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1
00:00:02,045 --> 00:00:03,829
BILLY: BABY, WHICH TIE
DO YOU THINK
2
00:00:03,873 --> 00:00:08,051
I SHOULD, UH--
LAURA: WHAT? SORRY.
I--I'M A MESS.
3
00:00:08,095 --> 00:00:11,620
NO, NO, NO, YOU'RE FINE.
AND I THINK YOU LOOK S-SEXY
IN YOUR--IN YOUR ROLLERS.
4
00:00:11,663 --> 00:00:14,101
ALL THESE GIRLS
IN THE HOUSE
ARE KILLING ME.
5
00:00:14,144 --> 00:00:16,407
MY CLOTHES KEEP
DISAPPEARING, I CAN'T
GET IN THE BATHROOM.
6
00:00:16,451 --> 00:00:18,409
I CAN'T EVEN GET
IN OUR BATHROOM.
BILLY: WELL, I'M SOR--
7
00:00:18,453 --> 00:00:21,369
OLIVIA: WHAT'S UP, PARENTS?
BILLY: HEY, UH, WH-WHICH TIE
8
00:00:21,412 --> 00:00:24,894
DO YOU LIKE BETTER?
I'M GOING FOR APPROACHABLE
MEETS JOE CLARK.
9
00:00:24,937 --> 00:00:26,939
OLIVIA:
UM, I LIKE THAT ONE.
10
00:00:26,983 --> 00:00:28,941
OK, YEAH, ME, TOO.
I KNOW IT'S TEMPORARY,
11
00:00:28,985 --> 00:00:31,422
BUT I JUST WANT TO MAKE
A GOOD IMPRESSION.
MY LIST.
12
00:00:31,466 --> 00:00:33,424
LAURA: YOUR PRINCIPAL
TO-DO LIST?
BILLY: YEAH.
13
00:00:33,468 --> 00:00:35,165
- UPSTAIRS ON THE DRESSER.
- THANK YOU, AND YOU
14
00:00:35,209 --> 00:00:36,819
LOOK BEAUTIFUL. THANK YOU.
LAURA: THANK YOU.
15
00:00:36,862 --> 00:00:38,603
OLIVIA: WELL,
SOMEBODY'S EXCITED
16
00:00:38,647 --> 00:00:40,953
ABOUT THEIR
FIRST DAY OF SCHOOL
AS INTERIM PRINCIPAL.
17
00:00:40,997 --> 00:00:44,566
AND YOU SHOULD BE EXCITED
FOR YOUR FIRST DAY
OF CLASS AT G.A.U.
18
00:00:44,609 --> 00:00:47,177
LAYLA: HEY, GOOD MORNING.
LAURA: MY LITTLE BABIES
ARE GROWING UP...
19
00:00:47,221 --> 00:00:49,571
LAYLA: MMM.
LAURA: AND MY BONUS BABY
20
00:00:49,614 --> 00:00:52,008
IS ABOUT TO TAKE
THE MUSIC INDUSTRY BY STORM.
21
00:00:52,052 --> 00:00:54,010
LAYLA: WELL, IF
"BY STORM," YOU MEAN,
22
00:00:54,054 --> 00:00:56,665
UM, FIGHTING OVER CONTRACTS
ALL DAY, THEN YAY ME.
23
00:00:56,708 --> 00:00:58,884
OK. I'LL SEE YOU LATER.
LAURA: BYE.
24
00:00:58,928 --> 00:01:01,104
OLIVIA: GOOD LUCK.
LAYLA: THANK YOU.
PATIENCE: HEY. MORNING, Y'ALL.
25
00:01:01,148 --> 00:01:05,108
GOOD MORNING, PATIEN--
UH, IS THAT MY JACKET?
26
00:01:05,152 --> 00:01:07,676
PATIENCE: NO, NO, NO.
I BORROWED IT FROM LIV.
LAURA: AH.
27
00:01:07,719 --> 00:01:10,896
OH. THAT'S WHERE
THAT JACKET'S FROM.
28
00:01:10,940 --> 00:01:12,898
GIRL.
MY BAD, MRS. BAKER.
29
00:01:12,942 --> 00:01:15,901
[SIGHING] IT'S OK.
IT LOOKS CUTE ON YOU.
YOU CAN KEEP IT.
30
00:01:15,945 --> 00:01:18,600
- THANK YOU, AND I KNOW, RIGHT?
- HAVE YOU TALKED TO COOP?
31
00:01:18,643 --> 00:01:20,689
UH, YEAH,
WE TALKED BRIEFLY
LAST NIGHT.
32
00:01:20,732 --> 00:01:22,647
UM, TAKING A LITTLE BIT
OF SPACE, BUT SHE'S
33
00:01:22,691 --> 00:01:24,997
ENJOYING HER TIME ON
THE ROAD WITH HER DAD.
34
00:01:25,041 --> 00:01:26,999
IT'S THEIR FIRST
REAL CHANCE FOR SOME
QUALITY TIME TOGETHER
35
00:01:27,043 --> 00:01:29,001
SINCE COOP RECOVERED
FROM THE SHOOTING.
36
00:01:29,045 --> 00:01:32,004
UM, OK, WELL,
I GOT TO GET TO CAMPUS.
37
00:01:32,048 --> 00:01:35,007
I WILL SEE YOU GUYS
LATER. THANK YOU.
LAURA, SIGHING: BYE.
38
00:01:35,051 --> 00:01:37,619
OLIVIA: OK, I NEED
TO GET GOING, TOO. UM,
39
00:01:37,662 --> 00:01:40,361
YOU SHOULD DEFINITELY DO
SOMETHING WITH YOUR HAIR.
40
00:01:40,404 --> 00:01:42,754
YEAH. LOVE YOU.
LAURA: HMM.
41
00:01:42,798 --> 00:01:44,626
BILLY: HAVE A GOOD DAY.
OLIVIA: BYE, DAD.
42
00:01:44,669 --> 00:01:46,280
LAURA: I REALLY LOVE
THESE GIRLS, BUT WE
GOTTA, LIKE,
43
00:01:46,323 --> 00:01:48,151
DRAW STRAWS OR
ROCK, PAPER, SCISSOR
44
00:01:48,195 --> 00:01:50,153
TO DECIDE WHO'S
KICKING WHO OUT.
45
00:01:50,197 --> 00:01:52,764
IT'S TEMPORARY.
WE JUST NEED TO BE
A LITTLE BIT MORE PATIENT.
46
00:01:52,808 --> 00:01:55,767
WHERE ARE
MY SERGEANT SUGAR FLAKES?
47
00:01:55,811 --> 00:01:59,467
OH, YEAH, THOSE?
THE GIRLS THREW IT OUT.
48
00:01:59,510 --> 00:02:02,731
- HUH?
- THEY SAID WE ONLY NEEDED
HEALTHY CEREAL IN THE HOUSE.
49
00:02:02,774 --> 00:02:06,256
OH, HELL NO.
THEY GOTTA GO.
50
00:02:06,300 --> 00:02:08,693
[SEAGULLS SQUAWK]
51
00:02:10,826 --> 00:02:12,784
MORNING, BROS.
[SIGHS]
52
00:02:12,828 --> 00:02:15,222
M-MORNIN'. WHAT ARE YOU
DOING UP SO EARLY?
53
00:02:15,265 --> 00:02:18,964
OH, I'M TAKING ASHER
TO MEET COACH MR. MONTES
ABOUT A JOB.
54
00:02:19,008 --> 00:02:20,270
YOU REALLY GONNA KEEP
CALLING HIM THAT?
55
00:02:20,314 --> 00:02:22,272
WHAT ELSE AM I SUPPOSED
TO CALL HIM?
56
00:02:22,316 --> 00:02:24,927
COACH MONTES IS ALWAYS
GONNA BE "COACH MONTES,"
57
00:02:24,970 --> 00:02:28,757
SO HER HUSBAND IS
"COACH MR. MONTES."
MAKES PERFECT SENSE.
58
00:02:28,800 --> 00:02:31,194
JORDAN: WELL...
SPENCER: OK.
I'M LEAVING THAT ALONE.
59
00:02:31,238 --> 00:02:32,978
GOTTA DO
MY MORNING MEDITATION
60
00:02:33,022 --> 00:02:34,763
AND SUN SALUTATIONS
BEFORE BREAKFAST.
61
00:02:34,806 --> 00:02:36,852
- MMM, RIGHT.
- I DECIDED I'M GONNA BE
62
00:02:36,895 --> 00:02:39,376
A WELLNESS INFLUENCER,
TEACH MY FOLLOWERS
ABOUT BEING ZEN.
63
00:02:39,420 --> 00:02:42,118
INSTEAD
OF A MENTORSHIP,
I'M PROVIDING
64
00:02:42,162 --> 00:02:44,729
A ZENTORSHIP. HA HA HA!
JORDAN: "ZENTORSHIP."
65
00:02:44,773 --> 00:02:46,209
JJ: DOPE, RIGHT?
JORDAN: MM-HMM.
66
00:02:46,253 --> 00:02:47,732
[DOOR OPENS, CLOSES]
IT'S SOMETHING.
67
00:02:47,776 --> 00:02:49,560
JORDAN: OH, BOY.
BILLY: FELLAS!
68
00:02:49,604 --> 00:02:51,649
IT'S ME!
SPENCER: HEY, WHAT UP, WHAT UP?
69
00:02:51,693 --> 00:02:53,738
BILLY: WHAT'S HAPPENING?
JORDAN: GOOD MORNING,
GOOD MORNING.
70
00:02:53,782 --> 00:02:55,784
YOU DO KNOW
THAT SOUTH CRENSHAW HIGH
IS THE OTHER WAY, RIGHT?
71
00:02:55,827 --> 00:02:57,568
I DO, I DO.
I JUST STOPPED BY
72
00:02:57,612 --> 00:03:00,528
FOR A QUICK BREATH
OF FRESH TESTOSTERONE.
73
00:03:00,571 --> 00:03:02,356
WOW. WHAT IS HE DOING?
SPENCER: NOPE, NOPE.
74
00:03:02,399 --> 00:03:04,184
DON'T ASK. DON'T ASK.
BILLY: OK.
75
00:03:04,227 --> 00:03:06,011
ALL RIGHT. CAN I
GET SOME CEREAL?
76
00:03:06,055 --> 00:03:08,100
THANK YOU.
77
00:03:08,144 --> 00:03:10,494
YOU'RE A LITTLE
OVERDRESSED FOR YOUR
MEETING WITH PREACH, RIGHT?
78
00:03:10,538 --> 00:03:13,802
OH, THIS IS, UH,
THIS IS MY PRINCIPAL LOOK
'CAUSE I'M A PRINCIPAL,
79
00:03:13,845 --> 00:03:16,413
SPEAKING OF WHICH,
PREACH--
80
00:03:16,457 --> 00:03:18,763
YOU REALLY THINK HE'S
THE RIGHT CHOICE TO HELP
TUTOR THE FOOTBALL TEAM?
81
00:03:18,807 --> 00:03:20,765
I KNOW I SAID I WAS
DESPERATE, BUT--
82
00:03:20,809 --> 00:03:22,724
COOP WOULD HAVE NEVER
PASSED THAT G.E.D.
WITHOUT PREACH.
83
00:03:22,767 --> 00:03:24,943
TRUST ME.
HE'S YOUR GUY.
84
00:03:24,987 --> 00:03:26,641
NOW I GOTTA GO
'CAUSE IT'S GONNA
BE A LONG-ASS DAY
85
00:03:26,684 --> 00:03:28,295
AND I'M ALREADY LATE
FOR CALCULUS CLASS.
86
00:03:28,338 --> 00:03:30,253
BILLY: ALL RIGHT.
JORDAN: ALL RIGHT.
87
00:03:30,297 --> 00:03:31,950
SPENCER: HOLLA AT YOU.
JORDAN: ALL RIGHT. GOOD LUCK.
88
00:03:31,994 --> 00:03:34,953
[DOOR OPENS, CLOSES]
BILLY: HOLD UP.
89
00:03:34,997 --> 00:03:38,261
IS IT...IS THIS
MY CEREAL THAT YOU
TOOK FROM THE HOUSE?
90
00:03:38,305 --> 00:03:41,830
MALE SINGER: ♪ I AIN'T NEVER
SEEN SOMETHING LOOK THIS GOOD ♪
91
00:03:41,873 --> 00:03:44,049
- ♪ NO CAP
- ♪ EVERYTHING GREAT, MAN
92
00:03:44,093 --> 00:03:46,051
♪ IT FEEL LIKE IT SHOULD
[ECHOES]
93
00:03:46,095 --> 00:03:47,705
- ♪ THAT'S THAT
- ♪ AND SURVIVE
94
00:03:47,749 --> 00:03:49,533
♪ YOU CAN FEEL
FROM NEW YORK TO L.A. ♪
95
00:03:49,577 --> 00:03:51,187
♪ YEAH, THAT'S THAT,
AND THE REAL ♪
96
00:03:51,231 --> 00:03:53,363
♪ NO, REAL, MAN,
WHAT THEY GONNA SAY? ♪
97
00:03:53,407 --> 00:03:56,366
♪ UH, BACK THAT, MOVE BACK,
NOT A HASHTAG ♪
98
00:03:56,410 --> 00:03:58,368
♪ I WAS BORN BROKE,
I REVERSED THAT ♪
99
00:03:58,412 --> 00:04:00,370
♪ MONEY CAN'T QUIT,
THAT'S A CASH APP ♪
100
00:04:00,414 --> 00:04:02,372
♪ BUT I SPENT SLOW,
GOTTA SAVE THAT ♪
101
00:04:02,416 --> 00:04:04,374
♪ SEE THE COPS
LIKE PAT ON SAJAK ♪
102
00:04:04,418 --> 00:04:06,246
♪ YOUNG, DOWN, AND RICH,
BOY, THAT'S A PAYBACK ♪
103
00:04:06,289 --> 00:04:07,769
♪ FOR ANYONE WHO EVER
DOUBTED, TELL ME... ♪
104
00:04:07,812 --> 00:04:10,511
WELCOME TO ADVANCED
MOLECULAR BIOLOGY.
105
00:04:10,554 --> 00:04:13,514
ALL RIGHT, AS PROMISED TODAY,
WE WILL BE DISCUSSING THE...
