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1
00:00:03,904 --> 00:00:04,638
Man: CARROLL WAS CONVICTED
IN 2004
2
00:00:04,672 --> 00:00:05,573
FOR THE MURDERS OF
14 YOUNG WOMEN.
3
00:00:05,606 --> 00:00:10,111
THERE ARE SO MANY
SURPRISES WAITING FOR YOU.
4
00:00:10,144 --> 00:00:11,079
[TELEPHONE RINGING]
HELLO?
5
00:00:11,112 --> 00:00:13,281
MOM? I WANT TO GO HOME.
WHY CAN'T I COME HOME?
6
00:00:13,314 --> 00:00:14,648
I'M GONNA
COME GET YOU.
7
00:00:14,682 --> 00:00:15,783
[SCREAMING]
8
00:00:15,816 --> 00:00:16,850
AAH!
9
00:00:16,884 --> 00:00:19,120
THEY WERE ABLE
TO FIND A SIGNAL
IN UPSTATE NEW YORK.
10
00:00:19,153 --> 00:00:21,389
JACOB WELLS.
PAUL TORRES.
11
00:00:21,422 --> 00:00:22,323
HEY, GUYS.
THIS IS MEGAN.
12
00:00:22,356 --> 00:00:23,791
I THOUGHT YOU WEREN'T
GONNA DEAL WITH THIS.
13
00:00:23,824 --> 00:00:25,126
Jacob: PAUL'S THE ONE
THAT BROUGHT HER HERE.
14
00:00:25,159 --> 00:00:26,694
Paul: JACOB'S NEVER
KILLED ANYONE.
15
00:00:26,727 --> 00:00:28,262
I THINK YOU SHOULD
DO IT, JACOB,
16
00:00:28,296 --> 00:00:29,130
SINCE YOU NEVER HAVE.
17
00:00:29,163 --> 00:00:30,030
IF YOU WANT
TO SEE JOEY,
18
00:00:30,064 --> 00:00:32,666
BE AT THE CORNER
OF BROAD AND 26th STREET.
19
00:00:32,700 --> 00:00:34,702
IF YOU WANT TO SEE JOEY,
GET IN NOW.
20
00:00:34,735 --> 00:00:36,404
I WON'T SAY IT AGAIN.
21
00:00:36,437 --> 00:00:37,838
THIS IS HANK.
RODERICK SENT HIM.
22
00:00:37,871 --> 00:00:40,808
WE NEED TO GET
OUT OF HERE, GUYS.
10 MINUTES.
23
00:00:40,841 --> 00:00:43,144
DON'T MOVE!
[GUNSHOT]
24
00:00:43,177 --> 00:00:44,545
[MUFFLED SPEECH]
MEGAN.
25
00:00:44,578 --> 00:00:45,379
SHH, SHH, SHH.
26
00:00:45,413 --> 00:00:47,715
HEY, JOEY.
I'M A FRIEND OF YOUR MOM'S.
27
00:00:47,748 --> 00:00:50,284
SHE SENT ME TO COME
TAKE YOU HOME.
28
00:00:50,318 --> 00:00:52,720
DO NOT MOVE.
29
00:00:55,489 --> 00:00:57,458
HAND OVER YOUR WEAPON.
30
00:00:58,759 --> 00:01:00,428
IT'S OK, JOEY.
GO TO YOUR
ROOM, JOEY.
31
00:01:00,461 --> 00:01:02,163
YEAH. YOU HEARD
WHAT HE SAID.
GO TO YOUR ROOM.
32
00:01:02,196 --> 00:01:04,165
WHERE'S DENISE?
GO TO YOUR ROOM NOW!
33
00:01:04,198 --> 00:01:06,334
DO WHAT HE SAYS.
GO TO YOUR ROOM.
34
00:01:12,240 --> 00:01:15,075
NOW TURN AROUND, SLOWLY.
35
00:01:16,344 --> 00:01:18,078
I CAN DO THAT.
36
00:01:19,380 --> 00:01:21,615
OVER THERE
BY THE CHAIR.
37
00:01:31,225 --> 00:01:34,762
NOW WHAT?
SHUT UP.
LET ME THINK.
38
00:01:35,763 --> 00:01:38,766
IT'S RYAN.
YEAH, I KNOW
WHO HE IS.
39
00:01:39,933 --> 00:01:41,602
Emma: WHERE'S JOEY?
HE'S UPSTAIRS.
40
00:01:41,635 --> 00:01:44,205
WHERE'S HANK?
Jacob: HE'S IN THE BARN.
41
00:01:44,238 --> 00:01:45,473
HE'S DEAD.
42
00:01:45,506 --> 00:01:46,607
THERE'S A DEAD
COP, TOO, BUT
43
00:01:46,640 --> 00:01:47,875
THERE'S PROBABLY
MORE ON THE WAY.
44
00:01:47,908 --> 00:01:48,742
WE GOTTA GET
OUT OF HERE.
45
00:01:48,776 --> 00:01:49,743
LET'S ALL
JUST STAY CALM.
46
00:01:49,777 --> 00:01:50,878
THIS ISN'T
A CALM SITUATION.
47
00:01:50,911 --> 00:01:51,879
THIS IS FREAK TIME.
48
00:01:51,912 --> 00:01:52,913
DAMN IT, JACOB,
HOLD IT TOGETHER.
49
00:01:52,946 --> 00:01:55,883
HE'S RIGHT, EMMA.
THERE'LL BE OTHERS
ANY SECOND.
50
00:01:55,916 --> 00:01:58,118
WHO ELSE KNOWS
WE'RE HERE?
51
00:01:58,786 --> 00:02:00,654
JUST ME.
52
00:02:00,688 --> 00:02:02,290
AND THE FBI.
53
00:02:02,690 --> 00:02:04,792
LOCAL POLICE,
STATE POLICE,
54
00:02:04,825 --> 00:02:08,629
U.S. MARSHALS, SWAT,
ATF, HRT.
55
00:02:08,662 --> 00:02:11,265
I'M SURE I'M
FORGETTING SOMEONE.
56
00:02:11,932 --> 00:02:13,701
BUT THIS IS THE END.
57
00:02:14,535 --> 00:02:18,539
NONE OF YOU
ARE MAKING IT OUT OF HERE.
58
00:02:20,841 --> 00:02:22,810
NOT ALIVE, ANYWAY.
59
00:02:40,828 --> 00:02:42,430
LET'S GO.
60
00:02:46,700 --> 00:02:48,302
WHERE ARE WE?
61
00:03:31,011 --> 00:03:34,248
I WAS TOLD THAT
I WOULD SEE MY SON.
WHERE IS HE?
62
00:03:35,349 --> 00:03:37,651
I ASKED YOU
A QUESTION.
63
00:03:40,754 --> 00:03:42,323
SAY SOMETHING!
64
00:03:42,356 --> 00:03:43,090
[GASPING]
65
00:03:43,123 --> 00:03:45,593
I DON'T WANT TO
HURT YOU, CLAIRE.
66
00:03:45,626 --> 00:03:47,895
DON'T MAKE ME
HURT YOU.
67
00:03:50,030 --> 00:03:52,666
[BREATHING HEAVILY]
68
00:04:00,040 --> 00:04:01,609
Ava: HOUSE SITS
A WAYS FROM THE ROAD.
69
00:04:01,642 --> 00:04:04,244
IT'S JUST BEYOND
THAT TREE LINE.
70
00:04:04,778 --> 00:04:05,679
HEY. DOING GOOD.
71
00:04:05,713 --> 00:04:08,549
JUST HANG IN THERE.
HOW BIG IS THE PROPERTY?
72
00:04:08,916 --> 00:04:11,619
4 ACRES.
MOSTLY FIELDS AND WOODS.
73
00:04:11,652 --> 00:04:14,355
CHIEF, LOPEZ IS DEAD.
74
00:04:14,388 --> 00:04:16,490
HE'S WHAT? HOW?
75
00:04:16,524 --> 00:04:18,025
WE DON'T KNOW
THE DETAILS.
76
00:04:18,058 --> 00:04:20,260
HE WAS WITH RYAN HARDY.
77
00:04:22,396 --> 00:04:24,898
HEY. HEY.
I'M SORRY ABOUT
OFFICER LOPEZ,
78
00:04:24,932 --> 00:04:26,500
BUT I NEED YOU
TO FOCUS, CHIEF.
79
00:04:26,534 --> 00:04:28,769
I NEED ALL OF YOUR MEN
HERE NOW, OK?
80
00:04:28,802 --> 00:04:30,538
FEDS ARE ON THEIR WAY
WITH SWAT AND HRT,
81
00:04:30,571 --> 00:04:31,772
BUT WE NEED TO GUARD
THE PERIMETER
82
00:04:31,805 --> 00:04:34,542
SO NO ONE CAN LEAVE
THAT PROPERTY BEFORE THEN.
83
00:04:37,077 --> 00:04:39,380
WHERE'S RYAN HARDY NOW?
84
00:04:39,413 --> 00:04:40,414
LAST TIME I SPOKE TO HIM,
85
00:04:40,448 --> 00:04:42,683
HE WAS HEADED
INSIDE THE HOUSE.
86
00:04:45,853 --> 00:04:47,555
I FOUND THIS.
87
00:04:48,422 --> 00:04:49,990
SO, TIE HIM UP.
88
00:04:54,695 --> 00:04:57,064
WHAT'S WRONG?
HE'S LOOKING
AT ME FUNNY.
89
00:04:57,097 --> 00:04:59,667
DO IT.
Ryan: YEAH, JACOB.
90
00:04:59,700 --> 00:05:00,934
DO IT.
91
00:05:00,968 --> 00:05:04,438
COME ON.
DO IT.
92
00:05:05,973 --> 00:05:07,841
THE SECOND YOU GET
WITHIN TWO FEET OF ME,
93
00:05:07,875 --> 00:05:10,077
I'M GONNA SNAP YOUR NECK
AND CRACK YOUR SPINE.
