All language subtitles for Policewoman Centerfold

Tommy, you get that frogout of here right now.

Come here.
Get him.

Get him.

Get Fred and get
him out of here.

I told you never to
bring him into my room.

Out.

OK, Mom.

Can I have some
pancakes for breakfast?

Tommy, it's a school day.

All right.

Just put Freddie
in his house, OK?

All right.

Tommy, come on.

That's the bus.

Let's go.

Hustle.

Come on.

Bye, Mom.

Oh, wait a minute.

You forgot two things.

My lunchbox.

Right.

And?

- Bye, Mom.
- You have a good day.

Bye-bye.

Hey, Jen, wait up.

That was a real good ideaof us taking out the arcade.

You were right about
the drug traffic there.

The captain didn't thinkit was such a great idea.

That's because
it came from you.

Jen, he's always going
to be on your case.

You know that.

Yeah, I guess you're right.

Come on.

Let me buy you lunch.

OK.

You want one?

No, thanks.

I thought you quit.

I did.

When did you start again?

Day after Ellen
and I got engaged.

Ooh, that says something.

So I'm a little nervous.

Weren't you?

Oh, boy, I was terrified.

I was 17 and so naive.

I didn't know what
I was doing or why.

Did you love hi?

Well, he was the firstguy who ever asked me out.

He was the first guy
who really liked me.

So I married him.

Somehow I can't believe that.

Well, that's true.

Anyway, that was
a long time ago.

Think you'll ever
get married again?

Yeah.

Yeah, if I meet the right guy.

Yeah, Jen, well,
there's something

I have to talk to you about.

Yeah?

Unit 210,415 F. Family disturbance

at 235 South Valley Drive.

That's that nut that
was giving

and Harris such a hard time.

10-4.

We're three minutes
from the door.

Here we go.

Open the door.
We're police officers.

Leave me alone, please.- Open up.

We want to help you.

Oh, I can't
take this anymore.

Oh, thank goodness.

Get out of here!

It's between me and my wife.

What's his name?

Bob.

OK, Bob, Bob.

Bob, listen to me.

I know you're feeling bad,but this isn't going to help.

Now, your wife and your
kids are frightened,

and you don't want
to scare them.

No.

Come on, put it down.

We'll work this
out together, OK?

Just put it down.

She doesn't
understand anything.

All she ever says is,
did you get a job today?

Did you get a job?

Why doesn't she understand?

Does she know what
it's like out there?

Why don't you tell me,
if you're so smart.

Why don't you tell me?

OK, I understand.

And so does she.

OK?

She's just worried, that's all.

She's just worried
about the kids.

You don't think I'm
worried about them?

I know.

I know.

But you two have to get togetherand work this thing out.

Now, if you talk to her, you'llfind out that she understands.

Come on, Bob.

Just put it down.

Honey?

Honey, it's going to be OK.

All right?

I promise.

OK?

They need some help, you know?

It's going to happen again.

So why didn't we
just arrest the bum?

That's not the kind of helpI'm talking about, Chris.

Jennifer, can you
leave anything up

to the social workers?

By the time they
get around to it?

Come on.

We gotta go to work.

Wait, Jen.

There's something I have
to talk to you about.

Well, can't it wait?

Not really.

Ellen's gotten a
little uptight about us

working together so much.

That's crazy.

She knows me.

Can't you talk with her?

I guess she's just nervousabout getting married.

Do you want me to talk to her?

No.

No.

I don't think that would help.

Well, tell her
to quit worrying.

Jen, look, I'm real sorry.

You worry too much.

Is everybody decent?

Who wants to know?

Funny.

Yeah, yeah.

Come on in.

Set up those showers.

Oh, Bill.

What are you looking at?

Oh.
Kind of nice, huh?

What do you think?

Not bad.

Don't you think her legs area little large for her body?

Lieutenant.

Hello.

Hello, there.

How's my favorite officer?

Well, I'm hanging in there.

How you've been?

I haven't seen you in ages.

Well I've been keptpretty busy at the academy.

Say, listen, we have a coupleof new young ladies going

through training right now.

Oh, that's good news.

I could use a little more femalecompanionship around here.

I'll second that.

Officer Oaks.

Sir.

I'd better be going.

Nice seeing you.

There's been
a request by Officer

Sands for a new partner.

Request is granted.

You'll ride with Officer Velano.

That's it.

Get to work.

Jen, it's just
until we get married,

and I'm sure she's
going to come around.

Save it, Chris.

I'm sure there are

a lot of places you'd ratherbe right now than in this car

with a new partner.

Women.

Excuse me?

I don't know who to be angrierat, the dope he's marrying

or him.

It is kind of a bum rap.

Kind of?

Well, I'm-- it's
nice to meet you.

How come I haven't
seen you before?

Bad luck, I guess.

I've seen you.

I've heard about you, too.

I'll bet.

What did you hear?

That I was a sex
machine or a lesbian?

I heard you're a good cop.

Oh.

Unit 210, 314at the arcade, 3618 South Main.

Possible 930.

10-4.

We're on our way.

Let's go.

Take it easy, pal.

OK.

We'll take it from here.

Possession and
resisting arrest.

This was the guy
who was selling

at the arcade, huh, gentlemen?

Think so.

Take this guy in,
will you, Stanley?

Pretty nice work out there.

Thanks.

Officer Oaks,
you got a minute?

Sure.

I was wondering, maybe you'dlike to have dinner sometime.

Oh, I'm really sorry, butI don't go out with cops,

especially my partners.

I don't blame you.

I don't either.

You think maybe there's achance you'd change your mind?

I promise I won't
wear my uniform.

You can pretend.

No.

Oh, come on,
give a guy a break.

It's too difficult. It'sjust something I don't do.

I don't give up easily.

I'm going to keep trying.

Good night.

I'm going to keep trying.

