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{\an8}WOOF!
4
00:03:09,537 --> 00:03:10,581
Man: 21.
5
00:03:10,625 --> 00:03:13,367
Ashley: 21?
NOT FOR ME, BUT --
6
00:03:32,037 --> 00:03:34,605
MM-HMM.
7
00:03:50,055 --> 00:03:51,361
SHE'S PRETTY.
8
00:04:20,085 --> 00:04:23,872
SHE JUST MAYBE NEVER
HAVE THE BODY, THOUGH.
9
00:04:25,917 --> 00:04:27,354
OH, REALLY? WOW.
10
00:04:27,397 --> 00:04:28,877
THERE ARE SOME
CUTE GIRLS, THOUGH,
11
00:04:28,920 --> 00:04:31,096
THERE ARE
SOME NICE ONES.
12
00:04:31,140 --> 00:04:32,315
WOW!
13
00:04:32,359 --> 00:04:35,405
HOW OLD IS SHE?
14
00:04:39,496 --> 00:04:41,019
I'LL TRY HER.
15
00:05:00,212 --> 00:05:02,650
MM-HMM.
16
00:05:02,693 --> 00:05:05,043
I'M LOOKING
FOR A SPECIFIC
17
00:05:05,087 --> 00:05:07,916
TYPE OF GIRL
18
00:05:07,959 --> 00:05:09,657
FOR THE JAPANESE MARKET.
19
00:05:09,700 --> 00:05:12,747
EVERYBODY HAS THEIR OWN
VISION OF BEAUTY
20
00:05:12,790 --> 00:05:15,097
AND IT'S HARD SOMETIMES
TO BYPASS
21
00:05:15,140 --> 00:05:18,187
MY OWN PERSONAL
AESTHETIC PREFERENCES,
22
00:05:18,230 --> 00:05:22,974
BUT, FOR JAPAN,
IT IS QUITE SPECIFIC.
23
00:05:23,018 --> 00:05:26,369
SO THE GIRLS HAVE TO BE
A CERTAIN HEIGHT, NOT TOO TALL.
24
00:05:26,413 --> 00:05:29,111
CUTE, YOUNG.
25
00:05:29,154 --> 00:05:30,852
YOUNG IS
VERY IMPORTANT.
26
00:05:35,030 --> 00:05:36,553
IT'S NOT ENTIRELY
UP TO ME.
27
00:05:36,597 --> 00:05:39,251
I MAKE NOTE
OF WHAT I SEE TODAY,
28
00:05:39,295 --> 00:05:41,993
THEN I REVIEW IT
WITH OUR BOARD IN TOKYO.
29
00:05:42,037 --> 00:05:44,735
WE HAVE MASAKO,
OUR BOOKER;
30
00:05:44,779 --> 00:05:47,738
MESSIAH, THE OWNER;
KAZUME, ANOTHER BOOKER.
31
00:05:47,782 --> 00:05:49,610
SO IT'S A GROUP DECISION
32
00:05:49,653 --> 00:05:53,918
AND, OFTEN, IT'S NOT
WHAT I BELIEVE IS THE BEST
33
00:05:53,962 --> 00:05:56,660
AND SOMETIMES THE GIRL THAT
I THINK IS SO AMAZING FOR JAPAN
34
00:05:56,704 --> 00:05:58,880
DOESN'T WORK AT ALL, SO.
35
00:05:58,923 --> 00:06:00,490
THAT'S WHAT'S EXCITING
ABOUT THIS BUSINESS,
36
00:06:00,534 --> 00:06:05,539
IS IT'S TOTALLY UNPREDICTABLE,
SO NOBODY KNOWS.
37
00:06:25,515 --> 00:06:27,996
MMM, VERY GOOD
FOR JAPAN.
38
00:06:30,694 --> 00:06:34,785
Woman: TIGRAN ADORES HER,
JUST ADORES HER.
39
00:06:41,401 --> 00:06:42,576
OKAY.
40
00:06:42,619 --> 00:06:43,707
FILMING?
41
00:06:43,751 --> 00:06:45,013
NO, NO. YEAH, I'M
GOING TO VIDEO HER.
42
00:07:02,509 --> 00:07:04,641
OKAY, STAY HERE, NADYA.
43
00:07:04,685 --> 00:07:08,515
CAN YOU COME HERE?
CLOSER. Closer.
44
00:07:08,558 --> 00:07:10,081
CAN YOU OPEN YOUR HAIR?
45
00:07:16,436 --> 00:07:18,220
SAY HELLO, NADYA.
46
00:07:24,269 --> 00:07:26,228
FROM NOVOSIBIRSK.
47
00:07:29,797 --> 00:07:30,928
OKAY.
48
00:07:30,972 --> 00:07:32,887
LET ME JUST SEE.
49
00:07:32,930 --> 00:07:35,498
JUST SEE HOW LONG IT IS. OKAY.
50
00:07:44,594 --> 00:07:46,291
PERFECT.
THANK YOU.
51
00:07:46,335 --> 00:07:50,295
{\an8}SPASIBO.
52
00:07:50,339 --> 00:07:53,821
OKAY. HEL-LO!
53
00:07:53,864 --> 00:07:55,518
HELLO.
54
00:10:40,378 --> 00:10:43,251
YO.
55
00:10:43,294 --> 00:10:46,820
WHAT'S UP?
WHAT'S UP? WHAT'S UP?
56
00:10:53,217 --> 00:10:56,786
I LOVE TO TRAVEL.
57
00:10:56,830 --> 00:11:00,311
I {\an8}LOVE THE TRAINS,
ESPECIALLY THE TOILETS.
58
00:11:00,355 --> 00:11:02,879
I MISS THEM!
59
00:11:02,923 --> 00:11:04,402
I MISS THIS, YOU KNOW?
60
00:11:04,446 --> 00:11:06,535
THE CONCEPT OF NOAH
61
00:11:06,578 --> 00:11:08,102
JUST LIKE NOAH SAVED
62
00:11:08,145 --> 00:11:09,669
ALL THE ANIMALS,
63
00:11:09,712 --> 00:11:11,714
I'M TRYING TO SAVE
ALL THESE YOUNG GIRLS.
64
00:11:11,758 --> 00:11:14,499
THAT'S WHAT I'M DOING,
I'M PUTTING THEM ON THE PLANE,
65
00:11:14,543 --> 00:11:17,677
SENDING THEM TO THE WEST,
GIVING THEM A CHANCE
66
00:11:17,720 --> 00:11:20,331
WHERE THEY CAN FIND THEMSELVES,
67
00:11:20,375 --> 00:11:25,119
DEVELOP AS WOMEN,
GROW AS INDIVIDUALS,
68
00:11:25,162 --> 00:11:27,251
AND I HOPE THAT, SOMEDAY,
69
00:11:27,295 --> 00:11:30,298
THEY'LL DO SOME GOOD
TO THE OTHER PEOPLE.
70
00:11:30,341 --> 00:11:33,823
SO IN A WAY, FOR ME, THIS IS
A RELIGIOUS MATTER, YOU KNOW?
71
00:11:33,867 --> 00:11:35,695
THIS IS MY BIBLE.
72
00:11:39,524 --> 00:11:45,574
ASHLEY WILL BE
MY WESTERN PARTNER.
73
00:11:45,617 --> 00:11:47,489
WE ALSO HAVE PROBLEMS
IN THE WEST
74
00:11:47,532 --> 00:11:50,710
AND IT'S ALSO A DIFFICULT,
UPHILL BATTLE THERE,
75
00:11:50,753 --> 00:11:52,886
BUT IT'S A DIFFERENT
PROBLEM, SO,
76
00:11:52,929 --> 00:11:55,932
TOGETHER, WE'LL BE
A GREAT TEAM.
77
00:11:58,282 --> 00:12:00,807
THE DEPTH OF THE PSYCHOLOGY
INVOLVED, YOU KNOW,
78
00:12:00,850 --> 00:12:02,330
WE GO VERY, VERY DEEP
WITH A GIRL,
79
00:12:02,373 --> 00:12:04,201
TRYING TO UNDERSTAND ALL
HER PROBLEMS,
80
00:12:04,245 --> 00:12:06,943
TRYING TO UNDERSTAND
THE PARENTS.
81
00:12:06,987 --> 00:12:09,816
WE SORT OF, AT THE END,
FORM A PROFILE.
