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These are the user uploaded subtitles that are being translated: 1 00:00:00,966 --> 00:00:02,066 In this lesson. 2 00:00:02,066 --> 00:00:06,166 We're going to create this fantasy composite and we're going to be 3 00:00:06,166 --> 00:00:10,900 diving quite heavily into layers, styles, and how to use those 4 00:00:10,900 --> 00:00:14,433 creatively in Photoshop to give 5 00:00:16,100 --> 00:00:17,800 an image depth 6 00:00:17,800 --> 00:00:21,600 and also how you can kind of layer up the layer styles 7 00:00:21,900 --> 00:00:26,333 and almost use them as their own layer stack on top of a layer. 8 00:00:26,666 --> 00:00:28,333 Let's get started 9 00:00:32,700 --> 00:00:33,033 All right. 10 00:00:33,033 --> 00:00:36,233 Let's go to File Open. 11 00:00:36,233 --> 00:00:38,733 We're going to start with the file called Vladimir 12 00:00:40,766 --> 00:00:42,033 And what I want to do 13 00:00:42,033 --> 00:00:45,633 is create kind of a fantasy composite. 14 00:00:46,200 --> 00:00:49,800 We're going to give her some wings, put some moons in the sky, 15 00:00:50,333 --> 00:00:52,866 add some kind of fairy dust, 16 00:00:53,533 --> 00:00:56,000 and then color grade the whole thing. 17 00:00:56,000 --> 00:00:56,366 All right. 18 00:00:56,366 --> 00:00:58,900 First, let's make a copy of our layer here. 19 00:00:59,566 --> 00:01:02,533 I want to get rid of this mermaid on our shirt. 20 00:01:03,333 --> 00:01:05,133 So let's go to the patch to 21 00:01:13,766 --> 00:01:16,866 drag this to a clean part of the shirt here. 22 00:01:17,333 --> 00:01:19,166 Right about there. 23 00:01:19,166 --> 00:01:21,333 Maybe get rid of this fold right there. 24 00:01:26,666 --> 00:01:29,066 And that should work 25 00:01:29,333 --> 00:01:29,733 next. 26 00:01:29,733 --> 00:01:32,566 Let's go to file open 27 00:01:32,566 --> 00:01:36,200 and we're going to open the yellow file, which is a butterfly. 28 00:01:36,933 --> 00:01:39,600 And I just want to take the wing. 29 00:01:39,600 --> 00:01:43,333 And for this selection, I'm going to use the pen to go ahead 30 00:01:43,333 --> 00:01:46,466 and select the pen tool and make sure you're up on path here 31 00:01:47,666 --> 00:01:48,966 and zoom in a little. 32 00:01:48,966 --> 00:01:52,100 And I start right here. Click 33 00:01:52,100 --> 00:01:54,166 and then click and drag 34 00:01:54,300 --> 00:01:57,000 to get that nice curve 35 00:01:57,966 --> 00:02:00,100 for anything that has curves like this. 36 00:02:01,566 --> 00:02:04,433 I always tend toward the pen tool 37 00:02:05,100 --> 00:02:07,466 because it gives me the most control 38 00:02:09,066 --> 00:02:12,433 of the curves that I'm going to have in my final 39 00:02:13,533 --> 00:02:16,433 mass or selection 40 00:02:17,766 --> 00:02:21,233 Now, I also have this nice ability of just going back here 41 00:02:21,233 --> 00:02:24,766 and adding and subtracting to my selection 42 00:02:24,766 --> 00:02:26,966 after the fact. 43 00:02:38,766 --> 00:02:40,200 That looks good. 44 00:02:40,566 --> 00:02:41,066 That's right. 45 00:02:41,066 --> 00:02:46,633 Mouse click make selection pointer to our point to feather it. 46 00:02:46,633 --> 00:02:47,700 Okay. 47 00:02:47,700 --> 00:02:50,133 To command to make that its own layer. 48 00:02:50,733 --> 00:02:55,066 We can just detach this counter move tool and drag that in here. 49 00:02:55,866 --> 00:02:59,966 And then if I go here, I can go ahead and just close this file. 50 00:03:01,200 --> 00:03:03,566 I'm going to convert this to a smart object. 51 00:03:03,600 --> 00:03:06,266 Call it wing 52 00:03:06,266 --> 00:03:08,433 call left wing 53 00:03:09,166 --> 00:03:11,166 and I want to desaturated a bit. 54 00:03:11,166 --> 00:03:13,166 So it's double clicking here. 55 00:03:13,166 --> 00:03:17,000 I'm going to go ahead and add a vibrance 56 00:03:17,133 --> 00:03:19,233 and just take down the vibrance here 57 00:03:20,400 --> 00:03:23,400 and take down the saturation just a bit to 58 00:03:25,200 --> 00:03:25,800 the nice thing 59 00:03:25,800 --> 00:03:30,533 about using vibrance for something like this is it retains the luminance 60 00:03:30,533 --> 00:03:34,766 information a little bit better than just using saturation. 61 00:03:34,766 --> 00:03:37,766 So if I used saturate ration, 62 00:03:37,766 --> 00:03:39,866 you can see I'm getting this kind of grainy look 63 00:03:42,533 --> 00:03:44,000 with Vibrance. 64 00:03:44,000 --> 00:03:47,500 It does a little bit of a better job. 65 00:03:47,500 --> 00:03:48,533 There you go. 66 00:03:48,600 --> 00:03:51,266 Let's go ahead and close that 67 00:03:52,000 --> 00:03:53,400 That looks better. 68 00:03:53,833 --> 00:03:54,300 All right. 69 00:03:54,300 --> 00:03:57,000 And I'm going to do Command T for Transform. 70 00:03:58,166 --> 00:04:01,200 Let's make that smaller 71 00:04:09,266 --> 00:04:09,766 panel. 72 00:04:09,766 --> 00:04:12,466 There is where I want it 73 00:04:13,300 --> 00:04:16,133 and then I'm going to make a copy of this layer. 74 00:04:16,166 --> 00:04:19,933 I can also make a copy of a layer by just holding option 75 00:04:20,200 --> 00:04:22,733 and then dragging it 76 00:04:23,000 --> 00:04:26,933 called this right wing conservative 77 00:04:29,000 --> 00:04:30,200 yuck. 78 00:04:30,266 --> 00:04:34,466 And then let's do a command to flip horizontal 79 00:04:37,200 --> 00:04:40,066 and bring that to where we want it. 80 00:04:40,333 --> 00:04:41,933 Just right about there. 81 00:04:41,933 --> 00:04:44,833 I don't want these to be exact mirrors of each other. 82 00:04:45,466 --> 00:04:49,166 So I think what I'm going to do is make this one a tiny bit bigger. 83 00:04:49,200 --> 00:04:54,566 So let's do command T, let's do option, click on where the base of the wing is. 84 00:04:54,566 --> 00:04:58,533 I'm just going to turn it a bit like this and then hold down command 85 00:04:58,533 --> 00:05:02,366 and just drag this these two points out a little bit. 86 00:05:04,100 --> 00:05:06,100 And then let's select 87 00:05:06,100 --> 00:05:10,833 this wing here, command to option, click there, 88 00:05:11,333 --> 00:05:14,066 maybe bring this one down just a tiny bit 89 00:05:16,300 --> 00:05:17,433 There you go. 90 00:05:18,566 --> 00:05:19,033 All right. 91 00:05:19,033 --> 00:05:22,866 And I want these on overlay 92 00:05:24,533 --> 00:05:25,300 and you'll 93 00:05:25,300 --> 00:05:29,400 notice on overlay that that color is even more brave, more vibrant. 94 00:05:29,400 --> 00:05:34,833 So I may go in here and just bring that vibrance down 95 00:05:34,833 --> 00:05:38,733 even more, maybe more D saturation as well. 96 00:05:39,666 --> 00:05:41,933 Let's go ahead and see how that looks 97 00:05:43,066 --> 00:05:44,500 That's better. 98 00:05:44,933 --> 00:05:45,433 Okay. 99 00:05:45,433 --> 00:05:49,300 And then I want to take both of these, put them in a group command G 100 00:05:49,500 --> 00:05:53,033 and then add a mask to the group called this group Wings. 101 00:05:54,300 --> 00:05:56,366 And what I want to do is 102 00:05:59,966 --> 00:06:01,933 paint out 103 00:06:01,933 --> 00:06:04,166 where her hair sits on top of these. 104 00:06:04,166 --> 00:06:08,800 So let's select a soft ground brush. 105 00:06:09,700 --> 00:06:12,866 I got smaller, put my opacity on 100, 106 00:06:14,133 --> 00:06:16,166 and then just paint it. 107 00:06:16,200 --> 00:06:19,833 I'm painting in the mask here, right where our hair is 108 00:06:24,000 --> 00:06:26,066 and maybe unlink of this 109 00:06:26,066 --> 00:06:29,400 maybe movement just a bit 110 00:06:29,666 --> 00:06:31,466 too about there. 111 00:06:31,666 --> 00:06:35,433 And with a with these on overlay, you're getting that effect 112 00:06:35,433 --> 00:06:38,466 where you're kind of seeing through her, which I like. 113 00:06:38,466 --> 00:06:38,833 All right. 114 00:06:38,833 --> 00:06:42,000 But that's pretty good for the wings. 115 00:06:42,000 --> 00:06:45,900 And now let's go file open 116 00:06:47,533 --> 00:06:47,933 and we're 117 00:06:47,933 --> 00:06:50,100 going to open the Neven the moon here. 118 00:06:50,933 --> 00:06:52,500 And I want to select the moon out. 119 00:06:52,500 --> 00:06:55,433 So I'm just going to use the round marquee tool 120 00:06:56,766 --> 00:06:59,666 and kind of select to about where the is 121 00:06:59,900 --> 00:07:03,800 hold down option and shift 122 00:07:03,800 --> 00:07:06,933 and that's about the right size. 123 00:07:06,933 --> 00:07:11,066 I realize it's off here after I've made this selection, I can always 124 00:07:11,066 --> 00:07:15,000 just move the selection by staying on the selection tool. 125 00:07:15,533 --> 00:07:18,533 If you go on the move tool and you start moving, you're going to cut it. 126 00:07:18,533 --> 00:07:19,366 You don't want that. 127 00:07:19,366 --> 00:07:22,966 Make sure you're on the selection tool when you try to move the selection. 128 00:07:24,200 --> 00:07:28,133 Also, another thing of notes is that you can right mouse click and transform 129 00:07:28,166 --> 00:07:32,600 a selection that will transform the selection independent 130 00:07:33,700 --> 00:07:35,066 of your pixels. 131 00:07:36,800 --> 00:07:38,533 It's a nice little feature there. 132 00:07:38,533 --> 00:07:42,000 Let's keep that a lot 133 00:07:44,400 --> 00:07:45,166 right about there. 134 00:07:45,166 --> 00:07:47,400 And I don't mind that it's cutting in. 135 00:07:47,400 --> 00:07:49,433 I just want to make sure it's not too far out. 136 00:07:50,233 --> 00:07:50,600 All right. 137 00:07:50,600 --> 00:07:53,100 So let's do Kemal and see 138 00:07:54,866 --> 00:07:56,833 and command 139 00:07:56,833 --> 00:08:00,266 the good old copy paste 140 00:08:02,366 --> 00:08:03,233 okay. 141 00:08:03,233 --> 00:08:06,833 So let's right mouse click and call, make that a smart object 142 00:08:07,066 --> 00:08:09,833 and call it Moon. 143 00:08:10,100 --> 00:08:11,700 I want to rotate it so 144 00:08:11,700 --> 00:08:14,966 that this is right about there. 145 00:08:17,100 --> 00:08:18,900 And now we're going to start using 146 00:08:18,900 --> 00:08:22,200 some layer effects to give this some volume. 147 00:08:23,300 --> 00:08:26,200 So our first assumption here 148 00:08:26,200 --> 00:08:28,833 is that the sun is probably somewhere around here 149 00:08:30,033 --> 00:08:31,900 just based on the light hitting her there 150 00:08:31,900 --> 00:08:34,233 and the light hitting there and on her foot. 151 00:08:35,000 --> 00:08:36,800 So that's what we're going to base that on. 152 00:08:36,800 --> 00:08:39,833 And what I want to do is kind of give this shadows, make it 153 00:08:39,833 --> 00:08:44,933 feel like it's floating in her environment as opposed to being far away 154 00:08:46,900 --> 00:08:50,366 So let's go to 155 00:08:50,833 --> 00:08:53,033 the inner shadow 156 00:08:53,033 --> 00:08:55,733 and I'm going to show you some tricks here. 157 00:08:56,533 --> 00:08:59,966 Let's go ahead and we're going to delete the ones 158 00:08:59,966 --> 00:09:01,866 that are there or 159 00:09:04,633 --> 00:09:04,766 you're 160 00:09:05,166 --> 00:09:09,066 just going to start fresh here and add a inner shadow. 161 00:09:09,333 --> 00:09:10,300 There you go. 162 00:09:10,666 --> 00:09:11,000 All right. 163 00:09:11,000 --> 00:09:15,666 So here's our default in our shadow, and you'll see if I make it bigger. 164 00:09:15,666 --> 00:09:18,233 You can see that shadow coming into the edges there 165 00:09:20,200 --> 00:09:25,700 and the nice thing about it is I can actually change its location. 166 00:09:25,966 --> 00:09:30,966 So let's take the sides down and you can see where that shadow is. 167 00:09:30,966 --> 00:09:33,500 So that's about where I want it, 168 00:09:33,500 --> 00:09:36,166 because I'm presuming the light's coming in this way. 169 00:09:36,600 --> 00:09:38,933 So maybe one 45 170 00:09:40,766 --> 00:09:43,300 or maybe actually one 50 is nice. 171 00:09:43,466 --> 00:09:45,466 So right about there. 172 00:09:45,466 --> 00:09:47,466 And then I can make it a little stronger. 173 00:09:47,666 --> 00:09:50,233 And then I want to increase the size of it quite a bit. 174 00:09:52,100 --> 00:09:54,266 Right about their 175 00:09:58,066 --> 00:10:01,033 I don't like that it's overlapping this line right there. 176 00:10:01,033 --> 00:10:04,433 So I may bring it in a little more. 177 00:10:04,433 --> 00:10:08,366 So right about there, and then we can change it 178 00:10:08,366 --> 00:10:12,133 back to one 50 179 00:10:12,133 --> 00:10:15,666 it's actually 180 00:10:16,633 --> 00:10:17,633 one 45 181 00:10:17,633 --> 00:10:20,333 actually looks nicer to me, so right about there. 182 00:10:20,733 --> 00:10:21,266 Okay. 183 00:10:21,266 --> 00:10:24,800 Now I want to add even more, so let's turn this off for now. 184 00:10:26,166 --> 00:10:30,600 And we're going to go to let's get rid of the ones that are here. 185 00:10:31,266 --> 00:10:33,266 We're going to add a gradient overlay. 186 00:10:34,266 --> 00:10:37,200 So this is our default gradient overlay here. 187 00:10:38,233 --> 00:10:42,400 I'm going to go to a black and white one and we're going to change it to radio. 188 00:10:43,366 --> 00:10:44,800 I'm going to reverse it 189 00:10:44,800 --> 00:10:48,833 so that I have a gradient going out from the middle and out. 190 00:10:48,866 --> 00:10:52,400 So you can probably guess where this is heading. 