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All right, so that covers camera raw.
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The last thing we're going to do in
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camera raw is
we are going to create a panorama.
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But this is also the first lesson where
we're actually going to take the photo
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into Photoshop and start using Photoshop.
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Finally.
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So we're actually going to replace the sky
after we've created the panorama.
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It's going to require creating a mask
and using some layer blending techniques.
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So let's get started
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All right.
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This tutorial I want to start taking,
taking you through the pipeline from
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camera raw into Photoshop and then making
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layered corrections in Photoshop.
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And I'm actually going
to pick a panoramic image
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just to show you one last little trick
that you can do or one feature
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that we have in camera
that I haven't shown you yet.
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So in this case, you're going
to see five files in the 07 panorama.
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We're going to just pick the files called
Panorama is a one through four.
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We're going to hit open.
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And here
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you can
see this was not taken with a tripod.
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I was simply standing
on the edge of the road and took
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four images as I kind of turned around,
tried to keep the camera
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at the same height and took four images
Kind of showing this canyon here.
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And what I'm going to do
is I'm going to select all four images.
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Right.
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Mouse, click and say merge to Panorama.
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Okay.
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So this was not able to find my valid
lens profile.
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So this is a case where
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it was not able to recognize the lens.
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So let's go ahead and go into our lens
here.
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And I'm going to manually select
the lens profile.
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So in this case, it is
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a rock and on lens.
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And you'll notice as soon as I said
the make it figured out the model.
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So like I said, there isn't a lens
that I have so far run into
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that camera has not been able to find.
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So the most I've had to do
is give it a make.
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There are a couple instances
where I've had to tell tell it the model,
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but normally
it can even figure that out by itself.
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So now I've made that correction
to this image, but not the rest.
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So what I can do is I can select
all of them and say sync settings
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and I can
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check none and just pick the lens
profile correction head.
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Okay.
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And that's going to apply that same lens
profile correction to the other images.
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Alison, they want to just get rid of this
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so I can go into my spot
to make that a little bit bigger.
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Select that little lens flare there.
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And you can see
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it's not doing a great job in this case.
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Let's try clone
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And I think the feathers too big.
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Yeah, that is the problem.
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All right. So let's go back to here.
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And there you go.
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Let's head these
so we can see it without the overlay.
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That looks good.
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All right.
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So now we're going to select
all four again here in our filmstrip.
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Right. Mouse, click
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You can also click here, by the way.
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That's the same as doing a right
mouse click.
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And we're going to do merged Panorama
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All right.
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It has now created a new panoramic image
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and it's used a spherical projection.
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You can see
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cylindrical should work
pretty much the same
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perspective.
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Usually one
that's perspective is if you take
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you know, like if you create it in a box.
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So if you're just taking multiple
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images with a tripod,
either use cylindrical or spherical
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And we can auto crop.
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If you don't know how to crop,
you can see kind of how it's merged
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the images together the auto crop crops it
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to give you as much of the image
real estate as possible
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and applying the auto turn
if this basically applies
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adjustments to it
based on the engine and camera
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kind of the auto engine and what it thinks
the corrections should be.
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You can always go and change those
after the fact.
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So let's head merge
and now it's going to have you save
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a new camera raw file and it's added
pano to the end of the name.
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So let's go ahead and save that.
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And now you can see I have that in here
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and I can make
all my standard corrections to it
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so I can go in here,
maybe make the image warmer, lighter.
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But in this case,
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I actually want to take this image
through the pipeline into Photoshop.
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So let's go ahead and
make the corrections. We want
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I like
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the color balance pretty much where it is.
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I do want to push up the shadows
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a little more
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You can see the auto has already taken
the highlights down.
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It's already adjusted the whites a bit
and the blacks.
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Let's also add even more vibrance to it.
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Kind of like that.
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And I also want to add a gradient
to the top
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here that just makes this blue
a little deeper.
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So let's take that exposure down
just a bit and maybe add
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a little more blue.
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You get that nice blue sky look
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and let's hit open object
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So we're now in Photoshop.
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And what I want to do
is add a nicer sky to this image
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and let's go to File Place Embedded.
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We're going to pick the Cloud Sky's
image here and hit place
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and let's just
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hold down shift and stretch that.
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So it goes across and you can see that
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let's let's hold shift again.
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I kind of want these these small clouds
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here to start right
where that horizon line is.
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So right about there.
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Let's
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so we have that place,
but obviously we need to create a mask.
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So let's select our panorama image
and let's
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go to the quick selection tool
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and we're just going to start
painting across the sky here
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All right.
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So you can see it's done an okay job,
not great.
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Some things that we want to fix.
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So what I'm going to do is click on select
and Mask.
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Let's change
the color of our mask to pink here.
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You can also change what it's showing,
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but I like the overlay.
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And here we can
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adjust, add or minus to our selection
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So let's go ahead and zoom in here.
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Using the same
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standard Zoom shortcuts
as I use in Photoshop.
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So that's spacebar for the hand space
per command to zoom
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in space
for our command option to zoom out.
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And here you can see we have these trees
and me trying to paint in here
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to add or subtract
it's just not going to do
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really a great job.
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So that's where this edge tool comes in.
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And the edge tool, essentially
you're just painting over the edge
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And based on what's been selected
so far, it's going to determine what edge
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should be in the selection and what edge
should not be in the selection.
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And for this is great for hair,
it's also great for something like this
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where you have, you know, these trees
that obviously should be in the selection
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and you have parts of the sky that are
selected that should not be selected.
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So let's just kind of paint across
all this
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You'll notice when I let go,
it kind of does
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its calculations
and cleans up that selection quite well.
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All right.
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Here,
I actually want to add to the selection,
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so I'm going to go to this tool here
and just see if I can
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So I'm going to hold down option,
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see if I can get these out of my selection
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You can see
there's very little contrast back there.
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So it's definitely having a little bit
of a rough time
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trying to figure out what I'm selecting.
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But it's not doing a terrible job.
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All right.
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And then back to our Edge tool
to get this tree here
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and let's go ahead and clean up this edge
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Now, you can see there's parts
of sky in here.
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So I actually may want to make this
brush bigger and just see what happens
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if I paint through this whole tree.
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You can see
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Photoshop is smart enough
to figure out that I want
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the sky selected there,
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but I don't want the trees selected.
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And look at that.
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Back in the days
before we had these tools,
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this would be an hour long project
of going through
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and making a detailed selections
going through channels.
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You have no idea how easy you have it.
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All right.
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Next right click on Smart Radius.
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Add a few pixels something I always do.
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It just it uses Photoshop.
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I could just pull that selection
a little closer
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and I always find it helps.
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All right.
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In this case, this is going to output
just to a selection, which is what I want
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because I'm going to use that selection
on a different layer.
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So let's set. Okay.
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Now I'm going to go on to this layer,
make sure I have that layer selected,
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and then I want to add a mask
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and if I just click on the mask,
you can see I've now added the mask.
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But what I want to
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do is you can see this
kind of looks fake, right?
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So but if I turn this on screen
and now looks pretty realistic
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because the lighter areas
in the original background sky
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are not being made darker.
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And so just with that
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now I am losing
kind of the darkness up here.
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So so a few things we could do, but
I'm going to show you a nice trick here.
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And that's
if you double click on the layer
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here, we're going to get some layer
blending options,
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something we haven't really covered yet.
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And it's a very cool feature.
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So this is the blend depth
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and the blend if tells you
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the top layer
should blend with the bottom layer.
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If this range of the top layer
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or this range of the bottom
layer is the target.
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So in this case, I want to target
the top layer, meaning my sky layer,
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and I only want to target the clouds
which are in this area of the image.
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So if I take this and drag it
this way, you can see, oh,
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my original sky starting to show, right?
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But you get this heavy, heavy clipping
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so to fix that clipping, you're going to
hold down option and separate this.
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And we're going to just pull that back
to right about there.
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You can see how that's
affecting the image.
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It's kind of feathering that.
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Now, if I hit, okay,
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and there you go.
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So now we're
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screening, but we're primarily
just screening the clouds on top of there.
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Like, if I go before
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and after, you can see
we now have our nice dark sky back there.
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Now, you may even like the light sky,
but there you go.
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I kind of like that, too.
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I like the slightly darker sky.
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And let's
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go ahead and get rid of this little sign
here, too.
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So for that, I want to go zoom in here now
on a smart object.
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You can't paint
and you can't use these healing tools.
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So if I go here, you can see
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got that big stop sign on on my tool.
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So what I'm going to do
is I'm going to make a copy of this layer,
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right
mouse click and rest arrives the layer.
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Always keep a copy of your originals.
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There's not you're always going to find
that you may have to go back to it.
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You may want to adjust your camera.
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Just make it a practice
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of always making a copy of your layer
and then making corrections on that layer.
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You can also then if you make
a bunch of changes and run out of history,
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you can always throw the layer away
and start again without having
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to create the whole file anew.
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Okay.
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00:14:23,900 --> 00:14:28,200
So let's see the best way
to get rid of this.
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First, let's do the big work.
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So for that,
I'm going to use the patch tool
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with the patch tool.
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Just going to make a selection
of this whole sign here.
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And then I'm going to drag that
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00:14:45,133 --> 00:14:46,566
and kind of fit,
246
00:14:46,566 --> 00:14:50,266
you see, like how the cloud or sorry,
the leaves there.
247
00:14:50,566 --> 00:14:52,733
Kind of line up to the old tree.
248
00:14:52,966 --> 00:14:53,933
That's what I'm looking for.
249
00:14:53,933 --> 00:14:59,866
I'm looking for something that makes
this area look a little more real.
250
00:15:00,133 --> 00:15:04,166
Now you'll notice and try
to spread the color of this into it
251
00:15:04,500 --> 00:15:05,800
and even the color of this.
252
00:15:05,800 --> 00:15:09,233
And I don't like that.
So let's go, Kamanzi.
253
00:15:09,533 --> 00:15:13,666
And before we do
this, let's get rid of these signs.
254
00:15:13,900 --> 00:15:17,566
And for that,
I'm going to use the healing brush.
255
00:15:18,133 --> 00:15:22,466
So the healing brush works
similar to the clone stamp
256
00:15:22,466 --> 00:15:25,500
and that you hold down option,
257
00:15:25,633 --> 00:15:28,033
and then you're going to paint over this.
258
00:15:28,033 --> 00:15:30,666
And what it's going to do
259
00:15:30,866 --> 00:15:35,366
is it's going to use the information
that you're painting with so option,
260
00:15:37,000 --> 00:15:38,400
but it's going to apply
261
00:15:38,400 --> 00:15:41,333
kind of the color information
from where you're coming from.
262
00:15:49,966 --> 00:15:50,533
And again,
263
00:15:50,533 --> 00:15:53,766
you can see I'm
trying to take parts of the image.
264
00:15:53,766 --> 00:15:57,766
So this kind of darker
gray line in here, I'm picking that.
265
00:15:57,766 --> 00:16:00,333
So option, click there, let go of option
266
00:16:00,866 --> 00:16:03,366
and then try and a line
that up with the street
267
00:16:03,366 --> 00:16:08,166
so that as I paint over this,
it looks like it belongs
268
00:16:09,300 --> 00:16:13,100
and let's do the same here.
269
00:16:18,033 --> 00:16:20,866
And don't be afraid
270
00:16:20,866 --> 00:16:23,100
to paint multiple times over it
271
00:16:24,700 --> 00:16:27,966
as you build the cleaner source points
272
00:16:30,200 --> 00:16:33,133
that'll just make your final product
look more realistic.
273
00:16:34,866 --> 00:16:38,233
And let's go ahead and do the same here.
274
00:16:42,433 --> 00:16:45,066
The thing you want to avoid is
275
00:16:46,000 --> 00:16:48,466
repetition, too much repetition of
276
00:16:49,566 --> 00:16:51,933
noticeable patterns, right? So
277
00:16:53,500 --> 00:16:53,900
I wouldn't
278
00:16:53,900 --> 00:16:56,933
want this
rock to appear twice in the image.
279
00:16:56,966 --> 00:17:00,833
I don't want this dark thing right here
to appear twice in the image,
280
00:17:00,833 --> 00:17:02,833
but here we just pretty much have texture.
281
00:17:02,833 --> 00:17:05,566
So if that repeats, nobody's
going to notice that
282
00:17:32,866 --> 00:17:34,800
that looks pretty good.
283
00:17:35,166 --> 00:17:38,366
And that's a tree.
284
00:17:38,666 --> 00:17:39,233
All right.
285
00:17:39,233 --> 00:17:42,233
Now let's go to our patch tool
and try it again.
286
00:17:42,600 --> 00:17:46,400
This should give us a nicer result
287
00:17:48,700 --> 00:17:49,366
Again,
288
00:17:49,366 --> 00:17:52,766
I want to use this and line
it up with that.