94
00:05:10,110 --> 00:05:12,079
I'LL SHOOT YOU DEAD.
AND HIS SPINE
WILL BE CRACKED.
95
00:05:12,112 --> 00:05:15,749
Paul: AND YOU'LL BE DEAD.
AND HIS SPINE
WILL BE CRACKED.
96
00:05:16,884 --> 00:05:19,453
HE'S BLUFFING.
HOW DO YOU KNOW THAT?
HUH?
97
00:05:19,487 --> 00:05:22,122
HE'S FBI.
HE KNOWS THIS STUFF.
98
00:05:22,155 --> 00:05:25,426
YUP. I KNOW
THAT STUFF.
99
00:05:25,459 --> 00:05:27,094
[BUZZING]
100
00:05:27,127 --> 00:05:28,462
WHAT WAS THAT?
101
00:05:28,496 --> 00:05:29,997
MY CELL PHONE.
102
00:05:30,030 --> 00:05:32,433
WANT ME TO ANSWER IT?
NO.
103
00:05:32,466 --> 00:05:34,468
GIVE IT TO ME.
104
00:05:36,470 --> 00:05:38,439
[BUZZING]
105
00:05:38,472 --> 00:05:41,475
TAKE IT.
106
00:05:41,509 --> 00:05:44,344
PUT IT ON THE TABLE
AND STEP AWAY.
107
00:05:45,879 --> 00:05:48,882
[BUZZING]
108
00:06:03,631 --> 00:06:07,034
I'M TOO NERVOUS
TO SIT.
THAT'S ALL.
109
00:06:15,643 --> 00:06:18,011
HOW MUCH LONGER
BEFORE I SEE MY SON?
110
00:06:18,045 --> 00:06:20,781
SOON AS I HAVE AN ETA,
YOU'LL KNOW.
111
00:06:32,192 --> 00:06:34,762
HOW DO YOU KNOW JOE?
112
00:06:34,795 --> 00:06:37,064
WE MET THROUGH FRIENDS.
113
00:06:39,800 --> 00:06:42,503
I CAN EASILY SLICE INTO
THE PRISON LIBRARY SERVERS
114
00:06:42,536 --> 00:06:43,637
AND CREATE
A SEPARATE SERVER
115
00:06:43,671 --> 00:06:45,506
THAT PIGGYBACKS
ON WHAT'S THERE.
116
00:06:45,539 --> 00:06:46,373
THEY'LL NEVER KNOW.
117
00:06:46,406 --> 00:06:48,175
IT'S VERY SIMILAR
TO THE COVERT SYSTEMS
118
00:06:48,208 --> 00:06:49,209
WE HAD IN BAGHDAD, SIR.
119
00:06:49,242 --> 00:06:50,911
HOW LONG WERE YOU
IN THE ARMY FOR?
120
00:06:50,944 --> 00:06:54,181
6 YEARS.
4 TOURS IN BAGHDAD,
TWO IN KANDAHAR.
121
00:06:54,214 --> 00:06:58,686
I WAS A CORPORAL IN
THE CYBER SURVEILLANCE
TEAM, SIR.
122
00:06:58,719 --> 00:07:00,988
BUT YOU WERE DISCHARGED.
123
00:07:03,957 --> 00:07:06,093
PSYCHIATRIC DISCHARGE.
124
00:07:10,230 --> 00:07:12,800
THERE'S NO JUDGMENT
HERE, CHARLIE.
125
00:07:12,833 --> 00:07:17,004
NO DISGRACE IN SERVING
YOUR COUNTRY.
126
00:07:20,974 --> 00:07:23,210
HOW MANY PEOPLE
HAVE YOU KILLED?
127
00:07:23,243 --> 00:07:25,112
NINE, SIR.
3 TERRORISTS,
128
00:07:25,145 --> 00:07:27,247
TWO IRAQI SOLDIERS,
AND 4 OTHERS.
129
00:07:27,280 --> 00:07:29,983
THE OTHER 4?
WHO WERE THEY?
130
00:07:33,120 --> 00:07:34,955
PEOPLE I WANTED
DEAD, SIR.
131
00:07:34,988 --> 00:07:40,594
WELL, YOU ARE HANDY
TO HAVE AROUND.
132
00:07:42,630 --> 00:07:44,097
DID RODERICK EXPLAIN
WHAT IT WAS
133
00:07:44,131 --> 00:07:44,965
I'D LIKE YOU TO DO?
134
00:07:44,998 --> 00:07:48,101
YES, SIR.
AND I'M
INCREDIBLY GRATEFUL
135
00:07:48,135 --> 00:07:49,870
FOR THE OPPORTUNITY.
136
00:08:01,014 --> 00:08:03,751
[MACHINES BEEPING]
137
00:08:05,052 --> 00:08:07,154
WHAT'S ALL THIS FOR?
138
00:08:26,907 --> 00:08:29,509
YOU'VE BEEN WATCHING ME.
139
00:08:33,313 --> 00:08:35,182
YOU DON'T HAVE TO BE
AFRAID OF ME, CLAIRE.
140
00:08:35,215 --> 00:08:39,553
IT'S NOT MY INTENTION
TO HURT YOU.
YOU HAVE TO TRUST ME.
141
00:08:41,088 --> 00:08:44,291
WHY WOULD I EVER
TRUST YOU?
142
00:08:44,324 --> 00:08:46,794
BECAUSE I'M
YOUR FOLLOWER.
143
00:08:53,066 --> 00:08:54,201
COULD I SIT DOWN?
144
00:08:54,234 --> 00:08:56,036
YEAH.
NO! WHAT--
145
00:08:56,069 --> 00:08:57,671
I MEAN, NO.
146
00:09:04,377 --> 00:09:05,779
SO, PAUL'S
IN CHARGE, HUH?
147
00:09:05,813 --> 00:09:07,781
NO. NOBODY'S
IN CHARGE.
148
00:09:07,815 --> 00:09:08,816
WELL, THAT WOULD
EXPLAIN A LOT.
149
00:09:08,849 --> 00:09:10,684
HEY, YOU SHOULDN'T
BE SUCH A SMARTASS
150
00:09:10,718 --> 00:09:11,919
WITH A GUN
IN YOUR FACE.
151
00:09:11,952 --> 00:09:13,220
YEAH, PROBABLY NOT.
152
00:09:13,253 --> 00:09:15,322
[FOOTSTEPS]
153
00:09:15,355 --> 00:09:16,323
HOW'S JOEY?
154
00:09:16,356 --> 00:09:17,324
I GAVE HIM
HIS SPECIAL MILK.
155
00:09:17,357 --> 00:09:19,192
HE'LL BE ASLEEP
IN 10 MINUTES.
156
00:09:19,226 --> 00:09:20,327
YOU DRUGGED HIM?
157
00:09:20,360 --> 00:09:21,194
WHY ISN'T HE
TIED UP?
158
00:09:21,228 --> 00:09:24,932
[SIREN]
WHAT IS THAT?
I HEARD SIRENS.
159
00:09:24,965 --> 00:09:27,668
[BREATHING HEAVILY]
IT'S THE COPS.
160
00:09:27,701 --> 00:09:28,702
WHAT ARE THEY DOING?
161
00:09:28,736 --> 00:09:30,337
Ryan: THEY'RE LETTING YOU
KNOW YOU'RE SURROUNDED.
162
00:09:30,370 --> 00:09:33,607
I TOLD YOU--NONE OF YOU
ARE GETTING OUT OF HERE.
163
00:09:34,274 --> 00:09:35,342
THE SAME GOES FOR YOU.
164
00:09:35,375 --> 00:09:36,677
YEAH, WELL,
I'M OK WITH THAT,
165
00:09:36,710 --> 00:09:38,679
BECAUSE I KNOW YOU'RE
NOT GONNA HURT JOEY
166
00:09:38,712 --> 00:09:41,214
AND I KNOW THE FBI'S
NOT GONNA HURT HIM,
167
00:09:41,248 --> 00:09:44,251
SO I'M OK WITH
ANYTHING ELSE.
168
00:09:45,853 --> 00:09:48,355
REALLY? YOU SMUG--
169
00:09:48,388 --> 00:09:49,723
OH, BE CAREFUL.
[ZAPPING]
170
00:09:49,757 --> 00:09:52,592
AAH! [GRUNTING]
171
00:09:54,127 --> 00:09:55,696
WHAT'S GOING ON
WITH HIM?
172
00:09:55,729 --> 00:09:56,830
IT'S THE
ELECTRIC CURRENT.
173
00:09:56,864 --> 00:09:59,366
IT INTERFERES WITH
HIS PACEMAKER.
174
00:09:59,399 --> 00:10:01,601
HE'LL BE OK.
175
00:10:02,402 --> 00:10:04,137
BY THE WAY...
176
00:10:06,406 --> 00:10:08,642
JOE'S IDEA.
177
00:10:10,443 --> 00:10:12,279
NOW TIE HIM UP.
178
00:10:20,888 --> 00:10:22,389
Woman: THE FBI
ARRIVED EARLIER TODAY
179
00:10:22,422 --> 00:10:24,858
TO ASSIST LOCAL AUTHORITIES
WITH THE CAPTURE
180
00:10:24,892 --> 00:10:27,795
OF 3 SUSPECTS WITH TIES
TO JOE CARROLL.
181
00:10:27,828 --> 00:10:29,730
NOW, SOURCES CLAIM THAT
THESE ACCOMPLICES
182
00:10:29,763 --> 00:10:34,868
ARE HOLDING CARROLL'S SON
HOSTAGE INSIDE THE FARMHOUSE.
183
00:10:34,902 --> 00:10:36,636
[SIREN]
184
00:10:42,475 --> 00:10:44,144
OK. BRING ME
UP TO SPEED.
185
00:10:44,177 --> 00:10:45,746
RYAN'S STILL INSIDE
WITH THE SUSPECTS.
