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These are the user uploaded subtitles that are being translated: 1 00:00:03,020 --> 00:00:12,019 Hello, I am glad to present you what we are 2 00:00:09,000 --> 00:00:14,130 let's analyze the main characters topic is 3 00:00:12,019 --> 00:00:17,330 the most interesting mixer tool is not 4 00:00:14,130 --> 00:00:20,420 channels I want to answer one of the most 5 00:00:17,330 --> 00:00:24,600 popular questions about processing 6 00:00:20,420 --> 00:00:27,990 the essence of this question is how to understand 7 00:00:24,600 --> 00:00:31,130 how to stop too when processing 8 00:00:27,990 --> 00:00:35,750 and what is the default faith 9 00:00:31,130 --> 00:00:38,910 unrealistic art photos or 10 00:00:35,750 --> 00:00:41,190 tries to imitate the originals here 11 00:00:38,910 --> 00:00:44,129 let's talk to you about how 12 00:00:41,190 --> 00:00:46,140 there must be an image and if at all 13 00:00:44,129 --> 00:00:48,629 some cats and what kind of image 14 00:00:46,140 --> 00:00:52,020 is conditionally correct we should 15 00:00:48,629 --> 00:00:53,090 at least to be guided by something 16 00:00:52,020 --> 00:00:55,620 processing 17 00:00:53,090 --> 00:00:58,289 someone is considered absolutely normal 18 00:00:55,620 --> 00:01:01,320 color change for example foliage on 19 00:00:58,289 --> 00:01:04,080 red purple and someone already screaming 20 00:01:01,320 --> 00:01:06,840 I do not believe this can not and should not be 21 00:01:04,080 --> 00:01:09,799 already when our eye color is only 22 00:01:06,840 --> 00:01:14,700 slightly enhanced in saturation 23 00:01:09,799 --> 00:01:22,430 points of view there will always be a mass 24 00:01:14,700 --> 00:01:26,549 I see from reviews we are before and after 25 00:01:22,430 --> 00:01:27,619 always a lot of comments of doubt and 26 00:01:26,549 --> 00:01:30,390 withdraw 27 00:01:27,619 --> 00:01:33,869 1 certainly the main thing is impossible 28 00:01:30,390 --> 00:01:36,990 right all the same there is something that gets poorer 29 00:01:33,869 --> 00:01:39,509 the views of most viewers will go 30 00:01:36,990 --> 00:01:40,950 about the generally accepted facts that are there 31 00:01:39,509 --> 00:01:45,299 may be guided on the way 32 00:01:40,950 --> 00:01:48,259 getting that one in quotes 33 00:01:45,299 --> 00:01:50,850 correct snapshot 34 00:01:48,259 --> 00:01:53,130 all and further facts will be dancing 35 00:01:50,850 --> 00:01:56,130 around two fundamental conclusions 36 00:01:53,130 --> 00:01:57,659 the first is that our visual 37 00:01:56,130 --> 00:02:01,350 system and camera 38 00:01:57,659 --> 00:02:04,229 see different images and second 39 00:02:01,350 --> 00:02:06,060 the conclusion that the visual system and in 40 00:02:04,229 --> 00:02:07,590 hangar fried perfect world which 41 00:02:06,060 --> 00:02:11,210 seeks our subconscious 42 00:02:07,590 --> 00:02:13,670 also different what is the result of the camera 43 00:02:11,210 --> 00:02:18,560 the visual system and our subconscious 44 00:02:13,670 --> 00:02:20,330 what to believe of course rushes to 45 00:02:18,560 --> 00:02:23,780 extremes choose one thing just 46 00:02:20,330 --> 00:02:26,450 illogical and unwise is easier to withdraw 47 00:02:23,780 --> 00:02:30,080 ideal percentage of deposits 48 00:02:26,450 --> 00:02:34,570 and cameras and the visual system and our 49 00:02:30,080 --> 00:02:34,570 subconscious in some final image 50 00:02:34,690 --> 00:02:39,380 each will be my own 51 00:02:38,390 --> 00:02:43,690 task 52 00:02:39,380 --> 00:02:48,980 and your task with further growth 53 00:02:43,690 --> 00:02:51,410 professions get knowledge of those facts 54 00:02:48,980 --> 00:02:56,360 that will help bring out your perfect 55 00:02:51,410 --> 00:03:03,260 the ratio here is a little yes i will start this 56 00:02:56,360 --> 00:03:07,340 The topic touched on literally 5 minutes to understand 57 00:03:03,260 --> 00:03:10,280 what do we mean that we know 58 00:03:07,340 --> 00:03:14,990 uniquely about the differences between cables and 59 00:03:10,280 --> 00:03:18,860 human eye 1 factory 60 00:03:14,990 --> 00:03:22,390 known that our visual 61 00:03:18,860 --> 00:03:24,860 the system is itself oscillating 62 00:03:22,390 --> 00:03:27,590 that is, we always perceive 63 00:03:24,860 --> 00:03:31,520 ambient lighting as will be correct 64 00:03:27,590 --> 00:03:34,430 and without other shades pictures 65 00:03:31,520 --> 00:03:37,370 made at interest the lamp has 66 00:03:34,430 --> 00:03:43,820 I have a clear yellow-green tint 67 00:03:37,370 --> 00:03:47,300 file home me here 68 00:03:43,820 --> 00:03:50,540 such cameras and I think you are at home 69 00:03:47,300 --> 00:03:52,760 computer or a lot of cards like that 70 00:03:50,540 --> 00:03:55,610 pictures made made about this and 71 00:03:52,760 --> 00:03:59,810 lighting have a yellow-green tint 72 00:03:55,610 --> 00:04:03,560 but we do not see him in our lives 73 00:03:59,810 --> 00:04:06,740 eyes adapt the same difference we 74 00:04:03,560 --> 00:04:12,020 see in reflexes when for example our 75 00:04:06,740 --> 00:04:14,180 model in a red dress like here yes we are 76 00:04:12,020 --> 00:04:16,190 life was not noticed on her body and face 77 00:04:14,180 --> 00:04:21,620 bright red reflexes but the camera is not 78 00:04:16,190 --> 00:04:22,040 spend it in full glory will convey 79 00:04:21,620 --> 00:04:26,960 his 80 00:04:22,040 --> 00:04:33,260 on the existence of these reflexes so 81 00:04:26,960 --> 00:04:38,180 do this fact can be considered 82 00:04:33,260 --> 00:04:41,270 as well as plus and minus 83 00:04:38,180 --> 00:04:44,030 example he of course defend minus 84 00:04:41,270 --> 00:04:46,280 and the fact that the camera is not capable 85 00:04:44,030 --> 00:04:48,530 adapt to the environment 86 00:04:46,280 --> 00:04:50,210 I believe that they will not be found for you 87 00:04:48,530 --> 00:04:53,090 who would say that red reflex 88 00:04:50,210 --> 00:04:54,350 dresses or from the red wall for example on 89 00:04:53,090 --> 00:04:57,590 body will look like a man 90 00:04:54,350 --> 00:05:00,170 incredibly beautiful and touching our with 91 00:04:57,590 --> 00:05:01,730 you task know these facts and learn 92 00:05:00,170 --> 00:05:05,780 With this knowledge, not only 93 00:05:01,730 --> 00:05:07,820 avoids defects possible but also 94 00:05:05,780 --> 00:05:10,550 use them as a plus 95 00:05:07,820 --> 00:05:14,480 we avoid as we usually customers 96 00:05:10,550 --> 00:05:17,170 and I ask you to even change the lamp like 97 00:05:14,480 --> 00:05:19,570 daylight vanda yes indeed 98 00:05:17,170 --> 00:05:21,860 easier when processing 99 00:05:19,570 --> 00:05:24,170 because unfortunately the processing is not 100 00:05:21,860 --> 00:05:28,750 can completely eliminate defects 101 00:05:24,170 --> 00:05:32,060 This but there professional he will see where 102 00:05:28,750 --> 00:05:35,870 repaired each that with him 103 00:05:32,060 --> 00:05:39,050 All the same, the nights were originally dd 104 00:05:35,870 --> 00:05:41,900 agree that you and us should have the light 105 00:05:39,050 --> 00:05:45,590 be fit it will be easier here 106 00:05:41,900 --> 00:05:47,510 these are the cons not adapting to me 107 00:05:45,590 --> 00:05:49,670 camera ability to adapt to 108 00:05:47,510 --> 00:05:56,060 a stranger shade and lighting we 109 00:05:49,670 --> 00:05:58,340 we can see a plus for example we 110 00:05:56,060 --> 00:06:00,010 see stunning camera boosters 111 00:05:58,340 --> 00:06:04,240 modulations on the water 112 00:06:00,010 --> 00:06:07,270 giving trees I will turn on nothing 113 00:06:04,240 --> 00:06:10,270 it can be seen yes how strengthened 114 00:06:07,270 --> 00:06:10,270 reflexes 115 00:06:10,540 --> 00:06:16,850 when processing I intensify but in our life 116 00:06:14,840 --> 00:06:19,190 visual system quickly adapted 117 00:06:16,850 --> 00:06:24,440 would