82
00:12:09,859 --> 00:12:15,430
WE TRY TO SORT OF REPLACE
THOSE FATHERS FOR THEM
83
00:12:15,473 --> 00:12:18,476
AND SUPPORT THEM
ANY WAY WE CAN.
84
00:12:18,520 --> 00:12:23,090
YOU KNOW, IN CERTAIN CITIES,
YOU MUST HAVE TRUSTWORTHY PEOPLE
85
00:12:23,133 --> 00:12:29,661
SO, THEN, THEY CAN FIND THE
GIRLS AT A MUCH EARLIER STAGE
86
00:12:29,705 --> 00:12:34,188
AND SORT OF PRESCREEN THEM
UNTIL WE GET THERE.
87
00:12:34,231 --> 00:12:37,626
THIS IS STRATEGICALLY
VERY IMPORTANT.
88
00:12:37,669 --> 00:12:41,717
BEFORE ANYBODY ELSE CAN GET
THERE, WE'LL HAVE THE GIRLS.
89
00:12:41,761 --> 00:12:46,287
FOR HER, I HAVE
SOME PICTURES HERE.
90
00:12:46,330 --> 00:12:49,333
YEAH, THOSE
ARE PRETTY.
91
00:12:49,377 --> 00:12:51,118
SHE'S SO CUTE.
92
00:12:51,161 --> 00:12:52,423
YES, CUTE FACE.
93
00:12:52,467 --> 00:12:54,295
CAN YOU SEND ME HER
PICTURES, JUST TO FOLLOW?
94
00:12:54,338 --> 00:12:56,819
YEAH, SURE.
95
00:12:56,863 --> 00:13:01,302
THEY LOVE SKINNY GIRLS
IN JAPAN
96
00:13:01,345 --> 00:13:04,261
AND SHE HAS A FRESH,
YOUNG FACE.
97
00:13:04,305 --> 00:13:08,831
SHE LOOKS YOUNG, ALMOST
LIKE A PREPUBESCENT GIRL.
98
00:16:28,726 --> 00:16:30,380
IT'S A GREAT FREEDOM,
99
00:16:30,424 --> 00:16:34,123
NOT TO BE EMPLOYED
100
00:16:34,167 --> 00:16:41,391
IN A 9-TO-5 JOB.
101
00:16:41,435 --> 00:16:44,394
BUT I DON'T KNOW,
102
00:16:44,438 --> 00:16:49,225
THE BUSINESS OF MODELING
IS NOT SOMETHING
103
00:16:49,269 --> 00:16:53,795
I FEEL NECESSARILY
PASSIONATE ABOUT
104
00:16:53,838 --> 00:16:59,018
BECAUSE IT REALLY
HAS NO --
105
00:16:59,061 --> 00:17:03,761
NO WEIGHT.
106
00:17:03,805 --> 00:17:07,069
IT CHANGES, MINUTE-BY-MINUTE,
AND NOBODY --
107
00:17:07,113 --> 00:17:10,638
IT'S BASED ON NOTHING.
108
00:17:10,681 --> 00:17:12,379
IF YOU START TO LOOK
AT ALL THOSE GIRLS
109
00:17:12,422 --> 00:17:14,076
AND YOU REALLY LOOK AT EACH ONE
AND YOU BRING THEM CLOSE TO YOU
110
00:17:14,120 --> 00:17:17,471
AND YOU LOOK IN THEIR EYES
AND YOU LOOK AT THEIR FACES,
111
00:17:17,514 --> 00:17:23,825
YOU CAN START TO SEE THEIR AGE
AND THEIR EXPERIENCE.
112
00:17:23,868 --> 00:17:28,482
AND THE BUSINESS IS OBSESSED
WITH YOUTH AND, ESPECIALLY
113
00:17:28,525 --> 00:17:31,485
MY BUSINESS IN JAPAN,
YOU CAN'T BE YOUNG ENOUGH.
114
00:17:31,528 --> 00:17:39,188
AND YOUTH {\an8}IS BEAUTIFUL
BECAUSE THERE'S THE LUMINOSITY,
115
00:17:39,232 --> 00:17:44,541
THERE'S SOMETHING IN
THE SKIN,
116
00:17:44,585 --> 00:17:47,196
THERE'S SOMETHING INNOCENT...
117
00:17:53,115 --> 00:17:57,598
AND THAT'S WHAT MY EYE HAS BEEN
TRAINED TO SEE FROM JAPAN,
118
00:17:57,641 --> 00:18:02,037
SO I LOOK AT BEAUTY AND I THINK BEAUTIFUL.
119
00:22:14,768 --> 00:22:16,987
WE HAD A REALLY GOOD
CASTING YESTERDAY,
120
00:22:17,031 --> 00:22:19,686
REALLY BEAUTIFUL GIRLS,
QUITE PRODUCTIVE.
121
00:22:19,729 --> 00:22:22,079
THERE WERE, LIKE,
200 GIRLS.
122
00:22:26,780 --> 00:22:28,434
PROBABLY, LIKE,
123
00:22:28,477 --> 00:22:30,740
SIX GIRLS, SEVEN GIRLS.
124
00:22:30,784 --> 00:22:33,569
SO I WANT TO PICK MAYBE
30 REALLY GREAT GIRLS
125
00:22:33,613 --> 00:22:35,092
THAT I KNOW I CAN CONFIRM.
126
00:22:35,136 --> 00:22:37,007
OKAY, TIGRAN.
127
00:22:37,051 --> 00:22:42,317
I'LL TALK TO YOU AGAIN.
OKAY. BYE.
128
00:22:42,361 --> 00:22:44,275
WELL, TIGRAN IS REALLY
HARDCORE BUSINESS.
129
00:22:44,319 --> 00:22:48,149
YOU KNOW, HE'S DONE WHAT NOBODY
ELSE IN THIS BUSINESS HAS DONE,
130
00:22:48,192 --> 00:22:49,846
LIKE THE MONEY HE'S MADE.
131
00:22:53,894 --> 00:22:58,420
WHEREAS, WHEN I WORK WITH JAPAN,
THEY DON'T KNOW WHAT I DO,
132
00:22:58,464 --> 00:23:02,337
WHERE I GO, AS LONG AS
I BRING THEM THE GIRLS.
133
00:23:02,381 --> 00:23:06,428
I HAVE NO, LIKE,
JOB DESCRIPTION OF WHAT I DO
134
00:23:06,472 --> 00:23:08,648
OR WHAT I'M SUPPOSED
TO BRING THEM.
135
00:23:08,691 --> 00:23:11,999
THEY COVER MY EXPENSES
AND I GET A COMMISSION
136
00:23:12,042 --> 00:23:17,831
OF WHATEVER I BRING THEM,
SO THAT IS FREEDOM.
137
00:23:17,874 --> 00:23:19,354
I CAN KIND OF GET AWAY
WITH NOT REALLY CARING
138
00:23:19,398 --> 00:23:21,617
ABOUT THIS BUSINESS
THAT MUCH.
139
00:23:24,751 --> 00:23:27,710
BUT I NEVER LIKE TO THINK
OF MYSELF AS AN EX-MODEL,
140
00:23:27,754 --> 00:23:32,193
I NEVER LIKE TO BRING
THAT POINT UP,
141
00:23:32,236 --> 00:23:36,458
BUT, OF COURSE, IT DOES
BRING A DIFFERENT INSIGHT.
142
00:23:36,502 --> 00:23:38,808
I WAS THE PERSON THAT HATED
THIS BUSINESS MORE THAN ANYBODY
143
00:23:38,852 --> 00:23:42,769
AND, NOW,
I'M 15 YEARS IN IT.
144
00:24:01,440 --> 00:24:04,486
THIS WHOLE PLACE IS
HURTING ME TOO MUCH.
145
00:24:04,530 --> 00:24:07,533
EVEN IF I DO 10 JOBS
IN THE NEXT 2 WEEKS,
146
00:24:07,576 --> 00:24:09,709
THERE WON'T BE
ANY MONEY FOR ME
147
00:24:09,752 --> 00:24:11,624
BY THE TIME I COVER
MY EXPENSES.
148
00:24:11,667 --> 00:24:15,584
FASHION IS SO BORING
TO ME THESE DAYS.
149
00:24:15,628 --> 00:24:17,368
I HATE -- I DON'T EVEN LIKE
TO LOOK AT THE MAGAZINES.
