Original subtitles

CAPTIONING FUNDING BY WARNER BROS., INC.

Advertise your product or brand here contact www.OpenSubtitles.org today

� I THINK YOU'VE BECOME THE ONE I NEED �

� IT'S STILL LIKE A DREAM TO ME �

� YOU CAME AND YOU CHANGED MY LIFE �

� IN FRONT OF ME �

� IT'S STILL LIKE A DREAM... �

[DOORBELL BUZZES]

YES?

ELKE?

NO.

MR. BEN AMI,

DOES ELKE LINDSTROM WORK THERE?

THIS IS A FRIEND.

YES, BUT--

A FRIEND FROM STOCKHOLM.

SHE'S ON VACATION.

LEFT THIS MORNING.

OH, DEAR.

HER MOTHER ASKED ME TO BRING

THESE CLOTHES AND RECORDS FOR HER.

[BUZZ]

� ALWAYS IN LOVE �

� ALWAYS IN LOVE �

� YOU'LL ALWAYS BE A PART OF ME �

� ALWAYS IN LOVE �

� ALWAYS IN LOVE... �

THANK YOU.

YOU'RE VERY KIND.

WON'T YOU COME IN?

I HAVE A CAR WAITING.

MAYBE ANOTHER TIME?

MAYBE.

WHEN ELKE GETS BACK, PLEASE ASK HER TO CALL ME.

KATRIN FROM STOCKHOLM.

OK.

YOU MUST BE GABRIEL.

JA.

ELKE'S TOLD ME ALL ABOUT YOU.

SEE YOU WHEN ELKE'S BACK.

OK.

GOOD-BYE. BYE.

� ALWAYS IN LOVE... �

[SPEAKING IN GERMAN]

� ALWAYS IN LOVE �

� ALWAYS IN LOVE �

� ALWAYS IN LOVE �

YOU FOLLOWED YOUR REGULAR ROUTE?

YES. THE SAME EVERY DAY.

YOU KNEW GABRIEL?

I'VE TOLD THE POLICE--

WE WISH TO HEAR IT OURSELVES.

YES, I KNEW HIM.

THAT HIS FATHER WAS AN ISRAELI DIPLOMAT?

YES.

YOU WERE GIVEN NO SECURITY INSTRUCTIONS?

THE INSPECTOR IS HERE WITH THE RECONSTRUCTION.

WAIT HERE.

AH, MR. LITVAK,

THIS RECONSTRUCTION WAS MADE

BY OUR MOST SENIOR BOMB TECHNICIAN

WITH HIS OWN HANDS. PERSONALLY.

GENIUS.

THEY CALLING THIS THE BIKINI BOMB.

THE BARE MINIMUM.

LIKE ON THE BEACH IN ISRAEL.

YOU GOT FRAGMENTS OF THE ORIGINAL BOMB?

[SPEAKING GERMAN]

[SPEAKING GERMAN]

YOU ARE CALLING THIS LIAISON, MR. LITVAK?

WE GIVE AND YOU TAKE.

IS THIS LIAISON?

AFTER ALL, BETWEEN GERMANS AND JEWS,

WE ARE NORMALIZED.

MIND IF WE BORROW THIS?

IT'S NOT OUR FAULT

THEY HAVE PROBLEMS WITH THE ARABS.

THEY HAVE PROBLEMS WITH EVERYONE.

ALWAYS.

HAVE YOU GOT JERUSALEM?

YES.

GET KURTZ FOR ME. NOW.

ON SHABBAT?

IF NECESSARY, DRAG HIM FROM THE SYNAGOGUE.

HE'S BEEN WAITING FOR THIS.

KHALIL?

KHALIL.

KHALIL'S BOMB,

KHALIL'S SIGNATURE,

AND MARTY KURTZ'S LUCKY DAY.

THEY CALL US TERRORISTS.

WHY?

BECAUSE WE DELIVER BOMBS BY HAND.

WE HAVE NO AMERICAN PLANES.

NO TANKS TO SHELL THEIR TOWNS.

THIS ISRAELI COMMANDER

WHO FIRES INTO OUR CAMPS,

SO OUR WOMEN AND CHILDREN ARE BURNED,

THIS ISRAELI IS CALLED A HERO.

BUT WHEN WE STRIKE BACK WITH OUR HANDS,

WE ARE CALLED TERRORISTS.

IF THE ISRAELIS GIVE US AIRPLANES,

WE'LL GIVE THEM SUITCASES.

WAIT.

YOU PALESTINIANS RUN HISTORY'S RICHEST REVOLUTION.

THAT'S A QUESTION?

A GOOD QUESTION.

WHO'S RIGHT AND WHO'S WRONG?

PLEASE!

THE PALESTINIANS HAVE BEEN WRONGED.

THEY'VE BEEN DRIVEN OFF LAND

THEY'VE OWNED FOR CENTURIES.

SIT DOWN! PLEASE.

IF HE SOLD HIS CLOTHES,

HE COULD AFFORD HIS OWN BLOODY PLANE.

EVEN WITH ONE PALESTINIAN LEFT, WE WILL FIGHT.

WE WILL FIGHT WITH WHAT WEAPONS WE HAVE.

WE ASK THE RETURN OF LANDS TAKEN BY FORCE AND TERROR.

WE ASK FOR JUSTICE.

THAT'S ALL.

I'M SURE WE APPRECIATE

THAT OUR SPEAKER NAMED MICHEL,

HAS COME AT GREAT RISK.

HE WON'T ATTEND SUNDAY'S SEMINAR,

BUT WE HOPE ONE DAY,

HE CAN RETURN FREELY AND WITHOUT SUBTERFUGE.

THANK YOU.

THANK YOU VERY MUCH, MICHEL.

THANK YOU.

THANK YOU.

THE REVOLUTION THANKS YOU.

AND I THANK YOU.

AND A HORNY BLOODY TERRORIST AT THAT.

WE HAVE HAD HIM UNDER SURVEILLANCE

SINCE HE RETURNED FROM ENGLAND.

HE IS KHALIL'S YOUNGEST BROTHER, MICHEL.

KHALIL MAKES THE BOMBS.

MICHEL DELIVERS THEM.

WE KNOW HE AND THE BLOND GIRL

BLEW UP THE HOUSE IN BAD GODESBERG.

HE'S A HANDSOME BOY.

GIRLS? YOU WOULDN'T BELIEVE HOW MANY IN ONE WEEK.

HE STUDIES, LIKES TO SMILE.

IT'S HARD BELIEVING THIS OTHER SIDE OF HIM.

YOU MUST TELL KURTZ.

HE PICKS UP EXPLOSIVES IN ISTANBUL

AND BRINGS THEM BACK TO GERMANY.

WE SHOULD KILL HIM NOW.

"ARAB PIG KILLS ARAB PIG."

HAPPENS EVERY DAY.

TO CATCH A LION--

FIRST TETHER THE GOAT.

FIRST TETHER THE GOAT.

THAT BOY IS OUR GOAT.

IT'S HIS BROTHER KHALIL WE WANT.

COME, TAKE A LOOK.

HE'S ON THE PHONE.

HE'S TALKING TO A GIRL. NO NAME.

WE'LL LET HIM GET THE EXPLOSIVES

AND THEN GET HIM.

HAVE WE GOT THE GIRL?

WE'RE WORKING ON IT.

MR. JEFFRIES, MR. HUMPHRIES, YOUR CALLS, PLEASE.

THREE MINUTES.

HOW'S THE HOUSE?

IS NED OUT THERE?

USELESS NED HAS YOUR COMMERCIAL PRODUCER IN TOW.

HE GOT ME A WINE COMMERCIAL.

SELL OUT, GIRL.

HAWK YOURSELF ROTTEN.

YOU CAN'T EAT PRINCIPLES.

GIELGUD DOES COMMERCIALS.

SO DOES OLIVIER.

JESUS CHRIST.

WHAT?

LOOK. IN THE SECOND ROW,

IN HIS RED BLAZER.

IT'S MICHEL.

THE GUCCI TERRORIST HIMSELF.

RINGS ON HIS FINGERS

AND BOMBS IN HIS POCKETS.

WHAT'S HE DOING HERE?

NOT TO SEE ME.

ACT I BEGINNERS, PLEASE, ON-STAGE.

CHARLIE!

ALL RIGHT. OK.

STAND BY.

TAPE'S GOING.

MY ONE FAITHFUL,

WHAT COMFORT HAVE YOU FOR ST. JOAN?

WHAT DO THEY AMOUNT TO,

THESE KINGS, CAPTAINS, BISHOPS,

LAWYERS, AND SUCH LIKE?

THEY'LL LEAVE YOU BLEEDING TO DEATH,

THEN YOU'LL MEET THEM DOWN THERE.

ON CUE 20, GO.

[CHIMES]

EXCUSE ME.

A PRESSING APPOINTMENT.

O GOD THAT MADETH THIS BEAUTIFUL EARTH,

WHEN WILL IT BE READY TO RECEIVE THY SAINTS?

HOW LONG, O LORD?

HOW LONG?

WILL YOU GET THAT BLOODY BELL CUE RIGHT?

CHARLIE.

YEAH?

THESE JUST CAME.

OH, MY GOD!

THANKS.

THANKS, PAM.

HEY, ORCHIDS!

YEAH.

THEY'RE GORGEOUS.

FROM WHO?

I DON'T KNOW.

CHARLIE.

JUST ONE MOMENT, PLEASE.

YOU'VE GOT THE JOB.

HE'S RIGHT OUTSIDE.

5,000 POUNDS FOR A WEEK ON A GREEK ISLAND.

NOW, NO POLITICS, NO DISARMAMENT SERMONS.

WHO SENT THOSE?

I DON'T KNOW.

I'M SORRY.

CHARLIE!

MAY I CALL YOU CHARLIE?

I'M LESLIE GOLD.

HE TOLD YOU ABOUT MYKONOS?

YES, HE DID.

I HOPE APOLLO WINE IS AS APPEALING

AS OUR APOLLO GIRL.

THANK YOU.

I MUST LEAVE.

I'M VERY PLEASED THAT YOU ARE OUR GIRL.

THANK YOU.

HE'S GOT THE MONEY,

AND IT'S WINE, NOT LAXATIVES.

I'LL CALL IN THE MORNING WITH DETAILS.

CONGRATS!

THANK YOU.

PAM, WHO BROUGHT THE ORCHIDS?

A LAD FROM THE FLORIST.

NO ONE ELSE?

NOT THAT I SAW.

� EYES OF FIRE �

� HELPS ME DRINK THE WINE �

� YOUR DESIRE �

� FLOWS RIGHT THROUGH TO MINE �

� OH, YOUR EYES OF FIRE �

YOU'RE WALKING ALL THE WAY TO MARIPOU?