it up to us perceived more blue 118 00:06:19,190 --> 00:06:27,100 and boring and in our case it's a camera 119 00:06:24,440 --> 00:06:31,940 recorded enhanced reflection and 120 00:06:27,100 --> 00:06:36,110 Photoshop or in the end get such 121 00:06:31,940 --> 00:06:38,320 interesting pen do you play like that yes 122 00:06:36,110 --> 00:06:45,100 why not 123 00:06:38,320 --> 00:06:48,580 we can manage further the second fact 124 00:06:45,100 --> 00:06:52,180 our visual system rate this is not 125 00:06:48,580 --> 00:06:57,740 absolutely solely in context 126 00:06:52,180 --> 00:07:01,040 that is, our perception is affected 127 00:06:57,740 --> 00:07:04,130 the presence of the forum its color is a property 128 00:07:01,040 --> 00:07:05,750 bears the name of simon regular contrast 129 00:07:04,130 --> 00:07:08,810 besides, by the way, a separate 130 00:07:05,750 --> 00:07:12,050 chapter and special significance in the most important 131 00:07:08,810 --> 00:07:14,000 books from sveta I will not get tired we will 132 00:07:12,050 --> 00:07:17,030 repeating the author of which is their 133 00:07:14,000 --> 00:07:19,340 she is sleeping and I remind you what exactly he is 134 00:07:17,030 --> 00:07:21,110 streamlined all the patterns she did not 135 00:07:19,340 --> 00:07:25,300 colors in one system which we 136 00:07:21,110 --> 00:07:27,560 We use to make the same breakthrough as 137 00:07:25,300 --> 00:07:30,050 Mendeleev soo decent chemical 138 00:07:27,560 --> 00:07:31,360 elements yes only here we have 139 00:07:30,050 --> 00:07:38,300 creative work 140 00:07:31,360 --> 00:07:41,120 got the system and here in this in 141 00:07:38,300 --> 00:07:43,880 this in this second feature i can 142 00:07:41,120 --> 00:07:47,150 give an example that described 143 00:07:43,880 --> 00:07:50,770 Margulis it was about shooting in 144 00:07:47,150 --> 00:07:53,060 forest our visual apparatus distinguishes 145 00:07:50,770 --> 00:07:56,470 the tiniest vibrations of green and 146 00:07:53,060 --> 00:08:00,200 brown shades as happens 147 00:07:56,470 --> 00:08:02,450 automatic separation 1 green fox. 148 00:08:00,200 --> 00:08:04,370 from another almost the same because 149 00:08:02,450 --> 00:08:07,700 what a person subconsciously sells 150 00:08:04,370 --> 00:08:10,070 background leaf a little different shade 151 00:08:07,700 --> 00:08:13,160 therefore it is beneficial to separate only 152 00:08:10,070 --> 00:08:14,040 The new camera does not do this in 153 00:08:13,160 --> 00:08:17,160 we end up 154 00:08:14,040 --> 00:08:20,430 the output is just green 155 00:08:17,160 --> 00:08:23,390 homogeneous hash while processing 156 00:08:20,430 --> 00:08:26,280 trying to improve color differentiation 157 00:08:23,390 --> 00:08:28,890 i.e. increase the number of participants 158 00:08:26,280 --> 00:08:30,140 colors to share similar 159 00:08:28,890 --> 00:08:32,160 objects 160 00:08:30,140 --> 00:08:34,850 for good reason we will be with you today 161 00:08:32,160 --> 00:08:38,940 take pictures taken in the forest 162 00:08:34,850 --> 00:08:41,640 it's still spring on the nose before us by the way 163 00:08:38,940 --> 00:08:44,520 this effect is one of the key 164 00:08:41,640 --> 00:08:47,190 paw work as it is much more accurate 165 00:08:44,520 --> 00:08:50,990 other colors of color spaces 166 00:08:47,190 --> 00:08:52,190 imitate sneakers man sees that is 167 00:08:50,990 --> 00:08:54,210 is able to 168 00:08:52,190 --> 00:08:56,550 differentiate the light from the environment 169 00:08:54,210 --> 00:08:58,500 in other words as accurately as possible 170 00:08:56,550 --> 00:09:02,490 to segregate the smallest toucan goods 171 00:08:58,500 --> 00:09:14,060 color variations remember yes when we with 172 00:09:02,490 --> 00:09:17,160 you talked to him beige on beige and 173 00:09:14,060 --> 00:09:19,020 it's all surrounded by something else beige like 174 00:09:17,160 --> 00:09:21,210 to separate one from another thomas even 175 00:09:19,020 --> 00:09:24,000 some kind of freedom they are 176 00:09:21,210 --> 00:09:27,600 maybe it's impossible to separate by one mask 177 00:09:24,000 --> 00:09:30,360 from another the same to from the paws why 178 00:09:27,600 --> 00:09:32,510 other absolutely there properties and due to 179 00:09:30,360 --> 00:09:35,190 this ability to differentiate color 180 00:09:32,510 --> 00:09:40,560 can even do such complicated things 181 00:09:35,190 --> 00:09:45,320 and give 3 to the last think about 182 00:09:40,560 --> 00:09:49,500 our sight reduces intensity 183 00:09:45,320 --> 00:09:52,430 reflections and highlights from color for example we 184 00:09:49,500 --> 00:09:57,420 not so quickly notice bright highlights on 185 00:09:52,430 --> 00:10:00,230 car glasses on shine 186 00:09:57,420 --> 00:10:02,490 Shine on the face and much more 187 00:10:00,230 --> 00:10:04,640 By the way, I know this feature. 188 00:10:02,490 --> 00:10:07,170 camera make-up artists and come up 189 00:10:04,640 --> 00:10:09,120 even a special line of decorative 190 00:10:07,170 --> 00:10:12,360 cosmetics which are the maximum countries 191 00:10:09,120 --> 00:10:14,610 great gloss on the face is true sometimes 192 00:10:12,360 --> 00:10:15,340 models are puzzled wondering why so 193 00:10:14,610 --> 00:10:18,850 strongly brain 194 00:10:15,340 --> 00:10:21,460 after all, even faint gloss but make-up artists 195 00:10:18,850 --> 00:10:23,320 the photographer knows that I’m alone by the camera 196 00:10:21,460 --> 00:10:27,810 even the weakest weight will not pass 197 00:10:23,320 --> 00:10:30,160 unnoticed in part by the need for this 198 00:10:27,810 --> 00:10:31,720 filtering mechanism isn’t it 199 00:10:30,160 --> 00:10:36,010 there was a child care at home 200 00:10:31,720 --> 00:10:38,040 cassation filters but this too 201 00:10:36,010 --> 00:10:41,440 separate topic 202 00:10:38,040 --> 00:10:43,450 Believe you can not one lesson 203 00:10:41,440 --> 00:10:47,070 devote to the analysis of such an important topic 204 00:10:43,450 --> 00:10:49,840 will heal the cameras from the visual system and 205 00:10:47,070 --> 00:10:53,290 the desire of our subconscious mind viewing 206 00:10:49,840 --> 00:10:55,870 final pictures we certainly do it 207 00:10:53,290 --> 00:11:00,430 will not be yes I followed I first only 208 00:10:55,870 --> 00:11:01,480 to should now aim only throw 209 00:11:00,430 --> 00:11:03,100 you that thought 210 00:11:01,480 --> 00:11:05,040 so you can see further 211 00:11:03,100 --> 00:11:07,270 viktor to search for new information 212 00:11:05,040 --> 00:11:10,780 which will help you with your activity 213 00:11:07,270 --> 00:11:11,380 photographers come to the rescue of books and 214 00:11:10,780 --> 00:11:14,110 hansa 215 00:11:11,380 --> 00:11:15,220 this is not the art of the color of the book of alexander 216 00:11:14,110 --> 00:11:17,230 lapina 217 00:11:15,220 --> 00:11:19,960 without who I independently figure out 218 00:11:17,230 --> 00:11:24,700 all the intricacies of the optical system just 219 00:11:19,960 --> 00:11:25,560 impossible and of course at least vodka 220 00:11:24,700 --> 00:11:29,050 dan margulis 221 00:11:25,560 --> 00:11:35,910 without it, you don't have to go anywhere 222 00:11:29,050 --> 00:11:39,630 all these books yes better slowly but surely 223 00:11:35,910 --> 00:11:44,290 on the page abundantly you will move 224 00:11:39,630 --> 00:11:46,600 forward from myself add that I always 225 00:11:44,290 --> 00:11:49,090 sought to be guided by 226 00:11:46,600 --> 00:11:50,890 processing that I would see in that 227 00:11:49,090 --> 00:11:55,900 moment in place camera 228 00:11:50,890 --> 00:11:58,990 and further to this mixed version 229 00:11:55,900 --> 00:12:01,540 I add my own reinforced colors with 230 00:11:58,990 --> 00:12:03,520 the desire of your own subconscious 231 00:12:01,540 --> 00:12:05,350 but of course which is based 232 00:12:03,520 --> 00:12:08,430 solely