289
00:17:52,766 --> 00:17:55,466
So I'm going to pull that over there
until those two line up
290
00:17:56,566 --> 00:17:58,033
And there you go.
291
00:17:58,033 --> 00:18:00,000
That's pretty nice.
292
00:18:01,000 --> 00:18:02,666
And let's also just go ahead
293
00:18:02,666 --> 00:18:05,200
and get rid of this to
294
00:18:10,766 --> 00:18:13,566
I'm just kind of looking
for something that looks natural.
295
00:18:13,566 --> 00:18:17,733
So this tree line
kind of continues there looks natural.
296
00:18:18,933 --> 00:18:23,200
Now, I don't like the way to blend it in.
297
00:18:23,200 --> 00:18:26,500
So one thing you can always do
is go from patch
298
00:18:26,500 --> 00:18:29,533
to content to wear
and see if that gives you a better result.
299
00:18:30,133 --> 00:18:33,600
In this case, it actually did
300
00:18:34,333 --> 00:18:35,433
And that looks pretty nice.
301
00:18:35,433 --> 00:18:39,233
Lastly, let's get rid of this here
302
00:18:50,000 --> 00:18:52,766
and the shadow here
303
00:18:57,433 --> 00:18:58,000
All right.
304
00:18:58,000 --> 00:19:00,100
That looks pretty nice.
305
00:19:06,466 --> 00:19:07,066
Okay.
306
00:19:07,066 --> 00:19:09,233
Let's do Command
Zero to see the whole thing.
307
00:19:09,900 --> 00:19:11,800
We can also do a quick before and after.
308
00:19:11,800 --> 00:19:14,733
You can see we got rid of those
309
00:19:15,300 --> 00:19:19,400
and now let's save our file.
310
00:19:19,600 --> 00:19:23,333
File save as I want to save in JPEG
311
00:19:23,333 --> 00:19:27,266
that I can post on my
312
00:19:27,266 --> 00:19:28,700
500 pixel page
313
00:19:28,700 --> 00:19:31,466
or what have you to save a JPEG.
314
00:19:32,600 --> 00:19:37,233
Like I mentioned before,
I always prefer the export save for web,
315
00:19:37,600 --> 00:19:42,000
and the shortcut for that is option shift
command s.
316
00:19:42,133 --> 00:19:44,500
So it's kind of like all your keys plus s,
317
00:19:45,566 --> 00:19:48,066
and that's going to bring up this.
318
00:19:48,066 --> 00:19:51,233
And here let's use our JPEG High.
319
00:19:51,700 --> 00:19:54,266
Let's fit this in view,
320
00:19:54,266 --> 00:19:57,733
which is Command zero again,
321
00:20:00,833 --> 00:20:03,433
and that convert to s r g b
322
00:20:05,300 --> 00:20:07,466
it's giving me a punch in the color.
323
00:20:07,466 --> 00:20:10,300
Notice this is a little more red
324
00:20:10,300 --> 00:20:11,300
that it does that
325
00:20:11,300 --> 00:20:16,133
so that when you go to the web,
you're getting a little more vibrant.
326
00:20:16,566 --> 00:20:18,900
That's something you can turn off
if you don't really like it.
327
00:20:19,333 --> 00:20:22,466
I kind of like what it's doing here,
so I'm going to leave that on.
328
00:20:23,566 --> 00:20:27,566
This is too big for web,
so let's take it down to 4K.
329
00:20:27,800 --> 00:20:30,166
That should be plenty big enough.
330
00:20:31,200 --> 00:20:35,700
Let's head save and let's go to our
331
00:20:37,166 --> 00:20:41,233
folder, our Panorama folder,
and I'm going to keep the name the same.
332
00:20:42,433 --> 00:20:44,333
Save and I'm
333
00:20:44,333 --> 00:20:47,500
also going to save this as a layered file.
334
00:20:48,100 --> 00:20:51,833
Same place it. Save
335
00:20:52,766 --> 00:20:55,366
and that finishes our first image
336
00:20:55,566 --> 00:20:57,733
through Photoshop
337
00:21:03,600 --> 00:21:03,966
All right.
338
00:21:03,966 --> 00:21:08,433
For our next project, we're going to
create a product photo of a water bottle,
339
00:21:09,066 --> 00:21:12,100
and we're going to clean it up and get it
magazine ready.
340
00:21:12,566 --> 00:21:15,400
So we're going to get rid of all the dust,
the spots.
341
00:21:15,400 --> 00:21:18,400
We're going to replace the reflection
on the ground and we're going to add
342
00:21:18,400 --> 00:21:20,666
some text behind it.
343
00:21:27,166 --> 00:21:30,700
Let's go to file open
344
00:21:30,700 --> 00:21:34,266
and we're going to go to 08 water bottle.
345
00:21:35,366 --> 00:21:39,266
Let's go ahead and select
that camera file, click open.
346
00:21:40,066 --> 00:21:43,666
First thing we're going to do
is a few adjustments in camera.
347
00:21:44,666 --> 00:21:45,800
First thing I want to do,
348
00:21:45,800 --> 00:21:49,600
you can see in our histogram,
almost all the information is over here.
349
00:21:49,600 --> 00:21:54,633
So let's
go ahead and push that contrast up
350
00:21:56,000 --> 00:21:56,433
and see.
351
00:21:56,433 --> 00:21:58,366
We're
starting to lose some details in here.
352
00:21:58,366 --> 00:22:00,533
So I'm going to take the highlights down
353
00:22:02,366 --> 00:22:04,466
I want a little more contrast in there,
354
00:22:05,233 --> 00:22:08,100
but I want to kind of contrast
on these bubbles.
355
00:22:08,166 --> 00:22:11,566
So I'm actually going
to bring up the clarity
356
00:22:14,300 --> 00:22:16,933
and maybe even the texture a tiny bit.
357
00:22:17,200 --> 00:22:21,666
So we got a little more of the texture,
texture detail in here
358
00:22:22,166 --> 00:22:24,166
that looks pretty good.
359
00:22:27,300 --> 00:22:30,100
And what's
360
00:22:30,133 --> 00:22:32,766
maybe just a tiny bit of vibrance there
361
00:22:34,500 --> 00:22:37,033
And let's go to our straightened tool.
362
00:22:38,700 --> 00:22:41,933
Let's go ahead
and turn on the straight lines here.
363
00:22:41,933 --> 00:22:45,333
I'm going to use this tool just because
I have two things I want straight.
364
00:22:45,866 --> 00:22:50,566
I want the table straight
and I want this bottle straight.
365
00:22:52,333 --> 00:22:55,166
And let's also add this
366
00:22:56,933 --> 00:22:57,733
And there you go.
367
00:22:57,733 --> 00:22:59,866
We've now straightened up the whole image.
368
00:23:01,166 --> 00:23:04,766
Let's go ahead and hit escape
369
00:23:05,633 --> 00:23:08,566
And there you go.
370
00:23:08,566 --> 00:23:10,100
For the rest of the corrections.
371
00:23:10,100 --> 00:23:12,833
I'm going to do those in Photoshop.
372
00:23:12,833 --> 00:23:16,766
So these like correcting in the spots
in here
373
00:23:16,766 --> 00:23:21,100
and actually replacing this whole floor
with a new reflection.
374
00:23:21,100 --> 00:23:24,433
I want to do all that in Photoshop
because I'm going to it's easier
375
00:23:24,433 --> 00:23:27,133
and I'm going to get,
I think, better results.
376
00:23:27,833 --> 00:23:30,500
So let's go ahead and
377
00:23:30,500 --> 00:23:32,466
let's just check
here. We've got eight bit.
378
00:23:32,466 --> 00:23:33,933
That's okay.
379
00:23:33,933 --> 00:23:37,200
I don't want resize and
I do want to open it as a smart object.
380
00:23:37,200 --> 00:23:37,866
Okay.
381
00:23:37,933 --> 00:23:40,500
So let's go ahead and head open object
382
00:23:43,100 --> 00:23:43,733
and there you go.
383
00:23:43,733 --> 00:23:46,200
We now have this in Photoshop.
384
00:23:46,200 --> 00:23:51,100
First thing I'm going to do
is cut out this bottle
385
00:23:51,900 --> 00:23:55,066
just so that we can change the floor,
386
00:23:55,400 --> 00:23:59,066
change some background elements
without affecting the bottle.
387
00:23:59,666 --> 00:24:03,900
So the first thing I always want to do
is see if my automatic tools
388
00:24:03,900 --> 00:24:05,033
are going to do a good job.
389
00:24:05,033 --> 00:24:05,466
So let's
390
00:24:05,466 --> 00:24:10,566
go ahead and go on to our quick selection
and let's try these select subject
391
00:24:15,866 --> 00:24:18,766
and if you go
here, you're going to see a little icon.
392
00:24:18,766 --> 00:24:20,200
This is the quick mask.
393
00:24:20,200 --> 00:24:23,700
If you turn that on
you can get kind of a channel
394
00:24:23,733 --> 00:24:26,733
representation of your selection.
395
00:24:27,300 --> 00:24:31,100
And in this case, you can see the quick
mask here in your channels.
396
00:24:31,933 --> 00:24:34,166
And if I double click that, I can change
397
00:24:34,166 --> 00:24:36,666
the color of this
398
00:24:38,000 --> 00:24:38,666
in this case.
399
00:24:38,666 --> 00:24:42,100
I may I may want to use
kind of a magenta color
400
00:24:42,466 --> 00:24:45,200
just because it's going to be very high
contrast
401
00:24:45,333 --> 00:24:48,400
to what else I have in the image
402
00:24:48,533 --> 00:24:49,000
All right.
403
00:24:49,000 --> 00:24:51,600
So not a great job.
404
00:24:51,833 --> 00:24:54,000
You can see it had some problems here.
405
00:24:54,633 --> 00:24:58,466
And also, it's
not doing a great job around this glass.
406
00:24:59,033 --> 00:25:03,400
So let's hit this quick selection.
407
00:25:03,400 --> 00:25:06,066
Let's get out of that
and let's go select these select
408
00:25:07,100 --> 00:25:08,233
I think what I'm going to do
409
00:25:08,233 --> 00:25:13,233
instead is actually use my pen tool
to make a path around this
410
00:25:13,933 --> 00:25:18,666
and then use that path to make a selection
Now, this does take more time,
411
00:25:19,166 --> 00:25:21,866
but if you're doing something
like product photography,
412
00:25:23,300 --> 00:25:26,933
having this clean
selections is really important.
413
00:25:26,966 --> 00:25:30,733
Now, if I were just doing this
for Instagram or
414
00:25:31,700 --> 00:25:34,500
somewhere where it's not going to be blown
up, I probably wouldn't
415
00:25:34,500 --> 00:25:35,400
go through the trouble.
416
00:25:35,400 --> 00:25:37,100
I would just do select subject
417
00:25:37,100 --> 00:25:40,533
and use some tools in here
to clean up the selection.
418
00:25:40,933 --> 00:25:44,400
But because this is going to be product
photograph
419
00:25:44,733 --> 00:25:48,300
and it's going to be quite large
I want a really nice selection.
420
00:25:49,933 --> 00:25:52,266
So let's go on to the pen tool
421
00:25:52,266 --> 00:25:55,433
and let's zoom
in that spacebar and command
422
00:25:57,533 --> 00:25:57,933
and I
423
00:25:57,933 --> 00:26:00,400
want to make sure this is on paths,
not shape.
424
00:26:00,966 --> 00:26:03,866
If you have it on shape, it's going to
create a new layer, which I don't want.
425
00:26:03,866 --> 00:26:06,100
I just want a path all right.
426
00:26:06,100 --> 00:26:11,700
And the simplicity of using the pen tool
is you're going to click and then drag
427
00:26:11,700 --> 00:26:17,633
and that this handlebar here is going
to turn determine the curve, right?
428
00:26:17,633 --> 00:26:21,266
So here you can see this
handle is too far up
429
00:26:22,100 --> 00:26:25,066
because it's pulling this so
430
00:26:25,066 --> 00:26:27,433
one way to imagine the pen tool.
431
00:26:28,000 --> 00:26:31,266
Let's just go let's go back over here.
432
00:26:33,833 --> 00:26:37,000
We can click on Path here because that's
where we're going to be using.
433
00:26:37,200 --> 00:26:42,900
One way to imagine the pen tool
is to imagine that there is a rubber band
434
00:26:43,133 --> 00:26:47,333
from this point here to the
435
00:26:49,466 --> 00:26:51,066
arc here, right?
436
00:26:51,066 --> 00:26:54,733
So this
rubber band is pulling right there.
437
00:26:55,300 --> 00:26:58,166
And if I move this,
if I hold down command, you'll notice
438
00:26:58,166 --> 00:27:02,700
my mouse changes from the pen to an arrow.
