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In this lesson.
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We're going to create this
fantasy composite and we're going to be
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diving quite heavily into layers, styles,
and how to use those
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creatively in Photoshop to give
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an image depth
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and also how you can kind of layer up
the layer styles
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and almost use them as their own layer
stack on top of a layer.
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Let's get started
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All right.
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Let's go to File Open.
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We're going to start
with the file called Vladimir
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And what I want to do
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is create kind of a fantasy composite.
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We're going to give her some wings,
put some moons in the sky,
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add some kind of fairy dust,
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and then color grade the whole thing.
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All right.
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First,
let's make a copy of our layer here.
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I want to get rid of this mermaid
on our shirt.
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So let's go to the patch to
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drag this to a clean part of the shirt
here.
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Right about there.
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Maybe get rid of this fold right there.
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And that should work
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next.
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Let's go to file open
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and we're going to open the yellow file,
which is a butterfly.
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And I just want to take the wing.
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And for this selection,
I'm going to use the pen to go ahead
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and select the pen tool
and make sure you're up on path here
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and zoom in a little.
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And I start right here. Click
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and then click and drag
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to get that nice curve
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for anything that has curves like this.
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I always tend toward the pen tool
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because it gives me the most control
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of the curves
that I'm going to have in my final
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mass or selection
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Now, I also have this nice ability
of just going back here
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and adding and subtracting to my selection
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after the fact.
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That looks good.
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That's right.
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Mouse click make selection pointer
to our point to feather it.
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Okay.
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To command to make that its own layer.
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We can just detach this counter
move tool and drag that in here.
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And then if I go here,
I can go ahead and just close this file.
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I'm going to convert this
to a smart object.
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Call it wing
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call left wing
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and I want to desaturated a bit.
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So it's double clicking here.
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I'm going to go ahead and add a vibrance
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and just take down the vibrance here
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and take down the saturation just a bit to
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the nice thing
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about using vibrance for something like
this is it retains the luminance
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information a little bit better
than just using saturation.
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So if I used saturate ration,
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you can see
I'm getting this kind of grainy look
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with Vibrance.
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It does a little bit of a better job.
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There you go.
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Let's go ahead and close that
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That looks better.
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All right.
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And I'm going to do
Command T for Transform.
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Let's make that smaller
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panel.
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There is where I want it
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and then I'm going
to make a copy of this layer.
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I can also make a copy of a layer
by just holding option
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and then dragging it
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called this right wing conservative
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yuck.
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And then let's do
a command to flip horizontal
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and bring that to where we want it.
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Just right about there.
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I don't want these
to be exact mirrors of each other.
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So I think what I'm going to do
is make this one a tiny bit bigger.
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So let's do command T, let's do option,
click on where the base of the wing is.
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I'm just going to turn it a bit like this
and then hold down command
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and just drag this
these two points out a little bit.
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And then let's select
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this wing here, command to option,
click there,
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maybe bring this one down just a tiny bit
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There you go.
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All right.
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And I want these on overlay
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and you'll
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notice on overlay that that color
is even more brave, more vibrant.
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So I may go in here
and just bring that vibrance down
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even more,
maybe more D saturation as well.
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Let's go ahead and see how that looks
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That's better.
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Okay.
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And then I want to take both of these,
put them in a group command G
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and then add a mask to the group
called this group Wings.
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And what I want to do is
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paint out
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where her hair sits on top of these.
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So let's select a soft ground brush.
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I got smaller, put my opacity on 100,
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and then just paint it.
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I'm painting in the mask
here, right where our hair is
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and maybe unlink of this
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maybe movement just a bit
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too about there.
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And with a with these on overlay,
you're getting that effect
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where you're kind of seeing through her,
which I like.
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All right.
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But that's pretty good for the wings.
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And now let's go file open
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and we're
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going to open the Neven the moon here.
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And I want to select the moon out.
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So I'm just going to use the round
marquee tool
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and kind of select to about where the is
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hold down option and shift
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and that's about the right size.
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I realize it's off here after
I've made this selection, I can always
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just move the selection
by staying on the selection tool.
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If you go on the move tool and
you start moving, you're going to cut it.
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You don't want that.
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Make sure you're on the selection tool
when you try to move the selection.
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Also, another thing of notes is that you
can right mouse click and transform
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a selection that will transform
the selection independent
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of your pixels.
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It's a nice little feature there.
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Let's keep that a lot
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right about there.
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And I don't mind that it's cutting in.
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I just want to make sure
it's not too far out.
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All right.
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So let's do Kemal and see
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and command
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the good old copy paste
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okay.
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So let's right mouse click and call,
make that a smart object
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and call it Moon.
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I want to rotate it so
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that this is right about there.
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And now we're going to start using
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some layer effects
to give this some volume.
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So our first assumption here
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is that
the sun is probably somewhere around here
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just based on the light hitting her there
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and the light hitting there
and on her foot.
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So that's what
we're going to base that on.
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And what I want to do
is kind of give this shadows, make it
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feel like it's floating in her environment
as opposed to being far away
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So let's go to
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the inner shadow
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and I'm going to show you some tricks
here.
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Let's go ahead and we're going to delete
the ones
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that are there or
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you're
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just going to start fresh here
and add a inner shadow.
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There you go.
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All right.
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So here's our default in our shadow,
and you'll see if I make it bigger.
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You can see that
shadow coming into the edges there
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and the nice thing about it is
I can actually change its location.
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So let's take the sides down
and you can see where that shadow is.
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So that's about where I want it,
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because I'm presuming
the light's coming in this way.
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So maybe one 45
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or maybe actually one 50 is nice.
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So right about there.
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And then I can make it a little stronger.
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And then I want to increase
the size of it quite a bit.
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Right about their
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I don't like that
it's overlapping this line right there.
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So I may bring it in a little more.
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So right about there,
and then we can change it
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back to one 50
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it's actually
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one 45
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actually looks nicer to me,
so right about there.
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Okay.
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Now I want to add even more,
so let's turn this off for now.
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And we're going to go to let's get rid of
the ones that are here.
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We're going to add a gradient overlay.
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So this is our default gradient
overlay here.
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I'm going to go to a black and white one
and we're going to change it to radio.
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I'm going to reverse it
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so that I have a gradient
going out from the middle and out.
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So you can probably guess
where this is heading.
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I can click here and move this
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so that
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it's basically the highlight
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for our ball
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and then I can put this on multiply
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and take the opacity down.
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I can also make a copy of this
and put it on overlay
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or soft light
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and that's going to give it
even more volume
200
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And the other thing I want to do is
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I want to color the
202
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the moon with
203
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layer style here.
204
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So I'm going to click on Color Overlay,
and here I'm just going to select
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a color from the background
206
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and then put this on color
207
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and maybe take the opacity down.
208
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So we have some of the original color
showing through there.
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00:11:58,666 --> 00:12:01,366
You can see it
kind of fits better in our environment.
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00:12:01,366 --> 00:12:02,033
There
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00:12:04,766 --> 00:12:07,566
and let's
go ahead and turn our shadow back on.
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00:12:08,166 --> 00:12:10,600
So I like all that.
I like what it's doing.
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00:12:10,800 --> 00:12:15,566
The one other thing is because
we're adding all these multipliers,
214
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it's making the black points
of this layer too strong.
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00:12:19,700 --> 00:12:21,366
So it now feels like it's
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very close to us.
217
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I want to push it back.
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00:12:25,300 --> 00:12:29,400
And to do that,
I need to put some atmospheric fog
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00:12:29,400 --> 00:12:32,733
or kind of atmospheric depth on top of it.
220
00:12:33,266 --> 00:12:36,000
So to do that, I'm actually going to use
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let's
see if we can do it with a color overlay.
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00:12:40,966 --> 00:12:42,333
No, we can't.
223
00:12:42,333 --> 00:12:44,433
So there's
224
00:12:44,866 --> 00:12:47,500
the layer styles work
225
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as a layer stack in and of themselves.
226
00:12:49,933 --> 00:12:54,566
So this is stacked on top of this,
which is stacked on top of this.
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00:12:55,000 --> 00:12:58,066
And you can change the sequence
of some of these.
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00:12:58,733 --> 00:13:01,400
But other ones, such as color overlay,
229
00:13:01,433 --> 00:13:04,466
can never go underneath
a gradient overlay, right?
230
00:13:04,500 --> 00:13:08,100
So what the sequence of these
is fixed to a degree,
231
00:13:08,366 --> 00:13:12,566
but if you add more of a certain kind,
which are the ones that have a plus mark,
232
00:13:12,833 --> 00:13:14,833
you can move those around.
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00:13:14,833 --> 00:13:17,366
So in this case, I'm going to use
234
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an inner shadow
because I can't use a color overlay.
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00:13:21,300 --> 00:13:24,400
Now, fortunately,
you know, just because the name of
236
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this is in her shadow, it doesn't mean
that's all I can use it for.
237
00:13:27,700 --> 00:13:31,700
So let's go ahead and make a copy
and it change this one to normal
238
00:13:31,700 --> 00:13:34,533
and just change the color to red for now
so I can see it
239
00:13:35,233 --> 00:13:37,533
bring the opacity to 100
240
00:13:37,533 --> 00:13:40,833
and then I can move the inner shadow
and there you go.
241
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It's now covering my entire ball.
242
00:13:43,600 --> 00:13:46,266
I can change the blend mode here to screen
243
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and then select
244
00:13:49,633 --> 00:13:52,100
the black color here
245
00:13:53,733 --> 00:13:55,633
and there you can see it's now
246
00:13:55,633 --> 00:13:58,600
adding some atmospheric depth
on top of our ball
247
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and right about there looks good.
248
00:14:02,400 --> 00:14:06,033
And the beauty of this is because
this is on top of the other layers,
249
00:14:07,366 --> 00:14:11,700
I have all the depth
that I created with my layers
250
00:14:11,966 --> 00:14:16,300
but on top of the whole thing,
I have kind of a fog that's
251
00:14:16,300 --> 00:14:20,166
throwing it further into the background
that's going to drag it here.
252
00:14:20,166 --> 00:14:23,966
So it's under this wing
and then just make it so well,
253
00:14:24,633 --> 00:14:26,966
no peeks at a little more there,
254
00:14:26,966 --> 00:14:30,366
but I'm happy with how that looks
and you can see how we can use
255
00:14:30,366 --> 00:14:33,900
those layer styles
to give this some depth.
256
00:14:34,466 --> 00:14:36,566
Next, I'm going to make a copy of this
257
00:14:38,066 --> 00:14:40,133
holding down option again and dragging it.
258
00:14:40,800 --> 00:14:43,833
I'm going to make this one
significantly smaller
259
00:14:47,000 --> 00:14:48,566
and put it right there.
260
00:14:48,566 --> 00:14:53,100
Now, you'll notice
that the effects did not scale properly.
261
00:14:54,033 --> 00:14:57,666
It looks like our main offender
is the inner drop shadow.
262
00:14:57,666 --> 00:14:59,200
So let's go ahead.
263
00:14:59,200 --> 00:15:03,900
I'm going to turn off the global light
so that when I move this one, it's
264
00:15:03,900 --> 00:15:06,733
not affecting this one.
265
00:15:07,100 --> 00:15:09,200
And let's take the size of it down.
266
00:15:10,800 --> 00:15:12,466
Yeah, there you go.
267
00:15:12,466 --> 00:15:13,933
Okay, so
268
00:15:14,633 --> 00:15:16,833
and in about there. Looks good.
269
00:15:16,833 --> 00:15:18,700
Bring it up on this one.
270
00:15:18,700 --> 00:15:21,500
I want the screen to be much stronger,
271
00:15:22,266 --> 00:15:25,200
so probably
272
00:15:27,366 --> 00:15:30,300
that's strong
just because that one's really back
273
00:15:30,300 --> 00:15:34,766
and back in the distance
there, maybe even stronger actually.
274
00:15:34,800 --> 00:15:35,933
Let's see.
275
00:15:37,066 --> 00:15:39,833
Yeah, even like that looks good.
276
00:15:39,833 --> 00:15:41,400
All right, let's hit. Okay, on that one.
277
00:15:42,800 --> 00:15:43,300
Next,
278
00:15:43,300 --> 00:15:45,933
I'm going to take one more and put it's
279
00:15:46,333 --> 00:15:48,866
kind of midway between this and this,
280
00:15:49,866 --> 00:15:53,700
so right about there.
281
00:15:54,166 --> 00:15:57,300
And also because all of these are layer
282
00:15:57,300 --> 00:16:00,066
effects stacked on top of this,
they're actually not
283
00:16:01,166 --> 00:16:02,600
attached to the rotation.
284
00:16:02,600 --> 00:16:04,100
So I can rotate this.
285
00:16:04,100 --> 00:16:08,566
And you'll notice that my highlight
is staying in the same place where
286
00:16:08,600 --> 00:16:11,800
I can create the effect
that, you know, this isn't exactly
287
00:16:11,800 --> 00:16:14,500
the same planet as this
288
00:16:15,066 --> 00:16:18,866
probably do need to adjust my
289
00:16:19,266 --> 00:16:20,000
yeah.
290
00:16:20,066 --> 00:16:23,533
I need to adjust this guy again.
291
00:16:26,833 --> 00:16:28,333
Let's turn off Global Light
292
00:16:28,333 --> 00:16:31,466
so I'm not affecting the others
293
00:16:34,000 --> 00:16:36,333
that looks pretty nice.
294
00:16:37,100 --> 00:16:41,500
And on the screen,
we're going to make this
295
00:16:43,466 --> 00:16:46,033
probably
296
00:16:50,400 --> 00:16:53,766
something around there,
something in between
297
00:16:56,300 --> 00:16:59,000
probably even lighter
298
00:17:02,966 --> 00:17:03,866
and be like that
299
00:17:05,666 --> 00:17:06,033
yeah.
300
00:17:06,033 --> 00:17:08,200
That looks good. All right.
301
00:17:08,200 --> 00:17:11,633
And then finally, I'm going to make one
that's huge
302
00:17:12,066 --> 00:17:14,366
in the corner here.
303
00:17:16,500 --> 00:17:18,033
And let's find
304
00:17:18,033 --> 00:17:21,933
that little interesting bit there
maybe there
305
00:17:22,933 --> 00:17:24,500
that there
306
00:17:25,966 --> 00:17:27,666
for this one, I'm actually going
307
00:17:27,666 --> 00:17:29,800
to get rid of some of the effects
308
00:17:38,766 --> 00:17:40,433
yeah, probably.
