UP. 702 00:30:59,466 --> 00:31:01,816 YOUR 2.5 MILLION FOLLOWERS GONNA BE IMPRESSED. 703 00:31:01,860 --> 00:31:05,037 MAYBE, BUT I'M ONLY TRYING TO IMPRESS ONE TONIGHT. 704 00:31:05,080 --> 00:31:07,256 WHY HAVEN'T YOU FOLLOWED ME YET? 705 00:31:07,300 --> 00:31:10,042 'CAUSE I DON'T NEED TO. YOU BEEN FOLLOWING ME. 706 00:31:10,085 --> 00:31:13,045 SO, WHAT? YOU HERE FOR THE SHOW TONIGHT, 707 00:31:13,088 --> 00:31:16,004 OR DID I FORGET A PEN CAP AT YOUR GRANDMA'S? 708 00:31:16,048 --> 00:31:19,225 WHAT CAN I SAY? I WANTED TO SEE YOU. 709 00:31:19,268 --> 00:31:21,270 AND A PHONE CHARGER WAS THE BEST YOU CAN COME UP WITH? 710 00:31:21,314 --> 00:31:23,272 OH, SO YOU'RE SAYING IT DIDN'T WORK? 711 00:31:23,316 --> 00:31:26,101 [CHEERING AND APPLAUSE] PATIENCE: ♪ NA NA NA NA NA 712 00:31:26,145 --> 00:31:29,104 ♪ NA NA NA NA, NA NA NA NA NA... ♪ 713 00:31:29,148 --> 00:31:32,847 UM... I DIDN'T SAY THAT. 714 00:31:32,891 --> 00:31:34,762 PATIENCE: ♪ NA NA NA NA NA 715 00:31:34,805 --> 00:31:36,372 ♪ NA NA NA NA NA 716 00:31:36,416 --> 00:31:38,200 ♪ NA NA NA NA 717 00:31:38,244 --> 00:31:40,202 HAVE YOU SEEN JORDAN? 718 00:31:40,246 --> 00:31:43,553 - NOT SINCE HE STORMED OUTTA YOUR PLACE. - [SIGHS] 719 00:31:43,597 --> 00:31:46,208 WERE YOU EVER GONNA TELL ME YOU'RE DOING A STORY ON WADE? 720 00:31:46,252 --> 00:31:49,603 YOU TOLD ME TO KEEP YOU OUT OF IT, SO I KEPT YOU OUT OF IT. 721 00:31:49,646 --> 00:31:52,606 I DIDN'T WANT YOU TO REACT THE SAME WAY THAT JORDAN DID. 722 00:31:52,649 --> 00:31:54,216 AND DID I? 723 00:31:54,260 --> 00:31:55,870 NO. 724 00:31:55,914 --> 00:31:57,480 WHICH MEANS? 725 00:31:57,524 --> 00:31:59,700 YOU HAVE TO ADMIT THAT YOU HAVE A TEMPER, 726 00:31:59,743 --> 00:32:02,137 OK? I DIDN'T WANT TO UPSET YOU. 727 00:32:02,181 --> 00:32:04,052 WHICH MEANS? 728 00:32:05,575 --> 00:32:07,534 WHICH MEANS THAT I WAS WRONG 729 00:32:07,577 --> 00:32:09,971 AND YOU'RE THE BEST. YOU HAPPY? SPENCER: HEH HEH! VERY. 730 00:32:10,015 --> 00:32:11,973 WHEN YOU GONNA LEARN 731 00:32:12,017 --> 00:32:13,975 THAT I ALWAYS GOT YOUR BACK, NO MATTER WHAT? 732 00:32:14,019 --> 00:32:15,977 I JUST NEED TO KNOW WHAT'S GOING ON. 733 00:32:16,021 --> 00:32:18,327 PATIENCE: ♪ NA NA NA NA NA... 734 00:32:18,371 --> 00:32:20,895 OLIVIA: I'LL BE MORE OPEN IN THE FUTURE. SPENCER: OK. 735 00:32:20,939 --> 00:32:22,897 PATIENCE: ♪ NA NA NA NA NA 736 00:32:22,941 --> 00:32:24,899 ♪ NA NA NA NA NA 737 00:32:24,943 --> 00:32:27,423 I REALLY MESSED UP WITH JORDAN. 