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00:00:17,266 --> 00:00:21,000
Captions made possible by
HOME BOX OFFICE
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00:00:21,066 --> 00:00:24,900
A Division of TIME WARNER
ENTERTAINMENT COMPANY, L.P.
3
00:00:40,533 --> 00:00:42,100
( female )
I'M JUST GONNA
ASK YOU A FEW QUESTIONS
4
00:00:42,166 --> 00:00:44,767
AND JUST ANSWER WHATEVER
YOU'RE COMFORTABLE ANSWERING.
5
00:00:44,834 --> 00:00:46,734
DON'T GO ANY FURTHER
THAN YOU FEEL LIKE GOING
6
00:00:46,800 --> 00:00:49,166
AND IF YOU WANT
TO ADD SOMETHING LATER ON
7
00:00:49,233 --> 00:00:52,100
TO A QUESTION I'VE ASKED YOU,
THAT'S FINE TOO.
8
00:00:53,800 --> 00:00:55,300
WHEN WAS THE FIRST TIME
YOU SAW IT ?
9
00:00:55,367 --> 00:00:57,567
YOU KNOW, IT WAS SORT OF
LIKE AN ACCIDENTAL THING.
10
00:00:57,633 --> 00:00:59,166
THERE WAS LIKE A MIRROR
ON THE FLOOR,
11
00:00:59,233 --> 00:01:02,633
AND I WALKED UP AND I WAS LIKE,
WHAT, WHAT WAS THAT ?
12
00:01:03,967 --> 00:01:05,300
I HAVE TO GO HOME
AND DO SOME RESEARCH.
13
00:01:05,367 --> 00:01:07,567
I DIDN'T LOOK AT MYSELF
'TIL PROBABLY IN COLLEGE.
14
00:01:07,633 --> 00:01:10,066
I DON'T EVEN SAY THE WORD
TO MY OB-GYN.
15
00:01:10,133 --> 00:01:12,633
AND I WENT TO THE LIBRARY,
I'M SNEAKING IN THE LIBRARY,
16
00:01:12,700 --> 00:01:14,700
LOOKING THROUGH THE BOOKS,
AND YOU KNOW,
17
00:01:14,767 --> 00:01:16,367
LIKE I'M COVERING THE BOOK
WITH LIKE SOMETHING ELSE.
18
00:01:16,433 --> 00:01:17,734
AND THEN IT'S LIKE,
19
00:01:17,800 --> 00:01:19,900
"ADMIRE IT,
IT'S A BEAUTIFUL FLOWER,
20
00:01:19,967 --> 00:01:21,834
YOU KNOW,
IT'S LIKE ROSES."
21
00:01:21,900 --> 00:01:24,533
I'M LIKE, WE'RE NOT
LOOKING AT THE SAME THING.
22
00:01:24,600 --> 00:01:26,200
I TOOK PHOTOS OF IT.
23
00:01:26,266 --> 00:01:27,867
I HAD A POLAROID CAMERA
24
00:01:27,934 --> 00:01:30,300
AND I WOULD
GO INTO THE BATHROOM
25
00:01:30,367 --> 00:01:34,200
AND TAKE A PICTURE.
26
00:01:35,400 --> 00:01:36,533
ARE YOU EMBARRASSED ?
27
00:01:36,600 --> 00:01:37,567
YES.
28
00:01:37,633 --> 00:01:39,800
ALL THOSE THINGS
ARE KIND OF LIKE SECRET.
29
00:01:39,867 --> 00:01:41,033
YOU KNOW ?
30
00:01:41,100 --> 00:01:43,934
AND IT'S NOT FOR,
YOU KNOW,
31
00:01:44,000 --> 00:01:46,066
IT'S LIKE
YOUR OWN LITTLE JOY.
32
00:01:52,567 --> 00:01:54,000
I REALIZED
THERE WAS NO CONTEXT
33
00:01:54,066 --> 00:01:55,667
IN WHICH WOMEN EVER
TALK ABOUT THEIR VAGINAS.
34
00:01:55,734 --> 00:01:57,934
SO, I JUST STARTED CASUALLY
SAYING TO FRIENDS OF MINE,
35
00:01:58,000 --> 00:01:59,600
WHAT DO YOU THINK
ABOUT YOUR VAGINA ?
36
00:01:59,667 --> 00:02:00,900
WHAT DO YOU THINK ?
37
00:02:00,967 --> 00:02:02,934
AND OVER THE COURSE OF
ABOUT THREE TO FIVE YEARS,
38
00:02:03,000 --> 00:02:05,066
I HAD INTERVIEWED
OVER 200 WOMEN.
39
00:02:05,133 --> 00:02:07,767
HOW DOES IT FEEL TO BE
TALKING ABOUT IT ?
40
00:02:07,834 --> 00:02:09,233
VERY STRANGE.
41
00:02:09,300 --> 00:02:12,767
I THINK IT'S LIBERATING,
BUT IT'S KIND OF FUNNY TOO.
42
00:02:12,834 --> 00:02:16,100
ANXIOUS,
KIND OF NERVOUS,
43
00:02:16,166 --> 00:02:19,900
NOT REALLY SURE OF
WHAT I'M GONNA SAY.
44
00:02:19,967 --> 00:02:23,066
I REALLY THOUGHT IT WAS GONNA BE
LIKE, UNCOMFORTABLE,
45
00:02:23,133 --> 00:02:24,333
BUT IT'S NOT.
46
00:02:24,400 --> 00:02:26,033
YOU MAKE IT
KIND OF EASY.
47
00:02:26,100 --> 00:02:28,000
AND EVERYTHING
EVERY WOMAN SAID
48
00:02:28,066 --> 00:02:30,467
WAS MORE SURPRISING,
OUTRAGEOUS, DISTURBING,
49
00:02:30,533 --> 00:02:32,500
EXCITING THAN THE NEXT.
50
00:02:32,567 --> 00:02:34,200
AND ONE WOMAN
WOULD SAY TO ME,
51
00:02:34,266 --> 00:02:36,567
OH, YOU REALLY NEED TO TALK
TO SO AND SO ABOUT HER VAGINA,
52
00:02:36,633 --> 00:02:38,066
SHE HAS AN AMAZING STORY.
53
00:02:38,133 --> 00:02:39,367
AND SHE WOULD SAY,
54
00:02:39,433 --> 00:02:41,333
NO, YOU NEED TO TALK TO
SO AND SO ABOUT HER VAGINA,
55
00:02:41,400 --> 00:02:42,667
SHE HAS...
56
00:02:42,734 --> 00:02:43,834
AND BEFORE I KNEW IT,
I WAS REALLY SUCKED
57
00:02:43,900 --> 00:02:46,000
DOWN THIS VAGINA TRAIL,
AND I COULDN'T GET BACK.
58
00:02:46,066 --> 00:02:48,100
AND I'VE BEEN ON THE TRAIL
FOR A LONG TIME
59
00:02:48,166 --> 00:02:51,000
AND I DON'T THINK
I'M GETTING OFF IT
ANY TIME SOON.
60
00:03:01,300 --> 00:03:03,700
EVERYTHING ON THE WALL,
ALL OF THESE WERE GIFTS
61
00:03:03,767 --> 00:03:06,133
OR PHOTOGRAPHS OR THINGS
THAT HAVE FOUND ME
62
00:03:06,200 --> 00:03:09,967
OR HAVE BEEN GIVEN TO ME
AS I TRAVELED AROUND THE WORLD.
63
00:03:10,033 --> 00:03:13,133
WELL, FIRST I'D LIKE
TO INTRODUCE VAGINA BARBIE,
64
00:03:13,200 --> 00:03:15,533
COMPLETE WITH
DUCK LIPS.
65
00:03:15,600 --> 00:03:16,900
A LOVELY...
66
00:03:16,967 --> 00:03:19,000
VAGINA CANDLE.
67
00:03:19,066 --> 00:03:20,567
THIS SALAD HERE...
68
00:03:20,633 --> 00:03:22,700
THAT'S A VAGINA SALAD.
69
00:03:23,533 --> 00:03:25,100
THIS IS
A VULVA PUPPET.
70
00:03:25,166 --> 00:03:26,433
THEY ACTUALLY TALK.
71
00:03:26,500 --> 00:03:28,667
THERE'S A WHOLE WORLD
OF VAGINA LIFE OUT THERE,
72
00:03:28,734 --> 00:03:30,734
WHICH I FIND
THRILLING.
73
00:03:30,800 --> 00:03:32,367
( laughing )
74
00:03:32,433 --> 00:03:34,700
SO, WHEN THE SHOW
WAS FIRST DONE DOWNTOWN,
75
00:03:34,767 --> 00:03:37,200
GUYS WOULD
CALL UP AND SAY,
76
00:03:37,266 --> 00:03:39,533
CAN I HAVE TICKETS TO
"THE VAGINA DIALOGUES" ?
77
00:03:39,600 --> 00:03:41,467
AND WOMEN WOULD
CALL UP AND SAY,
78
00:03:41,533 --> 00:03:43,400
CAN I HAVE TICKETS
TO "THE MONOLOGUES" ?
79
00:03:43,467 --> 00:03:45,500
I'VE HEARD PEOPLE CALL IT
"THE VIAGRA CHRONICLES."
80
00:03:45,567 --> 00:03:47,967
AND THERE WAS
THIS PUNK TICKET TAKER,
81
00:03:48,033 --> 00:03:49,233
AND SHE WOULD SAY,
82
00:03:49,300 --> 00:03:52,734
"LISTEN, IF YOU CAN'T SAY
THE NAME, YOU CAN'T COME.
83
00:03:52,800 --> 00:03:54,667
NOW, TRY AGAIN,
TRY AGAIN."
84
00:03:54,734 --> 00:03:57,133
( laughing )
85
00:03:57,200 --> 00:04:00,734
( applause and cheering )
86
00:04:27,000 --> 00:04:28,400
THANK YOU.
87
00:04:30,233 --> 00:04:33,300
I BET YOU'RE WORRIED.
88
00:04:34,633 --> 00:04:36,467
I WAS WORRIED.
89
00:04:36,533 --> 00:04:38,967
THAT'S WHY
I BEGAN THIS PIECE.
90
00:04:39,033 --> 00:04:42,767
I WAS WORRIED
ABOUT VAGINAS.
91
00:04:42,834 --> 00:04:46,200
I WAS WORRIED WHAT
WE THINK ABOUT VAGINAS,
92
00:04:46,266 --> 00:04:48,900
AND I WAS
EVEN MORE WORRIED
93
00:04:48,967 --> 00:04:51,200
THAT WE DON'T
THINK ABOUT THEM.
94
00:04:51,266 --> 00:04:54,000
I WAS WORRIED
ABOUT MY OWN VAGINA.
95
00:04:54,066 --> 00:04:56,266
IT NEEDED A CONTEXT,
A COMMUNITY,
96
00:04:56,333 --> 00:04:58,734
A CULTURE OF
OTHER VAGINAS.
97
00:04:58,800 --> 00:05:02,333
THERE IS SO MUCH DARKNESS
AND SECRECY SURROUNDING THEM,
98
00:05:02,400 --> 00:05:05,000
LIKE THE BERMUDA TRIANGLE,
99
00:05:05,066 --> 00:05:08,333
NOBODY EVER REPORTS
BACK FROM THERE.
100
00:05:08,400 --> 00:05:10,233
IN THE FIRST PLACE,
101
00:05:10,300 --> 00:05:13,300
IT'S NOT SO EASY
TO EVEN FIND YOUR VAGINA.
102
00:05:13,367 --> 00:05:17,166
WOMEN GO DAYS, WEEKS, MONTHS,
WITHOUT LOOKING AT IT.
103
00:05:17,233 --> 00:05:20,033
I INTERVIEWED
A HIGH-POWERED BUSINESSWOMAN,
104
00:05:20,100 --> 00:05:22,900
SHE TOLD ME
SHE DIDN'T HAVE TIME.
105
00:05:22,967 --> 00:05:26,867
LOOKING AT YOUR VAGINA SHE SAID,
IS A FULL DAY'S WORK.
106
00:05:26,934 --> 00:05:29,867
YOU'VE GOT TO GET DOWN THERE,
ON YOUR BACK,
107
00:05:29,934 --> 00:05:32,500
IN FRONT OF THE MIRROR,
FULL-LENGTH PREFERRED.
108
00:05:32,567 --> 00:05:34,300
YOU'VE GOT TO GET
IN THE PERFECT POSITION,
109
00:05:34,367 --> 00:05:35,700
WITH THE PERFECT LIGHT,
110
00:05:35,767 --> 00:05:38,000
WHICH THEN BECOMES SHADOWED
BY THE ANGLE YOU'RE AT.
111
00:05:38,066 --> 00:05:40,867
YOU'RE TWISTING YOUR HEAD UP,
ARCHING YOUR BACK,
112
00:05:40,934 --> 00:05:42,333
IT'S EXHAUSTING.
113
00:05:42,400 --> 00:05:43,767
SHE WAS BUSY.
114
00:05:43,834 --> 00:05:45,233
SHE DIDN'T HAVE TIME.
115
00:05:45,300 --> 00:05:48,800
SO, I DECIDED TO TALK
TO WOMEN ABOUT THEIR VAGINAS.
116
00:05:48,867 --> 00:05:52,400
THEY BEGAN AS
CASUAL VAGINA INTERVIEWS,
117
00:05:52,467 --> 00:05:55,834
AND THEY TURNED INTO
VAGINA MONOLOGUES.
118
00:05:55,900 --> 00:05:58,900
I TALKED WITH
OVER 200 WOMEN.
119
00:05:58,967 --> 00:06:02,567
I TALKED TO YOUNGER WOMEN,
OLDER WOMEN, MARRIED WOMEN,
120
00:06:02,633 --> 00:06:04,900
LESBIANS,
SINGLE WOMEN,
121
00:06:04,967 --> 00:06:07,667
I TALKED TO COLLEGE PROFESSORS,
CORPORATE PROFESSIONALS,
122
00:06:07,734 --> 00:06:09,967
ACTORS, SEX WORKERS.
123
00:06:10,033 --> 00:06:12,200
I TALKED
TO AFRICAN-AMERICAN WOMEN,
124
00:06:12,266 --> 00:06:14,600
ASIAN-AMERICAN WOMEN,
HISPANIC WOMEN,
125
00:06:14,667 --> 00:06:17,233
NATIVE-AMERICAN WOMEN,
CAUCASIAN WOMEN,
126
00:06:17,300 --> 00:06:19,667
JEWISH WOMEN.
127
00:06:20,533 --> 00:06:22,734
AT FIRST,
WOMEN WERE A LITTLE SHY,
128
00:06:22,800 --> 00:06:25,200
A LITTLE RELUCTANT
TO TALK.
129
00:06:25,266 --> 00:06:28,300
BUT ONCE THEY GOT GOING,
YOU COULDN'T STOP THEM.
130
00:06:28,367 --> 00:06:32,934
WOMEN LOVE TO TALK ABOUT
THEIR VAGINAS, THEY DO.
131
00:06:33,000 --> 00:06:34,800
THEY REALLY DO.
132
00:06:34,867 --> 00:06:38,533
MAINLY BECAUSE NO ONE'S
EVER ASKED THEM BEFORE.
133
00:06:40,800 --> 00:06:44,066
LET'S JUST START
WITH THE WORD VAGINA.
134
00:06:45,400 --> 00:06:47,066
VAGINA.
135
00:06:47,133 --> 00:06:49,800
IT SOUNDS LIKE
AN INFECTION AT BEST.
136
00:06:49,867 --> 00:06:53,266
MAYBE A MEDICAL INSTRUMENT.
137
00:06:53,333 --> 00:06:55,266
"HURRY, NURSE,
BRING ME THE VAGINA."
138
00:06:56,767 --> 00:06:59,200
VAGINA.
139
00:07:00,667 --> 00:07:02,367
VAGINA.
140
00:07:02,433 --> 00:07:04,934
IT DOESN'T MATTER HOW MANY TIMES
YOU SAY THE WORD,
141
00:07:05,000 --> 00:07:07,633
IT NEVER SOUNDS LIKE
A WORD YOU WANT TO SAY.
142
00:07:07,700 --> 00:07:10,066
IT'S A COMPLETELY
RIDICULOUS,
143
00:07:10,133 --> 00:07:12,400
TOTALLY UNSEXY WORD.
144
00:07:12,467 --> 00:07:15,734
IF YOU USE IT DURING SEX,
TRYING TO BE POLITICALLY CORRECT
145
00:07:15,800 --> 00:07:19,700
YOU KILL
THE ACT RIGHT THERE.
146
00:07:21,767 --> 00:07:24,600
I'M WORRIED WHAT WE CALL IT
AND DON'T CALL IT.
147
00:07:24,667 --> 00:07:27,700
IN GREAT NECK, NEW YORK,
THEY CALL IT A "PUSSYCAT".
148
00:07:27,767 --> 00:07:30,767
A WOMAN TOLD ME THERE,
HER MOTHER USED TO TELL HER,
149
00:07:30,834 --> 00:07:32,934
"DON'T WEAR PANTIES, DEAR,
UNDERNEATH YOUR PAJAMAS,
150
00:07:33,000 --> 00:07:35,500
YOU NEED TO AIR OUT
YOUR PUSSYCAT."
151
00:07:40,433 --> 00:07:43,934
IN WESTCHESTER,
THEY CALL IT A "POOKIE".
152
00:07:44,000 --> 00:07:47,266
IN NEW JERSEY,
A "TWAT".
153
00:07:49,233 --> 00:07:50,900
THERE'S "POWDER BOX",
154
00:07:50,967 --> 00:07:53,100
A "POOCHI", A "POOPI",
155
00:07:53,166 --> 00:07:55,233
A "PEE-PEE", A "POOPALU",
156
00:07:55,300 --> 00:07:58,367
A "POONINANA"
AND A "PICHE".
157
00:07:58,433 --> 00:08:02,033
THERE'S "TOADIE",
"DEE-DEE",
158
00:08:02,100 --> 00:08:04,433
"NISHI",
"DIGNITY",
159
00:08:04,500 --> 00:08:06,900
"COOCHIE SNORCHER",
160
00:08:06,967 --> 00:08:10,500
"COOTER", "LABBE",
161
00:08:10,567 --> 00:08:12,533
"GLADYS SIEGELMAN",
162
00:08:12,600 --> 00:08:15,066
"VA",
163
00:08:15,133 --> 00:08:17,867
"WEE-WEE",
"HORSESPOT",
164
00:08:17,934 --> 00:08:20,500
"NAPPY DUGOUT",
"MONGO",
165
00:08:20,567 --> 00:08:22,934
"MONKEY BOX",
"PAJAMA",
166
00:08:23,000 --> 00:08:25,800
"FANNYBOO",
"MUSHMELLOW",
167
00:08:25,867 --> 00:08:28,800
"GHOULIE",
"POSSIBLE",
168
00:08:28,867 --> 00:08:31,000
"TAMALE", "TOTTITA",
"CONNIE",
169
00:08:31,066 --> 00:08:32,633
A "MIMI" IN MIAMI,
170
00:08:32,700 --> 00:08:37,166
A "SPLIT KNISH"
IN PHILADELPHIA.
171
00:08:38,934 --> 00:08:41,900
AND A "SCHMENDE"
IN THE BRONX.
172
00:08:41,967 --> 00:08:44,734
I AM WORRIED
ABOUT VAGINAS.
173
00:08:44,800 --> 00:08:47,533
( applause )
174
00:08:52,433 --> 00:08:53,867
STEVE !
175
00:08:55,166 --> 00:08:57,266
VAGINA GRADUATE !
176
00:09:00,066 --> 00:09:03,233
THIS IS STEVE,
THIS IS STEVE.
177
00:09:05,834 --> 00:09:08,000
STEVE JUST
GRADUATED FROM UVS,
178
00:09:08,066 --> 00:09:11,033
THAT'S THE UNIVERSITY
OF VAGINAL SCIENCES.
179
00:09:15,800 --> 00:09:18,967
THE MOST VAGINA FRIENDLY GUY
IN HIS CLASS, OKAY ?
180
00:09:19,033 --> 00:09:21,300
GOT THE JOB, YA.
181
00:09:27,033 --> 00:09:29,500
THIS FIRST MONOLOGUE IS
182
00:09:29,567 --> 00:09:31,633
BASED ON
ONE WOMAN'S STORY,
183
00:09:31,700 --> 00:09:32,834
PRETTY MUCH
THE WAY I HEARD IT,
184
00:09:32,900 --> 00:09:35,533
ALTHOUGH THE SUBJECT OF
THIS INTERVIEW CAME UP
185
00:09:35,600 --> 00:09:38,633
IN EVERY INTERVIEW
AND WAS OFTEN FRAUGHT.
186
00:09:38,700 --> 00:09:42,133
THE SUBJECT
BEING HAIR.
187
00:09:46,233 --> 00:09:47,500
I LOVE HAIR.
188
00:09:47,567 --> 00:09:48,700
I MEAN...
189
00:09:48,767 --> 00:09:52,166
HAIR VAGINA, HAIR OF THE VAGINA,
THE VAGINA IS HAIR.
190
00:09:52,233 --> 00:09:54,767
I LIKE MY HAIR, I'D LIKE
A LOT MORE HAIR ACTUALLY.
191
00:09:54,834 --> 00:09:56,667
I'M A REDHEAD
AND EVERYTHING'S RED.
192
00:09:56,734 --> 00:09:58,433
I MEAN, IT'S JUST RED, RED,
RED, RED, RED, RED, RED.
193
00:09:58,500 --> 00:10:00,633
I'VE NEVER SHAVED
THE BIKINI LINE.
194
00:10:00,700 --> 00:10:04,133
I WEAR APPROPRIATE BATHING SUITS
SO THAT IT COVERS, BUT,
195
00:10:04,200 --> 00:10:07,266
I DON'T, YOU KNOW,
I DON'T FEEL THAT I HAD
196
00:10:07,333 --> 00:10:10,100
TO WORK ON IT COSMETICALLY.
