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Would you like to inspect the original subtitles? These are the user uploaded subtitles that are being translated: 1 00:00:08,967 --> 00:00:11,133 - HEY, YOU KNOW WHAT I LOVE ABOUT THESE LOOXCIE CAMERAS? 2 00:00:11,133 --> 00:00:12,367 - WHAT? 3 00:00:12,367 --> 00:00:13,900 - THEY'RE A GREAT WAY TO LOOK UP YOUR NOSTRIL. 4 00:00:13,900 --> 00:00:15,000 I COULD CHECK YOUR NOSTRIL. 5 00:00:15,000 --> 00:00:16,400 - STOP IT, I'M DRIVING! - YABADEE! 6 00:00:16,400 --> 00:00:17,767 - STOP IT. YOU HAVE A REAL TALENT 7 00:00:17,767 --> 00:00:19,300 FOR ANNOYING PEOPLE, YOU KNOW THAT? 8 00:00:19,300 --> 00:00:20,700 - OR YOU KNOW WHAT? 9 00:00:20,700 --> 00:00:22,700 IF YOU'RE WITH A SEXUALLY ADVENTUROUS YOUNG LADY... 10 00:00:22,700 --> 00:00:23,967 - UGH, I KNEW YOU WERE GONNA SAY THAT. 11 00:00:23,967 --> 00:00:25,133 - DID YOU? - YEAH. 12 00:00:25,133 --> 00:00:26,500 'CAUSE YOU'RE NOT JUST DISGUSTING, 13 00:00:26,500 --> 00:00:27,500 YOU'RE ALSO PREDICTABLE. 14 00:00:27,500 --> 00:00:30,300 - I'M PREDICTA-BILLY. 15 00:00:30,300 --> 00:00:33,633 - DOES THIS GUY LOOK LIKE HE'S DRIVING DRUNK? 16 00:00:33,633 --> 00:00:34,967 - WHO CARES? 17 00:00:34,967 --> 00:00:36,800 IT'S NOT REALLY A UTF ISSUE, IS IT? 18 00:00:36,800 --> 00:00:38,133 - IT'S A SAFETY ISSUE, BILLY. 19 00:00:38,133 --> 00:00:40,000 - YEAH, I AGREE WITH THAT. - THANKS, JAMIE. 20 00:00:40,000 --> 00:00:42,233 - OH, SO I JUST GOT OUTVOTED BY CAPTAIN EARMUFFS 21 00:00:42,233 --> 00:00:43,633 AND STUBY-DO OVER HERE. 22 00:00:43,633 --> 00:00:46,367 - OKAY, THESE ARE VITAL TO MY JOB, ALL RIGHT? 23 00:00:46,367 --> 00:00:47,600 - LET'S LIGHT 'EM UP. 24 00:00:47,600 --> 00:00:50,533 - LIGHT 'EM UP. [sirens wail] 25 00:00:50,533 --> 00:00:53,167 BOOP, BOOP. THAT'S THE SOUND OF DA POLICE. 26 00:00:53,167 --> 00:00:55,900 BEEP, BEEP. THAT'S THE SOUND OF DA BEAST. 27 00:01:03,933 --> 00:01:06,900 - [sighs] 28 00:01:09,400 --> 00:01:13,067 ALL RIGHT. 29 00:01:13,067 --> 00:01:15,933 - LICENSE AND REGISTRATION. - MM, MM. 30 00:01:15,933 --> 00:01:18,733 LOOKS LIKE WE GOT A CLASSIC F.S.B.J. HERE, BOYS. 31 00:01:18,733 --> 00:01:21,267 - WHAT DOES THAT EVEN MEAN? 32 00:01:21,267 --> 00:01:24,433 - YOU KNOW, CLASSIC FRONT SEAT B.J. 33 00:01:24,433 --> 00:01:27,633 - MY EARS AREN'T GARBAGE CANS, BILLY. 34 00:01:27,633 --> 00:01:29,067 YOU WERE DRIVING ERRATICALLY, SIR. 35 00:01:29,067 --> 00:01:31,233 STEP OUT OF THE CAR. 36 00:01:38,300 --> 00:01:40,733 HOLD YOUR ARMS OUT TO YOUR SIDES. 37 00:01:40,733 --> 00:01:43,700 TOUCH YOUR FINGER TO YOUR NOSE. 38 00:01:43,700 --> 00:01:46,300 - HANG ON, IS THAT BLOOD ON YOUR ARM, BUDDY? 39 00:01:46,300 --> 00:01:51,067 BECAUSE IT SURE AS HELL ISN'T LIPSTICK. 40 00:01:51,067 --> 00:01:52,633 OH, HO, HO, HO! 41 00:01:52,633 --> 00:01:54,233 HE'S BEEN DRAINED. BLOOD FOR SEX! 42 00:01:54,233 --> 00:01:55,600 - THERE SHE GOES. - HEY, COME BACK HERE! 43 00:01:55,600 --> 00:01:57,133 - WHERE ARE YOU GOING, HORTENSIA? 44 00:01:57,133 --> 00:01:58,767 - COME ON. 45 00:01:58,767 --> 00:02:01,600 HOW IS SHE RUNNING SO FAST IN THOSE HEELS? 46 00:02:01,600 --> 00:02:03,067 - [laughs] 47 00:02:03,067 --> 00:02:04,733 HE CAN'T GET THE GIRL IN HEELS. 48 00:02:04,733 --> 00:02:06,333 - WHAT'D YOU-- I HEARD YOU SAY SOMETHING 49 00:02:06,333 --> 00:02:07,633 ABOUT ME! 50 00:02:07,633 --> 00:02:09,867 - YOU ALMOST GOT HER. KEEP GOING. 51 00:02:09,867 --> 00:02:11,433 [upbeat rock music] - ONE YEAR AGO... 52 00:02:11,433 --> 00:02:12,867 - VAMPIRES, WEREWOLVES, AND ZOMBIES... 53 00:02:12,867 --> 00:02:16,900 - DESCENDED UPON CALIFORNIA'S SAN FERNANDO VALLEY. 54 00:02:16,900 --> 00:02:21,667 AUTHORITIES REMAIN BAFFLED BY THEIR ORIGINS. 55 00:02:21,667 --> 00:02:23,533 - * ALL THIS NASTY BUSINESS GETS SO ROTTEN * 56 00:02:23,533 --> 00:02:25,267 * I THINK IT'S TIME TO PUT THIS PARTY * 57 00:02:25,267 --> 00:02:26,933 * IN THE GROUND * 58 00:02:26,933 --> 00:02:31,067 * OHH * 59 00:02:31,067 --> 00:02:32,400 * WE'RE LOSING ALL CONTROL * 60 00:02:32,400 --> 00:02:34,833 * THE BUILDINGS ALL TURN TO DUST * 61 00:02:34,833 --> 00:02:36,333 * AND I THINK IT'S GETTING CLOSER * 62 00:02:36,333 --> 00:02:38,833 * 'CAUSE THEY'RE COMING FOR US * * 63 00:02:38,833 --> 00:02:40,667 - OFFICERS, 64 00:02:40,667 --> 00:02:43,100 AS YOU MAY HAVE HEARD, THE BLOOD-FOR-SEX TRADE 65 00:02:43,100 --> 00:02:44,233 IS WORSE THAN EVER. 66 00:02:44,233 --> 00:02:45,733 OR BETTER THAN EVER, 67 00:02:45,733 --> 00:02:47,500 IF YOUR THING HAPPENS TO BE GIVING AWAY BLOOD 68 00:02:47,500 --> 00:02:49,633 TO GET YOUR NOB GOBBLED. 