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These are the user uploaded subtitles that are being translated: 1 00:00:00,533 --> 00:00:02,866 All right, so that covers camera raw. 2 00:00:02,866 --> 00:00:04,200 The last thing we're going to do in 3 00:00:04,200 --> 00:00:07,966 camera raw is we are going to create a panorama. 4 00:00:08,433 --> 00:00:12,066 But this is also the first lesson where we're actually going to take the photo 5 00:00:12,266 --> 00:00:15,800 into Photoshop and start using Photoshop. 6 00:00:16,566 --> 00:00:17,833 Finally. 7 00:00:17,833 --> 00:00:22,833 So we're actually going to replace the sky after we've created the panorama. 8 00:00:23,133 --> 00:00:28,666 It's going to require creating a mask and using some layer blending techniques. 9 00:00:28,700 --> 00:00:30,666 So let's get started 10 00:00:34,933 --> 00:00:35,333 All right. 11 00:00:35,333 --> 00:00:40,633 This tutorial I want to start taking, taking you through the pipeline from 12 00:00:40,633 --> 00:00:44,400 camera raw into Photoshop and then making 13 00:00:44,400 --> 00:00:47,166 layered corrections in Photoshop. 14 00:00:47,800 --> 00:00:51,766 And I'm actually going to pick a panoramic image 15 00:00:52,000 --> 00:00:57,500 just to show you one last little trick that you can do or one feature 16 00:00:57,666 --> 00:01:01,200 that we have in camera that I haven't shown you yet. 17 00:01:01,666 --> 00:01:05,933 So in this case, you're going to see five files in the 07 panorama. 18 00:01:06,333 --> 00:01:10,766 We're going to just pick the files called Panorama is a one through four. 19 00:01:11,200 --> 00:01:12,233 We're going to hit open. 20 00:01:14,033 --> 00:01:14,366 And here 21 00:01:14,366 --> 00:01:17,666 you can see this was not taken with a tripod. 22 00:01:18,566 --> 00:01:22,766 I was simply standing on the edge of the road and took 23 00:01:24,266 --> 00:01:28,566 four images as I kind of turned around, tried to keep the camera 24 00:01:28,566 --> 00:01:33,466 at the same height and took four images Kind of showing this canyon here. 25 00:01:34,433 --> 00:01:37,766 And what I'm going to do is I'm going to select all four images. 26 00:01:37,766 --> 00:01:38,200 Right. 27 00:01:38,200 --> 00:01:41,366 Mouse, click and say merge to Panorama. 28 00:01:46,800 --> 00:01:47,533 Okay. 29 00:01:47,533 --> 00:01:53,533 So this was not able to find my valid lens profile. 30 00:01:53,533 --> 00:01:56,666 So this is a case where 31 00:01:56,666 --> 00:02:00,166 it was not able to recognize the lens. 32 00:02:00,233 --> 00:02:04,033 So let's go ahead and go into our lens here. 33 00:02:04,266 --> 00:02:08,166 And I'm going to manually select the lens profile. 34 00:02:08,166 --> 00:02:10,266 So in this case, it is 35 00:02:11,300 --> 00:02:13,466 a rock and on lens. 36 00:02:13,466 --> 00:02:18,300 And you'll notice as soon as I said the make it figured out the model. 37 00:02:19,133 --> 00:02:23,933 So like I said, there isn't a lens that I have so far run into 38 00:02:25,533 --> 00:02:29,400 that camera has not been able to find. 39 00:02:29,600 --> 00:02:32,566 So the most I've had to do is give it a make. 40 00:02:32,666 --> 00:02:36,933 There are a couple instances where I've had to tell tell it the model, 41 00:02:37,300 --> 00:02:39,933 but normally it can even figure that out by itself. 42 00:02:40,566 --> 00:02:44,466 So now I've made that correction to this image, but not the rest. 43 00:02:44,500 --> 00:02:47,966 So what I can do is I can select all of them and say sync settings 44 00:02:49,033 --> 00:02:51,366 and I can 45 00:02:51,366 --> 00:02:56,366 check none and just pick the lens profile correction head. 46 00:02:56,366 --> 00:02:57,233 Okay. 47 00:02:57,233 --> 00:03:00,933 And that's going to apply that same lens profile correction to the other images. 48 00:03:02,666 --> 00:03:04,466 Alison, they want to just get rid of this 49 00:03:04,466 --> 00:03:08,133 so I can go into my spot to make that a little bit bigger. 50 00:03:09,400 --> 00:03:11,300 Select that little lens flare there. 51 00:03:11,300 --> 00:03:12,366 And you can see 52 00:03:13,633 --> 00:03:16,766 it's not doing a great job in this case. 53 00:03:17,066 --> 00:03:18,966 Let's try clone 54 00:03:20,000 --> 00:03:22,100 And I think the feathers too big. 55 00:03:22,766 --> 00:03:24,500 Yeah, that is the problem. 56 00:03:24,500 --> 00:03:27,266 All right. So let's go back to here. 57 00:03:27,266 --> 00:03:28,533 And there you go. 58 00:03:28,533 --> 00:03:31,333 Let's head these so we can see it without the overlay. 59 00:03:31,733 --> 00:03:32,933 That looks good. 60 00:03:33,066 --> 00:03:33,466 All right. 61 00:03:33,466 --> 00:03:36,800 So now we're going to select all four again here in our filmstrip. 62 00:03:37,366 --> 00:03:39,466 Right. Mouse, click 63 00:03:40,100 --> 00:03:41,766 You can also click here, by the way. 64 00:03:41,766 --> 00:03:43,966 That's the same as doing a right mouse click. 65 00:03:43,966 --> 00:03:46,266 And we're going to do merged Panorama 66 00:03:53,166 --> 00:03:53,933 All right. 67 00:03:53,933 --> 00:03:57,866 It has now created a new panoramic image 68 00:03:59,100 --> 00:04:01,600 and it's used a spherical projection. 69 00:04:02,366 --> 00:04:04,333 You can see 70 00:04:04,566 --> 00:04:07,233 cylindrical should work pretty much the same 71 00:04:08,933 --> 00:04:09,866 perspective. 72 00:04:09,866 --> 00:04:13,500 Usually one that's perspective is if you take 73 00:04:16,366 --> 00:04:18,200 you know, like if you create it in a box. 74 00:04:18,200 --> 00:04:21,266 So if you're just taking multiple 75 00:04:21,266 --> 00:04:25,466 images with a tripod, either use cylindrical or spherical 76 00:04:26,666 --> 00:04:30,333 And we can auto crop. 77 00:04:30,333 --> 00:04:34,233 If you don't know how to crop, you can see kind of how it's merged 78 00:04:34,233 --> 00:04:38,266 the images together the auto crop crops it 79 00:04:38,266 --> 00:04:42,266 to give you as much of the image real estate as possible 80 00:04:43,366 --> 00:04:49,800 and applying the auto turn if this basically applies 81 00:04:50,333 --> 00:04:55,000 adjustments to it based on the engine and camera 82 00:04:55,033 --> 00:04:57,866 kind of the auto engine and what it thinks the corrections should be. 83 00:04:58,666 --> 00:05:00,900 You can always go and change those after the fact. 84 00:05:00,900 --> 00:05:04,766 So let's head merge and now it's going to have you save 85 00:05:04,766 --> 00:05:09,166 a new camera raw file and it's added pano to the end of the name. 86 00:05:09,166 --> 00:05:11,066 So let's go ahead and save that. 87 00:05:11,066 --> 00:05:14,033 And now you can see I have that in here 88 00:05:14,900 --> 00:05:19,133 and I can make all my standard corrections to it 89 00:05:19,166 --> 00:05:23,966 so I can go in here, maybe make the image warmer, lighter. 90 00:05:23,966 --> 00:05:25,800 But in this case, 91 00:05:25,800 --> 00:05:29,700 I actually want to take this image through the pipeline into Photoshop. 92 00:05:29,700 --> 00:05:32,666 So let's go ahead and make the corrections. We want 93 00:05:34,666 --> 00:05:34,966 I like 94 00:05:34,966 --> 00:05:37,700 the color balance pretty much where it is. 95 00:05:38,233 --> 00:05:40,500 I do want to push up the shadows 96 00:05:40,933 --> 00:05:42,433 a little more 97 00:05:43,933 --> 00:05:46,933 You can see the auto has already taken the highlights down. 98 00:05:46,933 --> 00:05:50,800 It's already adjusted the whites a bit and the blacks. 99 00:05:52,466 --> 00:05:56,400 Let's also add even more vibrance to it. 100 00:05:58,433 --> 00:06:00,133 Kind of like that. 101 00:06:00,133 --> 00:06:03,200 And I also want to add a gradient to the top 102 00:06:03,200 --> 00:06:07,233 here that just makes this blue a little deeper. 103 00:06:07,233 --> 00:06:10,400 So let's take that exposure down just a bit and maybe add 104 00:06:10,400 --> 00:06:12,233 a little more blue. 105 00:06:12,233 --> 00:06:14,233 You get that nice blue sky look 106 00:06:15,500 --> 00:06:18,000 and let's hit open object 107 00:06:21,866 --> 00:06:23,666 So we're now in Photoshop. 108 00:06:23,666 --> 00:06:27,333 And what I want to do is add a nicer sky to this image 109 00:06:29,266 --> 00:06:34,700 and let's go to File Place Embedded. 110 00:06:35,166 --> 00:06:39,433 We're going to pick the Cloud Sky's image here and hit place 111 00:06:40,733 --> 00:06:43,366 and let's just 112 00:06:43,400 --> 00:06:46,400 hold down shift and stretch that. 113 00:06:47,166 --> 00:06:51,333 So it goes across and you can see that 114 00:06:51,333 --> 00:06:54,400 let's let's hold shift again. 115 00:06:55,766 --> 00:06:59,300 I kind of want these these small clouds 116 00:06:59,300 --> 00:07:03,566 here to start right where that horizon line is. 117 00:07:03,566 --> 00:07:06,000 So right about there. 118 00:07:06,000 --> 00:07:07,000 Let's 119 00:07:07,666 --> 00:07:11,800 so we have that place, but obviously we need to create a mask. 120 00:07:11,800 --> 00:07:14,966 So let's select our panorama image and let's 121 00:07:14,966 --> 00:07:18,333 go to the quick selection tool 122 00:07:19,333 --> 00:07:22,300 and we're just going to start painting across the sky here 123 00:07:25,100 --> 00:07:25,633 All right. 124 00:07:25,633 --> 00:07:29,033 So you can see it's done an okay job, not great. 125 00:07:29,600 --> 00:07:31,633 Some things that we want to fix. 126 00:07:31,633 --> 00:07:34,433 So what I'm going to do is click on select and Mask. 127 00:07:35,266 --> 00:07:38,333 Let's change the color of our mask to pink here. 128 00:07:39,866 --> 00:07:41,833 You can also change what it's showing, 129 00:07:43,466 --> 00:07:45,933 but I like the overlay. 130 00:07:46,700 --> 00:07:49,366 And here we can 131 00:07:49,366 --> 00:07:52,900 adjust, add or minus to our selection 132 00:07:53,600 --> 00:07:56,633 So let's go ahead and zoom in here. 133 00:07:58,866 --> 00:08:00,133 Using the same 134 00:08:00,133 --> 00:08:03,566 standard Zoom shortcuts as I use in Photoshop. 135 00:08:03,600 --> 00:08:07,433 So that's spacebar for the hand space per command to zoom 136 00:08:07,433 --> 00:08:09,600 in space for our command option to zoom out. 137 00:08:11,200 --> 00:08:16,433 And here you can see we have these trees and me trying to paint in here 138 00:08:16,433 --> 00:08:19,200 to add or subtract it's just not going to do 139 00:08:20,400 --> 00:08:21,566 really a great job. 140 00:08:21,566 --> 00:08:23,833 So that's where this edge tool comes in. 141 00:08:24,266 --> 00:08:27,800 And the edge tool, essentially you're just painting over the edge 142 00:08:28,233 --> 00:08:32,966 And based on what's been selected so far, it's going to determine what edge 143 00:08:33,233 --> 00:08:37,666 should be in the selection and what edge should not be in the selection. 144 00:08:38,133 --> 00:08:42,400 And for this is great for hair, it's also great for something like this 145 00:08:42,400 --> 00:08:47,233 where you have, you know, these trees that obviously should be in the selection 146 00:08:48,000 --> 00:08:53,166 and you have parts of the sky that are selected that should not be selected. 147 00:08:53,166 --> 00:08:56,766 So let's just kind of paint across all this 148 00:08:57,700 --> 00:09:00,633 You'll notice when I let go, it kind of does 149 00:09:00,633 --> 00:09:05,000 its calculations and cleans up that selection quite well. 150 00:09:17,600 --> 00:09:18,300 All right. 151 00:09:18,300 --> 00:09:21,366 Here, I actually want to add to the selection, 152 00:09:21,366 --> 00:09:25,466 so I'm going to go to this tool here and just see if I can 153 00:09:27,366 --> 00:09:30,833 So I'm going to hold down option, 154 00:09:30,833 --> 00:09:34,766 see if I can get these out of my selection 155 00:09:38,666 --> 00:09:41,333 You can see there's very little contrast back there. 156 00:09:41,333 --> 00:09:44,966 So it's definitely having a little bit of a rough time 157 00:09:44,966 --> 00:09:47,833 trying to figure out what I'm selecting. 158 00:09:48,433 --> 00:09:50,433 But it's not doing a terrible job. 159 00:09:52,466 --> 00:09:52,966 All right. 