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Would you like to inspect the original subtitles? These are the user uploaded subtitles that are being translated: 1 00:00:15,515 --> 00:00:16,483 . >>> GOOD EVENING. 2 00:00:16,483 --> 00:00:23,556 I'M JEANINE PIRRO. YOU'RE WATCHING "JUSTICE JUDGE WITH JUDGE JUSTICE." 3 00:00:23,556 --> 00:00:27,527 TONIGHT'S TOP STORY, IS THE PRESIDENT DEAD? POLITICALLY, YES. 4 00:00:27,527 --> 00:00:42,042 OTHERWISE, I'M TOLD HE'S FINE. BUT FIRST THE JACK VEEN GUS TAP POE IS AT IT AGAIN. 5 00:00:42,042 --> 00:00:44,210 SICKY-NIKKI'S AND FAUCI-OUCHIES UNTIL ALL OF US YELL HEIL BIDEN AND JOIN THEIR ZOMBIE ARMY OF 6 00:00:44,210 --> 00:00:46,279 THE VAXXED. OUR FIRST GUEST IS AN AMERICAN BRAVE ENOUGH TO STAND AND UP 7 00:00:46,279 --> 00:00:53,887 SAY, "SCREW YOU, SCIENCE, I KNOW JOE ROGAN!" PLEASE WELCOME NFL MVP, MOST 8 00:00:53,887 --> 00:01:05,065 AARON RODGERS. >> HEY. IT'S GREAT TO BE HERE. 9 00:01:05,065 --> 00:01:11,838 REMEMBER WHEN I HOSTED "JEOPARDY." >> NOW, AARON, CAN YOU BELIEVE 10 00:01:11,838 --> 00:01:19,312 YOU'RE NOT VACCINATED. IT'S YOUR BODY AND YOUR COVID. PLEASE DON'T USE THAT FOR ANY 11 00:01:19,312 --> 00:01:26,219 OTHER ISSUES. >> SUDDEN THE WOKE MOB IS COMING AFTER ME. 12 00:01:26,219 --> 00:01:36,863 IT'S GOTTEN SO BAD, STATE FARM CALLED AND THEY'RE NOT GIVING ME THE AARON RODGERS BREAK. 13 00:01:36,863 --> 00:01:42,902 >> STRAIGHT TALK. >> I GOT ALL THEIR FACES THREE INCHES AWAY FROM MY WET MOUTH 14 00:01:42,902 --> 00:01:48,375 AND TOLD THEM, TRUST ME. I'M MORE OR LESS IMMUNIZED. >> YOU SAID YOU DIDN'T GET THE 15 00:01:48,375 --> 00:01:54,280 VACCINE BECAUSE IT MIGHT MAKE YOU STERILE, WHICH IS SO INSANE, I'M JEALOUS I DIDN'T SAY IT. 16 00:01:54,280 --> 00:02:00,653 >> AT THE END OF THE DAY, MY RECORD IS STILL 7-1. MEANING OF THE 8 PEOPLE I HAVE 17 00:02:00,653 --> 00:02:07,660 INFECTED, SEVEN ARE FINE. >> WOW! CALL THIS GUY THE BOTTOM OF THE 18 00:02:07,660 --> 00:02:12,966 SNAPPLE CAP BECAUSE SHE'S GOT FACTS. MY NEXT GUEST TURNED VIRGINIA AS 19 00:02:12,966 --> 00:02:15,535 RED AS MY FACE GETS WHEN I TALK ABOUT NEARLY ANY SUBJECT. PLEASE WELCOME GOVERNOR-ELECT, 20 00:02:15,535 --> 00:02:22,242 GLENN YOUNGKIN. [ APPLAUSE ] >> JUDGE JEANINE, THANK YOU SO 21 00:02:22,242 --> 00:02:31,117 MUCH FOR HAVING ME. MY WIN IN VIRGINIA PROVES THAT PEOPLE ARE DEEPLY CONCERNED 22 00:02:31,117 --> 00:02:35,488 ABOUT EDUCATION. >> AND WHO ARE MOST OF YOUR VOTES? 23 00:02:35,488 --> 00:02:36,923 >> PEOPLE WHO DIDN'T GO TO COLLEGE. >> EXCELLENT. 24 00:02:36,923 --> 00:02:38,825 NOW, CRITICAL RACE THEORY IS SOMETHING YOU TALKED ABOUT A LOT. 25 00:02:38,825 --> 00:02:45,465 WHAT IS CRITICAL RACE THEORY? >> IT'S SIMPLE. IT'S WHAT GOT ME ELECTED. 26 00:02:45,465 --> 00:02:50,970 >> RIGHT. BUT WHAT IS IT? >> IT'S NOT IMPORTANT, YOU KNOW? 27 00:02:50,970 --> 00:02:55,108 WHAT'S IMPORTANT IS PARENTS. EVERYONE KNOWS THEY SHOULD RUN SCHOOLS. 28 00:02:55,108 --> 00:03:03,516 THAT'S WHY I INVITED. >> HELLO. I'M A HUGE FAN OF YOUR JUDGING 29 00:03:03,516 --> 00:03:11,925 AND YOUR TALKING. >> OH. I LIKE THIS ONE ALREADY. 30 00:03:11,925 --> 00:03:14,060 HELEN, WHAT ARE YOUR FEELINGS ON EDUCATION? >> WHEN MY SON BROUGHT HOME THE 31 00:03:14,060 --> 00:03:17,630 BOOK "BELOVED" BY TONI MORRISON, I PUT DOWN MY COPY OF "FIFTY SHADES" AND SAID, "NO! 32 00:03:17,630 --> 00:03:22,369 A WOMAN NAMED TONI, NOT IN MY AMERICA." SO A GROUP OF PARENTS AND I PUT 33 00:03:22,369 --> 00:03:26,072 TOGETHER OUR LIST OF BOOKS THAT SHOULD NEVER BE ALLOWED IN THE CLASSROOM. 34 00:03:26,072 --> 00:03:31,211 "HOLES." SOUNDS SEXUAL. "PRIDE AND PREJUDICE." 35 00:03:31,211 --> 00:03:38,518 PREJUDICE IS FINE, BUT PRIDE IS A TERM THAT HAS BEEN CO-OPTED BY THE GAYS FOR SOME SORT OF 36 00:03:38,518 --> 00:03:45,425 LADY GAGA-THEMED NUDITY. "INVISIBLE MAN." WHAT'S HE DOING? 37 00:03:45,425 --> 00:03:47,394 WHERE IS HE? CAN HE SEE ME IN MY HOME OR WHAT I GOOGLE? 38 00:03:47,394 --> 00:03:51,931 "THE GREAT GATSBY." TOO MUCH JAZZ. AND "MOBY DICK." 39 00:03:51,931 --> 00:03:57,637 NOW, THAT ONE'S A TOSS-UP. TITLE IS DIRTY, LOVE THAT THE WHALE IS WHITE. 40 00:03:57,637 --> 00:04:19,759 GET HIM TO SEAWORLD, STAT. >> YEAH. SEE, YOU KNOW, I AM SO GRATEFUL 41 00:04:19,759 --> 00:04:26,466 >> THANK YOU. THANK YOU SO MUCH. I JUST WANTED TO CONGRATULATION 42 00:04:26,466 --> 00:04:30,970 GLENN YOUNGKIN AND MOSTLY MYSELF ON A TREMENDOUS WIN IN VIRGINIA. WE DID IT TOGETHER. 43 00:04:30,970 --> 00:04:37,077 >> OH, YOU DON'T HAVE TO SAY THAT. MR. PRESIDENT, WHAT AN 44 00:04:37,077 --> 00:04:43,316 UNEXPECTED AND FRANKLY HORNY SURPRISE. >> IT IS GREAT TO BE HERE JUDGE 45 00:04:43,316 --> 00:04:46,252 JUDY. AND IT'S GREAT TO BE WINNING AGAIN. 46 00:04:46,252 --> 00:04:52,459 >> YOU WILL SEE A LOT MORE WINNING WHERE THAT CAME FROM. >> OH, YOU CAN TAKE ME OFF THE 47 00:04:52,459 --> 00:04:56,396 SPLIT SCREEN. >> NO, WE DID THIS TOGETHER. I REALLY WANT YOU TO STAY. 48 00:04:56,396 --> 00:04:59,332 >> REALLY. THAT'S OKAY. >> EXCUSE ME. 49 00:04:59,332 --> 00:05:09,876 EXCUSE ME. EXCUSE ME. HE'S SOMEONE THAT TAKES ADVICE 50 00:05:09,876 --> 00:05:13,480 SO WELL. CAN I GET 60 SECONDS ON THE CLOCK, PLEASE? 51 00:05:13,480 --> 00:05:18,785 BECAUSE THERE IS A LOT OF TIMES WHEN I WAS GIVING ADVICE AND PEOPLE WEREN'T LISTENING AND IT 52 00:05:18,785 --> 00:05:24,290 DIDN'T WORK OUT SO GREAT FOR SOME OF THOSE PEOPLE, OKAY? WHEN YOU LOOK BACK WITH STAR 53 00:05:24,290 --> 00:05:29,362 WARS, I SAID, YOU NEED TO DO IT WITH SWORDS. THE LASERS ARE NOT ENOUGH. 54 00:05:29,362 --> 00:05:34,067 I SAID THIS TO GEORGE. I SAID, IF YOU ARE GOING TO DO STAR WARS, OKAY, YOU HAVE TO 55 00:05:34,067 --> 00:05:43,843 HAVE REAL SWORDS. AND LOOK AT WHAT THEY'RE DOING WITH NOON. 56 00:05:43,843 --> 00:05:45,945 AND LOOK WHAT THEY'RE DOING WITH "DUNE." OKAY, I'VE TALKED TO 57 00:05:45,945 --> 00:05:48,081 DENIS VILLENEUVE. I SAID TO HIM, "IF YOU'RE GOING TO DO A 'STAR WARS,' YOU'RE 58 00:05:48,081 --> 00:05:50,250 GOING TO NEED REAL SWORDS, OKAY? YOU NEED REAL SWORDS." AND LOOK AT THE SUCCESS OF 59 00:05:50,250 --> 00:05:52,719 "DUNE." LOOK AT CHALAMET, LOOK AT ALL OF IT, LOOK AT THE WHOLE THING. 60 00:05:52,719 --> 00:05:54,988 FRANKLY, WITH "DUNE," YOU'VE GOT MOMOA, AND EVERYONE'S DOING FLIPS, AND IT'S VERY "GAME OF 61 00:05:54,988 --> 00:05:56,923 THRONES." OKAY? AND PEOPLE WERE VERY 62 00:05:56,923 --> 00:05:58,958 DISAPPOINTED WITH "GAME OF THRONES," YOU KNOW, HOW IT ENDED. 63 00:05:58,958 --> 00:06:01,594 THEY DIDN'T LIKE THE ENDING TOO MUCH, OKAY? BUT WITH "DUNE," YOU HAVE A LOT 64 00:06:01,594 --> 00:06:04,698 OF POSSIB -- I SEE A LOT OF POSSIBILITY WITH "DUNE." THEY'RE GOING TO DO 3, 4, 5, 65 00:06:04,698 --> 00:06:10,804 15 MOVIES. AND, FRANKLY, I SEE A LOT OF POSSIBILITY WITH VIRGINIA. 66 00:06:10,804 --> 00:06:18,044 >> YOU ARE IMPRESSIVE. HOW DO YOU KEEP THAT ALL IN YOUR BRAIN? 67 00:06:18,044 --> 00:06:20,113 >> WELL, I HAD MY EARS SEALED SO NOTHING COMES IN OR OUT, NOTHING. 68 00:06:20,113 --> 00:06:26,319 >> AND MR. PRESIDENT, YOU NEVER ACTUALLY CAMPAIGNED WITH GLENN YOUNGKIN, DID YOU? 69 00:06:26,319 --> 00:06:28,221 >> WELL, NO. I NEVER DID, I NEVER DID -- GLENN, 70 00:06:28,221 --> 00:06:30,323 GLENN, GLENN, GLENN, GLENN, DON'T YOU DARE. DON'T YOU DARE. 71 00:06:30,323 --> 00:06:33,960 DON'T YOU DARE, GLENN. YOU NEED TO HEAR THIS. I WAS NEVER THERE, THERE. 72 00:06:33,960 --> 00:06:41,601 OKAY? I WAS NEVER THERE, THERE. BUT I TOLD LOTS OF PEOPLE THEY 73 00:06:41,601 --> 00:06:48,875 SHOULD VOTE FOR GLENN. AND YOU KNOW WHAT? MOST PEOPLE DON'T LIKE HIM. 74 00:06:48,875 --> 00:06:50,877 AND YOU KNOW WHAT, MOST PEOPLE DON'T LIKE GLENN, BUT HE'S -- HE'S A WONDERFUL GUY. 75 00:06:50,877 --> 00:06:52,912 HE'S A WONDERFUL GUY. HE'S TALL, HE'S RICH. LIKE MY SONS, GLENN. 76 00:06:52,912 --> 00:06:57,484 YOU'RE LIKE MY SON, OKAY? >> PLEASE DON'T SAY THAT. >> WELL, YOU KNOW WHAT, HE'S A 77 00:06:57,484 --> 00:07:05,425 WONDERFUL GUY. BUT THESE PC FOLKS, THEY DON'T LIKE HIM, THEY DON'T LIKE HIM AT 78 00:07:05,425 --> 00:07:06,860 ALL. CAN I GET 60 MORE SECONDS ON THE CLOCK, PLEASE? 79 00:07:06,860 --> 00:07:10,130 ALL RIGHT, 'CAUSE THESE PC FOLKS -- THESE PC FOLKS, THEY DON'T LIKE CHRIS PRATT AS MARIO. 80 00:07:10,130 --> 00:07:16,870 YOU KNOW WHAT, I'M VERY CLOSE WITH MARIO. WE'RE VERY CLOSE WITH MARIO. 81 00:07:16,870 --> 00:07:22,375 VERY CLOSE WITH LUIGI. WE PLAY GOLF TOGETHER. YOU KNOW, OUR WIVES PLAY GOLF 82 00:07:22,375 --> 00:07:24,044 TOGETHER. PEACH IS A VERY GOOD FRIEND OF MINE. 83 00:07:24,044 --> 00:07:26,646 WE'RE VERY CLOSE WITH PEACH. AND, WITH THE TOADS, BY THE WAY, I DID SO GREAT WITH THE TOADS. 