69 00:02:49,633 --> 00:02:52,833 IN OTHER NEWS, STUBECK AND PIERCE ALMOST MADE 70 00:02:52,833 --> 00:02:54,600 A KEY ARREST LAST NIGHT, BUT THEY GOT OUTRUN 71 00:02:54,600 --> 00:02:57,067 BY A CHUBBY HOOKER IN STILETTOS. 72 00:02:57,067 --> 00:02:58,133 [apathetic applause] 73 00:02:58,133 --> 00:03:00,433 - SHE WASN'T THAT CHUBBY, SIR. 74 00:03:00,433 --> 00:03:02,233 - SHE IS WHEN I'M TELLING THE STORY, MY FRIEND. 75 00:03:02,233 --> 00:03:03,400 - SHE WAS FAST. 76 00:03:03,400 --> 00:03:05,467 - IN LIGHT OF THESE DEVELOPMENTS, 77 00:03:05,467 --> 00:03:06,867 OFFICER RINALDI WILL FINALLY FULFILL 78 00:03:06,867 --> 00:03:10,633 A LONGTIME DREAM AND GO UNDERCOVER AS A VAMP HOOKER. 79 00:03:10,633 --> 00:03:11,933 - WHAT? - WHA--? 80 00:03:11,933 --> 00:03:14,400 I'VE--I'VE NEVER DREAMT OF POSING 81 00:03:14,400 --> 00:03:15,933 AS A PROSTITUTE, CAPTAIN. 82 00:03:15,933 --> 00:03:20,067 - I WASN'T TALKING ABOUT YOUR DREAM, RINALDI. 83 00:03:20,067 --> 00:03:21,233 ANY QUESTIONS? 84 00:03:21,233 --> 00:03:23,200 - YES, SO WHAT AM I SUPPOSED TO BE DOING 85 00:03:23,200 --> 00:03:24,400 WHILE SHE'S OUT BEING A HOOKER? 86 00:03:24,400 --> 00:03:26,067 - WATCH HER LIKE AN OSTRICH. 87 00:03:26,067 --> 00:03:27,967 - CAPTAIN, DON'T YOU MEAN LIKE A HAWK? 88 00:03:27,967 --> 00:03:31,167 - NO, I MEAN LIKE AN OSTRICH. 89 00:03:31,167 --> 00:03:33,400 THE 350-POUND SAVANNA BIRD 90 00:03:33,400 --> 00:03:36,400 WITH TWO LEGS THAT CAN CRUSH A HORSE IN A FOOTRACE, 91 00:03:36,400 --> 00:03:38,567 KICK A GROWN MAN TO DEATH, 92 00:03:38,567 --> 00:03:41,367 AND ANNIHILATE A HAWK IN A SEEING CONTEST. 93 00:03:41,367 --> 00:03:42,433 CAN I CONTINUE NOW? 94 00:03:42,433 --> 00:03:43,800 - YES, SIR. - GOOD. 95 00:03:43,800 --> 00:03:47,600 NOW LET'S GET OUT THERE AND KILL SOMETHING! 96 00:03:47,600 --> 00:03:49,233 [inaudible] 97 00:04:00,067 --> 00:04:05,600 - POSSIBLE ZOMBIE SIGHTING AT A CRACK DEN. 98 00:04:05,600 --> 00:04:06,900 HOW IS THIS A CRACK DEN? 99 00:04:06,900 --> 00:04:08,967 THIS ISN'T ANY KIND OF DEN. 100 00:04:08,967 --> 00:04:10,233 IT'S NOT EVEN INDOORS. 101 00:04:10,233 --> 00:04:12,433 - HA, CRACK. THAT SOUNDS SO '90s, MAN. 102 00:04:12,433 --> 00:04:14,067 - YEAH, WELL, UNFORTUNATELY, BILLY, 103 00:04:14,067 --> 00:04:16,400 ADDICTION NEVER GOES OUT OF STYLE. 104 00:04:16,400 --> 00:04:17,800 - [howls] 105 00:04:17,800 --> 00:04:19,333 - HOLD YOUR FIRE! HOLD YOUR FIRE! 106 00:04:19,333 --> 00:04:22,067 - WHOA! THAT WAS CLOSE. 107 00:04:22,067 --> 00:04:24,400 - SIT--THERE YOU GO. RIGHT THERE, BUDDY. 108 00:04:24,400 --> 00:04:26,067 SIT DOWN RIGHT THERE. THERE YOU GO. 109 00:04:26,067 --> 00:04:29,067 - SORRY, SIR, I THOUGHT YOU MIGHT HAVE BEEN A ZOMBIE. 110 00:04:29,067 --> 00:04:32,267 - NO, SIR, I'M JUST MAJORLY ADDICTED TO CRACK. 111 00:04:32,267 --> 00:04:34,167 - WELL, WE CAN SEE THAT. 112 00:04:34,167 --> 00:04:35,633 - LISTEN, LET ME ASK YOU SOMETHING. 113 00:04:35,633 --> 00:04:37,367 DID YOU SEE ANY ZOMBIES IN THERE? 114 00:04:37,367 --> 00:04:39,233 - NO, JUST A COUPLE OF MY BUDS, I THINK. 115 00:04:39,233 --> 00:04:40,800 BUT I'M PRETTY HIGH. 116 00:04:40,800 --> 00:04:42,767 HEY, I'M GONNA LET YOU TAKE THE LEAD ON THIS ONE. 117 00:04:42,767 --> 00:04:44,133 I DON'T DO DRUGS, SO HONESTLY, 118 00:04:44,133 --> 00:04:46,200 I CAN'T TELL A CRACKHEAD FROM A ZOMBIE TO SAVE MY LIFE. 119 00:04:46,200 --> 00:04:47,267 - I DON'T DO DRUGS. 120 00:04:47,267 --> 00:04:48,700 - YEAH, BUT I REALLY DON'T DO DRUGS. 121 00:04:48,700 --> 00:04:50,300 - IS IT OKAY IF I GO NOW? 122 00:04:50,300 --> 00:04:52,567 - NO, NO, NO, SIT DOWN RIGHT THERE. 123 00:04:52,567 --> 00:04:53,733 WE'RE GONNA CALL FOR BACKUP. 