160 00:09:52,966 --> 00:09:56,033 And then back to our Edge tool to get this tree here 161 00:09:59,100 --> 00:10:02,866 and let's go ahead and clean up this edge 162 00:10:08,633 --> 00:10:11,233 Now, you can see there's parts of sky in here. 163 00:10:11,966 --> 00:10:15,633 So I actually may want to make this brush bigger and just see what happens 164 00:10:15,633 --> 00:10:17,633 if I paint through this whole tree. 165 00:10:19,000 --> 00:10:19,800 You can see 166 00:10:19,800 --> 00:10:23,066 Photoshop is smart enough to figure out that I want 167 00:10:25,066 --> 00:10:27,000 the sky selected there, 168 00:10:27,000 --> 00:10:29,066 but I don't want the trees selected. 169 00:10:33,566 --> 00:10:36,500 And look at that. 170 00:10:37,100 --> 00:10:39,933 Back in the days before we had these tools, 171 00:10:40,400 --> 00:10:44,033 this would be an hour long project of going through 172 00:10:44,033 --> 00:10:47,666 and making a detailed selections going through channels. 173 00:10:48,300 --> 00:10:50,733 You have no idea how easy you have it. 174 00:10:50,733 --> 00:10:51,166 All right. 175 00:10:51,166 --> 00:10:53,733 Next right click on Smart Radius. 176 00:10:54,266 --> 00:10:57,566 Add a few pixels something I always do. 177 00:10:57,566 --> 00:10:59,900 It just it uses Photoshop. 178 00:11:00,266 --> 00:11:04,233 I could just pull that selection a little closer 179 00:11:04,966 --> 00:11:07,666 and I always find it helps. 180 00:11:07,866 --> 00:11:08,666 All right. 181 00:11:09,233 --> 00:11:13,866 In this case, this is going to output just to a selection, which is what I want 182 00:11:13,866 --> 00:11:16,366 because I'm going to use that selection on a different layer. 183 00:11:16,933 --> 00:11:18,600 So let's set. Okay. 184 00:11:18,600 --> 00:11:22,066 Now I'm going to go on to this layer, make sure I have that layer selected, 185 00:11:22,466 --> 00:11:25,200 and then I want to add a mask 186 00:11:25,200 --> 00:11:28,900 and if I just click on the mask, you can see I've now added the mask. 187 00:11:30,266 --> 00:11:30,900 But what I want to 188 00:11:30,900 --> 00:11:34,233 do is you can see this kind of looks fake, right? 189 00:11:34,233 --> 00:11:38,966 So but if I turn this on screen and now looks pretty realistic 190 00:11:38,966 --> 00:11:42,866 because the lighter areas in the original background sky 191 00:11:43,533 --> 00:11:45,933 are not being made darker. 192 00:11:46,366 --> 00:11:49,033 And so just with that 193 00:11:50,500 --> 00:11:53,066 now I am losing kind of the darkness up here. 194 00:11:53,066 --> 00:11:57,700 So so a few things we could do, but I'm going to show you a nice trick here. 195 00:11:57,700 --> 00:11:59,700 And that's if you double click on the layer 196 00:11:59,700 --> 00:12:02,600 here, we're going to get some layer blending options, 197 00:12:03,133 --> 00:12:05,366 something we haven't really covered yet. 198 00:12:05,366 --> 00:12:07,800 And it's a very cool feature. 199 00:12:07,800 --> 00:12:11,566 So this is the blend depth 200 00:12:11,733 --> 00:12:14,366 and the blend if tells you 201 00:12:14,633 --> 00:12:17,966 the top layer should blend with the bottom layer. 202 00:12:19,066 --> 00:12:21,900 If this range of the top layer 203 00:12:21,900 --> 00:12:25,100 or this range of the bottom layer is the target. 204 00:12:25,166 --> 00:12:29,466 So in this case, I want to target the top layer, meaning my sky layer, 205 00:12:29,866 --> 00:12:34,133 and I only want to target the clouds which are in this area of the image. 206 00:12:34,466 --> 00:12:38,000 So if I take this and drag it this way, you can see, oh, 207 00:12:38,000 --> 00:12:40,133 my original sky starting to show, right? 208 00:12:41,000 --> 00:12:43,633 But you get this heavy, heavy clipping 209 00:12:44,333 --> 00:12:49,300 so to fix that clipping, you're going to hold down option and separate this. 210 00:12:50,833 --> 00:12:53,800 And we're going to just pull that back to right about there. 211 00:12:54,333 --> 00:12:56,800 You can see how that's affecting the image. 212 00:12:57,100 --> 00:12:59,100 It's kind of feathering that. 213 00:13:00,233 --> 00:13:02,600 Now, if I hit, okay, 214 00:13:03,600 --> 00:13:05,366 and there you go. 215 00:13:05,366 --> 00:13:06,833 So now we're 216 00:13:06,833 --> 00:13:10,466 screening, but we're primarily just screening the clouds on top of there. 217 00:13:10,966 --> 00:13:12,266 Like, if I go before 218 00:13:12,266 --> 00:13:15,766 and after, you can see we now have our nice dark sky back there. 219 00:13:16,500 --> 00:13:20,633 Now, you may even like the light sky, but there you go. 220 00:13:20,666 --> 00:13:22,266 I kind of like that, too. 221 00:13:22,266 --> 00:13:24,866 I like the slightly darker sky. 222 00:13:27,033 --> 00:13:28,133 And let's 223 00:13:28,133 --> 00:13:31,433 go ahead and get rid of this little sign here, too. 224 00:13:32,100 --> 00:13:37,033 So for that, I want to go zoom in here now on a smart object. 225 00:13:37,800 --> 00:13:43,066 You can't paint and you can't use these healing tools. 226 00:13:43,500 --> 00:13:45,766 So if I go here, you can see 227 00:13:46,100 --> 00:13:49,066 got that big stop sign on on my tool. 228 00:13:49,333 --> 00:13:52,000 So what I'm going to do is I'm going to make a copy of this layer, 229 00:13:52,600 --> 00:13:56,400 right mouse click and rest arrives the layer. 230 00:13:57,366 --> 00:13:59,866 Always keep a copy of your originals. 231 00:14:01,166 --> 00:14:05,800 There's not you're always going to find that you may have to go back to it. 232 00:14:05,800 --> 00:14:07,833 You may want to adjust your camera. 233 00:14:07,833 --> 00:14:09,000 Just make it a practice 234 00:14:09,000 --> 00:14:13,000 of always making a copy of your layer and then making corrections on that layer. 235 00:14:13,233 --> 00:14:16,666 You can also then if you make a bunch of changes and run out of history, 236 00:14:16,900 --> 00:14:19,900 you can always throw the layer away and start again without having 237 00:14:19,900 --> 00:14:23,300 to create the whole file anew. 238 00:14:23,300 --> 00:14:23,633 Okay. 239 00:14:23,900 --> 00:14:28,200 So let's see the best way to get rid of this. 240 00:14:29,433 --> 00:14:32,600 First, let's do the big work. 241 00:14:33,000 --> 00:14:35,166 So for that, I'm going to use the patch tool 242 00:14:36,233 --> 00:14:37,566 with the patch tool. 243 00:14:37,566 --> 00:14:40,633 Just going to make a selection of this whole sign here. 244 00:14:41,533 --> 00:14:44,166 And then I'm going to drag that 245 00:14:45,133 --> 00:14:46,566 and kind of fit, 246 00:14:46,566 --> 00:14:50,266 you see, like how the cloud or sorry, the leaves there. 247 00:14:50,566 --> 00:14:52,733 Kind of line up to the old tree. 248 00:14:52,966 --> 00:14:53,933 That's what I'm looking for. 249 00:14:53,933 --> 00:14:59,866 I'm looking for something that makes this area look a little more real. 250 00:15:00,133 --> 00:15:04,166 Now you'll notice and try to spread the color of this into it 251 00:15:04,500 --> 00:15:05,800 and even the color of this. 252 00:15:05,800 --> 00:15:09,233 And I don't like that. So let's go, Kamanzi. 253 00:15:09,533 --> 00:15:13,666 And before we do this, let's get rid of these signs. 254 00:15:13,900 --> 00:15:17,566 And for that, I'm going to use the healing brush. 255 00:15:18,133 --> 00:15:22,466 So the healing brush works similar to the clone stamp 256 00:15:22,466 --> 00:15:25,500 and that you hold down option, 257 00:15:25,633 --> 00:15:28,033 and then you're going to paint over this. 258 00:15:28,033 --> 00:15:30,666 And what it's going to do 259 00:15:30,866 --> 00:15:35,366 is it's going to use the information that you're painting with so option, 260 00:15:37,000 --> 00:15:38,400 but it's going to apply 261 00:15:38,400 --> 00:15:41,333 kind of the color information from where you're coming from. 262 00:15:49,966 --> 00:15:50,533 And again, 263 00:15:50,533 --> 00:15:53,766 you can see I'm trying to take parts of the image. 264 00:15:53,766 --> 00:15:57,766 So this kind of darker gray line in here, I'm picking that. 265 00:15:57,766 --> 00:16:00,333 So option, click there, let go of option 266 00:16:00,866 --> 00:16:03,366 and then try and a line that up with the street 267 00:16:03,366 --> 00:16:08,166 so that as I paint over this, it looks like it belongs 268 00:16:09,300 --> 00:16:13,100 and let's do the same here. 269 00:16:18,033 --> 00:16:20,866 And don't be afraid 270 00:16:20,866 --> 00:16:23,100 to paint multiple times over it 271 00:16:24,700 --> 00:16:27,966 as you build the cleaner source points 272 00:16:30,200 --> 00:16:33,133 that'll just make your final product look more realistic. 273 00:16:34,866 --> 00:16:38,233 And let's go ahead and do the same here. 274 00:16:42,433 --> 00:16:45,066 The thing you want to avoid is 275 00:16:46,000 --> 00:16:48,466 repetition, too much repetition of 276 00:16:49,566 --> 00:16:51,933 noticeable patterns, right? So 277 00:16:53,500 --> 00:16:53,900 I wouldn't 278 00:16:53,900 --> 00:16:56,933 want this rock to appear twice in the image. 279 00:16:56,966 --> 00:17:00,833 I don't want this dark thing right here to appear twice in the image, 280 00:17:00,833 --> 00:17:02,833 but here we just pretty much have texture. 281 00:17:02,833 --> 00:17:05,566 So if that repeats, nobody's going to notice that 282 00:17:32,866 --> 00:17:34,800 that looks pretty good. 283 00:17:35,166 --> 00:17:38,366 And that's a tree. 284 00:17:38,666 --> 00:17:39,233 All right. 285 00:17:39,233 --> 00:17:42,233 Now let's go to our patch tool and try it again. 286 00:17:42,600 --> 00:17:46,400 This should give us a nicer result 287 00:17:48,700 --> 00:17:49,366 Again, 288 00:17:49,366 --> 00:17:52,766 I want to use this and line it up with that. 289 00:17:52,766 --> 00:17:55,466 So I'm going to pull that over there until those two line up 290 00:17:56,566 --> 00:17:58,033 And there you go. 291 00:17:58,033 --> 00:18:00,000 That's pretty nice. 292 00:18:01,000 --> 00:18:02,666 And let's also just go ahead 293 00:18:02,666 --> 00:18:05,200 and get rid of this to 294 00:18:10,766 --> 00:18:13,566 I'm just kind of looking for something that looks natural. 295 00:18:13,566 --> 00:18:17,733 So this tree line kind of continues there looks natural. 296 00:18:18,933 --> 00:18:23,200 Now, I don't like the way to blend it in. 297 00:18:23,200 --> 00:18:26,500 So one thing you can always do is go from patch 298 00:18:26,500 --> 00:18:29,533 to content to wear and see if that gives you a better result. 299 00:18:30,133 --> 00:18:33,600 In this case, it actually did 300 00:18:34,333 --> 00:18:35,433 And that looks pretty nice. 301 00:18:35,433 --> 00:18:39,233 Lastly, let's get rid of this here 302 00:18:50,000 --> 00:18:52,766 and the shadow here 303 00:18:57,433 --> 00:18:58,000 All right. 304 00:18:58,000 --> 00:19:00,100 That looks pretty nice. 305 00:19:06,466 --> 00:19:07,066 Okay. 306 00:19:07,066 --> 00:19:09,233 Let's do Command Zero to see the whole thing. 307 00:19:09,900 --> 00:19:11,800 We can also do a quick before and after. 308 00:19:11,800 --> 00:19:14,733 You can see we got rid of those 309 00:19:15,300 --> 00:19:19,400 and now let's save our file. 310 00:19:19,600 --> 00:19:23,333 File save as I want to save in JPEG 311 00:19:23,333 --> 00:19:27,266 that I can post on my 312 00:19:27,266 --> 00:19:28,700 500 pixel page 313 00:19:28,700 --> 00:19:31,466 or what have you to save a JPEG. 314 00:19:32,600 --> 00:19:37,233 Like I mentioned before, I always prefer the export save for web, 315 00:19:37,600 --> 00:19:42,000 and the shortcut for that is option shift command s. 316 00:19:42,133 --> 00:19:44,500 So it's kind of like all your keys plus s, 317 00:19:45,566 --> 00:19:48,066 and that's going to bring up this. 318 00:19:48,066 --> 00:19:51,233 And here let's use our JPEG High. 319 00:19:51,700 --> 00:19:54,266 Let's fit this in view, 320 00:19:54,266 --> 00:19:57,733 which is Command zero again, 321 00:20:00,833 --> 00:20:03,433 and that convert to s r g b 322 00:20:05,300 --> 00:20:07,466 it's giving me a punch in the color. 323 00:20:07,466 --> 00:20:10,300 Notice this is a little more red 324 00:20:10,300 --> 00:20:11,300 that it does that 325 00:20:11,300 --> 00:20:16,133 so that when you go to the web, you're getting a little more vibrant. 326 00:20:16,566 --> 00:20:18,900 That's something you can turn off if you don't really like it. 327 00:20:19,333 --> 00:20:22,466 I kind of like what it's doing here, so I'm going to leave that on. 328 00:20:23,566 --> 00:20:27,566 This is too big for web, so let's take it down to 4K. 329 00:20:27,800 --> 00:20:30,166 That should be plenty big enough. 