Woo.

Oh, yes.

Did you see her?

Can you imagine having
a body like that?

I mean, she had beautiful--

Everything.

Yeah.

No, she didn't.

She wasn't that great.

Well, you didn't
have your glasses on.

Look.

Long legs, good thighs.

Oh, maybe in my next life.

I bet she's a rotten person.

This is so hot.

What's this supposed
to do, anyway?

Relax you.

Well, there's only one
thing that relaxes me.

Sissy.

Oh, that exercise
class was torture.

I can't believe that'ssupposed to be good for you.

Well, if you do it morethan once every six months,

it wouldn't hurt so much.

Nothing will help my thighs.

It's a terminal condition.

There's always
the police academy.

Ooh, that'll get you into shape.

I think I'd rather
have cellulite.

But I don't want to
talk about my thighs.

I want to talk about you.

I thought you said you'dnever go out with the cop.

Well, I know.

But he was so persistent.

Oh.

He must really be hot for you.

Oh, Sissy, it's been
so long since a man's

pursued me like this.

Makes me so nervous.

And he is my partner.

You know, I could be
making a big mistake.

Oh, Jennifer,
don't be nervous.

It should make you feel great.

Besides, it's all right
that he's your partner.

It just means that
you'll see him more.

Well, a lot of men think thata woman in a police uniform

isn't sexy.

Well, then that's all the morereason to go out with this guy.

Is he cute?

Oh, yes.

Oh.

Well, is he single?

Of course he's single.

Does he have any friends?

Well, what happened to Jack?

I thought you liked him?

I do, but Jack just wanteda casual relationship.

I just can't do that anymore.

I know what you mean.

So where is he
taking you for dinner?

Some Italian restaurant.

Jennifer,
is he Italian?

I don't know.

Why?

Oh, Jennifer, I hearthey make wonderful lovers.

You've heard thatexpression, Italian stallion?

Sissy, cut it out.

I don't know what's
gotten into you today.

Oh, I don't know.

All this heat or
all these bodies,

or all this talk about Italians.

How about an amaretto?

What is it?

It's an after dinner drink.

Trust me, you'll love it.

Larry, two amaretto.

Are you Italian?

Yeah.

Why?

I just wondered.

I want to ask you aquestion, but I don't want you

to take it the wrong way, OK?

OK.

What is it?

Why did you decide to be a cop?

Well, I decided I
needed to support myself

and my son Tommy after
my husband left us,

and I took a job at Lawson'sfactory, and I hated it.

Then one day, I heard
the police academy

was accepting applications.

I just decided to go for it.

So how's it been?

Hard.

I mean, there's
tremendous resentment

towards because I'm a woman.

But you had to knowthere'd be some resistance

to a woman on the force.

There is another woman.

You know Lynn Adams?

And I thought it
would be difficult,

but I wasn't prepared for howintense the feelings would be,

or that they would last so long.

But do you still
like the work?

I love it.

I never thought I grew
up to be a policewoman.

I still get a kick out ofit every time I think of it.

What did you want to
be when you grow up?

A movie star.

What happened?

One day when I was 16,
I looked in the mirror

and I saw this skinny kidwith braces and no hips

staring back at me.

And I thought, well,
Jen, you better face it.

You're not going
to be a movie star.

What did you want to be?

I wanted to be a photographer,and I was for a while.

I took aerial photographsfor the Air Force.

Do you take pictures now?

Oh, yeah, every chance I get.

I really-- I really had
a nice time tonight.

So have I.

Even though I
pushed you into it?

Yeah, even though
you pushed me into it.

Sometimes it's notjust the way you're playing.

Sometimes something happens,something you don't understand.

And then you find
that everything

you thought you'd ever need wasstanding right in front of you.

You never once believed
that it could be right

there, right before your eyes.

It could be right there.

It could take you by surprise.

It could be someone
you know the real love.

Love could be right
before your eyes.

This is delicious.

I didn't know you could cook.

Cops make great cooks,
something you neglected

to discover until now.

I could get used to this.

I haven't had a meal cookedfor me since I left home.

Yeah I could get
used to this, too.

You look beautiful.

I do?

In fact--

What?

Check this out.

When did you get this?

Today.

How do I focus it?

Right here.

OK.

OK.

What you going to do?

Smile.

Oh, great.

OK, now sit down.

Now a little more, youknow, a little more sexier.

Sexier?

Uh-huh.

How's this?

Great.

OK, now one more.

No, no, no.
My turn.

- No.
- My turn.

- No.
- My turn.

No, no, no, no.

No, I don't like my
picture being taken, no.

Hey, this light--

you look great in this light.- I can't do this.

You're better at this than I am.- Look over here.

Yeah.

I think you've
had too much wine.

Not true.

Turn the other way.

Turn this way.

I feel so silly.

That's nice.

Give me a little curve there.

Do something.

How's that?

Oh, it's nice.

Some shoulder.

OK.

How's that?

All right, now turn around.

The other way?

More shoulder?

Oh, great, great.

Great shoulder.

Is that your friend?

Well, here we go, aboutto begin another boring day.

It can't be Kojak every day.

Glad I'm riding with you.

You didn't say
two words yesterday.

You had your nose just tuckedaway in that photography book.

I was mentally undressing you.

What, are you nuts?

There, look.

Isn't that Sam--
what's his name?

You know, he's an officer.

I know his wife.

And the woman he's
with, that ain't her.

It's been going
on for a month.

How do you know that?

Locker room talk.

I couldn't take that.

I wouldn't do that to you.

Look what I found.

Is this yours?

Yes, it is.

Do you read it a lot?

I've been reading
that magazine

since I was 15 years old.

15?

It has some good
articles in it, too.

Sure.

Do you think this woman
posing is a doctor?

I doubt it.

She wouldn't need the money.

