All language subtitles for The Looking Glass (2015) WEBRip-1080p Proper.en.hi

♪♪♪

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- Julie!

Julie, Julie, Julie!

Oh, honey,
I'm so sorry I'm late,

but I got caught
in this roundy-round thing...

Oh, never mind,
I'm here now and you're here.

Ohhh, I'm so glad
to see you!

Oh, my God, you look
just like your mother.

Aww, honey,
I'm so glad to see you.

- Is that your pond?

- Yes. And we have
all kinds of fish—

bass, bluegills,
and some piggish catfish

who hog all the food.

You like to fish?

- Nah.

- Oh, I have lots of poles.

I'll teach you.
It's very satisfying.

- Whoa, this is my room?

- Yeah.

Used to be Grandpa's
as a boy.

Been using it for storage,
but I fixed it up for you.

- Well, it's beautiful.

- I started most of these
from seed,

and these blue ones
I brought from Malibu.

Want to drive?

Slow down!

Ahh! Ohh! Ahh!

Stop the truck, stop!

[ commotion ]

Stop! I said stop!

God!

You can drive,
you can drive—

just go slower.

- No, that's okay.
You drive.

- No, you do it.
I want you to. Come on.

- Look, I don't want
to anymore.

- Well, you might
as well learn

since you'll be living here.
Come on.

Oh! Goddamnit!

[ tires screech ]

- Oh, Mama, Mama...

- What, what is this?
What are you...

Ay, Dios!
What happened to you?

- I caught fire...

- 9:00? Huh.

Two hours past my bedtime.

- You're serious?

- Yep.

[ voices continue on TV ]

- I'm gonna die, Mama.
No, no, don't cry.

- Eh.

- I beg you,
lift this curse...

♪♪♪

[ Julie crying ]

- I'm sorry if I was
abrupt with you today.

But I'm old
and set in my ways.

You know, and I—I...

- No, I'm okay.

Don't worry about me.

- I know, darling, but...

I miss her, too.

She was my little girl.

[ crying ]

But now you're here,
and you're her little girl,

and we have each other,
don't we?

Hmm?

Don't we?

Would you like to sleep
with me tonight? Hmm?

- No, it's okay.

- You want me
to stay with you?

- No. I can sleep now.

- I have to think of things
that she would enjoy

that we can do together.

It's so many years
since Belinda was her age,

I'm out of practice.

- Take her bowling.

- [ laughs ]
Can you see me bowling?

I'll go rolling
down the alley with the ball.

Besides, I know
she wouldn't do it.

Can't you do
something with her?

I mean, take her somewhere,

have a good time,
enjoy her company.

- I wouldn't know what to do.

I never had kids.

- Yeah, well, that's too bad,
isn't it?

How 'bout this?

- Ew.

Goth.

- Goth? Goth...

- Yeah, you know...

- You know,
it's a little creepy

watching you sit there
by the hour

with that sickly white light
shining up in your face.

Eyes riveted
on Satan's toy.

I'm really against
those things

because it steals time
from everything else

and numbs the brain.

- No, it doesn't.

- Do you ever read?

- All the time.
I devour books.

- Oh, you devour books?

Oh, I'm so glad to hear
that because, you know,

I've got plenty of books.

Thousands of them.

Come and see. Come on.

Come on.

- Okay.

- Okay, what?

- Wait,
what did you want to do?

- What do—Dear girl,

I've waited four hours
for you to turn the iPad off,

and now I don't feel
like doing anything together.

I know it's petty
of me at my age,

but it hurts my feelings.

- I'm sorry.

- Let's let it pass, okay?

We have some adjusting to do.

I'd like to send her back
to Pittsburgh today.

You and Terry
can take her to the airport,

and I'll say goodbye
from here.

- Now, come on, Karen,
you're better than that.

- No, I'm not.

I'm not.

If she didn't look
so much like Belinda...

Damn.

- What?

- Why is this gloomy
atmosphere necessary?

- What?

- Is it this way at home?

- My home?

- Yes.

Is this unpleasant
atmosphere

a usual thing at home?

- Well,
mostly because of Sybil.

Well, is there any reason

you and I can't coexist
in a friendly manner?

- What am I doing
wrong now?

- Honey...

is there something
I can do to help you?

Huh?

- I was long gone
a long time ago.

- Wow.

- There's no helping me.

♪

- Her name was Snapper,
and she had—

she was white...

- Karen, haven't seen you
in a long time.

You making any more
movies lately?

- Not really, no.

- I saw you in one
with Al Pacino

the other night.
- Ahh.

- You sure were beautiful.

- Oh, well. [ chuckles ]

- You should be doing
more things like that.

- I'm kind of a big fish
in a small pond.

You'll get used to it.

So do you like
your school?

- Yeah.
- What do you like best?

- English, science,
I don't know,

but I stink at math.

- Oh, so do I.

Terrible at math.

Still am.
- Mm- hmm.

- I need a little
adding machine in my wallet.

I can't add at all.

- Adding machine?

- Little adding machine.

- Calculator?

- A little one,
a little cal—

Yes, calculator,
thank you, dear.

How stupid of me.

What are you thinking about?

Hmm?

- How I'm stuck here.

- Oh.

Do you feel
you're stuck here?

Well...

I don't know
what to say about that.

I'm very glad
to have you here.

Very glad to have you here.

You're my daughter's...
little girl.

Well, I guess
it'll take time

for us to get used
to each other.

We'll...

We'll manage.