191 00:10:52,400 --> 00:10:54,533 I can click here and move this 192 00:10:57,366 --> 00:10:58,800 so that 193 00:10:58,800 --> 00:11:01,033 it's basically the highlight 194 00:11:02,766 --> 00:11:05,533 for our ball 195 00:11:05,733 --> 00:11:08,400 and then I can put this on multiply 196 00:11:11,166 --> 00:11:13,666 and take the opacity down. 197 00:11:14,333 --> 00:11:18,066 I can also make a copy of this and put it on overlay 198 00:11:19,166 --> 00:11:21,233 or soft light 199 00:11:21,666 --> 00:11:24,066 and that's going to give it even more volume 200 00:11:28,200 --> 00:11:29,733 And the other thing I want to do is 201 00:11:29,733 --> 00:11:32,633 I want to color the 202 00:11:35,666 --> 00:11:38,900 the moon with 203 00:11:39,266 --> 00:11:40,366 layer style here. 204 00:11:40,366 --> 00:11:44,466 So I'm going to click on Color Overlay, and here I'm just going to select 205 00:11:44,466 --> 00:11:47,600 a color from the background 206 00:11:48,133 --> 00:11:50,266 and then put this on color 207 00:11:53,166 --> 00:11:54,833 and maybe take the opacity down. 208 00:11:54,833 --> 00:11:58,666 So we have some of the original color showing through there. 209 00:11:58,666 --> 00:12:01,366 You can see it kind of fits better in our environment. 210 00:12:01,366 --> 00:12:02,033 There 211 00:12:04,766 --> 00:12:07,566 and let's go ahead and turn our shadow back on. 212 00:12:08,166 --> 00:12:10,600 So I like all that. I like what it's doing. 213 00:12:10,800 --> 00:12:15,566 The one other thing is because we're adding all these multipliers, 214 00:12:15,900 --> 00:12:19,266 it's making the black points of this layer too strong. 215 00:12:19,700 --> 00:12:21,366 So it now feels like it's 216 00:12:22,500 --> 00:12:24,066 very close to us. 217 00:12:24,066 --> 00:12:25,300 I want to push it back. 218 00:12:25,300 --> 00:12:29,400 And to do that, I need to put some atmospheric fog 219 00:12:29,400 --> 00:12:32,733 or kind of atmospheric depth on top of it. 220 00:12:33,266 --> 00:12:36,000 So to do that, I'm actually going to use 221 00:12:37,700 --> 00:12:40,300 let's see if we can do it with a color overlay. 222 00:12:40,966 --> 00:12:42,333 No, we can't. 223 00:12:42,333 --> 00:12:44,433 So there's 224 00:12:44,866 --> 00:12:47,500 the layer styles work 225 00:12:47,500 --> 00:12:49,933 as a layer stack in and of themselves. 226 00:12:49,933 --> 00:12:54,566 So this is stacked on top of this, which is stacked on top of this. 227 00:12:55,000 --> 00:12:58,066 And you can change the sequence of some of these. 228 00:12:58,733 --> 00:13:01,400 But other ones, such as color overlay, 229 00:13:01,433 --> 00:13:04,466 can never go underneath a gradient overlay, right? 230 00:13:04,500 --> 00:13:08,100 So what the sequence of these is fixed to a degree, 231 00:13:08,366 --> 00:13:12,566 but if you add more of a certain kind, which are the ones that have a plus mark, 232 00:13:12,833 --> 00:13:14,833 you can move those around. 233 00:13:14,833 --> 00:13:17,366 So in this case, I'm going to use 234 00:13:17,366 --> 00:13:20,900 an inner shadow because I can't use a color overlay. 235 00:13:21,300 --> 00:13:24,400 Now, fortunately, you know, just because the name of 236 00:13:24,400 --> 00:13:27,666 this is in her shadow, it doesn't mean that's all I can use it for. 237 00:13:27,700 --> 00:13:31,700 So let's go ahead and make a copy and it change this one to normal 238 00:13:31,700 --> 00:13:34,533 and just change the color to red for now so I can see it 239 00:13:35,233 --> 00:13:37,533 bring the opacity to 100 240 00:13:37,533 --> 00:13:40,833 and then I can move the inner shadow and there you go. 241 00:13:40,833 --> 00:13:43,600 It's now covering my entire ball. 242 00:13:43,600 --> 00:13:46,266 I can change the blend mode here to screen 243 00:13:47,266 --> 00:13:49,633 and then select 244 00:13:49,633 --> 00:13:52,100 the black color here 245 00:13:53,733 --> 00:13:55,633 and there you can see it's now 246 00:13:55,633 --> 00:13:58,600 adding some atmospheric depth on top of our ball 247 00:14:00,433 --> 00:14:02,400 and right about there looks good. 248 00:14:02,400 --> 00:14:06,033 And the beauty of this is because this is on top of the other layers, 249 00:14:07,366 --> 00:14:11,700 I have all the depth that I created with my layers 250 00:14:11,966 --> 00:14:16,300 but on top of the whole thing, I have kind of a fog that's 251 00:14:16,300 --> 00:14:20,166 throwing it further into the background that's going to drag it here. 252 00:14:20,166 --> 00:14:23,966 So it's under this wing and then just make it so well, 253 00:14:24,633 --> 00:14:26,966 no peeks at a little more there, 254 00:14:26,966 --> 00:14:30,366 but I'm happy with how that looks and you can see how we can use 255 00:14:30,366 --> 00:14:33,900 those layer styles to give this some depth. 256 00:14:34,466 --> 00:14:36,566 Next, I'm going to make a copy of this 257 00:14:38,066 --> 00:14:40,133 holding down option again and dragging it. 258 00:14:40,800 --> 00:14:43,833 I'm going to make this one significantly smaller 259 00:14:47,000 --> 00:14:48,566 and put it right there. 260 00:14:48,566 --> 00:14:53,100 Now, you'll notice that the effects did not scale properly. 261 00:14:54,033 --> 00:14:57,666 It looks like our main offender is the inner drop shadow. 262 00:14:57,666 --> 00:14:59,200 So let's go ahead. 263 00:14:59,200 --> 00:15:03,900 I'm going to turn off the global light so that when I move this one, it's 264 00:15:03,900 --> 00:15:06,733 not affecting this one. 265 00:15:07,100 --> 00:15:09,200 And let's take the size of it down. 266 00:15:10,800 --> 00:15:12,466 Yeah, there you go. 267 00:15:12,466 --> 00:15:13,933 Okay, so 268 00:15:14,633 --> 00:15:16,833 and in about there. Looks good. 269 00:15:16,833 --> 00:15:18,700 Bring it up on this one. 270 00:15:18,700 --> 00:15:21,500 I want the screen to be much stronger, 271 00:15:22,266 --> 00:15:25,200 so probably 272 00:15:27,366 --> 00:15:30,300 that's strong just because that one's really back 273 00:15:30,300 --> 00:15:34,766 and back in the distance there, maybe even stronger actually. 274 00:15:34,800 --> 00:15:35,933 Let's see. 275 00:15:37,066 --> 00:15:39,833 Yeah, even like that looks good. 276 00:15:39,833 --> 00:15:41,400 All right, let's hit. Okay, on that one. 277 00:15:42,800 --> 00:15:43,300 Next, 278 00:15:43,300 --> 00:15:45,933 I'm going to take one more and put it's 279 00:15:46,333 --> 00:15:48,866 kind of midway between this and this, 280 00:15:49,866 --> 00:15:53,700 so right about there. 281 00:15:54,166 --> 00:15:57,300 And also because all of these are layer 282 00:15:57,300 --> 00:16:00,066 effects stacked on top of this, they're actually not 283 00:16:01,166 --> 00:16:02,600 attached to the rotation. 284 00:16:02,600 --> 00:16:04,100 So I can rotate this. 285 00:16:04,100 --> 00:16:08,566 And you'll notice that my highlight is staying in the same place where 286 00:16:08,600 --> 00:16:11,800 I can create the effect that, you know, this isn't exactly 287 00:16:11,800 --> 00:16:14,500 the same planet as this 288 00:16:15,066 --> 00:16:18,866 probably do need to adjust my 289 00:16:19,266 --> 00:16:20,000 yeah. 290 00:16:20,066 --> 00:16:23,533 I need to adjust this guy again. 291 00:16:26,833 --> 00:16:28,333 Let's turn off Global Light 292 00:16:28,333 --> 00:16:31,466 so I'm not affecting the others 293 00:16:34,000 --> 00:16:36,333 that looks pretty nice. 294 00:16:37,100 --> 00:16:41,500 And on the screen, we're going to make this 295 00:16:43,466 --> 00:16:46,033 probably 296 00:16:50,400 --> 00:16:53,766 something around there, something in between 297 00:16:56,300 --> 00:16:59,000 probably even lighter 298 00:17:02,966 --> 00:17:03,866 and be like that 299 00:17:05,666 --> 00:17:06,033 yeah. 300 00:17:06,033 --> 00:17:08,200 That looks good. All right. 301 00:17:08,200 --> 00:17:11,633 And then finally, I'm going to make one that's huge 302 00:17:12,066 --> 00:17:14,366 in the corner here. 303 00:17:16,500 --> 00:17:18,033 And let's find 304 00:17:18,033 --> 00:17:21,933 that little interesting bit there maybe there 305 00:17:22,933 --> 00:17:24,500 that there 306 00:17:25,966 --> 00:17:27,666 for this one, I'm actually going 307 00:17:27,666 --> 00:17:29,800 to get rid of some of the effects 308 00:17:38,766 --> 00:17:40,433 yeah, probably. 309 00:17:40,433 --> 00:17:43,366 That looks pretty nice there. 310 00:17:43,366 --> 00:17:44,433 Okay. 311 00:17:46,633 --> 00:17:47,866 In this tutorial, 312 00:17:47,866 --> 00:17:51,533 I want to dove a little further into text in Photoshop 313 00:17:51,966 --> 00:17:57,233 and also how to recreate cool layer effects on techs. 314 00:17:57,466 --> 00:18:00,000 And to do that, we're going to create this 315 00:18:01,766 --> 00:18:04,100 poster for a Food Network 316 00:18:04,100 --> 00:18:07,133 show using images and using text. 317 00:18:07,133 --> 00:18:10,900 I'm also going to show you how to install fonts using the Adobe Typekit. 318 00:18:11,333 --> 00:18:12,900 Let's get started. 319 00:18:18,466 --> 00:18:19,100 All right. 320 00:18:19,100 --> 00:18:22,300 Let's go to File Open 321 00:18:22,300 --> 00:18:26,633 and we're going to go to the course assets. 322 00:18:26,766 --> 00:18:29,000 15 text and titling. 323 00:18:29,000 --> 00:18:31,366 We're going to open the file called Color Diet Food 324 00:18:33,466 --> 00:18:34,866 and we're going to turn this 325 00:18:34,866 --> 00:18:38,633 into a poster for a TV show 326 00:18:38,633 --> 00:18:40,900 called The Good Chef Project. 327 00:18:41,866 --> 00:18:44,800 So first thing I want to do is put some type here 328 00:18:45,733 --> 00:18:48,500 and let's go ahead and select that type tool 329 00:18:49,600 --> 00:18:55,300 and let's just type here, click and type. 330 00:18:55,300 --> 00:18:57,700 Good return, chef. 331 00:18:58,433 --> 00:19:00,933 Then I'm going to do command to select all my type. 332 00:19:00,933 --> 00:19:03,933 We're going to make this quite a bit bigger 300 333 00:19:05,766 --> 00:19:08,533 and I want to change the font. 334 00:19:08,666 --> 00:19:11,266 So let's go here 335 00:19:11,266 --> 00:19:13,633 up to the font I'm going to click on 336 00:19:13,633 --> 00:19:17,200 add fonts from Adobe Typekit. 337 00:19:17,200 --> 00:19:19,533 And there's two fonts I want. 338 00:19:19,533 --> 00:19:23,266 So let's search here the first one 339 00:19:24,266 --> 00:19:27,333 is called Madrona. 340 00:19:27,500 --> 00:19:31,166 So these are only 341 00:19:31,433 --> 00:19:32,933 and there it is. 342 00:19:32,933 --> 00:19:35,333 Let's view family 343 00:19:35,600 --> 00:19:38,166 and click activate one font here. 344 00:19:40,400 --> 00:19:41,533 And then the next font I 345 00:19:41,533 --> 00:19:43,633 want is called Cuisine. 346 00:19:46,466 --> 00:19:49,000 And let's view this family 347 00:19:50,100 --> 00:19:53,433 and activate this font 348 00:19:54,033 --> 00:19:57,300 and you'll see the little notice here that the font is activated. 349 00:19:57,300 --> 00:19:59,900 And now if I go in here 350 00:19:59,900 --> 00:20:02,466 and type in my drone, 351 00:20:02,966 --> 00:20:05,100 I've got that font 352 00:20:07,766 --> 00:20:09,933 so that's pretty good right there. 353 00:20:09,933 --> 00:20:12,666 Let's move a little bit to the right. 354 00:20:12,666 --> 00:20:15,566 I don't want as much space here between the two 355 00:20:16,100 --> 00:20:19,166 so I can go to my character tab here 356 00:20:19,166 --> 00:20:21,433 and change this from auto. 357 00:20:22,200 --> 00:20:25,700 Just change it to 300 358 00:20:26,233 --> 00:20:28,666 and let's make this a little bit bigger. 359 00:20:30,133 --> 00:20:32,866 And in order to the shortcut 360 00:20:32,866 --> 00:20:35,733 for making text bigger is shift command 361 00:20:36,100 --> 00:20:39,633 and then period and then comma makes it smaller. 362 00:20:39,633 --> 00:20:40,733 So shift 363 00:20:40,733 --> 00:20:44,966 command period to make the text bigger, shift command comma to make it smaller 364 00:20:46,433 --> 00:20:48,733 All right, let's move this over. 365 00:20:50,100 --> 00:20:52,600 Kind of want this knots here to be at the top. 366 00:20:53,566 --> 00:20:57,000 I want the claw and there and then I want these 367 00:20:57,000 --> 00:20:59,933 to overlap these kind of big lines of texture there. 368 00:21:00,733 --> 00:21:02,300 All right. So that looks pretty good. 369 00:21:02,300 --> 00:21:05,466 Next, we're going to use some layer blending or sorry 370 00:21:05,466 --> 00:21:08,333 layer effects to make this look like it's 371 00:21:09,500 --> 00:21:11,866 kind of engraved into the wood. 372 00:21:11,866 --> 00:21:12,233 All right. 373 00:21:12,233 --> 00:21:15,566 Let's go to layer effects blending options 374 00:21:18,033 --> 00:21:21,033 and we're going to turn on the Bevel and EMBOSS, 375 00:21:21,800 --> 00:21:24,066 and we're going to use an outer bevel. 376 00:21:25,433 --> 00:21:27,400 And outer bevel is going to create 377 00:21:27,400 --> 00:21:29,666 a bevel effect outside. 378 00:21:30,966 --> 00:21:34,333 If you do inner bevel, it'll put the bevel inside 379 00:21:35,000 --> 00:21:38,366 and then emboss will kind 380 00:21:38,366 --> 00:21:41,966 of span across the outside and the inside. 381 00:21:42,666 --> 00:21:46,433 And then pillar one boss will bevel in 382 00:21:47,433 --> 00:21:48,866 on the outside and 383 00:21:48,866 --> 00:21:51,933 then up on the inside. 384 00:21:52,766 --> 00:21:56,666 And then finally, a stroke emboss is if you put a stroke 385 00:21:56,766 --> 00:21:59,200 on, it'll just beveled the stroke. 386 00:22:00,033 --> 00:22:02,933 So in this case, 387 00:22:03,366 --> 00:22:06,066 I want to do a outer bevel 388 00:22:07,333 --> 00:22:09,966 so that the bevel is just outside of our letters there. 