I'M HEADING FOR THESSALONIKI.

JUMP IN.

APOLLO WINE FOR LOVERS...

D-DA, D-DA, D-DA, D-DA, D-DA...

CUT!

IS THAT MAN IN THE SHOT?

YEAH, MAYBE SO.

GET HIM AWAY.

PHILIP, TALK TO HIM.

NO, I'LL GO.

I HAVE PEOPLE FOR THAT.

MICHEL.

MICHEL?

AREN'T YOU MICHEL?

I'M AFRAID NOT. I'M SORRY.

THEN YOU MUST BE JOSEPH.

JOSEPH?

WITH THE COAT OF MANY COLORS?

OK, THEN I MUST BE JOSEPH.

I'D LIKE YOU TO CALL ME CHARLIE.

HELLO, CHARLIE.

HELLO.

HEY, WE'RE READY.

BACK OFF THAT WAY.

YOU'RE IN OUR SHOT.

WE'RE FILMING, SO IF YOU COULD MOVE...

WATCH THAT MAN.

OF COURSE I WILL.

I'M SORRY.

IS THE REVOLUTION TAKING TIME OFF FOR A TAN?

I'M NOT SURE I UNDERSTAND.

WHERE'S THAT RED BLAZER?

RED BLAZER?

IN NOTTINGHAM? THE WEEK BEFORE LAST?

I THINK YOU MUST CONFUSE ME WITH SOMEBODY ELSE.

I DON'T MISTAKE FACES.

I'VE NEVER BEEN IN NOTTINGHAM.

I'M NOT AN ACTOR.

I'VE MODELED FOR FASHION ADS IN ITALY.

NO ACTOR.

AFTER TWO YEARS AT THE ACADEMY, WE'RE PLAYING EVEN.

YOU'RE A TRUE ACTRESS.

JUST LOOK AS IF THE WINE

WAS MAKING US WANT TO SCREW.

THAT DOESN'T TAKE MUCH ACTING, DOES IT?

SOME WINE.

CHEERS.

EXCUSE ME. I'LL BE BACK.

OF COURSE, BUT...

I'LL BE BACK.

I HAVE TO APOLOGIZE TO YOU.

YOU GAVE ME MY NAME.

PLEASE HAVE A SEAT.

WOULD YOU LIKE A GLASS?

WHAT IS IT?

PUTARI WINE.

WHITE AND COLD.

AS LONG AS IT'S NOT APOLLO.

UH...

I HEARD YOU SPEAK SEVERAL WEEKS AGO IN DORSET.

I WAS IMPRESSED.

IT WAS STUPID TO THINK YOU'D REVEAL YOUR IDENTITY.

I SHOULDN'T HAVE CHALLENGED YOU.

I WON'T DO IT AGAIN.

I SHOULD CALL YOU CHARLIE?

YES.

IS THIS FILMING FOR A TELEVISION COMMERCIAL?

YEAH, BUT THE BOTTLE GETS THE GOOD ANGLES.

TOMORROW, MAYBE YOU'D LIKE TO RUIN ANOTHER SHOT

OR JUST WATCH.

I'D LOVE TO. THANK YOU.

CHARLIE!

CHARLIE, COME ON!

I'LL SEE YOU TOMORROW?

GOOD NIGHT.

READY. ROLL 'EM.

APOLLO WINE. SCENE THREE, TAKE EIGHT.

ACTION.

APOLLO WINE...

GIVE HER A LOOK.

CUT. CUT!

MAKE SURE THE BOTTLE

IS TURNED TOWARD THE CAMERA.

OK, LET'S GO AGAIN.

IT'S AFTER 1:00.

ALL RIGHT. BREAK FOR LUNCH.

LUNCH, EVERYBODY.

CHARLIE, BE BACK BY 2:00.

ALL RIGHT.

DO YOU WANT TO JOIN THEM?

DO YOU WALK?

YES, IN SEVERAL DIRECTIONS AT ONCE.

I WALK, RIDE, EVEN HUNT...

UNTIL I REALIZED HOW AWFUL IT WAS.

I WENT TO FOXCROFT,

THIS VIRGINIA SCHOOL WHERE GIRLS HAVE HORSES.

VERY SOCIAL.

YOU'RE AMERICAN.

CAN'T YOU TELL?

WHERE DID YOU GROW UP?

IN THE MIDDLE EAST.

BROKE MY PROMISE BY ASKING.

JUST SEEING IF THE PAINT'S STILL WET.

I'VE PLAYED LAURA IN THE GLASS MENAGERIE,

JO IN A TASTE OF HONEY,

LADY BRIGHTON IN

THE IMPORTANCE OF BEING EARNEST.

I'VE DONE SHAKESPEARE, AND NOW...

UGH...

MISS APOLLO WINE.

ALL DIFFERENT LIVES.

WITH ALL YOUR DIFFERENT LIVES,

WHICH IS THE REAL YOU?

ACTORS DON'T HAVE MUCH CENTER.

WE'RE BITS OF PEOPLE.

LIKE MY MOTHER'S RAG BAG.

WE STEAL FROM EVERYBODY, SO WATCH OUT.

SO WHO HAVE YOU GOT?

BROTHERS, SISTERS, SIX BOUNCING BABIES?

I DON'T MIND.

I JUST WANT TO KNOW.

I'M BY MYSELF.

I GUESS YOU HAVE TO BE, DON'T YOU?

IN A WAY.

LET'S CUT THE BULLSHIT.

WE BOTH KNOW WHO YOU ARE.

RIGHT?

YES.

YOU'RE HERE FOR ME, AREN'T YOU?

THE REVOLUTION DOESN'T JUST SUNBATHE.

NO, IT REALLY DOESN'T.

CHARLIE!

THEY'RE WAITING ON YOU.

YOU'VE TWO MORE DAYS FILMING.

I'M GOING TO ATHENS ON BUSINESS.

AFTERWARDS I'M DRIVING TO THESSALONIKI.

MEET ME IN ATHENS

AND DRIVE WITH ME.

WHO ARE YOU?

AT THE HOTEL THERE'S A TICKET, MONEY,

AND INSTRUCTIONS ON CONTACTING ME.

CHARLIE, IT'S MY JOB!

DID I SAY YES?

YES! YES!

GET HIM UP.

AND TAKE THOSE CHAINS OFF.

YOU CAN'T DO THIS!

YOU CAN'T TREAT A HUMAN BEING THIS WAY!

TAKE HIS HOOD OFF.

GIVE US SOME LIGHT.

I'M WILHEIM KOLMER.

THESE ARE MY CREDIENTIALS.

INTERNATIONAL RED CROSS.

PAUL TOREN.

NEVER PUT THESE ON HIM AGAIN.

NOW LEAVE US.

MAKE A COMPLAINT AND WE'LL GET ACTION.

WHAT HAPPENED TO YOU AT THE WALL?

YOU CAN ANSWER.

WE'RE INTERNATIONAL RED CROSS.

YOU UNDERSTAND?

IT'S NOT GOING TO WORK.

GIVE HIM A CHANCE.

HE'S NOT BUYING THEM.

THEY WON'T GET ANYTHING.

I NEED JUST 30 MINUTES WITH MY HANDS.

I'VE FOUR DAYS

TO COMPOSE SIX WEEKS OF LOVE LETTERS.

SCHVILI MUST HANDWRITE THEM.

YOU'VE GOT THEIR DIARIES.

HE CAN COPY THE HANDWRITING.

BUT I NEED MORE.

HIS ENGLISH EXPRESSION, HIS IDIOM USE.

DRUGS?

ON DRUGS HIS HANDWRITING WON'T BE TYPICAL.

I NEED HIS NATURAL SCRIPT.

IS THERE A NAME YOU WANT US TO NOTIFY?

ARE YOU CERTAIN?

WE'RE ONLY HERE FOR YOUR PROTECTION.

HE'S MAKING FOOLS OF THEM!

ARE THEY GIVING YOU FOOD?

DO YOU HAVE ANY COMPLAINT

OF PERSONAL TREATMENT?

YOU CAN SAY.

CAN I LOOK?

NOT YET.

WAIT, WHERE ARE WE GOING?

SOMEPLACE VERY SPECIAL...

ALL TO OURSELVES.

OK.

SLOWLY.

A FEW MORE STEPS.

WE'RE ALMOST THERE.

NOW, STOP.

OPEN YOUR EYES.

GOD!

OH, MY GOD!

I'VE SEEN PICTURES OF IT BEFORE, BUT I NEVER--

IT'S INCREDIBLE!

IT'S GREAT!

THOSE COLUMNS LOOK STRAIGHT,

BUT ACTUALLY THEY'RE NOT.

THEY'RE EACH SLIGHTLY CURVED

TO LOOK AS IF THEY'RE STRAIGHT.

DID YOU LEARN THAT TO IMPRESS ME?

I READ IT TODAY.

IT'S A WONDERFUL PRESENT.

SHOULD I THANK YOU?

THANK YOU.

I LIKE THANKING YOU.

SHOULD I THANK YOU AGAIN?

AND AGAIN?

AND AGAIN.

[HORN HONKS]

WHAT'S THE MATTER?

WE MUST GO.

WE JUST GOT HERE.

WE HAVE VERY LITTLE TIME.

HOW LONG CAN IT TAKE?

COME ALONG. QUICKLY, NOW.

CHARLIE, THIS IS DIMITRI.

HE HAS PERMISSION TO STAY UP LATE TONIGHT.

HI, CHARLIE.

WHERE'S OUR TAXI?

WHERE'S MY SUITCASE?

IT'S IN THE TRUNK.

COME ON.

YOU DON'T CARE FOR IT?

SHALL I ORDER ANOTHER?

IT'S HIRED THEN?

IT'S BORROWED FROM A FRIEND.

SOME FAT FRIEND.

FORGIVE US NOSY GIRLS.

IF I'M BEING RECRUITED,

THIS IS A HELL OF A WAY TO DO IT.

YOU ARE WITH US FOR A GOOD REASON.

YEAH, WHO'S "US"?

THE PALESTINIANS?

HEY, SLOW DOWN!

SLOW DOWN!

GUNS FOR SOME SMALL WAR?

NO, CHARLIE.

WHAT? WHITE SLAVES?

NO.

WELL, YOU JUST STOP THIS CAR!

I'M GETTING CARSICK!

I WANT OUT!

YOU CAN GET OUT NOW.

I'M NOT GETTING OUT OF THIS CAR!

HELLO, CHARLIE.

WHO ARE YOU?

MY NAME IS TOBY.