309
00:17:40,433 --> 00:17:43,366
That looks pretty nice there.
310
00:17:43,366 --> 00:17:44,433
Okay.
311
00:17:46,633 --> 00:17:47,866
In this tutorial,
312
00:17:47,866 --> 00:17:51,533
I want to dove a little further
into text in Photoshop
313
00:17:51,966 --> 00:17:57,233
and also how to recreate cool layer
effects on techs.
314
00:17:57,466 --> 00:18:00,000
And to do that, we're going to create this
315
00:18:01,766 --> 00:18:04,100
poster for a Food Network
316
00:18:04,100 --> 00:18:07,133
show using images and using text.
317
00:18:07,133 --> 00:18:10,900
I'm also going to show you how to install
fonts using the Adobe Typekit.
318
00:18:11,333 --> 00:18:12,900
Let's get started.
319
00:18:18,466 --> 00:18:19,100
All right.
320
00:18:19,100 --> 00:18:22,300
Let's go to File Open
321
00:18:22,300 --> 00:18:26,633
and we're going to go to the course
assets.
322
00:18:26,766 --> 00:18:29,000
15 text and titling.
323
00:18:29,000 --> 00:18:31,366
We're going to open
the file called Color Diet Food
324
00:18:33,466 --> 00:18:34,866
and we're going to turn this
325
00:18:34,866 --> 00:18:38,633
into a poster for a TV show
326
00:18:38,633 --> 00:18:40,900
called The Good Chef Project.
327
00:18:41,866 --> 00:18:44,800
So first thing I want to do
is put some type here
328
00:18:45,733 --> 00:18:48,500
and let's
go ahead and select that type tool
329
00:18:49,600 --> 00:18:55,300
and let's just type here, click and type.
330
00:18:55,300 --> 00:18:57,700
Good return, chef.
331
00:18:58,433 --> 00:19:00,933
Then I'm going to do command to select
all my type.
332
00:19:00,933 --> 00:19:03,933
We're going to make this quite a bit
bigger 300
333
00:19:05,766 --> 00:19:08,533
and I want to change the font.
334
00:19:08,666 --> 00:19:11,266
So let's go here
335
00:19:11,266 --> 00:19:13,633
up to the font I'm going to click on
336
00:19:13,633 --> 00:19:17,200
add fonts from Adobe Typekit.
337
00:19:17,200 --> 00:19:19,533
And there's two fonts I want.
338
00:19:19,533 --> 00:19:23,266
So let's search here the first one
339
00:19:24,266 --> 00:19:27,333
is called Madrona.
340
00:19:27,500 --> 00:19:31,166
So these are only
341
00:19:31,433 --> 00:19:32,933
and there it is.
342
00:19:32,933 --> 00:19:35,333
Let's view family
343
00:19:35,600 --> 00:19:38,166
and click activate one font here.
344
00:19:40,400 --> 00:19:41,533
And then the next font I
345
00:19:41,533 --> 00:19:43,633
want is called Cuisine.
346
00:19:46,466 --> 00:19:49,000
And let's view this family
347
00:19:50,100 --> 00:19:53,433
and activate this font
348
00:19:54,033 --> 00:19:57,300
and you'll see the little notice here
that the font is activated.
349
00:19:57,300 --> 00:19:59,900
And now if I go in here
350
00:19:59,900 --> 00:20:02,466
and type in my drone,
351
00:20:02,966 --> 00:20:05,100
I've got that font
352
00:20:07,766 --> 00:20:09,933
so that's pretty good right there.
353
00:20:09,933 --> 00:20:12,666
Let's move a little bit to the right.
354
00:20:12,666 --> 00:20:15,566
I don't want as much space here
between the two
355
00:20:16,100 --> 00:20:19,166
so I can go to my character tab here
356
00:20:19,166 --> 00:20:21,433
and change this from auto.
357
00:20:22,200 --> 00:20:25,700
Just change it to 300
358
00:20:26,233 --> 00:20:28,666
and let's make this a little bit bigger.
359
00:20:30,133 --> 00:20:32,866
And in order to the shortcut
360
00:20:32,866 --> 00:20:35,733
for making text bigger is shift command
361
00:20:36,100 --> 00:20:39,633
and then period
and then comma makes it smaller.
362
00:20:39,633 --> 00:20:40,733
So shift
363
00:20:40,733 --> 00:20:44,966
command period to make the text bigger,
shift command comma to make it smaller
364
00:20:46,433 --> 00:20:48,733
All right, let's move this over.
365
00:20:50,100 --> 00:20:52,600
Kind of want
this knots here to be at the top.
366
00:20:53,566 --> 00:20:57,000
I want the claw and there
and then I want these
367
00:20:57,000 --> 00:20:59,933
to overlap
these kind of big lines of texture there.
368
00:21:00,733 --> 00:21:02,300
All right. So that looks pretty good.
369
00:21:02,300 --> 00:21:05,466
Next, we're going to use some layer
blending or sorry
370
00:21:05,466 --> 00:21:08,333
layer effects to make this look like it's
371
00:21:09,500 --> 00:21:11,866
kind of engraved into the wood.
372
00:21:11,866 --> 00:21:12,233
All right.
373
00:21:12,233 --> 00:21:15,566
Let's go to layer effects blending options
374
00:21:18,033 --> 00:21:21,033
and we're going to turn on the Bevel
and EMBOSS,
375
00:21:21,800 --> 00:21:24,066
and we're going to use an outer bevel.
376
00:21:25,433 --> 00:21:27,400
And outer bevel is going to create
377
00:21:27,400 --> 00:21:29,666
a bevel effect outside.
378
00:21:30,966 --> 00:21:34,333
If you do inner bevel,
it'll put the bevel inside
379
00:21:35,000 --> 00:21:38,366
and then emboss will kind
380
00:21:38,366 --> 00:21:41,966
of span across the outside and the inside.
381
00:21:42,666 --> 00:21:46,433
And then pillar one boss will bevel in
382
00:21:47,433 --> 00:21:48,866
on the outside and
383
00:21:48,866 --> 00:21:51,933
then up on the inside.
384
00:21:52,766 --> 00:21:56,666
And then finally, a stroke
emboss is if you put a stroke
385
00:21:56,766 --> 00:21:59,200
on, it'll just beveled the stroke.
386
00:22:00,033 --> 00:22:02,933
So in this case,
387
00:22:03,366 --> 00:22:06,066
I want to do a outer bevel
388
00:22:07,333 --> 00:22:09,966
so that the bevel is just outside
of our letters there.
389
00:22:11,133 --> 00:22:13,066
And that controls
390
00:22:13,066 --> 00:22:16,700
how strong the effect is in this case.
391
00:22:16,700 --> 00:22:19,300
Let's do about 600.
392
00:22:19,300 --> 00:22:21,966
And then the size determines
393
00:22:22,133 --> 00:22:24,433
how big it goes out.
394
00:22:25,200 --> 00:22:27,466
This case,
I want it to be about eight pixels.
395
00:22:28,133 --> 00:22:30,566
And then also the direction you can do
down,
396
00:22:30,566 --> 00:22:34,166
which will give the effect
of leveling it down or bubbling up.
397
00:22:34,533 --> 00:22:39,233
And obviously the light will affect
whether it looks up or down
398
00:22:39,233 --> 00:22:42,866
because down is simply
just doing this right
399
00:22:44,666 --> 00:22:46,166
I turned off Global Light.
400
00:22:47,233 --> 00:22:48,266
So if I move this
401
00:22:48,266 --> 00:22:51,666
around and I have effects on
something else, that doesn't affect those.
402
00:22:52,100 --> 00:22:55,333
But this kind of shows you
where the light is coming from.
403
00:22:56,400 --> 00:22:58,433
You can see a little preview here as well.
404
00:22:59,533 --> 00:23:03,500
So I'm going to turn on the global light.
405
00:23:03,500 --> 00:23:05,666
Where where was this fine
406
00:23:07,533 --> 00:23:09,300
I don't want any gloss contour.
407
00:23:09,300 --> 00:23:11,666
This is if you want to create kind of
408
00:23:12,200 --> 00:23:15,433
if we go to inner bevel here,
you can see it a bit better.
409
00:23:15,766 --> 00:23:18,133
But this creates kind of a metallic look.
410
00:23:18,700 --> 00:23:21,833
Oh, and then this smooth is the default
411
00:23:22,166 --> 00:23:24,300
chisel hard gives you
412
00:23:25,333 --> 00:23:28,400
kind of a hard chiseled look
and then chisel soft
413
00:23:30,466 --> 00:23:32,800
I've always been confused by the names
414
00:23:32,833 --> 00:23:34,900
because to me, the chisel hard
415
00:23:36,000 --> 00:23:38,433
should be called chisel soft
416
00:23:38,433 --> 00:23:41,100
and like this as a marked contrast.
417
00:23:41,100 --> 00:23:42,900
But they're just two different techniques.
418
00:23:42,900 --> 00:23:45,466
Generally, I'm going to use chisel hard.
419
00:23:45,800 --> 00:23:49,366
You can also soften that up,
but that's just blurring it. So
420
00:23:50,366 --> 00:23:52,466
in this case, I'm not going to
421
00:23:52,666 --> 00:23:56,633
let's put that back on the outer bevel
and let's get rid of the glass contour
422
00:23:58,366 --> 00:23:59,000
here.
423
00:23:59,000 --> 00:24:01,166
I think the default is screen
424
00:24:02,633 --> 00:24:04,266
and the default here is multiply.
425
00:24:04,266 --> 00:24:06,700
I actually want to put this on overlay.
426
00:24:07,333 --> 00:24:09,933
I think that gives a little more
of a realistic effect.
427
00:24:10,466 --> 00:24:14,100
And we want a pretty high, let's say 80.
428
00:24:14,700 --> 00:24:20,400
And then on multiply, that's
how your shadow area is being affected.
429
00:24:20,400 --> 00:24:22,533
You can try this on overlay as well.
430
00:24:23,933 --> 00:24:27,300
But in this case,
I think Multiply actually works just fine.
431
00:24:27,866 --> 00:24:30,233
And let's put this on 60.
432
00:24:31,266 --> 00:24:34,433
Now you'll notice
these make defaults and reset default.
433
00:24:35,400 --> 00:24:38,633
If I make this my default
and then make changes
434
00:24:38,633 --> 00:24:45,200
I can then reset to the default
and any of these have those two options.
435
00:24:46,333 --> 00:24:48,933
So just to realize that
436
00:24:48,933 --> 00:24:52,466
and okay so that's all I want to do here
let's hit okay
437
00:24:53,500 --> 00:24:56,233
let's do command zero
so we can see our whole image there.
438
00:24:56,966 --> 00:25:00,133
Next thing I want to do is
I want to add some texture on top of this
439
00:25:00,533 --> 00:25:05,566
as if it were painted white but also is
peeling like the rest of this would.
440
00:25:06,833 --> 00:25:10,200
I'm going to turn this off for a second
and then go to my channels
441
00:25:11,466 --> 00:25:15,433
and look through here and see
which one gives me the best effect.
442
00:25:15,433 --> 00:25:18,600
In this case,
the Red Channel is the most white,
443
00:25:18,600 --> 00:25:21,833
and because I'm creating white paint,
that's the one I want to use.
444
00:25:22,200 --> 00:25:27,133
So I'm going to do command A
to select all, then command C, then click
445
00:25:27,133 --> 00:25:30,566
back on my RGV and then click Command V,
446
00:25:30,966 --> 00:25:33,933
and that'll paste my red channel here
447
00:25:35,166 --> 00:25:37,166
as it's as its own layer
448
00:25:38,666 --> 00:25:41,900
and then here
I can drag this on top of Good Chef
449
00:25:41,900 --> 00:25:44,300
and then use my option
450
00:25:45,633 --> 00:25:47,233
to make that sit on top of it.
451
00:25:47,233 --> 00:25:49,566
And you can see the effect
that that's creating there.
452
00:25:50,066 --> 00:25:53,466
And then I'm going to do
an image adjustment curve
453
00:25:54,266 --> 00:25:57,100
shortcut for four curves as command and
454
00:25:58,966 --> 00:26:00,600
and we're just going to make this
455
00:26:00,600 --> 00:26:03,266
a lot brighter
456
00:26:05,366 --> 00:26:08,300
and so somewhere around there
457
00:26:12,566 --> 00:26:13,700
looks good.
458
00:26:14,566 --> 00:26:14,966
All right.
459
00:26:14,966 --> 00:26:18,866
So now we just have a little bit of that
texture showing through
460
00:26:19,166 --> 00:26:20,300
the next thing I wanted to do is
461
00:26:20,300 --> 00:26:23,366
I actually want to break some texture
through here.
462
00:26:23,466 --> 00:26:27,800
So this has an even more kind of aged
look.
463
00:26:28,300 --> 00:26:30,800
So let's go back to our background layer.
464
00:26:30,800 --> 00:26:32,300
I'm going to option click on it.
465
00:26:33,866 --> 00:26:35,233
So we just see that.
466
00:26:35,233 --> 00:26:36,866
Go back to my channels here.
467
00:26:36,866 --> 00:26:40,300
I want to see which of these
has kind of the nicest contrast.
468
00:26:40,800 --> 00:26:44,366
And I think, again, that the red actually
469
00:26:49,233 --> 00:26:51,333
yeah, I like the red best
470
00:26:51,333 --> 00:26:54,400
just because I get a nice contrast
in here.
471
00:26:54,400 --> 00:26:56,633
I'm getting some nice contrast in there.
472
00:26:56,633 --> 00:26:59,266
So let's command again
473
00:26:59,266 --> 00:27:01,500
and Command V
474
00:27:01,766 --> 00:27:05,566
and I put this on top
and then I'm going to go to Image
475
00:27:05,566 --> 00:27:08,666
Adjustments Threshold,
476
00:27:10,400 --> 00:27:12,133
and that's going to create
477
00:27:12,133 --> 00:27:14,333
pure black and white out of this.
478
00:27:15,233 --> 00:27:18,133
And you can move
where it's thresholding here
479
00:27:19,066 --> 00:27:21,400
the probably right around there.
480
00:27:21,766 --> 00:27:25,300
Now, if this is too much,
you can do a similar thing.
481
00:27:25,366 --> 00:27:28,066
Let's cancel this one 30.