439
00:27:03,300 --> 00:27:07,166
As I pull that around,
you can see how it's affecting the arc
440
00:27:07,166 --> 00:27:10,533
so that imaginary rubber band is there.
441
00:27:10,900 --> 00:27:14,166
It's going to pull
that in various directions.
442
00:27:14,166 --> 00:27:15,200
And if you just kind of think
443
00:27:15,200 --> 00:27:19,066
with that kind of makes creating that path
a little easier.
444
00:27:19,066 --> 00:27:23,333
Let's do Command
Z a couple of times and go back to here
445
00:27:23,966 --> 00:27:27,966
and I'm going to click drag, click
446
00:27:29,266 --> 00:27:32,300
and then I can also,
if I hold down command, I can move these.
447
00:27:32,300 --> 00:27:34,666
I can also move the anchor point itself
448
00:27:38,700 --> 00:27:41,566
and we're just going to do that
around the entire bottle.
449
00:27:45,900 --> 00:27:48,400
Try not to be
too zoomed in because you don't want to go
450
00:27:48,566 --> 00:27:51,966
you don't want to go to the point where
451
00:27:52,366 --> 00:27:53,766
the, you know,
452
00:27:53,766 --> 00:27:57,566
abnormalities in the glass are becoming
part of the selection.
453
00:27:57,600 --> 00:28:00,466
You're really, you know,
454
00:28:00,900 --> 00:28:02,366
don't go overboard.
455
00:28:02,366 --> 00:28:03,333
Put it that way.
456
00:28:03,333 --> 00:28:04,233
All right.
457
00:28:07,266 --> 00:28:09,300
I kind of fast forward through this
458
00:28:27,466 --> 00:28:27,866
all right.
459
00:28:27,866 --> 00:28:29,066
There you go.
460
00:28:29,066 --> 00:28:31,833
Now, you'll see there's a few holes here
that we need to create.
461
00:28:32,500 --> 00:28:35,466
Going to go in here and just add
462
00:28:35,466 --> 00:28:38,400
to the existing path
463
00:28:39,266 --> 00:28:43,033
and add these holes
464
00:28:45,166 --> 00:28:46,633
One of the reasons I really like
465
00:28:46,633 --> 00:28:50,300
using paths to make selections,
especially of objects like this
466
00:28:50,300 --> 00:28:54,400
that have nice curves, is the ability
to create that curve.
467
00:28:54,866 --> 00:28:57,200
You just can't do that
when you're using a lasso
468
00:29:10,533 --> 00:29:11,900
and also the ability
469
00:29:11,900 --> 00:29:17,600
to change parts of my selection
or parts of the path after the fact.
470
00:29:30,033 --> 00:29:31,333
Good rule of thumb is
471
00:29:31,333 --> 00:29:34,400
the less anchor points you have,
the better
472
00:29:35,700 --> 00:29:38,233
just means that you're the anchor points.
473
00:29:38,233 --> 00:29:40,033
You do have
474
00:29:40,233 --> 00:29:42,566
to go here.
475
00:29:42,566 --> 00:29:43,800
It just means the anchor points.
476
00:29:43,800 --> 00:29:45,900
You do have are better curved.
477
00:29:47,000 --> 00:29:49,266
Okay, so that looks like everything.
478
00:29:49,500 --> 00:29:51,666
Yeah, just this little spot here.
479
00:29:52,166 --> 00:29:55,333
Let's go back on that pen tool.
480
00:30:00,500 --> 00:30:00,966
All right.
481
00:30:00,966 --> 00:30:03,300
That looks pretty nice.
482
00:30:04,333 --> 00:30:07,033
Now let's go ahead and go on to our path
483
00:30:07,033 --> 00:30:11,233
selection tool, select all the paths
and you want to make sure up here
484
00:30:11,600 --> 00:30:14,733
that this is on exclude
overlapping shapes.
485
00:30:15,233 --> 00:30:15,566
All right?
486
00:30:15,566 --> 00:30:19,300
Because if you combine the shapes,
anything inside the bigger one,
487
00:30:19,300 --> 00:30:24,866
that's just going to be included within
whereas this exclude overlapping shapes,
488
00:30:25,166 --> 00:30:28,600
anything that overlaps are big
selection is going to be cut out of it.
489
00:30:29,833 --> 00:30:30,300
Now in
490
00:30:30,300 --> 00:30:34,566
our paths Pelletier you're going to see
there is a new path
491
00:30:34,566 --> 00:30:38,700
called work path, and that's
whatever path you've last created.
492
00:30:39,000 --> 00:30:41,800
Whenever you're done
creating a path like we are now,
493
00:30:41,900 --> 00:30:44,033
you want to double click this
and give it a name
494
00:30:46,100 --> 00:30:47,333
so there you go. Bottle.
495
00:30:47,333 --> 00:30:52,166
And the reason you want to do
that is when I start creating a new path,
496
00:30:52,533 --> 00:30:56,066
you'll see it overwrites
whatever existing work path you have.
497
00:30:57,166 --> 00:31:00,900
So that's something
just I've done long selections
498
00:31:00,900 --> 00:31:05,400
only to then realize I didn't save it
and it was overwritten by the next one.
499
00:31:06,200 --> 00:31:09,000
All right, I have this now
500
00:31:09,000 --> 00:31:11,366
and I can select that path.
501
00:31:11,366 --> 00:31:14,600
And down here
you'll see that little selection icon
502
00:31:15,133 --> 00:31:17,200
that'll turn it into a selection.
503
00:31:17,200 --> 00:31:20,166
Also, let's do command D to do select.
504
00:31:20,433 --> 00:31:22,700
I can right mouse click and click on it.
505
00:31:22,833 --> 00:31:26,600
That will also create a selection
and finally command D
506
00:31:26,933 --> 00:31:31,466
If I have the path selected here
like this, I can right mouse click
507
00:31:32,033 --> 00:31:35,766
and say Make selection
The nice part about this is
508
00:31:35,766 --> 00:31:40,266
I can add some feather radius
and this will allow for subpixel radius.
509
00:31:40,666 --> 00:31:42,500
So you can do like point to
510
00:31:45,866 --> 00:31:46,400
all right.
511
00:31:46,400 --> 00:31:49,166
So there you go. We now
have a nice selection of our bottle.
512
00:31:49,166 --> 00:31:51,866
I want to make a copy of this layer
513
00:31:53,066 --> 00:31:55,866
and I want to pasteurize it
514
00:31:55,866 --> 00:31:58,433
and then I want to add a mask.
515
00:31:58,433 --> 00:32:02,033
Now, if I turn off my background,
you can see we have our bottle
516
00:32:02,033 --> 00:32:04,166
as its own layer
517
00:32:05,300 --> 00:32:05,966
Okay.
518
00:32:05,966 --> 00:32:10,233
Next, let's make
another copy of this restaurant as it
519
00:32:11,800 --> 00:32:13,933
and I want to start fixing some of the
520
00:32:15,733 --> 00:32:17,833
spots and stuff in the background.
521
00:32:17,833 --> 00:32:21,166
I also want to bring up
the lightness over here.
522
00:32:21,200 --> 00:32:25,266
So what I'm going to do is add a curves
layer
523
00:32:27,266 --> 00:32:29,666
and I want to just bring up the darks here
524
00:32:30,400 --> 00:32:33,933
until I'm
seeing some of that pattern in here.
525
00:32:36,533 --> 00:32:38,366
And you can see this.
526
00:32:38,366 --> 00:32:43,933
There's not a lot of information there and
it's giving us that kind of ugly grain.
527
00:32:43,933 --> 00:32:46,766
So I got to do this not too much.
528
00:32:47,300 --> 00:32:47,833
There you go.
529
00:32:49,133 --> 00:32:49,666
All right.
530
00:32:49,666 --> 00:32:53,400
Now, you will see the problem here
is that it's also brightened up all this.
531
00:32:53,400 --> 00:32:58,000
So to get around that problem,
I'm going to select the mask here
532
00:32:58,000 --> 00:33:01,166
and go to edit fill.
533
00:33:01,166 --> 00:33:03,233
And I want to fill it with Black,
534
00:33:03,233 --> 00:33:05,633
which is the background color
535
00:33:06,900 --> 00:33:07,766
And there you go.
536
00:33:07,766 --> 00:33:12,166
Now I can go to my gradient tool,
which is the G on the keyboard.
537
00:33:13,100 --> 00:33:17,233
Pick my linear gradient
make sure I'm on foreground to transparent
538
00:33:18,366 --> 00:33:20,766
and then I can make a gradient like that.
539
00:33:22,233 --> 00:33:25,333
And that looks pretty nice.
540
00:33:25,333 --> 00:33:28,566
I also want to get rid of the color
in the background.
541
00:33:28,900 --> 00:33:32,233
So I'm going to go up here
and add a black and white adjustment.
542
00:33:32,933 --> 00:33:36,233
And you can see that's just strip
that background of color.
543
00:33:36,733 --> 00:33:41,700
And similar
to creating a black and white in camera,
544
00:33:41,966 --> 00:33:44,666
you do have the option of adjusting
545
00:33:44,900 --> 00:33:48,900
which color is mapped to what
shade of black and white,
546
00:33:49,900 --> 00:33:50,166
but we're
547
00:33:50,166 --> 00:33:52,800
not going to change those right now.
548
00:33:53,966 --> 00:33:55,566
Okay, so that looks pretty nice.
549
00:33:55,566 --> 00:33:58,433
Now let's go ahead and fix these up.
550
00:33:59,266 --> 00:34:03,633
So I have two options here,
how I can select all these layers
551
00:34:03,933 --> 00:34:06,966
and then go up here and go merge
552
00:34:07,133 --> 00:34:09,833
selected or merge layers, command E
553
00:34:10,266 --> 00:34:13,066
and that'll flatten up
all of these into a single layer.
554
00:34:14,733 --> 00:34:17,066
And in this case,
555
00:34:17,066 --> 00:34:22,400
I already have a copy of the original,
so I don't mind collapsing this one thing
556
00:34:22,400 --> 00:34:25,533
I might want to do, though, is just take
some of the highlight out of this.
557
00:34:26,133 --> 00:34:29,466
So in that case,
I want to copy this curve,
558
00:34:30,933 --> 00:34:33,300
select the mask
559
00:34:33,300 --> 00:34:37,933
and go to image adjustments and invert,
which is command.
560
00:34:37,933 --> 00:34:41,833
I know you could see now
the mask is adjusting this side
561
00:34:42,166 --> 00:34:45,466
and we're going to adjust our curve here.
562
00:34:46,266 --> 00:34:49,366
Let's reset that curve,
make it a little darker.
563
00:34:49,366 --> 00:34:51,600
And I might even take this Properties
panel here.
564
00:34:51,600 --> 00:34:53,000
So I can see what's happening
565
00:35:00,633 --> 00:35:02,033
There you go.
566
00:35:02,766 --> 00:35:05,000
Let's put this back
567
00:35:06,500 --> 00:35:07,033
okay.
568
00:35:07,033 --> 00:35:10,200
Now I'm going to take all these layers
and command
569
00:35:10,200 --> 00:35:12,933
E to merge them.
570
00:35:13,200 --> 00:35:14,533
That looks pretty good.
571
00:35:14,533 --> 00:35:17,733
You will notice that this has become
the colorized
572
00:35:19,700 --> 00:35:21,566
not worried about that quite yet.
573
00:35:21,566 --> 00:35:23,633
We will do something with it a bit later.
574
00:35:23,666 --> 00:35:26,166
But first, let's get rid of the spots
in the background.
575
00:35:26,766 --> 00:35:29,966
So here
we're going to go to our correction tools.
576
00:35:30,300 --> 00:35:33,500
I'm going to use the healing brush tool
577
00:35:33,500 --> 00:35:35,266
sorry, the spot healing brush tool.
578
00:35:35,266 --> 00:35:40,200
So this is similar to the healing brush
tool that we use in the last tutorial.
579
00:35:40,500 --> 00:35:43,833
Except for that, you don't need to option
click for a source.
580
00:35:44,333 --> 00:35:48,266
It will use Photoshop,
say AI to look around
581
00:35:48,266 --> 00:35:51,733
for a good source.
582
00:35:54,566 --> 00:35:57,566
And let's just go quickly through
583
00:35:59,833 --> 00:36:03,833
and correct
the spots here in the background
584
00:36:26,766 --> 00:36:30,700
And this is just one example
where Photoshop is more powerful
585
00:36:30,700 --> 00:36:34,433
and more quick than trying to do this
kind of stuff in camera.
586
00:36:35,300 --> 00:36:35,666
All right.
587
00:36:35,666 --> 00:36:40,733
So I like that we have these splotches
here that are not too happy with.