106
00:04:13,557 --> 00:04:15,994
SPENCER: THIS ISN'T CALCULUS?
PROFESSOR: ...EXPERIMENTS.
107
00:04:16,038 --> 00:04:18,083
FEMALE SINGER:
♪ DO YOU LIKE WHAT YOU SEE?
108
00:04:19,998 --> 00:04:22,914
["PUT 'EM UP"
BY BALANCE PLAYING]
109
00:04:24,525 --> 00:04:27,136
♪ ON MY GROUND,
I'LL TELL YOU NOW ♪
[SCHOOL BELL RINGS]
110
00:04:27,179 --> 00:04:30,139
♪ I CAN'T STOP TILL MY...
BILLY: ALL RIGHT, GOOD MORNING,
YOUNG LEARNERS.
111
00:04:30,182 --> 00:04:32,315
HOW YOU DOING, YOUNG MAN?
YOU GONNA MAKE TODAY COUNT?
112
00:04:32,359 --> 00:04:34,491
- YES, SIR.
- THAT'S WHAT I LIKE TO HEAR.
113
00:04:34,535 --> 00:04:36,798
SINGER: ♪ I CAN'T STOP
TILL MY PAPER'S RIGHT ♪
114
00:04:36,841 --> 00:04:38,887
♪ MY CHICKS, WHAT'S UP?
115
00:04:38,930 --> 00:04:40,889
- THAT'S WHAT I LIKE TO HEAR.
- ♪ MY CHICKS, WHAT'S UP?
116
00:04:40,932 --> 00:04:42,760
♪ I'M GOIN' DOWN
BILLY: ALL RIGHT.
117
00:04:42,804 --> 00:04:44,675
- ♪ PUT 'EM UP
- MY MAN PREACH.
118
00:04:44,719 --> 00:04:46,895
- WHAT'S GOOD, COACH BAKER?
- GLAD TO HAVE YOU.
119
00:04:46,938 --> 00:04:49,550
- YES, SIR. YEAH.
- YOU READY? WOW.
LET'S GET YOU SITUATED,
120
00:04:49,593 --> 00:04:51,769
INTRODUCE YOU
TO THE BOYS. UH, MOST
OF THE PLAYERS HAVE
121
00:04:51,813 --> 00:04:55,947
STUDY HALL FIRST PERIOD,
SO I'M, UH...
[DISTANT SHOUTING]
122
00:04:55,991 --> 00:04:59,037
'SCUSE ME.
[SHOUTING GROWS LOUDER]
123
00:05:05,392 --> 00:05:09,918
BILLY: SO, AS YOU CAN SEE,
A LOT OF THESE BOYS ARE,
UH, LITTLE HARD TO HANDLE.
124
00:05:09,961 --> 00:05:12,268
I TUTORED DUDES
ON DEATH ROW. CAN'T BE
MUCH HARDER THAN THAT.
125
00:05:12,312 --> 00:05:14,575
THE LAST GUY
RAN OUTTA HERE
IN TEARS, SO...
126
00:05:14,618 --> 00:05:16,228
NOT EVERYBODY IS
BUILT FOR THIS.
127
00:05:16,272 --> 00:05:18,840
HE ACTUALLY SERVED
3 TOURS IN AFGHANISTA--
128
00:05:18,883 --> 00:05:21,712
THAT DOESN'T MATTER.
GO IN THERE,
DO YOUR THING.
129
00:05:21,756 --> 00:05:24,367
REMEMBER, THEY--
THEY DO SMELL FEAR,
SO BE CAREFUL.
130
00:05:24,411 --> 00:05:27,370
WOMAN ON WALKIE-TALKIE:
COACH BAKER, YOU'RE NEEDED
IN THE CAFETERIA.
131
00:05:27,414 --> 00:05:30,634
YOU CAN GO HANDLE
THAT CAFETERIA SITUATION.
I'LL INTRODUCE MYSELF.
132
00:05:30,678 --> 00:05:32,636
- YOU SURE?
- I'M SURE.
133
00:05:32,680 --> 00:05:34,638
ALL RIGHT.
134
00:05:34,682 --> 00:05:36,727
[SHOUTING CONTINUES]
135
00:05:39,034 --> 00:05:41,079
[SILENCE]
136
00:05:51,960 --> 00:05:53,918
[OVERLAPPING CHATTER]
137
00:05:53,962 --> 00:05:56,530
JORDAN: PROFESSORS.
MY GUY, MY GUY.
138
00:05:56,573 --> 00:05:58,183
NICE TO SEE YOU AGAIN.
MAN: WHAT UP, WHAT UP?
139
00:05:58,227 --> 00:06:00,795
HAVE A GOOD DAY.
OLIVIA: WOW. IT IS SERIOUSLY
140
00:06:00,838 --> 00:06:02,797
LIKE BEING AT BEVERLY
ALL OVER AGAIN.
141
00:06:02,840 --> 00:06:04,886
AH, WHAT CAN I SAY?
PEOPLE LOVE ME.
142
00:06:04,929 --> 00:06:06,235
- OK. WHATEVER.
- HMM, HMM.
143
00:06:06,278 --> 00:06:07,976
HAVE YOU SEEN SPENCER?
144
00:06:08,019 --> 00:06:09,978
I MEAN, WE'RE SUPPOSED
TO BE MEETING
FOR SNACK TIME.
145
00:06:10,021 --> 00:06:11,936
YEAH, I REALLY WISH YOU
WOULDN'T REFER TO IT
146
00:06:11,980 --> 00:06:13,895
AS "SNACK TIME" WHEN
YOU'RE TALKING TO ME.
147
00:06:13,938 --> 00:06:15,679
OH, WHAT, YOU CAN'T
HANDLE THE FACT THAT
YOUR SISTER'S A SNACK?
148
00:06:15,723 --> 00:06:18,116
- DON'T MAKE ME THROW UP.
- SERIOUSLY, WHERE IS HE?
149
00:06:18,160 --> 00:06:20,945
LOOK, LIV,
THE DEPTH CHART RESULTS
ARE GOING UP TODAY, OK?
150
00:06:20,989 --> 00:06:23,992
HE PROBABLY JUST
STOPPED BY THE GYM.
HE'S BEEN WORKING
151
00:06:24,035 --> 00:06:25,950
LIKE A MADMAN TRYING
TO MAKE THIRD-STRING,
ALL RIGHT?
152
00:06:25,994 --> 00:06:27,561
NO DEPTH CHART,
NO PLAYING TIME.
153
00:06:27,604 --> 00:06:29,867
YEAH, I KNOW. MY DAD'S
A FOOTBALL COACH, TOO?
154
00:06:29,911 --> 00:06:32,087
- OH, YOUR DAD'S A COACH, TOO?
- UH, YEAH. [GIBBERISH]
155
00:06:32,130 --> 00:06:34,350
[PHONE VIBRATING]
JORDAN: YOU'RE ANNOYING.
156
00:06:34,394 --> 00:06:38,049
MAN: HEY, JORDAN!
OLIVIA: WAIT. UH, GIVE ME A SEC.
157
00:06:38,093 --> 00:06:40,095
HELLO?
158
00:06:40,138 --> 00:06:42,706
[OVERLAPPING CHATTER]
ISAIAH: YO,
159
00:06:42,750 --> 00:06:45,361
WE DID THAT.
SPENCER: WHAT'S ALL THIS?
160
00:06:45,405 --> 00:06:47,145
HEY, COACH POSTED
THE DEPTH CHART.
161
00:06:47,189 --> 00:06:49,757
I MADE THIRD STRING.
SPENCER: OH, THAT'S WHAT'S UP.
162
00:06:49,800 --> 00:06:52,934
DISTANT MAN: CHECK THE CHART?
IS YOUR NAME UP THERE?
163
00:06:57,939 --> 00:07:00,115
HEY, DON'T EVEN WORRY
ABOUT IT.
164
00:07:00,158 --> 00:07:02,509
YOU'LL GET YOUR SHOT.
SPENCER: MY SHOT?
165
00:07:02,552 --> 00:07:04,598
[CELLPHONE VIBRATING]
166
00:07:06,208 --> 00:07:07,905
HEY, WHAT'S UP?
167
00:07:07,949 --> 00:07:10,560
I--I KNOW WE SAID WE WERE
MEETING UP TODAY, BUT, UM,
168
00:07:10,604 --> 00:07:13,868
I THINK THAT JENN NEEDS ME--
SPENCER: LIV, I CAN'T
RIGHT NOW, ALL RIGHT?
169
00:07:13,911 --> 00:07:15,870
THERE'S SOMETHING IMPORTANT
I GOTTA TAKE CARE OF.
170
00:07:15,913 --> 00:07:17,959
HELLO?
171
00:07:27,577 --> 00:07:29,536
[LINE RINGS]
COME ON.
172
00:07:29,579 --> 00:07:31,538
COME ON, COME ON, COME ON.
173
00:07:31,581 --> 00:07:34,192
[BEEP]
COACH, COACH.
174
00:07:34,236 --> 00:07:36,194
THIS IS SOME B.S., MAN.
I DON'T KNOW IF THIS
175
00:07:36,238 --> 00:07:39,110
COACH GARRETT DUDE'S GOT IT IN
FOR ME OR WHAT--
176
00:07:42,723 --> 00:07:46,422
I NEED YOU TO CALL ME BACK.
SOMETHING AIN'T RIGHT.
177
00:07:51,645 --> 00:07:53,081
OLIVIA: I MEAN, JENN IS
TECHNICALLY MISSING!
JORDAN: YEAH.
178
00:07:53,124 --> 00:07:54,822
I MEAN, SHE COULD BE
IN DANGER, AND HE JUST
BLEW ME OFF!
179
00:07:54,865 --> 00:07:57,085
I MEAN, HE DIDN'T
EVEN LET ME FINISH
MY DAMN SENTENCE!
180
00:07:57,128 --> 00:07:59,087
AND I'M JUST STUCK WITH YOU.
JORDAN: OK, WELL, HOLD ON.
181
00:07:59,130 --> 00:08:01,089
I THINK THE WORDS
YOU'RE LOOKING FOR
ARE "THANK YOU"?
182
00:08:01,132 --> 00:08:03,744
LOOK, I--I'M SORRY, OK?
I JUST--I'M SCARED
183
00:08:03,787 --> 00:08:05,397
THAT JENN'S FALLEN
OFF THE WAGON.
184
00:08:05,441 --> 00:08:07,399
I MEAN, HER PARENTS HAVE
NO IDEA WHERE SHE IS,
185
00:08:07,443 --> 00:08:09,967
AND I--I KNOW FIRSTHAND
HOW QUICKLY SHE CAN SPIRAL.
186
00:08:10,011 --> 00:08:13,275
- OK, OK, WHOA, WHOA,
WHOA, LIV, HEY.
- [SIGHS]
187
00:08:13,318 --> 00:08:16,278
RELAX. STOP WORRYING, OK?
WE'RE GONNA FIND HER,
188
00:08:16,321 --> 00:08:19,194
HOWEVER LONG IT TAKES.
[CELLPHONE VIBRATES]
OLIVIA: WAIT, WAIT.
189
00:08:19,237 --> 00:08:20,804
HELLO?
190
00:08:20,848 --> 00:08:22,632
DRAYMOND WHO?
191
00:08:22,676 --> 00:08:24,852
OH, OH, OK.
YES, UM,
192
00:08:24,895 --> 00:08:28,159
THANK YOU SO MUCH.
WE'LL--WE'LL BE
RIGHT THERE.
193
00:08:28,203 --> 00:08:30,988
SHE'S AT SLAUSON CAFEÉ.
JORDAN: ALL RIGHT,
THAT'S COOL. COME ON.
194
00:08:33,469 --> 00:08:36,646
[TAPS DOOR]
IMPRESSIVE DIGS.
195
00:08:36,690 --> 00:08:39,649
OH, MY GOD. SABINE.
UM, YOU'RE HERE,
196
00:08:39,693 --> 00:08:42,391
IN MY STUDIO.
UM, I THOUGHT
YOU WERE ON TOUR.
197
00:08:42,434 --> 00:08:44,567
- CLEARLY NOT ANYMORE.
- [CHUCKLES]
198
00:08:44,611 --> 00:08:47,222
DID YOU THINK I WAS
KIDDING WHEN I SAID I
WANTED TO WORK TOGETHER?
199
00:08:47,265 --> 00:08:49,224
YOU KNOW, I JUST--I
DIDN'T KNOW IF IT WAS
ONE OF THOSE THINGS
200
00:08:49,267 --> 00:08:51,618
PEOPLE SAY TO,
LIKE, BE POLITE,
YOU KNOW, LIKE, UH,
201
00:08:51,661 --> 00:08:54,098
"LET'S DO LUNCH"
OR "SURE, I'LL
HELP YOU MOVE."
202
00:08:54,142 --> 00:08:56,536
NO, NO, I--I SAID IT
AND I MEANT EVERY WORD.
203
00:08:56,579 --> 00:08:58,581
OK, WELL, UH,
204
00:08:58,625 --> 00:09:00,583
LET'S--YOU KNOW,
WE CAN SET A TIME.
205
00:09:00,627 --> 00:09:03,064
I CAN DO--
SABINE: HOW 'BOUT NOW?
206
00:09:03,107 --> 00:09:06,067
YOU KNOW, I'LL JUST CALL
MY MANAGER REAL QUICK,
I NEED TO CHECK IN,
207
00:09:06,110 --> 00:09:08,635
AND THEN WE CAN GET
STARTED ON SOMETHING.
208
00:09:08,678 --> 00:09:11,289
YEAH. YEAH,
NOW--NOW WORKS.
THAT'S GREAT.
209
00:09:11,333 --> 00:09:14,379
- OK. PERFECT.
- OK.
210
00:09:16,643 --> 00:09:18,906
[WHISTLE BLOWS]
211
00:09:18,949 --> 00:09:20,647
FEMALE SINGER:
♪ KEEP ON BEATIN' THAT,
BEATIN' THAT DRUM ♪
212
00:09:20,690 --> 00:09:22,692
♪ BEATIN' THAT,
BEATIN' THAT ♪
213
00:09:22,736 --> 00:09:24,738
♪ KEEP ON BEATIN' THAT,
BEATIN' THAT DRUM ♪
214
00:09:24,781 --> 00:09:26,696
♪ BEATIN' THAT,
BEATIN' THAT,
BEATIN' THAT DRUM ♪
215
00:09:26,740 --> 00:09:28,437
IT DOESN'T
FEEL RIGHT DROPPING IN
ON COACH MONTES LIKE THIS.