84 00:07:26,646 --> 00:07:29,249 OKAY? I DID SO GREAT WITH TOADS. WE DO GREAT WITH TOADS. 85 00:07:29,249 --> 00:07:36,556 YOU KNOW THE LITTLE MUSHROOM PEOPLE, A LOT OF THEM CAME OUT THE LAST ELECTION. 86 00:07:36,556 --> 00:07:38,491 AND YOU KNOW WHAT? THE TOADS LOVE CHRIS PRATT, OKAY? 87 00:07:38,491 --> 00:07:46,833 AND HIS MARIO IS GOING TO DO A LOT BETTER THAN THAT -- OH GOD, IT WAS SO AWFUL, THAT "ETERNALS" 88 00:07:46,833 --> 00:07:48,902 YOU KNOW WHAT, IT'S TOO DIVERSE AND NO ONE WANTS TO SEE THAT, OKAY? 89 00:07:48,902 --> 00:07:53,073 THAT MOVIE'S ROTTEN. IT'S ROTTEN, JUST ASK THE TOMATOES, OKAY? 90 00:07:53,073 --> 00:07:59,846 YOU CAN ASK THE TOMATOES. BECAUSE OF THIS AWFUL SHIPPING NIGHTMARE WE'VE GOT 91 00:07:59,846 --> 00:08:02,615 WITH SLOW JOE. WE'VE GOT AN AWFUL SHIPPING NIGHTMARE. 92 00:08:02,615 --> 00:08:07,320 YOU KNOW, THIS IS TRUE, OKAY? THIS IS TRUE. A GUY CAME UP TO ME THE OTHER 93 00:08:07,320 --> 00:08:16,096 DAY, BIG GUY, TEARS IN HIS EYES, AND HE SAYS, "SIR, MY NAME IS SANTA CLAUS." 94 00:08:16,096 --> 00:08:21,501 CHRISTMAS IS CANCELED. CHRISTMAS IS CANCELED, SIR. AND I SAID, "WE CAN'T LET THAT 95 00:08:21,501 --> 00:08:26,773 HAPPEN, SANTA. AND THAT'S WHY I ASKED HIM TO GIVE VIRGINIA TO GLENN YOUNGKIN. 96 00:08:26,773 --> 00:08:31,711 I ASKED HIM TO GIVE YOU VIRGINIA. WE DID IT. 97 00:08:31,711 --> 00:08:36,583 WE DID IT TOGETHER BECAUSE IT'S A GREAT COUNTRY. AND YOU KNOW WHAT, SANTA DID IT, 98 00:08:36,583 --> 00:08:38,418 SANTA DID IT, BECAUSE HE LOVES AMERICA AND HE LOVES TRUMP. RIGHT, GLENN? 99 00:08:38,418 --> 00:08:44,057 >> WOW. MR. PRESIDENT, YOU HIT ALL THE TOPICS I WANTED TO HEAR ABOUT. 100 00:08:44,057 --> 00:08:49,396 AND LIVE FROM NEW YORK, IT'S SATURDAY NIGHT! ** 101 00:08:49,396 --> 00:08:53,833 ** >> Announcer: IT'S "SATURDAY NIGHT LIVE" WITH -- 102 00:10:50,216 --> 00:11:00,660 AND YOUR HOST -- KIERAN CULKIN! LADIES AND GENTLEMEN, 103 00:11:00,660 --> 00:11:25,118 KIERAN CULKIN! [ APPLAUSE ] >>> THANK YOU. 104 00:11:25,118 --> 00:11:31,825 THANK YOU. THANK YOU SO MUCH. SO HAPPY TO BE HERE RIGHT NOW. 105 00:11:31,825 --> 00:11:38,164 I'M KIERAN CULKIN. FOR THE PAST FEW YEARS I'VE BEEN WORKING ON A SHOW 106 00:11:38,164 --> 00:11:43,870 CALLED "SUCCESSION." I PLAY ONE OF THE NICER CHARACTERS ON THE SHOW, WHICH 107 00:11:43,870 --> 00:11:50,810 STILL MAKES HIM ONE OF THE TOP TEN WORST HUMANS ON TV. SOMETIMES PEOPLE WILL BE LIKE, 108 00:11:50,810 --> 00:11:56,516 YOU KNOW, THAT PART REALLY SUITS YOU. WHICH ISN'T REALLY A COMPLIMENT. 109 00:11:56,516 --> 00:12:06,292 IT IS SORT OF LIKE GOING UP TO SOMEONE SAYING YOU KNOW WHAT ROLE WOULD FIT YOU LIKE A GLOVE? 110 00:12:06,292 --> 00:12:07,660 GIULIANI. OH. MY. 111 00:12:07,660 --> 00:12:15,235 BUT IT'S BEEN A BIG YEAR. MY WIFE AND I JUST WELCOMED OUR SECOND CHILD IN AUGUST. 112 00:12:15,235 --> 00:12:23,176 LOVE BEING A DAD. IT'S GREAT. AND I GOT -- I GOT ASKED TO HOST 113 00:12:23,176 --> 00:12:26,546 "SATURDAY NIGHT LIVE." WHICH HAS ALWAYS BEEN A DREAM OF MINE. 114 00:12:26,546 --> 00:12:32,819 AND I'VE GOT TO SAY, MY WIFE HAS BEEN REALLY SUPPORTIVE AND WONDERFUL THROUGH THE PROCESS. 115 00:12:32,819 --> 00:12:41,995 BUT I HAVE THIS FEELING THAT SHE'S BEEN TERRIFIED FOR ME. JUST REALLY NERVOUS. 116 00:12:41,995 --> 00:12:45,265 JAZZ, WHEREVER YOU ARE -- THERE YOU ARE. I JUST WANT TO ASSURE YOU THAT 117 00:12:45,265 --> 00:12:48,635 EVERYTHING IS GOING TO BE FINE BECAUSE, YOU KNOW, IT DOESN'T MATTER. 118 00:12:48,635 --> 00:12:53,139 EVEN IF I DO MESS UP AND, QUOTE, SHAME THE FAMILY. THANK YOU. 119 00:12:53,139 --> 00:12:57,110 WE'RE GOING TO BE GREAT. I ACTUALLY DON'T THINK THAT'S GOING TO HAPPEN BECAUSE THIS 120 00:12:57,110 --> 00:13:03,316 ISN'T MY FIRST TIME BEING HERE. I HAVE BEEN ON THIS VERY STAGE. I WAS ON AN EPISODE OF SNL BACK 121 00:13:03,316 --> 00:13:10,156 WHEN MY BROTHER MAX HOSTED 30 YEARS AGO. ALMOST TO THE DAY. 122 00:13:10,156 --> 00:13:16,329 I WAS NINE YEARS OLD. I GOT TO BE IN THREE SKETCHES. TWO OF WHICH ARE 123 00:13:16,329 --> 00:13:19,165 NON-PROBLEMATIC. AND AT THE END OF THE SHOW, I GOT TO BE ON THE STAGE FOR THE 124 00:13:19,165 --> 00:13:25,772 GOOD NIGHTS, AND I THINK WE HAVE A CLIP. CAN WE SHOW IT? 125 00:13:25,772 --> 00:13:32,178 SO THERE'S MY BROTHER. AND THE CAST IS LIFTING HIM UP ON THEIR SHOULDERS. 126 00:13:32,178 --> 00:13:37,584 AND, BOOM, THERE I AM. CLEARLY JEALOUS. THEY'RE PICKING HIM UP, MY 127 00:13:37,584 --> 00:13:40,286 BROTHER'S GOT HIS ARMS UP VICTORIOUSLY. I'M DOWN ON THE GROUND LIKE, "ME 128 00:13:40,286 --> 00:13:50,096 WANT UPPIES. SO CHECK OUT WHAT I DO NEXT. I ASKED KEVIN NEALON TO PICK ME 129 00:13:50,096 --> 00:14:01,808 UP AND HE GOES, YEAH, OKAY, SURE. I JUST START HAMMING IT UP. 130 00:14:01,808 --> 00:14:07,847 I DON'T KNOW WHAT THAT WAS. LIKE A DE NIRO IMPRESSION. I WANTED TO SHOW THAT CLIP FOR 131 00:14:07,847 --> 00:14:11,851 TWO REASONS. ONE IN THE HOPES THAT SOMEONE FROM THE CAST WILL PICK ME UP 132 00:14:11,851 --> 00:14:17,824 AGAIN AT THE END OF THE SHOW. AND, TWO, BECAUSE I HAVE WAITED 30 YEARS TO BE BACK ON THIS 133 00:14:17,824 --> 00:14:22,696 STAGE AND SAY, WE'VE GOT A GREAT SHOW FOR YOU TONIGHT. ED SHEERAN IS HERE. 134 00:14:22,696 --> 00:14:24,297 ED SHEERAN IS HERE. STICK AROUND. WE'LL BE RIGHT BACK. 135 00:15:41,274 --> 00:15:43,710 >> YEAH, HELLO? >> THIS IS A CALL-BACK REQUEST FROM SPECTRUM CABLE. 136 00:15:43,710 --> 00:15:49,949 PLEASE HOLD FOR A REPRESENTATIVE. >> HI, THERE, THIS IS MATHEUS 137 00:15:49,949 --> 00:15:57,190 WITH SPECTRUM CABLE, IS THIS BRAD HERMAN? >> YEAH, HI. 138 00:15:57,190 --> 00:16:01,027 >> HI. AND WHAT CAN I HELP YOU WITH TODAY, MR. HERMAN? 139 00:16:01,027 --> 00:16:03,029 >> I JUST NEED TO CANCEL MY CABLE. >> OH, I'M SO SORRY TO HEAR 140 00:16:03,029 --> 00:16:06,032 THAT, MR. HERMAN. BEFORE WE BEGIN, WOULD YOU LIKE TO ADD A TELEPHONE LAND LINE TO 141 00:16:06,032 --> 00:16:11,705 YOUR CURRENT PACKAGE FOR $12.99 A MONTH? >> NO, I'M GOOD. 142 00:16:11,705 --> 00:16:14,307 I JUST NEED TO CANCEL THE CABLE. I TRIED TO DO IT ONLINE BUT IT SAID I HAD TO CALL. 143 00:16:14,307 --> 00:16:20,547 >> OF COURSE, MR. HERMAN. MAY I ASK THE REASON FOR YOUR CANCELATION? 144 00:16:20,547 --> 00:16:28,922 >> YEAH, MY GIRLFRIEND AND I BROKE UP AND I'M MOVING OUT. >> OH, NO, I'M SO SORRY. 145 00:16:28,922 --> 00:16:34,227 I'M SO SORRY YOUR RELATIONSHIP FELL APART, MR. HERMAN. MR. HERMAN, 146 00:16:34,227 --> 00:16:36,930 MAY I ASK THE CAUSE OF THE BREAKUP? [ LAUGHTER ] 147 00:16:36,930 --> 00:16:39,566 >> NO. THAT'S PERSONAL. >> OF COURSE, MR. HERMAN. 148 00:16:39,566 --> 00:16:43,203 PLEASE WRITE DOWN THIS REFERENCE NUMBER IN CASE WE GET DISCONNECTED. 149 00:16:43,203 --> 00:16:45,839 DO YOU HAVE A PEN AND PAPER HANDY? >> NO. 150 00:16:45,839 --> 00:16:52,912 NOT REALLY. >> WONDERFUL. MR. HERMAN, 151 00:16:52,912 --> 00:17:08,194 THE NUMBER IS 7-B AS IN BOY, F AS IN FIGHT. G AS IN 5G. 152 00:17:08,194 --> 00:17:10,230 PLEASE HOLD FOR A CANCELLATION AGENT. >> YOUR CALL IS IMPORTANT TO US 153 00:17:10,230 --> 00:17:12,832 AND WILL BE ANSWERED IN THE ORDER THAT WE FEEL LIKE. [ LAUGHTER ] 154 00:17:12,832 --> 00:17:18,571 >> HI, THIS IS TANYA. FOR SECURITY PURPOSES, CAN YOU TELL ME THE 42-DIGIT CUSTOMER 155 00:17:18,571 --> 00:17:22,242 PIN NUMBER THAT CAME ON YOUR FIRST BILL? [ LAUGHTER ] 156 00:17:22,242 --> 00:17:25,345 >> ON MY FIRST BILL, THE ONE I GOT SIX YEARS AGO? I DON'T HAVE THAT. 157 00:17:25,345 --> 00:17:29,516 >> NOT A PROBLEM. WE CAN USE ONE OF YOUR SECURITY QUESTIONS. 158 00:17:29,516 --> 00:17:34,220 WHAT CITY DID YOUR MOM LOSE HER VIRGINITY IN? [ LAUGHTER ] 159 00:17:34,220 --> 00:17:39,526 >> THAT'S DISGUSTING. I DON'T THINK I WANT TO TALK ABOUT THAT. 160 00:17:39,526 --> 00:17:42,562 >> WELL, AND THAT IS WHAT YOU ANSWERED. OKAY. 161 00:17:42,562 --> 00:17:44,698 ALL RIGHT, SO WHEN IS A GOOD TIME FOR A SPECTRUM TECHNICIAN TO COME INSTALL YOUR NEW LAND 162 00:17:44,698 --> 00:17:48,501 LINE? >> NEVER. I DON'T WANT A LAND LINE, OKAY? 163 00:17:48,501 --> 00:17:52,172 I WANT TO CANCEL MY CABLE. >> OF COURSE. SO I WILL TRANSFER YOU TO 164 00:17:52,172 --> 00:17:55,809 CANCELATIONS. I'VE BEEN TONYA. [ LAUGHTER ] 165 00:17:55,809 --> 00:17:59,479 >> WI-FI TROUBLE? TRY UNPLUGGING YOUR ROUTER AND SPITTING IN IT. 166 00:17:59,479 --> 00:18:05,218 [ LAUGHTER ] >> THIS IS DONNA WITH SPECTRUM. JUST TO CONFIRM, IT SAYS HERE 167 00:18:05,218 --> 00:18:08,855 YOU'RE LOOKING TO PAY MORE MONEY FOR LESS CHANNELS? [ LAUGHTER ] 168 00:18:08,855 --> 00:18:12,025 >> NO, NO, WHY WOULD I WANT THAT? >> I'M NOT SURE, SIR. 169 00:18:12,025 --> 00:18:15,095 THAT'S WHY I ASKED. [ LAUGHTER ] HOW DARE I, RIGHT? 