738 00:32:27,467 --> 00:32:29,817 I MEAN, HE HONESTLY THINKS THAT I DON'T CARE 739 00:32:29,860 --> 00:32:32,167 ABOUT HIM OR VALUE WHAT HE DOES. 740 00:32:32,211 --> 00:32:34,169 YEAH, THERE'S A LOT OF THAT GOING ON. 741 00:32:34,213 --> 00:32:37,172 DILLON DOESN'T THINK ANYBODY VALUES WHAT HE DOES. 742 00:32:37,216 --> 00:32:40,175 HIS TEACHER TOLD HIM HIS ART WAS A WASTE OF TIME AND THAT 743 00:32:40,219 --> 00:32:42,830 HE'LL NEVER LEAVE CRENSHAW. OLIVIA: HIS ART IS INCREDIBLE. 744 00:32:42,873 --> 00:32:45,833 - I KNOW. - DOES HE EVEN WANT TO GET OUT OF CRENSHAW? 745 00:32:45,876 --> 00:32:48,836 I MEAN, EVERYONE THAT I KNOW FROM THERE 746 00:32:48,879 --> 00:32:51,447 IS RIDE-OR-DIE FOR THAT PLACE. 747 00:32:51,491 --> 00:32:54,059 I MEAN, EVEN MY DAD MOVED BACK. [SPENCER CHUCKLES] 748 00:32:54,102 --> 00:32:56,583 AND I HAVE NEVER KNOWN ANYONE PROUDER 749 00:32:56,626 --> 00:32:59,020 OF WHERE HE'S FROM THAN YOU. 750 00:32:59,064 --> 00:33:01,414 FIGURED DILLON WOULD BE THE SAME. 751 00:33:01,457 --> 00:33:04,025 THEN AGAIN, 752 00:33:04,069 --> 00:33:07,681 JORDAN AND I ARE TWINS, AND OBVIOUSLY WE'RE NOT ALWAYS ON THE SAME PAGE. 753 00:33:07,724 --> 00:33:10,292 [SIGHS] PATIENCE: ♪ SOME LIGHT, BABY, COME ON... ♪ 754 00:33:10,336 --> 00:33:13,687 SO HOW DO WE CONVINCE OUR BROTHERS THAT WHAT THEY DO MATTERS TO US? 755 00:33:13,730 --> 00:33:15,863 ♪ NA NA NA NA NA, NA NA NA ♪ 756 00:33:15,906 --> 00:33:18,431 FIND A WAY TO MAKE WHAT'S IMPORTANT TO THEM A PART OF US. 757 00:33:18,474 --> 00:33:21,869 PATIENCE: ♪ NA NA NA NA NA, NA NA NA NA NA ♪ 758 00:33:21,912 --> 00:33:23,958 ♪ NA NA NA NA 759 00:33:26,004 --> 00:33:29,355 CARRIE NEEDED ME MORE THAN ANYONE EVER DID, 760 00:33:29,398 --> 00:33:32,836 AND IN SOME WEIRD WAY, I NEEDED HER, TOO. 761 00:33:32,880 --> 00:33:36,449 SOMEONE WHO WAS THERE FOR ME, 762 00:33:36,492 --> 00:33:39,495 WANTED TO BE THERE, JUST FOR ME. 763 00:33:39,539 --> 00:33:42,498 I KNEW SHE WAS SICK, AND I LET HER IN ANYWAY. 764 00:33:42,542 --> 00:33:44,935 WELL, YOU DIDN'T KNOW SHE WAS PSYCHOTIC. 765 00:33:44,979 --> 00:33:47,547 DON'T, JORDAN. SHE'S NOT PSYCHOTIC. 