on patterns 233 00:12:05,350 --> 00:12:11,820 Pastrana of color harmony 234 00:12:08,430 --> 00:12:16,589 that is, they were originally themselves before and after 235 00:12:11,820 --> 00:12:18,570 but to me that is meaningless to the tasks 236 00:12:16,589 --> 00:12:22,860 of course and those whom maxims these frames 237 00:12:18,570 --> 00:12:24,839 pictures he is strong but more logical site 238 00:12:22,860 --> 00:12:26,760 image when it turns out with that 239 00:12:24,839 --> 00:12:29,100 the image that was really 240 00:12:26,760 --> 00:12:29,880 but not through the stone it was just really 241 00:12:29,100 --> 00:12:33,450 the scoreboard 242 00:12:29,880 --> 00:12:37,080 the memory remains this is much more logical 243 00:12:33,450 --> 00:12:41,270 date camera us very much on the question 244 00:12:37,080 --> 00:12:41,270 why true to increase the colors in the picture 245 00:12:42,860 --> 00:12:52,020 will be more fabulous yes but of course all 246 00:12:46,350 --> 00:12:53,880 differently takes a little bit yes but in 247 00:12:52,020 --> 00:12:56,310 principle exaggerates sweaters pictures 248 00:12:53,880 --> 00:13:01,589 Meter simply answered the meter 249 00:12:56,310 --> 00:13:04,050 the same French scientist chemist and know her 250 00:13:01,589 --> 00:13:09,209 assisting the work and the laws of the law 1 251 00:13:04,050 --> 00:13:11,820 time just spending a bunch of flowers 252 00:13:09,209 --> 00:13:14,550 research he proved the simple fact that 253 00:13:11,820 --> 00:13:17,910 our brain is a striking page 254 00:13:14,550 --> 00:13:19,620 imagination in an exciting color exactly 255 00:13:17,910 --> 00:13:21,540 same as we have a thirst to experience 256 00:13:19,620 --> 00:13:22,250 extraordinary taste from what we eat 257 00:13:21,540 --> 00:13:26,910 and drink 258 00:13:22,250 --> 00:13:28,860 to unusually there other sensations we always 259 00:13:26,910 --> 00:13:30,959 we will be unusual when I do it 260 00:13:28,860 --> 00:13:33,420 unusual becomes habitual then urgent 261 00:13:30,959 --> 00:13:36,330 blow ourselves following the unusual and this 262 00:13:33,420 --> 00:13:39,900 inevitably scar just put up on iq 263 00:13:36,330 --> 00:13:41,850 this go you even if remember those 264 00:13:39,900 --> 00:13:44,850 pictures that we have them there 265 00:13:41,850 --> 00:13:49,500 photos on the internet yes sure you 266 00:13:44,850 --> 00:13:52,790 track we see what's new admire 267 00:13:49,500 --> 00:13:54,990 keeping it standard 268 00:13:52,790 --> 00:13:57,630 gradually since this is a new trend 269 00:13:54,990 --> 00:14:01,500 yes everyone started the same on which 270 00:13:57,630 --> 00:14:05,040 inevitably a tool it is attached all 271 00:14:01,500 --> 00:14:09,899 we are looking for something new though to torture ourselves 272 00:14:05,040 --> 00:14:12,970 back when this picture vanar bow too 273 00:14:09,899 --> 00:14:17,730 but no it's not cursed 274 00:14:12,970 --> 00:14:20,019 demand the next step so much by 275 00:14:17,730 --> 00:14:25,089 philosophers make out some useful 276 00:14:20,019 --> 00:14:28,810 facts we can already go 277 00:14:25,089 --> 00:14:30,970 directly to the processing after all 278 00:14:28,810 --> 00:14:35,100 take a camera 279 00:14:30,970 --> 00:14:39,189 want visual perception and 280 00:14:35,100 --> 00:14:44,470 subconscious how to live with it and what 281 00:14:39,189 --> 00:14:46,089 so in the end wait so today we are about 282 00:14:44,470 --> 00:14:52,199 wonderful tool 283 00:14:46,089 --> 00:14:56,310 this is channel mixing with 284 00:14:52,199 --> 00:15:00,129 can create stress 285 00:14:56,310 --> 00:15:03,610 high quality images like 286 00:15:00,129 --> 00:15:05,050 black and white and can also be worn 287 00:15:03,610 --> 00:15:08,350 times a variety of creative 288 00:15:05,050 --> 00:15:14,939 image adjustments due to 289 00:15:08,350 --> 00:15:19,410 colors so here we are forest forest forest forest forest 290 00:15:14,939 --> 00:15:19,410 We already go to some snapshot 291 00:15:21,209 --> 00:15:32,079 belkin I will do everything crossed pictures 292 00:15:28,680 --> 00:15:34,360 let's talk based on earlier 293 00:15:32,079 --> 00:15:36,879 I said that we will go on 294 00:15:34,360 --> 00:15:40,019 picture and how it would actually be 295 00:15:36,879 --> 00:15:40,019 try to remember 296 00:15:40,139 --> 00:16:05,589 Now we see if we substitute it 297 00:15:43,480 --> 00:16:10,629 black and white combine if you look 298 00:16:05,589 --> 00:16:15,220 on the greens and on our face they are with us 299 00:16:10,629 --> 00:16:18,189 practically no contrast 300 00:16:15,220 --> 00:16:21,750 yes if you blur your face of course 301 00:16:18,189 --> 00:16:25,440 brighter but no no not so 302 00:16:21,750 --> 00:16:28,230 in life if you imagine exactly 303 00:16:25,440 --> 00:16:30,060 the same picture you notice 304 00:16:28,230 --> 00:16:32,130 which is almost always the exception 305 00:16:30,060 --> 00:16:33,140 white wall again we face 306 00:16:32,130 --> 00:16:37,460 lighter feature 307 00:16:33,140 --> 00:16:41,520 it will inevitably not explain why 308 00:16:37,460 --> 00:16:42,300 why is our focus there on 309 00:16:41,520 --> 00:16:44,850 face 310 00:16:42,300 --> 00:16:48,780 do drown i subconscious more 311 00:16:44,850 --> 00:16:50,480 light separating the background yes it's not 312 00:16:48,780 --> 00:16:54,440 our topic today 313 00:16:50,480 --> 00:16:56,880 but by no means less than face 314 00:16:54,440 --> 00:16:59,810 only personally white wall on this in 315 00:16:56,880 --> 00:17:04,740 studio to crane fonit warehouse we shoot 316 00:16:59,810 --> 00:17:12,120 maybe in a different way with us as we see 317 00:17:04,740 --> 00:17:14,310 here is not so further we have very much 318 00:17:12,120 --> 00:17:15,150 pitch background separated 319 00:17:14,310 --> 00:17:19,939 take it away 320 00:17:15,150 --> 00:17:24,780 No, of course, the leaves are green, they are lighter 321 00:17:19,939 --> 00:17:27,780 but in life, too, a little bit wrong 322 00:17:24,780 --> 00:17:34,800 tonality they will be much more leaflets 323 00:17:27,780 --> 00:17:37,280 darker so here's how we can live with it 324 00:17:34,800 --> 00:17:42,390 and quick fix 325 00:17:37,280 --> 00:17:50,690 let's show you the way for everything 326 00:17:42,390 --> 00:17:55,040 shots a few absolutely forest times 327 00:17:50,690 --> 00:17:59,180 gardens we shoot constantly summer 328 00:17:55,040 --> 00:17:59,180 ways to act everywhere 329 00:18:01,140 --> 00:18:09,510 go with you to the canvas tab 330 00:18:12,630 --> 00:18:24,960 it is in peace 331 00:18:30,720 --> 00:18:35,560 do stop 332 00:18:32,380 --> 00:18:41,970 you were worth it very convenient to track 333 00:18:35,560 --> 00:18:45,750 fix some points example 334 00:18:41,970 --> 00:18:45,750 now a fair share 335 00:18:46,050 --> 00:18:51,600 we can do suzanna ourselves at any moment 336 00:18:49,150 --> 00:18:55,300 we can go back to ours 337 00:18:51,600 --> 00:18:58,470 a foot you were worth yes and see what 338 00:18:55,300 --> 00:19:01,780 it is very convenient and if someone did not know 339 00:18:58,470 --> 00:19:03,610 you can fix lemonade moments 340 00:19:01,780 --> 00:19:07,060 several options she habits dates 341 00:19:03,610 --> 00:19:09,630 be either just release I'm on merge 342 00:19:07,060 --> 00:19:13,030 you must see this word 343 00:19:09,630 --> 00:19:17,550 what he was before you all 344 00:19:13,030 --> 00:19:17,550 association just as you can stop list 345 00:19:18,510 --> 00:19:35,160 look it will be ours with you open with 346 00:19:31,900 --> 00:19:42,880 you in the adjustment layers tab and 347 00:19:35,160 --> 00:19:50,550 tool to the width of the channel that we are here 348 00:19:42,880 --> 00:19:52,920 see firstly the command is available only 349 00:19:50,550 --> 00:19:54,480 proteolysis 350 00:19:52,920 --> 00:20:01,690 [music] 351 00:19:54,480 --> 00:20:06,149 rgb from the world to the lobby in that space 352 00:20:01,690 --> 00:20:15,809 this team is not working with us 353 00:20:06,149 --> 00:20:20,649 so we will do such a simple trick 354 00:20:15,809 --> 00:20:26,380 put a tick guard image 355 00:20:20,649 --> 00:20:34,049 choose further we go with you target 356 00:20:26,380 --> 00:20:39,700 channels can no longer ring 2 6 so 357 00:20:34,049 --> 00:20:42,789 let's go ahead presets 358 00:20:39,700 --> 00:20:47,590 default parameter set is already in 359 00:20:42,789 --> 00:20:49,770 Photoshop here can see a few 360 00:20:47,590 --> 00:20:57,330 variants of the most common 361 00:20:49,770 --> 00:20:57,330 may be an option for our end 362 00:20:57,480 --> 00:21:03,070 black and white set blue filter where 363 00:21:01,000 --> 00:21:05,580 percent contribution of the red channel well or 364 00:21:03,070 --> 00:21:10,059 green or blue one hundred percent 365 00:21:05,580 --> 00:21:12,429 choose selected you can see what 366 00:21:10,059 --> 00:21:18,850 everything is happening itself is not on steam or 367 00:21:12,429 --> 00:21:20,409 and the face too 368 00:21:18,850 --> 00:21:27,039 is that when we tell you 369 00:21:20,409 --> 00:21:32,549 memory blue filter we are ours 370 00:21:27,039 --> 00:21:35,919 overlay we change for accuracy 371 00:21:32,549 --> 00:21:39,360 let's see what happened with us 372 00:21:35,919 --> 00:21:42,360 you are virtually unaffected 373 00:21:39,360 --> 00:21:42,360 the trees 374 00:21:43,440 --> 00:21:50,470 we are very much affected just 375 00:21:46,059 --> 00:21:52,360 our green tone is what's plus so here 376 00:21:50,470 --> 00:21:57,279 pay attention to ourselves taking into account 377 00:21:52,360 --> 00:21:59,440 twigs can be even more yes there in 378 00:21:57,279 --> 00:22:02,620 forest and dim separately acts and 379 00:21:59,440 --> 00:22:06,580 extremely inconvenient to cook and a mask 380 00:22:02,620 --> 00:22:08,529 which will be your own green 381 00:22:06,580 --> 00:22:09,420 pay about tonic karoch branches on them 382 00:22:08,529 --> 00:22:12,210 no, you can 383 00:22:09,420 --> 00:22:12,840 Of course one soul to grind off different 384 00:22:12,210 --> 00:22:14,880 in ways 385 00:22:12,840 --> 00:22:20,220 but this will really be the most 386 00:22:14,880 --> 00:22:22,530 fast only green like a spring 387 00:22:20,220 --> 00:22:25,880 ratio even with all the hotly reflex 388 00:22:22,530 --> 00:22:25,880 on darkened 389 00:22:26,150 --> 00:22:35,220 our task is just a mask 390 00:22:31,340 --> 00:22:36,210 black brush remove this effect with 391 00:22:35,220 --> 00:22:42,270 faces 392 00:22:36,210 --> 00:22:44,990 then you can face hits from 393 00:22:42,270 --> 00:22:52,350 those objects so that were important 394 00:22:44,990 --> 00:22:55,710 initially looking attention point they 395 00:22:52,350 --> 00:22:58,050 there is nothing more critical eyes not 396 00:22:55,710 --> 00:23:02,150 will affect even such things I will not and 397 00:22:58,050 --> 00:23:04,280 activate the buttons on the reflection are 398 00:23:02,150 --> 00:23:07,440 [music] 399 00:23:04,280 --> 00:23:10,530 they have no importance us not that 400 00:23:07,440 --> 00:23:13,260 with them that without him images of some 401 00:23:10,530 --> 00:23:15,840 meaning in not lose but get distracted by 402 00:23:13,260 --> 00:23:19,560 they are not worth it and I am already generally standing 403 00:23:15,840 --> 00:23:20,750 for the sake of all that even a drop can distract 404 00:23:19,560 --> 00:23:28,730 me 405 00:23:20,750 --> 00:23:32,130 further the second layer in this mechanism 406 00:23:28,730 --> 00:23:37,910 will also be created by mixers 407 00:23:32,130 --> 00:23:37,910 Channels adjustment layer tick 408 00:23:38,690 --> 00:23:45,780 data in corsets that is, sets of 409 00:23:42,510 --> 00:23:52,700 default we choose turn on now 410 00:23:45,780 --> 00:23:55,740 we choose an orange filter here 411 00:23:52,700 --> 00:24:01,830 the percentage of each 412 00:23:55,740 --> 00:24:07,279 channel different 50 green 50 and blue 413 00:24:01,830 --> 00:24:10,070 also blend mode we have softness 414 00:24:07,279 --> 00:24:14,750 notice the face 415 00:24:10,070 --> 00:24:14,750 end of the day will increase your fields 416 00:24:20,809 --> 00:24:27,630 lighten up and leave us 417 00:24:24,260 --> 00:24:32,130 various dark areas such as 418 00:24:27,630 --> 00:24:32,669 peculiar to the eye in general to all of you on 419 00:24:32,130 --> 00:24:35,450 face 420 00:24:32,669 --> 00:24:39,929 if you choose filters 421 00:24:35,450 --> 00:24:44,659 orange red these shadows are even more 422 00:24:39,929 --> 00:24:49,889 disappear and see such a face beneath 423 00:24:44,659 --> 00:24:54,830 I understand that many, but it is necessary that she 424 00:24:49,889 --> 00:24:54,830 hit all the shadows we did not have Nikita circle 425 00:24:56,600 --> 00:25:02,760 in extreme cases and show can give out 426 00:24:59,370 --> 00:25:06,029 to a red filter for some tasks we with 427 00:25:02,760 --> 00:25:10,950 you will not use it here 428 00:25:06,029 --> 00:25:15,210 we will go that way that we choose 429 00:25:10,950 --> 00:25:17,220 orange when we are only a little bit 430 00:25:15,210 --> 00:25:19,080 idea you can either re-do before 431 00:25:17,220 --> 00:25:21,590 black you only put on face on 432 00:25:19,080 --> 00:25:23,909 or you can just have this mask 433 00:25:21,590 --> 00:25:24,570 copy to tomato how to do it 434 00:25:23,909 --> 00:25:28,769 you clamp 435 00:25:24,570 --> 00:25:32,220 while you hold the mask and drag 436 00:25:28,769 --> 00:25:36,269 walked away from you will be asked about what is there 437 00:25:32,220 --> 00:25:38,850 the central mist of this water ourselves 438 00:25:36,269 --> 00:25:43,590 it turns out the mask but we and the world of those because 439 00:25:38,850 --> 00:25:46,440 that we are now the effect of the type it does not have 440 00:25:43,590 --> 00:25:51,179 The effect is hidden where on the face in this mask 441 00:25:46,440 --> 00:25:53,900 just believe and now we have 442 00:25:51,179 --> 00:26:00,620 our face 443 00:25:53,900 --> 00:26:03,470 flowers and so on if someone is there 444 00:26:00,620 --> 00:26:05,330 it's difficult to invert mida and how 445 00:26:03,470 --> 00:26:08,210 copy the mask then just 446 00:26:05,330 --> 00:26:10,520 independently on the black mask of white 447 00:26:08,210 --> 00:26:13,460 tassel held where you need 448 00:26:10,520 --> 00:26:15,800 lighten your face then skin let's 449 00:26:13,460 --> 00:26:21,520 combined it all he group see 450 00:26:15,800 --> 00:26:26,050 what did we do like us 451 00:26:21,520 --> 00:26:29,240 delicate to darken all greens and 452 00:26:26,050 --> 00:26:35,440 became a brighter face principle if 453 00:26:29,240 --> 00:26:39,020 I would not make a maximum of minutes and leave 454 00:26:35,440 --> 00:26:39,830 easy to write down of course shandor and where 455 00:26:39,020 --> 00:26:43,060 would it be a map 456 00:26:39,830 --> 00:26:49,250 brush you go by the mask we are all 457 00:26:43,060 --> 00:26:51,620 Here is the image of the tonality 458 00:26:49,250 --> 00:26:54,920 Al-Mamun is more in line with what 459 00:26:51,620 --> 00:26:58,250 was actually despite the fact that 460 00:26:54,920 --> 00:26:59,120 There argentum with another but there is another 461 00:26:58,250 --> 00:27:02,570 feature 462 00:26:59,120 --> 00:27:08,540 remember what did not say that our 463 00:27:02,570 --> 00:27:12,680 the visual system assesses the color they are 464 00:27:08,540 --> 00:27:14,360 absolutely but exclusively in context on 465 00:27:12,680 --> 00:27:20,330 our perception affects nothing of value 466 00:27:14,360 --> 00:27:23,600 colors we subconsciously change color 467 00:27:20,330 --> 00:27:26,420 neighboring meta to separate a friend 468 00:27:23,600 --> 00:27:29,480 well these objects we all these leaflets 