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Next up, we're going to practice moving from a C code to a G code.
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This is a really common move, especially we're playing at USC, which we are in two of the songs we're
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going to learn later on.
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And it just requires a little bit more action with the left hand going.
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I'll show you what we're going to play and then I'll break it down.
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So we're going to play this.
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Now we're doing the exact same thing with the film that we just did in the last exercise, the Armonica
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Emunah exercise, except with the left hand, we have to modify the bass notes just a little bit.
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So we start with the third fret on the string here.
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And play the second fret on the district, then we move this ring finger down to the lowest string,
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play that G low base note, and then we play the third fret of the string again.
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So it looks like this.
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Uh, uh, uh.
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From there, we go to a Geelhoed and we're going to play a quote like this, which is a little bit of
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a different fingering than we learned originally.
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This geto, which we we learned earlier, I think is the classic guitar jittered.
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But this one is going to be more applicable to the song Freight Train.
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We're going to learn a little bit later on and it just requires a little bit less movement when moving
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from a seat.
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But we are now so that Jittered is the the ring finger on the low base, not on the third floor of the
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string, then the middle finger on the second fret of the eyestrain.
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All these strings are open and the pinky is up here on the high G note, which is the third fret of
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the string.
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And of course, we're not playing those top strings at all.
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We're only playing the low three strings of the guitar.
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So the left hand goes from C like that rocking back and forth between those two bass notes and into
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that cheatwood.
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And so the bass with the right hand with the thumb is going five, four, six, four, five, four,
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six, four, six, four, five, four, six, four, five, four.
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So this is all going to sound really musical and nice once we add some of the rolling patterns with
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the fingers, but having this the thumb be able to play these nice baselines is a really important foundation
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for playing fingerstyle guitar.
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So next up, we going to talk about how to make it feel right, how to get it to groove and feel smooth
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and in time and musical.
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