766 00:33:47,590 --> 00:33:49,157 SHE... 767 00:33:49,201 --> 00:33:51,377 SHE HAD AN EPISODE. YOU KNOW, 768 00:33:51,420 --> 00:33:53,814 HER MIND BETRAYED HER. I KNOW WHAT THAT FEELS LIKE. 769 00:33:53,857 --> 00:33:55,816 WE'RE NOT THAT DIFFERENT. JORDAN: YES, YOU ARE. 770 00:33:55,859 --> 00:33:58,427 LOOK, YOU TRIED TO SAVE HER LIFE, LAYLA. SHE TRIED TO END YOURS. 771 00:33:58,471 --> 00:34:00,864 - SHE WAS IN PAIN, JORDAN. - A LOT OF PEOPLE ARE IN PAIN. 772 00:34:00,908 --> 00:34:02,866 THAT DOESN'T MAKE WHAT SHE DID OK. 773 00:34:02,910 --> 00:34:05,521 - WHY DO YOU KEEP DEFENDING HER? - BECAUSE IT WASN'T HER FAULT. 774 00:34:05,565 --> 00:34:07,523 AND IT ISN'T YOURS, EITHER. 775 00:34:07,567 --> 00:34:09,960 LAYLA, SHE TRIED TO KILL YOU. 776 00:34:10,004 --> 00:34:12,354 HOW DOES THAT NOT MAKE YOU MAD? 777 00:34:12,398 --> 00:34:15,096 I AM MAD AT HER, JORDAN. I'M FURIOUS. IS THAT WHAT YOU WANT TO HEAR? 778 00:34:15,140 --> 00:34:17,272 YES, BECAUSE I'M MAD AT HER, TOO. 779 00:34:17,316 --> 00:34:20,101 SHE ALMOST TOOK ONE OF MY FAVORITE PEOPLE AWAY. 780 00:34:20,145 --> 00:34:23,713 I KNEW SOMETHING WAS WRONG WHEN SHE ASKED ME TO TAKE HER HAND. 781 00:34:23,757 --> 00:34:27,326 AND I WANTED TO TRUST HER, SO I DID IT ANYWAY, 782 00:34:27,369 --> 00:34:30,329 AND I LET MY GUARD DOWN AND IT WON'T HAPPEN AGAIN. 783 00:34:30,372 --> 00:34:34,072 PART OF ME WISHES I LET HER JUMP. 784 00:34:36,509 --> 00:34:39,120 WHAT DOES THAT SAY ABOUT ME? 785 00:34:39,164 --> 00:34:40,774 HEY... 786 00:34:40,817 --> 00:34:43,777 THAT YOU'RE HUMAN, AND THE FACT THAT YOU DIDN'T-- 787 00:34:43,820 --> 00:34:46,388 INSTEAD, YOU HELPED HER GET TO RUNNING SPRINGS FACILITY-- 788 00:34:46,432 --> 00:34:48,738 JUST PROVES THAT YOU'RE AN AMAZING PERSON. 789 00:34:48,782 --> 00:34:51,306 YOU KNOW SHE'S OUT? [SNIFFLES] 790 00:34:51,350 --> 00:34:53,395 SHE'S BACK HOME WITH HER PARENTS. 791 00:34:53,439 --> 00:34:55,789 SHE WROTE ME A LETTER WHEN SHE WAS RELEASED, 792 00:34:55,832 --> 00:34:58,183 APOLOGIZING FOR EVERYTHING AND 793 00:34:58,226 --> 00:35:00,663 SAYING SHE WOULDN'T BOTHER ME AGAIN. 794 00:35:00,707 --> 00:35:03,144 DID YOU RESPOND? 795 00:35:03,188 --> 00:35:05,799 I BURNED IT... 796 00:35:05,842 --> 00:35:08,410 THE LETTER. 