216
00:09:28,480 --> 00:09:30,047
DUDE, RELAX.
YOU GOT TO SHOOT
YOUR SHOT
217
00:09:30,091 --> 00:09:31,875
WHENEVER YOU CAN
TAKE IT, ALL RIGHT?
218
00:09:31,919 --> 00:09:34,486
YOU SAID
YOU WANTED A JOB
AS A STUDENT COACH.
219
00:09:34,530 --> 00:09:37,228
NOW, YOU GET TO PITCH YOURSELF--
ASHER: I SHOULD HAVE CALLED
FIRST OR SOMETHING.
220
00:09:37,272 --> 00:09:39,361
I'VE ONLY MET THE MAN ONE TIME.
JJ: I'M TELLING YOU, COACH
MR. MONTES IS COOL, ALL RIGHT?
221
00:09:39,404 --> 00:09:41,798
I'VE BEEN TALKING
YOU UP TO HIM. SO HAS
COACH MRS. MONTES.
222
00:09:41,842 --> 00:09:44,671
- YOU KNOW, YOU COULD JUST CALL
THEM BOTH "COACH MONTES," RIGHT?
- YEAH. AHEM.
223
00:09:44,714 --> 00:09:46,803
MR. PARKER, YOU'RE
LATE FOR WARMUPS.
224
00:09:46,847 --> 00:09:49,284
UH, MY BAD, COACH.
I JUST WANTED TO BRING
MY BOY ASHER HERE
225
00:09:49,327 --> 00:09:52,374
TO CHAT YOU UP A LITTLE
BEFORE PRACTICE.
226
00:09:54,550 --> 00:09:56,596
UH, I'M SORRY FOR
THE UNANNOUNCED VISIT,
227
00:09:56,639 --> 00:09:59,599
COACH MR. M--
UH, COACH MONTES.
228
00:09:59,642 --> 00:10:03,603
IT'S NO WORRIES.
IT'S GOOD TO SEE YOU AGAIN.
HOW'S THE TICKER, TIN MAN?
229
00:10:03,646 --> 00:10:06,301
UH, IT'S GOOD. IT'S GOOD.
I'M FEELING GREAT.
230
00:10:06,344 --> 00:10:08,869
GOOD. MY WIFE TOLD ME
HOW WELL YOU HANDLED
THE DIAGNOSIS.
231
00:10:08,912 --> 00:10:11,393
HOPEFULLY SHE ALSO TOLD YOU
THAT I CAN BREAK DOWN FILM
232
00:10:11,436 --> 00:10:13,787
AND HOW I DESIGNED PLAYS
FOR THE CHAMPIONSHIP GAME,
233
00:10:13,830 --> 00:10:16,441
WHICH IS WHY I THINK
I WOULD BE AN ASSET
234
00:10:16,485 --> 00:10:19,923
ON YOUR STAFF AS
A STUDENT COACH, SIR.
235
00:10:21,708 --> 00:10:24,319
MONTES: NICKY?
NICKY: HERE YOU GO, COACH.
236
00:10:24,362 --> 00:10:26,930
I GOT TO GET PRACTICE
STARTED, BUT I WANT YOU
TO WATCH GAME TAPE
237
00:10:26,974 --> 00:10:29,150
FROM THE BATTLE
FOR CALI IN 2012.
238
00:10:29,193 --> 00:10:31,500
THE ANNUAL RIVALRY GAME
WITH G.A.U.?
239
00:10:31,543 --> 00:10:33,241
I REMEMBER THAT GAME.
YOU GUYS WERE, LIKE,
240
00:10:33,284 --> 00:10:34,851
A 20-POINT UNDERDOG
AND STILL WON.
241
00:10:34,895 --> 00:10:36,548
IT WAS MY FIRST JOB
ON A COACHING STAFF
242
00:10:36,592 --> 00:10:38,463
AT A D1 SCHOOL
UNDER COACH FOX.
243
00:10:38,507 --> 00:10:41,466
TAKE A LOOK AT IT.
LET ME KNOW IF SOMETHING
JUMPS OUT AT YOU.
244
00:10:41,510 --> 00:10:45,601
WILL DO.
I--I WON'T LET YOU DOWN.
245
00:10:47,081 --> 00:10:49,039
[KEYS JANGLING]
246
00:10:49,083 --> 00:10:51,041
[CELLPHONE VIBRATES]
247
00:10:51,085 --> 00:10:54,131
OH. MMM. HEY.
248
00:10:54,175 --> 00:10:56,133
GRACE: HEY.
BILLY: UM...
249
00:10:56,177 --> 00:10:58,570
[CHUCKLING]
WHY DO PRINCIPALS CARRY
AROUND ALL THESE KEYS?
250
00:10:58,614 --> 00:11:00,660
WHY IS PREACH
IN A CLASSROOM?
251
00:11:00,703 --> 00:11:02,662
OH, I PUT HIM THERE.
252
00:11:02,705 --> 00:11:04,664
I WANTED TO TEST HIM
OUT AS A, UH,
253
00:11:04,707 --> 00:11:07,014
A POSSIBLE
REPLACEMENT TUTOR FOR
THE FOOTBALL TEAM.
254
00:11:07,057 --> 00:11:09,016
HE'S A CONVICTED FELON
WITH TWO STRIKES.
255
00:11:09,059 --> 00:11:11,235
HE IS NOT ALLOWED
ON SCHOOL GROUNDS.
256
00:11:11,279 --> 00:11:14,238
WELL, ACTUALLY,
AS PRINCIPAL, IT'S LEFT
TO MY DISCRETION WHO IS
257
00:11:14,282 --> 00:11:16,676
AND ISN'T ALLOWED HERE.
GRACE: INTERIM PRINCIPAL.
258
00:11:16,719 --> 00:11:19,679
AH. LOOK, ANYWAY,
I'M HAVING A GREAT TIME
259
00:11:19,722 --> 00:11:21,855
AT THIS JOB.
UH, THANKS FOR ASKING.
260
00:11:21,898 --> 00:11:23,944
- BILLY--
- BUT I WANTED TO TALK
TO YOU ABOUT INCORPORATING
261
00:11:23,987 --> 00:11:27,121
MY FINANCIAL LITERACY
COURSE INTO THE--
THE MAIN CURRICULUM.
262
00:11:27,164 --> 00:11:29,297
- BILLY--
- AND PREACH, HE'S OFF
263
00:11:29,340 --> 00:11:32,126
TO A REALLY GREAT START,
SO THE--THE ONLY THING
I'M NOT REALLY FEELING
264
00:11:32,169 --> 00:11:35,738
ARE THOSE KEYS.
GRACE: WELL, YOU WON'T HAVE
TO CARRY THEM MUCH LONGER
265
00:11:35,782 --> 00:11:37,392
'CAUSE THERE BEEN
A VERY STRONG
CANDIDATE
266
00:11:37,435 --> 00:11:39,176
WHO HAS EMERGED FOR
THE PRINCIPAL SLOT.
267
00:11:39,220 --> 00:11:42,310
OH...OK. FOR REAL?
268
00:11:42,353 --> 00:11:45,313
YES.
CHANGE IS COMING,
269
00:11:45,356 --> 00:11:48,142
SO DON'T GET
PREACH'S HOPES UP.
270
00:11:48,185 --> 00:11:50,274
[FOOTSTEPS RETREAT]
271
00:11:50,318 --> 00:11:53,277
[HIP-HOP TRACK PLAYING]
272
00:11:53,321 --> 00:11:55,932
WOMAN: ♪ OH
273
00:11:55,976 --> 00:11:58,065
♪ OH
274
00:11:58,108 --> 00:12:01,633
♪ OH
SABINE: I-IT'S COOL.
IT'S NOT ME, THOUGH.
275
00:12:01,677 --> 00:12:05,942
IT'S GIVING TIMBALAND VIBES,
AND I AM JUST--I'M LOOKING
FOR SOMETHING DIFFERENT.
276
00:12:05,986 --> 00:12:07,944
OK. UM, AHEM.
277
00:12:07,988 --> 00:12:10,381
UH, CHECK THIS OUT.
278
00:12:10,425 --> 00:12:12,775
[SLOWER TRACK PLAYS]
279
00:12:12,819 --> 00:12:14,646
IT SOUNDS TOO MUCH
LIKE SWIZZ BEATZ.
280
00:12:14,690 --> 00:12:17,040
OK. UM...
[TURNS OFF TRACK]
281
00:12:17,084 --> 00:12:19,260
YOU JUST HAVE, UH,
LIKE, A BIGGER SOUND,
282
00:12:19,303 --> 00:12:21,828
SO I'M TRYING TO CATER TO THAT.
SABINE: BY NOT BEING YOU?
283
00:12:21,871 --> 00:12:25,396
IF I WANTED TIMBALAND,
I'D BE WORKING WITH HIM.
284
00:12:25,440 --> 00:12:28,617
YOU WROTE "TRUST" FOR
PATIENCE ROBINSON, RIGHT?
285
00:12:28,660 --> 00:12:30,967
♪ TRUST IN THE MOMENT
[SNAPPING FINGERS]
286
00:12:31,011 --> 00:12:32,969
♪ TRUST IN THE FUTURE
287
00:12:33,013 --> 00:12:35,102
♪ TRUST IN MY PEOPLE
288
00:12:35,145 --> 00:12:38,496
♪ BUT I TRUST IN ME FIRST
LAYLA: YOU KNOW "TRUST"?
289
00:12:38,540 --> 00:12:40,498
THE VIBE OF THAT SONG,
THE BLEND,
290
00:12:40,542 --> 00:12:42,500
PATIENCE'S ESSENCE,
HER VOICE--
291
00:12:42,544 --> 00:12:44,720
THERE'S NOTHING
OUT THERE THAT SOUNDS
LIKE THAT RIGHT NOW.
292
00:12:44,764 --> 00:12:48,115
WHAT YOU DID FOR HER
WITH THAT SONG IS WHAT
I WANT YOU TO DO FOR ME--
293
00:12:48,158 --> 00:12:50,117
CULTIVATE A UNIQUE SOUND,
294
00:12:50,160 --> 00:12:53,816
TAKE MY ESSENCE
AND PUT A TWIST ON IT.
295
00:12:57,820 --> 00:13:00,388
OK. HOW 'BOUT WE JUST
TAKE A BREAK FROM MUSIC
FOR A SECOND
296
00:13:00,431 --> 00:13:03,478
AND GRAB SOME LUNCH?
LAYLA: UH, NO, WE GOT
WORK TO DO.
297
00:13:03,521 --> 00:13:06,220
LOOK, YOU'RE RIGHT,
AND PART OF THE REASON
I'M ABLE TO DO THAT
298
00:13:06,263 --> 00:13:08,222
FOR PATIENCE IS BECAUSE
I KNOW HER SO WELL,
299
00:13:08,265 --> 00:13:10,659
SO I THINK IT'S TIME
THAT I GET TO KNOW YOU.
300
00:13:10,702 --> 00:13:14,141
FIRST LOVE, LAST LOVE,
GREATEST HEARTBREAK--
I WANT IT ALL.
301
00:13:14,184 --> 00:13:16,839
- AND IF I'M HUNGRY?
- THAT'S WHAT TAKEOUT IS FOR.
302
00:13:16,883 --> 00:13:18,972
- THERE SHE IS!
- HA HA HA!
303
00:13:19,015 --> 00:13:21,626
WHOO! I'VE BEEN WAITING
FOR THIS LAYLA KEATING
ALL DAY.
304
00:13:21,670 --> 00:13:24,020
OK. LET'S HEAR IT.
305
00:13:24,064 --> 00:13:26,806
- HMM. HA HA!
- GONNA WRITE THIS DOWN.
306
00:13:28,416 --> 00:13:31,419
SPENCER: COACH!
KENNY: SPENCE, WHAT'S UP?
307
00:13:31,462 --> 00:13:33,290
I'VE BEEN BUSTING
MY ASS TRYING TO MAKE
308
00:13:33,334 --> 00:13:35,249
THIS DEPTH CHART,
BUT I NEVER STOOD
A CHANCE.
309
00:13:35,292 --> 00:13:37,294
COACH GARRETT CLEARLY
GOT HIS FAVORITES.
310
00:13:37,338 --> 00:13:40,167
GARRETT: WHOA, SON.
IT'S NOT FAVORITISM.
ISAIAH'S A BETTER PLAYER.
311
00:13:40,210 --> 00:13:42,691
IF ANYONE
SHOULD BE PISSED,
IT SHOULD BE HIM.
312
00:13:42,734 --> 00:13:45,389
KENNY: LOOK, COACH, THIS IS--
GARRETT: NO. THAT SCHOLARSHIP
YOU'RE HERE ON?
313
00:13:45,433 --> 00:13:48,740
THAT WAS ISAIAH'S.
COACH KENNY WOULD
ONLY COME WORK FOR ME
314
00:13:48,784 --> 00:13:50,742
IF THE SCHOLARSHIP
WENT TO YOU.
315
00:13:50,786 --> 00:13:53,223
IS THAT TRUE?
316
00:13:53,267 --> 00:13:57,314
IT'S SLIGHTLY
MORE COMPLICATED
THAN THAT, BUT...
317
00:13:57,358 --> 00:13:59,926
LOOK, SPENCE, I BELIEVE
IN YOUR TALENT.
318
00:13:59,969 --> 00:14:02,537
GARRETT: AND YOU'RE LUCKY
HE DOES, 11, 'CAUSE I
HAVEN'T SEEN IT YET.
319
00:14:02,580 --> 00:14:06,628
CAN YOU PLAY? SURE.
SO CAN EVERYONE ELSE
ON THIS TEAM.
320
00:14:06,671 --> 00:14:08,848
I'VE BEEN COMING IN
AND I'VE BEEN PUTTING
IN THE WORK, COACH.
321
00:14:08,891 --> 00:14:11,024
THERE'S A SAYING:
322
00:14:11,067 --> 00:14:13,635
"SUCCESS IS RENTED,
NOT OWNED,"
323
00:14:13,678 --> 00:14:15,593
AND THAT RENT
IS DUE EVERY DAY.