150
00:24:17,412 --> 00:24:22,286
I MEAN, I DO, BUT IT'S JUST ALL
THE SAME STUFF, ALL THE TIME.
151
00:24:22,330 --> 00:24:24,941
ANYONE WHO DOES IT
MUST BE AN IDIOT.
152
00:24:26,421 --> 00:24:27,988
So what are you
trying to say?
153
00:24:28,031 --> 00:24:31,295
Oh. Ooh!
154
00:24:31,339 --> 00:24:34,516
WHAT WOULD RATHER DO,
POTTERY? YEAH.
155
00:24:39,739 --> 00:24:42,306
GIRL, WHAT HAPPENED
TO YOU IN TOKYO, HUH?
156
00:24:42,350 --> 00:24:45,440
WHAT'S THIS TWISTER
157
00:24:45,484 --> 00:24:48,138
TAKING YOU AWAY FOR?
158
00:24:48,182 --> 00:24:50,140
IS IT REALLY WORTH IT?
159
00:26:08,741 --> 00:26:12,832
TICKET.
160
00:26:12,875 --> 00:26:13,876
MODEL?
161
00:26:13,920 --> 00:26:17,445
YES.
162
00:26:55,614 --> 00:26:59,661
NO NO NO.
163
00:26:59,705 --> 00:27:00,836
AH.
164
00:27:06,363 --> 00:27:07,451
AH, YES.
165
00:27:07,495 --> 00:27:09,453
OKAY.
166
00:27:16,373 --> 00:27:18,027
OKAY.
167
00:27:22,728 --> 00:27:25,992
I'M SO SORRY.
TAKE OFF YOUR SHOES.
168
00:27:26,035 --> 00:27:29,648
OKAY?
169
00:27:29,691 --> 00:27:31,650
WHAT?
170
00:27:31,693 --> 00:27:35,262
TAKE OFF SHOES.
171
00:27:35,305 --> 00:27:37,264
YEAH YEAH.
172
00:27:37,307 --> 00:27:38,352
YEAH?
173
00:27:38,395 --> 00:27:39,832
YEAH YEAH YEAH
YEAH YEAH.
174
00:29:07,702 --> 00:29:09,443
TO LIVE
IN A GLASS HOUSE...
175
00:29:13,839 --> 00:29:17,364
IT'S GREAT IN THE DAYTIME,
BUT SCARY AT NIGHT.
176
00:29:17,407 --> 00:29:21,977
WHEN I STAY HERE ALONE,
I GET SCARED.
177
00:29:22,021 --> 00:29:25,024
BECAUSE IT'S LIKE, IF YOU'RE
INSIDE WITH THE LIGHTS ON,
178
00:29:25,067 --> 00:29:27,983
PEOPLE CAN SEE YOU,
BUT YOU CAN'T SEE THEM
179
00:29:28,027 --> 00:29:32,205
AND THEN THERE'S, LIKE, WEIRD
SOUNDS AND IT'S PRETTY ISOLATED.
180
00:29:41,997 --> 00:29:45,174
THEY'RE SLEEPING.
181
00:29:45,218 --> 00:29:48,438
ONE BOY AND ONE GIRL.
182
00:29:53,052 --> 00:29:55,794
I GOT THEM FROM, LIKE,
A $1 STORE, OR SOMETHING.
183
00:29:55,837 --> 00:30:00,059
WHEN I BOUGHT MY HOUSE, I GOT
THE BABIES AT THE SAME TIME
184
00:30:00,102 --> 00:30:05,891
BECAUSE I FELT LIKE I HAD
A HOME, SO I SHOULD HAVE A BABY.
185
00:30:05,934 --> 00:30:09,938
I WAS 23, AT THE TIME.
186
00:30:09,982 --> 00:30:13,463
I HAD THREE, BUT THEN
I DISSECTED ONE.
187
00:30:13,507 --> 00:30:17,990
I MEAN THE MODELS
THAT WE MEET IN RUSSIA
188
00:30:18,033 --> 00:30:20,993
ARE REALLY LITTLE GIRLS,
JUST THE BABIES,
189
00:30:21,036 --> 00:30:22,342
BUT THEY'RE NOT
MY CHILDREN.
190
00:30:22,385 --> 00:30:25,127
I MEAN, I'M NOT AT THAT
POINT, YET, LIKE THAT,
191
00:30:25,171 --> 00:30:28,130
I'M SORT OF IN THAT
PRECARIOUS PLACE
192
00:30:28,174 --> 00:30:30,654
WHERE THEY DON'T REALLY KNOW,
LIKE, CAN THEY BE MY FRIEND?
193
00:30:30,698 --> 00:30:33,962
I CARE ABOUT
THE GIRLS A LOT,
194
00:30:34,006 --> 00:30:40,099
BUT I DON'T FEEL,
LIKE, INSPIRED BY --
195
00:30:40,142 --> 00:30:41,622
I DON'T KNOW.
196
00:30:41,665 --> 00:30:46,496
NO, I DO REALLY CARE
ABOUT THE GIRLS, IT'S JUST --
197
00:30:46,540 --> 00:30:48,672
I DON'T FEEL SO --
198
00:30:48,716 --> 00:30:52,676
LIKE I HAVE SOME HUGE,
YOU KNOW,
199
00:30:52,720 --> 00:30:57,507
BIG, BIG TRUTH TO TELL THEM
ABOUT THE AMAZING BUSINESS
200
00:30:57,551 --> 00:30:59,248
THAT I'M GOING TO, LIKE,
201
00:30:59,292 --> 00:31:02,991
CHANGE THEIR LIVES
AND MAKE THEM BE FULFILLED
202
00:31:03,035 --> 00:31:05,864
BECAUSE IT'S A VERY TOUGH,
VERY TOUGH BUSINESS.
203
00:33:17,734 --> 00:33:21,825
Ashley: I'M TRYING
TO REMEMBER HOW I FELT
204
00:33:21,869 --> 00:33:26,700
THE FIRST TIME
I LANDED IN JAPAN.
205
00:33:26,743 --> 00:33:30,312
I'M JUST HAVING A HARD TIME
REMEMBERING THE FIRST FLIGHT,
206
00:33:30,356 --> 00:33:33,663
BUT I REMEMBER WALKING
INTO THE AGENCY
207
00:33:33,707 --> 00:33:38,625
AND MEETING MASAKO,
WHO WAS MY BOOKER.
208
00:33:42,020 --> 00:33:45,849
THE JAPANESE ALWAYS
WANT SOMETHING NEW
209
00:33:45,893 --> 00:33:47,329
AND IT'S THE BEST PLACE
FOR THE NEW FACE TO COME,
210
00:33:47,373 --> 00:33:50,115
SO TIGRAN WANTS TO SEND
HIS MODELS TO JAPAN
211
00:33:50,158 --> 00:33:54,075
AND MESSIAH WANTS
TO RECEIVE THE NEW MODELS.
212
00:33:54,119 --> 00:33:56,208
IT'S MORE CONVENIENT
TO HAVE ME IN NEW YORK,
213
00:33:56,251 --> 00:33:58,775
WHERE I CAN MEET GIRLS
IN NEW YORK, FLY TO EUROPE,
214
00:33:58,819 --> 00:34:01,300
YOU KNOW,
COVER CERTAIN REGIONS.
215
00:34:01,343 --> 00:34:04,825
SO THEY PAY ME A SMALL
COMMISSION TO BE THE SCOUT.
216
00:34:04,868 --> 00:34:09,308
MESSIAH'S 40
AND THE MODELS ARE 13.
217
00:34:09,351 --> 00:34:16,619
SO, MESSIAH. MESSIAH.
218
00:34:16,663 --> 00:34:19,274
MESSIAH OWNS SWITCH.
HE LOVES THE --
219
00:34:19,318 --> 00:34:23,844
I MEAN,
HE LOVES MODELS.
220
00:34:54,309 --> 00:34:57,312
3, 2 --
221
00:34:57,356 --> 00:35:00,663
HELLO, MY NAME IS NADYA
AND I'M 15 YEARS OLD.
222
00:37:38,995 --> 00:37:43,478
MANY, MANY QUESTIONS,
BUT DON'T ANSWER.
223
00:37:43,522 --> 00:37:47,830
I DON'T HEAR ANSWER.
224
00:37:47,874 --> 00:37:51,921
WHY?
225
00:37:54,707 --> 00:37:55,925
DISCUSS.