197
00:10:10,166 --> 00:10:12,467
BECAUSE I'VE BEEN AFFLICTED
WITH HAIR FROM THE TIME
198
00:10:12,533 --> 00:10:15,100
I WAS EIGHT YEARS OLD,
ON MY VAGINA,
199
00:10:15,166 --> 00:10:18,934
I'M VERY CURIOUS WHAT IT WOULD
FEEL LIKE, TO BE HAIRLESS.
200
00:10:19,000 --> 00:10:21,500
I DON'T MEAN A HAIRCUT,
I MEAN, YOU KNOW,
201
00:10:21,567 --> 00:10:24,400
IT'S NOT ANYTHING LIKE CRAZY,
I MEAN, YOU KNOW,
202
00:10:24,467 --> 00:10:26,834
I DO IT MYSELF,
SO HOW CRAZY CAN IT BE ?
203
00:10:26,900 --> 00:10:28,967
IT'S JUST
LIKE A NORMAL...
204
00:10:29,033 --> 00:10:32,066
NICE, NEAT,
YOU KNOW, THING.
205
00:10:33,066 --> 00:10:37,066
THOUGHT EVERYBODY
DID THAT, NO ?
206
00:10:37,767 --> 00:10:40,233
YOU CANNOT
LOVE A VAGINA
207
00:10:40,300 --> 00:10:42,800
UNLESS YOU LOVE HAIR.
208
00:10:42,867 --> 00:10:46,734
MANY PEOPLE
DO NOT LOVE HAIR.
209
00:10:47,734 --> 00:10:49,800
MY FIRST AND ONLY HUSBAND
HATED HAIR.
210
00:10:49,867 --> 00:10:51,867
HE SAID IT WAS
CLUTTERED AND DIRTY.
211
00:10:51,934 --> 00:10:55,700
HE MADE ME
SHAVE MY VAGINA.
212
00:10:55,767 --> 00:10:57,433
IT LOOKED PUFFY,
213
00:10:57,500 --> 00:11:00,200
AND EXPOSED,
LIKE A LITTLE GIRL.
214
00:11:00,266 --> 00:11:02,734
THIS EXCITED HIM.
215
00:11:02,800 --> 00:11:04,867
WHEN HE MADE LOVE
TO MY VAGINA,
216
00:11:04,934 --> 00:11:06,800
IT FELT THE WAY
A BEARD MUST FEEL.
217
00:11:06,867 --> 00:11:08,633
IT FELT GOOD TO SCRATCH IT,
AND PAINFUL,
218
00:11:08,700 --> 00:11:10,967
LIKE SCRATCHING
A MOSQUITO BITE.
219
00:11:11,033 --> 00:11:13,266
THERE WERE
SCREAMING RED BUMPS.
220
00:11:13,333 --> 00:11:15,433
IT FELT LIKE
IT WAS ON FIRE.
221
00:11:15,500 --> 00:11:17,967
I REFUSED
TO SHAVE IT AGAIN.
222
00:11:19,300 --> 00:11:21,300
THEN MY HUSBAND
HAD AN AFFAIR.
223
00:11:21,367 --> 00:11:23,934
WHEN WE WENT
TO MARITAL THERAPY,
224
00:11:24,000 --> 00:11:25,533
HE SAID
HE SCREWED AROUND
225
00:11:25,600 --> 00:11:27,667
BECAUSE I WOULDN'T
PLEASE HIM SEXUALLY,
226
00:11:27,734 --> 00:11:29,333
I WOULDN'T
SHAVE MY VAGINA.
227
00:11:29,400 --> 00:11:32,900
THE THERAPIST
HAD A THICK GERMAN ACCENT,
228
00:11:32,967 --> 00:11:34,633
AND SHE GASPED
( gasping )
229
00:11:34,700 --> 00:11:36,100
BETWEEN SENTENCES
( gasping )
230
00:11:36,166 --> 00:11:37,900
TO SHOW HER EMPATHY.
231
00:11:37,967 --> 00:11:40,300
( laughing )
232
00:11:40,367 --> 00:11:43,100
SHE ASKED ME WHY I DIDN'T
WANT TO PLEASE MY HUSBAND,
233
00:11:43,166 --> 00:11:45,667
WHY I DIDN'T WANT
TO SHAVE MY VAGINA.
234
00:11:45,734 --> 00:11:48,033
I TOLD HER
I THOUGHT IT WAS WEIRD.
235
00:11:48,100 --> 00:11:51,066
I FELT LITTLE WHEN MY HAIR
WAS GONE DOWN THERE,
236
00:11:51,133 --> 00:11:54,066
AND I COULDN'T HELP
TALKING IN A BABY VOICE.
237
00:11:54,133 --> 00:11:57,500
AND EVEN CALAMINE LOTION
WOULDN'T STOP THE IRRITATION.
238
00:11:57,567 --> 00:12:01,500
SHE TOLD ME THAT
MARRIAGE WAS A COMPROMISE.
239
00:12:01,567 --> 00:12:04,333
I ASKED HER IF
MY SHAVING MY VAGINA
240
00:12:04,400 --> 00:12:06,567
WOULD STOP MY HUSBAND
FROM SCREWING AROUND.
241
00:12:06,633 --> 00:12:08,834
I ASKED HER IF SHE HAD MANY
CASES LIKE THIS BEFORE.
242
00:12:08,900 --> 00:12:10,967
SHE TOLD ME THAT
243
00:12:11,033 --> 00:12:13,333
QUESTIONS
DILUTED THE PROCESS.
244
00:12:13,400 --> 00:12:16,633
SHE WAS SURE IT WAS
A GOOD BEGINNING,
245
00:12:16,700 --> 00:12:18,934
I JUST NEEDED
TO JUMP IN.
246
00:12:19,000 --> 00:12:23,066
THIS TIME, WHEN WE GOT HOME,
HE GOT TO SHAVE MY VAGINA.
247
00:12:23,133 --> 00:12:25,533
IT WAS LIKE A THERAPY
BONUS PRIZE.
248
00:12:25,600 --> 00:12:28,133
HE CLIPPED IT
A FEW TIMES,
249
00:12:28,200 --> 00:12:29,533
AND THERE WAS A LITTLE BLOOD
IN THE BATHTUB.
250
00:12:29,600 --> 00:12:31,533
HE DIDN'T NOTICE,
251
00:12:31,600 --> 00:12:34,333
HE WAS SO EXCITED
SHAVING ME.
252
00:12:34,400 --> 00:12:37,467
THEN, LATER, WHEN MY HUSBAND
WAS PRESSING AGAINST ME,
253
00:12:37,533 --> 00:12:40,066
I COULD FEEL
HIS SPIKY SHARPNESS
254
00:12:40,133 --> 00:12:43,266
STICKING INTO MY NAKED
EXPOSED VAGINA.
255
00:12:43,333 --> 00:12:45,166
THERE WAS NO PROTECTION.
256
00:12:45,233 --> 00:12:47,900
THERE WAS NO FLUFF.
257
00:12:48,000 --> 00:12:50,033
I REALIZED THEN
258
00:12:50,100 --> 00:12:53,400
THAT HAIR IS
THERE FOR A REASON.
259
00:12:54,900 --> 00:12:58,600
IT'S THE LEAF
AROUND THE FLOWER,
260
00:12:58,667 --> 00:13:01,367
THE LAWN
AROUND THE HOUSE.
261
00:13:02,533 --> 00:13:06,200
YOU HAVE TO LOVE HAIR
IN ORDER TO LOVE THE VAGINA.
262
00:13:06,266 --> 00:13:08,900
YOU CAN'T PICK
THE PARTS YOU WANT.
263
00:13:08,967 --> 00:13:11,300
AND BESIDES...
264
00:13:11,367 --> 00:13:13,600
MY HUSBAND,
WELL...
265
00:13:13,667 --> 00:13:16,734
HE NEVER DID
STOP SCREWING AROUND.
266
00:13:16,800 --> 00:13:18,433
( applause )
267
00:13:19,900 --> 00:13:23,200
YOU KNOW, I INTERVIEWED
A WHOLE GROUP OF WOMEN
268
00:13:23,266 --> 00:13:24,867
BETWEEN 65 AND 75.
269
00:13:24,934 --> 00:13:27,934
AND THAT WAS DEFINITELY
THE MOST POIGNANT GROUP.
270
00:13:29,800 --> 00:13:32,433
MAINLY BECAUSE I DON'T THINK
MANY WOMEN IN THAT GROUP
271
00:13:32,500 --> 00:13:34,734
HAD EVER HAD
A VAGINA INTERVIEW BEFORE.
272
00:13:34,800 --> 00:13:37,767
THIS PARTICULAR WOMAN
WAS 72 YEARS OLD,
273
00:13:37,834 --> 00:13:40,367
AND SHE HAD NEVER
SEEN HER VAGINA.
274
00:13:40,433 --> 00:13:42,233
SHE'D WASHED IT
IN THE SHOWER AND BATH,
275
00:13:42,300 --> 00:13:44,767
BUT NEVER WITH CONSCIOUS
INTENTION OR AWARENESS,
276
00:13:44,834 --> 00:13:46,767
AND SHE'D NEVER
HAD AN ORGASM.
277
00:13:46,834 --> 00:13:48,367
WHEN SHE WAS 72,
278
00:13:48,433 --> 00:13:50,400
SHE WENT TO THERAPY
FOR THE FIRST TIME,
279
00:13:50,467 --> 00:13:51,767
AS WE DO
IN NEW YORK,
280
00:13:51,834 --> 00:13:53,633
AND SHE WORKED
WITH A WONDERFUL THERAPIST,
281
00:13:53,700 --> 00:13:56,667
WHO GOT HER TO GO HOME,
BY HERSELF.
282
00:13:56,734 --> 00:13:58,133
SHE TOLD ME
SHE LIT SOME CANDLES,
283
00:13:58,200 --> 00:13:59,967
SHE PLAYED SOME MUSIC,
SHE TOOK A BATH.
284
00:14:00,033 --> 00:14:01,767
SHE GOT DOWN
WITH HERSELF,
285
00:14:01,834 --> 00:14:03,533
AND SHE TOLD ME
IT TOOK HER OVER AN HOUR
286
00:14:03,600 --> 00:14:05,367
BECAUSE SHE WAS ARTHRITIC,
287
00:14:05,433 --> 00:14:07,900
BUT WHEN SHE FINALLY
FOUND HER CLITORIS,
288
00:14:07,967 --> 00:14:11,000
SHE SAID SHE CRIED.
289
00:14:11,867 --> 00:14:13,233
THIS IS FOR HER...
290
00:14:20,533 --> 00:14:22,834
DOWN THERE ?
291
00:14:22,900 --> 00:14:26,800
I HAVEN'T BEEN
DOWN THERE SINCE 1953.
292
00:14:26,867 --> 00:14:28,266
NO.
293
00:14:28,333 --> 00:14:30,934
NO, IT HAD NOTHING
TO DO WITH EISENHOWER.
294
00:14:31,000 --> 00:14:32,300
NO.
295
00:14:32,367 --> 00:14:34,433
NO, TRUST ME, TRUST ME,
YOU DON'T WANT TO GO DOWN THERE,
296
00:14:34,500 --> 00:14:36,300
IT'S VERY DAMP,
VERY CLAMMY.
297
00:14:36,367 --> 00:14:39,166
SMELL THE MILDEW, GETS IN
YOUR CLOTHES, IT'S HORRIBLE.
298
00:14:39,233 --> 00:14:40,633
NO.
299
00:14:40,700 --> 00:14:42,467
NO, AND THERE WAS
NO ACCIDENT DOWN THERE,
300
00:14:42,533 --> 00:14:44,367
IT DIDN'T BLOW UP
OR CATCH ON FIRE.
301
00:14:44,433 --> 00:14:45,900
IT WASN'T SO DRAMATIC.
302
00:14:45,967 --> 00:14:47,700
WHAT'S A NICE GIRL
LIKE YOU GOING AROUND
303
00:14:47,767 --> 00:14:50,433
TALKING TO OLD LADIES ABOUT
THEIR "DOWN THERE'S" FOR ?
304
00:14:50,500 --> 00:14:53,834
WE DIDN'T DO THIS KIND OF
A THING WHEN I WAS YOUR AGE.
305
00:14:53,900 --> 00:14:55,967
WELL...
306
00:14:56,033 --> 00:14:58,834
THERE WAS THIS BOY.
307
00:14:58,900 --> 00:15:00,100
OH, GOD.
308
00:15:00,166 --> 00:15:01,900
ANDY.
309
00:15:01,967 --> 00:15:03,500
ANDY LEFTKOV.
310
00:15:03,567 --> 00:15:04,934
OH, GOD.
311
00:15:05,000 --> 00:15:07,800
HE WAS SO GOOD LOOKING,
AND TALL, LIKE ME.
312
00:15:07,867 --> 00:15:10,400
HE ASKED ME OUT FOR A DATE,
I'LL NEVER FORGET,
313
00:15:10,467 --> 00:15:13,600
IN HIS NEW WHITE
CHEVY BELAIR,
314
00:15:13,667 --> 00:15:14,734
OH, MY GOD.
315
00:15:14,800 --> 00:15:16,667
I CAN'T DO THIS.
316
00:15:16,734 --> 00:15:18,033
I'M SORRY.
317
00:15:18,100 --> 00:15:19,900
I CAN'T TALK TO YOU
ABOUT DOWN THERE.
318
00:15:19,967 --> 00:15:21,633
YOU JUST KNOW IT'S THERE
LIKE THE CELLAR.
319
00:15:21,700 --> 00:15:23,200
YOU CAN HEAR THE PIPES,
320
00:15:23,266 --> 00:15:25,500
THINGS GET CAUGHT THERE
FROM TIME TO TIME.
321
00:15:25,567 --> 00:15:28,200
LITTLE ANIMALS
AND THINGS.
322
00:15:28,266 --> 00:15:32,233
IT GETS WET, PEOPLE COME,
THEY PLUG UP THE LEAKS,
323
00:15:32,300 --> 00:15:34,400
OTHERWISE THE DOOR
STAYS CLOSED,
324
00:15:34,467 --> 00:15:35,967
YOU FORGET ABOUT IT.
325
00:15:36,033 --> 00:15:38,266
ANDY.
326
00:15:38,333 --> 00:15:40,100
OH, GOD,
HE WAS A CATCH.
327
00:15:40,166 --> 00:15:42,166
THAT'S WHAT WE CALLED IT
IN MY DAY.
328
00:15:42,233 --> 00:15:43,667
WE'RE IN HIS CAR,
329
00:15:43,734 --> 00:15:45,300
AND ALL I'M THINKING
ABOUT ARE MY KNEECAPS.
330
00:15:45,367 --> 00:15:46,867
I HAVE VERY LONG LEGS,
331
00:15:46,934 --> 00:15:48,767
AND MY KNEECAPS WERE SMUSHED UP
AGAINST THE DASHBOARD.
332
00:15:48,834 --> 00:15:52,200
WHEN ANDY JUST GRABS ME,
AND KISSES ME IN THIS
333
00:15:52,266 --> 00:15:54,433
"TAKE YOU BY CONTROL
LIKE THEY DO IN THE MOVIES"
334
00:15:54,500 --> 00:15:55,867
KIND OF WAY.
335
00:15:55,934 --> 00:15:58,533
WELL, I GOT EXCITED.
336
00:15:58,600 --> 00:16:02,066
I GOT VERY EXCITED.
337
00:16:02,133 --> 00:16:04,567
AND THERE WAS A...
WELL, THERE WAS A...
338
00:16:04,633 --> 00:16:06,300
WELL, THERE WAS
A FLOOD DOWN THERE.
339
00:16:06,367 --> 00:16:07,834
THIS RIVER OF LIFE,
340
00:16:07,900 --> 00:16:09,900
THIS FORCE OF PASSION
JUST FLOODED OUT OF ME.
341
00:16:09,967 --> 00:16:12,400
RIGHT THROUGH MY PANTIES,
RIGHT ONTO THE CAR SEAT
342
00:16:12,467 --> 00:16:14,934
OF HIS NEW WHITE
CHEVY BELAIR.
343
00:16:15,000 --> 00:16:16,667
WELL, IT WASN'T PEE.
344
00:16:16,734 --> 00:16:18,633
AND IT WASN'T SMELLY.
345
00:16:18,700 --> 00:16:20,800
WELL, HE SAID,
ANDY SAID, HE SAID
346
00:16:20,867 --> 00:16:23,333
IT SMELLED LIKE SOUR MILK AND
IT WAS STAINING HIS CAR SEAT.
347
00:16:23,400 --> 00:16:27,233
I WAS "A STINKY WEIRD GIRL",
HE SAID.
348
00:16:27,300 --> 00:16:29,367
I TRIED TO EXPLAIN
349
00:16:29,433 --> 00:16:31,133
THAT HIS KISS
HAD CAUGHT ME OFF GUARD,
350
00:16:31,200 --> 00:16:32,767
I WASN'T NORMALLY
LIKE THIS.
351
00:16:32,834 --> 00:16:35,033
I TRIED TO WIPE UP
THE FLOOD WITH MY DRESS.
352
00:16:35,100 --> 00:16:37,400
IT WAS A NEW,
YELLOW PRIMROSE DRESS,
353
00:16:37,467 --> 00:16:40,433
AND IT LOOKED UGLY
WITH THE FLOOD ON IT.
354
00:16:41,600 --> 00:16:43,734
ANDY DROVE ME HOME.
355
00:16:43,800 --> 00:16:45,600
HE NEVER...
356
00:16:45,667 --> 00:16:48,000
HE NEVER SAID
ANOTHER WORD TO ME.
357
00:16:48,066 --> 00:16:51,200
AND WHEN I GOT OUT OF HIS CAR,
I TELL YOU, I CLOSED IT,
358
00:16:51,266 --> 00:16:52,600
LOCKED IT,
LOCKED THE STORE.
359
00:16:52,667 --> 00:16:56,233
NEVER OPENED
FOR BUSINESS AGAIN.
360
00:16:57,166 --> 00:16:59,734
I USED TO HAVE THESE DREAMS,
THOUGH, I MEAN,
361
00:16:59,800 --> 00:17:01,066
THEY'RE CRAZY DREAMS,
DOPEY DREAMS.
362
00:17:01,133 --> 00:17:02,767
WHY ?
363
00:17:02,834 --> 00:17:04,400
BURT REYNOLDS.
364
00:17:04,467 --> 00:17:05,967
I DON'T KNOW WHY.
365
00:17:06,033 --> 00:17:08,467
THE GUY NEVER
DID A THING FOR ME IN LIFE.
366
00:17:08,533 --> 00:17:10,834
BUT ALWAYS IN MY DREAMS,
IT WAS BURT AND I,
367
00:17:10,900 --> 00:17:12,467
BURT AND I, BURT AND I.
368
00:17:12,533 --> 00:17:13,967
WE'D BE OUT FOR DINNER,
369
00:17:14,033 --> 00:17:15,734
ONE OF THOSE RESTAURANTS,
370
00:17:15,800 --> 00:17:17,600
THE KIND YOU SEE IN
ATLANTIC CITY.
371
00:17:17,667 --> 00:17:21,100
HUGE CHANDELIERS, THOUSANDS OF
THE WAITERS WITH THE VESTS ON.
372
00:17:21,166 --> 00:17:23,700
BURT WOULD BE THERE,
373
00:17:23,767 --> 00:17:25,633
HE'D GIVE ME
AN ORCHID CORSAGE.
374
00:17:25,700 --> 00:17:27,734
I'D PIN IT TO MY BLAZER.
375
00:17:27,800 --> 00:17:29,100
WE'D LAUGH,
376
00:17:29,166 --> 00:17:30,734
WE WERE ALWAYS LAUGHING,
BURT AND I.
377
00:17:30,800 --> 00:17:31,967
LAUGHING, LAUGHING.
378
00:17:32,033 --> 00:17:33,667
ATE SHRIMP COCKTAIL,
379
00:17:33,734 --> 00:17:35,467
FABULOUS SHRIMP,
HUGE SHRIMP.
380
00:17:35,533 --> 00:17:37,467
THEN BURT WOULD
LEAN TOWARDS ME,
381
00:17:37,533 --> 00:17:40,033
AND JUST AS HE WAS
ABOUT TO KISS ME,
382
00:17:40,100 --> 00:17:43,533
THE ENTIRE RESTAURANT
WOULD START TO SHAKE.
383
00:17:43,600 --> 00:17:46,567
PIGEONS WOULD FLY OUT
FROM UNDERNEATH THE TABLE.
384
00:17:46,633 --> 00:17:48,100
I DON'T KNOW WHAT
THE PIGEONS WERE DOING THERE
385
00:17:48,166 --> 00:17:50,533
AND THE FLOOD
WOULD COME,
386
00:17:50,600 --> 00:17:52,734
STRAIGHT FROM
DOWN THERE.
387
00:17:52,800 --> 00:17:55,900
IT WOULD
POUR OUT OF ME.
388
00:17:55,967 --> 00:17:58,934
IT WOULD
POUR AND POUR.
389
00:17:59,000 --> 00:18:00,800
THERE'D BE
LITTLE BOATS INSIDE IT
390
00:18:00,867 --> 00:18:02,700
AND LITTLE FISH,
391
00:18:02,767 --> 00:18:06,500
AND THE ENTIRE RESTAURANT
WOULD FILL UP WITH MY FLOOD.
392
00:18:06,567 --> 00:18:10,433
AND THERE WOULD BE BURT,
STANDING WAIST DEEP IN IT,
393
00:18:10,500 --> 00:18:12,667
LOOKING HORRIFIED.
394
00:18:12,734 --> 00:18:14,867
HORRIBLY DISAPPOINTED
I'D DONE IT AGAIN,
395
00:18:14,934 --> 00:18:16,900
AS HE WATCHED
HIS FRIENDS,
396
00:18:16,967 --> 00:18:18,800
DEAN MARTIN
AND THE LIKES,
397
00:18:18,867 --> 00:18:22,033
SWIM PAST US IN THEIR TUXEDOS
AND EVENING GOWNS.