Well, maybe she didn't
do it for the money.

How much do they get paid?

I don't know.

10, 15 grand, maybe?

That much?

Not bad for a day's work, huh?

You know, this one'sbody's not in great shape.

Look at that

I don'tbelieve what I'm hearing.

$15,000, huh?

These are hot.

Do you think so?SISSY: Mm-hmm.

You know,
nobody's ever taken

pictures of good of me before.

Sissy, do you think I look sexy?

Are you kidding?

OK, now, look at this.

Good grief.

Look at her legs.

Her legs?

Look at the rest of her.

Oh, well, that's abnormal.

I mean, nobody looks like that.

Do they?

She does.

You know that they
have done issues

on women lawyers anddoctors, but they haven't

done one on a policewoman.

m you wouldn't do that.

Would you?

You would.

Why not?

Now, listen.

Look at these.

I'm not getting any younger.

And look at these pictures, Imay never look this good again.

You have flipped.

Oh, I love it.

I showed Sissythe pictures you took of me.

You did?

Yeah.

She wants you to
take some of her.

Anytime.

Nick, do you think I lookas good as some of those women

in the magazines?

I think you look better.

No, come on, now.

I really want to know.

I'm serious.

Why don't you believe me?

Well, I don't believe
I look like that.

I never-- I never thoughtof myself as sexy.

Are you kidding?

No.

I think you're thesexiest, most beautiful woman

that I know, no doubt about it.

Really, Nick?

When I first met you,when you were in uniform--

Yeah.

I thought I was going tomake a fool out of myself.

You just-- you knocked me out.

Pull over.

I gotta mail something.

Why?

There's a mailbox.

Just pull over.

Sit down.

Let me do that.

Oh no, Mom, let me help you.

You talk to your father.

I'll do this.

So Jen, finish that storyabout the kid with the knife.

Oh, yeah.

Well, I screamed at him,
and I said, put it down.

Put down the knife.

I mean it.

And he didn't hear me.

He didn't move at all.

And then Nick tried to
sneak up from behind,

and I was really afraid thathe was going to come for me.

And he did.

So I had to pull my gun on him.

All right.

Did you shoot him?

Jennifer, I
really don't see why

you have to tell these storiesat the Sunday dinner table.

Well, Mom, you see, I
was trying to tell them

how I hardly ever draw my gun.

Did you kill him?

No, Tommy.

I didn't kill him.

There's enough
violence on television

and in the newspapers.

We don't need to hear thesestories at the dinner table.

Oh, Ma, a little bloodand guts never hurt anyone.

That's enough, Skip.

Let's have dessert.

Well, I got to go.

I got a date.

It was nice to meet you, Nick.

I hope to see you again.

- Same here.
- Bye, sis.

Bye.

Don't wait up for me, Mom.

Be careful, honey.

Betty, is the coffee ready?

It's coming.

Can I have some cream?

Sure.

Come on.

Why does she do that, Dad?

Do what, honey?

You know what.

She's always putting me down.

You're too sensitive.

Jen, maybe wasn't the righttime to tell that story.

Well, it never seems tobe the right time, does it?

Excuse me.

I'm going to help
him in the kitchen.

Look at that.

Let's pick her up.

I know her.

Let me talk to her.

Annie, wait!

Annie.

It's me, Jenny Oaks.

I can't believe it.

Of all the cops to pick
me up, it had to be you.

What are you doing out here?

What's it look like?

Bet he knows what I'm doing.

I thought you
moved to Chicago.

I did.

Things didn't work
out, so I came back.

I just can't believe
you're doing this.

Oh, come off it, Jen.

We always knew I'd end updoing something like this.

I mean, really, what elsewould fast Annie be doing?

Teaching Sunday school?

That's not funny, Annie.

There must be something
else you can do.

You know, for a cop,
you're pretty naive.

And jobs don't grow
on trees these days.

I still can't
believe you're a cop.

You used to be afraid ofyour own shadow growing up.

Didn't keep me out
of trouble, though.

That's for sure.

You got me in so much troublemy mother tried to stop me

from hanging around with you.

I'm just trying
to help, Annie.

I don't want to see
them bring you in.

They gotta catch me first.

Getting old.

But we never thought
that would happen to me.

Nope.

How's the kid?

Must be huge.

He's big.

Listen, lady, I gotta
get back to work.

Now, you get off
the streets, OK?

See you later, Jen.

Take care.

You too.

And thank you.

You were friends?

Yeah.

We used to read moviemagazines and smoke cigarettes

together down by the reservoir.

We were always in trouble.

Hi, Mom.

Hi, baby.

Mom?
Ah!

Help!

A monster!

And I'm going to get you.

And when I get you, I'm
going to..

Come here.

You come here and
let me tell you.

Come here, you little devil.

Come here.

Come here.

I'm going to put green
all over your face.

Come here.

I'm going to make
you green like me.

Get off, Now, you stay therebecause I'm going to come back,

and I'm going to get you.

All right?

Yeah.

Hello?

Jennifer Oaks, please.

Yeah this is Jennifer.

Hi, I'm Margo Syms.

Who?

From "Centerfold Magazine."

Oh, come on.

Is this a friend of Sissy's?

No, this is not a joke.

I promise.

My name is Margo Syms, andI'm the talent coordinator

for "Centerfold Magazine."

We received your
letter and your photos,

and we're very interestedin your suggestion

for a policewoman pictorial.

I didn't--

I didn't think somebody
was going to call me.

Actually, it's a great angle.

Here's what we'd like to do.

We'd like to bring you outhere to Los Angeles for a test.

There is no
obligation whatsoever.

We'll pay for everything.

We'll show you around LA
and take a few photos.

We'll see how they turn out,and we'll take it from there

Well, how long will it take?

Oh, just a couple of days.