797 00:35:08,454 --> 00:35:11,413 I'M SO TIRED OF BEING ANGRY, JORDAN, 798 00:35:11,457 --> 00:35:15,069 AT HER, AT MYSELF. I... 799 00:35:15,113 --> 00:35:17,811 I WANT TO MOVE PAST IT. 800 00:35:17,854 --> 00:35:19,813 I JUST DON'T KNOW HOW. 801 00:35:19,856 --> 00:35:22,511 [DOOR UNLOCKS, OPENS] 802 00:35:24,078 --> 00:35:26,211 LAYLA: HEH! MAN: Y'ALL GOOD? 803 00:35:26,254 --> 00:35:28,648 JORDAN: THAT'S A START. LAYLA: HEH! YEAH. 804 00:35:28,691 --> 00:35:31,041 COME ON. 805 00:35:31,085 --> 00:35:33,043 [CHEERING AND APPLAUSE] THANK Y'ALL FOR COMING TONIGHT. 806 00:35:33,087 --> 00:35:36,873 I HOPE YOU ALL ENJOYED IT AND, UH, YEAH, SHINE BRIGHT. 807 00:35:36,917 --> 00:35:38,962 [WHISTLING AND APPLAUSE] 808 00:35:47,362 --> 00:35:49,408 [PIANO MUSIC PLAYING] 809 00:35:54,282 --> 00:35:56,241 PATIENCE: HEY. HEH HEH! SABINE: THAT WAS SO GOOD. 810 00:35:56,284 --> 00:35:58,982 OH, REALLY? THANK YOU. THANK YOU. [CHUCKLES] 811 00:36:00,506 --> 00:36:02,769 UM, I'M--I'M SORRY. 812 00:36:02,812 --> 00:36:05,250 I DON'T KNOW-- I DON'T KNOW WHY I DID THAT. 813 00:36:05,293 --> 00:36:08,296 MY GUESS IS IT HAD SOMETHING TO DO WITH YOUR "ROOMMATE," COOP? 814 00:36:08,340 --> 00:36:11,995 - YEAH, I'M EMBARRASSED. I'M SORRY. [INDISTINCT] - DON'T BE, DON'T BE. 815 00:36:12,039 --> 00:36:13,997 FIVE YEARS AGO, I WOULD HAVE HAPPILY MIXED IT UP WITH YOU, 816 00:36:14,041 --> 00:36:16,348 BUT WHEN I STARTED TAKING MY CAREER MORE SERIOUSLY, 817 00:36:16,391 --> 00:36:18,741 I PUT MY PERSONAL DRAMA IN THE REARVIEW. 818 00:36:18,785 --> 00:36:22,136 YOU SHOULD DO THE SAME. YOUR VOICE IS MAGICAL, 819 00:36:22,180 --> 00:36:25,792 SO FOCUS ON THAT AND JUST... LET THE REST GO. 820 00:36:28,751 --> 00:36:31,319 IT'S ALREADY GONE. 821 00:36:31,363 --> 00:36:33,974 SORRY. [SCOFFS] 822 00:36:34,017 --> 00:36:36,281 [MUSIC ENDS] LAYLA: HEH! 823 00:36:36,324 --> 00:36:38,935 - LOOKS LIKE THE SHOW WENT WELL. - YEAH, REALLY WELL. 824 00:36:38,979 --> 00:36:40,546 - SEE? - HMM. 825 00:36:40,589 --> 00:36:42,765 IT'S OK TO RELY ON OTHER PEOPLE. 826 00:36:42,809 --> 00:36:44,985 NOT EVERYONE IS LIKE CARRIE. 827 00:36:45,028 --> 00:36:47,335 YOUR FRIENDS ARE THERE TO LIFT YOU UP, 828 00:36:47,379 --> 00:36:49,555 NOT PULL YOU DOWN, AND 829 00:36:49,598 --> 00:36:51,687 THEY STEP UP WHENEVER YOU NEED THEM MOST. 830 00:36:51,731 --> 00:36:54,951 LIKE YOU DID TONIGHT. YOU EVEN STOOD UP FOR YOURSELF. 831 00:36:54,995 --> 00:36:57,084 YOU GOT RIGHT UP IN MY FACE. 832 00:36:57,127 --> 00:36:59,042 - I GUESS I DID, YEAH... - MM-HMM. 833 00:36:59,086 --> 00:37:01,044 AND YOU ARE WAY SCARIER THAN WADE WATERS. 