324
00:14:15,637 --> 00:14:17,595
YOUR PROBLEM IS YOU'RE
TRYING TO PAY IT WITH
325
00:14:17,639 --> 00:14:20,250
THE CURRENCY OF WHAT
YOU ACCOMPLISHED
IN HIGH SCHOOL,
326
00:14:20,294 --> 00:14:23,427
BUT YOUR EGO WON'T
ALLOW YOU TO SEE THAT.
327
00:14:27,388 --> 00:14:29,956
THE TRUTH STINGS
A BIT, DOESN'T IT?
328
00:14:29,999 --> 00:14:32,610
NOW THAT IT'S OUT THERE,
329
00:14:32,654 --> 00:14:36,876
HOW ARE YOU GONNA RESPOND
TO THE CHALLENGE?
330
00:14:46,320 --> 00:14:48,278
PLAYER: AW!
331
00:14:48,322 --> 00:14:50,541
THAT WAS RIGHT THERE!
GOTTA CATCH IT.
332
00:14:52,108 --> 00:14:55,677
- LET'S HEAR IT.
WHAT DO YOU GOT?
- THE OPPOSING QB HAD A TELL.
333
00:14:55,720 --> 00:14:57,853
HIS LEFT SHOULDER DIPPED
WHENEVER IT WAS
A RUNNING PLAY,
334
00:14:57,897 --> 00:14:59,942
IT STAYED LEVEL
WHEN HE WAS PASSING.
335
00:14:59,986 --> 00:15:02,379
NO. WATCH IT AGAIN.
336
00:15:03,946 --> 00:15:06,906
MALE SINGER: ♪ I'VE BEEN
FLOATING IN MY... ♪
337
00:15:06,949 --> 00:15:09,952
[CELLPHONE VIBRATING]
OLIVIA: OH, GOD.
338
00:15:09,996 --> 00:15:13,782
[SIGHS]
[CELLPHONE VIBRATING]
339
00:15:13,825 --> 00:15:15,958
DON'T YOU DARE
ANSWER THAT.
340
00:15:16,002 --> 00:15:18,656
ARE YOU REALLY
GONNA PUT ME IN
THE MIDDLE OF THIS?
341
00:15:20,136 --> 00:15:22,138
OK. THERE SHE IS.
342
00:15:22,182 --> 00:15:25,185
HEY. WE'VE BEEN LOOKING
ALL OVER FOR YOU.
343
00:15:25,228 --> 00:15:28,753
YOUR PARENTS CALLED.
THEY WERE SCARED.
I WAS SCARED.
344
00:15:28,797 --> 00:15:31,408
I MEAN, WHY
AREN'T YOU IN SCHOOL?
IT'S YOUR FIRST DAY.
345
00:15:31,452 --> 00:15:33,062
JENN: I'M FINE.
OLIVIA: THAT IS NOT AN ANSWER.
346
00:15:33,106 --> 00:15:35,412
OK, I THINK I KNOW
HOW WE CAN GET IT
OUT OF HER.
347
00:15:39,939 --> 00:15:42,245
ARE YOU SERIOUSLY
TRYING TO BRIBE ME
348
00:15:42,289 --> 00:15:44,247
WITH ICE CREAM
LIKE I'M 5?
349
00:15:44,291 --> 00:15:46,902
[OLIVIA SNICKERS]
JORDAN: ICE CREAM?
350
00:15:46,946 --> 00:15:50,253
NO, NO, NO, NO.
THIS--THIS IS NOT
JUST ICE CREAM.
351
00:15:50,297 --> 00:15:53,691
THIS IS
A FAMILY CONCOCTION,
THE BAKER DELIGHT.
352
00:15:53,735 --> 00:15:57,130
IF YOU'RE SO TOUGH...
TAKE A BITE.
353
00:15:57,173 --> 00:15:59,132
GO ON.
354
00:15:59,175 --> 00:16:01,873
[INDISTINCT SINGING
CONTINUES]
355
00:16:06,356 --> 00:16:08,228
OLIVIA: MM-HMM.
JORDAN: MM-HMM.
356
00:16:08,271 --> 00:16:11,448
- YEAH. OK. NOW...
- [CHUCKLES]
357
00:16:11,492 --> 00:16:13,450
SPILL IT.
358
00:16:13,494 --> 00:16:15,975
WHY'D YOU CUT
YOUR FIRST DAY OF SCHOOL?
359
00:16:19,282 --> 00:16:21,241
I SKIPPED 'CAUSE...
360
00:16:21,284 --> 00:16:23,243
I WAS AFRAID
OF BEING BACK.
361
00:16:23,286 --> 00:16:25,897
ALL MY FRIENDS THERE...
362
00:16:25,941 --> 00:16:28,770
THEY'RE WHO I USED
TO PARTY WITH.
363
00:16:28,813 --> 00:16:31,077
SOUNDS FAMILIAR.
364
00:16:31,120 --> 00:16:33,079
REALLY?
365
00:16:33,122 --> 00:16:36,082
I'VE BEEN WORKING
SO HARD TO STAY CLEAN
366
00:16:36,125 --> 00:16:39,737
THIS SUMMER
THAT I KIND OF...
367
00:16:39,781 --> 00:16:42,740
DIDN'T THINK ABOUT
WHAT IT WOULD FEEL LIKE
WHEN SUMMER WAS OVER
368
00:16:42,784 --> 00:16:46,744
AND HAD TO BE AROUND THEM AGAIN.
OLIVIA: WELL, UNFORTUNATELY,
369
00:16:46,788 --> 00:16:51,010
THERE WILL ALWAYS BE
TRIGGERS EVERYWHERE.
370
00:16:51,053 --> 00:16:54,535
EVEN I WAS WORRIED
ABOUT STARTING AT G.A.U.
AND BEING TRIGGERED,
371
00:16:54,578 --> 00:16:56,841
BUT THAT'S WHY WE
WORK THE PROGRAM.
372
00:16:56,885 --> 00:17:00,062
IT ACTS AS A DEFENSE AGAINST
THAT FIRST TEMPTATION.
373
00:17:00,106 --> 00:17:03,065
AND IF YOU'RE WORRIED
ABOUT BEING TRIGGERED,
374
00:17:03,109 --> 00:17:06,112
I MEAN, CALL ME.
THAT'S WHAT I'M HERE FOR.
375
00:17:09,767 --> 00:17:11,726
SO HOW PISSED
ARE MY PARENTS?
376
00:17:11,769 --> 00:17:14,163
[INHALES DEEPLY]
377
00:17:14,207 --> 00:17:17,166
OH, LET'S
JUST SAY, UM...
[SETS DOWN PLATE]
378
00:17:17,210 --> 00:17:19,168
ENJOY THAT WHILE
YOU HAVE THE TIME.
379
00:17:19,212 --> 00:17:21,257
OLIVIA: YEAH.
380
00:17:23,129 --> 00:17:26,088
PREACH: YO, I'M TELLING
Y'ALL--HEY, HEY!--
I'M TELLING Y'ALL!
381
00:17:26,132 --> 00:17:28,264
I'M TELLING Y'ALL,
HE HAD BARS. LOOK,
THERE'S A LOT
382
00:17:28,308 --> 00:17:31,093
OF SIMILARITIES
BETWEEN SHAKESPEARE
AND HIP-HOP.
383
00:17:31,137 --> 00:17:34,618
YOUR BOY SHAKESPEARE
USED TO DWELLETH IN
YE OLDE TRAPHOUSE?
384
00:17:34,662 --> 00:17:37,012
[LAUGHTER]
PREACH: ALL RIGHT,
385
00:17:37,056 --> 00:17:40,885
I'MMA GIVE YOU A LINE,
AND YOU TELL ME IF IT'S
SHAKESPEARE OR HIP-HOP.
386
00:17:40,929 --> 00:17:44,933
"MEN WOULD RATHER USE
THEIR BROKEN WEAPONS
THAN THEIR BARE HANDS."
387
00:17:44,976 --> 00:17:48,893
- EASY. NBA YOUNGBOY.
- NAH, THAT'S MONEYBAGG YO.
388
00:17:48,937 --> 00:17:51,418
JABARI: THAT'S YOUNGBOY, BRO.
PREACH, CHUCKLING: LOOK,
BOTH OF Y'ALL ARE WRONG.
389
00:17:51,461 --> 00:17:54,943
THAT'S OTHELLO.
THAT'S ONE OF SHAKESPEARE'S
MOST POPULAR TRAGEDIES
390
00:17:54,986 --> 00:17:57,163
OK, HERE'S ANOTHER ONE:
391
00:17:57,206 --> 00:18:01,167
"AND THEIR LOVE FOR IT IS
THE REASON THAT I HAVE
BECOME THIS PRAISED."
392
00:18:01,210 --> 00:18:03,473
THAT'S DEFINITELY
SHAKESPEARE.
393
00:18:03,517 --> 00:18:05,475
- YOU SURE?
- WHO ELSE?
394
00:18:05,519 --> 00:18:07,129
MAN, YOU'RE WRONG AGAIN.
395
00:18:07,173 --> 00:18:09,827
THAT'S LUPE FIASCO,
"PUT YOU ON GAME."
396
00:18:09,871 --> 00:18:12,352
I SEE I'MMA HAVE TO PUT
BOTH Y'ALL ON GAME, MAN.
397
00:18:12,395 --> 00:18:14,005
GIRL IN HALLWAY: FIGHT! FIGHT!
PREACH: HEY! HEY!
398
00:18:14,049 --> 00:18:16,007
Y'ALL STAY RIGHT THERE!
I'LL BE RIGHT BACK!
399
00:18:16,051 --> 00:18:18,575
[STUDENTS SHOUTING]
BILLY: OUT THE WAY,
OUT THE WAY.
400
00:18:18,619 --> 00:18:21,012
ALL RIGHT, COMING THROUGH.
CLEAR OUT, CLEAR OUT.
EXCUSE ME.
401
00:18:21,056 --> 00:18:23,406
QUIET! QUIET!
402
00:18:23,450 --> 00:18:25,321
AW, COME ON, NOW.
NOT AGAIN.
403
00:18:25,365 --> 00:18:28,150
JOJO AND VERNON, YOU--
404
00:18:28,194 --> 00:18:30,065
Y'ALL KNOW BETTER.
405
00:18:30,109 --> 00:18:32,154
PICK UP YOUR STUFF,
GET YOUR BEHINDS IN MY OFFICE.
406
00:18:32,198 --> 00:18:34,548
LOOK, DON'T WORRY
ABOUT IT, COACH BAKER.
LET ME HANDLE 'EM.
407
00:18:34,591 --> 00:18:37,028
[STUDENTS MURMUR]
408
00:18:37,072 --> 00:18:39,030
OK. COOL--
409
00:18:39,074 --> 00:18:41,381
WHEN YOU SAY,
"HANDLE IT,"
YOU MEAN--
410
00:18:41,424 --> 00:18:43,383
TAKE 'EM BACK
TO THE CLASSROOM
FOR TUTORING.
411
00:18:43,426 --> 00:18:45,254
FOR TUTORING.
RIGHT. GENTLEMEN,
412
00:18:45,298 --> 00:18:46,908
YOU'RE GONNA GO WITH MR. PREACH.
PREACH: GET YOUR STUFF.
413
00:18:46,951 --> 00:18:48,779
EVERYBODY ELSE,
GET MOVING.
414
00:18:48,823 --> 00:18:50,390
- MAN, Y'ALL HEARD HIM.
LET'S GO.
- GET TO CLASS.
415
00:18:50,433 --> 00:18:53,088
[KEYS JANGLE, DOOR OPENS]
416
00:18:58,311 --> 00:19:01,705
MS. ROBINSON?
I DON'T KNOW IF
YOU REMEMBER ME.
417
00:19:04,273 --> 00:19:06,449
DETECTIVE,
UM, POWORSKI.
418
00:19:06,493 --> 00:19:08,843
OH, GOOD.
YOU DO REMEMBER.
419
00:19:08,886 --> 00:19:11,454
I WAS HOPING
TO SPEAK TO
YOUR GIRLFRIEND COOP.
420
00:19:11,498 --> 00:19:14,153
I HAVE SOME QUESTIONS
ABOUT MONIQUE MOORE'S
MURDER.
421
00:19:22,596 --> 00:19:26,034
PATIENCE: UM, I THOUGHT
THE CASE WAS CLOSED,
LIKE, INVESTIGATION DONE.
422
00:19:26,077 --> 00:19:29,080
- IS COOP AVAILABLE?
- SHE'S OUTTA TOWN RIGHT NOW.
423
00:19:29,124 --> 00:19:32,475
WELL, THAT'S CONVENIENT.
MAYBE YOU COULD HELP ME.
424
00:19:32,519 --> 00:19:35,217
YOU SEE,
SOME NEW INFORMATION
HAS COME TO LIGHT.
425
00:19:35,261 --> 00:19:38,220
I GOTTA SAY,
IT'S ALWAYS BAFFLED ME
HOW COOP MADE IT
426
00:19:38,264 --> 00:19:41,310
TO THE HOSPITAL
AFTER SHE WAS SHOT
AND PASSED OUT.
427
00:19:41,354 --> 00:19:43,617
- GOOD SAMARITAN, I GUESS.
- YEAH, OK, BUT WOULDN'T
428
00:19:43,660 --> 00:19:46,663
A GOOD SAMARITAN
STICK AROUND AND
MAKE SURE SHE WAS OK?
429
00:19:46,707 --> 00:19:50,232
MAYBE JUST
A SEMI-GOOD SAMARITAN.
430
00:19:50,276 --> 00:19:53,453
YOU'RE FUNNY.
I--I DIDN'T KNOW YOU WERE
A COMEDIAN AND A SINGER.
431
00:19:53,496 --> 00:19:56,586
SPEAKING OF,
IT WOULD BE A SHAME
432
00:19:56,630 --> 00:19:59,241
FOR YOU TO RUIN
YOUR BLOSSOMING CAREER
433
00:19:59,285 --> 00:20:01,983
BECAUSE YOU WERE COVERING
FOR YOUR GIRLFRIEND.
434
00:20:02,026 --> 00:20:05,378
SEE, WE CALL THAT
ACCESSORY AFTER THE FACT.