226
00:38:13,029 --> 00:38:16,990
I'D SAY THAT THE MAIN
ISSUE, FOR ME, IS THAT
227
00:38:17,033 --> 00:38:19,471
THERE IS A LOT OF 13, 14,
15 YEARS OLD GIRL.
228
00:38:19,514 --> 00:38:22,517
I MEAN, THERE IS, TOO,
IN EUROPE AND ALL JUST SAY THAT
229
00:38:22,561 --> 00:38:24,954
THEY'RE SAYING THAT OH,
NO, NO, IN EUROPE AND AMERICA,
230
00:38:24,998 --> 00:38:27,348
THEY DON'T USE ANY GIRL
UNDER 16 ANYMORE,
231
00:38:27,392 --> 00:38:30,395
BUT THE GIRLS, I SEE THEN IN
THE CASTINGS, I TALK TO THEM.
232
00:38:30,438 --> 00:38:32,353
BUT WHO IS TO BLAME?
233
00:38:32,397 --> 00:38:35,356
WE CAN'T BLAME THE GIRLS BECAUSE
THEY'RE JUST BEING SENT.
234
00:38:35,400 --> 00:38:38,098
WE CAN'T BLAME FAMILIES
BECAUSE MAYBE THEY ARE IN NEED.
235
00:38:38,141 --> 00:38:39,882
CAN WE BLAME THE AGENCY
THAT TAKES THEM ON
236
00:38:39,926 --> 00:38:41,623
BECAUSE THE CLIENT
WILL TAKE THEM?
237
00:38:41,667 --> 00:38:43,538
CAN WE BLAME THE CLIENTS
THAT WILL PRETEND
238
00:38:43,582 --> 00:38:46,715
OR WON'T KNOW, ACTUALLY,
HOW OLD ARE THOSE GIRLS?
239
00:38:46,759 --> 00:38:49,675
THERE'S NO ONE TO BLAME, BUT
THE WHOLE THING IS STILL AROUND.
240
00:38:49,718 --> 00:38:52,939
THEY ALL PLAY BLIND, REALLY.
241
00:38:52,982 --> 00:38:55,507
AND IF THEY USE 13,
14 YEARS OLD GIRL, IT MEANS
242
00:38:55,550 --> 00:38:59,162
DID YOU NOT WANT
ANY GIRL THAT ARE
243
00:38:59,206 --> 00:39:01,469
THE SHAPE OF A WOMAN,
REALLY?
244
00:39:13,220 --> 00:39:16,223
SEVEN FOR RUSSIA.
245
00:39:16,266 --> 00:39:18,181
SO YOU START
FROM AREA CODE.
246
00:39:18,225 --> 00:39:23,404
I DON'T KNOW.
IT'S YOUR NUMBER.
247
00:39:23,448 --> 00:39:25,972
IS THAT AREA CODE?
248
00:39:27,452 --> 00:39:29,671
DO YOU HAVE
A DICTIONARY?
249
00:39:29,715 --> 00:39:32,805
DICTIONARY.
250
00:39:32,848 --> 00:39:35,547
DO YOU HAVE
A BOOK?
251
00:39:36,983 --> 00:39:40,465
RUSSIAN/ENGLISH
BOOK YOU HAVE.
252
00:39:40,508 --> 00:39:44,817
BRING, BRING. YES.
253
00:39:44,860 --> 00:39:48,255
THIS RUSSIAN.
254
00:39:48,298 --> 00:39:51,345
I UNDERSTAND.
255
00:39:51,389 --> 00:39:55,567
SO...
256
00:39:55,610 --> 00:39:59,266
7 IS RUSSIA
AND YOU PUT --
257
00:40:04,314 --> 00:40:05,315
YES.
258
00:40:05,359 --> 00:40:10,059
PRESS.
259
00:40:14,499 --> 00:40:17,545
WRITE DOWN
YOUR NUMBER.
260
00:40:24,204 --> 00:40:25,988
IT'S NOT IN SERVICE.
261
00:40:26,032 --> 00:40:28,251
WE CANNOT CALL
FROM THIS NUMBER.
262
00:40:28,295 --> 00:40:29,775
THIS PHONE
DOESN'T WORK.
263
00:42:27,022 --> 00:42:30,983
AND HERE'S ME GETTING
MY HAIR DONE IN JAPAN.
264
00:42:31,026 --> 00:42:35,422
I REMEMBER THE BIRTH,
BEING A MODEL,
265
00:42:35,465 --> 00:42:37,293
AND I HATED IT
SO MUCH.
266
00:42:37,337 --> 00:42:40,166
I'VE NEVER BEEN SO DOWN.
267
00:42:40,209 --> 00:42:41,907
I REMEMBER DAYS WHERE
I WOULD JUST LITERALLY STAY
268
00:42:41,950 --> 00:42:43,822
IN MY APARTMENT
269
00:42:43,865 --> 00:42:45,650
AND STAY IN MY BED
ALL DAY.
270
00:42:45,693 --> 00:42:48,174
I JUST COULDN'T EVEN GET OUT
OF BED, I JUST DIDN'T KNOW
271
00:42:48,217 --> 00:42:50,655
WHAT TO DO WITH MYSELF,
I FELT SO DEPRESSED.
272
00:42:50,698 --> 00:42:53,135
LIKE, ALL I WOULD THINK
ABOUT IS
273
00:42:53,179 --> 00:42:55,442
"OKAY, WHAT AM I GOING TO
REALLY DO WITH MY LIFE?
274
00:42:55,485 --> 00:42:57,226
"OKAY, WHY AM I
DOING THIS?
275
00:42:57,270 --> 00:43:01,317
WHEN CAN I GO HOME?"
276
00:43:01,361 --> 00:43:04,320
I REALIZED THAT I DIDN'T
ACTUALLY HAVE TO HAVE
277
00:43:04,364 --> 00:43:06,714
A DEATH OF MODELING
BECAUSE I STARTED SCOUTING
278
00:43:06,758 --> 00:43:12,024
AND I COULD ACTUALLY NOW BE
IN CONTROL AND THAT WAS FUN.
279
00:43:12,067 --> 00:43:13,416
BECAUSE I COULD DECIDE
WHEN I WANT TO TRAVEL
280
00:43:13,460 --> 00:43:15,680
AND I COULD PICK
THE MODELS.
281
00:43:15,723 --> 00:43:17,899
AND I WAS STILL A MODEL,
SO ALL OF MY FRIENDS
282
00:43:17,943 --> 00:43:20,336
WERE MODELS,
A LOT OF THEM,
283
00:43:20,380 --> 00:43:22,251
SO I JUST STARTED
SENDING THEM TO JAPAN,
284
00:43:22,295 --> 00:43:25,515
SO RIGHT AWAY, I HAD
AN INSTANTANEOUS BUSINESS.
285
00:43:25,559 --> 00:43:30,738
THE BEST THING I DID WAS
BUY MY LITTLE HOUSE.
286
00:43:30,782 --> 00:43:34,133
AND THEN I MADE MORE MONEY WHEN
I SOLD IT, WHICH I'M DOING NOW.
287
00:43:34,176 --> 00:43:35,656
SO I'M ACTUALLY REAPING
THE BENEFITS
288
00:43:35,700 --> 00:43:38,180
OF MY MODELING CAREER
RIGHT NOW.
289
00:43:50,628 --> 00:43:53,152
SO THIS IS MY FAVORITE
LITTLE SPOT.
290
00:43:53,195 --> 00:43:57,678
I HAD THESE BOXES MADE
FOR THESE LITTLE MINIPRINTS.
291
00:43:57,722 --> 00:44:01,377
STOCKINGS.
292
00:44:04,032 --> 00:44:06,339
SEE THE HANDS?
293
00:44:06,382 --> 00:44:07,557
GESTURES.
294
00:44:11,997 --> 00:44:13,476
SEE? I'M TRYING
TO HIDE MY CAMERA
295
00:44:13,520 --> 00:44:17,002
UNDER THE TABLE
296
00:44:17,045 --> 00:44:21,093
SO THAT THEY DON'T KNOW
THAT I'M PHOTOGRAPHING.
297
00:44:21,136 --> 00:44:23,182
SOMETIMES I WOULDN'T
PHOTOGRAPH THE GIRL'S FACE,
298
00:44:23,225 --> 00:44:25,750
I'D JUST PHOTOGRAPH
HER FEET
299
00:44:25,793 --> 00:44:27,665
OR HER HANDS.