170 00:18:15,095 --> 00:18:20,333 PISSING ME OFF. HOLD, PLEASE. >> DUE TO HIGHER THAN NORMAL 171 00:18:20,333 --> 00:18:23,470 CALL VOLUME, YOUR CALL WILL NOT BE ANSWERED. GOOD-BYE. 172 00:18:23,470 --> 00:18:31,277 >> OH MY GOD. YES, HELLO? >> HI, MR. HERMAN, THIS IS TINA 173 00:18:31,277 --> 00:18:34,481 WITH SPECTRUM, HOW ARE YOU THIS AFTERNOON? >> HONESTLY, NOT GREAT. 174 00:18:34,481 --> 00:18:38,585 HOW ARE YOU? >> I'M -- NOT GREAT EITHER, ACTUALLY. 175 00:18:38,585 --> 00:18:44,290 [ LAUGHTER ] MY LIFE IS PRETTY MUCH FALLING APART. 176 00:18:44,290 --> 00:18:47,961 AND I'M SORRY, I'LL TRANSFER YOU, THANK YOU FOR USING SPECTRUM, PLEASE HOLD. 177 00:18:47,961 --> 00:18:52,665 [ LAUGHTER ] >> DOING NO-NUT NOVEMBER? SPECTRUM'S GOT YOU COVERED WITH 178 00:18:52,665 --> 00:18:58,905 A SELECTION OF SEX AND NUDITY MOVIES ON DEMAND. >> NO-NUT NOVEMBER? 179 00:18:58,905 --> 00:19:03,576 >> HEY WHAT COLOR IS YOUR HOUSE, MAN? [ LAUGHTER ] 180 00:19:03,576 --> 00:19:07,247 >> I'M SORRY? >> YEAH, THIS IS A SPECTRUM TECH. 181 00:19:07,247 --> 00:19:10,884 I AM ON YOUR STREET TO INSTALL YOUR LAND LINE. [ LAUGHTER ] 182 00:19:10,884 --> 00:19:17,357 AND I CAN'T FIND YOUR HOUSE. >> NO, NO, NO. I DON'T NOW HOW THIS LAND LINE 183 00:19:17,357 --> 00:19:19,392 THING GOT STARTED BUT I DON'T WANT ONE. >> NO, NO, IT'S TOO LATE TO 184 00:19:19,392 --> 00:19:23,930 CHANGE YOUR MIND, MAN, IT'S TOO LATE. >> LIKE BASKETBALL? 185 00:19:23,930 --> 00:19:28,168 OUR GAME DAY SPORTS UPGRADE GETS YOU THE NBA NETWORK AND 85 SPANISH LANGUAGE SOCCER 186 00:19:28,168 --> 00:19:34,341 CHANNELS. >> HELLO? HI, MY NAME'S ADAM, I'M A 187 00:19:34,341 --> 00:19:39,579 CUSTOMER SERVICE REP, HOW ARE YOU? >> NOT GOOD. 188 00:19:39,579 --> 00:19:46,453 YOU KNOW, I'M VERY CLOSE TO BEING TRIGGERED HERE. >> VERY COOL. 189 00:19:46,453 --> 00:19:48,355 [ LAUGHTER ] LET ME PULL UP YOUR ACCOUNT. WHAT THE HECK? 190 00:19:48,355 --> 00:19:53,059 SORRY, MY COMPUTER'S BEING CRAZY RIGHT NOW. [ LAUGHTER ] 191 00:19:53,059 --> 00:19:57,464 LET ME GET YOU BACK TO SOMEONE ELSE. SORRY ABOUT THAT. 192 00:19:57,464 --> 00:20:03,536 >> DOMINO'S? THEY TRANSFERRED ME TO DOMINO'S? >> WHO, SPECTRUM? 193 00:20:03,536 --> 00:20:08,208 THEY DO THIS ALL THE TIME, I'LL TRANSFER YOU TO A CANCELATIONS REP. 194 00:20:08,208 --> 00:20:13,146 >> OH, GOD. THANK YOU. YOU'VE HONESTLY BEEN THE MOST 195 00:20:13,146 --> 00:20:16,349 COMPETENT PERSON I'VE TALKED TO TODAY. >> THAT'S CRAZY BECAUSE I'M HIGH 196 00:20:16,349 --> 00:20:17,884 AS HELL. [ LAUGHTER ] >> WANT PREMIUM CHANNELS WITHOUT 197 00:20:17,884 --> 00:20:23,089 PREMIUM PRICES? NOT GOING TO HAPPEN. WE'D LOSE A TON OF MONEY. 198 00:20:23,089 --> 00:20:26,393 >> HI MR. HERMAN. >> HI MR. HERMAN. >> OH MY GOD, MARCIE, WE BOTH 199 00:20:26,393 --> 00:20:32,465 ANSWERED THE SAME CALL! [ LAUGHTER ] >> WE'RE SO CRAZY. 200 00:20:32,465 --> 00:20:35,602 >> SORRY ABOUT THAT, I'LL HOP OFF. >> ME TOO. 201 00:20:35,602 --> 00:20:39,239 >> WAIT NO, DON'T BOTH HOP OFF -- >> HOLD, PLEASE. 202 00:20:39,239 --> 00:20:43,410 [ LAUGHTER ] >> HAVE A QUESTION ABOUT YOUR BILL? 203 00:20:43,410 --> 00:20:52,819 ASK YOUR HUSBAND TO EXPLAIN IT TO YOU. HI, MR. HERMAN. 204 00:20:52,819 --> 00:20:58,458 IT'S MATHEUS. >> DUDE, I'M ABOUT TO LOSE IT, GUESS WHAT? 205 00:20:58,458 --> 00:21:01,561 IT HAPPENED. I AM TRIGGERED. I AM TRIGGERED. 206 00:21:01,561 --> 00:21:04,164 THE NEXT PERSON YOU TRANSFER ME TO BETTER HAVE THE POWER TO CANCEL MY CABLE. 207 00:21:04,164 --> 00:21:09,903 >> ARE YOU SURE, SIR? >> YES. 1,000%, YES. 208 00:21:09,903 --> 00:21:19,279 >> VERY WELL. I'LL TRANSFER YOU NOW. [ LAUGHTER ] 209 00:21:19,279 --> 00:21:25,585 >> WHO IS THIS? >> I AM SPECTRUM. [ LAUGHTER ] 210 00:21:25,585 --> 00:21:35,095 THE SOURCE, THE NEXUS, THE PROVIDER. >> OKAY. 211 00:21:35,095 --> 00:21:44,137 CAN YOU CANCEL MY CABLE. >> THERE IS NOTHING I CANNOT DO. FOR I AM MADE OF PURE DATA! 212 00:21:44,137 --> 00:21:53,113 >> OKAY, GREAT. THEN CANCEL MY CABLE. >> CAN I INTEREST YOU IN SIX 213 00:21:53,113 --> 00:21:56,016 MONTHS OF FREE DISNEY PLUS TO KEEP YOUR SERVICE? 214 00:21:56,016 --> 00:21:58,118 [ LAUGHTER ] >> NO, JUST CANCEL IT. >> AS YOU WISH. 215 00:21:58,118 --> 00:22:01,187 ENJOY YOUR NEW SPECTRUM LAND LINE! >> I'M NOT GETTING A LAND LINE! 216 00:22:01,187 --> 00:22:05,859 >> YES, YOU ARE, MAN. WHERE YOU WANT THE JACK AT? [ LAUGHTER ] 217 00:22:05,859 --> 00:22:21,508 WHERE YOU WANT THE JACK AT? [ LAUGHTER ] [ CHEERS AND APPLAUSE ] 218 00:22:34,688 --> 00:22:40,627 I'M IN. >> AND WE'RE IN BUSINESS. I'M GOING TO WORK ON GETTING 219 00:22:40,627 --> 00:22:45,632 THOSE SECURITY DOORS OPEN FOR YOU. SHOULDN'T BE LONG NOW, BOSS. 220 00:22:45,632 --> 00:22:52,405 >> FANTASTIC. I'LL LET THE CLIENT KNOW. THEY'RE IN. 221 00:22:52,405 --> 00:22:57,610 >> IMPRESSIVE, MR. KNIGHT. BUT MY BOSS DOESN'T PAY YOU TO GET INSIDE UNDERGROUND GARAGE. 222 00:22:57,610 --> 00:23:00,246 HE PAY YOU TO STEAL BILLIONAIRE'S VINTAGE LAMBORGHINI. 223 00:23:00,246 --> 00:23:04,951 IS THERE, YES? >> GHOST, YOU GOT EYES ON THE PRIZE? 224 00:23:04,951 --> 00:23:16,930 >> OH, YEAH. SHE'S ONE BAD BITCH. >> OKAY, GHOST. 225 00:23:16,930 --> 00:23:23,336 YOU GOT TWO MINUTES TO GET OUT THERE. YOU'RE WELCOME, BY THE WAY. 226 00:23:23,336 --> 00:23:25,772 >> TWO MINUTES? I'M GOING TO COUNT MY MONEY IN ONE. 227 00:23:25,772 --> 00:23:32,545 LET'S DO THIS. >> HA HA HA! >> EVERYTHING ALL RIGHT, GHOST? 228 00:23:32,545 --> 00:23:37,217 >> YEAH, YEAH. JUST, YOU KNOW -- A CAR LIKE THIS IS LIKE A BEAUTIFUL LADY. 229 00:23:37,217 --> 00:23:44,090 JUST GOT TO KNOW HOW TO HANDLE HER. WHAT THE HELL? 230 00:23:44,090 --> 00:23:48,728 >> OH, YEAH, BOSS. I THINK WE GOT A PROBLEM. >> WHAT'S GOING ON, GHOST? 231 00:23:48,728 --> 00:23:52,966 >> THIS CAR GOT AN ADVANCE DRIVER SYSTEM I'VE NEVER SEEN BEFORE. 232 00:23:52,966 --> 00:23:56,102 I'M LOOKING AT THREE PEDALS, A SHIFTER THAT GOES UP, DOWN, AND SIDE WAYS. 233 00:23:56,102 --> 00:24:00,273 THIS MUST BE SOME NEW TECH, I'M THINKING. MILITARY, MAYBE? 234 00:24:00,273 --> 00:24:05,478 >> SOUNDS LIKE IT'S A STICK SHIFT? >> STICK WHAT? 235 00:24:05,478 --> 00:24:10,684 >> A STICK SHIFT. GHOST, YOU CAN DRIVE STICK, RIGHT? 236 00:24:10,684 --> 00:24:18,491 >> BITCH, I CAN DRIVE ANYTHING. >> INCLUDING STICK? >> NAH. 237 00:24:18,491 --> 00:24:20,593 >> GHOST, I'LL WALK YOU THROUGH THIS. ANYTHING YOU DON'T GET, YOU SAY 238 00:24:20,593 --> 00:24:22,662 STOP. >> COOL. >> TURN THE CAR ON AND PRESS THE 239 00:24:22,662 --> 00:24:27,367 CLUTCH. >> STOP. YOU SAID CLUCK? 240 00:24:27,367 --> 00:24:33,106 >> HA HA HA! THE BOY SAID CLUCK! >> SHUT UP, OLD MAN. 241 00:24:33,106 --> 00:24:38,545 >> PUT THE CAR IN GEAR. >> STOP. >> WE DON'T HAVE TIME. 242 00:24:38,545 --> 00:24:40,613 STOP, PUT IT IN GEAR, PRESS THE GAS WITH YOUR RIGHT FOOT. >> STOP, YOU WANT ME TO DRIVE 243 00:24:40,613 --> 00:24:45,652 WITH TWO FEET? WHO DO YOU THINK I AM, FRED FLINTSTEIN? 244 00:24:45,652 --> 00:24:48,855 >> FLINTSTEIN? >> DID I STITTER? FREDERICK FLINTSTEIN. 245 00:24:48,855 --> 00:24:52,959 >> 60 SECONDS. >> ENOUGH. MR. GHOST, THIS IS NATALIA. 246 00:24:52,959 --> 00:24:58,598 I HELP, SO LISTEN, YES? >> YES, MA'AM. >> LEFT FOOT CLUTCH, RIGHT FOOT 247 00:24:58,598 --> 00:25:00,700 GAS. >> DOWN, BABY GIRL. >> TAKE FOOT OFF CLUTCH AND GIVE 248 00:25:00,700 --> 00:25:06,740 GAS. >> COPY. >> AND GIVE GAS. 249 00:25:06,740 --> 00:25:08,575 >> IMPOSSIBLE. >> THEN DRIVE. IS CLEAR? 250 00:25:08,575 --> 00:25:16,950 >> NAH, BUT LET'S DO THIS. >> WE'LL HAVE TO GO A LOT FASTER THAN THAT, GHOST. 251 00:25:16,950 --> 00:25:23,189 >> GOOD THING THIS BABY HAS NITROUS BOOSTERS. >> THAT'S THE TRUNK! 252 00:25:23,189 --> 00:25:27,560 >> GET OUT OF THERE RIGHT NOW, GHOST, OR YOU'RE DEAD, MAN. >> DON'T YOU KNOW YOU CAN'T KILL 253 00:25:27,560 --> 00:25:37,437 A GHOST. >> HE AIN'T GONNA MAKE IT. HEY, BUMPS, WE GOT A PROBLEM. 254 00:25:37,437 --> 00:25:48,214 [ APPLAUSE ] >>> SHE'S AN ICONIC SING CUSTOMER SHE'S ALWAYS GOT A 255 00:25:48,214 --> 00:25:53,620 SINGER. IT'S THE DIONNE WARWICK TALK SHOW! 256 00:25:53,620 --> 00:25:55,321 [ CHEERS AND APPLAUSE ] >> HELLO, HELLO. AND WELCOME TO THE DIONNE 257 00:25:55,321 --> 00:25:58,324 WARWICK TALK SHOW. A SHOW WHERE I HOST AND OTHER PEOPLE COME HERE. 258 00:25:58,324 --> 00:26:05,098 THEN THEY LEAVE AND SO DO I. THANKS AS ALWAYS TO MY PRODUCER AND MY NIECE, BRITTNEY. 