124 00:04:53,733 --> 00:04:54,967 THEY'LL TAKE YOU TO THE STATION 125 00:04:54,967 --> 00:04:55,967 AND GET YOU SOBERED UP. 126 00:04:55,967 --> 00:04:57,067 - JUST STAY TIGHT THERE, PAL. 127 00:04:57,067 --> 00:04:58,167 - YES, SIR. 128 00:04:58,167 --> 00:04:59,200 - HE'S A NICE CRACKHEAD. 129 00:04:59,200 --> 00:05:03,100 - WHY DON'T YOU MARRY HIM? 130 00:05:14,467 --> 00:05:17,100 - OFFICER RINALDI. 131 00:05:19,767 --> 00:05:21,400 YES, YES. 132 00:05:21,400 --> 00:05:25,500 ONE THING IS FOR SURE, YOU MAKE AN UNBELIEVABLE HOOKER. 133 00:05:25,500 --> 00:05:27,300 I MEAN YOU MAKE A BELIEVABLE HOOKER. 134 00:05:27,300 --> 00:05:29,067 THE POINT IS YOU LOOK FANTASTIC. 135 00:05:29,067 --> 00:05:31,067 YOU HAVE YOUR FANGS IN? YOUR FANGS? 136 00:05:31,067 --> 00:05:32,633 YOU WEARING YOUR-- EXCELLENT. 137 00:05:32,633 --> 00:05:34,067 NOW, HAVE YOU GIVEN ANY THOUGHT 138 00:05:34,067 --> 00:05:35,100 TO WHAT YOU'D BE WILLING TO DO 139 00:05:35,100 --> 00:05:37,367 AS A VAMPIRE SEXUALLY FOR BLOOD? 140 00:05:37,367 --> 00:05:38,600 - NO, BUT I'M GUESSING YOU HAVE. 141 00:05:38,600 --> 00:05:40,167 - I THINK IT'S IMPORTANT TO BE PREPARED. 142 00:05:40,167 --> 00:05:41,967 WE SHOULD ROLE-PLAY. 143 00:05:41,967 --> 00:05:43,167 I COME IN. I SAY, "HEY, BABY. 144 00:05:43,167 --> 00:05:44,800 "HOW ABOUT YOU GIVE DADDY A LONG, WET KISS, 145 00:05:44,800 --> 00:05:46,067 THEN WE MOVE ON TO A RUB AND TUG?" 146 00:05:46,067 --> 00:05:47,533 WHAT DO YOU SAY? 147 00:05:47,533 --> 00:05:48,800 - [laughs] 148 00:05:48,800 --> 00:05:51,267 YOU KNOW, THIS IS MAKING ME A LITTLE UNCOMFORTABLE. 149 00:05:51,267 --> 00:05:52,567 - GOOD ANSWER. 150 00:05:52,567 --> 00:05:54,767 I COME IN THIS TIME, I'M A FREAK, 151 00:05:54,767 --> 00:05:57,133 TALL, GOOD-LOOKING, I GOT A BRICK OF CASH. 152 00:05:57,133 --> 00:05:59,233 I THROW IT DOWN, I SAY, "HEY, HONEY, 153 00:05:59,233 --> 00:06:00,800 "HOW ABOUT A COSTA RICAN RAIN SHOWER? 154 00:06:00,800 --> 00:06:02,900 MAYBE A HONDURAN MUD BATH." 155 00:06:02,900 --> 00:06:06,067 - I'M GONNA GO NOW. - PERFECT. 156 00:06:06,067 --> 00:06:07,633 PERFECT. 157 00:06:07,633 --> 00:06:09,267 - JOHN-JOHN! - THAT'S RIGHT. 158 00:06:09,267 --> 00:06:13,433 DON'T BE AFRAID TO CALL FOR BACKUP. 159 00:06:13,433 --> 00:06:14,833 STEVENS! 160 00:06:14,833 --> 00:06:16,233 I NEED A ROPE. 161 00:06:16,233 --> 00:06:17,433 SOMEBODY GET ME A ROPE, 162 00:06:17,433 --> 00:06:19,967 A HEMP ROPE, AND SOME HOT WATER, PLEASE. 163 00:06:22,633 --> 00:06:24,900 [romantic music] 164 00:06:24,900 --> 00:06:26,767 - * YOU KNOW, BABY * 165 00:06:26,767 --> 00:06:28,533 * YOU AND I HAVE BEEN TOGETHER * 166 00:06:28,533 --> 00:06:30,967 * FOR A LONG TIME * * 167 00:06:30,967 --> 00:06:34,067 - NO, JUST SHUT UP AND GET IN THE CAR. 168 00:06:36,233 --> 00:06:37,567 [bleep]. 169 00:06:37,567 --> 00:06:39,800 UGH! I HATE THESE STUPID SHOES. 170 00:06:39,800 --> 00:06:41,833 CAN YOU OPEN THE DOOR, PLEASE? 171 00:06:41,833 --> 00:06:43,567 - [grunts] 172 00:06:48,633 --> 00:06:49,767 - [groans] 173 00:06:49,767 --> 00:06:50,933 - WHY YOU SO MAD? I THINK YOU-- 174 00:06:50,933 --> 00:06:52,500 - SHUT UP. SHUT UP. SHUT UP. JUST DRIVE. 175 00:06:52,500 --> 00:06:54,167 - OKAY. 176 00:06:54,167 --> 00:06:55,400 [engine turns over] 177 00:06:55,400 --> 00:06:56,833 - NOW, I KNOW YOU DON'T WANT TO HEAR THIS, 178 00:06:56,833 --> 00:06:58,533 BUT FINDING A 12-STEP MEETING AND A SPONSOR-- 179 00:06:58,533 --> 00:07:00,767 REALLY THE BEST FAVOR YOU CAN DO YOURSELF RIGHT NOW. 180 00:07:00,767 --> 00:07:01,900 - NOT ONLY THAT, IT'S A GREAT WAY 181 00:07:01,900 --> 00:07:03,200 TO MEET CHICKS WITH LOW SELF-ESTEEM. 182 00:07:03,200 --> 00:07:05,133 - COME ON, BILLY, NO. - ALL RIGHT? 183 00:07:05,133 --> 00:07:07,300 - THAT SHOULDN'T BE YOUR MOTIVATION TO GO. 184 00:07:07,300 --> 00:07:09,067 - LISTEN, OFFICER DAVIS HERE IS GONNA TAKE YOU 185 00:07:09,067 --> 00:07:10,633 DOWN TO THE STATION AND TAKE GOOD CARE OF YOU. 186 00:07:10,633 --> 00:07:11,767 RIGHT, OFFICER DAVIS? 187 00:07:11,767 --> 00:07:13,900 - YES, SIR. - OKAY, BRING ONE IN HERE. 188 00:07:13,900 --> 00:07:15,933 HOW DOES THAT FEEL? HUH? 189 00:07:15,933 --> 00:07:17,167 - THERE YOU GO. BEST OF LUCK. 190 00:07:17,167 --> 00:07:18,367 - THE NIGHT'S YOURS. OKAY. 191 00:07:18,367 --> 00:07:19,933 - SEE, YOU LIKE HIM BETTER THAN I DO NOW. 192 00:07:19,933 --> 00:07:21,300 - HE'S ALL RIGHT. - HE'S A NICE GUY. 193 00:07:21,300 --> 00:07:22,867 - WHOA! 194 00:07:22,867 --> 00:07:23,967 - ZOMBIE OR CRACKHEAD? 