435
00:20:05,421 --> 00:20:07,815
[FOOTSTEPS APPROACH]
LAURA: I THINK THAT'S
A CONVERSATION
436
00:20:07,858 --> 00:20:10,948
YOU SHOULD BE HAVING
WITH HER ATTORNEY,
AND THAT WOULD BE ME.
437
00:20:10,992 --> 00:20:12,950
D.A. BAKER.
OH, SORRY.
438
00:20:12,994 --> 00:20:15,170
IT'S NOT "D.A."
ANYMORE, RIGHT?
439
00:20:15,214 --> 00:20:18,391
WE WERE JUST HAVING
A CASUAL CONVERSATION.
LAURA: MM-HMM,
440
00:20:18,434 --> 00:20:20,915
A CONVERSATION
THAT IS NOW OVER,
AND IF YOU'D LIKE
441
00:20:20,958 --> 00:20:23,526
TO CONVERSE
WITH MY CLIENT AGAIN,
YOU CAN REACH OUT
442
00:20:23,570 --> 00:20:25,528
TO MY ASSISTANT
AND SCHEDULE A MEETING,
443
00:20:25,572 --> 00:20:27,878
IF PATIENCE IS
AVAILABLE.
444
00:20:32,143 --> 00:20:33,971
[DOOR CLOSES]
445
00:20:34,015 --> 00:20:36,539
ALL RIGHT, I GOT
A FEW MINUTES BEFORE
THE COACHES' MEETING.
446
00:20:36,583 --> 00:20:38,541
TELL ME WHAT YOU SAW
ON THE GAME FILM.
447
00:20:38,585 --> 00:20:40,543
WELL, UM...
448
00:20:40,587 --> 00:20:43,198
YOUR D-LINEMAN LED
THE CONFERENCE IN SACKS,
449
00:20:43,242 --> 00:20:45,766
BUT HE WAS FRUSTRATED
ALL GAME 'CAUSE HIS
BULL RUSH WASN'T WORKING.
450
00:20:45,809 --> 00:20:47,768
SHOULD HAVE
SWITCHED TECHNIQUE.
451
00:20:47,811 --> 00:20:49,770
STILL NOT IT,
452
00:20:49,813 --> 00:20:51,902
BUT YOU RAISED
A SOLID OBSERVATION.
453
00:20:51,946 --> 00:20:54,253
TELL ME MORE.
454
00:20:56,559 --> 00:20:59,170
UM, OK. UH...
455
00:20:59,214 --> 00:21:01,172
THERE ARE A LOT
OF GIFTED ATHLETES
456
00:21:01,216 --> 00:21:04,219
OUT THERE
WHO DON'T REALIZE
457
00:21:04,263 --> 00:21:06,700
THAT JUST BECAUSE THEY'VE HAD
SUCCESS WITH ONE APPROACH...
458
00:21:06,743 --> 00:21:08,745
MALE SINGER: ♪ OH
ASHER: DOESN'T MEAN
459
00:21:08,789 --> 00:21:11,008
THAT THEY CAN APPLY IT
TO EVERY SITUATION.
460
00:21:11,052 --> 00:21:13,533
[SPENCER GRUNTING]
MALE SINGER: ♪ WILL I
GIVE IT UP? ♪
461
00:21:13,576 --> 00:21:17,319
ASHER: YOU HAVE TO
HAVE SELF-AWARENESS
A-AND VERSATILITY
462
00:21:17,363 --> 00:21:19,800
TO KNOW WHEN TO CHANGE
YOUR METHOD OF ATTACK...
463
00:21:19,843 --> 00:21:21,802
SINGER: ♪ OH
464
00:21:21,845 --> 00:21:25,327
ASHER: 'CAUSE ULTIMATELY, LIKE,
IF ALL YOU HAVE IS A HAMMER,
465
00:21:25,371 --> 00:21:27,416
EVERYTHING'S GONNA START
LOOKING LIKE NAILS.
466
00:21:27,460 --> 00:21:30,332
BACKGROUND SINGERS: ♪ HEY!
SINGER: ♪ NOW GIVE IT UP
467
00:21:30,376 --> 00:21:32,813
♪ WHOA-OH-OH
468
00:21:34,989 --> 00:21:37,034
KEEP TRYING.
469
00:21:38,514 --> 00:21:40,734
[DISTANT COACHES SHOUT]
PATIENCE: COOP,
470
00:21:40,777 --> 00:21:42,344
CALL ME BACK!
471
00:21:42,388 --> 00:21:44,955
FOR REAL, PLEASE CALL ME
BACK, SERIOUSLY.
472
00:21:44,999 --> 00:21:47,088
[SIGHS]
GOD.
473
00:21:47,131 --> 00:21:50,091
SHE IS STILL NOT ANSWERING,
AND I KNOW THAT HER DAD
474
00:21:50,134 --> 00:21:53,312
SAID CELL SERVICE
IS CRAPPY OUT THERE,
BUT, LIKE--LIKE, DAMN!
475
00:21:53,355 --> 00:21:56,010
OK, HONEY, I NEED YOU
TO CALM DOWN, OK?
476
00:21:56,053 --> 00:21:58,839
HERE, DRINK THE TEA...
PATIENCE: THANK YOU.
477
00:21:58,882 --> 00:22:02,886
AND I NEED YOU
TO TELL ME EVERYTHING
ABOUT THAT NIGHT.
478
00:22:02,930 --> 00:22:05,498
START TALKING.
479
00:22:05,541 --> 00:22:08,065
BILLY: I WANT
TO HEAR HOW IT GOES.
STUDENT: ALL RIGHT.
480
00:22:08,109 --> 00:22:10,329
BILLY: ALL RIGHT, MAN.
PREACH: 'SUP, COACH?
481
00:22:10,372 --> 00:22:12,635
- HEY, NOW, WHAT'S HAPPENING?
- LOOK LIKE WE BOTH
SURVIVED DAY ONE.
482
00:22:12,679 --> 00:22:14,637
YEAH, YEAH, I HEARD
YOU WERE A BIG HIT.
483
00:22:14,681 --> 00:22:16,900
PLUS, JABARI'S
ENGLISH TEACHER DID
A DOUBLE-TAKE
484
00:22:16,944 --> 00:22:19,816
AFTER HIS QUIZ
TODAY, SAID HE WAS
QUOTING SHAKESPEARE.
485
00:22:19,860 --> 00:22:22,819
I GUESS THAT'S 'CAUSE OF YOU.
PREACH: MAN, IT AIN'T
THAT DEEP, MAN.
486
00:22:22,863 --> 00:22:26,083
LOOK, THESE KIDS JUST
NEED TO KNOW THAT YOU
REALLY CARE ABOUT 'EM,
487
00:22:26,127 --> 00:22:28,085
GOT THEY BEST INTEREST AT HEART.
BILLY: MM-HMM.
488
00:22:28,129 --> 00:22:31,088
I MEAN, WHEN THEY
FEEL THAT, THEY'LL
GIVE YOU THEY BEST,
489
00:22:31,132 --> 00:22:33,526
MAN, EVEN RUN THROUGH
A WALL FOR YOU.
490
00:22:33,569 --> 00:22:35,745
BUT I AIN'T TELLING YOU
NOTHING THAT YOU DON'T
ALREADY KNOW.
491
00:22:35,789 --> 00:22:38,661
I MEAN, THAT'S WHAT
MAKES YOU A GREAT COACH
492
00:22:38,705 --> 00:22:40,315
AND GREAT PRINCIPAL.
493
00:22:40,359 --> 00:22:42,230
I MEAN, YOUR JOB IS
BASICALLY THE SAME,
RIGHT?
494
00:22:42,273 --> 00:22:43,840
THE TEACHERS ARE LIKE
YOUR COACHING STAFF,
495
00:22:43,884 --> 00:22:45,842
AND THE STUDENTS
ARE YOUR PLAYERS.
496
00:22:45,886 --> 00:22:48,410
YOU'RE BACK HERE
TOMORROW?
497
00:22:48,454 --> 00:22:50,630
FA SHO. I TOLD THE BOYS
I'LL BREAK DOWN HOW
498
00:22:50,673 --> 00:22:52,806
"THE GREAT GATSBY" IS
LIKE "LOVE & HIP HOP."
499
00:22:52,849 --> 00:22:54,547
HEH! WHAT?
500
00:22:54,590 --> 00:22:56,287
ATLANTA,
NOT HOLLYWOOD.
501
00:22:56,331 --> 00:22:59,769
OF COURSE. HA HA!
ALL RIGHT, MAN.
502
00:23:05,296 --> 00:23:07,255
[SIGHS]
HMM.
503
00:23:07,298 --> 00:23:09,300
MALE SINGER: ♪ HIGH PROFILE,
WHAT CAN I REALLY SAY? ♪
504
00:23:09,344 --> 00:23:11,868
OLIVIA: HEY.
SPENCER: HEY,
I BEEN TRYING TO CALL.
505
00:23:11,912 --> 00:23:15,263
AND I'VE BEEN BUSY,
JUST LIKE YOU.
506
00:23:15,306 --> 00:23:18,179
- HOLD UP. ARE YOU MAD AT ME?
- SPENCER, I NEEDED YOU TODAY,
507
00:23:18,222 --> 00:23:20,790
AND YOU WERE
NOWHERE TO BE FOUND.
508
00:23:20,834 --> 00:23:22,444
MY ENTIRE COLLEGE
FOOTBALL CAREER IS
509
00:23:22,488 --> 00:23:24,359
FALLING APART, LIV.
I WAS DEALING WITH THAT.
510
00:23:24,403 --> 00:23:26,535
SO YOU COULDN'T BE HERE
WITH ME HERE TODAY
511
00:23:26,579 --> 00:23:28,537
BECAUSE YOU WERE DEALING
WITH FOOTBALL,
512
00:23:28,581 --> 00:23:30,539
AND YET JORDAN IS
RIGHT BY MY SIDE.
513
00:23:30,583 --> 00:23:32,541
JORDAN AND I ARE NOT
WALKING THE SAME PATH.
514
00:23:32,585 --> 00:23:34,543
WE DON'T HAVE
THE SAME STRUGGLES.
515
00:23:34,587 --> 00:23:37,546
YOU KNOW WHAT?
IT'S WHATEVER.
516
00:23:37,590 --> 00:23:41,768
IT DOESN'T EVEN MATTER.
I'M HERE NOW, SO...
WHAT'S GOING ON?
517
00:23:41,811 --> 00:23:43,770
NOTHING.
I'VE--I'VE HANDLED IT.
518
00:23:43,813 --> 00:23:46,076
I MEAN, I--I THOUGHT
JENN HAD RELAPSED,
519
00:23:46,120 --> 00:23:48,035
BUT I FOUND HER
AND SHE'S OK.
520
00:23:48,078 --> 00:23:50,037
BUT, I MEAN, THIS--
THIS COULD HAVE BEEN
LIFE-OR-DEATH.
521
00:23:50,080 --> 00:23:52,474
- BUT YOU JUST SAID
SHE WAS FINE.
- RIGHT, AND YOU
522
00:23:52,518 --> 00:23:54,694
HAD MORE IMPORTANT THINGS,
LIKE ALMIGHTY FOOTBALL.
523
00:23:54,737 --> 00:23:57,261
AND WHAT HAPPENED
TO YOU LOOKING FORWARD TO
OUR SNACK BREAKS TOGETHER?
524
00:23:57,305 --> 00:23:59,786
DON'T DO THAT.
DON'T ACT LIKE YOU NOT
A PRIORITY TO ME.
525
00:23:59,829 --> 00:24:04,007
THINGS HERE HAVE CHANGED.
LOOK, MY FOOTBALL DREAMS
ARE SHATTERING, LIV.
526
00:24:04,051 --> 00:24:07,054
I'M NOT HERE PLAYING
GAMES. I GOT TO MAKE
THIS D1 THING WORK,
527
00:24:07,097 --> 00:24:09,186
AND RIGHT NOW,
THAT IS NOT HAPPENING!
528
00:24:09,230 --> 00:24:11,624
COACH GARRETT ADMITTED
THAT HE AIN'T EVEN
WANT ME HERE!
529
00:24:11,667 --> 00:24:14,017
- SPENCER, I--I DIDN'T KNOW.
- NAH, NAH, NAH. IT'S COOL.
530
00:24:14,061 --> 00:24:15,932
IT'S COOL. YOU GOOD.
YOU WITH JENN, RIGHT?
YEAH, YOU SHOULD GO
531
00:24:15,976 --> 00:24:18,065
TAKE CARE OF HER.
TELL HER I SAID
WHAT'S UP
532
00:24:18,108 --> 00:24:20,067
AND I'MMA HOLLA
AT YOU LATER.
533
00:24:24,637 --> 00:24:26,726
[PHONE CRASHES]
534
00:24:32,732 --> 00:24:33,863
SABINE: HA HA HA!
LAYLA: YOU REALLY
PAWNED THE RING?
535
00:24:33,907 --> 00:24:36,475
HELL YES, I DID, GAVE
THE MONEY TO CHARITY.
536
00:24:36,518 --> 00:24:39,913
TOOK A LOT LONGER FOR
THE HEART TO HEAL, BUT--
[SIGHS]--THAT'S LIFE.
537
00:24:39,956 --> 00:24:43,351
WELL, I THINK I HAVE
THE BEGINNINGS
OF SOMETHING.
538
00:24:43,394 --> 00:24:46,049
[SULTRY NEO-SOUL
TRACK PLAYING]
539
00:25:00,063 --> 00:25:01,761
[CHUCKLES]
WHAT?
540
00:25:01,804 --> 00:25:04,546
OK, KEATING!
OH, I SEE YOU.
541
00:25:04,590 --> 00:25:06,592
TOOK ME LONG ENOUGH.
542
00:25:06,635 --> 00:25:08,594
[EXHALES SHARPLY]
543
00:25:08,637 --> 00:25:10,987
WHAT DO YOU WANT?
544
00:25:11,031 --> 00:25:13,860
BIG DREAM,
WISHES GRANTED,
545
00:25:13,903 --> 00:25:16,297
YOU COULD JUST REACH
OUT AND TOUCH IT.
WHAT IS THAT THING?
546
00:25:16,340 --> 00:25:18,778
UH, I'M DOING IT.
547
00:25:18,821 --> 00:25:22,172
NO, YOU'RE PLAYING IT
SAFE, AND I'M TRYING
TO FIGURE OUT WHY.