259 00:26:05,098 --> 00:26:10,837 >> LOVE YOU, AUNT DIONNE. >> ALL RIGHT. AND NOW THE WEATHER REPORT. 260 00:26:10,837 --> 00:26:15,909 * RAINDROPS KEEP FALLING ON MY HEAD * * BUT THAT DOESN'T MEAN MY EYES 261 00:26:15,909 --> 00:26:21,147 WILL SOON BE TURNING RED * ALL RIGHT, YES, THANK YOU! [ CHEERS AND APPLAUSE ] 262 00:26:21,147 --> 00:26:30,590 PLEASE WELCOME OUR FIRST GUEST, MILEY CYRUS. [ CHEERS AND APPLAUSE ] 263 00:26:30,590 --> 00:26:35,261 >> OH, HEY. IT'S AWESOME TO BE HERE. >> YEAH, OKAY. 264 00:26:35,261 --> 00:26:46,639 YEAH. YOU RECENTLY DID A DUET WITH ELTON JOHN. 265 00:26:46,639 --> 00:26:48,508 SO DID DUA LIPA AND A LOT OF OTHER PEOPLE. MY QUESTION IS, DOES HE NOT HAVE 266 00:26:48,508 --> 00:26:50,076 MY NUMBER? [ LAUGHTER ] >> OH, MA'AM -- I'M NOT REALLY 267 00:26:50,076 --> 00:26:52,545 SURE, MA'AM. BUT I JUST WANT TO SAY, I AM SUCH A HUGE FAN OF YOURS. 268 00:26:52,545 --> 00:26:57,150 >> OH, THANK YOU, SO AM I. [ LAUGHTER ] TELL ME, MILEY, DOJA CAT. 269 00:26:57,150 --> 00:27:03,390 IS THAT A SINGER OR A POKEMON? >> YEAH, SHE'S A SINGER. >> ALL RIGHT. 270 00:27:03,390 --> 00:27:05,692 CARDI B, WHY DOES SHE NEED THE B? WAS THERE ANOTHER CARDI IN THE 271 00:27:05,692 --> 00:27:08,061 CLASS? [ LAUGHTER ] >> YOU KNOW, THESE AREN'T REALLY 272 00:27:08,061 --> 00:27:17,303 ABOUT ME. >> YOU KNOW, KANYE CHANGED HIS NAME TO YEAH. 273 00:27:17,303 --> 00:27:24,411 IS THE SOUND PEOPLE MAKE WHEN HE LEAVES THE ROOM. >> ARE YOU TRYING TO GET ME IN 274 00:27:24,411 --> 00:27:26,846 TROUBLE? >> I DON'T KNOW. YOU KNOW, I UNDERSTAND THAT 275 00:27:26,846 --> 00:27:28,815 HANNAH MONTANA IS YOUR NEMESIS. MY NEMESIS IS WENDY WILLIAMS. [ LAUGHTER ] 276 00:27:28,815 --> 00:27:34,554 LET'S MAKE A PACT TO KICK THEIR ASSES. >> YOU KNOW, HANNAH MONTANA 277 00:27:34,554 --> 00:27:39,259 ISN'T REAL. >> ALL RIGHT, WELL NEITHER IS WENDY WILLIAMS. 278 00:27:39,259 --> 00:27:46,366 [ LAUGHTER ] ALL RIGHT, MILEY CIRCUS, I'M DONE TALKING TO YOU. 279 00:27:46,366 --> 00:27:48,968 GO ON. BYE. BYE NOW. 280 00:27:48,968 --> 00:27:50,737 [ CHEERS AND APPLAUSE ] ALL RIGHT. NOW FOR OUR IMPORTANT PUBLIC 281 00:27:50,737 --> 00:27:55,942 HEALTH SEGMENT, WE HAVE A DOCTOR HERE TO GIVE ME MY CORONAVIRUS BOOSTER LIVE ON AIR. 282 00:27:55,942 --> 00:28:08,822 PLEASE WELCOME DR. NATHAN ULA. ** KEEP SHINING * KEEP SMILING * 283 00:28:08,822 --> 00:28:13,026 HI, MS. WARWICK! * KNOWING YOU CAN ALWAYS COUNT ON ME * 284 00:28:13,026 --> 00:28:16,830 LET'S GET THAT SLEEVE UP * THAT'S WHAT FRIENDS ARE FOR * >> ALL RIGHT, I DIDN'T FEEL A 285 00:28:16,830 --> 00:28:21,868 THING! [ LAUGHTER ] NOW FOR OUR NEXT GUEST. 286 00:28:21,868 --> 00:28:27,574 THIS MAN IS NOT FAMOUS ANYMORE. HE DOES NOT HAVE ANY SONGS OUT. PLEASE WELCOME JASON MRAZ. 287 00:28:27,574 --> 00:28:37,517 [ CHEERS AND APPLAUSE ] >> KIND OF A ROUGH INTRO, BUT YEAH, I'M PSYCHED TO BE HERE. 288 00:28:37,517 --> 00:28:48,895 >> ALL RIGHT. >> YOU'RE HERE BECAUSE WE RAN INTO EACH OTHER, CORRECT. 289 00:28:48,895 --> 00:28:50,597 >> CORRECT. MY QUESTION IS, RIHANNA. WHEN'S SHE GOING TO DROP THE 290 00:28:50,597 --> 00:28:51,965 ALBUM? SHE TOO BEZ MAKING PANTIES OR SOMETHING? 291 00:28:51,965 --> 00:28:57,904 >> I'M NOT SURE HOW TO ANSWER THAT. CAN YOU ASK A QUESTION ABOUT ME? 292 00:28:57,904 --> 00:29:04,544 >> OKAY, FINE. WHAT'S WITH THE HAT? IS IT CULTURAL OR JUST A BIG OLD 293 00:29:04,544 --> 00:29:07,113 SWING. >> IT'S ACTUALLY WARMER. >> ALL RIGHT. 294 00:29:07,113 --> 00:29:15,555 I GOT EVERYTHING I NEED. YOU CAN GO NOW. >> ALL RIGHT. 295 00:29:15,555 --> 00:29:22,429 >> LET'S BRING OUT OUR NEXT GUEST, ED SHEERAN. [ CHEERS AND APPLAUSE ] 296 00:29:22,429 --> 00:29:24,831 >> HI, MISS WARWICK. I'M REALLY GLAD TO BE HERE. >> OF COURSE YOU ARE. 297 00:29:24,831 --> 00:29:28,468 [ LAUGHTER ] YOU DID A SONG CALLED "SOUTH OF THE BORDER.” 298 00:29:28,468 --> 00:29:39,446 MY QUESTION IS, ARE YOU NASTY? [ LAUGHTER ] >> YEAH, A LITTLE BIT. 299 00:29:39,446 --> 00:29:42,615 >> OKAY. OKAY. I THINK YOU ARE A LITTLE NASTY 300 00:29:42,615 --> 00:29:45,285 WITH THAT. OKAY. I THINK THAT'S HEALTHY. 301 00:29:45,285 --> 00:29:48,421 ALL RIGHT, YOU'RE WRITING A SONG FOR THE NEXT SEASON OF "TED LASSO.” 302 00:29:48,421 --> 00:29:51,057 WHAT I'D LIKE TO KNOW IS, WHAT IS APPLE TV AND HOW DO YOU GET ON IT A DELL COMPUTER? 303 00:29:51,057 --> 00:29:54,661 [ LAUGHTER ] >> IS THAT THE BEST QUESTION FOR ME TO ANSWER? 304 00:29:54,661 --> 00:29:59,866 >> I DON'T KNOW, SHOOT. ALL RIGHT. DID YOU KNOW ED SHEERAN 305 00:29:59,866 --> 00:30:04,637 BACKWARDS IS DIONNE WARWICK? [ LAUGHTER ] >> I DON'T THINK IT IS. 306 00:30:04,637 --> 00:30:08,341 >> YEAH, OKAY. WHY DON'T YOU GO LOOK IT UP NOW, ALL RIGHT? 307 00:30:08,341 --> 00:30:19,953 BYE. >> NEXT UP, I'VE LEARNED MY LESSON THAT MACHINE GUN KELLY IS 308 00:30:19,953 --> 00:30:26,626 TOO SCARY FOR ME, SO I INVITED A DIFFERENT MAN THAT I FEEL MORE COMFORTABLE WITH. 309 00:30:26,626 --> 00:30:33,900 PLEASE WELCOME POST MALONE. >> HI. >> GET HIM OUT. 310 00:30:33,900 --> 00:30:38,171 YOU GOT TO GO. OH, MY GOSH. MUCH BETTER. 311 00:30:38,171 --> 00:30:45,512 MUCH BETTER. BRITTNEY, PUT THAT MAN IN THE CAB BACK TO SPOOKY TOWN USA. 312 00:30:45,512 --> 00:30:50,784 >> YEAH, I'M ON IT. >> I'M SICK AND TIRED OF INTERVIEWING PEOPLE WHO ARE NOT 313 00:30:50,784 --> 00:30:58,558 ICONS. PLEASE WELCOME ME. [ CHEERS AND APPLAUSE ] 314 00:30:58,558 --> 00:31:09,502 >> WELL, HELLO. ALL RIGHT. ALL RIGHT. 315 00:31:09,502 --> 00:31:13,773 I AM SO EXCITED TO BE HERE WITH YOU. >> ALL RIGHT. 316 00:31:13,773 --> 00:31:15,942 WELL, LET ME ASK YOU SOMETHING. DIONNE, WHY ARE YOU PERFECT? [ LAUGHTER ] 317 00:31:15,942 --> 00:31:21,147 >> DARLING, I'M NOT PERFECT, I'M JUST VERY, VERY GOOD. [ CHEERS AND APPLAUSE ] 318 00:31:21,147 --> 00:31:24,818 >> ALL RIGHT. YOU KNOW, TODAY I HEARD A SONG BY AN ARTIST CALLED YOUNG BOY 319 00:31:24,818 --> 00:31:35,762 NEVER BROKE AGAIN. WHY AREN'T PEOPLE JUST CALLED BURNT BACK IRAQ ANYMORE? 320 00:31:35,762 --> 00:31:38,365 >> YOU KNOW, THAT IS AN EXCELLENT QUESTION. AND I DON'T KNOW THE ANSWER, BUT 321 00:31:38,365 --> 00:31:49,442 I WILL KEEP TWEETING TILL I FIND OUT WITH A TWEET, TWEET, TWEET. >> OKAY. 322 00:31:49,442 --> 00:31:52,612 DIONNE, WOULD YOU LIKE TO SING A SONG FOR THE PEOPLE? [ CHEERS AND APPLAUSE ] 323 00:31:52,612 --> 00:31:57,817 WHY DON'T YOU GO AHEAD AND GRAB YOUR MIC. * WHAT THE WORLD NEEDS NOW IS 324 00:31:57,817 --> 00:32:09,295 LOVE SWEET LOVE * * IT'S THE ONLY THING THAT THERE'S JUST TOO LITTLE OF * 325 00:32:09,295 --> 00:32:13,433 >> DAMN, WE LOOK GOOD! [ CHEERS AND APPLAUSE ] * WHAT THE WORLD NEEDS NOW IS 326 00:32:13,433 --> 00:32:23,877 LOVE SWEET LOVE * * IT'S THE ONLY THING * >>> NEXT WEEK, JONATHAN MAJORS 327 00:32:23,877 --> 00:32:27,647 * IT'S THE ONLY THING * >>> NEXT WEEK, JONATHAN MAJORS WITH MUSICAL GUEST TAYLOR SWIFT! 328 00:33:40,320 --> 00:33:45,525 INTO THE BATHROOM. YEAH, I DON'T KNOW WHY I'M TELLING YOU EITHER. 329 00:33:45,525 --> 00:33:47,227 OKAY, BYE. >> OH-OH, THERE HE IS. >> HEY, WE'VE GOT TO STOP 330 00:33:47,227 --> 00:33:50,230 MEETING LIKE THIS. >> I'LL SAY, THIRD TIME THIS WEEK. 331 00:33:50,230 --> 00:34:00,073 WHAT IS THIS, YOUR NEW OFFICE? >> YOU KNOW WHAT I ALWAYS SAY. BOSS MAN DOES WHAT THE BOSS MAN 332 00:34:00,073 --> 00:34:08,114 DOES. I'VE NEVER SAID THAT IN MY LIFE. WHY AM I SAYING THAT? 333 00:34:08,114 --> 00:34:10,417 I'M NOT THE BOSS. SO WHY DID HE LAUGH? WHY DID I LAUGH? 334 00:34:10,417 --> 00:34:17,357 WHY ARE THERE NOT STALLS IN THE MEN'S ROOM? EVERYONE JUST PANICS AND BLURTS 335 00:34:17,357 --> 00:34:19,225 SOMETHING OUT. >> WOW, I'M EMPTY! HA HA. 336 00:34:19,225 --> 00:34:23,430 SEE YOU LATER, MY GUY. >> KEEP ON TRUCKING, MY DUDE, HONK HONK! 337 00:34:23,430 --> 00:34:27,967 >> OH, IT'S A PARTY IN HERE. >> HEY, FRANKIE IN THE BUILDING. WHAT'S UP? 338 00:34:27,967 --> 00:34:30,437 >> YEAH, BABY. GOT FUN PLANS THIS WEEKEND? A COUPLE OF DAYS AWAY FROM YOU? 339 00:34:30,437 --> 00:34:36,443 I'LL TAKE IT. >> OH! >> THAT WAS MEAN AS HECK. 340 00:34:36,443 --> 00:34:43,116 I REALLY LIKE THAT GUY. AND WHY AM I TALKING SO LOUD? IN THE MEN'S ROOM, MY VOICE GETS 341 00:34:43,116 --> 00:34:47,954 WEIRD AND I SHOUT THINGS LIKE, FOOTBALL IS CRAZY! >> MY HEART IS POUNDING. 