330 00:20:31,200 --> 00:20:35,700 Let's head save and let's go to our 331 00:20:37,166 --> 00:20:41,233 folder, our Panorama folder, and I'm going to keep the name the same. 332 00:20:42,433 --> 00:20:44,333 Save and I'm 333 00:20:44,333 --> 00:20:47,500 also going to save this as a layered file. 334 00:20:48,100 --> 00:20:51,833 Same place it. Save 335 00:20:52,766 --> 00:20:55,366 and that finishes our first image 336 00:20:55,566 --> 00:20:57,733 through Photoshop 337 00:21:03,600 --> 00:21:03,966 All right. 338 00:21:03,966 --> 00:21:08,433 For our next project, we're going to create a product photo of a water bottle, 339 00:21:09,066 --> 00:21:12,100 and we're going to clean it up and get it magazine ready. 340 00:21:12,566 --> 00:21:15,400 So we're going to get rid of all the dust, the spots. 341 00:21:15,400 --> 00:21:18,400 We're going to replace the reflection on the ground and we're going to add 342 00:21:18,400 --> 00:21:20,666 some text behind it. 343 00:21:27,166 --> 00:21:30,700 Let's go to file open 344 00:21:30,700 --> 00:21:34,266 and we're going to go to 08 water bottle. 345 00:21:35,366 --> 00:21:39,266 Let's go ahead and select that camera file, click open. 346 00:21:40,066 --> 00:21:43,666 First thing we're going to do is a few adjustments in camera. 347 00:21:44,666 --> 00:21:45,800 First thing I want to do, 348 00:21:45,800 --> 00:21:49,600 you can see in our histogram, almost all the information is over here. 349 00:21:49,600 --> 00:21:54,633 So let's go ahead and push that contrast up 350 00:21:56,000 --> 00:21:56,433 and see. 351 00:21:56,433 --> 00:21:58,366 We're starting to lose some details in here. 352 00:21:58,366 --> 00:22:00,533 So I'm going to take the highlights down 353 00:22:02,366 --> 00:22:04,466 I want a little more contrast in there, 354 00:22:05,233 --> 00:22:08,100 but I want to kind of contrast on these bubbles. 355 00:22:08,166 --> 00:22:11,566 So I'm actually going to bring up the clarity 356 00:22:14,300 --> 00:22:16,933 and maybe even the texture a tiny bit. 357 00:22:17,200 --> 00:22:21,666 So we got a little more of the texture, texture detail in here 358 00:22:22,166 --> 00:22:24,166 that looks pretty good. 359 00:22:27,300 --> 00:22:30,100 And what's 360 00:22:30,133 --> 00:22:32,766 maybe just a tiny bit of vibrance there 361 00:22:34,500 --> 00:22:37,033 And let's go to our straightened tool. 362 00:22:38,700 --> 00:22:41,933 Let's go ahead and turn on the straight lines here. 363 00:22:41,933 --> 00:22:45,333 I'm going to use this tool just because I have two things I want straight. 364 00:22:45,866 --> 00:22:50,566 I want the table straight and I want this bottle straight. 365 00:22:52,333 --> 00:22:55,166 And let's also add this 366 00:22:56,933 --> 00:22:57,733 And there you go. 367 00:22:57,733 --> 00:22:59,866 We've now straightened up the whole image. 368 00:23:01,166 --> 00:23:04,766 Let's go ahead and hit escape 369 00:23:05,633 --> 00:23:08,566 And there you go. 370 00:23:08,566 --> 00:23:10,100 For the rest of the corrections. 371 00:23:10,100 --> 00:23:12,833 I'm going to do those in Photoshop. 372 00:23:12,833 --> 00:23:16,766 So these like correcting in the spots in here 373 00:23:16,766 --> 00:23:21,100 and actually replacing this whole floor with a new reflection. 374 00:23:21,100 --> 00:23:24,433 I want to do all that in Photoshop because I'm going to it's easier 375 00:23:24,433 --> 00:23:27,133 and I'm going to get, I think, better results. 376 00:23:27,833 --> 00:23:30,500 So let's go ahead and 377 00:23:30,500 --> 00:23:32,466 let's just check here. We've got eight bit. 378 00:23:32,466 --> 00:23:33,933 That's okay. 379 00:23:33,933 --> 00:23:37,200 I don't want resize and I do want to open it as a smart object. 380 00:23:37,200 --> 00:23:37,866 Okay. 381 00:23:37,933 --> 00:23:40,500 So let's go ahead and head open object 382 00:23:43,100 --> 00:23:43,733 and there you go. 383 00:23:43,733 --> 00:23:46,200 We now have this in Photoshop. 384 00:23:46,200 --> 00:23:51,100 First thing I'm going to do is cut out this bottle 385 00:23:51,900 --> 00:23:55,066 just so that we can change the floor, 386 00:23:55,400 --> 00:23:59,066 change some background elements without affecting the bottle. 387 00:23:59,666 --> 00:24:03,900 So the first thing I always want to do is see if my automatic tools 388 00:24:03,900 --> 00:24:05,033 are going to do a good job. 389 00:24:05,033 --> 00:24:05,466 So let's 390 00:24:05,466 --> 00:24:10,566 go ahead and go on to our quick selection and let's try these select subject 391 00:24:15,866 --> 00:24:18,766 and if you go here, you're going to see a little icon. 392 00:24:18,766 --> 00:24:20,200 This is the quick mask. 393 00:24:20,200 --> 00:24:23,700 If you turn that on you can get kind of a channel 394 00:24:23,733 --> 00:24:26,733 representation of your selection. 395 00:24:27,300 --> 00:24:31,100 And in this case, you can see the quick mask here in your channels. 396 00:24:31,933 --> 00:24:34,166 And if I double click that, I can change 397 00:24:34,166 --> 00:24:36,666 the color of this 398 00:24:38,000 --> 00:24:38,666 in this case. 399 00:24:38,666 --> 00:24:42,100 I may I may want to use kind of a magenta color 400 00:24:42,466 --> 00:24:45,200 just because it's going to be very high contrast 401 00:24:45,333 --> 00:24:48,400 to what else I have in the image 402 00:24:48,533 --> 00:24:49,000 All right. 403 00:24:49,000 --> 00:24:51,600 So not a great job. 404 00:24:51,833 --> 00:24:54,000 You can see it had some problems here. 405 00:24:54,633 --> 00:24:58,466 And also, it's not doing a great job around this glass. 406 00:24:59,033 --> 00:25:03,400 So let's hit this quick selection. 407 00:25:03,400 --> 00:25:06,066 Let's get out of that and let's go select these select 408 00:25:07,100 --> 00:25:08,233 I think what I'm going to do 409 00:25:08,233 --> 00:25:13,233 instead is actually use my pen tool to make a path around this 410 00:25:13,933 --> 00:25:18,666 and then use that path to make a selection Now, this does take more time, 411 00:25:19,166 --> 00:25:21,866 but if you're doing something like product photography, 412 00:25:23,300 --> 00:25:26,933 having this clean selections is really important. 413 00:25:26,966 --> 00:25:30,733 Now, if I were just doing this for Instagram or 414 00:25:31,700 --> 00:25:34,500 somewhere where it's not going to be blown up, I probably wouldn't 415 00:25:34,500 --> 00:25:35,400 go through the trouble. 416 00:25:35,400 --> 00:25:37,100 I would just do select subject 417 00:25:37,100 --> 00:25:40,533 and use some tools in here to clean up the selection. 418 00:25:40,933 --> 00:25:44,400 But because this is going to be product photograph 419 00:25:44,733 --> 00:25:48,300 and it's going to be quite large I want a really nice selection. 420 00:25:49,933 --> 00:25:52,266 So let's go on to the pen tool 421 00:25:52,266 --> 00:25:55,433 and let's zoom in that spacebar and command 422 00:25:57,533 --> 00:25:57,933 and I 423 00:25:57,933 --> 00:26:00,400 want to make sure this is on paths, not shape. 424 00:26:00,966 --> 00:26:03,866 If you have it on shape, it's going to create a new layer, which I don't want. 425 00:26:03,866 --> 00:26:06,100 I just want a path all right. 426 00:26:06,100 --> 00:26:11,700 And the simplicity of using the pen tool is you're going to click and then drag 427 00:26:11,700 --> 00:26:17,633 and that this handlebar here is going to turn determine the curve, right? 428 00:26:17,633 --> 00:26:21,266 So here you can see this handle is too far up 429 00:26:22,100 --> 00:26:25,066 because it's pulling this so 430 00:26:25,066 --> 00:26:27,433 one way to imagine the pen tool. 431 00:26:28,000 --> 00:26:31,266 Let's just go let's go back over here. 432 00:26:33,833 --> 00:26:37,000 We can click on Path here because that's where we're going to be using. 433 00:26:37,200 --> 00:26:42,900 One way to imagine the pen tool is to imagine that there is a rubber band 434 00:26:43,133 --> 00:26:47,333 from this point here to the 435 00:26:49,466 --> 00:26:51,066 arc here, right? 436 00:26:51,066 --> 00:26:54,733 So this rubber band is pulling right there. 437 00:26:55,300 --> 00:26:58,166 And if I move this, if I hold down command, you'll notice 438 00:26:58,166 --> 00:27:02,700 my mouse changes from the pen to an arrow. 439 00:27:03,300 --> 00:27:07,166 As I pull that around, you can see how it's affecting the arc 440 00:27:07,166 --> 00:27:10,533 so that imaginary rubber band is there. 441 00:27:10,900 --> 00:27:14,166 It's going to pull that in various directions. 442 00:27:14,166 --> 00:27:15,200 And if you just kind of think 443 00:27:15,200 --> 00:27:19,066 with that kind of makes creating that path a little easier. 444 00:27:19,066 --> 00:27:23,333 Let's do Command Z a couple of times and go back to here 445 00:27:23,966 --> 00:27:27,966 and I'm going to click drag, click 446 00:27:29,266 --> 00:27:32,300 and then I can also, if I hold down command, I can move these. 447 00:27:32,300 --> 00:27:34,666 I can also move the anchor point itself 448 00:27:38,700 --> 00:27:41,566 and we're just going to do that around the entire bottle. 449 00:27:45,900 --> 00:27:48,400 Try not to be too zoomed in because you don't want to go 450 00:27:48,566 --> 00:27:51,966 you don't want to go to the point where 451 00:27:52,366 --> 00:27:53,766 the, you know, 452 00:27:53,766 --> 00:27:57,566 abnormalities in the glass are becoming part of the selection. 453 00:27:57,600 --> 00:28:00,466 You're really, you know, 454 00:28:00,900 --> 00:28:02,366 don't go overboard. 455 00:28:02,366 --> 00:28:03,333 Put it that way. 456 00:28:03,333 --> 00:28:04,233 All right. 457 00:28:07,266 --> 00:28:09,300 I kind of fast forward through this 458 00:28:27,466 --> 00:28:27,866 all right. 459 00:28:27,866 --> 00:28:29,066 There you go. 460 00:28:29,066 --> 00:28:31,833 Now, you'll see there's a few holes here that we need to create. 461 00:28:32,500 --> 00:28:35,466 Going to go in here and just add 462 00:28:35,466 --> 00:28:38,400 to the existing path 463 00:28:39,266 --> 00:28:43,033 and add these holes 464 00:28:45,166 --> 00:28:46,633 One of the reasons I really like 465 00:28:46,633 --> 00:28:50,300 using paths to make selections, especially of objects like this 466 00:28:50,300 --> 00:28:54,400 that have nice curves, is the ability to create that curve. 467 00:28:54,866 --> 00:28:57,200 You just can't do that when you're using a lasso 468 00:29:10,533 --> 00:29:11,900 and also the ability 469 00:29:11,900 --> 00:29:17,600 to change parts of my selection or parts of the path after the fact. 470 00:29:30,033 --> 00:29:31,333 Good rule of thumb is 471 00:29:31,333 --> 00:29:34,400 the less anchor points you have, the better 472 00:29:35,700 --> 00:29:38,233 just means that you're the anchor points. 473 00:29:38,233 --> 00:29:40,033 You do have 474 00:29:40,233 --> 00:29:42,566 to go here. 475 00:29:42,566 --> 00:29:43,800 It just means the anchor points. 476 00:29:43,800 --> 00:29:45,900 You do have are better curved. 477 00:29:47,000 --> 00:29:49,266 Okay, so that looks like everything. 478 00:29:49,500 --> 00:29:51,666 Yeah, just this little spot here. 479 00:29:52,166 --> 00:29:55,333 Let's go back on that pen tool. 480 00:30:00,500 --> 00:30:00,966 All right. 481 00:30:00,966 --> 00:30:03,300 That looks pretty nice. 482 00:30:04,333 --> 00:30:07,033 Now let's go ahead and go on to our path 483 00:30:07,033 --> 00:30:11,233 selection tool, select all the paths and you want to make sure up here 484 00:30:11,600 --> 00:30:14,733 that this is on exclude overlapping shapes. 485 00:30:15,233 --> 00:30:15,566 All right? 486 00:30:15,566 --> 00:30:19,300 Because if you combine the shapes, anything inside the bigger one, 487 00:30:19,300 --> 00:30:24,866 that's just going to be included within whereas this exclude overlapping shapes, 488 00:30:25,166 --> 00:30:28,600 anything that overlaps are big selection is going to be cut out of it. 489 00:30:29,833 --> 00:30:30,300 Now in 490 00:30:30,300 --> 00:30:34,566 our paths Pelletier you're going to see there is a new path 491 00:30:34,566 --> 00:30:38,700 called work path, and that's whatever path you've last created. 