389 00:22:11,133 --> 00:22:13,066 And that controls 390 00:22:13,066 --> 00:22:16,700 how strong the effect is in this case. 391 00:22:16,700 --> 00:22:19,300 Let's do about 600. 392 00:22:19,300 --> 00:22:21,966 And then the size determines 393 00:22:22,133 --> 00:22:24,433 how big it goes out. 394 00:22:25,200 --> 00:22:27,466 This case, I want it to be about eight pixels. 395 00:22:28,133 --> 00:22:30,566 And then also the direction you can do down, 396 00:22:30,566 --> 00:22:34,166 which will give the effect of leveling it down or bubbling up. 397 00:22:34,533 --> 00:22:39,233 And obviously the light will affect whether it looks up or down 398 00:22:39,233 --> 00:22:42,866 because down is simply just doing this right 399 00:22:44,666 --> 00:22:46,166 I turned off Global Light. 400 00:22:47,233 --> 00:22:48,266 So if I move this 401 00:22:48,266 --> 00:22:51,666 around and I have effects on something else, that doesn't affect those. 402 00:22:52,100 --> 00:22:55,333 But this kind of shows you where the light is coming from. 403 00:22:56,400 --> 00:22:58,433 You can see a little preview here as well. 404 00:22:59,533 --> 00:23:03,500 So I'm going to turn on the global light. 405 00:23:03,500 --> 00:23:05,666 Where where was this fine 406 00:23:07,533 --> 00:23:09,300 I don't want any gloss contour. 407 00:23:09,300 --> 00:23:11,666 This is if you want to create kind of 408 00:23:12,200 --> 00:23:15,433 if we go to inner bevel here, you can see it a bit better. 409 00:23:15,766 --> 00:23:18,133 But this creates kind of a metallic look. 410 00:23:18,700 --> 00:23:21,833 Oh, and then this smooth is the default 411 00:23:22,166 --> 00:23:24,300 chisel hard gives you 412 00:23:25,333 --> 00:23:28,400 kind of a hard chiseled look and then chisel soft 413 00:23:30,466 --> 00:23:32,800 I've always been confused by the names 414 00:23:32,833 --> 00:23:34,900 because to me, the chisel hard 415 00:23:36,000 --> 00:23:38,433 should be called chisel soft 416 00:23:38,433 --> 00:23:41,100 and like this as a marked contrast. 417 00:23:41,100 --> 00:23:42,900 But they're just two different techniques. 418 00:23:42,900 --> 00:23:45,466 Generally, I'm going to use chisel hard. 419 00:23:45,800 --> 00:23:49,366 You can also soften that up, but that's just blurring it. So 420 00:23:50,366 --> 00:23:52,466 in this case, I'm not going to 421 00:23:52,666 --> 00:23:56,633 let's put that back on the outer bevel and let's get rid of the glass contour 422 00:23:58,366 --> 00:23:59,000 here. 423 00:23:59,000 --> 00:24:01,166 I think the default is screen 424 00:24:02,633 --> 00:24:04,266 and the default here is multiply. 425 00:24:04,266 --> 00:24:06,700 I actually want to put this on overlay. 426 00:24:07,333 --> 00:24:09,933 I think that gives a little more of a realistic effect. 427 00:24:10,466 --> 00:24:14,100 And we want a pretty high, let's say 80. 428 00:24:14,700 --> 00:24:20,400 And then on multiply, that's how your shadow area is being affected. 429 00:24:20,400 --> 00:24:22,533 You can try this on overlay as well. 430 00:24:23,933 --> 00:24:27,300 But in this case, I think Multiply actually works just fine. 431 00:24:27,866 --> 00:24:30,233 And let's put this on 60. 432 00:24:31,266 --> 00:24:34,433 Now you'll notice these make defaults and reset default. 433 00:24:35,400 --> 00:24:38,633 If I make this my default and then make changes 434 00:24:38,633 --> 00:24:45,200 I can then reset to the default and any of these have those two options. 435 00:24:46,333 --> 00:24:48,933 So just to realize that 436 00:24:48,933 --> 00:24:52,466 and okay so that's all I want to do here let's hit okay 437 00:24:53,500 --> 00:24:56,233 let's do command zero so we can see our whole image there. 438 00:24:56,966 --> 00:25:00,133 Next thing I want to do is I want to add some texture on top of this 439 00:25:00,533 --> 00:25:05,566 as if it were painted white but also is peeling like the rest of this would. 440 00:25:06,833 --> 00:25:10,200 I'm going to turn this off for a second and then go to my channels 441 00:25:11,466 --> 00:25:15,433 and look through here and see which one gives me the best effect. 442 00:25:15,433 --> 00:25:18,600 In this case, the Red Channel is the most white, 443 00:25:18,600 --> 00:25:21,833 and because I'm creating white paint, that's the one I want to use. 444 00:25:22,200 --> 00:25:27,133 So I'm going to do command A to select all, then command C, then click 445 00:25:27,133 --> 00:25:30,566 back on my RGV and then click Command V, 446 00:25:30,966 --> 00:25:33,933 and that'll paste my red channel here 447 00:25:35,166 --> 00:25:37,166 as it's as its own layer 448 00:25:38,666 --> 00:25:41,900 and then here I can drag this on top of Good Chef 449 00:25:41,900 --> 00:25:44,300 and then use my option 450 00:25:45,633 --> 00:25:47,233 to make that sit on top of it. 451 00:25:47,233 --> 00:25:49,566 And you can see the effect that that's creating there. 452 00:25:50,066 --> 00:25:53,466 And then I'm going to do an image adjustment curve 453 00:25:54,266 --> 00:25:57,100 shortcut for four curves as command and 454 00:25:58,966 --> 00:26:00,600 and we're just going to make this 455 00:26:00,600 --> 00:26:03,266 a lot brighter 456 00:26:05,366 --> 00:26:08,300 and so somewhere around there 457 00:26:12,566 --> 00:26:13,700 looks good. 458 00:26:14,566 --> 00:26:14,966 All right. 459 00:26:14,966 --> 00:26:18,866 So now we just have a little bit of that texture showing through 460 00:26:19,166 --> 00:26:20,300 the next thing I wanted to do is 461 00:26:20,300 --> 00:26:23,366 I actually want to break some texture through here. 462 00:26:23,466 --> 00:26:27,800 So this has an even more kind of aged look. 463 00:26:28,300 --> 00:26:30,800 So let's go back to our background layer. 464 00:26:30,800 --> 00:26:32,300 I'm going to option click on it. 465 00:26:33,866 --> 00:26:35,233 So we just see that. 466 00:26:35,233 --> 00:26:36,866 Go back to my channels here. 467 00:26:36,866 --> 00:26:40,300 I want to see which of these has kind of the nicest contrast. 468 00:26:40,800 --> 00:26:44,366 And I think, again, that the red actually 469 00:26:49,233 --> 00:26:51,333 yeah, I like the red best 470 00:26:51,333 --> 00:26:54,400 just because I get a nice contrast in here. 471 00:26:54,400 --> 00:26:56,633 I'm getting some nice contrast in there. 472 00:26:56,633 --> 00:26:59,266 So let's command again 473 00:26:59,266 --> 00:27:01,500 and Command V 474 00:27:01,766 --> 00:27:05,566 and I put this on top and then I'm going to go to Image 475 00:27:05,566 --> 00:27:08,666 Adjustments Threshold, 476 00:27:10,400 --> 00:27:12,133 and that's going to create 477 00:27:12,133 --> 00:27:14,333 pure black and white out of this. 478 00:27:15,233 --> 00:27:18,133 And you can move where it's thresholding here 479 00:27:19,066 --> 00:27:21,400 the probably right around there. 480 00:27:21,766 --> 00:27:25,300 Now, if this is too much, you can do a similar thing. 481 00:27:25,366 --> 00:27:28,066 Let's cancel this one 30. 482 00:27:28,066 --> 00:27:29,900 That's pretty nice. 483 00:27:29,900 --> 00:27:32,833 We can also do that with levels our curves. 484 00:27:32,833 --> 00:27:36,900 So let's go ahead and do a levels here and essentially 485 00:27:36,900 --> 00:27:40,500 we are bringing these two together to create that threshold 486 00:27:51,000 --> 00:27:53,533 so right about there actually looks pretty nice. 487 00:27:53,533 --> 00:27:55,200 Let's set okay 488 00:27:59,200 --> 00:28:05,066 and now I want to make a selection out of this. 489 00:28:05,066 --> 00:28:09,900 So if I hold down command and click on this, it's 490 00:28:09,900 --> 00:28:13,366 going to select the white 491 00:28:13,366 --> 00:28:15,266 and then I can turn this off, 492 00:28:15,266 --> 00:28:18,133 turn on my good chef layer and add a mask. 493 00:28:18,900 --> 00:28:23,233 And you can see it's now kind of breaking up this now it's a little too much. 494 00:28:23,766 --> 00:28:26,266 So let's see if we can't 495 00:28:27,133 --> 00:28:29,633 do a command M on our mask 496 00:28:29,633 --> 00:28:31,600 and adjust it a bit 497 00:28:34,066 --> 00:28:37,200 and see it's already pretty 498 00:28:39,233 --> 00:28:41,333 black and white, meaning any adjustment 499 00:28:41,333 --> 00:28:44,333 here, we're going to do is not going to affect that much. 500 00:28:46,066 --> 00:28:48,833 So in that case, what I'm going to do 501 00:28:48,833 --> 00:28:51,800 is just paint with a white brush 502 00:28:52,466 --> 00:28:54,966 and just leave a few areas here 503 00:28:57,500 --> 00:28:58,500 dug into. 504 00:28:58,500 --> 00:29:01,133 All right, so let's go in our brush. 505 00:29:01,533 --> 00:29:03,866 I want to select a hard rounded brush, 506 00:29:05,800 --> 00:29:08,066 make sure I'm on 100% opacity 507 00:29:08,466 --> 00:29:10,833 on the mask here and then just start painting out. 508 00:29:11,833 --> 00:29:14,033 Just leaving a few spots here 509 00:29:15,000 --> 00:29:18,000 that are broken. 510 00:29:18,633 --> 00:29:20,633 So there 511 00:29:20,733 --> 00:29:23,100 maybe this bottom little corner here 512 00:29:23,100 --> 00:29:25,166 and a little bit here 513 00:29:30,666 --> 00:29:34,766 and maybe a little bit more here 514 00:29:42,333 --> 00:29:45,366 and kind of like this 515 00:29:46,400 --> 00:29:47,466 big one right there. 516 00:29:47,466 --> 00:29:48,533 I'm going to leave that. 517 00:29:48,533 --> 00:29:50,800 Get rid of the rest 518 00:29:55,300 --> 00:29:59,533 and stick the same here. 519 00:30:01,700 --> 00:30:03,533 Have a few of these. 520 00:30:03,533 --> 00:30:07,533 Realize we also do have the texture on top this one here. 521 00:30:08,400 --> 00:30:10,766 So it's not like we're losing all that nice detail 522 00:30:19,933 --> 00:30:22,366 and here it's definitely too much up here. 523 00:30:22,366 --> 00:30:25,300 So it's dispersion, but smaller 524 00:30:30,533 --> 00:30:34,900 I do like how it's breaking around this, not here because it really feels like 525 00:30:37,900 --> 00:30:40,833 this was 526 00:30:41,366 --> 00:30:43,433 actually engraved into this word. 527 00:30:43,433 --> 00:30:46,166 So I'm going to leave some of that nice 528 00:30:47,266 --> 00:30:49,900 broken up part there 529 00:31:02,300 --> 00:31:04,300 and I think that's pretty nice. 530 00:31:04,466 --> 00:31:07,466 Let's turn this back on here. 531 00:31:07,466 --> 00:31:09,800 So let's maybe make this a little bit darker 532 00:31:11,166 --> 00:31:14,166 in our dark areas there 533 00:31:15,533 --> 00:31:20,033 but there again, command em is the shortcut for a mask. 534 00:31:20,533 --> 00:31:20,933 All right. 535 00:31:20,933 --> 00:31:23,333 So that looks pretty nice. 536 00:31:24,833 --> 00:31:28,933 I do want to get this cloth setting on top. 537 00:31:29,500 --> 00:31:32,200 So what I can do is I can put both of these layers 538 00:31:32,700 --> 00:31:35,500 into a group and call this good chef 539 00:31:36,700 --> 00:31:40,066 and then put a mask on that. 540 00:31:40,066 --> 00:31:41,600 Let's turn it off for a second 541 00:31:41,600 --> 00:31:43,933 and use quick selection on this claw, 542 00:31:45,166 --> 00:31:47,100 maybe select and mask 543 00:31:47,100 --> 00:31:50,800 with some edge detection. 544 00:31:51,200 --> 00:31:52,866 At Okay. 545 00:31:53,066 --> 00:31:57,800 And then make sure my foreground color is black and then option delete. 546 00:31:57,800 --> 00:31:58,966 There I go. 547 00:32:01,366 --> 00:32:02,066 Okay. 548 00:32:02,066 --> 00:32:06,200 Next thing I want to do is add the and project. 549 00:32:06,400 --> 00:32:09,266 So we're going to use create a new text layer. 550 00:32:09,400 --> 00:32:11,666 So let's go in our text tool here 551 00:32:12,566 --> 00:32:14,866 and just click and then go there 552 00:32:16,933 --> 00:32:18,733 and this is where 553 00:32:18,733 --> 00:32:20,800 I want to use the quizzing font 554 00:32:23,366 --> 00:32:27,300 and the size of it is already pretty good, maybe a little bit smaller. 555 00:32:27,466 --> 00:32:30,800 So I select my text here, 556 00:32:30,900 --> 00:32:33,833 maybe make this to 80 557 00:32:34,100 --> 00:32:36,000 and that's pretty nice. 558 00:32:37,600 --> 00:32:41,666 And color wise I want to pick a color, 559 00:32:41,666 --> 00:32:44,466 so I just click here to select the color of my text. 560 00:32:44,833 --> 00:32:47,833 I want to pick a color that's in side the image here. 561 00:32:47,833 --> 00:32:52,100 So maybe this kind of fluorescent green and then I'll just push it up here 562 00:32:53,733 --> 00:32:55,566 and I think that's pretty nice. 563 00:32:55,566 --> 00:32:59,300 Next, I want to make a copy of this layer, so I'm going to option drag it 564 00:32:59,300 --> 00:33:00,000 down here, 565 00:33:01,466 --> 00:33:02,833 go in my take tool and 566 00:33:02,833 --> 00:33:06,266 change this to project 567 00:33:08,400 --> 00:33:10,533 and I want this to overlap 568 00:33:11,066 --> 00:33:13,233 that layer there just a bit like that. 569 00:33:14,066 --> 00:33:16,733 And on this we're going to add a stroke 570 00:33:18,166 --> 00:33:22,433 and the default is one pixel. 571 00:33:22,600 --> 00:33:25,533 Let's make that a little bit bigger. 572 00:33:25,633 --> 00:33:28,500 And I want to make the color a darker 573 00:33:28,500 --> 00:33:31,200 green from the image 574 00:33:35,400 --> 00:33:37,533 yeah, maybe that one. 575 00:33:37,800 --> 00:33:42,166 And let's make it five pixels. 576 00:33:42,166 --> 00:33:47,366 Make sure it's on the inside and let's do color. 