And we're prepared
to pay you $25,000

for the layout in
the event that we all

decide to go ahead with this.

How does that sound to you?

Well, it sounds great.

I'll just have to
think about it, though.

OK?

Oh, that's fine with us.

You take your time, and youget back to us when you can.

I will.
Yeah.

Great.

Terrific.

I'll talk to you soon.

Yeah, goodbye.

So anyway, that's what I did.

You did what?

I mailed the photographs youtook of me to "Centerfold."

They called me this morning.

They want me to come to
Los Angeles for a test.

You mailed those photosto "Centerfold Magazine?"

Yeah.

I did it for fun, you know.

I don't know what
really came over me.

You know, nothing's
going to come of it.

That's convenient.

I didn't think
they'd call me, Nick.

You know I've
never done anything

like this in my whole life.

Well, what you going to do?

Go.

You're going to go?

Yeah.

Why not?

I mean, I've never
been to California.

I've never been anywhere.

And you know as soon
as I go out there,

they'll just take one
look at me and they'll

forget the whole thing.

Why do you keep saying that?

What are you trying to prove?

I'm not trying
to prove anything.

It's just a magazine.

You read it, my
brother reads it.

Every cop on the force reads it.

And that's the point.

I don't want you to
pose nude, Jenny.

There's nothing
wrong with that.

And they're going to
do it in good taste.

Good taste.

We're not talking
about good taste.

We're talking about you andme, not the rest of the world.

Look, I know
what I'm doing, OK?

Yeah, well, explain it to me.

Well, I can't
explain it to you.

But it's important
for me to do this.

I know that.

It's something I have to do.

Listen, things like this havea way of getting out of hand.

That won't happen.

Jen-- forget it.

Forget it.

You do what you want.

Nick?

Come on.

Let me talk to you.

Come on.

FranceAllied flight 291 leaving now--

I don't know about this.

I feel like I could
pass out any second.

Getting cold feet?

Oh, yes.

Honey, why don't
you go in my place?

All right, I'm ready.

Give me your ticket.

I wish you could.

I am so scared.

I figure once they
see me, they'll

figure they made a bad mistake.

Now, look, they said
there was no obligation.

Besides, you look great.

They're going to love you.

Oh, do I?

I mean, do I look like
a hick from the sticks?

Well, yes.

Oh, now, don't worry.
You look great.

They're going to love you.

You're going to miss your plane.

OK.

Tommy, I want you to
be good for Sissy, now.

OK?

OK, but don't forget
a present for me.

Oh, won't, honey.
All right.

Here.

Take that.

Sir?

Oh, Jen, do me a favor.

Bring me back an Italian aboutsix feet tall, great bod.

- Oh, I'll try my best.
- OK.

I love you.

Love you too.
Have fun.

I will.
I will.

Bye-bye.
- Bye, now.

Tommy, you be good, now.

- Bye, Mommy.
- Bye.

- I love you.
- Love you, too.

You look great.

You look good.

Good?

- You look great.
- All right.

- All right.
- Bye.

Bye, now.

Bye, Mom.

There are feelingsthat just won't be denied.

In time, you can't say no.

You're helpless.

You can't explain yourself.

Before you know
yourself, you let go.

And this is one of those times,no chance of slowing it down.

Just one more smile
and I'm on my way.

How lucky can I be?

No matter how it may
seem to you, this time

I'm going to see it through.

This one's for me.

There are voices that
tell us what to do,

and dreams that never die.

When the time comes, don'tleave them on the shelf.

You won't forgiveyourself if you don't try.

And this is one of those times,no chance of slowing it down.

Just one more smile
and I'm on my way.

How lucky can I be?

No matter how it may
seem to you, this time

I'm going to see it through.

This one's for me.

Coming.

Hello.

I'm Margo Syms.

We spoke on the phone.

This is our photographer,Todd Walker.

Nice to meet you both.

How was your flight?

Fine.

Thank you.

You're even prettier
than your pictures.

And you're so young.

Why?

Did I sound old on the phone?

Yes.

That was my serious
business voice.

Now, I have somecontracts for you to sign.

I'm going to leave them with youso that you can look them over.

And if you have anyquestions, you just call.

Remember, you have complete
approval of the pictures

before we run them, and there'sabsolutely no obligation

for you to go through withthe running of the pictures

if you decide not to.

I'll pick you uptomorrow morning at 9:00.

Anything else?

Oh, Todd will describe
the shoot to you.

I wanted to have lunch withyou today, but I just couldn't.

Something came up.

But Todd is not only a
brilliant photographer,

he's also a very nice man.

So I know you're in good hands.

Any questions?

I don't think so.

Tomorrow's shoot will be easy.

It's not nearly as
scary as it seems.

Meanwhile, you relax
and have some fun today.

Bye, Margo.

Have you seen much of LA yet?

No.

Would you like to take a shorttour, then get a bite to eat?

I'd love it.

Good.

Is this your first trip to LA?

Yeah, it's the first timeI've been this far west ever.

This is delicious.

I come here all the time.

It's always good.

You're going to
look great on film.

How do you know?

I've been doing
this a long time.

I know these things.

The coloring, the way thelight looks on your face.

You know, I don't know ifI'm doing the right thing.

What bothers you about it?

Well, I'm worried
about what people think.

You know, I come from a smalltown, and I have a little boy.

And I am a police officer.

I know all that.

But what it comes
down to is, how

do you feel about your body?

Why do you ask that?

Do you like
the way you look?

Well, no.

No, not really.

Then you're doing
the right thing.

Why?

Because this
experience will make

you feel great
about how you look

and how you feel
about your body.

I've seen it happen
time and time again.

Oh, I hope you're right.

Todd, isn't that
Vince Ferragamo?

Vince?

You know him?

Ah.

Hi.

How have you been?

Fine, fine.

How come every time I see you,you're with a beautiful woman?