342 00:34:47,954 --> 00:34:54,327 WHY DID I CHOOSE THE URINAL RIGHT NEXT TO HIM? OUR ARM SKIN IS TOUCHING. 343 00:34:54,327 --> 00:34:58,365 >> HA HA! >> HA HA! >> HEY, SEE YOU ON THE ICE! 344 00:34:58,365 --> 00:35:11,311 >> OKAY, YOU TOO. >> SEE YOU ON THE ICE? WE WORK AT A PENSION FUND. 345 00:35:11,311 --> 00:35:13,179 IS THAT EVEN AN EXPRESSION? I DON'T EVEN KNOW WHO I AM IN HERE. 346 00:35:13,179 --> 00:35:15,415 >> I'VE BEEN STAND HERE FOR SO LONG. NONE OF THE AUTOMATIC SINKS 347 00:35:15,415 --> 00:35:21,521 WORK. MY HANDS ARE COVERED IN SOAP! >> I'M STANDING AT A URINAL, I 348 00:35:21,521 --> 00:35:30,630 ONLY CAME IN TO AVOID WORKING. I CAN'T LEAVE UNTIL THEY HEAR ME PEE. 349 00:35:30,630 --> 00:35:33,500 I GUESS I'LL SQUIRT HAND SANITIZER IN TO FAKE IT. 350 00:35:33,500 --> 00:35:40,807 >> SOUNDS LIKE YOUR STREAM IS COMING ALONG REALLY WELL. WHY AM I COMMENTING ON HIS PEE? 351 00:35:40,807 --> 00:35:52,919 CALLING IT A STREAM? >> HEY! WHAT'S UP MY DUDES? 352 00:35:52,919 --> 00:35:57,424 WELL, ANYONE GOT BIG PLANS FOR THE SUMMERTIME? >> OH -- NOT YET. 353 00:35:57,424 --> 00:36:00,093 >> WHY WOULD THEY? IT'S NOVEMBER. WE'RE MONTHS AWAY FROM THE 354 00:36:00,093 --> 00:36:06,933 SUMMERTIME. HEY, NEW GUY! DO ANYTHING FUN LAST WEEKEND? 355 00:36:06,933 --> 00:36:09,169 >> SORRY, ME? >> OH, YEAH. >> SORRY, WHAT DID YOU SAY? 356 00:36:09,169 --> 00:36:14,908 >> I ASKED IF YOU DID ANYTHING FUN THIS WEEKEND. >> OH -- I'M TAKING WAY TOO LONG 357 00:36:14,908 --> 00:36:19,579 TO ANSWER. MAYBE I'LL PRETEND I DIDN'T HEAR. 358 00:36:19,579 --> 00:36:25,385 SORRY, I CAN'T HEAR ANYTHING TODAY. SO YEAH. 359 00:36:25,385 --> 00:36:27,087 >> WHAT'S THAT? >> NOTHING, SORRY. ANYWAY, ARE THESE SINKS WORKING 360 00:36:27,087 --> 00:36:29,222 FOR YOU? >> NO, BUT FOOTBALL IS CRAZY! >> YEAH. 361 00:36:29,222 --> 00:36:36,730 >> SO CRAZY. >> CRAZY. >> OH-OH, Y'ALL HAVING A LITTLE 362 00:36:36,730 --> 00:36:39,366 SLUMBER PARTY IN HERE? >> HA HA! >> I'M JUST YANKING YOUR CHAINS. 363 00:36:39,366 --> 00:36:47,474 HEY, YOU GUYS SEE THAT NEW RECEPTIONIST? SHE'S GOT LEGS FOR DAYS. 364 00:36:47,474 --> 00:36:53,213 I KILLED A MAN IN 2012. I DIDN'T EVEN DO A GOOD JOB HIDING THE BODY. 365 00:36:53,213 --> 00:36:58,952 BUT I STILL GOT AWAY WITH IT. ALTHOUGH I'M A FREE MAN, THE GUILT I CARRY IS WORSE THAN ANY 366 00:36:58,952 --> 00:37:07,293 CELL. BUT IN HERE, I FORGET WHO I AM AND WHAT I'VE DONE. 367 00:37:07,293 --> 00:37:30,450 I LOVE THE MEN'S ROOM. DON'T YOU GUYS LOVE IT IN HERE? >> OH, YEAH. 368 00:37:30,450 --> 00:37:38,425 >> I DROPPED A BOMB. AND THIS DUDE KILLED MY BROTHER! >> OH, YEAH. 369 00:37:38,425 --> 00:37:46,533 AND THIS DUDE KILLED MY BROTHER! >> OH, YEAH. WHAT CAN I SAY? 370 00:37:50,837 --> 00:37:54,074 >> RIDE A HORSE? AFRAID NOT, SON, THIS MAN'S LEG IS BROKEN IN SIX PLACES. 371 00:37:54,074 --> 00:37:59,079 >> WONDERFUL. WHERE AM I GOING TO FIND ANOTHER JOCKEY TEN MINUTES BEFORE THE 372 00:37:59,079 --> 00:38:07,053 KENTUCKY DERBY? >> I THINK I MIGHT KNOW SOMEONE, SIR. 373 00:38:07,053 --> 00:38:22,268 >> WHO? >> SOMEONE GREAT. >> WHERE IS HE? 374 00:38:22,268 --> 00:38:35,315 >> BELIEVE ME, SIR, YOU'LL KNOW HIM WHEN YOU SEE HIM. >> YAH, YAH! 375 00:38:35,315 --> 00:38:45,725 >> WHAT THE HECK? ** >> YEP, THAT'S ME. 376 00:38:45,725 --> 00:38:48,061 RIDING A HORSE LIKE A SKATEBOARD. YOU'RE PROBABLY WONDERING HOW I 377 00:38:48,061 --> 00:38:51,464 WOUND UP HERE. WELL, IT'S KIND OF A CRAZY STORY. 378 00:38:51,464 --> 00:38:56,670 AND IT GOES A LITTLE SOMETHING LIKE THIS. * SO THERE I WAS DOING SKATE 379 00:38:56,670 --> 00:39:03,009 TRICKS AT THE PARK * * THEN I JUMPED WITH TOO MUCH FORCE AND I LANDED ON A HORSE * 380 00:39:03,009 --> 00:39:09,215 >> GREAT SCOTT! * IF I LEAN RIGHT OR LEFT HE'D FOLLOW MY EVERY MOVE * 381 00:39:09,215 --> 00:39:17,023 * AND IF I WANTED HIM TO GO FASTER I JUST GIVE HIM A BAG OF CHIPS * 382 00:39:17,023 --> 00:39:25,365 * WE WERE RUNNING REALLY HARD IN MY NEIGHBOR'S BACKYARD * >> NOT MY AZALEAS! 383 00:39:25,365 --> 00:39:32,138 * HE CAN DO AN OLLIE AND A BACK SIDE 182 * * AND IF I ASK HIM NICELY HE'D 384 00:39:32,138 --> 00:39:37,344 DO A KICK FLIP * >> THIS GUY IS CRAZY! * THEN WE WENT TO A TRACK AND WE 385 00:39:37,344 --> 00:39:47,253 WON OUR VERY FIRST RACE * * BUT AFTERWARDS HE DIDN'T STOP SO WE TOURED THE UNITED STATES * 386 00:39:47,253 --> 00:39:58,732 * I HOLD ON TO HIS TAIL WHEN WE GRIND ON A RAIL * ** 387 00:39:58,732 --> 00:40:07,073 * THIS IS OUR LAST RACE CAN'T BELIEVE THAT THIS IS THE END * * NEXT WEEK I HAVE TO GO TO 388 00:40:07,073 --> 00:40:13,847 COLLEGE AND THEY SAY I CAN'T BRING MY FRIEND * * IT'S GONNA BE LONELY, I DON'T 389 00:40:13,847 --> 00:40:23,757 KNOW WHAT I'M GONNA DO * * I HOPE THAT WHEN I'M GONE THEY DON'T TURN HIM INTO GLUE * 390 00:40:23,757 --> 00:40:35,468 >> WHOA! >> HEY, I THINK I'M OKAY -- >> YEP, THAT PRETTY MUCH SUMS IT 391 00:40:35,468 --> 00:40:38,371 UP. THAT'S HOW I WON THE KENTUCKY DERBY. 392 00:40:38,371 --> 00:40:42,742 WOULDN'T YOU KNOW IT? THEY EVEN MADE A VIDEO GAME ABOUT MY LIFE, TOBY BIRD PRO 393 00:40:42,742 --> 00:40:46,179 JOCKEY. NOT BAD FOR A GUY THAT DIED LATER THAT DAY. 394 00:40:46,179 --> 00:40:53,453 NOT BAD FOR A GUY THAT DIED LATER THAT DAY. NOT BAD AT ALL. 395 00:42:10,397 --> 00:42:12,098 >>> LADIES AND GENTLEMEN, ED SHEERAN! 396 00:42:12,098 --> 00:42:21,975 ** ** * I TOOK AN ARROW 397 00:42:21,975 --> 00:42:27,213 TO THE HEART I NEVER KISSED A MOUTH THAT TASTES LIKE YOURS * 398 00:42:27,213 --> 00:42:35,088 * STRAWBERRIES AND SOMETHIN' MORE OOH YEAH I WANT IT ALL 399 00:42:35,088 --> 00:42:41,795 LIPSTICK ON MY GUITAR OOH * * FILL UP THE ENGINE WE CAN DRIVE REAL FAR 400 00:42:41,795 --> 00:42:48,101 GO DANCIN' UNDERNEATH THE STARS * * OOH YEAH I WANT IT ALL 401 00:42:48,101 --> 00:42:53,239 MM YOU GOT ME SINING LIKE I WANNA BE THAT GUY I WANNA KISS YOUR EYES * 402 00:42:53,239 --> 00:43:00,046 * I WANNA DRINK THAT SMILE I WANNA FEEL LIKE I'M LIKE MY SOUL'S ON FIRE 403 00:43:00,046 --> 00:43:03,183 I WANNA STAY UP ALL * * DAY AND ALL NIGHT YEAH YOU GOT ME SINGIN' 404 00:43:03,183 --> 00:43:07,854 LIKE OOH I LOVE IT WHEN YOU DO IT LIKE THAT * * AND WHEN YOU'RE CLOSE UP 405 00:43:07,854 --> 00:43:13,093 GIVE ME THE SHIVERS OH BABY YOU WANNA DANCE 'TIL THE SUNLIGHT CRACKS * 406 00:43:13,093 --> 00:43:15,662 * AND WHEN THEY SAY THE PARTY'S OVER THEN WE'LL BRING 407 00:43:15,662 --> 00:43:18,798 IT RIGHT BACK * * AND WE'LL SAY OOH I LOVE IT WHEN YOU 408 00:43:18,798 --> 00:43:24,070 DO IT LIKE THAT AND WHEN YOU'RE CLOSE UP * * GIVE ME THE SHIVERS 409 00:43:24,070 --> 00:43:27,207 OH BABY YOU WANNA DANCE 'TIL THE SUNLIGHT CRACKS AND WHEN THEY SAY * 410 00:43:27,207 --> 00:43:29,743 * THE PARTY'S OVER THEN WE'LL BRING IT RIGHT BACK 411 00:43:29,743 --> 00:43:36,082 INTO THE CAR * * ON THE BACKSEAT IN THE MOONLIT DARK 412 00:43:36,082 --> 00:43:42,789 WRAP ME UP BETWEEN YOUR LEGS AND ARMS * * OOH I CAN'T GET ENOUGH 413 00:43:42,789 --> 00:43:47,494 YOU KNOW YOU COULD TEAR ME APART OOH PUT ME BACK TOGETHER * 414 00:43:47,494 --> 00:43:53,233 * AND TAKE MY HEART I NEVER THOUGHT THAT I COULD LOVE THIS HARD 415 00:43:53,233 --> 00:43:59,472 OOH I CAN'T GET ENOUGH * * MM YOU GOT ME FEELING LIKE I WANNA BE THAT GUY 416 00:43:59,472 --> 00:44:04,678 I WANNA KISS YOUR EYES I WANNA DRINK THAT SMILE * * I WANNA FEEL LIKE I'M 417 00:44:04,678 --> 00:44:09,916 LIKE MY SOUL'S ON FIRE I WANNA STAY UP ALL DAY AND ALL NIGHT * 418 00:44:09,916 --> 00:44:14,087 * YEAH YOU GOT ME SINGIN' LIKE OOH I LOVE IT WHEN YOU DO IT LIKE THAT 419 00:44:14,087 --> 00:44:19,826 AND WHEN YOU'RE CLOSE UP * * GIVE ME THE SHIVERS OH BABY YOU WANNA DANCE 420 00:44:19,826 --> 00:44:23,063 'TIL THE SUNLIGHT CRACKS AND WHEN THEY SAY * * THE PARTY'S OVER 421 00:44:23,063 --> 00:44:25,598 THEN WE'LL BRING IT RIGHT BACK AND WE'LL SAY OOH * 422 00:44:25,598 --> 00:44:29,202 * I LOVE IT WHEN YOU DO IT LIKE THAT AND WHEN YOU'RE CLOSE UP 423 00:44:29,202 --> 00:44:34,407 GIVE ME THE SHIVERS * * OH BABY YOU WANNA DANCE 'TIL THE SUNLIGHT CRACKS 424 00:44:34,407 --> 00:44:37,077 AND WHEN THEY SAY THE PARTY'S OVER * * THEN WE'LL BRING 425 00:44:37,077 --> 00:44:42,749 IT RIGHT BACK BABY YOU BURN SO HOT YOU MAKE ME SHIVER * 426 00:44:42,749 --> 00:44:46,920 * WITH THE FIRE YOU GOT THIS THING WE STARTED I DON'T WANT IT TO STOP 427 00:44:46,920 --> 00:44:54,194 YOU KNOW YOU * * MAKE ME SHIVER-ER-ER BABY YOU BURN SO HOT 428 00:44:54,194 --> 00:44:59,933 YOU MAKE ME SHIVER WITH THE FIRE YOU GOT * * THIS THING WE STARTED 429 00:44:59,933 --> 00:45:06,206 I DON'T WANT IT TO STOP YOU KNOW YOU MAKE ME SHIVER YEAH YOU GOT ME * 430 00:45:06,206 --> 00:45:08,842 * SINGIN' LIKE OOH I LOVE IT WHEN YOU DO IT LIKE THAT 431 00:45:08,842 --> 00:45:13,513 AND WHEN YOU'RE CLOSE UP * * GIVE ME THE SHIVERS OH BABY YOU WANNA DANCE 432 00:45:13,513 --> 00:45:17,117 'TIL THE SUNLIGHT CRACKS AND WHEN THEY SAY * * THE PARTY'S OVER 433 00:45:17,117 --> 00:45:19,753 THEN WE'LL BRING IT RIGHT BACK AND WE'LL SAY OOH * 434 00:45:19,753 --> 00:45:23,923 * I LOVE IT WHEN YOU DO IT LIKE THAT AND WHEN YOU'RE CLOSE UP 435 00:45:23,923 --> 00:45:28,628 GIVE ME THE SHIVERS * * OH BABY YOU WANNA DANCE 'TIL THE SUNLIGHT CRACKS 436 00:45:28,628 --> 00:45:31,231 AND WHEN THEY SAY THE DAY PARTY'S OVER * * THEN WE'LL BRING IT 437 00:45:31,231 --> 00:45:48,915 THE DAY PARTY'S OVER * * THEN WE'LL BRING IT RIGHT BACK HEY * 438 00:45:59,793 --> 00:46:10,770 COLIN JOST AND MICHAEL CHE. [ CHEERS AND APPLAUSE ] GOOD EVENING. 