577 00:33:47,966 --> 00:33:48,900 Okay. 578 00:33:50,300 --> 00:33:53,100 And let's also add a drop shadow. 579 00:33:53,300 --> 00:33:58,200 So let's go to drop shadow and reset that to the default 580 00:33:59,566 --> 00:34:02,600 and let's increase the distance here, 581 00:34:04,066 --> 00:34:07,366 bring up the opacity 582 00:34:08,266 --> 00:34:09,766 that looks pretty nice. 583 00:34:09,766 --> 00:34:14,433 So, okay, I want to copy all these layer effects to the 584 00:34:14,566 --> 00:34:17,366 so if I hold down command and option 585 00:34:17,833 --> 00:34:22,166 and then click on effects, I can drag them onto this layer. 586 00:34:23,433 --> 00:34:24,866 There you go. 587 00:34:24,866 --> 00:34:27,066 I want to make that drop shadow a little bit stronger. 588 00:34:29,900 --> 00:34:32,700 Maybe just a tiny bit smaller 589 00:34:32,700 --> 00:34:35,466 and copy those there. 590 00:34:36,400 --> 00:34:36,866 All right. 591 00:34:36,866 --> 00:34:38,933 So I'm kind of like that. 592 00:34:39,533 --> 00:34:42,500 The next thing I want to do is add some text down here 593 00:34:44,466 --> 00:34:47,166 for that, I'm going to go back to my text tool. 594 00:34:48,233 --> 00:34:50,666 And in this case, I want it to be white 595 00:34:52,866 --> 00:34:55,000 Now, the problem is I have this selected. 596 00:34:55,000 --> 00:34:58,533 So as I'm making changes up here, you can see it's making the changes here 597 00:34:59,066 --> 00:35:02,100 so you can go select these select layers 598 00:35:02,600 --> 00:35:05,300 and that way, when you start making the changes here, it's 599 00:35:05,300 --> 00:35:08,100 actually not going to affect anything you have selected. 600 00:35:09,033 --> 00:35:10,600 Let's do Arial Bold. 601 00:35:10,600 --> 00:35:13,300 I want this to be maybe 35 602 00:35:14,700 --> 00:35:17,733 and instead of just clicking to make the layer, I'm 603 00:35:17,733 --> 00:35:20,500 going to click and drag and that's going to create a text box 604 00:35:21,233 --> 00:35:24,133 and you'll also notice I put some fake text in there. 605 00:35:24,633 --> 00:35:27,400 I can use that fake text 606 00:35:27,400 --> 00:35:30,700 to adjust my settings here. 607 00:35:32,966 --> 00:35:36,066 I also want to put this on auto, 608 00:35:36,066 --> 00:35:38,633 and then in here I'm going to type August, 609 00:35:40,100 --> 00:35:43,566 let's say August 29th, 610 00:35:43,966 --> 00:35:46,300 seven, nine, 611 00:35:47,666 --> 00:35:50,466 p m, seven, 9 p.m. 612 00:35:50,966 --> 00:35:55,233 and then return on the Food Network. 613 00:35:55,566 --> 00:35:56,600 That's good. 614 00:35:56,600 --> 00:35:57,433 Enough. 615 00:35:57,966 --> 00:36:00,266 And center this up under here. 616 00:36:01,866 --> 00:36:04,700 And this is where 617 00:36:04,700 --> 00:36:09,400 smart guides actually may help so if I turn on smart guides and I drag this, 618 00:36:09,400 --> 00:36:12,566 you can see that line there indicates 619 00:36:12,566 --> 00:36:14,633 when it's centered up with the project. 620 00:36:15,566 --> 00:36:16,900 So that looks good. 621 00:36:16,900 --> 00:36:18,566 Let's also give this a drop shadow 622 00:36:22,333 --> 00:36:24,566 drops down. 623 00:36:24,566 --> 00:36:27,266 And obviously I don't want it to be that far away 624 00:36:28,133 --> 00:36:31,866 and I want the size of it to be bigger 625 00:36:31,866 --> 00:36:34,400 and maybe a little bit of spread there 626 00:36:38,066 --> 00:36:38,900 there you go. 627 00:36:38,900 --> 00:36:40,100 Said, Okay, 628 00:36:40,933 --> 00:36:42,966 next thing I want to do 629 00:36:42,966 --> 00:36:45,200 is just fill in this 630 00:36:45,200 --> 00:36:47,433 kind of empty spot right here, 631 00:36:48,466 --> 00:36:51,333 and I'm going to do that by copying this. 632 00:36:51,966 --> 00:36:55,033 So let's go to our bottom layer here and I zoom in 633 00:36:56,233 --> 00:36:59,766 and then go to my pen to make sure I'm on path 634 00:37:00,800 --> 00:37:03,266 and then just draw a path around this. 635 00:37:04,433 --> 00:37:07,333 The reason I'm not using the Circle 636 00:37:07,333 --> 00:37:10,600 Marquee tool is because this is not really a circle 637 00:37:12,866 --> 00:37:16,766 and as I've mentioned before, using curves is the best. 638 00:37:16,766 --> 00:37:19,766 When you have something that 639 00:37:22,800 --> 00:37:23,966 has curves in it 640 00:37:29,133 --> 00:37:30,233 that looks pretty good. 641 00:37:30,233 --> 00:37:33,566 So let's right mouse click make selection at, okay, 642 00:37:34,033 --> 00:37:38,766 and then do command to make a copy of that onto its own layer. 643 00:37:39,166 --> 00:37:42,766 So I want to put it here and then I'm going to go to Drop 644 00:37:42,766 --> 00:37:46,033 Shadow and I want to kind of match the Drop Shadow of this one. 645 00:37:46,533 --> 00:37:49,866 So let's select the drop shadow, drop shadow 646 00:37:49,866 --> 00:37:52,666 color, select that color there. 647 00:37:54,100 --> 00:37:56,900 Now turn off global light on this one 648 00:37:59,400 --> 00:38:01,500 move that to about there. 649 00:38:01,500 --> 00:38:04,400 Increase the size of it 650 00:38:04,733 --> 00:38:06,766 it's a little bit 651 00:38:09,666 --> 00:38:12,200 too dark so let's move it this way. 652 00:38:13,366 --> 00:38:15,766 That looks pretty good. 653 00:38:16,233 --> 00:38:17,766 Getting a pretty nice match for that. 654 00:38:17,766 --> 00:38:22,500 Now this will have some ambient shadows around it to somebody. 655 00:38:22,500 --> 00:38:25,933 Use an outer glow for that and 656 00:38:26,666 --> 00:38:29,733 from here I want to change the blend mode to multiply 657 00:38:31,000 --> 00:38:34,566 and change the color to this color here. 658 00:38:36,533 --> 00:38:39,400 And then increase the size of it. 659 00:38:39,633 --> 00:38:42,600 So there you can see that's just adding a little bit of an ambient 660 00:38:43,200 --> 00:38:45,266 shadow around it. 661 00:38:45,266 --> 00:38:49,066 We'll keep that pretty low opacity there. 662 00:38:49,800 --> 00:38:50,666 So there you go. 663 00:38:50,666 --> 00:38:54,600 Now, as I move this around, you can see the shadows following me 664 00:38:55,633 --> 00:38:59,600 and also the nice thing about this is I can rotate this 665 00:38:59,600 --> 00:39:01,966 and the shadow is going to stay in the same 666 00:39:03,266 --> 00:39:04,366 angle there. 667 00:39:04,366 --> 00:39:07,300 Now, I can move this too. Here 668 00:39:12,066 --> 00:39:13,766 and I want to do the same 669 00:39:13,766 --> 00:39:17,733 with this tomato and just kind of overlap the letter. 670 00:39:18,000 --> 00:39:18,700 The more things, 671 00:39:18,700 --> 00:39:22,433 the more elements that I can have overlapping and a composite, the better 672 00:39:22,733 --> 00:39:26,533 just because it makes the whole thing feel less like it's a composite. 673 00:39:26,533 --> 00:39:29,166 And more like it's all one photograph taken together. 674 00:39:29,600 --> 00:39:33,433 So I'm going to snatch this tomato here again. 675 00:39:33,566 --> 00:39:35,066 Let's go to our pen tool 676 00:39:39,533 --> 00:39:42,766 and this one, I'm going to cut into the tomato a bit 677 00:39:43,000 --> 00:39:46,166 because I don't want those deep shadows that are being cast 678 00:39:46,833 --> 00:39:48,533 by these 679 00:39:50,200 --> 00:39:52,600 elements around. It's 680 00:39:54,766 --> 00:39:57,366 a is the shortcut 681 00:39:58,566 --> 00:40:01,300 to go to my direct selection error there. 682 00:40:02,400 --> 00:40:02,733 All right. 683 00:40:02,733 --> 00:40:04,900 That looks pretty nice. 684 00:40:05,333 --> 00:40:08,666 Forgive the background sound of the lawnmower there. 685 00:40:09,600 --> 00:40:10,166 All right. 686 00:40:10,166 --> 00:40:12,666 Let's go to our original Layer two command J 687 00:40:14,033 --> 00:40:16,833 and you can see we have that there. 688 00:40:16,833 --> 00:40:17,800 I want to get rid of that. 689 00:40:17,800 --> 00:40:20,566 So I'm going to lock the transparency of this layer. 690 00:40:21,333 --> 00:40:24,833 And then just use a healing brush there 691 00:40:27,166 --> 00:40:28,666 There you go. 692 00:40:29,033 --> 00:40:31,600 And I can unlock the transparency of the layer. 693 00:40:32,033 --> 00:40:35,400 I remove this to write about there and I want to put it above. 694 00:40:35,733 --> 00:40:39,133 So there, what's rotated around? 695 00:40:39,566 --> 00:40:42,600 Now, in theory, that would not rotate. 696 00:40:42,600 --> 00:40:44,166 So we're going to move that. Just 697 00:40:45,200 --> 00:40:45,766 make this look 698 00:40:45,766 --> 00:40:48,766 a little more realistic there. 699 00:40:48,900 --> 00:40:50,466 And I think right about 700 00:40:50,466 --> 00:40:54,266 there is nice can also just skew this a bit 701 00:40:54,266 --> 00:40:56,866 so it doesn't have the same shape as our other one. 702 00:40:59,400 --> 00:41:00,566 And then what I want to do is 703 00:41:00,566 --> 00:41:04,866 I want to get rid of this highlight and then move it over here. 704 00:41:04,866 --> 00:41:08,400 So first let's make a highlight it's own layer 705 00:41:09,600 --> 00:41:12,833 make a lasso around there, command J 706 00:41:13,900 --> 00:41:15,066 and I turn it off for now. 707 00:41:15,066 --> 00:41:18,200 We can call this highlight 708 00:41:18,200 --> 00:41:21,033 and then on this layer I'm going to use the patch tool 709 00:41:23,766 --> 00:41:24,900 and just 710 00:41:25,500 --> 00:41:27,866 get rid of this. So 711 00:41:29,366 --> 00:41:31,733 and then let's move this to where 712 00:41:31,733 --> 00:41:34,466 it would be so right about there. 713 00:41:35,266 --> 00:41:37,433 And then I can just put a mask on it 714 00:41:37,500 --> 00:41:40,600 and with a soft brush 715 00:41:43,200 --> 00:41:46,166 just paint around those edges 716 00:41:46,500 --> 00:41:48,366 and that's good enough. 717 00:41:48,366 --> 00:41:50,733 Let's merge those two command E 718 00:41:51,566 --> 00:41:55,200 and then I'm going to take the effects that I created down here 719 00:41:55,200 --> 00:41:59,300 and hold down option and command and copy those until there. 720 00:42:00,000 --> 00:42:02,800 Get that nice shadow there that looks pretty realistic 721 00:42:05,500 --> 00:42:07,933 so that's nice there. 722 00:42:07,933 --> 00:42:10,033 Then the next thing I want to do is 723 00:42:10,033 --> 00:42:12,500 go to file place embedded 724 00:42:13,600 --> 00:42:17,633 and in our same folder here, you're going to see 725 00:42:17,666 --> 00:42:19,966 another document called the book 726 00:42:22,133 --> 00:42:24,900 and let's go ahead 727 00:42:24,900 --> 00:42:27,566 and just place that and then option click on the eyeball. 728 00:42:28,800 --> 00:42:32,366 And I want to cut out this bowl right here 729 00:42:34,100 --> 00:42:37,100 so let's go in our pen tool again 730 00:42:37,933 --> 00:42:40,466 and let's just cut this out 731 00:43:09,866 --> 00:43:10,733 it's pretty good. 732 00:43:10,733 --> 00:43:12,700 Let's go a 733 00:43:13,200 --> 00:43:15,100 make some small adjustments here. 734 00:43:23,433 --> 00:43:23,966 Good. 735 00:43:23,966 --> 00:43:26,066 Right, Mouse click make selection 736 00:43:27,833 --> 00:43:29,866 and let's put a mask on this 737 00:43:30,066 --> 00:43:32,233 and then convert to smart object 738 00:43:35,500 --> 00:43:38,266 and then I'm going to option click to turn off that eyeball 739 00:43:38,900 --> 00:43:42,700 and you'll notice that the drop shadow here is going in this direction. 740 00:43:42,933 --> 00:43:44,333 I want to match it to this. 741 00:43:44,333 --> 00:43:48,033 I'm in a right mask or command T for transform and just transfer that 742 00:43:48,333 --> 00:43:51,266 so that the shadow is going in the same direction as the rest. 743 00:43:51,266 --> 00:43:52,600 This image 744 00:43:53,466 --> 00:43:56,700 and I basically want this to be the oh here. 745 00:43:56,700 --> 00:43:59,166 So I'll put it there. 746 00:43:59,166 --> 00:44:02,333 Make this a little smaller here 747 00:44:02,333 --> 00:44:03,766 about there 748 00:44:04,833 --> 00:44:07,100 and again, this is just another element 749 00:44:07,100 --> 00:44:10,400 that's overlapping to make this look all more realistic. 750 00:44:10,400 --> 00:44:13,433 When I hold down option command 751 00:44:13,433 --> 00:44:17,133 actually another way that you can copy the layer effects is right mouse 752 00:44:17,133 --> 00:44:22,933 click here and say copy layer style and then paste layer style here 753 00:44:25,266 --> 00:44:26,433 that looks really good. 754 00:44:26,433 --> 00:44:29,133 Let's put that underneath it. 755 00:44:29,133 --> 00:44:32,700 So it's kind of hiding back, back there. 756 00:44:33,100 --> 00:44:37,366 Next thing I want to do is just crop the whole thing 757 00:44:37,366 --> 00:44:40,800 so that we don't have so much head space and we're a little more centered 758 00:44:41,300 --> 00:44:42,933 on our titling. 759 00:44:42,933 --> 00:44:45,333 So let's go on to the crop tool. 760 00:44:45,900 --> 00:44:48,366 I want to put this here on five by seven 761 00:44:49,866 --> 00:44:51,733 and then 762 00:44:52,066 --> 00:44:54,833 bring this up and you'll notice how it snaps down. 763 00:44:55,466 --> 00:44:58,966 If it's not snapping for you, just make sure you have Snap turned on. 764 00:44:59,633 --> 00:45:01,866 All right. Next, I'm in a drag this here. 765 00:45:02,600 --> 00:45:05,400 I'm using these two guides here I want them 766 00:45:06,800 --> 00:45:09,500 to kind of center up my titling there 767 00:45:11,233 --> 00:45:12,666 out there 768 00:45:14,666 --> 00:45:17,266 and there looks pretty nice. 769 00:45:20,066 --> 00:45:21,766 Let's hit the check mark 770 00:45:21,766 --> 00:45:25,433 I on to make sure delete crop pixels is not checked. 