398
00:18:24,667 --> 00:18:28,333
I DON'T HAVE
THOSE DREAMS ANYMORE, NO.
399
00:18:29,367 --> 00:18:30,834
NOT SINCE THEY TOOK
JUST ABOUT EVERYTHING
400
00:18:30,900 --> 00:18:32,266
CONNECTED WITH
DOWN THERE.
401
00:18:32,333 --> 00:18:34,166
MOVED OUT THE TUBES,
THE UTERUS, THE WHOLE WORKS.
402
00:18:34,233 --> 00:18:36,266
MY DOCTOR THINKS
HE'S A REAL COMEDIAN.
403
00:18:36,333 --> 00:18:39,400
HE TELLS ME,
"YOU DON'T USE IT,
YOU LOSE IT".
404
00:18:39,467 --> 00:18:41,300
BUT, REALLY,
405
00:18:41,367 --> 00:18:42,800
IT WAS CANCER.
406
00:18:42,867 --> 00:18:44,367
THE WHOLE THING
HAD TO GO.
407
00:18:44,433 --> 00:18:46,333
HIGHLY OVERRATED
ANYWAY, RIGHT ?
408
00:18:46,400 --> 00:18:48,066
I DO OTHER THINGS.
409
00:18:48,133 --> 00:18:49,900
LOVE THE DOG SHOWS.
410
00:18:49,967 --> 00:18:51,834
I SELL ANTIQUES.
411
00:18:51,900 --> 00:18:53,700
EXCUSE ME ?
412
00:18:53,767 --> 00:18:55,266
COME AGAIN ?
413
00:18:55,333 --> 00:18:57,433
"WHAT WOULD IT WEAR ?"
414
00:18:57,500 --> 00:19:00,100
WHAT KIND OF QUESTION IS THAT,
WHAT WOULD IT WEAR ?
415
00:19:00,166 --> 00:19:02,467
IT WOULD WEAR A SIGN,
416
00:19:02,533 --> 00:19:05,467
"CLOSED,
DUE TO FLOODING".
417
00:19:05,533 --> 00:19:07,800
WHAT WOULD IT SAY ?
418
00:19:07,867 --> 00:19:10,567
I TOLD YOU,
IT'S NOT A THING THAT SPEAKS,
IT'S A PLACE.
419
00:19:10,633 --> 00:19:12,300
A PLACE YOU DON'T GO.
420
00:19:12,367 --> 00:19:14,734
CLOSED UP,
UNDER THE HOUSE,
DOWN THERE.
421
00:19:14,800 --> 00:19:16,633
YOU HAPPY NOW,
YOU HAPPY ?
422
00:19:16,700 --> 00:19:19,200
YOU GOT AN OLD LADY
TO TALK ABOUT THIS STUFF,
YOU FEEL BETTER ?
423
00:19:21,433 --> 00:19:23,000
ACTUALLY...
424
00:19:23,066 --> 00:19:24,867
I'LL TELL YOU THE TRUTH.
425
00:19:26,367 --> 00:19:28,800
YOU ARE THE VERY FIRST PERSON
I EVER TALKED TO
426
00:19:28,867 --> 00:19:30,567
ABOUT ANY OF
THIS STUFF.
427
00:19:30,633 --> 00:19:33,600
I FEEL A LITTLE BETTER.
428
00:19:33,667 --> 00:19:37,033
( applause )
429
00:19:38,367 --> 00:19:39,967
DID YOU EVER
LOOK AT YOUR VAGINA OR-- ?
430
00:19:40,033 --> 00:19:41,767
NO, I DIDN'T,
NO, I DIDN'T.
431
00:19:41,834 --> 00:19:43,300
SO, YOU'VE NEVER
SEEN YOUR VAGINA ?
432
00:19:43,367 --> 00:19:44,667
I DON'T THINK SO.
433
00:19:44,734 --> 00:19:46,834
I DON'T THINK SO,
AND I'VE HAD CHILDREN.
434
00:19:46,900 --> 00:19:48,300
REALLY ?
YEAH.
435
00:19:48,367 --> 00:19:50,033
WHAT DO YOU IMAGINE
IT LOOKS LIKE ?
436
00:19:50,100 --> 00:19:53,166
WELL, I GUESS I'VE SEEN IT
IN THE DOCTOR'S OFFICE,
437
00:19:53,233 --> 00:19:55,033
WHEN I'M IN THE STIRRUPS,
IF THERE'S A MIRROR,
438
00:19:55,100 --> 00:19:56,934
I MEAN, I'M SURE I MUST
HAVE SEEN IT IN PASSING
439
00:19:57,000 --> 00:19:58,433
OVER THE YEARS.
440
00:19:58,500 --> 00:20:00,200
WELL, I HAPPENED
TO LOOK DOWN
441
00:20:00,266 --> 00:20:03,166
AND THERE WAS THIS VERY UGLY
THING STARING BACK AT ME,
442
00:20:03,233 --> 00:20:04,533
AND...
443
00:20:04,600 --> 00:20:05,967
( laughing )
444
00:20:06,033 --> 00:20:07,700
OH, MY GOD.
445
00:20:09,200 --> 00:20:10,533
AND DO YOU HAVE
GOOD SEX TODAY ?
446
00:20:10,600 --> 00:20:12,600
YES.
447
00:20:12,667 --> 00:20:15,400
YOU SAID "GOOD",
YOU DIDN'T ASK HOW OFTEN.
448
00:20:15,467 --> 00:20:17,967
IS THERE SOMETHING
SPECIFIC IT'S LONGED FOR ?
449
00:20:18,033 --> 00:20:20,500
WELL, RIGHT ABOUT NOW,
PROBABLY SEX.
450
00:20:20,567 --> 00:20:22,800
'CAUSE IT'S BEEN
A LONG TIME.
451
00:20:22,867 --> 00:20:24,667
( laughing )
452
00:20:24,734 --> 00:20:27,333
IT'S PROBABLY
DOWN THERE JUST WISHING.
453
00:20:27,400 --> 00:20:29,567
JUST WISHING.
454
00:20:29,633 --> 00:20:31,133
JUST WISHING.
455
00:20:31,200 --> 00:20:32,500
WHY DON'T YOU GET
SOME SENSE, WOMAN,
456
00:20:32,567 --> 00:20:34,567
AND GIVE ME SOME HELP
DOWN HERE ?
457
00:20:34,633 --> 00:20:35,667
IT STILL
ACHES A LITTLE BIT,
458
00:20:35,734 --> 00:20:37,100
BECAUSE I STILL
LIKE TO PLAY HOUSE.
459
00:20:37,166 --> 00:20:38,533
( laughing )
460
00:20:38,600 --> 00:20:41,033
I'M OLD, NOT DEAD.
461
00:20:42,600 --> 00:20:43,934
NO, I'M NOT HOLDING THIS.
462
00:20:44,000 --> 00:20:46,266
IT'S AMAZING
HOW MANY PEOPLE COMPLAIN
463
00:20:46,333 --> 00:20:48,100
THAT THERE ARE NOT
ENOUGH MONOLOGUES
464
00:20:48,166 --> 00:20:51,200
ABOUT HETEROSEXUAL,
VAGINA-LOVING MEN.
465
00:20:51,266 --> 00:20:53,200
WE HAVE 10 MINUTES,
MS. ENSLER.
466
00:20:53,266 --> 00:20:55,834
THERE IS
A VAGINA-LOVING MAN.
467
00:20:55,900 --> 00:20:56,867
COME IN, STEVE.
468
00:20:56,934 --> 00:20:57,867
THIS IS THE GUY.
469
00:20:57,934 --> 00:20:59,066
RIGHT HERE, RIGHT HERE.
470
00:20:59,133 --> 00:21:00,700
TELL ME, WHAT'VE YOU
LEARNED ABOUT VAGINAS
471
00:21:00,767 --> 00:21:02,066
IN THE LAST FEW DAYS ?
472
00:21:02,133 --> 00:21:03,533
I'VE PROBABLY LEARNED MORE
IN THE LAST THREE DAYS
473
00:21:03,600 --> 00:21:05,467
THAN IN MY ENTIRE
24 YEARS.
474
00:21:05,533 --> 00:21:06,767
REALLY ?
OH, YEAH.
475
00:21:06,834 --> 00:21:08,200
SPECIFIC ?
476
00:21:08,266 --> 00:21:09,767
BASICALLY, I THOUGHT
I KNEW SOMETHING,
477
00:21:09,834 --> 00:21:11,000
AND I KNEW NOTHING.
478
00:21:11,066 --> 00:21:13,000
THAT'S WHAT
IT COMES DOWN TO.
479
00:21:13,066 --> 00:21:14,900
THIS NEXT MONOLOGUE
IS BASED ON AN INTERVIEW
480
00:21:14,967 --> 00:21:16,367
I DID WITH A WOMAN
481
00:21:16,433 --> 00:21:19,734
WHO HAD A GOOD EXPERIENCE
WITH A MAN.
482
00:21:21,000 --> 00:21:23,333
( laughing )
483
00:21:24,633 --> 00:21:27,667
BECAUSE HE LIKED
TO LOOK AT IT.
484
00:21:29,300 --> 00:21:33,033
THIS IS HOW I CAME
TO LOVE MY VAGINA.
485
00:21:33,100 --> 00:21:35,166
IT'S EMBARRASSING
486
00:21:35,233 --> 00:21:38,066
BECAUSE IT'S NOT
POLITICALLY CORRECT.
487
00:21:38,133 --> 00:21:41,133
I MEAN, I KNOW HOW
IT SHOULD HAVE HAPPENED.
488
00:21:41,200 --> 00:21:44,367
IN A BATH,
WITH SALT GRAINS
FROM THE DEAD SEA,
489
00:21:44,433 --> 00:21:48,166
ENYA PLAYING...
490
00:21:50,133 --> 00:21:52,800
ME LOVING
MY WOMAN-SELF.
491
00:21:52,867 --> 00:21:54,800
I KNOW THE STORY.
492
00:21:54,867 --> 00:21:57,233
VAGINAS ARE BEAUTIFUL.
493
00:21:57,300 --> 00:21:59,767
OUR SELF-HATRED IS ONLY
THE INTERNALIZED REPRESSION
494
00:21:59,834 --> 00:22:02,233
AND HATRED OF
THE PATRIARCHAL CULTURE.
495
00:22:02,300 --> 00:22:03,834
IT ISN'T REAL.
496
00:22:03,900 --> 00:22:05,834
PUSSIES UNITE.
497
00:22:05,900 --> 00:22:07,800
I KNOW ALL OF IT.
498
00:22:07,867 --> 00:22:09,667
LIKE IF WE'D GROWN UP
IN A CULTURE
499
00:22:09,734 --> 00:22:12,033
WHERE WE WERE TAUGHT
FAT THIGHS WERE BEAUTIFUL,
500
00:22:12,100 --> 00:22:15,333
WE'D ALL BE POUNDING DOWN
MILK SHAKES AND DOUGHNUTS,
501
00:22:15,400 --> 00:22:18,467
SPENDING OUR DAYS
LYING ON OUR BACKS,
502
00:22:18,533 --> 00:22:20,000
THIGH-EXPANDING.
503
00:22:20,066 --> 00:22:23,066
BUT WE DIDN'T GROW UP
IN THAT CULTURE, DID WE ?
504
00:22:23,133 --> 00:22:24,333
NO.
505
00:22:24,400 --> 00:22:25,700
I HATED MY THIGHS,
506
00:22:25,767 --> 00:22:28,734
AND I HATED MY VAGINA
EVEN MORE.
507
00:22:28,800 --> 00:22:31,767
I THOUGHT IT WAS
INCREDIBLY UGLY.
508
00:22:31,834 --> 00:22:35,266
I WAS ONE OF THOSE WOMEN
WHO HAD LOOKED AT IT,
509
00:22:35,333 --> 00:22:38,734
AND FROM THAT MOMENT ON
I WISHED I HADN'T.
510
00:22:38,800 --> 00:22:41,700
IT MADE ME SICK.
511
00:22:41,767 --> 00:22:44,100
I PITIED ANYONE
WHO HAD TO GO DOWN THERE.
512
00:22:44,166 --> 00:22:47,367
IN ORDER TO SURVIVE,
513
00:22:47,433 --> 00:22:49,100
I BEGAN TO PRETEND
514
00:22:49,166 --> 00:22:51,233
THERE WAS SOMETHING ELSE
BETWEEN MY LEGS.
515
00:22:51,300 --> 00:22:54,100
I IMAGINED FURNITURE.
516
00:22:55,900 --> 00:22:58,967
COZY FUTONS WITH
LIGHT COTTON COMFORTERS,
517
00:22:59,033 --> 00:23:02,166
LITTLE VELVET SETTEES,
OR PRETTY THINGS.
518
00:23:02,233 --> 00:23:03,633
SILK HANDKERCHIEFS,
519
00:23:03,700 --> 00:23:05,233
QUILTED POT HOLDERS.
520
00:23:05,300 --> 00:23:06,767
I GOT SO ACCUSTOMED
TO THIS,
521
00:23:06,834 --> 00:23:10,300
I LOST ALL MEMORY OF
HAVING A VAGINA.
522
00:23:10,367 --> 00:23:12,200
WHENEVER A MAN
WAS INSIDE ME,
523
00:23:12,266 --> 00:23:15,066
I PICTURED HIM
INSIDE A MINK-LINED MUFFLER
524
00:23:15,133 --> 00:23:17,000
OR A CHINESE BOWL.
525
00:23:17,066 --> 00:23:20,533
THEN I MET BOB...
526
00:23:20,600 --> 00:23:23,500
BOB WAS
THE MOST ORDINARY MAN
527
00:23:23,567 --> 00:23:25,467
I EVER MET.
528
00:23:25,533 --> 00:23:27,100
THIN, TALL,
NONDESCRIPT,
529
00:23:27,166 --> 00:23:29,233
HE WORE KHAKI
TAN CLOTHES.
530
00:23:29,300 --> 00:23:32,533
( audience laughing )
531
00:23:32,600 --> 00:23:36,533
BOB DID NOT LIKE SPICY FOODS
OR LISTEN TO PRODIGY.
532
00:23:36,600 --> 00:23:40,266
HE HAD NO INTEREST
IN SEXY LINGERIE.
533
00:23:40,333 --> 00:23:42,033
IN THE SUMMER,
534
00:23:42,100 --> 00:23:43,934
HE SPENT TIME
IN THE SHADE.
535
00:23:45,433 --> 00:23:47,000
HE DID NOT
SHARE HIS INNER FEELINGS.
536
00:23:47,066 --> 00:23:49,767
HE DIDN'T HAVE
ANY PROBLEMS OR ISSUES,
537
00:23:49,834 --> 00:23:52,567
HE WASN'T EVEN
AN ALCOHOLIC.
538
00:23:52,633 --> 00:23:58,600
HE WASN'T VERY FUNNY
OR ARTICULATE OR MYSTERIOUS.
539
00:23:58,667 --> 00:24:01,433
HE WASN'T MEAN
OR UNAVAILABLE.
540
00:24:01,500 --> 00:24:04,800
HE WASN'T SELF-INVOLVED
OR CHARISMATIC.
541
00:24:04,867 --> 00:24:06,667
HE DIDN'T DRIVE FAST.
542
00:24:06,734 --> 00:24:09,900
I DIDN'T PARTICULARLY
LIKE BOB.
543
00:24:09,967 --> 00:24:13,867
I WOULD HAVE MISSED HIM
ALTOGETHER
544
00:24:13,934 --> 00:24:16,400
IF HE HADN'T
PICKED UP MY CHANGE
545
00:24:16,467 --> 00:24:18,900
THAT I DROPPED
ON THE DELI FLOOR.
546
00:24:18,967 --> 00:24:22,700
WHEN HE HANDED ME BACK
MY PENNIES AND QUARTERS,
547
00:24:22,767 --> 00:24:24,734
AND HIS HAND
548
00:24:24,800 --> 00:24:28,400
ACCIDENTALLY
TOUCHED MINE,
549
00:24:28,467 --> 00:24:30,166
SOMETHING HAPPENED.
550
00:24:30,233 --> 00:24:32,133
I WENT TO BED WITH HIM.
551
00:24:34,133 --> 00:24:37,500
THAT'S WHEN
THE MIRACLE OCCURRED.
552
00:24:38,500 --> 00:24:41,800
IT TURNED OUT THAT
BOB LOVED VAGINAS.
553
00:24:41,867 --> 00:24:43,867
HE WAS A CONNOISSEUR.
554
00:24:43,934 --> 00:24:47,567
HE LOVED THE WAY THEY TASTED,
THE WAY THEY SMELLED,
555
00:24:47,633 --> 00:24:50,467
THE WAY THEY FELT,
BUT MOST IMPORTANTLY,
556
00:24:50,533 --> 00:24:53,633
BOB LOVED THE WAY
THEY LOOKED.
557
00:24:53,700 --> 00:24:55,033
HE HAD TO LOOK AT THEM.
558
00:24:55,100 --> 00:24:58,500
FIRST TIME WE HAD SEX,
HE TOLD ME HE HAD TO SEE ME.
559
00:24:58,567 --> 00:25:00,900
"I'M RIGHT HERE, BOB."
560
00:25:00,967 --> 00:25:05,533
"NO," HE SAID.
"YOU, I NEED TO SEE YOU."
561
00:25:05,600 --> 00:25:07,900
"TURN ON THE LIGHT,"
I SAID,
562
00:25:07,967 --> 00:25:10,100
THINKING HE WAS A WEIRDO
AND FREAKING OUT IN THE DARK.
563
00:25:10,166 --> 00:25:13,700
HE TURNED
ON THE LIGHT.
564
00:25:13,767 --> 00:25:16,700
"OKAY," HE SAID, "I'M READY,
I'M READY TO SEE YOU."
565
00:25:16,767 --> 00:25:19,300
"I'M RIGHT HERE, BOB,
RIGHT HERE."
566
00:25:19,367 --> 00:25:21,400
HE BEGAN
TO UNDRESS ME.
567
00:25:21,467 --> 00:25:23,033
"WHAT ARE
YOU DOING, BOB ?"
568
00:25:23,100 --> 00:25:25,667
"I NEED TO SEE
WHAT YOU LOOK LIKE."
569
00:25:25,734 --> 00:25:29,467
"BUT YOU'VE SEEN A RED
LEATHER COUCH BEFORE, BOB,
570
00:25:29,533 --> 00:25:31,000
I KNOW YOU'VE SEEN THAT."
571
00:25:31,066 --> 00:25:32,800
BOB CONTINUED,
HE WOULD NOT STOP.
572
00:25:32,867 --> 00:25:34,934
I WANTED
TO THROW UP AND DIE.
573
00:25:35,033 --> 00:25:37,600
"THIS IS AWFULLY
INTIMATE, BOB.
574
00:25:37,667 --> 00:25:40,767
CAN'T YOU
JUST DO IT ?"
575
00:25:46,200 --> 00:25:48,166
"NO," HE SAID.
576
00:25:48,233 --> 00:25:51,500
"IT'S WHO YOU ARE,
I NEED TO LOOK."
577
00:25:53,133 --> 00:25:55,734
I HELD MY BREATH.
578
00:25:55,800 --> 00:25:57,934
HE LOOKED,
579
00:25:58,000 --> 00:25:59,367
AND LOOKED.
580
00:25:59,433 --> 00:26:02,266
HE GASPED,
581
00:26:02,333 --> 00:26:04,400
AND SMILED,
582
00:26:04,467 --> 00:26:06,100
AND STARED,
583
00:26:06,166 --> 00:26:07,600
AND GROANED.
584
00:26:07,667 --> 00:26:09,133
HE GOT BREATHY,
585
00:26:09,200 --> 00:26:10,700
AND HIS FACE CHANGED.
586
00:26:10,767 --> 00:26:12,900
HE DIDN'T LOOK
ORDINARY ANYMORE.
587
00:26:12,967 --> 00:26:14,867
HE LOOKED
LIKE A HUNGRY BEAST.
588
00:26:14,934 --> 00:26:19,367
"YOU'RE SO BEAUTIFUL,"
HE SAID.
589
00:26:19,433 --> 00:26:22,500
"YOU'RE ELEGANT
AND DEEP
590
00:26:22,567 --> 00:26:24,567
AND INNOCENT AND WILD."
591
00:26:24,633 --> 00:26:27,233
"YOU SAW THAT THERE ?",
I SAID.
592
00:26:27,300 --> 00:26:30,000
IT WAS LIKE
HE READ MY PALM.
593
00:26:30,066 --> 00:26:34,266
"I SAW THAT,"
594
00:26:34,333 --> 00:26:39,000
HE SAID,
"AND MUCH, MUCH MORE."
595
00:26:39,066 --> 00:26:42,200
BOB STAYED LOOKING
596
00:26:42,266 --> 00:26:44,333
FOR ALMOST AN HOUR.
597
00:26:44,400 --> 00:26:46,233
AS IF HE WERE
STUDYING A MAP,
598
00:26:46,300 --> 00:26:48,367
OBSERVING THE MOON,
599
00:26:48,433 --> 00:26:50,000
STARING INTO MY EYES.
600
00:26:50,066 --> 00:26:52,000
BUT IT WAS MY VAGINA !
601
00:26:54,133 --> 00:26:56,000
IN THE LIGHT,
602
00:26:56,066 --> 00:26:58,867
I WATCHED HIM
LOOKING AT ME.
603
00:27:00,066 --> 00:27:02,967
HE WAS SO EXCITED.
604
00:27:03,033 --> 00:27:06,900
SO PEACEFUL
AND EUPHORIC.
605
00:27:06,967 --> 00:27:11,133
I BEGAN TO GET WET
AND TURNED ON.
606
00:27:12,633 --> 00:27:15,900
I BEGAN TO SEE MYSELF
THE WAY HE SAW ME.
607
00:27:15,967 --> 00:27:19,600
I BEGAN TO FEEL
BEAUTIFUL AND DELICIOUS,
608
00:27:19,667 --> 00:27:22,133
LIKE A GREAT PAINTING
OR A WATERFALL.