548
00:25:22,216 --> 00:25:25,001
LOOK, IF YOU CAN
HONESTLY TELL ME
THIS SMALL, INDIE THING
549
00:25:25,045 --> 00:25:28,135
IS LEGITIMATELY
THE DREAM, THEN
I'LL LEAVE IT ALONE,
550
00:25:28,178 --> 00:25:31,573
BUT IF YOU'RE PLAYING
IT SAFE BECAUSE YOU
FEAR WHAT IT'LL TAKE
551
00:25:31,617 --> 00:25:34,010
TO DOMINATE
AS A FEMALE PRODUCER
WITH A MAJOR LABEL,
552
00:25:34,054 --> 00:25:36,012
THAT'S A WHOLE
'NOTHER STORY.
553
00:25:36,056 --> 00:25:37,797
MAYBE YOUR NERVES
JUST GOT THE BETTER
554
00:25:37,840 --> 00:25:40,582
OF YOU TODAY,
NOT YOUR TALENT,
555
00:25:40,626 --> 00:25:43,803
BUT THEN YOU PUSHED
THROUGH AND LOOK AT
THE SOUND YOU CREATED.
556
00:25:43,846 --> 00:25:47,458
SO JUST GONNA ASK YOU
ONE MORE TIME:
557
00:25:47,502 --> 00:25:49,765
WHAT DO YOU WANT?
558
00:25:52,681 --> 00:25:55,379
I WANT THE EMPIRE.
559
00:25:56,946 --> 00:25:58,469
THERE IT IS.
560
00:25:58,513 --> 00:26:01,472
I THINK I SPENT SO LONG
TRYING TO CARVE A PATH
561
00:26:01,516 --> 00:26:04,301
SEPARATE FROM MY DAD
THAT I--I CONVINCED MYSELF
562
00:26:04,345 --> 00:26:06,869
THAT SMALL AND INDIE
WAS THE DREAM.
SABINE: BUT IT'S NOT.
563
00:26:06,913 --> 00:26:09,089
- BUT IT'S NOT.
- THEN STOP BEING SCARED
564
00:26:09,132 --> 00:26:11,700
AND TAKE THE LEAP,
BABY GIRL.
565
00:26:11,744 --> 00:26:13,746
THE INDUSTRY NEEDS YOU.
566
00:26:13,789 --> 00:26:15,965
[TEXT CHIME BUZZES]
567
00:26:16,009 --> 00:26:18,359
OOH.
I GOTTA GET GOING.
568
00:26:18,402 --> 00:26:21,580
OK. UH, WELL,
THANK YOU FOR TODAY,
FOR EVERYTHING.
569
00:26:21,623 --> 00:26:23,320
UM, I'M GONNA KEEP
WORKING ON THIS FOR YOU,
570
00:26:23,364 --> 00:26:25,496
AND THEN I'LL SEND IT
TO YOUR MANAGER OR--
571
00:26:25,540 --> 00:26:27,368
OR YOU GIVE IT
TO ME IN PERSON WHEN I
COME BACK TOMORROW.
572
00:26:27,411 --> 00:26:30,371
- OK.
- YOU'RE BUILDING
THAT EMPIRE, LAYLA,
573
00:26:30,414 --> 00:26:33,069
AND IT'LL START WITH
OUR FIRST COLLABORATION.
574
00:26:35,245 --> 00:26:38,031
[DOOR SLAMS,
SPENCER SIGHING]
575
00:26:44,994 --> 00:26:48,607
YOU JUST GONNA KEEP
BANGING STUFF, OR YOU WANT TO
ACTUALLY SAY WHAT'S GOING ON?
576
00:26:48,650 --> 00:26:51,261
ISAIAH MADE
THIRD STRING OVER ME,
577
00:26:51,305 --> 00:26:52,828
AND I AIN'T EVEN SNIFFING
THE DEPTH CHART
578
00:26:52,872 --> 00:26:54,482
BECAUSE THE COACH
HAS GOT IT OUT FOR ME,
579
00:26:54,525 --> 00:26:56,484
AND THEN, ME AND LIV
GOT INTO IT 'CAUSE SHE
580
00:26:56,527 --> 00:26:59,269
DON'T UNDERSTAND HOW
IMPORTANT ALL THIS IS!
581
00:26:59,313 --> 00:27:01,402
YOU'RE TALKING
TO THE GUY WHOSE SPOT
YOU TOOK IN HIGH SCHOOL
582
00:27:01,445 --> 00:27:03,926
AND HIS GIRLFRIEND,
TOO,
583
00:27:03,970 --> 00:27:07,756
TWICE, SO, YEAH,
I--I GET IT, MAN.
584
00:27:07,800 --> 00:27:10,411
- ASH, LISTEN, MAN--
- BRO, AFTER THE DAY I'VE HAD,
585
00:27:10,454 --> 00:27:13,414
I'M NOT TRYING TO HAVE
THAT CONVO TONIGHT.
586
00:27:13,457 --> 00:27:16,373
LOOK, YOU'VE JUST
NEVER FACED THIS KIND OF
ADVERSITY ON THE FIELD.
587
00:27:16,417 --> 00:27:18,462
COME ON, MAN.
I FACED ADVERSITY BEFORE.
588
00:27:18,506 --> 00:27:21,161
NOT LIKE THIS; NOT ON
A D1 LEVEL, NOT WHERE
589
00:27:21,204 --> 00:27:23,424
YOU WORK YOUR ASS OFF
AND THINGS STILL
DON'T GO YOUR WAY.
590
00:27:23,467 --> 00:27:25,861
SO WHAT DO I DO?
WHAT, JUST GIVE UP?
591
00:27:25,905 --> 00:27:28,516
CHANGE YOUR
WHOLE APPROACH.
592
00:27:28,559 --> 00:27:31,171
GET OUTTA YOUR HEAD.
593
00:27:31,214 --> 00:27:33,608
AND HOW AM I SUPPOSED
TO DO THAT?
594
00:27:37,351 --> 00:27:39,396
[FORCEFUL EXHALING]
595
00:27:41,485 --> 00:27:43,009
[CHUCKLES]
596
00:27:45,968 --> 00:27:47,622
[SOFTLY]
RELAX, DUDE.
597
00:27:47,666 --> 00:27:51,582
JUST CLEAR YOUR MIND,
LIKE A BLADE OF GRASS.
598
00:27:51,626 --> 00:27:54,585
- IT'S GRASS, MAN.
IT DON'T HAVE A MIND.
- JUST FOCUS, ALL RIGHT?
599
00:27:54,629 --> 00:27:56,979
FEEL THE ENERGY
AROUND YOU
AND FLOW WITH IT.
600
00:27:57,023 --> 00:27:59,329
[SIGHS]
WHAT DOES THAT
EVEN MEAN, BRO?
601
00:27:59,373 --> 00:28:01,636
YOUR LIFE IS ONE BIG,
POWERFUL RIVER,
602
00:28:01,680 --> 00:28:03,203
AND YOU'RE TRYING
TO BE A SALMON
603
00:28:03,246 --> 00:28:05,248
AND FIGHT YOUR HARDEST
TO SWIM UPSTREAM,
604
00:28:05,292 --> 00:28:08,948
BUT IT'S OK
TO BE A REGULAR FISH
AND GO WITH THE FLOW.
605
00:28:08,991 --> 00:28:11,428
THAT ACTUALLY
MAKES SENSE.
606
00:28:11,472 --> 00:28:14,040
ESPECIALLY SINCE
THERE'S A HUNGRY BEAR
607
00:28:14,083 --> 00:28:16,738
WAITING UPSTREAM
TO TURN YOU INTO SUSHI.
608
00:28:16,782 --> 00:28:19,349
- A'IGHT, YOU LOST ME AGAIN.
- [SIGHS]
609
00:28:19,393 --> 00:28:22,352
BRO, JUST TRUST.
610
00:28:22,396 --> 00:28:24,267
- AHEM.
- [INHALES, EXHALES]
611
00:28:24,311 --> 00:28:26,269
JJ: JUST FLOW
WITH IT.
612
00:28:26,313 --> 00:28:27,880
MMM.
613
00:28:27,923 --> 00:28:30,404
[SPENCER EXHALES SLOWLY]
JJ: YEAH, THAT'S IT.
614
00:28:30,447 --> 00:28:34,016
BE AT PEACE
WITH THE UNIVERSE
AND YOUR SURROUNDINGS.
615
00:28:34,060 --> 00:28:35,931
BE NIMBLE.
616
00:28:35,975 --> 00:28:38,020
BE NIMBLE.
617
00:28:40,414 --> 00:28:42,764
BE NIMBLE.
618
00:28:42,808 --> 00:28:46,420
SO, UM, I WANT
TO LOSE "INTERIM"
FROM THE TITLE.
619
00:28:46,463 --> 00:28:50,206
I WANT TO BE
THE ACTUAL PRINCIPAL
OF SOUTH CRENSHAW.
620
00:28:50,250 --> 00:28:53,079
[CHUCKLES]
EXCUSE ME?
621
00:28:53,122 --> 00:28:54,384
WHAT?
622
00:28:54,428 --> 00:28:56,647
- OH. YOU SERIOUS?
- YEAH.
623
00:28:56,691 --> 00:28:58,649
I--I'VE GIVEN IT A LOT
OF THOUGHT, AND--AND
624
00:28:58,693 --> 00:29:00,477
I THINK I'M THE BEST
CANDIDATE FOR THE JOB.
625
00:29:00,521 --> 00:29:03,480
MIGHT I REMIND YOU,
A JOB I HAD TO TRICK
YOU INTO TAKING.
626
00:29:03,524 --> 00:29:07,833
UH, BUT THAT WAS
BEFORE I KNEW HOW GREAT
OF A FIT I'D BE, AND...
627
00:29:07,876 --> 00:29:11,837
AHEM. I'M READY TO DO
THIS FOR THE LONG HAUL.
628
00:29:11,880 --> 00:29:14,491
YOU MEAN BEFORE
THE D1 SCHOOLS
629
00:29:14,535 --> 00:29:16,493
AND THE NFL
COMES KNOCKING.
630
00:29:16,537 --> 00:29:18,974
DON'T FORGET, BILLY,
I KNOW YOU AND YOUR DREAM.
631
00:29:19,018 --> 00:29:20,715
WHY ARE YOU GIVING ME
SUCH GRIEF?
632
00:29:20,759 --> 00:29:22,238
BECAUSE I CARE
ABOUT SOUTH CRENSHAW!
633
00:29:22,282 --> 00:29:24,806
- OK. SO DO I.
- AND I CARE ABOUT YOU.
634
00:29:24,850 --> 00:29:27,417
LOOK,
LET'S KEEP IT REAL.
635
00:29:27,461 --> 00:29:29,419
YOU'RE A GOOD MAN
636
00:29:29,463 --> 00:29:32,031
WITH SOME
SELFISH TENDENCIES.
637
00:29:32,074 --> 00:29:36,035
WELL, THAT'S TRUE
OF A LOT OF PEOPLE,
BUT I'M...
638
00:29:36,078 --> 00:29:38,864
I ALWAYS RISE
TO THE OCCASION.
639
00:29:38,907 --> 00:29:40,866
WELL--[SIGHS]--
640
00:29:40,909 --> 00:29:42,955
WE'VE FOUND SOMEONE
641
00:29:42,998 --> 00:29:44,957
WHO DOESN'T NEED TO RISE
TO THE OCCASION
642
00:29:45,000 --> 00:29:47,176
BECAUSE SHE'S
ALREADY THERE.
643
00:29:47,220 --> 00:29:50,571
SHE WORKS AT THE SCHOOL,
SHE HAS TONS OF EXPERIENCE,
644
00:29:50,614 --> 00:29:53,748
AND SHE'S COMMITTED
TO THESE KIDS AND SHE LIVES
RIGHT HERE OFF OF CRENSHAW.
645
00:29:55,271 --> 00:29:58,884
SHE'S THE BEST CHOICE
FOR THE SCHOOL, BILLY.
646
00:29:58,927 --> 00:30:00,973
I'M SORRY.
647
00:30:02,670 --> 00:30:04,715
[SCOFFS]
648
00:30:06,195 --> 00:30:08,937
PATIENCE: AND THEN
SHE FLAT-OUT LIED
TO THE COPS
649
00:30:08,981 --> 00:30:11,244
AND SAID
THAT SHE SHOT MO,
650
00:30:11,287 --> 00:30:13,812
AND THERE WAS NOTHING
I COULD DO ABOUT IT.
651
00:30:13,855 --> 00:30:18,642
COOP STAYS
PUTTING HERSELF IN
THESE SITUATIONS.
652
00:30:18,686 --> 00:30:21,254
WELL, IT WASN'T
THE WISEST DECISION,
653
00:30:21,297 --> 00:30:24,953
BUT I'M SURE SHE WAS
JUST DOING WHAT SHE
THOUGHT WAS BEST.
654
00:30:24,997 --> 00:30:28,348
YEAH, AND NOW IT'S
COMING BACK TO BITE HER
IN THE ASS AND ME, TOO.
655
00:30:28,391 --> 00:30:31,438
WELL, WE DON'T KNOW
IF THERE IS ANYTHING
656
00:30:31,481 --> 00:30:33,875
OR IF POWORSKI'S
JUST THROWING DARTS
657
00:30:33,919 --> 00:30:36,095
AT THE WALL
TO SEE WHAT STICKS.
PATIENCE: YEAH, WELL,
658
00:30:36,138 --> 00:30:38,880
IT'S PRETTY CLEAR
THAT HE HAS ME
AS A BULL'S-EYE, SO--
659
00:30:38,924 --> 00:30:41,491
IF HE OR ANYBODY TRIES
660
00:30:41,535 --> 00:30:44,103
TO APPROACH YOU AGAIN,
DO NOT SAY
661
00:30:44,146 --> 00:30:46,757
A WORD, OK?
IN THE MEANTIME,
662
00:30:46,801 --> 00:30:49,673
I STILL HAVE
SOME OLD FRIENDS AT
THE D.A.'s OFFICE.
663
00:30:49,717 --> 00:30:52,459
IF THERE'S
ANY REAL EVIDENCE,
THEY'LL KNOW,
664
00:30:52,502 --> 00:30:55,375
AND I'LL MAKE
SOME CALLS FIRST THING
IN THE MORNING.
