All language subtitles for Metalocalypse s01e18 Girlfriendklok.eng

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These are the user uploaded subtitles that are being translated: 1 00:00:04,292 --> 00:00:08,002 ON A MUTILATED MISSION TO INFLICT MERCILESS PAIN 2 00:00:08,083 --> 00:00:10,833 SACRIFICE YOUR SOUL TO THE DEITY OF DETH 3 00:00:10,917 --> 00:00:14,207 SHE'S CONCOCTED YOUR MURDER AND YOU'VE LOST ALL YOUR DEFENSE 4 00:00:14,292 --> 00:00:17,172 TRY BUT YOU CAN'T HIDE 5 00:00:17,250 --> 00:00:20,130 THE HUNT IS ON YOUR LIFE IS GONE 6 00:00:20,208 --> 00:00:22,168 CASTRATIKRON EYES 7 00:00:22,250 --> 00:00:25,420 THEY WILL GO BLIND IF LOOKED BEYOND 8 00:00:25,500 --> 00:00:33,920 YOUR SOUL IS GONE CASTRATIKRON ♪ 9 00:00:37,042 --> 00:00:43,962 >> [ROARING] >> NATHAN! 10 00:00:44,042 --> 00:00:45,252 NATHAN, LOOK! 11 00:00:45,333 --> 00:00:47,133 CAN YOU GET US BACKSTAGE? 12 00:00:47,208 --> 00:00:48,668 WE'LL MAKE IT WORTH YOUR WHILE! 13 00:00:48,750 --> 00:00:51,380 WE'LL TOTALLY SUCK YOUR HOG! 14 00:00:51,458 --> 00:00:53,038 >> NATHAN! 15 00:00:53,125 --> 00:00:55,165 >> YEAH, WE'LL TOTALLY GANG-BANG YOU! 16 00:00:55,000 --> 00:00:56,210 ALL OF US WILL! 17 00:00:56,042 --> 00:00:57,132 NATHAN! 18 00:00:57,208 --> 00:00:58,878 CUT OUR FACES OFF! 19 00:00:58,958 --> 00:01:00,708 CUT MY ARMS OFF! 20 00:01:00,792 --> 00:01:02,792 >> UH... 21 00:01:02,875 --> 00:01:04,785 I--I--I CAN'T. 22 00:01:04,875 --> 00:01:06,125 >> WHAT'S HE SAYING? 23 00:01:06,208 --> 00:01:07,418 >> WHAT'S HE SAYING?! 24 00:01:07,500 --> 00:01:08,290 >> I CAN'T. 25 00:01:08,375 --> 00:01:11,825 I HAVE A GIRLFRIEND NOW. 26 00:01:11,917 --> 00:01:13,077 >> NO! 27 00:01:13,167 --> 00:01:14,247 NO! 28 00:01:14,333 --> 00:01:16,753 >> ♪ DO ANYTHING FOR DETHKLOK DO ANYTHING FOR DETHKLOK 29 00:01:16,833 --> 00:01:19,293 DO ANYTHING FOR DETHKLOK DO ANYTHING FOR DETHKLOK 30 00:01:19,375 --> 00:01:22,125 DO ANYTHING FOR DETHKLOK ♪ >> ♪ DETHKLOK, DETHKLOK 31 00:01:22,208 --> 00:01:24,578 DETHKLOK, DETHKLOK ♪ >> ♪ I'LL 32 00:01:24,667 --> 00:01:27,127 TEACH YOU WHO 33 00:01:27,208 --> 00:01:29,878 ROCK DETHKLOK, DETHKLOK! ♪ 34 00:01:29,958 --> 00:01:32,288 >> ♪ SKWISGAAR SKWIGELF TALLER THAN A TREE 35 00:01:32,375 --> 00:01:35,035 TOKI WARTOOTH NOT A BUMBLE BEE 36 00:01:35,125 --> 00:01:37,495 WILLIAM MURDERFACE MURDERFACE, MURDERFACE 37 00:01:37,583 --> 00:01:39,293 PICKLES THE DRUMMER DOODILY