492 00:30:39,000 --> 00:30:41,800 Whenever you're done creating a path like we are now, 493 00:30:41,900 --> 00:30:44,033 you want to double click this and give it a name 494 00:30:46,100 --> 00:30:47,333 so there you go. Bottle. 495 00:30:47,333 --> 00:30:52,166 And the reason you want to do that is when I start creating a new path, 496 00:30:52,533 --> 00:30:56,066 you'll see it overwrites whatever existing work path you have. 497 00:30:57,166 --> 00:31:00,900 So that's something just I've done long selections 498 00:31:00,900 --> 00:31:05,400 only to then realize I didn't save it and it was overwritten by the next one. 499 00:31:06,200 --> 00:31:09,000 All right, I have this now 500 00:31:09,000 --> 00:31:11,366 and I can select that path. 501 00:31:11,366 --> 00:31:14,600 And down here you'll see that little selection icon 502 00:31:15,133 --> 00:31:17,200 that'll turn it into a selection. 503 00:31:17,200 --> 00:31:20,166 Also, let's do command D to do select. 504 00:31:20,433 --> 00:31:22,700 I can right mouse click and click on it. 505 00:31:22,833 --> 00:31:26,600 That will also create a selection and finally command D 506 00:31:26,933 --> 00:31:31,466 If I have the path selected here like this, I can right mouse click 507 00:31:32,033 --> 00:31:35,766 and say Make selection The nice part about this is 508 00:31:35,766 --> 00:31:40,266 I can add some feather radius and this will allow for subpixel radius. 509 00:31:40,666 --> 00:31:42,500 So you can do like point to 510 00:31:45,866 --> 00:31:46,400 all right. 511 00:31:46,400 --> 00:31:49,166 So there you go. We now have a nice selection of our bottle. 512 00:31:49,166 --> 00:31:51,866 I want to make a copy of this layer 513 00:31:53,066 --> 00:31:55,866 and I want to pasteurize it 514 00:31:55,866 --> 00:31:58,433 and then I want to add a mask. 515 00:31:58,433 --> 00:32:02,033 Now, if I turn off my background, you can see we have our bottle 516 00:32:02,033 --> 00:32:04,166 as its own layer 517 00:32:05,300 --> 00:32:05,966 Okay. 518 00:32:05,966 --> 00:32:10,233 Next, let's make another copy of this restaurant as it 519 00:32:11,800 --> 00:32:13,933 and I want to start fixing some of the 520 00:32:15,733 --> 00:32:17,833 spots and stuff in the background. 521 00:32:17,833 --> 00:32:21,166 I also want to bring up the lightness over here. 522 00:32:21,200 --> 00:32:25,266 So what I'm going to do is add a curves layer 523 00:32:27,266 --> 00:32:29,666 and I want to just bring up the darks here 524 00:32:30,400 --> 00:32:33,933 until I'm seeing some of that pattern in here. 525 00:32:36,533 --> 00:32:38,366 And you can see this. 526 00:32:38,366 --> 00:32:43,933 There's not a lot of information there and it's giving us that kind of ugly grain. 527 00:32:43,933 --> 00:32:46,766 So I got to do this not too much. 528 00:32:47,300 --> 00:32:47,833 There you go. 529 00:32:49,133 --> 00:32:49,666 All right. 530 00:32:49,666 --> 00:32:53,400 Now, you will see the problem here is that it's also brightened up all this. 531 00:32:53,400 --> 00:32:58,000 So to get around that problem, I'm going to select the mask here 532 00:32:58,000 --> 00:33:01,166 and go to edit fill. 533 00:33:01,166 --> 00:33:03,233 And I want to fill it with Black, 534 00:33:03,233 --> 00:33:05,633 which is the background color 535 00:33:06,900 --> 00:33:07,766 And there you go. 536 00:33:07,766 --> 00:33:12,166 Now I can go to my gradient tool, which is the G on the keyboard. 537 00:33:13,100 --> 00:33:17,233 Pick my linear gradient make sure I'm on foreground to transparent 538 00:33:18,366 --> 00:33:20,766 and then I can make a gradient like that. 539 00:33:22,233 --> 00:33:25,333 And that looks pretty nice. 540 00:33:25,333 --> 00:33:28,566 I also want to get rid of the color in the background. 541 00:33:28,900 --> 00:33:32,233 So I'm going to go up here and add a black and white adjustment. 542 00:33:32,933 --> 00:33:36,233 And you can see that's just strip that background of color. 543 00:33:36,733 --> 00:33:41,700 And similar to creating a black and white in camera, 544 00:33:41,966 --> 00:33:44,666 you do have the option of adjusting 545 00:33:44,900 --> 00:33:48,900 which color is mapped to what shade of black and white, 546 00:33:49,900 --> 00:33:50,166 but we're 547 00:33:50,166 --> 00:33:52,800 not going to change those right now. 548 00:33:53,966 --> 00:33:55,566 Okay, so that looks pretty nice. 549 00:33:55,566 --> 00:33:58,433 Now let's go ahead and fix these up. 550 00:33:59,266 --> 00:34:03,633 So I have two options here, how I can select all these layers 551 00:34:03,933 --> 00:34:06,966 and then go up here and go merge 552 00:34:07,133 --> 00:34:09,833 selected or merge layers, command E 553 00:34:10,266 --> 00:34:13,066 and that'll flatten up all of these into a single layer. 554 00:34:14,733 --> 00:34:17,066 And in this case, 555 00:34:17,066 --> 00:34:22,400 I already have a copy of the original, so I don't mind collapsing this one thing 556 00:34:22,400 --> 00:34:25,533 I might want to do, though, is just take some of the highlight out of this. 557 00:34:26,133 --> 00:34:29,466 So in that case, I want to copy this curve, 558 00:34:30,933 --> 00:34:33,300 select the mask 559 00:34:33,300 --> 00:34:37,933 and go to image adjustments and invert, which is command. 560 00:34:37,933 --> 00:34:41,833 I know you could see now the mask is adjusting this side 561 00:34:42,166 --> 00:34:45,466 and we're going to adjust our curve here. 562 00:34:46,266 --> 00:34:49,366 Let's reset that curve, make it a little darker. 563 00:34:49,366 --> 00:34:51,600 And I might even take this Properties panel here. 564 00:34:51,600 --> 00:34:53,000 So I can see what's happening 565 00:35:00,633 --> 00:35:02,033 There you go. 566 00:35:02,766 --> 00:35:05,000 Let's put this back 567 00:35:06,500 --> 00:35:07,033 okay. 568 00:35:07,033 --> 00:35:10,200 Now I'm going to take all these layers and command 569 00:35:10,200 --> 00:35:12,933 E to merge them. 570 00:35:13,200 --> 00:35:14,533 That looks pretty good. 571 00:35:14,533 --> 00:35:17,733 You will notice that this has become the colorized 572 00:35:19,700 --> 00:35:21,566 not worried about that quite yet. 573 00:35:21,566 --> 00:35:23,633 We will do something with it a bit later. 574 00:35:23,666 --> 00:35:26,166 But first, let's get rid of the spots in the background. 575 00:35:26,766 --> 00:35:29,966 So here we're going to go to our correction tools. 576 00:35:30,300 --> 00:35:33,500 I'm going to use the healing brush tool 577 00:35:33,500 --> 00:35:35,266 sorry, the spot healing brush tool. 578 00:35:35,266 --> 00:35:40,200 So this is similar to the healing brush tool that we use in the last tutorial. 579 00:35:40,500 --> 00:35:43,833 Except for that, you don't need to option click for a source. 580 00:35:44,333 --> 00:35:48,266 It will use Photoshop, say AI to look around 581 00:35:48,266 --> 00:35:51,733 for a good source. 582 00:35:54,566 --> 00:35:57,566 And let's just go quickly through 583 00:35:59,833 --> 00:36:03,833 and correct the spots here in the background 584 00:36:26,766 --> 00:36:30,700 And this is just one example where Photoshop is more powerful 585 00:36:30,700 --> 00:36:34,433 and more quick than trying to do this kind of stuff in camera. 586 00:36:35,300 --> 00:36:35,666 All right. 587 00:36:35,666 --> 00:36:40,733 So I like that we have these splotches here that are not too happy with. 588 00:36:40,733 --> 00:36:44,900 So I'm going to use the patch tool see if we can just get rid of those. 589 00:36:45,200 --> 00:36:49,000 So the patch to a similar to the lasso tool, if you hold down option, 590 00:36:49,300 --> 00:36:51,866 it turns into a polygon or selection 591 00:36:52,433 --> 00:36:54,533 meaning I can let go and click 592 00:36:56,400 --> 00:36:59,033 And then if I let go of option, it'll close that. 593 00:36:59,100 --> 00:37:02,666 Let's just drag this up here maybe to there. 594 00:37:04,700 --> 00:37:06,266 Yeah, I hate that. 595 00:37:06,266 --> 00:37:06,633 Okay. 596 00:37:06,633 --> 00:37:09,266 So you can see there, it did not do a great job, 597 00:37:09,666 --> 00:37:13,566 so let's command Z that turn off content to wear and put it on normal 598 00:37:14,966 --> 00:37:17,166 and let's try this again. 599 00:37:17,366 --> 00:37:19,433 A much better result. 600 00:37:19,433 --> 00:37:21,666 Okay, so that looks quite nice. 601 00:37:21,666 --> 00:37:23,700 Now what I'm going to do is I'm going to go ahead 602 00:37:23,700 --> 00:37:27,800 and make a selection here of the floor. 603 00:37:28,466 --> 00:37:30,833 I mean, sorry, off the back wall. 604 00:37:30,833 --> 00:37:35,800 Like, so I do command j and it's going to make a copy 605 00:37:36,200 --> 00:37:39,000 of my selection into a new layer 606 00:37:39,000 --> 00:37:42,300 go my move tool to command t for transform. 607 00:37:42,700 --> 00:37:45,933 I want to take my anchor points here and drag it to the bottom 608 00:37:46,833 --> 00:37:49,800 and then right mouse click and flip vertical. 609 00:37:50,700 --> 00:37:51,433 There you go. 610 00:37:51,433 --> 00:37:54,666 I've got a nice floor now. 611 00:37:54,866 --> 00:37:56,666 I do have this, 612 00:37:56,666 --> 00:37:59,300 and let's see what we can do about that. 613 00:37:59,333 --> 00:38:03,166 Okay, so in the original 614 00:38:05,400 --> 00:38:05,800 all right, 615 00:38:05,800 --> 00:38:08,166 so what I'm actually going to do here, 616 00:38:09,100 --> 00:38:13,500 I'll say you'll notice this is a bit lighter and a has this shadow here. 617 00:38:13,500 --> 00:38:16,300 So we want to duplicate all those things. And our final 618 00:38:18,500 --> 00:38:20,600 and I do want to get rid of that. 619 00:38:20,600 --> 00:38:24,266 So let's isolate this layer. 620 00:38:24,300 --> 00:38:28,033 I'm going to do option and then click on the eyeball drag that up 621 00:38:28,900 --> 00:38:32,133 and we're going to see how well 622 00:38:32,133 --> 00:38:33,600 our patch tool does. 623 00:38:33,600 --> 00:38:37,700 And just getting rid of the bottle entirely again, 624 00:38:39,200 --> 00:38:41,966 I want to try to get as close here as I can 625 00:38:45,766 --> 00:38:47,633 make sure it's on normal. 626 00:38:47,633 --> 00:38:50,833 Just drag this over here. 627 00:38:50,833 --> 00:38:52,466 Really good job there. 628 00:38:52,466 --> 00:38:53,800 Okay. Let's go back on the move. 629 00:38:53,800 --> 00:38:56,966 Tool. Option, click on the eyeball again. 630 00:38:57,000 --> 00:39:00,400 Let's move that back in place to right there 631 00:39:03,166 --> 00:39:06,600 and let's go ahead and add a curve here. 632 00:39:07,300 --> 00:39:10,133 Again, I want to make this a little bit lighter toward the bottom 633 00:39:10,800 --> 00:39:14,366 and disconnect this here so I can see my whole floor 634 00:39:15,533 --> 00:39:17,800 and just make it a little bit lighter like so. 635 00:39:18,266 --> 00:39:20,400 And I want this to just apply to this layer. 636 00:39:20,866 --> 00:39:24,266 So I can do option and click between the layers. 637 00:39:24,300 --> 00:39:27,766 I just have a little handy shortcut here that will do the same thing. 638 00:39:29,733 --> 00:39:33,300 And with the mask, I'm going to go back on gradient. 639 00:39:33,733 --> 00:39:37,433 In this case, I want my foreground color to be black some and hit. 640 00:39:37,433 --> 00:39:41,300 It's also going to hit D just to make sure it's fully black 641 00:39:41,933 --> 00:39:44,766 and then go from here to about there 642 00:39:44,766 --> 00:39:45,966 like that. 643 00:39:48,266 --> 00:39:51,633 Let's go ahead and dock this again 644 00:39:53,400 --> 00:39:57,033 and if I turn this off, I have that little highlight 645 00:39:57,033 --> 00:39:59,466 there and let's go ahead and add something like that. 646 00:39:59,800 --> 00:40:03,833 And to add a little gradients here, going my gradient to 647 00:40:04,833 --> 00:40:08,166 go on, White has my foreground color zoom in real close here. 648 00:40:08,166 --> 00:40:09,800 Let's just see. 649 00:40:09,800 --> 00:40:14,166 So it's really short so just like that, I mean, move it up. 650 00:40:14,333 --> 00:40:15,466 Just a hair 651 00:40:15,466 --> 00:40:19,166 and I held shift when I did my gradient to make sure it's stayed straight. 652 00:40:20,233 --> 00:40:20,666 Okay. 653 00:40:20,666 --> 00:40:23,600 And then we can just adjust the opacity of that. 654 00:40:23,766 --> 00:40:27,100 So it's just a hint of it there. 