HEY, WHERE ARE YOU TAKING THOSE?

DIMITRI0!

WHATEVER YOUR NAME IS!

PUT THOSE DOWN!

PUT...

PUT THEM DOWN!

DAMN IT! THAT'S MINE!

HEY, MY PASSPORT'S IN THERE!

CHARLIE. HI, CHARLIE.

YOU'RE FINALLY HERE SAFELY AMONG US.

WHAT IS THIS?

MY NAME IS MARTY, NOT LESLIE GOLD.

I TOOK ADVANTAGE OF YOU.

THE WINE COMMERCIAL WAS A TRICK,

AND WE APOLOGIZE.

YOU LYING BASTARD!

CHARLIE, JOSEPH IS THE MOST LOVED

AND LEGITIMATE SON OF HIS COUNTRY.

WHAT COUNTRY?

YES, WELL, CHARLIE...

I'LL ADMIT THAT IS A LITTLE PROBLEM.

LET US SAY FIRST WE ARE DECENT PEOPLE,

CONCERNED LIKE YOURSELF

IN THE DIRECTIONS THE WORLD IS TAKING.

DON'T FOAM AT THE MOUTH

IF I ADD THAT WE ARE ISRAELI CITIZENS.

ISRAELIS?

IS IT YOUR CONVICTION

THAT ISRAEL SHOULD BE SWEPT UNDER THE SEA?

DO YOU FEEL YOU ARE AMONG ENEMIES?

ANYBODY WHO KIDNAPS ME IS A FRIEND!

YOU JUST WAIT A MINUTE!

YOU'VE GOT THE WRONG GIRL.

I'M NOT A JEW!

I AM PRO-PALESTINIAN!

WE RESPECT YOUR POLITICS.

GIVE THE ARABS BACK

THE LAND YOU STOLE FROM THEM.

WHERE WOULD YOU HAVE US GO, CHARLIE?

MAYBE CENTRAL AFRICA OR URUGUAY?

NOT EGYPT, THANK YOU.

WE TRIED IT ONCE UNSUCCESSFULLY.

OR BACK TO THE GHETTOS.

I JUST WANT PEACE.

SO DO WE.

THAT'S WHY WE CHOSE YOU.

FOR WHAT?

TO OFFER YOU AN ACTING JOB.

IN WHAT?

IT'S THE BIGGEST PART YOU'VE EVER HAD.

THE MOST DEMANDING AND IMPORTANT.

AM I SUPPOSED TO KILL ARABS?

WE WOULD NEVER ASK THAT.

CHARLIE...

HEAR US OUT.

IF AFTER THAT YOU WANT TO GO,

YOU'RE FREE.

DO I HAVE A CHOICE?

AFTER THE AUDITION.

WHAT SORT OF AUDITION?

YOU WILL ANSWER A STRING OF QUESTIONS VERY FRANKLY,

VERY TRUTHFULLY.

DON'T EVALUATE.

IF YOU STILL WANT TO LEAVE AFTER THAT,

AS JOSEPH INDICATED,

YOU WILL HAVE THAT OPTION.

UH-HUH.

ALL RIGHT.

LET'S GET ON WITH IT.

WE BEGIN WITH A LITTLE FAMILY HISTORY.

YOUR FATHER BORN, WHEN?

MY FATHER?

OH, GOD.

UH...

1925.

THE HEADMISTRESS SENT FOR YOU.

SO, WHAT DID SHE SAY?

WAIT A MINUTE.

"PACK YOUR THINGS, GOOD-BYE, GOOD LUCK,"

AS FAR AS I REMEMBER.

NO EXPLANATION OF WHY THEY ASKED YOU TO LEAVE?

IT WAS A SCANDAL.

THE TUITION HADN'T BEEN PAID.

THEY'RE IN BUSINESS.

LET'S CALL THIS A DAY OR A NIGHT.

YOU SAID YOU RETURNED HOME TO...

CHAOS. POLICE SWARMING THE HOUSE,

MY MOTHER CRYING.

WHERE WAS YOUR SISTER?

SHE WAS PREGNANT, AS USUAL.

SHE WASN'T PREGNANT THAT YEAR.

I DON'T REMEMBER!

IT WAS TEN YEARS AGO!

MAYBE SHE COULDN'T FACE IT.

THE DISGRACE OF YOUR FATHER'S TRIAL?

WHAT ELSE WAS THERE?

CONTINUE IN YOUR OWN WORDS.

WHAT ELSE DO WE SEE?

MY PONY. THEY TOOK MY PONY.

WHERE'S YOUR FATHER?

IN PRISON. I TOLD YOU.

YES. OF COURSE, YOU TOLD ME.

LET'S SEE...UM...

THE VISIT.

WHO TOOK YOU ON VISITING DAY?

I NEVER WENT.

I TOOK CARE OF MY MOTHER.

THE PRISON...

CHRIST, I COULD NEVER VISIT.

I REMEMBER...

WHEN HE SHOWED UP...

WE'D MOVED TO BALTIMORE.

WE WERE ON WELFARE,

AND HE JUST SHOWED UP A MONTH EARLY.

HE LOOKED SLIMMER, YOUNGER,

HE GAVE ME A HUG

AND WEPT.

MOTHER WAS UPSTAIRS, TOO SCARED TO COME DOWN.

I REMEMBER.

HE WAS FUNNY ABOUT THE DOORS.

HE COULDN'T OPEN THEM.

HE'D JUST...

HE'D GO UP TO THEM AND THEN HE'D...

STAND AT ATTENTION WITH HIS FEET TOGETHER, HIS HEAD HELD DOWN,

AND HE'D WAIT FOR THE GUARD TO UNLOCK THE DOOR.

THE FIRST TIME I SAW IT,

I SCREAMED AT HIM TO OPEN THE GODDAMN DOOR.

YOU GAVE AN INTERVIEW,

THE IPSWICH PAPER,

DESCRIBING STANDING OUTSIDE HIS CELL BLOCK, WAVING TO HIM.

I WAS... SAUCING IT UP.

YOUR AGENT SAID

YOUR FATHER DIED IN PRISON, NOT AT HOME.

MORE SAUCING IT UP.

THAT'S NED TALKING, NOT ME.

HOW AM I DOING?

SO? WHAT? DOESN'T ANYBODY SLEEP AROUND HERE?

NO, HUH?

[TELETYPE PRINTING]

THAT WEEKEND FORUM IN DORSET--

YOU MENTIONED KHALIL.

IT WASN'T THAT SERIOUS.

HOW MANY TIMES DID YOU SEE HIM?

ONCE, A COUPLE?

WOULD YOU REVISE IT?

FOUR?

A COUPLE.

THAT'S WHAT I SAID.

SIGN ANYTHING?

STATEMENTS? PETITIONS?

NO.

THERE'S ALWAYS A RESOLUTION TO SIGN.

BE REASONABLE.

UH, I...

TELL US, WHAT WAS DISCUSSED?

I DON'T REMEMBER.

HER DIARY DESCRIBES FOUR.

WHERE'D YOU GET THAT?

FOUR? CHARLIE'S LOSING MY CONFIDENCE.

HE HAS NO RIGHT TO TAKE MY DIARY!

I DON'T WANT THIS!

I HATE THIS AND I HATE YOU!

I'M GETTING OUT!

YOU TOLD ME I COULD LISTEN AND LEAVE.

I WANT OUT NOW!

YOUR OPTIONS OPERATE ONLY WHEN WE INVITE YOU.

YOU'VE KEPT ME THE WHOLE GODDAMN NIGHT!

THERE'S DISCREPANCIES.

YOUR FATHER NEVER WENT TO PRISON.

NO DEPUTIES, NO PONY TAKEN FROM YOU.

YOU ATTENDED PUBLIC SCHOOL IN IOWA,

NOT A FANCY PRIVATE SCHOOL IN VIRGINIA.

YOUR FATHER WORKED UNTIL HE DIED IN A MORTGAGE OFFICE.

YOUR ONLY SCANDAL WAS A SCHOOL SUSPENSION

FOR BEING TOO AVAILABLE TO THE LOCAL BOYS.

WHY DO YOU LIE TO US?

WHY NOT TRUST US?

TRUST? YOU BASTARD!

YOU'RE THE ONE!

YOU FUCK, YOU!

YOU BASTARD!

THREE MINUTES, NOT MORE.

SHE DOESN'T PUT ON SOME NEW IDENTITY,

SHE COMES BACK IN!

CHARLIE, STOP FOR A MINUTE.

WAIT!

I SAID, STOP!

YOU DID WELL.

CONGRATULATIONS.

YOU TOOK A DIVE, BUT YOU RECOVERED.

YOU LOST YOUR WAY,

BUT YOU HUNG IN THERE.

WHEN THE LINE BROKE, YOU BLAMED THE WORLD.

WE'RE PROUD OF YOU.

NEXT TIME, YOU'LL TELL A BETTER STORY.

HURRY BACK. TIME IS SHORT.

MONTY.

YES?

THE ATHENS EMBASSY HEARD FROM JERUSALEM.

FOR YOUR EYES ONLY.

SHE'S EVERYTHING WE WANT--

BRIGHT, CREATIVE, UNDERUSED, ROMANTIC...

AND A LIAR.

TONIGHT SHE LIES FOR HERSELF.

TOMORROW SHE LIES FOR US.

DO WE WANT AN ANGEL SUDDENLY?

NOW LISTEN TO THIS.

MISHA GAVON SAYS WE ARE TO POSE AS AMERICANS.

ISN'T THAT NICE?

"ON NO ACCOUNT WILL YOU ADMIT TO HER

"THAT YOU ARE ISRAELI SUBJECTS

ACTING IN OFFICAL OR NEAR OFFICAL CAPACITY."

I LOVE IT.

THAT'S HELPFUL, HUH? AND SO TIMELY.

CABLE THEM "YES"-- REPEAT "NO!"

TIME FOR YOU TO TAKE OVER.

HE HAS LOST IT.

I KNOW THE SIGNS.

HE'S A GREAT FIGHTER.

I NEVER KNEW ANYONE BETTER

FOR DARK NIGHTS EXCEPT YOU.

WE SHOULD'VE USED THE JEWISH GIRL.

SURELY, THEY'LL CHECK HER PAST.

WE NEED THE GENUINE ARTICLE,

NOT AN IMPERSONATION.

SHE WON'T TOW THE LINE.

THEY BOTH WILL.

BOYS, GIRLS, GIVE HER MORE SUPPORT.

MORE WARMTH NOW...

A FAMILY SHE CAN JOIN.

SO, CHARLIE?

SO?

I LIED. THAT MAKES US EVEN.