439 00:46:10,770 --> 00:46:12,572 [ CHEERS AND APPLAUSE ] >> WELCOME TO "WEEKEND UPDATE," I'M MICHAEL CHE. 440 00:46:12,572 --> 00:46:26,619 >> I'M COLIN JOST. OUR TOP STORY TONIGHT LIKE IT'S BEEN FOREVER, INFRASTRUCTURE. 441 00:46:26,619 --> 00:46:34,060 IT SHOULD BE ENOUGH TO CLEAN AS MANY AS TWO LA GUARD YEAH BATHROOMS. 442 00:46:34,060 --> 00:46:36,229 INFRASTRUCTURE BILL WILL EXPAND INTERNET ACCESS ACROSS THE U.S., WHICH IS GREAT USE BECAUSE WHEN 443 00:46:36,229 --> 00:46:40,433 HAS MORE INTERNET EVER BEEN BAD FOR AMERICA? >>> DEMOCRAT TERRY McAULIFFE 444 00:46:40,433 --> 00:46:44,604 LOST TO REPUBLICAN GLENN YOUNGKIN IN THE VIRGINIA GOVERNOR'S RACE. 445 00:46:44,604 --> 00:46:52,412 ON THE BRIGHT SIDE, LOSERS FROM VIRGINIA GET A STATUE. POLITICAL EXPERTS SAY THAT THE 446 00:46:52,412 --> 00:46:57,117 REPUBLICAN VICTORY IN VIRGINIA'S GOVERNOR'S RACE WAS FUELED BY SUPPORT FROM WHITE WOMEN WHO 447 00:46:57,117 --> 00:47:04,924 DIDN'T GO TO COLLEGE, WHICH JUST SO HAPPENS TO BE THE EXACT GROUP I TARGET ON TINDER. 448 00:47:04,924 --> 00:47:10,663 >>> IN THE WAKE OF REPUBLICAN SUCCESS IN THIS WEEK'S ELECTIONS, HOUSE MINORITY LEADER 449 00:47:10,663 --> 00:47:14,834 KEVIN McCARTHY ANNOUNCED REPUBLICANS WOULD INTRODUCE A PARENTS BILL OF RIGHTS WHICH I'M 450 00:47:14,834 --> 00:47:26,312 PRETTY SURE IS JUST A SIGN YOU CAN BUY AT HOME GOODS. >>> PFIZER ANNOUNCED THAT IT HAS 451 00:47:26,312 --> 00:47:29,949 DEVELOPED AN ANTIVIRAL PILL THAT CAN REDUCE HOSPITALIZATION AMONG COVID PATIENTS BY NEARLY 90%, 452 00:47:29,949 --> 00:47:50,170 AND EVEN BETTER, IT WILL MAKE YOU HARDER THAN TRIGONOMETRY. >> DURR IS ALSO THE NEW JERSEY 453 00:47:50,170 --> 00:47:58,978 STATE MOTTO. WITH HIS VICTORY, ERIC ADAMS WILL BECOME NEW YORK'S SECOND 454 00:47:58,978 --> 00:48:08,655 BLACK MAYOR. NOT TO BE CONFUSED WITH THE NEW YORK MAYOR WHO BLACKED OUT. 455 00:48:08,655 --> 00:48:21,601 WILL NOW RETURN TO HIS PREVIOUS JOB AS "EMILY IN PARIS" LAWYER. >>> REPUBLICAN WINSOME SEARS, 456 00:48:21,601 --> 00:48:23,770 SEEN HERE ATTEMPTING SUICIDE BY COP, WAS ELECTED AS VIRGINIA'S FIRST BLACK FEMALE LIEUTENANT 457 00:48:23,770 --> 00:48:26,272 GOVERNOR. BUT THIS IS ACTUALLY A WIN FOR DEMOCRATS BECAUSE NOTHING WILL 458 00:48:26,272 --> 00:48:32,045 GET REPUBLICANS TO SUPPORT GUN CONTROL FASTER THAN THIS PICTURE. 459 00:48:32,045 --> 00:48:34,948 >>> FORMER PRESIDENT TRUMP WAS FILMED DOING THE TOMAHAWK CHOP AT A WORLD SERIES GAME IN 460 00:48:34,948 --> 00:48:39,853 ATLANTA. NATIVE AMERICAN GROUPS SAID, "THEY FOUND IT EXTREMELY 461 00:48:39,853 --> 00:48:42,589 OFFENSIVE TO SEE THEIR CULTURE ASSOCIATED WITH SOMEONE WHO CAN'T EVEN RUN A SUCCESSFUL 462 00:48:42,589 --> 00:48:56,069 CASINO." >>> LAST WEEK, THE RAPPER ICE CUBE LEFT THE UPCOMING FILM 463 00:48:56,069 --> 00:48:59,806 "OH, HELL NO" AFTER HE REFUSED TO GET THE VACCINE. HERE TO COMMENT IS ICE CUBE! 464 00:48:59,806 --> 00:49:09,649 [ CHEERS AND APPLAUSE ] >> SUP, MICHAEL? KNOW WHAT I'M SAYING? 465 00:49:09,649 --> 00:49:15,755 GOING THROUGH A GANGSTER LUMBER JACK PHASE. >> I CAN TELL. 466 00:49:15,755 --> 00:49:18,425 SO WHY DON'T YOU GET THE VACCINE, MAN? >> HEY, LOOK, MAN. 467 00:49:18,425 --> 00:49:21,094 I WOULD JUST RATHER BE MYSELF THAN TAKE THAT VACCINE LIKE YOU OTHER 3 BILLION BOZOS. 468 00:49:21,094 --> 00:49:29,135 >> YEAH, THAT'S WHY YOU LOST THIS MOVIE. >> NOT MY LOSS. 469 00:49:29,135 --> 00:49:30,904 YOUR LOSS. "OH, HELL NO" WAS GOING TO FEATURE THE GREATEST COMEDY DUO 470 00:49:30,904 --> 00:49:40,580 OF ALL TIME. ICE CUBE, JACK BLACK, PLAYING CHEMISTRY. 471 00:49:40,580 --> 00:49:42,315 THE COMEDY CHEMISTRY WAS CRACKLING. HIGH JINKS. 472 00:49:42,315 --> 00:49:45,685 CHICANERY. YOU KNOW WHAT I'M SAYING? TRY AND GUESS WHAT MY CATCH 473 00:49:45,685 --> 00:49:47,654 PHRASE WAS. >> "OH, HELL, NO?" >> THAT'S ACTUALLY CORRECT. 474 00:49:47,654 --> 00:49:50,123 BUT BECAUSE OF THIS CRAZY VACCINE MANDATE, Y'ALL WIL NEVER GET TO HEAR IT. 475 00:49:50,123 --> 00:49:51,691 >> I MEAN, UNLESS THEY REPLACE YOU. >> OH, HELL NO, MAN. 476 00:49:51,691 --> 00:49:54,394 WHO CAN REPLACE ICE CUBE? >> I DON'T KNOW, TERRY CREWS? >> THAT'S A GOOD CHOICE. 477 00:49:54,394 --> 00:50:00,033 >> WHAT ABOUT MICHAEL B. JORDAN? >> MAKES EVEN MORE SENSE. HEY, BUT THE POINT IS, THIS 478 00:50:00,033 --> 00:50:03,370 VACCINE MANDATE IS COSTING THE WORLD MY ART. I HAD A BUNCH OF OTHER PROJECTS 479 00:50:03,370 --> 00:50:09,909 PACKED IN THE PIPE. CHECK IT OUT, BOZO. IF YOU LIKE "BARBERSHOP 3:THE 480 00:50:09,909 --> 00:50:19,686 NEXT CUT," YOU WOULD HAVE LOVED THE SEQUEL, "BARBERSHOP 4: JUST A LITTLE OFF THE SIDES." 481 00:50:19,686 --> 00:50:28,528 BUT NOW WE CAN'T MAKE IT. ALSO, WE'RE GOING TO MAKE A PREQUELL TO THE ORIGINAL 482 00:50:28,528 --> 00:50:31,598 "FRIDAY" MOVIE. YOU'LL NEVER GUESS WHAT IT WAS CALLED. 483 00:50:31,598 --> 00:50:33,166 >> "THURSDAY?" >> THAT'S ACTUALLY CORRECT AGAIN. 484 00:50:33,166 --> 00:50:35,468 I WAS ALSO GOING TO STAR IN A NEW M. NIGHT SHYAMALAN CALLED "UH-OH, TWIST COMING." 485 00:50:35,468 --> 00:50:41,641 THE TWIST IS, THERE AIN'T NO TWIST. EVERYBODY WENT HOME, AND THE DAY 486 00:50:41,641 --> 00:50:44,177 WAS A GOOD DAY. >> IF YOU WANT TO MAKE THESE MOVIES SO BAD, WHY DON'T YOU 487 00:50:44,177 --> 00:50:48,348 JUST GET VACCINATED? >> THE BETTER QUESTION IS, WHY WON'T Y'ALL LET ME MAKE MY 488 00:50:48,348 --> 00:50:52,018 FAVORITE PROJECT FEATURING THE GREATEST DRAMATIC DUO OF ALL TIME? 489 00:50:52,018 --> 00:51:04,531 ICE CUBE, MERYL STREEP. EATING OCTOPUS AND TRAIPSING ALL AROUND MYKONOS IN "MAMMA MIA 2." 490 00:51:04,531 --> 00:51:11,671 THAT'S RIGHT. BOTH OF US ROCKING WHITE LINEN PANTSUITS NO DRAWERS. 491 00:51:11,671 --> 00:51:16,476 >> NO DRAWERS? HOW MANY MOVIES WERE YOU MAKING? >> ENOUGH. 492 00:51:16,476 --> 00:51:20,113 THAT'S JUST THE TIP OF THE BERG, BOZO. >> AND ON TOP OF ALL OF THAT, 493 00:51:20,113 --> 00:51:23,783 NOW I GOT TO RUN MY BIG 3 BASKETBALL LEAGUE FROM HOME. >> RIGHT, THAT'S THE LEAGUE YOU 494 00:51:23,783 --> 00:51:30,690 CREATED FOR RETIRED PLAYERS? >> YEAH, MAN. AND NOW I CAN'T GO TO THE GAMES. 495 00:51:30,690 --> 00:51:34,227 IT'S NOT THE SAME IF YOU'RE NOT COURTSIDE, HEARING THEM KNEES CREAK, AND THEM BACKS CRACK. 496 00:51:34,227 --> 00:51:38,932 I MEAN, WHERE ELSE COULD YOU WATCH A BUNCH OF BALLERS ON THE WRONG SIDE OF 40 PLAY A LIGHTLY 497 00:51:38,932 --> 00:51:42,102 COMPETITIVE GAME OF THREE ON THREE? >> AT ANY YMCA? 498 00:51:42,102 --> 00:51:47,340 >> INDEED YOU COULD. INDEED YOU COULD. >> JUST ANSWER THE QUESTION, WHY 499 00:51:47,340 --> 00:51:54,581 WON'T YOU GET VACCINATED? >> HEY, BOZO. I DON'T HAVE TO TELL ANYBODY 500 00:51:54,581 --> 00:51:58,118 ABOUT MY PRIVATE MEDICAL DECISIONS. >> SO YOU'RE SCARED OF NEEDLES? 501 00:51:58,118 --> 00:52:00,854 >> HELL, YEAH, I HATE THEM. >> ICE CUBE, EVERYBODY. >> HEY, AARON RODGERS, COME PLAY 502 00:52:00,854 --> 00:52:15,201 WITH THE RAIDERS, MAN. >>> A HIGH SCHOOL PRINCIPAL HAS APOLOGIZED FOR UNSPORTSMANLIKE 503 00:52:15,201 --> 00:52:21,441 CONDUCT FOR THE FOOTBALL TEAM AFTER THEY BEAT ANOTHER TEAM 100-0. 504 00:52:21,441 --> 00:52:27,480 APOLOGY ACCEPTED, SAID THE JETS. IT WAS REPORTED THAT MOTHERS IN CALIFORNIA ARE TRYING TO PASS ON 505 00:52:27,480 --> 00:52:33,820 COVID VACCINE ANTIBODIES TO THEIR CHILDREN BY MAKING THEM SMOOTHIES WITH THEIR BREAST 506 00:52:33,820 --> 00:52:37,123 MILK. OH, SURE. BUT WHEN I ASK FOR THAT I GET 507 00:52:37,123 --> 00:52:59,879 ESCORTED OUT OF JAMBA JUICE. >>> A PHARMACIST WAS FIRED FOR TRADING DRUGS FOR SEXUAL FAVORS. 