588
00:36:40,733 --> 00:36:44,900
So I'm going to use the patch tool
see if we can just get rid of those.
589
00:36:45,200 --> 00:36:49,000
So the patch to a similar to
the lasso tool, if you hold down option,
590
00:36:49,300 --> 00:36:51,866
it turns into a polygon or selection
591
00:36:52,433 --> 00:36:54,533
meaning I can let go and click
592
00:36:56,400 --> 00:36:59,033
And then if I let go of option,
it'll close that.
593
00:36:59,100 --> 00:37:02,666
Let's just drag this up here
maybe to there.
594
00:37:04,700 --> 00:37:06,266
Yeah, I hate that.
595
00:37:06,266 --> 00:37:06,633
Okay.
596
00:37:06,633 --> 00:37:09,266
So you can see there,
it did not do a great job,
597
00:37:09,666 --> 00:37:13,566
so let's command Z that turn off
content to wear and put it on normal
598
00:37:14,966 --> 00:37:17,166
and let's try this again.
599
00:37:17,366 --> 00:37:19,433
A much better result.
600
00:37:19,433 --> 00:37:21,666
Okay, so that looks quite nice.
601
00:37:21,666 --> 00:37:23,700
Now what I'm going to do
is I'm going to go ahead
602
00:37:23,700 --> 00:37:27,800
and make a selection here of the floor.
603
00:37:28,466 --> 00:37:30,833
I mean, sorry, off the back wall.
604
00:37:30,833 --> 00:37:35,800
Like, so I do command
j and it's going to make a copy
605
00:37:36,200 --> 00:37:39,000
of my selection into a new layer
606
00:37:39,000 --> 00:37:42,300
go my move tool
to command t for transform.
607
00:37:42,700 --> 00:37:45,933
I want to take my anchor points here
and drag it to the bottom
608
00:37:46,833 --> 00:37:49,800
and then right
mouse click and flip vertical.
609
00:37:50,700 --> 00:37:51,433
There you go.
610
00:37:51,433 --> 00:37:54,666
I've got a nice floor now.
611
00:37:54,866 --> 00:37:56,666
I do have this,
612
00:37:56,666 --> 00:37:59,300
and let's see what we can do about that.
613
00:37:59,333 --> 00:38:03,166
Okay, so in the original
614
00:38:05,400 --> 00:38:05,800
all right,
615
00:38:05,800 --> 00:38:08,166
so what I'm actually going to do here,
616
00:38:09,100 --> 00:38:13,500
I'll say you'll notice this is a bit
lighter and a has this shadow here.
617
00:38:13,500 --> 00:38:16,300
So we want to duplicate all
those things. And our final
618
00:38:18,500 --> 00:38:20,600
and I do want to get rid of that.
619
00:38:20,600 --> 00:38:24,266
So let's isolate this layer.
620
00:38:24,300 --> 00:38:28,033
I'm going to do option
and then click on the eyeball drag that up
621
00:38:28,900 --> 00:38:32,133
and we're going to see how well
622
00:38:32,133 --> 00:38:33,600
our patch tool does.
623
00:38:33,600 --> 00:38:37,700
And just getting rid
of the bottle entirely again,
624
00:38:39,200 --> 00:38:41,966
I want to try to get as close here
as I can
625
00:38:45,766 --> 00:38:47,633
make sure it's on normal.
626
00:38:47,633 --> 00:38:50,833
Just drag this over here.
627
00:38:50,833 --> 00:38:52,466
Really good job there.
628
00:38:52,466 --> 00:38:53,800
Okay. Let's go back on the move.
629
00:38:53,800 --> 00:38:56,966
Tool. Option, click on the eyeball again.
630
00:38:57,000 --> 00:39:00,400
Let's move
that back in place to right there
631
00:39:03,166 --> 00:39:06,600
and let's go ahead and add a curve here.
632
00:39:07,300 --> 00:39:10,133
Again, I want to make this a little bit
lighter toward the bottom
633
00:39:10,800 --> 00:39:14,366
and disconnect this here
so I can see my whole floor
634
00:39:15,533 --> 00:39:17,800
and just make it a little bit lighter
like so.
635
00:39:18,266 --> 00:39:20,400
And I want this
to just apply to this layer.
636
00:39:20,866 --> 00:39:24,266
So I can do option and click
between the layers.
637
00:39:24,300 --> 00:39:27,766
I just have a little handy shortcut here
that will do the same thing.
638
00:39:29,733 --> 00:39:33,300
And with the mask, I'm
going to go back on gradient.
639
00:39:33,733 --> 00:39:37,433
In this case, I want my foreground color
to be black some and hit.
640
00:39:37,433 --> 00:39:41,300
It's also going to hit D
just to make sure it's fully black
641
00:39:41,933 --> 00:39:44,766
and then go from here to about there
642
00:39:44,766 --> 00:39:45,966
like that.
643
00:39:48,266 --> 00:39:51,633
Let's go ahead and dock this again
644
00:39:53,400 --> 00:39:57,033
and if I turn this off,
I have that little highlight
645
00:39:57,033 --> 00:39:59,466
there and let's
go ahead and add something like that.
646
00:39:59,800 --> 00:40:03,833
And to add a little gradients
here, going my gradient to
647
00:40:04,833 --> 00:40:08,166
go on, White has my foreground color zoom
in real close here.
648
00:40:08,166 --> 00:40:09,800
Let's just see.
649
00:40:09,800 --> 00:40:14,166
So it's really short so just like that,
I mean, move it up.
650
00:40:14,333 --> 00:40:15,466
Just a hair
651
00:40:15,466 --> 00:40:19,166
and I held shift when I did my gradient
to make sure it's stayed straight.
652
00:40:20,233 --> 00:40:20,666
Okay.
653
00:40:20,666 --> 00:40:23,600
And then we can just adjust
the opacity of that.
654
00:40:23,766 --> 00:40:27,100
So it's just a hint of it there.
655
00:40:27,100 --> 00:40:28,666
Like so
656
00:40:29,600 --> 00:40:31,766
next thing I want to do is take this layer
657
00:40:32,833 --> 00:40:34,966
and I actually want to make this
658
00:40:34,966 --> 00:40:37,966
a smart object in color with the mask.
659
00:40:37,966 --> 00:40:43,533
So I'm going to right mouse click on this
layer and select convert to smart object.
660
00:40:43,800 --> 00:40:46,233
Now see, I have this cut out smart object.
661
00:40:46,800 --> 00:40:49,200
I can make a copy of that command J
662
00:40:50,000 --> 00:40:52,166
then do command T for Transform.
663
00:40:52,433 --> 00:40:56,100
I want to move my anchor point
to right about there
664
00:40:56,966 --> 00:40:59,733
and then right
mouse click and flip vertical
665
00:41:02,233 --> 00:41:02,633
all right.
666
00:41:02,633 --> 00:41:05,233
Now, if we look at our original,
I'm going to option click.
667
00:41:05,533 --> 00:41:09,900
You can see
we have a curvature in the bottom here.
668
00:41:11,066 --> 00:41:15,133
So I want to duplicate that in this layer.
669
00:41:15,133 --> 00:41:19,766
So what I'm going to do is go
command T for transform
670
00:41:19,766 --> 00:41:22,266
and then I'm going to click on this
right here.
671
00:41:22,933 --> 00:41:27,800
And what that's going to allow me to do
is change the curvature here
672
00:41:31,633 --> 00:41:34,133
I just want this to line up
673
00:41:34,700 --> 00:41:37,133
and also look like it's reflecting
properly,
674
00:41:37,566 --> 00:41:38,833
like so
675
00:41:40,166 --> 00:41:42,300
and then put this layer underneath.
676
00:41:43,033 --> 00:41:46,033
It's a little closer up here than it is
there.
677
00:41:46,066 --> 00:41:48,600
So let's go ahead to command again.
678
00:41:48,600 --> 00:41:50,700
Go back on our transform and adjust that.
679
00:41:51,166 --> 00:41:54,733
Now, one thing to note,
you can't go back and readjust
680
00:41:55,266 --> 00:41:59,233
a transform like this
unless you have a smart object.
681
00:41:59,500 --> 00:42:02,266
If you're doing it on a layer,
that's not a smart object.
682
00:42:02,466 --> 00:42:05,366
When you commit the transform,
you can never go back and fix it.
683
00:42:05,666 --> 00:42:09,166
So that's another beauty
of having smart objects All right.
684
00:42:09,200 --> 00:42:11,933
Next, I'm going to put this on a screen
685
00:42:13,833 --> 00:42:16,433
and let's compare again, option click.
686
00:42:17,066 --> 00:42:19,466
That's pretty good.
687
00:42:19,800 --> 00:42:21,933
Maybe not fully on screen.
688
00:42:21,933 --> 00:42:25,966
So maybe what I'll do in
this case is add a layer on top.
689
00:42:26,400 --> 00:42:31,366
You can also make a copy of layer by
dragging the layer waffling down option.
690
00:42:31,366 --> 00:42:35,933
So instead of doing a command, a
you can drag that layer up, hold down,
691
00:42:36,433 --> 00:42:39,300
hold down option, drag that layer up
and that'll make a copy.
692
00:42:39,700 --> 00:42:42,933
Let's put this one on
693
00:42:42,933 --> 00:42:45,800
let's try soft.
694
00:42:45,800 --> 00:42:47,600
Lt looks pretty nice.
695
00:42:47,600 --> 00:42:49,800
Maybe take the opacity down just a bit
696
00:42:54,200 --> 00:42:57,066
let's say 65.
697
00:42:57,500 --> 00:42:59,133
That works pretty nice.
698
00:42:59,133 --> 00:43:01,766
And now I want to add some text
in the background.
699
00:43:01,766 --> 00:43:04,033
Here, so I'm going to go to
700
00:43:05,466 --> 00:43:08,066
right below my first reflection layer.
701
00:43:08,966 --> 00:43:11,166
I'm going to select that text tool,
702
00:43:11,166 --> 00:43:15,266
make my color
foreground, color white, and let's pick
703
00:43:18,166 --> 00:43:21,166
oh, here, let's pick a font together.
704
00:43:21,666 --> 00:43:24,800
So I'm going to click on this add
fonts from Typekit
705
00:43:25,900 --> 00:43:29,700
that is going to open the font finder
706
00:43:31,333 --> 00:43:33,966
in your web browser.
707
00:43:34,300 --> 00:43:36,866
And let's pick a script font
708
00:43:40,166 --> 00:43:45,200
and let's type in here water.
709
00:43:46,300 --> 00:43:50,066
Now we can just scroll down here
and find a font that we want.
710
00:43:50,700 --> 00:43:54,066
Can also make the text size bigger
711
00:43:58,766 --> 00:43:59,633
yeah.
712
00:44:02,366 --> 00:44:05,133
I want something
that has a little more roughness to it.
713
00:44:05,500 --> 00:44:08,166
Ooh, this one's nice, Alina.
714
00:44:08,166 --> 00:44:10,366
So let's click on View Family
715
00:44:12,866 --> 00:44:15,466
and I want to activate a lot of regulars.
716
00:44:15,500 --> 00:44:19,166
I'm going to go ahead and click
on Activate Font, see a little notice
717
00:44:19,166 --> 00:44:20,600
pop up here.
718
00:44:20,600 --> 00:44:22,900
The font along a regular was activated.
719
00:44:23,333 --> 00:44:25,166
Can I go out of that?
720
00:44:25,166 --> 00:44:27,200
Go in here and type in Alana.
721
00:44:28,100 --> 00:44:29,866
And there you have it there.
722
00:44:29,866 --> 00:44:31,133
A lot of fans.
723
00:44:31,233 --> 00:44:33,633
I want to make sure this is on center.
724
00:44:33,866 --> 00:44:36,766
I'm just going
to click here and type water.
725
00:44:38,133 --> 00:44:39,566
And let's go ahead
726
00:44:39,566 --> 00:44:44,066
and select all that by double clicking,
open our character tab.
727
00:44:44,666 --> 00:44:46,766
I want the kerning to be zero
728
00:44:48,100 --> 00:44:49,300
on script fonts.
729
00:44:49,300 --> 00:44:51,333
You always want this to be on metrics.
730
00:44:51,866 --> 00:44:54,700
On non serif fonts,
731
00:44:54,700 --> 00:44:56,733
you can use optical.
732
00:44:56,733 --> 00:44:58,933
This should be on 100%
733
00:44:59,933 --> 00:45:04,500
and then we can adjust our font size
by just dragging this to the right.
734
00:45:04,500 --> 00:45:06,566
I want this to be pretty large.
735
00:45:07,766 --> 00:45:08,266
Let's hit.
736
00:45:08,266 --> 00:45:09,400
Okay,
737
00:45:11,400 --> 00:45:13,633
that looks pretty nice.