HOW DOES THAT AFFECT MY POLITICS?

THEY MIGHT ALSO BE LIES.

GODDAMN IT!

I BELIEVE IN THINGS.

I BELIEVE IN ENDING SUFFERING.

WHAT HAVE YOU DONE, REALLY?

GOTTEN YOURSELF FILMED

IN ONE DEMONSTRATION OR ANOTHER

IN TRAFALGAR SQUARE.

YOU MADE THE EVENING NEWS,

SITTING IN FRONT OF A BUS,

READING ALOUD FROM CHE GUEVARA.

WHAT HAVE YOU DONE BESIDES TALK?

NOT A THING.

YOU WANTED TO STOP THE KILLING.

FINE, SO DO WE.

WHAT HAVE YOU DONE?

WHAT WOULD YOU DO?

TELL ME.

CHARLIE.

LISTEN TO ME, CHARLIE.

BOTH SIDES HAVE THEIR MADMEN, THEIR EXTREMISTS.

THEIRS WOULD DRIVE US INTO THE SEA.

OURS WOULD WIPE THEM OUT.

THEY HAVE THE WEAPONS.

SOME ON BOTH SIDES WANT TO COME TOGETHER,

WANT A PALESTINIAN HOMELAND BESIDE US.

I DO.

THE KILLINGS MADE ME LEAVE.

I'M BACK BECAUSE I DON'T WANT MADMEN IN CHARGE.

DO YOU?

NO.

DO YOU WANT TO BLOCK TRAFFIC

IN TRAFALGAR SQUARE,

OR DO YOU REALLY WANT TO HELP?

SO THAT ROMANTIC TOUR OF GREECE

WAS JUST A COME-ON, WASN'T IT?

I WANT VERY MUCH

TO MAKE THAT TOUR WITH YOU, CHARLIE.

THE AUDITION'S OVER, CHARLIE.

THE PART IS YOURS,

IF YOU WANT IT.

OR YOU'RE FREE TO LEAVE NOW.

WHO DO I PLAY?

YOURSELF.

WE TAKE CARE OF THE PLOT.

JOSEPH PLAYS MICHEL AND WRITES DIALOGUE

WITH HELP FROM YOU.

YOU HAVE A FEW HOURS TO SLEEP

AND A BIG PART TO LEARN.

SO, GO TO BED.

RACHEL WILL WAKE YOU WHEN IT'S TIME.

WHO'S THE REAL MICHEL?

YOU MET HIM.

HE WORE A SKI MASK

AND LECTURED TO YOU IN DORSET.

YOU'LL MEET HIM AGAIN.

SO, GOOD NIGHT.

SO, GOOD NIGHT TO YOU, TOO.

YOU HAVEN'T LOST YOUR TOUCH.

SHE'S GOING TO DO IT FOR YOU.

YOU DECIDE HOW TO PLAY WITH HER EMOTIONS.

YOU MIGHT GET CLOSE.

YOU MIGHT PLAY DISTANCE.

THIS ONE IS DISTANCE.

GOOD LUCK TO YOU.

GOOD LUCK, EH?

CHARLIE.

HUH?

WAKE UP, CHARLIE. IT'S TIME.

OHH.

WHAT TIME IS IT?

IT'S 11:00.

YOU'VE HAD FOUR HOURS.

I BOUGHT YOU A DRESS. ALSO NEW UNDERCLOTHES.

LOOK AROUND. REMEMBER THIS ROOM.

WE HAD A WONDERFUL DINNER LAST NIGHT.

PUTARI WINE, WHITE AND COLD.

LOBSTER.

WHO ARE YOU?

FROM NOW ON, I'M MICHEL.

YOU'LL BE PLAYING YOURSELF.

WE'RE ACTING OUT A LOVE AFFAIR.

THIS IS WHERE WE SPENT THE NIGHT.

WE VISITED THE ACROPOLIS.

WE HAD IT TO OURSELVES.

THEN WE CAME HERE.

WE MADE VERY PASSIONATE LOVE, VERY FRENZIED.

HOW DO YOU RATE?

I'M IMPRESSIVE.

LACKING IN IMAGINATION, BUT VERY ENTHUSIASTIC.

SORRY I SWIPED YOU, JOS.

FEEL UNDER THE PILLOW.

THERE.

OH, MY GOD.

IT'S AN AUTOMATIC.

A GIFT FROM MY BROTHER KHALIL,

WHO IS LIKE MY GOD.

IT SERVES A BAD WISH SLEEPING.

WE CALL IT CHIVE.

IT'S THERE DURING LOVEMAKING.

WE NEVER FORGET IT.

THAT'S HOW WE LIVE.

HURRY AND GET DRESSED.

[DOORBELL BUZZES]

HAS HE TALKED YET?

NOT A PEEP.

NOT A SOUND?

SOUND, YES. SPEECH, NO.

WHAT'S HIS CONDITION?

HE'S VERY TIRED.

FOR THREE DAYS

HE'S HAD SEVEN NIGHTS AND FIVE HOURS OF SLEEP.

HE ONLY TAKES WATER.

WE HAVE CHARLIE'S LETTERS?

A FEW WITH SOME INFORMATION.

SCHVILI'S WORKING ON THEM.

YOU'RE CHECKING THE MAIL AT HIS FLAT?

TWICE A DAY.

I CAN SHOW YOU THEIR LOVE STORY--

ATHENS TO THESSALONIKI,

BUT WHAT ABOUT THE CAR AND EXPLOSIVES?

WHO HE WAS PLANNING TO CONTACT, WHEN?

IT'S A PROBLEM IF WE CAN'T BREAK HIM.

YOU HAVE A TAPE OF A BEATING?

YEAH.

A BAD ONE?

WE'LL USE IT TOMORROW.

GIVE HIM MORE SLEEP TONIGHT.

LET HIM FEEL FORGOTTEN.

YOU PEOPLE NEED PATIENCE, HUH?

LISTEN TO ME.

I AM MICHEL.

NO! NO, NOT AGAIN.

CHARLIE.

I'M TIRED OF MICHEL.

GIVE HIM A BREAK.

BE JOSEPH FOR TONIGHT.

THERE ISN'T TIME.

SOON OR LATER YOU'LL BE QUESTIONED ABOUT TONIGHT.

OK. ALL RIGHT. SO YOU'RE MICHEL.

I'M MICHEL,

BUT MY ARAB NAME IS SALIM.

I'M FROM A SMALL VILLAGE

CLOSE TO THE TOWN OF KHALIL,

WHICH THE JEWS CALL HEBRON.

KHALIL--SAY IT.

KHALIL.

YOU'RE BROTHER'S NAME.

MY FATHER WAS THE CHIEF OF THE VILLAGE,

WHERE OUR FAMILY LIVED FOR CENTURIES.

MY FATHER ADMIRED THE JEWS.

MY BROTHER AHMED REMEMBERED WATERING GRANDFATHER'S HORSE

AND HEARING WONDERFUL STORIES

FROM JEWISH TRAVELERS AND PEDDLERS.

IN 1948 MY GRANDFATHER SOLD HIS HORSE

TO BUY RIFLES TO SHOOT ZIONISTS

WHEN THEY ATTACKED OUR VILLAGES.

ZIONISTS SHOT MY GRANDFATHER INSTEAD.

THEY MADE MY FATHER WITNESS HIS DEATH.

MY FATHER, WHO BELIEVED IN THEM.

IS THAT TRUE?

DO YOU KNOW DAL YISSIN?

NO.

IN THAT VILLAGE ON APRIL 9th, 1948,

254 WOMEN, OLD MEN, AND CHILDREN

WERE BUTCHERED BY ZIONIST TERRORISTS

WHILE THE MEN WORKED IN THE FIELDS.

IN DAYS 500,000 PALESTINIANS

HAD FLED THEIR OWN COUNTRY.

BUT OUR VILLAGE STAYED

ON MY FATHER'S COMMAND UNTIL 1967.

THAT'S WHEN THE ISRAILI TANKS

CAME TO FLATTEN OUR HOUSES,

MAKING ROOM FOR THEIR SETTLEMENTS.

SO WE LEARN TO FIGHT ZIONISTS.

DO YOU KNOW WHO SAID,

"I FIGHT, THEREFORE I EXIST?"

HE'S A POLISH TERRORIST.

KILLED MANY BRITISH AND PALENSTINIANS.

THIS PROUD WINNER OF THE NOBEL PRIZE FOR PEACE.

HE'S THE PRIME MINISTER OF MY COUNTRY PALESTINE,

WHICH THEY STOLE AND NOW CALL ISRAEL.

I LOVE YOU. SHARE MY CAUSE.

WHO ARE YOU?

DOES IT PLAY?

YES. IT PLAYS.

KEEP IT.

SOUVENIR OF THIS WONDERFUL NIGHT.

WHERE WERE YOU DURING ALL OF THIS?

YOU, JOSEPH.

I WAS IN THOSE ISRAELI TANKS IN 1967, CHARLIE.

AHH!

PLEASE!

PLEASE!

STOP RIGHT HERE!

YOU'RE NOT TAKING HIM ANYWHERE.

GET AWAY. WE LEAVE NOW!

THE GENEVA PROTOCOL--

SHOVE GENEVA PROTOCOL!

DO NOTHING UNTIL I SEE THE AUTHORITIES.

ALL RIGHT!

LET'S GO.

COLONEL HERSCH, I WANT TO TALK TO YOU.

WE HAVE A COMPLAINT.

WHAT IS IT?

WE HAVE SEEN THIS MAN'S BROTHER KHALIL KASSAN.

THEY NEARLY BEAT HIM TO DEATH.

LAST NIGHT WAS AN ACCIDENT.

HE WAS SAVAGELY TORTURED!

KHALIL KASSAB IS A MURDERER!

I'VE NO SYMPATHY.

YOU WILL BE RESPONSIBLE THEN

FOR A RED CROSS PUBLIC CONDEMNATION!

MY NAME IS COLONEL HERSCH.

I HAVE A FEW QUESTIONS TO ASK YOU.

YOU ARE SALIM KASSAB?

YOU WERE SEIZED BY THE IDF

FOR YOUR CRIMES AGAINST ISRAELIS.

YOU WERE FOUND POSSESSING THE AUTOMATIC

GIVEN TO YOU BY YOUR BROTHER KHALIL KASSAB.

WILL YOU CONFIRM THAT YOU ARE SALIM KASSAB?

OK. YOU HAVE BEEN A BRAVE BOY.

11 DAYS AND NOT A WORD.

MANY DON'T LAST AN HOUR.

BUT YOU KNOW...

EVERYONE TALKS.

ARE YOU SALIM KASSAB?

PLEASE.