655 00:40:27,100 --> 00:40:28,666 Like so 656 00:40:29,600 --> 00:40:31,766 next thing I want to do is take this layer 657 00:40:32,833 --> 00:40:34,966 and I actually want to make this 658 00:40:34,966 --> 00:40:37,966 a smart object in color with the mask. 659 00:40:37,966 --> 00:40:43,533 So I'm going to right mouse click on this layer and select convert to smart object. 660 00:40:43,800 --> 00:40:46,233 Now see, I have this cut out smart object. 661 00:40:46,800 --> 00:40:49,200 I can make a copy of that command J 662 00:40:50,000 --> 00:40:52,166 then do command T for Transform. 663 00:40:52,433 --> 00:40:56,100 I want to move my anchor point to right about there 664 00:40:56,966 --> 00:40:59,733 and then right mouse click and flip vertical 665 00:41:02,233 --> 00:41:02,633 all right. 666 00:41:02,633 --> 00:41:05,233 Now, if we look at our original, I'm going to option click. 667 00:41:05,533 --> 00:41:09,900 You can see we have a curvature in the bottom here. 668 00:41:11,066 --> 00:41:15,133 So I want to duplicate that in this layer. 669 00:41:15,133 --> 00:41:19,766 So what I'm going to do is go command T for transform 670 00:41:19,766 --> 00:41:22,266 and then I'm going to click on this right here. 671 00:41:22,933 --> 00:41:27,800 And what that's going to allow me to do is change the curvature here 672 00:41:31,633 --> 00:41:34,133 I just want this to line up 673 00:41:34,700 --> 00:41:37,133 and also look like it's reflecting properly, 674 00:41:37,566 --> 00:41:38,833 like so 675 00:41:40,166 --> 00:41:42,300 and then put this layer underneath. 676 00:41:43,033 --> 00:41:46,033 It's a little closer up here than it is there. 677 00:41:46,066 --> 00:41:48,600 So let's go ahead to command again. 678 00:41:48,600 --> 00:41:50,700 Go back on our transform and adjust that. 679 00:41:51,166 --> 00:41:54,733 Now, one thing to note, you can't go back and readjust 680 00:41:55,266 --> 00:41:59,233 a transform like this unless you have a smart object. 681 00:41:59,500 --> 00:42:02,266 If you're doing it on a layer, that's not a smart object. 682 00:42:02,466 --> 00:42:05,366 When you commit the transform, you can never go back and fix it. 683 00:42:05,666 --> 00:42:09,166 So that's another beauty of having smart objects All right. 684 00:42:09,200 --> 00:42:11,933 Next, I'm going to put this on a screen 685 00:42:13,833 --> 00:42:16,433 and let's compare again, option click. 686 00:42:17,066 --> 00:42:19,466 That's pretty good. 687 00:42:19,800 --> 00:42:21,933 Maybe not fully on screen. 688 00:42:21,933 --> 00:42:25,966 So maybe what I'll do in this case is add a layer on top. 689 00:42:26,400 --> 00:42:31,366 You can also make a copy of layer by dragging the layer waffling down option. 690 00:42:31,366 --> 00:42:35,933 So instead of doing a command, a you can drag that layer up, hold down, 691 00:42:36,433 --> 00:42:39,300 hold down option, drag that layer up and that'll make a copy. 692 00:42:39,700 --> 00:42:42,933 Let's put this one on 693 00:42:42,933 --> 00:42:45,800 let's try soft. 694 00:42:45,800 --> 00:42:47,600 Lt looks pretty nice. 695 00:42:47,600 --> 00:42:49,800 Maybe take the opacity down just a bit 696 00:42:54,200 --> 00:42:57,066 let's say 65. 697 00:42:57,500 --> 00:42:59,133 That works pretty nice. 698 00:42:59,133 --> 00:43:01,766 And now I want to add some text in the background. 699 00:43:01,766 --> 00:43:04,033 Here, so I'm going to go to 700 00:43:05,466 --> 00:43:08,066 right below my first reflection layer. 701 00:43:08,966 --> 00:43:11,166 I'm going to select that text tool, 702 00:43:11,166 --> 00:43:15,266 make my color foreground, color white, and let's pick 703 00:43:18,166 --> 00:43:21,166 oh, here, let's pick a font together. 704 00:43:21,666 --> 00:43:24,800 So I'm going to click on this add fonts from Typekit 705 00:43:25,900 --> 00:43:29,700 that is going to open the font finder 706 00:43:31,333 --> 00:43:33,966 in your web browser. 707 00:43:34,300 --> 00:43:36,866 And let's pick a script font 708 00:43:40,166 --> 00:43:45,200 and let's type in here water. 709 00:43:46,300 --> 00:43:50,066 Now we can just scroll down here and find a font that we want. 710 00:43:50,700 --> 00:43:54,066 Can also make the text size bigger 711 00:43:58,766 --> 00:43:59,633 yeah. 712 00:44:02,366 --> 00:44:05,133 I want something that has a little more roughness to it. 713 00:44:05,500 --> 00:44:08,166 Ooh, this one's nice, Alina. 714 00:44:08,166 --> 00:44:10,366 So let's click on View Family 715 00:44:12,866 --> 00:44:15,466 and I want to activate a lot of regulars. 716 00:44:15,500 --> 00:44:19,166 I'm going to go ahead and click on Activate Font, see a little notice 717 00:44:19,166 --> 00:44:20,600 pop up here. 718 00:44:20,600 --> 00:44:22,900 The font along a regular was activated. 719 00:44:23,333 --> 00:44:25,166 Can I go out of that? 720 00:44:25,166 --> 00:44:27,200 Go in here and type in Alana. 721 00:44:28,100 --> 00:44:29,866 And there you have it there. 722 00:44:29,866 --> 00:44:31,133 A lot of fans. 723 00:44:31,233 --> 00:44:33,633 I want to make sure this is on center. 724 00:44:33,866 --> 00:44:36,766 I'm just going to click here and type water. 725 00:44:38,133 --> 00:44:39,566 And let's go ahead 726 00:44:39,566 --> 00:44:44,066 and select all that by double clicking, open our character tab. 727 00:44:44,666 --> 00:44:46,766 I want the kerning to be zero 728 00:44:48,100 --> 00:44:49,300 on script fonts. 729 00:44:49,300 --> 00:44:51,333 You always want this to be on metrics. 730 00:44:51,866 --> 00:44:54,700 On non serif fonts, 731 00:44:54,700 --> 00:44:56,733 you can use optical. 732 00:44:56,733 --> 00:44:58,933 This should be on 100% 733 00:44:59,933 --> 00:45:04,500 and then we can adjust our font size by just dragging this to the right. 734 00:45:04,500 --> 00:45:06,566 I want this to be pretty large. 735 00:45:07,766 --> 00:45:08,266 Let's hit. 736 00:45:08,266 --> 00:45:09,400 Okay, 737 00:45:11,400 --> 00:45:13,633 that looks pretty nice. 738 00:45:14,433 --> 00:45:15,533 Maybe even larger. 739 00:45:15,533 --> 00:45:18,900 And notice it's, let's say 300. 740 00:45:18,900 --> 00:45:23,933 Now, if I do command T on my text layer and drag this and make it bigger, 741 00:45:24,066 --> 00:45:25,400 like that 742 00:45:28,266 --> 00:45:29,866 and you'll see 743 00:45:29,866 --> 00:45:32,500 that my font size is actually changed as well. 744 00:45:33,300 --> 00:45:35,500 That's a recent addition to Photoshop. 745 00:45:35,500 --> 00:45:38,466 I used to not do that, so it's really nice feature 746 00:45:41,533 --> 00:45:43,433 I want to make sure you can read it. 747 00:45:43,433 --> 00:45:47,433 So maybe what I'm going to do is make a command to make it a little bit 748 00:45:47,433 --> 00:45:50,733 smaller and just kind of cheat the space between 749 00:45:50,900 --> 00:45:53,466 the W or sorry, the A in the T. 750 00:45:53,900 --> 00:45:57,300 So I'm going to go back on my type to click between there 751 00:45:57,733 --> 00:46:00,600 and then maybe hit one space that's too much. 752 00:46:00,600 --> 00:46:04,366 So do you want to add space but not a full space where you can do 753 00:46:04,366 --> 00:46:08,400 is hold down option and use the right arrow key. 754 00:46:08,633 --> 00:46:10,266 You can see what it's doing right here. 755 00:46:10,266 --> 00:46:12,966 It's adding some space there 756 00:46:15,600 --> 00:46:19,033 and also you can see here, 757 00:46:19,033 --> 00:46:21,900 let's go to type panels, glyphs. 758 00:46:22,166 --> 00:46:25,700 Some fonts will have nice character replacements. 759 00:46:25,900 --> 00:46:29,166 So in this case, if I select that are 760 00:46:29,200 --> 00:46:32,200 you can see here we have a few other options for the R 761 00:46:33,033 --> 00:46:36,500 I could use something like that just to make this a little fancier 762 00:46:38,000 --> 00:46:39,933 or maybe this one. 763 00:46:39,933 --> 00:46:41,566 Ooh, I like that one. 764 00:46:41,566 --> 00:46:42,066 All right. 765 00:46:42,066 --> 00:46:46,433 Let's dock this hit. 766 00:46:46,433 --> 00:46:50,166 Okay, let's go back on our move to on just move that to the 767 00:46:51,166 --> 00:46:53,533 T is showing there here you go. 768 00:46:53,533 --> 00:46:55,133 I really like that. 769 00:46:55,133 --> 00:46:58,466 Now what I want to do is make this kind of melt 770 00:46:58,466 --> 00:47:00,300 into that background just a tiny bit. 771 00:47:00,300 --> 00:47:02,866 So what I'm going to do is I'm going to double click on the layer here. 772 00:47:04,166 --> 00:47:06,300 Let's make sure I can see this. 773 00:47:06,633 --> 00:47:07,733 All right, go. 774 00:47:07,733 --> 00:47:10,866 I want to make sure I can see that and I can see this. 775 00:47:11,533 --> 00:47:14,133 So I may just actually 776 00:47:16,600 --> 00:47:17,966 detach this, 777 00:47:17,966 --> 00:47:21,066 move it up here while I do this 778 00:47:22,933 --> 00:47:24,866 so we can see both of them a little easier. 779 00:47:24,866 --> 00:47:25,233 Okay. 780 00:47:25,233 --> 00:47:29,700 So then on the underlying layer, I want to move this to the right 781 00:47:29,700 --> 00:47:33,566 until I start to see some breaking up of my white. 782 00:47:33,600 --> 00:47:37,533 So right about there and then I can take this 783 00:47:37,533 --> 00:47:41,266 hold down option and drag that like that 784 00:47:43,466 --> 00:47:45,500 and that looks pretty cool and said, okay, 785 00:47:47,333 --> 00:47:49,233 and then maybe take down the opacity 786 00:47:49,233 --> 00:47:50,333 as well. 787 00:47:54,433 --> 00:47:55,333 As I'm taking down 788 00:47:55,333 --> 00:47:59,466 my opacity, we're losing that detail in there. 789 00:48:00,000 --> 00:48:03,966 So let's not do that 790 00:48:06,000 --> 00:48:09,900 and instead take our opacity down this way. 791 00:48:12,800 --> 00:48:14,233 This is annoying. 792 00:48:14,233 --> 00:48:17,666 I usually use a huge screen, so this is not a problem. 793 00:48:19,366 --> 00:48:21,033 Okay, here we go. 794 00:48:21,033 --> 00:48:24,700 What we can do is take our opacity down this way. 795 00:48:25,400 --> 00:48:27,366 Option click. 796 00:48:27,366 --> 00:48:28,233 Yeah, 797 00:48:29,533 --> 00:48:31,800 let's try this 798 00:48:34,900 --> 00:48:38,333 the problem I'm running into here is because the background is 799 00:48:38,333 --> 00:48:40,000 darker over here. 800 00:48:40,000 --> 00:48:42,200 We're not getting this nice texture there. 801 00:48:42,566 --> 00:48:45,266 So let's try this another way. 802 00:48:45,933 --> 00:48:51,233 I mean, that doesn't look bad, but I still would like to back this down more. 803 00:48:51,233 --> 00:48:51,866 So what I'm going to do 804 00:48:51,866 --> 00:48:56,066 is I'm going to take my black and white layer to command to make a copy, 805 00:48:56,366 --> 00:49:02,066 bring this to the top, and then I'm going to do image adjustments 806 00:49:02,066 --> 00:49:06,700 and let's do a curves on this and really bring our white point up 807 00:49:08,200 --> 00:49:10,466 quite a bit here. 808 00:49:10,466 --> 00:49:12,533 So to there 809 00:49:12,533 --> 00:49:15,233 and then I'm going to put this on multiply 810 00:49:16,266 --> 00:49:18,666 and then option click between the layers. 811 00:49:18,666 --> 00:49:20,733 So it's putting it on top of that 812 00:49:21,666 --> 00:49:26,100 and in this case, I actually might want to just get rid of this it. 813 00:49:26,100 --> 00:49:27,666 Okay, there you go. 814 00:49:27,666 --> 00:49:29,966 I really like that. Okay. 815 00:49:30,866 --> 00:49:34,200 Now if I take the opacity down, we're not going to have that problem 816 00:49:34,200 --> 00:49:36,133 of it disappearing. 817 00:49:39,666 --> 00:49:41,700 And that looks pretty cool. 818 00:49:43,133 --> 00:49:44,666 Yeah, I like that. 819 00:49:44,666 --> 00:49:46,466 All right, that's it. 820 00:49:46,466 --> 00:49:47,833 We're done. 821 00:49:47,966 --> 00:49:50,400 Let's go to File Save. 822 00:49:51,600 --> 00:49:53,966 We're going to call this water bottle count. 823 00:49:55,633 --> 00:49:56,900 Okay. 824 00:50:00,366 --> 00:50:01,500 And then we can do 825 00:50:01,500 --> 00:50:05,100 a file export save for web. 826 00:50:05,366 --> 00:50:08,500 Save us a nice jpeg. 827 00:50:08,833 --> 00:50:12,300 I'm going to keep it full resolution to commando. 