DOO, DING-DONG 38 00:01:39,375 --> 00:01:41,665 DOODILY DOODILY DOO NATHAN EXPLOSION ♪ 39 00:01:41,750 --> 00:01:48,000 [CAPTIONING MADE POSSIBLE BY TURNER ENTERTAINMENT GROUP] 40 00:01:48,083 --> 00:01:50,673 >> [WOMEN GIGGLING] >> HEY, NATE. 41 00:01:50,750 --> 00:01:51,750 WHAT THE HELL? 42 00:01:51,833 --> 00:01:54,043 AIN'T YOU GONNA GET PAINTED BY NAKED LADIES WITH US? 43 00:01:54,125 --> 00:01:55,125 >> NO. 44 00:01:55,208 --> 00:01:56,708 I'M--I'M COOL. 45 00:01:56,792 --> 00:02:00,082 >> ALWAYS YOUS GETS PAINTED BY NAKED LADY, HUH? 46 00:02:00,167 --> 00:02:00,997 YOU LOVES IT. 47 00:02:01,083 --> 00:02:03,173 >> I WANT TO GO NOW! 48 00:02:03,250 --> 00:02:04,210 >> WHAT THE HELLS, NATHAN? 49 00:02:04,292 --> 00:02:06,962 YOU BRING YOUR GIRLFRIENDS BACKSTAGE? 50 00:02:07,042 --> 00:02:12,082 >> SHE KNOW HOW--WHERE IT IS, YOU KNOW, SO... 51 00:02:12,167 --> 00:02:15,077 >> SHE'S PROBABLY KEEPING WATCH LIKE A HAWK. 52 00:02:15,167 --> 00:02:18,167 >> IT'S ANOTHER JUDGMENTAL BIRD FACE BAND-WRECKER. 53 00:02:18,000 --> 00:02:18,960 >> WHAT? 54 00:02:19,042 --> 00:02:19,832 >> WHAT? NOTHING. 55 00:02:19,917 --> 00:02:20,577 GOD, YOU'RE PARANOID. 56 00:02:20,667 --> 00:02:21,497 OH, THERE'S MY DRINK OVER THERE. 57 00:02:21,583 --> 00:02:22,383 GOTTA GO! 58 00:02:22,458 --> 00:02:23,458 >> YOUS GONNA HANGS OUT. 59 00:02:23,542 --> 00:02:24,332 COME ON. 60 00:02:24,417 --> 00:02:25,287 >> WE GOTTA GO. 61 00:02:25,375 --> 00:02:27,535 WE GOT PLANS WITH MY PARENTS, REMEMBER? 62 00:02:27,625 --> 00:02:31,415 >> YEAH, I WISH I COULD, BUT-- >> LET'S GO. 63 00:02:31,500 --> 00:02:39,920 >> [GRUNTING] FEEL, UH, FREE TO HELP ME OUT 64 00:02:41,000 --> 00:02:43,080 WITH THIS. 65 00:02:43,167 --> 00:02:45,127 >> THE WORLD SEEMS TO BE GOING CRAZY OVER THE WHIRLWIND ROMANCE 66 00:02:45,208 --> 00:02:47,878 OF DETHKLOK FRONTMAN NATHAN EXPLOSION AND CELEBRITY 67 00:02:47,958 --> 00:02:52,418 PERSONALITY REBECCA NIGHTROD, NOW SIMPLY KNOWN AS NATEBECCA OR 68 00:02:52,500 --> 00:02:54,170 REBESPLOSION. 69 00:02:54,000 --> 00:02:56,250 DESPITE THE THOUSANDS OF FEMALE SUICIDES, IT LOOKS LIKE THE 70 00:02:56,333 --> 00:02:59,083 WORLD HAS COME TO EMBRACE THE JOINING OF THESE TWO MEDIA 71 00:02:59,167 --> 00:03:00,377 MONSTERS. 