609
00:27:22,200 --> 00:27:25,367
BOB WASN'T AFRAID,
NO, HE WASN'T GROSSED OUT.
610
00:27:25,433 --> 00:27:28,367
I BEGAN TO SWELL.
611
00:27:28,433 --> 00:27:30,867
I BEGAN
TO FEEL PROUD.
612
00:27:30,934 --> 00:27:35,033
I BEGAN
TO LOVE MY VAGINA.
613
00:27:36,700 --> 00:27:39,934
AND BOB
LOST HIMSELF THERE.
614
00:27:40,000 --> 00:27:44,133
AND I WAS THERE
WITH HIM,
615
00:27:44,200 --> 00:27:47,900
IN MY VAGINA.
616
00:27:49,266 --> 00:27:50,667
AND WE...
617
00:27:50,734 --> 00:27:52,233
WERE...
618
00:27:52,300 --> 00:27:54,166
GONE !
619
00:27:54,233 --> 00:27:56,834
( applause )
620
00:28:01,533 --> 00:28:04,600
WE'RE GONNA GET LITTLE BUTTONS
MADE THAT SAY, "I'M YOUR BOB."
621
00:28:04,667 --> 00:28:06,633
HE'S A "BOB",
I CAN TELL.
622
00:28:11,233 --> 00:28:13,900
IT'S PART OF THAT WHOLE
UNIVERSITY TRAINING, YOU KNOW ?
623
00:28:15,734 --> 00:28:17,133
OH, MY GOD.
624
00:28:17,200 --> 00:28:19,500
IT'S ALL ABOUT
POSTURE AND HAIR.
625
00:28:19,567 --> 00:28:23,433
HAVEN'T THOUGHT ABOUT MY HAIR
THIS MUCH IN MY ENTIRE LIFE.
626
00:28:26,400 --> 00:28:27,834
I ASKED ALL THE WOMEN
I INTERVIEWED
627
00:28:27,900 --> 00:28:31,033
THE SAME QUESTIONS, AND THEN
I PICKED MY FAVORITE ANSWERS,
628
00:28:31,100 --> 00:28:32,500
ALTHOUGH I HAVE
TO TELL YOU,
629
00:28:32,567 --> 00:28:34,333
I HAVE NEVER HEARD AN ANSWER
I DIDN'T LOVE.
630
00:28:34,400 --> 00:28:37,133
THE FIRST QUESTION
I ASKED WOMEN WAS,
631
00:28:37,200 --> 00:28:39,633
IF YOUR VAGINA
GOT DRESSED,
632
00:28:39,700 --> 00:28:41,734
WHAT WOULD IT WEAR ?
633
00:28:41,800 --> 00:28:43,700
WHAT WOULD YOUR VAGINA WEAR
IF IT GOT DRESSED ?
634
00:28:43,767 --> 00:28:46,600
OH, I KNEW THAT QUESTION
WAS GOING TO COME,
635
00:28:46,667 --> 00:28:49,300
AND I SAID THAT EVERYBODY
WOULD PROBABLY SAY
636
00:28:49,367 --> 00:28:52,100
THAT I WOULD HAVE ON
A RALPH LAUREN SKIRT
637
00:28:52,166 --> 00:28:54,400
OR A CALVIN KLEIN DRESS
OR SOMETHING LIKE THAT.
638
00:28:54,467 --> 00:28:56,166
I WOULD PROBABLY
PUT A HAT ON IT.
639
00:28:56,233 --> 00:28:57,533
LOTS OF GLITTER.
640
00:28:57,600 --> 00:28:58,367
RED SILK.
641
00:28:58,433 --> 00:28:59,266
JEANS.
642
00:28:59,333 --> 00:29:00,934
PROBABLY A RED BOA.
643
00:29:01,000 --> 00:29:02,734
HIKING BOOTS
AND A LOT OF SUN BLOCK.
644
00:29:02,800 --> 00:29:04,800
SOMETHING FROM
THE 40s.
645
00:29:04,867 --> 00:29:07,066
I LIKE LEATHER,
IT'S SEXY.
646
00:29:07,133 --> 00:29:08,400
IT WOULD BE BALD.
647
00:29:08,467 --> 00:29:10,133
AND IT'D
HAVE AN EARRING.
648
00:29:10,200 --> 00:29:11,800
ACTUALLY MY VAGINA'S
A NUDIST.
649
00:29:11,867 --> 00:29:13,800
DOESN'T WEAR
ANYTHING ANYMORE.
650
00:29:13,867 --> 00:29:15,133
SOME "TIMS",
651
00:29:15,200 --> 00:29:16,734
SOME BAGGY JEANS,
652
00:29:16,800 --> 00:29:18,767
PROBABLY A HOODIE.
653
00:29:18,834 --> 00:29:20,367
LIKE A LITTLE
OLD-FASHIONED DRESS.
654
00:29:20,433 --> 00:29:22,734
SPOTTED LEATHER PANTS,
AND A BLACK KNIT SHIRT.
655
00:29:22,800 --> 00:29:24,934
OOH, DADDY
WOULD LOVE THAT.
656
00:29:25,000 --> 00:29:27,767
I KNOW IT,
HE WOULD LOVE IT.
657
00:29:28,767 --> 00:29:31,367
I'VE BEEN TRAVELING
FOR SEVERAL YEARS
ALL AROUND THE WORLD,
658
00:29:31,433 --> 00:29:33,433
AND I'VE BEEN THREATENING
TO CREATE A MAP
659
00:29:33,500 --> 00:29:35,033
OF ALL
THE VAGINA-FRIENDLY CITIES,
660
00:29:35,100 --> 00:29:37,200
FIVE YEARS IN THE THEATER,
NOT ONE MAP.
661
00:29:37,266 --> 00:29:40,133
ONE HOUR
IN HBO, PRESTO !
662
00:29:40,200 --> 00:29:42,700
A VAGINA FRIENDLY MAP !
663
00:29:42,767 --> 00:29:44,967
I BET YOU DON'T KNOW
ABOUT SOME OF
664
00:29:45,033 --> 00:29:48,000
THE REALLY MANY SURPRISING
VAGINA-FRIENDLY CITIES.
665
00:29:48,066 --> 00:29:49,900
OKLAHOMA CITY
LOVES VAGINAS.
666
00:29:49,967 --> 00:29:51,700
WHO KNEW ?
667
00:29:51,767 --> 00:29:53,834
BOISE, IDAHO,
RECENT RECENT CONVERT
668
00:29:53,900 --> 00:29:55,600
THEY'VE COME
INTO VAGINA LAND.
669
00:29:55,667 --> 00:29:56,934
CONGRATULATIONS, IDAHO.
670
00:29:57,000 --> 00:30:00,033
THERE ARE ON THIS MAP
VAGINA HOLIDAY ZONES,
671
00:30:00,100 --> 00:30:02,367
NEW YORK CITY IS
VAGINA HOLIDAY ZONE.
672
00:30:02,433 --> 00:30:05,000
SAN FRANCISCO
HAS ITS OWN STATUS.
673
00:30:05,066 --> 00:30:08,133
THERE IS NO OTHER
VAGINA WORLD FAIR ZONE.
674
00:30:08,200 --> 00:30:09,867
IT'S THE ONLY ONE ON THE MAP,
JUST IMAGINE THE RIDE.
675
00:30:09,934 --> 00:30:12,166
THERE ARE SOME AREAS
WHICH CLEARLY,
676
00:30:12,233 --> 00:30:14,834
AS YOU LOOK THROUGH
THE MID-PART OF AMERICA,
677
00:30:14,900 --> 00:30:17,200
HAVE NOT BEEN
LIBERATED AS OF YET,
678
00:30:17,266 --> 00:30:19,734
BUT WE HAVE GREAT FAITH
THEY WILL BE LIBERATED
ANY DAY NOW.
679
00:30:19,800 --> 00:30:22,066
PITTSBURGH IS A WILD--
680
00:30:22,133 --> 00:30:23,266
WHERE IS PITTSBURGH ?
681
00:30:23,333 --> 00:30:25,800
WILDLY, WILDLY
VAGINA-FRIENDLY CITY,
682
00:30:25,867 --> 00:30:27,367
I'VE BEEN THERE
THREE TIMES
683
00:30:27,433 --> 00:30:29,400
AND THEY LOVE VAGINAS
IN PITTSBURGH.
684
00:30:29,467 --> 00:30:30,600
WHO KNEW ?
685
00:30:30,667 --> 00:30:31,867
AFTER ONE OF
MY FIRST SHOWS THERE,
686
00:30:31,934 --> 00:30:33,033
A WOMAN CAME UP TO ME
AND SHE SAID,
687
00:30:33,100 --> 00:30:34,600
I HAVE TO TALK
TO YOU RIGHT AWAY.
688
00:30:34,667 --> 00:30:35,767
SHE WAS VERY UPSET.
689
00:30:35,834 --> 00:30:37,633
I CALLED HER WHEN
I GOT BACK TO NEW YORK.
690
00:30:37,700 --> 00:30:39,500
SHE TOLD ME THAT
SHE LIKED THE PIECE,
691
00:30:39,567 --> 00:30:42,900
BUT SHE FELT I HAD MISSED
THE TEXTURE OF THE VAGINA,
692
00:30:42,967 --> 00:30:44,467
SHE NEEDED
TO TALK TEXTURE.
693
00:30:44,533 --> 00:30:46,200
FOR THE NEXT HOUR,
SHE TALKED TO ME
694
00:30:46,266 --> 00:30:47,800
ABOUT THE TEXTURE
OF THE VAGINA
695
00:30:47,867 --> 00:30:49,500
WITH SUCH
NUANCE AND DETAIL,
696
00:30:49,567 --> 00:30:51,133
THAT TO BE HONEST,
697
00:30:51,200 --> 00:30:52,934
I HAD TO LAY DOWN AT
THE END OF THE CONVERSATION.
698
00:30:53,000 --> 00:30:55,667
HOWEVER, SHE ALSO TOLD ME
IN THE COURSE
OF OUR CONVERSATION
699
00:30:55,734 --> 00:30:57,266
THAT I HAD SAID
SOMETHING NEGATIVE
700
00:30:57,333 --> 00:30:59,000
ABOUT A PARTICULAR WORD.
701
00:30:59,066 --> 00:31:00,333
A PEJORATIVE WORD,
702
00:31:00,400 --> 00:31:03,000
A WORD THAT'S BEEN USED
TO DECLAIM THE VAGINA,
703
00:31:03,066 --> 00:31:05,300
AND SHE NEEDED TO HELP ME
RECONCEIVE THIS WORD.
704
00:31:05,367 --> 00:31:07,033
SO, FOR THE NEXT HOUR,
705
00:31:07,100 --> 00:31:08,734
SHE TALKED TO ME
ABOUT THIS WORD,
706
00:31:08,800 --> 00:31:10,200
AND WHEN SHE WAS DONE,
707
00:31:10,266 --> 00:31:11,834
I WAS A CONVERT.
708
00:31:11,900 --> 00:31:13,734
I WROTE THIS FOR HER...
709
00:31:18,533 --> 00:31:20,433
I CALL IT...
710
00:31:20,500 --> 00:31:22,300
CUNT.
711
00:31:22,367 --> 00:31:24,867
I'VE RECLAIMED IT.
712
00:31:26,233 --> 00:31:28,100
CUNT.
713
00:31:28,166 --> 00:31:30,834
I REALLY LIKE IT.
714
00:31:30,900 --> 00:31:33,133
CUNT,
715
00:31:33,200 --> 00:31:35,934
JUST LISTEN TO IT,
LISTEN TO IT.
716
00:31:36,000 --> 00:31:38,367
CUNT.
717
00:31:39,567 --> 00:31:41,500
CA...
718
00:31:41,567 --> 00:31:43,767
CA...
719
00:31:43,834 --> 00:31:45,867
CAVERN,
720
00:31:45,934 --> 00:31:49,500
CACKLE, CLIT,
CUTE, COME-CLOSED C,
721
00:31:49,567 --> 00:31:53,000
CLOSED INSIDE,
INSIDE CA...
722
00:31:53,066 --> 00:31:56,000
CA...
723
00:31:56,066 --> 00:31:57,700
THEN U...
724
00:31:57,767 --> 00:31:59,767
THEN CU...
725
00:31:59,834 --> 00:32:02,900
THEN CURVY,
INVITING SHARKSKIN, U...
726
00:32:02,967 --> 00:32:05,200
UNIFORM,
727
00:32:05,266 --> 00:32:07,667
UNDER,
728
00:32:07,734 --> 00:32:09,100
UP,
729
00:32:09,166 --> 00:32:10,734
URGE,
730
00:32:10,800 --> 00:32:14,734
OOH, OOH, U...
731
00:32:14,800 --> 00:32:18,333
THEN N, THEN CUN...
732
00:32:18,400 --> 00:32:20,266
CUN...
733
00:32:20,333 --> 00:32:22,667
SNUG LETTERS FITTING
PERFECTLY TOGETHER.
734
00:32:22,734 --> 00:32:24,100
N...
735
00:32:24,166 --> 00:32:26,367
NEST, NOW,
736
00:32:26,433 --> 00:32:29,367
NEXUS, NICE,
737
00:32:29,433 --> 00:32:33,200
ALWAYS DEPTH,
ALWAYS ROUND IN UPPERCASE,
738
00:32:33,266 --> 00:32:36,367
CUN, CUN... !
739
00:32:36,433 --> 00:32:39,000
A JAGGED WICKED
ELECTRICAL PULSE.
740
00:32:39,066 --> 00:32:41,834
N..., N...
741
00:32:41,900 --> 00:32:44,900
THEN SOFT N,
WARM N...
742
00:32:44,967 --> 00:32:48,533
CUN, CUN.
743
00:32:48,600 --> 00:32:51,433
THEN T, THEN T...
744
00:32:51,500 --> 00:32:54,467
THEN SHARP CERTAIN
TANGY T...
745
00:32:54,533 --> 00:32:57,333
TEXTURE, TAKE,
746
00:32:57,400 --> 00:33:00,467
TIGHT, TENT,
747
00:33:00,533 --> 00:33:02,066
TANTALIZING,
748
00:33:02,133 --> 00:33:03,600
TENSING,
749
00:33:03,667 --> 00:33:05,100
TASTE,
750
00:33:05,166 --> 00:33:06,834
TENDRILS,
751
00:33:06,900 --> 00:33:08,467
TIME,
752
00:33:08,533 --> 00:33:09,934
TACTILE,
753
00:33:10,000 --> 00:33:11,533
TELL ME !
754
00:33:11,600 --> 00:33:14,767
TELL ME, CUNT !
755
00:33:14,834 --> 00:33:17,533
CUNT !
756
00:33:17,600 --> 00:33:19,400
SAY IT !
757
00:33:19,467 --> 00:33:22,033
TELL ME, COME ON !
758
00:33:22,100 --> 00:33:24,500
CUNT.
759
00:33:24,567 --> 00:33:27,867
CUNT.
760
00:33:27,934 --> 00:33:32,200
CUNT !
761
00:33:32,266 --> 00:33:33,700
WHOO !
762
00:33:40,367 --> 00:33:42,700
LOVE THAT WORD.
763
00:33:42,767 --> 00:33:44,433
I CAN'T
SAY IT ENOUGH.
764
00:33:44,500 --> 00:33:46,567
I CAN'T
STOP SAYING IT.
765
00:33:46,633 --> 00:33:49,166
FEELING A LITTLE
IRRITATED IN THE AIRPORT,
766
00:33:49,233 --> 00:33:50,967
JUST SAY "CUNT",
EVERYTHING CHANGES.
767
00:33:52,967 --> 00:33:54,433
"WHAT DID YOU SAY ?"
768
00:33:54,500 --> 00:33:55,800
I SAID, "CUNT, THAT'S RIGHT,
CUNT, CUNT, CUNT, CUNT."
769
00:33:55,867 --> 00:33:57,367
IT FEELS GOOD.
770
00:33:57,433 --> 00:33:58,767
TRY IT, GO AHEAD,
GO AHEAD.
771
00:33:58,834 --> 00:33:59,600
CUNT.
772
00:33:59,667 --> 00:34:00,266
CUNT.
773
00:34:00,333 --> 00:34:00,934
CUNT.
774
00:34:01,000 --> 00:34:01,800
CUNT.
775
00:34:01,867 --> 00:34:03,500
CUNT, CUNT.
776
00:34:03,567 --> 00:34:04,734
CUNT.
777
00:34:04,800 --> 00:34:06,433
CUNT, CUNT.
778
00:34:06,500 --> 00:34:08,700
CUNT !
779
00:34:08,767 --> 00:34:12,467
( together )
CUNT, CUNT, CUNT... !
780
00:34:12,533 --> 00:34:14,000
I'M A CUNT !
781
00:34:14,066 --> 00:34:17,300
MY MOTHER'S GONNA
SEE THIS, I CAN'T.
782
00:34:17,367 --> 00:34:18,567
CUNT.
783
00:34:18,633 --> 00:34:20,900
THIS IS BETTER
THAN THERAPY.
784
00:34:22,633 --> 00:34:24,867
TURNS THE DAY AROUND,
I PROMISE YOU.
785
00:34:27,033 --> 00:34:28,200
WE'RE MOVING ALONG.
786
00:34:28,266 --> 00:34:29,767
I ASKED WOMEN,
787
00:34:29,834 --> 00:34:33,166
"IF YOUR VAGINA COULD TALK,
WHAT WOULD IT SAY ?"
788
00:34:33,233 --> 00:34:36,000
IF YOUR VAGINA COULD TALK,
AND IT COULD SAY TWO WORDS,
789
00:34:36,066 --> 00:34:37,500
WHAT WOULD IT SAY ?
790
00:34:37,567 --> 00:34:39,133
SLOW DOWN.
791
00:34:39,200 --> 00:34:41,000
THE FIRST TWO WORDS
THAT CAME TO ME HEAD WAS,
792
00:34:41,066 --> 00:34:43,734
"OH, NO," AND I DON'T KNOW IF
THAT ANSWERS YOUR QUESTION,
793
00:34:43,800 --> 00:34:45,900
OR IF THAT'S WHAT MY VAGINA
WOULD SAY, LIKE, "OH, NO".
794
00:34:45,967 --> 00:34:47,133
ICE PACK.
795
00:34:47,200 --> 00:34:47,800
FEED ME.
796
00:34:47,867 --> 00:34:48,734
EEH !
797
00:34:48,800 --> 00:34:49,667
USE ME.
798
00:34:49,734 --> 00:34:51,000
"EAT ME"
COMES TO MIND.
799
00:34:51,066 --> 00:34:52,633
STOP THINKING SO MUCH
AND HAVE A GOOD TIME.
800
00:34:52,700 --> 00:34:53,700
WHERE'S TOM ?
801
00:34:53,767 --> 00:34:54,767
WHAT DO YOU WANT ?
802
00:34:54,834 --> 00:34:55,867
WANT SOME.
803
00:34:55,934 --> 00:34:56,667
YES !
804
00:34:56,734 --> 00:34:57,500
NEED SOME.
805
00:34:57,567 --> 00:34:58,266
MORE.
806
00:34:58,333 --> 00:34:59,200
HELP ME.
807
00:34:59,266 --> 00:35:00,400
OPEN FOR BUSINESS.
808
00:35:00,467 --> 00:35:01,367
HOW YOU DOING ?
809
00:35:01,433 --> 00:35:03,700
SLOW DOWN.
810
00:35:03,767 --> 00:35:05,200
IT'S COZY.
811
00:35:05,266 --> 00:35:06,233
HOWDIE, PARTNER.
812
00:35:06,300 --> 00:35:07,300
WHAT'S UP, HONEY ?
813
00:35:07,367 --> 00:35:08,200
GO, GIRL.
814
00:35:08,266 --> 00:35:09,033
I'M HERE.
815
00:35:09,100 --> 00:35:09,700
I'M HERE.
816
00:35:09,767 --> 00:35:10,300
I'M HERE.
817
00:35:10,367 --> 00:35:11,000
THANK YOU.
818
00:35:11,066 --> 00:35:12,066
ACCEPT GIFTS.
819
00:35:12,133 --> 00:35:12,967
I'M HAPPY.
820
00:35:13,033 --> 00:35:14,800
THAT'S IT.
821
00:35:14,867 --> 00:35:16,500
THAT'S WHAT
IT WOULD SAY.
822
00:35:18,567 --> 00:35:21,033
FOR 10 YEARS I HAD
THE PRIVILEGE OF
823
00:35:21,100 --> 00:35:23,533
WORKING WITH WOMEN
IN NEW YORK WHO HAD NO HOMES.
824
00:35:23,600 --> 00:35:25,867
IN THAT TIME,
I DID ALL KINDS OF THINGS.
825
00:35:25,934 --> 00:35:27,367
I HUNG OUT,
I RAN GROUPS,
826
00:35:27,433 --> 00:35:28,867
I HAD MEALS,
I WENT TO THE MOVIES.
827
00:35:28,934 --> 00:35:31,900
I INTERVIEWED HUNDREDS
AND HUNDREDS OF HOMELESS WOMEN.
828
00:35:31,967 --> 00:35:34,600
AND I HAVE TO TELL YOU
IN ALL THOSE YEARS,
829
00:35:34,667 --> 00:35:35,800
IN ALL THOSE INTERVIEWS,
830
00:35:35,867 --> 00:35:38,166
I ONLY MET ONE WOMEN
WHO WAS NOT
831
00:35:38,233 --> 00:35:39,667
SEXUALLY ABUSED,
832
00:35:39,734 --> 00:35:40,834
AS A LITTLE GIRL
833
00:35:40,900 --> 00:35:42,500
OR RAPED AS
A YOUNG WOMAN.
834
00:35:42,567 --> 00:35:44,500
THIS PARTICULAR WOMAN
I MET SEVEN YEARS AGO,
835
00:35:44,567 --> 00:35:46,734
IN A SHELTER,
AND THIS IS HER STORY,
836
00:35:46,800 --> 00:35:48,266
JUST THE WAY
SHE TOLD IT TO ME.