665
00:30:55,418 --> 00:30:58,160
UNTIL THEN,
BREATHE, OK?
666
00:30:58,204 --> 00:31:01,076
- OK.
- AND I'LL LET YOU
KNOW WHEN TO WORRY.
667
00:31:01,120 --> 00:31:04,079
[DOOR OPENS]
JORDAN: LOOK, ALL I'M SAYING IS
668
00:31:04,123 --> 00:31:07,474
HE'S ON SCHOLARSHIP.
I'M A WALK-ON, LIV.
THE STAKES ARE DIFFERENT.
669
00:31:07,517 --> 00:31:09,476
LAURA: HEY, GUYS.
[JORDAN SIGHS]
670
00:31:09,519 --> 00:31:11,957
FIGHT WITH SPENCER.
LAURA: OH.
671
00:31:12,000 --> 00:31:14,698
[PATIENCE SCOFFS]
[CELLPHONE VIBRATES]
672
00:31:17,527 --> 00:31:19,703
[SIGHS]
673
00:31:19,747 --> 00:31:22,402
[SIGHS, DROPS PHONE]
674
00:31:25,971 --> 00:31:28,016
[EXHALES]
675
00:31:30,149 --> 00:31:32,760
[KNOCKS ON DOOR]
BILLY: HEY, MAN.
SORRY TO INTERRUPT.
676
00:31:32,803 --> 00:31:35,371
JJ JUST LET ME IN AND SAID
SOMETHING ABOUT A ZENTORSHIP?
677
00:31:35,415 --> 00:31:37,591
HA HA!
YEAH, NAH, YOU GOOD.
678
00:31:37,634 --> 00:31:39,985
I WAS JUST CLEARING
MY HEAD A LITTLE.
679
00:31:40,028 --> 00:31:42,988
TURNS OUT MEDITATION'S FOR ME.
BILLY: AH. WHO KNEW?
680
00:31:43,031 --> 00:31:45,381
- MM-HMM.
- AH.
681
00:31:45,425 --> 00:31:47,731
UH, SORRY
ABOUT MISSING
ALL THOSE CALLS.
682
00:31:47,775 --> 00:31:50,256
UH, I GUESS I KINDA
GOT CAUGHT UP IN
THE PRINCIPAL THING.
683
00:31:50,299 --> 00:31:52,258
BUT, UH, WHAT'S GOING
ON WITH GARRETT?
684
00:31:52,301 --> 00:31:54,869
YOUR VOICEMAIL SAID
THAT SOMETHING
AIN'T RIGHT?
685
00:31:54,913 --> 00:31:57,089
YEAH. I MEAN,
I WAS JUST IN MY HEAD
686
00:31:57,132 --> 00:31:59,352
ABOUT THE WHOLE SITUATION,
BUT I'M GOOD NOW.
687
00:31:59,395 --> 00:32:01,832
- YOU SURE?
- YEAH.
688
00:32:01,876 --> 00:32:05,445
I WAS TRYING
TO BE THE SALMON,
SWIMMING UPSTREAM,
689
00:32:05,488 --> 00:32:08,056
BUT I JUST GOT
TO BE NIMBLE,
690
00:32:08,100 --> 00:32:11,320
TAKE A BEAT, FIGURE OUT
WHAT I REALLY AM.
691
00:32:12,843 --> 00:32:14,671
- THAT ACTUALLY MAKES SENSE.
- RIGHT?
692
00:32:14,715 --> 00:32:16,238
JJ.
693
00:32:23,724 --> 00:32:26,292
YOU'RE SCARED
TO GO HOME TO ALL
THEM WOMEN, AIN'T YOU?
694
00:32:26,335 --> 00:32:28,816
SPENCER, IT'S--IT'S
SO MANY OF 'EM.
695
00:32:28,859 --> 00:32:31,732
[CHUCKLING]
696
00:32:34,343 --> 00:32:36,302
[DOOR OPENS]
697
00:32:36,345 --> 00:32:38,304
BILLY: HEY. AHEM.
698
00:32:38,347 --> 00:32:40,306
[DOOR CLOSES]
699
00:32:40,349 --> 00:32:42,525
DO YOU HEAR THAT?
LAURA: SILENCE.
700
00:32:42,569 --> 00:32:44,136
[CHUCKLES]
701
00:32:44,179 --> 00:32:46,181
ENJOY IT WHILE
IT LASTS.
702
00:32:46,225 --> 00:32:48,183
WHAT YOU WORKING ON?
703
00:32:48,227 --> 00:32:50,838
[KISS]
LAURA: UH, I'M PRAYING NOTHING.
704
00:32:50,881 --> 00:32:53,232
HOW WAS YOUR DAY,
MR. PRINCIPAL?
705
00:32:53,275 --> 00:32:55,234
UH,
INTERIM PRINCIPAL.
706
00:32:55,277 --> 00:32:57,888
AND IT WAS
EXHILARATING, YEAH.
707
00:32:57,932 --> 00:33:01,066
- THAT'S AMAZING.
- YEAH, SO MUCH SO THAT I THINK
708
00:33:01,109 --> 00:33:04,460
I MIGHT SET
MY SIGHTS ON THIS
AS A PERMANENT GIG.
709
00:33:04,504 --> 00:33:07,072
I MEAN, GRACE HAS
ALREADY SHOT ME DOWN
BECAUSE SHE'S--
710
00:33:07,115 --> 00:33:09,726
SHE HAS A CANDIDATE,
AND SHE HAS
EXPERIENCE
711
00:33:09,770 --> 00:33:12,381
AND SHE LIVES IN
THE NEIGHBORHOOD...
[SPEAKS GIBBERISH]
712
00:33:12,425 --> 00:33:15,036
SO WHAT'S THE PLAN?
I MEAN, COME ON, BILLY.
713
00:33:15,080 --> 00:33:17,038
I HAVEN'T SEEN YOU
THIS EXCITED ABOUT
ANYTHING IN A WHILE.
714
00:33:17,082 --> 00:33:19,606
YOU CAN'T JUST GIVE UP.
BILLY: YEAH.
715
00:33:19,649 --> 00:33:21,608
I SHOULDN'T BE
A SALMON.
716
00:33:21,651 --> 00:33:23,610
I SHOULD BE NIMBLE.
717
00:33:23,653 --> 00:33:26,439
WHAT DOES THAT
EVEN MEAN?
718
00:33:26,482 --> 00:33:30,051
I DON'T KNOW, BUT IT
SOUNDED REALLY COOL
WHEN SPENCER SAID IT.
719
00:33:30,095 --> 00:33:32,053
[BOTH CHUCKLE]
720
00:33:32,097 --> 00:33:34,490
ALL RIGHT,
WELL, IF GRACE
721
00:33:34,534 --> 00:33:36,492
AND THE SEARCH COMMITTEE
ARE SO HIGH
722
00:33:36,536 --> 00:33:39,495
ON THIS PRINCIPAL CANDIDATE
BECAUSE SHE LIVES
IN SOUTH L.A.,
723
00:33:39,539 --> 00:33:43,108
THEN MAYBE
BEING NIMBLE IS
724
00:33:43,151 --> 00:33:45,762
MOVING YOU THERE.
725
00:33:45,806 --> 00:33:49,549
I MEAN,
MOVING US...THERE.
726
00:33:49,592 --> 00:33:52,639
G.W.'s HOUSE IS EMPTY.
[DOOR OPENS]
727
00:33:52,682 --> 00:33:56,208
LAYLA: OH. [GASPS]
MR. AND MRS. BAKER.
728
00:33:56,251 --> 00:33:59,211
OK, AHEM.
I HAD THE MOST AMAZING DAY.
729
00:33:59,254 --> 00:34:01,604
BILLY: MMM.
LAYLA: UM, SO...
730
00:34:01,648 --> 00:34:03,998
I'M INTERRUPTING.
BILLY: HA HA HA!
731
00:34:04,042 --> 00:34:06,783
LAYLA: OK, UM, I'M REALLY SORRY.
I'M JUST--I'M GONNA
GO UP TO MY ROOM.
732
00:34:06,827 --> 00:34:09,090
NO, SWEETIE, IT'S OK.
TELL US ABOUT YOUR DAY.
733
00:34:09,134 --> 00:34:11,092
NO, NO, NO, REALLY.
IT--IT'S FINE.
IT CAN WAIT.
734
00:34:11,136 --> 00:34:13,094
BILLY, CHUCKLING: OK.
LAYLA: OK.
735
00:34:13,138 --> 00:34:15,096
[FOOTSTEPS RETREAT]
736
00:34:15,140 --> 00:34:18,099
[QUIETLY]
LIKE I SAID,
G.W.'s IS EMPTY.
737
00:34:18,143 --> 00:34:20,275
YOU MEAN TO TELL ME
YOU WOULD ACTUALLY
738
00:34:20,319 --> 00:34:23,757
MOVE TO SOUTH L.A.,
PERMANENTLY?
739
00:34:23,800 --> 00:34:25,976
OF COURSE I WOULD.
I MEAN, THIS OBVIOUSLY
740
00:34:26,020 --> 00:34:28,979
MEANS A LOT TO YOU,
SO I'M WILLING TO DO
741
00:34:29,023 --> 00:34:31,286
WHATEVER IT TAKES
TO FIGHT FOR IT.
742
00:34:31,330 --> 00:34:34,985
BABY, YOU MAKE ME
FALL MORE AND MORE
743
00:34:35,029 --> 00:34:37,379
AND MORE IN LOVE
WITH YOU EVERY DAY.
744
00:34:37,423 --> 00:34:40,469
MM-HMM.
[CHUCKLES]
745
00:34:41,992 --> 00:34:43,951
PLUS YOU'D GET TO HAVE
YOUR OWN BATHROOM.
746
00:34:43,994 --> 00:34:45,561
- OH, GOD.
- YEAH.
747
00:34:45,605 --> 00:34:48,173
- THERE'S JUST SO MANY OF THEM.
- UH-HUH.
748
00:34:48,216 --> 00:34:50,523
YEAH.
749
00:34:54,004 --> 00:34:55,180
[DOOR CLOSES]
JORDAN: LOOK, THIS'LL
750
00:34:55,223 --> 00:34:57,225
ONLY TAKE A MINUTE,
I PROMISE. COME ON.
751
00:34:57,269 --> 00:34:58,574
I JUST NEED
TO GRAB ONE THING.
752
00:34:58,618 --> 00:35:01,969
JORDAN, I TOLD YOU
THAT I DON'T WANT
TO BE HERE.
753
00:35:06,930 --> 00:35:08,976
GOOD LUCK, BRO.
754
00:35:12,762 --> 00:35:15,504
MALE SINGER:
♪ BEEN THERE BEFORE
755
00:35:15,548 --> 00:35:18,812
♪ SO MANY TIMES
756
00:35:18,855 --> 00:35:21,815
- I'M SORRY.
- ♪ WHEN IT SEEMS
LIKE EVERYONE'S... ♪
757
00:35:21,858 --> 00:35:24,426
YES, I HAD A BAD DAY.
758
00:35:24,470 --> 00:35:26,515
YES,
MY FOOTBALL CAREER
FEELS LIKE IT'S
759
00:35:26,559 --> 00:35:28,561
FALLING APART
AT THE SEAMS, AND YES,
760
00:35:28,604 --> 00:35:30,563
THE PRESSURES
OF BEING AN ATHLETE
AT THIS LEVEL IS
761
00:35:30,606 --> 00:35:32,695
SOMETHING WE BOTH
NEED TO UNDERSTAND.
762
00:35:32,739 --> 00:35:34,697
SINGER: ♪ WHEN YOUR WORLD
HAS TURNED AND FLIPPED YOU ♪
763
00:35:34,741 --> 00:35:37,613
♪ ON YOUR SIDE
SPENCER: BUT...
764
00:35:37,657 --> 00:35:40,573
- BUT...
- ♪ BECAUSE...
765
00:35:40,616 --> 00:35:42,879
I SHOULD HAVE
NEVER CAME AT YOU
LIKE THAT.
766
00:35:42,923 --> 00:35:45,795
MY MIND
WAS ALL CLUTTERED
WITH EVERYTHING AND
767
00:35:45,839 --> 00:35:48,015
I JUST DIDN'T TAKE
THE TIME TO SEE THINGS
FROM YOUR PERSPECTIVE,
768
00:35:48,058 --> 00:35:50,104
BUT I'M GONNA DO
BETTER.
769
00:35:50,148 --> 00:35:52,715
[SIGHS]
SO...
770
00:35:52,759 --> 00:35:54,761
WHAT DECLUTTERS
YOUR MIND?
771
00:35:54,804 --> 00:35:56,241
MEDITATION.
772
00:35:56,284 --> 00:35:57,981
MEDI--REALLY?
773
00:35:58,025 --> 00:36:00,201
- YEAH.
- WOW. THAT IS SO NOT
774
00:36:00,245 --> 00:36:03,857
THE ANSWER I WAS EXPECTING.
SPENCER: YEAH, ME, TOO. HMM.
775
00:36:05,337 --> 00:36:07,295
UM...
776
00:36:07,339 --> 00:36:09,558
I'M SORRY, TOO.
777
00:36:09,602 --> 00:36:11,560
YES...
778
00:36:11,604 --> 00:36:13,562
TODAY WAS SCARY
779
00:36:13,606 --> 00:36:16,435
WHEN I THOUGHT JENN
WAS IN TROUBLE.
780
00:36:16,478 --> 00:36:19,742
AND YES,
BEING A SPONSOR
781
00:36:19,786 --> 00:36:21,744
SCARES ME,
782
00:36:21,788 --> 00:36:24,138
BUT...
783
00:36:24,182 --> 00:36:26,184
[SIGHS]
784
00:36:26,227 --> 00:36:28,664
BUT I SHOULD HAVE
TAKEN A SECOND
785
00:36:28,708 --> 00:36:31,537
TO CONSIDER THINGS
FROM YOUR PERSPECTIVE
786
00:36:31,580 --> 00:36:35,410
BECAUSE I KNOW
WHAT IT TAKES TO ACHIEVE
THE DREAMS THAT YOU HAVE,
787
00:36:35,454 --> 00:36:40,067
AND I KNOW THE SACRIFICE
THAT COMES WITH BEING
AN ELITE ATHLETE AND...