195 00:07:23,967 --> 00:07:25,400 ZOMBIE OR CRACKHEAD? 196 00:07:25,400 --> 00:07:27,800 - ZOMBIE. DEFINITELY ZOMBIE! 197 00:07:27,800 --> 00:07:30,133 [gunshot] 198 00:07:30,133 --> 00:07:31,967 - [snarls] 199 00:07:31,967 --> 00:07:33,467 - GET HIM OFF! GET HIM OFF! 200 00:07:33,467 --> 00:07:37,067 [dramatic music] 201 00:07:37,067 --> 00:07:38,433 - UGH! - OH! 202 00:07:38,433 --> 00:07:40,167 OH, HO. 203 00:07:40,167 --> 00:07:42,100 WHOA. 204 00:07:42,100 --> 00:07:43,700 ALL RIGHT. 205 00:07:43,700 --> 00:07:44,767 STAND BACK. 206 00:07:44,767 --> 00:07:46,167 - WHOA, WHOA, WHOA, HOLD YOUR FIRE. 207 00:07:46,167 --> 00:07:47,333 - WHY? 208 00:07:47,333 --> 00:07:49,467 HE'S BIT. HE'S A GONER. 209 00:07:49,467 --> 00:07:50,833 LISTEN, I'M GONNA TAKE THIS GUN, 210 00:07:50,833 --> 00:07:53,300 AND I'M GONNA SHOOT HIM IN HIS FACE. 211 00:07:53,300 --> 00:07:54,500 NO DISRESPECT, OFFICER DAVIS. 212 00:07:54,500 --> 00:07:55,933 - BILLY, COME HERE. - WHAT? 213 00:07:55,933 --> 00:07:58,067 - HE'S A COP, OKAY? 214 00:07:58,067 --> 00:07:59,167 GIVE HIM HIS DIGNITY. 215 00:07:59,167 --> 00:08:00,600 - DIGNITY? ARE YOU SERIOUS? 216 00:08:00,600 --> 00:08:02,267 IN TWO MINUTES, THE GUY'S GONNA BE CRAZIER 217 00:08:02,267 --> 00:08:04,067 THAN CHARLIE SHEEN. 218 00:08:04,067 --> 00:08:05,400 - THAT'S NOT FUNNY. - IT'S A LITTLE FUNNY. 219 00:08:05,400 --> 00:08:06,400 [footsteps hurry away] 220 00:08:06,400 --> 00:08:07,700 - COMEDY IS SUBJECTIVE, BILLY. 221 00:08:07,700 --> 00:08:09,067 MEANTIME, I'M GONNA TALK TO DAVIS 222 00:08:09,067 --> 00:08:10,400 AND SEE HOW HE WANTS TO HANDLE IT. 223 00:08:10,400 --> 00:08:12,400 - WHATEVER. 224 00:08:12,400 --> 00:08:13,733 WHERE'D HE GO? 225 00:08:13,733 --> 00:08:15,200 - HE JUST TOOK OFF LIKE A CRAZY PERSON. 226 00:08:15,200 --> 00:08:17,367 - OF COURSE HE DID. - OH, DAMN IT. 227 00:08:17,367 --> 00:08:20,467 - CAN I GO NOW? - NO! 228 00:08:23,467 --> 00:08:25,600 [driving rock music] 229 00:08:25,600 --> 00:08:27,067 - WHO YOU CALLING? - CAPTAIN DASHELL. 230 00:08:27,067 --> 00:08:28,667 I CAN'T JUST NOT TELL HIM WHAT HAPPENED. 231 00:08:28,667 --> 00:08:30,800 - WAIT, WAIT. WHAT IF WE FIND DAVIS? 232 00:08:30,800 --> 00:08:32,233 - WE WILL FIND DAVIS. 233 00:08:32,233 --> 00:08:33,700 BUT IN THE MEANTIME, I'M NOT AFRAID 234 00:08:33,700 --> 00:08:34,900 TO OWN UP TO MY MISTAKES. 235 00:08:34,900 --> 00:08:36,600 - HEY, I OWN UP TO MY MISTAKES. 236 00:08:36,600 --> 00:08:38,833 REMEMBER THAT TIME I PAINTED MY VOLKSWAGEN ORANGE AND WHITE 237 00:08:38,833 --> 00:08:40,200 AND PUT A BIG LONGHORN ON THE HOOD? 238 00:08:40,200 --> 00:08:41,600 - YEAH, YOU DIDN'T EVEN GO TO TEXAS. 239 00:08:41,600 --> 00:08:43,933 - I KNOW, MAN. THE THINGS I DO FOR CHICKS. 240 00:08:43,933 --> 00:08:45,700 TURNS OUT SHE WENT TO ARIZONA ANYWAY. 241 00:08:45,700 --> 00:08:47,533 - YEAH. - I'M AN IDIOT. 242 00:08:47,533 --> 00:08:49,433 [phone rings] - OOP, SPEAK OF THE DEVIL. 243 00:08:49,433 --> 00:08:52,067 CAPTAIN DASHELL, I WAS JUST ABOUT TO CALL YOU. 244 00:08:52,067 --> 00:08:54,333 LET ME JUST TELL YOU WHAT HAPPENED, 245 00:08:54,333 --> 00:08:55,767 'CAUSE YOU'RE NEVER GONNA GUE-- 246 00:08:55,767 --> 00:08:57,100 YEAH, DAVIS IS A ZOMBIE. 247 00:08:57,100 --> 00:08:59,267 YEAH, YOU KNEW. OKAY. 248 00:08:59,267 --> 00:09:00,867 WHAT? 249 00:09:00,867 --> 00:09:03,700 WAIT, EXCUSE ME. WHERE? 250 00:09:03,700 --> 00:09:04,967 ALL RIGHT. 251 00:09:04,967 --> 00:09:06,433 YEP, DON'T WORRY ABOUT IT, CAPTAIN. 252 00:09:06,433 --> 00:09:07,500 WE'RE ON IT. 253 00:09:07,500 --> 00:09:08,800 - WHAT'S THE WORD, BIG TURD? 254 00:09:08,800 --> 00:09:10,700 - DAVIS STILL HAS HIS LOOXCIE ON HIS EAR. 255 00:09:10,700 --> 00:09:12,067 - YOU'RE KIDDING. - MM-HMM. 256 00:09:12,067 --> 00:09:13,600 - SO HE'S TAPING EVERYTHING HE SEES. 257 00:09:13,600 --> 00:09:15,733 - DASHELL'S WATCHING THE LIVE FEED FROM HIS COMPUTER. 