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♪ UNDER THE MOONLESS SKY
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♪ I RISE BEFORE THE LIGHT
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♪ CHASE DOWN A BETTER LIFE
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♪ I CLAIM THE POWER
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♪ BLOCK OUT THE WORDS OF DOUBT
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♪ KEEP THEM FROM GETTING LOUD
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♪ DARING TO STOP ME NOW
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♪ I CLAIM THE POWER
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♪ WATCHING...EVERY WALL
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♪ SEE IT FROM THE...
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♪ YOU WILL NEVER SEE ME...
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YOU'RE UP AND AT IT KINDA EARLY.
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SORRY.
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I WAS TRYING TO KEEP IT DOWN.
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COULDN'T SLEEP.
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MIA? YEAH.
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I WAS DIGGING INTO
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THE GUARDIAN RESEARCH TRYING TO FIND
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A LEAD ON HER DAD.
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ANYTHING TO HELP US FIGURE OUT
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WHERE SHE IS, BUT NO LUCK.
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NICKY-- DO YOU THINK SHE'S OK?
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YEAH. I DO.
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REMEMBER HOW IT WAS WITH ZHILAN?
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SOMETIMES IT FELT IMPOSSIBLE
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BUT WE DID IT.
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AND YOU DID IT.
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AND EVAN'S WORKING ON SOME LEADS
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TO TRY TO FIND MIA, BUT UNTIL
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WE GET SOMETHING REAL...
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LOOK, WHATEVER TAN WANTS,
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WHATEVER HE WANTS TO DO WITH HER...
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IT'S GONNA TAKE TIME
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TO FIGURE IT OUT AND STOP HIM.
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AND THE BELL. WE'LL FIGURE OUT WHAT IT WAS,
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WHAT HE WANTS IT FOR AND--
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WHAT WAS THAT FOR?
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FOR BEING YOU.
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♪ NO, NO, NO, NO
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YOUR FAMILY HAS MADE
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QUITE A SPLASH IN SAN FRANCISCO,
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WITH THEIR PHILANTHROPIC WORK,
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A CANCER CENTER DEDICATED
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TO YOUR LATE BROTHER RAYMOND,
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THEIR BUSINESS VENTURES.
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YOUR FATHER AND SISTER HAVE BEEN
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FRONT AND CENTER.
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BUT YOU'VE BEEN UNUSUALLY ABSENT
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DURING THIS PERIOD.
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I WAS INVOLVED IN AN ACCIDENT.
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QUITE A SERIOUS ONE.
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YOU SEE, I'VE ALWAYS LOVED FAST CARS,
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AND SOMETIMES...
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SOMETIMES THE LOVE ISN'T MUTUAL.
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AND HOW ARE YOU FEELING NOW?
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I'M BETTER THAN EVER.
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I APPRECIATE THE LOVE
AND SUPPORT OF MY FATHER,
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AND FRANKLY, I'M LUCKY TO BE
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LEARNING THE BUSINESS
FROM A MASTER LIKE HIM.
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MY FATHER, MY SISTER.
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THEY'RE ALWAYS LOOKING TO THE NEXT FRONTIER.
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I'VE BEEN GIVEN A SECOND CHANCE, I FEEL.
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AND I'D BE A FOOL TO THROW IT AWAY.
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WELL, IT'S A VERY GENEROUS OFFER,
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AND I PROMISE TO GET BACK TO YOU ASAP.
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PHONE'S BEEN RINGING LIKE CRAZY.
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OHH. ONE OF MY FORMER COWORKERS AT LOUNGR
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POSTED A VIDEO OF ME QUITTING.
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YOUR JERRY MAGUIRE MOMENT?
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HARDLY. WENT OVER
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LIKE A THUD IN THE ROOM.
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BUT IT WENT VIRAL.
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APPARENTLY, MY CAN-DO ATTITUDE
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GOT THE ATTENTION OF EVERY HEADHUNTER
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IN SILICON VALLEY.
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ANY OF THESE JOBS LIGHT YOUR WICK?
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MM. THEY'RE ALL...SOLID.
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I MEAN,
MAINLY THE SAME POSITIONS AND TITLES, BUT
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AT LEAST LATERAL MOVEMENT
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IS BETTER THAN NO MOVEMENT, RIGHT?
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YEAH, HON. I'M PROUD OF YOU.
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BETTER GET THAT.
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408 AREA CODE. ANOTHER ONE.
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HELLO? HI. YES,
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THIS IS ALTHEA SHEN-SOONG.
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OH! YOU SAW THE VIDEO.
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THANK YOU, PROFESSOR.
I REALLY APPRECIATE THE HELP.
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ALL RIGHT. TAKE CARE. WHAT'D SHE SAY?
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SHE RECOGNIZED YOUR SKETCH.
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SHE SAYS IT'S DEFINITELY
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FROM THE ZHOU DYNASTY.
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IT'S CALLED A YUELING BELL.
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WHEN IMMIGRANTS FROM YUELING
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SETTLED IN THE BAY AREA,
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THE VILLAGE SENT THE BELL TO CHINATOWN,
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HOPING THAT IT WOULD BRING
THE COMMUNITY GOOD FORTUNE.
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SO, THAT'S HOW IT ENDED UP HERE.
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SOMEHOW, IT ENDED UP BROKEN
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AND THEN BURIED BENEATH THE CITY.
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UNTIL RUSSELL TAN DUG UP THOSE PIECES.
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REALLY, NOW, THE QUESTION IS WHY,
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AND WHAT DOES MIA HAVE TO DO WITH IT?
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WHAT IS IT?
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KERWIN.
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LOOKS LIKE HE'S IN TOWN.
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THAT CAN'T BE GOOD.
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IT DOESN'T MAKE SENSE.
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LAST TIME WE SAW KERWIN, HE WAS
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TEAMED UP WITH ZHILAN,
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GOING AFTER THE WEAPONS.
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HE BETRAYED HIS FATHER.
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I DON'T KNOW-- DOES RUSSELL TAN
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SEEM LIKE THE FORGIVING TYPE?
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THIS ARTICLE FEELS CALCULATED.
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WELL, TAN HAS BEEN WORKING OVERTIME
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TO LOOK LIKE AN UPRIGHT CITIZEN.
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HE'S BEEN DONATING TO
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CHARITIES AROUND TOWN,
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SUPPORTING LOCAL BUSINESSES.
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BUT A STORY LIKE THIS REEKS OF P.R.
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WHAT IF KERWIN ISN'T REALLY
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BACK IN THE FAMILY FOLD?
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WHAT IF RUSSELL'S JUST USING HIM
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TO CLEAN UP THEIR IMAGE?
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IT'S POSSIBLE.
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OR MAYBE KERWIN BURIED
THE HATCHET WITH HIS DAD
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AND THEY REALLY ARE JUST
WORKING TOGETHER AGAIN.
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EITHER WAY, KERWIN'S IN
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THE LION'S DEN RIGHT NOW.
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HE COULD HAVE INFORMATION WE NEED.
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IT'S NOT LIKE WE CAN CALL HIM UP AND SAY,
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"HEY, KERWIN,
CAN YOU SPILL YOUR DAD'S SECRETS?"
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UNLESS...
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NICKY, YOU CANNOT REASON WITH THIS GUY.
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HE KILLED SIMON LAU'S BODYGUARD.
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HE WOULD'VE KILLED US, TOO.
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I KNOW.
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OK.
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WE DON'T HAVE ANY OTHER LEADS, RIGHT?
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MIA'S GONE. RUSSELL TAN'S
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PROBABLY LOOKING FOR HER RIGHT NOW.
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WE KNOW HE NEEDS HER FOR HIS PLAN.
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WELL. I KNOW IT'S JUST A HUNCH.
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BUT I THINK WE HAVE TO TRY.
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♪ AVE MARIA
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♪ JUNGFRAU MILD
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♪ ERHORE EINER JUNGFRAU FLEHEN
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HELLO, KERWIN.
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LOOK WHO IT IS. NICKY SHEN.
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AND...HER BOYFRIEND.
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WELL, YOU'VE RECOVERED NICELY.
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YOU, TOO.
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SO...TO WHAT DO I OWE THIS PLEASURE?
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WE READ YOUR PROFILE.
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SAW YOU WERE BACK IN TOWN.
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CHASING THAT BRASS RING.
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KIND OF LONG ODDS, DON'T YOU THINK?
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THAT PROFILE SAID RAYMOND WAS
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FIRST IN LINE FOR THE THRONE.
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AFTER HE DIED, JULIETTE SEEMS
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LIKE A LOCK-IN AS YOUR FATHER'S SUCCESSOR.
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BUT HEY,
YOU KNOW YOUR FAMILY BETTER THAN WE DO.
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WHAT ARE YOU GETTING AT?
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YOUR FATHER'S BEEN REAL BUSY,
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BUYING UP REAL ESTATE IN THE CITY.
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HE'S PLANNING SOMETHING BIG.
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BUT I'M SURE YOU ALREADY KNEW ALL THAT.
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AND ABOUT THE BELL HE DUG UP.
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BEEN FOCUSED ON THE RECOVERY.
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BY THE WAY, HOW DID YOU GET IN HERE?