469 00:27:26,420 --> 00:27:33,770 when we are in the forest we see this 470 00:27:29,480 --> 00:27:35,870 posing even some twigs and so 471 00:27:33,770 --> 00:27:39,050 further, all this is separated here with us 472 00:27:35,870 --> 00:27:41,330 turned green fun we have to 473 00:27:39,050 --> 00:27:45,160 naturally strive for something that somehow 474 00:27:41,330 --> 00:27:47,170 differentiate by light to separate 475 00:27:45,160 --> 00:27:49,310 separate one from the other 476 00:27:47,170 --> 00:27:54,970 poking around with color we will not we 477 00:27:49,310 --> 00:28:00,640 let's go workaround 478 00:27:54,970 --> 00:28:00,640 by creating also a mix and 479 00:28:02,010 --> 00:28:08,360 [music] 480 00:28:03,940 --> 00:28:19,010 further blending mode we will have a soft 481 00:28:08,360 --> 00:28:19,570 light he will choose the guard and the stone we have here 482 00:28:19,010 --> 00:28:23,420 is coming 483 00:28:19,570 --> 00:28:25,520 neutralization of saturation we have this 484 00:28:23,420 --> 00:28:29,390 layer on a little transparency and not 485 00:28:25,520 --> 00:28:34,700 it is necessary to choose her actively 486 00:28:29,390 --> 00:28:37,490 excessive mash we can think unnecessary 487 00:28:34,700 --> 00:28:40,300 all hues are green 488 00:28:37,490 --> 00:28:45,340 handed out the land actually hit 489 00:28:40,300 --> 00:28:50,390 here and here it may be neutralize 490 00:28:45,340 --> 00:28:58,130 neutralize and remove can also 491 00:28:50,390 --> 00:29:00,410 grab it is stupid and look somewhere on 492 00:28:58,130 --> 00:29:01,690 those sites that you need 493 00:29:00,410 --> 00:29:04,160 want to leave 494 00:29:01,690 --> 00:29:07,240 saturation still waiting naturally in this 495 00:29:04,160 --> 00:29:11,630 you can just take it 496 00:29:07,240 --> 00:29:20,900 this is the impact no one bothers and then 497 00:29:11,630 --> 00:29:23,600 there is also possible knowing that when we have something 498 00:29:20,900 --> 00:29:26,720 place to watch it pour 499 00:29:23,600 --> 00:29:28,730 here to but more saturated tones 500 00:29:26,720 --> 00:29:32,240 it is even more directed yes therefore 501 00:29:28,730 --> 00:29:34,280 too much can this effect 502 00:29:32,240 --> 00:29:40,880 neutralizing saturation and for the price it 503 00:29:34,280 --> 00:29:43,670 you can in more detail to the task 504 00:29:40,880 --> 00:29:45,620 made soho put on the background no 505 00:29:43,670 --> 00:29:47,300 further say it chooses for itself 506 00:29:45,620 --> 00:29:55,990 how much will he pick there 507 00:29:47,300 --> 00:29:55,990 image yes I like that 508 00:29:56,170 --> 00:30:08,180 much more will make a stack of history 509 00:30:03,460 --> 00:30:14,570 look at our example so that all 510 00:30:08,180 --> 00:30:17,650 same thing here i'm not 511 00:30:14,570 --> 00:30:24,130 realize color just then blames glasses 512 00:30:17,650 --> 00:30:24,130 didn't ask for overlay as you see 513 00:30:24,880 --> 00:30:29,690 move on with you dear 514 00:30:27,620 --> 00:30:33,080 lose the same way so you 515 00:30:29,690 --> 00:30:37,880 understood that on universal yes on 516 00:30:33,080 --> 00:30:41,830 Other snapshots so still additionally 517 00:30:37,880 --> 00:30:44,990 I'll show you the chips 518 00:30:41,830 --> 00:30:48,320 this city is ready voltage is clear 519 00:30:44,990 --> 00:30:51,560 what are you us centro sergey mascara 520 00:30:48,320 --> 00:30:57,020 tar and a and us since it is long and hard 521 00:30:51,560 --> 00:31:00,050 fozil qori we have everything here but billet 522 00:30:57,020 --> 00:31:02,630 Looked like this 523 00:31:00,050 --> 00:31:08,210 preset so that we get 524 00:31:02,630 --> 00:31:12,440 image data blank but here 525 00:31:08,210 --> 00:31:14,810 original when we have exactly the same 526 00:31:12,440 --> 00:31:16,700 way all outwardly yes we have a background 527 00:31:14,810 --> 00:31:21,380 look what a bright face what u 528 00:31:16,700 --> 00:31:24,580 us dark in life is completely wrong 529 00:31:21,380 --> 00:31:29,740 so in the same way you created 530 00:31:24,580 --> 00:31:29,740 channel mixing layer 531 00:31:30,640 --> 00:31:40,610 created a mix channel 532 00:31:34,900 --> 00:31:44,630 tick monks filter blue mode 533 00:31:40,610 --> 00:31:49,840 overlay brightness of one hundred percent and here at 534 00:31:44,630 --> 00:31:53,500 us all that they were green 535 00:31:49,840 --> 00:31:54,039 and the corresponding shades we have become 536 00:31:53,500 --> 00:31:58,960 get sick and 537 00:31:54,039 --> 00:32:04,299 I am from the face and from all beige 538 00:31:58,960 --> 00:32:07,600 plots further masochki can be copied 539 00:32:04,299 --> 00:32:09,640 even your copy also ticked 540 00:32:07,600 --> 00:32:10,090 national difference is only that of us 541 00:32:09,640 --> 00:32:13,900 filter 542 00:32:10,090 --> 00:32:17,049 origin someone of course even red 543 00:32:13,900 --> 00:32:20,500 equally honest it is very tough we go 544 00:32:17,049 --> 00:32:23,190 and earlier the face became slightly lighter and 545 00:32:20,500 --> 00:32:23,190 measurements 546 00:32:24,210 --> 00:32:28,570 next thing you can 547 00:32:26,559 --> 00:32:37,809 use what's on this snapshot what's on 548 00:32:28,570 --> 00:32:43,870 previous yes on chips to 549 00:32:37,809 --> 00:32:56,620 give birth and volume what do you do with it this 550 00:32:43,870 --> 00:33:04,899 tick you create curves with my husband 551 00:32:56,620 --> 00:33:11,710 continue to use using our 552 00:33:04,899 --> 00:33:14,710 so I activate the mouse 553 00:33:11,710 --> 00:33:16,630 turns into a pipette and pay 554 00:33:14,710 --> 00:33:20,110 attention that we have on the curve starts 555 00:33:16,630 --> 00:33:21,600 worn such a circle that is, he 556 00:33:20,110 --> 00:33:25,870 evaluates 557 00:33:21,600 --> 00:33:29,260 curve position yes where we will be more 558 00:33:25,870 --> 00:33:33,820 I recall all the tones from this area 559 00:33:29,260 --> 00:33:37,450 that from the left wall is not necessary and 560 00:33:33,820 --> 00:33:41,230 became light there now if the mouse theory 561 00:33:37,450 --> 00:33:45,480 pipetting right, we see that we 562 00:33:41,230 --> 00:33:48,809 we know it's nerves in our dark there 563 00:33:45,480 --> 00:33:52,840 choose a country 564 00:33:48,809 --> 00:33:56,890 I make a click thus it turns out. 565 00:33:52,840 --> 00:33:59,220 cover further we this dot as 566 00:33:56,890 --> 00:34:04,200 it is exactly different from ours 567 00:33:59,220 --> 00:34:04,200 are divided verbally over the plot we are from a pile 568 00:34:07,770 --> 00:34:15,580 the contrast happens unmistakable for sure 569 00:34:11,230 --> 00:34:16,690 beating exactly where we removed these 570 00:34:15,580 --> 00:34:23,139 tassels 571 00:34:16,690 --> 00:34:27,070 you just have to remove the extra 572 00:34:23,139 --> 00:34:29,710 By contrast and no need to leave 573 00:34:27,070 --> 00:34:32,679 only really equals all image up 574 00:34:29,710 --> 00:34:36,700 it turned out and there will not be such business here 575 00:34:32,679 --> 00:34:38,919 Tobu dark areas only lazy 576 00:34:36,700 --> 00:34:41,919 brush separately move by 577 00:34:38,919 --> 00:34:46,480 the image is actually filmed 578 00:34:41,919 --> 00:34:51,270 I literally know even now how much 579 00:34:46,480 --> 00:34:54,690 how much does it take prada and everything looks 580 00:34:51,270 --> 00:34:59,950 so so so so 581 00:34:54,690 --> 00:35:01,990 spotted fewer minutes but mass 582 00:34:59,950 --> 00:35:06,430 splash beautiful contrast everywhere you 583 00:35:01,990 --> 00:35:08,940 can reduce where necessary and if 584 00:35:06,430 --> 00:35:12,220 automatically ways when you can 585 00:35:08,940 --> 00:35:17,050 remove the wall and exposure given 586 00:35:12,220 --> 00:35:20,859 I can say about what is better with pens 587 00:35:17,050 --> 00:35:22,720 for a moment, lucky