I'm just a lucky guy, I guess.

Please.

Jennifer Oaks, Vince Ferragamo.

Jennifer.

Nice to meet you, Vince.

You're my son's hero.

That's nice to hear.

What's his name?

Tommy.

Tommy.

Would you mind--

Sure.

Oh, thank you.

I'm sorry.

It's-- he'd love this.

I have a checkbook there.

To Tommy.

Oh, thank you very much.

You're welcome.

Well, nice seeing you, Todd.

Nice to see you again, Vince.

Very nice to
meet you, Jennifer.

Yes.

Bye.

Bye.

He's so nice.

Tommy will just die
when he sees this.

I propose a toast to yourfirst trip to Los Angeles,

to fine wines, exquisite food,and to little boys' heroes.

Cheers.

I'll tell Todd
you're ready now.

Oh, wait a minute.

Has anybody ever
left at this point?

Well, a lot of strange thingshave happened around here.

Don't worry.

You're going to be just fine.

May I have a moment
alone, please?

Sure.

Thank you very much.

Thank you, ladies.

That'll be all for now.

I'm ready.

I'm ready.

Ta-da.

You look fantastic.

Thank you.

How do you feel?

Scared.

Oh.

We'll take care of
that fast enough.

It doesn't last very long.

I'd like you to meet Alexis.

- Hello.
- And Adam.

Adam.

And we'll start right here.

Adam, would you please
give those extra film

packs and put them on the rug?

Right there.

Alexis, move this back a littlebit, please, and bring it down.

There are your two key
lights right over here,

and they're going to
help you enormously.

So I'd like you to pay alot of attention to that.

OK.

I want you to bringthe chin down a little bit.

I want you to move those
knees over just a touch.

Like that?

That's it.

- Oh, I'm nervous.
- Just relax.

Relax the hands, too.

OK.

Let them be loose.

That's lovely.

Very nice.

Very nice.

Swing the legs around just alittle bit, just a little bit.

Oh, lovely.

Look at me.

Yes.

Up in the bed.

Yes, scoot back in the bed.

- Yeah.
- Uh-huh.

Yeah.

I've never done this before.

I--

A little slow to catch up.

I the feeling, yes.

You're doing just fine.

- All right.
- All right.

I want both those
knees covered up first.

- OK.
- Yeah.

And I want to see just alittle bit of the shoulder.

OK.

Can you do that for me?

Just a little bit.

How's that?

That's beautiful.

Yes, beautiful.

I like it.
Keep moving.

Now throw the head--

I like that.

Throw the head back.

Yeah.

And look at me, can you, outof the corner of your eye?

Let me see that thigh.

- Which one?
- The top one.

- OK.
- Yeah.

This-- there.
How's that?

- Too much?
- No, that's fine.

That's just fine.- Not for this, fine for you.

No, not for this,
but this is great.

OK.

Tuck the chin
in just a little bit.

Now look up here.

Look up here.

Chin down.

That's beautiful.

Have you done this before?

No.

You're wonderful.

I'll be
taking it slow,

getting to know how I feel.

I'll be making my move,letting you know this is real.

Then I'll give you the sign,drive you out of your mind.

Baby, don't be so blind.

Won't you listen to
me talking to you?

I'll be taking my time,looking for dreams to explore,

going out of my way, leaving
you begging for more.

Then I'll turn on a smile,melt your heart for a while.

You'll discover my style if youlisten to me talking to you.

I'll be shaking you up,
taking advantage of you.

I'll be waking you up, hopingthat I'm coming through.

When I'm floating on air,sharing more than I dare,

must I send up a flare?

Why don't you listen
to me talking to you?

You did it.

Oh, you were fabulous.

I was.

Oh, I really was.

Oh, sweetie, you
are spectacular.

I-- how do you feel?

Oh, I feel wonderful.

Free.

It's a wonderful feeling.

A celebration.

Champagne.

idea.

A toast to Jennifer,a beautiful and lovely

lady, and a job well done.

Thank you.

Oh, Todd, you know,
I couldn't have

done this without your help.

Thank you.

I want you to know how lovelyIt was for me to work with you.

I mean, you're a natural.

You could make a great livingat this if you wanted to.

I just want you to know thatif things get rough back home,

or you need someone to talk to,or you just need to get away,

I'm here for you.

Thank you.

You're welcome.

Mommy, Mommy.

Tommy, oh, look how
much you've grown.

I missed you so much.

Hey.

I missed you, too.

Did you miss me?

Yes, Mom.

Yes?

Did you really meet Vince?

Yes, I did.

No one believes me.

Well, I'll tell you what.

When we get you home,
I've got something

that's going to
convince your friends,

and that will show them.
OK?

OK.

OK.

Ferguson, you and
Abbott take district 2.

Nose around about thatbreak-in at Howard's pharmacy.

See if you come
up with anything.

Oaks, you're assigned
to traffic today.

OK, that's it.

Let's go to work.

Traffic?

That's right.

I don't believe it.

Treats me like I'm a rookie.

He drives me crazy,
and he knows it.

Hey, officer.

Hi.

Hi, Roy.

How you doing?

Real exciting.

Three tickets in 10 blocks.

We still on for tonight?

Yeah.

I know Tommy wants pizza.

I thought we could--

214, respond to a 211

A, possible armed
robbery in progress.

2943 West Brand.

10-4, we got it.

I gotta go.

See you later.

Bye.

Are you OK?

Not really.

What's wrong?

Nick, I'm in a rut.

You know, I live in
a trailer that leaks,

and I'm not getting
anywhere at work.

I could be writing
parking tickets

for the rest of my life.

Hey, it's not LA, butit's not that bad, either.

Yeah.

I guess you're right.

I just had a really
hard day, that's all.

I love you.

I love you, too.

Are you sure you've got to go?