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YOU'RE CLEARLY NOT MEMBERS.
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OH, WE LIED AT THE FRONT DESK.
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LIKE YOU LIED TO THAT REPORTER.
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"IT'S AN HONOR LEARNING FROM
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A MASTER LIKE MY FATHER."
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KERWIN, YOU WALKED AWAY FROM A LIFE
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MOST PEOPLE ONLY DREAM ABOUT.
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PARTNERED WITH ZHILAN,
WORKED AGAINST YOUR FATHER,
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AND NOW YOU'RE BACK?
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WHAT HAPPENED, KERWIN?
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THINGS DIDN'T WORK OUT.
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ZHILAN'S OUT OF THE PICTURE.
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PERMANENTLY.
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WHAT ARE YOU SAYING? I'M SAYING
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MY FAMILY ORDERED HER KILLED IN PRISON.
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I SAW IT MYSELF.
187
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PHOTOS OF HER CHARRED BODY.
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A GIFT FROM DAD.
189
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SO, THAT'S WHAT THIS IS ABOUT.
190
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YOU DON'T WANT TO TAKE THE
REINS FROM YOUR FATHER.
191
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YOU WANT TO TAKE HIM DOWN.
192
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YOU WANT...REVENGE.
193
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AND WHAT DO YOU WANT?
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I JUST WANT TO TALK.
195
00:08:56,361 --> 00:08:59,626
FRANK, HOW'S IT GOING?
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JIN. LET ME GIVE YOU A HAND.
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00:09:01,889 --> 00:09:04,544
OH. AH.
198
00:09:05,719 --> 00:09:07,068
OLD HANDS, OLD PIPES.
199
00:09:07,111 --> 00:09:08,765
NOT A GOOD COMBO.
200
00:09:08,809 --> 00:09:09,897
THE ART COLLECTIVE IS
201
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SMALLER THAN I REMEMBER.
202
00:09:11,420 --> 00:09:12,943
WE HAD TO SUBLET HALF THE SPACE
203
00:09:12,987 --> 00:09:14,205
TO A CYCLING STUDIO.
204
00:09:14,249 --> 00:09:16,686
AHH! OOH.
205
00:09:16,730 --> 00:09:19,646
NICE. WHAT BRINGS YOU IN?
206
00:09:19,689 --> 00:09:21,343
SEEING YOU ON NEW YEAR'S EVE...
207
00:09:23,345 --> 00:09:25,608
GOT ME THINKING ABOUT THE OLD DAYS.
208
00:09:25,652 --> 00:09:27,871
MAN, I MISS YOU, FRANK.
209
00:09:27,915 --> 00:09:31,701
OH. MEI-LI SENDS HER BEST
210
00:09:31,745 --> 00:09:34,704
AND...DUMPLINGS.
211
00:09:34,748 --> 00:09:38,142
THANK HER FOR ME.
212
00:09:38,186 --> 00:09:40,710
I'M GONNA EAT THESE FOR DINNER.
213
00:09:40,754 --> 00:09:44,322
♪ TA-DA! OOH, LEE CHING!
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I REMEMBER! OK. MM.
215
00:09:53,810 --> 00:09:56,117
HEY! WHAT'S GOING ON?
216
00:09:56,160 --> 00:09:59,207
UH...STAFF LUNCH.
217
00:09:59,250 --> 00:10:01,731
FUELING UP BEFORE THE DINNER RUSH.
218
00:10:01,775 --> 00:10:02,950
DO YOU NEED SOMETHING?
219
00:10:02,993 --> 00:10:06,431
UH...YEAH. UM, JUST--AHEM.
220
00:10:06,475 --> 00:10:07,781
LOOKING FOR MY PARENTS.
221
00:10:07,824 --> 00:10:09,391
RIGHT. YOUR DAD LEFT FOR THE DAY
222
00:10:09,434 --> 00:10:12,829
AND YOUR MOM IS ON A BUTCHER RUN.
223
00:10:12,873 --> 00:10:15,179
YOU WANT ME TO PASS A
MESSAGE ON TO YOUR FOLKS?
224
00:10:15,223 --> 00:10:17,921
UM...SURE, YEAH. IF YOU COULD
225
00:10:17,965 --> 00:10:21,751
TELL 'EM I GOT MY RESIDENCY MATCH AT UCSF.
226
00:10:21,795 --> 00:10:23,753
HEY. CONGRATS.
227
00:10:23,797 --> 00:10:25,407
THANKS.
228
00:10:25,450 --> 00:10:27,627
YOU DON'T SOUND TOO STOKED ABOUT IT.
229
00:10:29,411 --> 00:10:31,935
NO. OF COURSE I AM. I MEAN, YEAH.
230
00:10:31,979 --> 00:10:33,415
WELL, IT WAS MY FIRST CHOICE
231
00:10:33,458 --> 00:10:34,851
AND THIS IS PRACTICALLY WHAT I'VE BEEN
232
00:10:34,895 --> 00:10:36,374
WORKING TOWARDS MY WHOLE LIFE, SO...
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00:10:36,418 --> 00:10:38,072
ALL RIGHT, MAN, ALL RIGHT.
234
00:10:38,115 --> 00:10:42,729
MY MISTAKE. SERIOUSLY. CONGRATULATIONS.
235
00:10:47,472 --> 00:10:49,779
LET'S SAY YOU'RE RIGHT.
236
00:10:49,823 --> 00:10:51,955
WHAT IF I DO WANT TO...
237
00:10:51,999 --> 00:10:53,696
STICK IT TO DAD?
238
00:10:53,740 --> 00:10:55,437
HOW'S A SHAOLIN MONK GOING TO HELP ME?
239
00:10:55,480 --> 00:10:57,352
I THOUGHT YOU LOT DIDN'T DO REVENGE.
240
00:10:57,395 --> 00:10:59,049
WE HAVE OUR REASONS.
241
00:10:59,093 --> 00:11:00,181
YOUR DAD'S GONNA DO SOMETHING
242
00:11:00,224 --> 00:11:01,182
BIG AND TERRIBLE IN THE CITY
243
00:11:01,225 --> 00:11:02,357
AND WE WANT TO STOP HIM.
244
00:11:02,400 --> 00:11:03,750
WE DON'T KNOW HOW, BUT
245
00:11:03,793 --> 00:11:04,881
IT HAS SOMETHING TO DO WITH THAT
246
00:11:04,925 --> 00:11:06,840
ANCIENT BELL HE JUST DUG UP.
247
00:11:09,103 --> 00:11:11,932
HMM. SO, WHAT? DO YOU PROPOSE
248
00:11:11,975 --> 00:11:14,412
WE WORK TOGETHER? AND DO WHAT?
249
00:11:14,456 --> 00:11:18,329
STEAL IT. THE BELL.
250
00:11:18,373 --> 00:11:20,331
YOU WANT REVENGE,
251
00:11:20,375 --> 00:11:23,378
YOU REALLY WANT TO HURT YOUR FATHER,
252
00:11:23,421 --> 00:11:26,207
TAKE AWAY THE THING HE CARES ABOUT THE MOST.
253
00:11:28,339 --> 00:11:30,211
ZHILAN COULDN'T STOP HIM.
254
00:11:30,254 --> 00:11:31,865
WE DON'T KNOW HOW TO STOP HIM.
255
00:11:31,908 --> 00:11:34,694
THE ONLY ONE WHO CAN IS YOU.
256
00:11:40,221 --> 00:11:42,919
YOU WERE A LOUSY ROOMMATE.
257
00:11:42,963 --> 00:11:44,312
HMM? LOUSY!
258
00:11:46,401 --> 00:11:48,011
I WOULD'VE TOSSED YOU OUT
259
00:11:48,055 --> 00:11:50,492
IF YOU HADN'T BEEN SO
PASSIONATE ABOUT THIS PLACE.
260
00:11:50,535 --> 00:11:52,189
HEY, WHAT ABOUT MY ART?
261
00:11:52,233 --> 00:11:54,757
I WAS TALENTED, TOO, YOU KNOW.
262
00:11:54,801 --> 00:11:58,108
YOU WERE RAW BUT YOU WERE TALENTED.
263
00:11:58,152 --> 00:12:01,024
LOOK AT THIS PLACE.
264
00:12:01,068 --> 00:12:03,026
WHEN YOU INVITED ME TO PAINT
265
00:12:03,070 --> 00:12:07,074
THAT 100-BIRD MURAL AT YAO ELEMENTARY,
266
00:12:07,117 --> 00:12:10,164
I WAS SO PROUD.
267
00:12:10,207 --> 00:12:12,775
WELL, WE NEVER FINISHED.
268
00:12:12,819 --> 00:12:14,821
I'D JUST MARRIED MEI-LI
269
00:12:14,864 --> 00:12:16,431
AND WE FINALLY GOT THE LOAN
270
00:12:16,474 --> 00:12:19,303
TO OPEN HARMONY DUMPLINGS.
271
00:12:19,347 --> 00:12:20,740
THAT'S HOW IT GOES.
272
00:12:22,437 --> 00:12:23,917
THEY'RE BUSY.
273
00:12:25,179 --> 00:12:26,746
EVERYONE'S BUSY.
