All language subtitles for 006 Moving From C to G.en

Next up, we're going to practice moving from a C code to a G code.

This is a really common move, especially we're playing at USC, which we are in two of the songs we're

going to learn later on.

And it just requires a little bit more action with the left hand going.

I'll show you what we're going to play and then I'll break it down.

So we're going to play this.

Now we're doing the exact same thing with the film that we just did in the last exercise, the Armonica

Emunah exercise, except with the left hand, we have to modify the bass notes just a little bit.

So we start with the third fret on the string here.

And play the second fret on the district, then we move this ring finger down to the lowest string,

play that G low base note, and then we play the third fret of the string again.

So it looks like this.

Uh, uh, uh.

From there, we go to a Geelhoed and we're going to play a quote like this, which is a little bit of

a different fingering than we learned originally.

This geto, which we we learned earlier, I think is the classic guitar jittered.

But this one is going to be more applicable to the song Freight Train.

We're going to learn a little bit later on and it just requires a little bit less movement when moving

from a seat.

But we are now so that Jittered is the the ring finger on the low base, not on the third floor of the

string, then the middle finger on the second fret of the eyestrain.

All these strings are open and the pinky is up here on the high G note, which is the third fret of

the string.

And of course, we're not playing those top strings at all.

We're only playing the low three strings of the guitar.

So the left hand goes from C like that rocking back and forth between those two bass notes and into

that cheatwood.

And so the bass with the right hand with the thumb is going five, four, six, four, five, four,

six, four, six, four, five, four, six, four, five, four.

So this is all going to sound really musical and nice once we add some of the rolling patterns with

the fingers, but having this the thumb be able to play these nice baselines is a really important foundation

for playing fingerstyle guitar.

So next up, we going to talk about how to make it feel right, how to get it to groove and feel smooth

and in time and musical.