300
00:44:34,759 --> 00:44:37,239
SOMETIMES I WOULD TRY
TO FIND THE LEGS,
301
00:44:37,283 --> 00:44:42,897
MATCH THE LEGS, WHICH LEGS
WENT WITH WHICH BODY.
302
00:44:42,941 --> 00:44:46,248
HEY, DOES THAT WORK?
THAT WORKS.
303
00:44:46,292 --> 00:44:47,728
DOESN'T IT? WAIT.
304
00:44:47,772 --> 00:44:50,122
OH, NO,
IT DOESN'T WORK.
305
00:44:50,165 --> 00:44:52,472
WAIT. ALMOST WORKS.
306
00:44:52,515 --> 00:44:56,955
THIS IS THE SAME BATHING
SUIT, THOUGH, LOOK.
307
00:44:56,998 --> 00:45:00,088
THAT FITS THAT.
I JUST DIDN'T --
308
00:45:00,132 --> 00:45:02,569
IF I HAD IT ON A TRIPOD,
THEN I COULD --
309
00:46:53,158 --> 00:46:55,464
A LOT OF TIMES,
YOU DO SHOOTS
310
00:46:55,508 --> 00:46:57,249
AND YOU NEVER SEE
THE PICTURES, IN THE END.
311
00:46:57,292 --> 00:47:00,165
THE PICTURES CAN BE SOLD
TO A MAGAZINE AFTERWARDS
312
00:47:00,208 --> 00:47:01,819
AND SHE WON'T MAKE
ANY MONEY
313
00:47:01,862 --> 00:47:05,648
BECAUSE AGENCIES DON'T WANT YOU
TO KNOW WHAT'S GOING ON, ANYWAY.
314
00:47:05,692 --> 00:47:07,955
IT'S BETTER FOR THEM BECAUSE,
IF YOU DON'T REALLY KNOW
315
00:47:07,999 --> 00:47:09,827
WHAT'S GOING ON, HOW MUCH
YOU'RE GETTING PAID,
316
00:47:09,870 --> 00:47:12,830
WHAT ARE YOUR EXPENSES, THEY
CAN GET MORE MONEY OUT OF YOU.
317
00:47:12,873 --> 00:47:16,834
YOU HAVE TO BE REALLY
ON TOP OF EVERYTHING AND,
318
00:47:16,877 --> 00:47:19,401
AT 13 YEARS OLD, THEY WON'T BE
ON TOP OF EVERYTHING.
319
00:47:19,445 --> 00:47:21,664
SHE'LL BE LIKE "OH, MY GOD,
I'M GOING TO JAPAN.
320
00:47:21,708 --> 00:47:23,449
"I HAVE ALL THOSE
JOBS BOOKED.
321
00:47:23,492 --> 00:47:24,972
I'M GOING TO MAKE THAT
MUCH MONEY, AT LEAST,"
322
00:47:25,016 --> 00:47:28,323
BUT THEY DON'T KNOW THAT
THEY'RE NOT GETTING THOSE JOBS.
323
00:47:28,367 --> 00:47:31,370
THEY'LL JUST TAKE
ADVANTAGE OF HER.
324
00:47:52,478 --> 00:47:54,915
{\an8}S'IL VOUS PLAIT.
325
00:47:54,959 --> 00:47:56,395
CONCORDE.
CONCORDE.
326
00:47:56,438 --> 00:47:57,657
{\an8}S'IL VOUS PLAIT!
327
00:47:57,700 --> 00:47:59,746
TAXI.
328
00:47:59,789 --> 00:48:02,314
Taxi.
329
00:48:02,357 --> 00:48:07,362
I DON'T KNOW IF "SHORT-TERM"
WOULD BE DEFINED BY, LIKE,
330
00:48:07,406 --> 00:48:08,711
12 YEARS OF TRAVELING.
331
00:48:08,755 --> 00:48:10,800
IT'S, LIKE,
MORE THAN SHORT-TERM.
332
00:48:10,844 --> 00:48:12,933
IT'S AN ADDICTION.
333
00:48:16,197 --> 00:48:21,681
IT REALLY IS
AN ADDICTION.
334
00:48:21,724 --> 00:48:25,554
AND THEN I STICK WITH
WHAT I KNOW BECAUSE I'M --
335
00:48:25,598 --> 00:48:31,517
I'M SORT OF AFRAID
TO REALLY TRY NEW THINGS.
336
00:48:31,560 --> 00:48:35,303
ONCE YOU'VE TRAVELED
AND SEEN SO MUCH,
337
00:48:35,347 --> 00:48:37,915
YOU SORT OF WANT
338
00:48:37,958 --> 00:48:40,613
THAT STIMULUS AGAIN BECAUSE
THERE'S A CERTAIN STIMULUS
339
00:48:40,656 --> 00:48:42,136
WITH NEW PLACES.
340
00:48:47,185 --> 00:48:50,666
SORRY, TIGRAN,
341
00:48:50,710 --> 00:48:53,669
I JUST WANTED TO MAKE
SURE I HAD IT RIGHT.
342
00:48:53,713 --> 00:48:55,497
YOU HAD IT RIGHT.
343
00:48:55,541 --> 00:48:59,023
I MEAN, THIS IS
WHAT I KNOW THE MOST.
344
00:48:59,066 --> 00:49:00,546
I STARTED DOING THIS
345
00:49:00,589 --> 00:49:02,591
WHEN I WAS 17, IT'S JUST
LIKE SOMETHING I KNOW,
346
00:49:02,635 --> 00:49:04,854
BUT IT'S NOT SOMETHING
THAT I NECESSARILY --
347
00:49:04,898 --> 00:49:07,640
I NEED TO BE MORE
BUSINESS, LIKE YOU.
348
00:49:07,683 --> 00:49:09,250
I'M MORE BUSINESS?
349
00:49:09,294 --> 00:49:11,470
YOU'RE BUSINESS
IN THIS BUSINESS.
350
00:49:11,513 --> 00:49:13,385
SO MANY PEOPLE
AREN'T BUSINESS
351
00:49:13,428 --> 00:49:16,170
IN THIS
BUSINESS, SO.
352
00:49:27,312 --> 00:49:29,401
I MEAN, IF YOU CATCH
THE GIRL AT 12,
353
00:49:29,444 --> 00:49:30,924
WHEN THESE GIRLS ARE
IN THESE
354
00:49:30,968 --> 00:49:32,404
VERY DELICATE STAGES
OF THEIR LIFE,
355
00:49:32,447 --> 00:49:34,449
THEN YOU HAVE MORE
POWER OR YOU HAVE
356
00:49:34,493 --> 00:49:36,147
MORE INFLUENCE
TO GUIDE AND DIRECT.
357
00:49:36,190 --> 00:49:37,452
IT'S NOT REALLY
THE AGE,
358
00:49:37,496 --> 00:49:39,150
IT'S HOW
MATURE THEY ARE.
359
00:49:39,193 --> 00:49:40,673
BECAUSE,
AT THE AGE OF 13,
360
00:49:40,716 --> 00:49:42,153
SHE HAS SOMETHING
THAT MOST PEOPLE
361
00:49:42,196 --> 00:49:43,719
RARELY HAVE, AND THAT'S
CALLED DIGNITY.
362
00:49:43,763 --> 00:49:47,114
THAT 13-YEAR-OLD WILL
NEVER GO WITH A RICH MAN,
363
00:49:47,158 --> 00:49:50,378
YOU KNOW, FOR MONEY,
YOU KNOW?
364
00:49:50,422 --> 00:49:51,553
RIGHT.
365
00:49:51,597 --> 00:49:53,033
BECAUSE SHE'LL
UNDERSTAND THAT,
366
00:49:53,077 --> 00:49:55,209
YOU KNOW,
SHE'S MUCH HAPPIER
367
00:49:55,253 --> 00:49:58,038
WITH THE $100,000
THAT SHE EARNED
368
00:49:58,082 --> 00:49:59,648
OR WITH THE $50,000
THAT SHE EARNED,
369
00:49:59,692 --> 00:50:02,347
THAN WITH
THE $3 MILLION
370
00:50:02,390 --> 00:50:04,088
THAT SHE GETS
FROM THIS RICH MAN,
371
00:50:04,131 --> 00:50:06,655
DOING NOTHING OTHER
THAN, YOU KNOW,
372
00:50:06,699 --> 00:50:08,570
SPREADING HER LEGS
IN FRONT OF HIM.