Right? Won't we?

Will we try?

Will we, will we?
Yes, yes, yes.

We will?

Okay.

There he is again.

Every time I drive by,
poor bastard.

Out there in the snow
in the middle of winter,

and in the boiling heat.

God.

You know, I called
the animal hospital—

welfare people, but they—

they said there's nothing
they can do

because he has
a shelter with straw

and water and food.

How can people be so cruel
to animals like that?

He's always hoping
somebody will come out

and feed him and pet him,

maybe let him in the house.

How dare they?

I...

- I'd like to chain
them up.

Make them lay
in their own poop.

- Hmm.

Hello, dog!

- Hi.

Hi, puppy. Come here.

I'm not gonna bite you.

Come here.

You a good dog?
Oh, you're a very good dog.

[ dog whimpers ]

- Nice dog.

Do you know
what his name is?

- What?

- Oliver.

[ chuckles ]

Isn't that funny?

- Hello, Oliver.

- Oliver. Such a grand name.

Good doggie.

- Grandma?

- ♪ If you ever go
across the sea ♪

♪ To Ireland

♪ Then maybe at the closing
of your day ♪

♪ You will sit
and watch the moonrise ♪

♪ Over Claddagh

♪ And see the sun go down
on Galway Bay ♪

[ male and female duet
singing ]

♪♪♪

♪ ... this lullaby

[ Julie humming ]

[ duet continue singing ]

[ Julie vocalizing ]

[ Man continues singing ]

♪ Every night
after listening to ♪

[ volume lowers ]
♪ This lullaby

♪ We're going
back to the life ♪

♪ La la la la la la

♪ Back to the life
where we used to belong ♪

♪ Where they can re...

♪ La la la la

♪ ... as they know

♪ I can see...

♪ Ohhh

[ vocalizing ]

- What a lovely voice
you have.

Do you sing in
the choir at school?

- No.

- Well, Espy is gonna
love you in theirs.

[ Duet continues singing ]

[ vocalizing ]

[ Woman continues singing ]

- I have to go someplace.

You wanna go for a ride,
have a little outing?

- No, I'll wait here.

- No, dear,

you will shut that thing off,

and you will get in the car.

- ♪ If they don't win,
it's a shame ♪

♪ 'Cause it's one, two,
three strikes you're out... ♪

- What are we doing here?

- ♪ At the old ball game

- Thank you very much.

Who's next?

- Now is the summer
of our discontent.

May glorious...

- ♪ Comin' for
to carry me home ♪

[ piano plays ]

- ♪ O, Danny boy, the pipes,
the pipes are calling ♪

♪ From glen to glen
and down the mountainside ♪

- What do you think?

- She's okay.

- You can sing better.

- ♪ O, Danny boy,
da- da- da ♪

♪ I must go

- That was very good,
but your vocal range

is a little high
for the part.

- Why don't you go up there
and show them how?

- ♪ B- I- N- G- O
- Go, go.

- I knew that was what
you were up to.

- ♪ And Bingo was
his name- o ♪

- Why not?
They'd be luck—

[ piano plays ]
[ sighs ]

What's the matter with you?

You can show them
how to do it

and get the part.

- I don't want to.

- Why not?
- I just don't!

- Oh, okay, okay.
Sorry I mentioned it. I just—

- In the first place,
I'm not from here.

I'm from Pittsburgh.

- You're from here now,
aren't you?

So go back in there

and show them
how it should be done.

Julie.

Julie, honey, look at me.
Look at me.

- No, no!
- Come here!

Damn it!

Come back here!

Don't go in there!

It's full of poison ivy!

Don't touch anything,
just come straight

to the bathroom
and take off

every stitch of clothing,

including your shoes,

and put them in this bag.

Go on.
- I know!

You think I don't know
about poison ivy?

- Don't talk to me
in that tone of voice.

- I didn't!
- Yes, you did.

- Did not!

- Yes, you did.

- Did not.

- Don't try my patience,
Julie.

- What am I
doing wrong now?

- Just do what I told you.

Take your shoes off
and everything

and put them in that bag.

God.

- Excuse me,
I don't like being watched

when I undress.

- Well, get used to it.

- You want me to watch
you undress, too?

- You're welcome to
if you have the stomach for it.

Now, when all
your tainted things

are in that bag,
stand in the tub.

- Why do you always have to
make a face about everything?

- I don't.
- Yes, you do.

Now put everything
in that—

Bag. Yes, good.
All right.

Now stand in the tub.

Good, all right.

What's the matter? Here.

What's the matter
with you?

- I've had poison ivy
before,

and it was nothing much.

- Well, you were lucky.

I used to be
wildly susceptible to it,

but I took my own cure,
made myself

a poison ivy sandwich
and ate it.

- You did not.

- Yes, I did.

I had the most awful case
of poison ivy

in the world
for a whole month.

Had it from my head to toe,

even internally, too.

I thought I'd die.

- That was stupid.

- I know it was.

But it worked.

Here, sit on the edge
of the tub

so I can scrub your feet.

Well, don't expect me

to eat any
poison ivy sandwich.

- Of course not.

- What if you'd died
from it?

- Well, then I wouldn't be here
to scrub you, would I?

- And I wouldn't be here.

- That's right.

Let me help you.

That's—That's okay.

I can dry myself off now,
Grandma.

- I love when you
call me Grandma.

♪♪♪

Good morning.

- Morning.

- What would you like
to do today?

- I don't know.

- I see.