482
00:27:28,066 --> 00:27:29,900
That's pretty nice.
483
00:27:29,900 --> 00:27:32,833
We can also do that with levels
our curves.
484
00:27:32,833 --> 00:27:36,900
So let's go ahead and do a levels here
and essentially
485
00:27:36,900 --> 00:27:40,500
we are bringing these two together
to create that threshold
486
00:27:51,000 --> 00:27:53,533
so right about there actually looks pretty
nice.
487
00:27:53,533 --> 00:27:55,200
Let's set okay
488
00:27:59,200 --> 00:28:05,066
and now I want to make a selection
out of this.
489
00:28:05,066 --> 00:28:09,900
So if I hold down command
and click on this, it's
490
00:28:09,900 --> 00:28:13,366
going to select the white
491
00:28:13,366 --> 00:28:15,266
and then I can turn this off,
492
00:28:15,266 --> 00:28:18,133
turn on my good chef layer and add a mask.
493
00:28:18,900 --> 00:28:23,233
And you can see it's now kind of breaking
up this now it's a little too much.
494
00:28:23,766 --> 00:28:26,266
So let's see if we can't
495
00:28:27,133 --> 00:28:29,633
do a command M on our mask
496
00:28:29,633 --> 00:28:31,600
and adjust it a bit
497
00:28:34,066 --> 00:28:37,200
and see it's already pretty
498
00:28:39,233 --> 00:28:41,333
black and white, meaning any adjustment
499
00:28:41,333 --> 00:28:44,333
here, we're going to do
is not going to affect that much.
500
00:28:46,066 --> 00:28:48,833
So in that case, what I'm going to do
501
00:28:48,833 --> 00:28:51,800
is just paint with a white brush
502
00:28:52,466 --> 00:28:54,966
and just leave a few areas here
503
00:28:57,500 --> 00:28:58,500
dug into.
504
00:28:58,500 --> 00:29:01,133
All right, so let's go in our brush.
505
00:29:01,533 --> 00:29:03,866
I want to select a hard rounded brush,
506
00:29:05,800 --> 00:29:08,066
make sure I'm on 100% opacity
507
00:29:08,466 --> 00:29:10,833
on the mask here
and then just start painting out.
508
00:29:11,833 --> 00:29:14,033
Just leaving a few spots here
509
00:29:15,000 --> 00:29:18,000
that are broken.
510
00:29:18,633 --> 00:29:20,633
So there
511
00:29:20,733 --> 00:29:23,100
maybe this bottom little corner here
512
00:29:23,100 --> 00:29:25,166
and a little bit here
513
00:29:30,666 --> 00:29:34,766
and maybe a little bit more here
514
00:29:42,333 --> 00:29:45,366
and kind of like this
515
00:29:46,400 --> 00:29:47,466
big one right there.
516
00:29:47,466 --> 00:29:48,533
I'm going to leave that.
517
00:29:48,533 --> 00:29:50,800
Get rid of the rest
518
00:29:55,300 --> 00:29:59,533
and stick the same here.
519
00:30:01,700 --> 00:30:03,533
Have a few of these.
520
00:30:03,533 --> 00:30:07,533
Realize we also do have the texture on top
this one here.
521
00:30:08,400 --> 00:30:10,766
So it's not like
we're losing all that nice detail
522
00:30:19,933 --> 00:30:22,366
and here it's definitely too much up here.
523
00:30:22,366 --> 00:30:25,300
So it's dispersion, but smaller
524
00:30:30,533 --> 00:30:34,900
I do like how it's breaking around this,
not here because it really feels like
525
00:30:37,900 --> 00:30:40,833
this was
526
00:30:41,366 --> 00:30:43,433
actually engraved into this word.
527
00:30:43,433 --> 00:30:46,166
So I'm going to leave some of that nice
528
00:30:47,266 --> 00:30:49,900
broken up part there
529
00:31:02,300 --> 00:31:04,300
and I think that's pretty nice.
530
00:31:04,466 --> 00:31:07,466
Let's turn this back on here.
531
00:31:07,466 --> 00:31:09,800
So let's maybe make this
a little bit darker
532
00:31:11,166 --> 00:31:14,166
in our dark areas there
533
00:31:15,533 --> 00:31:20,033
but there again,
command em is the shortcut for a mask.
534
00:31:20,533 --> 00:31:20,933
All right.
535
00:31:20,933 --> 00:31:23,333
So that looks pretty nice.
536
00:31:24,833 --> 00:31:28,933
I do want to get this cloth
setting on top.
537
00:31:29,500 --> 00:31:32,200
So what I can do
is I can put both of these layers
538
00:31:32,700 --> 00:31:35,500
into a group and call this good chef
539
00:31:36,700 --> 00:31:40,066
and then put a mask on that.
540
00:31:40,066 --> 00:31:41,600
Let's turn it off for a second
541
00:31:41,600 --> 00:31:43,933
and use quick selection on this claw,
542
00:31:45,166 --> 00:31:47,100
maybe select and mask
543
00:31:47,100 --> 00:31:50,800
with some edge detection.
544
00:31:51,200 --> 00:31:52,866
At Okay.
545
00:31:53,066 --> 00:31:57,800
And then make sure my foreground
color is black and then option delete.
546
00:31:57,800 --> 00:31:58,966
There I go.
547
00:32:01,366 --> 00:32:02,066
Okay.
548
00:32:02,066 --> 00:32:06,200
Next thing I want to do is add
the and project.
549
00:32:06,400 --> 00:32:09,266
So we're going to use
create a new text layer.
550
00:32:09,400 --> 00:32:11,666
So let's go in our text tool here
551
00:32:12,566 --> 00:32:14,866
and just click and then go there
552
00:32:16,933 --> 00:32:18,733
and this is where
553
00:32:18,733 --> 00:32:20,800
I want to use the quizzing font
554
00:32:23,366 --> 00:32:27,300
and the size of it is already pretty good,
maybe a little bit smaller.
555
00:32:27,466 --> 00:32:30,800
So I select my text here,
556
00:32:30,900 --> 00:32:33,833
maybe make this to 80
557
00:32:34,100 --> 00:32:36,000
and that's pretty nice.
558
00:32:37,600 --> 00:32:41,666
And color wise I want to pick a color,
559
00:32:41,666 --> 00:32:44,466
so I just click here
to select the color of my text.
560
00:32:44,833 --> 00:32:47,833
I want to pick a color
that's in side the image here.
561
00:32:47,833 --> 00:32:52,100
So maybe this kind of fluorescent green
and then I'll just push it up here
562
00:32:53,733 --> 00:32:55,566
and I think that's pretty nice.
563
00:32:55,566 --> 00:32:59,300
Next, I want to make a copy of this layer,
so I'm going to option drag it
564
00:32:59,300 --> 00:33:00,000
down here,
565
00:33:01,466 --> 00:33:02,833
go in my take tool and
566
00:33:02,833 --> 00:33:06,266
change this to project
567
00:33:08,400 --> 00:33:10,533
and I want this to overlap
568
00:33:11,066 --> 00:33:13,233
that layer there just a bit like that.
569
00:33:14,066 --> 00:33:16,733
And on this we're going to add a stroke
570
00:33:18,166 --> 00:33:22,433
and the default is one pixel.
571
00:33:22,600 --> 00:33:25,533
Let's make that a little bit bigger.
572
00:33:25,633 --> 00:33:28,500
And I want to make the color a darker
573
00:33:28,500 --> 00:33:31,200
green from the image
574
00:33:35,400 --> 00:33:37,533
yeah, maybe that one.
575
00:33:37,800 --> 00:33:42,166
And let's make it five pixels.
576
00:33:42,166 --> 00:33:47,366
Make sure it's on the inside
and let's do color.
577
00:33:47,966 --> 00:33:48,900
Okay.
578
00:33:50,300 --> 00:33:53,100
And let's also add a drop shadow.
579
00:33:53,300 --> 00:33:58,200
So let's go to drop shadow
and reset that to the default
580
00:33:59,566 --> 00:34:02,600
and let's increase the distance here,
581
00:34:04,066 --> 00:34:07,366
bring up the opacity
582
00:34:08,266 --> 00:34:09,766
that looks pretty nice.
583
00:34:09,766 --> 00:34:14,433
So, okay, I want to copy
all these layer effects to the
584
00:34:14,566 --> 00:34:17,366
so if I hold down command and option
585
00:34:17,833 --> 00:34:22,166
and then click on effects,
I can drag them onto this layer.
586
00:34:23,433 --> 00:34:24,866
There you go.
587
00:34:24,866 --> 00:34:27,066
I want to make that drop shadow
a little bit stronger.
588
00:34:29,900 --> 00:34:32,700
Maybe just a tiny bit smaller
589
00:34:32,700 --> 00:34:35,466
and copy those there.
590
00:34:36,400 --> 00:34:36,866
All right.
591
00:34:36,866 --> 00:34:38,933
So I'm kind of like that.
592
00:34:39,533 --> 00:34:42,500
The next thing I want to do
is add some text down here
593
00:34:44,466 --> 00:34:47,166
for that, I'm
going to go back to my text tool.
594
00:34:48,233 --> 00:34:50,666
And in this case, I want it to be white
595
00:34:52,866 --> 00:34:55,000
Now, the problem is I have this selected.
596
00:34:55,000 --> 00:34:58,533
So as I'm making changes up here,
you can see it's making the changes here
597
00:34:59,066 --> 00:35:02,100
so you can go select these select layers
598
00:35:02,600 --> 00:35:05,300
and that way, when you start
making the changes here, it's
599
00:35:05,300 --> 00:35:08,100
actually not going to affect anything
you have selected.
600
00:35:09,033 --> 00:35:10,600
Let's do Arial Bold.
601
00:35:10,600 --> 00:35:13,300
I want this to be maybe 35
602
00:35:14,700 --> 00:35:17,733
and instead
of just clicking to make the layer, I'm
603
00:35:17,733 --> 00:35:20,500
going to click and drag
and that's going to create a text box
604
00:35:21,233 --> 00:35:24,133
and you'll also notice
I put some fake text in there.
605
00:35:24,633 --> 00:35:27,400
I can use that fake text
606
00:35:27,400 --> 00:35:30,700
to adjust my settings here.
607
00:35:32,966 --> 00:35:36,066
I also want to put this on auto,
608
00:35:36,066 --> 00:35:38,633
and then in here I'm going to type August,
609
00:35:40,100 --> 00:35:43,566
let's say August 29th,
610
00:35:43,966 --> 00:35:46,300
seven, nine,
611
00:35:47,666 --> 00:35:50,466
p m, seven, 9 p.m.
612
00:35:50,966 --> 00:35:55,233
and then return on the Food Network.
613
00:35:55,566 --> 00:35:56,600
That's good.
614
00:35:56,600 --> 00:35:57,433
Enough.
615
00:35:57,966 --> 00:36:00,266
And center this up under here.
616
00:36:01,866 --> 00:36:04,700
And this is where
617
00:36:04,700 --> 00:36:09,400
smart guides actually may help so
if I turn on smart guides and I drag this,
618
00:36:09,400 --> 00:36:12,566
you can see that line there indicates
619
00:36:12,566 --> 00:36:14,633
when it's centered up with the project.
620
00:36:15,566 --> 00:36:16,900
So that looks good.
621
00:36:16,900 --> 00:36:18,566
Let's also give this a drop shadow
622
00:36:22,333 --> 00:36:24,566
drops down.
623
00:36:24,566 --> 00:36:27,266
And obviously
I don't want it to be that far away
624
00:36:28,133 --> 00:36:31,866
and I want the size of it to be bigger
625
00:36:31,866 --> 00:36:34,400
and maybe a little bit of spread there
626
00:36:38,066 --> 00:36:38,900
there you go.
627
00:36:38,900 --> 00:36:40,100
Said, Okay,
628
00:36:40,933 --> 00:36:42,966
next thing I want to do
629
00:36:42,966 --> 00:36:45,200
is just fill in this
630
00:36:45,200 --> 00:36:47,433
kind of empty spot right here,
631
00:36:48,466 --> 00:36:51,333
and I'm going to do that by copying this.
632
00:36:51,966 --> 00:36:55,033
So let's go to our bottom layer here
and I zoom in
633
00:36:56,233 --> 00:36:59,766
and then go to my pen
to make sure I'm on path
634
00:37:00,800 --> 00:37:03,266
and then just draw a path around this.
635
00:37:04,433 --> 00:37:07,333
The reason I'm not using the Circle
636
00:37:07,333 --> 00:37:10,600
Marquee tool
is because this is not really a circle
637
00:37:12,866 --> 00:37:16,766
and as I've mentioned before,
using curves is the best.
638
00:37:16,766 --> 00:37:19,766
When you have something that
639
00:37:22,800 --> 00:37:23,966
has curves in it
640
00:37:29,133 --> 00:37:30,233
that looks pretty good.
641
00:37:30,233 --> 00:37:33,566
So let's right
mouse click make selection at, okay,
642
00:37:34,033 --> 00:37:38,766
and then do command to make a copy of that
onto its own layer.
643
00:37:39,166 --> 00:37:42,766
So I want to put it here
and then I'm going to go to Drop
644
00:37:42,766 --> 00:37:46,033
Shadow and I want to kind of match
the Drop Shadow of this one.
645
00:37:46,533 --> 00:37:49,866
So let's select the drop
shadow, drop shadow
646
00:37:49,866 --> 00:37:52,666
color, select that color there.
647
00:37:54,100 --> 00:37:56,900
Now turn off global light on this one
648
00:37:59,400 --> 00:38:01,500
move that to about there.
649
00:38:01,500 --> 00:38:04,400
Increase the size of it
650
00:38:04,733 --> 00:38:06,766
it's a little bit
651
00:38:09,666 --> 00:38:12,200
too dark so let's move it this way.
652
00:38:13,366 --> 00:38:15,766
That looks pretty good.
653
00:38:16,233 --> 00:38:17,766
Getting a pretty nice match for that.
654
00:38:17,766 --> 00:38:22,500
Now this will have some ambient shadows
around it to somebody.
655
00:38:22,500 --> 00:38:25,933
Use an outer glow for that and
656
00:38:26,666 --> 00:38:29,733
from here I want to change
the blend mode to multiply
657
00:38:31,000 --> 00:38:34,566
and change the color to this color here.
658
00:38:36,533 --> 00:38:39,400
And then increase the size of it.