274
00:12:31,141 --> 00:12:34,579
FRANK...I KNOW YOU'RE STRUGGLING.
275
00:12:34,623 --> 00:12:36,059
LOOK, YOU'VE DONE SO MUCH FOR ME
276
00:12:36,103 --> 00:12:38,018
AND SO MUCH FOR THE COMMUNITY.
277
00:12:38,061 --> 00:12:39,497
I'VE THOUGHT ABOUT IT.
278
00:12:43,240 --> 00:12:44,415
I WANT TO HELP.
279
00:12:45,939 --> 00:12:48,419
DOES MEI-LI
280
00:12:48,463 --> 00:12:50,900
KNOW YOU'RE HERE DISPENSING CHARITY?
281
00:12:50,944 --> 00:12:53,816
IT'S NOT CHARITY. IT'S A GIFT.
282
00:12:53,860 --> 00:12:56,950
HEY. THANK YOU, JIN.
283
00:12:59,126 --> 00:13:00,823
BUT I'M NOT TAKING YOUR MONEY.
284
00:13:00,867 --> 00:13:03,826
BESIDES, IT'S TOO LATE. I'M CLOSING UP.
285
00:13:08,048 --> 00:13:09,876
KERWIN.
286
00:13:09,919 --> 00:13:12,356
OH, SIS. HELLO.
287
00:13:12,400 --> 00:13:15,098
WHERE HAVE YOU BEEN?
288
00:13:15,142 --> 00:13:16,491
OH, YOU KNOW. JUST OUT.
289
00:13:16,534 --> 00:13:17,840
GETTING SOME FRESH AIR.
290
00:13:17,884 --> 00:13:19,537
YOU SHOULD TRY IT.
291
00:13:19,581 --> 00:13:21,844
THAT'S GOOD.
292
00:13:21,888 --> 00:13:24,934
YOU'VE BEEN LOOKING A LITTLE...WAN.
293
00:13:24,978 --> 00:13:26,283
JUST UNDERSLEPT, TO BE HONEST.
294
00:13:26,327 --> 00:13:27,545
IT'S ALL THAT BANGING
295
00:13:27,589 --> 00:13:29,112
COMING FROM THE ANTIQUITIES ROOM.
296
00:13:29,156 --> 00:13:30,853
YOU SURE THE WORKERS
WILL BE DONE BY TONIGHT?
297
00:13:30,897 --> 00:13:32,855
AS FAR AS I KNOW.
298
00:13:32,899 --> 00:13:34,378
OH, GOOD. FATHER WANTED IT DONE
299
00:13:34,422 --> 00:13:36,859
BEFORE HIS FLIGHT IN THE MORNING.
300
00:13:36,903 --> 00:13:38,426
WHY DO YOU ASK?
301
00:13:38,469 --> 00:13:41,995
OH, YOU KNOW. PLAYING THE FAMILY SHOW PONY.
302
00:13:42,038 --> 00:13:44,127
I NEED MY BEAUTY SLEEP.
303
00:13:46,303 --> 00:13:48,305
I'D INVITE YOU IN BUT WE'RE HAVING
304
00:13:48,349 --> 00:13:50,568
A CONFERENCE CALL WITH THE TRUSTEES.
305
00:13:50,612 --> 00:13:52,483
YOU'D PROBABLY BE BORED.
306
00:14:08,935 --> 00:14:10,937
♪ I CAN FEEL IT GETTING CLOSER
307
00:14:10,980 --> 00:14:12,895
CHECKING YOUR PHONE'S
NOT GONNA MAKE IT RING.
308
00:14:12,939 --> 00:14:14,636
I KNOW.
309
00:14:14,679 --> 00:14:18,031
WE'RE ON HIS TIMELINE.
EITHER HE'LL CALL OR HE WON'T.
310
00:14:18,074 --> 00:14:20,555
IN THE MEANTIME, FOCUS.
311
00:14:27,214 --> 00:14:30,347
IMPRESSIVE. VERY IMPRESSIVE.
312
00:14:30,391 --> 00:14:33,873
YOU'VE IMPROVED SINCE LAS VEGAS.
313
00:14:35,309 --> 00:14:37,050
♪ IF IT DOESN'T HURT YA
314
00:14:38,965 --> 00:14:41,228
SHALL WE HAVE A...CHAT?
315
00:14:41,271 --> 00:14:42,969
♪ PLAYING WITH FIRE
316
00:14:49,279 --> 00:14:50,498
WHAT'S THIS?
317
00:14:50,541 --> 00:14:51,934
COPIES OF MY FATHER'S JOURNAL.
318
00:14:51,978 --> 00:14:55,546
NOTES ON THE BELL. SKETCHES.
319
00:14:55,590 --> 00:14:58,375
I SNUCK IT OUT OF MY SISTER'S OFFICE.
320
00:14:58,419 --> 00:15:01,030
SHE'S INNER CIRCLE RIGHT NOW,
321
00:15:01,074 --> 00:15:02,553
SO, HE LOANED IT TO HER.
322
00:15:02,597 --> 00:15:04,251
HENRY.
323
00:15:04,294 --> 00:15:06,644
THE YUELING BELL. LOOK CLOSER.
324
00:15:06,688 --> 00:15:08,603
THE PENDANT.
325
00:15:08,646 --> 00:15:10,213
THE GUARDIAN?
326
00:15:10,257 --> 00:15:11,606
LI JIAMING.
327
00:15:11,649 --> 00:15:12,955
A GUARDIAN THAT MOVED TO SAN FRANCISCO
328
00:15:12,999 --> 00:15:14,087
AT THE TURN OF THE CENTURY.
329
00:15:14,130 --> 00:15:16,176
THE DETAILS ARE SKETCHY
330
00:15:16,219 --> 00:15:17,960
BUT HE DISAPPEARED.
331
00:15:18,004 --> 00:15:19,222
PEOPLE CLOSE TO HIM
BELIEVED HE'D BEEN KILLED.
332
00:15:19,266 --> 00:15:20,571
HOW DO YOU KNOW ALL THIS?
333
00:15:20,615 --> 00:15:22,312
IT'S ALL IN THERE.
334
00:15:22,356 --> 00:15:24,053
THEY TALKED OF THE RITUAL OF THE BELL.
335
00:15:24,097 --> 00:15:27,578
MY FATHER SPEAKS OF A SHUANG XUE HU DIE.
336
00:15:27,622 --> 00:15:31,104
A BUTTERFLY OF TWO BLOODLINES.
337
00:15:31,147 --> 00:15:32,540
THAT MEAN ANYTHING TO YOU?
338
00:15:35,760 --> 00:15:38,024
TWO BLOODLINES, LIKE WARRIORS AND GUARDIANS?
339
00:15:39,286 --> 00:15:40,548
ACCORDING TO MY FATHER,
340
00:15:40,591 --> 00:15:41,636
THE BUTTERFLY IS CRUCIAL
341
00:15:41,679 --> 00:15:43,768
TO HIS PLAN WITH THE BELL.
342
00:15:43,812 --> 00:15:47,076
SHE IS THE SACRIFICE THAT MAKES IT ALL WORK.
343
00:15:50,123 --> 00:15:52,299
THE BELL IS AT MY HOUSE RIGHT NOW.
344
00:15:52,342 --> 00:15:55,171
IT'S BEING RESTORED.
THE WORKERS FINISH TONIGHT.
345
00:15:55,215 --> 00:15:56,651
AT THE BREAK OF DAWN, IT'S BEING MOVED
346
00:15:56,694 --> 00:15:58,609
TO ONE OF MY FATHER'S
HIGH-SECURITY FACILITIES.
347
00:15:58,653 --> 00:16:02,309
AFTER THAT, IT'LL BE COMPLETELY UNREACHABLE.
348
00:16:02,352 --> 00:16:04,702
TONIGHT IS YOUR ONLY SHOT.
349
00:16:04,746 --> 00:16:06,530
YOU WANT US TO BREAK INTO YOUR HOUSE?
350
00:16:06,574 --> 00:16:07,967
WE'LL NEED YOUR HELP.
351
00:16:11,057 --> 00:16:12,667
I KNOW THE COMPOUND'S SECURITY
BACKWARDS AND FORWARDS.
352
00:16:12,710 --> 00:16:14,712
CAMERA POSITIONS, GUARDS, ALARMS?
353
00:16:14,756 --> 00:16:17,106
YES, ALL OF IT.
I'LL HAVE EYES ON YOU THE ENTIRE TIME.
354
00:16:17,150 --> 00:16:18,716
WHAT ABOUT YOUR FAMILY?
355
00:16:18,760 --> 00:16:20,631
I'LL TAKE CARE OF THEM.
THE HOUSE'LL BE EMPTY.
356
00:16:20,675 --> 00:16:23,069
YEAH,
EXCEPT FOR THE ARMY OF PRIVATE SECURITY.
357
00:16:23,112 --> 00:16:26,289
I TOLD YOU. I'LL KEEP YOU SAFE.
358
00:16:26,333 --> 00:16:28,030
WHAT'S OUR ACCESS POINT?
359
00:16:29,336 --> 00:16:30,337
WEST GATE.