738
00:45:14,433 --> 00:45:15,533
Maybe even larger.
739
00:45:15,533 --> 00:45:18,900
And notice it's, let's say 300.
740
00:45:18,900 --> 00:45:23,933
Now, if I do command T on my text layer
and drag this and make it bigger,
741
00:45:24,066 --> 00:45:25,400
like that
742
00:45:28,266 --> 00:45:29,866
and you'll see
743
00:45:29,866 --> 00:45:32,500
that my font size
is actually changed as well.
744
00:45:33,300 --> 00:45:35,500
That's a recent addition to Photoshop.
745
00:45:35,500 --> 00:45:38,466
I used to not do that,
so it's really nice feature
746
00:45:41,533 --> 00:45:43,433
I want to make sure you can read it.
747
00:45:43,433 --> 00:45:47,433
So maybe what I'm going to do
is make a command to make it a little bit
748
00:45:47,433 --> 00:45:50,733
smaller
and just kind of cheat the space between
749
00:45:50,900 --> 00:45:53,466
the W or sorry, the A in the T.
750
00:45:53,900 --> 00:45:57,300
So I'm going to go back on my type
to click between there
751
00:45:57,733 --> 00:46:00,600
and then maybe hit one space
that's too much.
752
00:46:00,600 --> 00:46:04,366
So do you want to add space
but not a full space where you can do
753
00:46:04,366 --> 00:46:08,400
is hold down option
and use the right arrow key.
754
00:46:08,633 --> 00:46:10,266
You can see what it's doing right here.
755
00:46:10,266 --> 00:46:12,966
It's adding some space there
756
00:46:15,600 --> 00:46:19,033
and also you can see here,
757
00:46:19,033 --> 00:46:21,900
let's go to type panels, glyphs.
758
00:46:22,166 --> 00:46:25,700
Some fonts will have nice character
replacements.
759
00:46:25,900 --> 00:46:29,166
So in this case, if I select that are
760
00:46:29,200 --> 00:46:32,200
you can see here
we have a few other options for the R
761
00:46:33,033 --> 00:46:36,500
I could use something like that
just to make this a little fancier
762
00:46:38,000 --> 00:46:39,933
or maybe this one.
763
00:46:39,933 --> 00:46:41,566
Ooh, I like that one.
764
00:46:41,566 --> 00:46:42,066
All right.
765
00:46:42,066 --> 00:46:46,433
Let's dock this hit.
766
00:46:46,433 --> 00:46:50,166
Okay, let's go back on our move to on
just move that to the
767
00:46:51,166 --> 00:46:53,533
T is showing there here you go.
768
00:46:53,533 --> 00:46:55,133
I really like that.
769
00:46:55,133 --> 00:46:58,466
Now what I want to do
is make this kind of melt
770
00:46:58,466 --> 00:47:00,300
into that background just a tiny bit.
771
00:47:00,300 --> 00:47:02,866
So what I'm going to do is I'm going
to double click on the layer here.
772
00:47:04,166 --> 00:47:06,300
Let's make sure I can see this.
773
00:47:06,633 --> 00:47:07,733
All right, go.
774
00:47:07,733 --> 00:47:10,866
I want to make sure I can see that
and I can see this.
775
00:47:11,533 --> 00:47:14,133
So I may just actually
776
00:47:16,600 --> 00:47:17,966
detach this,
777
00:47:17,966 --> 00:47:21,066
move it up here while I do this
778
00:47:22,933 --> 00:47:24,866
so we can see both of them
a little easier.
779
00:47:24,866 --> 00:47:25,233
Okay.
780
00:47:25,233 --> 00:47:29,700
So then on the underlying layer,
I want to move this to the right
781
00:47:29,700 --> 00:47:33,566
until I start to see
some breaking up of my white.
782
00:47:33,600 --> 00:47:37,533
So right about there
and then I can take this
783
00:47:37,533 --> 00:47:41,266
hold down option and drag that like that
784
00:47:43,466 --> 00:47:45,500
and that looks pretty cool and said, okay,
785
00:47:47,333 --> 00:47:49,233
and then maybe take down the opacity
786
00:47:49,233 --> 00:47:50,333
as well.
787
00:47:54,433 --> 00:47:55,333
As I'm taking down
788
00:47:55,333 --> 00:47:59,466
my opacity,
we're losing that detail in there.
789
00:48:00,000 --> 00:48:03,966
So let's not do that
790
00:48:06,000 --> 00:48:09,900
and instead
take our opacity down this way.
791
00:48:12,800 --> 00:48:14,233
This is annoying.
792
00:48:14,233 --> 00:48:17,666
I usually use a huge screen,
so this is not a problem.
793
00:48:19,366 --> 00:48:21,033
Okay, here we go.
794
00:48:21,033 --> 00:48:24,700
What we can do
is take our opacity down this way.
795
00:48:25,400 --> 00:48:27,366
Option click.
796
00:48:27,366 --> 00:48:28,233
Yeah,
797
00:48:29,533 --> 00:48:31,800
let's try this
798
00:48:34,900 --> 00:48:38,333
the problem I'm running into here
is because the background is
799
00:48:38,333 --> 00:48:40,000
darker over here.
800
00:48:40,000 --> 00:48:42,200
We're not getting this nice texture there.
801
00:48:42,566 --> 00:48:45,266
So let's try this another way.
802
00:48:45,933 --> 00:48:51,233
I mean, that doesn't look bad, but
I still would like to back this down more.
803
00:48:51,233 --> 00:48:51,866
So what I'm going to do
804
00:48:51,866 --> 00:48:56,066
is I'm going to take my black
and white layer to command to make a copy,
805
00:48:56,366 --> 00:49:02,066
bring this to the top,
and then I'm going to do image adjustments
806
00:49:02,066 --> 00:49:06,700
and let's do a curves on this
and really bring our white point up
807
00:49:08,200 --> 00:49:10,466
quite a bit here.
808
00:49:10,466 --> 00:49:12,533
So to there
809
00:49:12,533 --> 00:49:15,233
and then I'm going to put this on multiply
810
00:49:16,266 --> 00:49:18,666
and then option click between the layers.
811
00:49:18,666 --> 00:49:20,733
So it's putting it on top of that
812
00:49:21,666 --> 00:49:26,100
and in this case, I actually might want to
just get rid of this it.
813
00:49:26,100 --> 00:49:27,666
Okay, there you go.
814
00:49:27,666 --> 00:49:29,966
I really like that. Okay.
815
00:49:30,866 --> 00:49:34,200
Now if I take the opacity down,
we're not going to have that problem
816
00:49:34,200 --> 00:49:36,133
of it disappearing.
817
00:49:39,666 --> 00:49:41,700
And that looks pretty cool.
818
00:49:43,133 --> 00:49:44,666
Yeah, I like that.
819
00:49:44,666 --> 00:49:46,466
All right, that's it.
820
00:49:46,466 --> 00:49:47,833
We're done.
821
00:49:47,966 --> 00:49:50,400
Let's go to File Save.
822
00:49:51,600 --> 00:49:53,966
We're going to call this water
bottle count.
823
00:49:55,633 --> 00:49:56,900
Okay.
824
00:50:00,366 --> 00:50:01,500
And then we can do
825
00:50:01,500 --> 00:50:05,100
a file export save for web.
826
00:50:05,366 --> 00:50:08,500
Save us a nice jpeg.
827
00:50:08,833 --> 00:50:12,300
I'm going to keep it full resolution
to commando.
828
00:50:12,666 --> 00:50:14,066
Use JPEG high
829
00:50:15,800 --> 00:50:17,466
at save
830
00:50:18,566 --> 00:50:20,766
go to our water bottle folder
831
00:50:20,766 --> 00:50:23,233
and save a JPEG.
832
00:50:23,500 --> 00:50:24,600
And there you go.
833
00:50:24,600 --> 00:50:26,833
That finishes that
834
00:50:30,833 --> 00:50:32,866
In this lesson,
we're going to take a photo
835
00:50:32,866 --> 00:50:36,566
I took at Yosemite,
and we're going to clean that up a bit.
836
00:50:36,600 --> 00:50:39,600
We're going to get rid of some foreground
elements that I don't want,
837
00:50:40,066 --> 00:50:44,400
and we're going to add a flare
and then color grade the whole image.
838
00:50:44,733 --> 00:50:46,500
So let's get started
839
00:50:51,366 --> 00:50:51,666
All right.
840
00:50:51,666 --> 00:50:54,600
Let's go to File Open.
841
00:50:54,600 --> 00:50:56,966
I'm going to go to the folder called 09
842
00:50:56,966 --> 00:51:00,333
Yosemite and select the camera.
843
00:51:00,333 --> 00:51:01,333
I'll file
844
00:51:02,333 --> 00:51:05,433
this this is a photo I took in Yosemite.
845
00:51:05,433 --> 00:51:10,700
It was right during the fires,
so I had a lot of smoke in the air.
846
00:51:11,000 --> 00:51:12,933
But I do like this image.
847
00:51:12,933 --> 00:51:17,366
A few things I want to do
is kind of highlight this flare here.
848
00:51:17,666 --> 00:51:19,800
Add a little more detail back in here.
849
00:51:19,800 --> 00:51:21,666
Get rid of this branch here.
850
00:51:22,933 --> 00:51:25,533
And also
get a little more color into here.
851
00:51:25,766 --> 00:51:30,133
So first,
let's make our corrections in camera
852
00:51:30,633 --> 00:51:33,700
and go ahead
and turn on the enable profile.
853
00:51:34,566 --> 00:51:40,666
And we're going to select our lens here.
854
00:51:41,100 --> 00:51:42,933
There you have it's
855
00:51:44,066 --> 00:51:46,466
and let's go here
856
00:51:47,300 --> 00:51:49,933
and take down the highlights.
857
00:51:49,933 --> 00:51:52,266
This is a case where deejays actually
858
00:51:53,466 --> 00:51:56,666
work in our favor over here
859
00:51:59,166 --> 00:52:00,733
There you go.
860
00:52:01,866 --> 00:52:03,500
And I'm
861
00:52:03,500 --> 00:52:06,566
also going to go ahead
and make a radio filter
862
00:52:07,433 --> 00:52:11,200
for this tree here.
863
00:52:11,733 --> 00:52:12,733
And let's
864
00:52:12,733 --> 00:52:16,133
go ahead and reset the local correction.
865
00:52:16,133 --> 00:52:19,166
Let's do a range mask on luminance
866
00:52:20,366 --> 00:52:23,133
and I want to visualize the luminance map
867
00:52:24,633 --> 00:52:27,566
and make it just cover the tree there.
868
00:52:27,566 --> 00:52:31,733
So it's pretty nice right there.
869
00:52:37,266 --> 00:52:38,100
Good.
870
00:52:38,233 --> 00:52:40,866
All right. Let's turn that off.
871
00:52:40,866 --> 00:52:42,833
Let's go to exposure and bring that up
872
00:52:44,600 --> 00:52:46,433
and maybe a little contrast, too,
873
00:52:46,433 --> 00:52:49,866
because we do have this sun that's
going to be peeking through it there.
874
00:52:50,500 --> 00:52:52,533
That looks pretty nice.
875
00:52:53,066 --> 00:52:57,100
So let's hit escape
and let's go back on the tour.
876
00:52:57,100 --> 00:52:58,266
I'm going to create a new one.
877
00:52:58,266 --> 00:53:00,633
I want to reset that local correction.
878
00:53:00,633 --> 00:53:02,966
It's going to do it in this area.
879
00:53:02,966 --> 00:53:06,300
See if maybe we can get
a little more in there
880
00:53:06,300 --> 00:53:08,633
with the haze
881
00:53:10,500 --> 00:53:12,166
I want to overdo it
882
00:53:12,166 --> 00:53:15,533
because I kind of do like that hazy look,
maybe
883
00:53:15,533 --> 00:53:17,866
just plus nine
884
00:53:20,066 --> 00:53:21,766
looks pretty nice.
885
00:53:21,766 --> 00:53:25,633
And what I may also want to do
is just push a little more blue into there
886
00:53:26,300 --> 00:53:29,600
so it doesn't look so much like
887
00:53:29,600 --> 00:53:31,800
it was a smoke.
888
00:53:33,400 --> 00:53:36,133
But that, I think is pretty nice.
889
00:53:36,133 --> 00:53:39,733
Now let's open object
and do some Photoshop work with it.
890
00:53:41,366 --> 00:53:44,266
So first thing
I want to do is get rid of this branch.
891
00:53:44,400 --> 00:53:47,500
Let's go ahead and make a copy of this
layer and a rest.
892
00:53:47,500 --> 00:53:48,633
Or is it
893
00:53:49,700 --> 00:53:52,800
and I'm going to select the patch tool
894
00:53:55,000 --> 00:53:57,266
Let's zoom in a little here.