373
00:50:08,614 --> 00:50:10,268
THAT 12-YEAR-OLD
OR 13-YEAR-OLD
374
00:50:10,311 --> 00:50:11,921
WOULD NEVER DO.
375
00:50:11,965 --> 00:50:13,358
OKAY?
376
00:50:13,401 --> 00:50:15,316
NOW, THEY'RE
DIFFICULT GIRLS,
377
00:50:15,360 --> 00:50:20,278
SO, TO HAVE A GOOD
EFFECT OF EDUCATION,
378
00:50:20,321 --> 00:50:22,715
WE SOMETIMES TAKE THESE
GIRLS TO THE MORGUE
379
00:50:22,758 --> 00:50:25,109
AND WE SHOW THEM THESE
YOUNG GIRLS OR BOYS
380
00:50:25,152 --> 00:50:27,589
WHO DID DRUGS
AND PASSED AWAY.
381
00:50:27,633 --> 00:50:30,636
THAT HAS
EVERLASTING EFFECT.
382
00:50:30,679 --> 00:50:33,073
AND IF THE MODEL IS
STILL TOO HARDHEADED,
383
00:50:33,117 --> 00:50:35,075
WE HAVE THE AUTOPSY
DONE IN FRONT OF THEM.
384
00:50:35,119 --> 00:50:37,991
BELIEVE ME, THAT AFFECTS
THEM SO STRONGLY.
385
00:50:38,035 --> 00:50:39,645
YOU DO THAT?YEAH.
386
00:50:39,688 --> 00:50:41,995
SO YOU CALL UP THE MORGUE
IN ST. PETERSBURG?
387
00:50:42,039 --> 00:50:43,475
THAT'S RIGHT.
THAT'S RIGHT.
388
00:50:43,518 --> 00:50:44,998
AND YOU FIND OUT.
389
00:50:45,042 --> 00:50:46,521
THAT'S RIGHT.
390
00:50:46,565 --> 00:50:48,480
AND YOU KNOW,
THE WORST PART IS
391
00:50:48,523 --> 00:50:51,091
WHEN THEY REALIZE THEY
COULD BE IN THEIR PLACE.
392
00:50:51,135 --> 00:50:52,919
HMM.
393
00:50:52,962 --> 00:50:55,269
AND THAT HAS A VERY, VERY
STRONG EFFECT ON THEM.
394
00:50:55,313 --> 00:50:58,968
BELIEVE ME, SEEING
A DEAD, YOUNG GIRL
395
00:50:59,012 --> 00:51:02,102
IN FRONT OF YOU HAS
A REALLY STRONG EFFECT.
396
00:51:02,146 --> 00:51:07,803
WITH AN OPEN BODY,
YOU KNOW.
397
00:51:07,847 --> 00:51:09,675
YEAH.
398
00:51:13,635 --> 00:51:16,551
I THINK I WAS
A VERY BAD PERSON
399
00:51:16,595 --> 00:51:19,119
IN MY PAST LIFE,
400
00:51:19,163 --> 00:51:22,688
SO I'M BACK
TO PAY MY DEBT.
401
00:51:22,731 --> 00:51:26,300
YOUR KARMA? HMM.
402
00:51:26,344 --> 00:51:28,128
I THINK I WAS
A MILITARY PERSON.
403
00:51:28,172 --> 00:51:31,566
I KNOW THAT. AND I
KILLED A LOT OF PEOPLE.
404
00:51:31,610 --> 00:51:35,570
SO I THINK I'M BACK
TO NOW HELP PEOPLE.
405
00:51:39,052 --> 00:51:40,880
So.
406
00:53:27,595 --> 00:53:30,990
HELLO?
407
00:55:15,529 --> 00:55:17,401
WELL I'VE BEEN SCOUTING
WITH TIGRAN,
408
00:55:17,444 --> 00:55:19,272
YOU KNOW, WITH NOAH MODELS,
AND THIS IS
409
00:55:19,316 --> 00:55:21,361
NOAH MODELS'S
MOST RECENT FIND.
410
00:55:21,405 --> 00:55:25,844
BUT THEY HAVE
A REAL MONOPOLY
411
00:55:25,887 --> 00:55:27,454
ON THE RUSSIAN MARKET
BECAUSE THEY HAVE AGENCIES
412
00:55:27,498 --> 00:55:28,977
STRETCHING ALL THE WAY
ACROSS RUSSIA
413
00:55:29,021 --> 00:55:30,631
AND THEY HAVE
20 LITTLE OFFICES,
414
00:55:30,675 --> 00:55:33,025
SO THEY'RE SCOUTING
IN THAT AREA
415
00:55:33,068 --> 00:55:35,680
AND THEY'RE REALLY
GETTING, YOU KNOW,
416
00:55:35,723 --> 00:55:37,203
FIRST OPTION
ON THE GIRLS
417
00:55:37,246 --> 00:55:39,727
BECAUSE THERE'S
LITTLE AGENCIES.
418
00:56:17,330 --> 00:56:20,768
Ashley: AH.
419
00:56:20,812 --> 00:56:24,511
LET ME SEE.
THIS IS THE BATHROOM?
420
00:56:24,555 --> 00:56:26,644
OH, MY GOSH.
421
00:56:26,687 --> 00:56:30,517
WOW! THAT IS
A PRETTY BAD ONE.
422
00:56:31,823 --> 00:56:33,433
THAT'S PRETTY BAD.
423
00:56:35,566 --> 00:56:38,612
WELL, WHAT DO WE HAVE
OUT HERE?
424
00:56:38,656 --> 00:56:40,222
A GARDEN?
425
00:56:40,266 --> 00:56:41,876
YEAH, WE HAVE.
426
00:57:02,549 --> 00:57:08,163
SO, YES, IT'S NOT --
YEAH.
427
00:57:08,207 --> 00:57:10,644
IT'S NOT THE BEST
MODELS' APARTMENT,
428
00:57:10,688 --> 00:57:13,952
BUT I GUESS
IT'S OKAY.
429
00:57:13,995 --> 00:57:16,171
YEAH. OKAY.
IT'S ALL OKAY.
430
00:57:19,958 --> 00:57:22,613
YOU'RE GOING TO --
I MEAN, YOU'RE PRETTY BUSY
431
00:57:22,656 --> 00:57:24,179
WITH THE CASTINGS
AND THEN, THIS WEEKEND,
432
00:57:24,223 --> 00:57:27,487
I THINK YOU HAVE
TEST SHOOTING, OR...?
433
00:57:27,531 --> 00:57:30,272
WHY?
WHY IS THAT FUNNY?
434
00:57:30,316 --> 00:57:33,014
NO.
435
00:57:35,539 --> 00:57:36,540
OH. OH.
436
00:57:47,725 --> 00:57:50,684
WE DON'T WORK,
NADYA AND I.
437
00:57:50,728 --> 00:57:52,425
WE DON'T KNOW YET.
438
00:57:52,469 --> 00:57:55,515
{\an8}NYET, I KNOW.
I DON'T WORK.
439
00:57:55,559 --> 00:57:56,647
WHY?
440
00:57:56,690 --> 00:57:58,170
I DON'T KNOW WHY.
441
00:57:58,213 --> 00:58:00,781
YOU FEEL
YOU DON'T WORK.
442
00:58:00,825 --> 00:58:05,525
I DON'T WORK IN
THIS WEEK, NEXT WEEK.
443
00:58:05,569 --> 00:58:08,746
NADYA DON'T WORK THIS
WEEK OR NEXT WEEK.
444
00:58:08,789 --> 00:58:10,095
WHY?
445
00:58:10,138 --> 00:58:11,575
I DON'T KNOW.
446
00:58:11,618 --> 00:58:15,535
THIS IS YOUR FEELING,
THIS IS NOT THE REALITY,
447
00:58:15,579 --> 00:58:17,319
BECAUSE WE DON'T KNOW.
448
00:58:17,363 --> 00:58:18,973
BECAUSE, STILL,
EVERY DAY,
449
00:58:19,017 --> 00:58:20,540
YOU'RE DOING
CASTINGS, RIGHT?
450
00:58:20,584 --> 00:58:23,978
BUT THIS WEEK,
WE KNOW NO JOB, RIGHT?
451
00:58:24,022 --> 00:58:26,546
AND THEN, NEXT WEEK,
CASTING, CASTING, CASTING.