72 00:03:00,458 --> 00:03:03,208 NO TALK OF BABIES YET, BUT WE'VE DONE SOME WORK ON OUR OWN AND 73 00:03:03,292 --> 00:03:07,132 ARE READY TO SHOW THE WORLD WHAT THE METAL BABY GOD MIGHT LOOK 74 00:03:07,208 --> 00:03:08,828 LIKE. 75 00:03:08,917 --> 00:03:12,497 >> IT APPEARS THAT NATHAN EXPLOSION HAS FOUND HIMSELF 76 00:03:12,583 --> 00:03:14,173 A GIRLFRIEND. 77 00:03:14,250 --> 00:03:16,000 >> A CELEBRITY GIRLFRIEND. 78 00:03:16,083 --> 00:03:20,043 >> HER NAME IS REBECCA NIGHTROD, AND SHE'S A WORLD-CLASS TENNIS 79 00:03:20,125 --> 00:03:23,125 PLAYER TURNED SITCOM ACTOR/ MODEL. 80 00:03:23,208 --> 00:03:25,328 >> AND HER FATHER IS A DECORATED DIGNITARY. 81 00:03:25,417 --> 00:03:27,747 VERY INFLUENTIAL IN THE POLITICAL WORLD. 82 00:03:27,833 --> 00:03:31,083 >> GENTLEMEN, CELEBRITY RELATIONSHIP EXPERT HORACE 83 00:03:31,167 --> 00:03:34,327 MARMINGBLAT WIMPLESTEIN JR. >> WHEN TWO HIGH-PROFILE 84 00:03:34,417 --> 00:03:36,827 CELEBRITIES BEGIN A RELATIONSHIP, IT CAN UPSET THE 85 00:03:36,917 --> 00:03:38,377 BALANCE OF THE WORLD. 86 00:03:38,458 --> 00:03:40,708 THE JOINING OF THESE TWO MONUMENTAL EGOS CAN CREATE A 87 00:03:40,792 --> 00:03:43,672 SOCIOLOGICAL SUPERNOVA THAT OVERSHADOWS WORLDLY EVENTS AND 88 00:03:43,750 --> 00:03:48,210 SHIFTS THE PERSPECTIVE FROM IMPORTANCE TO PERIPHERAL. 89 00:03:48,042 --> 00:03:50,292 THE GOOD NEWS IS THAT THIS MAKES THE AMERICAN PUBLIC EVEN MORE 90 00:03:50,375 --> 00:03:53,875 STUPID AND MALLEABLE, BUT THE BAD NEWS IS THAT IT MAKES THEM, 91 00:03:53,958 --> 00:03:57,168 THE COUPLE, THOUSANDS OF TIMES MORE POWERFUL, AND WE CANNOT 92 00:03:57,000 --> 00:03:58,170 HAVE THAT. 93 00:03:58,250 --> 00:04:00,330 >> WHAT DO YOU SUGGEST WE DO ABOUT THIS? 94 00:04:00,417 --> 00:04:03,207 >> WE HAVE ONE THING IN OUR FAVOR--THE MALE SEX DRIVE. 95 00:04:03,292 --> 00:04:06,082 YOU SEE, WHEN A MAN WHO CAN HAVE ANY WOMAN HE WANTS ENTERS INTO 96 00:04:06,167 --> 00:04:09,747 AN EXCLUSIVE RELATIONSHIP, HE'S FORCED TO CONSIDER THAT WHICH HE 97 00:04:09,833 --> 00:04:11,133 IS LEAVING BEHIND. 98 00:04:11,208 --> 00:04:13,328 COMBINE THAT WITH REBECCA NIGHTROD'S TIGHT PUBLIC HOLD ON 99 00:04:13,417 --> 00:04:17,627 EXPLOSION, AND WE COULD CREATE A RELATIONSHIP TORNADO. 100 00:04:17,708 --> 00:04:19,248 >> YES. 101 00:04:19,333 --> 00:04:21,833 >> GENTLEMEN, HAVE YOU HEARD OF THE UNITED STATES PORNOGRAPHY 102 00:04:21,917 --> 00:04:22,787 AWARDS? 103 00:04:22,875 --> 00:04:24,245 >> I'VE READ REPORTS. 