895
00:53:57,266 --> 00:54:01,833
Spacebar Command, select
this branch option
896
00:54:02,200 --> 00:54:05,733
to do a little polygon or
897
00:54:08,700 --> 00:54:10,466
and let's move it.
898
00:54:10,466 --> 00:54:14,566
And I'm looking at the top here
just using the bottom of that branch
899
00:54:15,933 --> 00:54:19,333
to make that part
look convincing problems.
900
00:54:20,700 --> 00:54:21,766
We got that in there.
901
00:54:21,766 --> 00:54:22,133
All right.
902
00:54:22,133 --> 00:54:25,866
So we got to move it at least to here.
903
00:54:27,033 --> 00:54:30,833
And I guess I'll match the rock
and then fixed
904
00:54:30,833 --> 00:54:35,166
the branch has its own little elements
here.
905
00:54:37,166 --> 00:54:40,166
Like they're good
906
00:54:42,300 --> 00:54:43,866
all right.
907
00:54:44,033 --> 00:54:45,666
That looks pretty good.
908
00:54:45,666 --> 00:54:47,400
If you hadn't seen it before, you wouldn't
know.
909
00:54:47,400 --> 00:54:48,300
Is there?
910
00:54:48,300 --> 00:54:52,166
Although there is a little bump there,
we could probably get rid of select
911
00:54:52,166 --> 00:54:55,466
that just this to there.
912
00:54:55,966 --> 00:54:56,800
That looks good.
913
00:54:58,766 --> 00:55:00,366
All right.
914
00:55:00,366 --> 00:55:01,766
Next,
915
00:55:02,533 --> 00:55:05,066
we're going to add a flare in here.
916
00:55:05,066 --> 00:55:08,333
So I'm going to go to file place embedded
917
00:55:09,433 --> 00:55:10,666
and pick a flare.
918
00:55:10,666 --> 00:55:14,500
19 here from the same folder.
919
00:55:14,533 --> 00:55:18,100
And as you probably guessed,
920
00:55:18,100 --> 00:55:20,366
we're going to change this to screen.
921
00:55:21,366 --> 00:55:23,433
Now we have a floating flare.
922
00:55:23,533 --> 00:55:26,000
Let's put that right there.
923
00:55:26,000 --> 00:55:28,733
I do command to want to make sure
924
00:55:28,733 --> 00:55:31,800
that anchor point is right there.
925
00:55:32,666 --> 00:55:35,033
So if you option click,
926
00:55:35,033 --> 00:55:38,666
it'll also place your anchor point
a little easier than trying
927
00:55:38,666 --> 00:55:42,000
to figure out where it is
and dragging it just option click.
928
00:55:43,066 --> 00:55:45,433
All right, then, while
still holding option, I'm
929
00:55:45,433 --> 00:55:48,266
going to drag this out
930
00:55:49,300 --> 00:55:52,366
to about there.
931
00:55:52,366 --> 00:55:54,533
So about 138
932
00:55:55,566 --> 00:55:58,000
now you'll see these lines
I don't like those.
933
00:55:58,166 --> 00:56:01,866
So what we're going to do is filter blur.
934
00:56:02,166 --> 00:56:05,533
Got simpler and this will blur it.
935
00:56:05,600 --> 00:56:07,966
Now we don't want to overdo the Blur.
936
00:56:07,966 --> 00:56:09,766
That's way too much.
937
00:56:09,766 --> 00:56:12,400
We just want to do it
until we can't see these lines anymore.
938
00:56:15,000 --> 00:56:16,666
So about seven.
939
00:56:16,666 --> 00:56:17,800
There you go.
940
00:56:18,966 --> 00:56:20,300
That looks quite nice.
941
00:56:20,300 --> 00:56:22,066
Next we're going to do file placement.
942
00:56:22,066 --> 00:56:23,433
But it again
943
00:56:24,000 --> 00:56:27,366
and I'm going to select the next one. 37
944
00:56:30,000 --> 00:56:31,733
and we're going to do the same thing.
945
00:56:31,733 --> 00:56:34,300
Change it to screen
946
00:56:34,366 --> 00:56:39,166
move it up to there
the command to this one.
947
00:56:39,166 --> 00:56:41,400
The anchor points already
in the center of the flare
948
00:56:42,366 --> 00:56:44,766
I move this one out
949
00:56:44,766 --> 00:56:47,666
to about there
950
00:56:49,433 --> 00:56:51,500
Now that's probably a little overkill.
951
00:56:51,900 --> 00:56:55,200
It's the command
to let's make that a little smaller
952
00:56:58,500 --> 00:56:59,166
there.
953
00:56:59,166 --> 00:57:03,233
And I kind of like the sharpness of this,
although I don't like these right
954
00:57:03,233 --> 00:57:04,733
here. So.
955
00:57:05,133 --> 00:57:09,700
Another advantage with being a smart
object is we can go filter.
956
00:57:10,000 --> 00:57:11,700
Gottemoeller
957
00:57:12,533 --> 00:57:14,733
if you do this, by the way, filter this
958
00:57:14,733 --> 00:57:19,033
it will apply the effect
but with the last settings you use.
959
00:57:19,033 --> 00:57:20,800
So that's a nice little feature.
960
00:57:20,800 --> 00:57:23,533
Now, I can increase that
until I don't see those anymore
961
00:57:24,000 --> 00:57:27,833
and you'll see that
it's created a smart filters mask.
962
00:57:27,833 --> 00:57:29,466
So if I fill this with black,
963
00:57:30,500 --> 00:57:33,366
which I can do by going edits, fill
964
00:57:33,866 --> 00:57:36,600
background color shortcut
for that by the way
965
00:57:36,600 --> 00:57:40,133
is command delete.
966
00:57:40,133 --> 00:57:42,266
So you can see now nothing is blurred.
967
00:57:42,366 --> 00:57:45,466
And if I just go on my brush tool,
which is be
968
00:57:46,566 --> 00:57:48,566
make sure I'm white as my foreground
969
00:57:48,566 --> 00:57:51,400
color, I do control option.
970
00:57:51,800 --> 00:57:53,666
Let's make my version bigger.
971
00:57:53,666 --> 00:57:57,400
Make sure the hardness is on zero
increase that opacity.
972
00:57:57,400 --> 00:58:02,200
And I'm just going to paint out that line
there and maybe this line there.
973
00:58:02,200 --> 00:58:04,366
So that's blurred. Everything else is not.
974
00:58:04,966 --> 00:58:07,533
It's another great advantage
to smart objects.
975
00:58:09,266 --> 00:58:11,766
Like Smart Objects
is probably the biggest leap
976
00:58:12,133 --> 00:58:14,200
Photoshop has made in the last ten years.
977
00:58:19,300 --> 00:58:20,866
There you go.
978
00:58:21,666 --> 00:58:23,333
All right. So that looks pretty nice.
979
00:58:23,333 --> 00:58:26,700
Now I want to add a vignette So
980
00:58:26,866 --> 00:58:30,433
you know how to add a vignette in camera.
981
00:58:30,500 --> 00:58:35,133
I'm going to show you a couple tricks
on how to add a vignette in Photoshop.
982
00:58:35,666 --> 00:58:39,133
So quick and dirty way is simply make
983
00:58:39,133 --> 00:58:42,133
a circle from the center of your image
going out.
984
00:58:42,166 --> 00:58:44,500
I'm holding down options.
So it's going from the center
985
00:58:46,700 --> 00:58:48,366
and I can drag that.
986
00:58:48,366 --> 00:58:50,933
So it's nice and centered there like that.
987
00:58:52,766 --> 00:58:56,400
And then go to select inverse
988
00:58:57,366 --> 00:58:59,900
and then add a curves layer
989
00:59:02,966 --> 00:59:05,800
and then just bring down the curve.
990
00:59:05,800 --> 00:59:07,966
Oh, now it looks like a frame,
991
00:59:08,566 --> 00:59:12,700
but easy enough with our mass selected
we can go to Filter,
992
00:59:12,833 --> 00:59:16,633
Blur, Gas, and blur and just blur that.
993
00:59:16,966 --> 00:59:19,133
It's kind of like setting our feather
there
994
00:59:21,266 --> 00:59:22,133
One thing I do like
995
00:59:22,133 --> 00:59:25,233
about doing it with a curve is
996
00:59:25,500 --> 00:59:28,366
I can make the darks a little even darker,
997
00:59:28,566 --> 00:59:31,500
and I can also go into the blue here
998
00:59:31,966 --> 00:59:34,900
and just add a little blue
999
00:59:34,900 --> 00:59:37,833
into those areas there
1000
00:59:38,166 --> 00:59:40,900
and also into the reds
1001
00:59:40,900 --> 00:59:43,000
just add a little more cyan to.
1002
00:59:44,700 --> 00:59:47,966
So that looks pretty nice.
1003
00:59:47,966 --> 00:59:48,400
All right.
1004
00:59:48,400 --> 00:59:52,733
And then I want to add a color grade
over the whole thing.
1005
00:59:53,166 --> 00:59:55,833
Now, I've already shown you how actually,
1006
00:59:55,833 --> 00:59:58,833
before I do that, I want to get rid
of this greenish color here
1007
00:59:59,266 --> 01:00:02,800
and to show you
how to do that with selective color.
1008
01:00:03,833 --> 01:00:05,466
We haven't discussed yet.
1009
01:00:05,466 --> 01:00:10,166
So selective color
allows you to adjust the C mark values
1010
01:00:11,366 --> 01:00:13,133
in a color range.
1011
01:00:13,133 --> 01:00:15,300
So this is kind of an awkward blue.
1012
01:00:15,566 --> 01:00:17,966
Let's go to our science.
1013
01:00:17,966 --> 01:00:19,400
Drag down the cyan.
1014
01:00:19,400 --> 01:00:21,966
You can see how that's changing there.
1015
01:00:21,966 --> 01:00:25,600
And maybe increase the magenta.
1016
01:00:26,966 --> 01:00:29,000
Take down the yellow some.
1017
01:00:29,000 --> 01:00:32,333
Now for areas like this
where the color is quite subtle,
1018
01:00:32,333 --> 01:00:35,800
you can also go into the whites
1019
01:00:36,333 --> 01:00:39,166
target those areas
1020
01:00:40,833 --> 01:00:42,933
That looks pretty nice there.
1021
01:00:42,933 --> 01:00:48,100
And again, because this has a mask, I can
fill the mask with Black Command delete.
1022
01:00:48,133 --> 01:00:52,033
So with my background color
and then be for brush
1023
01:00:52,433 --> 01:00:55,433
and then just paint in the areas
that I want to target
1024
01:00:57,966 --> 01:01:01,600
and now that it's masked, I can also be
a little more aggressive here.
1025
01:01:01,600 --> 01:01:04,900
I can go to the neutrals
and pull out some of that yellow
1026
01:01:04,900 --> 01:01:08,033
as well and get a little
more of a blue color there.
1027
01:01:09,000 --> 01:01:11,600
And you can see we've got a little purple
happening there.
1028
01:01:11,633 --> 01:01:16,800
So what I could do here is maybe go to
my quick selection to sample all layers,
1029
01:01:17,200 --> 01:01:21,733
just select that, select my mask,
and then fill my selection with black.
1030
01:01:22,633 --> 01:01:25,233
Again, that's command delete.
1031
01:01:25,766 --> 01:01:26,533
And there you go.
1032
01:01:26,533 --> 01:01:29,166
We got rid of the top of that.
1033
01:01:29,333 --> 01:01:30,233
Okay.
1034
01:01:30,233 --> 01:01:34,266
So now to apply a color grade
to the whole thing,
1035
01:01:35,966 --> 01:01:37,666
I did show you how to add a color grade
1036
01:01:37,666 --> 01:01:41,466
with a curve,
and we quickly do it that way.
1037
01:01:41,466 --> 01:01:44,900
But that would be
just going to the blue here.
1038
01:01:44,900 --> 01:01:49,566
This kind of my favorite quick grade
just doing this.
1039
01:01:50,233 --> 01:01:52,633
I could even do, like, a little less
curve there.
1040
01:01:52,633 --> 01:01:56,566
That gives you that nice, shadowy
blue and warm.
1041
01:01:57,433 --> 01:01:59,933
Maybe pump up the red
just a tiny bit there.
1042
01:02:00,466 --> 01:02:02,533
But I want to show you a different way
to do it.
1043
01:02:02,900 --> 01:02:05,533
So let's go ahead and throw that away.
1044
01:02:05,533 --> 01:02:07,833
I'm going to go to gradient map.
1045
01:02:08,566 --> 01:02:11,666
So what gradient map does is
it applies a gradient
1046
01:02:12,300 --> 01:02:14,700
across the luminance of your image.