452
00:58:26,590 --> 00:58:27,852
CASTING, CASTING,
NO JOB.
453
00:58:27,895 --> 00:58:30,811
BUT MAYBE THE {\an8}NEXT
WEEK, YOU HAVE A JOB.
454
00:58:30,855 --> 00:58:32,770
I DON'T KNOW.
455
00:58:40,517 --> 00:58:48,655
OKAY.
ALL RIGHT.
456
00:58:52,093 --> 00:58:53,399
NADYA.
457
00:59:06,630 --> 00:59:09,241
Okay.
458
00:59:25,997 --> 00:59:33,265
I WANTED
OUT OF LIFE WAS
459
00:59:33,308 --> 00:59:36,964
I WANT
MY OWN SECURITY.
460
00:59:37,008 --> 00:59:39,837
WHEN I GO BACK AND READ
A LOT OF MY WRITINGS,
461
00:59:39,880 --> 00:59:41,882
A LOT OF THE TIMES
I'VE BEEN MODELING,
462
00:59:41,926 --> 00:59:45,973
I FEEL REALLY SCARED.
463
00:59:46,017 --> 00:59:52,023
I GET SO OBSESSED ABOUT MONEY
AND I JUST HAVE TO CHILL OUT.
464
00:59:52,066 --> 00:59:54,068
I DON'T KNOW.
465
00:59:54,112 --> 00:59:56,636
SOMETIMES I THINK I'M NOT
BEING PROFESSIONAL, YOU KNOW?
466
00:59:56,680 --> 00:59:58,333
THERE'S A LOT OF THINGS
THAT I'VE HAVE DONE
467
00:59:58,377 --> 01:00:01,075
THAT ARE BAD IN THE BUSINESS,
BUT I ALWAYS TRY TO PLAY IT OFF
468
01:00:01,119 --> 01:00:04,688
LIKE I'M SO GOOD, BUT MAYBE
I'M NOT REALLY THAT GOOD AT ALL.
469
01:00:11,608 --> 01:00:13,522
IT'S JUST GROWING.
470
01:00:13,566 --> 01:00:15,829
IT'S PRODUCING.
IT'S VERY ACTIVE, YOU KNOW.
471
01:00:15,873 --> 01:00:18,397
IT'S JUST DOING
ITS OWN THING.
472
01:00:18,440 --> 01:00:20,617
I MEAN, I WOULD BE HAPPY
TO BE FOUR MONTHS PREGNANT
473
01:00:20,660 --> 01:00:23,402
WITH A HEALTHY THING,
474
01:00:23,445 --> 01:00:28,146
BUT THIS IS JUST SOMETHING
THAT'S GROWING FOR NO REASON,
475
01:00:28,189 --> 01:00:29,887
THAT, EVENTUALLY,
WILL HAVE TO BE TAKEN OUT.
476
01:00:29,930 --> 01:00:35,109
ONE'S HERE
AND ONE IS HERE.
477
01:00:35,153 --> 01:00:36,676
THEY SAID IT'S
RIGHT AT THE TOP.
478
01:00:36,720 --> 01:00:42,813
THEY JUST OPEN IT AND THERE
IT IS, SITTING RIGHT THERE.
479
01:00:42,856 --> 01:00:44,858
SO.
480
01:00:47,644 --> 01:00:52,344
ONE IS A FIBROID
AND ONE IS A CYST.
481
01:00:55,042 --> 01:00:58,045
BUT, HOPEFULLY,
IT WILL BE ALL RIGHT
482
01:00:58,089 --> 01:01:01,048
IN 10 DAYS FROM NOW,
483
01:01:01,092 --> 01:01:05,357
WHEN I GET OPERATED ON
BY A ROBOT.
484
01:01:11,537 --> 01:01:13,670
THANK YOU SO {\an8}MUCH.
485
01:03:03,867 --> 01:03:10,047
I HAVE DIARIES.
PROBABLY MORE VIDEOTAPES.
486
01:03:10,090 --> 01:03:13,528
THIS IS THE TRUEST EVIDENCE.
487
01:03:29,718 --> 01:03:32,417
ALL THE GIRLS JUST WANT TO GET
OUT SO THEY TRY, LIKE --
488
01:03:32,460 --> 01:03:34,201
THEY CAN BE ATHLETES,
THEY CAN BE GYMNASTS,
489
01:03:34,245 --> 01:03:36,769
THEY CAN BE BALLERINAS,
THEY CAN BE MODELS,
490
01:03:36,813 --> 01:03:40,120
THEY CAN BE PROSTITUTES.
491
01:03:43,907 --> 01:03:47,171
MOST OF THE TIME, THEY DO
A COMBINATION OF BOTH OR --
492
01:03:47,214 --> 01:03:49,651
I MEAN, OFTEN, YEAH,
THEY DO.
493
01:03:49,695 --> 01:03:52,611
THERE ARE
CERTAIN AGENCIES,
494
01:03:52,654 --> 01:03:58,922
LIKE, HIGH-CLASS AGENCIES,
THAT WILL HELP FACILITATE.
495
01:03:58,965 --> 01:04:01,446
AND ESPECIALLY ONCE --
IF YOU HAVE THE EXPERIENCE
496
01:04:01,489 --> 01:04:04,666
OF MAKING MONEY
AND YOU ARE A MODEL,
497
01:04:04,710 --> 01:04:06,320
YOU ONLY KNOW HOW
TO MAKE MONEY AS A MODEL,
498
01:04:06,364 --> 01:04:08,757
IF YOU'RE NOT MAKING
MONEY AS A MODEL,
499
01:04:08,801 --> 01:04:10,890
YOU JUST KNOW YOU'RE A BEAUTIFUL
GIRL WHO USES HER BODY,
500
01:04:10,934 --> 01:04:15,503
SO IT'S KIND OF NATURAL
TO THINK "WELL,
501
01:04:15,547 --> 01:04:18,376
"I SELL MY BODY
FOR THE CAMERA
502
01:04:18,419 --> 01:04:21,074
AND WHAT'S
THE DIFFERENCE?"
503
01:04:21,118 --> 01:04:24,556
EVEN, DID YOU SEE --
YOU KNOW THE DVDs I GAVE YOU?
504
01:04:24,599 --> 01:04:26,166
AND YOU COULD SEE
SOMETIMES THE GIRL
505
01:04:26,210 --> 01:04:29,430
PRESENTED HERSELF IN A CERTAIN
WAY, THE CASTINGS IN RUSSIA.
506
01:04:29,474 --> 01:04:32,520
SOMETIMES IT WAS CLEARLY LIKE
SHE WAS PRESENTING HERSELF
507
01:04:32,564 --> 01:04:35,654
AS A SEX OBJECT, SOMETIMES
SHE WAS JUST A YOUNG GIRL.
508
01:04:35,697 --> 01:04:39,919
I MEAN THOSE TAPES
ARE WIDELY DISTRIBUTED.
509
01:04:39,963 --> 01:04:41,921
AND, OF COURSE,
THE GOAL IS
510
01:04:41,965 --> 01:04:43,575
THAT THEY GET PLACED
IN MODELING AGENCIES,
511
01:04:43,618 --> 01:04:52,323
BUT THE REALITY IS, IS THAT THEY
GET PLACED OTHER PLACES, TOO.
512
01:04:52,366 --> 01:04:56,501
AND I DON'T HAVE FIRSTHAND
EXPERIENCE OF THESE THINGS.
513
01:04:56,544 --> 01:05:03,769
I MEAN, I'M NOT, OBVIOUSLY,
PARTICIPATING IN THIS, SO.
514
01:05:03,812 --> 01:05:08,817
IT'S JUST NORMAL
TO BE A PROSTITUTE.
515
01:05:08,861 --> 01:05:12,473
FOR THEM, YOU KNOW?
516
01:05:12,517 --> 01:05:16,347
MAYBE IT'S EASIER THAN BEING
A MODEL, I DON'T KNOW.
517
01:05:21,352 --> 01:05:22,875
I MEAN, IN A LOT
OF COUNTRIES,
518
01:05:22,919 --> 01:05:29,664
PROSTITUTION IS NOT
CONSIDERED A TERRIBLE THING.
519
01:05:29,708 --> 01:05:34,669
UM --
520
01:05:34,713 --> 01:05:39,718
I DON'T REALLY ACKNOWLEDGE
THAT IT EXISTS.