837
00:35:48,333 --> 00:35:50,100
I DIDN'T ADD
OR CHANGE ANYTHING.
838
00:35:50,166 --> 00:35:51,734
WHAT'S NOT IN HER STORY
839
00:35:51,800 --> 00:35:53,700
IS THAT SHE MET A WOMAN
IN THAT SHELTER
840
00:35:53,767 --> 00:35:55,100
AND THEY FELL IN LOVE,
841
00:35:55,166 --> 00:35:57,533
AND THROUGH THEIR LOVE THEY BOTH
GOT OUT OF THE SHELTER SYSTEM.
842
00:35:57,600 --> 00:36:01,333
I DO THIS TONIGHT FOR HER,
BECAUSE I LOVED HER.
843
00:36:06,767 --> 00:36:09,300
( in southern accent )
MEMORY,
844
00:36:09,367 --> 00:36:12,367
DECEMBER, 1965,
845
00:36:12,433 --> 00:36:14,367
FIVE YEARS OLD.
846
00:36:14,433 --> 00:36:16,467
MY MAMA TELLS ME
IN A SCARY, LOUD,
847
00:36:16,533 --> 00:36:18,266
LIFE-THREATENING VOICE
848
00:36:18,333 --> 00:36:20,934
TO STOP SCRATCHING
MY COOCHIE SNORCHER.
849
00:36:21,000 --> 00:36:24,367
I BECOME TERRIFIED I HAVE
SCRATCHED IT OFF DOWN THERE
850
00:36:24,433 --> 00:36:26,200
AND DO NOT
TOUCH MYSELF AGAIN.
851
00:36:26,266 --> 00:36:27,867
EVEN IN THE BATH,
852
00:36:27,934 --> 00:36:29,867
I AM AFRAID OF
THE WATER GETTING IN
853
00:36:29,934 --> 00:36:31,934
AND FILLING ME UP
SO I EXPLODE.
854
00:36:32,000 --> 00:36:35,233
I PUT BAND-AIDS
OVER MY COOCHIE SNORCHER
TO COVER THE HOLE,
855
00:36:35,300 --> 00:36:37,367
BUT THEY FALL OFF
IN THE WATER.
856
00:36:37,433 --> 00:36:40,200
I IMAGINE A STOPPER,
A BATH TUB PLUG UP THERE
857
00:36:40,266 --> 00:36:42,000
TO PREVENT THINGS
FROM ENTERING ME.
858
00:36:42,066 --> 00:36:45,667
I SLEEP WITH THREE PAIRS
OF HAPPY HEART-SHAPED
COTTON UNDERPANTS
859
00:36:45,734 --> 00:36:47,633
UNDERNEATH
MY SNAP-UP PAJAMAS.
860
00:36:47,700 --> 00:36:51,033
I STILL WANT TO TOUCH MYSELF,
BUT I DON'T.
861
00:36:52,433 --> 00:36:53,934
MEMORY,
862
00:36:54,000 --> 00:36:55,767
SEVEN YEARS OLD.
863
00:36:55,834 --> 00:36:57,767
EDGAR MONTANE,
WHO IS 10,
864
00:36:57,834 --> 00:36:59,467
GETS ANGRY AT ME
AND PUNCHES ME
865
00:36:59,533 --> 00:37:01,934
WITH ALL HIS MIGHT
BETWEEN MY LEGS.
866
00:37:02,000 --> 00:37:05,200
IT FEELS LIKE HE BREAKS
MY ENTIRE SELF.
867
00:37:05,266 --> 00:37:07,567
I LIMP HOME,
I CAN'T PEE.
868
00:37:07,633 --> 00:37:10,633
MY MAMA SAYS "WHAT'S WRONG WITH
YOUR COOCHIE SNORCHER, GIRL ?"
869
00:37:10,700 --> 00:37:12,734
AND WHEN I TELL HER WHAT
EDGAR DID TO ME, SHE SAYS,
870
00:37:12,800 --> 00:37:14,967
"NEVER, NEVER LET ANYONE
TOUCH YOU DOWN THERE AGAIN".
871
00:37:15,033 --> 00:37:17,233
I TRIED TO EXPLAIN.
872
00:37:17,300 --> 00:37:18,967
"HE DIDN'T
TOUCH IT, MAMA.
873
00:37:19,033 --> 00:37:20,834
HE PUNCHED IT."
874
00:37:22,300 --> 00:37:23,633
MEMORY,
875
00:37:23,700 --> 00:37:25,300
NINE YEARS OLD.
876
00:37:25,367 --> 00:37:27,800
I PLAY ON THE BED,
BOUNCING AND FALLING,
877
00:37:27,867 --> 00:37:30,834
AND IMPALE MY COOCHIE SNORCHER
ON THE BEDPOST.
878
00:37:30,900 --> 00:37:34,133
I MAKE HIGH-PITCHED
SCREAMING NOISES
879
00:37:34,200 --> 00:37:36,433
THAT COME STRAIGHT FROM
MY COOCHIE SNORCHER'S MOUTH.
880
00:37:36,500 --> 00:37:39,233
I GET TAKEN
TO THE HOSPITAL,
881
00:37:39,300 --> 00:37:42,667
AND THEY SEW IT UP DOWN THERE
FROM WHERE IT'S BEEN TORN APART.
882
00:37:44,533 --> 00:37:45,433
MEMORY,
883
00:37:45,500 --> 00:37:47,033
10 YEARS OLD.
884
00:37:47,100 --> 00:37:48,567
I'M AT MY FATHER'S HOUSE
885
00:37:48,633 --> 00:37:50,100
AND HE'S HAVING
A PARTY UPSTAIRS.
886
00:37:50,166 --> 00:37:51,367
EVERYONE'S DRINKING.
887
00:37:51,433 --> 00:37:53,367
I'M PLAYING ALONE
IN THE BASEMENT,
888
00:37:53,433 --> 00:37:56,166
AND I'M TRYING ON MY NEW
COTTON WHITE BRA AND PANTIES,
889
00:37:56,233 --> 00:37:57,934
THAT MY FATHER'S
GIRLFRIEND GAVE ME.
890
00:37:58,000 --> 00:38:00,033
SUDDENLY
MY FATHER'S BEST FRIEND,
891
00:38:00,100 --> 00:38:02,467
THIS BIG MAN ALFRED,
COMES UP FROM BEHIND,
892
00:38:02,533 --> 00:38:06,200
AND PULLS MY NEW
UNDERPANTS DOWN,
893
00:38:06,266 --> 00:38:10,533
AND STICKS HIS BIG, HARD PENIS
RIGHT INTO MY COOCHIE SNORCHER.
894
00:38:10,600 --> 00:38:13,233
I SCREAM, I KICK,
I TRY TO FIGHT HIM OFF,
895
00:38:13,300 --> 00:38:15,066
BUT HE ALREADY GETS IN.
896
00:38:15,133 --> 00:38:16,967
MY DADDY'S THERE THEN,
897
00:38:17,033 --> 00:38:18,567
AND HE HAS A GUN,
898
00:38:18,633 --> 00:38:21,433
AND THERE IS A LOUD,
HORRIBLE NOISE,
899
00:38:21,500 --> 00:38:23,800
AND THEN THERE IS BLOOD
ALL OVER ALFRED AND ME,
900
00:38:23,867 --> 00:38:25,467
LOTS OF BLOOD.
901
00:38:25,533 --> 00:38:29,400
I AM SURE MY COOCHIE SNORCHER
IS FINALLY FALLEN OUT.
902
00:38:30,166 --> 00:38:32,600
ALFRED IS
PARALYZED FOR LIFE.
903
00:38:32,667 --> 00:38:34,667
AND MY MAMA DOESN'T
LET ME SEE MY FATHER AGAIN
904
00:38:34,734 --> 00:38:37,066
FOR SEVEN YEARS.
905
00:38:37,600 --> 00:38:38,800
MEMORY,
906
00:38:38,867 --> 00:38:40,900
13 YEARS OLD.
907
00:38:40,967 --> 00:38:44,100
MY COOCHIE SNORCHER
IS A VERY BAD PLACE.
908
00:38:44,166 --> 00:38:47,300
A PLACE OF PAIN,
NASTINESS, PUNCHING,
909
00:38:47,367 --> 00:38:49,367
INVASION AND BLOOD.
910
00:38:49,433 --> 00:38:50,834
IT'S A SITE FOR MISHAPS.
911
00:38:50,900 --> 00:38:52,567
IT'S A BAD LUCK ZONE.
912
00:38:52,633 --> 00:38:55,133
I IMAGINE A FREEWAY
BETWEEN MY LEGS,
913
00:38:55,200 --> 00:38:56,967
AND GIRL,
I AM TRAVELING.
914
00:38:57,033 --> 00:38:58,734
I'M GOING
FAR AWAY FROM HERE.
915
00:38:58,800 --> 00:39:00,600
MEMORY,
916
00:39:00,667 --> 00:39:03,333
16 YEARS OLD.
917
00:39:03,400 --> 00:39:06,133
THERE IS THIS GORGEOUS,
918
00:39:06,200 --> 00:39:08,734
AND I MEAN GORGEOUS,
919
00:39:08,800 --> 00:39:11,033
24-YEAR-OLD WOMAN
IN OUR NEIGHBORHOOD.
920
00:39:11,100 --> 00:39:13,233
AND I DO NOT KNOW WHY,
921
00:39:13,300 --> 00:39:15,400
BUT I CAN'T HELP
922
00:39:15,467 --> 00:39:18,100
BUT STARING AT HER
ALL THE TIME.
923
00:39:18,166 --> 00:39:19,867
ONE DAY,
924
00:39:19,934 --> 00:39:22,467
SHE INVITES ME
INTO HER CAR.
925
00:39:22,533 --> 00:39:25,533
SHE ASKS ME IF I LIKE
TO KISS BOYS, AND I SAY,
926
00:39:25,600 --> 00:39:27,000
"NO, I DO NOT
LIKE TO DO THAT."
927
00:39:27,066 --> 00:39:30,500
THEN SHE SAYS SHE WANTS
TO SHOW ME SOMETHING.
928
00:39:30,567 --> 00:39:33,633
AND SHE LEANS OVER,
929
00:39:33,700 --> 00:39:36,467
AND SHE KISSES ME
930
00:39:36,533 --> 00:39:38,633
SO SOFTLY ON THE LIPS,
931
00:39:38,700 --> 00:39:40,033
WITH HER LIPS.
932
00:39:40,100 --> 00:39:42,900
AND THEN SHE PUTS HER TONGUE
IN MY MOUTH.
933
00:39:42,967 --> 00:39:44,767
WOW.
934
00:39:44,834 --> 00:39:47,467
SHE ASKED ME IF I WANT
TO COME OVER TO HER HOUSE,
935
00:39:47,533 --> 00:39:49,133
AND THEN
SHE KISSES ME AGAIN,
936
00:39:49,200 --> 00:39:51,367
AND TELLS ME TO RELAX,
937
00:39:51,433 --> 00:39:52,967
TO FEEL IT,
938
00:39:53,033 --> 00:39:55,033
TO LET OUR TONGUES
FEEL IT.
939
00:39:55,100 --> 00:39:57,734
SHE ASKS MY MAMA
IF I CAN SPEND THE NIGHT,
940
00:39:57,800 --> 00:39:59,467
AND MY MAMA'S DELIGHTED,
941
00:39:59,533 --> 00:40:00,967
THAT SUCH A BEAUTIFUL,
SUCCESSFUL WOMAN
942
00:40:01,033 --> 00:40:03,100
HAS TAKEN AN INTEREST
IN ME.
943
00:40:05,200 --> 00:40:06,800
I AM SCARED,
944
00:40:06,867 --> 00:40:09,400
BUT REALLY I CAN'T WAIT.
945
00:40:09,467 --> 00:40:12,533
HER APARTMENT
IS FANTASTIC.
946
00:40:12,600 --> 00:40:13,967
SHE'S GOT IT
REALLY HOOKED UP.
947
00:40:14,033 --> 00:40:15,367
IT'S THE 70s,
THE BEADS,
948
00:40:15,433 --> 00:40:16,800
THE FLUFFY PILLOWS,
THE MOOD LIGHTS.
949
00:40:16,867 --> 00:40:19,233
I DECIDE RIGHT THEN
I'M GONNA BE A SECRETARY
950
00:40:19,300 --> 00:40:21,133
JUST LIKE HER
WHEN I GROW UP.
951
00:40:22,533 --> 00:40:24,567
SHE MAKES A VODKA
FOR HERSELF,
952
00:40:24,633 --> 00:40:25,967
AND THEN SHE ASKS ME
WHAT I'M DRINKING.
953
00:40:26,033 --> 00:40:27,734
I SAY, THE SAME
AS SHE'S DRINKING,
954
00:40:27,800 --> 00:40:29,066
AND SHE SAYS
SHE DOESN'T THINK
955
00:40:29,133 --> 00:40:30,834
MY MAMA WOULD
LIKE ME DRINKING VODKA.
956
00:40:30,900 --> 00:40:34,233
I SAY, "SHE PROBABLY WOULDN'T
LIKE ME KISSING GIRLS EITHER."
957
00:40:34,300 --> 00:40:37,467
AND THE PRETTY LADY
MAKES ME A DRINK.
958
00:40:39,600 --> 00:40:43,033
THEN SHE CHANGES INTO
THIS CHOCOLATE...
959
00:40:43,100 --> 00:40:45,500
SATIN TEDDY.
960
00:40:45,567 --> 00:40:47,600
SHE IS SO BEAUTIFUL.
961
00:40:47,667 --> 00:40:49,900
I MEAN, I ALWAYS THOUGHT
BULLDAGGERS WERE UGLY.
962
00:40:49,967 --> 00:40:52,100
I SAY,
"YOU LOOK GREAT."
963
00:40:52,166 --> 00:40:53,767
SHE SAYS, "SO DO YOU."
964
00:40:53,834 --> 00:40:56,133
I SAY, "NO, I ONLY HAVE
THIS WHITE COTTON BRA
965
00:40:56,200 --> 00:40:57,633
AND PANTIES ON."
966
00:40:57,700 --> 00:41:00,934
SO, SHE TAKES ME
INTO HER CLOSET,
967
00:41:01,000 --> 00:41:03,367
AND SHE CHANGES ME INTO
968
00:41:03,433 --> 00:41:06,900
ANOTHER SATIN TEDDY.
969
00:41:06,967 --> 00:41:09,066
IT IS LAVENDER,
970
00:41:09,133 --> 00:41:12,200
LIKE THE FIRST
SOFT DAYS OF SPRING.
971
00:41:12,266 --> 00:41:16,166
THE ALCOHOL HAS GONE
TO MY HEAD,
972
00:41:16,233 --> 00:41:18,433
AND I AM LOOSE.
973
00:41:18,500 --> 00:41:20,667
I AM READY.
974
00:41:20,734 --> 00:41:23,934
I NOTICE, AS SHE LAYS ME
DOWN ON HER BED,
975
00:41:24,000 --> 00:41:26,633
THAT THERE IS A PICTURE
OF A NAKED BLACK WOMAN
976
00:41:26,700 --> 00:41:28,700
WITH A HUGE AFRO.
977
00:41:28,767 --> 00:41:31,400
AS SHE SLOWLY
978
00:41:31,467 --> 00:41:34,300
AND GENTLY LAYS ME
DOWN ON HER BED,
979
00:41:34,367 --> 00:41:39,433
AND JUST OUR
BODIES RUBBING.
980
00:41:40,500 --> 00:41:44,600
JUST OUR BODIES
RUBBING MAKES ME COME.
981
00:41:45,967 --> 00:41:48,767
THEN SHE DOES EVERYTHING TO ME
AND MY COOCHIE SNORCHER
982
00:41:48,834 --> 00:41:50,800
THAT I ALWAYS THOUGHT
WAS NASTY BEFORE
983
00:41:50,867 --> 00:41:55,066
AND OH, MY GOD,
I AM SO EXCITED.
984
00:41:55,133 --> 00:41:57,967
SHE SAYS, "YOUR VAGINA,
UNTOUCHED BY MAN,
985
00:41:58,033 --> 00:42:00,233
"SMELLS SO FRESH,
SO NICE,
986
00:42:00,300 --> 00:42:02,433
I WISH I COULD KEEP IT
THAT WAY FOREVER."
987
00:42:02,500 --> 00:42:03,500
I GET CRAZY.
988
00:42:03,567 --> 00:42:05,066
I GET CRAZY WILD.
989
00:42:05,133 --> 00:42:07,734
AND THEN THE PHONE RINGS,
990
00:42:07,800 --> 00:42:10,033
AND IT'S MY MAMA.
991
00:42:10,100 --> 00:42:12,300
SHE CATCHES ME
AT EVERYTHING.
992
00:42:12,367 --> 00:42:14,567
I TRY TO ACT NORMAL
WHEN I GET ON THE PHONE.
993
00:42:14,633 --> 00:42:15,934
"WHAT IS WRONG
WITH YOU, GIRL ?
994
00:42:16,033 --> 00:42:18,000
HAVE YOU BEEN RUNNING ?"
995
00:42:20,700 --> 00:42:24,367
I SAY, "NO, MAMA,
EXERCISING."
996
00:42:25,934 --> 00:42:27,467
AFTERWARDS,
997
00:42:27,533 --> 00:42:30,400
THE GORGEOUS LADY
TEACHES ME EVERYTHING
998
00:42:30,467 --> 00:42:32,500
ABOUT MY COOCHIE SNORCHER.
999
00:42:32,567 --> 00:42:35,166
SHE MAKES ME PLAY
WITH MYSELF IN FRONT OF HER,
1000
00:42:35,233 --> 00:42:38,533
AND SHE TEACHES ME
ALL THE DIFFERENT WAYS
1001
00:42:38,600 --> 00:42:40,433
TO GIVE MYSELF PLEASURE.
1002
00:42:40,500 --> 00:42:43,367
SHE IS VERY THOROUGH.
1003
00:42:43,433 --> 00:42:48,066
IN THE MORNING, I AM WORRIED
I'VE BECOME A BUTCH,
1004
00:42:48,133 --> 00:42:50,066
BECAUSE I'M SO
IN LOVE WITH HER.
1005
00:42:50,133 --> 00:42:53,667
SHE LAUGHS,
BUT I NEVER SEE HER AGAIN.
1006
00:42:53,734 --> 00:42:56,467
YOU KNOW,
I REALIZED LATER,
1007
00:42:56,533 --> 00:43:01,233
SHE WAS MY SURPRISING,
UNEXPECTED,
1008
00:43:01,300 --> 00:43:04,533
POLITICALLY INCORRECT
1009
00:43:04,600 --> 00:43:06,133
SALVATION.
1010
00:43:06,200 --> 00:43:09,734
SHE TRANSFORMED
MY SORRY-ASS COOCHIE SNORCHER
1011
00:43:09,800 --> 00:43:13,300
AND RAISED IT UP
1012
00:43:13,367 --> 00:43:16,667
INTO A KIND OF HEAVEN.
1013
00:43:16,734 --> 00:43:20,166
( applause )
1014
00:43:26,934 --> 00:43:29,200
IN 1993, I SAW
THIS INCREDIBLE PICTURE
1015
00:43:29,266 --> 00:43:30,834
ON THE COVER OF "NEWSDAY".
1016
00:43:30,900 --> 00:43:34,033
IT WAS A PICTURE OF
SIX YOUNG BOSNIAN GIRLS
1017
00:43:34,100 --> 00:43:36,367
WHO HAD JUST BEEN RETURNED
FROM A RAPE CAMP
1018
00:43:36,433 --> 00:43:38,433
IN THE FORMER YUGOSLAVIA,
1019
00:43:38,500 --> 00:43:40,266
AND THE PICTURE
WAS REALLY SHOCKING,
1020
00:43:40,333 --> 00:43:42,800
BECAUSE ON ONE LEVEL THEY LOOKED
LIKE SIX YOUNG BEAUTIFUL GIRLS
1021
00:43:42,867 --> 00:43:45,467
IN THEIR LATE TEENS,
EARLY 20s.
1022
00:43:45,533 --> 00:43:47,333
BUT FROM ANOTHER DIRECTION
IT WAS REALLY CLEAR
1023
00:43:47,400 --> 00:43:49,767
THAT SOMETHING HAD JUST
OCCURRED TO EACH OF THESE GIRLS
1024
00:43:49,834 --> 00:43:52,400
THAT HAD
CHANGED THEM FOREVER.
1025
00:43:52,467 --> 00:43:54,734
INSIDE THE NEWSPAPER
WAS ANOTHER PHOTOGRAPH,
1026
00:43:54,800 --> 00:43:57,700
AND THERE WERE 30 GIRLS WHO HAD
BEEN RETURNED FROM A RAPE CAMP.
1027
00:43:57,767 --> 00:44:00,467
AND THEY WERE ALL STANDING
IN A SEMI-CIRCLE,
1028
00:44:00,533 --> 00:44:01,867
HAVING THEIR
PICTURE TAKEN,
1029
00:44:01,934 --> 00:44:04,967
YET NOT ONE OF THEM
COULD LOOK AT THE CAMERA.
1030
00:44:05,033 --> 00:44:07,133
THESE PICTURES
COMPLETELY HAUNTED ME,
1031
00:44:07,200 --> 00:44:10,000
AND WERE RESPONSIBLE
FOR MY GOING
TO THE FORMER YUGOSLAVIA
1032
00:44:10,066 --> 00:44:12,467
SEVERAL MONTHS LATER
DURING THE WAR,
1033
00:44:12,533 --> 00:44:14,300
WHERE I SPENT MONTHS
1034
00:44:14,367 --> 00:44:16,533
INTERVIEWING BOSNIAN
WOMEN REFUGEES IN CAMPS
1035
00:44:16,600 --> 00:44:18,033
AND IN CENTERS.
1036
00:44:18,100 --> 00:44:20,533
THEIR STORIES WERE, UH,
THEY WERE HORRIBLE.