1047
01:02:15,433 --> 01:02:18,266
So in this case,
if I click on the gradients here
1048
01:02:18,866 --> 01:02:21,900
and see if I select black and white, it's
going to do a black and white.
1049
01:02:22,200 --> 01:02:25,066
But if I select something like this right
where it's
1050
01:02:25,066 --> 01:02:28,633
going from a purple to an orange,
this is too saturated.
1051
01:02:28,766 --> 01:02:30,633
Let's go ahead and hit. Okay.
1052
01:02:30,633 --> 01:02:34,700
And then change the
blending mode to soft light.
1053
01:02:35,833 --> 01:02:36,166
You can
1054
01:02:36,166 --> 01:02:39,266
see it's applying that as a color grade.
1055
01:02:40,166 --> 01:02:43,066
Now, that's too strong,
but let's go ahead and adjust this.
1056
01:02:43,066 --> 01:02:47,166
So if I click here on the gradient,
I've got my color selector here.
1057
01:02:47,200 --> 01:02:50,166
I want to bring this to a bluer color
and then make it
1058
01:02:50,166 --> 01:02:52,166
a lighter blue
1059
01:02:53,700 --> 01:02:56,000
Generally,
you want to be in this band here.
1060
01:02:56,000 --> 01:02:57,400
So this middle band where it's
1061
01:02:57,400 --> 01:03:01,233
not going to affect the luminance,
but it will affect the color
1062
01:03:01,233 --> 01:03:04,766
and more saturated here
less saturated here.
1063
01:03:05,300 --> 01:03:07,300
If you go too much
this way, you're brightening it.
1064
01:03:07,300 --> 01:03:09,333
If you got too much
this way, you're darkening darken again.
1065
01:03:09,366 --> 01:03:12,733
So just this kind of band right here
is where you want to be
1066
01:03:13,833 --> 01:03:16,300
let's go to about there
1067
01:03:16,300 --> 01:03:18,500
and let's do the same with that orange.
1068
01:03:18,900 --> 01:03:21,766
Maybe push a little
bit toward a golden color
1069
01:03:24,033 --> 01:03:26,966
and this one maybe even a little brighter
1070
01:03:27,800 --> 01:03:30,200
or more saturated.
1071
01:03:30,800 --> 01:03:31,166
Okay.
1072
01:03:31,166 --> 01:03:35,700
So there you can see with one layer,
we're kind of giving the whole image
1073
01:03:35,700 --> 01:03:36,666
more of a grade.
1074
01:03:36,666 --> 01:03:37,500
There
1075
01:03:40,066 --> 01:03:40,466
if you want
1076
01:03:40,466 --> 01:03:42,866
that to be stronger,
you can also put it on overlay.
1077
01:03:43,700 --> 01:03:46,533
But I think soft light
looks the most natural.
1078
01:03:46,533 --> 01:03:51,200
So I kind of want to leave that as is
And then finally, one more little trick
1079
01:03:51,866 --> 01:03:54,833
that is a loop back to camera.
1080
01:03:55,200 --> 01:03:58,233
And that's if you make a layer at the top
and you hold down
1081
01:03:58,233 --> 01:04:00,800
shift option command E,
1082
01:04:01,400 --> 01:04:05,366
that is going to copy
all your layers into a single layer.
1083
01:04:05,666 --> 01:04:10,266
I can then go to filter camera
and in here,
1084
01:04:10,600 --> 01:04:12,933
just maybe punch up the warmth,
1085
01:04:14,200 --> 01:04:16,800
increase my contrast
1086
01:04:16,800 --> 01:04:21,466
a bit and add a little bit of clarity,
a little bit of texture.
1087
01:04:22,666 --> 01:04:26,033
And that's going to give the whole image
a bit of a punch.
1088
01:04:26,066 --> 01:04:29,500
If you don't want to do that temperature,
you can leave that at zero,
1089
01:04:29,500 --> 01:04:35,666
but then go into the split,
turning out a little more yellow there
1090
01:04:36,100 --> 01:04:38,200
and a little more blue here.
1091
01:04:40,933 --> 01:04:41,300
Ahead.
1092
01:04:41,300 --> 01:04:42,733
Okay.
1093
01:04:43,366 --> 01:04:44,800
You can see them before and after.
1094
01:04:44,800 --> 01:04:47,100
There is just punching up the whole image.
1095
01:04:47,100 --> 01:04:49,166
So I'm happy with that.
1096
01:04:49,166 --> 01:04:52,633
If we hold down option,
you can see the before and after
1097
01:04:53,900 --> 01:04:54,900
kind of gives the whole thing
1098
01:04:54,900 --> 01:04:58,800
a little more of a painterly
look is probably overdone to be.
1099
01:04:58,800 --> 01:05:02,866
To be fair,
but if that's the look you're going for,
1100
01:05:03,933 --> 01:05:05,300
well, there you have it.
1101
01:05:05,300 --> 01:05:08,433
Otherwise, hopefully you've learned
some good techniques.
1102
01:05:08,433 --> 01:05:11,666
Let's go ahead and hit Save.
1103
01:05:11,666 --> 01:05:13,500
And we're going to call this here.
1104
01:05:13,500 --> 01:05:14,366
Some of the comp
1105
01:05:19,200 --> 01:05:21,433
and then we're going to go to export
1106
01:05:21,600 --> 01:05:23,366
save for Web
1107
01:05:26,066 --> 01:05:28,800
two, command zero
1108
01:05:30,900 --> 01:05:33,100
and that looks pretty nice.
1109
01:05:36,666 --> 01:05:40,166
Let's go ahead and head save
1110
01:05:41,066 --> 01:05:43,700
save that JPEG
1111
01:05:44,300 --> 01:05:47,066
and we can close our file
1112
01:05:50,966 --> 01:05:51,300
all right.
1113
01:05:51,300 --> 01:05:56,100
In this next project, we're going to take
this photo of the San Francisco coast
1114
01:05:56,433 --> 01:06:00,500
and we're going to replace the sky,
get rid of the people in the photo
1115
01:06:00,866 --> 01:06:04,733
and also just adjust everything
so that we go
1116
01:06:04,733 --> 01:06:07,966
from this to this All right.
1117
01:06:07,966 --> 01:06:09,766
Let's get started.
1118
01:06:14,200 --> 01:06:14,633
All right.
1119
01:06:14,633 --> 01:06:17,833
Let's head open
and we're going to open the file called
1120
01:06:17,833 --> 01:06:20,166
Trail to the Beach
1121
01:06:21,166 --> 01:06:21,700
Okay.
1122
01:06:21,700 --> 01:06:24,600
First,
let's make some corrections in here.
1123
01:06:24,866 --> 01:06:30,000
First thing we need to do is fix the fact
that everything is in our highlights.
1124
01:06:30,966 --> 01:06:33,200
And our shadow area.
1125
01:06:34,266 --> 01:06:35,566
One other trick here is
1126
01:06:35,566 --> 01:06:38,500
you can click and drag here
1127
01:06:40,166 --> 01:06:41,900
think I mentioned that earlier,
1128
01:06:41,900 --> 01:06:44,000
and we can click and drag here to
1129
01:06:46,100 --> 01:06:48,133
that's if you want to get more familiar
1130
01:06:48,133 --> 01:06:53,733
with the histogram, just practice
making some changes in there.
1131
01:06:54,233 --> 01:06:54,633
All right.
1132
01:06:54,633 --> 01:06:57,266
Let's add some control just
1133
01:06:57,266 --> 01:07:00,600
let's add some clarity
1134
01:07:00,866 --> 01:07:03,533
just a tiny bit
and let's add some vibrance.
1135
01:07:04,466 --> 01:07:07,700
What I want to do here is I want to
get rid of the people on the beach.
1136
01:07:07,700 --> 01:07:09,333
I want to get rid of him.
1137
01:07:09,333 --> 01:07:11,600
I want to get rid of this here.
1138
01:07:11,600 --> 01:07:14,900
So we have a cleaner looking image,
but we're going to do that in Photoshop.
1139
01:07:16,200 --> 01:07:18,200
And I'm also going to replace the sky.
1140
01:07:18,200 --> 01:07:20,500
So I don't want
to worry too much about that.
1141
01:07:22,166 --> 01:07:25,666
Let's go ahead and hit open
1142
01:07:26,966 --> 01:07:27,933
and first thing's
1143
01:07:27,933 --> 01:07:30,033
first,
let's make a copy of earlier commands.
1144
01:07:31,766 --> 01:07:34,500
We're going to restorations this
1145
01:07:34,733 --> 01:07:36,166
and let's go ahead
1146
01:07:36,166 --> 01:07:39,100
and get rid of the objects first.
1147
01:07:39,200 --> 01:07:41,833
When I zoom in here
1148
01:07:41,933 --> 01:07:44,433
and let's use our patch tool,
1149
01:07:44,433 --> 01:07:47,933
make a selection This
1150
01:07:50,933 --> 01:07:53,433
and let's zoom in here.
1151
01:07:54,566 --> 01:07:58,000
Make a selection around him.
1152
01:08:02,700 --> 01:08:06,200
And maybe use this as kind of
1153
01:08:09,000 --> 01:08:11,166
something in between there and then go
1154
01:08:14,666 --> 01:08:18,066
and let's get rid of these people here.
1155
01:08:32,200 --> 01:08:34,766
I don't like this repeat going on here.
1156
01:08:35,266 --> 01:08:37,633
I might do here as just go on my
1157
01:08:38,800 --> 01:08:41,500
spot healing, make my brush a bit smaller
1158
01:08:42,233 --> 01:08:44,866
and just there you go.
1159
01:08:44,866 --> 01:08:49,400
And with how small these are,
I mean, I'm zoomed in quite a lot.
1160
01:08:49,433 --> 01:08:51,566
We might be able to just use our spot
1161
01:08:53,500 --> 01:08:54,333
yeah.
1162
01:08:54,466 --> 01:08:57,166
That works just fine.
1163
01:09:16,933 --> 01:09:17,500
All right.
1164
01:09:17,500 --> 01:09:19,433
That looks pretty nice.
1165
01:09:21,100 --> 01:09:21,400
All right.
1166
01:09:21,400 --> 01:09:26,000
Next, I want to replace this guy.
1167
01:09:26,033 --> 01:09:28,366
So first thing we need to do is selected
1168
01:09:30,233 --> 01:09:33,066
let's go to our quick selection tool
1169
01:09:33,066 --> 01:09:36,433
and select right around the edge there.
1170
01:09:38,133 --> 01:09:40,900
It's done a pretty good job
1171
01:09:41,066 --> 01:09:42,766
this is a straight line, so
1172
01:09:42,766 --> 01:09:45,766
that's going to be pretty easy to fix
with another selection tool.
1173
01:09:46,066 --> 01:09:47,733
Not going to worry about that quite yet.
1174
01:09:47,733 --> 01:09:51,233
Let's go to select a mask first.
1175
01:09:52,100 --> 01:09:56,466
And maybe just add this to our selection
1176
01:09:56,600 --> 01:09:59,433
or get rid of this in our selection.
1177
01:09:59,900 --> 01:10:02,233
See how it does there.
1178
01:10:02,233 --> 01:10:04,366
Yeah, it's not being awfully smart.
1179
01:10:05,233 --> 01:10:07,266
Let's turn our smart radius on.
1180
01:10:08,733 --> 01:10:11,866
Yeah, that's not improving at all.
1181
01:10:12,166 --> 01:10:17,366
All right, let's cancel out of that
and do it by hand.
1182
01:10:17,533 --> 01:10:22,200
Or just with a smaller version
of our selection tool.
1183
01:10:22,200 --> 01:10:23,300
Their option
1184
01:10:26,533 --> 01:10:28,866
so a little bit better.
1185
01:10:29,533 --> 01:10:30,433
Okay.
1186
01:10:30,433 --> 01:10:35,066
Now let's go select and mask Turner
in our smart radius.
1187
01:10:35,066 --> 01:10:38,700
Or increase that to, let's say, three hit.
1188
01:10:38,800 --> 01:10:40,066
Okay.
1189
01:10:43,666 --> 01:10:45,833
And I don't have my skin yet.
1190
01:10:45,833 --> 01:10:48,800
So what do I do with this selection?
1191
01:10:48,800 --> 01:10:53,166
Well, one thing I can do
is I can go to channels, add a layer,
1192
01:10:53,900 --> 01:10:57,633
and then fill this with my foreground car,
and to fill with foreground color,
1193
01:10:58,100 --> 01:11:00,933
it's pretty much the same as filling
with your background.
1194
01:11:00,933 --> 01:11:02,166
Color, which is command delete,
1195
01:11:02,166 --> 01:11:04,300
except for in this case,
you're going to do option delete.