659
00:38:39,633 --> 00:38:42,600
So there you can see that's
just adding a little bit of an ambient
660
00:38:43,200 --> 00:38:45,266
shadow around it.
661
00:38:45,266 --> 00:38:49,066
We'll keep that pretty low opacity there.
662
00:38:49,800 --> 00:38:50,666
So there you go.
663
00:38:50,666 --> 00:38:54,600
Now, as I move this around,
you can see the shadows following me
664
00:38:55,633 --> 00:38:59,600
and also the nice thing about this is
I can rotate this
665
00:38:59,600 --> 00:39:01,966
and the shadow
is going to stay in the same
666
00:39:03,266 --> 00:39:04,366
angle there.
667
00:39:04,366 --> 00:39:07,300
Now, I can move this too. Here
668
00:39:12,066 --> 00:39:13,766
and I want to do the same
669
00:39:13,766 --> 00:39:17,733
with this tomato
and just kind of overlap the letter.
670
00:39:18,000 --> 00:39:18,700
The more things,
671
00:39:18,700 --> 00:39:22,433
the more elements that I can have
overlapping and a composite, the better
672
00:39:22,733 --> 00:39:26,533
just because it makes the whole thing
feel less like it's a composite.
673
00:39:26,533 --> 00:39:29,166
And more like it's
all one photograph taken together.
674
00:39:29,600 --> 00:39:33,433
So I'm going to snatch this
tomato here again.
675
00:39:33,566 --> 00:39:35,066
Let's go to our pen tool
676
00:39:39,533 --> 00:39:42,766
and this one,
I'm going to cut into the tomato a bit
677
00:39:43,000 --> 00:39:46,166
because I don't want those deep shadows
that are being cast
678
00:39:46,833 --> 00:39:48,533
by these
679
00:39:50,200 --> 00:39:52,600
elements around. It's
680
00:39:54,766 --> 00:39:57,366
a is the shortcut
681
00:39:58,566 --> 00:40:01,300
to go to my direct selection error there.
682
00:40:02,400 --> 00:40:02,733
All right.
683
00:40:02,733 --> 00:40:04,900
That looks pretty nice.
684
00:40:05,333 --> 00:40:08,666
Forgive the background
sound of the lawnmower there.
685
00:40:09,600 --> 00:40:10,166
All right.
686
00:40:10,166 --> 00:40:12,666
Let's go to our original Layer
two command J
687
00:40:14,033 --> 00:40:16,833
and you can see we have that there.
688
00:40:16,833 --> 00:40:17,800
I want to get rid of that.
689
00:40:17,800 --> 00:40:20,566
So I'm going to lock
the transparency of this layer.
690
00:40:21,333 --> 00:40:24,833
And then just use a healing brush there
691
00:40:27,166 --> 00:40:28,666
There you go.
692
00:40:29,033 --> 00:40:31,600
And I can unlock
the transparency of the layer.
693
00:40:32,033 --> 00:40:35,400
I remove this to write about there
and I want to put it above.
694
00:40:35,733 --> 00:40:39,133
So there, what's rotated around?
695
00:40:39,566 --> 00:40:42,600
Now, in theory, that would not rotate.
696
00:40:42,600 --> 00:40:44,166
So we're going to move that. Just
697
00:40:45,200 --> 00:40:45,766
make this look
698
00:40:45,766 --> 00:40:48,766
a little more realistic there.
699
00:40:48,900 --> 00:40:50,466
And I think right about
700
00:40:50,466 --> 00:40:54,266
there is nice
can also just skew this a bit
701
00:40:54,266 --> 00:40:56,866
so it doesn't have the same shape
as our other one.
702
00:40:59,400 --> 00:41:00,566
And then what I want to do is
703
00:41:00,566 --> 00:41:04,866
I want to get rid of this highlight
and then move it over here.
704
00:41:04,866 --> 00:41:08,400
So first let's make a highlight
it's own layer
705
00:41:09,600 --> 00:41:12,833
make a lasso around there, command J
706
00:41:13,900 --> 00:41:15,066
and I turn it off for now.
707
00:41:15,066 --> 00:41:18,200
We can call this highlight
708
00:41:18,200 --> 00:41:21,033
and then on this layer
I'm going to use the patch tool
709
00:41:23,766 --> 00:41:24,900
and just
710
00:41:25,500 --> 00:41:27,866
get rid of this. So
711
00:41:29,366 --> 00:41:31,733
and then let's move this to where
712
00:41:31,733 --> 00:41:34,466
it would be so right about there.
713
00:41:35,266 --> 00:41:37,433
And then I can just put a mask on it
714
00:41:37,500 --> 00:41:40,600
and with a soft brush
715
00:41:43,200 --> 00:41:46,166
just paint around those edges
716
00:41:46,500 --> 00:41:48,366
and that's good enough.
717
00:41:48,366 --> 00:41:50,733
Let's merge those two command E
718
00:41:51,566 --> 00:41:55,200
and then I'm going to take the effects
that I created down here
719
00:41:55,200 --> 00:41:59,300
and hold down option and command and copy
those until there.
720
00:42:00,000 --> 00:42:02,800
Get that nice shadow there
that looks pretty realistic
721
00:42:05,500 --> 00:42:07,933
so that's nice there.
722
00:42:07,933 --> 00:42:10,033
Then the next thing I want to do is
723
00:42:10,033 --> 00:42:12,500
go to file place embedded
724
00:42:13,600 --> 00:42:17,633
and in our same folder here,
you're going to see
725
00:42:17,666 --> 00:42:19,966
another document called the book
726
00:42:22,133 --> 00:42:24,900
and let's go ahead
727
00:42:24,900 --> 00:42:27,566
and just place that
and then option click on the eyeball.
728
00:42:28,800 --> 00:42:32,366
And I want to cut out this bowl right here
729
00:42:34,100 --> 00:42:37,100
so let's go in our pen tool again
730
00:42:37,933 --> 00:42:40,466
and let's just cut this out
731
00:43:09,866 --> 00:43:10,733
it's pretty good.
732
00:43:10,733 --> 00:43:12,700
Let's go a
733
00:43:13,200 --> 00:43:15,100
make some small adjustments here.
734
00:43:23,433 --> 00:43:23,966
Good.
735
00:43:23,966 --> 00:43:26,066
Right, Mouse click make selection
736
00:43:27,833 --> 00:43:29,866
and let's put a mask on this
737
00:43:30,066 --> 00:43:32,233
and then convert to smart object
738
00:43:35,500 --> 00:43:38,266
and then I'm going to option click
to turn off that eyeball
739
00:43:38,900 --> 00:43:42,700
and you'll notice that the drop shadow
here is going in this direction.
740
00:43:42,933 --> 00:43:44,333
I want to match it to this.
741
00:43:44,333 --> 00:43:48,033
I'm in a right mask or command
T for transform and just transfer that
742
00:43:48,333 --> 00:43:51,266
so that the shadow is going
in the same direction as the rest.
743
00:43:51,266 --> 00:43:52,600
This image
744
00:43:53,466 --> 00:43:56,700
and I basically want this to be the
oh here.
745
00:43:56,700 --> 00:43:59,166
So I'll put it there.
746
00:43:59,166 --> 00:44:02,333
Make this a little smaller here
747
00:44:02,333 --> 00:44:03,766
about there
748
00:44:04,833 --> 00:44:07,100
and again, this is just another element
749
00:44:07,100 --> 00:44:10,400
that's overlapping to make this look
all more realistic.
750
00:44:10,400 --> 00:44:13,433
When I hold down option command
751
00:44:13,433 --> 00:44:17,133
actually another way that you can copy
the layer effects is right mouse
752
00:44:17,133 --> 00:44:22,933
click here and say copy layer style
and then paste layer style here
753
00:44:25,266 --> 00:44:26,433
that looks really good.
754
00:44:26,433 --> 00:44:29,133
Let's put that underneath it.
755
00:44:29,133 --> 00:44:32,700
So it's kind of hiding back, back there.
756
00:44:33,100 --> 00:44:37,366
Next thing I want to do
is just crop the whole thing
757
00:44:37,366 --> 00:44:40,800
so that we don't have so much head space
and we're a little more centered
758
00:44:41,300 --> 00:44:42,933
on our titling.
759
00:44:42,933 --> 00:44:45,333
So let's go on to the crop tool.
760
00:44:45,900 --> 00:44:48,366
I want to put this here on five by seven
761
00:44:49,866 --> 00:44:51,733
and then
762
00:44:52,066 --> 00:44:54,833
bring this up
and you'll notice how it snaps down.
763
00:44:55,466 --> 00:44:58,966
If it's not snapping for you,
just make sure you have Snap turned on.
764
00:44:59,633 --> 00:45:01,866
All right. Next, I'm in a drag this here.
765
00:45:02,600 --> 00:45:05,400
I'm using these two guides here
I want them
766
00:45:06,800 --> 00:45:09,500
to kind of center up my titling there
767
00:45:11,233 --> 00:45:12,666
out there
768
00:45:14,666 --> 00:45:17,266
and there looks pretty nice.
769
00:45:20,066 --> 00:45:21,766
Let's hit the check mark
770
00:45:21,766 --> 00:45:25,433
I on to make sure delete crop
pixels is not checked.
771
00:45:25,900 --> 00:45:28,066
So if I need to recruit, I can
772
00:45:29,300 --> 00:45:30,566
there you go.
773
00:45:30,566 --> 00:45:33,933
Let's also go to view
774
00:45:33,933 --> 00:45:36,266
new guide layout
775
00:45:36,500 --> 00:45:39,433
and I'm going to
776
00:45:42,266 --> 00:45:46,933
let's just do columns to
777
00:45:48,100 --> 00:45:52,066
and get rid of the gutter here
so that it's no gutter.
778
00:45:52,933 --> 00:45:55,566
Let's do rows
779
00:45:55,633 --> 00:45:57,733
three with no gutter
780
00:45:59,200 --> 00:46:02,533
it's going to give me a few guides here
to center things up.
781
00:46:02,533 --> 00:46:07,200
So I want to take my project here
and just centered that up to this guide
782
00:46:07,800 --> 00:46:09,833
and also take this food
783
00:46:10,900 --> 00:46:13,300
and center that up to the guide like.
784
00:46:13,333 --> 00:46:16,300
So thank the
785
00:46:16,366 --> 00:46:18,633
and the good chef
already looks pretty good.
786
00:46:20,366 --> 00:46:22,700
And now we can turn off our guides
787
00:46:26,200 --> 00:46:28,466
I'm pretty happy with that.
788
00:46:28,466 --> 00:46:29,966
All right. Next,
789
00:46:30,433 --> 00:46:32,500
I want to add a vignette to this.
790
00:46:32,500 --> 00:46:35,333
I'm going to add a new layer here
791
00:46:35,333 --> 00:46:35,700
for this.
792
00:46:35,700 --> 00:46:38,266
I want my guides
on which is command semicolon
793
00:46:40,533 --> 00:46:43,466
I'm going to select the circular maki here
794
00:46:45,200 --> 00:46:48,266
and let's head Q for Click Mask
795
00:46:49,533 --> 00:46:52,766
fill my whole mask with blacks
and nothing selected
796
00:46:54,533 --> 00:46:58,400
and then go from right about the middle
here.
797
00:46:59,100 --> 00:47:02,066
Click start dragging hold down option
798
00:47:04,200 --> 00:47:07,166
Now that's about where I want it.
799
00:47:07,166 --> 00:47:09,233
Now I can do option delete
800
00:47:09,233 --> 00:47:14,100
to fill that part of my mask with White
and then go to Filter
801
00:47:14,366 --> 00:47:16,733
Blur Gaussian, Blur
802
00:47:18,700 --> 00:47:21,466
Blur that quite a bit
803
00:47:24,566 --> 00:47:27,566
Let's say two 50 hit okay.
804
00:47:28,566 --> 00:47:30,366
And had Q
805
00:47:30,833 --> 00:47:34,133
and if you're not sure
which part of this is selected,
806
00:47:34,133 --> 00:47:40,666
go in your selection tool and the part
that's not selected will have a cross
807
00:47:40,666 --> 00:47:44,200
icon and the part that is selected
will have a little select icon.
808
00:47:44,600 --> 00:47:48,200
So in this case I actually want
my selection to be the outside someone.
809
00:47:48,200 --> 00:47:50,866
I invert my selection. All right.
810
00:47:50,866 --> 00:47:56,000
And then we can do a curves layer
and you'll notice that my mask
811
00:47:58,300 --> 00:48:00,433
I can just bring down that curve
812
00:48:01,033 --> 00:48:03,300
if bring the top down just a little to
813
00:48:04,966 --> 00:48:07,533
and we're getting a nice vignette there
814
00:48:07,533 --> 00:48:09,700
I don't need this layer
815
00:48:10,300 --> 00:48:13,366
in called this vignette
816
00:48:16,200 --> 00:48:18,766
let's turn off our guide's
command semicolon
817
00:48:19,900 --> 00:48:22,633
and I'm pretty happy with that.
818
00:48:22,633 --> 00:48:25,200
I want to pump
just a little more color into this guy.
819
00:48:26,366 --> 00:48:28,800
So select him
820
00:48:28,800 --> 00:48:33,400
and let's
go ahead and do image adjustments
821
00:48:33,600 --> 00:48:35,466
vibrance
822
00:48:37,966 --> 00:48:40,600
and a little bit of vibrance there,
823
00:48:40,600 --> 00:48:44,300
maybe a little saturation to go
824
00:48:45,900 --> 00:48:48,100
and there you have it.
825
00:48:48,100 --> 00:48:50,633
I'm pretty happy with that.
826
00:48:51,666 --> 00:48:51,933
All right.
827
00:48:51,933 --> 00:48:54,466
Let's go ahead and save
828
00:48:55,800 --> 00:48:57,566
I'm going to call this
829
00:48:57,566 --> 00:49:00,866
good chef TV poster
830
00:49:02,866 --> 00:49:04,433
at Save
831
00:49:12,433 --> 00:49:13,633
and this
832
00:49:13,633 --> 00:49:17,233
I want to save as a PDF
because I'm going to send it to press.
833
00:49:17,666 --> 00:49:21,700
So I'm going to show you that here
this is if you're getting something
834
00:49:21,700 --> 00:49:25,833
printed, see, my K, what I'm going
to do is I'm going to save as
835
00:49:27,800 --> 00:49:31,500
and I'm going to go to Photoshop, PDF
836
00:49:33,000 --> 00:49:37,433
and when to turn off layers and
837
00:49:38,700 --> 00:49:41,466
go ahead and hit save
838
00:49:43,366 --> 00:49:45,266
and that's what's hit.