258 00:09:15,733 --> 00:09:17,067 - GAH. 259 00:09:17,067 --> 00:09:18,467 ARE THESE THINGS THE BALLS OR WHAT? 260 00:09:18,467 --> 00:09:20,767 - THEY ARE. THE TESTICLES. 261 00:09:20,767 --> 00:09:22,200 POINT IS, DAVIS HAS ALREADY TURNED. 262 00:09:22,200 --> 00:09:23,800 AT THIS SECOND, HE'S ATTACKING CUSTOMERS 263 00:09:23,800 --> 00:09:24,800 IN A BLOCKBUSTER VIDEO STORE. 264 00:09:24,800 --> 00:09:26,233 - THAT'S CRAZY. 265 00:09:26,233 --> 00:09:28,833 WHO GOES TO BLOCKBUSTER ANYMORE? 266 00:09:28,833 --> 00:09:29,833 - DON'T ASK ME. 267 00:09:29,833 --> 00:09:32,833 [upbeat rock music] 268 00:09:32,833 --> 00:09:40,833 * * 269 00:09:40,833 --> 00:09:43,333 - IS THERE REALLY A JOHN COMING? 270 00:09:43,333 --> 00:09:45,367 OR DID WE DO THIS WHOLE THING JUST TO SEE 271 00:09:45,367 --> 00:09:46,533 WHAT I LOOK LIKE HALF NAKED? 272 00:09:46,533 --> 00:09:48,700 - NO, HE'S COMING. HE'S COMING. 273 00:09:48,700 --> 00:09:51,200 BUT, UH, I DO LIKE THE VIEW, THOUGH. 274 00:09:51,200 --> 00:09:53,200 SO TELL ME. 275 00:09:53,200 --> 00:09:54,733 WHERE'D YOU GET THAT OUTFIT FROM, ANYWAY? 276 00:09:54,733 --> 00:09:56,500 - WHAT ARE YOU TALKING ABOUT? 277 00:09:56,500 --> 00:09:57,967 THIS IS WHAT I NORMALLY WEAR AT HOME. 278 00:09:57,967 --> 00:09:58,967 - BULL[...]. 279 00:09:58,967 --> 00:10:01,733 - DASHELL PICKED IT OUT FOR ME. 280 00:10:01,733 --> 00:10:03,533 GOD, YOU DO NOT WANNA SEE THE OTHER ONES. 281 00:10:03,533 --> 00:10:04,667 - UH, YES, I DO. 282 00:10:04,667 --> 00:10:07,133 MM, I BET HE-- OH, SHH, HE'S COMING. 283 00:10:10,067 --> 00:10:13,833 [tense music] 284 00:10:13,833 --> 00:10:16,333 [door creaks open] 285 00:10:16,333 --> 00:10:19,433 - HI. COME ON IN. 286 00:10:19,433 --> 00:10:21,600 - WHERE'S, UH, SOFIA? 287 00:10:21,600 --> 00:10:23,467 UH, USUALLY SHE JUST, UM, YOU KNOW, 288 00:10:23,467 --> 00:10:24,967 PAINTS MY NAKED BODY BLUE, 289 00:10:24,967 --> 00:10:26,200 CALLS ME THE GENIE. 290 00:10:26,200 --> 00:10:29,000 - DO YOU WANT ME TO PAINT YOUR BODY BLUE, 291 00:10:29,000 --> 00:10:30,500 CALL YOU A GENIE? 292 00:10:30,500 --> 00:10:32,300 - IF YOU WANT YOUR THREE WISHES. [giggles] 293 00:10:32,300 --> 00:10:33,533 - [laughs] 294 00:10:33,533 --> 00:10:35,733 WELL, HOW 'BOUT I JUST BANG 295 00:10:35,733 --> 00:10:37,033 THE LIVING CRAP OUT OF YOU? 296 00:10:37,033 --> 00:10:38,167 - [whispering] DAMN, CARLA. 297 00:10:38,167 --> 00:10:39,733 NO, IT'S COOL. 298 00:10:39,733 --> 00:10:41,500 SHE JUST GETTIN' HIM WORKED UP, YOU KNOW, 299 00:10:41,500 --> 00:10:42,500 SO HE CAN ASK FOR IT. 300 00:10:42,500 --> 00:10:44,367 - WHOA. 301 00:10:44,367 --> 00:10:45,600 YOUR HANDS ARE WARM. 302 00:10:45,600 --> 00:10:47,600 - THAT'S 'CAUSE I'M WITH YOU, BABY. 303 00:10:47,600 --> 00:10:51,267 - SHE'S GOOD, RIGHT? 304 00:10:51,267 --> 00:10:52,967 - UM, SO HOW MUCH IS THIS GONNA COST? 305 00:10:52,967 --> 00:10:55,700 'CAUSE I KNOW SOME GIRLS CHARGE TWO PINTS. 306 00:10:55,700 --> 00:10:58,300 BUT, UM, I HAVE TO, LIKE, RIDE MY BIKE TO WORK. 307 00:10:58,300 --> 00:11:00,767 - WELL... 308 00:11:00,767 --> 00:11:05,167 IF YOU FILL THIS UP FOR ME... 309 00:11:05,167 --> 00:11:06,733 I'LL LET YOU FILL THIS UP. 310 00:11:06,733 --> 00:11:10,100 - OH, THAT'S IT. I'M GOING IN. 311 00:11:10,100 --> 00:11:11,233 UTF! YOU'RE UNDER ARREST! 312 00:11:11,233 --> 00:11:12,667 - COME ON, MAN. JUST LEAVE HER ALONE. 313 00:11:12,667 --> 00:11:13,667 IT'S A RECESSION GOING ON. 314 00:11:13,667 --> 00:11:15,767 - NO, NOT HER, YOU JACKASS. - WHAT? 315 00:11:15,767 --> 00:11:16,800 - THIS IS YOUR THIRD TIME 316 00:11:16,800 --> 00:11:18,267 FOR SOLICITATION OF PROSTITUTION. 317 00:11:18,267 --> 00:11:19,733 GET YOUR ASS OVER HERE. 318 00:11:19,733 --> 00:11:21,400 - WHAT ABOUT THE FOUR-STRIKE RULE, FELLAS? 319 00:11:21,400 --> 00:11:22,733 - FELLAS? DOES SHE LOOK LIKE A FELLA? 320 00:11:22,733 --> 00:11:23,867 - JESUS, JOHN-JOHN, COME ON. 321 00:11:23,867 --> 00:11:25,067 YOU'RE GONNA HURT HIM. 322 00:11:25,067 --> 00:11:26,467 - [groaning] - SO WHAT? 323 00:11:26,467 --> 00:11:27,933 HE WAS GONNA HAVE SEX WITH YOU. 324 00:11:27,933 --> 00:11:29,567 - UM, NO, HE WASN'T. - YES, HE WAS. 325 00:11:29,567 --> 00:11:30,700 - NO, HE WASN'T, JOHN-JOHN. 326 00:11:30,700 --> 00:11:32,067 THAT'S WHY YOU'RE HERE. 327 00:11:32,067 --> 00:11:33,767 - THAT'S MY BOWLING ARM. OHHHHH! 