- We could go
to the beach again.

- Not really.

- I've been thinking.

- What?

- Is it too late

for me to try out
for that play?

- I don't know, but I'm sure
they've already cast it.

But I'll call around
and see if there's

something else somewhere.

[ man singing
in a foreign language ]

- Betsy Farrell. I'm gonna sing
"The Star- Spangled Banner."

♪ Oh, say can you

- ♪ Oh, what needless pain
we bear ♪

- [ singing
in foreign language ]

- Thank you,
that's all we need.

- You only stopped
in my garden

to take the sweetness
from my flowers.

- ♪ I'm half crazy

- Well, Frederick.

[ piano plays ]

- [ singing
in foreign language ]

- ♪ God bless America

♪ Land that I love

♪ Stand beside her
and guide her ♪

♪ Through the night
with the light from above ♪

♪ From the mountains
to the prairies ♪

♪ To the oceans
white with foam ♪

♪ God bless America

♪ My home sweet home

♪ God bless America

♪ My home sweet home

- Hold on a second.
I forgot to tell him something.

- I liked that
little precious blonde.

She had a sweet,
sweet temperament.

- Yes, she's good.

- I liked her, too.

[ whispering ]

- Excuse me.

How did she do?

- I liked her,
and she's very pretty.

She's in the running.

We have another girl, too.

- Oh. Just one girl?

- Just one girl so far, yeah.

- But she's in the running?

- She is in the running,
yeah.

[ phone rings ]

- Hello?

Jesus Christ, Terry,

I thought it was the theater.

What's up?

- I got something awful
to tell you.

- God, what?

- I...

I kinda got the part.

- [ laughs ]

Whoopie!

Oh, my God!

No, you didn't get
the part, did you?

- Yes, I did!
- You did?

Oh, my God!

♪ How doth
the little crocodile ♪

♪ Improve his shining tail

♪ And pour the waters
of the Nile ♪

♪ On every golden scale

♪ How cheerfully
he seems to grin ♪

♪ How neatly spreads
his claws ♪

♪ And welcomes
little fishes in ♪

♪ With gently smiling jaws
Snap!

- Could her pants
be any tighter?

- You're just jealous
'cause she got your part.

- Am not.

- Yeah, right.

- How'd it go?
- Good.

- I heard you're
a local celebrity,

so I looked you up
on the computer.

Your credits
are very impressive.

- Oh.

Thank you.
- Yeah. Well...

Would it be all right
with you

if I watched
rehearsal sometimes?

- Oh, absolutely.

In fact,
I hope we'll become friends.

- Boy, if I was
60 years younger,

I'd take him home
and show him a thing or two.

- Ew.

♪♪♪

- That's my granddaughter.

- Oh.

- Um, Dad and Sybil
are coming

for opening night,

and they're gonna stay here.

- How am I supposed
to get any work done?

Huh?

- It'll be nice
to see Arthur again.

- Really?
- What?

What are you looking
at me like that for?

- Nothing. I'm not.

Ohh. In- laws.

They're like a rash
on the heart.

- Hey, Julie.

So a bunch of us are going
to the beach tomorrow.

Do you wanna come?

- Sure.

- Good.

♪♪♪

- You wanna get a soda?

[ giggling ]

- ♪ I who have nothing

♪ Beyond
this bleeding heart ♪

♪ Just won't take
another day ♪

- Julie.

Will your grandma let you
sleep over tonight

after the fireworks?

- I think so.

I'll call her.

- That's pretty cool.
[ cheering ]

- Good night.

- Night.
- Good night.

- Night.

- Meet me outside.

[ crickets chirring ]

Hey.

Back here.

[ coyote howling ]

- Let's take it
from the Mad Tea Party.

- This whole thing,
what we're going through,

my life at home,

is all like a mad tea party
to me.

- Oh!
- Hi.

- Hello!
- How are you?

- I'm glad to see you.

- Remember Sibyl?

- Hey! [ laughing ]

How are you?

- Good.

- This.
- I got it.

- I'm just so surprised.

I didn't even know
she could sing.

- I told you she could.

- Yes, but I never heard her.

- Because she's shy.

- I don't know why people take
babies on planes to begin with.

It's just, ugh,
you can't rest.

You can't think.
You've got this crying baby.

Ugh, and the mother,
she's, of course, you know,

"I'm sorry, I'm sorry."
[ horn honking ]

Just don't bring a baby
on a plane.

It's just—
it's not rocket science.

[ turn signal clicking ]

[ sound of galloping ]

- Oh, my God.

- You're lost?

- No.

Yes, Arthur, I confess I am.

Too much distracting
conversation,

and that damn roundy-round
traffic thing.

I can see those politicians
getting kickbacks

from bogus construction jobs.

- [ mouthing ] Alzheimer's.

[ laughing ]

Wow.

Everything looks so pretty.

- Thank you.

- How's her behavior with you?

- Oh, well, she was withdrawn
at first, but, uh...

- Did she say why she was
so miserable at home?

- Well, you know,
losing her mother d—

well, it was kind of
devastating, you know?

And I imagine remarrying
so soon...

- Oh no, I tried everything...
- ... didn't help matters much.

- ... to make her like me.
She hates me.

- She never gave me
that impression.

I mean, I think you have
some difficulty together,

but I don't think
she hates you.

When she first got here,
when she first got here,

she never took her nose
out of that damned iPad.

But now she's much improved.

Being in—in the musical
gives her a sense of importance,

something, a—
an accomplishment

and self- esteem
that she lacked before.