828 00:50:12,666 --> 00:50:14,066 Use JPEG high 829 00:50:15,800 --> 00:50:17,466 at save 830 00:50:18,566 --> 00:50:20,766 go to our water bottle folder 831 00:50:20,766 --> 00:50:23,233 and save a JPEG. 832 00:50:23,500 --> 00:50:24,600 And there you go. 833 00:50:24,600 --> 00:50:26,833 That finishes that 834 00:50:30,833 --> 00:50:32,866 In this lesson, we're going to take a photo 835 00:50:32,866 --> 00:50:36,566 I took at Yosemite, and we're going to clean that up a bit. 836 00:50:36,600 --> 00:50:39,600 We're going to get rid of some foreground elements that I don't want, 837 00:50:40,066 --> 00:50:44,400 and we're going to add a flare and then color grade the whole image. 838 00:50:44,733 --> 00:50:46,500 So let's get started 839 00:50:51,366 --> 00:50:51,666 All right. 840 00:50:51,666 --> 00:50:54,600 Let's go to File Open. 841 00:50:54,600 --> 00:50:56,966 I'm going to go to the folder called 09 842 00:50:56,966 --> 00:51:00,333 Yosemite and select the camera. 843 00:51:00,333 --> 00:51:01,333 I'll file 844 00:51:02,333 --> 00:51:05,433 this this is a photo I took in Yosemite. 845 00:51:05,433 --> 00:51:10,700 It was right during the fires, so I had a lot of smoke in the air. 846 00:51:11,000 --> 00:51:12,933 But I do like this image. 847 00:51:12,933 --> 00:51:17,366 A few things I want to do is kind of highlight this flare here. 848 00:51:17,666 --> 00:51:19,800 Add a little more detail back in here. 849 00:51:19,800 --> 00:51:21,666 Get rid of this branch here. 850 00:51:22,933 --> 00:51:25,533 And also get a little more color into here. 851 00:51:25,766 --> 00:51:30,133 So first, let's make our corrections in camera 852 00:51:30,633 --> 00:51:33,700 and go ahead and turn on the enable profile. 853 00:51:34,566 --> 00:51:40,666 And we're going to select our lens here. 854 00:51:41,100 --> 00:51:42,933 There you have it's 855 00:51:44,066 --> 00:51:46,466 and let's go here 856 00:51:47,300 --> 00:51:49,933 and take down the highlights. 857 00:51:49,933 --> 00:51:52,266 This is a case where deejays actually 858 00:51:53,466 --> 00:51:56,666 work in our favor over here 859 00:51:59,166 --> 00:52:00,733 There you go. 860 00:52:01,866 --> 00:52:03,500 And I'm 861 00:52:03,500 --> 00:52:06,566 also going to go ahead and make a radio filter 862 00:52:07,433 --> 00:52:11,200 for this tree here. 863 00:52:11,733 --> 00:52:12,733 And let's 864 00:52:12,733 --> 00:52:16,133 go ahead and reset the local correction. 865 00:52:16,133 --> 00:52:19,166 Let's do a range mask on luminance 866 00:52:20,366 --> 00:52:23,133 and I want to visualize the luminance map 867 00:52:24,633 --> 00:52:27,566 and make it just cover the tree there. 868 00:52:27,566 --> 00:52:31,733 So it's pretty nice right there. 869 00:52:37,266 --> 00:52:38,100 Good. 870 00:52:38,233 --> 00:52:40,866 All right. Let's turn that off. 871 00:52:40,866 --> 00:52:42,833 Let's go to exposure and bring that up 872 00:52:44,600 --> 00:52:46,433 and maybe a little contrast, too, 873 00:52:46,433 --> 00:52:49,866 because we do have this sun that's going to be peeking through it there. 874 00:52:50,500 --> 00:52:52,533 That looks pretty nice. 875 00:52:53,066 --> 00:52:57,100 So let's hit escape and let's go back on the tour. 876 00:52:57,100 --> 00:52:58,266 I'm going to create a new one. 877 00:52:58,266 --> 00:53:00,633 I want to reset that local correction. 878 00:53:00,633 --> 00:53:02,966 It's going to do it in this area. 879 00:53:02,966 --> 00:53:06,300 See if maybe we can get a little more in there 880 00:53:06,300 --> 00:53:08,633 with the haze 881 00:53:10,500 --> 00:53:12,166 I want to overdo it 882 00:53:12,166 --> 00:53:15,533 because I kind of do like that hazy look, maybe 883 00:53:15,533 --> 00:53:17,866 just plus nine 884 00:53:20,066 --> 00:53:21,766 looks pretty nice. 885 00:53:21,766 --> 00:53:25,633 And what I may also want to do is just push a little more blue into there 886 00:53:26,300 --> 00:53:29,600 so it doesn't look so much like 887 00:53:29,600 --> 00:53:31,800 it was a smoke. 888 00:53:33,400 --> 00:53:36,133 But that, I think is pretty nice. 889 00:53:36,133 --> 00:53:39,733 Now let's open object and do some Photoshop work with it. 890 00:53:41,366 --> 00:53:44,266 So first thing I want to do is get rid of this branch. 891 00:53:44,400 --> 00:53:47,500 Let's go ahead and make a copy of this layer and a rest. 892 00:53:47,500 --> 00:53:48,633 Or is it 893 00:53:49,700 --> 00:53:52,800 and I'm going to select the patch tool 894 00:53:55,000 --> 00:53:57,266 Let's zoom in a little here. 895 00:53:57,266 --> 00:54:01,833 Spacebar Command, select this branch option 896 00:54:02,200 --> 00:54:05,733 to do a little polygon or 897 00:54:08,700 --> 00:54:10,466 and let's move it. 898 00:54:10,466 --> 00:54:14,566 And I'm looking at the top here just using the bottom of that branch 899 00:54:15,933 --> 00:54:19,333 to make that part look convincing problems. 900 00:54:20,700 --> 00:54:21,766 We got that in there. 901 00:54:21,766 --> 00:54:22,133 All right. 902 00:54:22,133 --> 00:54:25,866 So we got to move it at least to here. 903 00:54:27,033 --> 00:54:30,833 And I guess I'll match the rock and then fixed 904 00:54:30,833 --> 00:54:35,166 the branch has its own little elements here. 905 00:54:37,166 --> 00:54:40,166 Like they're good 906 00:54:42,300 --> 00:54:43,866 all right. 907 00:54:44,033 --> 00:54:45,666 That looks pretty good. 908 00:54:45,666 --> 00:54:47,400 If you hadn't seen it before, you wouldn't know. 909 00:54:47,400 --> 00:54:48,300 Is there? 910 00:54:48,300 --> 00:54:52,166 Although there is a little bump there, we could probably get rid of select 911 00:54:52,166 --> 00:54:55,466 that just this to there. 912 00:54:55,966 --> 00:54:56,800 That looks good. 913 00:54:58,766 --> 00:55:00,366 All right. 914 00:55:00,366 --> 00:55:01,766 Next, 915 00:55:02,533 --> 00:55:05,066 we're going to add a flare in here. 916 00:55:05,066 --> 00:55:08,333 So I'm going to go to file place embedded 917 00:55:09,433 --> 00:55:10,666 and pick a flare. 918 00:55:10,666 --> 00:55:14,500 19 here from the same folder. 919 00:55:14,533 --> 00:55:18,100 And as you probably guessed, 920 00:55:18,100 --> 00:55:20,366 we're going to change this to screen. 921 00:55:21,366 --> 00:55:23,433 Now we have a floating flare. 922 00:55:23,533 --> 00:55:26,000 Let's put that right there. 923 00:55:26,000 --> 00:55:28,733 I do command to want to make sure 924 00:55:28,733 --> 00:55:31,800 that anchor point is right there. 925 00:55:32,666 --> 00:55:35,033 So if you option click, 926 00:55:35,033 --> 00:55:38,666 it'll also place your anchor point a little easier than trying 927 00:55:38,666 --> 00:55:42,000 to figure out where it is and dragging it just option click. 928 00:55:43,066 --> 00:55:45,433 All right, then, while still holding option, I'm 929 00:55:45,433 --> 00:55:48,266 going to drag this out 930 00:55:49,300 --> 00:55:52,366 to about there. 931 00:55:52,366 --> 00:55:54,533 So about 138 932 00:55:55,566 --> 00:55:58,000 now you'll see these lines I don't like those. 933 00:55:58,166 --> 00:56:01,866 So what we're going to do is filter blur. 934 00:56:02,166 --> 00:56:05,533 Got simpler and this will blur it. 935 00:56:05,600 --> 00:56:07,966 Now we don't want to overdo the Blur. 936 00:56:07,966 --> 00:56:09,766 That's way too much. 937 00:56:09,766 --> 00:56:12,400 We just want to do it until we can't see these lines anymore. 938 00:56:15,000 --> 00:56:16,666 So about seven. 939 00:56:16,666 --> 00:56:17,800 There you go. 940 00:56:18,966 --> 00:56:20,300 That looks quite nice. 941 00:56:20,300 --> 00:56:22,066 Next we're going to do file placement. 942 00:56:22,066 --> 00:56:23,433 But it again 943 00:56:24,000 --> 00:56:27,366 and I'm going to select the next one. 37 944 00:56:30,000 --> 00:56:31,733 and we're going to do the same thing. 945 00:56:31,733 --> 00:56:34,300 Change it to screen 946 00:56:34,366 --> 00:56:39,166 move it up to there the command to this one. 947 00:56:39,166 --> 00:56:41,400 The anchor points already in the center of the flare 948 00:56:42,366 --> 00:56:44,766 I move this one out 949 00:56:44,766 --> 00:56:47,666 to about there 950 00:56:49,433 --> 00:56:51,500 Now that's probably a little overkill. 951 00:56:51,900 --> 00:56:55,200 It's the command to let's make that a little smaller 952 00:56:58,500 --> 00:56:59,166 there. 953 00:56:59,166 --> 00:57:03,233 And I kind of like the sharpness of this, although I don't like these right 954 00:57:03,233 --> 00:57:04,733 here. So. 955 00:57:05,133 --> 00:57:09,700 Another advantage with being a smart object is we can go filter. 956 00:57:10,000 --> 00:57:11,700 Gottemoeller 957 00:57:12,533 --> 00:57:14,733 if you do this, by the way, filter this 958 00:57:14,733 --> 00:57:19,033 it will apply the effect but with the last settings you use. 959 00:57:19,033 --> 00:57:20,800 So that's a nice little feature. 960 00:57:20,800 --> 00:57:23,533 Now, I can increase that until I don't see those anymore 961 00:57:24,000 --> 00:57:27,833 and you'll see that it's created a smart filters mask. 962 00:57:27,833 --> 00:57:29,466 So if I fill this with black, 963 00:57:30,500 --> 00:57:33,366 which I can do by going edits, fill 964 00:57:33,866 --> 00:57:36,600 background color shortcut for that by the way 965 00:57:36,600 --> 00:57:40,133 is command delete. 966 00:57:40,133 --> 00:57:42,266 So you can see now nothing is blurred. 967 00:57:42,366 --> 00:57:45,466 And if I just go on my brush tool, which is be 968 00:57:46,566 --> 00:57:48,566 make sure I'm white as my foreground 969 00:57:48,566 --> 00:57:51,400 color, I do control option. 970 00:57:51,800 --> 00:57:53,666 Let's make my version bigger. 971 00:57:53,666 --> 00:57:57,400 Make sure the hardness is on zero increase that opacity. 972 00:57:57,400 --> 00:58:02,200 And I'm just going to paint out that line there and maybe this line there. 973 00:58:02,200 --> 00:58:04,366 So that's blurred. Everything else is not. 974 00:58:04,966 --> 00:58:07,533 It's another great advantage to smart objects. 975 00:58:09,266 --> 00:58:11,766 Like Smart Objects is probably the biggest leap 976 00:58:12,133 --> 00:58:14,200 Photoshop has made in the last ten years. 977 00:58:19,300 --> 00:58:20,866 There you go. 978 00:58:21,666 --> 00:58:23,333 All right. So that looks pretty nice. 979 00:58:23,333 --> 00:58:26,700 Now I want to add a vignette So 980 00:58:26,866 --> 00:58:30,433 you know how to add a vignette in camera. 981 00:58:30,500 --> 00:58:35,133 I'm going to show you a couple tricks on how to add a vignette in Photoshop. 982 00:58:35,666 --> 00:58:39,133 So quick and dirty way is simply make 983 00:58:39,133 --> 00:58:42,133 a circle from the center of your image going out. 984 00:58:42,166 --> 00:58:44,500 I'm holding down options. So it's going from the center 985 00:58:46,700 --> 00:58:48,366 and I can drag that. 986 00:58:48,366 --> 00:58:50,933 So it's nice and centered there like that. 987 00:58:52,766 --> 00:58:56,400 And then go to select inverse 988 00:58:57,366 --> 00:58:59,900 and then add a curves layer 989 00:59:02,966 --> 00:59:05,800 and then just bring down the curve. 990 00:59:05,800 --> 00:59:07,966 Oh, now it looks like a frame, 991 00:59:08,566 --> 00:59:12,700 but easy enough with our mass selected we can go to Filter, 992 00:59:12,833 --> 00:59:16,633 Blur, Gas, and blur and just blur that. 993 00:59:16,966 --> 00:59:19,133 It's kind of like setting our feather there 994 00:59:21,266 --> 00:59:22,133 One thing I do like 995 00:59:22,133 --> 00:59:25,233 about doing it with a curve is 996 00:59:25,500 --> 00:59:28,366 I can make the darks a little even darker, 997 00:59:28,566 --> 00:59:31,500 and I can also go into the blue here 998 00:59:31,966 --> 00:59:34,900 and just add a little blue 999 00:59:34,900 --> 00:59:37,833 into those areas there 1000 00:59:38,166 --> 00:59:40,900 and also into the reds 1001 00:59:40,900 --> 00:59:43,000 just add a little more cyan to. 1002 00:59:44,700 --> 00:59:47,966 So that looks pretty nice. 1003 00:59:47,966 --> 00:59:48,400 All right. 1004 00:59:48,400 --> 00:59:52,733 And then I want to add a color grade over the whole thing. 1005 00:59:53,166 --> 00:59:55,833 Now, I've already shown you how actually, 1006 00:59:55,833 --> 00:59:58,833 before I do that, I want to get rid of this greenish color here 1007 00:59:59,266 --> 01:00:02,800 and to show you how to do that with selective color. 