328 00:11:33,767 --> 00:11:35,833 [whimpers] 329 00:11:35,833 --> 00:11:36,900 - ARE YOU JEALOUS? 330 00:11:36,900 --> 00:11:38,700 - WHAT? NO! 331 00:11:38,700 --> 00:11:40,367 - YOU SOUND A LITTLE JEALOUS. IT'S JUST-- 332 00:11:40,367 --> 00:11:42,300 [whimpers] 333 00:11:47,300 --> 00:11:48,500 - WELL, THE GOOD NEWS IS, 334 00:11:48,500 --> 00:11:50,100 IS HE'S SLOWING DOWN. 335 00:11:50,100 --> 00:11:51,767 BAD NEWS IS I CAN'T READ THE STREET SIGNS 336 00:11:51,767 --> 00:11:53,133 ON THIS THING, 337 00:11:53,133 --> 00:11:54,800 SO I DON'T REALLY KNOW WHERE HE'S GOING. 338 00:11:54,800 --> 00:11:57,633 - SO YOU'RE TELLING ME THAT DAVIS IS SOMEWHERE, 339 00:11:57,633 --> 00:11:58,967 WALKING SOMEWHERE ELSE. 340 00:11:58,967 --> 00:12:00,533 AWESOME. 341 00:12:00,533 --> 00:12:02,333 - YOU KNOW WHAT, MAN? GIMME A BREAK, ALL RIGHT? 342 00:12:02,333 --> 00:12:03,433 AT LEAST I'M TRYING HERE. 343 00:12:03,433 --> 00:12:05,133 GEEZ. 344 00:12:05,133 --> 00:12:07,100 WHAT, YOU GET IN A FIGHT WITH THE MISSUS OR SOMETHING? 345 00:12:07,100 --> 00:12:08,467 - ACTUALLY, I DID. 346 00:12:08,467 --> 00:12:09,733 - SORRY TO HEAR THAT. - IT'S OKAY. 347 00:12:09,733 --> 00:12:11,633 I'LL CALL HER AND APOLOGIZE LATER. 348 00:12:11,633 --> 00:12:12,733 - FOR WHAT? 349 00:12:12,733 --> 00:12:14,333 - I HAVE NO IDEA. 350 00:12:14,333 --> 00:12:15,667 [sighs] 351 00:12:15,667 --> 00:12:17,867 SO DO YOU THINK DAVIS IS STILL NEAR THAT BLOCKBUSTER? 352 00:12:17,867 --> 00:12:20,467 - I DON'T KNOW. I MEAN, IT'S HARD TO TELL. 353 00:12:20,467 --> 00:12:22,067 BUT HE SURE DESTROYED THAT PLACE, DIDN'T HE? 354 00:12:22,067 --> 00:12:24,267 - YEAH, LOOKS LIKE MY WIFE'S SIDE OF THE CLOSET. 355 00:12:24,267 --> 00:12:25,367 - THAT'S WHAT YOU FOUGHT ABOUT? 356 00:12:25,367 --> 00:12:26,567 - I DON'T WANNA TALK ABOUT IT. 357 00:12:26,567 --> 00:12:27,567 - SLOPPY PIG. 358 00:12:27,567 --> 00:12:29,233 - I DON'T WANNA TALK ABOUT IT. 359 00:12:29,233 --> 00:12:30,700 - YOU KNOW WHAT? 360 00:12:30,700 --> 00:12:33,667 HANG ON, STU. PULL OVER. 361 00:12:33,667 --> 00:12:36,133 SOMETHING'S NOT RIGHT. 362 00:12:36,133 --> 00:12:37,967 CHECK OUT THIS GUY WALKING OVER TO DAVIS. 363 00:12:37,967 --> 00:12:40,167 - THAT'S WEIRD. 364 00:12:40,167 --> 00:12:42,533 WHY DIDN'T HE BITE HIM? 365 00:12:42,533 --> 00:12:43,733 IS HE FULL? 366 00:12:43,733 --> 00:12:46,067 DO ZOMBIES GET FULL? 367 00:12:46,067 --> 00:12:48,400 - I DON'T KNOW. THAT'S A GREAT QUESTION. 368 00:12:48,400 --> 00:12:49,467 - I KNOW. 369 00:12:49,467 --> 00:12:51,100 SO WHAT WAS THAT ALL ABOUT? 370 00:12:51,100 --> 00:12:52,367 - HE'S A VAMP. - JESUS CHRIST. 371 00:12:52,367 --> 00:12:54,267 - THAT'S WHAT THAT'S ABOUT. OH, HO! 372 00:12:54,267 --> 00:12:57,067 - HEY, WHAT HAPPENED TO THE BACKPACK? 373 00:12:57,067 --> 00:12:59,067 - YOU KNOW WHAT? YOU'RE RIGHT. 374 00:12:59,067 --> 00:13:00,733 YOU'RE ABSOLUTELY RIGHT, STU. 375 00:13:00,733 --> 00:13:02,300 WHAT THE HELL, MAN? 376 00:13:02,300 --> 00:13:04,367 - ZOMBIES HAVE ONLY THE SIMPLEST OF MOTOR FUNCTIONS. 377 00:13:04,367 --> 00:13:05,800 THEY HAVE NO SENSATION OF BEING FULL 378 00:13:05,800 --> 00:13:07,133 BECAUSE THEY CAN FEEL NOTHING. 379 00:13:07,133 --> 00:13:08,633 - THAT'S GREAT, BUT WE'RE ON TO VAMPS NOW. 380 00:13:08,633 --> 00:13:09,800 - YEAH. 381 00:13:09,800 --> 00:13:12,367 - I LOOKED IT UP ON THE INTERNET ON MY PHONE. 382 00:13:12,367 --> 00:13:13,600 - YOU KNOW WHAT? 383 00:13:13,600 --> 00:13:16,900 I BET YOU THE VAMP GAVE THE ZOMBIE HIS BACKPACK 384 00:13:16,900 --> 00:13:19,700 I DON'T KNOW HOW I KNOW. I JUST KNOW. 385 00:13:19,700 --> 00:13:20,967 - HOW? - WELL, OBVIOUSLY, 386 00:13:20,967 --> 00:13:22,800 THE VAMP'S NOT WEARING THE BACKPACK, RIGHT? 387 00:13:22,800 --> 00:13:24,767 SO, I MEAN, IT'S NOT LIKE HE JUST LEFT IT 388 00:13:24,767 --> 00:13:26,367 ON THE GROUND OR SOMETHING. 389 00:13:26,367 --> 00:13:28,300 - DO VAMPIRES HAVE THE POWER TO CONTROL ZOMBIES? 