- Okay, so she's not stealing,
she's not lying to you?

- No, why,
did she steal from you?

- Yeah, little things.

- Karen, how is this for you?

I mean, is it too much?

I mean, at your, uh...

- At my age?

I'm strong, dear.

But how is it for you?
I mean...

without her?

- I miss her.

I love her.

- So do I.

It got really difficult.

She refuses to be happy.
- Oh!

- No, she took pills.

- She did not take pills.
- Yes, she did.

She tried to kill herself.

- What?

Is that true?

- It's not true.

♪♪♪

[ indistinct conversation ]

Five, six, seven, up.

- I have to warn you,
there's a very delicate balance

of self- confidence,

so we'd better sit
far enough back

so that she—you know,
so that she doesn't—

[ tires squealing ]

[ crash ]

- Oh my God.

- You all right?

- Yeah, I'm all right.

- Oh, I'm so sorry, I'm so—

it was my fault.

I—I'm—I'm so sorry.

- Yeah, it's your fault.

You ran the red light.

Didn't you see it?
You're dangerous, lady.

Get some glasses, you old hag!

- Hey, hey!

- Maybe you shouldn't
be driving anymore.

- Don't you start on that.
It's you.

You were making me nervous.

- For your own safety
and everybody else's, Grandma.

- I'm not your grandmother.

- [ whispering ]
I'll handle this.

- I'm just saying
that she's too old to drive.

- I passed the test
a few months ago.

Mind your—

Mind your own business!

- It is our business.

If you're gonna
drive around our d—

Oh, come on.
- [ crying ]

- They...

They thought they were
keeping it from me,

but I knew.

I knew for years.

She was thinner all the time,
and...

I could see the veins
sticking out of her hands

and on her brow.

[ sniffles ]

I knew she was fighting
to stay alive for me.

I said, "I hate you.

I wish you'd die."

God, I can't stand it.

- Hey, it's not your fault.
It's not your fault.

Kids say these kinds
of things all the time,

and you didn't mean it,
did you?

- None of this
would have happened

if it weren't for me.

- It's over now.

- I wish it wasn't.

Excuse me.

Here's my frickin'
stepmother.

- Hey.
- Hi.

I missed you.

- Um, this is my dad.

Yeah, this is Anthony.
- Nice to meet you.

Nice to meet you.

- This is my stepmother Sibyl.

- Nice to meet you.
- Nice to meet you.

- I'm sorry we missed
your rehearsal.

- [ sighs ]

- Your grandmother
ran into another car.

- You did?
- It—It—It was—

It was very confusing.

- Nobody's hurt.
- The other car—

Nobody's hurt.

- It was nothing...

- So, uh,
tell me about this play.

And who is this Anthony?

- Today at rehearsal,

he was standing
in the—in the wings

and the choreographer
was telling us,

uh, you know, what to do,

and he was just standing
in the sidelines

making faces the whole time.

He's so weird.

[ birds chirping ]

[ door closing ]

- Arthur.

Long time no see.

How's it goin'?

- Good.

Good, you?

- Oh, I'm just fat and sassy.

- You know, I never got
a chance to thank you

for bein' so kind to Belinda
that time she was here.

- Yeah.

Well, me and Marge have been
through our own hard times.

I was drinkin', you know,
and she left me a couple times.

That's the new wife, huh?

- Yeah.

- Terry's been makin'
the most beautiful furniture.

- Really?
- Yeah.

I been usin'
her husband's shop.

He got me started on it.

- Yeah, been sellin' up on
the Red Arrow Highway.

Lots of high- end clients
from Chicago.

- He's a real artist.

- Aren't they pretty?

You know why they light up?

'Cause it's mating season.

I don't remember
which one lights up,

males or the females, but...

Julie, do you wanna take 'em
to your room tonight?

- Why?

- For beauty's sake.

- Nah, no thanks.

♪♪♪

- Oh, for heaven's sake.

This is not a big city where
people have chauffeurs, Arthur.

This is farm country.

- My Julie is in the car
with you,

and I fear for her life.

I don't mean to insult you.

I love you, and I don't want
to see anything happen

to you or my daughter.

Do you understand that her life
is in your hands?

- Yes.

Believe me,
I don't want to do this,

but if you don't find
somebody,

I'm going to take her
home with me.

- You can't. You can't.
You can't. She's in a play.

- Not if she's in
a horrific car accident.

- I'll have Terry drive her.

- Always?

- If he's busy,
I will have Marge drive her.

- Always?

- Always.

♪♪♪

♪ If I only had known

♪ What I know now

♪ If the things that seem

- Well, there he is again.

- ♪ So clear today

- What kind of dog is it?

- I don't know.

- ♪ And if I only had known

♪ How true love grows

♪ I'd have stayed right here
and lived forever ♪

♪ With my Indiana Rose

- You got the main role?

Wow.

If you were my daughter,
I'd be real proud.

- Don't you have any kids?

- No.

We've never been blessed.

Too late now.

[ hum of engines ]

Now that's music to my ears.

I miss old Jezebel.

- You had a motorcycle?
- Oh, yeah.

Yeah, I used to be a biker,
you know.

I wasn't always a handyman.

No, I—I was a real bad boy.

- Did you, like,
take drugs and stuff?

- Yeah, oh, yeah.

Some drugs.

- Which ones?

- [ sighs ]

You know, pot, LSD, you know.

- LSD?

Gosh.