CAN I SEE MY BROTHER, PLEASE?

GOT HIM!

I HOPE WE CAN ARRANGE THAT.

MARTY'S GETTING IT ALL.

THE BOY'S A FOUNTAIN.

KHALIL'S PEOPLE WILL GET THE CAR IN LIVNITZ.

SHE'LL PUT THE KEYS IN THE TAIL PIPE.

HE'S SIGNING OUT.

WILL THEY EXPECT A GIRL TO BE DRIVING?

HE'S USED THEM BEFORE.

TELL MARTY TO STAND BY.

HERE'S SOME MORE.

PARK, PUT THE KEYS IN THE TAIL PIPE,

GO TO MUNICH.

WHAT'S IN THE CAR?

IT'S NOT DANGEROUS.

WHAT'S IN THE CAR?

EXPLOSIVES.

200 POUNDS OF RUSSIAN PLASTIC EXPLOSIVES.

WHERE DID THEY HIDE IT?

IT'S BEEN THERE ALL ALONG.

OH, MY GOD! WHERE?

UNDER SEATS, IN THE ROOF...

WHAT'S IT FOR?

THE CAUSE. DON'T USE THE RADIO.

YOU'RE JOKING.

YES, I AM.

WELL, DON'T!

SHE'S ALL YOURS, CHARLIE.

WHOSE ARE THESE?

THOSE WERE HIS.

I'LL BE EMBALMED IN ARAMIS.

LOOK AT THE PAPERS ONCE MORE.

I KNOW THEM.

THE BORDER IS FOUR KILOMETERS NORTH.

IT'S 700 MILES THROUGH YUGOSLAVIA.

YOU'RE EXPECTED IN TWO DAYS.

STATION ON THE SQUARE,

KEYS IN THE TAIL PIPE, MUNICH.

I DO HAVE A MIND.

IT'S ALL RIGHT. I KNOW WHAT I'M DOING.

� WHEN YOU'RE ALONE... �

� YOU CAN ALWAYS GO �

� DOWNTOWN �

� WHEN YOU'VE GOT WORRIES... �

TELL MEIR THE PACKET'S POSTED.

HOW MUCH TIME HAS SHE GOT?

SHE PASSED THE BORDER 10 MINUTES AGO.

SHE MIGHT MISS THE TRAIN.

GIVE AN ALERT. KEEP IT IN GERMAN.

[SPEAKING GERMAN]

[SPEAKING GERMAN]

[SPEAKING GERMAN]

JA.

[SPEAKING GERMAN]

[SPEAKING GERMAN]

[SPEAKING GERMAN]

JA.

[SPEAKING GERMAN]

[SPEAKING GERMAN]

SHE'S HERE.

GOOD.

SHE'S IN TIME FOR THE TRAIN.

HAVE TOBY MAKE SPACE.

[SPEAKING GERMAN]

NEIN, NEIN, NEIN!

AMERICAN?

YEAH.

WHO IS THAT?

WHO IS HE?

[SPEAKING GERMAN]

AMERICANA.

HE'S AN AMERICAN.

JULIO, MOVE IN.

[SPEAKING GERMAN]

JUST COME ON OUT.

BEN, COVER.

[SPEAKING GERMAN]

BACK...

OK, NOW BACK.

FORWARD.

PARKING'S NEVER BEEN MY STRONG SUIT.

I COULD TELL.

YOU'RE FROM AMERICA?

UH-HUH. FROM IOWA.

IOWA! NEBRASKA! WE'RE ALMOST NEIGHBORS.

WE SHOULD CELEBRATE.

LET'S GET A DRINK.

I'VE GOT A TRAIN TO CATCH.

HERE.

NO, NO, NO.

HEY, NO PROBLEM.

TO THE STATION?

YEAH.

THE KEYS.

SHE DIDN'T LEAVE THE KEYS.

MY COAT. I'LL BE BACK.

GOOD GIRL.

JULIO, STAY WITH HER.

[SPEAKING GERMAN]

WHERE YOU HEADED?

ME? OH, GRASSE.

ODED, MIDDLE DISTANCE.

[SPEAKING GERMAN]

IT'S A LONG STORY.

DON'T GET ME STARTED.

THERE'LL BE A LATER ONE.

NOT FOR ME.

TOO BAD. NO BRIEF ENCOUNTER.

I'M AFRAID THAT'S JUST WHAT YOU GOT.

HERE.

BYE.

[SPEAKING GERMAN]

PASSENGER ON BOARD.

[SPEAKING GERMAN]

THE CUSTOMER'S JUST A PEDESTRIAN.

[SPEAKING GERMAN]

A MOTORCYCLE JUST CIRCLED AROUND TWICE.

THE LION MAYBE TAKES A SNIFF.

[SPEAKING GERMAN]

CUSTOMER'S BACK.

ANOTHER SNIFF.

ALBERT LUIGI ROSSINO.

BORN ROME, 1956.

I ALWAYS SAID THE SON OF A BITCH WAS RED BRIGADE.

SEND THAT TO JERUSALEM.

[SPEAKING GERMAN]

THE DRIVER'S A GIRL.

SHE COULD BE THE BLONDE

THAT BLEW UP THE HOUSE IN BAD GODESBERG.

[SPEAKING GERMAN]

TRAIN COMING.

ROSE, WHERE IS YOUR CUSTOMER?

GO AFTER HER.

[SPEAKING GERMAN]

[SPEAKING GERMAN]

SHE'S GONE.

GONE?

WHERE THE HELL'S HE GOING?

[SPEAKING GERMAN]

CUSTOMER'S LEAVING.

WHERE?

SHE'S IN THE CAR. EVERYBODY GO.

[SPEAKING GERMAN]

THEY SPLIT UP.

COMPANY FAVORS THE LADY.

[SPEAKING GERMAN]

PICK HER UP AS SOON AS IT'S SAFE.

[SPEAKING GERMAN]

CHARLIE, WE OWE YOU AN ORCHID.

WAIT A MINUTE.

LET ME FINISH THIS.

I HAD WINE IN A SACK.

WHEN I BENT OVER,

MY SKIRT OPENED LIKE A BOOK.

I'LL LET THESE POOR BORDER GUARDS

SEE A FLASH OF THIGH.

I THOUGHT I'D BEEN SHOT!

THIS BOY STAMPED ME WITH HIS PASSPORT STAMPER!

I'LL SHOW YOU.

RIGHT?

OH, CHARLIE, YOU ARE GREAT!

YOU ARE INCREDIBLE!

SHALOM.

WE DO THE LETTERS NOW.

TIME GOES.

DOESN'T A TRAINED SEAL GET A SARDINE?

WE WROTE THESE FOR YOU.

YOUR LETTERS TO MICHEL.

HE SAVED THEM. READ THEM.

YOU WANT MY FINGERPRINTS?

YES. VERY SHARP.

THEY SHOW YOU'VE WRITTEN HIM SINCE NOTTINGHAM.

ALL RIGHT. OK.

HA HA! OH, MY GOD.

OH, PLEASE. OH, NO!

SHE'S A LUSTFUL BITCH, ISN'T SHE?

IT'S MY HAND.

ABSOLUTELY MY HAND.

IT DID RAIN IN NOTTINGHAM.

HOW'D YOU KNOW THAT?

OK. WAIT.

OH, NO.

OH, SHE'S SHAMELESS.

THIS IS AWFUL!

WHAT IS IT? WHAT'S GOING ON?

IT'S TIME TO MEET THE REAL MICHEL.

JUST FOR PRECAUTIONS, PUT THESE GLASSES ON.

IF YOU GET SEASICK,

REMEMBER HE KILLED MANY INNOCENT HUMANS.

EVERYBODY HAS A HUMAN FACE.

HE'S NO EXCEPTION.

GOOD LOOKS, TALENT, POTENTIAL...

ALL WASTED.

DON'T TALK TO HIM.

WE'LL DO THAT.

LOOK AT HIS HANDS.

HE WAS GOING TO BE A CARPENTER.

NOW HE'S A GREAT INTELLECTUAL.

LOTS OF MONEY, GIRLS, GOOD FOOD, SOFT HANDS...

YOU'RE A GREAT INTELLECTUAL.

RIGHT, LITTLE FELLOW?

YOUR GIRLS DO YOUR WORK.

ONE GIRL HE USED AS A BOMB.

I GUESS SHE NEVER KNEW SHE'D DONE IT.

YOU WANT TO SPEAK TO THIS LADY?

WELCOME HER TO OUR VILLA.

TELL HER GOOD EVENING, LITTLE FELLOW.

GOOD EVENING.

DON'T ANSWER.

GOOD EVENING, MA'AM!

GOOD EVENING, MADAM.

HAVE HIM WRITE SOMETHING.

SEE HOW HE WRITES?

ARAB STYLE.

ARABS AND JEWS WRITE FROM THE WRONG SIDE.

MAYBE ONCE YOU FOUND HIM DOING HIS ACCOUNTS.

SO THAT'S HOW HE LOOKS.

CHARLIE.

DEAR.

WE HAVE ONE FURTHER STAGE OF THIS THING.

WE MUST GO THROUGH WITH IT NOW,

EVEN IF IT COSTS A LITTLE EFFORT.

COME ON. GET UP.

PLEASE...

BIRTHMARK.

KNIFE WOUND.

TURN HIM AROUND.

PLEASE, SIR.

APPENDIX SCAR.

PLEASE.

FEET.

JORDANIANS DID THIS TO HIM AS A BOY.

TORTURE BY WHIPPING SOLES. ARAB SPECIALTY.

THAT'S ENOUGH.

GET HIM DRESSED.

YOUR LETTERS TO MICHEL

WILL BE PLANTED IN HIS APARTMENT.

THEY WILL LEAD HIS FRIENDS TO YOU.

MAYBE A WEEK, A MONTH, OR MORE.

WHENEVER THEY MAKE CONTACT,

PUT ON THIS RED SCARF...

AND WE'LL GET TO YOU.

WILL YOU KILL HIM?

I'VE KILLED ALL THE ARABS I EVER WANT TO KILL.

KEEP THIS WITH YOU.

IT'S A RADIO. IT'S IMPORTANT.

HIS LETTERS TO YOU ARE IN YOUR DESK.

MICHEL SAID TO HIDE THEM,

BUT CARRY THEM WITH YOU.

EMERGENCY SIGNAL?

WHAT WAS THE QUESTION?

IF THERE IS AN EMERGENCY...

THE RED SCARF.

AND I KNOW THE HEMPSTEAD NUMBERS.

AND I LOVE YOU.

THOUGHT I'D MENTION IT IN CASE ONE OF US DIED.