834 00:37:01,088 --> 00:37:03,046 HEY, UM, 835 00:37:03,090 --> 00:37:06,267 DON'T EVER LET ANYONE MAKE YOU THINK LESS OF YOURSELF. 836 00:37:06,311 --> 00:37:08,617 YOU KNOW WHAT? 837 00:37:08,661 --> 00:37:11,141 I'LL STAND UP TO WADE 838 00:37:11,185 --> 00:37:13,143 IF YOU GO AND TALK WITH CARRIE. 839 00:37:13,187 --> 00:37:15,015 I NEED TO LET HER MOVE ON WITH HER LIFE. 840 00:37:15,058 --> 00:37:17,147 WHAT ABOUT YOUR LIFE, LAYLA? 841 00:37:17,191 --> 00:37:19,498 I MEAN, YOU DESERVE CLOSURE. COME ON. 842 00:37:19,541 --> 00:37:21,500 GROW A PAIR. 843 00:37:21,543 --> 00:37:23,502 [CHUCKLES] 844 00:37:23,545 --> 00:37:26,156 PATIENCE: ♪ SO BRIGHT [ECHOES] 845 00:37:26,200 --> 00:37:28,158 [CAR HONKS TWICE] SPENCER: MAN, 846 00:37:28,202 --> 00:37:30,160 I WOULD NOT WANT TO BE AROUND COOP AND PATIENCE LATER. 847 00:37:30,204 --> 00:37:32,554 DON'T NEED YOU REPORTING FROM THE WAR ZONE TONIGHT. 848 00:37:32,598 --> 00:37:34,730 YEAH. I'LL PROBABLY JUST DUCK AND COVER. 849 00:37:34,774 --> 00:37:36,732 - [CHUCKLES] - YEAH. 850 00:37:36,776 --> 00:37:38,734 SMART MOVE. THINK MY TEMPER'S BAD, 851 00:37:38,778 --> 00:37:42,260 THEM CRENSHAW WOMEN DON'T PLAY. [CELL PHONE CHIMING] 852 00:37:51,094 --> 00:37:52,792 WHAT'S UP? 853 00:37:52,835 --> 00:37:55,621 NOTHING. JUST RUFFLING A FEW FEATHERS. 854 00:37:55,664 --> 00:37:56,970 OK. 855 00:37:57,013 --> 00:37:58,667 YEAH. 856 00:38:01,453 --> 00:38:04,630 BILLY: OH, MORNIN', BABY. COFFEE? 857 00:38:04,673 --> 00:38:07,633 LAURA: OH. BILLY: OK. WAIT RIGHT THERE. 858 00:38:07,676 --> 00:38:10,288 DID YOU CANCEL MORNING WORKOUT? 859 00:38:10,331 --> 00:38:12,290 I DID NOT; I'M GONNA HAVE COACH DAVIS 860 00:38:12,333 --> 00:38:14,727 HANDLE THOSE FROM HERE ON OUT. OK. 861 00:38:14,770 --> 00:38:16,729 DID SOMETHING HAPPEN WITH THE SCHOOL BOARD? 862 00:38:16,772 --> 00:38:18,731 NO, THIS ISN'T ABOUT THAT RIGHT NOW. 863 00:38:18,774 --> 00:38:21,342 THIS IS ABOUT US SPENDING MORE TIME WITH EACH OTHER. 864 00:38:21,386 --> 00:38:23,344 HERE WE GO. 865 00:38:23,388 --> 00:38:26,129 OH. WELL, IT LOOKS GREAT. 866 00:38:26,173 --> 00:38:28,741 THANK YOU. WELL, I'M SORRY I'VE BEEN FOCUSING SO MUCH 867 00:38:28,784 --> 00:38:31,744 ON TRYING TO BE A PRINCIPAL AND A COACH. 868 00:38:31,787 --> 00:38:34,268 I FORGOT TO BE YOUR HUSBAND. 869 00:38:34,312 --> 00:38:38,098 I'M FINE, BILLY. YOUR WORK IS IMPORTANT TO YOU. 870 00:38:38,141 --> 00:38:40,709 IT IS, BUT THIS RELATIONSHIP, 871 00:38:40,753 --> 00:38:43,712 THIS RIGHT HERE, THIS IS EVERYTHING. 