360
00:16:31,729 --> 00:16:33,731
8 P.M. SHARP.
361
00:16:33,775 --> 00:16:35,124
SO, HOW DO WE GET IT OUT?
362
00:16:35,168 --> 00:16:36,299
YEAH. THE BELL WEIGHS A TON
363
00:16:36,343 --> 00:16:37,474
AND IT'S MADE OF BRONZE, SO,
364
00:16:37,518 --> 00:16:39,128
STEALING'S NOT GONNA WORK FOR US.
365
00:16:39,172 --> 00:16:40,129
GOTTA DESTROY IT SOMEHOW.
366
00:16:40,173 --> 00:16:41,261
ALL I CARE ABOUT IS
367
00:16:41,304 --> 00:16:43,089
STICKING IT TO MY FATHER.
368
00:16:43,132 --> 00:16:46,309
HE CARES ABOUT THIS BELL
MORE THAN ANYTHING OR ANYONE,
369
00:16:46,353 --> 00:16:48,137
AND I WANT TO TAKE IT FROM HIM.
370
00:16:48,181 --> 00:16:51,184
SO, STEAL IT. DESTROY IT.
371
00:16:51,227 --> 00:16:53,055
I'LL LEAVE THOSE DETAILS TO YOU.
372
00:16:54,796 --> 00:16:57,146
I CAN'T BE EXPECTED TO DO EVERYTHING.
373
00:17:04,414 --> 00:17:05,720
WE GOTTA DO SOMETHING.
374
00:17:05,763 --> 00:17:08,853
THE COLLECTIVE IS PART OF OUR HISTORY.
375
00:17:08,897 --> 00:17:11,117
IT MEANS SO MUCH FOR SO MANY.
376
00:17:11,160 --> 00:17:14,511
THE STUDIO NEXT DOOR--
THEY WANT THE WHOLE SPACE.
377
00:17:14,555 --> 00:17:16,470
THEY OFFERED TO BUY ME OUT.
378
00:17:16,513 --> 00:17:18,254
THE CITY'S CHANGED, JIN.
379
00:17:18,298 --> 00:17:20,343
CHINATOWN'S CHANGED.
380
00:17:20,387 --> 00:17:21,692
I APPRECIATE THAT THE COLLECTIVE
381
00:17:21,736 --> 00:17:23,390
MEANS SO MUCH TO YOU.
382
00:17:23,433 --> 00:17:26,741
IT'S BEEN MY WHOLE LIFE.
383
00:17:28,786 --> 00:17:31,224
BUT I'M TIRED.
384
00:17:31,267 --> 00:17:33,661
I HAVE BEEN CARRYING THIS PLACE ON MY BACK
385
00:17:33,704 --> 00:17:36,838
FOR TOO LONG AND...
386
00:17:39,232 --> 00:17:41,408
I JUST CAN'T DO IT ALONE ANYMORE.
387
00:17:48,241 --> 00:17:50,547
ANY IDEA WHY NICKY CALLED US HERE?
388
00:17:50,591 --> 00:17:53,289
I DON'T KNOW BUT AT LEAST
WE KNOW SHE'S NOT DEAD.
389
00:17:53,333 --> 00:17:54,551
SHE'S BEEN DODGING YOU, TOO, HUH?
390
00:17:54,595 --> 00:17:56,684
OH, YEAH.
391
00:17:56,727 --> 00:17:58,729
YOUR PHONE'S BEEN RINGING OFF THE HOOK.
392
00:17:58,773 --> 00:18:00,731
ANOTHER JOB OFFER.
393
00:18:00,775 --> 00:18:03,125
YOU SOUND THRILLED.
394
00:18:03,169 --> 00:18:04,605
WAIT, WHAT ABOUT YOU?
395
00:18:04,648 --> 00:18:05,823
SHOULDN'T YOU HAVE FOUND OUT ABOUT--
396
00:18:05,867 --> 00:18:09,740
YEAH. GOT MY MATCH TODAY. UCSF.
397
00:18:09,784 --> 00:18:12,221
CONGRATULATIONS? WHAT'S THE PROBLEM?
398
00:18:12,265 --> 00:18:15,355
LOOK, IT'S WHAT I WANTED. THERE ARE JUST--
399
00:18:15,398 --> 00:18:16,747
THERE ARE JUST THINGS I'VE BEEN PUTTING OFF
400
00:18:16,791 --> 00:18:18,401
BECAUSE I HAD TO BE HERE.
401
00:18:18,445 --> 00:18:19,750
AND NOW IT'S HITTING ME THAT THEY'RE
402
00:18:19,794 --> 00:18:21,535
REALLY NOT GONNA HAPPEN.
403
00:18:21,578 --> 00:18:23,450
I ALWAYS THOUGHT AT SOME POINT,
404
00:18:23,493 --> 00:18:24,755
I'D TAKE A YEAR OFF.
405
00:18:24,799 --> 00:18:26,409
TRAVEL, ADVENTURE.
406
00:18:26,453 --> 00:18:28,933
BUT I'VE NEVER EVEN LEFT THE COUNTRY.
407
00:18:28,977 --> 00:18:30,587
AND NOW I'M GONNA BE LIVING AND WORKING HERE
408
00:18:30,631 --> 00:18:32,241
FOR THE NEXT 5 TO 7 YEARS?
409
00:18:32,285 --> 00:18:33,634
I'M GONNA BE 30 BY THEN.
410
00:18:33,677 --> 00:18:34,852
SO, WHAT ARE YOU GONNA DO?
411
00:18:34,896 --> 00:18:36,332
HEY.
412
00:18:36,376 --> 00:18:37,812
ARE WE INTERRUPTING SOMETHING?
413
00:18:37,855 --> 00:18:39,553
NOTHING AT ALL.
414
00:18:39,596 --> 00:18:41,250
GREAT. I NEED YOUR GUYS'
HELP WITH SOMETHING.
415
00:18:41,294 --> 00:18:42,425
NICE TO SEE YOU, NICKY. YEAH,
416
00:18:42,469 --> 00:18:44,297
IT'S, UH, BEEN A MINUTE.
417
00:18:46,734 --> 00:18:48,866
I'M SORRY, GUYS.
418
00:18:48,910 --> 00:18:51,652
I KNOW I'VE BEEN KINDA DISTANT LATELY.
419
00:18:51,695 --> 00:18:53,567
I THOUGHT I'D HAVE TO GO AT THIS ALONE
420
00:18:53,610 --> 00:18:55,351
TO KEEP YOU GUYS SAFE AND AFTER LOSING MIA,
421
00:18:55,395 --> 00:18:56,613
I DON'T KNOW, I JUST STARTED TO SPIRAL.
422
00:18:56,657 --> 00:18:59,181
RELAX. WE'RE MESSING WITH YOU.
423
00:18:59,225 --> 00:19:00,487
COME ON. WHAT'S UP?
424
00:19:02,750 --> 00:19:03,968
WE ARE GOING TO BREAK INTO
425
00:19:04,012 --> 00:19:05,361
RUSSELL TAN'S MANSION AND DESTROY
426
00:19:05,405 --> 00:19:07,624
THIS ANCIENT, TWO-TON BRONZE BELL.
427
00:19:07,668 --> 00:19:09,365
NATURALLY. AND WE COULD USE SOME IDEAS.
428
00:19:09,409 --> 00:19:10,932
HOW DO WE DESTROY SOMETHING THIS BIG,
429
00:19:10,975 --> 00:19:12,455
THIS SOLID, QUICKLY?
430
00:19:12,499 --> 00:19:14,805
WHAT ABOUT DYNAMITE?
431
00:19:14,849 --> 00:19:16,416
TOO SOON? HA HA.
432
00:19:16,459 --> 00:19:17,895
BREAK-IN SITUATION, REMEMBER?
433
00:19:17,939 --> 00:19:19,288
NEEDS TO BE QUIET.
434
00:19:19,332 --> 00:19:20,637
PROPANE TORCH? IS THAT SOMETHING?
435
00:19:20,681 --> 00:19:22,161
NO. IT TAKES TOO LONG.
436
00:19:23,901 --> 00:19:26,426
CHEMICAL DECOMPOSITION.
437
00:19:26,469 --> 00:19:29,516
YEAH.
IT'S BEEN A WHILE SINCE UNDERGRAD CHEM,
438
00:19:29,559 --> 00:19:31,387
BUT WITH BRONZE.
439
00:19:33,041 --> 00:19:34,564
YEAH. RIGHT.
440
00:19:34,608 --> 00:19:36,914
A COCKTAIL OF NITRIC ACID AND VINYL CHLORIDE
441
00:19:36,958 --> 00:19:40,744
CAN BREAK DOWN BRONZE,
AND BREAK IT DOWN FAST.
442
00:19:40,788 --> 00:19:42,355
IT'S HIGHLY CORROSIVE.
443
00:19:42,398 --> 00:19:43,660
HAVE TO GET THE RATIOS RIGHT AND APPLY
444
00:19:43,704 --> 00:19:45,314
THE PROPER VOLUMES, BUT--
445
00:19:45,358 --> 00:19:46,446
DO YOU HAVE ANY OF THIS "COCKTAIL"
446
00:19:46,489 --> 00:19:47,621
LYING AROUND THE CLINIC?