771 00:45:25,900 --> 00:45:28,066 So if I need to recruit, I can 772 00:45:29,300 --> 00:45:30,566 there you go. 773 00:45:30,566 --> 00:45:33,933 Let's also go to view 774 00:45:33,933 --> 00:45:36,266 new guide layout 775 00:45:36,500 --> 00:45:39,433 and I'm going to 776 00:45:42,266 --> 00:45:46,933 let's just do columns to 777 00:45:48,100 --> 00:45:52,066 and get rid of the gutter here so that it's no gutter. 778 00:45:52,933 --> 00:45:55,566 Let's do rows 779 00:45:55,633 --> 00:45:57,733 three with no gutter 780 00:45:59,200 --> 00:46:02,533 it's going to give me a few guides here to center things up. 781 00:46:02,533 --> 00:46:07,200 So I want to take my project here and just centered that up to this guide 782 00:46:07,800 --> 00:46:09,833 and also take this food 783 00:46:10,900 --> 00:46:13,300 and center that up to the guide like. 784 00:46:13,333 --> 00:46:16,300 So thank the 785 00:46:16,366 --> 00:46:18,633 and the good chef already looks pretty good. 786 00:46:20,366 --> 00:46:22,700 And now we can turn off our guides 787 00:46:26,200 --> 00:46:28,466 I'm pretty happy with that. 788 00:46:28,466 --> 00:46:29,966 All right. Next, 789 00:46:30,433 --> 00:46:32,500 I want to add a vignette to this. 790 00:46:32,500 --> 00:46:35,333 I'm going to add a new layer here 791 00:46:35,333 --> 00:46:35,700 for this. 792 00:46:35,700 --> 00:46:38,266 I want my guides on which is command semicolon 793 00:46:40,533 --> 00:46:43,466 I'm going to select the circular maki here 794 00:46:45,200 --> 00:46:48,266 and let's head Q for Click Mask 795 00:46:49,533 --> 00:46:52,766 fill my whole mask with blacks and nothing selected 796 00:46:54,533 --> 00:46:58,400 and then go from right about the middle here. 797 00:46:59,100 --> 00:47:02,066 Click start dragging hold down option 798 00:47:04,200 --> 00:47:07,166 Now that's about where I want it. 799 00:47:07,166 --> 00:47:09,233 Now I can do option delete 800 00:47:09,233 --> 00:47:14,100 to fill that part of my mask with White and then go to Filter 801 00:47:14,366 --> 00:47:16,733 Blur Gaussian, Blur 802 00:47:18,700 --> 00:47:21,466 Blur that quite a bit 803 00:47:24,566 --> 00:47:27,566 Let's say two 50 hit okay. 804 00:47:28,566 --> 00:47:30,366 And had Q 805 00:47:30,833 --> 00:47:34,133 and if you're not sure which part of this is selected, 806 00:47:34,133 --> 00:47:40,666 go in your selection tool and the part that's not selected will have a cross 807 00:47:40,666 --> 00:47:44,200 icon and the part that is selected will have a little select icon. 808 00:47:44,600 --> 00:47:48,200 So in this case I actually want my selection to be the outside someone. 809 00:47:48,200 --> 00:47:50,866 I invert my selection. All right. 810 00:47:50,866 --> 00:47:56,000 And then we can do a curves layer and you'll notice that my mask 811 00:47:58,300 --> 00:48:00,433 I can just bring down that curve 812 00:48:01,033 --> 00:48:03,300 if bring the top down just a little to 813 00:48:04,966 --> 00:48:07,533 and we're getting a nice vignette there 814 00:48:07,533 --> 00:48:09,700 I don't need this layer 815 00:48:10,300 --> 00:48:13,366 in called this vignette 816 00:48:16,200 --> 00:48:18,766 let's turn off our guide's command semicolon 817 00:48:19,900 --> 00:48:22,633 and I'm pretty happy with that. 818 00:48:22,633 --> 00:48:25,200 I want to pump just a little more color into this guy. 819 00:48:26,366 --> 00:48:28,800 So select him 820 00:48:28,800 --> 00:48:33,400 and let's go ahead and do image adjustments 821 00:48:33,600 --> 00:48:35,466 vibrance 822 00:48:37,966 --> 00:48:40,600 and a little bit of vibrance there, 823 00:48:40,600 --> 00:48:44,300 maybe a little saturation to go 824 00:48:45,900 --> 00:48:48,100 and there you have it. 825 00:48:48,100 --> 00:48:50,633 I'm pretty happy with that. 826 00:48:51,666 --> 00:48:51,933 All right. 827 00:48:51,933 --> 00:48:54,466 Let's go ahead and save 828 00:48:55,800 --> 00:48:57,566 I'm going to call this 829 00:48:57,566 --> 00:49:00,866 good chef TV poster 830 00:49:02,866 --> 00:49:04,433 at Save 831 00:49:12,433 --> 00:49:13,633 and this 832 00:49:13,633 --> 00:49:17,233 I want to save as a PDF because I'm going to send it to press. 833 00:49:17,666 --> 00:49:21,700 So I'm going to show you that here this is if you're getting something 834 00:49:21,700 --> 00:49:25,833 printed, see, my K, what I'm going to do is I'm going to save as 835 00:49:27,800 --> 00:49:31,500 and I'm going to go to Photoshop, PDF 836 00:49:33,000 --> 00:49:37,433 and when to turn off layers and 837 00:49:38,700 --> 00:49:41,466 go ahead and hit save 838 00:49:43,366 --> 00:49:45,266 and that's what's hit. 839 00:49:45,266 --> 00:49:46,033 Okay. Here. 840 00:49:46,033 --> 00:49:48,833 So this is the Save Adobe PDF dialog. 841 00:49:49,166 --> 00:49:51,066 You have certain presets here. 842 00:49:51,066 --> 00:49:53,700 So press quality and so forth. 843 00:49:54,233 --> 00:49:56,300 If you're going to send to press, 844 00:49:56,300 --> 00:49:59,366 I'm going to show you some settings here that you're going to want to use. 845 00:49:59,366 --> 00:50:04,033 First select PDF X three that's going to be compatible 846 00:50:04,033 --> 00:50:07,733 with 99% of all print houses. 847 00:50:08,300 --> 00:50:09,833 Next, go to compression. 848 00:50:09,833 --> 00:50:14,366 You want to keep this to maximum here and then for output 849 00:50:14,533 --> 00:50:19,000 change this to convert to destination which is going to be working seem mark 850 00:50:20,666 --> 00:50:23,166 any press is going to use 851 00:50:23,166 --> 00:50:27,500 see my K color space and that's it had saved pdf 852 00:50:34,666 --> 00:50:36,766 and there you go it's done. 853 00:50:36,766 --> 00:50:40,166 Now if we go to our finder 854 00:50:40,166 --> 00:50:41,666 you're going to see a PDF here. 855 00:50:41,666 --> 00:50:45,266 And if you open this in acrobat 856 00:50:45,633 --> 00:50:48,266 you're going to see this has been converted to seem 857 00:50:48,266 --> 00:50:52,666 okay and is ready to go to a print house. 858 00:50:54,000 --> 00:50:56,600 Let's go ahead and close that 859 00:50:56,600 --> 00:50:59,333 and that finishes that tutorial. 860 00:50:59,333 --> 00:50:59,700 All right. 861 00:50:59,700 --> 00:51:03,566 In this lesson, we're going to create a movie poster 862 00:51:03,566 --> 00:51:05,900 for the girl with the Dragon Tattoo. 863 00:51:06,333 --> 00:51:09,500 We're going to use an image of a woman and to add 864 00:51:09,500 --> 00:51:12,566 syntax and texture, some color grade. 865 00:51:13,433 --> 00:51:16,700 I'm kind of using all the different things that we learn 866 00:51:16,700 --> 00:51:20,466 in this course to create our own image. 867 00:51:20,866 --> 00:51:23,833 That would be something that you would do in design. 868 00:51:24,033 --> 00:51:27,466 Now, as a photographer, you probably won't be doing movie posters. 869 00:51:27,466 --> 00:51:29,566 You'll probably have a graphic designer to do that. 870 00:51:30,033 --> 00:51:32,966 But I really like doing movie posters. 871 00:51:32,966 --> 00:51:36,300 So come with me on this final journey. 872 00:51:44,033 --> 00:51:44,433 All right. 873 00:51:44,433 --> 00:51:46,133 So in this lesson, rather 874 00:51:46,133 --> 00:51:49,133 than opening an existing file, we're going to create a new one. 875 00:51:49,366 --> 00:51:53,266 And to do that, we can either click on Create New or go to File New, 876 00:51:54,500 --> 00:51:57,900 and that'll open the new document dialog, which you can see here 877 00:51:58,566 --> 00:52:01,566 and all your settings are here on the right. 878 00:52:01,766 --> 00:52:05,500 And these tabs essentially are pre-made presets. 879 00:52:05,500 --> 00:52:09,166 You can also access templates provided by Adobe here. 880 00:52:10,166 --> 00:52:11,233 You can look into that. 881 00:52:11,233 --> 00:52:15,800 Honestly, I never use this because I'm usually creating stuff from scratch. 882 00:52:15,800 --> 00:52:19,800 In any case, although there are really cool stuff that you can get here. 883 00:52:21,566 --> 00:52:25,500 But for now, we're just going to go and create our own. 884 00:52:25,600 --> 00:52:28,833 We're going to call this movie poster 885 00:52:29,366 --> 00:52:32,500 I want it to be 24 inches wide 886 00:52:33,100 --> 00:52:37,466 by 35 inches tall, and I want the resolution to be one 50 887 00:52:38,266 --> 00:52:41,700 our job color, eight bit white background, that's all. 888 00:52:41,700 --> 00:52:43,766 Okay, actually, I'm going to change the background to black. 889 00:52:44,200 --> 00:52:45,200 Not very important. 890 00:52:45,200 --> 00:52:47,833 You can always change that after you've created your document. 891 00:52:48,500 --> 00:52:49,866 So let's head create. 892 00:52:49,866 --> 00:52:54,900 This is going to be our movie poster and I want to put some guides in place. 893 00:52:54,900 --> 00:52:58,100 So I'm going to go to view new guide layouts 894 00:52:59,200 --> 00:53:01,733 and I want the 895 00:53:01,733 --> 00:53:04,433 columns to be for 896 00:53:05,666 --> 00:53:08,066 and the rows to be 897 00:53:08,566 --> 00:53:13,466 well, let's do to actually now let's keep that at six. 898 00:53:14,333 --> 00:53:17,966 And then I do want some margin 899 00:53:17,966 --> 00:53:21,300 I'm going to make the margin, let's say 900 00:53:23,733 --> 00:53:25,966 two inches 901 00:53:26,700 --> 00:53:28,466 I don't need a left and right, 902 00:53:28,466 --> 00:53:31,033 but I want also to inch margin on 903 00:53:32,500 --> 00:53:33,633 the bottom 904 00:53:38,100 --> 00:53:38,733 actually. 905 00:53:38,733 --> 00:53:41,166 Let's make this one inch Erika. 906 00:53:41,700 --> 00:53:42,066 All right. 907 00:53:42,066 --> 00:53:43,200 So that's my settings. 908 00:53:43,200 --> 00:53:45,433 You can copy those let's add. Okay. 909 00:53:45,800 --> 00:53:48,466 And to turn off the guides, you can do command semicolon. 910 00:53:48,800 --> 00:53:51,800 So if they're getting in the way, you can just turn them off. 911 00:53:52,300 --> 00:53:55,233 Our next thing we're going to do is go file place embedded 912 00:53:57,000 --> 00:54:00,033 and we're going to select this had this file here 913 00:54:02,266 --> 00:54:04,466 and I'm just going to move this to the bottom 914 00:54:06,100 --> 00:54:09,366 and then hit the checkmark. 915 00:54:09,366 --> 00:54:12,366 And let's turn off the guides command semicolon. 916 00:54:12,800 --> 00:54:16,833 And essentially what I want to do is I want to create our own version of 917 00:54:18,400 --> 00:54:20,833 a poster for the Girl with the Dragon Tattoo. 918 00:54:20,833 --> 00:54:24,566 So we're going to add a Dragon Tattoo to her back and then add some titling 919 00:54:24,866 --> 00:54:26,933 and then do some subtle color grading. 920 00:54:27,400 --> 00:54:32,100 And through the course of this, we're going to learn a little a little more 921 00:54:32,100 --> 00:54:35,100 about text layers, adding text, 922 00:54:35,533 --> 00:54:39,833 adding some texture, and also adding a tattoo. 923 00:54:40,066 --> 00:54:44,333 And finally, I want to show you how to create an action in Photoshop. 924 00:54:45,800 --> 00:54:47,566 So let's get started. 925 00:54:47,566 --> 00:54:50,300 First, I'm going to make a copy of this layer 926 00:54:51,600 --> 00:54:54,000 and convert it or rest dries it. 927 00:54:55,466 --> 00:54:58,033 And I want to get rid of this existing texture 928 00:54:58,033 --> 00:54:59,766 because we're going to add our own. 929 00:54:59,766 --> 00:55:02,366 So let's just zoom in a little bit here 930 00:55:04,033 --> 00:55:07,100 and let's do a really 931 00:55:07,100 --> 00:55:09,966 basic selection of her using Click Select 932 00:55:11,233 --> 00:55:14,400 and to make my brush a bit bigger with the right bracket there, 933 00:55:14,700 --> 00:55:17,066 just select her 934 00:55:23,666 --> 00:55:24,100 all right. 935 00:55:24,100 --> 00:55:26,133 So that would be a little more careful 936 00:55:26,133 --> 00:55:30,300 when I do the hair here so I don't select everything. 937 00:55:30,300 --> 00:55:32,533 So right there 938 00:55:32,633 --> 00:55:34,933 and then maybe make my brush a little smaller 939 00:55:34,933 --> 00:55:38,600 as I approach the hair here. 940 00:55:39,100 --> 00:55:40,700 That's what I wanted to avoid. 941 00:55:40,700 --> 00:55:43,100 Can your command Z 942 00:55:45,033 --> 00:55:48,933 and let's do 943 00:55:49,500 --> 00:55:50,600 that. 944 00:55:50,900 --> 00:55:54,200 Let's go ahead and click select 945 00:55:54,200 --> 00:55:57,100 and mask, turn on some smart radius 946 00:55:59,100 --> 00:56:01,500 and then I'm just going to use this brush here, 947 00:56:01,500 --> 00:56:05,366 which is just the standard masking brush basically. 948 00:56:06,933 --> 00:56:09,100 And I can adjust the feather here 949 00:56:11,833 --> 00:56:14,933 and just paint in the hair area here. 950 00:56:20,833 --> 00:56:24,033 And that's going to be good enough for our purposes. 951 00:56:29,000 --> 00:56:29,233 All right. 952 00:56:29,233 --> 00:56:30,766 Let's head. Okay. 953 00:56:31,500 --> 00:56:35,500 And I am going to invert my selection 954 00:56:35,500 --> 00:56:37,800 so I'm selecting outside of her 955 00:56:40,166 --> 00:56:42,733 and then I want to add a curves layer here 956 00:56:43,266 --> 00:56:47,166 and you can see in our histogram where the black should be versus where it is. 957 00:56:47,166 --> 00:56:50,066 I'm just going to drag this or black is where it should be, 958 00:56:50,200 --> 00:56:52,833 right about there. 