HER NAME IS LINSTROM, SHE THINKS.

MICHEL PICKED HER UP IN FRANKFORT, SHE THINKS.

SHE LOVES FUCKING AND BLOWING PEOPLE UP.

SHE ADMITS GODESBERG.

SHE'S HOW OLD?

21 NEXT WEEK. WHAT'S YOUR POINT?

WE HAVE TO HAVE THE EVIDENCE

THAT NOBODY HAS HER BUT GOD AND MICHEL.

ARE YOU DISAGREEING?

NO.

NO WHAT? NO OPERATION?

WHAT IS NO?

IF SHE LIVES, THEY'LL NEVER ACCEPT CHARLIE.

IF WE'RE GOING ON, THIS IS WHERE WE'LL DO IT.

IF?

ASK EACH KID INDIVIDUALLY.

NO MARK AGAINST ANYONE WHO WANTS OUT.

I ASKED THEM.

ASK THEM AGAIN!

GO AHEAD. DO IT.

I'M CALLING RUTH FOR FAMILY NEWS.

HELLO, DARLING.

DID I WAKE YOU UP?

I'M ALONE. CHECK THE TRAFFIC.

POST ONE, TRAFFIC.

POST TWO, TRAFFIC.

ALL CLEAR.

I'LL CALL GAVRON.

DO YOU WISH TO TELL ME SOMETHING?

DO YOU HAVE A MORAL POINT

THAT WILL EASE YOU INTO A NICE FRAME OF MIND?

SAM!

HELLO, CHARLIE!

WELCOME BACK.

HAVE A NICE TRIP?

WONDERFUL! TALK TO YOU LATER.

I'LL BEGIN WITH THE WOMEN.

I CHARGE YOU, O WOMEN,

FOR THE LOVE YOU BEAR TO MEN,

TO LIKE AS MUCH OF THIS PLAY--

OK. SKIP TO THE END,

WHERE YOU DO THE CURTSY THING.

WHEN I MAY CURTSY,

BID ME FAREWELL.

FOR THE CURTAIN CALL--

THERE WASN'T TIME FOR MY CHANGE.

WE'LL SETTLE THAT.

YOU TAKE CENTER STAGE.

ORLANDO COME TO ROSIE'S RIGHT.

SHOULDN'T I BE CENTER WITH ROSALIND?

SHE'S MY DAUGHTER, FOR FUCK'S SAKE.

CHARLIE, THESE ARE FOR YOU.

SOME LOVELY MAN AWAITS YOU IN THE GREEN ROOM.

OH, AREN'T YOU THE LUCKY GIRL.

MISS CHARLIE?

I BRING YOU GREETINGS FROM MICHEL.

WHO'S SHE?

I DON'T KNOW A MICHELLE.

HE ASKED ME TO TAKE YOU TO DINNER.

HE INSISTED.

I DON'T KNOW MICHEL, AND I DON'T KNOW YOU.

GOOD NIGHT, CHARLIE.

GOOD NIGHT.

MICHEL ASKED ME TO BUY YOU LOBSTER AND WINE--

AND WINE-- WHITE AND COLD.

I HAVE OTHER MESSAGES ALSO.

HE'LL BE VERY ANGRY YOU REFUSED HIS HOSPITALITY.

WHERE IS HE?

I'LL TAKE YOU.

CHARLIE!

I'VE GOT AN INTERVIEW.

HOW ABOUT A DRINK?

TOMORROW!

MICHEL.

ANTON, YOU'VE BROUGHT ME CHARLIE.

THIS IS TOO NICE. WELCOME.

WHERE IS HE?

SHOW ME HOW TO WORK THIS RIDICULOUS MACHINE.

YOU CALL ME HELGA.

HOW WAS SHE?

WAS SHE FANTASTIC?

SHE WAS WONDERFUL.

I KNOW IT WAS ONLY A REHEARSAL.

WHERE IS HE? MICHEL!

MICHEL!

MICHEL!

WHERE IS HE?

SIT DOWN.

NO!

YOU SAID YOU HAD MESSAGES.

WHEN DID YOU SEE HIM?

NEVER MIND!

ANSWER.

GO TO HELL!

THE MOVEMENT WANTS HIS LETTERS.

THEY BELONG TO US.

PLEASE SIT.

HE'S DEAD, ISN'T HE?

WE'RE SORRY. YES, HE'S DEAD.

WHAT HAPPENED?

IS SHE IN DANGER?

I DON'T KNOW.

THOSE BASTARDS.

POOR, CHARLIE. WE ALL SYMPATHIZE.

BUT CRYING MEANS NOTHING.

ACTRESSES ARE TRAINED TO CRY.

DRINK THIS NOW.

OHH!

YOU HAVE TO ANSWER CERTAIN THINGS.

BUT YOU KILLED HIM.

THE POLICE SAY IT WAS AN ACCIDENT.

SHE'S PLAYING HYSTERICS.

WHERE ARE HIS LETTERS?

I BURNT THEM.

NO, NO, NO.

LOVE DOESN'T BURN LETTERS.

[SPEAKING GERMAN]

WHERE DID YOU FIRST MEET?

IF YOU DON'T ANSWER--

[SPEAKING GERMAN]

SEE? A LIE FOUND OUT ALREADY.

NO MORE, PLEASE.

THIS IS A REVOLUTIONARY MOVEMENT,

AND WE WILL DO EVERYTHING TO PROTECT OURSELVES!

GREAT! YOU JUST DO THAT. TERRIFIC.

WHEN DID YOU MEET HIM FIRST?

WHEN?

IN DORSET.

LIE! HE WAS NEVER IN DORSET.

NOTTINGHAM, YES?

IT WAS DORSET!

HE SPOKE THERE.

[SPEAKING GERMAN]

[SPEAKING GERMAN]

WHAT'S THIS?

AN ASHTRAY. WHAT ELSE?

ANSWER ME!

WHERE DID YOU GET IT?

IT'S FROM THE NIGHT IN THESSALONIKI.

WHEN HE TOLD ME ABOUT HIS BROTHER.

AND ABOUT DEAR USINE.

WHAT BROTHER?

DID HE MENTION A NAME?

HIS BROTHER...

KHALIL.

HE LOVED HIM MORE THAN ANYONE.

WHAT'S GOING ON UP THERE?

YOU LIVE AROUND HERE?

I WAS JUST CURIOUS.

THERE SHE IS.

CHARLIE!

HEY, CHARLIE!

I BELIEVE THAT WAS THE GIRL.

YES, IT WAS.

SHE'S RUNNING...

IF THAT'S WHAT YOU WANT.

THAT'S EXACTLY WHAT WE WANT.

THANK YOU, COMMANDER.

THANK YOU.

DID YOU CALL THE PIGS ON ME?

MY FLAT. THEY'RE THERE.

HOW CAN I DO THIS PLAY?

THEY'LL TAKE ME OFF THE STAGE.

WHAT AM I SUPPOSED TO DO?

WHERE'S JOSEPH, FOR GOD'S SAKE?

I PUT ON THE RED SCARF.

HE SAID HE'D COME.

THEY WANT TO FLY ME TO LEBANON TOMORROW.

YOU SON OF A BITCH!

YOU KILLED HIM!

YES.

YOU SAID YOU'D STOP THE KILLING.

IT WAS NECESSARY.

I ASKED YOU.

I SAID WHAT YOU WANTED TO HEAR.

TELL ME THE TRUTH.

I WANT TO KNOW WHAT I MEAN TO YOU!

CHARLIE, COME ON.

NO! YOU NEVER REALLY TOUCHED ME.

YOU MADE ME FEEL LIKE I WAS NOTHING.

TELL ME ABOUT THESE.

THE SCARS?

MM-HMM.

BURNS FROM SITTING IN A TANK.

OH.

AND THESE?

BULLET HOLES FROM GETTING OUT OF IT.

OH. AND THIS?

SINAI.

GOLAN HEIGHTS.

I'M A MAP OF THE MIDDLE EAST.

I USED TO TAKE PRIDE IN THAT.

WHEN DO YOU STOP?

WHEN DOES IT END?

THE END IS KHALIL.

WHAT'S HE LIKE?

HE'S VERY GOOD.

CLEVER.

HE ALWAYS MOVES.

HE HAS NOBODY HE RELIES ON.

FEW SEE HIM.

HE'LL WANT TO SEE YOU

BECAUSE OF HIS BROTHER.

HOW WILL I KNOW HIM?

WE DON'T HAVE ANY PICTURES OF HIM.

JUST HIS SIGNATURE.

SIGNATURE?

A HABIT, REALLY.

EXTRA WIRE OFF THE DETENATOR

THAT HE WINDS AROUND ITSELF

AND THROWS IN WITH THE BOMB.

CAN'T YOU GET A PHYSICAL DESCRIPTION?

SOMEBODY MUST HAVE SEEN HIM.

CHARLIE.

DON'T GO.

DON'T GO?

YOU'VE DONE ENOUGH.

YOU LIFTED THE LID ON THE OPERATION.

WE CAN SEE IN.

YOU CAN STOP NOW.

WHY NOW?

UNTIL NOW, WE'VE BEEN NEARBY.

WE COULD STEP IN IF YOU NEEDED US.

IF YOU GO OVER,

YOU'RE OUT OF REACH MAYBE FOR MONTHS.

WHAT DOES MARTY SAY?

THAT YOU COULD STOP WHEN YOU WANTED.

HE DIDN'T START ME OUT TO HAVE IT END HERE.

CHARLIE.

I DON'T WANT YOU TO GO.

I DON'T WANT TO BE JUST WHAT I WAS.

DON'T SEND ME BACK TO TRAFALGAR SQUARE.

PLEASE.

PLEASE, JOSEPH.

PLEASE.

DO YOU SPEAK FRENCH?

I'M AFRAID NOT.

FORGIVE MY ENGLISH.

YES. I FORGIVE YOUR ENGLISH.

WHAT WAS THAT?

HOLIDAY INN. USED TO WAS.

USED TO WAS.

MISS CHARLIE.

CAPTAIN TAYEH.

I OFFER YOU THE HOSPITALITY OF OUR REVOLUTION.

WELCOME.

THANK YOU.

YOU FLEW THROUGH THE BACK DOOR.

YES. FROM EAST BERLIN TO HERE.

COFFEE, TEA?

TEA, PLEASE.

YOU WANT TO KILL ZIONISTS?

YES.

MOST ENTHUSIASTS WE GET

WANT TO BLOW UP THE WHOLE WORLD.

ARE YOU LIKE THAT?

NO.

THESE ARE SCUM, THESE PEOPLE.

HELGA, MASTERBEIN...

NECESSARY SCUM.