186
00:10:45,779 --> 00:10:46,780
WE CAN'T CONFIRM
A NUMBER
187
00:10:46,814 --> 00:10:48,081
OR THE WHEREABOUTS
OF JOEY MATTHEWS.
188
00:10:48,115 --> 00:10:51,118
WE HAVE TAPPED INTO
THE HOUSE'S SERVER.
189
00:10:54,087 --> 00:10:55,188
THEY'RE TRYING TO
E-MAIL SOMEBODY.
190
00:10:55,222 --> 00:10:57,758
LOOKS LIKE IT WENT
TO WI-FI, THEN
BOUNCED TO SATELLITE.
191
00:10:57,791 --> 00:10:59,159
THIS IS HAPPENING FROM
INSIDE THE FARMHOUSE?
192
00:10:59,192 --> 00:11:01,028
YEAH, NO, THIS IS
HAPPENING RIGHT NOW.
193
00:11:01,061 --> 00:11:02,095
I CAN GRAB THIS.
194
00:11:02,129 --> 00:11:04,932
HERE IT COMES.
I GOT IT.
195
00:11:04,965 --> 00:11:06,466
IT'S ENCRYPTED.
DAMN IT!
196
00:11:06,499 --> 00:11:08,368
DID ANYBODY ELSE
GET THAT?
197
00:11:09,803 --> 00:11:11,271
COME ON.
198
00:11:14,274 --> 00:11:17,310
JOEY'S SLEEPING.
WHAT ARE YOU DOING?
199
00:11:17,344 --> 00:11:18,145
I E-MAILED RODERICK.
200
00:11:18,178 --> 00:11:20,480
I TOLD HIM ABOUT HANK
AND RYAN HARDY.
201
00:11:20,513 --> 00:11:21,281
WE NEED MORE HELP.
202
00:11:21,314 --> 00:11:22,315
I AM TRYING TO BE
TOUGH HERE, JACOB,
203
00:11:22,349 --> 00:11:26,119
BUT WE ARE IN TROUBLE,
AND I DON'T KNOW WHAT TO DO.
204
00:11:26,153 --> 00:11:28,355
RODERICK SENT HANK.
205
00:11:28,989 --> 00:11:31,959
WHAT IF DOESN'T
SEND ANYBODY ELSE?
206
00:11:32,359 --> 00:11:35,362
LET'S JUST WAIT TO SEE
IF HE ANSWERS.
207
00:11:35,395 --> 00:11:37,898
WE'RE GONNA
GET OUT OF THIS.
208
00:11:39,833 --> 00:11:42,135
WE'RE GONNA FIGURE
THIS OUT.
209
00:11:43,536 --> 00:11:45,305
HEY?
210
00:11:55,148 --> 00:11:57,150
[DOOR BUZZES]
211
00:12:03,190 --> 00:12:05,826
SO. WHAT'S THE LATEST
UPDATE?
212
00:12:05,859 --> 00:12:07,227
I DON'T HAVE MUCH TO
REPORT, OTHER THAN
213
00:12:07,260 --> 00:12:09,162
RYAN HARDY IS NOW
AT THE FARMHOUSE
214
00:12:09,196 --> 00:12:11,131
IN DUTCHESS COUNTY.
215
00:12:11,298 --> 00:12:12,232
AND CLAIRE?
216
00:12:12,265 --> 00:12:13,000
SHE WENT MISSING
EARLIER TODAY
217
00:12:13,033 --> 00:12:15,235
FROM A RESTAURANT
ON BROAD STREET.
218
00:12:15,268 --> 00:12:17,504
SHE APPEARS TO HAVE
TAKEN YOUR ADVICE.
219
00:12:17,537 --> 00:12:19,940
NO ONE CAN FIND HER.
220
00:12:20,207 --> 00:12:21,108
HMM. HEH.
221
00:12:21,141 --> 00:12:24,377
I THINK IT'S TIME TO
KNOW WHAT I'M A PART OF.
222
00:12:24,411 --> 00:12:26,279
WHAT IS THIS ALL ABOUT?
223
00:12:26,313 --> 00:12:29,416
DO YOU REALLY WANT ME
TO ANSWER THAT, OLIVIA?
224
00:12:29,449 --> 00:12:31,251
THAT WILL
MAKE YOU COMPLICIT
225
00:12:31,284 --> 00:12:33,854
IF, FOR INSTANCE,
YOU KNEW
226
00:12:33,887 --> 00:12:35,789
THAT YOUR STATEMENT
TO THE PRESS
227
00:12:35,823 --> 00:12:37,524
TRIGGERED A PLAN
THAT INCITED
228
00:12:37,557 --> 00:12:38,992
THE ABDUCTION
OF MY WIFE.
229
00:12:39,026 --> 00:12:40,460
THAT WOULD MAKE
ALL SORTS OF TROUBLE
230
00:12:40,493 --> 00:12:42,562
BOTH FOR YOU
AND YOUR CAREER.
231
00:12:42,595 --> 00:12:47,000
YOU DON'T WANT ME
TO ANSWER THAT.
232
00:12:47,034 --> 00:12:48,335
DO YOU?
233
00:12:50,170 --> 00:12:51,438
NO.
234
00:12:53,306 --> 00:12:55,308
KEEP ME UPDATED.
235
00:13:04,317 --> 00:13:06,786
YOU'RE GONNA MAKE
A PHONE CALL.
236
00:13:07,320 --> 00:13:09,222
NO, THANK YOU.
YOU DO IT.
237
00:13:09,256 --> 00:13:10,557
NO, YOU'RE GONNA
DO IT.
238
00:13:10,590 --> 00:13:13,160
YOU TELL THOSE COPS
OUT THERE TO RETREAT.
239
00:13:13,193 --> 00:13:15,328
I DON'T WANT A COP
OR ANYONE
240
00:13:15,362 --> 00:13:16,229
COMING NEAR THIS HOUSE.
241
00:13:16,263 --> 00:13:19,299
OR WHAT?
YOU NEED LEVERAGE.
242
00:13:19,332 --> 00:13:22,035
I'M GOOD FOR NOTHING.
YOU CAN KILL ME
243
00:13:22,069 --> 00:13:23,937
AND I DON'T CARE.
244
00:13:24,872 --> 00:13:27,240
EVENTUALLY.
BUT I THOUGHT WE'D START
245
00:13:27,274 --> 00:13:29,176
WITH OUR LITTLE FRIEND
IN THE BASEMENT.
246
00:13:29,209 --> 00:13:30,477
[FOOTSTEPS]
247
00:13:30,510 --> 00:13:32,212
HAVE YOU MET MEGAN?
248
00:13:32,245 --> 00:13:33,981
[MUFFLED SPEECH]
249
00:13:34,014 --> 00:13:36,483
[CRYING]
250
00:13:37,017 --> 00:13:40,387
[ZAPPING]
HEY, STOP, STOP,
OK, OK.
251
00:13:40,420 --> 00:13:42,389
THOUGHT THAT
WOULD DO IT.
252
00:13:49,362 --> 00:13:51,364
ABOUT THAT CALL.
253
00:13:54,401 --> 00:13:57,938
SO, I SEE 6 ENTRANCES,
BUT ONLY 3 ACCESS POINTS.
IS THAT CORRECT?
254
00:13:57,971 --> 00:13:59,372
YES. WE'VE GOT
THE ROADS BLOCKED.
255
00:13:59,406 --> 00:14:00,340
WHAT ABOUT
AERIAL SUPPORT?
256
00:14:00,373 --> 00:14:01,308
I NEED CHOPPERS
IN THE AIR.
257
00:14:01,341 --> 00:14:03,343
GOT CHOPPERS ON STANDBY
FROM POUGHKEEPSIE P.D.
258
00:14:03,376 --> 00:14:04,444
WHAT'S TURNER SAYING?
259
00:14:04,477 --> 00:14:06,379
THEY PUT AN APB OUT
TO LOCAL AUTHORITIES
IN VIRGINIA
260
00:14:06,413 --> 00:14:09,016
FOR CLAIRE MATTHEWS,
BUT THERE'S NO TRACE
ON HER CELL HONE.
261
00:14:09,049 --> 00:14:10,350
AND WHAT ABOUT
OLIVIA WARREN?
262
00:14:10,383 --> 00:14:11,618
WHAT'S SHE
TOLD CLAIRE?
263
00:14:11,651 --> 00:14:13,120
SHE'S NOT TALKING.
264
00:14:13,153 --> 00:14:14,121
SHE KNOWS SOMETHING.
265
00:14:14,154 --> 00:14:16,423
WE'RE MOMENTS AWAY
FROM RESCUING
CARROLL'S SON
266
00:14:16,456 --> 00:14:17,690
AND HE ORCHESTRATES
A MOVE ON HIS
EX-WIFE?
267
00:14:17,724 --> 00:14:20,360
[CELL PHONE RINGING]
HIS LAWYER'S HELPING
HIM COORDINATE A PLAN
268
00:14:20,393 --> 00:14:22,429
AND I WANT TO KNOW
WHAT IT IS.
269
00:14:23,196 --> 00:14:24,364
IT'S RYAN.
270
00:14:24,397 --> 00:14:26,133
PICK IT UP.
271
00:14:27,467 --> 00:14:29,236
[RINGING]
272
00:14:29,269 --> 00:14:31,004
[BEEPING]
273
00:14:31,471 --> 00:14:34,174
RYAN, IT'S WESTON.
HOW ARE YOU?
274
00:14:34,207 --> 00:14:35,008
COZY AS CAN BE.
275
00:14:35,042 --> 00:14:37,377
I'M SITTING HERE
WITH MY 3 NEW FRIENDS
276
00:14:37,410 --> 00:14:39,379
AND A PRETTY GIRL
NAMED MEGAN.