447
00:19:47,664 --> 00:19:49,013
IT'S INDUSTRIAL, NOT MEDICAL.
448
00:19:49,057 --> 00:19:51,320
PLUS, GETTING THE AMOUNT THAT YOU NEED
449
00:19:51,364 --> 00:19:53,801
AS A CIVILIAN MIGHT BE TRICKY.
450
00:19:53,844 --> 00:19:55,542
I CAN HELP WITH THAT.
451
00:19:59,328 --> 00:20:01,330
I'M STILL TRYING TO UNDERSTAND.
452
00:20:01,374 --> 00:20:03,854
YOU SPENT ALL THESE YEARS
LOOKING FOR THE WEAPONS.
453
00:20:03,898 --> 00:20:06,553
THEN THEY WERE DESTROYED.
454
00:20:06,596 --> 00:20:09,338
I WANTED TO WIELD THE ENERGY OF BIANGE
455
00:20:09,382 --> 00:20:14,387
TO RING THE BELL AND
UNLEASH ITS SECRET POWER.
456
00:20:14,430 --> 00:20:16,737
BUT I WAS A FOOL.
457
00:20:19,000 --> 00:20:21,698
THAT POWER WOULD'VE DESTROYED ME.
458
00:20:21,742 --> 00:20:24,048
LIKE IT DESTROYED THE GUARDIAN JIAMING.
459
00:20:25,398 --> 00:20:27,704
I NEEDED A STRONGER INSTRUMENT,
460
00:20:27,748 --> 00:20:30,359
A SACRIFICE.
461
00:20:30,403 --> 00:20:34,276
NOT ME, NOT A GUARDIAN OR A WARRIOR.
462
00:20:34,320 --> 00:20:36,539
I NEEDED BOTH.
463
00:20:36,583 --> 00:20:39,890
MIA. BUT FATHER, WHAT IS IT ALL FOR?
464
00:20:42,632 --> 00:20:44,765
KERWIN.
465
00:20:44,808 --> 00:20:46,070
AH.
466
00:20:46,114 --> 00:20:48,725
I THOUGHT YOU'D BE GETTING READY.
467
00:20:48,769 --> 00:20:50,292
FOR THE FOUNDATION DINNER.
468
00:20:50,336 --> 00:20:52,773
WE PULLED OUT. FATHER NEEDS HIS REST
469
00:20:52,816 --> 00:20:54,470
BEFORE HIS FLIGHT.
470
00:20:54,514 --> 00:20:56,429
WE'LL BE DINING AT HOME TONIGHT.
471
00:20:57,778 --> 00:20:59,258
SOMETHING THE MATTER?
472
00:21:00,607 --> 00:21:02,348
NOT AT ALL.
473
00:21:02,391 --> 00:21:07,614
I THINK DINNER AT HOME WOULD BE...LOVELY.
474
00:21:10,007 --> 00:21:11,357
LET ME SEE YOUR SCHOOL I.D.
475
00:21:11,400 --> 00:21:12,358
THAT'S NOT GONNA GET US VERY FAR.
476
00:21:12,401 --> 00:21:13,576
I'M JUST A T.A.
477
00:21:13,620 --> 00:21:14,925
NOT ANYMORE.
478
00:21:14,969 --> 00:21:16,753
TWEAKING YOUR CREDENTIALS AND...
479
00:21:16,797 --> 00:21:18,059
OH! CONGRATULATIONS.
480
00:21:18,102 --> 00:21:21,541
YOU'RE NOW A CHEMISTRY PROFESSOR.
481
00:21:21,584 --> 00:21:23,020
COOL.
482
00:21:23,064 --> 00:21:24,065
WHAT ABOUT THE COCKTAIL?
483
00:21:24,108 --> 00:21:25,066
OH. I FOUND A CHEMICAL
484
00:21:25,109 --> 00:21:26,633
SUPPLIER NEARBY.
485
00:21:26,676 --> 00:21:29,418
I'M RUNNING A REQUEST THROUGH A VPN
486
00:21:29,462 --> 00:21:30,854
AND BYPASSING THE FIREWALL.
487
00:21:30,898 --> 00:21:32,378
WITH HENRY'S NEW CREDENTIALS,
488
00:21:32,421 --> 00:21:34,336
CHECKOUT SHOULD BE A CINCH.
489
00:21:34,380 --> 00:21:35,729
SENDING THE ADDRESS NOW.
490
00:21:37,165 --> 00:21:39,036
GREAT. I'LL CALL AS SOON AS I GET 'EM.
491
00:21:40,603 --> 00:21:42,649
OK. WE GOOD?
492
00:21:42,692 --> 00:21:43,737
YES.
493
00:21:45,391 --> 00:21:47,044
I THINK.
494
00:21:47,088 --> 00:21:48,785
THE NITRIC ACID GOES IN FIRST?
495
00:21:48,829 --> 00:21:51,571
NO, THE VINYL CHLORIDE!
496
00:21:51,614 --> 00:21:52,963
NICKY, YOU HAVE TO PAY ATTENTION.
497
00:21:53,007 --> 00:21:54,661
WE'RE DEALING WITH HIGHLY
VOLATILE CHEMICALS.
498
00:21:54,704 --> 00:21:56,532
CAN'T YOU JUST DO THE MIXTURE FOR US?
499
00:21:56,576 --> 00:21:59,013
FINE. BUT APPLYING THE COCKTAIL,
500
00:21:59,056 --> 00:22:01,581
IT'S MORE THAN JUST DUNKING
THE BELL IN A BUCKET.
501
00:22:01,624 --> 00:22:03,060
YOU'RE GONNA HAVE TO WIELD
502
00:22:03,104 --> 00:22:04,758
THE DISPERSAL DEVICE CORRECTLY, TOO.
503
00:22:04,801 --> 00:22:07,369
GUYS? WHY DOES DOING THIS STUFF
504
00:22:07,413 --> 00:22:08,718
BRING ME MORE SATISFACTION THAN
505
00:22:08,762 --> 00:22:10,677
ANY OTHER DAY JOB I'VE EVER HAD?
506
00:22:12,505 --> 00:22:13,984
BECAUSE IT'S CREATIVE?
507
00:22:14,028 --> 00:22:16,378
THERE ARE REAL STAKES OTHER THAN MONEY?
508
00:22:16,422 --> 00:22:19,163
UH, WE'RE ACTUALLY HELPING PEOPLE?
509
00:22:19,207 --> 00:22:20,730
NO, THAT'S NOT IT. OK.
510
00:22:20,774 --> 00:22:22,166
I MEAN, THAT PART'S
511
00:22:22,210 --> 00:22:23,820
GREAT, TOO, DON'T GET ME WRONG, BUT
512
00:22:23,864 --> 00:22:25,518
IT'S NOT WHY.
513
00:22:28,434 --> 00:22:30,653
IT'S BECAUSE I'M NOT
TAKING ORDERS FROM ANYONE.
514
00:22:30,697 --> 00:22:32,655
HA! YOU BOSS US AROUND
515
00:22:32,699 --> 00:22:34,701
BUT YOU'RE NOT OUR BOSS, AND
516
00:22:34,744 --> 00:22:36,485
I CAN ALWAYS TELL YOU TO STUFF IT.
517
00:22:36,529 --> 00:22:37,704
WHICH YOU DO.
518
00:22:37,747 --> 00:22:38,966
HA! THAT'S IT!
519
00:22:39,009 --> 00:22:41,185
I DON'T WANT A BOSS!
520
00:22:41,229 --> 00:22:43,144
I WANT TO BE A BOSS!
521
00:22:43,187 --> 00:22:45,494
I THINK YOU'D MAKE A GREAT BOSS, ALTHEA.
522
00:22:45,538 --> 00:22:47,670
THANK YOU. OK, SO, BACK TO THE BELL.
523
00:22:47,714 --> 00:22:49,672
YOU'RE ALSO GONNA NEED PROTECTIVE GEAR.
524
00:22:49,716 --> 00:22:51,195
ROOKIES MESSING AROUND WITH THIS STUFF
525
00:22:51,239 --> 00:22:52,719
IN A HIGH-STRESS SITUATION? RYAN.
526
00:22:52,762 --> 00:22:54,460
NO, YOU OR HENRY COULD GET SERIOUSLY HURT.
527
00:22:54,503 --> 00:22:56,026
I THINK YOU SHOULD COME. WHAT?
528
00:22:56,070 --> 00:22:57,419
LOOK, I DON'T HAVE TIME
529
00:22:57,463 --> 00:22:58,855
TO WRAP MY MIND AROUND ALL THIS.
530
00:22:58,899 --> 00:23:00,727
THIS IS OUR ONE CHANCE TO PROTECT MIA
531
00:23:00,770 --> 00:23:03,207
AND I CAN'T MAKE ANY MISTAKES.
532
00:23:03,251 --> 00:23:04,513
I NEED YOU THERE.
533
00:23:06,733 --> 00:23:08,517
THEY ORDERED ANOTHER? THEY WILL.
534
00:23:08,561 --> 00:23:10,084
I'VE SEEN THAT LOOK IN MR. HONG'S FACE.