872 00:38:43,756 --> 00:38:45,410 AW. 873 00:38:47,716 --> 00:38:49,588 [DISTANT LAUGHTER AND CHATTER] 874 00:38:52,199 --> 00:38:55,158 HEY, WADE, TALK TO YOU FOR A SECOND? 875 00:38:55,202 --> 00:38:58,771 WADE: WHY, BAKER? WHAT, IS YOUR MOM HERE TO YELL AT ME? 876 00:38:58,814 --> 00:39:01,469 HERE, I GOT SOMETHING FOR HER. 877 00:39:01,513 --> 00:39:03,863 YOU KNOW, YOU WERE PART OF THE REASON I CHOSE THIS SCHOOL? 878 00:39:03,906 --> 00:39:06,082 - SO SWEET. - AND WHEN I MADE THE TEAM, 879 00:39:06,126 --> 00:39:08,171 I COULDN'T WAIT TO LEARN FROM YOU, 880 00:39:08,215 --> 00:39:10,260 BUT ALL I LEARNED IS THAT YOU'RE A JERK. 881 00:39:10,304 --> 00:39:12,872 WHATEVER, BAKER. LOOK, MAN, YOU CAN'T 882 00:39:12,915 --> 00:39:15,657 TEACH TALENT; YOU EITHER GOT IT OR YOU DON'T. YOU DON'T. 883 00:39:15,701 --> 00:39:18,660 I GUESS WE'LL FIND OUT, WON'T WE? 'CAUSE WHILE YOU'RE OFF JET-SETTING, 884 00:39:18,704 --> 00:39:21,097 I'M GONNA BE ON THE FIELD WORKING, SO THE NEXT TIME 885 00:39:21,141 --> 00:39:24,884 YOU MISS PRACTICE, I'M GONNA BE READY, ALL RIGHT? 886 00:39:24,927 --> 00:39:26,929 AND LOOK... 887 00:39:26,973 --> 00:39:29,367 I DON'T NEED MY FAMILY'S HELP TO TAKE YOUR SPOT. 888 00:39:29,410 --> 00:39:31,804 I'LL DO IT ALL ON MY OWN. 889 00:39:31,847 --> 00:39:33,414 I'LL SEE YA IN THE LOCKER ROOM. 890 00:39:33,458 --> 00:39:35,416 DON'T FORGET YOUR BAG. 891 00:39:35,460 --> 00:39:37,070 OH... 892 00:39:37,113 --> 00:39:39,464 AND IF MY SISTER'S COMING AFTER YOU, 893 00:39:39,507 --> 00:39:41,553 GOOD LUCK. 894 00:39:47,385 --> 00:39:49,343 SPENCER: MORNIN'. 895 00:39:49,387 --> 00:39:52,346 SPENCER. I DIDN'T KNOW YOU WERE COMING OVER THIS MORNING. 896 00:39:52,390 --> 00:39:54,348 LET ME GET YOU SOMETHING TO EAT. 897 00:39:54,392 --> 00:39:57,351 - THANKS, MA. - DILLON, YOU NEED ANYTHING? 898 00:39:57,395 --> 00:39:58,570 NO. 899 00:39:58,613 --> 00:40:00,136 NO, WHAT? 900 00:40:00,180 --> 00:40:03,270 NO...THANK...YOU. 901 00:40:10,495 --> 00:40:12,453 HEY. [DROPS BAG] 902 00:40:12,497 --> 00:40:14,237 HEY! 903 00:40:14,281 --> 00:40:16,239 YOU GOTTA DROP THE ATTITUDE, MAN. 904 00:40:16,283 --> 00:40:18,590 IT AIN'T MOM'S FAULT YOU NEVER LEAVING CRENSHAW. 905 00:40:18,633 --> 00:40:21,897 YEAH, HANDELMAN'S A JERK, BUT HE WAS RIGHT ABOUT THAT, 906 00:40:21,941 --> 00:40:23,899 'CAUSE I AIN'T NEVER LEAVING, EITHER. 