277
00:14:39,412 --> 00:14:41,114
MEGAN LEEDS,
THE MISSING GIRL
278
00:14:41,148 --> 00:14:42,249
FROM THE GROCERY STORE.
279
00:14:42,282 --> 00:14:43,150
WHAT ABOUT JOEY MATTHEWS?
280
00:14:43,183 --> 00:14:45,919
WELL, THEY'RE KIND OF
MAD AT ME RIGHT NOW,
281
00:14:45,953 --> 00:14:47,387
SO I PROBABLY
SHOULDN'T TELL YOU
282
00:14:47,420 --> 00:14:48,288
THAT HE'S
ASLEEP UPSTAIRS.
283
00:14:48,321 --> 00:14:51,291
WHAT ARE YOU DOING?
TELL THEM TO BACK OFF.
284
00:14:51,324 --> 00:14:54,627
EXCUSE ME, IS THAT
EMMA HILL I'M HEARING?
285
00:14:55,095 --> 00:14:57,430
EMMA? THIS IS
AGENT DEBRA PARKER.
286
00:14:57,464 --> 00:14:58,431
HOW ARE YOU?
287
00:14:58,465 --> 00:14:59,166
[WHISPERING]
Say hi.
288
00:14:59,199 --> 00:15:00,400
IS THERE ANYTHING
YOU GUYS NEED?
289
00:15:00,433 --> 00:15:01,534
CAN WE
GET YOU ANYTHING?
290
00:15:01,568 --> 00:15:04,537
WE WANT THIS TO COME
TO A SAFE RESOLUTION
FOR EVERYONE.
291
00:15:04,571 --> 00:15:05,572
Emma: THEN GET THE HELL
OUT OF HERE.
292
00:15:05,605 --> 00:15:08,575
HAVE YOUR MEN RETREAT
OR I WILL KILL
MEGAN LEEDS,
293
00:15:08,608 --> 00:15:11,144
AND THEN I'LL START ON
RYAN HARDY.
294
00:15:11,178 --> 00:15:12,479
DO YOU UNDERSTAND?
295
00:15:12,512 --> 00:15:13,680
Parker: WE COPY.
296
00:15:13,713 --> 00:15:16,049
NICE ART, BY THE WAY.
297
00:15:16,349 --> 00:15:18,418
WHAT?
AT YOUR HOUSE.
298
00:15:18,451 --> 00:15:20,220
IN THE ATTIC, THE MURALS
ON THE CEILING.
299
00:15:20,253 --> 00:15:23,923
THE WOMEN--LENORE,
"ANNABEL LEE."
300
00:15:24,457 --> 00:15:26,293
YOU'RE A VERY
TALENTED ARTIST.
301
00:15:26,326 --> 00:15:27,427
Emma: WHAT DO YOU THINK
YOU'RE DOING?
302
00:15:27,460 --> 00:15:30,563
I USED TO DRAW
WHEN I WAS YOUNG.
303
00:15:30,597 --> 00:15:32,199
I GAVE IT UP.
304
00:15:32,232 --> 00:15:33,566
BUT WHAT I LIKE
ABOUT YOUR WORK IS THAT
305
00:15:33,600 --> 00:15:37,237
ALL OF THE FACES
RESEMBLE YOUR MOTHER.
306
00:15:42,475 --> 00:15:44,177
IS THAT NEGOTIATOR TALK?
307
00:15:44,211 --> 00:15:47,314
IT WON'T WORK, LADY.
I KILLED MY MOTHER.
308
00:15:47,347 --> 00:15:49,382
I KNOW.
MOST OF US ONLY
309
00:15:49,416 --> 00:15:50,650
DREAM ABOUT DOING IT.
310
00:15:50,683 --> 00:15:52,986
THERE HAVE BEEN
SO MANY TIMES
311
00:15:53,020 --> 00:15:55,488
I'VE WANTED TO WHACK
MY MOM.
312
00:15:56,156 --> 00:15:57,357
YOU MUST MISS HER.
313
00:15:57,390 --> 00:15:59,626
YOUR ART SUGGESTS
YOU DO.
314
00:15:59,659 --> 00:16:02,329
I KNOW I MISS MY
MOTHER ALL THE TIME.
315
00:16:02,362 --> 00:16:03,530
SCREW YOU.
YOU KNOW NOTHING.
316
00:16:03,563 --> 00:16:07,034
ACTUALLY, I KNOW MORE
THAN YOU MAY THINK.
317
00:16:08,435 --> 00:16:11,604
HEY. THEY'RE JUST
TRYING TO GET UNDER
YOUR SKIN, OK?
318
00:16:11,638 --> 00:16:12,772
JUST SHAKE IT OFF.
319
00:16:12,805 --> 00:16:14,074
I'M FINE. OK?
320
00:16:14,107 --> 00:16:16,376
I'M GONNA CHECK
OUR E-MAIL.
321
00:16:18,045 --> 00:16:20,513
IT'S OK.
JUST GO WITH HER.
322
00:16:21,114 --> 00:16:23,550
Ryan: YOU'RE SLEEPING
WITH EMMA?
323
00:16:23,583 --> 00:16:26,419
WAIT. YOU TWO
AREN'T GAY?
324
00:16:27,320 --> 00:16:30,157
I'M NOT GAY.
325
00:16:30,190 --> 00:16:33,260
WHAT ABOUT YOU? GAY?
326
00:16:33,293 --> 00:16:34,994
SHUT UP.
327
00:16:46,606 --> 00:16:49,276
HEY. WHAT WAS
ALL THAT ABOUT?
328
00:16:49,309 --> 00:16:53,480
SWAT AND HRT
ARE STILL AN HOUR OUT.
329
00:16:53,713 --> 00:16:55,448
I WAS TRYING TO...
330
00:16:55,482 --> 00:16:59,152
STALL WHATEVER IT IS
THEY MAY BE PLANNING TO DO.
331
00:17:00,320 --> 00:17:02,422
IS IT TRUE ABOUT HER ART?
IT'S OF HER MOM?
332
00:17:02,455 --> 00:17:06,426
EVERY SINGLE PAINTING,
MURAL, SKETCH
333
00:17:06,459 --> 00:17:08,561
LOOKS LIKE HER MOTHER.
334
00:17:08,828 --> 00:17:10,597
I SUSPECT SHE IS
335
00:17:10,630 --> 00:17:13,533
COMPLETELY TRAUMATIZED
BY HAVING KILLED HER.
336
00:17:13,566 --> 00:17:14,501
WHY UNRAVEL HER?
337
00:17:14,534 --> 00:17:18,738
I'M TRYING TO BRING HER
GRIEF TO THE SURFACE.
338
00:17:18,771 --> 00:17:22,809
A REMINDER SHE'S HUMAN.
SHE HAS A CONSCIENCE.
339
00:17:22,842 --> 00:17:24,577
IT MIGHT MAKE HER
RETHINK THE CHOICE
340
00:17:24,611 --> 00:17:26,646
SHE'S ABOUT TO MAKE.
341
00:17:27,514 --> 00:17:30,483
SOUNDS LIKE HER MOTHER
DID A NUMBER ON HER.
342
00:17:30,517 --> 00:17:32,585
MINE SURE DID.
343
00:17:33,320 --> 00:17:35,622
PARENTAL INFLUENCE
DEFINES US.
344
00:18:01,881 --> 00:18:03,750
HELLO, DEBRA.
345
00:18:05,285 --> 00:18:09,522
LOOK AT YOU.
YOU'RE ALL GROWN UP.
346
00:18:09,556 --> 00:18:11,291
HELLO, DALE.
347
00:18:19,566 --> 00:18:21,201
I CAME TO SEE
MY FAMILY
348
00:18:21,234 --> 00:18:26,373
IT'S BEEN 15 YEARS.
WHY NOW?
349
00:18:26,406 --> 00:18:28,275
BECAUSE IT'S BEEN
15 YEARS.
350
00:18:28,308 --> 00:18:31,444
WHAT MAKES YOU THINK
THEY'D WANT TO SEE YOU?
351
00:18:32,579 --> 00:18:34,581
AFTER WHAT YOU'VE DONE.
352
00:18:52,399 --> 00:18:57,404
DEBRA.
DON'T BE AFRAID, CHILD.
353
00:19:09,716 --> 00:19:12,419
[CRYING]
354
00:19:15,555 --> 00:19:17,156
SHH.
355
00:19:17,590 --> 00:19:19,426
NO.
356
00:19:19,459 --> 00:19:22,795
NO...AAH!
357
00:19:22,829 --> 00:19:23,663
[CRYING]
358
00:19:23,696 --> 00:19:26,165
[DOOR OPENS AND CLOSES]
359
00:19:42,782 --> 00:19:46,886
HELLO, MOM, DAD.
360
00:19:56,529 --> 00:19:58,731
[SIGHS]
361
00:20:00,032 --> 00:20:01,568
ANY WORD?
362
00:20:01,601 --> 00:20:03,002
THEY'VE BEEN DELAYED.
BY THE FBI?
363
00:20:03,035 --> 00:20:06,773
I DON'T KNOW.
I'M STILL
LOOKING INTO IT.
364
00:20:06,806 --> 00:20:07,907
WE'LL HAVE
TO BE PATIENT.
365
00:20:07,940 --> 00:20:10,577
PATIENT? HE WAS NEVER
COMING, WAS HE?
366
00:20:10,610 --> 00:20:11,744
NO. HE'S COMING, CLAIRE.
367
00:20:11,778 --> 00:20:15,615
THAT'S THE PLAN.
YOU'RE GONNA BE
REUNITED WITH YOUR SON.
368
00:20:15,648 --> 00:20:16,783
YEAH, AND THEN WHAT?
369
00:20:16,816 --> 00:20:19,586
THERE ARE CERTAIN THINGS
I CAN'T TELL YOU.
370
00:20:19,619 --> 00:20:21,654
THAT'S ONE OF THEM.