1037
00:44:20,600 --> 00:44:22,300
AND WHEN I CAME
BACK TO THE STATES,
1038
00:44:22,367 --> 00:44:23,667
I FELT INSANE,
1039
00:44:23,734 --> 00:44:25,000
AND I COULDN'T UNDERSTAND
1040
00:44:25,066 --> 00:44:26,867
WHY WE WEREN'T DOING
ANYTHING ABOUT THE FACT
1041
00:44:26,934 --> 00:44:30,867
THAT BETWEEN 20 AND 70 THOUSAND
WOMEN WERE BEING RAPED
1042
00:44:30,934 --> 00:44:33,400
IN THE MIDDLE
OF EUROPE IN 1993,
1043
00:44:33,467 --> 00:44:35,767
AS A SYSTEMATIC
TACTIC OF WAR.
1044
00:44:35,834 --> 00:44:37,500
AND A FRIEND OF MINE
FINALLY SAID,
1045
00:44:37,567 --> 00:44:39,166
"WHY ARE YOU SURPRISED ?"
1046
00:44:39,233 --> 00:44:41,567
IN THIS COUNTRY, IN ONE YEAR,
AND I DO NOT EXAGGERATE,
1047
00:44:41,633 --> 00:44:43,900
IT'S A DOCUMENTED FACT.
1048
00:44:43,967 --> 00:44:46,133
IN THIS COUNTRY
IN ONE YEAR,
1049
00:44:46,200 --> 00:44:50,400
OVER 700,000 WOMEN
ARE RAPED.
1050
00:44:50,467 --> 00:44:53,934
AND IN THEORY,
WE'RE NOT AT WAR.
1051
00:44:55,300 --> 00:44:58,066
I WROTE THIS FOR
THE BRAVE, BEAUTIFUL WOMEN
1052
00:44:58,133 --> 00:45:01,600
OF BOSNIA AND KOSOVA.
1053
00:45:09,700 --> 00:45:14,734
MY VAGINA
WAS GREEN WATER,
1054
00:45:14,800 --> 00:45:17,834
SOFT PINK FIELDS,
1055
00:45:17,900 --> 00:45:19,467
COW MOOING,
1056
00:45:19,533 --> 00:45:22,567
SUN RESTING,
SWEET BOYFRIEND,
1057
00:45:22,633 --> 00:45:26,567
TOUCHING LIGHTLY WITH
A SOFT PIECE OF BLONDE STRAW.
1058
00:45:26,633 --> 00:45:30,200
THERE IS SOMETHING
BETWEEN MY LEGS.
1059
00:45:30,266 --> 00:45:33,467
I DO NOT KNOW
WHAT IT IS.
1060
00:45:33,533 --> 00:45:36,033
I DO NOT KNOW
WHERE IT IS.
1061
00:45:36,100 --> 00:45:37,266
NOT NOW.
1062
00:45:37,333 --> 00:45:38,800
NOT ANYMORE.
1063
00:45:38,867 --> 00:45:40,233
NOT SINCE.
1064
00:45:40,300 --> 00:45:43,934
MY VAGINA WAS CHATTY,
CAN'T WAIT, SO MUCH SAYING,
1065
00:45:44,000 --> 00:45:46,834
WORDS TALKING,
CAN'T QUIT TRYING,
1066
00:45:46,900 --> 00:45:50,266
CAN'T QUIT
SAYING, "YES,
1067
00:45:50,333 --> 00:45:51,967
YES".
1068
00:45:52,033 --> 00:45:54,500
NOT SINCE I DREAM
THERE'S A DEAD ANIMAL
1069
00:45:54,567 --> 00:45:56,400
SEWN IN DOWN THERE
1070
00:45:56,467 --> 00:45:59,333
WITH THICK BLACK
FISHING LINE.
1071
00:45:59,400 --> 00:46:03,633
AND THE BAD DEAD ANIMAL SMELL
CANNOT BE REMOVED.
1072
00:46:03,700 --> 00:46:05,867
AND ITS THROAT
IS SLIT
1073
00:46:05,934 --> 00:46:09,633
AND IT BLEEDS THROUGH
ALL MY SUMMER DRESSES.
1074
00:46:11,467 --> 00:46:14,967
MY VAGINA SINGING
ALL GIRL SONGS,
1075
00:46:15,033 --> 00:46:17,033
ALL GOAT BELLS
RINGING SONGS,
1076
00:46:17,100 --> 00:46:20,133
ALL WILD AUTUMN
FIELD SONGS,
1077
00:46:20,200 --> 00:46:23,066
VAGINA SONGS,
VAGINA HOME SONGS.
1078
00:46:23,133 --> 00:46:25,166
NOT SINCE THE SOLDIERS
1079
00:46:25,233 --> 00:46:29,066
PUT A LONG, THICK RIFLE
1080
00:46:29,133 --> 00:46:30,700
INSIDE ME.
1081
00:46:30,767 --> 00:46:34,500
SO COLD, THE STEEL ROD
CANCELING MY HEART.
1082
00:46:34,567 --> 00:46:37,200
DON'T KNOW WHETHER
THEY'RE GONNA FIRE IT
1083
00:46:37,266 --> 00:46:40,700
OR SHOVE IT
THROUGH MY SPINNING BRAIN.
1084
00:46:40,767 --> 00:46:43,233
SIX OF THEM,
1085
00:46:43,300 --> 00:46:46,333
WITH BLACK MASKS
SHOVING BOTTLES UP ME TOO.
1086
00:46:46,400 --> 00:46:49,567
THERE WERE STICKS,
AND THE END OF A BROOM.
1087
00:46:49,633 --> 00:46:53,633
MY VAGINA SWIMMING
RIVER WATER, CLEAN,
1088
00:46:53,700 --> 00:46:57,633
SPILLING WATER
OVER SUN-BAKED STONES,
1089
00:46:57,700 --> 00:47:01,934
OVER STONE CLIT,
CLIT STONES OVER AND OVER.
1090
00:47:02,000 --> 00:47:04,433
NOT SINCE
I HEARD THE SKIN TEAR
1091
00:47:04,500 --> 00:47:08,166
AND MADE LEMON
SCREECHING SOUNDS...
1092
00:47:09,300 --> 00:47:12,734
NOT SINCE A PIECE OF MY VAGINA
CAME OFF IN MY HAND,
1093
00:47:12,800 --> 00:47:14,967
NOW ONE PART
OF THE LIP,
1094
00:47:15,033 --> 00:47:18,133
ONE SIDE OF THE LIP
IS COMPLETELY GONE.
1095
00:47:19,900 --> 00:47:21,734
MY VAGINA.
1096
00:47:21,800 --> 00:47:25,867
A LIVE, WET,
WATER VILLAGE.
1097
00:47:25,934 --> 00:47:28,700
MY VAGINA
1098
00:47:28,767 --> 00:47:31,233
WAS ONCE MY HOMETOWN.
1099
00:47:31,300 --> 00:47:34,133
NOT SINCE
THEY TOOK TURNS.
1100
00:47:34,200 --> 00:47:38,066
THEY TOOK TURNS
FOR SEVEN DAYS
1101
00:47:39,200 --> 00:47:42,100
SMELLING LIKE FECES
AND SMOKED MEAT.
1102
00:47:43,100 --> 00:47:46,500
THEY LEFT THEIR DIRTY SPERM
INSIDE ME.
1103
00:47:47,266 --> 00:47:50,767
AND I BECAME A RIVER
OF POISON AND PUS,
1104
00:47:50,834 --> 00:47:53,900
AND ALL THE CROPS DIED,
1105
00:47:53,967 --> 00:47:55,667
AND THE FISH.
1106
00:47:57,400 --> 00:47:59,367
MY VAGINA...
1107
00:47:59,433 --> 00:48:03,233
A LIVE, WET,
WATER VILLAGE.
1108
00:48:04,400 --> 00:48:06,667
THEY INVADED IT.
1109
00:48:06,734 --> 00:48:09,233
THEY BUTCHERED IT
1110
00:48:09,300 --> 00:48:11,400
AND BURNED IT DOWN.
1111
00:48:11,467 --> 00:48:15,166
I DO NOT TOUCH NOW.
1112
00:48:15,233 --> 00:48:17,166
I DO NOT VISIT.
1113
00:48:17,233 --> 00:48:20,800
I LIVE SOMEPLACE
ELSE NOW.
1114
00:48:20,867 --> 00:48:24,500
I DON'T KNOW
WHERE THAT IS.
1115
00:48:37,133 --> 00:48:38,734
HAS ANYONE EVER
HURT YOUR VAGINA ?
1116
00:48:38,800 --> 00:48:41,867
THE WORST THING WAS
DEFINITELY BEING RAPED.
1117
00:48:41,934 --> 00:48:43,734
AND WHEN WAS THAT ?
1118
00:48:43,800 --> 00:48:45,734
WHEN I WAS
14 YEARS OLD.
1119
00:48:45,800 --> 00:48:48,800
THAT WAS THE FIRST TIME
A MAN EVER DID ENTER MY BODY.
1120
00:48:48,867 --> 00:48:50,467
THAT WAS WHEN
YOU WERE A VIRGIN ?
1121
00:48:50,533 --> 00:48:52,266
SO, WHAT HAPPENED ?
1122
00:48:52,333 --> 00:48:54,000
UH, HE HAD CUT ME
WITH HIS FINGERNAILS,
1123
00:48:54,066 --> 00:48:57,533
AND THEN I WALKED AROUND
TRYING NOT TO PEE,
1124
00:48:57,600 --> 00:49:00,367
BECAUSE IT HURT.
1125
00:49:01,934 --> 00:49:03,934
I EXPERIENCED
A DATE RAPE IN COLLEGE.
1126
00:49:04,000 --> 00:49:06,133
THIS WAS A VERY CLOSE FRIEND
FROM HIGH SCHOOL,
1127
00:49:06,200 --> 00:49:10,266
AND HE ONE TIME
WAS STAYING OVER
1128
00:49:10,333 --> 00:49:12,066
AND WOKE ME UP
IN THE MIDDLE OF THE NIGHT,
1129
00:49:12,133 --> 00:49:15,734
AND RIPPED OFF
MY UNDERWEAR,
1130
00:49:15,800 --> 00:49:17,400
STUFFED UNDERWEAR
IN MY MOUTH,
1131
00:49:17,467 --> 00:49:21,066
PINNED MY KNEES DOWN
WITH HIS KNEES
1132
00:49:21,133 --> 00:49:23,433
AND RAPED ME.
1133
00:49:26,100 --> 00:49:28,000
I WAS WALKING HOME
FROM MY FRIEND'S HOUSE,
1134
00:49:28,066 --> 00:49:30,567
AND AN OLDER MAN
CAME UP BEHIND ME
1135
00:49:30,633 --> 00:49:32,066
AND PUT HIS HAND
OVER MY MOUTH,
1136
00:49:32,133 --> 00:49:34,533
AND SHOVED HIS
OTHER HAND IN MY BACK
1137
00:49:34,600 --> 00:49:37,266
AND SAID, "DON'T SCREAM
OR I'LL KILL YOU."
1138
00:49:37,333 --> 00:49:39,900
HE BEAT ME
AND HE KNIFED ME
1139
00:49:39,967 --> 00:49:41,166
AND HE RAPED ME.
1140
00:49:41,233 --> 00:49:43,533
AND HE TRIED
TO KILL ME.
1141
00:49:45,033 --> 00:49:47,667
IT WAS SUCH
AN EMOTIONAL INJURY,
1142
00:49:47,734 --> 00:49:50,233
THAT DISTORTS YOUR FEELINGS
ABOUT YOUR WOMANHOOD,
1143
00:49:50,300 --> 00:49:51,867
YOUR SELF,
1144
00:49:51,934 --> 00:49:53,700
RELATIONSHIPS.
1145
00:49:53,767 --> 00:49:56,333
IT TOOK A LONG, LONG,
LONG TIME TO TRUST ANYONE,
1146
00:49:56,400 --> 00:49:59,900
AND TO MAKE REALLY MYSELF
FEEL THAT IT WAS NOT MY FAULT.
1147
00:49:59,967 --> 00:50:03,066
AND THANK GOD I DIDN'T
CATCH ANYTHING BEHIND IT.
1148
00:50:03,133 --> 00:50:05,000
BUT, UM...
1149
00:50:05,066 --> 00:50:07,900
I WAS HURT MORE
THAN MY VAGINA.
1150
00:50:10,633 --> 00:50:12,600
THANK YOU.
1151
00:50:18,633 --> 00:50:20,233
MY VAGINA'S ANGRY !
1152
00:50:20,300 --> 00:50:21,633
IT IS !
1153
00:50:21,700 --> 00:50:24,066
IT'S PISSED OFF !
1154
00:50:24,133 --> 00:50:26,500
MY VAGINA IS FURIOUS.
1155
00:50:26,567 --> 00:50:28,066
AND IT NEEDS TO TALK.
1156
00:50:28,133 --> 00:50:30,100
IT NEEDS TO TALK
ABOUT ALL THIS SHIT
1157
00:50:30,166 --> 00:50:32,000
AND IT NEEDS
TO TALK TO YOU.
1158
00:50:32,066 --> 00:50:34,767
I MEAN,
WHAT IS THE DEAL ?
1159
00:50:34,834 --> 00:50:37,433
AN ARMY OF PEOPLE OUT THERE
THINKING UP WAYS
1160
00:50:37,500 --> 00:50:40,233
TO TORTURE MY POOR-ASS,
GENTLE, LOVING VAGINA.
1161
00:50:40,300 --> 00:50:43,166
SPENDING THEIR DAYS
CONSTRUCTING PSYCHO PRODUCTS
1162
00:50:43,233 --> 00:50:46,533
AND NASTY IDEAS
TO UNDERMINE MY PUSSY.
1163
00:50:46,600 --> 00:50:49,166
VAGINA MOTHERFUCKERS !
1164
00:50:50,700 --> 00:50:54,100
ALL THIS SHIT THEY'RE CONSTANTLY
TRYING TO SHOVE UP US.
1165
00:50:54,166 --> 00:50:56,700
SHOVE UP US, STUFF US UP,
AND MAKE US GO AWAY.
1166
00:50:56,767 --> 00:50:58,667
WELL, MY VAGINA'S
NOT GOING AWAY.
1167
00:50:58,734 --> 00:51:01,934
IT'S PISSED OFF
AND IT'S STAYING RIGHT HERE.
1168
00:51:02,000 --> 00:51:04,333
IS THERE ANYTHING YOUR VAGINA'S
EVER BEEN ANGRY AT ?
1169
00:51:04,400 --> 00:51:06,400
HMM.
1170
00:51:06,467 --> 00:51:08,467
EVER BEEN ANGRY AT ?
1171
00:51:08,533 --> 00:51:11,600
YES, AGAIN IT ALL
HAS TO DO WITH THE...
1172
00:51:11,667 --> 00:51:14,967
INVASIVENESS ASPECT,
1173
00:51:15,033 --> 00:51:17,600
WHEN IT'S NOT READY.
1174
00:51:17,667 --> 00:51:20,200
WHEN IT HASN'T BEEN, UM...
1175
00:51:20,266 --> 00:51:22,233
WHEN IT HASN'T
BEEN NURTURED.
1176
00:51:22,300 --> 00:51:24,000
LET'S JUST BEGIN
WITH TAMPONS.
1177
00:51:24,066 --> 00:51:25,433
WHAT THE HELL IS THAT ?
1178
00:51:25,500 --> 00:51:27,900
( audience laughing )
1179
00:51:27,967 --> 00:51:30,934
A DRY WAD OF FUCKING COTTON
STUFFED UP THERE.
1180
00:51:32,500 --> 00:51:34,233
WHY CAN'T
THEY FIND A WAY
1181
00:51:34,300 --> 00:51:36,266
TO SUBTLY LUBRICATE
THE TAMPON ?
1182
00:51:36,333 --> 00:51:38,700
AS SOON AS MY VAGINA SEES IT,
IT GOES INTO SHOCK !
1183
00:51:38,767 --> 00:51:40,734
IT CLOSES UP.
1184
00:51:40,800 --> 00:51:41,867
IT SAYS, "FORGET IT."
1185
00:51:41,934 --> 00:51:45,300
YOU HAVE TO WORK
WITH THE VAGINA,
1186
00:51:45,367 --> 00:51:47,834
INTRODUCE IT TO THINGS,
1187
00:51:47,900 --> 00:51:49,734
PREPARE THE WAY.
1188
00:51:49,800 --> 00:51:52,033
THAT'S WHAT
FOREPLAY'S ALL ABOUT.
1189
00:51:52,100 --> 00:51:54,467
YOU'VE GOT
TO CONVINCE MY VAGINA,
1190
00:51:54,533 --> 00:51:56,467
SEDUCE MY VAGINA,
1191
00:51:56,533 --> 00:51:58,367
ENGAGE MY VAGINA'S TRUST.
1192
00:51:58,433 --> 00:52:00,133
YOU CAN'T DO THAT
1193
00:52:00,200 --> 00:52:03,367
WITH A DRY WAD
OF FUCKING COTTON !
1194
00:52:04,667 --> 00:52:06,533
YOU PROBABLY DON'T REMEMBER,
BUT THEY USED TO HAVE, UH,
1195
00:52:06,600 --> 00:52:10,166
ELASTIC BELTS WITH LITTLE HOOKS
AND THEY HANDED YOU A PAD
1196
00:52:10,233 --> 00:52:12,433
THAT WAS LIKE
THICK ENOUGH
1197
00:52:12,500 --> 00:52:15,133
FOR BARBIE TO USE
AS A RAFT, YOU KNOW ?
1198
00:52:15,200 --> 00:52:17,433
IT WAS LIKE GIGANTIC.
1199
00:52:17,500 --> 00:52:18,967
I REMEMBER WHEN I WAS,
1200
00:52:19,033 --> 00:52:20,500
AFTER I'D STARTED
MY PERIOD,
1201
00:52:20,567 --> 00:52:23,633
SPENDING A SUMMER
TRYING TO FIGURE OUT
1202
00:52:23,700 --> 00:52:25,300
HOW TO PUT A TAMPON IN.
1203
00:52:25,367 --> 00:52:27,867
AND I REMEMBER SORT OF
SQUATTING OVER A MIRROR,
1204
00:52:27,934 --> 00:52:31,567
FOR DAYS AND DAYS AND DAYS
TRYING TO FIND THE WAY IN.
1205
00:52:31,633 --> 00:52:36,066
STOP SHOVING
THINGS UP ME !
1206
00:52:36,133 --> 00:52:38,033
STOP SHOVING
AND STOP CLEANING IT UP.
1207
00:52:38,100 --> 00:52:40,500
MY VAGINA DOESN'T
NEED TO BE CLEANED UP.
1208
00:52:40,567 --> 00:52:41,967
IT SMELLS GOOD ALREADY.
1209
00:52:42,033 --> 00:52:43,567
DON'T TRY TO DECORATE.
1210
00:52:43,633 --> 00:52:45,500
DON'T BELIEVE HIM
WHEN HE TELLS YOU
1211
00:52:45,567 --> 00:52:47,500
IT SMELLS LIKE
ROSE PETALS,
1212
00:52:47,567 --> 00:52:50,166
WHEN IT'S SUPPOSED
TO SMELL LIKE PUSSY.
1213
00:52:54,300 --> 00:52:56,467
THAT'S WHAT THEY'RE DOING,
YOU KNOW, TRYING TO CLEAN IT UP,
1214
00:52:56,533 --> 00:53:00,600
MAKE IT SMELL LIKE
A BATHROOM SPRAY OR A GARDEN.
1215
00:53:03,934 --> 00:53:05,900
ALL THOSE DOUCHE SPRAYS.
1216
00:53:05,967 --> 00:53:07,834
FLORAL, BERRY, RAIN.
1217
00:53:07,900 --> 00:53:10,867
I DON'T WANT MY PUSSY
TO SMELL LIKE RAIN !
1218
00:53:13,400 --> 00:53:17,166
ALL CLEANED UP
LIKE WASHING A FISH
AFTER YOU'VE COOKED IT.
1219
00:53:17,233 --> 00:53:20,333
I WANNA
TASTE THE FISH !
1220
00:53:20,400 --> 00:53:22,467
THAT'S WHY
I ORDERED IT !
1221
00:53:22,533 --> 00:53:25,467
YOU HEARD THE JOKE ABOUT
"GOOD EVENING, LADIES" ?
1222
00:53:25,533 --> 00:53:26,734
NO.
1223
00:53:26,800 --> 00:53:29,266
OH, WELL,
IT'S A JOKE THAT GOES,
1224
00:53:29,333 --> 00:53:31,367
"A BLIND MAN
PASSED THE FISH MARKET,
1225
00:53:31,433 --> 00:53:33,633
AND HE SAYS,
"GOOD EVENING, LADIES !"
1226
00:53:36,467 --> 00:53:39,600
MY FIANCE SAYS IT'S LIKE
POTPOURRI AND ROSES.
1227
00:53:39,667 --> 00:53:41,033
THAT'S SICK.
1228
00:53:41,100 --> 00:53:42,433
THAT'S LIKE DOUCHING
WITH LIKE...
1229
00:53:42,500 --> 00:53:46,033
FABRIC FRESH OR GLAD
OR WHATEVER.
1230
00:53:46,100 --> 00:53:48,100
THE THING YOU GET
LIKE ALL FREAKED OUT,
1231
00:53:48,166 --> 00:53:49,567
BECAUSE THERE'S
ALL THESE WARNINGS,
1232
00:53:49,633 --> 00:53:52,433
ABOUT THE ODOR,
AND THEN THE ODOR SHOWS UP,
1233
00:53:52,500 --> 00:53:54,200
AND YOU'RE LIKE,
OH, MY GOD, WHAT'S GOING ON ?
1234
00:53:54,266 --> 00:53:56,000
AND THEN YOU REALIZE
IT'S NORMAL.
1235
00:53:56,066 --> 00:53:57,667
THEN THERE'S
THOSE EXAMS.