mouse yes nifiga 588 00:35:20,859 --> 00:35:23,650 will be better than in automatic mode 589 00:35:22,720 --> 00:35:28,210 all the same 590 00:35:23,650 --> 00:35:29,520 automation it works well on to 591 00:35:28,210 --> 00:35:33,700 Unfortunately not always 592 00:35:29,520 --> 00:35:37,089 no wonder here all the scientific work was appreciated 593 00:35:33,700 --> 00:35:40,069 we have higher 594 00:35:37,089 --> 00:35:43,279 move on, watch with us here 595 00:35:40,069 --> 00:35:46,730 it is properly broken 596 00:35:43,279 --> 00:35:49,119 brighter fantini also as it is in life we 597 00:35:46,730 --> 00:35:52,910 see minutes about the same picture 598 00:35:49,119 --> 00:35:58,910 As for the dress, we will see for a long time that 599 00:35:52,910 --> 00:36:01,819 we were suddenly wearing a dress why 600 00:35:58,910 --> 00:36:03,460 our color changes brighter became the law on 601 00:36:01,819 --> 00:36:07,730 for water billet flows from 602 00:36:03,460 --> 00:36:13,270 previous source I increased it 603 00:36:07,730 --> 00:36:25,160 very simple here is our picture 604 00:36:13,270 --> 00:36:29,990 further i create so will delete giving now 605 00:36:25,160 --> 00:36:34,420 grease that's such an elongated dress 606 00:36:29,990 --> 00:36:39,740 I stretch all the images I stretch 607 00:36:34,420 --> 00:36:43,539 mask created this mask this pulled 608 00:36:39,740 --> 00:36:49,990 baggage is adjusted only on 609 00:36:43,539 --> 00:36:49,990 further merged both layers into one and 610 00:36:50,349 --> 00:36:56,589 trite die all remaining object 611 00:36:58,990 --> 00:37:06,440 Well, I do not understand Bruno thorns something like 612 00:37:04,160 --> 00:37:08,559 pull out basically so that stamped 613 00:37:06,440 --> 00:37:13,910 the port 614 00:37:08,559 --> 00:37:16,369 little fingers and institute dress at the ready 615 00:37:13,910 --> 00:37:19,819 form start a more adequate option from 616 00:37:16,369 --> 00:37:23,390 I haven't read my work right now 617 00:37:19,819 --> 00:37:25,720 the bend is not quite right could be here 618 00:37:23,390 --> 00:37:25,720 garry's mod 619 00:37:25,779 --> 00:37:31,569 Shevchik naturally repeat that everyone 620 00:37:29,210 --> 00:37:35,210 decides for himself 621 00:37:31,569 --> 00:37:36,980 off-screen tinkering 622 00:37:35,210 --> 00:37:40,000 obey really clean up these 623 00:37:36,980 --> 00:37:40,000 shovchiki all 624 00:37:40,300 --> 00:37:47,060 nail polish replace that is not 625 00:37:44,320 --> 00:37:51,160 limits and brakes I have at all in this 626 00:37:47,060 --> 00:37:56,360 plan here la quinta inn am whether the dam 627 00:37:51,160 --> 00:38:01,030 bam image seems very yellow and 628 00:37:56,360 --> 00:38:11,930 really not to not used to it yet 629 00:38:01,030 --> 00:38:13,070 moving with you further here there is still 630 00:38:11,930 --> 00:38:15,700 one example 631 00:38:13,070 --> 00:38:18,440 all under mathematics and i think that 632 00:38:15,700 --> 00:38:25,490 some topic needs to be well disassembled 633 00:38:18,440 --> 00:38:28,610 only then can it be taken apart in full 634 00:38:25,490 --> 00:38:33,080 option in many images because 635 00:38:28,610 --> 00:38:36,860 what really versatile show 636 00:38:33,080 --> 00:38:38,810 that in many images really 637 00:38:36,860 --> 00:38:41,330 they work so there is no way shown 638 00:38:38,810 --> 00:38:45,320 one shot yes you got it all is not 639 00:38:41,330 --> 00:38:48,290 get things different so you can 640 00:38:45,320 --> 00:38:52,540 plastically adjust to your shots 641 00:38:48,290 --> 00:38:57,230 which will also make the forest so 642 00:38:52,540 --> 00:39:04,040 look let's the same happened 643 00:38:57,230 --> 00:39:07,900 all visions again say the first layer then 644 00:39:04,040 --> 00:39:11,060 same effect by all 645 00:39:07,900 --> 00:39:13,370 tick blue filter 646 00:39:11,060 --> 00:39:17,690 right and run on respecting bright hundred 647 00:39:13,370 --> 00:39:22,450 percent all the same then for the living 648 00:39:17,690 --> 00:39:28,280 up to beige beige and case 649 00:39:22,450 --> 00:39:30,410 further you see the same thing here 650 00:39:28,280 --> 00:39:34,040 tried a red filter worth 651 00:39:30,410 --> 00:39:35,690 use this goal to show if you 652 00:39:34,040 --> 00:39:36,760 suddenly still use red 653 00:39:35,690 --> 00:39:40,790 filter 654 00:39:36,760 --> 00:39:43,010 hope that you have this 655 00:39:40,790 --> 00:39:44,310 see how bright the distance will be 656 00:39:43,010 --> 00:39:46,860 to face 657 00:39:44,310 --> 00:39:49,500 yes you will inevitably disappear volume 658 00:39:46,860 --> 00:39:52,980 revive that face is brighter nicer but 659 00:39:49,500 --> 00:39:56,010 contrast volume falls for this 660 00:39:52,980 --> 00:39:58,740 to somehow neutralize the effect 661 00:39:56,010 --> 00:40:00,660 create any as current layer for whom 662 00:39:58,740 --> 00:40:01,880 and created yes you are nothing to 663 00:40:00,660 --> 00:40:05,490 utility 664 00:40:01,880 --> 00:40:07,410 but the layer data we translate 665 00:40:05,490 --> 00:40:10,380 offer conversations with a little 666 00:40:07,410 --> 00:40:13,820 the transparency of it so we have a contrast 667 00:40:10,380 --> 00:40:19,100 appeared on a little transparency 668 00:40:13,820 --> 00:40:22,080 then the volume loss of the previous layer 669 00:40:19,100 --> 00:40:27,810 principle returns this ratio to 670 00:40:22,080 --> 00:40:32,750 On one we treat it was always crippled 671 00:40:27,810 --> 00:40:35,130 of these principles of us photoshop we could 672 00:40:32,750 --> 00:40:37,020 show contrast not only so 673 00:40:35,130 --> 00:40:40,830 way you could be banal and bend 674 00:40:37,020 --> 00:40:43,530 bit of Crimea we will maybe you still 675 00:40:40,830 --> 00:40:47,180 some way box and controls far 676 00:40:43,530 --> 00:40:47,180 chinook is just one example 677 00:40:47,870 --> 00:40:55,250 the main goal was to show into action 678 00:40:51,800 --> 00:41:06,420 red red filter 679 00:40:55,250 --> 00:41:08,130 how much 9 lesson I finally decided 680 00:41:06,420 --> 00:41:10,440 tell you a little about the sample 681 00:41:08,130 --> 00:41:12,660 never hid the trail with color 682 00:41:10,440 --> 00:41:19,800 dislike this tool mind that 683 00:41:12,660 --> 00:41:21,630 that we are interested in changing colors but together 684 00:41:19,800 --> 00:41:24,120 with color change 685 00:41:21,630 --> 00:41:27,390 antero is the image quality for a long time 686 00:41:24,120 --> 00:41:31,740 erased contrast volume appear 687 00:41:27,390 --> 00:41:34,710 various facts of divorce and from on viola 688 00:41:31,740 --> 00:41:36,130 and the volume can be listed endlessly with 689 00:41:34,710 --> 00:41:38,920 all the advantages we 690 00:41:36,130 --> 00:41:39,520 minus we get too many times 691 00:41:38,920 --> 00:41:42,910 picture 692 00:41:39,520 --> 00:41:48,520 calm and only you publish there 693 00:41:42,910 --> 00:41:53,830 instagram for printing on you all 694 00:41:48,520 --> 00:41:56,020 photo pages should be the same 695 00:41:53,830 --> 00:41:58,630 from leading card until when you 696 00:41:56,020 --> 00:42:01,360 handle tools accordingly 697 00:41:58,630 --> 00:42:05,530 it is logical to choose those that save 698 00:42:01,360 --> 00:42:09,580 maximum picture quality therefore us 699 00:42:05,530 --> 00:42:11,970 not such a big choice all those 700 00:42:09,580 --> 00:42:16,090 tools that work on the basis of 701 00:42:11,970 --> 00:42:22,180 collections by channel mixer and not 702 00:42:16,090 --> 00:42:25,390 channel and then but sometimes you feel like it 703 00:42:22,180 --> 00:42:28,380 pamper with this tool before 704 00:42:25,390 --> 00:42:32,440 time period even I'm here for the plaza 705 00:42:28,380 --> 00:42:34,830 here i am in and nalini pro damn 706 00:42:32,440 --> 00:42:37,810 extra green tint for me 707 00:42:34,830 --> 00:42:40,300 