839
00:49:45,266 --> 00:49:46,033
Okay. Here.
840
00:49:46,033 --> 00:49:48,833
So this is the Save Adobe PDF dialog.
841
00:49:49,166 --> 00:49:51,066
You have certain presets here.
842
00:49:51,066 --> 00:49:53,700
So press quality and so forth.
843
00:49:54,233 --> 00:49:56,300
If you're going to send to press,
844
00:49:56,300 --> 00:49:59,366
I'm going to show you some settings here
that you're going to want to use.
845
00:49:59,366 --> 00:50:04,033
First select PDF X three
that's going to be compatible
846
00:50:04,033 --> 00:50:07,733
with 99% of all print houses.
847
00:50:08,300 --> 00:50:09,833
Next, go to compression.
848
00:50:09,833 --> 00:50:14,366
You want to keep this to maximum here
and then for output
849
00:50:14,533 --> 00:50:19,000
change this to convert to destination
which is going to be working seem mark
850
00:50:20,666 --> 00:50:23,166
any press is going to use
851
00:50:23,166 --> 00:50:27,500
see my K color space
and that's it had saved pdf
852
00:50:34,666 --> 00:50:36,766
and there you go it's done.
853
00:50:36,766 --> 00:50:40,166
Now if we go to our finder
854
00:50:40,166 --> 00:50:41,666
you're going to see a PDF here.
855
00:50:41,666 --> 00:50:45,266
And if you open this in acrobat
856
00:50:45,633 --> 00:50:48,266
you're going to see
this has been converted to seem
857
00:50:48,266 --> 00:50:52,666
okay and is ready to go to a print house.
858
00:50:54,000 --> 00:50:56,600
Let's go ahead and close that
859
00:50:56,600 --> 00:50:59,333
and that finishes that tutorial.
860
00:50:59,333 --> 00:50:59,700
All right.
861
00:50:59,700 --> 00:51:03,566
In this lesson,
we're going to create a movie poster
862
00:51:03,566 --> 00:51:05,900
for the girl with the Dragon Tattoo.
863
00:51:06,333 --> 00:51:09,500
We're going to use an image of a woman
and to add
864
00:51:09,500 --> 00:51:12,566
syntax and texture, some color grade.
865
00:51:13,433 --> 00:51:16,700
I'm kind of using all the different things
that we learn
866
00:51:16,700 --> 00:51:20,466
in this course to create our own image.
867
00:51:20,866 --> 00:51:23,833
That would be something that you would do
in design.
868
00:51:24,033 --> 00:51:27,466
Now, as a photographer,
you probably won't be doing movie posters.
869
00:51:27,466 --> 00:51:29,566
You'll probably have a graphic designer
to do that.
870
00:51:30,033 --> 00:51:32,966
But I really like doing movie posters.
871
00:51:32,966 --> 00:51:36,300
So come with me on this final journey.
872
00:51:44,033 --> 00:51:44,433
All right.
873
00:51:44,433 --> 00:51:46,133
So in this lesson, rather
874
00:51:46,133 --> 00:51:49,133
than opening an existing file,
we're going to create a new one.
875
00:51:49,366 --> 00:51:53,266
And to do that, we can either
click on Create New or go to File New,
876
00:51:54,500 --> 00:51:57,900
and that'll open the new document dialog,
which you can see here
877
00:51:58,566 --> 00:52:01,566
and all your settings are here
on the right.
878
00:52:01,766 --> 00:52:05,500
And these tabs
essentially are pre-made presets.
879
00:52:05,500 --> 00:52:09,166
You can also access templates
provided by Adobe here.
880
00:52:10,166 --> 00:52:11,233
You can look into that.
881
00:52:11,233 --> 00:52:15,800
Honestly, I never use this because I'm
usually creating stuff from scratch.
882
00:52:15,800 --> 00:52:19,800
In any case, although there are
really cool stuff that you can get here.
883
00:52:21,566 --> 00:52:25,500
But for now,
we're just going to go and create our own.
884
00:52:25,600 --> 00:52:28,833
We're going to call this movie poster
885
00:52:29,366 --> 00:52:32,500
I want it to be 24 inches wide
886
00:52:33,100 --> 00:52:37,466
by 35 inches tall,
and I want the resolution to be one 50
887
00:52:38,266 --> 00:52:41,700
our job color, eight bit white background,
that's all.
888
00:52:41,700 --> 00:52:43,766
Okay, actually, I'm
going to change the background to black.
889
00:52:44,200 --> 00:52:45,200
Not very important.
890
00:52:45,200 --> 00:52:47,833
You can always change
that after you've created your document.
891
00:52:48,500 --> 00:52:49,866
So let's head create.
892
00:52:49,866 --> 00:52:54,900
This is going to be our movie poster
and I want to put some guides in place.
893
00:52:54,900 --> 00:52:58,100
So I'm going to
go to view new guide layouts
894
00:52:59,200 --> 00:53:01,733
and I want the
895
00:53:01,733 --> 00:53:04,433
columns to be for
896
00:53:05,666 --> 00:53:08,066
and the rows to be
897
00:53:08,566 --> 00:53:13,466
well, let's do to actually
now let's keep that at six.
898
00:53:14,333 --> 00:53:17,966
And then I do want some margin
899
00:53:17,966 --> 00:53:21,300
I'm going to make the margin, let's say
900
00:53:23,733 --> 00:53:25,966
two inches
901
00:53:26,700 --> 00:53:28,466
I don't need a left and right,
902
00:53:28,466 --> 00:53:31,033
but I want also to inch margin on
903
00:53:32,500 --> 00:53:33,633
the bottom
904
00:53:38,100 --> 00:53:38,733
actually.
905
00:53:38,733 --> 00:53:41,166
Let's make this one inch Erika.
906
00:53:41,700 --> 00:53:42,066
All right.
907
00:53:42,066 --> 00:53:43,200
So that's my settings.
908
00:53:43,200 --> 00:53:45,433
You can copy those let's add. Okay.
909
00:53:45,800 --> 00:53:48,466
And to turn off the guides,
you can do command semicolon.
910
00:53:48,800 --> 00:53:51,800
So if they're getting in the way,
you can just turn them off.
911
00:53:52,300 --> 00:53:55,233
Our next thing we're going to do is go
file place embedded
912
00:53:57,000 --> 00:54:00,033
and we're going to select
this had this file here
913
00:54:02,266 --> 00:54:04,466
and I'm just going
to move this to the bottom
914
00:54:06,100 --> 00:54:09,366
and then hit the checkmark.
915
00:54:09,366 --> 00:54:12,366
And let's turn off the guides
command semicolon.
916
00:54:12,800 --> 00:54:16,833
And essentially what I want to do is
I want to create our own version of
917
00:54:18,400 --> 00:54:20,833
a poster
for the Girl with the Dragon Tattoo.
918
00:54:20,833 --> 00:54:24,566
So we're going to add a Dragon Tattoo
to her back and then add some titling
919
00:54:24,866 --> 00:54:26,933
and then do some subtle color grading.
920
00:54:27,400 --> 00:54:32,100
And through the course of this, we're
going to learn a little a little more
921
00:54:32,100 --> 00:54:35,100
about text layers, adding text,
922
00:54:35,533 --> 00:54:39,833
adding some texture,
and also adding a tattoo.
923
00:54:40,066 --> 00:54:44,333
And finally, I want to show you
how to create an action in Photoshop.
924
00:54:45,800 --> 00:54:47,566
So let's get started.
925
00:54:47,566 --> 00:54:50,300
First,
I'm going to make a copy of this layer
926
00:54:51,600 --> 00:54:54,000
and convert it or rest dries it.
927
00:54:55,466 --> 00:54:58,033
And I want to get rid
of this existing texture
928
00:54:58,033 --> 00:54:59,766
because we're going to add our own.
929
00:54:59,766 --> 00:55:02,366
So let's just zoom in a little bit here
930
00:55:04,033 --> 00:55:07,100
and let's do a really
931
00:55:07,100 --> 00:55:09,966
basic selection of her using Click Select
932
00:55:11,233 --> 00:55:14,400
and to make my brush a bit bigger
with the right bracket there,
933
00:55:14,700 --> 00:55:17,066
just select her
934
00:55:23,666 --> 00:55:24,100
all right.
935
00:55:24,100 --> 00:55:26,133
So that would be a little more careful
936
00:55:26,133 --> 00:55:30,300
when I do the hair here
so I don't select everything.
937
00:55:30,300 --> 00:55:32,533
So right there
938
00:55:32,633 --> 00:55:34,933
and then maybe make my brush
a little smaller
939
00:55:34,933 --> 00:55:38,600
as I approach the hair here.
940
00:55:39,100 --> 00:55:40,700
That's what I wanted to avoid.
941
00:55:40,700 --> 00:55:43,100
Can your command Z
942
00:55:45,033 --> 00:55:48,933
and let's do
943
00:55:49,500 --> 00:55:50,600
that.
944
00:55:50,900 --> 00:55:54,200
Let's go ahead and click select
945
00:55:54,200 --> 00:55:57,100
and mask, turn on some smart radius
946
00:55:59,100 --> 00:56:01,500
and then I'm just going to use this
brush here,
947
00:56:01,500 --> 00:56:05,366
which is just the standard
masking brush basically.
948
00:56:06,933 --> 00:56:09,100
And I can adjust the feather here
949
00:56:11,833 --> 00:56:14,933
and just paint in the hair area here.
950
00:56:20,833 --> 00:56:24,033
And that's going to be
good enough for our purposes.
951
00:56:29,000 --> 00:56:29,233
All right.
952
00:56:29,233 --> 00:56:30,766
Let's head. Okay.
953
00:56:31,500 --> 00:56:35,500
And I am going to invert my selection
954
00:56:35,500 --> 00:56:37,800
so I'm selecting outside of her
955
00:56:40,166 --> 00:56:42,733
and then I want to add a curves layer here
956
00:56:43,266 --> 00:56:47,166
and you can see in our histogram where
the black should be versus where it is.
957
00:56:47,166 --> 00:56:50,066
I'm just going to drag this
or black is where it should be,
958
00:56:50,200 --> 00:56:52,833
right about there.
959
00:56:57,400 --> 00:56:59,133
Now, here's the tricky thing, right?
960
00:56:59,133 --> 00:57:03,133
So by doing this,
I've made the black point
961
00:57:03,133 --> 00:57:07,866
of the background stronger
than the black point of her, right?
962
00:57:07,866 --> 00:57:12,133
So you can you zoom in here,
you can see that she the black point in
963
00:57:12,133 --> 00:57:16,800
this image is not 100% black
so how would we avoid this?
964
00:57:16,800 --> 00:57:21,466
Well, what we can do is rather than using
let's go ahead and command click on this
965
00:57:21,466 --> 00:57:27,033
so we have our selection, throw this away
and then let's use A Levels instead.
966
00:57:27,700 --> 00:57:31,100
I'm going to go here and do levels.
967
00:57:32,433 --> 00:57:35,066
Now what I can do is I can do
968
00:57:35,066 --> 00:57:38,500
the same thing I was doing with my curves
and compressing that black point.
969
00:57:38,766 --> 00:57:40,900
But then I can bring my black point up
970
00:57:43,133 --> 00:57:45,600
to match what it was.
971
00:57:45,600 --> 00:57:48,566
So there you can see
972
00:57:48,633 --> 00:57:50,366
I turn the TV on and off.
973
00:57:50,366 --> 00:57:56,200
I'm getting rid of the texture, but
I'm not changing the black point, right?
974
00:57:56,200 --> 00:58:01,166
So it still has the same black points
as it did before, but
975
00:58:02,233 --> 00:58:04,466
I'm simply compressing out
976
00:58:04,466 --> 00:58:07,466
that texture that was in there
977
00:58:08,066 --> 00:58:10,333
so I'm pretty happy with that.
978
00:58:10,333 --> 00:58:12,866
Next thing I want to do
979
00:58:12,900 --> 00:58:15,433
is go ahead
and just make a layer at the very top,
980
00:58:15,433 --> 00:58:17,733
do shift option, command a
981
00:58:19,766 --> 00:58:22,033
and what I'm going to do now
982
00:58:22,033 --> 00:58:25,833
is pull in the Dragon Tattoo.
983
00:58:26,100 --> 00:58:28,233
So let's go file place embedded
984
00:58:29,500 --> 00:58:30,500
and select
985
00:58:30,500 --> 00:58:34,300
the file called Dragon Tattoo
and put this down.
986
00:58:34,300 --> 00:58:36,700
So it's right about there.
987
00:58:36,700 --> 00:58:39,033
Be a bit smaller
988
00:58:42,800 --> 00:58:44,900
and I think that looks pretty nice.
989
00:58:45,933 --> 00:58:49,733
Kind of wanted a little bit under this
990
00:58:51,266 --> 00:58:52,200
okay.
991
00:58:52,666 --> 00:58:55,966
And before we dove too much into this,
992
00:58:56,333 --> 00:58:59,666
what we need to do
is separate the frequencies
993
00:58:59,666 --> 00:59:04,200
here, basically do a standard frequency
separation on this so that we can put
994
00:59:04,200 --> 00:59:08,566
the dragon under the high frequency
meaning under her skin texture
995
00:59:09,400 --> 00:59:12,466
so I've already covered
how to do frequency separation.
996
00:59:12,466 --> 00:59:16,033
But what I want to do
now is show you how to create an action.
997
00:59:16,833 --> 00:59:19,333
So let's go ahead and open our actions.
998
00:59:19,333 --> 00:59:20,300
Palette
999
00:59:21,100 --> 00:59:23,100
and actions are basically
1000
00:59:24,100 --> 00:59:27,166
a means of
1001
00:59:28,833 --> 00:59:32,033
recording actions that you do in Photoshop
1002
00:59:32,366 --> 00:59:36,866
so that you can then repeat those actions
without having to do all of them again.
1003
00:59:37,466 --> 00:59:39,500
Okay. So let's click on this.
1004
00:59:39,866 --> 00:59:42,033
We're going to call this photo actions.
1005
00:59:42,033 --> 00:59:44,500
So this is making a new set,
not a new action.