1236
00:53:57,734 --> 00:54:00,600
WHO THOUGHT UP
THOSE EXAMS ?
1237
00:54:00,667 --> 00:54:03,700
I KNOW THERE HAS
TO BE A BETTER WAY.
1238
00:54:04,800 --> 00:54:08,266
WHY THE SCARY PAPER DRESS
THAT SCRATCHES YOUR TITS ?
1239
00:54:09,967 --> 00:54:11,734
WHY THE FUNKY
RUBBER GLOVES ?
1240
00:54:11,800 --> 00:54:13,400
WHY THE FLASHLIGHT
ALL UP THERE,
1241
00:54:13,467 --> 00:54:15,767
LIKE NANCY DREW WORKING
AGAINST GRAVITY ?
1242
00:54:15,834 --> 00:54:19,667
WHY THE NAZI
STEEL STIRRUPS ?
1243
00:54:20,633 --> 00:54:24,367
WHY THE MEAN, COLD DUCK LIPS
THEY SHOVE INSIDE YOU ?
1244
00:54:24,433 --> 00:54:26,266
WHAT IS THAT ?!
1245
00:54:27,900 --> 00:54:29,934
MY VAGINA IS FURIOUS
ABOUT THESE VISITS.
1246
00:54:30,033 --> 00:54:32,734
IT GETS DEFENDED
WEEKS IN ADVANCE,
1247
00:54:32,800 --> 00:54:34,266
IT WON'T GO OUT
OF THE HOUSE.
1248
00:54:34,333 --> 00:54:35,834
THEN YOU GET THERE,
1249
00:54:35,900 --> 00:54:36,734
DON'T YOU LOVE THAT ?
1250
00:54:36,800 --> 00:54:38,400
"RELAX YOUR VAGINA.
1251
00:54:38,467 --> 00:54:41,667
RELAX, COME ON, SCOOT DOWN,
SCOOT DOWN, RELAX YOUR VAGINA."
1252
00:54:43,200 --> 00:54:44,800
WHY ?
1253
00:54:44,867 --> 00:54:46,734
MY VAGINA'S
NOT STUPID.
1254
00:54:46,800 --> 00:54:50,100
YOU'RE ABOUT TO SHOVE MEAN,
COLD DUCK LIPS UP INSIDE IT !
1255
00:54:50,166 --> 00:54:51,500
IT'S JUST HORRIBLE.
1256
00:54:51,567 --> 00:54:53,066
FIRST THING, THE ROOM
IS ALWAYS VERY COLD.
1257
00:54:53,133 --> 00:54:54,567
YOU KNOW,
YOU'RE SITTING THERE,
1258
00:54:54,633 --> 00:54:57,867
SPREADING YOUR LEGS,
IT'S JUST HORRIBLE.
1259
00:54:57,934 --> 00:55:00,433
WHAT THEY CALL A SPECULUM,
OR WHATEVER THAT THING IS ?
1260
00:55:00,500 --> 00:55:02,533
I CAN'T STAND IT,
1261
00:55:02,600 --> 00:55:04,500
EVEN WHEN THAT LITTLE
BRUSH THING FOR THE PAP SMEAR
GOES IN THERE,
1262
00:55:04,567 --> 00:55:06,200
IT MAKES ME CRINGE.
1263
00:55:06,266 --> 00:55:08,033
AND THEY'RE LIKE, "OH, DOES THIS
HURT WHEN I SQUEEZE HERE ?"
1264
00:55:08,100 --> 00:55:09,367
WELL, YEAH.
1265
00:55:09,433 --> 00:55:12,667
YOU'RE SQUEEZING MY VAGINA,
IT'S NOT A COMFORTABLE FEELING.
1266
00:55:12,734 --> 00:55:16,867
WHY CAN'T THEY FIND SOME NICE,
DELICIOUS PURPLE VELVET
1267
00:55:16,934 --> 00:55:18,967
AND WRAP IT AROUND ME,
1268
00:55:19,033 --> 00:55:21,667
LAY ME DOWN IN SOME
FEATHERY COTTON SPREAD,
1269
00:55:21,734 --> 00:55:24,967
PUT ON SOME FRIENDLY
PINK OR BLUE GLOVES,
1270
00:55:25,033 --> 00:55:28,266
AND REST MY FEET IN SOME
FUR-COVERED STIRRUPS ?
1271
00:55:28,333 --> 00:55:32,367
WARM UP
THE DUCK LIPS !
1272
00:55:32,433 --> 00:55:34,800
WORK WITH MY VAGINA !
1273
00:55:37,633 --> 00:55:39,600
BUT NO,
MORE TORTURES !
1274
00:55:39,667 --> 00:55:40,967
DRY WAD
OF FUCKING COTTON,
1275
00:55:41,033 --> 00:55:42,967
COLD DUCK LIPS,
1276
00:55:43,033 --> 00:55:45,734
THONG UNDERWEAR !
1277
00:55:47,400 --> 00:55:48,600
THAT SHIT IS THE WORST.
1278
00:55:48,667 --> 00:55:49,600
IT IS THE WORST.
1279
00:55:49,667 --> 00:55:50,934
IT MOVES AROUND
ALL THE TIME.
1280
00:55:51,000 --> 00:55:53,000
IT GETS STUCK IN THE BACK
OF YOUR VAGINA,
1281
00:55:53,066 --> 00:55:54,867
REAL CRUSTY BUTT.
1282
00:55:56,133 --> 00:55:59,233
THE VAGINA IS SUPPOSED
TO BE LOOSE AND WIDE,
1283
00:55:59,300 --> 00:56:00,767
NOT HELD TOGETHER.
1284
00:56:00,834 --> 00:56:02,400
THAT'S WHY GIRDLES
ARE SO BAD.
1285
00:56:02,467 --> 00:56:03,900
WE NEED TO MOVE
1286
00:56:03,967 --> 00:56:07,033
AND SPREAD AND TALK.
1287
00:56:07,100 --> 00:56:08,667
VAGINAS NEED TO TALK.
1288
00:56:08,734 --> 00:56:11,433
WHY DON'T THEY MAKE
SOMETHING COMFORTABLE,
1289
00:56:11,500 --> 00:56:13,700
SOMETHING TO GIVE
THEM PLEASURE ?
1290
00:56:13,767 --> 00:56:15,333
OF COURSE
THEY WON'T DO THAT.
1291
00:56:15,400 --> 00:56:17,667
THEY HATE, HATE,
HATE, HATE, HATE
1292
00:56:17,734 --> 00:56:19,333
TO SEE A WOMAN
HAVING PLEASURE.
1293
00:56:19,400 --> 00:56:21,000
PARTICULARLY
SEXUAL PLEASURE.
1294
00:56:21,066 --> 00:56:25,533
I SAY, MAKE A NICE PAIR
OF WHITE COTTON UNDERPANTS
1295
00:56:25,600 --> 00:56:28,500
WITH A FRENCH TICKLER
BUILT IN.
1296
00:56:28,567 --> 00:56:31,266
THAT'S RIGHT,
THAT'S RIGHT.
1297
00:56:31,333 --> 00:56:34,734
WOMEN WOULD BE
COMING ALL DAY.
1298
00:56:36,066 --> 00:56:37,300
COMING IN
THE SUPERMARKETS.
1299
00:56:37,367 --> 00:56:41,533
"GIVE ME THE JUICE."
1300
00:56:43,867 --> 00:56:45,700
THEY WOULDN'T
BE ABLE TO STAND IT.
1301
00:56:45,767 --> 00:56:48,467
SEEING ALL THESE ENERGIZED,
NOT-TAKING-SHIT,
1302
00:56:48,533 --> 00:56:50,867
HOT, HAPPY VAGINAS
COMING DOWN THE STREET.
1303
00:56:50,934 --> 00:56:53,734
IF MY VAGINA COULD TALK...
1304
00:56:53,800 --> 00:56:55,800
IT WOULD TALK ABOUT
ITSELF LIKE ME.
1305
00:56:55,867 --> 00:56:58,533
IT WOULD TALK ABOUT
OTHER FABULOUS VAGINAS.
1306
00:56:58,600 --> 00:57:01,633
IT WOULD DO VAGINA
IMPRESSIONS.
1307
00:57:08,333 --> 00:57:09,967
IT WOULD WEAR
HARRY WINSTON DIAMONDS,
1308
00:57:10,033 --> 00:57:11,300
NO CLOTHING.
1309
00:57:11,367 --> 00:57:13,300
JUST THERE, ALL DRAPED
IN THE DIAMONDS.
1310
00:57:13,367 --> 00:57:16,734
MY VAGINA HELPED
RELEASE A GIANT BABY.
1311
00:57:16,800 --> 00:57:18,800
IT THOUGHT IT WOULD
BE DOING MORE OF THAT.
1312
00:57:18,867 --> 00:57:20,200
IT'S NOT.
1313
00:57:20,266 --> 00:57:22,100
NOW IT WANTS
TO TRAVEL.
1314
00:57:22,166 --> 00:57:25,033
IT DOES NOT WANT
A LOT OF COMPANY.
1315
00:57:25,100 --> 00:57:28,266
IT WANTS TO READ AND KNOW THINGS
AND GET OUT MORE.
1316
00:57:28,333 --> 00:57:30,700
IT WANTS SEX.
1317
00:57:30,767 --> 00:57:32,000
IT LOVES SEX.
1318
00:57:32,066 --> 00:57:33,867
IT WANTS TO GO DEEPER.
1319
00:57:33,934 --> 00:57:36,200
IT'S HUNGRY FOR DEPTH.
1320
00:57:36,266 --> 00:57:39,166
IT WANTS KINDNESS.
1321
00:57:39,233 --> 00:57:41,400
IT WANTS CHANGE.
1322
00:57:41,467 --> 00:57:44,600
IT WANTS SILENCE
AND FREEDOM
1323
00:57:44,667 --> 00:57:47,867
AND GENTLE KISSES
AND WARM LIQUIDS
1324
00:57:47,934 --> 00:57:49,400
AND DEEP TOUCH.
1325
00:57:49,467 --> 00:57:51,433
IT WANTS CHOCOLATE.
1326
00:57:52,767 --> 00:57:54,533
IT WANTS TO SCREAM.
1327
00:57:54,600 --> 00:57:57,700
IT WANTS
TO STOP BEING ANGRY !
1328
00:57:59,300 --> 00:58:01,200
IT WANTS TO COME.
1329
00:58:01,266 --> 00:58:03,633
IT WANTS TO WANT.
1330
00:58:03,700 --> 00:58:05,767
IT WANTS.
1331
00:58:05,834 --> 00:58:08,133
MY VAGINA, IT WANTS,
1332
00:58:08,200 --> 00:58:11,133
IT WANTS EVERYTHING.
1333
00:58:11,200 --> 00:58:14,066
( applause )
1334
00:58:18,567 --> 00:58:20,700
I INTERVIEWED A WHOLE GROUP
OF SEX WORKERS,
1335
00:58:20,767 --> 00:58:22,767
AND OBVIOUSLY WOMEN
WHO DO SEX WORK
1336
00:58:22,834 --> 00:58:24,500
HAVE RICH, COMPELLING,
1337
00:58:24,567 --> 00:58:26,767
COMPLEX RELATIONSHIPS
WITH THEIR VAGINAS.
1338
00:58:26,834 --> 00:58:29,667
THIS PARTICULAR WOMAN
BLEW MY MIND.
1339
00:58:29,734 --> 00:58:33,533
SHE WAS A SEX WORKER, BUT SHE
ONLY DID SEX WORK WITH WOMEN.
1340
00:58:33,600 --> 00:58:35,100
YOU KNOW WHEN
YOU GO OUT WITH SOMEONE
1341
00:58:35,166 --> 00:58:36,834
AND YOU THINK THEY'RE
IN THE SAME ZONE AS YOU
1342
00:58:36,900 --> 00:58:38,834
AND FIVE MINUTES INTO
THE CONVERSATION YOU'RE LIKE,
1343
00:58:38,900 --> 00:58:41,100
"OH, MY GOD !"
1344
00:58:41,166 --> 00:58:43,066
THAT'S WHAT IT WAS LIKE
WITH THIS WOMAN.
1345
00:58:43,133 --> 00:58:44,266
YOU KNOW,
YOU TRY TO BE HIP.
1346
00:58:44,333 --> 00:58:45,500
"RIGHT, RIGHT."
1347
00:58:45,567 --> 00:58:46,867
MEANWHILE YOUR HEAD'S
BEING BLOWN OFF,
1348
00:58:46,934 --> 00:58:49,233
YOU JUST HOPE YOUR SCARF
WILL CONCEAL IT.
1349
00:58:50,633 --> 00:58:52,367
I WROTE THIS FOR HER.
1350
00:58:57,800 --> 00:58:59,967
I LOVE VAGINAS.
1351
00:59:00,033 --> 00:59:01,867
I LOVE WOMEN.
1352
00:59:01,934 --> 00:59:05,333
I DO NOT SEE THEM
AS SEPARATE THINGS.
1353
00:59:05,400 --> 00:59:08,266
WOMEN PAY ME
TO DOMINATE THEM,
1354
00:59:08,333 --> 00:59:09,600
TO EXCITE THEM,
1355
00:59:09,667 --> 00:59:11,467
TO MAKE THEM COME.
1356
00:59:11,533 --> 00:59:14,367
I DID NOT START OUT
LIKE THIS.
1357
00:59:14,433 --> 00:59:16,967
NO, TO THE CONTRARY...
1358
00:59:17,033 --> 00:59:20,266
I STARTED OUT
AS A LAWYER.
1359
00:59:24,033 --> 00:59:25,300
BUT IN MY LATE 30s,
1360
00:59:25,367 --> 00:59:28,934
I BECAME OBSESSED
WITH MAKING WOMEN HAPPY.
1361
00:59:30,200 --> 00:59:32,367
IT BEGAN AS
A MISSION OF SORTS,
1362
00:59:32,433 --> 00:59:34,367
BUT THEN I GOT
INVOLVED IN IT.
1363
00:59:34,433 --> 00:59:38,333
I GOT VERY GOOD AT IT,
KIND OF BRILLIANT.
1364
00:59:38,400 --> 00:59:41,467
YOU COULD SAY
I FOUND MY CALLING.
1365
00:59:41,533 --> 00:59:44,100
I STARTED
GETTING PAID FOR IT.
1366
00:59:44,166 --> 00:59:47,967
I WORE OUTRAGEOUS OUTFITS
WHEN I DOMINATED WOMEN.
1367
00:59:48,033 --> 00:59:51,233
LACE, SILK,
1368
00:59:51,300 --> 00:59:53,066
LEATHER.
1369
00:59:53,133 --> 00:59:54,934
I USED PROPS...
1370
00:59:55,000 --> 00:59:57,333
WHIPS, ROPES,
1371
00:59:57,400 --> 00:59:59,900
HANDCUFFS, DILDOS.
1372
00:59:59,967 --> 01:00:03,266
THERE WAS NOTHING
LIKE THIS IN TAX LAW.
1373
01:00:04,600 --> 01:00:07,467
THERE WAS NO PROPS,
NO EXCITEMENT,
1374
01:00:07,533 --> 01:00:10,200
AND I HATED THOSE
BLUE CORPORATE SUITS,
1375
01:00:10,266 --> 01:00:11,867
ALTHOUGH I HAVE
TO TELL YOU,
1376
01:00:11,934 --> 01:00:14,567
I WEAR THEM NOW
IN MY NEW LINE OF WORK,
1377
01:00:14,633 --> 01:00:17,300
AND THEY FIT IN NICELY.
1378
01:00:17,367 --> 01:00:18,900
CONTEXT IS EVERYTHING.
1379
01:00:18,967 --> 01:00:21,133
THERE WAS NO WETNESS.
1380
01:00:21,200 --> 01:00:24,633
THERE WAS NO DARK,
MYSTERIOUS FOREPLAY.
1381
01:00:24,700 --> 01:00:27,400
NO ERECT NIPPLES.
1382
01:00:28,567 --> 01:00:30,667
NO DELICIOUS MOUTHS,
1383
01:00:30,734 --> 01:00:33,834
BUT MAINLY
THERE WAS NO MOANING.
1384
01:00:33,900 --> 01:00:36,066
NOT THE KIND
I'M TALKING ABOUT ANYWAY.
1385
01:00:36,133 --> 01:00:39,533
I SEE NOW THAT MOANING
WAS THE KEY.
1386
01:00:39,600 --> 01:00:41,600
IT WAS THE THING THAT
ULTIMATELY SEDUCED ME
1387
01:00:41,667 --> 01:00:44,567
AND GOT ME ADDICTED
TO MAKING WOMEN HAPPY.
1388
01:00:44,633 --> 01:00:46,734
I MADE LOVE
TO QUIET WOMEN, OKAY ?
1389
01:00:46,800 --> 01:00:48,500
I FOUND A PLACE
INSIDE THEM,
1390
01:00:48,567 --> 01:00:50,867
THEY SHOCKED THEMSELVES
IN THEIR MOANING.
1391
01:00:50,934 --> 01:00:53,700
I MADE LOVE TO MOANERS
AND THEY FOUND A DEEPER,
1392
01:00:53,767 --> 01:00:55,400
MORE PENETRATING MOAN.
1393
01:00:55,467 --> 01:00:57,433
I BECAME OBSESSED,
I LONGED TO BE IN CHARGE,
1394
01:00:57,500 --> 01:00:59,533
LIKE A BANDLEADER
OR A CONDUCTOR.
1395
01:00:59,600 --> 01:01:02,934
IT WAS A KIND OF SURGERY,
A KIND OF DELICATE SCIENCE,
1396
01:01:03,000 --> 01:01:07,133
FINDING THE EXACT LOCATION
OR HOME OF THE MOAN.
1397
01:01:07,200 --> 01:01:08,667
THAT'S WHAT
I CALLED IT.
1398
01:01:08,734 --> 01:01:12,333
SOMETIMES I FOUND IT
OVER A WOMAN'S JEANS.
1399
01:01:12,400 --> 01:01:15,266
SOMETIMES I SNUCK UP ON IT,
OFF THE RECORD,
1400
01:01:15,333 --> 01:01:17,700
QUIETLY DISARMING
THE SURROUNDING ALARMS
1401
01:01:17,767 --> 01:01:19,066
AND MOVING IN.
1402
01:01:19,133 --> 01:01:21,233
SOMETIMES I USED FORCE,
1403
01:01:21,300 --> 01:01:23,433
BUT NOT VIOLENT,
OPPRESSING FORCE, NO.
1404
01:01:23,500 --> 01:01:25,567
MORE LIKE DOMINATING,
1405
01:01:25,633 --> 01:01:26,934
"I'M GONNA
TAKE YOU SOMEPLACE,
1406
01:01:27,000 --> 01:01:30,166
WHY DON'T YOU LAY BACK,
ENJOY THE RIDE" KIND OF FORCE.
1407
01:01:33,166 --> 01:01:36,266
SOMETIMES IT WAS
SIMPLY MUNDANE.
1408
01:01:36,333 --> 01:01:38,667
I FOUND THE MOAN
BEFORE THINGS EVEN STARTED,
1409
01:01:38,734 --> 01:01:41,700
WHILE WE WERE EATING CHICKEN
OR SALAD IN THE KITCHEN,
1410
01:01:41,767 --> 01:01:43,867
RIGHT THERE,
WITH MY FINGERS ALL MIXED IN
1411
01:01:43,934 --> 01:01:45,633
WITH THE BALSAMIC VINEGAR.
1412
01:01:45,700 --> 01:01:48,934
SOMETIMES I USED PROPS,
I LOVE PROPS.
1413
01:01:49,000 --> 01:01:51,567
SOMETIMES
1414
01:01:51,633 --> 01:01:53,900
I MADE THE WOMAN
FIND HER OWN MOAN
1415
01:01:53,967 --> 01:01:55,400
IN FRONT OF ME.
1416
01:01:55,467 --> 01:01:57,333
I WAITED.
1417
01:01:57,400 --> 01:01:59,867
I STUCK IT OUT
UNTIL SHE OPENED HERSELF.
1418
01:01:59,934 --> 01:02:03,900
I WAS NOT FOOLED BY THOSE MINOR,
MORE OBVIOUS MOANS.
1419
01:02:03,967 --> 01:02:05,367
NO...
1420
01:02:05,433 --> 01:02:06,800
I PUSHED HER FURTHER,
1421
01:02:06,867 --> 01:02:08,867
ALL THE WAY
1422
01:02:08,934 --> 01:02:12,200
INTO HER POWER MOAN.
1423
01:02:12,266 --> 01:02:13,266
NOW...
1424
01:02:14,633 --> 01:02:17,934
THERE'S THE CLIT MOAN.
1425
01:02:18,033 --> 01:02:22,767
EH, EH, EH...
1426
01:02:24,734 --> 01:02:26,033
THE VAGINAL MOAN.
1427
01:02:26,100 --> 01:02:30,734
OH, OH, OH...
1428
01:02:30,800 --> 01:02:32,967
THE COMBO
CLIT-VAGINAL MOAN.
1429
01:02:33,033 --> 01:02:38,367
EH-OH, EH-OH, EH-OH...
1430
01:02:40,433 --> 01:02:42,200
THE ALMOST MOAN.
1431
01:02:46,467 --> 01:02:48,800
THE ON-IT MOAN.
1432
01:02:48,867 --> 01:02:52,700
OH... OH...
1433
01:02:54,467 --> 01:02:55,967
THE ELEGANT MOAN.
1434
01:02:56,033 --> 01:02:58,700
( laughing )
1435
01:03:00,333 --> 01:03:02,000
THE GRACE SLICK MOAN.
1436
01:03:02,066 --> 01:03:04,600
( high-pitched moan )
1437
01:03:05,367 --> 01:03:07,567
THE WASP MOAN.
1438
01:03:07,633 --> 01:03:09,800
( no sound )
1439
01:03:11,967 --> 01:03:14,600
THE SEMI-RELIGIOUS MOAN.
1440
01:03:14,667 --> 01:03:17,600
OY, OY, OY...