371
00:20:26,659 --> 00:20:27,427
WHAT DID YOU MEAN
372
00:20:27,460 --> 00:20:30,229
WHEN YOU SAID
YOU WERE MY FOLLOWER?
373
00:20:34,934 --> 00:20:38,271
I'VE BEEN
WATCHING YOU, CLAIRE.
374
00:20:38,305 --> 00:20:40,540
THESE ARE MY NOTES.
375
00:20:40,573 --> 00:20:42,008
I'M VERY THOROUGH.
376
00:20:42,041 --> 00:20:44,611
ALL THE DATA'S BEEN
ENTERED INTO THE SYSTEM.
377
00:20:44,644 --> 00:20:45,778
FOR HOW LONG?
378
00:20:45,812 --> 00:20:47,547
TWO YEARS.
379
00:20:48,581 --> 00:20:50,417
THERE'S MORE.
380
00:20:51,718 --> 00:20:54,654
IT'S IMPORTANT FOR JOE
TO SHARE YOUR LIFE.
381
00:20:54,687 --> 00:20:56,356
WHY?
382
00:20:56,389 --> 00:20:57,357
HE LOVES YOU VERY MUCH.
383
00:20:57,390 --> 00:20:58,791
HE LOVES ME?
HE TRIED TO KILL ME.
384
00:20:58,825 --> 00:20:59,959
HE DOESN'T
WANT YOU TO DIE.
385
00:20:59,992 --> 00:21:03,262
HE'S HOPING VERY MUCH
YOU'LL SURVIVE THIS.
386
00:21:22,849 --> 00:21:24,817
YOU FILMED THIS?
387
00:21:25,752 --> 00:21:27,787
DID DENISE--OR EMMA.
WHATEVER HER NAME IS.
388
00:21:27,820 --> 00:21:29,322
DID SHE KNOW?
DID SHE KNOW ABOUT THIS?
389
00:21:29,356 --> 00:21:30,423
NO. I KNEW ABOUT HER,
390
00:21:30,457 --> 00:21:31,924
BUT SHE DIDN'T KNOW
ABOUT ME.
391
00:21:31,958 --> 00:21:33,793
JOE DIDN'T
WANT HER INVOLVED.
392
00:21:33,826 --> 00:21:37,830
EVERYONE PLAYS THEIR
OWN PART, CLAIRE.
393
00:21:38,831 --> 00:21:40,833
YOU'RE MY PART.
394
00:21:44,136 --> 00:21:45,438
RODERICK WROTE BACK.
395
00:21:45,472 --> 00:21:46,739
IS HE SENDING
MORE HELP?
396
00:21:46,773 --> 00:21:48,975
HE DOESN'T SAY.
HE SAID HE'LL CONTACT US
397
00:21:49,008 --> 00:21:50,410
SOON ON
THE SATELLITE PHONE.
398
00:21:50,443 --> 00:21:51,944
SHUT DOWN ALL
ONLINE CORRESPONDENCE.
399
00:21:51,978 --> 00:21:53,980
IT'S NO LONGER SECURE.
[LAPTOP CLOSES]
400
00:21:54,013 --> 00:21:56,015
THAT'S ALL HE SAID?
401
00:21:56,649 --> 00:21:58,351
HE SAID FOR US
TO BE READY.
402
00:21:58,385 --> 00:21:59,986
READY FOR WHAT?
403
00:22:10,463 --> 00:22:12,632
THEY'RE BACKING OFF.
404
00:22:12,665 --> 00:22:14,467
WHERE'S HIS PHONE?
405
00:22:18,004 --> 00:22:18,938
WHAT ARE YOU DOING?
406
00:22:18,971 --> 00:22:21,641
WE NEED TO DELAY THINGS
UNTIL RODERICK CALLS.
407
00:22:21,674 --> 00:22:23,776
I THOUGHT I COULD LET
THE FBI HELP WITH THAT.
408
00:22:23,810 --> 00:22:24,644
Paul: WHERE'S JACOB?
409
00:22:24,677 --> 00:22:25,712
Emma: HE'S CHECKING ON JOEY.
410
00:22:25,745 --> 00:22:28,981
HOW'S HE DOING
WITH EVERYTHING?
411
00:22:29,015 --> 00:22:30,450
WHAT DO YOU MEAN?
412
00:22:30,483 --> 00:22:32,485
YOU KNOW
WHAT I MEAN.
413
00:22:32,885 --> 00:22:34,521
WITH US?
414
00:22:36,523 --> 00:22:39,358
SO NOT THE TIME, PAUL.
415
00:22:41,628 --> 00:22:43,596
OH, WOW.
THIS IS INTERESTING.
416
00:22:43,630 --> 00:22:48,000
SO, YOU'RE SLEEPING
WITH EMMA, TOO?
417
00:22:48,034 --> 00:22:49,135
OR JUST JACOB,
OR BOTH?
418
00:22:49,168 --> 00:22:50,637
YOU HAVE NO IDEA
WHAT'S GOING ON.
419
00:22:50,670 --> 00:22:51,804
YEAH, YOU'RE RIGHT.
I DON'T,
420
00:22:51,838 --> 00:22:53,640
BECAUSE IN MY HEAD,
I GOT THIS WHOLE
421
00:22:53,673 --> 00:22:56,609
THREE-WAY SCENARIO
GOING ON HERE...
422
00:22:56,643 --> 00:22:59,946
YOU LIKE JACOB BUT
JACOB LIKES EMMA.
423
00:22:59,979 --> 00:23:03,550
EMMA JUST WANTS
TO CONTROL YOU BOTH, BUT--
424
00:23:03,783 --> 00:23:05,485
THAT CAN'T BE IT.
CAN IT?
425
00:23:05,518 --> 00:23:09,522
I MEAN--COME ON.
REALLY?
426
00:23:11,791 --> 00:23:15,061
[CELL PHONE RINGING]
427
00:23:15,094 --> 00:23:18,665
PARKER. RYAN'S PHONE.
428
00:23:19,532 --> 00:23:21,768
[BEEPING]
429
00:23:21,801 --> 00:23:24,604
YOU HAVE AGENT PARKER.
WHO IS THIS?
430
00:23:25,204 --> 00:23:26,639
IT'S EMMA.
431
00:23:26,673 --> 00:23:30,142
HELLO, EMMA.
WHAT CAN I DO
FOR YOU?
432
00:23:31,811 --> 00:23:36,082
YOU'RE RIGHT.
I DO MISS MY MOTHER.
433
00:23:37,484 --> 00:23:39,786
YOU DID NOT CALL ME
TO TELL ME THAT.
434
00:23:39,819 --> 00:23:40,820
WHAT'S GOING ON
IN THERE?
435
00:23:40,853 --> 00:23:42,221
WHY ARE YOU PLAYING
WITH ME?
436
00:23:42,254 --> 00:23:44,957
SHE WAS SLUTTY,
MY MOM.
437
00:23:44,991 --> 00:23:48,194
SHE BROUGHT GUYS HOME
ALL THE TIME,
438
00:23:48,227 --> 00:23:50,930
ESPECIALLY DURING
MY FORMATIVE YEARS.
439
00:23:50,963 --> 00:23:55,067
I COULD HEAR THEM
IN HER BEDROOM.
440
00:23:55,101 --> 00:23:56,603
IS THAT WHY
YOU KILLED HER?
441
00:23:56,636 --> 00:23:58,971
I KILLED HER
TO BE FREE.
442
00:23:59,706 --> 00:24:01,574
SHE TRIED TO MAKE ME
SOMETHING I'M NOT.
443
00:24:01,608 --> 00:24:04,677
YES, PARENTS DO
LIKE TO CONTROL US.
444
00:24:04,711 --> 00:24:07,980
NOT ANYMORE.
NOBODY TELLS ME
WHAT TO DO.
445
00:24:08,014 --> 00:24:09,749
EXCEPT JOE.
446
00:24:10,282 --> 00:24:12,118
I MAKE
MY OWN CHOICES.
HOW SO?
447
00:24:12,151 --> 00:24:16,222
DIDN'T YOU JUST
REPLACE ONE PARENT
WITH ANOTHER?
448
00:24:16,255 --> 00:24:17,056
HOW'S IT DIFFERENT?
449
00:24:17,089 --> 00:24:19,492
AREN'T YOU
ONLY DOING
WHAT JOE WANTS?
450
00:24:19,526 --> 00:24:22,862
I CHOSE JOE.
HE WAS MY CHOICE.
451
00:24:22,895 --> 00:24:24,864
WE CANNOT CHOOSE
OUR PARENTS,
452
00:24:24,897 --> 00:24:26,633
BUT WE CAN
BREAK FREE OF THEM,
453
00:24:26,666 --> 00:24:28,568
AND THAT'S WHAT I DID.
454
00:24:28,601 --> 00:24:29,869
[BEEP]
455
00:24:30,302 --> 00:24:32,805
EMMA? EMMA!
456
00:24:37,143 --> 00:24:39,245
YOU'VE COME
A LONG WAY.
457
00:24:39,278 --> 00:24:41,147
I'VE MISSED YOU.
458
00:24:41,180 --> 00:24:43,783
IT'S BEEN SO LONG.
459
00:24:43,816 --> 00:24:45,785
I WANTED TO KNOW
HOW YOU ARE.
460
00:24:45,818 --> 00:24:48,254
YOU NEVER SHOULD HAVE
LEFT, DEBRA.
461
00:24:48,287 --> 00:24:49,656
I DIDN'T BELONG HERE.
462
00:24:49,689 --> 00:24:51,591
Man: THAT'S NOT TRUE.
463
00:24:51,624 --> 00:24:54,994
YOU HAD GREAT POTENTIAL.
464
00:24:55,027 --> 00:24:56,262
I COULD TALK
TO THE COUNCIL.
465
00:24:56,295 --> 00:24:57,263
THEY MIGHT
TAKE YOU BACK.
466
00:24:57,296 --> 00:25:00,967
NO, DAD.