104 00:04:24,333 --> 00:04:26,883 >> THIS IS THE BIGGEST ADULT FILM EVENT OF THE YEAR. 105 00:04:26,958 --> 00:04:29,538 I BELIEVE THAT IF WE CAN INVOLVE DETHKLOK IN PARTICIPATING, THEN 106 00:04:29,625 --> 00:04:32,625 WE MAY HAVE A CHANCE AT TEMPTING NATHAN EXPLOSION AND TEARING HIS 107 00:04:32,708 --> 00:04:34,538 RELATIONSHIP APART. 108 00:04:34,625 --> 00:04:37,125 >> I FEEL THAT THIS WOULD WORK BETTER IF I WERE THERE-- 109 00:04:37,208 --> 00:04:39,128 AT THE PORNOGRAPHY AWARDS. 110 00:04:39,208 --> 00:04:40,918 >> PERHAPS I SHOULD GO, TOO. 111 00:04:41,000 --> 00:04:43,580 >> I THINK THAT I SHOULD BE THERE, TOO. 112 00:04:43,667 --> 00:04:45,327 >> I WILL GO, TOO. 113 00:04:45,417 --> 00:04:47,457 >> NO. 114 00:04:47,542 --> 00:04:51,252 YOU'RE NOT ALLOWED TO GO. 115 00:04:51,333 --> 00:04:54,793 >> SO, YOU'VE BEEN CORDIALLY INVITED TO HOST AT THE UNITED 116 00:04:54,875 --> 00:04:57,075 STATES PORNOGRAPHY AWARDS. 117 00:04:57,167 --> 00:04:58,787 >> THAT'S WHAT I'M TALKING ABOUT! 118 00:04:58,875 --> 00:05:00,495 THERE'S GONNA BE SO MUCH KISSING! 119 00:05:00,583 --> 00:05:02,043 >> NOT, UH, THE MOST DISTINGUISHED EVENT. 120 00:05:02,125 --> 00:05:03,375 I ADVISE WE PASS. 121 00:05:03,458 --> 00:05:05,578 MOVING ON, WE HAVE A BUNCH OF-- >> [BLEEP] THAT. 122 00:05:05,667 --> 00:05:06,707 I'M GOING. 123 00:05:06,792 --> 00:05:07,542 >> YEAH, WHAT ARE YOU? 124 00:05:07,625 --> 00:05:08,455 A EUNUCH? 125 00:05:08,542 --> 00:05:09,462 SIGN US UP! 126 00:05:09,542 --> 00:05:11,462 >> THEY'RE NOT PAYING YOU, AND YOU'D LOSE MONEY. 127 00:05:11,542 --> 00:05:12,632 >> SO? [BLEEP] THAT! 128 00:05:12,708 --> 00:05:14,208 I PAY THEM FOR THIS. 129 00:05:14,042 --> 00:05:17,882 I JUST WANTS TO MAKE OUT WITH THEMS BEAUTIFUL GIRLS. 130 00:05:17,958 --> 00:05:19,788 >> WELL, UH, FINANCIALLY SPEAKING-- 131 00:05:19,875 --> 00:05:22,165 >> HEY, LISTEN, MR. NUMBERS. 132 00:05:22,250 --> 00:05:26,960 UH, SOMETIMES YOU GOTTA JUST DO SOMETHING BECAUSE YOUR HEART 133 00:05:27,042 --> 00:05:29,712 TELLS YOU IT'S THE RIGHT THING TO DO. 134 00:05:29,792 --> 00:05:31,382 >> GOTS TO LISTEN TO YOUR HEARTS. 135 00:05:31,458 --> 00:05:32,748 >> NOW SIGNS US UP. 136 00:05:32,833 --> 00:05:33,883 NAKED LADIES! 137 00:05:33,958 --> 00:05:35,628 OH, WOWEE! 138 00:05:35,708 --> 00:05:36,378 >> IT'S UNANIMOUS. 139 00:05:36,458 --> 00:05:37,538 >> NATHAN. 140 00:05:37,625 --> 00:05:39,125 [REBECCA SCREAMING ON PHONE] >> YEAH, I KNOW, I'M SORRY. 