1441
01:03:17,667 --> 01:03:19,266
THE MOUNTAINTOP MOAN.
1442
01:03:19,333 --> 01:03:21,700
( yodeling )
1443
01:03:22,467 --> 01:03:24,500
THE BABY MOAN.
1444
01:03:24,567 --> 01:03:26,967
OH-AH, OH-AH, OH-AH...
1445
01:03:28,667 --> 01:03:29,800
THE DOGGY MOAN.
1446
01:03:29,867 --> 01:03:31,967
( fast panting )
1447
01:03:32,033 --> 01:03:33,400
THE SOUTHERN MOAN.
1448
01:03:33,467 --> 01:03:36,266
YEA, YEA, YEA !
1449
01:03:36,333 --> 01:03:38,767
THE MILITANT, UNINHIBITED
BISEXUAL MOAN.
1450
01:03:38,834 --> 01:03:41,100
HO, HO, HO, HO !
1451
01:03:42,600 --> 01:03:44,333
THE MACHINE-GUN MOAN.
1452
01:03:44,400 --> 01:03:46,567
( machine-gun sounds )
1453
01:03:48,533 --> 01:03:50,500
THE TORTURED ZEN MOAN.
1454
01:03:50,567 --> 01:03:53,066
AH, OH, AH...
1455
01:03:57,066 --> 01:03:58,567
THE DIVA MOAN.
1456
01:03:58,633 --> 01:04:01,900
AHHHHHH ! AHHHHHH !
1457
01:04:01,967 --> 01:04:04,800
AND FINALLY,
1458
01:04:04,867 --> 01:04:08,200
THE SURPRISE
TRIPLE-ORGASM MOAN.
1459
01:04:08,266 --> 01:04:11,100
OH, GOD,
THAT'S REALLY GOOD,
DON'T STOP.
1460
01:04:11,166 --> 01:04:14,133
THAT'S, OH, THAT'S IT,
THAT'S IT, THAT'S IT--
1461
01:04:14,200 --> 01:04:15,867
OH, THAT'S IT.
1462
01:04:15,934 --> 01:04:19,266
OH, MY GOD,
OH, THAT'S REALLY GOOD,
OH, THAT'S, OH MY GOD !
1463
01:04:21,033 --> 01:04:24,000
AHH... !
1464
01:04:28,500 --> 01:04:38,400
( continuous moaning )
1465
01:04:38,467 --> 01:04:41,867
EEE-AHHHH... !
1466
01:04:41,934 --> 01:04:45,133
( applause )
1467
01:04:48,166 --> 01:04:49,233
WHOO !
1468
01:04:53,967 --> 01:04:58,266
CAN YOU BELIEVE
WE'RE DOING THIS ON HBO ?
1469
01:04:59,734 --> 01:05:03,066
ORGASMS ON HBO,
I'M SO EXCITED.
1470
01:05:05,967 --> 01:05:09,533
I'VE BEEN
COLLECTING VAGINA FACTS
FOR QUITE SOME TIME,
1471
01:05:09,600 --> 01:05:11,367
AND I HAVE TO TELL YOU,
1472
01:05:11,433 --> 01:05:14,200
I'VE BEEN HARD-PRESSED
TO FIND A HAPPY VAGINA FACT.
1473
01:05:14,266 --> 01:05:17,166
I FOUND THIS ONE AND NOW
I THINK I LIVE TO TELL IT.
1474
01:05:17,233 --> 01:05:20,734
THE CLITORIS
IS PURE IN PURPOSE.
1475
01:05:20,800 --> 01:05:24,600
IT IS THE ONLY ORGAN
IN THE MALE OR FEMALE BODY
1476
01:05:24,667 --> 01:05:26,800
DESIGNED SOLELY
FOR PLEASURE.
1477
01:05:26,867 --> 01:05:30,700
THE CLITORIS IS SIMPLY
A BUNDLE OF NERVES,
1478
01:05:30,767 --> 01:05:34,200
8,000 NERVE FIBERS,
TO BE PRECISE.
1479
01:05:34,266 --> 01:05:37,400
THAT IS A HIGHER CONCENTRATION
OF NERVE FIBERS
1480
01:05:37,467 --> 01:05:40,266
THAN IS FOUND
ANYWHERE ELSE IN THE BODY,
1481
01:05:40,333 --> 01:05:42,000
INCLUDING THE FINGERTIPS,
1482
01:05:42,066 --> 01:05:44,266
LIPS, AND TONGUE.
1483
01:05:44,333 --> 01:05:46,266
AND IT IS TWICE...
1484
01:05:46,333 --> 01:05:48,567
TWICE...
1485
01:05:48,633 --> 01:05:50,600
TWICE...
1486
01:05:50,667 --> 01:05:53,800
THE NUMBER
IN THE PENIS.
1487
01:05:53,867 --> 01:05:55,867
( cheering and applause )
1488
01:05:55,934 --> 01:05:57,433
DO YOU WANT
TO GO FIRST ?
1489
01:05:57,500 --> 01:05:58,633
YOU GO FIRST,
LET'S SEE.
1490
01:05:58,700 --> 01:06:00,200
UH, YOU GO FIRST.
1491
01:06:00,266 --> 01:06:01,967
YOU GO FIRST.
1492
01:06:02,033 --> 01:06:03,667
OKAY, FIRST I FEEL IT
IN MY HEAD.
1493
01:06:03,734 --> 01:06:05,000
BEFORE I FEEL IT
ANYWHERE ELSE.
1494
01:06:05,066 --> 01:06:06,533
I DO, I FEEL IT LIKE
RIGHT HERE IN MY HEAD.
1495
01:06:06,600 --> 01:06:08,467
AND THEN IT LIKE
TRAVELS DOWN,
1496
01:06:08,533 --> 01:06:11,100
AND IT'S THE MOST
INCREDIBLE SENSATION.
1497
01:06:11,166 --> 01:06:13,934
I SCREAM AND I YELL,
AND I SAY, YOU KNOW...
1498
01:06:14,000 --> 01:06:17,233
"MORE, IT'S GOOD."
1499
01:06:17,300 --> 01:06:19,367
I HAVE TO SQUEEZE
ALL MY MUSCLES,
1500
01:06:19,433 --> 01:06:21,400
PRETTY MUCH, IT'S LIKE EVERY
SINGLE MUSCLE IN MY BODY.
1501
01:06:21,467 --> 01:06:23,900
YEAH, I START BREATHING
HEAVIER, AND HONESTLY,
1502
01:06:23,967 --> 01:06:25,834
YOU FEEL LIKE
YOU'RE GOING TO EXPLODE.
1503
01:06:25,900 --> 01:06:27,200
IT'S LIKE...
1504
01:06:27,266 --> 01:06:30,367
YOU KIND OF LOSE YOUR MIND
FOR A LITTLE BIT,
1505
01:06:30,433 --> 01:06:31,700
YOU JUST KIND
OF GO CRAZY.
1506
01:06:31,767 --> 01:06:33,633
IT'S SORT OF
AN ERUPTIVE STATE,
1507
01:06:33,700 --> 01:06:36,000
IT'S A RISING,
IGNITED STATE.
1508
01:06:36,066 --> 01:06:39,233
IT CAN BE KIND OF A BOOM,
OR IT CAN BE SOFT.
1509
01:06:39,300 --> 01:06:42,100
AH, AH !
1510
01:06:42,166 --> 01:06:44,000
IT'S JUST LIKE, WHEW.
1511
01:06:44,834 --> 01:06:46,367
YES !
1512
01:06:46,433 --> 01:06:48,500
OH, OH !
1513
01:06:50,734 --> 01:06:54,033
I'D BEEN PERFORMING
THIS PIECE FOR QUITE SOME TIME,
1514
01:06:54,100 --> 01:06:56,967
AND I DIDN'T HAVE
ONE MONOLOGUE IN IT ABOUT BIRTH,
1515
01:06:57,033 --> 01:06:59,567
WHICH WAS
A BIZARRE OMISSION,
1516
01:06:59,633 --> 01:07:01,900
ALTHOUGH RECENTLY
I WAS INTERVIEWED
1517
01:07:01,967 --> 01:07:03,600
BY A MALE JOURNALIST,
AND HE SAID,
1518
01:07:03,667 --> 01:07:05,000
"REALLY,
WHAT'S THE CONNECTION ?"
1519
01:07:05,066 --> 01:07:06,734
( laughing )
1520
01:07:06,800 --> 01:07:09,066
MY HUSBAND WAS THERE,
AND THE DOCTOR WAS THERE,
1521
01:07:09,133 --> 01:07:10,734
AND THE NURSE,
AND MY SISTER,
1522
01:07:10,800 --> 01:07:12,300
AND THEY WERE HOLDING MY LEGS
AND TELLING ME TO PUSH...
1523
01:07:12,367 --> 01:07:13,600
WHEN THEY SAID,
1524
01:07:13,667 --> 01:07:15,400
"OH, WE CAN SEE THE HEAD,
ONE BIG PUSH
1525
01:07:15,467 --> 01:07:16,667
AND YOU COULD
PUSH THAT BABY OUT,"
1526
01:07:16,734 --> 01:07:19,700
AND THERE'S THIS SORT OF
BONE CRACKING, YOU KNOW,
1527
01:07:19,767 --> 01:07:22,166
STRETCHY SOUND.
1528
01:07:22,233 --> 01:07:26,333
I FELT THIS VERY
STRANGE SENSATION
1529
01:07:26,400 --> 01:07:29,667
OF LIKE SOMETHING
SWIMMING THROUGH MY BODY.
1530
01:07:29,734 --> 01:07:33,066
AND I REALIZED,
OH, MY GOD,
1531
01:07:33,133 --> 01:07:34,600
HE'S COMING OUT,
HE'S COMING OUT.
1532
01:07:34,667 --> 01:07:36,100
SO, I JUST KEPT
PUSHING HARDER.
1533
01:07:36,166 --> 01:07:39,100
AND THEN FINALLY
THERE HE WAS, UPSIDE DOWN,
1534
01:07:39,166 --> 01:07:41,700
HANGING BY HIS LEGS,
AND HE WAS OKAY.
1535
01:07:41,767 --> 01:07:43,934
IT'S SO, I CAN'T WAIT
'TIL YOU EXPERIENCE IT.
1536
01:07:44,000 --> 01:07:45,800
I KNOW YOU CAN'T.
1537
01:07:45,867 --> 01:07:47,467
I CANNOT WAIT.
1538
01:07:47,533 --> 01:07:49,000
IT'S SO WONDERFUL.
1539
01:07:49,066 --> 01:07:50,600
I CAN'T WAIT.
1540
01:07:50,667 --> 01:07:51,667
IT'S JUST...
1541
01:07:51,734 --> 01:07:54,266
IT'S THE BEST THING EVER.
1542
01:07:56,266 --> 01:07:58,033
OVER THE COURSE OF
WRITING THE MONOLOGUES,
1543
01:07:58,100 --> 01:08:00,734
MY DAUGHTER-IN-LAW
GOT PREGNANT,
1544
01:08:00,800 --> 01:08:03,400
AND SHE AND MY SON
INVITED ME TO BE THERE
1545
01:08:03,467 --> 01:08:05,333
FOR THE BIRTH OF
MY GRANDDAUGHTER.
1546
01:08:05,400 --> 01:08:07,166
AND I HAVE TO TELL YOU,
1547
01:08:07,233 --> 01:08:10,100
IF I WAS IN AWE OF VAGINAS
BEFORE THIS MOMENT,
1548
01:08:10,166 --> 01:08:12,867
I'M IN DEEP
WORSHIP NOW.
1549
01:08:12,934 --> 01:08:15,567
I WROTE THIS FOR
MY DAUGHTER-IN-LAW, SHIVA,
1550
01:08:15,633 --> 01:08:19,166
AND MY GRANDDAUGHTER COCO.
1551
01:08:24,700 --> 01:08:27,433
I WAS THERE
1552
01:08:27,500 --> 01:08:30,467
WHEN HER VAGINA OPENED.
1553
01:08:30,533 --> 01:08:32,900
WE WERE ALL THERE...
1554
01:08:32,967 --> 01:08:36,400
HER MOTHER,
HER HUSBAND AND I,
1555
01:08:36,467 --> 01:08:38,967
AND THE NURSE
FROM THE UKRAINE
1556
01:08:39,033 --> 01:08:42,133
WITH HER WHOLE HAND
UP THERE, IN HER VAGINA,
1557
01:08:42,200 --> 01:08:45,367
FEELING AND TURNING
WITH HER RUBBER GLOVE,
1558
01:08:45,433 --> 01:08:47,867
AS SHE TALKED
CASUALLY TO US,
1559
01:08:47,934 --> 01:08:51,100
LIKE SHE WAS TURNING ON
A LOADED FAUCET.
1560
01:08:51,166 --> 01:08:54,900
I WAS THERE IN THE ROOM
WHEN THE CONTRACTIONS
1561
01:08:54,967 --> 01:08:57,867
MADE HER CRAWL
ON ALL FOURS,
1562
01:08:57,934 --> 01:09:02,166
MADE UNFAMILIAR MOANS
LEAK OUT OF HER PORES.
1563
01:09:02,233 --> 01:09:05,433
AND STILL THERE,
AFTER HOURS,
1564
01:09:05,500 --> 01:09:07,767
WHEN SHE JUST SCREAMED,
SUDDENLY WILD,
1565
01:09:07,834 --> 01:09:11,800
HER ARMS STRIKING
AT THE ELECTRIC AIR.
1566
01:09:13,133 --> 01:09:15,300
I WAS THERE WHEN
HER VAGINA CHANGED...
1567
01:09:15,367 --> 01:09:17,967
FROM A SHY,
SEXUAL HOLE
1568
01:09:18,033 --> 01:09:20,867
TO AN ARCHAEOLOGICAL TUNNEL,
1569
01:09:20,934 --> 01:09:22,967
A SACRED VESSEL,
1570
01:09:23,033 --> 01:09:25,100
A VENETIAN CANAL,
1571
01:09:25,166 --> 01:09:28,800
A DEEP WELL WITH A TINY
STUCK CHILD INSIDE,
1572
01:09:28,867 --> 01:09:31,166
WAITING TO BE RESCUED.
1573
01:09:31,233 --> 01:09:35,166
I SAW THE COLORS
OF HER VAGINA.
1574
01:09:35,233 --> 01:09:37,133
THEY CHANGED.
1575
01:09:37,200 --> 01:09:39,467
SAW THE BRUISED
BROKEN BLUE,
1576
01:09:39,533 --> 01:09:42,100
THE BLISTERING
TOMATO RED,
1577
01:09:42,166 --> 01:09:43,934
THE GRAY-PINK,
THE DARK,
1578
01:09:44,000 --> 01:09:47,133
SAW THE BLOOD-LIKE PERSPIRATION
ALONG THE EDGES,
1579
01:09:47,200 --> 01:09:50,000
SAW THE YELLOW,
WHITE LIQUID,
1580
01:09:50,066 --> 01:09:52,567
THE SHIT, THE CLOTS
PUSHING OUT ALL THE HOLES,
1581
01:09:52,633 --> 01:09:55,133
PUSHING HARDER
AND HARDER,
1582
01:09:55,200 --> 01:09:58,200
SAW THROUGH THE HOLE,
1583
01:09:58,266 --> 01:10:01,000
THE BABY'S HEAD.
1584
01:10:01,066 --> 01:10:03,834
SCRATCHES OF BLACK HAIR,
1585
01:10:03,900 --> 01:10:06,734
SAW IT JUST THERE,
1586
01:10:06,800 --> 01:10:08,867
BEHIND THE BONE.
1587
01:10:08,934 --> 01:10:11,800
LIKE A HARD,
ROUND MEMORY,
1588
01:10:11,867 --> 01:10:14,533
AS THE NURSE
FROM THE UKRAINE
1589
01:10:14,600 --> 01:10:17,667
KEPT TURNING AND TURNING
HER SLIPPERY HAND.
1590
01:10:17,734 --> 01:10:20,133
I WAS THERE
WHEN EACH OF US,
1591
01:10:20,200 --> 01:10:22,166
HER MOTHER AND I,
1592
01:10:22,233 --> 01:10:25,266
HELD A LEG
AND SPREAD HER WIDE,
1593
01:10:25,333 --> 01:10:29,133
PUSHING WITH ALL OUR STRENGTH
AGAINST HER PUSHING,
1594
01:10:29,200 --> 01:10:32,133
AS HER HUSBAND
STERNLY COUNTING,
1595
01:10:32,200 --> 01:10:34,500
"ONE, TWO, THREE,"
1596
01:10:34,567 --> 01:10:38,100
TELLING HER, "FOCUS,
FOCUS HARDER."
1597
01:10:39,800 --> 01:10:42,100
WE LOOKED
INTO HER THEN.
1598
01:10:42,166 --> 01:10:45,567
WE COULDN'T GET OUR EYES
1599
01:10:45,633 --> 01:10:47,367
OUT OF THAT PLACE.
1600
01:10:47,433 --> 01:10:51,200
WE FORGET THE VAGINA,
1601
01:10:51,266 --> 01:10:53,467
ALL OF US.
1602
01:10:53,533 --> 01:10:57,100
WHAT ELSE WOULD EXPLAIN
OUR LACK OF AWE,
1603
01:10:57,166 --> 01:11:00,800
OUR LACK
OF REVERENCE ?
1604
01:11:00,867 --> 01:11:03,600
I WAS THERE WHEN
THE DOCTOR REACHED IN
1605
01:11:03,667 --> 01:11:06,166
WITH ALICE IN WONDERLAND SPOONS
1606
01:11:06,233 --> 01:11:09,266
AND THERE AS HER VAGINA
1607
01:11:09,333 --> 01:11:11,567
BECAME A WIDE,
OPERATIC MOUTH
1608
01:11:11,633 --> 01:11:13,767
SINGING WITH
ALL ITS STRENGTH,
1609
01:11:13,834 --> 01:11:17,266
FIRST THE LITTLE HEAD,
1610
01:11:17,333 --> 01:11:20,834
THEN THE GRAY
FLOPPING ARM...
1611
01:11:21,934 --> 01:11:23,667
THEN THE FAST,
SWIMMING BODY,
1612
01:11:23,734 --> 01:11:27,200
SWIMMING QUICKLY
INTO OUR WEEPING ARMS.
1613
01:11:28,266 --> 01:11:30,500
I WAS THERE LATER
1614
01:11:30,567 --> 01:11:32,266
WHEN I JUST TURNED,
1615
01:11:32,333 --> 01:11:35,567
I TURNED
AND I FACED HER VAGINA.
1616
01:11:36,567 --> 01:11:38,834
I STOOD AND I LET
MYSELF SEE HER,
1617
01:11:38,900 --> 01:11:41,533
ALL SPREAD,
COMPLETELY EXPOSED,
1618
01:11:41,600 --> 01:11:44,700
MUTILATED,
SWOLLEN, TORN,
1619
01:11:44,767 --> 01:11:47,400
BLEEDING ALL OVER
THE DOCTOR'S HANDS,
1620
01:11:47,467 --> 01:11:49,734
WHO WAS CALMLY
SEWING HER THERE.
1621
01:11:49,800 --> 01:11:51,700
I STOOD...
1622
01:11:51,767 --> 01:11:54,300
AND AS I STARED,
1623
01:11:54,367 --> 01:11:58,600
HER VAGINA
SUDDENLY BECAME
1624
01:11:58,667 --> 01:12:01,834
A WIDE, RED,
1625
01:12:01,900 --> 01:12:05,367
PULSING HEART.
1626
01:12:06,700 --> 01:12:11,166
THE HEART IS CAPABLE
OF SACRIFICE.
1627
01:12:11,600 --> 01:12:13,333
SO IS THE VAGINA.
1628
01:12:13,800 --> 01:12:16,800
THE HEART IS ABLE
TO FORGIVE AND REPAIR.
1629
01:12:17,900 --> 01:12:19,600
IT CAN CHANGE ITS SHAPE
TO LET US IN.
1630
01:12:19,667 --> 01:12:23,300
IT CAN EXPAND
TO LET US OUT.
1631
01:12:23,367 --> 01:12:25,834
SO CAN THE VAGINA.
1632
01:12:25,900 --> 01:12:29,667
IT CAN ACHE FOR US
AND STRETCH FOR US,
1633
01:12:29,734 --> 01:12:33,266
AND DIE FOR US.
1634
01:12:34,533 --> 01:12:38,667
AND BLEED AND BLEED US
INTO THIS DIFFICULT...
1635
01:12:39,600 --> 01:12:41,133
WONDROUS WORLD.
1636
01:12:41,200 --> 01:12:44,667
SO CAN THE VAGINA.
1637
01:12:45,934 --> 01:12:48,934
I WAS THERE
IN THE ROOM.
1638
01:12:49,000 --> 01:12:51,900
I REMEMBER.
1639
01:12:52,000 --> 01:12:55,367
( applause )
1640
01:12:58,967 --> 01:13:02,300
( cheering )
1641
01:14:21,200 --> 01:14:23,633
WELL, I DIDN'T REALLY
WANT TO SHOW VAGINAS...
1642
01:14:23,700 --> 01:14:25,333
IN THIS MOVIE.
1643
01:14:25,400 --> 01:14:26,800
I KIND OF RESISTED IT,
1644
01:14:26,867 --> 01:14:29,433
BUT HBO, REALLY
WOULDN'T BE AN HBO MOVIE,
1645
01:14:29,500 --> 01:14:30,900
WITHOUT SHOWING A VAGINA.
1646
01:14:30,967 --> 01:14:32,533
SO, HERE WE GO,
HERE WE GO.
1647
01:14:32,600 --> 01:14:34,200
OKAY, WE'RE DONE.
1648
01:14:36,500 --> 01:14:39,500
Captions Copyright 2002
HOME BOX OFFICE
1649
01:14:39,567 --> 01:14:42,734
A Division of TIME WARNER
ENTERTAINMENT COMPANY, L.P.
1650
01:14:43,967 --> 01:14:46,633
Captioned by
HBO COMMUNICATIONS CENTER
109435
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