1006
00:59:45,400 --> 00:59:48,566
And then in this
we're going to create a new action here
1007
00:59:49,000 --> 00:59:51,400
and we're going to call this Frequency
1008
00:59:51,966 --> 00:59:54,866
Separation eight, but
1009
00:59:56,133 --> 00:59:58,933
now it's
important when you create an action
1010
01:00:00,900 --> 01:00:02,333
that you have
1011
01:00:02,333 --> 01:00:05,833
selected the layer
that you're going to make the actions on.
1012
01:00:05,833 --> 01:00:10,166
So in this case, this layer right here
is the one I'm going to do the actions on
1013
01:00:10,466 --> 01:00:11,366
so I want to make sure
1014
01:00:11,366 --> 01:00:15,133
when I start recording
that this is the layer that's selected.
1015
01:00:15,566 --> 01:00:17,166
So let's hit record.
1016
01:00:17,166 --> 01:00:19,200
So now you can see this is red.
1017
01:00:19,200 --> 01:00:23,233
Anything I do from this point
forward will be recorded in this section.
1018
01:00:23,233 --> 01:00:23,800
And you can
1019
01:00:23,800 --> 01:00:28,100
you can see here that the actions
are going to start listing as I do them.
1020
01:00:28,933 --> 01:00:33,100
And another thing to note here is
you want to do as many things
1021
01:00:33,100 --> 01:00:38,266
through your top menu and failing that,
you want to do them through shortcuts.
1022
01:00:38,266 --> 01:00:41,333
And the reason that's important is
an action
1023
01:00:41,333 --> 01:00:44,366
will not record mouse movements.
1024
01:00:45,166 --> 01:00:51,000
And it also,
if you select a layer within your layer
1025
01:00:51,000 --> 01:00:56,066
stack, it's going to record it
as selecting the name of that layer.
1026
01:00:57,066 --> 01:00:57,666
So if I
1027
01:00:57,666 --> 01:01:01,466
select Dragon
Tattoo, and then I try to run this action
1028
01:01:01,466 --> 01:01:05,133
and another document that doesn't have
a layer called Dragon Tattoo,
1029
01:01:05,600 --> 01:01:09,666
I'm going to be up a creek
without a paddle All right.
1030
01:01:09,666 --> 01:01:12,900
So let's go ahead and go layer,
duplicate layer.
1031
01:01:13,200 --> 01:01:15,566
We're going to call this one low frequency
1032
01:01:17,666 --> 01:01:19,700
and then let's do it again.
1033
01:01:19,700 --> 01:01:22,033
We're going to call this one
high frequency.
1034
01:01:23,933 --> 01:01:27,566
And then what I want to do is
I want to select the low frequency layer.
1035
01:01:27,566 --> 01:01:31,800
The problem is if I do it in the layer
stack, this action may not work.
1036
01:01:32,000 --> 01:01:37,400
So there is a shortcut to changing
which layer you have selected,
1037
01:01:37,666 --> 01:01:41,466
and that's option and left bracket
to go down.
1038
01:01:42,000 --> 01:01:44,033
Option right bracket to go up.
1039
01:01:44,033 --> 01:01:44,633
So there you go.
1040
01:01:44,633 --> 01:01:50,666
I've now selected low frequency next I'm
going to go to Filter Blur, Gaussian Blur.
1041
01:01:51,966 --> 01:01:54,366
I want to zoom in here.
1042
01:01:54,366 --> 01:01:59,166
And for this, I'm going to do three pixels
because that's something that'll work on
1043
01:01:59,300 --> 01:02:03,733
90% of all my actions on my frequency
separations.
1044
01:02:04,600 --> 01:02:04,966
Let's head.
1045
01:02:04,966 --> 01:02:08,000
Okay, and then I'm going to do option
1046
01:02:08,166 --> 01:02:10,800
right bracket to select high frequency.
1047
01:02:11,533 --> 01:02:14,866
And here I'm going to go to image
apply image
1048
01:02:15,433 --> 01:02:17,966
make sure the layer here is low frequency.
1049
01:02:18,266 --> 01:02:21,833
And because the action name this, it's
always going to be able to find that.
1050
01:02:22,966 --> 01:02:25,333
And then you want to make sure
it's on subtract
1051
01:02:26,433 --> 01:02:28,766
100% opacity
1052
01:02:28,766 --> 01:02:33,000
scale to offset one 28 ten.
1053
01:02:33,033 --> 01:02:33,833
Okay.
1054
01:02:34,266 --> 01:02:38,800
And we're going to change
the blending mode here to linear light.
1055
01:02:39,666 --> 01:02:43,533
And then what I want to do is select
both of these and put them into a group.
1056
01:02:44,066 --> 01:02:48,400
So to select it,
I'm going to do option shift
1057
01:02:49,566 --> 01:02:49,966
left the
1058
01:02:49,966 --> 01:02:52,900
bracket that's going to select
both layers.
1059
01:02:53,866 --> 01:02:56,800
And then I want to do a new layer group.
1060
01:02:58,300 --> 01:03:00,700
So we're going to go group from layers
1061
01:03:00,866 --> 01:03:03,800
so that the layers that I have selected
are included in there.
1062
01:03:03,966 --> 01:03:07,266
And because I'm doing it through this,
I can also name the group.
1063
01:03:07,466 --> 01:03:11,900
So we're going to call this frequency
separation
1064
01:03:13,100 --> 01:03:14,766
hit. Okay.
1065
01:03:15,400 --> 01:03:17,833
And then stop recording.
1066
01:03:19,133 --> 01:03:22,433
And here you can see
we have our frequency separation.
1067
01:03:22,433 --> 01:03:24,466
It matches our background image.
1068
01:03:24,766 --> 01:03:28,733
And now I can start doing my frequency
separation corrections.
1069
01:03:29,000 --> 01:03:32,300
And the beauty of this is
I can throw this away
1070
01:03:33,133 --> 01:03:36,566
and I could open
an entirely different document.
1071
01:03:38,033 --> 01:03:40,800
Let's go to portrait retouching
1072
01:03:42,100 --> 01:03:43,533
model
1073
01:03:44,933 --> 01:03:48,833
make sure we open this at eight bit
1074
01:03:50,133 --> 01:03:52,400
and I'm not going to open a smart object
1075
01:03:54,466 --> 01:03:56,200
open image
1076
01:03:57,266 --> 01:03:58,600
select my frequency.
1077
01:03:58,600 --> 01:04:02,666
Make sure the layer that I want to do
frequency separation is this one.
1078
01:04:04,000 --> 01:04:06,166
And then just hit play
1079
01:04:06,733 --> 01:04:10,033
and voila,
I have my frequency separation done.
1080
01:04:10,333 --> 01:04:12,633
I could start working on it.
1081
01:04:12,633 --> 01:04:13,033
All right.
1082
01:04:13,033 --> 01:04:16,500
So let's close that and
1083
01:04:18,700 --> 01:04:21,433
well, I deleted the layer
so we can just head play again.
1084
01:04:22,600 --> 01:04:23,133
Boom.
1085
01:04:23,133 --> 01:04:25,433
I have my frequency separation.
1086
01:04:25,433 --> 01:04:27,266
So that's something that you can do.
1087
01:04:27,266 --> 01:04:31,466
One thing to note
is after you've made your actions,
1088
01:04:32,000 --> 01:04:35,933
a smart idea is to export them
so that you save them
1089
01:04:36,566 --> 01:04:39,966
and that I'm just going to select
the folder here that I've made.
1090
01:04:40,466 --> 01:04:44,600
Go up here and go save actions.
1091
01:04:46,500 --> 01:04:48,866
And we can call these photo actions
1092
01:04:52,466 --> 01:04:55,200
now, when I quit Photoshop,
1093
01:04:55,200 --> 01:04:59,233
this photo actions will still be in there
when I open up again.
1094
01:04:59,466 --> 01:05:01,933
But if for some reason,
my Photoshop crashes
1095
01:05:02,366 --> 01:05:06,166
between when I created my actions
and when it crashes,
1096
01:05:06,566 --> 01:05:07,800
these aren't going to save.
1097
01:05:07,800 --> 01:05:11,966
So that's why I always think
it's a good idea to save your actions.
1098
01:05:12,366 --> 01:05:15,866
And if you don't
have your actions anymore,
1099
01:05:15,866 --> 01:05:19,766
you can always go
here, load actions, select
1100
01:05:19,766 --> 01:05:24,433
a file you created, hit open,
and now I have my actions again.
1101
01:05:25,166 --> 01:05:27,800
All right, so that's how you
create actions in Photoshop.
1102
01:05:28,866 --> 01:05:29,333
All right.
1103
01:05:29,333 --> 01:05:33,400
With our frequency separation done, I'm
going to take our drag in here and drag
1104
01:05:33,400 --> 01:05:37,600
it between the low frequency,
the low frequency and the high frequency.
1105
01:05:38,733 --> 01:05:41,200
Let's zoom in here
1106
01:05:41,400 --> 01:05:43,666
and let's put this on multiply.
1107
01:05:45,133 --> 01:05:45,533
All right.
1108
01:05:45,533 --> 01:05:48,633
So right away,
you can see we have that skin texture
1109
01:05:51,233 --> 01:05:53,666
sitting on top of the dragon,
which is what I want.
1110
01:05:53,933 --> 01:05:57,366
And now we're going to make this
look at all more realistic.
1111
01:05:57,400 --> 01:05:59,633
So first off,
1112
01:05:59,800 --> 01:06:02,466
tattoos aren't quite this
1113
01:06:03,900 --> 01:06:04,633
sharp.
1114
01:06:04,633 --> 01:06:06,933
So we're going to add
a little bit of a motion blur on there.
1115
01:06:11,933 --> 01:06:15,266
Let's do like 1.5, maybe
1116
01:06:16,833 --> 01:06:18,266
most. I'm going to copy this layer.
1117
01:06:18,266 --> 01:06:22,933
So shift and drag and the one underneath,
I'm in a blur even more.
1118
01:06:22,966 --> 01:06:24,933
So we can just
double click on the blur here.
1119
01:06:28,133 --> 01:06:30,333
I want
it to have some kind of bleed out there,
1120
01:06:30,333 --> 01:06:34,866
which is usually what happens with tattoos
is the longer you've had them
1121
01:06:36,233 --> 01:06:38,666
that do you know, the color dye starts
1122
01:06:38,666 --> 01:06:41,700
to see deeper into the skin.
1123
01:06:41,733 --> 01:06:44,566
So right about like that
1124
01:06:46,400 --> 01:06:50,666
and part of the problem,
1125
01:06:50,666 --> 01:06:54,333
though, is it's making these parts
of the tattoo darker, which I don't want.
1126
01:06:55,166 --> 01:06:57,600
So what I'm going to do
is I'm going to command
1127
01:06:57,600 --> 01:07:00,700
click on this layer that's going to select
the transparency of it,
1128
01:07:01,266 --> 01:07:05,866
and then I'm going to do select
modify contract to pull in that selection.
1129
01:07:05,866 --> 01:07:11,666
We'll do that by six pixels
and then select Modify and Feather,
1130
01:07:12,533 --> 01:07:15,600
and we'll do this by six pixels as well.
1131
01:07:16,600 --> 01:07:19,700
And then I'm going to hold down option hit
delete.
1132
01:07:20,600 --> 01:07:24,133
That's going to delete the inside there
so that our bleed off
1133
01:07:24,133 --> 01:07:25,100
is just in the middle.
1134
01:07:25,100 --> 01:07:27,666
Now, I do kind of
want it in the white parts here.
1135
01:07:28,766 --> 01:07:29,233
So what I
1136
01:07:29,233 --> 01:07:33,766
may do is
just select option, click on this layer.
1137
01:07:33,766 --> 01:07:39,266
So I just select this, go into my channels
find the darkest channel
1138
01:07:39,266 --> 01:07:43,000
which seems to be blue, and then hold down
1139
01:07:43,000 --> 01:07:45,866
command, click on that
1140
01:07:46,466 --> 01:07:48,666
option, click on this again
1141
01:07:48,666 --> 01:07:52,266
and go into this layer option,
click on the mask
1142
01:07:53,800 --> 01:07:55,500
and then do command delete.
1143
01:07:55,500 --> 01:07:56,533
There you go.
1144
01:07:57,566 --> 01:08:01,166
Okay, let's go back to our layer.
1145
01:08:02,000 --> 01:08:03,333
All right, so there you go.
1146
01:08:03,333 --> 01:08:06,633
Now we have more kind of the
look that I'm looking for there.
1147
01:08:07,200 --> 01:08:09,033
That looks pretty nice.
1148
01:08:09,033 --> 01:08:13,766
Next thing I want to do
is add some variation in terms
1149
01:08:13,800 --> 01:08:15,933
of how strong the tattoo is.
1150
01:08:16,433 --> 01:08:18,000
Let's show you a little trick to do that.
1151
01:08:18,000 --> 01:08:20,966
Let's add a layer mask,
make sure a layer mask is selected.
1152
01:08:21,366 --> 01:08:23,700
Make sure colors are black and white.
1153
01:08:23,700 --> 01:08:26,700
We're going to go to Filter Render Clouds.
1154
01:08:28,400 --> 01:08:28,800
All right.
1155
01:08:28,800 --> 01:08:30,966
And if we option, click on the mask.
1156
01:08:30,966 --> 01:08:32,900
You can see what that has done.
1157
01:08:32,900 --> 01:08:37,633
It's created just this cloud pattern
and then let's blur that
1158
01:08:46,366 --> 01:08:48,200
just to about there.
1159
01:08:48,200 --> 01:08:50,266
You can also unlink it and maybe make
1160
01:08:51,833 --> 01:08:54,200
the pattern a little bit larger.
1161
01:08:54,500 --> 01:08:56,533
I can just do
1162
01:09:00,100 --> 01:09:03,600
something like that maybe.
1163
01:09:03,600 --> 01:09:05,833
And I don't want it to be quite so strong.
1164
01:09:05,833 --> 01:09:10,400
So going to do command M
to do a curve layer on my mask
1165
01:09:11,266 --> 01:09:14,333
this bring up the bottom of it.
1166
01:09:15,800 --> 01:09:17,900
And also I want this part to be
1167
01:09:19,300 --> 01:09:21,100
like stronger.
1168
01:09:21,100 --> 01:09:24,866
So something like that
1169
01:09:27,966 --> 01:09:30,300
and then let's do the same thing on here.