YES?

I HAVEN'T HAD TIME TO FIND OUT.

ARE YOU SCUM?

NO.

NO.

I DON'T THINK SO.

YOU WRITE BEAUTIFUL LETTERS.

THEY WERE MEANT TO BE PRIVATE.

TEA.

GO HOME.

YOU'VE DONE NOTHING CRIMINAL YET.

YOU HAVE CIVIL RIGHTS, DEMOCRACY.

WHY GIVE THEM UP

FOR A BUNCH OF STATELESS SAVAGES?

I BELIEVE WHAT HE BELIEVED.

WHAT KHALIL BELIEVES.

MICHEL CHANGED MY LIFE.

HE TAUGHT YOU TO HATE?

HATE IS FOR ZIONISTS.

TO FIGHT, WE MUST LOVE.

ANTISEMITISM IS A CHRISTIAN INVENTION.

HE TAUGHT YOU THAT IN BED?

SORRY, SORRY.

SORRY.

WHAT HE TAUGHT YOU IS TRUE.

I'M READY.

MAYBE I BELIEVE YOU.

MAYBE I DON'T.

MAYBE IT WON'T MATTER TOO MUCH.

THEY HAVE CLOTHES FOR YOU.

[SINGING DOWNTOWN]

[SPEAKING ARABIC]

GO.

10 SECONDS.

I CAN DO IT FASTER.

ONCE AGAIN. ARABIC.

[SPEAKING ARABIC]

[SPEAKING ARABIC]

1...

2...

3...

4...

5...

6...

7...

8...

9...

10...

11...

12...

13.

[SPEAKING ARABIC]

WHO IS THE TARGET?

A PROFESSOR FROM HEBREW UNIVERSITY.

A PEACEMAKER.

HIS NAME IS ASHA MINKEL.

HE'S SPEAKING IN FREIBURG.

WHEN?

IN SIX DAYS.

WHAT MAKES YOU THINK THEY'LL USE CHARLIE?

ONCE SHE HAS KILLED, SHE'S COMMITTED.

SHE'LL BE MARRIED TO KHALIL FOR LIFE.

SHE DOESN'T SPEAK GERMAN.

SHE CAN PULL A TRIGGER.

THEY WON'T TRUST HER UNTIL SHE HAS KILLED.

THE NEXT KILLING IS SET FOR FREIBURG.

IN YOUR LETTER, YOU MENTIONED A CHILD.

WHAT CHILD?

THE GUN. WE SLEPT WITH IT.

WHERE DID HE GET IT?

KHALIL.

WHO IS JOSEPH?

JOSEPH WHO?

DO I KNOW A JOSEPH?

HE WROTE A CARD TO A FRIEND OF OURS.

OH, THAT JOSEPH.

A GREASY JEW WHO LIKED GIRLS.

DON'T, DON'T.

DON'T TALK ABOUT JEWS LIKE THAT.

WE AREN'T ANTISEMETIC. WE'RE ANTIZIONIST.

TELL ME ANOTHER.

I WANT TO PRESENT A FIELD PROBLEM.

YOU ARE TRAINED TO HANDLE FIELD PROBLEMS.

THIS YOUNG FELLOW

WAS FOUND LESS THAN A KILOMETER FROM HERE YESTERDAY AFTERNOON.

FOR AN ARAB WANDERER, HE IS WELL-EQUIPPED.

NIGHT VISION GLASSES,

RADIO TRANSMITTER,

A VERY OLD MOTORBIKE WITH A VERY NEW ENGINE.

HE SAYS HE IS MUSLIM.

WE SAY HE IS JEW.

WE'RE UNABLE TO AGREE.

WHAT DO YOU THINK?

HE'S A ZIONIST SPY, OBVIOUSLY.

THAT'S WHAT WE THINK.

WOULD YOU KILL HIM?

HAVE YOU THOROUGHLY QUESTIONED HIM?

SINCE HE WON'T SPEAK BEYOND HIS NAME, YES.

I THOUGHT OF SHOOTING HIM.

WHAT DO YOU THINK?

WELL?

PLEASE YOURSELF.

I WILL.

WE HAVE A MISSION FOR YOU.

GET YOUR POSSESSIONS AND RETURN HER IMMEDIATELY.

DANKE.

HELLO.

I'M YANO.

COULD I KNOW YOUR NAME?

IMOGENE.

IMOGENE.

HI.

COME ON.

YOU MIGHT LOOK AROUND.

SEE IF ANYONE'S BOTHERING YOU.

YOU LIKE MUSIC?

HUH?

SURE.

GOOD.

[ROCK MUSIC PLAYS]

I LIKE MUSIC.

IMOGENE?

TAKE CARE OF THE ROOF.

PIECES FALL OFF ALL THE TIME.

IT'S GREAT. IT'S TERRIFIC.

IMOGENE, THIS IS LUIGI.

LUIGI, TAKE HER BAG.

WE HAVE TO CALL YOU IMOGENE.

WHO CHOOSES THESE RIDICULOUS NAMES?

DID YANO HAVE DIFFICULTY FINDING YOU?

NO, NONE AT ALL.

NO, WE DON'T KNOW THEIR PLAN YET.

CERTAINLY, WE'LL KEEP YOU CURRENT

ON ALL DEVELOPMENTS.

THANK YOU, INSPECTOR.

THESE GERMAN SECURITY ARE VERY INSECURE.

WHAT SHOULD THEY PREPARE FOR?

CAR BOMBS? AUTOMATIC WEAPONS?

AND WHERE? THE AUDITORIUM? HOTEL?

GERMANY MAKES YOU JUMPY?

WE'LL KNOW SOON ENOUGH.

WHERE THE HELL IS DIMITRI?

SUPPOSE SHE GAVE HIM AWAY.

SO WHAT'S YOUR SOLUTION?

KHALIL IS SOMEWHERE CLOSE.

SEAL EVERYTHING AND SEARCH.

GERMANY'S NOT THE WEST BANK.

WHAT DO WE DO WITH HIM?

KILL HIM.

WHO KILLS CHARLIE?

SHE'S A WHORE,

AND SHE'S A COMMUNIST,

AND SHE'S AN ARAB LOVER!

[TELEPHONE RINGS]

COFFEE.

YES.

NO, HE'S BUSY.

THIS IS HELMUT BOOTH SPEAKING.

YES.

YES.

YOU ARE A NICE BOY.

CHARLIE ARRIVED AT THE HOTEL FIVE MINUTES AGO.

ROSSINO'S WITH HER HAVING BREAKFAST.

DO WE HAVE COVERAGE?

UDI, ZEV.

DON'T BE NERVOUS.

YOU'RE GOING TO DO JUST FINE.

MANCHESTER UNITED LAST WEEKEND.

POOR OLD EMPIRE.

THE PEUGEOT.

GOOD. HE'S CARRYING THE BRIEFCASE.

DON'T FORCE IT.

IF IT DOESN'T WORK,

THERE'S LOTS OF OTHER WAYS.

GO.

IT'S TOO MUCH.

IT'S NOT TOO MUCH.

NO, YOU SHOULDN'T.

ANYWAY, I'LL SEE YOU LATER. GOOD-BYE.

A ROOM IN THE BACK WOULD BE PERFECT.

PROFESSOR MINKEL?

YES? WHY?

PROFESSOR, MY NAME'S IMOGENE BOSTRUP.

I'M FROM TORONTO.

I'M A GRADUATE IN SOCIAL ANTHROPOLOGY.

I HAD THE GOOD FORTUNE

TO HEAR YOUR CENTENARY LECTURE,

AND IT CHANGED MY LIFE.

DO YOU MIND IF I SHAKE YOUR HAND?

YOU'RE MRS. MINKEL?

[RING]

YES.

YES!

YES, GOOD.

ROSSINO LIFTED THE BRIEFCASE.

THEY'LL BRING IT TO KHALIL TO WIRE.

CHARLIE WILL DELIVER IT TO MINKEL.

PROBABLY THE LECTURE HALL.

CALL YOUR GERMAN.

TELL HIM YOU WANT TO DEFUSE THE BRIEFCASE

AND SET OFF OUR OWN EXPLOSION.

AND NOBODY GETS HURT.

SHE'S A FINE GIRL.

I CONGRATULATE YOU.

WAIT.

WAIT?

COME ON.

BYE-BYE, CHARLIE. GIVE HIM MY LOVE.

HOW WILL I KNOW KHAHIL?

HE'LL KNOW YOU.

HURRY, NOW.

YANO WILL TAKE YOU TO HIM.

IMOGENE, HI!

HI.

YOU LIKE FRIEBURG?

BEAUTIFUL, HUH?

I KNOW. I KNOW.

[ROCK MUSIC PLAYS]

THIS IS IT.

WAIT, NOW.

TAKE THIS.

WHAT?

HE LIKES ONIONS.

TURN AROUND.

GIVE ME YOUR BAG.

WE ALL DO THIS.

ALL THESE RULES.

BUT IT'S A JOB.

YOU HAVE TO DO IT.

[MUSIC PLAYS]

NICE MUSIC.

I'M SORRY TO DO THIS.

THOSE ARE ORDERS.

OK.

I APOLOGIZE.

RULES AGAIN.

OK, THAT'S IT.

LET'S GO.

HE'S WAITING FOR US.

LET'S GO.

[KNOCK ON DOOR]

WHERE IS HE?

HE SAID IF HE WAS DELAYED,

TO START WITHOUT HIM.

CLOSE THE DOOR. SIT THERE.

YOU WERE IN TRAINING CAMP IN LEBANON.

UH-HUH.

YOU KNOW THIS TYPE OF BOMB?

DID TAYEH TEACH YOU?

YEAH.

YOU WERE MICHEL'S WOMAN, WEREN'T YOU?

YES.

I KNEW HIM.

HE WAS A GOOD MAN.

KHALIL'S DIFFERENT, A LONER.

ALWAYS MOVING. NEVER IN ONE PLACE.

YOU NEVER CAN PLAN ON

WHEN HE'S GOING TO BE ANYPLACE.

GO AHEAD.

LIKE THIS TONIGHT.

MAYBE HE WON'T EVEN SHOW UP.

WHERE DID YOU GET THE BRACELET?

MICHEL.

HOW MUCH DID IT COST?

I DON'T KNOW.

IT WAS GIVEN TO ME FOR LOVE.

I'VE GOT A CHAIN THAT'S SACRED.

OK, THE CIRCUIT'S GOOD.

TAYEH SAYS YOU WERE VERY MODEST AT CAMP.

NO BOYS.

NOBODY.

WHY DO YOU STARE AT ME? PLEASE.