907 00:40:23,943 --> 00:40:25,814 CRENSHAW IS WHO WE ARE, DILLON. 908 00:40:25,858 --> 00:40:27,947 IT'S IN OUR DNA, IT'S WHAT MAKES US STRONG. 909 00:40:27,990 --> 00:40:30,558 IT MAKES YOU STRONG, NOT ME. 910 00:40:30,602 --> 00:40:34,997 YES, IT DID. THIS PLACE TAUGHT US HOW TO TURN PAIN INTO POWER, MAN. 911 00:40:35,041 --> 00:40:37,478 I DO IT THROUGH FOOTBALL, WHICH IS EASY 912 00:40:37,522 --> 00:40:40,133 'CAUSE I GOT A PLAYBOOK. 913 00:40:40,176 --> 00:40:42,831 YOU DOIN' IT THROUGH YOUR ART. 914 00:40:46,356 --> 00:40:49,316 - WHAT IS THIS, MAN? - THIS IS YOUR PLAYBOOK. 915 00:40:49,359 --> 00:40:51,927 YOU'VE ALREADY DRAWN UP ALL YOUR OWN PLAYS, 916 00:40:51,971 --> 00:40:54,626 AND IT'S GONNA TAKE YOU WHEREVER YOU WANT TO GO. 917 00:40:56,236 --> 00:40:58,891 I NEVER WANT TO SEE THIS IN THE TRASH AGAIN. 918 00:40:58,934 --> 00:41:01,328 YOUR ART MATTERS, DILLON, 919 00:41:01,371 --> 00:41:05,637 TO ME, TO CRENSHAW, AND IT'S GONNA MATTER TO THE WORLD ONE DAY. 920 00:41:05,680 --> 00:41:07,508 THANKS. 921 00:41:07,552 --> 00:41:09,945 AS A MATTER OF FACT, IF IT'S COOL WITH YOU, 922 00:41:09,989 --> 00:41:13,209 I WANT TO TAKE A PAGE OUT OF YOUR PLAYBOOK. 923 00:41:13,253 --> 00:41:16,212 CRENSHAW IS MY BRAND. 924 00:41:16,256 --> 00:41:18,824 IT'S WHO WE ARE... 925 00:41:18,867 --> 00:41:22,044 SO I WANT THIS TO BE MY LOGO. 926 00:41:22,088 --> 00:41:25,091 IS THAT A'IGHT WITH YOU? DILLON: WAIT. FOR REAL? 927 00:41:25,134 --> 00:41:27,702 - YEAH, FOR REAL. - AND YOU'RE SERIOUS? 928 00:41:27,746 --> 00:41:31,184 - DEAD SERIOUS, MAN. [CHUCKLES] - YEAH! YEAH, THAT'S ALL RIGHT! 929 00:41:31,227 --> 00:41:34,013 MALE SINGER: ♪ MORE OF THAT LOVE, LOVE, LOVE ♪ 930 00:41:34,056 --> 00:41:36,885 GO HELP MOM WITH BREAKFAST, MAN. I'M HUNGRY. 931 00:41:36,929 --> 00:41:39,018 ♪ MAKE IT BETTER BACKGROUND SINGER: ♪ YEAH 932 00:41:39,061 --> 00:41:42,195 MALE SINGER: ♪ ALL OF US TOGETHER, WE GOT LOVE ♪ 933 00:41:42,238 --> 00:41:44,806 ♪ LOVE, LOVE 934 00:41:44,850 --> 00:41:47,461 - [MOUTHS "THANK YOU"] - ♪ MORE OF THAT, MORE OF THAT LOVE ♪ 935 00:41:47,505 --> 00:41:51,073 ♪ MORE OF THAT, MORE OF THAT, HEY ♪ 936 00:41:51,117 --> 00:41:54,163 BACKGROUND SINGERS: ♪ OH, YEAH, YEAH 937 00:42:14,967 --> 00:42:16,534 GREG, MOVE YOUR HEAD! 70408

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