You mean, like, a lot?

- No.

[ laughing ]

Not a lot a lot.

You know, uh...

26 times or—or so?

But the best was laughing gas.

- [ laughing ]
- Nitrous oxide.

- That's, uh, that's the stuff
you get from the dentist.

- Mm- hmm, yeah.

- Well, how did you get it?

- Somehow the dentist tank
ended up in my garage,

but it was very safe 'cause
we borrowed his chair, too.

That was a great chair.

Of course, I haven't done
any drugs in 20 years,

and I can't tell you
how better my life is.

I wouldn't go back to that
for anything.

- Does my grandmother know
all that stuff?

- Oh, yeah. She knows
everything about me.

- Did your wife do it, too?

- No, Marge? No, no, she...

She's, uh, always been
a good girl.

Yeah, she straightened me
right out.

- You know, uh...

my—my mother...

always liked you.

- [ chuckling ]

All right, Vern,
I'll catch you on the flip flop.

- Five, six, seven, and...

[ clap ]

And...

[ clap ]

And...

[ clap ]

And go shuffle.

Slide-slide-slide.

- ♪ Onward dreamily

- Slide-slide-slide.

- ♪ In an evening
- Slide-slide.

- ♪ Of July
- Smooth.

♪ Children three
that nestle near ♪

♪ Eager eye
and willing ear ♪

♪ Pleased a simple tale
to hear ♪

♪ Long has paled
that sunny sky ♪

♪ Echoes fade
and memories die ♪

♪ Autumn frosts
have slain July ♪

♪ Still she haunts me,
phantomwise ♪

♪ Alice moving under skies

- What'd you tell her
all that stuff for?

She's just a little girl.
You wanna get fired?

- Me and Karen understand
each other real well.

- Oh, yeah?
Well, what about her father?

He never even liked you.

True. And I never liked him.
He never deserved Belinda.

- Belinda, Belinda.

I am so sick
of hearing about Belinda.

The woman is dead.
Can't we just leave her there?

♪ A boat
'neath a sunny sky ♪

♪ Lingering onward dreamily

♪ In an evening of July

♪ Children three
that nestle near ♪

♪ Eager eye and willing ear

♪ Pleased a—

- Don't point
to your eye and ear.

- Why not?

- Well,
we know where they are.

- Well, yeah, but—

- No, no, no, trust me.

- ♪ Eager eye and willing ear

♪ Pleased a simple tale
to hear ♪

♪ Long has paled
that sunny sky ♪

♪ Echoes fade and—

- Well, you can do the sky.

- Why? Because we don't know
where it is?

- No, smartypants.

Because it's good.

- ♪ Long has paled
that sunny sky ♪

♪ Echoes fade
and memories die ♪

- Yeah, but it's—it's better
if you do it before the word.

- Mm.

- ♪ Long has paled
that summer sky ♪

See, it's better never to do—
do it right on the word itself.

- Never?
- Well, uh...

on the rare occasion
for emphasis you might,

but almost always before
or after is better.

Usually before is better.

- [ mimicking chicken ]

- [ laughing ]

♪ Long has paled
that summer sky ♪

♪ Echoes fade
and memories die ♪

- I never thought that you
would come into my life,

and here you are,

and you'll be here
for the rest of my life,

and I will be in yours.

We will never ever
forget each other.

You know that, don't you?

It's an important moment
in our lives.

Okay.

You're a deep girl.

Deep soul.

So lucky.

So lucky to have you.

[ sighs ]

♪♪♪

- Grandma!

Grandma!

- Oh, my God.

[ laughing ]

What have you done?

- [ laughing ]

- You naughty girl,
you naughty boy.

Oh, you darling.
I'm so glad to see you.

What—what did you do?

Oh...

♪♪♪

Oh no, no, no, no, no!

Oh! Come back!

- Oliver!
- Oliver!

- Oliver, come back!

[ groaning ]

♪♪♪

[ goats bleating ]

- You bitch!

[ grunts ]

- Get off of her!

Get off.

- You apologize to her
this minute.

Get him!
You've had it, boy.

♪♪♪

Oh, boy.

[ clicks tongue ]

Julie?

Aah! Oh my God.

Oh, my God, oh, my God!
What have you done?

Help! Help!
- What's goin' on?

- Help!
- What—What's goin' on?

She drank iodine.

- She drank iodine?
- Iodine!

- Sibyl!
- Oh, my God.

- Sibyl, get the car!

♪♪♪

- You okay?

Oh, Jesus.

- The doctor will be out.
He'll let you know what's what.

- [ stammering ]

[ gasps ]

- You okay?
- My God.

- Karen?
- Get up.

- Karen? Karen.

- Karen.
[ alarm sounding ]

[ monitor beeping steadily,
ventilator whooshing ]

- How do you feel?

- What—what—how did I—

- You had a heart attack.

- Oh, my God.

- Now it was just a small one,
but you've got to take it easy.

- Julie. How is Julie?
- They flushed the poison.

Her throat's really raw.
She's just down the hall.

- This—this is—oh, my God.

Oh, my God.

Oh, God.

[ monitor beeping steadily ]

- They've got her sedated.
- Oh, my God.

- They're not takin' any chances
that she might try it again.

- Mrs. Shanahan,
what do you think you're doing?

Your heart is in trouble.
You need to get back to bed.

You want to damage it further?

- It's my heart,
and I'll damage it if I want.

[ monitor beeping steadily ]

[ footsteps approaching ]

[ birds chirping ]

♪♪♪

- John.