THAT'S NOT
WHY I'M HERE.
467
00:25:01,668 --> 00:25:03,770
THEN WHY ARE YOU HERE?
468
00:25:04,704 --> 00:25:06,172
YOU'RE MY PARENTS.
469
00:25:06,205 --> 00:25:09,776
I WANTED TO SEE YOU.
WE'RE FAMILY.
470
00:25:11,343 --> 00:25:13,212
Weston: AGENT PARKER.
471
00:25:13,646 --> 00:25:17,617
EMMA'S STALLING.
DID YOU TRACK
THAT E-MAIL?
472
00:25:17,650 --> 00:25:18,585
NO. STILL TRYING.
473
00:25:18,618 --> 00:25:21,921
THEY'VE CONTACTED SOMEONE.
THEY'RE BUYING TIME.
474
00:25:25,224 --> 00:25:26,058
WHERE'S EMMA?
475
00:25:26,092 --> 00:25:27,760
SHE'S IN THE KITCHEN.
476
00:25:27,794 --> 00:25:28,628
SO, JACOB,
477
00:25:28,661 --> 00:25:31,063
HOW'S THE WHOLE
THREE-WAY THING
WORK?
478
00:25:31,698 --> 00:25:33,666
YOU TOLD HIM?
479
00:25:34,801 --> 00:25:35,702
I CALLED THAT.
NOT BAD, HUH?
480
00:25:35,735 --> 00:25:37,770
HE'S RUNNING HIS MOUTH.
DON'T LISTEN TO HIM.
481
00:25:37,804 --> 00:25:38,871
Ryan: WELL, I MEAN,
IT MAKES SENSE, RIGHT?
482
00:25:38,905 --> 00:25:41,908
BECAUSE YOU'RE POSING
AS A GAY COUPLE
FOR THAT LONG.
483
00:25:41,941 --> 00:25:44,644
SOONER OR LATER,
YOU GOTTA PUT OUT.
484
00:25:44,677 --> 00:25:48,848
HEY--HEY.
DON'T LISTEN TO HIM.
LET HIM TALK.
485
00:25:49,281 --> 00:25:49,982
I KNOW YOU LOVE EMMA.
486
00:25:50,016 --> 00:25:52,218
FOR THE LOVE
OF GOD, YOU PEOPLE.
487
00:25:52,251 --> 00:25:53,319
SHUT YOUR MOUTH!
488
00:25:53,352 --> 00:25:55,187
YOU WANT ME TO KILL
THAT GIRL? HUH?
489
00:25:55,221 --> 00:25:57,056
NOBODY THINKS
THAT I CAN.
490
00:25:57,089 --> 00:25:57,724
GUYS, GUYS, STOP!
491
00:25:57,757 --> 00:25:59,659
OK, DON'T SHOOT,
DON'T SHOOT!
492
00:25:59,692 --> 00:26:00,927
WE NEED TO SIT DOWN.
493
00:26:00,960 --> 00:26:04,196
JACOB. JACOB, TAKE--
494
00:26:04,230 --> 00:26:05,698
JUST KEEP IT
TOGETHER.
495
00:26:05,732 --> 00:26:08,167
ALL RIGHT? JUST
KEEP IT TOGETHER.
496
00:26:20,713 --> 00:26:22,081
HEY. I GOT SOMETHING.
497
00:26:22,114 --> 00:26:24,350
I UNSCRAMBLED
AN E-MAIL SENT
ON THEIR SERVER.
498
00:26:24,383 --> 00:26:26,252
"WHAT'S YOUR ETA?
I HAVE CLAIRE."
499
00:26:26,285 --> 00:26:27,754
SENT FROM A WAREHOUSE
IN RICHMOND.
500
00:26:27,787 --> 00:26:28,888
IT'S GOTTA BE
CLAIRE MATTHEWS.
501
00:26:28,921 --> 00:26:30,222
GET TURNER ON
THE LINE IMMEDIATELY
502
00:26:30,256 --> 00:26:31,824
AND GIVE HIM A LOCATION.
503
00:26:31,858 --> 00:26:32,659
Officer: SWAT IS HERE.
504
00:26:32,692 --> 00:26:34,093
GOOD. LET'S GET
YOU GUYS IN POSITION.
505
00:26:34,126 --> 00:26:35,227
JUST GIVE US
THE WORD, MA'AM,
506
00:26:35,261 --> 00:26:36,963
AND WE'LL TAKE THAT
HOUSE, NO PROBLEM.
507
00:26:36,996 --> 00:26:38,765
I WANT THE CHILD
SAFE FIRST.
508
00:26:38,798 --> 00:26:40,633
I GOT TWO WELL-TRAINED
SHARPSHOOTERS.
509
00:26:40,667 --> 00:26:42,702
AND I'VE GOT A CHILD,
AN INNOCENT GIRL,
510
00:26:42,735 --> 00:26:43,770
AND ONE OF MY
AGENTS IN THERE.
511
00:26:43,803 --> 00:26:45,104
CAN YOU GUARANTEE ME
THEIR SAFETY?
512
00:26:45,137 --> 00:26:47,006
GUARANTEE? NO, MA'AM.
513
00:26:47,039 --> 00:26:48,708
OK, THEN.
GET YOUR MEN IN POSITION
514
00:26:48,741 --> 00:26:50,242
BUT STAND DOWN UNTIL
I TELL YOU OTHERWISE.
515
00:26:50,276 --> 00:26:51,711
Weston: I'LL GO ON SITE
WITH SWAT.
516
00:26:51,744 --> 00:26:54,146
I'M GOING, TOO.
I KNOW THE PROPERTY.
517
00:26:55,882 --> 00:26:57,349
[DOOR CLOSES]
518
00:26:59,886 --> 00:27:01,888
[DIALING PHONE]
519
00:27:02,421 --> 00:27:05,892
YEAH, IT'S ME.
I NEED TO SPEAK
TO RODERICK.
520
00:27:06,225 --> 00:27:07,760
I HAVEN'T HEARD
FROM HANK.
521
00:27:07,794 --> 00:27:10,663
NO, NOTHING.
I DON'T HAVE
THE BOY.
522
00:27:10,697 --> 00:27:13,733
ARE YOU SURE?
DON'T DOUBT ME,
RODERICK.
523
00:27:13,766 --> 00:27:14,466
I CAN DO THIS.
524
00:27:14,500 --> 00:27:17,036
I STILL HAVE HER
WITHOUT THE BOY.
525
00:27:21,473 --> 00:27:23,042
WHAT DO YOU
WANT ME TO DO
526
00:27:23,075 --> 00:27:24,844
WITH CLAIRE MATTHEWS?
527
00:27:54,807 --> 00:27:56,976
DON'T DO THIS, CLAIRE.
528
00:28:13,893 --> 00:28:14,794
AAH!
529
00:28:14,827 --> 00:28:16,829
DON'T DO THAT AGAIN.
530
00:28:25,504 --> 00:28:27,439
IN POSITION.
ALL CLEAR.
531
00:28:34,981 --> 00:28:37,750
[CELL PHONE BUZZING]
532
00:28:39,919 --> 00:28:41,720
BE RIGHT BACK.
533
00:28:47,393 --> 00:28:49,862
MUST HAVE BEEN
AN IMPORTANT CALL.
534
00:28:54,433 --> 00:28:56,035
WE'RE GOOD.
EVERYTHING'S COOL.
535
00:28:56,068 --> 00:28:57,036
WHAT--WHAT DOES
THAT MEAN?
536
00:28:57,069 --> 00:28:58,270
WHAT--WHAT ARE WE
SUPPOSED TO DO?
537
00:28:58,304 --> 00:28:59,071
KEEP IT TOGETHER, PAUL.
538
00:28:59,105 --> 00:29:00,873
JUST SIT TIGHT
A LITTLE WHILE LONGER.
539
00:29:00,907 --> 00:29:02,108
I'M GONNA
CHECK ON JOEY.
540
00:29:02,141 --> 00:29:05,011
WHAT'S GOING ON HERE?
RELAX.
541
00:29:06,178 --> 00:29:09,081
HAVE A LITTLE
FAITH, PAUL.
542
00:29:10,449 --> 00:29:13,552
YEAH, PAUL.
PLACE IS SURROUNDED
BY COPS.
543
00:29:13,585 --> 00:29:18,858
ALL THE ROADS ARE CLOSED.
NO WAY OUT BUT--
544
00:29:18,891 --> 00:29:20,960
HAVE A LITTLE FAITH.
545
00:29:29,836 --> 00:29:31,170
[SPITS]
546
00:29:35,574 --> 00:29:38,878
HEY, THERE,
SLEEPY HEAD.
WAKE UP.
547
00:29:38,911 --> 00:29:42,014
WAKE UP.
WAKE UP.
548
00:29:42,048 --> 00:29:43,015
WHAT'S GOING ON?
549
00:29:43,049 --> 00:29:44,416
COME ON.
I GOTTA GO.
550
00:29:44,450 --> 00:29:47,920
COME ON.
THERE YOU GO.
COME ON.
551
00:30:07,373 --> 00:30:11,077
I'M SORRY I RAN OFF.
I GOT SCARED.
552
00:30:11,110 --> 00:30:12,578
I HEARD YOU SAY
SOMETHING WAS WRONG,
553
00:30:12,611 --> 00:30:13,946
AND I JUST WANTED
TO GET AWAY.
554
00:30:13,980 --> 00:30:15,081
I MEAN, IF JOEY'S
NOT COMING HERE,
555
00:30:15,114 --> 00:30:16,348
THEN WHY CAN'T
I GO HOME?
556
00:30:16,382 --> 00:30:19,118
THAT WAS NEVER
THE PLAN, CLAIRE.
557
00:30:21,988 --> 00:30:23,923
WHAT IS THE PLAN,
CHARLIE?
558
00:30:23,956 --> 00:30:26,959
THERE ARE CERTAIN THINGS
I CAN'T TELL YOU.
