All language subtitles for VEED-subtitles_040 Drum Rack - Organization

Hi.

In this lecture we're going to look at actually organize an ad run track at the moment it can be quite

messy.

For example here it says high hats with high hats we have high hopes with seven why nine aid kits.

Now it can look a bit confusing when you look at the straightaway.

All we have to do is just click on the sample pad.

We want to rename just command an hour and then just rename this.

I'm going to call this snare wet because it's got reverb.

Well we can right click rename to be called Kick and the hi hats command are all these hats.

One eighth because that has the PGA this one da hats one sixteenth and this one commander.

That's 124.

So now I know straightaway that this is a snare that's worked.

I know that this is a kick.

No this is a hat with a sort of a one of our PGA Tour 260.

That was 124 off going to rename this ATS call this free has a free range at the moment.

So he got there.

And so really fast role there isn't think to be.

What we can do as well is in the session.

So if you go to the session.

And if we have a sample in here we can also draft this into the drum rack.

It doesn't just have to be in session the session view is normally easier way to work with Max.

Let's find the sample.

Let's go on samples.

And that's Taipan.

Congo.

So if we drive this onto an audio track.

Zoom in here.

Match finds.

Let's find a apart.

Turn off this kick.

Here is this bit here.

So right click this and then we go on spects or command.

This will split the section.

Now we can actually drive this into Add runback.

So here we can see the sample and a simple.

You can see it here so you can move it around here as well.

Notice it will select a different part.

If we hit tab and let's go back to the drum rack here.

And we can always go back and just drag this in to say a.

So if you scroll up the drum rack here you notice it will actually have the entire sample here.

So what we can do is just right click and crop sample.

Now I just have this sample here.

Now if you play that game.

It will have this conga.

One thing we might need to do with clips because.

Leave it's playing the kick at the same time it's a bit low heavy.

You can always add on effects.

So go to eqr 8.

You can do this on.

From back into the Conga and now you can roll off a bit for the low.

So we just call off some of the low now and play it back it's a lot of this kick.

So if we do about it.

At low end which is a kick and now we play.

We can have the Congo at some low end taken out.

Q A lot of stuff as well.

Can I also add on say a delay if we wesch can also add this arm as a sensor which would look at later

but for now let's just add on a ping pong delay.

Just hear what this sounds like.

So all we have to drag onto here and then.

In here this ping pong delay because remember to go back and rename command are we call this year.

Let's go back to the Saturn V by tab.

Okay so we can start to groove in some ideas.

So we started to just clean up and just make this a bit more organized.

Now you can tell we've got the groups now that's work that's 1 8 2016 Congos and these free sounding

hats.

So I hope you start to understand a bit more about that drum rack.

I'd just like to keep stuff organized so I know quickly what's going on.

We're going to look in more detail on the next lecture.

So thank you for watching and I'll see you then.