1196
01:11:05,233 --> 01:11:05,900
And there you go.
1197
01:11:05,900 --> 01:11:07,966
I now have this as a selection.
1198
01:11:07,966 --> 01:11:10,733
I can always go back into my channels
and select it again.
1199
01:11:11,633 --> 01:11:14,066
That's a handy way to save a selection.
1200
01:11:14,800 --> 01:11:15,066
All right.
1201
01:11:15,066 --> 01:11:17,733
Next, let's go to File Place Embedded,
1202
01:11:18,800 --> 01:11:22,233
and I'm going to use this cloud skies. 03
1203
01:11:24,833 --> 01:11:29,833
and let's see here.
1204
01:11:31,433 --> 01:11:33,466
Let's hold down option.
1205
01:11:33,466 --> 01:11:35,700
Just drag this out. So
1206
01:11:37,700 --> 01:11:40,166
and drag this up
1207
01:11:40,333 --> 01:11:43,433
so that our horizon lines
are pretty similar.
1208
01:11:43,466 --> 01:11:45,566
Obviously, I can have these trees in there
1209
01:11:45,566 --> 01:11:48,533
so it's going to have to be down
to about there.
1210
01:11:49,333 --> 01:11:49,733
All right.
1211
01:11:49,733 --> 01:11:53,033
Now, we can go back to our channels,
hold down command, select
1212
01:11:53,800 --> 01:11:56,400
the thumbnail, which will make a selection
1213
01:11:57,266 --> 01:12:00,933
and then hit the mask
1214
01:12:01,233 --> 01:12:04,100
and I want to add a guide here
1215
01:12:04,100 --> 01:12:06,166
so that I can adjust this
1216
01:12:07,233 --> 01:12:10,566
while knowing where the ocean line is.
1217
01:12:10,566 --> 01:12:14,233
So what I'm going to do is I'm going to do
command are to show my ruler
1218
01:12:14,700 --> 01:12:17,666
and then to make a guide, I'm just going
to click on the ruler and drag down
1219
01:12:21,866 --> 01:12:24,866
now and I turn on this layer
1220
01:12:25,166 --> 01:12:29,133
I can unlink the mask
so that I'm adjusting only the layer
1221
01:12:29,133 --> 01:12:33,333
and not the mask,
the command to hold down shift.
1222
01:12:33,533 --> 01:12:34,400
Oops,
1223
01:12:35,933 --> 01:12:37,100
oh, okay.
1224
01:12:37,100 --> 01:12:39,866
So because this is already
1225
01:12:39,866 --> 01:12:42,266
no longer scaled
1226
01:12:42,266 --> 01:12:45,166
proportionately,
I don't have to continue holding shift.
1227
01:12:45,433 --> 01:12:47,433
I can just drag this like so
1228
01:12:51,833 --> 01:12:54,400
they probably there
and I can just get rid of that.
1229
01:12:55,333 --> 01:12:57,933
Okay, so I want to get rid of this.
1230
01:12:57,933 --> 01:13:00,700
And because this is a smart object,
I can double click it,
1231
01:13:01,066 --> 01:13:02,866
go down here
1232
01:13:03,866 --> 01:13:06,966
go on my patch tool,
1233
01:13:06,966 --> 01:13:10,633
select that, just drag it up here
1234
01:13:11,633 --> 01:13:14,066
to clean part of the sky like so
1235
01:13:16,000 --> 01:13:18,800
and there you go. Save
1236
01:13:20,900 --> 01:13:21,833
and there you go.
1237
01:13:21,833 --> 01:13:23,866
It's updated in there
1238
01:13:25,366 --> 01:13:26,166
okay.
1239
01:13:26,166 --> 01:13:30,233
And then in this here, I can go
1240
01:13:32,033 --> 01:13:32,700
and make
1241
01:13:32,700 --> 01:13:36,366
a straight up selection
like this, right to that guide
1242
01:13:36,500 --> 01:13:39,600
because I know where that's
I know that that's the horizon line.
1243
01:13:40,466 --> 01:13:43,266
Make sure I have my mouse selected
and then fill my selection
1244
01:13:43,266 --> 01:13:46,500
with Black Command delete
1245
01:13:46,833 --> 01:13:47,566
There you go.
1246
01:13:47,566 --> 01:13:51,866
That's to turn on and off
the guides its command semicolon.
1247
01:13:51,866 --> 01:13:53,866
So I want to turn those off.
1248
01:13:53,866 --> 01:13:55,133
I can also turn off the ruler.
1249
01:13:55,133 --> 01:13:57,566
Just command R again
1250
01:13:58,900 --> 01:13:59,333
okay.
1251
01:13:59,333 --> 01:14:01,766
So I like that sky. Obviously,
1252
01:14:03,000 --> 01:14:06,033
it makes no sense that this is brighter.
1253
01:14:06,033 --> 01:14:08,466
So first let's try putting it on screen.
1254
01:14:08,466 --> 01:14:10,500
That does not work at all.
1255
01:14:10,500 --> 01:14:13,733
So what we may do here
is keep it on normal.
1256
01:14:15,500 --> 01:14:17,966
But what I want to do is
I want to add a mask,
1257
01:14:18,333 --> 01:14:23,533
a gradient mass that makes the bottom here
close to the horizon, a lighter color.
1258
01:14:23,533 --> 01:14:28,533
So how do we do that without messing up
this nicely selected mask here?
1259
01:14:28,533 --> 01:14:30,300
Well, here's a nice trick.
1260
01:14:30,300 --> 01:14:33,600
Add a group
and then put this into the group
1261
01:14:33,966 --> 01:14:36,500
and then put a mask on the group.
1262
01:14:37,433 --> 01:14:42,333
Now I can go to my gradient tool G, hit X,
1263
01:14:42,333 --> 01:14:46,000
so my foreground colors black
start from there and just go up.
1264
01:14:47,200 --> 01:14:47,933
There you go.
1265
01:14:47,933 --> 01:14:52,300
So I now have those clouds,
but I also have my original horizon,
1266
01:14:52,300 --> 01:14:55,500
which kind of matches
what's happening here down in the water.
1267
01:14:57,166 --> 01:15:00,566
And that looks far more realistic,
kind of like that.
1268
01:15:01,166 --> 01:15:04,600
Maybe what I want to do now
is just add a vignette on the whole thing.
1269
01:15:05,466 --> 01:15:07,500
So let's go ahead. And
1270
01:15:08,933 --> 01:15:11,666
another way I can do a vignette
if I want one
1271
01:15:11,666 --> 01:15:15,900
that's more square, let's make a selection
across my whole image.
1272
01:15:16,333 --> 01:15:20,433
Go to select Modify further,
1273
01:15:21,400 --> 01:15:24,033
and this image is pretty large,
1274
01:15:24,033 --> 01:15:27,233
so I'm going to do 200
1275
01:15:28,033 --> 01:15:29,700
and what happened there?
1276
01:15:29,700 --> 01:15:32,900
Hang on, select Modify Feather
1277
01:15:35,666 --> 01:15:38,000
Apply Effect the canvas bounce go.
1278
01:15:39,500 --> 01:15:40,300
All right.
1279
01:15:40,300 --> 01:15:43,666
Make sure that layers not in the grouping,
just drag it out
1280
01:15:45,533 --> 01:15:45,900
all right.
1281
01:15:45,900 --> 01:15:49,466
So even that is really not not feathered
enough.
1282
01:15:49,466 --> 01:15:53,400
So let's do that modify feather.
1283
01:15:53,666 --> 01:15:55,933
Let's bring it up to 500.
1284
01:15:55,933 --> 01:15:57,566
This is going to add on the last time.
1285
01:15:57,566 --> 01:16:01,466
So this is not a changeable
something that I can go back
1286
01:16:01,466 --> 01:16:04,466
and change from 200 back to 50.
1287
01:16:06,366 --> 01:16:09,533
Now let's go to select inverse
1288
01:16:10,066 --> 01:16:13,733
and then add a curve
1289
01:16:13,800 --> 01:16:15,033
and you can see there
1290
01:16:15,033 --> 01:16:17,900
I now have a vignette around my image
1291
01:16:20,433 --> 01:16:23,633
I can also add to this vignette
1292
01:16:23,633 --> 01:16:28,233
if I want to just go on my curve
to make my color
1293
01:16:28,233 --> 01:16:32,433
white, I can drag down here
and vignette it in certain spots.
1294
01:16:32,433 --> 01:16:35,866
So if I want this to be more
the light source, I can just go in here
1295
01:16:35,866 --> 01:16:38,266
and kind of darken
this whole area of the image
1296
01:16:41,800 --> 01:16:45,400
and then what I may want to do
is just kind of brighten this curve.
1297
01:16:45,400 --> 01:16:51,400
I really like the fact that the trail here
is almost mirrored in this cloud.
1298
01:16:51,666 --> 01:16:53,333
I think that's nice.
1299
01:16:53,333 --> 01:16:56,366
I want to just bring a little more focus
on this trail here.
1300
01:16:56,400 --> 01:17:00,333
So what I'm going to do is go to my quick
selection,
1301
01:17:00,333 --> 01:17:04,500
make sure simple all layers is turned
on, and just do a real
1302
01:17:05,200 --> 01:17:08,666
kind of dirty selection of this path here.
1303
01:17:10,700 --> 01:17:12,133
And I'm holding down
1304
01:17:12,133 --> 01:17:15,100
option to subtract from the selection
here.
1305
01:17:17,433 --> 01:17:18,900
And there you go.
1306
01:17:18,900 --> 01:17:20,966
That's good enough.
1307
01:17:20,966 --> 01:17:23,466
Let's go on this layer here
1308
01:17:23,766 --> 01:17:26,466
and select subject
1309
01:17:28,000 --> 01:17:29,733
said, okay,
1310
01:17:31,400 --> 01:17:32,166
Oops.
1311
01:17:32,833 --> 01:17:34,766
Oh, sorry. I didn't want select subject.
1312
01:17:34,766 --> 01:17:36,633
I want to select a mask. All right.
1313
01:17:36,633 --> 01:17:39,566
And this I'm going to put the radius
really high
1314
01:17:43,366 --> 01:17:44,666
it's almost going to work
1315
01:17:44,666 --> 01:17:47,666
to kind of feather my effect there.
1316
01:17:47,666 --> 01:17:49,766
And I can also actually feather it here.
1317
01:17:54,300 --> 01:17:55,100
And let's head.
1318
01:17:55,100 --> 01:17:56,000
Okay.
1319
01:17:57,233 --> 01:17:59,900
And at the top here, I can add a curve
1320
01:18:02,500 --> 01:18:04,866
let's do commando.
1321
01:18:06,166 --> 01:18:09,200
So that's pretty nice like that.
1322
01:18:09,200 --> 01:18:11,700
I want to bring
the bottom of the curve to high,
1323
01:18:13,033 --> 01:18:14,933
but I can bring the top of it
1324
01:18:14,933 --> 01:18:17,633
higher like that
and then maybe add some yellow.
1325
01:18:18,000 --> 01:18:20,033
The opposite of blue is yellow.
1326
01:18:20,033 --> 01:18:23,700
So if I bring down yellow, it's
going to add some yellow there like that.
1327
01:18:24,800 --> 01:18:25,200
All right.
1328
01:18:25,200 --> 01:18:27,733
So that's really nice.
1329
01:18:28,133 --> 01:18:30,266
And then lastly, what I may do
1330
01:18:31,200 --> 01:18:34,733
is add a color grade at the top.
1331
01:18:35,066 --> 01:18:38,500
In this case, I really just want
to bring up the blue a tiny bit.
1332
01:18:39,200 --> 01:18:42,600
So we get blues in our shadows there
and maybe bring down the yellow.
1333
01:18:42,600 --> 01:18:44,866
Just just a hair.
1334
01:18:45,466 --> 01:18:48,066
Yeah, actually,
I kind of like the original better.
1335
01:18:48,933 --> 01:18:51,433
So I'm going to leave that as is.
1336
01:18:51,433 --> 01:18:53,600
We can get rid of that
1337
01:18:54,600 --> 01:18:54,966
actually.
1338
01:18:54,966 --> 01:18:57,666
Pretty happy with how it looks there.
1339
01:18:57,666 --> 01:18:58,800
All right. So there you go.
1340
01:18:58,800 --> 01:19:02,800
You can see how you can
clean things up and
1341
01:19:04,900 --> 01:19:07,066
add a new sky, get rid of things
1342
01:19:07,233 --> 01:19:10,900
and also punch up
specific parts of your image.
1343
01:19:11,666 --> 01:19:14,633
Let's go ahead and save this
1344
01:19:18,000 --> 01:19:19,400
icon at the end
1345
01:19:21,133 --> 01:19:29,600
of and let's go ahead and close this
106178
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