959 00:56:57,400 --> 00:56:59,133 Now, here's the tricky thing, right? 960 00:56:59,133 --> 00:57:03,133 So by doing this, I've made the black point 961 00:57:03,133 --> 00:57:07,866 of the background stronger than the black point of her, right? 962 00:57:07,866 --> 00:57:12,133 So you can you zoom in here, you can see that she the black point in 963 00:57:12,133 --> 00:57:16,800 this image is not 100% black so how would we avoid this? 964 00:57:16,800 --> 00:57:21,466 Well, what we can do is rather than using let's go ahead and command click on this 965 00:57:21,466 --> 00:57:27,033 so we have our selection, throw this away and then let's use A Levels instead. 966 00:57:27,700 --> 00:57:31,100 I'm going to go here and do levels. 967 00:57:32,433 --> 00:57:35,066 Now what I can do is I can do 968 00:57:35,066 --> 00:57:38,500 the same thing I was doing with my curves and compressing that black point. 969 00:57:38,766 --> 00:57:40,900 But then I can bring my black point up 970 00:57:43,133 --> 00:57:45,600 to match what it was. 971 00:57:45,600 --> 00:57:48,566 So there you can see 972 00:57:48,633 --> 00:57:50,366 I turn the TV on and off. 973 00:57:50,366 --> 00:57:56,200 I'm getting rid of the texture, but I'm not changing the black point, right? 974 00:57:56,200 --> 00:58:01,166 So it still has the same black points as it did before, but 975 00:58:02,233 --> 00:58:04,466 I'm simply compressing out 976 00:58:04,466 --> 00:58:07,466 that texture that was in there 977 00:58:08,066 --> 00:58:10,333 so I'm pretty happy with that. 978 00:58:10,333 --> 00:58:12,866 Next thing I want to do 979 00:58:12,900 --> 00:58:15,433 is go ahead and just make a layer at the very top, 980 00:58:15,433 --> 00:58:17,733 do shift option, command a 981 00:58:19,766 --> 00:58:22,033 and what I'm going to do now 982 00:58:22,033 --> 00:58:25,833 is pull in the Dragon Tattoo. 983 00:58:26,100 --> 00:58:28,233 So let's go file place embedded 984 00:58:29,500 --> 00:58:30,500 and select 985 00:58:30,500 --> 00:58:34,300 the file called Dragon Tattoo and put this down. 986 00:58:34,300 --> 00:58:36,700 So it's right about there. 987 00:58:36,700 --> 00:58:39,033 Be a bit smaller 988 00:58:42,800 --> 00:58:44,900 and I think that looks pretty nice. 989 00:58:45,933 --> 00:58:49,733 Kind of wanted a little bit under this 990 00:58:51,266 --> 00:58:52,200 okay. 991 00:58:52,666 --> 00:58:55,966 And before we dove too much into this, 992 00:58:56,333 --> 00:58:59,666 what we need to do is separate the frequencies 993 00:58:59,666 --> 00:59:04,200 here, basically do a standard frequency separation on this so that we can put 994 00:59:04,200 --> 00:59:08,566 the dragon under the high frequency meaning under her skin texture 995 00:59:09,400 --> 00:59:12,466 so I've already covered how to do frequency separation. 996 00:59:12,466 --> 00:59:16,033 But what I want to do now is show you how to create an action. 997 00:59:16,833 --> 00:59:19,333 So let's go ahead and open our actions. 998 00:59:19,333 --> 00:59:20,300 Palette 999 00:59:21,100 --> 00:59:23,100 and actions are basically 1000 00:59:24,100 --> 00:59:27,166 a means of 1001 00:59:28,833 --> 00:59:32,033 recording actions that you do in Photoshop 1002 00:59:32,366 --> 00:59:36,866 so that you can then repeat those actions without having to do all of them again. 1003 00:59:37,466 --> 00:59:39,500 Okay. So let's click on this. 1004 00:59:39,866 --> 00:59:42,033 We're going to call this photo actions. 1005 00:59:42,033 --> 00:59:44,500 So this is making a new set, not a new action. 1006 00:59:45,400 --> 00:59:48,566 And then in this we're going to create a new action here 1007 00:59:49,000 --> 00:59:51,400 and we're going to call this Frequency 1008 00:59:51,966 --> 00:59:54,866 Separation eight, but 1009 00:59:56,133 --> 00:59:58,933 now it's important when you create an action 1010 01:00:00,900 --> 01:00:02,333 that you have 1011 01:00:02,333 --> 01:00:05,833 selected the layer that you're going to make the actions on. 1012 01:00:05,833 --> 01:00:10,166 So in this case, this layer right here is the one I'm going to do the actions on 1013 01:00:10,466 --> 01:00:11,366 so I want to make sure 1014 01:00:11,366 --> 01:00:15,133 when I start recording that this is the layer that's selected. 1015 01:00:15,566 --> 01:00:17,166 So let's hit record. 1016 01:00:17,166 --> 01:00:19,200 So now you can see this is red. 1017 01:00:19,200 --> 01:00:23,233 Anything I do from this point forward will be recorded in this section. 1018 01:00:23,233 --> 01:00:23,800 And you can 1019 01:00:23,800 --> 01:00:28,100 you can see here that the actions are going to start listing as I do them. 1020 01:00:28,933 --> 01:00:33,100 And another thing to note here is you want to do as many things 1021 01:00:33,100 --> 01:00:38,266 through your top menu and failing that, you want to do them through shortcuts. 1022 01:00:38,266 --> 01:00:41,333 And the reason that's important is an action 1023 01:00:41,333 --> 01:00:44,366 will not record mouse movements. 1024 01:00:45,166 --> 01:00:51,000 And it also, if you select a layer within your layer 1025 01:00:51,000 --> 01:00:56,066 stack, it's going to record it as selecting the name of that layer. 1026 01:00:57,066 --> 01:00:57,666 So if I 1027 01:00:57,666 --> 01:01:01,466 select Dragon Tattoo, and then I try to run this action 1028 01:01:01,466 --> 01:01:05,133 and another document that doesn't have a layer called Dragon Tattoo, 1029 01:01:05,600 --> 01:01:09,666 I'm going to be up a creek without a paddle All right. 1030 01:01:09,666 --> 01:01:12,900 So let's go ahead and go layer, duplicate layer. 1031 01:01:13,200 --> 01:01:15,566 We're going to call this one low frequency 1032 01:01:17,666 --> 01:01:19,700 and then let's do it again. 1033 01:01:19,700 --> 01:01:22,033 We're going to call this one high frequency. 1034 01:01:23,933 --> 01:01:27,566 And then what I want to do is I want to select the low frequency layer. 1035 01:01:27,566 --> 01:01:31,800 The problem is if I do it in the layer stack, this action may not work. 1036 01:01:32,000 --> 01:01:37,400 So there is a shortcut to changing which layer you have selected, 1037 01:01:37,666 --> 01:01:41,466 and that's option and left bracket to go down. 1038 01:01:42,000 --> 01:01:44,033 Option right bracket to go up. 1039 01:01:44,033 --> 01:01:44,633 So there you go. 1040 01:01:44,633 --> 01:01:50,666 I've now selected low frequency next I'm going to go to Filter Blur, Gaussian Blur. 1041 01:01:51,966 --> 01:01:54,366 I want to zoom in here. 1042 01:01:54,366 --> 01:01:59,166 And for this, I'm going to do three pixels because that's something that'll work on 1043 01:01:59,300 --> 01:02:03,733 90% of all my actions on my frequency separations. 1044 01:02:04,600 --> 01:02:04,966 Let's head. 1045 01:02:04,966 --> 01:02:08,000 Okay, and then I'm going to do option 1046 01:02:08,166 --> 01:02:10,800 right bracket to select high frequency. 1047 01:02:11,533 --> 01:02:14,866 And here I'm going to go to image apply image 1048 01:02:15,433 --> 01:02:17,966 make sure the layer here is low frequency. 1049 01:02:18,266 --> 01:02:21,833 And because the action name this, it's always going to be able to find that. 1050 01:02:22,966 --> 01:02:25,333 And then you want to make sure it's on subtract 1051 01:02:26,433 --> 01:02:28,766 100% opacity 1052 01:02:28,766 --> 01:02:33,000 scale to offset one 28 ten. 1053 01:02:33,033 --> 01:02:33,833 Okay. 1054 01:02:34,266 --> 01:02:38,800 And we're going to change the blending mode here to linear light. 1055 01:02:39,666 --> 01:02:43,533 And then what I want to do is select both of these and put them into a group. 1056 01:02:44,066 --> 01:02:48,400 So to select it, I'm going to do option shift 1057 01:02:49,566 --> 01:02:49,966 left the 1058 01:02:49,966 --> 01:02:52,900 bracket that's going to select both layers. 1059 01:02:53,866 --> 01:02:56,800 And then I want to do a new layer group. 1060 01:02:58,300 --> 01:03:00,700 So we're going to go group from layers 1061 01:03:00,866 --> 01:03:03,800 so that the layers that I have selected are included in there. 1062 01:03:03,966 --> 01:03:07,266 And because I'm doing it through this, I can also name the group. 1063 01:03:07,466 --> 01:03:11,900 So we're going to call this frequency separation 1064 01:03:13,100 --> 01:03:14,766 hit. Okay. 1065 01:03:15,400 --> 01:03:17,833 And then stop recording. 1066 01:03:19,133 --> 01:03:22,433 And here you can see we have our frequency separation. 1067 01:03:22,433 --> 01:03:24,466 It matches our background image. 1068 01:03:24,766 --> 01:03:28,733 And now I can start doing my frequency separation corrections. 1069 01:03:29,000 --> 01:03:32,300 And the beauty of this is I can throw this away 1070 01:03:33,133 --> 01:03:36,566 and I could open an entirely different document. 1071 01:03:38,033 --> 01:03:40,800 Let's go to portrait retouching 1072 01:03:42,100 --> 01:03:43,533 model 1073 01:03:44,933 --> 01:03:48,833 make sure we open this at eight bit 1074 01:03:50,133 --> 01:03:52,400 and I'm not going to open a smart object 1075 01:03:54,466 --> 01:03:56,200 open image 1076 01:03:57,266 --> 01:03:58,600 select my frequency. 1077 01:03:58,600 --> 01:04:02,666 Make sure the layer that I want to do frequency separation is this one. 1078 01:04:04,000 --> 01:04:06,166 And then just hit play 1079 01:04:06,733 --> 01:04:10,033 and voila, I have my frequency separation done. 1080 01:04:10,333 --> 01:04:12,633 I could start working on it. 1081 01:04:12,633 --> 01:04:13,033 All right. 1082 01:04:13,033 --> 01:04:16,500 So let's close that and 1083 01:04:18,700 --> 01:04:21,433 well, I deleted the layer so we can just head play again. 1084 01:04:22,600 --> 01:04:23,133 Boom. 1085 01:04:23,133 --> 01:04:25,433 I have my frequency separation. 1086 01:04:25,433 --> 01:04:27,266 So that's something that you can do. 1087 01:04:27,266 --> 01:04:31,466 One thing to note is after you've made your actions, 1088 01:04:32,000 --> 01:04:35,933 a smart idea is to export them so that you save them 1089 01:04:36,566 --> 01:04:39,966 and that I'm just going to select the folder here that I've made. 1090 01:04:40,466 --> 01:04:44,600 Go up here and go save actions. 1091 01:04:46,500 --> 01:04:48,866 And we can call these photo actions 1092 01:04:52,466 --> 01:04:55,200 now, when I quit Photoshop, 1093 01:04:55,200 --> 01:04:59,233 this photo actions will still be in there when I open up again. 1094 01:04:59,466 --> 01:05:01,933 But if for some reason, my Photoshop crashes 1095 01:05:02,366 --> 01:05:06,166 between when I created my actions and when it crashes, 1096 01:05:06,566 --> 01:05:07,800 these aren't going to save. 1097 01:05:07,800 --> 01:05:11,966 So that's why I always think it's a good idea to save your actions. 1098 01:05:12,366 --> 01:05:15,866 And if you don't have your actions anymore, 1099 01:05:15,866 --> 01:05:19,766 you can always go here, load actions, select 1100 01:05:19,766 --> 01:05:24,433 a file you created, hit open, and now I have my actions again. 1101 01:05:25,166 --> 01:05:27,800 All right, so that's how you create actions in Photoshop. 1102 01:05:28,866 --> 01:05:29,333 All right. 1103 01:05:29,333 --> 01:05:33,400 With our frequency separation done, I'm going to take our drag in here and drag 1104 01:05:33,400 --> 01:05:37,600 it between the low frequency, the low frequency and the high frequency. 1105 01:05:38,733 --> 01:05:41,200 Let's zoom in here 1106 01:05:41,400 --> 01:05:43,666 and let's put this on multiply. 1107 01:05:45,133 --> 01:05:45,533 All right. 1108 01:05:45,533 --> 01:05:48,633 So right away, you can see we have that skin texture 1109 01:05:51,233 --> 01:05:53,666 sitting on top of the dragon, which is what I want. 1110 01:05:53,933 --> 01:05:57,366 And now we're going to make this look at all more realistic. 1111 01:05:57,400 --> 01:05:59,633 So first off, 1112 01:05:59,800 --> 01:06:02,466 tattoos aren't quite this 1113 01:06:03,900 --> 01:06:04,633 sharp. 1114 01:06:04,633 --> 01:06:06,933 So we're going to add a little bit of a motion blur on there. 1115 01:06:11,933 --> 01:06:15,266 Let's do like 1.5, maybe 1116 01:06:16,833 --> 01:06:18,266 most. I'm going to copy this layer. 1117 01:06:18,266 --> 01:06:22,933 So shift and drag and the one underneath, I'm in a blur even more. 1118 01:06:22,966 --> 01:06:24,933 So we can just double click on the blur here. 1119 01:06:28,133 --> 01:06:30,333 I want it to have some kind of bleed out there, 1120 01:06:30,333 --> 01:06:34,866 which is usually what happens with tattoos is the longer you've had them 1121 01:06:36,233 --> 01:06:38,666 that do you know, the color dye starts 1122 01:06:38,666 --> 01:06:41,700 to see deeper into the skin. 1123 01:06:41,733 --> 01:06:44,566 So right about like that 1124 01:06:46,400 --> 01:06:50,666 and part of the problem, 1125 01:06:50,666 --> 01:06:54,333 though, is it's making these parts of the tattoo darker, which I don't want. 1126 01:06:55,166 --> 01:06:57,600 So what I'm going to do is I'm going to command 1127 01:06:57,600 --> 01:07:00,700 click on this layer that's going to select the transparency of it, 1128 01:07:01,266 --> 01:07:05,866 and then I'm going to do select modify contract to pull in that selection. 1129 01:07:05,866 --> 01:07:11,666 We'll do that by six pixels and then select Modify and Feather, 1130 01:07:12,533 --> 01:07:15,600 and we'll do this by six pixels as well. 1131 01:07:16,600 --> 01:07:19,700 And then I'm going to hold down option hit delete. 