521
01:06:43,173 --> 01:06:45,566
David: I DON'T UNDERSTAND
HOW NEW GIRLS
522
01:06:45,610 --> 01:06:48,004
LIKE NADYA AND MADLEN
CAN MAKE YOU MONEY,
523
01:06:48,047 --> 01:06:50,876
CAN MAKE TIGRAN MONEY,
CAN MAKE ASHLEY MONEY.
524
01:07:08,459 --> 01:07:10,635
SO IF THEY DON'T MAKE MONEY,
THEN WHY DO YOU BRING THEM IN?
525
01:07:10,678 --> 01:07:13,681
HMM...
526
01:07:18,599 --> 01:07:20,558
UH...
527
01:07:47,454 --> 01:07:49,239
HERE IS SOME LITERATURE,
528
01:07:49,282 --> 01:07:50,762
JUST ON THE
PROCEDURE YOU HAD.
529
01:07:50,805 --> 01:07:52,851
THIS IS VERY BROAD
AND IT'S NOT
530
01:07:52,894 --> 01:07:56,115
TRULY SPECIFIC TO EXACTLY
WHAT YOU HAD DONE.
531
01:07:56,159 --> 01:07:59,118
YOU WANT TO MAKE SURE
YOU CONTINUE TO EAT WELL,
532
01:07:59,162 --> 01:08:01,077
BUT THINGS TO LOOK OUT FOR
THAT YOU WOULD NEED
533
01:08:01,120 --> 01:08:05,472
TO CALL YOUR DOCTOR IS IF
YOU NOTICE ANY SEPARATION.
534
01:08:05,516 --> 01:08:08,388
SO IT SOMETIMES TAKES
A LITTLE WHILE
535
01:08:08,432 --> 01:08:12,262
FOR THE BODY TO PROCESS ALL
THAT YOU'VE RECEIVED, SO.
536
01:08:12,305 --> 01:08:13,872
OKAY, SO I'LL BE
RIGHT BACK.
537
01:08:17,180 --> 01:08:20,879
OH, GOD THAT HURTS.
538
01:08:20,922 --> 01:08:24,361
IT'S PAINFUL
TO COUGH.
539
01:08:24,404 --> 01:08:27,146
IT'S A SMALL INCISION.
540
01:08:27,190 --> 01:08:30,149
THE FIBROID, THEY HAD TO
CUT IN 20 PIECES
541
01:08:30,193 --> 01:08:31,890
TO TAKE IT OUT.
542
01:08:31,933 --> 01:08:33,674
THEY THOUGHT
IT WAS 10 CENTIMETERS,
543
01:08:33,718 --> 01:08:35,372
BUT IT'S ACTUALLY 15.
544
01:08:35,415 --> 01:08:39,463
THE BABY'S HEAD,
LIKE THAT BIG,
545
01:08:39,506 --> 01:08:43,293
THAT CAME OUT OF ME.
546
01:08:43,336 --> 01:08:45,121
AND THEN ANOTHER ONE.
547
01:08:45,164 --> 01:08:49,473
THIS ONE.
548
01:08:49,516 --> 01:08:51,475
THIS THING.
549
01:08:51,518 --> 01:08:52,911
SO DISGUSTING.
OH, MY GOD.
550
01:08:52,954 --> 01:08:54,652
THIS IS THE CYST.
551
01:08:54,695 --> 01:08:56,219
THIS IS BLONDE HAIR.
552
01:08:56,262 --> 01:08:58,699
THEY HAVE NEVER SEEN ONE WITH,
LIKE, SO MUCH BLONDE HAIR.
553
01:08:58,743 --> 01:09:04,662
MY EGG, SPLITTING
ON ITS OWN.
554
01:09:04,705 --> 01:09:07,273
I MEAN, THEY SAID I COULD HAVE
A BABY IN SIX MONTHS.
555
01:09:07,317 --> 01:09:13,540
I MEAN, I WANT A BABY BECAUSE
THAT'S WHAT I'M BORN TO DO.
556
01:09:13,584 --> 01:09:15,847
I MEAN, I'M BORN
WITH THESE ORGANS.
557
01:09:19,851 --> 01:09:23,637
I WANT A LITTLE BIT
OF EVERYTHING,
558
01:09:23,681 --> 01:09:26,379
BUT I DO WANT A BABY.
559
01:09:26,423 --> 01:09:31,254
HOPEFULLY, THAT COULD TRAVEL
WITH ME TO RUSSIA.
560
01:09:32,907 --> 01:09:36,781
SO WHEN I GO TO HAVE A BABY,
I'LL, LIKE, DECIDE WHICH DATE
561
01:09:36,824 --> 01:09:38,652
AND THEN JUST GO AND HAVE
THE SAME OPERATION
562
01:09:38,696 --> 01:09:41,089
THAT I JUST HAD, BASICALLY.
563
01:09:41,133 --> 01:09:42,830
KRRCH.
564
01:13:30,014 --> 01:13:31,407
Woman: THERE'S A LOT
OF MEDIA TODAY.
565
01:13:35,019 --> 01:13:36,324
Ashley: OKAY.
566
01:13:36,368 --> 01:13:38,892
WHICH GIRLS, PARTICULARLY,
YOU ARE LOOKING FOR?
567
01:13:38,936 --> 01:13:42,461
FOR MY MARKET, WHICH IS JAPAN,
WE ARE QUITE SPECIFIC,
568
01:13:42,505 --> 01:13:46,987
SO WE LIKE YOUNG, YOUNG GIRLS,
FRESH GIRLS, NEW FACES.
569
01:13:47,031 --> 01:13:48,902
THE GIRLS THAT I SEE
TODAY, CHANCES ARE,
570
01:13:48,946 --> 01:13:50,469
I WILL BOOK SOME
OF THEM.
571
01:13:50,513 --> 01:13:53,341
THEY SHOULD EXPECT TO WORK
VERY HARD IN JAPAN,
572
01:13:53,385 --> 01:13:54,908
BUT IT'S
A VERY SAFE PLACE
573
01:13:54,952 --> 01:13:59,217
AND EVERY MODEL
HAS SUCCESS IN JAPAN.
574
01:13:59,260 --> 01:14:02,960
UNLIKE OTHER MARKETS, WHERE
THEY MIGHT GO INTO DEBT,
575
01:14:03,003 --> 01:14:05,528
THEY NEVER DO IN JAPAN,
THEY ONLY WIN, SO.
576
01:14:05,571 --> 01:14:06,920
VERY GOOD.
577
01:14:14,841 --> 01:14:16,756
WOW,
SHE'S CUTE.
578
01:14:16,800 --> 01:14:18,105
HELLO!
579
01:14:18,149 --> 01:14:19,585
HELLO.
580
01:14:19,629 --> 01:14:22,153
YOU SPEAK
ENGLISH?
581
01:14:22,196 --> 01:14:23,328
YES.
582
01:14:23,371 --> 01:14:25,635
YES, YOU DO?
583
01:14:25,678 --> 01:14:27,637
A LITTLE ENGLISH?
584
01:14:30,117 --> 01:14:32,511
YES.
585
01:14:32,555 --> 01:14:37,516
SHE'S SO CUTE.
586
01:14:37,560 --> 01:14:40,824
MARIA. CAN YOU
INTRODUCE YOURSELF?
587
01:14:40,867 --> 01:14:43,783
♪ MY NAME IS MARIA,
MARIA ♪
588
01:14:43,827 --> 01:14:45,263
My name is Maria.
589
01:14:45,306 --> 01:14:49,615
AND YOU ARE
13 YEARS OLD.
590
01:14:49,659 --> 01:14:52,618
YOUR AGE IS 13?
591
01:14:52,662 --> 01:14:54,794
13?
592
01:14:54,838 --> 01:14:56,535
OKAY.
593
01:14:59,625 --> 01:15:01,975
BEAUTIFUL.
594
01:15:02,019 --> 01:15:03,760
CAN YOU PUT
YOUR HAIR BACK?
595
01:15:03,803 --> 01:15:06,545
SHE'S SO CUTE.
596
01:15:06,589 --> 01:15:08,025
DO YOU THINK SHE'LL
GROW A LITTLE BIT?
597
01:15:08,068 --> 01:15:09,548
SHE'LL GROW, RIGHT?
SHE'S 13.
598
01:15:09,592 --> 01:15:11,071
Woman:
YEAH, FOR SURE.
40521
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