508 00:52:59,879 --> 00:53:12,826 WOW. SO HE'S A PHARMACIST NOW, HUH? >>> FEMALE PLAYERS CAN WEAR BIKE 509 00:53:12,826 --> 00:53:19,132 SHORTS INSTEAD OF BIKINI BAT TOMS. BUT THEY'RE STILL INSISTING THE 510 00:53:19,132 --> 00:53:25,972 REFS USE THIS WHISTLE. >>> MORE THAN 30,000 PEOPLE WERE LOCKED INSIDE SHANGHAI 511 00:53:25,972 --> 00:53:29,075 DISNEYLAND AFTER ONE VISITOR TESTED POSITIVE FOR COVID. SO, LET THIS BE A LESSON TO ALL 512 00:53:29,075 --> 00:53:32,278 YOU KIDS OUT THERE, IF YOU'RE NOT MORE CAREFUL ABOUT COVID, YOU'LL END UP LIVING AT 513 00:53:32,278 --> 00:53:50,864 DISNEYLAND. NATIONAL IMPOTENCY AWARENESS MONTH STARTS TUESDAY. 514 00:53:50,864 --> 00:53:58,938 I THOUGHT IT WOULD NEVER COME. >>> A SQUIRREL APPEARED TO BE HOLDING HANDS WITH A WOMAN. 515 00:53:58,938 --> 00:54:06,646 GAY MARRIAGE IS A SLIPPERY SLOPE. >> PLASTIC SURGEON POSTED A 516 00:54:06,646 --> 00:54:12,352 VIDEO ON TIKTOK CLAIMING THAT THE RUMOR IS TRUE THAT THE SIZE OF A PERSON'S NOSE AS A 517 00:54:12,352 --> 00:54:15,388 DIRECTION CONNECTION TO THE SIZE OF HIS PENIS. OH. 518 00:54:15,388 --> 00:54:25,899 SO THAT'S WHY KAMILLA IS SMILING. >>> THE SUPREME COURT HEARD 519 00:54:25,899 --> 00:54:31,471 ABOUT THE TEXAS LAW THAT ESSENTIALLY BANS ALL ABORTIONS AFTER JUST SIX WEEKS. 520 00:54:31,471 --> 00:54:51,458 HERE TO CHEER US UP GOOBER THE CLOWN WHO HAD AN ABORTION WHEN SHE WAS 23. 521 00:54:51,458 --> 00:54:53,193 >> HEY, HEY, HEY! I'M GOOBER THE CLOWN. >> SO GOOBER, YOU HAD AN 522 00:54:53,193 --> 00:54:55,628 ABORTION WHEN YOU WERE 23? >> HEY, COLIN, SMELL THIS FLOWER. 523 00:54:55,628 --> 00:54:58,231 >> YOU'RE NOT GOING TO SQUIRT ME, ARE YOU? >> OH, I WOULD NEVER. 524 00:54:58,231 --> 00:55:00,867 >> OKAY. >> OH, GOTCHA! I HAD AN ABORTION THE DAY BEFORE 525 00:55:00,867 --> 00:55:03,069 MY 23rd BIRTHDAY. >> OKAY, SEEMS LIKE YOU DO WANT TO TALK ABOUT YOUR ABORTION. 526 00:55:03,069 --> 00:55:05,772 >> WELL, ACTUALLY, I REALLY DON'T. BUT PEOPLE KEEP BRINGING IT UP, 527 00:55:05,772 --> 00:55:08,141 SO I GOT TO KEEP TALKING ABOUT FREAKING ABORTION. IT'S A ROUGH SUBJECT, SO WE'RE 528 00:55:08,141 --> 00:55:14,114 GOING TO DO FUN CLOWN STUFF TO MAKE IT MORE PALATABLE, WHEE! HEY, WHO LIKES A BALLOON ANIMAL, 529 00:55:14,114 --> 00:55:16,483 HUH? WHAT DO YOU WANT, DO YOU WANT A GIRAFFE? 530 00:55:16,483 --> 00:55:21,688 YEAH? >> YOU DON'T HAVE TO DO THIS, EVELYN. 531 00:55:21,688 --> 00:55:26,593 >> GOOBER. AND I WISH I DIDN'T HAVE TO DO THIS, BECAUSE MY ABORTION IS MY 532 00:55:26,593 --> 00:55:31,631 PERSONAL CLOWN BUSINESS. BUT THAT'S ALL PEOPLE IN THIS COUNTRY WANT TO DISCUSS ALL THE 533 00:55:31,631 --> 00:55:35,301 TIME, EVEN THOUGH CLOWN ABORTION WAS LEGALIZED IN CLOWN V. WADE IN 1973. 534 00:55:35,301 --> 00:55:40,473 HERE. >> CAN YOU STOP SAYING CLOWN ABORTION? 535 00:55:40,473 --> 00:55:46,980 WHAT THIS IS? >> IT'S A WORM. I DON'T KNOW. 536 00:55:46,980 --> 00:55:49,349 DID YOU KNOW 1 IN 3 CLOWNS WILL HAVE A CLOWN ABORTION IN THEIR LIFETIME? 537 00:55:49,349 --> 00:55:51,584 YOU DON'T, BECAUSE THEY DON'T TELL YOU. THEY DON'T EVEN KNOW HOW TO TALK 538 00:55:51,584 --> 00:55:55,789 TO OTHER CLOWNS ABOUT IT. 'CAUSE WHEN THEY DO TALK ABOUT IT, IF YOU WERE A CLOWN WHO 539 00:55:55,789 --> 00:55:59,426 WASN'T A VICTIM OF SOMETHING SAD LIKE CLOWN-CEST, THEY THINK YOUR CLOWN ABORTION WASN'T A 540 00:55:59,426 --> 00:56:06,933 RIGHTEOUS CLOWN ABORTION. I MEAN, WHAT THE DINK IS THAT. >> I DON'T THINK YOU CAN SAY 541 00:56:06,933 --> 00:56:08,802 THAT WORD ON THE SHOW. >> WHAT, ABORTION? >> I GUESS, KIND OF, YEAH. 542 00:56:08,802 --> 00:56:10,236 >> OKAY. WE'RE HAVING FUN, COLIN. JUST LAUGH. 543 00:56:10,236 --> 00:56:13,873 PULL MY FINGER. >> NO, GOOBER. >> LAUGH, I NEED IT. 544 00:56:13,873 --> 00:56:18,578 I NEED YOU TO LAUGH SO HARD. LIKE THE WAY I LAUGHED WHEN THE DOCTOR ASKED IF I GOT PREGNANT 545 00:56:18,578 --> 00:56:23,249 ON THE WAY OVER TO THE CLINIC, BECAUSE I WASN'T VERY FAR ALONG, AND THAT'S ONE OF MY FAVORITE 546 00:56:23,249 --> 00:56:27,454 JOKES TO THIS DAY. I LOVE THAT JOKE. SUCH A GOOD JOKE. 547 00:56:27,454 --> 00:56:32,625 NOT LIKE A FUNNY HA HA JOKE. BUT LIKE A FUNNY, YOU'RE NOT AN AWFUL PERSON, AND YOUR LIFE 548 00:56:32,625 --> 00:56:45,672 ISN'T OVER JOKE, THE BEST KIND. HONKA-HONKA. AND IN THE WAITING ROOM THEY HAD 549 00:56:45,672 --> 00:56:48,975 A LITTLE GUEST BOOK WHERE ALL THE CLOWNS COULD WRITE THEIR CLOWN ABORTION STORY FOR THE 550 00:56:48,975 --> 00:56:54,080 NEXT CLOWN TO READ IT SO SHE WOULDN'T FEEL SO ALONE. OH, HOOKAH! 551 00:56:54,080 --> 00:56:57,650 AND THEN, YEARS LATER, YOU'D BE AT DINNER WITH A BIG GROUP OF CLOWNS, ONE CLOWN WILL GO OUT ON 552 00:56:57,650 --> 00:57:01,821 A LIMB, AND SAY, "SHE'S HAD AN ABORTION, AND THEN EIGHT OTHER CLOWNS AT THE TABLE WILL SAY 553 00:57:01,821 --> 00:57:05,025 THEY'VE HAD AN ABORTION TOO BECAUSE THAT'S HOW COMMON IT IS. AND EVERYONE'S EXCITED AND 554 00:57:05,025 --> 00:57:08,628 RELIEVED TO BE TALKING ABOUT IT. THEN IT'S LIKE "WOW, WE KEPT THE SECRET SO LONG DESPITE BEING SO 555 00:57:08,628 --> 00:57:16,436 GRATEFUL IT HAPPENED." HONKA-HONKA! >> WAIT. 556 00:57:16,436 --> 00:57:23,209 WAIT A SECOND. ARE CLOWNS REALLY WOMEN? >> EXCUSE ME? 557 00:57:23,209 --> 00:57:25,812 WOW. COLIN JOST THINKS ALL WOMEN ARE CLOWNS. 558 00:57:25,812 --> 00:57:31,551 >> I DIDN'T SAY THAT. >> HELIUM. COLIN, HERE'S MY TRUTH. 559 00:57:31,551 --> 00:57:35,722 I KNOW I WOULDN'T BE A CLOWN ON TV HERE TODAY IF IT WEREN'T FOR THE ABORTION I HAD THE DAY 560 00:57:35,722 --> 00:57:39,893 BEFORE MY 23rd BIRTHDAY. CLOWNS HAVE BEEN HELPING EACH OTHER END THEIR PREGNANCIES 561 00:57:39,893 --> 00:57:43,063 SINCE THE CAVES. IT'S GOING TO HAPPEN SO IT OUGHT TO BE SAFE, LEGAL, AND 562 00:57:43,063 --> 00:57:47,600 ACCESSIBLE. WE WILL NOT BACK TO THE ALLEY. 563 00:57:47,600 --> 00:57:50,370 THE LAST THING ANYONE WANTS IS A BUNCH OF DEAD CLOWNS IN A DARK ALLEY. 564 00:57:50,370 --> 00:57:59,245 >> GOOBER THE CLOWN, EVERYONE. >> THIS IS "WEEKEND UPDATE." I'M COLIN JOST. 565 00:57:59,245 --> 00:58:00,246 >> THIS IS "WEEKEND UPDATE." I'M COLIN JOST. >> I'M MICHAEL CHE. 566 00:58:47,160 --> 00:58:54,067 >> GOOD MORNING, FOLKS. >> GOOD MORNING, FOLKS. SHERMAN BELL ALONGSIDE KATIE 567 00:58:54,067 --> 00:58:56,670 WILLIAMS. >> COMING UP, WE'LL HEAR FROM BETH BENNINGTON WHO IS WITH AN 568 00:58:56,670 --> 00:58:59,572 EAGLE SCOUT ON AN IMPORTANT MISSION. >> THAT'S RIGHT, KATIE. 569 00:58:59,572 --> 00:59:03,243 THIS IS TED BAXTER. AND TED, TELL US WHAT WE'RE DOING DOWN HERE. 570 00:59:03,243 --> 00:59:05,845 >> WELL, MYSELF AND THESE BOY SCOUTS WILL BE PICKING UP TRASH AT THE BEACH ALL DAY. 571 00:59:05,845 --> 00:59:10,016 RIGHT, GUYS? >> YEAH! >> OH, THAT'S WONDERFUL. 572 00:59:10,016 --> 00:59:13,153 CAN'T WAIT TO HEAR MORE ABOUT THAT. >> ME, TOO. 573 00:59:13,153 --> 00:59:18,892 BUT FIRST, LET'S TAKE A LOOK AT THE WEATHER WITH RILEY COLE. >> HEY, GUYS. 574 00:59:18,892 --> 00:59:23,063 >> OH MY GOODNESS, RILEY, WHAT ARE YOU WEARING? >> WHO'S RILEY? 575 00:59:23,063 --> 00:59:27,901 I'M TURKEY TOM. >> TURKEY TOM, HE SAYS. AND LOOK, HE EVEN CHANGED THE 576 00:59:27,901 --> 00:59:32,405 GRAPHIC. >> AND WHY IS TURKEY TOM HONORING US WITH HIS PRESENCE 577 00:59:32,405 --> 00:59:37,110 TODAY? >> WELL, BECAUSE TODAY WAS THE FIRST DAY THAT THE THERMOMETER 578 00:59:37,110 --> 00:59:41,314 DROPPED BELOW 40, AND YOU KNOW WHAT THAT MEANS. TIME FOR A FALL RAP. 579 00:59:41,314 --> 00:59:49,622 >> OH, BOY, HERE WE GO. ** * THE LEAVES ARE TURNING ORANGE 580 00:59:49,622 --> 00:59:56,930 THE GRASS IS TURNING BROWN * * THE WIND IS GETTING COLDER AND THE * 581 00:59:56,930 --> 01:00:02,669 >> THIS IS A RHODE ISLAND WEATHER ALERT. A SEVERE STORM IS APPROACHING. 582 01:00:02,669 --> 01:00:08,375 EVACUATION ORDERS ARE IN PLACE FOR FLOOD ZONES 1 THROUGH 4. TAKE ONLY WHAT IS NECESSARY. 583 01:00:08,375 --> 01:00:16,883 LEAVE ALL PETS BEHIND. LIFE THREATENING WINDS AND FLOOD EXPECTED. 584 01:00:16,883 --> 01:00:24,624 MAY GOD HAVE MERCY ON YOUR SOULS. >> OKAY. 585 01:00:24,624 --> 01:00:31,865 >> OBVIOUSLY WE HAVE A SEVERE WEATHER SITUATION. RILEY, HOW DID WE NOT SEE THIS 586 01:00:31,865 --> 01:00:35,068 STORM COMING? >> UM -- WELL, UH, YEAH. I WAS WORKING ON THE RAP ALL 587 01:00:35,068 --> 01:00:37,103 LAST NIGHT. YOU KNOW, THE COSTUMES AND THE LYRICS, THAT KIND OF THING. 588 01:00:37,103 --> 01:00:39,572 SO I'M A LITTLE BEHIND HERE ON THE WEATHER REPORT, SO MY BAD. BUT YEAH I'M SEEING THAT THIS IS 589 01:00:39,572 --> 01:00:44,077 A BIG ONE. AND I -- I SHOULD HAVE CAUGHT IT, I APOLOGIZE. 