1008 01:00:03,833 --> 01:00:05,466 We haven't discussed yet. 1009 01:00:05,466 --> 01:00:10,166 So selective color allows you to adjust the C mark values 1010 01:00:11,366 --> 01:00:13,133 in a color range. 1011 01:00:13,133 --> 01:00:15,300 So this is kind of an awkward blue. 1012 01:00:15,566 --> 01:00:17,966 Let's go to our science. 1013 01:00:17,966 --> 01:00:19,400 Drag down the cyan. 1014 01:00:19,400 --> 01:00:21,966 You can see how that's changing there. 1015 01:00:21,966 --> 01:00:25,600 And maybe increase the magenta. 1016 01:00:26,966 --> 01:00:29,000 Take down the yellow some. 1017 01:00:29,000 --> 01:00:32,333 Now for areas like this where the color is quite subtle, 1018 01:00:32,333 --> 01:00:35,800 you can also go into the whites 1019 01:00:36,333 --> 01:00:39,166 target those areas 1020 01:00:40,833 --> 01:00:42,933 That looks pretty nice there. 1021 01:00:42,933 --> 01:00:48,100 And again, because this has a mask, I can fill the mask with Black Command delete. 1022 01:00:48,133 --> 01:00:52,033 So with my background color and then be for brush 1023 01:00:52,433 --> 01:00:55,433 and then just paint in the areas that I want to target 1024 01:00:57,966 --> 01:01:01,600 and now that it's masked, I can also be a little more aggressive here. 1025 01:01:01,600 --> 01:01:04,900 I can go to the neutrals and pull out some of that yellow 1026 01:01:04,900 --> 01:01:08,033 as well and get a little more of a blue color there. 1027 01:01:09,000 --> 01:01:11,600 And you can see we've got a little purple happening there. 1028 01:01:11,633 --> 01:01:16,800 So what I could do here is maybe go to my quick selection to sample all layers, 1029 01:01:17,200 --> 01:01:21,733 just select that, select my mask, and then fill my selection with black. 1030 01:01:22,633 --> 01:01:25,233 Again, that's command delete. 1031 01:01:25,766 --> 01:01:26,533 And there you go. 1032 01:01:26,533 --> 01:01:29,166 We got rid of the top of that. 1033 01:01:29,333 --> 01:01:30,233 Okay. 1034 01:01:30,233 --> 01:01:34,266 So now to apply a color grade to the whole thing, 1035 01:01:35,966 --> 01:01:37,666 I did show you how to add a color grade 1036 01:01:37,666 --> 01:01:41,466 with a curve, and we quickly do it that way. 1037 01:01:41,466 --> 01:01:44,900 But that would be just going to the blue here. 1038 01:01:44,900 --> 01:01:49,566 This kind of my favorite quick grade just doing this. 1039 01:01:50,233 --> 01:01:52,633 I could even do, like, a little less curve there. 1040 01:01:52,633 --> 01:01:56,566 That gives you that nice, shadowy blue and warm. 1041 01:01:57,433 --> 01:01:59,933 Maybe pump up the red just a tiny bit there. 1042 01:02:00,466 --> 01:02:02,533 But I want to show you a different way to do it. 1043 01:02:02,900 --> 01:02:05,533 So let's go ahead and throw that away. 1044 01:02:05,533 --> 01:02:07,833 I'm going to go to gradient map. 1045 01:02:08,566 --> 01:02:11,666 So what gradient map does is it applies a gradient 1046 01:02:12,300 --> 01:02:14,700 across the luminance of your image. 1047 01:02:15,433 --> 01:02:18,266 So in this case, if I click on the gradients here 1048 01:02:18,866 --> 01:02:21,900 and see if I select black and white, it's going to do a black and white. 1049 01:02:22,200 --> 01:02:25,066 But if I select something like this right where it's 1050 01:02:25,066 --> 01:02:28,633 going from a purple to an orange, this is too saturated. 1051 01:02:28,766 --> 01:02:30,633 Let's go ahead and hit. Okay. 1052 01:02:30,633 --> 01:02:34,700 And then change the blending mode to soft light. 1053 01:02:35,833 --> 01:02:36,166 You can 1054 01:02:36,166 --> 01:02:39,266 see it's applying that as a color grade. 1055 01:02:40,166 --> 01:02:43,066 Now, that's too strong, but let's go ahead and adjust this. 1056 01:02:43,066 --> 01:02:47,166 So if I click here on the gradient, I've got my color selector here. 1057 01:02:47,200 --> 01:02:50,166 I want to bring this to a bluer color and then make it 1058 01:02:50,166 --> 01:02:52,166 a lighter blue 1059 01:02:53,700 --> 01:02:56,000 Generally, you want to be in this band here. 1060 01:02:56,000 --> 01:02:57,400 So this middle band where it's 1061 01:02:57,400 --> 01:03:01,233 not going to affect the luminance, but it will affect the color 1062 01:03:01,233 --> 01:03:04,766 and more saturated here less saturated here. 1063 01:03:05,300 --> 01:03:07,300 If you go too much this way, you're brightening it. 1064 01:03:07,300 --> 01:03:09,333 If you got too much this way, you're darkening darken again. 1065 01:03:09,366 --> 01:03:12,733 So just this kind of band right here is where you want to be 1066 01:03:13,833 --> 01:03:16,300 let's go to about there 1067 01:03:16,300 --> 01:03:18,500 and let's do the same with that orange. 1068 01:03:18,900 --> 01:03:21,766 Maybe push a little bit toward a golden color 1069 01:03:24,033 --> 01:03:26,966 and this one maybe even a little brighter 1070 01:03:27,800 --> 01:03:30,200 or more saturated. 1071 01:03:30,800 --> 01:03:31,166 Okay. 1072 01:03:31,166 --> 01:03:35,700 So there you can see with one layer, we're kind of giving the whole image 1073 01:03:35,700 --> 01:03:36,666 more of a grade. 1074 01:03:36,666 --> 01:03:37,500 There 1075 01:03:40,066 --> 01:03:40,466 if you want 1076 01:03:40,466 --> 01:03:42,866 that to be stronger, you can also put it on overlay. 1077 01:03:43,700 --> 01:03:46,533 But I think soft light looks the most natural. 1078 01:03:46,533 --> 01:03:51,200 So I kind of want to leave that as is And then finally, one more little trick 1079 01:03:51,866 --> 01:03:54,833 that is a loop back to camera. 1080 01:03:55,200 --> 01:03:58,233 And that's if you make a layer at the top and you hold down 1081 01:03:58,233 --> 01:04:00,800 shift option command E, 1082 01:04:01,400 --> 01:04:05,366 that is going to copy all your layers into a single layer. 1083 01:04:05,666 --> 01:04:10,266 I can then go to filter camera and in here, 1084 01:04:10,600 --> 01:04:12,933 just maybe punch up the warmth, 1085 01:04:14,200 --> 01:04:16,800 increase my contrast 1086 01:04:16,800 --> 01:04:21,466 a bit and add a little bit of clarity, a little bit of texture. 1087 01:04:22,666 --> 01:04:26,033 And that's going to give the whole image a bit of a punch. 1088 01:04:26,066 --> 01:04:29,500 If you don't want to do that temperature, you can leave that at zero, 1089 01:04:29,500 --> 01:04:35,666 but then go into the split, turning out a little more yellow there 1090 01:04:36,100 --> 01:04:38,200 and a little more blue here. 1091 01:04:40,933 --> 01:04:41,300 Ahead. 1092 01:04:41,300 --> 01:04:42,733 Okay. 1093 01:04:43,366 --> 01:04:44,800 You can see them before and after. 1094 01:04:44,800 --> 01:04:47,100 There is just punching up the whole image. 1095 01:04:47,100 --> 01:04:49,166 So I'm happy with that. 1096 01:04:49,166 --> 01:04:52,633 If we hold down option, you can see the before and after 1097 01:04:53,900 --> 01:04:54,900 kind of gives the whole thing 1098 01:04:54,900 --> 01:04:58,800 a little more of a painterly look is probably overdone to be. 1099 01:04:58,800 --> 01:05:02,866 To be fair, but if that's the look you're going for, 1100 01:05:03,933 --> 01:05:05,300 well, there you have it. 1101 01:05:05,300 --> 01:05:08,433 Otherwise, hopefully you've learned some good techniques. 1102 01:05:08,433 --> 01:05:11,666 Let's go ahead and hit Save. 1103 01:05:11,666 --> 01:05:13,500 And we're going to call this here. 1104 01:05:13,500 --> 01:05:14,366 Some of the comp 1105 01:05:19,200 --> 01:05:21,433 and then we're going to go to export 1106 01:05:21,600 --> 01:05:23,366 save for Web 1107 01:05:26,066 --> 01:05:28,800 two, command zero 1108 01:05:30,900 --> 01:05:33,100 and that looks pretty nice. 1109 01:05:36,666 --> 01:05:40,166 Let's go ahead and head save 1110 01:05:41,066 --> 01:05:43,700 save that JPEG 1111 01:05:44,300 --> 01:05:47,066 and we can close our file 1112 01:05:50,966 --> 01:05:51,300 all right. 1113 01:05:51,300 --> 01:05:56,100 In this next project, we're going to take this photo of the San Francisco coast 1114 01:05:56,433 --> 01:06:00,500 and we're going to replace the sky, get rid of the people in the photo 1115 01:06:00,866 --> 01:06:04,733 and also just adjust everything so that we go 1116 01:06:04,733 --> 01:06:07,966 from this to this All right. 1117 01:06:07,966 --> 01:06:09,766 Let's get started. 1118 01:06:14,200 --> 01:06:14,633 All right. 1119 01:06:14,633 --> 01:06:17,833 Let's head open and we're going to open the file called 1120 01:06:17,833 --> 01:06:20,166 Trail to the Beach 1121 01:06:21,166 --> 01:06:21,700 Okay. 1122 01:06:21,700 --> 01:06:24,600 First, let's make some corrections in here. 1123 01:06:24,866 --> 01:06:30,000 First thing we need to do is fix the fact that everything is in our highlights. 1124 01:06:30,966 --> 01:06:33,200 And our shadow area. 1125 01:06:34,266 --> 01:06:35,566 One other trick here is 1126 01:06:35,566 --> 01:06:38,500 you can click and drag here 1127 01:06:40,166 --> 01:06:41,900 think I mentioned that earlier, 1128 01:06:41,900 --> 01:06:44,000 and we can click and drag here to 1129 01:06:46,100 --> 01:06:48,133 that's if you want to get more familiar 1130 01:06:48,133 --> 01:06:53,733 with the histogram, just practice making some changes in there. 1131 01:06:54,233 --> 01:06:54,633 All right. 1132 01:06:54,633 --> 01:06:57,266 Let's add some control just 1133 01:06:57,266 --> 01:07:00,600 let's add some clarity 1134 01:07:00,866 --> 01:07:03,533 just a tiny bit and let's add some vibrance. 1135 01:07:04,466 --> 01:07:07,700 What I want to do here is I want to get rid of the people on the beach. 1136 01:07:07,700 --> 01:07:09,333 I want to get rid of him. 1137 01:07:09,333 --> 01:07:11,600 I want to get rid of this here. 1138 01:07:11,600 --> 01:07:14,900 So we have a cleaner looking image, but we're going to do that in Photoshop. 1139 01:07:16,200 --> 01:07:18,200 And I'm also going to replace the sky. 1140 01:07:18,200 --> 01:07:20,500 So I don't want to worry too much about that. 1141 01:07:22,166 --> 01:07:25,666 Let's go ahead and hit open 1142 01:07:26,966 --> 01:07:27,933 and first thing's 1143 01:07:27,933 --> 01:07:30,033 first, let's make a copy of earlier commands. 1144 01:07:31,766 --> 01:07:34,500 We're going to restorations this 1145 01:07:34,733 --> 01:07:36,166 and let's go ahead 1146 01:07:36,166 --> 01:07:39,100 and get rid of the objects first. 1147 01:07:39,200 --> 01:07:41,833 When I zoom in here 1148 01:07:41,933 --> 01:07:44,433 and let's use our patch tool, 1149 01:07:44,433 --> 01:07:47,933 make a selection This 1150 01:07:50,933 --> 01:07:53,433 and let's zoom in here. 1151 01:07:54,566 --> 01:07:58,000 Make a selection around him. 1152 01:08:02,700 --> 01:08:06,200 And maybe use this as kind of 1153 01:08:09,000 --> 01:08:11,166 something in between there and then go 1154 01:08:14,666 --> 01:08:18,066 and let's get rid of these people here. 1155 01:08:32,200 --> 01:08:34,766 I don't like this repeat going on here. 1156 01:08:35,266 --> 01:08:37,633 I might do here as just go on my 1157 01:08:38,800 --> 01:08:41,500 spot healing, make my brush a bit smaller 1158 01:08:42,233 --> 01:08:44,866 and just there you go. 1159 01:08:44,866 --> 01:08:49,400 And with how small these are, I mean, I'm zoomed in quite a lot. 1160 01:08:49,433 --> 01:08:51,566 We might be able to just use our spot 1161 01:08:53,500 --> 01:08:54,333 yeah. 1162 01:08:54,466 --> 01:08:57,166 That works just fine. 1163 01:09:16,933 --> 01:09:17,500 All right. 1164 01:09:17,500 --> 01:09:19,433 That looks pretty nice. 1165 01:09:21,100 --> 01:09:21,400 All right. 1166 01:09:21,400 --> 01:09:26,000 Next, I want to replace this guy. 1167 01:09:26,033 --> 01:09:28,366 So first thing we need to do is selected 1168 01:09:30,233 --> 01:09:33,066 let's go to our quick selection tool 1169 01:09:33,066 --> 01:09:36,433 and select right around the edge there. 1170 01:09:38,133 --> 01:09:40,900 It's done a pretty good job 1171 01:09:41,066 --> 01:09:42,766 this is a straight line, so 1172 01:09:42,766 --> 01:09:45,766 that's going to be pretty easy to fix with another selection tool. 1173 01:09:46,066 --> 01:09:47,733 Not going to worry about that quite yet. 1174 01:09:47,733 --> 01:09:51,233 Let's go to select a mask first. 