141 00:05:39,208 --> 00:05:40,668 I JUST--I DIDN'T UNDERSTAND THAT MADE YOU MAD. 142 00:05:40,750 --> 00:05:42,960 I DIDN'T KNOW THAT MADE YOU MAD. 143 00:05:43,042 --> 00:05:44,582 SEE, NOW I KNOW. 144 00:05:44,667 --> 00:05:46,577 WELL, I'M NOT PERFECT. 145 00:05:46,667 --> 00:05:48,997 I WILL TAKE YOU TO BED, BATH & BEYOND. 146 00:05:49,083 --> 00:05:50,883 I DON'T KNOW MY SCHEDULE YET. 147 00:05:50,958 --> 00:05:51,668 >> NATHAN. 148 00:05:51,750 --> 00:05:52,880 >> OH, CAN I CALL YOU BACK? 149 00:05:52,958 --> 00:05:54,038 BAND MEETING. 150 00:05:54,125 --> 00:05:55,205 NO, YOU'RE IMPORTANT, TOO. 151 00:05:55,292 --> 00:05:56,252 >> STOP YELLING AT ME! 152 00:05:56,333 --> 00:05:57,713 >> NO, I'M NOT YELLING. 153 00:05:57,792 --> 00:05:59,212 I AM NOT YELLING. 154 00:05:59,042 --> 00:06:00,042 OK. 155 00:06:00,125 --> 00:06:01,165 >> I LOVE YOU! 156 00:06:01,000 --> 00:06:03,000 >> I HMPH YOU, TOO. 157 00:06:03,083 --> 00:06:03,833 >> OK, BYE. 158 00:06:03,917 --> 00:06:04,667 >> ALL RIGHT, BYE. 159 00:06:04,750 --> 00:06:07,670 [BEEP] YOU DICKS GOT A PROBLEM? 160 00:06:07,750 --> 00:06:08,830 >> NO. 161 00:06:08,917 --> 00:06:09,787 >> ALL RIGHT. 162 00:06:09,875 --> 00:06:11,165 NATHAN, THE UNITED STATES PORNOGRAPHY AWARDS. 163 00:06:11,250 --> 00:06:12,170 ARE YOU IN OR OUT? 164 00:06:12,250 --> 00:06:13,580 >> HE'S IN. RIGHT? 165 00:06:13,667 --> 00:06:14,787 >> WELL, HE MIGHT NOT BE. 166 00:06:14,875 --> 00:06:16,785 YOU SEE, HE HAS A GIRLFRIEND NOW, AND SHE MIGHT NOT 167 00:06:16,875 --> 00:06:17,625 ENJOY THE IDEA. 168 00:06:17,708 --> 00:06:19,288 >> LISTEN, I CAN DO WHATEVER I WANT. 169 00:06:19,375 --> 00:06:20,535 I'M [BLEEP] GOING! 170 00:06:20,625 --> 00:06:22,915 [CELL PHONE RINGS] HELLO. 171 00:06:23,000 --> 00:06:24,460 >> I THOUGHT WE WERE GOING TO BED, BATH & BEYOND! 172 00:06:24,542 --> 00:06:26,082 >> YES, WE'RE STILL GOING TO BED, BATH & BEYOND. 173 00:06:26,167 --> 00:06:27,077 >> WHEN? 174 00:06:27,167 --> 00:06:28,127 >> SOON! 175 00:06:28,208 --> 00:06:36,628 >> YOU GUYS NOTICE THAT NATHAN'S BEEN ACTING WEIRD LATELY, HUH? 176 00:06:40,625 --> 00:06:42,075 I'MS GETTING WORRIED. 177 00:06:42,167 --> 00:06:45,127 UNITED STATES PORNOGRAPHY AWARDS IN TWO DAYS AND NATHAN HASN'T 178 00:06:45,208 --> 00:06:46,168 BEEN TO REHEARSAL. 179 00:06:46,250 --> 00:06:47,290 >> THAT'S LADIES FOR YOU. 180 00:06:47,375 --> 00:06:49,825 THEY ROB YOU OF YOUR VERY ESSENCE. 181 00:06:49,917 --> 00:06:51,077 THEY'RE SOUL MURDERERS! 