390 00:13:28,300 --> 00:13:30,633 - NOT ON TRUE BLOOD, JAMIE, BUT YOU KNOW WHAT? 391 00:13:30,633 --> 00:13:31,767 YOU CAN ADD UP ALL THE STUFF 392 00:13:31,767 --> 00:13:33,933 THAT DOESN'T MAKE SENSE ON THAT SHOW 393 00:13:33,933 --> 00:13:35,300 AND MAKE AN ENTIRE NEW SHOW. 394 00:13:35,300 --> 00:13:36,700 - I DON'T GET IT. 395 00:13:36,700 --> 00:13:38,633 WHY WOULD YOU PUT A BACKPACK ON A ZOMBIE? 396 00:13:38,633 --> 00:13:41,200 - ZOMBIE NIGHT SCHOOL? 397 00:13:41,200 --> 00:13:42,967 - [chuckling] THAT'S FUNNY. 398 00:13:42,967 --> 00:13:45,133 - I WAS BEING SERIOUS, BUT-- 399 00:13:45,133 --> 00:13:46,833 - YEAH, THAT'S GREAT. I LIKE THAT ONE. 400 00:13:46,833 --> 00:13:47,867 - THANKS. 401 00:13:47,867 --> 00:13:49,233 - * ONE TWO THREE FOUR * 402 00:13:49,233 --> 00:13:52,800 [whistling solo] 403 00:13:52,800 --> 00:14:00,867 * * 404 00:14:00,867 --> 00:14:02,800 [scraping sounds] 405 00:14:09,100 --> 00:14:12,067 - SWEET. 406 00:14:16,133 --> 00:14:18,900 - OH, YOU'RE NOT SHY, ARE YOU? 407 00:14:18,900 --> 00:14:20,100 WHAT'S YOUR NAME? 408 00:14:20,100 --> 00:14:22,633 >> JUAN. 409 00:14:22,633 --> 00:14:24,167 >> JUAN. 410 00:14:24,167 --> 00:14:25,367 - [bleep] YOU, JUAN. 411 00:14:25,367 --> 00:14:27,600 - SO, JUAN. 412 00:14:27,600 --> 00:14:29,167 YOU WANT ME TO PAINT YOU SOME CRAZY COLOR 413 00:14:29,167 --> 00:14:30,600 AND CALL YOU SOME WEIRD NAMES? 414 00:14:30,600 --> 00:14:32,767 - WHAT? 415 00:14:32,767 --> 00:14:33,767 - HMM. 416 00:14:33,767 --> 00:14:36,967 YOU SEE... AHHH... 417 00:14:36,967 --> 00:14:39,400 I'D LIKE TO GIVE YOU A LITTLE LOVE. 418 00:14:39,400 --> 00:14:42,367 BUT I NEED YOU TO GIVE ME A LITTLE BLOOD. 419 00:14:42,367 --> 00:14:44,467 HOW'S THAT SOUND TO YOU? 420 00:14:44,467 --> 00:14:47,833 - SOUNDS GREAT. 421 00:14:47,833 --> 00:14:49,767 [moans softly] 422 00:14:52,867 --> 00:14:54,867 GOD, YOUR HANDS ARE COLD. YOU KNOW THAT? 423 00:14:54,867 --> 00:14:58,067 - ARE THEY? - YEAH. 424 00:14:58,067 --> 00:14:59,800 YOU NEED ME TO WARM YOU UP 425 00:14:59,800 --> 00:15:02,300 SO YOU CAN PUMP OUT A LITTLE BLOOD FOR ME? 426 00:15:02,300 --> 00:15:07,100 - IF YOU INSIST. 427 00:15:07,100 --> 00:15:08,400 - YOU'RE FREEZING. 428 00:15:08,400 --> 00:15:12,267 - PROBABLY JUST BECAUSE IT'S COLD OUTSIDE. 429 00:15:12,267 --> 00:15:15,467 - IS IT? 430 00:15:15,467 --> 00:15:18,300 WELL, YOU'RE--YOU'RE REALLY COLD, JOHN-JOHN. 431 00:15:18,300 --> 00:15:20,067 - IT'S JUAN. 432 00:15:20,067 --> 00:15:22,833 - YEAH, I--JUST-- I HAVE A BROTHER NAMED JUAN. 433 00:15:22,833 --> 00:15:25,300 AND SOMETIMES I CALL HIM JOHN-JOHN. 434 00:15:25,300 --> 00:15:26,633 - WHAT THE HELL IS SHE DOING? 435 00:15:26,633 --> 00:15:28,633 - THAT'S FUNNY. 436 00:15:28,633 --> 00:15:30,233 BECAUSE I KNOW A COP. 437 00:15:30,233 --> 00:15:31,767 AND SOMETIMES I CALL HER CARLA. 438 00:15:31,767 --> 00:15:34,400 - NO! - IT'S A VAMP! 439 00:15:34,400 --> 00:15:35,633 GOD DAMN IT. 440 00:15:35,633 --> 00:15:39,400 [tense music] 441 00:15:39,400 --> 00:15:40,400 - ARE WE GETTING CLOSE? 442 00:15:40,400 --> 00:15:42,233 - I THINK SO. 443 00:15:42,233 --> 00:15:43,467 HEY, LOOK. 444 00:15:43,467 --> 00:15:45,133 ISN'T THAT THAT GREAT LEBANESE TAKEOUT PLACE? 445 00:15:45,133 --> 00:15:46,400 - OOH, LOVE THAT PLACE. 446 00:15:46,400 --> 00:15:47,833 GREAT KEBABS. 447 00:15:47,833 --> 00:15:50,300 - GREAT KEBABS. THAT SOUNDS DIRTY. 448 00:15:50,300 --> 00:15:52,233 - UGH, YOU'RE 15. 449 00:15:52,233 --> 00:15:54,067 - I WANNA GO UP TO THE GIRL IN THE DRIVE-THROUGH 450 00:15:54,067 --> 00:15:57,267 AND SAY, "YOU'VE GOT SOME GREAT KEBABS." 451 00:15:57,267 --> 00:15:58,467 - UGH, YOU'RE 12. 452 00:15:58,467 --> 00:16:00,567 - AHHH. 453 00:16:00,567 --> 00:16:03,300 SOMETHING ABOUT GIRLS WITH MEAT ON A STICK. 454 00:16:03,300 --> 00:16:04,867 HEY, HERE IT IS. 455 00:16:04,867 --> 00:16:07,867 [eerie music] 456 00:16:07,867 --> 00:16:15,800 * * 457 00:16:24,367 --> 00:16:25,433 MAN, IT'S GONNA SUCK 458 00:16:25,433 --> 00:16:26,800 HAVING TO PUT DOWN OFFICER DAVIS. 459 00:16:26,800 --> 00:16:28,633 - OH, THAT'S RIGHT. YOU GUYS TRAINED TOGETHER. 460 00:16:28,633 --> 00:16:29,633 GOOD GUY? 461 00:16:29,633 --> 00:16:31,100 - ACTUALLY, HE'S KIND OF A TOOL. 462 00:16:31,100 --> 00:16:33,533 YOU KNOW WHAT? I'LL BE FINE. 463 00:16:33,533 --> 00:16:35,500 [eerie music] 464 00:16:35,500 --> 00:16:36,800 WAIT A MINUTE. 