we said this to you repeatedly 708 00:42:37,810 --> 00:42:43,450 that here this green theme he will not 709 00:42:40,300 --> 00:42:46,030 because the camera is so fix it 710 00:42:43,450 --> 00:42:48,040 not to avoid it not to be avoided even if 711 00:42:46,030 --> 00:42:50,890 you will have a gray card there and yes 712 00:42:48,040 --> 00:42:55,060 further camera itself something to a small extent 713 00:42:50,890 --> 00:42:56,650 but will give you this green shade 714 00:42:55,060 --> 00:42:57,370 write whole books because its 715 00:42:56,650 --> 00:43:01,150 neutralize 716 00:42:57,370 --> 00:43:08,500 so here it is just in the segment with 717 00:43:01,150 --> 00:43:11,620 green i am just 718 00:43:08,500 --> 00:43:15,450 diversified colors of cherry and and too much here 719 00:43:11,620 --> 00:43:15,450 it's too much potion 720 00:43:18,180 --> 00:43:22,180 from the green so the window 721 00:43:20,200 --> 00:43:28,030 yellow green given this is too much 722 00:43:22,180 --> 00:43:30,850 yellowish what a lot of reddies come on 723 00:43:28,030 --> 00:43:34,510 shades even somehow neutralize though 724 00:43:30,850 --> 00:43:38,580 black does not recommend using but 725 00:43:34,510 --> 00:43:38,580 sometimes even arms go there 726 00:43:39,150 --> 00:43:45,130 I try not to walk in other colors 727 00:43:42,880 --> 00:43:48,099 Like because then there was no luck 728 00:43:45,130 --> 00:43:48,550 I didn’t really lose much 729 00:43:48,099 --> 00:43:50,530 and 730 00:43:48,550 --> 00:43:53,160 superfluous parasitic topic really 731 00:43:50,530 --> 00:43:56,859 gone hi not image 732 00:43:53,160 --> 00:44:01,080 but I will not disclose them anyway 733 00:43:56,859 --> 00:44:06,310 I will not walk on the next flowers either 734 00:44:01,080 --> 00:44:08,440 such a small remark about 735 00:44:06,310 --> 00:44:12,130 correction of green tint to which 736 00:44:08,440 --> 00:44:15,700 we meet constantly what if 737 00:44:12,130 --> 00:44:18,250 screen is too green then 738 00:44:15,700 --> 00:44:21,849 the longer we look at it 739 00:44:18,250 --> 00:44:23,640 less green will seem the thing is 740 00:44:21,849 --> 00:44:26,890 that we focus our eyes 741 00:44:23,640 --> 00:44:30,880 exclusively on the monitor especially but 742 00:44:26,890 --> 00:44:32,859 but where is the image all square 743 00:44:30,880 --> 00:44:34,500 which you takes up our schedule and 744 00:44:32,859 --> 00:44:37,599 viewers mechanism 745 00:44:34,500 --> 00:44:39,609 imperceptibly adapt to reduce 746 00:44:37,599 --> 00:44:41,980 its sensitivity is green and here 747 00:44:39,609 --> 00:44:45,339 there is just a few seconds 748 00:44:41,980 --> 00:44:50,609 less than a minute on sonika and normal 749 00:44:45,339 --> 00:44:50,609 image but it is worth moving away a little 750 00:44:51,810 --> 00:44:57,430 or reduce to see image 751 00:44:55,060 --> 00:45:00,190 on it in the context of the surrounding colors 752 00:44:57,430 --> 00:45:02,380 the distance is just me you constantly 753 00:45:00,190 --> 00:45:04,660 I reduce it is not necessary to reduce and looking 754 00:45:02,380 --> 00:45:07,180 in the context of this gray have this fund 755 00:45:04,660 --> 00:45:08,250 as we immediately see him again unnecessarily 756 00:45:07,180 --> 00:45:10,690 green tint 757 00:45:08,250 --> 00:45:12,880 for sure you have seen which artists in 758 00:45:10,690 --> 00:45:14,820 The creative process is constantly moving away from 759 00:45:12,880 --> 00:45:18,210 canvas 760 00:45:14,820 --> 00:45:21,890 that helps a lot of tasks including 761 00:45:18,210 --> 00:45:21,890 push more accurately assess the color 762 00:45:23,270 --> 00:45:29,160 move away from it or just reduce 763 00:45:25,890 --> 00:45:31,640 picture look on a gray background us 764 00:45:29,160 --> 00:45:36,650 eyes proton adapt 765 00:45:31,640 --> 00:45:48,360 fantastic fast no such 766 00:45:36,650 --> 00:45:52,770 photos forget the image all already 767 00:45:48,360 --> 00:45:56,430 done but having rested, I realized that no 768 00:45:52,770 --> 00:45:57,290 need to work and always have 769 00:45:56,430 --> 00:46:02,700 this is due to 770 00:45:57,290 --> 00:46:03,650 further one more layer of mating is pleasant 771 00:46:02,700 --> 00:46:09,290 colors 772 00:46:03,650 --> 00:46:11,790 I will show you how I can play 773 00:46:09,290 --> 00:46:17,870 achieve color dynamics i am always behind 774 00:46:11,790 --> 00:46:23,850 the dynamics of an interesting recall of the members 775 00:46:17,870 --> 00:46:28,560 talked about the fact that we are so interesting 776 00:46:23,850 --> 00:46:32,850 colors are more versatile and by 777 00:46:28,560 --> 00:46:38,670 selective color corrections i am green 778 00:46:32,850 --> 00:46:41,100 I am in favor of moreover masochka 779 00:46:38,670 --> 00:46:47,220 this is quite blurry 780 00:46:41,100 --> 00:46:49,790 so it was all over this way i 781 00:46:47,220 --> 00:46:52,740 I try all the same not exclusively 782 00:46:49,790 --> 00:46:58,320 wear this on the image given in this 783 00:46:52,740 --> 00:47:02,570 our color is completely turkey i try 784 00:46:58,320 --> 00:47:02,570 using the density slider on 785 00:47:03,290 --> 00:47:10,560 valid I will choose to make a profit 786 00:47:07,770 --> 00:47:14,130 see this little shade 787 00:47:10,560 --> 00:47:16,020 even on the black areas that we 788 00:47:14,130 --> 00:47:22,390 strange tagansky too begin 789 00:47:16,020 --> 00:47:24,309 act what skin 790 00:47:22,390 --> 00:47:26,680 told that team not only 791 00:47:24,309 --> 00:47:29,349 the face itself so that we don't have a mask 792 00:47:26,680 --> 00:47:31,180 I will when we are new copper 793 00:47:29,349 --> 00:47:33,519 blanks for the face a little bit 794 00:47:31,180 --> 00:47:35,470 distribute to all images for 795 00:47:33,519 --> 00:47:38,559 that the picture doesn’t look like 796 00:47:35,470 --> 00:47:41,880 there glued up the face and did not seem a client 797 00:47:38,559 --> 00:47:44,859 very well adapted to the background 798 00:47:41,880 --> 00:47:46,630 there was no dissonance therefore these 799 00:47:44,859 --> 00:47:49,559 orange shades they don't really 800 00:47:46,630 --> 00:47:51,069 only owning with these specks they 801 00:47:49,559 --> 00:47:54,869 spread all over because 802 00:47:51,069 --> 00:47:54,869 armament on to a small degree and 803 00:47:56,250 --> 00:48:03,670 last layer he's so more creative 804 00:48:00,549 --> 00:48:06,359 here you can argue up to how he 805 00:48:03,670 --> 00:48:10,809 end here we are and the creative impulse was 806 00:48:06,359 --> 00:48:17,130 such that I hit use the same 807 00:48:10,809 --> 00:48:17,130 way as a smart mind offense namely 808 00:48:17,760 --> 00:48:27,809 I'm on windows shift and alt 809 00:48:24,010 --> 00:48:29,109 circuit e when it is going to all the layers in 810 00:48:27,809 --> 00:48:32,369 one 811 00:48:29,109 --> 00:48:35,170 but by the way yes we can observe 812 00:48:32,369 --> 00:48:38,349 what are we going to do we are with him 813 00:48:35,170 --> 00:48:40,779 in the channel tab and select one of 814 00:48:38,349 --> 00:48:45,039 channels will change it to your pro 815 00:48:40,779 --> 00:48:47,589 teams outwardly who is there in 816 00:48:45,039 --> 00:48:51,339 red green blue yes everything is simple if 817 00:48:47,589 --> 00:48:53,650 you want to work there in the background 818 00:48:51,339 --> 00:48:56,380 worth seeing yes to think in which 819 00:48:53,650 --> 00:48:58,660 the channel is hidden these shades I think here 820 00:48:56,380 --> 00:49:01,569 do not need to have special knowledge 821 00:48:58,660 --> 00:49:03,490 to understand what is above all shades 822 00:49:01,569 --> 00:49:07,869 us an interesting channel so this 823 00:49:03,490 --> 00:49:10,750 green channel eyes we are all active 824 00:49:07,869 --> 00:49:20,130 but blue is lit and chose green 825 00:49:10,750 --> 00:49:20,130 little canal