535
00:23:10,127 --> 00:23:12,042
HA HA!
536
00:23:12,086 --> 00:23:16,003
I GOT IT. I'M GONNA PUT IT RIGHT HERE.
537
00:23:16,046 --> 00:23:18,222
LOOKS GOOD.
538
00:23:18,266 --> 00:23:19,963
HEY, WHERE HAVE YOU BEEN?
539
00:23:20,007 --> 00:23:21,574
YOU MISSED DINNER SERVICE.
540
00:23:21,617 --> 00:23:24,838
YEAH, I SEE YOU HAD IT ALL COVERED.
541
00:23:27,493 --> 00:23:28,711
LO POR.
542
00:23:40,723 --> 00:23:43,987
I HOPE YOU HAVE ROOM FOR DESSERT.
543
00:23:44,031 --> 00:23:45,467
I'VE ASKED THE STAFF TO WHIP UP
544
00:23:45,511 --> 00:23:47,513
DES SOUFFLES AU CHOCOLAT.
545
00:23:50,298 --> 00:23:53,083
THANK YOU, FATHER. THAT'S MY FAVORITE.
546
00:23:57,523 --> 00:23:58,828
HOW RUDE OF ME.
547
00:24:01,265 --> 00:24:04,007
EXCUSE ME, FATHER, SISTER.
548
00:24:07,707 --> 00:24:08,969
5 MINUTES TILL GO TIME.
549
00:24:11,537 --> 00:24:12,799
RIGHT. RYAN, STAY CLOSE.
550
00:24:12,842 --> 00:24:14,017
OF COURSE.
551
00:24:37,345 --> 00:24:39,652
WHAT ARE YOU DOING?
552
00:24:47,834 --> 00:24:48,791
IT'S LOCKED.
553
00:24:52,882 --> 00:24:54,231
HEY, HEY, HEY.
554
00:24:57,887 --> 00:25:00,281
NOW. WHAT ARE YOU REALLY
555
00:25:00,324 --> 00:25:01,978
DOING IN HERE?
556
00:25:06,809 --> 00:25:07,854
NICKY?
557
00:25:19,213 --> 00:25:20,606
NICKY, WHAT DO WE DO?
558
00:25:20,649 --> 00:25:21,998
SHOULD WE RUN FOR IT?
559
00:25:25,219 --> 00:25:26,176
WELL?
560
00:25:26,220 --> 00:25:28,004
UH, I'M CHEATING.
561
00:25:30,267 --> 00:25:33,140
I'M OUTER CIRCLE.
562
00:25:33,183 --> 00:25:36,056
YOU'VE WANTED ME BACK IN THE GAME, JULIETTE.
563
00:25:36,099 --> 00:25:39,015
WELL, HERE I AM.
564
00:25:39,059 --> 00:25:42,584
I'VE BEEN IN A COMA.
565
00:25:42,628 --> 00:25:47,067
ALL I'M ASKING... ALL I'M ASKING IS
566
00:25:47,110 --> 00:25:48,895
GIVE ME A CHANCE TO CATCH UP.
567
00:25:51,898 --> 00:25:53,987
WHAT'S YOUR LOCATION?
568
00:25:56,729 --> 00:25:59,862
SO, YOU'RE JUST SNOOPING.
569
00:25:59,906 --> 00:26:00,907
YES.
570
00:26:02,952 --> 00:26:04,954
GOD.
571
00:26:04,998 --> 00:26:06,260
WHAT THE HELL AM I DOING?
572
00:26:06,303 --> 00:26:08,131
LOOK, YOU CAN TELL FATHER IF YOU WANT.
573
00:26:10,830 --> 00:26:13,093
OR YOU CAN GIVE ME
574
00:26:13,136 --> 00:26:15,748
MAYBE 5 MORE MINUTES IN HIS INNER SANCTUM.
575
00:26:15,791 --> 00:26:17,358
LET ME DIG UP WHAT I CAN.
576
00:26:19,055 --> 00:26:20,317
I'M NOT FIGHTING FOR FIRST PLACE,
577
00:26:20,361 --> 00:26:22,276
JUST FOR A SEAT AT THE TABLE.
578
00:26:24,800 --> 00:26:26,106
IN THE END, WE BOTH KNOW
579
00:26:26,149 --> 00:26:27,934
YOU'RE GOING TO COME OUT AHEAD.
580
00:26:30,284 --> 00:26:34,680
FINE, KERWIN. 5 MINUTES.
581
00:26:34,723 --> 00:26:36,377
BUT YOU OWE ME.
582
00:26:48,781 --> 00:26:50,260
HEY. LET'S GO.
583
00:27:03,796 --> 00:27:05,841
WHERE'S KERWIN?
584
00:27:05,885 --> 00:27:07,190
HE'S JUST TAKING A CALL.
585
00:27:08,975 --> 00:27:11,717
YOU WERE LATE. OH. APOLOGIES.
586
00:27:11,760 --> 00:27:13,240
A LITTLE FAMILY INTERRUPTION.
587
00:27:13,283 --> 00:27:14,937
YOU ALSO SAID THE HOUSE WOULD BE EMPTY.
588
00:27:14,981 --> 00:27:16,678
I DID. AND YOU TOLD ME
589
00:27:16,722 --> 00:27:18,767
IT WAS ONLY YOU AND YOUR BOYFRIEND.
590
00:27:18,811 --> 00:27:20,073
YEAH, YEAH.
591
00:27:20,116 --> 00:27:21,465
WE'RE AT THE ANTIQUITIES ROOM.
592
00:27:21,509 --> 00:27:23,032
I SEE YOU.
593
00:27:23,076 --> 00:27:24,686
DOOR'S OPEN.
594
00:27:29,343 --> 00:27:31,214
HOLY-- THAT'S IT.
595
00:27:34,043 --> 00:27:35,088
WHEW.
596
00:27:46,012 --> 00:27:47,666
NICKY, YOU'VE GOT COMPANY.
597
00:27:48,797 --> 00:27:50,059
WHAT? HENRY.
598
00:27:50,103 --> 00:27:52,714
WHO THE HELL ARE YOU?
599
00:27:52,758 --> 00:27:54,107
OK.
600
00:27:54,150 --> 00:27:55,717
WHAT THE HELL ARE YOU DOING HERE?
601
00:27:55,761 --> 00:27:56,979
DO IT, RYAN.
602
00:27:58,502 --> 00:28:01,157
THE WORKERS WERE SUPPOSED TO BE DONE.
KILL HIM.
603
00:28:01,201 --> 00:28:02,506
WHAT? NO. WAIT.
604
00:28:02,550 --> 00:28:05,422
WE'RE NOT HERE TO HURT YOU.
605
00:28:05,466 --> 00:28:06,902
WHAT THE HELL IS HE DOING?
606
00:28:06,946 --> 00:28:08,164
LOOK, YOU HAVE NO IDEA WHAT IT CAN DO.
607
00:28:08,208 --> 00:28:09,165
IT CANNOT BE IN THE HANDS
608
00:28:09,209 --> 00:28:10,950
OF A MAN LIKE RUSSELL TAN.
609
00:28:10,993 --> 00:28:12,299
YEAH, WELL, MR. TAN PAID ME
610
00:28:12,342 --> 00:28:14,736
GOOD MONEY TO RESTORE THAT BELL!
611
00:28:14,780 --> 00:28:16,825
HEY, HEY, HEY! STOP. NO!
612
00:28:24,050 --> 00:28:25,312
NICKY, WHAT THE HELL DID YOU DO?
613
00:28:41,502 --> 00:28:42,459
COME WITH US, SIR.
614
00:28:42,503 --> 00:28:43,765
WHAT IS IT?
615
00:28:45,375 --> 00:28:47,073
THERE'S BEEN AN ALARM IN THE VAULTS.
616
00:28:50,816 --> 00:28:52,295
RYAN, HOW MUCH LONGER?
617
00:28:52,339 --> 00:28:53,862
WORKING ON IT. WHAT DO WE DO?
618
00:28:53,906 --> 00:28:55,385
IF I WERE YOU, I'D GET PACKING.
619
00:28:55,429 --> 00:28:56,778
TAN'S SECURITY WILL BE HERE ANY MINUTE.
620
00:28:58,171 --> 00:28:59,476
AAH!
621
00:29:02,001 --> 00:29:04,133
RYAN, I NEED YOU.
622
00:29:07,615 --> 00:29:10,270
OK. NICKY. IT'S OVER.
623
00:29:10,313 --> 00:29:11,793
FORGET HIM. FORGET THE BELL.
624
00:29:11,837 --> 00:29:13,316
THIS CANNOT BE TRACED BACK TO ME.
625
00:29:13,360 --> 00:29:14,840
GET THE HELL OUT OF THERE NOW!
626
00:29:14,883 --> 00:29:15,884
SWITCH.
627
00:29:20,454 --> 00:29:22,238
RYAN, HE'S LOSING A LOT OF BLOOD.
628
00:29:22,282 --> 00:29:24,501
YEAH. HE MIGHT'VE NICKED AN ARTERY.