465 00:16:36,800 --> 00:16:40,067 LOOK. 466 00:16:40,067 --> 00:16:43,067 WHAT THE HELL? 467 00:16:43,067 --> 00:16:51,067 * * 468 00:16:51,067 --> 00:16:56,100 - HOW'S IT GOING TONIGHT? 469 00:16:56,100 --> 00:16:59,067 - BILLY. 470 00:17:02,467 --> 00:17:03,767 - SON OF A... 471 00:17:03,767 --> 00:17:06,233 GREAT. GET OUTTA HERE! 472 00:17:06,233 --> 00:17:08,467 YOU'RE LUCKY I DON'T SHOOT YOU. 473 00:17:11,433 --> 00:17:13,467 HOW'S IT GOING? 474 00:17:13,467 --> 00:17:16,200 SO, UH... 475 00:17:16,200 --> 00:17:19,133 TELL ME ABOUT YOUR KEBABS. 476 00:17:26,167 --> 00:17:27,900 - HE'S A VAMP! GOD DAMN IT. 477 00:17:27,900 --> 00:17:29,267 - [choking] 478 00:17:31,367 --> 00:17:32,367 - WHAT? NO. 479 00:17:32,367 --> 00:17:33,667 THE VAMP'S A CRAZY-STRONG MAN. 480 00:17:33,667 --> 00:17:35,333 HE'LL SNAP HER NECK BEFORE I GET A SHOT OFF. 481 00:17:35,333 --> 00:17:37,367 - [unintelligible garble] 482 00:17:37,367 --> 00:17:40,367 [tense music] 483 00:17:40,367 --> 00:17:41,833 - I CAN'T SEE A DAMN THING. 484 00:17:41,833 --> 00:17:43,367 - YEAH, GO AHEAD AND KICK. I LIKE THAT. 485 00:17:43,367 --> 00:17:44,367 KICK! 486 00:17:44,367 --> 00:17:48,300 * * 487 00:17:48,300 --> 00:17:50,433 - [whispering] SHH! BE QUIET. 488 00:17:50,433 --> 00:17:52,500 I GOT A PLAN. 489 00:17:52,500 --> 00:17:57,900 * * 490 00:17:57,900 --> 00:18:01,200 [muffled voices] 491 00:18:01,200 --> 00:18:04,933 TURN IT UP. 492 00:18:04,933 --> 00:18:07,667 [unintelligible garble] 493 00:18:07,667 --> 00:18:11,333 [muffled voices] 494 00:18:11,333 --> 00:18:14,067 - JOHN-JOHN! 495 00:18:25,533 --> 00:18:28,533 [soft music] 496 00:18:28,533 --> 00:18:33,100 * * 497 00:18:33,100 --> 00:18:36,833 - YOU OKAY? 498 00:18:36,833 --> 00:18:38,500 - I GUESS. 499 00:18:38,500 --> 00:18:39,867 HOW DID YOU KNOW WHERE TO SHOOT? 500 00:18:39,867 --> 00:18:42,800 - I DIDN'T. 501 00:18:45,967 --> 00:18:48,900 - NO, NO, NO. HOLD ON. 502 00:18:53,400 --> 00:18:55,567 - [screams] 503 00:18:55,567 --> 00:18:58,233 [groaning and gargling] 504 00:18:58,233 --> 00:19:01,233 [gasping and choking] 505 00:19:09,567 --> 00:19:12,633 - ARE YOU SERIOUSLY LOOKING AT MY TITS? 506 00:19:12,633 --> 00:19:15,733 - A LITTLE. 507 00:19:15,733 --> 00:19:18,067 [upbeat rock music] 508 00:19:18,067 --> 00:19:20,800 - I CAN'T BELIEVE THAT VAMP FOOLED US LIKE THAT. 509 00:19:20,800 --> 00:19:22,167 GUESS WE CAN JUST HOPE WE GET LUCKY, 510 00:19:22,167 --> 00:19:23,700 AND MAYBE THE ZOMBIE WILL KILL ITSELF. 511 00:19:23,700 --> 00:19:25,800 - WHAT DO YOU MEAN? GETS LIKE-- 512 00:19:25,800 --> 00:19:27,967 LIKE, ALL BUMMED OUT AND THEN JUST COMMITS SUICIDE? 513 00:19:27,967 --> 00:19:30,367 - NO, YOU JACKASS. 514 00:19:30,367 --> 00:19:32,667 I MEANT LIKE IT WOULD WANDER INTO TRAFFIC OR SOMETHING. 515 00:19:32,667 --> 00:19:34,100 - YOU THINK THAT'S WHY THEY EAT SO MUCH? 516 00:19:34,100 --> 00:19:35,367 'CAUSE THEY'RE DEPRESSED? 517 00:19:35,367 --> 00:19:38,367 - YOU KNOW, YOU MIGHT BE DEVELOPMENTALLY CHALLENGED. 518 00:19:38,367 --> 00:19:39,867 - DEVELOPMENTALLY CHALLENGED? 519 00:19:39,867 --> 00:19:42,233 - DON'T MAKE ME EXPLAIN. 520 00:19:42,233 --> 00:19:43,333 - IS THAT A REAL THING? 521 00:19:43,333 --> 00:19:45,133 - YES, IT'S A REAL THING. 522 00:19:45,133 --> 00:19:46,200 - I COULD SEE ME HAVING THAT. 523 00:19:46,200 --> 00:19:48,067 - YEAH, ME, TOO. 524 00:19:48,067 --> 00:19:50,067 WELL, I HAVE NO IDEA WHERE DAVIS IS. 525 00:19:50,067 --> 00:19:51,633 AND I HAVE NO IDEA WHAT'S IN THAT BACKPACK. 526 00:19:51,633 --> 00:19:53,567 - I WOULDN'T WORRY ABOUT IT. 527 00:19:53,567 --> 00:19:55,300 I'M SURE IT'S NO BIG DEAL. 528 00:19:55,300 --> 00:19:57,733 NOTHING TO LOSE SLEEP OVER, RIGHT, PARTNER? 529 00:19:57,733 --> 00:19:58,900 - YEAH. 530 00:19:58,900 --> 00:20:02,333 [eerie music] 531 00:20:02,333 --> 00:20:05,233 * * 532 00:20:05,233 --> 00:20:08,633 [doorbell rings] 533 00:20:08,633 --> 00:20:09,900 [woman screams] 534 00:20:09,900 --> 00:20:12,867 Captioning by CaptionMax www.captionmax.com 34033

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