788
00:36:40,110 --> 00:36:43,244
I GUESS THAT I
JUST HADN'T READIED
MYSELF, YOU KNOW,
789
00:36:43,288 --> 00:36:47,205
TO BECOME A PART
OF THAT SACRIFICE, SO--
SPENCER: HEY, HEY,
790
00:36:47,248 --> 00:36:50,817
IT'S A BALANCE, OK?
I'LL FIND IT.
791
00:36:50,860 --> 00:36:52,906
I'LL FIND IT.
792
00:36:55,430 --> 00:36:59,608
WE'LL FIND IT, OK?
FOR THE BOTH OF US.
793
00:36:59,652 --> 00:37:02,176
WE WILL.
SINGER: ♪ OOH
794
00:37:02,220 --> 00:37:04,787
♪ OH, NEVER GONNA
LET ME DOWN ♪
795
00:37:04,831 --> 00:37:08,008
♪ OH, I WANT TO LET YOU
796
00:37:08,051 --> 00:37:10,010
[SIGHS]
797
00:37:10,053 --> 00:37:13,666
WOW. THAT WAS
OUR FIRST BIG FIGHT.
798
00:37:13,709 --> 00:37:15,668
- I GUESS IT WAS.
- [GIGGLES]
799
00:37:15,711 --> 00:37:17,887
WELL, YOU KNOW
WHAT THAT MEANS.
800
00:37:17,931 --> 00:37:20,455
- WHAT?
- MAKEUP SEX.
801
00:37:20,499 --> 00:37:22,283
- ♪ SO WE CAN MAKE A PLAN
- YES, MA'AM.
802
00:37:22,327 --> 00:37:26,896
SINGER:
♪ TO CALL, CALL ON ME
803
00:37:26,940 --> 00:37:29,856
♪ CALL ON ME
804
00:37:29,899 --> 00:37:32,337
[SEAGULLS SQUAWK]
805
00:37:32,380 --> 00:37:34,991
[GRUNTS]
WHOA.
806
00:37:35,035 --> 00:37:36,993
YOU'RE LOOKING
A LITTLE ROUGH.
807
00:37:37,037 --> 00:37:39,387
YOU LOOK LIKE YOU COULD
USE A MORNING JOLT.
808
00:37:39,431 --> 00:37:41,607
YOU DRINK MATCHA?
YOU LOOK LIKE
A MATCHA MAN.
809
00:37:41,650 --> 00:37:44,174
I STAYED UP ALL NIGHT
LOOKING AT BOTH SIDES
OF THE BALL, EVERY
810
00:37:44,218 --> 00:37:46,699
SINGLE PLAY, AND I
CANNOT FIGURE IT OUT
WHAT IT IS THAT YOU
811
00:37:46,742 --> 00:37:48,701
WANT ME TO FIND.
IT'S LIKE I'M LOOKING
FOR A NEEDLE IN
812
00:37:48,744 --> 00:37:50,964
A HAYSTACK
THAT PROBABLY
DOESN'T EVEN EXIST.
813
00:37:51,007 --> 00:37:52,879
SO NO MATCHA?
GREEN TEA?
814
00:37:52,922 --> 00:37:55,403
[SCOFFS]
LOOK, IF YOU DIDN'T
WANT TO HIRE ME,
815
00:37:55,447 --> 00:37:58,014
YOU SHOULD HAVE
JUST SAID SO INSTEAD
OF WASTING MY TIME.
816
00:37:58,058 --> 00:38:00,800
YOU PICK UP ANYTHING
FROM OUR QB?
817
00:38:00,843 --> 00:38:02,280
OTHER THAN
THE FACT THAT HE
WASN'T CONNECTING
818
00:38:02,323 --> 00:38:04,412
WITH HIS
DEEP PASSES, NO.
819
00:38:04,456 --> 00:38:08,111
EXACTLY, AND THE REASON HE
WAS OFF-TARGET IS BECAUSE
HE WASN'T PROPERLY--
820
00:38:08,155 --> 00:38:11,419
- PLANTING HIS BACK FOOT, YEAH.
- TURNS OUT HE COULDN'T PLANT IT
BECAUSE HE WAS INJURED.
821
00:38:11,463 --> 00:38:14,248
HE HAD A BROKEN BONE
IN HIS FOOT, AND HE
HID IT FROM US.
822
00:38:14,292 --> 00:38:15,858
WE SHOULD HAVE
PICKED UP ON THAT.
823
00:38:15,902 --> 00:38:18,034
AS THE QB COACH,
I SHOULD HAVE
PICKED UP ON IT.
824
00:38:18,078 --> 00:38:20,341
I DON'T UNDERSTAND
HOW IT'S YOUR FAULT
IF HE HID IT FROM YOU.
825
00:38:20,385 --> 00:38:22,343
PART OF BEING A COACH
826
00:38:22,387 --> 00:38:25,172
IS BEING ABLE
TO PROTECT THE PLAYERS
FROM THEMSELVES.
827
00:38:25,215 --> 00:38:28,523
I WAS A YOUNG ASSISTANT
COACH, AND I SHOULD
HAVE CAUGHT THAT.
828
00:38:28,567 --> 00:38:31,396
NOW, LOOK, SON, YOU HAVE
PHENOMENAL INSTINCTS.
829
00:38:31,439 --> 00:38:34,268
THERE'S NO DOUBT
ABOUT THAT, BUT
YOU'RE NOT READY.
830
00:38:34,312 --> 00:38:36,749
YOU'LL GET THERE.
831
00:38:36,792 --> 00:38:39,360
ALL RIGHT, I DON'T HAVE
A COACHING POSITION OPEN,
832
00:38:39,404 --> 00:38:42,015
BUT I DO NEED SOMEONE
TO WASH JERSEYS.
833
00:38:42,058 --> 00:38:44,191
- I'LL DO IT.
- WOW.
834
00:38:44,234 --> 00:38:46,367
NO HESITATION, HUH?
835
00:38:46,411 --> 00:38:48,978
IF I'M SERIOUS
ABOUT WANTING
TO COACH, WHICH I AM,
836
00:38:49,022 --> 00:38:50,980
I'D BE A FOOL NOT TO DO
WHATEVER IT TAKES
837
00:38:51,024 --> 00:38:52,765
TO LEARN FROM THE BEST,
WHICH YOU ARE.
838
00:38:52,808 --> 00:38:54,767
I'LL GET A LOAD
STARTED RIGHT AWAY.
839
00:38:54,810 --> 00:38:56,769
MMM, ONE MORE THING.
840
00:38:56,812 --> 00:38:59,859
THAT TELL YOU PICKED UP
FROM THE QUARTERBACK
YESTERDAY?
841
00:38:59,902 --> 00:39:03,297
NOBODY'S EVER
CAUGHT THAT.
842
00:39:03,341 --> 00:39:05,255
GOOD JOB, SON.
843
00:39:06,779 --> 00:39:11,131
MALE SINGER: ♪ I LIFT YOU
UP, UP, UP, UP ♪
844
00:39:12,611 --> 00:39:14,395
PREACH: 'SUP, COACH?
845
00:39:14,439 --> 00:39:16,397
- OH, OK.
- I HAD TO STEP IT UP.
846
00:39:16,441 --> 00:39:18,617
HEARD A FEW PEOPLE
AIN'T HAPPY ABOUT ME
BEING HERE.
847
00:39:18,660 --> 00:39:20,619
THEY AIN'T
TOO THRILLED ABOUT ME
BEING HERE, EITHER.
848
00:39:20,662 --> 00:39:22,534
I AIN'T GOING
NOWHERE, THOUGH.
849
00:39:22,577 --> 00:39:24,971
I APPRECIATE YOU
TAKING A CHANCE ON ME,
850
00:39:25,014 --> 00:39:27,713
GIVING ME THAT SHOT.
A LOT OF PEOPLE WOULDN'T.
851
00:39:27,756 --> 00:39:31,194
HEY, AS LONG AS I'M
PRINCIPAL, YOU'LL
ALWAYS HAVE A JOB
852
00:39:31,238 --> 00:39:33,719
HERE, IF YOU'RE WILLING
TO ROCK WITH ME.
853
00:39:33,762 --> 00:39:36,417
JUST SAY THE WORD
AND I'LL RUN THROUGH
A WALL FOR YOU.
854
00:39:36,461 --> 00:39:38,593
- ♪ LIFT YOU UP
- MY MAN.
855
00:39:38,637 --> 00:39:42,597
SINGER: ♪ OH, 'CAUSE I KNOW
IT WILL GET BETTER ♪
856
00:39:42,641 --> 00:39:46,558
♪ THROUGH THE DAYS AND NIGHTS,
YOU'LL NEVER BE ALONE ♪
857
00:39:46,601 --> 00:39:49,430
♪ BE ALONE 'CAUSE I'LL
LIFT YOU UP ♪
858
00:39:49,474 --> 00:39:52,477
♪ UP, UP, UP, HEY...
859
00:39:52,520 --> 00:39:54,479
KENNY: SPENCE.
SPENCER: HEY.
860
00:39:54,522 --> 00:39:56,829
- WHAT'S UP?
- ♪ LIFT YOU UP
861
00:39:56,872 --> 00:39:58,831
KENNY: I SAW YOU OUT THERE
HITTING THE JUGS MACHINE.
SPENCER: YEAH, YEAH.
862
00:39:58,874 --> 00:40:00,920
I WANTED TO GET SOME CATCHES IN.
KENNY: ALL RIGHT.
863
00:40:00,963 --> 00:40:04,532
LISTEN, I WANTED
TO APOLOGIZE TO YOU FOR
MY BEHAVIOR YESTERDAY.
864
00:40:04,576 --> 00:40:07,143
IT WAS OUTTA LINE,
ME COMING AT YOU
AND COACH LIKE THAT.
865
00:40:07,187 --> 00:40:08,754
YEAH.
866
00:40:08,797 --> 00:40:10,756
WELL, LIKE I SAID,
867
00:40:10,799 --> 00:40:13,106
WHAT ARE YOU GONNA
DO ABOUT IT?
868
00:40:13,149 --> 00:40:16,501
I'MMA SHOW COACH GARRETT
WHY HE'S LUCKY TO HAVE ME
ON HIS TEAM.
869
00:40:16,544 --> 00:40:19,504
CHANGING MY WHOLE APPROACH.
IT'S TIME FOR ME
TO BE THE BEAR.
870
00:40:19,547 --> 00:40:21,984
- HEH HEH! YEAH.
- HA HA!
871
00:40:22,028 --> 00:40:23,551
THAT'S WHAT I'M
TALKING ABOUT,
MAN.
872
00:40:23,595 --> 00:40:25,118
THAT'S WHAT I
LIKE TO HEAR.
873
00:40:25,161 --> 00:40:26,728
SO WHAT'S UP?
YOU ABOUT TO HIT
THE WEIGHTS?
874
00:40:26,772 --> 00:40:28,730
NO, I'MMA HIT UP
OUR GAME FILM
IN ABOUT A HOUR,
875
00:40:28,774 --> 00:40:30,602
WITH YOU IF YOU
GOT THE TIME.
876
00:40:30,645 --> 00:40:32,081
- UH-HUH.
- I'M SERIOUS, MAN.
877
00:40:32,125 --> 00:40:33,605
I'M TRYING TO STUDY
EVERY SINGLE ONE
878
00:40:33,648 --> 00:40:35,128
OF OUR PLAYERS,
INSIDE AND OUT.
879
00:40:35,171 --> 00:40:37,130
OH, FA SHO.
I'LL MAKE THE TIME.
880
00:40:37,173 --> 00:40:39,741
WHY NOT NOW?
SPENCER: NAH.
881
00:40:39,785 --> 00:40:41,830
SOMETHING ELSE IMPORTANT
I GOTTA TAKE CARE OF FIRST.
882
00:40:41,874 --> 00:40:44,006
SINGER: ♪ WON'T LET YOU GO
SPENCER: I'LL HOLLA AT YOU.
883
00:40:44,050 --> 00:40:47,488
SINGER: ♪ LET YOU GO,
LET YOU GO ♪
884
00:40:47,532 --> 00:40:51,405
CHORUS: ♪ LIFT YOU UP,
UP, UP, UP ♪
885
00:40:51,449 --> 00:40:54,974
SINGER: ♪ WE'LL GET
THROUGH THIS TOGETHER ♪
CHORUS: ♪ LIFT YOU UP...
886
00:40:55,017 --> 00:40:58,151
SINGER: ♪ PROMISE I WILL
NEVER LET YOU GO ♪
887
00:40:58,194 --> 00:41:01,720
♪ LET YOU GO,
LIFT YOU UP ♪
888
00:41:01,763 --> 00:41:04,723
♪ WHEN THE DAYS GET TOUGH
889
00:41:04,766 --> 00:41:07,726
♪ WE WILL RISE ABOVE
890
00:41:07,769 --> 00:41:11,381
♪ NO, WE WON'T GIVE UP
891
00:41:11,425 --> 00:41:14,820
♪ I'LL LIFT YOU UP
892
00:41:14,863 --> 00:41:16,822
[FOOTSTEPS DESCENDING]
893
00:41:16,865 --> 00:41:18,476
HEY. GOOD MORNING.
894
00:41:18,519 --> 00:41:21,130
HEY, PATIENCE.
[SIGHS] UH,
895
00:41:21,174 --> 00:41:24,133
WE NEED TO TALK.
896
00:41:24,177 --> 00:41:26,962
UM, I SPOKE TO MY FRIENDS
AT THE D.A.'s OFFICE,
897
00:41:27,006 --> 00:41:31,140
AND THEY'VE FOUND
SOME INCRIMINATING
EVIDENCE AGAINST COOP.
898
00:41:31,184 --> 00:41:34,187
THEY WOULDN'T GET
INTO SPECIFICS, BUT
899
00:41:34,230 --> 00:41:38,583
REMEMBER WHEN I SAID
THAT I'D TELL YOU WHEN
IT'S TIME TO WORRY?
900
00:41:38,626 --> 00:41:39,845
MM-HMM.
901
00:41:39,888 --> 00:41:42,282
IT'S TIME.
902
00:41:42,325 --> 00:41:45,372
COOP NEEDS TO GET HOME,
LIKE, NOW.
903
00:42:15,968 --> 00:42:17,535
GREG, MOVE YOUR HEAD!
69191
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