1132 01:07:20,600 --> 01:07:24,133 That's going to delete the inside there so that our bleed off 1133 01:07:24,133 --> 01:07:25,100 is just in the middle. 1134 01:07:25,100 --> 01:07:27,666 Now, I do kind of want it in the white parts here. 1135 01:07:28,766 --> 01:07:29,233 So what I 1136 01:07:29,233 --> 01:07:33,766 may do is just select option, click on this layer. 1137 01:07:33,766 --> 01:07:39,266 So I just select this, go into my channels find the darkest channel 1138 01:07:39,266 --> 01:07:43,000 which seems to be blue, and then hold down 1139 01:07:43,000 --> 01:07:45,866 command, click on that 1140 01:07:46,466 --> 01:07:48,666 option, click on this again 1141 01:07:48,666 --> 01:07:52,266 and go into this layer option, click on the mask 1142 01:07:53,800 --> 01:07:55,500 and then do command delete. 1143 01:07:55,500 --> 01:07:56,533 There you go. 1144 01:07:57,566 --> 01:08:01,166 Okay, let's go back to our layer. 1145 01:08:02,000 --> 01:08:03,333 All right, so there you go. 1146 01:08:03,333 --> 01:08:06,633 Now we have more kind of the look that I'm looking for there. 1147 01:08:07,200 --> 01:08:09,033 That looks pretty nice. 1148 01:08:09,033 --> 01:08:13,766 Next thing I want to do is add some variation in terms 1149 01:08:13,800 --> 01:08:15,933 of how strong the tattoo is. 1150 01:08:16,433 --> 01:08:18,000 Let's show you a little trick to do that. 1151 01:08:18,000 --> 01:08:20,966 Let's add a layer mask, make sure a layer mask is selected. 1152 01:08:21,366 --> 01:08:23,700 Make sure colors are black and white. 1153 01:08:23,700 --> 01:08:26,700 We're going to go to Filter Render Clouds. 1154 01:08:28,400 --> 01:08:28,800 All right. 1155 01:08:28,800 --> 01:08:30,966 And if we option, click on the mask. 1156 01:08:30,966 --> 01:08:32,900 You can see what that has done. 1157 01:08:32,900 --> 01:08:37,633 It's created just this cloud pattern and then let's blur that 1158 01:08:46,366 --> 01:08:48,200 just to about there. 1159 01:08:48,200 --> 01:08:50,266 You can also unlink it and maybe make 1160 01:08:51,833 --> 01:08:54,200 the pattern a little bit larger. 1161 01:08:54,500 --> 01:08:56,533 I can just do 1162 01:09:00,100 --> 01:09:03,600 something like that maybe. 1163 01:09:03,600 --> 01:09:05,833 And I don't want it to be quite so strong. 1164 01:09:05,833 --> 01:09:10,400 So going to do command M to do a curve layer on my mask 1165 01:09:11,266 --> 01:09:14,333 this bring up the bottom of it. 1166 01:09:15,800 --> 01:09:17,900 And also I want this part to be 1167 01:09:19,300 --> 01:09:21,100 like stronger. 1168 01:09:21,100 --> 01:09:24,866 So something like that 1169 01:09:27,966 --> 01:09:30,300 and then let's do the same thing on here. 1170 01:09:30,300 --> 01:09:33,500 And now you can see the problem is I already have a mask on here 1171 01:09:34,566 --> 01:09:36,866 and if I do it on here, 1172 01:09:36,866 --> 01:09:39,966 it's just going to over, it's going to replace this mask. 1173 01:09:39,966 --> 01:09:43,033 So what I can do is I can do command and G to put this 1174 01:09:43,033 --> 01:09:45,633 in a group and a mask onto the group. 1175 01:09:46,233 --> 01:09:50,700 And then do the filter render clouds 1176 01:09:55,100 --> 01:09:58,233 let's detach that again 1177 01:09:58,233 --> 01:10:01,900 to command T to make it larger 1178 01:10:06,333 --> 01:10:09,166 like so it looks pretty good 1179 01:10:10,666 --> 01:10:12,966 and I'm going to do command am on that as well, 1180 01:10:12,966 --> 01:10:15,466 just bringing it up so it's not as strong 1181 01:10:19,900 --> 01:10:20,366 Okay. 1182 01:10:20,366 --> 01:10:22,833 So that's starting to look more realistic 1183 01:10:25,166 --> 01:10:28,400 now. What I'm going to do is take all these layers 1184 01:10:29,266 --> 01:10:32,433 and convert them to a new smart object 1185 01:10:35,100 --> 01:10:37,766 put that on multiply 1186 01:10:38,733 --> 01:10:40,966 and on this layer 1187 01:10:40,966 --> 01:10:44,933 I want to displace it against her back. 1188 01:10:45,366 --> 01:10:48,033 So to do that, we're going to go image duplicates 1189 01:10:48,866 --> 01:10:52,700 and we'll call this displacement map 1190 01:10:53,333 --> 01:10:55,400 and in here I want to delete 1191 01:10:56,033 --> 01:10:59,200 when I click on the option, click on this 1192 01:10:59,200 --> 01:11:02,333 and then just flatten image 1193 01:11:03,966 --> 01:11:06,600 and say, Okay, I want a flat image here 1194 01:11:07,400 --> 01:11:11,533 and I want to bring a little more contrast into this area of our backs. 1195 01:11:11,533 --> 01:11:14,700 I'm going to do Command M for a curve 1196 01:11:18,000 --> 01:11:19,733 let me do that. 1197 01:11:20,066 --> 01:11:23,666 And then I'm going to make a black and white 1198 01:11:27,833 --> 01:11:30,466 and then do some blurring 1199 01:11:32,866 --> 01:11:33,466 I want to get rid 1200 01:11:33,466 --> 01:11:36,500 of all this little fine detail. 1201 01:11:36,500 --> 01:11:37,666 All right. About there. 1202 01:11:37,666 --> 01:11:40,033 So 27.5 looks good. 1203 01:11:40,533 --> 01:11:43,333 Let's go ahead and save this 1204 01:11:43,333 --> 01:11:45,733 we're going to save it as a document 1205 01:11:46,200 --> 01:11:50,000 into our job file. 1206 01:11:51,466 --> 01:11:53,366 Let's go ahead and close that. 1207 01:11:53,366 --> 01:11:57,166 And then with our Dragon Tattoo Smart Object here 1208 01:11:57,166 --> 01:11:59,633 selected, I'm going to go to Filter 1209 01:12:01,433 --> 01:12:04,400 Distort displays. 1210 01:12:04,400 --> 01:12:06,533 2020 should be good hit. 1211 01:12:06,533 --> 01:12:09,233 Okay. And select the displacement map 1212 01:12:10,200 --> 01:12:13,266 you can see that's now kind of curved it along 1213 01:12:14,333 --> 01:12:17,633 the folds of her back there. 1214 01:12:17,633 --> 01:12:19,133 We can also take the opacity 1215 01:12:19,133 --> 01:12:21,233 down on the whole thing 1216 01:12:22,366 --> 01:12:25,100 just have a little more of that skin showing through 1217 01:12:26,533 --> 01:12:27,600 to about there. 1218 01:12:27,600 --> 01:12:28,800 I think 1219 01:12:30,133 --> 01:12:31,766 pretty nice. 1220 01:12:31,766 --> 01:12:35,266 The last thing I want to do is take this layer here, copy it. 1221 01:12:36,833 --> 01:12:39,966 Let's bring it all the way to the top 1222 01:12:39,966 --> 01:12:44,233 and I'm going to do an adjustment layer here 1223 01:12:46,700 --> 01:12:49,566 let's do levels 1224 01:12:49,800 --> 01:12:53,433 and I want to just isolate the highlights in here. 1225 01:12:53,433 --> 01:12:57,400 So I'm really going to push this so we're just seeing 1226 01:12:57,400 --> 01:12:59,566 those highlights 1227 01:13:08,500 --> 01:13:10,766 just about their looks good. 1228 01:13:10,766 --> 01:13:13,033 And then I'm going to turn this black and white 1229 01:13:16,233 --> 01:13:20,933 and I just want the skin so I can just use a big white 1230 01:13:20,933 --> 01:13:24,100 or a big black brush here and just paint this away. 1231 01:13:31,700 --> 01:13:34,166 Just like so 1232 01:13:34,366 --> 01:13:37,200 so I just have that little highlight on our skin there. 1233 01:13:38,366 --> 01:13:40,700 And then I'm going to put this on screen 1234 01:13:42,633 --> 01:13:46,666 and just going to delete it. 1235 01:13:46,666 --> 01:13:49,666 This spot there actually 1236 01:13:52,700 --> 01:13:55,200 yeah, it's delete that there there, Erica. 1237 01:13:55,633 --> 01:13:59,500 So now it's just this highlight on top of that's how to there 1238 01:14:00,466 --> 01:14:02,600 just makes the tattoo feel more 1239 01:14:02,600 --> 01:14:05,533 like it's under her skin. 1240 01:14:05,766 --> 01:14:07,866 And then what it might also do here. 1241 01:14:08,333 --> 01:14:11,200 So I want to make it a little bit less strong down here. 1242 01:14:12,800 --> 01:14:15,033 You can also see potentially it's 1243 01:14:16,200 --> 01:14:19,066 might help to get rid of some of that color in there. 1244 01:14:19,066 --> 01:14:21,066 So let's go to Vibrance 1245 01:14:22,766 --> 01:14:24,800 just take that vibrance down a little bit 1246 01:14:27,266 --> 01:14:27,566 yeah. 1247 01:14:27,566 --> 01:14:29,166 About there 1248 01:14:31,433 --> 01:14:33,900 and then I'm going to double click 1249 01:14:33,900 --> 01:14:37,033 over here and I want the underlying layer 1250 01:14:38,600 --> 01:14:41,033 to right about there you can see it's starting 1251 01:14:41,333 --> 01:14:44,233 the dark areas are starting to eat into the tattoo. 1252 01:14:44,233 --> 01:14:44,666 There 1253 01:14:49,000 --> 01:14:53,366 it is 1254 01:14:56,733 --> 01:14:57,266 right about 1255 01:14:57,266 --> 01:14:59,666 there and then we'll just break it like this. 1256 01:15:00,900 --> 01:15:03,700 Holding option to break it 1257 01:15:07,300 --> 01:15:08,266 There you go. 1258 01:15:08,266 --> 01:15:09,466 So, okay, 1259 01:15:10,066 --> 01:15:12,100 so I'm quite happy with how that looks 1260 01:15:13,733 --> 01:15:15,366 on last thing I want to do is 1261 01:15:15,366 --> 01:15:18,133 get this flower 1262 01:15:18,566 --> 01:15:19,433 over here. 1263 01:15:19,433 --> 01:15:22,133 Let's put this in the frequency separation. 1264 01:15:22,133 --> 01:15:24,800 I'm actually going to change this to Dragon Tattoo 1265 01:15:26,900 --> 01:15:28,833 because this entire layer set 1266 01:15:28,833 --> 01:15:31,166 is creating that Dragon Tattoo. 1267 01:15:32,833 --> 01:15:33,533 Okay. 1268 01:15:33,533 --> 01:15:36,566 So let's go ahead and turn that off temporarily. 1269 01:15:37,333 --> 01:15:40,333 And I want to select out this 1270 01:15:44,000 --> 01:15:45,233 flower. 1271 01:15:45,233 --> 01:15:48,933 To do that, I'm going to select color range, 1272 01:15:49,666 --> 01:15:51,900 see if we can isolate the skin color here. 1273 01:15:53,100 --> 01:15:55,700 Hold down shift 1274 01:15:56,600 --> 01:15:59,666 so it is doing it to a certain degree, 1275 01:15:59,666 --> 01:16:04,233 but we are getting a lot of the flower still selected. 1276 01:16:05,000 --> 01:16:08,633 So let's take down the fuzziness, maybe take down the range as well. 1277 01:16:21,600 --> 01:16:24,466 And let's see how that does. 1278 01:16:24,466 --> 01:16:26,933 Not too bad 1279 01:16:27,400 --> 01:16:30,100 what we can do here is make a copy of this, 1280 01:16:30,733 --> 01:16:32,866 bring it above the Dragon Tattoo 1281 01:16:34,200 --> 01:16:37,600 and then add a mask to it. 1282 01:16:37,600 --> 01:16:41,066 Now, the mask is the opposite of what I want. 1283 01:16:41,066 --> 01:16:45,433 I want the flower to show so I can just take the image 1284 01:16:45,433 --> 01:16:47,700 here, go adjustments and go invert. 1285 01:16:48,833 --> 01:16:49,833 There you go. 1286 01:16:50,133 --> 01:16:53,033 And now I want to clean this up so that this black area 1287 01:16:53,033 --> 01:16:56,666 has no black spots and the white area has no white spots. 1288 01:16:57,233 --> 01:17:01,133 So I'm just going to do that with a brush 1289 01:17:03,900 --> 01:17:06,066 let's paint this area with some white 1290 01:17:15,533 --> 01:17:17,666 and then head X there 1291 01:17:17,700 --> 01:17:21,333 and paint this area with some black 1292 01:17:33,733 --> 01:17:37,133 that's a way you can use kind of a combination of 1293 01:17:38,766 --> 01:17:41,466 color selection and then 1294 01:17:41,466 --> 01:17:46,166 just straight up painting to make a selection that 1295 01:17:47,200 --> 01:17:49,233 the other selectors 1296 01:17:49,266 --> 01:17:52,000 are not going to have a very fun time with 1297 01:17:54,466 --> 01:17:56,466 and it is faster than trying to. 1298 01:17:56,466 --> 01:17:56,766 Right. 1299 01:17:56,766 --> 01:17:58,966 You know, draw a path around this entire thing. 1300 01:18:01,566 --> 01:18:02,966 Oh, okay. 1301 01:18:02,966 --> 01:18:05,166 I think that's good enough for the area that we need. 1302 01:18:05,166 --> 01:18:07,233 We really just need this area here. 1303 01:18:07,766 --> 01:18:10,466 So that's the area that I'm concentrating in. 1304 01:18:10,766 --> 01:18:14,166 Can now right mount or command click on here 1305 01:18:17,600 --> 01:18:19,066 and then I'm holding down 1306 01:18:19,066 --> 01:18:21,233 option and shift to intersect. 1307 01:18:22,466 --> 01:18:25,000 Just making that my selection area 1308 01:18:26,200 --> 01:18:28,600 now if I go back on here, 1309 01:18:28,600 --> 01:18:31,200 you can delete this layer mask 1310 01:18:33,900 --> 01:18:37,033 and let's add a new layer mask on here. 1311 01:18:38,100 --> 01:18:39,266 And there you go. 1312 01:18:39,266 --> 01:18:42,100 Now there is still some noise 1313 01:18:42,100 --> 01:18:44,733 and stuff back here, so let's try to fix that up. 1314 01:18:45,566 --> 01:18:47,733 I'm going to go ahead and command click 1315 01:18:47,733 --> 01:18:51,300 to select Delete the Layer Mask 1316 01:18:51,300 --> 01:18:56,700 and then click on Select a Mask and then turn on the smart radius here, 1317 01:18:57,933 --> 01:18:59,566 turn that up. 1318 01:19:00,066 --> 01:19:02,800 And also with the brush here 1319 01:19:02,800 --> 01:19:06,233 kind of paint in between here 1320 01:19:07,500 --> 01:19:11,066 see if that does a better job. 1321 01:19:11,066 --> 01:19:11,966 All right. 1322 01:19:12,200 --> 01:19:14,000 Let's 1323 01:19:19,333 --> 01:19:20,966 it. Okay. 1324 01:19:22,200 --> 01:19:24,566 And head mask again. 1325 01:19:24,566 --> 01:19:26,166 That's a bit better. 1326 01:19:26,466 --> 01:19:30,566 It's still this, but I think I'll just go on the mask itself. 