we go to the image tab 826 00:49:21,599 --> 00:49:32,450 any 827 00:49:24,299 --> 00:49:41,530 and and all languages ​​for example due to the position 828 00:49:32,450 --> 00:49:46,070 offer external channel is green and 829 00:49:41,530 --> 00:49:48,349 here in the tab external channel is not fucking 830 00:49:46,070 --> 00:49:55,000 he can use 100 patients 831 00:49:48,349 --> 00:50:00,530 different options you can mix 832 00:49:55,000 --> 00:50:04,820 radio channel let's blue bodies like 833 00:50:00,530 --> 00:50:07,070 the rule is shown before and after lengthened 834 00:50:04,820 --> 00:50:09,109 the image ends are interesting 835 00:50:07,070 --> 00:50:15,829 such shades percentage 836 00:50:09,109 --> 00:50:18,560 can adjust the effect further 837 00:50:15,829 --> 00:50:22,510 create a mask for this layer 838 00:50:18,560 --> 00:50:25,240 creative we can neutralize 839 00:50:22,510 --> 00:50:28,220 the effect on those areas where we 840 00:50:25,240 --> 00:50:30,079 perfect not to chew casting stripes 841 00:50:28,220 --> 00:50:33,200 black brush spend them not hk 842 00:50:30,079 --> 00:50:47,390 seems odd green will hold 843 00:50:33,200 --> 00:50:52,720 not one hundred percent so og then plots i 844 00:50:47,390 --> 00:51:03,440 I can effect even more forever colors 845 00:50:52,720 --> 00:51:07,030 absolutely no way we get 846 00:51:03,440 --> 00:51:10,400 various such creative images 847 00:51:07,030 --> 00:51:14,240 one of you will be installed 848 00:51:10,400 --> 00:51:20,829 a lot before i went so far someone 849 00:51:14,240 --> 00:51:22,910 even further but the essence remains the same 850 00:51:20,829 --> 00:51:24,910 use channel mixing to 851 00:51:22,910 --> 00:51:27,589 order to lead the image to that 852 00:51:24,910 --> 00:51:33,020 what we originally had when we 853 00:51:27,589 --> 00:51:37,400 saw him in reality the essence of this from 854 00:51:33,020 --> 00:51:40,460 we will cut the element to taste 855 00:51:37,400 --> 00:51:41,380 and the last from ector masters 856 00:51:40,460 --> 00:51:49,930 conjugation 857 00:51:41,380 --> 00:51:49,930 the lessons are also very dark face 858 00:51:53,260 --> 00:52:04,100 life here before and after always include before 859 00:52:01,460 --> 00:52:06,410 brain we do not have time to adapt gray 860 00:52:04,100 --> 00:52:08,660 due to the fact that we compare with the wrong 861 00:52:06,410 --> 00:52:15,220 figuratively believing that she is 862 00:52:08,660 --> 00:52:20,600 as if our source is correct 863 00:52:15,220 --> 00:52:23,690 statements because of this we are constantly we 864 00:52:20,600 --> 00:52:28,000 constantly get off the table to them every thread 865 00:52:23,690 --> 00:52:32,840 so brightened though we had before 866 00:52:28,000 --> 00:52:35,690 The last option here is very much in the way 867 00:52:32,840 --> 00:52:38,120 set consciousness tick 868 00:52:35,690 --> 00:52:41,470 that compare with the real option 869 00:52:38,120 --> 00:52:48,890 carried costs down and source so 870 00:52:41,470 --> 00:52:53,000 watch the first one all the same mixing 871 00:52:48,890 --> 00:52:59,000 channels monotonous blue filter all 872 00:52:53,000 --> 00:53:01,340 darkened except face and fire further also 873 00:52:59,000 --> 00:53:04,070 channel mixers filter 874 00:53:01,340 --> 00:53:09,320 red you can make orange then 875 00:53:04,070 --> 00:53:17,090 will be less face lighten up to Damascus 876 00:53:09,320 --> 00:53:24,440 on the contrary, an additional correction to the Crimea 877 00:53:17,090 --> 00:53:26,900 on face there is such a simple way 878 00:53:24,440 --> 00:53:30,080 when you all curves raise a little bit 879 00:53:26,900 --> 00:53:33,250 top for example for withdrawal becomes already 880 00:53:30,080 --> 00:53:33,250 automatically better 881 00:53:35,510 --> 00:53:40,190 and the last word and we have it too 882 00:53:38,390 --> 00:53:43,040 use yes it's because we have 883 00:53:40,190 --> 00:53:45,920 our system came this when we 884 00:53:43,040 --> 00:53:48,920 select blue filter blend mode 885 00:53:45,920 --> 00:53:51,400 soft light a little transparency for 886 00:53:48,920 --> 00:53:53,930 neutralize the shade remember to the south 887 00:53:51,400 --> 00:53:57,320 when us all the leaves merge what 888 00:53:53,930 --> 00:54:00,710 understandably lit this use 889 00:53:57,320 --> 00:54:04,400 here I tried it as 890 00:54:00,710 --> 00:54:06,040 Vignettes to further focus 891 00:54:04,400 --> 00:54:12,140 viewer at 892 00:54:06,040 --> 00:54:13,670 girls still itch create hands 893 00:54:12,140 --> 00:54:16,340 one more 894 00:54:13,670 --> 00:54:26,150 arran sl funny channels and all the same yes 895 00:54:16,340 --> 00:54:31,070 I chose red or so does not want u 896 00:54:26,150 --> 00:54:34,210 make me like that overlay mode 897 00:54:31,070 --> 00:54:34,210 brightness and 898 00:54:35,180 --> 00:54:44,290 on face to make a black mask yet 899 00:54:39,050 --> 00:54:44,290 such dark areas are still light 900 00:54:52,240 --> 00:55:00,280 what do we get baths get used to 901 00:54:56,960 --> 00:55:03,170 the image here is simple 902 00:55:00,280 --> 00:55:08,420 superfluous everything everyone takes action then 903 00:55:03,170 --> 00:55:12,160 lightening with hairs flare you 904 00:55:08,420 --> 00:55:17,750 You can copy everything and make more 905 00:55:12,160 --> 00:55:18,590 correction of all distortions let's remove 906 00:55:17,750 --> 00:55:25,690 whole effect 907 00:55:18,590 --> 00:55:28,780 don't stand here a star mean you can 908 00:55:25,690 --> 00:55:31,460 different transparency choose to watch 909 00:55:28,780 --> 00:55:32,000 or just everything that you have collected such 910 00:55:31,460 --> 00:55:34,580 tablet 911 00:55:32,000 --> 00:55:38,770 feast photoshop all you can do 912 00:55:34,580 --> 00:55:43,300 take and reduce transparency reduce 913 00:55:38,770 --> 00:55:43,300 effect in general and right there 914 00:55:44,960 --> 00:55:53,910 so finished images but such 915 00:55:49,620 --> 00:55:56,790 masks I showed all the bars further and 916 00:55:53,910 --> 00:55:58,800 just can guess already separately 917 00:55:56,790 --> 00:56:04,100 there inside this thorn to deduce separately 918 00:55:58,800 --> 00:56:07,530 all colors as long as you have tolerated 919 00:56:04,100 --> 00:56:11,090 I hope this simple mechanism of three 920 00:56:07,530 --> 00:56:13,860 you already have layers 921 00:56:11,090 --> 00:56:18,000 carpenter work with him at least 922 00:56:13,860 --> 00:56:21,390 better or corrected shots with green 923 00:56:18,000 --> 00:56:23,730 background up forest in the garden before or 924 00:56:21,390 --> 00:56:27,570 you put yellow then greenish 925 00:56:23,730 --> 00:56:30,590 shades even that shooting rooms for now 926 00:56:27,570 --> 00:56:34,860 easier way I have not found 927 00:56:30,590 --> 00:56:37,290 creative success to you thanks for 928 00:56:34,860 --> 00:56:38,940 patience conclusion just know what 929 00:56:37,290 --> 00:56:42,960 I want to say that do not worry if 930 00:56:38,940 --> 00:56:45,990 some moment you mess up believe 931 00:56:42,960 --> 00:56:48,720 this is normal as you need 932 00:56:45,990 --> 00:56:50,600 time to translate new information is easy 933 00:56:48,720 --> 00:56:54,300 just listen to what you already know 934 00:56:50,600 --> 00:56:57,510 but your goal was to get your goal 935 00:56:54,300 --> 00:57:01,080 get a dose of new useful things 936 00:56:57,510 --> 00:57:02,070 knowledge therefore initially always be 937 00:57:01,080 --> 00:57:04,350 ready for difficulties 938 00:57:02,070 --> 00:57:09,540 but remember that there will be three ideas behind them 939 00:57:04,350 --> 00:57:12,390 new victories for 10 and victory dinner soon 940 00:57:09,540 --> 00:57:15,020 will make themselves known creative success and 941 00:57:12,390 --> 00:57:15,020 see you 68099

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