1170
01:09:30,300 --> 01:09:33,500
And now you can see the problem
is I already have a mask on here
1171
01:09:34,566 --> 01:09:36,866
and if I do it on here,
1172
01:09:36,866 --> 01:09:39,966
it's just going to over, it's
going to replace this mask.
1173
01:09:39,966 --> 01:09:43,033
So what I can do is I can do
command and G to put this
1174
01:09:43,033 --> 01:09:45,633
in a group and a mask onto the group.
1175
01:09:46,233 --> 01:09:50,700
And then do the filter render clouds
1176
01:09:55,100 --> 01:09:58,233
let's detach that again
1177
01:09:58,233 --> 01:10:01,900
to command T to make it larger
1178
01:10:06,333 --> 01:10:09,166
like so it looks pretty good
1179
01:10:10,666 --> 01:10:12,966
and I'm going to do command
am on that as well,
1180
01:10:12,966 --> 01:10:15,466
just bringing it up so it's not as strong
1181
01:10:19,900 --> 01:10:20,366
Okay.
1182
01:10:20,366 --> 01:10:22,833
So that's starting to look more realistic
1183
01:10:25,166 --> 01:10:28,400
now. What I'm going to do
is take all these layers
1184
01:10:29,266 --> 01:10:32,433
and convert them to a new smart object
1185
01:10:35,100 --> 01:10:37,766
put that on multiply
1186
01:10:38,733 --> 01:10:40,966
and on this layer
1187
01:10:40,966 --> 01:10:44,933
I want to displace it against her back.
1188
01:10:45,366 --> 01:10:48,033
So to do that,
we're going to go image duplicates
1189
01:10:48,866 --> 01:10:52,700
and we'll call this displacement map
1190
01:10:53,333 --> 01:10:55,400
and in here I want to delete
1191
01:10:56,033 --> 01:10:59,200
when I click on the option, click on this
1192
01:10:59,200 --> 01:11:02,333
and then just flatten image
1193
01:11:03,966 --> 01:11:06,600
and say, Okay, I want a flat image here
1194
01:11:07,400 --> 01:11:11,533
and I want to bring a little more contrast
into this area of our backs.
1195
01:11:11,533 --> 01:11:14,700
I'm going to do Command M for a curve
1196
01:11:18,000 --> 01:11:19,733
let me do that.
1197
01:11:20,066 --> 01:11:23,666
And then
I'm going to make a black and white
1198
01:11:27,833 --> 01:11:30,466
and then do some blurring
1199
01:11:32,866 --> 01:11:33,466
I want to get rid
1200
01:11:33,466 --> 01:11:36,500
of all this little fine detail.
1201
01:11:36,500 --> 01:11:37,666
All right. About there.
1202
01:11:37,666 --> 01:11:40,033
So 27.5 looks good.
1203
01:11:40,533 --> 01:11:43,333
Let's go ahead and save this
1204
01:11:43,333 --> 01:11:45,733
we're going to save it as a document
1205
01:11:46,200 --> 01:11:50,000
into our job file.
1206
01:11:51,466 --> 01:11:53,366
Let's go ahead and close that.
1207
01:11:53,366 --> 01:11:57,166
And then with our Dragon Tattoo
Smart Object here
1208
01:11:57,166 --> 01:11:59,633
selected, I'm going to go to Filter
1209
01:12:01,433 --> 01:12:04,400
Distort displays.
1210
01:12:04,400 --> 01:12:06,533
2020 should be good hit.
1211
01:12:06,533 --> 01:12:09,233
Okay. And select the displacement map
1212
01:12:10,200 --> 01:12:13,266
you can see that's now
kind of curved it along
1213
01:12:14,333 --> 01:12:17,633
the folds of her back there.
1214
01:12:17,633 --> 01:12:19,133
We can also take the opacity
1215
01:12:19,133 --> 01:12:21,233
down on the whole thing
1216
01:12:22,366 --> 01:12:25,100
just have a little more
of that skin showing through
1217
01:12:26,533 --> 01:12:27,600
to about there.
1218
01:12:27,600 --> 01:12:28,800
I think
1219
01:12:30,133 --> 01:12:31,766
pretty nice.
1220
01:12:31,766 --> 01:12:35,266
The last thing I want to do
is take this layer here, copy it.
1221
01:12:36,833 --> 01:12:39,966
Let's bring it all the way to the top
1222
01:12:39,966 --> 01:12:44,233
and I'm going to do an adjustment
layer here
1223
01:12:46,700 --> 01:12:49,566
let's do levels
1224
01:12:49,800 --> 01:12:53,433
and I want to just isolate
the highlights in here.
1225
01:12:53,433 --> 01:12:57,400
So I'm really going to push this
so we're just seeing
1226
01:12:57,400 --> 01:12:59,566
those highlights
1227
01:13:08,500 --> 01:13:10,766
just about their looks good.
1228
01:13:10,766 --> 01:13:13,033
And then I'm going
to turn this black and white
1229
01:13:16,233 --> 01:13:20,933
and I just want the skin
so I can just use a big white
1230
01:13:20,933 --> 01:13:24,100
or a big black brush here
and just paint this away.
1231
01:13:31,700 --> 01:13:34,166
Just like so
1232
01:13:34,366 --> 01:13:37,200
so I just have that little highlight
on our skin there.
1233
01:13:38,366 --> 01:13:40,700
And then I'm going to put this on screen
1234
01:13:42,633 --> 01:13:46,666
and just going to delete it.
1235
01:13:46,666 --> 01:13:49,666
This spot there actually
1236
01:13:52,700 --> 01:13:55,200
yeah, it's delete that there there, Erica.
1237
01:13:55,633 --> 01:13:59,500
So now it's just this highlight
on top of that's how to there
1238
01:14:00,466 --> 01:14:02,600
just makes the tattoo feel more
1239
01:14:02,600 --> 01:14:05,533
like it's under her skin.
1240
01:14:05,766 --> 01:14:07,866
And then what it might also do here.
1241
01:14:08,333 --> 01:14:11,200
So I want to make it a little bit
less strong down here.
1242
01:14:12,800 --> 01:14:15,033
You can also see potentially it's
1243
01:14:16,200 --> 01:14:19,066
might help to get rid
of some of that color in there.
1244
01:14:19,066 --> 01:14:21,066
So let's go to Vibrance
1245
01:14:22,766 --> 01:14:24,800
just take that vibrance down a little bit
1246
01:14:27,266 --> 01:14:27,566
yeah.
1247
01:14:27,566 --> 01:14:29,166
About there
1248
01:14:31,433 --> 01:14:33,900
and then I'm going to double click
1249
01:14:33,900 --> 01:14:37,033
over here and I want the underlying layer
1250
01:14:38,600 --> 01:14:41,033
to right about there
you can see it's starting
1251
01:14:41,333 --> 01:14:44,233
the dark areas are starting
to eat into the tattoo.
1252
01:14:44,233 --> 01:14:44,666
There
1253
01:14:49,000 --> 01:14:53,366
it is
1254
01:14:56,733 --> 01:14:57,266
right about
1255
01:14:57,266 --> 01:14:59,666
there and then we'll just break it
like this.
1256
01:15:00,900 --> 01:15:03,700
Holding option to break it
1257
01:15:07,300 --> 01:15:08,266
There you go.
1258
01:15:08,266 --> 01:15:09,466
So, okay,
1259
01:15:10,066 --> 01:15:12,100
so I'm quite happy with how that looks
1260
01:15:13,733 --> 01:15:15,366
on last thing I want to do is
1261
01:15:15,366 --> 01:15:18,133
get this flower
1262
01:15:18,566 --> 01:15:19,433
over here.
1263
01:15:19,433 --> 01:15:22,133
Let's put this in the frequency
separation.
1264
01:15:22,133 --> 01:15:24,800
I'm actually going to change this
to Dragon Tattoo
1265
01:15:26,900 --> 01:15:28,833
because this entire layer set
1266
01:15:28,833 --> 01:15:31,166
is creating that Dragon Tattoo.
1267
01:15:32,833 --> 01:15:33,533
Okay.
1268
01:15:33,533 --> 01:15:36,566
So let's
go ahead and turn that off temporarily.
1269
01:15:37,333 --> 01:15:40,333
And I want to select out this
1270
01:15:44,000 --> 01:15:45,233
flower.
1271
01:15:45,233 --> 01:15:48,933
To do that, I'm
going to select color range,
1272
01:15:49,666 --> 01:15:51,900
see if we can isolate the skin color here.
1273
01:15:53,100 --> 01:15:55,700
Hold down shift
1274
01:15:56,600 --> 01:15:59,666
so it is doing it to a certain degree,
1275
01:15:59,666 --> 01:16:04,233
but we are getting a lot of the flower
still selected.
1276
01:16:05,000 --> 01:16:08,633
So let's take down the fuzziness,
maybe take down the range as well.
1277
01:16:21,600 --> 01:16:24,466
And let's see how that does.
1278
01:16:24,466 --> 01:16:26,933
Not too bad
1279
01:16:27,400 --> 01:16:30,100
what we can do
here is make a copy of this,
1280
01:16:30,733 --> 01:16:32,866
bring it above the Dragon Tattoo
1281
01:16:34,200 --> 01:16:37,600
and then add a mask to it.
1282
01:16:37,600 --> 01:16:41,066
Now, the mask is the opposite
of what I want.
1283
01:16:41,066 --> 01:16:45,433
I want the flower to show
so I can just take the image
1284
01:16:45,433 --> 01:16:47,700
here, go adjustments and go invert.
1285
01:16:48,833 --> 01:16:49,833
There you go.
1286
01:16:50,133 --> 01:16:53,033
And now I want to clean this up
so that this black area
1287
01:16:53,033 --> 01:16:56,666
has no black spots
and the white area has no white spots.
1288
01:16:57,233 --> 01:17:01,133
So I'm just going to do that with a brush
1289
01:17:03,900 --> 01:17:06,066
let's paint this area with some white
1290
01:17:15,533 --> 01:17:17,666
and then head X there
1291
01:17:17,700 --> 01:17:21,333
and paint this area with some black
1292
01:17:33,733 --> 01:17:37,133
that's a way
you can use kind of a combination of
1293
01:17:38,766 --> 01:17:41,466
color selection and then
1294
01:17:41,466 --> 01:17:46,166
just straight up
painting to make a selection that
1295
01:17:47,200 --> 01:17:49,233
the other selectors
1296
01:17:49,266 --> 01:17:52,000
are not going to have a very fun time with
1297
01:17:54,466 --> 01:17:56,466
and it is faster than trying to.
1298
01:17:56,466 --> 01:17:56,766
Right.
1299
01:17:56,766 --> 01:17:58,966
You know,
draw a path around this entire thing.
1300
01:18:01,566 --> 01:18:02,966
Oh, okay.
1301
01:18:02,966 --> 01:18:05,166
I think that's good enough for the area
that we need.
1302
01:18:05,166 --> 01:18:07,233
We really just need this area here.
1303
01:18:07,766 --> 01:18:10,466
So that's the area
that I'm concentrating in.
1304
01:18:10,766 --> 01:18:14,166
Can now right
mount or command click on here
1305
01:18:17,600 --> 01:18:19,066
and then I'm holding down
1306
01:18:19,066 --> 01:18:21,233
option and shift to intersect.
1307
01:18:22,466 --> 01:18:25,000
Just making that my selection area
1308
01:18:26,200 --> 01:18:28,600
now if I go back on here,
1309
01:18:28,600 --> 01:18:31,200
you can delete this layer mask
1310
01:18:33,900 --> 01:18:37,033
and let's add a new layer mask on here.
1311
01:18:38,100 --> 01:18:39,266
And there you go.
1312
01:18:39,266 --> 01:18:42,100
Now there is still some noise
1313
01:18:42,100 --> 01:18:44,733
and stuff back here,
so let's try to fix that up.
1314
01:18:45,566 --> 01:18:47,733
I'm going to go ahead and command click
1315
01:18:47,733 --> 01:18:51,300
to select Delete the Layer Mask
1316
01:18:51,300 --> 01:18:56,700
and then click on Select a Mask
and then turn on the smart radius here,
1317
01:18:57,933 --> 01:18:59,566
turn that up.
1318
01:19:00,066 --> 01:19:02,800
And also with the brush here
1319
01:19:02,800 --> 01:19:06,233
kind of paint in between here
1320
01:19:07,500 --> 01:19:11,066
see if that does a better job.
1321
01:19:11,066 --> 01:19:11,966
All right.
1322
01:19:12,200 --> 01:19:14,000
Let's
1323
01:19:19,333 --> 01:19:20,966
it. Okay.
1324
01:19:22,200 --> 01:19:24,566
And head mask again.
1325
01:19:24,566 --> 01:19:26,166
That's a bit better.
1326
01:19:26,466 --> 01:19:30,566
It's still this, but
I think I'll just go on the mask itself.
1327
01:19:31,033 --> 01:19:33,833
And with a white brush,
1328
01:19:33,833 --> 01:19:36,033
just paint that area
1329
01:19:39,033 --> 01:19:41,266
same with this panel right here.
1330
01:19:49,533 --> 01:19:53,366
And I'm pretty happy with that.
1331
01:19:54,533 --> 01:19:57,833
Okay,
so that finishes pretty much our work.
1332
01:19:58,533 --> 01:20:02,033
And also because this is all layered
the way it is
1333
01:20:03,833 --> 01:20:06,033
and everything's happening in layers.
1334
01:20:06,333 --> 01:20:08,833
The nice thing about
this is if I want to change
1335
01:20:09,266 --> 01:20:12,600
the size of my dragon or it's placement,
I can do that
1336
01:20:13,800 --> 01:20:16,900
the only thing I would have to do
if I want to change this,
1337
01:20:16,900 --> 01:20:20,566
the only thing I would have to do a second
time is the displacement.
1338
01:20:22,233 --> 01:20:24,500
You know, maybe we can get
1339
01:20:25,333 --> 01:20:29,000
the dragon down just a little bit
so that we have more of that skin overlay.
1340
01:20:30,533 --> 01:20:32,800
Maybe make it just a tiny bit smaller and
1341
01:20:35,033 --> 01:20:36,700
right about there
1342
01:20:38,500 --> 01:20:39,833
there you go.
1343
01:20:39,833 --> 01:20:41,433
That looks nice.
1344
01:20:43,033 --> 01:20:44,200
Next thing I want to do
1345
01:20:44,200 --> 01:20:47,100
is add my own texture to this background.