182 00:06:51,167 --> 00:06:53,207 >> SHE'S NOT GOOD ENOUGH FOR HIMS. 183 00:06:53,042 --> 00:06:56,792 I HATES HER, YET I WOULD TOTALLY DOS HER. 184 00:06:56,875 --> 00:06:58,455 >> YEAH. ME, TOO. 185 00:06:58,542 --> 00:07:01,252 SO STRANGE IS THIS MIND OF MEN. 186 00:07:01,333 --> 00:07:03,083 >> YEAH, MY LITTLE FRIEND. 187 00:07:03,167 --> 00:07:07,457 WE ARE SO EVOLVED, YET OUR ANIMALISTIC INSKINCTS ALWAYS 188 00:07:07,542 --> 00:07:09,582 REMIND US OF WHO WE TRULY ARE. 189 00:07:09,667 --> 00:07:14,707 >> MENS ART BEASTS AND WOMENS-- THE DEMONS OF TONIGHT. 190 00:07:14,792 --> 00:07:17,792 [DOOR OPENS AND CLOSES] >> HEY. 191 00:07:17,875 --> 00:07:18,875 YOU FEELING ALL RIGHT? 192 00:07:18,958 --> 00:07:21,168 >> AW, DID SHE BREAK UP WITH YOU? 193 00:07:21,000 --> 00:07:21,920 >> NO. 194 00:07:22,000 --> 00:07:22,790 >> DAMN IT! 195 00:07:22,875 --> 00:07:25,955 >> BUT I HAVE SOME BAD NEWS! 196 00:07:26,042 --> 00:07:30,832 I CAN'T GO TO THE UNITED STATES PORNOGRAPHY AWARDS. 197 00:07:30,917 --> 00:07:32,167 I'M NOT ALLOWED. 198 00:07:32,000 --> 00:07:35,040 >> DUDE, BUT IF YOU CAN'T GO, THEN WE CAN'T PLAY, 199 00:07:35,125 --> 00:07:36,995 AND WE'RE DON'T--WE CAN'T GO! 200 00:07:37,083 --> 00:07:38,463 WE CAN'T GO! 201 00:07:38,542 --> 00:07:40,172 >> I'M SORRY. 202 00:07:40,000 --> 00:07:42,210 >> I WANTED TO KISS THE GIRLS! 203 00:07:42,042 --> 00:07:44,042 >> I WANT TO DIE. 204 00:07:44,125 --> 00:07:46,035 >> WHY?! 205 00:07:46,125 --> 00:07:47,035 >> YOU DON'T UNDERSTAND! 206 00:07:47,125 --> 00:07:48,165 SHE WON'T LET ME! 207 00:07:48,042 --> 00:07:51,712 >> YOUR RELATIONSHIP IS MESSING WITH OUR LIVES! 208 00:07:51,792 --> 00:07:56,172 OUR LIVES. 209 00:07:56,000 --> 00:07:57,170 >> YOU BASTARD. 210 00:07:57,250 --> 00:07:59,540 WHY YOU MAKES ME DO THIS? 211 00:07:59,625 --> 00:08:04,035 >> WHA-- OH! 212 00:08:04,125 --> 00:08:06,035 WHAT THE HELL ARE YOU GUYS DOING? 213 00:08:06,125 --> 00:08:10,035 I CAN'T MOVE! 214 00:08:10,125 --> 00:08:11,785 >> YEAH. 215 00:08:11,875 --> 00:08:14,205 FUNNY THING ABOUT BEING TIED DOWN... 216 00:08:14,042 --> 00:08:15,132 >> AAGH! 217 00:08:15,208 --> 00:08:17,288 >> IT'S HARD TO KEEP YOUR DEFENSES UP. 218 00:08:17,375 --> 00:08:18,705 >> OOH! 219 00:08:18,792 --> 00:08:23,212 WHY ARE YOU DOING THIS? 220 00:08:23,292 --> 00:08:27,132 >> YOU'VE BEEN BLINDED BY A MANIPULATIVE COW, AND WE ARE 221 