WHY DON'T YOU TRUST ME ENOUGH

TO SAY YOU'RE KHALIL?

HABIT. HABITS ARE NOT ALWAYS POLITE.

YOU UNDERSTAND THAT.

HMM?

MY BROTHER WAS A VERY LUCKY MAN.

LUIGI WILL BRING YOU BACK TO ME AFTERWARDS, YES?

GO NOW.

GO.

HELLO?

HELLO?

HELLO!

DO YOU SPEAK ENGLISH?

YES, I DO.

WOULD YOU GIVE THIS TO PROFESSOR MINKEL

WITH IMOGENE BOSTRUP'S COMPLIMENTS?

COME WITH ME.

BUT I HAVEN'T GOTTEN MY TICKET.

COME WITH ME.

NO, YOU HAVE TO GIVE THIS TO PROFESSOR MINKEL.

IT HAS HIS LECTURE NOTES IN IT.

IS THERE A TIMER?

IS THERE A TIMER?

IT EXPLODES WHEN IT'S OPENED.

GOOD.

THE EXPLOSIVES ARE SET.

THEY'RE READY TO GO.

SAY WHAT YOU WOULD SAY.

IGNORE THE OTHERS.

SO YOU'LL REMEMBER IF HE QUESTIONS YOU LATER.

NO, NO, I CAN'T.

GO AHEAD, NOW.

UM...

UM, PROFESSOR MINKEL, A TERRIBLE THING HAPPENED.

THE HOTEL PEOPLE SENT YOUR BRIEFCASE TO MY ROOM.

THEY THOUGHT IT WAS MY CASE.

GIVE IT TO THE PROFESSOR.

GO ON, CONTINUE.

I DIDN'T SEE IT TILL HALF AN HOUR AGO.

I'M TERRIBLY SORRY.

HAVE A GREAT SPEECH.

I RESENT THIS.

PEOPLE LIKE YOU WILL END JEWISH CULTURE.

I WON'T DO IT.

I CAN'T. I WON'T.

PLEASE.

GIVE ME YOUR RADIO.

WHAT ARE YOUR ORDERS?

I'M MEETING ROSSINO.

HE'S WAITING FOR ME.

THIS RADIO TRANSMITS A SIGNAL

WE CAN HOME IN ON.

WILL YOU COME?

ARE YOU LISTENING?

IF YOU PRESS THE VOLUME CONTROL,

IT MEANS HE'S ASLEEP.

HE WON'T SLEEP.

HE'S LIKE YOU.

I CAN'T DO IT.

HE WANTS ME FOR A WEDDING NIGHT.

GO BACK NOW.

IT'S A TRAVESTY!

THANKS FOR YOUR COOPERATION.

YOU HAVE NO RIGHT TO TELL ME WHAT RISKS I TAKE.

WE'RE ABOUT SET.

WHAT ABOUT THE MEDIA?

WE'LL FEED THEM OUR OWN REPORT.

YOU AND JULIO STAY.

EVERYBODY ELSE OUT.

LEAVE NOW, EVERYBODY!

COME ON, OUT, OUT!

HAVE YOU HEARD ANYTHING?

NOT YET.

[SPEAKING GERMAN]

WHAT HAPPENED?

A GREAT VICTORY.

MINKEL DIED OPENING THE CASE.

MANY ZIONIST SUPPORTERS ARE WOUNDED.

MANY, MANY SEVERELY. THEY'RE STILL COUNTING.

TOMORROW THE WHOLE WORLD WILL READ

THAT THE PALESTINIANS WILL NOT WAIT 2,000 YEARS.

75 METERS.

70...

65 METERS.

60...

55 METERS.

STOP. TELL ALL UNITS TO STAY WHERE THEY ARE.

[SPEAKING GERMAN]

HE'S TALKING ABOUT ME?

HE'S DESCRIBING YOU.

DON'T WORRY.

WE'LL LOOK AFTER YOU.

I PROMISE.

TOMORROW, WE...WE START YOU TO BEIRUT.

YOU HAVE DONE A GREAT THING FOR US.

WE PROTECT YOU WITH OUR LIVES.

DON'T BE ASHAMED.

WHEN OTHERS KILL, THEY LAUGH.

BETTER YOU WEEP.

KEEPS YOUR HEART ALIVE.

BLOCK THE ACCESS AND STAND BY.

NOBODY MOVES UNTIL WE GIVE YOU SIGNAL.

TED, GO AROUND THE BACK.

ZEV, TAKE THIS SIDE.

HEY, WAKE UP.

YOU...

HMM?

WAKE UP.

BETTER TO SLEEP.

COME ON.

TALK TO ME.

LOVE ME.

I WILL.

YEAH?

YEAH.

SO WHAT DID THIS... DID THIS TO YOU?

THIS?

YEAH.

ONE DAY IN BEIRUT,

I'M A LITTLE STUPID LIKE SALIM.

I RUN THE OFFICE, THE POSTCOM.

I EXPECTING A CERTAIN PARCEL.

I OPEN IT.

THIS WAS A BIG MISTAKE.

WHEN I WOKE UP IN A HOSPITAL,

THERE WAS SALIM.

HE WAS VERY PLEASED THAT I SHOWED MYSELF STUPID.

"BEFORE YOU OPEN A PARCEL," HE SAID,

"READ THE POSTMARK FIRST.

IF IT COMES FROM TEL AVIV, BETTER RETURN IT."

I LOVED HIM.

YOU LOVED HIM.

WE LOVED A STUPID FELLOW...

MAYBE.

WHY NOT?

LOOKS LIKE THEY'RE IN THE GROUND-FLOOR BEDROOM.

I COULD TRY GETTING CLOSER.

NO, NO. THAT'S ENOUGH.

HOW COULD THEY NOT SLEEP ALL NIGHT?

WE MUST GO BEFORE DAYLIGHT.

NO, WE WAIT.

[SPEAKING HEBREW.

NO COWS.

WHAT DO YOU SEE?

NO COWS AND NO FISHERMEN.

THEY MILK COWS AT SUNRISE.

NOT FOR TWO HOURS DO THEY MILK.

NO CARS, NO PASSING LIGHTS.

NOT ONE LABORER ON HIS WAY TO WORK.

THEY KEEP COWS INDOORS.

WHO WANTS TO DRIVE CARS AT THIS HOUR?

SO...

WHY DO YOU APOLOGIZE FOR THEM?

I DON'T WANT YOU TO BE AFRAID.

I'LL COMFORT YOU.

WHY COMFORT ME?

WHAT?

YOU'RE SEARCHED FOR BY THE POLICE, BUT YOU DON'T FEAR.

PLEASE LOVE ME--

WHERE IS YOUR RADIO, CHARLIE?

WHERE IS THE RADIO?

WHERE?

IN MY BAG!

TURN IT ON.

LET'S HEAR SOME MUSIC.

[MUSIC PLAYS]

WHEN DID YOU BUY NEW BATTERIES?

I DIDN'T.

BUT IT'S WORKING.

IT'S THE LONG-LIFE ONES.

WE'LL MAKE AN EXPERIMENT OF HIGH FREQUENCY.

NO!

[HIGH-PITCHED SQUEAL]

THE HOMING SIGNAL STOPPED.

SEND ALL UNITS IN NOW!

YOU WORK FOR THE GERMANS?

FOR THE ZIONISTS?

ARE YOU JEWISH?

NO.

DO YOU BELIEVE IN ISRAEL?

WHAT ARE YOU?

NOTHING. I AM NOTHING.

DID YOU BETRAY MY BROTHER?

I...NEVER KNEW HIM.

THEY SHOWED HIM TO ME BEFORE THEY KILLED HIM,

AND THE REST WAS INVENTED.

OUR LOVE AFFAIR, EVERYTHING.

I FELL IN LOVE WITH A MAN WHO LOOKED AFTER ME,

BUT THAT'S ALL THERE IS.

YOU BELIEVE IN NOTHING?

YOU HAVE NO BELIEFS?

GET IN.

CHECK THE HOUSE.

HOW RIPE IS JOSHUA?

HOW RIPE IS JOSHUA?

JOSHUA IS GREEN. JOSHUA IS GREEN.

ROGER.

COME ON.

[RING]

HELLO.

HELLO.

WHO IS THIS, PLEASE?

HELLO.

YES.

NO PROBLEM.

CHARLIE, IT'S ALL OVER.

[JET ENGINE ROARS]

START FROM THE TOP.

DIRECTIONS.

ALL RIGHT.

I THOUGHT OF TROTTING UP THERE,

BUT THE SKY LOOKED IMPENDING.

CHRIST, I DON'T KNOW WHAT IMPENDING MEANS.

I THINK INSTEAD WE OUGHT--

I DON'T...I DON'T KNOW WHAT THAT MEANS.

IT'S JUST A WORD.

HE DOESN'T PICK THEM WELL.

IMPENDING RAIN?

RIGHT.

LET'S GO AGAIN. SAME PLACE.

ALL RIGHT.

LET'S HEAR IT FROM THE BEGINNING.

I, UH...

I THOUGHT OF TROTTING UP THERE,

BUT THE SKY LOOKS IMPENDING.

YEAH, I HAVE IT.

I THINK INSTEAD--

CHARLIE.

YEAH?

DON'T CAMP IT UP.

KEEP IT REAL.

REAL?

YEAH.

I CAN'T DO IT.

GO ON. YOU CAN DO IT.

DO IT AGAIN, FROM THE ENTRANCE.

OK.

OK.

OK, ALL RIGHT.

I...I...

I THOUGHT OF TROTTING UP...

I THOUGHT OF TROTTING UP THERE...

CAN WE HELP IN SOME WAY?

GO HELP HIM.

NO. UH, MM-MMM.

NO, I'LL TAKE CARE OF IT.

UH, IT'S BEST.

I CAN'T.

I CAN'T DO THIS. I'M SORRY.

YOU GOT SOMEBODY ELSE YOU WANT ME TO KILL, JOSE?

CHARLIE! CHARLIE!

MY NAME ISN'T JOSE.

IT'S SCOTT BECKER.

I DON'T KNOW MUCH ANYMORE

ABOUT WHAT'S RIGHT AND WHAT'S WRONG.

I'M HERE BECAUSE I LOVE YOU...

IF YOU'LL LET ME.

I'M DEAD, JOSE.

YOU KILLED ME, REMEMBER?

I'M DEAD.

CAPTIONING FUNDING BY WARNER BROS., INC.

CAPTIONING PERFORMED BY THE NATIONAL CAPTIONING INSTITUTE, INC.

CAPTIONS COPYRIGHT 1984 WARNER BROS., INC.

Support us and become VIP member to remove all ads from www.OpenSubtitles.org