[ gasps ] John.

Oh, my God.
Oh, my God.

Oh, my darling.

- Oh.
- I'm here.

- Where have you been?
Where have you been?

- I know.

Oh, my darling.

Darling, darling John.

Stay with me.
- I will wait for you.

- Belinda.

Oh...

Oh, my darling.

Are you all right?

Did it go away?

Terry.

No.

Belinda.

[ monitor beeping steadily ]

- Woman: Stop!

Stop, stop, stop.

- Get out of my way.
- Ma'am.

- Get out of...
- Has she been released?

- No.
- ... my way.

- Ma'am, where are you going?

- You have no right
to keep me here.

Get out of my way.
Do you understand me?

- Nobody's gonna stop you.
- Get out of... my... way.

That's right.

[ bird cawing ]

[ door creaks ]

[ door slams ]

- Where is she?
- Upstairs packing.

We're taking her home.

- The hell you are.

I don't know what I would
have done if you had died.

How do you feel?

- [ scratchy voice ]
Throat hurts.

- Not worth killing yourself
for a boy.

- It's not just Anthony.

The whole world's so terrible,

I don't see any reason
to go on.

The fact is I'm gonna lose
everyone I love.

My mom left me.

My dad doesn't want me.

I have no one.

- You have me.

- For how long?

- Oh...

Your mother fought so hard
for her life.

She tried to live long enough
to see you off to college.

But she couldn't make it.

And now you want
to kill yourself?

Huh?

[ birds chirping ]

You have a great gift, Julie.

- What?
- You have a beautiful voice.

- Not anymore.
I mean, listen to me.

- Oh, it'll come back.

- No, I don't—I don't care.
I'm done.

- I know.

- It's too humiliating.

I can't go back.

I'm done. I'm finished.

- No, you're not.

It'll come back quickly,
you'll see.

And then someday—
someday it'll bring you freedom.

Yes, bring you freedom
and success and happiness

if you let it.

[ birds chirping ]

Something happened to me
at your age,

maybe a year older.

There was a thing called
the All-City High School Chorus.

Thousands of boys and girls

from all five of
the New York City boroughs—

I think 90 or 100 kids
were accepted,

and you had to audition for it.

And...

I did.

I was scared to death.

I—I—and I sang,
I knew I had a pretty voice,

but I—I doubted that
I would actually get in

the high school chorus,
a big thing.

So...

I went down there
to Carnegie Hall,

which was where
they were doing these,

just Carnegie Hall,
this grand place,

and there were hundreds
of kids there.

The auditorium
was filled with them.

And it came my turn,
and I walked up to the piano,

and the head of the thing,
the director,

said, "What are you gonna sing?"
and I said, "Summertime."

And I started to sing.
I was scared to death.

Started to sing,

and I—I sang it
with all my heart.

And I got in.

[ chuckles ] I got in.

Little old skinny old stupid me,
I got in.

And I ran all the way home,
which was about, I don't know,

21/2 miles
or something like that

from where we lived uptown.

My father was—he was
sitting in the kitchen

playing chess
with Uncle Gustoff,

his German pal.

And my mother was
doing the dishes.

Well, I could hardly
catch my breath from running.

I kept—and I got—
"I got into the chorus," I said.

"He picked me! You want
to hear that—what I sang?"

And they didn't answer.

They just continued doing
what they were doing, and...

So I started singing.

I started singing it anyways.

♪ Summertime,
and the living is easy ♪

Of course, I can't do it
anymore now, but I sang it,

and as I sang,

my father and Gus
stopped playing chess,

Mama stopped washing dishes,

and one by one
without a word,

they walked past me
and continued walking

all the way
into the front room.

And in silence
I watched them do that.

And something happened to me
right then.

It was a pivotal moment
in my life, Julie.

Whether or not they
or anyone in the world cared,

I sang that song
loud and clear,

right there in the kitchen,

and to the very last note,
I sang that song.

From that moment on,
I decided to believe in myself

and pursue my dreams.

So I say to you,
my darling granddaughter,

if nobody in this world
is there for you,

if you're all on your own,

sing.

Sing loud and clear.
Sing with all your heart,

and your voice will be heard,
my darling.

And years from now when
you're a great singer...

I hope you'll remember me.

[ gears shift ]

- This is a big mistake,
honey.

You need to let go of
this so- called musical

and come home with me
and Sibyl.

- In case you don't remember,
Daddy,

you and Sibyl wanted
to get rid of me.

- That was a mistake.

- No, marrying Sibyl
was the mistake,

- so why don't you two just
go home and leave me alone?

♪ Autumn frosts
have slain July ♪

♪ Still she haunts me
phantomwise ♪

♪ Alice moving under skies

♪ Never seen by waking eyes

♪ Children yet
the tale to hear ♪

♪ Eager eye and willing ear

♪♪♪

♪ Lovingly shall nestle near

♪ In a Wonderland they lie

♪ Dreaming as the days go by

♪ Dreaming as the summer...

[ piano stops playing ]

[ music stops ]

[ piano resumes playing ]

♪♪♪

[ footsteps depart ]

♪ A boat 'neath a sunny sky

♪ Lingering onward dreamily

♪ In an evening of July

♪ Children three
that nestle near ♪

♪ Eager eye and willing ear

♪♪♪

♪ Pleased a simple tale
to hear ♪

♪ Long has paled
that sunny sky ♪

♪ Echoes fade and memories die

♪ Autumn frosts
have slain July ♪

♪ Still she haunts me
phantomwise ♪

♪ Alice moving under skies

♪ Never seen by waking eyes

♪ Children yet
the tale to hear ♪

♪ Eager eye and willing ear

- Thanks, Terry.