00:08:27,208 --> 00:08:28,878 HERE TO SAVE YOU. 222 00:08:28,958 --> 00:08:30,168 TASER HIM. 223 00:08:30,250 --> 00:08:32,920 >> WHOA! 224 00:08:33,000 --> 00:08:34,080 WHOA! 225 00:08:34,167 --> 00:08:35,207 STOP! STOP! 226 00:08:35,292 --> 00:08:37,832 WHOA, WHOA, WHOA! 227 00:08:37,917 --> 00:08:38,917 >> STOP. 228 00:08:39,000 --> 00:08:40,920 TAKE 5 ON THE JUICE, TOKI. 229 00:08:41,000 --> 00:08:41,790 >> WHOA! 230 00:08:41,875 --> 00:08:45,205 >> YOUR ATTITUDE IS UNACCEPTABLE. 231 00:08:45,292 --> 00:08:49,712 [MUMBLING] WHY DO YOU LIKE THAT LADY? 232 00:08:49,792 --> 00:08:52,632 >> EVERY TIME WE SEE YOU WITH HER, YOU LOOK LIKE A BEATEN DOG. 233 00:08:52,708 --> 00:08:54,078 AROOOO! 234 00:08:54,167 --> 00:08:55,037 >> FINE. 235 00:08:55,125 --> 00:08:56,995 YOU WANT THE TRUTH? 236 00:08:57,083 --> 00:08:58,293 I HATE THAT LADY. 237 00:08:58,375 --> 00:09:00,375 >> YOU HATE HER, AND YET YOU ARE WITH HER? 238 00:09:00,458 --> 00:09:01,208 WHY?! 239 00:09:01,292 --> 00:09:03,002 >> I DON'T KNOW! 240 00:09:03,083 --> 00:09:04,043 >> TOKI. 241 00:09:04,125 --> 00:09:05,665 >> NO! 242 00:09:05,750 --> 00:09:07,290 IT'S THE MOST BRUTAL THING EVER. 243 00:09:07,375 --> 00:09:09,325 IT'S NOT LIKE REGULAR HATE. 244 00:09:09,417 --> 00:09:11,627 IT'S SO MUCH MORE BLACK! 245 00:09:11,708 --> 00:09:14,788 IF SHE WERE A STREET GANG, I'D [BLEEP] GO TO WAR WITH HER WITH 246 00:09:14,875 --> 00:09:16,375 BOTTLES AND CHAINS. 247 00:09:16,458 --> 00:09:17,998 BUT THIS IS DIFFERENT. 248 00:09:18,083 --> 00:09:20,173 THERE'S NOTHING I CAN DO. 249 00:09:20,000 --> 00:09:21,080 >> THERE'S NOTHING YOU CAN DO? 250 00:09:21,167 --> 00:09:23,167 THERE'S NOTHING YOU CAN DO?! 251 00:09:23,250 --> 00:09:26,750 >> I COULD POSSIBLY BREAK UP WITH HER, BUT DEAR GOD, MAN, YOU 252 00:09:26,833 --> 00:09:28,633 DON'T KNOW WHAT SHE'S LIKE. 253 00:09:28,708 --> 00:09:30,128 WHAT IF SHE WON'T LET ME? 254 00:09:30,208 --> 00:09:33,208 [CLICKING] YOU'RE RIGHT. 255 00:09:33,042 --> 00:09:34,132 YOU'RE RIGHT! 256 00:09:34,208 --> 00:09:35,378 OH, GOD, YOU'RE RIGHT! 257 00:09:35,458 --> 00:09:37,498 I'M SORRY! 258 00:09:37,583 --> 00:09:39,633 I'M SORRY! 259 00:09:39,708 --> 00:09:41,668 OHH... 260 00:09:41,750 --> 00:09:43,500 I'M SORRY. 261 00:09:43,583 --> 00:09:45,213 HEY, REBECCA. 262 00:09:45,292 --> 00:09:48,132 I THINK YOU AND I REALLY NEED TO TALK. 263 00:09:48,208 --> 00:09:49,078 LISTEN. 