1175 01:09:52,100 --> 01:09:56,466 And maybe just add this to our selection 1176 01:09:56,600 --> 01:09:59,433 or get rid of this in our selection. 1177 01:09:59,900 --> 01:10:02,233 See how it does there. 1178 01:10:02,233 --> 01:10:04,366 Yeah, it's not being awfully smart. 1179 01:10:05,233 --> 01:10:07,266 Let's turn our smart radius on. 1180 01:10:08,733 --> 01:10:11,866 Yeah, that's not improving at all. 1181 01:10:12,166 --> 01:10:17,366 All right, let's cancel out of that and do it by hand. 1182 01:10:17,533 --> 01:10:22,200 Or just with a smaller version of our selection tool. 1183 01:10:22,200 --> 01:10:23,300 Their option 1184 01:10:26,533 --> 01:10:28,866 so a little bit better. 1185 01:10:29,533 --> 01:10:30,433 Okay. 1186 01:10:30,433 --> 01:10:35,066 Now let's go select and mask Turner in our smart radius. 1187 01:10:35,066 --> 01:10:38,700 Or increase that to, let's say, three hit. 1188 01:10:38,800 --> 01:10:40,066 Okay. 1189 01:10:43,666 --> 01:10:45,833 And I don't have my skin yet. 1190 01:10:45,833 --> 01:10:48,800 So what do I do with this selection? 1191 01:10:48,800 --> 01:10:53,166 Well, one thing I can do is I can go to channels, add a layer, 1192 01:10:53,900 --> 01:10:57,633 and then fill this with my foreground car, and to fill with foreground color, 1193 01:10:58,100 --> 01:11:00,933 it's pretty much the same as filling with your background. 1194 01:11:00,933 --> 01:11:02,166 Color, which is command delete, 1195 01:11:02,166 --> 01:11:04,300 except for in this case, you're going to do option delete. 1196 01:11:05,233 --> 01:11:05,900 And there you go. 1197 01:11:05,900 --> 01:11:07,966 I now have this as a selection. 1198 01:11:07,966 --> 01:11:10,733 I can always go back into my channels and select it again. 1199 01:11:11,633 --> 01:11:14,066 That's a handy way to save a selection. 1200 01:11:14,800 --> 01:11:15,066 All right. 1201 01:11:15,066 --> 01:11:17,733 Next, let's go to File Place Embedded, 1202 01:11:18,800 --> 01:11:22,233 and I'm going to use this cloud skies. 03 1203 01:11:24,833 --> 01:11:29,833 and let's see here. 1204 01:11:31,433 --> 01:11:33,466 Let's hold down option. 1205 01:11:33,466 --> 01:11:35,700 Just drag this out. So 1206 01:11:37,700 --> 01:11:40,166 and drag this up 1207 01:11:40,333 --> 01:11:43,433 so that our horizon lines are pretty similar. 1208 01:11:43,466 --> 01:11:45,566 Obviously, I can have these trees in there 1209 01:11:45,566 --> 01:11:48,533 so it's going to have to be down to about there. 1210 01:11:49,333 --> 01:11:49,733 All right. 1211 01:11:49,733 --> 01:11:53,033 Now, we can go back to our channels, hold down command, select 1212 01:11:53,800 --> 01:11:56,400 the thumbnail, which will make a selection 1213 01:11:57,266 --> 01:12:00,933 and then hit the mask 1214 01:12:01,233 --> 01:12:04,100 and I want to add a guide here 1215 01:12:04,100 --> 01:12:06,166 so that I can adjust this 1216 01:12:07,233 --> 01:12:10,566 while knowing where the ocean line is. 1217 01:12:10,566 --> 01:12:14,233 So what I'm going to do is I'm going to do command are to show my ruler 1218 01:12:14,700 --> 01:12:17,666 and then to make a guide, I'm just going to click on the ruler and drag down 1219 01:12:21,866 --> 01:12:24,866 now and I turn on this layer 1220 01:12:25,166 --> 01:12:29,133 I can unlink the mask so that I'm adjusting only the layer 1221 01:12:29,133 --> 01:12:33,333 and not the mask, the command to hold down shift. 1222 01:12:33,533 --> 01:12:34,400 Oops, 1223 01:12:35,933 --> 01:12:37,100 oh, okay. 1224 01:12:37,100 --> 01:12:39,866 So because this is already 1225 01:12:39,866 --> 01:12:42,266 no longer scaled 1226 01:12:42,266 --> 01:12:45,166 proportionately, I don't have to continue holding shift. 1227 01:12:45,433 --> 01:12:47,433 I can just drag this like so 1228 01:12:51,833 --> 01:12:54,400 they probably there and I can just get rid of that. 1229 01:12:55,333 --> 01:12:57,933 Okay, so I want to get rid of this. 1230 01:12:57,933 --> 01:13:00,700 And because this is a smart object, I can double click it, 1231 01:13:01,066 --> 01:13:02,866 go down here 1232 01:13:03,866 --> 01:13:06,966 go on my patch tool, 1233 01:13:06,966 --> 01:13:10,633 select that, just drag it up here 1234 01:13:11,633 --> 01:13:14,066 to clean part of the sky like so 1235 01:13:16,000 --> 01:13:18,800 and there you go. Save 1236 01:13:20,900 --> 01:13:21,833 and there you go. 1237 01:13:21,833 --> 01:13:23,866 It's updated in there 1238 01:13:25,366 --> 01:13:26,166 okay. 1239 01:13:26,166 --> 01:13:30,233 And then in this here, I can go 1240 01:13:32,033 --> 01:13:32,700 and make 1241 01:13:32,700 --> 01:13:36,366 a straight up selection like this, right to that guide 1242 01:13:36,500 --> 01:13:39,600 because I know where that's I know that that's the horizon line. 1243 01:13:40,466 --> 01:13:43,266 Make sure I have my mouse selected and then fill my selection 1244 01:13:43,266 --> 01:13:46,500 with Black Command delete 1245 01:13:46,833 --> 01:13:47,566 There you go. 1246 01:13:47,566 --> 01:13:51,866 That's to turn on and off the guides its command semicolon. 1247 01:13:51,866 --> 01:13:53,866 So I want to turn those off. 1248 01:13:53,866 --> 01:13:55,133 I can also turn off the ruler. 1249 01:13:55,133 --> 01:13:57,566 Just command R again 1250 01:13:58,900 --> 01:13:59,333 okay. 1251 01:13:59,333 --> 01:14:01,766 So I like that sky. Obviously, 1252 01:14:03,000 --> 01:14:06,033 it makes no sense that this is brighter. 1253 01:14:06,033 --> 01:14:08,466 So first let's try putting it on screen. 1254 01:14:08,466 --> 01:14:10,500 That does not work at all. 1255 01:14:10,500 --> 01:14:13,733 So what we may do here is keep it on normal. 1256 01:14:15,500 --> 01:14:17,966 But what I want to do is I want to add a mask, 1257 01:14:18,333 --> 01:14:23,533 a gradient mass that makes the bottom here close to the horizon, a lighter color. 1258 01:14:23,533 --> 01:14:28,533 So how do we do that without messing up this nicely selected mask here? 1259 01:14:28,533 --> 01:14:30,300 Well, here's a nice trick. 1260 01:14:30,300 --> 01:14:33,600 Add a group and then put this into the group 1261 01:14:33,966 --> 01:14:36,500 and then put a mask on the group. 1262 01:14:37,433 --> 01:14:42,333 Now I can go to my gradient tool G, hit X, 1263 01:14:42,333 --> 01:14:46,000 so my foreground colors black start from there and just go up. 1264 01:14:47,200 --> 01:14:47,933 There you go. 1265 01:14:47,933 --> 01:14:52,300 So I now have those clouds, but I also have my original horizon, 1266 01:14:52,300 --> 01:14:55,500 which kind of matches what's happening here down in the water. 1267 01:14:57,166 --> 01:15:00,566 And that looks far more realistic, kind of like that. 1268 01:15:01,166 --> 01:15:04,600 Maybe what I want to do now is just add a vignette on the whole thing. 1269 01:15:05,466 --> 01:15:07,500 So let's go ahead. And 1270 01:15:08,933 --> 01:15:11,666 another way I can do a vignette if I want one 1271 01:15:11,666 --> 01:15:15,900 that's more square, let's make a selection across my whole image. 1272 01:15:16,333 --> 01:15:20,433 Go to select Modify further, 1273 01:15:21,400 --> 01:15:24,033 and this image is pretty large, 1274 01:15:24,033 --> 01:15:27,233 so I'm going to do 200 1275 01:15:28,033 --> 01:15:29,700 and what happened there? 1276 01:15:29,700 --> 01:15:32,900 Hang on, select Modify Feather 1277 01:15:35,666 --> 01:15:38,000 Apply Effect the canvas bounce go. 1278 01:15:39,500 --> 01:15:40,300 All right. 1279 01:15:40,300 --> 01:15:43,666 Make sure that layers not in the grouping, just drag it out 1280 01:15:45,533 --> 01:15:45,900 all right. 1281 01:15:45,900 --> 01:15:49,466 So even that is really not not feathered enough. 1282 01:15:49,466 --> 01:15:53,400 So let's do that modify feather. 1283 01:15:53,666 --> 01:15:55,933 Let's bring it up to 500. 1284 01:15:55,933 --> 01:15:57,566 This is going to add on the last time. 1285 01:15:57,566 --> 01:16:01,466 So this is not a changeable something that I can go back 1286 01:16:01,466 --> 01:16:04,466 and change from 200 back to 50. 1287 01:16:06,366 --> 01:16:09,533 Now let's go to select inverse 1288 01:16:10,066 --> 01:16:13,733 and then add a curve 1289 01:16:13,800 --> 01:16:15,033 and you can see there 1290 01:16:15,033 --> 01:16:17,900 I now have a vignette around my image 1291 01:16:20,433 --> 01:16:23,633 I can also add to this vignette 1292 01:16:23,633 --> 01:16:28,233 if I want to just go on my curve to make my color 1293 01:16:28,233 --> 01:16:32,433 white, I can drag down here and vignette it in certain spots. 1294 01:16:32,433 --> 01:16:35,866 So if I want this to be more the light source, I can just go in here 1295 01:16:35,866 --> 01:16:38,266 and kind of darken this whole area of the image 1296 01:16:41,800 --> 01:16:45,400 and then what I may want to do is just kind of brighten this curve. 1297 01:16:45,400 --> 01:16:51,400 I really like the fact that the trail here is almost mirrored in this cloud. 1298 01:16:51,666 --> 01:16:53,333 I think that's nice. 1299 01:16:53,333 --> 01:16:56,366 I want to just bring a little more focus on this trail here. 1300 01:16:56,400 --> 01:17:00,333 So what I'm going to do is go to my quick selection, 1301 01:17:00,333 --> 01:17:04,500 make sure simple all layers is turned on, and just do a real 1302 01:17:05,200 --> 01:17:08,666 kind of dirty selection of this path here. 1303 01:17:10,700 --> 01:17:12,133 And I'm holding down 1304 01:17:12,133 --> 01:17:15,100 option to subtract from the selection here. 1305 01:17:17,433 --> 01:17:18,900 And there you go. 1306 01:17:18,900 --> 01:17:20,966 That's good enough. 1307 01:17:20,966 --> 01:17:23,466 Let's go on this layer here 1308 01:17:23,766 --> 01:17:26,466 and select subject 1309 01:17:28,000 --> 01:17:29,733 said, okay, 1310 01:17:31,400 --> 01:17:32,166 Oops. 1311 01:17:32,833 --> 01:17:34,766 Oh, sorry. I didn't want select subject. 1312 01:17:34,766 --> 01:17:36,633 I want to select a mask. All right. 1313 01:17:36,633 --> 01:17:39,566 And this I'm going to put the radius really high 1314 01:17:43,366 --> 01:17:44,666 it's almost going to work 1315 01:17:44,666 --> 01:17:47,666 to kind of feather my effect there. 1316 01:17:47,666 --> 01:17:49,766 And I can also actually feather it here. 1317 01:17:54,300 --> 01:17:55,100 And let's head. 1318 01:17:55,100 --> 01:17:56,000 Okay. 1319 01:17:57,233 --> 01:17:59,900 And at the top here, I can add a curve 1320 01:18:02,500 --> 01:18:04,866 let's do commando. 1321 01:18:06,166 --> 01:18:09,200 So that's pretty nice like that. 1322 01:18:09,200 --> 01:18:11,700 I want to bring the bottom of the curve to high, 1323 01:18:13,033 --> 01:18:14,933 but I can bring the top of it 1324 01:18:14,933 --> 01:18:17,633 higher like that and then maybe add some yellow. 1325 01:18:18,000 --> 01:18:20,033 The opposite of blue is yellow. 1326 01:18:20,033 --> 01:18:23,700 So if I bring down yellow, it's going to add some yellow there like that. 1327 01:18:24,800 --> 01:18:25,200 All right. 1328 01:18:25,200 --> 01:18:27,733 So that's really nice. 1329 01:18:28,133 --> 01:18:30,266 And then lastly, what I may do 1330 01:18:31,200 --> 01:18:34,733 is add a color grade at the top. 1331 01:18:35,066 --> 01:18:38,500 In this case, I really just want to bring up the blue a tiny bit. 1332 01:18:39,200 --> 01:18:42,600 So we get blues in our shadows there and maybe bring down the yellow. 1333 01:18:42,600 --> 01:18:44,866 Just just a hair. 1334 01:18:45,466 --> 01:18:48,066 Yeah, actually, I kind of like the original better. 1335 01:18:48,933 --> 01:18:51,433 So I'm going to leave that as is. 1336 01:18:51,433 --> 01:18:53,600 We can get rid of that 1337 01:18:54,600 --> 01:18:54,966 actually. 1338 01:18:54,966 --> 01:18:57,666 Pretty happy with how it looks there. 1339 01:18:57,666 --> 01:18:58,800 All right. So there you go. 1340 01:18:58,800 --> 01:19:02,800 You can see how you can clean things up and 1341 01:19:04,900 --> 01:19:07,066 add a new sky, get rid of things 1342 01:19:07,233 --> 01:19:10,900 and also punch up specific parts of your image. 1343 01:19:11,666 --> 01:19:14,633 Let's go ahead and save this 1344 01:19:18,000 --> 01:19:19,400 icon at the end 1345 01:19:21,133 --> 01:19:29,600 of and let's go ahead and close this 106178

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