[ crickets chirping ]

What are you doing, Grandma?

Come on.

Let's go inside.

It's been a long day.

- I feel so tired.

- Well, we'll clean you up
and get you to bed.

Okay?

- When I die,
which I have no intention

of doing anytime soon,

Marge and Terry
will take care of you.

You'll go to Esperance Academy

and then to a college
of your choice,

hopefully Sarah Lawrence,
like your mom,

and... [ exhales deeply ]

everything I own will be yours.

- No, don't talk like that.

- But you have to trust me.

I know what's best for my
beloved daughter's little girl.

♪♪♪

[ insects chirping ]

[ geese honking ]

[ doors squeaking ]

[ sighs ]

Oh, my God.

[ slurping ]

[ exhaling deeply ]

Honey, I think it's best
if I stay home and rest.

Though I certainly
don't want to miss

your opening night performance.

Go on now, I'll—I'll—I'll
see you after the show, okay?

You better.

- [ whispers ] Okay.

- [ singsongy ] Do good.

I know you will.

- Thanks, Terry.

♪♪♪

[ bird cawing ]

- [ gasps ]

[ exhales deeply ]

♪♪♪

[ pained grunting ]

[ panting ]

[ exhales deeply ]

- What time is it?
- 6:30.

- Oh, my God.
I have to get dressed.

- There's no hurry. It doesn't
start for an hour and a half.

[ phone rings ]

Hello?

It's Julie.

Hi.

- How are you feeling, Grandma?

- Great, and I'll be there
with bells on.

- No bells, Grandma.
They'll make too much noise.

- Now, remember what
you're gonna think

when you're standing
in the wings

before your first entrance?

- Yep, I'm gonna

take a deep breath
and think, "Okay, everybody,

"sit back and relax,
'cause now you're gonna see

the real Alice in Wonderland."

- Exactly. And remember
that also when you—

- Oops, uh, gotta go.
I'll talk to you after.

Bye.

- Okay.

[ performing vocal warm- ups ]

[ indistinct conversations ]

- Five minutes.

Thank you, five.

[ indistinct conversations ]

Curtain.

Go.

♪♪♪

- Whoo!

[ rhythmic clapping ]

Whoo!

♪♪♪

Oh, whoa!

Whoo! Whoo, whoo!

[ rhythmic clapping ]

[ bells tolling ]

Whoo!

Whoo!

[ whooping continues ]

[ rhythmic clapping continues ]

♪♪♪

[ whooping continues ]

♪♪♪

♪♪♪

[ laughter ]

♪♪♪

[ laughter ]

♪♪♪

♪♪♪

- ♪ Teach me to sin

♪ Lock me
in your velvet arms ♪

♪ Enslave me
to your wanton charms ♪

♪ Teach me to sin

♪♪♪

♪ Teach me to sin

♪ Teach me

♪ Inflame my blood
with blue desire ♪

♪ Your senses reeling,
pulses swim ♪

♪ Teach me to sin

♪♪♪

♪ If I cannot be your
master ♪

♪ Let me be your slave

♪ You're so disreputably
delicious and depraved ♪

♪ Explore the very depths
of me ♪

♪ I love to misbehave

♪ With the lowest
of God's creatures ♪

♪ It's your nastiness
I crave ♪

♪ Teach me to sin

♪♪♪

♪ Why don't you rock me
in your velvet arms? ♪

♪ Enslave me to
those wanton charms ♪

♪ And teach me to sin

♪♪♪

Class, I would like
to introduce you to...

[ voice echoing ] Sin... 101.

♪ Teach me to sin

♪♪♪

Oh, show me your stuff!

♪♪♪

[ cheers and applause ]

- Go. I'll be okay.
- No, I have another chance.

- I don't want to leave you.
- Don't argue with me.

Marge can stay with me.
Now go.

Go, go, go!

- I'm not going to.

- Terry.

[ crickets chirping ]

You don't want to miss
your daughter's opening, do you?

- My what?

- Yes.

Think about it, Terry.
Figure it out.

- Are you serious?

- Yes, I'm serious.

- Yeah, but—

- Look.

Figure it out.
Arthur wasn't around.

Youwere around.

- Around what?

- Yes.

- [ chuckles ]

- Now go.

Go, go, go, go, go.

[ sighs ]

- Are you sure?
- Yes.

- Does she know?
- No. Now, hurry.

It'll be over
before you get there.

- Why didn't you tell me
before?

- Get out of here.

[ engine starts ]

♪♪♪

- ♪ I wanted desperately
to hold you ♪

♪ And told you as much

♪♪♪

♪ As flowers
tenderly enfold you ♪

♪ And cling to your touch

♪♪♪

♪ Nobody told me
life was endless ♪

♪ Full of these things
we dare not speak ♪

♪♪♪

♪ I know the world's
not cold and friendless ♪

♪ It's more the company

♪ You keep

♪♪♪

♪ I spent all day
inside a garden ♪

♪ And waited in vain

♪♪♪

♪ I felt the rain
and watched it harden ♪

♪ On the shivering plain

♪ Nobody warned me
of these feelings ♪

♪♪♪

♪ The clever lies
we must forsake ♪

♪♪♪

♪ The fear we spend
our lives concealing ♪

♪♪♪

♪ From all the promises
we make ♪

♪ And still I'm left
without an ending ♪

♪ Pretending you're near

♪ But I can still go on
remembering ♪

♪ Pretending you're here

♪♪♪

♪♪♪

[ applause ]

♪♪♪

[ drum beating ]

- Off with her head!