264 00:09:49,167 --> 00:09:53,877 YOU AND AND I ARE TWO VERY GREAT AND VERY DIFFERENT PEOPLE. 265 00:09:53,958 --> 00:09:57,628 >> HOLD ON FOR A [BLEEP] SECOND, TONTO. 266 00:09:57,708 --> 00:09:59,078 WH--WHOA! 267 00:09:59,167 --> 00:10:00,037 OH! 268 00:10:00,125 --> 00:10:02,325 OH--OH, I'M OK. 269 00:10:02,417 --> 00:10:03,667 I'M OK. 270 00:10:03,750 --> 00:10:07,130 AAGH! 271 00:10:07,208 --> 00:10:11,578 [GRUNTING] AAGH! 272 00:10:11,667 --> 00:10:18,127 [GRUNTING] UHH! 273 00:10:18,208 --> 00:10:21,038 >> WELL, SHE'S IN A COMA, AND IF YOU WANT TO TALK TO HER, SHE CAN 274 00:10:21,125 --> 00:10:21,995 HEAR YOU. 275 00:10:22,083 --> 00:10:23,213 WHATEVER. 276 00:10:23,292 --> 00:10:28,042 >> REBECCA, I DON'T FEEL LIKE I EVER REALLY TALKED TO YOU 277 00:10:28,125 --> 00:10:31,665 BECAUSE, YOU KNOW, YOU DIDN'T LET ME. 278 00:10:31,750 --> 00:10:34,710 BUT I JUST WANTED TO SAY I WAS GOING TO BREAK UP WITH YOU BACK 279 00:10:34,792 --> 00:10:39,082 THERE, AND NOW SINCE YOU'RE IN A COMA, I REALLY DON'T HAVE TO. 280 00:10:39,167 --> 00:10:41,377 YOU'RE, LIKE, THE ULTIMATE GIRLFRIEND RIGHT NOW, AND I 281 00:10:41,458 --> 00:10:44,208 DON'T--I DON'T WANT TO LOSE THAT, YOU KNOW? 282 00:10:44,292 --> 00:10:48,792 BUT, UH, TONIGHT ARE THE UNITED STATES PORNOGRAPHY AWARDS, AND, 283 00:10:48,875 --> 00:10:53,625 UH, I KNOW YOU DIDN'T REALLY LIKE THE IDEA OF ME GOING, BUT I 284 00:10:53,708 --> 00:10:57,128 FEEL LIKE WE'VE GROWN SO MUCH SINCE THEN. 285 00:10:57,208 --> 00:11:00,418 AND, UH, IF YOU STILL DON'T WANT ME TO GO, PLEASE... 286 00:11:00,500 --> 00:11:04,380 PLEASE SAY SOMETHING RIGHT NOW. 287 00:11:04,458 --> 00:11:09,168 >> AND NOW THE AWARDS FOR THE BEST USE OF A DILDO. 288 00:11:09,250 --> 00:11:12,040 >> "ON GOLDEN DILDO." 289 00:11:12,125 --> 00:11:16,995 >> "GILDO DILDO A ROONEY ROO!" >> "DILDO LIPS: THE KISSING 290 00:11:17,083 --> 00:11:19,173 DILDO." 291 00:11:19,000 --> 00:11:26,000 >> AND THE, UH, WINNER GOES TO "DILDO TEAM TASK FORCE Z." 292 00:11:26,083 --> 00:11:27,173 >> CHIRP. 293 00:11:27,000 --> 00:11:29,130 [CAPTIONING MADE POSSIBLE BY TURNER ENTERTAINMENT GROUP] 294 00:11:29,208 --> 00:11:30,378 [CAPTIONED BY THE NATIONAL CAPTIONING INSTITUTE 295 00:11:30,458 --> 00:11:31,828 --www.ncicap.org--] 296 00:11:31,878 --> 00:11:36,428 Repair and Synchronization by Easy Subtitles Synchronizer 1.0.0.0 20662

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