Jennifer,
you look incredible.

Can they do this for anyone?

They did it for me.

Now, listen.

Dear Jennifer, we
love the photos.

We'd like to run them
in the next issue.

Please call me so we can
discuss this further.

You look fabulous.

I look forward to talkingwith you, da-da-da.

Sincerely, Margo Syms.

Oh, they want them.

Yes.

Oh, well, I don't blame them.

You look just beautiful.

Oh, Sissy, I can't
believe it's me.

Oh, well, it's definitely you.

Sure, there's your birthmark.

It's amazing how
that made me look, huh?

I'll say.

What a body Oh.

What?

Well, this one's a littlerevealing, don't you think?

Well, there.

Hey, has Nick seen these yet?

Ooh, yeah.

You should've seen his face.

Oh, I wish I could have.

No, you don't.

Gee, Jen, what about your job?

I mean, this could
be big trouble.

Sissy, what can they do?

Well, they could make yourlife miserable, for one.

They can't really do anything.

I haven't broken any
rules or regulations.

Doesn't forgetting to
wear your uniform break

some kind of regulation?

Very funny.

These sure are sexy.

Come on, Sissy.

You've seen photographs
like this before.

Not of my best friend,
thank you very much.

I'm still the same person.

Well, I guess so.

Only now, it's just a
little bit more of you.

Nick?

Nick, I want to get
this stuff cleared up.

I do.

I don't want to
talk about it now, OK.

OK.

When?

Because every time I wantto talk to you about it,

you say it's the wrong placeor it's the wrong time.

Now, Nick.

Come here.

I told you.

I think that too revealing.

And I don't think they
should be printed.

And I think that you'll
be sorry if they are.

I'll be sorry?

Hey, it's your body, not mine.

Yeah, you're right.

Whatever you do, you betterget Buckman's permission first.

You know what I
don't understand?

I don't understand why yourattitude on this whole thing

has changed so much.

Hey, my attitude
hasn't changed at all.

It's been your
decision all along.

But I want your support.

I don't know if I can
give it to you, Jen.

I just don't feel
right about it.

I'm sorry.

No, I'm addressing
the PTA that night.

Yes, Sunday will be fine.

Take care of this.

What's on your mind, officer?

I have a request, sir.

Come on.

I don't have all day.

I've been offered--

um, well, a magazine wantsto do a story on me, sort of,

and they've taken
some pictures of me.

What kind of pictures?

They're for
"Centerfold Magazine."

What?

You're kidding, right?

I'm not kidding,
and I would like

permission to let them publishthe pictures in the next issue.

Well, you got a lot of nerve.

I don't know what you mean.

You know
exactly what I mean.

You're one of two women ona police force of 160 men.

You're damn lucky
to be here at all.

And you think that I'mgoing to give you permission

to pose nude in
a girlie magazine

and continue to representthis police force?

Absolutely not.

You never liked me.

You never wanted
me on this force,

and you've never acceptedthat I can do the job.

Well, you'll never proveyourself to me this way.

I have
already proven myself.

I am a good officer.

What kind of a
woman are you, anyway?

I earned the right
to be on this force,

and I intend to stay on it.

The thing that really
bugs you is that you

don't have anything on me.

Compared to half the
officers on this force,

I'm a dream cop, sir.

Margo?

Yeah, it's Jennifer.

I want to do it.

Yes.

No, they can't do
anything to me.

I haven't done anything wrong.

Thank you.

Bye.

So I wanted you tohear this from me and not

from some kid at school.

What's the big deal?

Well, these pictures aregoing to be in a magazine

that a lot of people can see.

And some people think
I was wrong to do this.

What kind of
pictures are they?

Can I see them?

Well, they're
really fun, you know?

I mean, they're nice.

But they're for
grown-ups to look at.

When can I see them?

When you're older.

How old do I have to be?

Older, like Skip's age.

Mom, that's forever.

Well, that's the way it is.

Now, come on.

Finish your soda.

Come on.

I've got to take you
to Sissy's because I

gotta get back to work.

OK.

It's good to
have you back, kid.

Well, if Michaels
hadn't been sick,

I wouldn't have been
assigned to you.

Oh, you're twice
the cop he is.

So you think you made
the right decision?

Well as soon as Buckman
said those things to me,

that was it, you know?

I knew exactly what
I wanted to do.

He made me so angry.

But if that hadn't
happened with him,

would you have made
the same decision?

Oh, yeah.

If you wanted to
now, could you stop it?

Why?

I've been thinking.

Something like thisaffects a lot of people--

your parents, Tommy, me.

And you'd also be
jeopardizing your job.

I don't know if it's
worth the money.

Nick, I didn't do
it for the money.

I did it for me.

Unit 219,415 F, family disturbance.

235 South Valley Drive.

I know who that is.

Come on, let's go.

Jennifer, is that you?

Lou, hi.

Hi.

Can I-- can I help
you with something?

Yeah.

I'd like to buy a "Centerfold."

You mean you
didn't get one free?

Yeah, but I want another one.

They're right here.

Oh, great.

Oh, it's on me.

Thanks.

You look great in there.

You really do.

Oh, Lou, thank you.

Yeah

Well, bye-bye.

Bye.

Bye.

All right, knock it off.

Knock it off in here.

Nip and Billings,
I want you to take

out that bar on 13th street.

Watch who comes and goes.

Get a feel for
its busiest hours.

It may be the next place hit.

All right, the Departmentis taking up a collection

for Officer Potter's widow.

Donations can be left
with Officer Gallo.

Oaks, you're assigned to deskduty until further notice.

All right, that covers it.

Let's go to work.

How's it going, Jen?

It's been better.

Eh, don't let them get to you.

You don't see them pass
up the magazine, do you?

No.

Coffee?

Yeah, and I'd
like a bowl of soup.

You don't want the soup.