1346
01:20:47,400 --> 01:20:50,800
I'm going to go to the very top here,
go file place embedded
1347
01:20:51,900 --> 01:20:52,600
and grab it.
1348
01:20:52,600 --> 01:20:54,866
This long name here.
1349
01:20:56,300 --> 01:20:59,100
This is just a grunge texture.
1350
01:20:59,100 --> 01:21:01,600
Let's turn it around,
1351
01:21:01,833 --> 01:21:03,400
make it bigger
1352
01:21:14,033 --> 01:21:15,400
you go
1353
01:21:16,566 --> 01:21:18,900
and I'm going to get rid of the color.
1354
01:21:19,333 --> 01:21:21,800
Let's do image
adjustments, black and white,
1355
01:21:23,733 --> 01:21:26,166
and I want to put this on overlay
1356
01:21:31,466 --> 01:21:33,466
and I don't want it to affect her.
1357
01:21:33,666 --> 01:21:35,333
So we have this mask.
1358
01:21:35,333 --> 01:21:37,866
I could just copy that
mask over like that.
1359
01:21:38,733 --> 01:21:41,833
And that does a pretty good job, actually.
1360
01:21:43,666 --> 01:21:46,166
Another thing I could do is
1361
01:21:48,633 --> 01:21:51,766
do the good all layer blending trick.
1362
01:21:53,233 --> 01:21:55,100
In this case,
1363
01:21:55,166 --> 01:21:58,400
just move this slider over to the right
1364
01:21:59,100 --> 01:22:02,566
until it's not on her
and then just break it up
1365
01:22:09,833 --> 01:22:10,866
just like that.
1366
01:22:10,866 --> 01:22:11,966
There you go.
1367
01:22:13,300 --> 01:22:16,766
The nice thing about that is the texture
will kind of go into the darker
1368
01:22:16,766 --> 01:22:19,933
areas of her hair and also into the darker
1369
01:22:19,933 --> 01:22:22,933
areas here because it's
1370
01:22:22,933 --> 01:22:27,200
adding that texture based on the aluminum
luminance of the layer.
1371
01:22:27,333 --> 01:22:29,533
So there you go.
We've added our own texture.
1372
01:22:29,833 --> 01:22:32,400
Next thing I want to do
is add some typography.
1373
01:22:33,633 --> 01:22:35,666
So let's go on to the type tool.
1374
01:22:36,933 --> 01:22:41,566
I'm going to go to our fonts here
1375
01:22:43,466 --> 01:22:44,733
and we're going to search
1376
01:22:44,733 --> 01:22:46,966
for a fonts called Monserrat.
1377
01:22:48,566 --> 01:22:52,633
And if you have an earlier
version of Photoshop
1378
01:22:52,633 --> 01:22:56,933
that doesn't have Adobe Typekit,
you can download this font from Google,
1379
01:22:57,566 --> 01:23:00,766
and I will also include it
in the course assets.
1380
01:23:00,866 --> 01:23:02,333
So let's go view family
1381
01:23:04,633 --> 01:23:09,200
and let's activate
1382
01:23:09,433 --> 01:23:12,733
the monster out family there
1383
01:23:13,633 --> 01:23:14,533
Okay.
1384
01:23:15,033 --> 01:23:15,400
All right.
1385
01:23:15,400 --> 01:23:19,366
So let's go on the tape tool and let's
1386
01:23:19,366 --> 01:23:22,833
select Monserrat
1387
01:23:22,833 --> 01:23:25,833
and I want to use
1388
01:23:25,933 --> 01:23:27,866
extra light.
1389
01:23:27,966 --> 01:23:30,566
57. Let's turn on the guide's
1390
01:23:30,566 --> 01:23:33,466
command semicolon
I want it about right here.
1391
01:23:34,533 --> 01:23:37,200
Let's type in the Girl
1392
01:23:37,900 --> 01:23:40,100
with the Dragon
1393
01:23:41,366 --> 01:23:43,133
Tattoo
1394
01:23:44,266 --> 01:23:46,100
It's it's a checkmark.
1395
01:23:46,100 --> 01:23:48,200
Hide our guides
1396
01:23:49,600 --> 01:23:53,100
think I want to go up a little bit.
1397
01:23:53,300 --> 01:23:55,533
And if you hold shift,
when you move your arrows,
1398
01:23:55,533 --> 01:23:58,166
you move by
ten pixels as opposed to one pixel
1399
01:23:59,366 --> 01:23:59,900
all right.
1400
01:23:59,900 --> 01:24:01,200
And then
1401
01:24:02,033 --> 01:24:05,300
select the text command
and just make this a little bit
1402
01:24:06,000 --> 01:24:10,166
the letting a little wider here
maybe light instead of extra light.
1403
01:24:11,500 --> 01:24:12,866
Let's hit the checkmark.
1404
01:24:12,866 --> 01:24:15,466
Yeah, I'm happy with that.
1405
01:24:15,800 --> 01:24:16,200
All right.
1406
01:24:16,200 --> 01:24:18,833
And then I'm going to option
and drag this over here.
1407
01:24:19,166 --> 01:24:21,266
We're going to put some actor names.
1408
01:24:21,266 --> 01:24:25,533
So we're just going to say, John Smith,
I want to make this a bit smaller, maybe
1409
01:24:26,533 --> 01:24:28,200
45 actually.
1410
01:24:28,200 --> 01:24:30,066
Let's make it 40
1411
01:24:31,100 --> 01:24:34,466
and then option drag it over here
1412
01:24:34,466 --> 01:24:37,133
and I can hold down shift
so it stays in the same place
1413
01:24:38,200 --> 01:24:41,266
I call this one Jane Smith
1414
01:24:43,600 --> 01:24:45,100
and both of these names.
1415
01:24:45,100 --> 01:24:48,466
I want to back off a bit
some of the select them both and change
1416
01:24:48,466 --> 01:24:51,400
the opacity to 50
1417
01:24:53,966 --> 01:24:56,666
and then lastly,
I want some credit text down here.
1418
01:24:57,066 --> 01:25:00,433
So I'm going to go back on to my type tool
1419
01:25:01,666 --> 01:25:03,866
and change this to regular
1420
01:25:03,866 --> 01:25:07,200
change it probably to like 18.
1421
01:25:07,200 --> 01:25:09,133
Oh make sure
1422
01:25:09,133 --> 01:25:12,866
when you make changes
you don't have text selected.
1423
01:25:12,866 --> 01:25:14,900
So let's go to select these select layers.
1424
01:25:15,400 --> 01:25:19,666
All right, so let's change this to 18
and then I'm going to click drag
1425
01:25:21,166 --> 01:25:23,966
to make a textbox
1426
01:25:24,200 --> 01:25:28,533
and let's
go also in here and change this to auto
1427
01:25:30,300 --> 01:25:31,166
and let's make the
1428
01:25:31,166 --> 01:25:34,033
text a little bit bigger and change
1429
01:25:34,766 --> 01:25:37,266
kerning to zero.
1430
01:25:37,733 --> 01:25:38,666
All right.
1431
01:25:38,666 --> 01:25:43,933
And because this is a text box, I actually
want to resize and move my text box.
1432
01:25:44,266 --> 01:25:48,566
I'm going to turn on guides because
I want it to go to this bottom guide
1433
01:25:50,100 --> 01:25:52,500
and I want it to be centered
1434
01:25:54,200 --> 01:25:54,833
all right.
1435
01:25:54,833 --> 01:25:56,266
About there.
1436
01:25:57,300 --> 01:25:57,666
Okay.
1437
01:25:57,666 --> 01:26:00,866
So next I'm going to go to my finder.
1438
01:26:01,066 --> 01:26:05,500
And inside the assets folder, you're going
to see a document called Credit Text.
1439
01:26:05,933 --> 01:26:08,066
Let's double click that.
1440
01:26:08,066 --> 01:26:09,866
And so you don't have to type all this.
1441
01:26:09,866 --> 01:26:14,700
You can just select all this text
command c, go in here, select
1442
01:26:14,700 --> 01:26:18,433
all that text and do command to V
1443
01:26:18,933 --> 01:26:21,300
and let's go ahead and make this
1444
01:26:21,300 --> 01:26:25,166
a tiny bit smaller
so it doesn't have any line breaks
1445
01:26:31,133 --> 01:26:33,300
right about there.
1446
01:26:33,300 --> 01:26:36,566
Let's go a little bit closer here,
see what we've got going on
1447
01:26:40,366 --> 01:26:42,566
so to change the
1448
01:26:43,600 --> 01:26:45,700
font size with shortcuts,
1449
01:26:46,100 --> 01:26:48,700
select
the text, then hold down command shift
1450
01:26:49,066 --> 01:26:51,766
and use period and comma
1451
01:26:53,866 --> 01:26:54,266
okay.
1452
01:26:54,266 --> 01:26:55,766
So that's pretty small.
1453
01:26:55,766 --> 01:26:58,366
What I may want to do is just bring
1454
01:27:01,133 --> 01:27:02,500
the director of photography
1455
01:27:02,500 --> 01:27:05,433
down to the next line.
1456
01:27:07,766 --> 01:27:12,466
I can actually get rid
1457
01:27:12,466 --> 01:27:17,433
of all the hard line breaks here
1458
01:27:17,666 --> 01:27:20,066
and then just move this text box.
1459
01:27:21,166 --> 01:27:21,933
All right.
1460
01:27:21,933 --> 01:27:25,266
So I want to get rid
of the hyphenation in there
1461
01:27:29,066 --> 01:27:30,600
there you go.
1462
01:27:35,266 --> 01:27:35,666
Okay.
1463
01:27:35,666 --> 01:27:39,266
So now let's say I want to transform
or make this text bigger.
1464
01:27:39,533 --> 01:27:42,566
If I go in here, it's
going to keep it in the text box.
1465
01:27:43,866 --> 01:27:47,633
And if I don't want that,
I can do a free transform
1466
01:27:47,633 --> 01:27:51,400
on the whole thing
and that will make the text bigger
1467
01:27:53,133 --> 01:27:53,866
and make
1468
01:27:53,866 --> 01:27:56,066
my text box bigger at the same time.
1469
01:27:57,966 --> 01:27:58,733
There you go.
1470
01:27:58,733 --> 01:28:01,033
That's my fake movie poster.
1471
01:28:01,033 --> 01:28:02,233
Credits
1472
01:28:04,266 --> 01:28:08,100
and that pretty much finishes
all the text.
1473
01:28:08,100 --> 01:28:13,533
We can take all those layers and put them
in a folder called Text and then finally,
1474
01:28:13,533 --> 01:28:17,266
what I want to do is just add some color
grade on top of the whole thing.
1475
01:28:17,666 --> 01:28:21,166
For that, I'm going to use a gradient map
1476
01:28:21,166 --> 01:28:23,966
and let's go ahead and select
1477
01:28:24,033 --> 01:28:26,833
the dark color and make that kind of a
1478
01:28:27,566 --> 01:28:29,600
turquoise blue.
1479
01:28:30,033 --> 01:28:32,233
And let's make this color
1480
01:28:33,166 --> 01:28:36,300
kind of a golden yellow
1481
01:28:39,066 --> 01:28:42,133
and probably need to do saturate this
a little
1482
01:28:43,133 --> 01:28:46,533
and let's put this on soft light
1483
01:28:47,600 --> 01:28:49,566
and maybe
1484
01:28:49,566 --> 01:28:51,900
make the yellow a little more gold and
1485
01:28:54,366 --> 01:28:56,366
a little warmer
1486
01:28:58,233 --> 01:28:59,633
that's pretty nice.
1487
01:28:59,633 --> 01:29:00,800
And then finally,
1488
01:29:01,833 --> 01:29:03,966
I do my famous
1489
01:29:05,900 --> 01:29:07,200
blue curve
1490
01:29:07,200 --> 01:29:10,366
just bring up the bottom of the blue,
bring down the top,
1491
01:29:12,000 --> 01:29:13,833
maybe add just a touch of red
1492
01:29:13,833 --> 01:29:15,766
in the highlights here.
1493
01:29:22,633 --> 01:29:25,733
And I'm pretty happy with that.
1494
01:29:26,066 --> 01:29:29,033
I can see a quick before and after
1495
01:29:32,833 --> 01:29:34,766
and there you have it.
1496
01:29:34,933 --> 01:29:37,033
Let's go ahead and save it.
1497
01:29:43,466 --> 01:29:46,500
And we can call this girl
1498
01:29:46,633 --> 01:29:52,466
with a dragon to poster
1499
01:29:57,700 --> 01:29:58,066
All right.
1500
01:29:58,066 --> 01:29:59,500
So that wraps up the course.
1501
01:29:59,500 --> 01:30:02,066
I hope you learned a lot from it.
1502
01:30:02,066 --> 01:30:05,933
If you want to get further
into Photoshop compositing,
1503
01:30:05,933 --> 01:30:10,500
you can check out my YouTube channel
where I have quite a lot of free tutorials
1504
01:30:10,933 --> 01:30:16,400
on how to recreate different movie posters
and do different types of composites.
1505
01:30:16,766 --> 01:30:22,366
Also, if you want to really learn
Photoshop compositing,
1506
01:30:22,366 --> 01:30:27,000
I suggest you take some of my advanced
courses on Photoshop compositing.
1507
01:30:27,333 --> 01:30:29,766
Those courses are all project based.
1508
01:30:30,000 --> 01:30:33,566
I do think that's the best way of learning
software
1509
01:30:34,200 --> 01:30:37,066
is to learn it through doing projects.
1510
01:30:37,233 --> 01:30:40,066
And even though the beginning of this
course was a little heavy
1511
01:30:40,066 --> 01:30:44,733
on teaching new tools,
I did try as soon as I could to start
1512
01:30:45,933 --> 01:30:48,333
relating those to real projects.
1513
01:30:48,600 --> 01:30:51,333
And in my compositing courses,
1514
01:30:51,566 --> 01:30:56,766
each one takes a composited image
and starts from the beginning
1515
01:30:56,766 --> 01:31:00,000
and takes it through the entire cycle
from beginning to end.
1516
01:31:00,466 --> 01:31:03,766
And through doing that,
I teach you different techniques
1517
01:31:03,766 --> 01:31:06,200
and different tools in Photoshop
that you can use.
1518
01:31:06,800 --> 01:31:08,433
All right. I will see you next time.
116878
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