559
00:30:26,993 --> 00:30:29,361
YOU TELL ME
WHO RODERICK IS?
560
00:30:30,496 --> 00:30:31,597
CAN'T TELL YOU
THAT, EITHER.
561
00:30:31,630 --> 00:30:32,731
THAT'S NOT HIS
REAL NAME, IS IT?
562
00:30:32,764 --> 00:30:35,501
THE MAIN CHARACTER
IN "THE FALL OF
THE HOUSE OF USHER"
563
00:30:35,534 --> 00:30:37,603
BY EDGAR ALLAN POE,
WASN'T IT?
564
00:30:37,636 --> 00:30:39,005
ALL I CAN TELL YOU
565
00:30:39,038 --> 00:30:42,108
IS THAT HE'S
A FRIEND OF JOE'S.
566
00:30:43,042 --> 00:30:45,044
WHAT IS JOE DOING?
567
00:30:46,278 --> 00:30:49,781
HMM? WHY DO YOU
LISTEN TO HIM?
568
00:30:53,652 --> 00:30:56,055
WHAT IS THIS
ALL ABOUT?
569
00:30:57,990 --> 00:31:02,094
HE'S TEACHING ME
TO FEEL MY LIFE.
570
00:31:02,128 --> 00:31:04,296
CLAIRE WORKED ALL WEEK.
SHE WENT TO HE DOCTOR.
571
00:31:04,330 --> 00:31:06,265
SHE TOOK JOEY
ALL OVER THE PLACE--
572
00:31:06,298 --> 00:31:07,199
SOCCER, PIANO.
573
00:31:07,233 --> 00:31:10,002
SHE WENT TO A CELINE DION
CONCERT ON FRIDAY
574
00:31:10,036 --> 00:31:11,037
WITH HER FRIEND LISA.
575
00:31:11,070 --> 00:31:14,540
CELINE DION?
OH, GOOD GOD.
576
00:31:14,573 --> 00:31:17,176
IT WAS A BENEFIT.
577
00:31:18,344 --> 00:31:21,914
CLAIRE LOOKED GREAT.
LITTLE BLACK DRESS.
578
00:31:21,948 --> 00:31:25,017
YOU'VE FALLEN FOR
HER, HAVEN'T YOU?
579
00:31:27,019 --> 00:31:28,254
I WOULD NEVER
BE INAPPROPRIATE.
580
00:31:28,287 --> 00:31:30,122
I KNOW THAT, CHARLIE.
581
00:31:30,156 --> 00:31:33,592
IT'S EASY TO FALL FOR
A WOMAN LIKE CLAIRE.
582
00:31:36,162 --> 00:31:38,030
YOU CAN TRUST ME, SIR.
583
00:31:38,064 --> 00:31:39,966
I KNOW I CAN.
584
00:31:40,166 --> 00:31:42,334
IT'S WHY YOU'RE HERE.
585
00:31:52,111 --> 00:31:54,313
I SHOULDN'T HAVE
DONE THAT.
586
00:31:54,580 --> 00:31:57,549
I SHOULD NEVER
TOUCH YOU LIKE THAT.
587
00:31:57,583 --> 00:31:59,585
IT'S IMPURE.
588
00:32:10,696 --> 00:32:12,498
WHAT'S TAKING HER
SO LONG?
589
00:32:13,399 --> 00:32:15,534
GO UPSTAIRS
AND GET HER.
590
00:32:29,648 --> 00:32:31,317
SHE'S NOT UPSTAIRS.
591
00:32:31,350 --> 00:32:33,219
WHAT?
I LOOKED ALL OVER
THE PLACE.
592
00:32:33,252 --> 00:32:34,353
SHE AND JOEY
ARE BOTH GONE.
593
00:32:34,386 --> 00:32:36,055
THEY MUST HAVE GONE
DOWN THE BACK STAIRS
594
00:32:36,088 --> 00:32:37,356
OUT THROUGH THE BACK DOOR.
595
00:32:37,389 --> 00:32:38,390
WHAT ARE WE
GONNA DO?
596
00:32:38,424 --> 00:32:40,626
I DON'T KNOW.
JUST LET ME THINK.
597
00:32:41,627 --> 00:32:44,363
[GRUNTING]
598
00:32:47,433 --> 00:32:49,401
RUN TO THE STREET.
DON'T STOP.
599
00:32:49,435 --> 00:32:51,370
HELP WILL BE THERE.
600
00:32:52,638 --> 00:32:53,372
HOLD YOUR FIRE.
601
00:32:53,405 --> 00:32:56,508
IT'S THE GIRL.
SHE'S GETTING AWAY.
602
00:33:02,048 --> 00:33:03,349
WE'RE IN TROUBLE.
603
00:33:03,382 --> 00:33:05,251
[GROANING]
604
00:33:08,254 --> 00:33:09,355
MIKE.
Weston: HEY, RYAN.
605
00:33:09,388 --> 00:33:10,456
EMMA'S RUNNING,
606
00:33:10,489 --> 00:33:12,491
SOUTHWEST CORNER OF
THE PROPERTY,
TOWARDS THE WOODS.
607
00:33:12,524 --> 00:33:13,359
SHE'S GOT JOEY.
608
00:33:13,392 --> 00:33:15,027
GOT IT.
THAT WAS HARDY.
609
00:33:15,061 --> 00:33:16,762
EMMA AND JOEY
ARE ON THEIR WAY.
610
00:33:16,795 --> 00:33:18,530
EYES UP.
611
00:33:21,800 --> 00:33:23,635
FBI. SHOW YOUR HANDS.
DO IT NOW!
612
00:33:23,669 --> 00:33:24,770
OK...
SHOW YOUR HANDS.
613
00:33:24,803 --> 00:33:27,506
GET ON THE GROUND.
DO IT NOW.
614
00:33:27,539 --> 00:33:29,375
ALL THE WAY.
MOVE IT!
615
00:33:29,408 --> 00:33:31,543
[SILENCED GUNSHOTS]
616
00:33:35,547 --> 00:33:38,284
[BREATHING HEAVILY]
617
00:33:39,551 --> 00:33:41,653
COME ON, JOEY.
STAY WITH ME.
WE'RE ALMOST THERE.
618
00:33:41,687 --> 00:33:42,688
WHERE ARE WE GOING?
619
00:33:42,721 --> 00:33:43,522
SOMEPLACE SAFE,
620
00:33:43,555 --> 00:33:45,391
AWAY FROM THE PEOPLE
WHO WILL HURT YOU.
621
00:33:45,424 --> 00:33:47,559
WHAT ABOUT
JACOB AND PAUL?
622
00:33:48,560 --> 00:33:49,695
THEY'LL BE FINE.
623
00:33:49,728 --> 00:33:51,430
DON'T MOVE!
624
00:33:53,632 --> 00:33:56,068
HANDS IN THE AIR NOW.
625
00:33:56,702 --> 00:33:59,271
JOEY, IT'S OK.
626
00:33:59,305 --> 00:34:01,107
WE'RE HERE TO HELP YOU.
627
00:34:07,879 --> 00:34:10,416
I'M WITH RODERICK.
LET'S GO.
628
00:34:10,449 --> 00:34:11,717
COME ON!
629
00:34:16,522 --> 00:34:18,157
LET ME HELP YOU.
I'M OK.
630
00:34:18,190 --> 00:34:19,291
THEN YOU NEED
TO HELP ME,
631
00:34:19,325 --> 00:34:20,559
BECAUSE YOU KNOW
WHERE JOEY IS.
632
00:34:20,592 --> 00:34:22,794
I'M GONNA TAKE YOU
TO HIM.
633
00:34:23,729 --> 00:34:25,431
OK? I PROMISE.
634
00:34:25,464 --> 00:34:26,432
[BEEPING]
635
00:34:26,465 --> 00:34:29,501
WHAT IS THAT?
SOMEBODY'S HERE.
636
00:34:30,469 --> 00:34:32,171
DAMN IT.
Man: FEDERAL AGENTS!
637
00:34:32,204 --> 00:34:33,572
GET DOWN ON THE GROUND NOW!
638
00:34:33,605 --> 00:34:35,241
AAH!
639
00:34:48,487 --> 00:34:50,489
THEY'RE GONE, SIR.
640
00:34:53,359 --> 00:34:55,627
AGENT PARKER,
HARDY'S OUT OF
THE HOUSE.
641
00:34:55,661 --> 00:34:57,263
SO IS JOEY
AND THE NANNY.
642
00:34:57,296 --> 00:34:59,765
THE TWO MEN
ARE STILL INSIDE.
643
00:34:59,798 --> 00:35:02,368
TAKE IT DOWN.
YES, MA'AM.
644
00:35:08,307 --> 00:35:10,576
UHH. IT'S OK.
645
00:35:10,909 --> 00:35:13,345
I CAN'T BELIEVE
EMMA LEFT.
646
00:35:13,379 --> 00:35:14,012
WHY WOULD SHE LEAVE?
647
00:35:14,045 --> 00:35:15,347
I DON'T KNOW.
I DON'T KNOW.
648
00:35:15,381 --> 00:35:16,548
BUT WE GOTTA
GET OUT OF HERE.
649
00:35:16,582 --> 00:35:17,483
[GRUNTING]
650
00:35:17,516 --> 00:35:20,586
[GLASS SHATTERS]
[GUNFIRE]
651
00:35:25,824 --> 00:35:29,127
DON'T SHOOT!
DON'T SHOOT.
WE SURRENDER.
652
00:35:36,668 --> 00:35:37,503
RODERICK SENT US.
653
00:35:37,536 --> 00:35:40,272
GO OUT THE BACK.
GO. NOW.
654
00:35:44,943 --> 00:35:46,512
MIKE.
655
00:35:46,545 --> 00:35:51,483
MIKE. MIKE.
MIKE. MIKE.