1327 01:19:31,033 --> 01:19:33,833 And with a white brush, 1328 01:19:33,833 --> 01:19:36,033 just paint that area 1329 01:19:39,033 --> 01:19:41,266 same with this panel right here. 1330 01:19:49,533 --> 01:19:53,366 And I'm pretty happy with that. 1331 01:19:54,533 --> 01:19:57,833 Okay, so that finishes pretty much our work. 1332 01:19:58,533 --> 01:20:02,033 And also because this is all layered the way it is 1333 01:20:03,833 --> 01:20:06,033 and everything's happening in layers. 1334 01:20:06,333 --> 01:20:08,833 The nice thing about this is if I want to change 1335 01:20:09,266 --> 01:20:12,600 the size of my dragon or it's placement, I can do that 1336 01:20:13,800 --> 01:20:16,900 the only thing I would have to do if I want to change this, 1337 01:20:16,900 --> 01:20:20,566 the only thing I would have to do a second time is the displacement. 1338 01:20:22,233 --> 01:20:24,500 You know, maybe we can get 1339 01:20:25,333 --> 01:20:29,000 the dragon down just a little bit so that we have more of that skin overlay. 1340 01:20:30,533 --> 01:20:32,800 Maybe make it just a tiny bit smaller and 1341 01:20:35,033 --> 01:20:36,700 right about there 1342 01:20:38,500 --> 01:20:39,833 there you go. 1343 01:20:39,833 --> 01:20:41,433 That looks nice. 1344 01:20:43,033 --> 01:20:44,200 Next thing I want to do 1345 01:20:44,200 --> 01:20:47,100 is add my own texture to this background. 1346 01:20:47,400 --> 01:20:50,800 I'm going to go to the very top here, go file place embedded 1347 01:20:51,900 --> 01:20:52,600 and grab it. 1348 01:20:52,600 --> 01:20:54,866 This long name here. 1349 01:20:56,300 --> 01:20:59,100 This is just a grunge texture. 1350 01:20:59,100 --> 01:21:01,600 Let's turn it around, 1351 01:21:01,833 --> 01:21:03,400 make it bigger 1352 01:21:14,033 --> 01:21:15,400 you go 1353 01:21:16,566 --> 01:21:18,900 and I'm going to get rid of the color. 1354 01:21:19,333 --> 01:21:21,800 Let's do image adjustments, black and white, 1355 01:21:23,733 --> 01:21:26,166 and I want to put this on overlay 1356 01:21:31,466 --> 01:21:33,466 and I don't want it to affect her. 1357 01:21:33,666 --> 01:21:35,333 So we have this mask. 1358 01:21:35,333 --> 01:21:37,866 I could just copy that mask over like that. 1359 01:21:38,733 --> 01:21:41,833 And that does a pretty good job, actually. 1360 01:21:43,666 --> 01:21:46,166 Another thing I could do is 1361 01:21:48,633 --> 01:21:51,766 do the good all layer blending trick. 1362 01:21:53,233 --> 01:21:55,100 In this case, 1363 01:21:55,166 --> 01:21:58,400 just move this slider over to the right 1364 01:21:59,100 --> 01:22:02,566 until it's not on her and then just break it up 1365 01:22:09,833 --> 01:22:10,866 just like that. 1366 01:22:10,866 --> 01:22:11,966 There you go. 1367 01:22:13,300 --> 01:22:16,766 The nice thing about that is the texture will kind of go into the darker 1368 01:22:16,766 --> 01:22:19,933 areas of her hair and also into the darker 1369 01:22:19,933 --> 01:22:22,933 areas here because it's 1370 01:22:22,933 --> 01:22:27,200 adding that texture based on the aluminum luminance of the layer. 1371 01:22:27,333 --> 01:22:29,533 So there you go. We've added our own texture. 1372 01:22:29,833 --> 01:22:32,400 Next thing I want to do is add some typography. 1373 01:22:33,633 --> 01:22:35,666 So let's go on to the type tool. 1374 01:22:36,933 --> 01:22:41,566 I'm going to go to our fonts here 1375 01:22:43,466 --> 01:22:44,733 and we're going to search 1376 01:22:44,733 --> 01:22:46,966 for a fonts called Monserrat. 1377 01:22:48,566 --> 01:22:52,633 And if you have an earlier version of Photoshop 1378 01:22:52,633 --> 01:22:56,933 that doesn't have Adobe Typekit, you can download this font from Google, 1379 01:22:57,566 --> 01:23:00,766 and I will also include it in the course assets. 1380 01:23:00,866 --> 01:23:02,333 So let's go view family 1381 01:23:04,633 --> 01:23:09,200 and let's activate 1382 01:23:09,433 --> 01:23:12,733 the monster out family there 1383 01:23:13,633 --> 01:23:14,533 Okay. 1384 01:23:15,033 --> 01:23:15,400 All right. 1385 01:23:15,400 --> 01:23:19,366 So let's go on the tape tool and let's 1386 01:23:19,366 --> 01:23:22,833 select Monserrat 1387 01:23:22,833 --> 01:23:25,833 and I want to use 1388 01:23:25,933 --> 01:23:27,866 extra light. 1389 01:23:27,966 --> 01:23:30,566 57. Let's turn on the guide's 1390 01:23:30,566 --> 01:23:33,466 command semicolon I want it about right here. 1391 01:23:34,533 --> 01:23:37,200 Let's type in the Girl 1392 01:23:37,900 --> 01:23:40,100 with the Dragon 1393 01:23:41,366 --> 01:23:43,133 Tattoo 1394 01:23:44,266 --> 01:23:46,100 It's it's a checkmark. 1395 01:23:46,100 --> 01:23:48,200 Hide our guides 1396 01:23:49,600 --> 01:23:53,100 think I want to go up a little bit. 1397 01:23:53,300 --> 01:23:55,533 And if you hold shift, when you move your arrows, 1398 01:23:55,533 --> 01:23:58,166 you move by ten pixels as opposed to one pixel 1399 01:23:59,366 --> 01:23:59,900 all right. 1400 01:23:59,900 --> 01:24:01,200 And then 1401 01:24:02,033 --> 01:24:05,300 select the text command and just make this a little bit 1402 01:24:06,000 --> 01:24:10,166 the letting a little wider here maybe light instead of extra light. 1403 01:24:11,500 --> 01:24:12,866 Let's hit the checkmark. 1404 01:24:12,866 --> 01:24:15,466 Yeah, I'm happy with that. 1405 01:24:15,800 --> 01:24:16,200 All right. 1406 01:24:16,200 --> 01:24:18,833 And then I'm going to option and drag this over here. 1407 01:24:19,166 --> 01:24:21,266 We're going to put some actor names. 1408 01:24:21,266 --> 01:24:25,533 So we're just going to say, John Smith, I want to make this a bit smaller, maybe 1409 01:24:26,533 --> 01:24:28,200 45 actually. 1410 01:24:28,200 --> 01:24:30,066 Let's make it 40 1411 01:24:31,100 --> 01:24:34,466 and then option drag it over here 1412 01:24:34,466 --> 01:24:37,133 and I can hold down shift so it stays in the same place 1413 01:24:38,200 --> 01:24:41,266 I call this one Jane Smith 1414 01:24:43,600 --> 01:24:45,100 and both of these names. 1415 01:24:45,100 --> 01:24:48,466 I want to back off a bit some of the select them both and change 1416 01:24:48,466 --> 01:24:51,400 the opacity to 50 1417 01:24:53,966 --> 01:24:56,666 and then lastly, I want some credit text down here. 1418 01:24:57,066 --> 01:25:00,433 So I'm going to go back on to my type tool 1419 01:25:01,666 --> 01:25:03,866 and change this to regular 1420 01:25:03,866 --> 01:25:07,200 change it probably to like 18. 1421 01:25:07,200 --> 01:25:09,133 Oh make sure 1422 01:25:09,133 --> 01:25:12,866 when you make changes you don't have text selected. 1423 01:25:12,866 --> 01:25:14,900 So let's go to select these select layers. 1424 01:25:15,400 --> 01:25:19,666 All right, so let's change this to 18 and then I'm going to click drag 1425 01:25:21,166 --> 01:25:23,966 to make a textbox 1426 01:25:24,200 --> 01:25:28,533 and let's go also in here and change this to auto 1427 01:25:30,300 --> 01:25:31,166 and let's make the 1428 01:25:31,166 --> 01:25:34,033 text a little bit bigger and change 1429 01:25:34,766 --> 01:25:37,266 kerning to zero. 1430 01:25:37,733 --> 01:25:38,666 All right. 1431 01:25:38,666 --> 01:25:43,933 And because this is a text box, I actually want to resize and move my text box. 1432 01:25:44,266 --> 01:25:48,566 I'm going to turn on guides because I want it to go to this bottom guide 1433 01:25:50,100 --> 01:25:52,500 and I want it to be centered 1434 01:25:54,200 --> 01:25:54,833 all right. 1435 01:25:54,833 --> 01:25:56,266 About there. 1436 01:25:57,300 --> 01:25:57,666 Okay. 1437 01:25:57,666 --> 01:26:00,866 So next I'm going to go to my finder. 1438 01:26:01,066 --> 01:26:05,500 And inside the assets folder, you're going to see a document called Credit Text. 1439 01:26:05,933 --> 01:26:08,066 Let's double click that. 1440 01:26:08,066 --> 01:26:09,866 And so you don't have to type all this. 1441 01:26:09,866 --> 01:26:14,700 You can just select all this text command c, go in here, select 1442 01:26:14,700 --> 01:26:18,433 all that text and do command to V 1443 01:26:18,933 --> 01:26:21,300 and let's go ahead and make this 1444 01:26:21,300 --> 01:26:25,166 a tiny bit smaller so it doesn't have any line breaks 1445 01:26:31,133 --> 01:26:33,300 right about there. 1446 01:26:33,300 --> 01:26:36,566 Let's go a little bit closer here, see what we've got going on 1447 01:26:40,366 --> 01:26:42,566 so to change the 1448 01:26:43,600 --> 01:26:45,700 font size with shortcuts, 1449 01:26:46,100 --> 01:26:48,700 select the text, then hold down command shift 1450 01:26:49,066 --> 01:26:51,766 and use period and comma 1451 01:26:53,866 --> 01:26:54,266 okay. 1452 01:26:54,266 --> 01:26:55,766 So that's pretty small. 1453 01:26:55,766 --> 01:26:58,366 What I may want to do is just bring 1454 01:27:01,133 --> 01:27:02,500 the director of photography 1455 01:27:02,500 --> 01:27:05,433 down to the next line. 1456 01:27:07,766 --> 01:27:12,466 I can actually get rid 1457 01:27:12,466 --> 01:27:17,433 of all the hard line breaks here 1458 01:27:17,666 --> 01:27:20,066 and then just move this text box. 1459 01:27:21,166 --> 01:27:21,933 All right. 1460 01:27:21,933 --> 01:27:25,266 So I want to get rid of the hyphenation in there 1461 01:27:29,066 --> 01:27:30,600 there you go. 1462 01:27:35,266 --> 01:27:35,666 Okay. 1463 01:27:35,666 --> 01:27:39,266 So now let's say I want to transform or make this text bigger. 1464 01:27:39,533 --> 01:27:42,566 If I go in here, it's going to keep it in the text box. 1465 01:27:43,866 --> 01:27:47,633 And if I don't want that, I can do a free transform 1466 01:27:47,633 --> 01:27:51,400 on the whole thing and that will make the text bigger 1467 01:27:53,133 --> 01:27:53,866 and make 1468 01:27:53,866 --> 01:27:56,066 my text box bigger at the same time. 1469 01:27:57,966 --> 01:27:58,733 There you go. 1470 01:27:58,733 --> 01:28:01,033 That's my fake movie poster. 1471 01:28:01,033 --> 01:28:02,233 Credits 1472 01:28:04,266 --> 01:28:08,100 and that pretty much finishes all the text. 1473 01:28:08,100 --> 01:28:13,533 We can take all those layers and put them in a folder called Text and then finally, 1474 01:28:13,533 --> 01:28:17,266 what I want to do is just add some color grade on top of the whole thing. 1475 01:28:17,666 --> 01:28:21,166 For that, I'm going to use a gradient map 1476 01:28:21,166 --> 01:28:23,966 and let's go ahead and select 1477 01:28:24,033 --> 01:28:26,833 the dark color and make that kind of a 1478 01:28:27,566 --> 01:28:29,600 turquoise blue. 1479 01:28:30,033 --> 01:28:32,233 And let's make this color 1480 01:28:33,166 --> 01:28:36,300 kind of a golden yellow 1481 01:28:39,066 --> 01:28:42,133 and probably need to do saturate this a little 1482 01:28:43,133 --> 01:28:46,533 and let's put this on soft light 1483 01:28:47,600 --> 01:28:49,566 and maybe 1484 01:28:49,566 --> 01:28:51,900 make the yellow a little more gold and 1485 01:28:54,366 --> 01:28:56,366 a little warmer 1486 01:28:58,233 --> 01:28:59,633 that's pretty nice. 1487 01:28:59,633 --> 01:29:00,800 And then finally, 1488 01:29:01,833 --> 01:29:03,966 I do my famous 1489 01:29:05,900 --> 01:29:07,200 blue curve 1490 01:29:07,200 --> 01:29:10,366 just bring up the bottom of the blue, bring down the top, 1491 01:29:12,000 --> 01:29:13,833 maybe add just a touch of red 1492 01:29:13,833 --> 01:29:15,766 in the highlights here. 1493 01:29:22,633 --> 01:29:25,733 And I'm pretty happy with that. 1494 01:29:26,066 --> 01:29:29,033 I can see a quick before and after 1495 01:29:32,833 --> 01:29:34,766 and there you have it. 1496 01:29:34,933 --> 01:29:37,033 Let's go ahead and save it. 1497 01:29:43,466 --> 01:29:46,500 And we can call this girl 1498 01:29:46,633 --> 01:29:52,466 with a dragon to poster 1499 01:29:57,700 --> 01:29:58,066 All right. 1500 01:29:58,066 --> 01:29:59,500 So that wraps up the course. 1501 01:29:59,500 --> 01:30:02,066 I hope you learned a lot from it. 1502 01:30:02,066 --> 01:30:05,933 If you want to get further into Photoshop compositing, 1503 01:30:05,933 --> 01:30:10,500 you can check out my YouTube channel where I have quite a lot of free tutorials 1504 01:30:10,933 --> 01:30:16,400 on how to recreate different movie posters and do different types of composites. 1505 01:30:16,766 --> 01:30:22,366 Also, if you want to really learn Photoshop compositing, 1506 01:30:22,366 --> 01:30:27,000 I suggest you take some of my advanced courses on Photoshop compositing. 1507 01:30:27,333 --> 01:30:29,766 Those courses are all project based. 1508 01:30:30,000 --> 01:30:33,566 I do think that's the best way of learning software 1509 01:30:34,200 --> 01:30:37,066 is to learn it through doing projects. 1510 01:30:37,233 --> 01:30:40,066 And even though the beginning of this course was a little heavy 1511 01:30:40,066 --> 01:30:44,733 on teaching new tools, I did try as soon as I could to start 1512 01:30:45,933 --> 01:30:48,333 relating those to real projects. 1513 01:30:48,600 --> 01:30:51,333 And in my compositing courses, 1514 01:30:51,566 --> 01:30:56,766 each one takes a composited image and starts from the beginning 1515 01:30:56,766 --> 01:31:00,000 and takes it through the entire cycle from beginning to end. 1516 01:31:00,466 --> 01:31:03,766 And through doing that, I teach you different techniques 1517 01:31:03,766 --> 01:31:06,200 and different tools in Photoshop that you can use. 1518 01:31:06,800 --> 01:31:08,433 All right. I will see you next time. 116878

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