♪♪♪

Get her!

♪♪♪

[ tearing cards ]

♪♪♪

[ tearing card ]

♪♪♪

[ tearing card ]

♪♪♪

[ tearing card ]

♪♪♪

- Undici.

[ tearing card ]

Dodici.

Tredici...

- ♪ A boat 'neath a sunny sky

♪ Lingering onward dreamily

♪ In an evening of July

♪ Children three
that nestle near ♪

♪ Eager eye and willing ear

♪ Pleased a simple tale
to hear ♪

♪ Long has paled
that sunny sky ♪

♪ Echoes fade and memories die

♪ Autumn frosts
have slain July ♪

♪ Still she haunts me
phantomwise ♪

♪ Alice moving under skies

♪ Never seen by waking eyes

♪ Children yet
the tale to hear ♪

♪ Eager eye and willing ear

♪ Lovingly shall nestle near

♪ In a Wonderland they lie

♪ Dreaming as the days go by

♪ Dreaming as the summers die

♪ Ever drifting
down the stream ♪

♪ Lingering
in the golden gleam ♪

♪ Life, what is it

♪ But a dream?

[ applause ]

[ cheering ]

♪♪♪

[ applause continues ]

♪♪♪

[ cheers and applause
continue ]

- Ah, I'm so proud of you.

- No Grandma or...

- No, she felt dizzy
at the last minute

and had to stay home.
Marge is with her.

Comin' tomorrow night,
and she's anxious

to hear how it all went.

[ crickets chirping ]= Grandma?

[ footsteps approach ]Grandma.

- Huh?

Oh...

- You missed it.

- I know, honey, and I'm sorry.

You know I wanted to go,
but...

tell...

tell all how—

how did it go?

Were you scared?

- How did you—
- Well, I—I was,

but I told myself
just as you told me to.

Hang on to your hats, folks,
'cause now you're gonna see

the real
Alice in Wonderland.

Well, it worked.

I was concentrating
way too much to be scared.

I wish you would have
been there, though.

Grandma?

Grandma?

[ sobbing ]

Grandma.

Grandma.

- Shh.
- Grandma.

You can't just take her!

[ moans ] No, let me go.

[ sobbing ] Open the door!

Oh my God.

Don't let 'em leave.

- A lot of you probably
don't know who John Simon is,

but I want to read you what
he wrote in "The New York Times"

about Karen's performance
in her first picture.

"Karen Shanahan
can make her face

into a dozen different faces—
beautiful, pain- riddled,

childlike, wizened,
otherworldly,

furious, ethereal,

Earth- Motherish,

you name it,
and even the unnamable.

Now she's the prototypical
dowdy faculty wife,

now a blazing maenad
unleashed on our libido,

now a china shepherdess
so fragile

her own breathing
might shatter her,

now a goddess shooting up
high above any mere man

in the immensity
of her love and wrath.

The picture should be seen

just for that
shiningly irrefutable..."

- [ lowered voice ]
You have all that in you.

- "... performance."

- I saw it.

- Now I want you to hear
something she recorded

when she was not much older
than her granddaughter here.

- ♪ If you ever go
across the sea ♪

♪ To Ireland

♪ Then maybe at the closing
of the day ♪

♪ You will sit and watch
the moon rise ♪

♪ Over Claddagh

♪ And see

- [ singing along ] ♪ The sun
go down on Galway Bay ♪

[ sniffles ]

♪ Just to hear again
the ripple of a trout stream ♪

♪ The women in the meadows
making hay ♪

♪ And to sit beside
the turf fire ♪

♪ In a cabin

[ sniffles ]

[ voice breaking ] ♪ And watch
the barefoot gossoons ♪

♪ On their way

♪♪♪

♪♪♪

[ birds and insects chirping ]

♪♪♪

[ birds chirping ]

♪ Sometimes a wind blows

♪ And you and I

♪ Float

♪ In love

♪ And kiss forever

♪ In a darkness

♪ And the mysteries of love

♪ Come clear

♪ And dance

♪ In light

♪ In you

♪ In me

♪ And show

♪ That we

♪ Are love

♪ Sometimes a wind blows

♪ And the mysteries of love

♪ Come clear

♪ And dance

♪ In light

♪ In you

♪ In me

♪ And show

♪ That we

♪ Are love

♪♪♪

- ♪ I wanted desperately
to hold you ♪

♪ And told you as much

♪♪♪

♪ As flowers
tenderly enfold you ♪

♪ And cling to your touch

♪♪♪

♪ Nobody told me
life was endless ♪

♪ Full of these things
we dare not speak ♪

♪♪♪

♪ I know the world's
not cold and friendless ♪

♪ It's more the company
you keep ♪

♪♪♪

♪ I spent all day
inside a garden

♪ And waited in vain

♪♪♪

♪ I felt the rain
and watched it harden ♪

♪ On the shivering plain

♪ Nobody warned me
of these feelings ♪

♪♪♪

♪ The clever lies
we must forsake ♪

♪♪♪

♪ The fear we spend
our lives concealing ♪

♪ From all the promises
we make ♪

♪♪♪

♪♪♪