629
00:29:24,545 --> 00:29:27,243
WRAPPING IT BUT HE NEEDS
TO GET TO A HOSPITAL.
630
00:29:27,287 --> 00:29:28,897
NICKY!
631
00:29:28,941 --> 00:29:30,594
GET OUT OF THERE NOW!
632
00:29:30,638 --> 00:29:32,335
SECURE THE BELL. COPY.
633
00:29:32,379 --> 00:29:34,076
HEADING TO THE ANTIQUITIES ROOM.
634
00:29:40,604 --> 00:29:43,042
WHERE IS RUSSELL TAN?
635
00:29:49,265 --> 00:29:50,484
WHAT'S OUR PLAN? BAIL NOW
636
00:29:50,527 --> 00:29:52,181
AND CALL 911 FROM THE ROAD?
637
00:29:52,225 --> 00:29:53,356
I'M NOT LEAVING HIM. HE'LL BLEED OUT BEFORE
638
00:29:53,400 --> 00:29:55,141
PARAMEDICS GET HERE.
639
00:29:55,184 --> 00:29:57,447
WHAT'S OUR PLAN?
DESTROY THE BELL OR SAVE HIM?
640
00:29:57,491 --> 00:29:59,232
NICKY! GET THE HELL OUT OF THERE NOW!
641
00:30:02,888 --> 00:30:04,324
YOU KNOW WHAT? WE'RE DOING BOTH
642
00:30:04,367 --> 00:30:05,586
I NEED EXTRA HANDS. I GOT THEM.
643
00:30:05,629 --> 00:30:07,327
HENRY, TAKE CARE OF THE BELL.
644
00:30:07,370 --> 00:30:08,545
APPLY PRESSURE. I'LL FIND
645
00:30:08,589 --> 00:30:10,025
SOMETHING TO HOLD IT IN PLACE.
646
00:30:11,940 --> 00:30:13,028
DAMN IT!
647
00:30:15,422 --> 00:30:16,597
OH, MY GOD.
648
00:30:39,925 --> 00:30:40,969
ZHILAN?
649
00:30:46,018 --> 00:30:47,236
HOW?
650
00:30:47,280 --> 00:30:48,977
FUNNY.
651
00:30:51,980 --> 00:30:53,286
I COULD ASK YOU THE SAME.
652
00:30:56,202 --> 00:30:57,464
WERE YOU THE ONE WHO SENT THOSE MEN
653
00:30:57,507 --> 00:30:58,508
TO KILL ME?
654
00:30:58,552 --> 00:30:59,596
NO.
655
00:31:01,947 --> 00:31:03,035
THAT WAS MY FATHER.
656
00:31:12,958 --> 00:31:14,394
BUT I WANTED TO KILL YOU MYSELF.
657
00:31:19,529 --> 00:31:22,445
WHY? TELL ME WHY.
658
00:31:22,489 --> 00:31:24,099
YOU CUT MY THROAT.
659
00:31:26,014 --> 00:31:27,233
YOU BROKE MY HEART.
660
00:31:27,276 --> 00:31:29,409
I DID WHAT I HAD TO DO.
661
00:31:29,452 --> 00:31:30,627
NO!
662
00:31:32,325 --> 00:31:34,544
YOU HAD NO CAUSE TO DOUBT ME.
663
00:31:34,588 --> 00:31:37,939
YOU KNEW THAT I LOVED YOU.
664
00:31:37,983 --> 00:31:39,071
I WOULD HAVE DONE ANYTHING.
665
00:31:39,114 --> 00:31:42,204
THIS IS NOT ABOUT YOU AND ME.
666
00:31:42,248 --> 00:31:43,989
YOU'RE HERE FOR MY FATHER?
667
00:31:45,599 --> 00:31:46,600
YES.
668
00:31:48,776 --> 00:31:49,951
GOOD-BYE.
669
00:31:49,995 --> 00:31:53,259
NO. I CAN'T LET YOU GO.
670
00:31:53,302 --> 00:31:54,521
WHY, KERWIN?
671
00:31:54,564 --> 00:31:56,131
HE DOESN'T CARE ABOUT YOU.
672
00:31:56,175 --> 00:31:58,525
HE'LL NEVER CARE ABOUT YOU.
673
00:31:58,568 --> 00:32:00,483
I CAN'T LET YOU GET WHAT YOU WANT.
674
00:32:28,729 --> 00:32:29,686
I'M SORRY, KERWIN.
675
00:32:29,730 --> 00:32:31,384
WHAT FOR?
676
00:32:31,427 --> 00:32:32,689
AAH!
677
00:32:40,567 --> 00:32:41,655
UHH!
678
00:32:52,840 --> 00:32:54,189
STAY DOWN.
679
00:33:00,500 --> 00:33:04,112
I'M ONLY HERE FOR YOUR FATHER.
680
00:33:04,156 --> 00:33:05,984
DON'T MAKE ME KILL YOU.
681
00:33:07,681 --> 00:33:09,030
YOU ALREADY HAVE.
682
00:33:15,689 --> 00:33:17,212
OH, WHAT IS YOUR NAME?
683
00:33:17,256 --> 00:33:19,301
UM...RONNIE.
684
00:33:19,345 --> 00:33:21,216
RONNIE. AND, UH, TELL ME HOW YOU FEEL.
685
00:33:21,260 --> 00:33:23,305
PHYSICALLY, NOT EMOTIONALLY.
686
00:33:23,349 --> 00:33:25,351
LIKE I GOT HIT BY A TRUCK.
687
00:33:25,394 --> 00:33:28,702
OK, WELL, UM, MAYBE IN THE FUTURE,
688
00:33:28,745 --> 00:33:30,138
DON'T WORK FOR GUYS LIKE TAN
689
00:33:30,182 --> 00:33:33,141
TO AVOID THIS SITUATION.
690
00:33:37,102 --> 00:33:38,451
NICKY?
691
00:33:38,494 --> 00:33:41,280
THERE'S ANOTHER EXIT.
692
00:33:41,323 --> 00:33:43,151
THROUGH THE CLOSET IN THE BACK.
693
00:33:43,195 --> 00:33:46,459
THANK YOU. COME ON, RYAN. WE GOTTA GO.
694
00:33:46,502 --> 00:33:49,375
TAN'S LAPTOP. THIS COULD BE USEFUL.
695
00:33:52,334 --> 00:33:53,379
COME ON, NICKY.
696
00:33:55,816 --> 00:33:59,472
WHY ARE YOU EVEN HERE?
697
00:34:00,647 --> 00:34:02,431
THIS ISN'T YOUR HOME.
698
00:34:02,475 --> 00:34:05,434
DESPITE EVERYTHING, ZHILAN,
699
00:34:05,478 --> 00:34:07,654
YOU'VE OPENED MY EYES.
700
00:34:07,697 --> 00:34:09,612
I WANT MY FATHER TO PAY
701
00:34:09,656 --> 00:34:11,527
FOR WHAT HE'S DONE TO THE WORLD.
702
00:34:11,571 --> 00:34:14,574
FOR WHAT HE'S DONE...TO US.
703
00:34:18,665 --> 00:34:20,884
THE MOVES I'VE MADE AGAINST HIM.
704
00:34:20,928 --> 00:34:24,366
HE'LL KNOW EVERYTHING I'VE DONE BEFORE LONG.
705
00:34:24,410 --> 00:34:31,634
ALL OF IT. I HAVE TO GO.
706
00:34:31,678 --> 00:34:33,201
UHH. WHERE?
707
00:34:35,464 --> 00:34:38,206
IF YOU WANT TO HURT MY FATHER...
708
00:34:38,250 --> 00:34:39,816
DON'T COME FOR HIM.
709
00:34:39,860 --> 00:34:41,557
DON'T COME FOR HIS FAMILY.
710
00:34:41,601 --> 00:34:45,692
GO AFTER... WHAT HE REALLY LOVES.
711
00:34:53,961 --> 00:34:56,181
I'M SORRY. I'M SORRY. I TRIED TO STOP THEM
712
00:34:56,224 --> 00:34:57,704
BUT THEY GOT AWAY.
713
00:35:11,805 --> 00:35:13,807
I STILL DON'T UNDERSTAND IT.
714
00:35:13,850 --> 00:35:16,157
WHY WOULD YOU LEAVE ME?
715
00:35:16,201 --> 00:35:19,291
LO POR, I'M NOT LEAVING YOU.
716
00:35:19,334 --> 00:35:21,423
YEAH, BUT YOU'RE LEAVING THE RESTAURANT.
717
00:35:21,467 --> 00:35:24,209
THIS RESTAURANT.
718
00:35:24,252 --> 00:35:27,255
JIN, WE BUILT HARMONY DUMPLINGS TOGETHER.
719
00:35:27,299 --> 00:35:29,649
I KNOW. IF I THOUGHT YOU WEREN'T READY,
720
00:35:29,692 --> 00:35:31,694
I WOULDN'T DO THIS.
721
00:35:31,738 --> 00:35:34,436
I'M DOING THIS BECAUSE OF YOU.
722
00:35:34,480 --> 00:35:37,178
YOU INSPIRED ME.