I'll get you a nice sandwich.

Can I sit down?

Is Ellen watching?

Look, Jen, I just
want to warn you.

What?

All the wives got apetition together to kick me

off the force?

Hey, I'm trying to help you.

Buckman's out to get
you, and a lot of guys

are just adding
fuel to his fire.

I'll just bet.

I just want to let
you know I'm behind you.

Isn't it a little late?

Look, I appreciate it, OK?

I'll see you later, Jen.

- Knock, knock.
- Skip.

- Hi.
- Hi, honey.

What brings you around here?

Oh, just felt like a visit.

- Yeah?
- Got any food?

Of course.

There's some leftover
chicken in the fridge.

Oh, great.

You know
where everything is.

Yep.

So who's winning the war?

Oh, it's awful.

It's just getting
worse and worse.

How do Mom and
Dad feel about it?

Well, you know Dad.

Says about three
words every five days,

so he really hasn't had
much to say about it.

And Mom, it just gives hersomething else to worry about.

That sounds like her.

She had a pretty roughtime on her bridge game

the other night.

Oh, no.

You know, you're just goingto have to take all the flak.

I mean, there's nothingelse you can do about it.

You're tough.

You can handle it.

What do you think?

I think it was apretty crazy thing to do.

But I also think you look great.

It doesn't
embarrass you, then?

Oh, no.

Some of the guys ribbed meabout it a little bit, but, hey,

it's not every day yoursister's in "Centerfold."

Nick, hi.

How're you doing?

Hi, Nick.

Skip.

Excuse me.

Hello?

Todd, hi.

How are you?

Yeah, I'm fine.

Yeah, I'm OK.

Well, yeah, they're
pretty upset.

No.

Oh, I wish I could, yeah.

But it's a little
fast out here for me.

Yeah, I'm sure.

Well, listen, thank you
so much for calling.

I appreciate it.

Yeah.

I will.

Bye-bye.

That was the photographerwho had taken my pictures.

That's great.

What, does he have
another job for you

where you take your clothes off?

What's wrong, Nick?

Jen, I gotta go.

Mom's got dinner waiting for me.- Yeah.

Bye, Skip.
- I'll see you.

- Mm-hmm.
- Bye, Nick.

See you, Skip.

Did something happen today?

Of course something
happened today.

You know, it's
not just the cops,

and they're having the timeof their lives with this.

It's the people on the
streets, in the stores,

the tellers at the
bank, everywhere.

I'm sorry.

OK?

Yeah, well, sorry
doesn't make it.

Why didn't you think about this?

I tried to warn you, didn't I?

Yes, you did.

We have no privacy anymore.

I feel invaded, like
our sex life is out

on the newsstand or something.

Oh, that's not true.

Now, come on.

Are you that embarrassed?

Yes.

People look at me funny,like I did something wrong.

I don't know if I
can handle this, Jen.

I want to be able to, butI just don't know any more.

I'm just going to have to takesome time and think about it.

Nick, is there
anything that I can do?

No.

I'll be in touch.

Come in.

You wanted to see me, sir?

Sit down.

Officer Oaks, I've asked fora formal board of inquiry

into your recent behavior.

As of today, you're
suspended indefinitely

from this police force.

On what grounds?

Conduct unbecoming anofficer, among other things.

What?

Conduct unbecoming an officer?

That's right.

And if I have anything
to say about it,

you'll never wear anotherpolice uniform again.

Now, give me your
gun and your badge.

There-- there areofficers on this force who

openly cheat on their wives.

I know and you all know officers
who pick up prostitutes,

and not for arrest.

And you call what I've doneconduct unbecoming an officer?

These men have
hurt other people,

and I haven't hurt anybody.

What I did I did on my own time,and it only has to do with me.

Am I excused now?

Yes, you are.

Come on.

Unbecoming behavior.

Coming from those
guys, that's a joke.

I can't believe
it's gone this far.

I don't know why
you're so surprised.

What do you mean?

Jennifer, you posed nudein a national magazine.

You're a police officer ina small conservative town.

What did you expect?

I didn't expect for them tothreaten to take away my job.

Look, Jennifer, we'renot in high school anymore.

It's not like you're
going to be kicked

off the cheerleading team.

Well, I know that, Sissy.

You might be kicked
off the police force.

I just don't think you'rebeing realistic about this.

Thanks for all your support.

I'll see you later.

I'm really--

Did you see the
morning papers?

I'm sorry, Mom.

You go ahead.

No, you go.

I-- I'm really sorry about allof this hurting you, you know.

I really am.

But there's nothing I can do.

I feel awful.

Do you know that?

Oh, baby, you're beautiful.

God gave you a
beautiful body, and you

have nothing to be ashamed of.

Don't look back.

You just have to
go on from here.

Fight them.

I've never known you
not to fight back.

I think this time
a little too far.

Nonsense.

They just want you to give up.

Don't you do that.

Oh, Mom.

Oh, Mom.

There's the kid.

Yep.

Great.

Look at this.

Mommy.

What do you think
you're doing, hm?

Hm?

Hey.

Hey!

Come here.

Come here.

Just put that change
up there, will you?

Hey!

Hey!

Hey, hey, come back here.

Let's get him.

Let's get him.

Don't let him get away.

Hey, come out here.

Wait a minute.

Wait up!

Tommy, where are you, honey?

Tommy?

Tommy?

Tommy.

Tommy, who did this to you?

Huh?

Tell me who did this to you.

Some big kids
from junior high.

Oh, baby.

I'm so sorry.

I'm so sorry.

Here we go.

Did you have a nice bath?

Uh-huh.

Well, we'll have some dinner,and then after that I brought

some ice cream for dessert.

I'm not hungry, Mom.

Tommy?

Oh, Tommy.

You didn't do anything wrong.

You know, it was OK foryou to get in that fight.