656
00:35:52,418 --> 00:35:54,386
AVA.
THE LOCAL COP.
657
00:35:54,420 --> 00:35:56,822
SHE'S IN ON IT.
SHE SHOT ME POINT BLANK.
658
00:35:58,424 --> 00:35:59,858
WHERE'D SHE GO?
THAT WAY.
659
00:35:59,891 --> 00:36:02,694
I'M FINE.
I'M WEARING A VEST.
660
00:36:05,697 --> 00:36:08,600
[BREATHING HEAVILY]
661
00:36:18,777 --> 00:36:20,312
FULL TANK.
EVERYTHING YOU NEED
662
00:36:20,346 --> 00:36:21,313
IS IN THE GLOVE
COMPARTMENT.
663
00:36:21,347 --> 00:36:22,614
THE KEYS ARE
IN THE IGNITION.
664
00:36:22,648 --> 00:36:23,682
WHERE ARE WE GOING?
665
00:36:23,715 --> 00:36:25,584
I TOLD YOU.
FAR AWAY.
666
00:36:25,617 --> 00:36:26,385
WHERE THEY WON'T
SHOOT AT US.
667
00:36:26,418 --> 00:36:29,521
BETTER GET MOVING.
STOP RIGHT THERE!
668
00:36:31,390 --> 00:36:33,959
NO. JOEY, NO.
WAIT.
669
00:36:33,992 --> 00:36:36,428
[TIRES SCREECH]
670
00:36:36,462 --> 00:36:39,197
[BREATHING HEAVILY]
671
00:36:40,532 --> 00:36:41,800
OH.
672
00:36:46,204 --> 00:36:48,940
[COUNTRY MUSIC PLAYING]
673
00:36:56,948 --> 00:36:58,584
MAN, YOU SCARED ME.
YOU OK?
674
00:36:58,617 --> 00:36:59,985
I'VE BEEN BETTER.
675
00:37:00,018 --> 00:37:02,521
OH! UHH!
676
00:37:02,554 --> 00:37:05,257
[BREATHING HEAVILY]
677
00:37:09,661 --> 00:37:11,430
[ENGINE STARTS]
678
00:37:11,797 --> 00:37:13,432
[TIRES SCREECH]
679
00:37:16,034 --> 00:37:18,003
WE BLOCKED OFF EVERY ROAD
IN A 10-MILE RADIUS.
680
00:37:18,036 --> 00:37:19,338
NOBODY'S SEEN
HIM YET.
681
00:37:19,371 --> 00:37:21,039
HOW THE HELL DID
THEY GET OUT OF HERE?
682
00:37:21,072 --> 00:37:22,541
THOUGHT YOU HAD THIS
PLACE ON LOCKDOWN.
683
00:37:22,574 --> 00:37:25,411
CARROLL'S PEOPLE KILLED
TWO OF OUR SWAT GUYS
684
00:37:25,444 --> 00:37:26,478
GUARDING THE SOUTHWEST EXIT,
685
00:37:26,512 --> 00:37:30,015
TOOK THEIR WEAPONS,
POSED AS SWAT, KILLED TWO MORE.
686
00:37:30,048 --> 00:37:32,351
THEY PLANTED A POLICE
OFFICER IN TOWN.
687
00:37:32,384 --> 00:37:33,985
HOW DID THEY DO THAT?
688
00:37:34,786 --> 00:37:36,021
THEY HAVE
TACTICAL RESOURCES.
689
00:37:36,054 --> 00:37:38,023
I MEAN, WHO ARE
THESE PEOPLE?
690
00:37:38,056 --> 00:37:39,658
[SIGHS]
691
00:37:42,528 --> 00:37:44,396
RYAN, ARE YOU OK?
692
00:37:44,796 --> 00:37:46,398
JUST LET HIM GO.
693
00:38:18,564 --> 00:38:21,099
HOW DID JOE CARROLL BRING
ALL THESE PEOPLE TOGETHER?
694
00:38:21,132 --> 00:38:22,434
WHERE DID
THEY COME FROM?
695
00:38:22,468 --> 00:38:25,404
CULT MENTALITY
IS ONE OF UNITY.
696
00:38:25,437 --> 00:38:27,439
IT'S HUMAN NATURE.
697
00:38:28,440 --> 00:38:30,509
WE ALL WANT TO BELONG.
698
00:38:31,142 --> 00:38:32,978
IT'S A PRIMAL NEED.
699
00:38:33,011 --> 00:38:35,313
Man: THEN WHY
ARE YOU HERE?
700
00:38:36,114 --> 00:38:38,350
YOU'RE MY PARENTS.
701
00:38:38,384 --> 00:38:41,086
I WANTED TO SEE YOU.
WE'RE FAMILY.
702
00:38:41,119 --> 00:38:42,854
Woman: NO.
703
00:38:43,889 --> 00:38:45,557
NO, SHE CAME
OUT OF GUILT.
704
00:38:45,591 --> 00:38:47,693
SHE WANTS
OUR FORGIVENESS.
705
00:38:47,726 --> 00:38:49,428
IS THAT
WHAT YOU THINK?
706
00:38:49,461 --> 00:38:51,697
YOU DESTROYED US.
707
00:38:51,730 --> 00:38:53,098
YOU RAN OFF IN
THE MIDDLE OF THE NIGHT.
708
00:38:53,131 --> 00:38:57,335
WE LOST OUR STANDING.
WE WERE ALMOST EXILED.
709
00:39:00,138 --> 00:39:01,840
NO, MOM.
710
00:39:01,873 --> 00:39:04,342
I DON'T WANT
YOUR FORGIVENESS.
711
00:39:05,411 --> 00:39:07,746
I CAME TO FORGIVE YOU...
712
00:39:12,083 --> 00:39:14,486
AND TELL YOU
THAT I LOVE YOU.
713
00:39:15,421 --> 00:39:17,355
BOTH OF YOU.
714
00:39:18,624 --> 00:39:20,592
AND I ALWAYS WILL.
715
00:39:20,626 --> 00:39:22,394
[FOOTSTEPS]
716
00:39:33,639 --> 00:39:35,574
PLEASE REMEMBER THAT.
717
00:39:42,914 --> 00:39:45,517
[CRYING]
718
00:39:45,551 --> 00:39:47,719
WHAT HAVE YOU DONE?
719
00:39:48,520 --> 00:39:49,187
YOU HAVE TO.
720
00:39:49,220 --> 00:39:49,821
NO. NO, MOTHER.
721
00:39:49,855 --> 00:39:52,791
YOU HAVE TO.
I'M NOT GOING.
722
00:39:54,660 --> 00:39:57,696
YOU HAVE TO.
[CRYING]
723
00:39:58,530 --> 00:40:01,199
SHH, SHH, SHH.
724
00:40:01,232 --> 00:40:03,068
[CRYING]
725
00:40:17,549 --> 00:40:20,552
[INDISTINCT VOICES
ON POLICE RADIO]
726
00:40:21,553 --> 00:40:24,990
THE FBI COMPROMISED
A FARMHOUSE
IN DUTCHESS COUNTY,
727
00:40:25,023 --> 00:40:27,559
BUT YOUR PEOPLE
GOT OUT SAFELY...
728
00:40:28,126 --> 00:40:29,194
INCLUDING YOUR SON.
729
00:40:29,227 --> 00:40:32,130
THE FBI HAS NO IDEA
WHERE HE IS.
730
00:40:34,165 --> 00:40:37,068
AND NOW IT'S TIME.
731
00:40:37,102 --> 00:40:38,770
FOR WHAT?
732
00:40:39,571 --> 00:40:42,107
THE NEXT PART
OF THE STORY.
733
00:40:44,576 --> 00:40:46,812
GOOD MORNING.
I FILED A MOTION
734
00:40:46,845 --> 00:40:49,147
ON BEHALF OF MY CLIENT
JOE CARROLL
735
00:40:49,180 --> 00:40:51,249
WITH THE FEDERAL BUREAU
OF PRISONS
736
00:40:51,282 --> 00:40:54,085
FOR VIOLATIONS OF
THE EIGHTH AMENDMENT.
737
00:40:54,119 --> 00:40:55,487
MR. CARROLL HAS BEEN SUBJECT TO
738
00:40:55,521 --> 00:40:58,624
NUMEROUS INCIDENTS OF ABUSE
BY THE FBI.
739
00:40:58,657 --> 00:41:01,560
THIS ABUSE HAS TO
STOP IMMEDIATELY.
740
00:41:01,593 --> 00:41:03,762
ALSO, WE HAVE REQUESTED THAT...
741
00:41:03,795 --> 00:41:05,797
RYAN HARDY'S HERE.
742
00:42:10,662 --> 00:42:14,566
[CELL PHONE RINGING]
743
00:42:20,371 --> 00:42:22,340
Paul: EMMA. HELLO?
744
00:42:22,373 --> 00:42:24,342
EMMA. EMMA, COME ON,
SAY SOMETHING.
745
00:42:24,375 --> 00:42:26,544
I KNOW THAT
YOU'RE THERE.
746
00:42:26,812 --> 00:42:30,048
EMMA. EMMA,
WHERE ARE YOU?
747
00:42:30,081 --> 00:42:31,883
YOU LEFT US?
748
00:42:32,217 --> 00:42:34,252
WHY DID YOU
LEAVE US?
749
00:42:35,386 --> 00:42:36,855
EMMA!
750
00:42:41,960 --> 00:42:45,196
HANG ON.
HANG ON.
LOOK AT ME.
751
00:42:45,230 --> 00:42:47,666
I'M GONNA GET US
SOME HELP.
752
00:42:47,699 --> 00:42:49,000
JUST HANG ON.
753
00:42:49,034 --> 00:42:53,371
THANK YOU
FOR NOT LEAVING ME.
754
00:42:53,404 --> 00:42:55,040
BREATHE.
755
00:43:02,313 --> 00:43:04,850
[CRYING]
50996
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