723
00:35:37,222 --> 00:35:39,224
YOU KNOW, I SEE
724
00:35:39,267 --> 00:35:41,878
THAT YOU'VE FOUND WHAT
YOU'RE SUPPOSED TO DO.
725
00:35:41,922 --> 00:35:45,578
YOU WERE ALWAYS SUPPOSED TO DO THIS.
726
00:35:47,797 --> 00:35:48,842
HEY?
727
00:35:51,671 --> 00:35:54,935
LO POR, I AM SO PROUD OF YOU.
728
00:35:57,242 --> 00:36:02,421
BUT WHERE WILL YOU GO AND WHAT WILL YOU DO?
729
00:36:02,464 --> 00:36:05,250
SO MUCH ABOUT CHINATOWN I LOVE,
730
00:36:05,293 --> 00:36:08,253
THAT WE LOVE, IS DYING.
731
00:36:11,256 --> 00:36:14,172
I DON'T KNOW HOW, BUT...
732
00:36:17,000 --> 00:36:18,828
I KNOW I CAN HELP.
733
00:36:21,701 --> 00:36:23,355
IF THIS IS WHAT YOU WANT...
734
00:36:33,321 --> 00:36:35,367
IT WON'T BE THE SAME WITHOUT YOU.
735
00:36:38,718 --> 00:36:39,675
I'LL MISS YOU.
736
00:36:39,719 --> 00:36:41,677
I WOULDN'T BE FAR.
737
00:36:41,721 --> 00:36:44,724
I KNOW YOU CAN HANDLE THIS PLACE YOURSELF.
738
00:36:44,767 --> 00:36:47,727
JIN, THAT'S NOT WHAT I MEANT.
739
00:36:49,424 --> 00:36:55,778
I'LL MISS YOU. I'LL MISS YOU.
740
00:37:10,402 --> 00:37:11,838
HEY. CHEERS.
741
00:37:14,971 --> 00:37:16,712
RYAN, WE COULDN'T HAVE DONE IT WITHOUT YOU.
742
00:37:16,756 --> 00:37:17,800
I KNOW.
743
00:37:19,889 --> 00:37:22,022
UH, OH, I CHECKED UP ON RONNIE.
744
00:37:22,065 --> 00:37:23,502
HE'S BEEN ADMITTED TO THE HOSPITAL
745
00:37:23,545 --> 00:37:25,895
AND HE'S GONNA BE FINE.
746
00:37:25,939 --> 00:37:27,549
THANKS TO YOU, DR. SHEN.
747
00:37:27,593 --> 00:37:29,508
YEAH, WELL, TONIGHT REMINDED ME I'LL GET
748
00:37:29,551 --> 00:37:31,292
ALL THE ADVENTURE I NEED,
749
00:37:31,336 --> 00:37:32,815
RIGHT BY MY SISTER'S SIDE.
750
00:37:35,470 --> 00:37:39,735
UCSF. LET'S GO!
751
00:37:39,779 --> 00:37:41,650
HEY! CONGRATS.
752
00:37:41,694 --> 00:37:43,043
OH. ANOTHER ROUND?
753
00:37:43,086 --> 00:37:44,305
YEAH. YEAH.
754
00:37:46,612 --> 00:37:48,570
YOU FEELING BETTER?
755
00:37:48,614 --> 00:37:50,355
WE STILL HAVE TO FIND MIA
756
00:37:50,398 --> 00:37:52,705
AND WE'RE NOWHERE NEAR STOPPING RUSSELL,
757
00:37:52,748 --> 00:37:56,796
BUT...YEAH.
758
00:37:56,839 --> 00:37:58,537
I REALIZED I...
759
00:38:00,669 --> 00:38:02,758
I WAS HUNG UP ON MY MISTAKES.
760
00:38:02,802 --> 00:38:05,935
I FELT LIKE I WOULD NEVER DO IT RIGHT, BUT
761
00:38:05,979 --> 00:38:07,285
I FORGOT THAT...
762
00:38:08,460 --> 00:38:09,678
YOU FORGOT WHAT?
763
00:38:09,722 --> 00:38:11,941
THAT I'M NOT DOING IT ALONE.
764
00:38:11,985 --> 00:38:15,075
YOU, ME, RYAN, ALTHEA.
765
00:38:15,118 --> 00:38:18,034
I DON'T KNOW HOW,
BUT I KNOW WE'RE GONNA FIND MIA.
766
00:38:19,384 --> 00:38:21,037
YEAH.
767
00:38:21,081 --> 00:38:22,909
HA HA HA! YEAH, RIGHT.
768
00:38:26,826 --> 00:38:28,958
I'LL BE RIGHT BACK. SURE.
769
00:38:29,002 --> 00:38:31,700
HENRY, 12:00. UH-OH.
770
00:38:31,744 --> 00:38:33,833
MM-HMM.
771
00:38:33,876 --> 00:38:34,921
WHAT'S UP?
772
00:38:34,964 --> 00:38:38,707
DRINKING. CELEBRATING. YOU?
773
00:38:38,751 --> 00:38:40,970
NIGHT OUT WITH THE CREW.
774
00:38:41,014 --> 00:38:42,798
YOU SEEM A LITTLE...
775
00:38:42,842 --> 00:38:44,800
MORE EXCITED THAN YOU WERE THIS MORNING.
776
00:38:44,844 --> 00:38:48,369
HAD A GOOD DAY. GOT SOME CLARITY.
777
00:38:48,413 --> 00:38:51,111
AND...I'M RIGHT WHERE I WANT TO BE.
778
00:38:56,638 --> 00:38:59,380
ANOTHER ROUND FOR MY FRIENDS. THANKS.
779
00:39:08,955 --> 00:39:10,522
WHO'S THAT?
780
00:39:12,001 --> 00:39:13,438
NO ONE.
781
00:39:38,463 --> 00:39:43,685
I TOLD YOU. YOUR BROTHER IS PAST SAVING.
782
00:39:43,729 --> 00:39:45,513
YOU WERE RIGHT.
783
00:39:45,557 --> 00:39:49,038
KERWIN'S ALWAYS BEEN MY...BLIND SPOT.
784
00:39:49,082 --> 00:39:51,780
I MADE MISTAKES, BUT HE'S GONE NOW,
785
00:39:51,824 --> 00:39:55,001
AND...WE HAVE TO MOVE ON.
786
00:39:55,044 --> 00:39:58,570
HOW? THE BELL CAN'T BE FIXED.
787
00:39:58,613 --> 00:40:01,573
NO, BUT IT CAN BE REPLACED.
788
00:40:01,616 --> 00:40:03,705
YOU'VE READ THE HISTORY.
789
00:40:03,749 --> 00:40:06,012
THE BELL IS ONE OF A KIND.
790
00:40:06,055 --> 00:40:08,710
YES. I'VE READ YOUR RESEARCH
791
00:40:08,754 --> 00:40:11,713
AND I KNOW IT'S NOT ABOUT THE BELL.
792
00:40:11,757 --> 00:40:13,933
IT'S ABOUT WHAT THE BELL CAN DO--
793
00:40:13,976 --> 00:40:16,588
THE TONE IT CAN PRODUCE.
794
00:40:18,111 --> 00:40:19,460
WE HAVE THE SPECS--
795
00:40:19,504 --> 00:40:21,462
DIMENSIONS, WEIGHT,
796
00:40:21,506 --> 00:40:22,898
THE RESULTS OF THE COMPOSITIONAL
797
00:40:22,942 --> 00:40:24,944
ANALYSIS I ORDERED.
798
00:40:24,987 --> 00:40:28,730
GIVE ME TIME, GIVE ME RESOURCES,
799
00:40:28,774 --> 00:40:30,123
AND I CAN CREATE AN INSTRUMENT
800
00:40:30,166 --> 00:40:33,474
THAT WILL MAKE THE SAME EXACT TONES,
801
00:40:33,518 --> 00:40:36,651
THAT WILL MAKE THE MUSIC
YOU NEED FOR YOUR PLAN.
802
00:40:36,695 --> 00:40:40,568
FATHER, JUST GIVE ME A CHANCE.
803
00:40:43,963 --> 00:40:45,181
♪ I'M LEADING
804
00:40:45,225 --> 00:40:46,922
♪ I'M THE VOICE OF CHANGE
805
00:40:46,966 --> 00:40:50,230
♪ YOUR DOWNFALL ISN'T FAR AWAY
806
00:40:58,020 --> 00:41:01,110
♪ WHO DIED AND MADE YOU KING?
807
00:41:04,636 --> 00:41:07,987
♪ WHO DIED AND MADE YOU KING?
808
00:41:11,338 --> 00:41:13,035
IF YOU WANT TO HURT MY FATHER,
809
00:41:13,079 --> 00:41:14,950
GO AFTER WHAT HE REALLY LIKES.
810
00:41:17,997 --> 00:41:21,304
♪ WHO DIED AND MADE YOU KING?
811
00:41:27,572 --> 00:41:30,836
♪ YOUR DOWNFALL ISN'T FAR AWAY
812
00:41:34,100 --> 00:41:36,276
♪ NOW THAT YOU'RE LEAVING
813
00:42:03,608 --> 00:42:04,870
GREG, MOVE YOUR HEAD.
54032
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