I just wish you hadn't been putin a position of defending me.

I didn't into a fight, Mom.

They beat me up.

Why did you have to do it?

Because-- because I wanted to.

Why?

Honey, sometimes we do thingsfor reasons that only make

sense to us, you
know, and they don't

make sense to other people.

But we just go ahead
and we do them anyway.

Can you understand that?

I don't know.

When you grow
older, there's going

to come a time when you
do something that I'm

not going to agree with.

And I just hope that
I can understand

that the decision you madewas the right one for you.

I should have shown
you the pictures.

Now, that was a mistake.

Oh, honey.

I am so sorry that
all this has happened.

You know I wouldn't do anythingin the world to hurt you.

You know that, don't you?

Yeah.

Well, don't you ever forgetit because I love you very much.

I love you too, Mom.

What are you going to be if youcan't be a policeman anymore?

I don't know.

What do you think I should be?

A fireman.

Well, I think I'd
have a little trouble

getting that job.

Mom?

Yeah?

I thought your
pictures looked pretty.

Oh, Tommy.

Thank you.

Now, come on.

Let's have some dinner sowe can have some ice cream.

OK?

Ketchup?

Some mustard, too?

Yeah.

Well, I'll certainlydo the best I can for you.

Right now I'm waiting
to hear if the city

manager will hear your case.

As long as the Internal Affairsdivision has the case alone,

you don't stand asnowball's chance in hell.

I mean, they really
want your hide.

They're not only sayingconduct unbecoming an officer.

Now they're saying somethingabout laws on the books, not

being able to take another
job without good reason,

and without having writtenpermission from the captain,

which you didn't get.

When will we hear
if the city manager

is going to hear the case?

Hard to tell.

Week, two, maybe three.

Part of the problem isthis whole thing has caused

quite a stir in the community.

Everybody's taking
sides, speaking out.

It's raising all kinds ofissues-- sexism, women's

rights, hypocrisy, you name it.

Some of that is good for us.

But I'd keep a low
profile if I were

you, at least until we knowbetter what we're up against.

OK.

Listen, I want you
to remember one thing.

You haven't done anything wrong.

Thank you for your help.

Don't thank me yet.

In the meantime, let's
just hope for the best,

and I'll be in touch.

Thank you.

They're going to nail here.

What do they got her on?

You name it.

Moral misconduct,insubordination, improper

dress, whole list of things.

Is that enough
to be dismissed?

It is if they want it to be.

I heard she really lost itwhen they suspended her.

Serves the broad right.

Who the hell does she
think she is, anyway?

I thought she
looked pretty good.

I wouldn't mind a
little of that action.

Hey, hey.

You better keep
your foul mouth shut,

or I'm gonna break your head.

You get my drift?

All right.

I don't want to hear anotherword from any of you guys.

OK, OK.

Larry.

The controversy surroundingthe indefinite suspension

of officer Jennifer Oaksfor posing in this month's

"Centerfold Magazine"
widened today

when Captain David
Buckman announced

he was asking a permanentdismissal of Miss Oaks

from the Labor police force.

An internal board of inquiryhas been called to review

all sides of this unusual case.

In other news, the presidentmade a quick stop in--

Nick!

Hey.

How you doing?

OK.

When are you going to comeand play ball with me?

Soon.

- Tommy, your bus is here.- Go ahead.

See you later, Nick.

See you later.

Bye, Mom.

Bye, honey.

Hey.

I need to talk to you.

Why?

I feel terrible.

I feel like an idiot,
leaving you like that.

I'm sorry.

Nick, please, I don't--

Look, just let me finish.

I've been walking around thelast two weeks like a zombie.

All I've been thinkingabout is you, you and me.

And that's all that
matters is you and me.

I love you.

And I want to marry you.

Nick, you have
terrible timing.

I mean, look at my hair,
and I'm dressed in--

Hey.

Would you marry me, please?

I've wanted you to ask me thatquestion since I first met you.

And now, you know this is reallya tough time for me right now.

And I've got to sort
some things out.

You know, I have
to get my job back.

That's very important to me.

And I can't marry
you right now, when

I'm going through all this.

I don't think it's fair.

Can you wait?

I can wait as
long as it takes.

Aren't you the girl thatposed in "Centerfold?"

Yeah.

Well, look, we think whatyou did is fine, just fine.

We really do.

Thank you.

Well, I really hope
you get your job back.

They had no right to fire you.

I hope I get it back, too.

Well, bye now.

Bye.

And good luck.

Thank you.

I saw another one of
those billboards today.

Yeah, me too.

How are my chances
looking this week?

Oh, Nick.

I'm still feeling so frustrated.

Not so good, huh?

I feel like I'm in limbo.

I feel like if I
don't get my job back,

I'm going to have to
look for something else.

And you don't want a wifewithout a job, do you?

I want you any
way I can get you.

I love you.

I promise it'll be soon.

Yes, well, we're
still trying to get

the city to rule on your case.

First amendment
rights violation is

the way it's being presented.

How long is it going to take?

I'mbringing the case up tomorrow.

Right now the chances are 50/50of you getting your job back.

OK, I understand.

Look,
Jen, I'm trying my best.

Just keep your fingers crossed.

Bye.

Thanks, Steve.

Bye.

Come here.

Let me make sure
your hair is OK.

You be good.
- OK.

OK.

Goodbye.

Bye, Mommy.

Bye, Tommy.

If thatdiamond ring turns brass,

Daddy's gonna buy
you a looking glass.

Hi, Chris.

Hi.

What are you doing here?

Orders.

Jen, I have to give you this.

Oh, Chris, I don't believe it.

It could be rightthere, right before your eyes.

It could be right there, itcould take you by surprise.

It could be someone
you never really liked.

Love could be right before--

Look for that open
door, Love could

be right before your eyes.