590 01:00:44,077 --> 01:00:47,714 >> OKAY, WELL WHY DON'T WE GO TO COMMERCIAL SO YOU CAN CHANGE INTO SOMETHING MORE APPROPRIATE. 591 01:00:47,714 --> 01:00:51,885 >> YOU KNOW, I WOULD LOVE TO. BUT THE DOPPLER SAYS LANDFALL COULD BE ANY MINUTE NOW. 592 01:00:51,885 --> 01:00:59,259 LET'S TAKE A LOOK AT THE RADAR HERE. OKAY. 593 01:00:59,259 --> 01:01:01,895 THIS IS THE BIGGEST NOR'EASTER THAT I HAVE EVER SEEN. OKAY. 594 01:01:01,895 --> 01:01:08,735 SO THERE'S THIS LARGE, FAST-MOVING STORM. HERE -- OKAY, YEAH. 595 01:01:08,735 --> 01:01:14,441 SO -- THE TURKEYS WERE PART OF THE RAP. THERE'S A LYRIC ABOUT SAY 596 01:01:14,441 --> 01:01:19,679 NOVEMBER BECAUSE OF THANKSGIVING. >> YOU KNOW THEY DO. 597 01:01:19,679 --> 01:01:24,517 >> BUT ANYWAY, YOU CAN SEE BEHIND THE TURKEYS HERE, THE WIND IS REACHING -- WOW, 190 598 01:01:24,517 --> 01:01:26,553 MILES AN HOUR. >> RILEY -- >> THAT IS VERY DANGEROUS. 599 01:01:26,553 --> 01:01:29,189 >> RILEY -- >> YEAH, YEAH. >> TAKE THE TURKEY OFF YOUR 600 01:01:29,189 --> 01:01:34,260 HEAD. >> KATIE, LET'S BE REASONABLE. TURKEY TOM. 601 01:01:34,260 --> 01:01:47,440 >> DON'T CALL HIM THAT. >> KATIE, PLEASE. TURKEY TOM, CAN WE BE LOOKING AT 602 01:01:47,440 --> 01:01:48,975 STRUCTURAL DAMAGE FROM THESE WINDS? >> MORE THAN DAMAGE. 603 01:01:48,975 --> 01:01:54,781 I THINK SHOULD AREAS COULD BE COMPLETELY FLATTED. WE SHOULD EXPECT MANY, MANY 604 01:01:54,781 --> 01:01:57,784 CASUALTIES. >> JUST TAKE THE TURKEY HAT OFF. >> BOO! 605 01:01:57,784 --> 01:01:59,853 >> OKAY, YEAH, MAYBE I SHOULD. >> OKAY, GREAT. AND WHILE YOU DO THAT, WE'LL GO 606 01:01:59,853 --> 01:02:03,523 TO BETH BENNINGTON. BETH, ANY SIGN OF THIS STORM DOWN THERE? 607 01:02:03,523 --> 01:02:11,331 >> YES! >> OH, WOW. BETH, WHERE ARE THE BOY SCOUTS? 608 01:02:11,331 --> 01:02:17,570 >> THE SEA TOOK THEM! >> OH MY GOD. OKAY. 609 01:02:17,570 --> 01:02:20,707 AND RILEY, RILEY, I SEE YOU STILL HAVE THE TURKEY HEADPIECE ON? 610 01:02:20,707 --> 01:02:28,381 >> I DO, YES. I DECIDED TO KEEP IT ON IN CASE YOU WANTED TO HEAR THE REST OF 611 01:02:28,381 --> 01:02:33,420 THE RAP AFTER THE STORM. >> BOO. >> NO. 612 01:02:33,420 --> 01:02:40,093 THAT'S FAIR. I'M SORRY I LOOK LIKE THIS. I'M ALSO VERY SORRY I MISSED THE 613 01:02:40,093 --> 01:02:41,695 STORM. >> HEY, MAN, IT'S NOT ON YOU. >> NO, IT ABSOLUTELY IS. 614 01:02:41,695 --> 01:02:44,197 LET'S GO TO COMMERCIAL SO RILEY CAN CHANGE. KEEP IT HERE FOR MORE AS THIS 615 01:02:44,197 --> 01:02:52,906 DANGEROUS STORM DEVELOPS. >> AND LATER, WE'LL HEAR THE LOCAL BOY SCOUT TROOP WHO IS 616 01:02:52,906 --> 01:02:54,574 >> AND LATER, WE'LL HEAR THE LOCAL BOY SCOUT TROOP WHO IS CLEANING UP THE BEACH. 617 01:03:50,230 --> 01:03:59,739 >>> ONCE AGAIN, ED SHEERAN. ** 618 01:03:59,739 --> 01:04:10,150 * THIS IS A DARK PARADE ANOTHER ROUGH PATCH TO RAIN ON TO RAIN ON 619 01:04:10,150 --> 01:04:16,923 I KNOW YOUR FRIENDS MAY * * SAY THIS IS A CAUSE FOR CELEBRATION 620 01:04:16,923 --> 01:04:23,697 HIP-HIP-HOORAY LOVE PHOTOGRAPHS IN SEPIA TONES * * IT'S SO STILL 621 01:04:23,697 --> 01:04:32,572 THE FIRE'S BARELY FIGHTING THE COLD ALONE THERE ARE TIMES WHEN * 622 01:04:32,572 --> 01:04:39,346 * I CAN FEEL YOUR GHOST JUST WHEN I'M ALMOST LETTING YOU GO 623 01:04:39,346 --> 01:04:46,119 THE CARDS WERE STACKED * * AGAINST US BOTH I WILL ALWAYS LOVE YOU 624 01:04:46,119 --> 01:04:53,927 FOR WHAT IT'S WORTH WE'LL NEVER FADE LIKE * * GRAFFITI ON THE OVERPASS 625 01:04:53,927 --> 01:04:59,699 AND I KNOW TIME MAY CHANGE THE WAY YOU THINK OF US BUT I'LL REMEMBER * 626 01:04:59,699 --> 01:05:02,802 * THE WAY WE WERE YOU WERE THE FIRST FULL STOP 627 01:05:02,802 --> 01:05:08,041 LOVE THAT WILL * * NEVER LEAVE BABY YOU WILL NEVER 628 01:05:08,041 --> 01:05:24,157 BE LOST ON ME OHH OHH OHH * * THIS IS A REAL REAL SHAME 629 01:05:24,157 --> 01:05:35,135 I NEVER WANTED TO BREAK IT OR LEAVE US TAINTED KNOW I SHOULD WALK AWAY * 630 01:05:35,135 --> 01:05:42,409 * BUT I JUST CAN'T REPLACE US OR EVEN ERASE US 631 01:05:42,409 --> 01:05:49,215 THE CAR WAS STUCK * * THE ENGINE STALLED AND BOTH OF US GOT CAUGHT 632 01:05:49,215 --> 01:05:55,989 OUT IN THE SNOW ALONE THERE WERE TIMES WHEN * * I FORGET THE LOWS 633 01:05:55,989 --> 01:06:03,296 AND THINK THE HIGHS WERE ALL THAT WE'D EVER KNOWN THE CARDS WERE STACKED * 634 01:06:03,296 --> 01:06:10,070 * AGAINST US BOTH I WILL ALWAYS LOVE YOU FOR WHAT IT'S WORTH 635 01:06:10,070 --> 01:06:18,411 WE'LL NEVER FADE LIKE * * GRAFFITI ON THE OVERPASS AND I KNOW TIME MAY CHANGE 636 01:06:18,411 --> 01:06:22,582 THE WAY YOU THINK OF US BUT I'LL REMEMBER * * THE WAY WE WERE 637 01:06:22,582 --> 01:06:28,855 YOU WERE THE FIRST FULL STOP LOVE THAT WILL NEVER LEAVE * 638 01:06:28,855 --> 01:06:39,799 * BABY YOU WILL NEVER BE LOST ON ME OHH OHH OHH 639 01:06:39,799 --> 01:06:55,415 BABY YOU WILL NEVER * * BE LOST ON ME OHH OHH OHH 640 01:06:55,415 --> 01:07:01,688 I WILL ALWAYS LOVE YOU FOR WHAT IT'S WORTH * * WE'LL NEVER FADE LIKE 641 01:07:01,688 --> 01:07:10,030 GRAFFITI ON THE OVERPASS I KNOW TIME MAY CHANGE THE WAY YOU THINK OF US * 642 01:07:10,030 --> 01:07:12,098 * BUT I'LL REMEMBER THE WAY WE WERE YOU WERE THE 643 01:07:12,098 --> 01:07:18,371 FIRST FULL STOP * * LOVE THAT WILL NEVER LEAVE BABY YOU WILL NEVER 644 01:07:18,371 --> 01:07:28,782 BE LOST ON ME OHH OHH OHH * * YEAH YEAH YEAH 645 01:07:28,782 --> 01:07:39,759 YEAH YEAH YEAH LOST ON ME OHH OHH OHH * 646 01:07:39,759 --> 01:07:44,330 OHH OHH OHH * * OOH GRAFFITI ON THE OVERPASS * 647 01:08:21,034 --> 01:08:25,805 UP. ARE YOU GOING TO SIT HERE OR ARE YOU GOING TO CALL HER. 648 01:08:25,805 --> 01:08:30,677 >> IF I WERE HERE, I WOULDN'T TAKE ME BACK EITHER. I WAS REALLY A JERK TO HER. 649 01:08:30,677 --> 01:08:37,117 I WAS SELFISH AND I WAS TOO AFRAID TO BE VULNERABLE. AND I LOST HER. 650 01:08:37,117 --> 01:08:40,820 >> JO, THAT WAS BEAUTIFUL. JUST TELL HER THAT. >> YEAH, MAN. 651 01:08:40,820 --> 01:08:49,829 SHE WOULD REALLY APPRECIATE HEARING THAT. JUST GIVE HER A CALL, BUDDY. 652 01:08:49,829 --> 01:08:55,869 TELL HER WHAT YOU TOLD US. >> HELLO? >> HEY. 653 01:08:55,869 --> 01:09:03,176 IT'S ME, IT'S JOHN. [ BLEEP ] YOU. [ LAUGHTER ] 654 01:09:03,176 --> 01:09:10,583 [ BLEEP ] YOU. >> NO. WHY ARE YOU SAYING THAT? 655 01:09:10,583 --> 01:09:12,619 >> STOP. >> I'M FREAKING OUT. >> SAY WHAT YOU SAID EARLIER, 656 01:09:12,619 --> 01:09:15,055 THE BEING VULNERABLE THING. >> [ BLEEP ] YOU. >> OH NO! 657 01:09:15,055 --> 01:09:16,790 >> [ BLEEP ]. >> WOULDN'T LET YOU IN IN THE FIRST PLACE, GIRLIE. 658 01:09:16,790 --> 01:09:20,794 >> BAIL ME OUT, TELL HER I'M SORRY, PLEASE. >> HI, ANGIE, HEY. 659 01:09:20,794 --> 01:09:23,396 SORRY, I DON'T KNOW WHAT'S -- [ BLEEP ] YOU. >> OH MY GOD. 660 01:09:23,396 --> 01:09:28,635 >> [ BLEEP ] YOU, LOSER. >> YOU'RE DOING IT TOO! >> I HATE ALL OF WHAT YOU'RE 661 01:09:28,635 --> 01:09:31,237 WORKING WITH. WHAT IS GOING ON? >> GET OFF THE PHONE. 662 01:09:31,237 --> 01:09:34,374 >> ANGIE, I DON'T KNOW WHAT'S GOING ON WITH THOSE GUYS. I LOVE YOU. 663 01:09:34,374 --> 01:09:37,110 [ BLEEP ]. >> THAT'S MY EX-GIRLFRIEND! >> ANGIE, IT'S ME. 664 01:09:37,110 --> 01:09:42,682 I'M REALLY SORRY. >> DUDE, IT'S ON MUTE. >> OOPS. 665 01:09:42,682 --> 01:09:49,489 [ BLEEP ] YOU, [ BLEEP ]. >> WHY ARE WE SO OFF TODAY? >> SHE HUNG UP ON ME. 666 01:09:49,489 --> 01:09:51,558 WOW. >> ARE YOU SERIOUS? >> VERY MATURE. 667 01:09:51,558 --> 01:09:55,729 >> BLEW IT AGAIN WITH THE LOVE OF MY LIFE. >> YEAH, BLEW IT WITH MY LAST 668 01:09:55,729 --> 01:09:59,399 GIRLFRIEND, TOO. BY GETTING MY PENIS STUCK IN HER TOILET. 669 01:09:59,399 --> 01:10:10,443 JUST LIKE I BLEW IT WITH STEVIE. EVERY TIME WE'D HAVE SEX, I'D SAY, AICHEEWAWA. 670 01:10:10,443 --> 01:10:12,178 SHE DID NOT LIKE THAT. >> ANGIE WASN'T LIKE YOUR UGLY GIRLFRIENDS. 671 01:10:12,178 --> 01:10:15,315 SHE WAS AS WARM AS A SUMMER NIGHT. AS SWEET AS A SONG. 672 01:10:15,315 --> 01:10:20,020 SHE WAS -- >> OH MY GOSH, SHE'S ON HER WAY UP. 673 01:10:20,020 --> 01:10:22,622 >> YOU MOTHER [ BLEEP ]! >> ANGIE! >> ANGIE! 674 01:10:22,622 --> 01:10:41,441 >> ANGIE! >> ANGIE! >> NO, NO, NO -- ANGIE, ANGIE! 675 01:12:14,734 --> 01:12:23,143 SHEERAN, DIONNE WARWICK, TRACY MORGAN AND MY BROTHER MAX FOR LETTING ME SHARE THE STAGE WITH 676 01:12:23,143 --> 01:12:28,481 HIM 30 YEARS AGO. THE CAST, THE CREW, EVERYONE. I LOVE YOU SO MUCH. 677 01:12:28,481 --> 01:12:47,567 THE CAST, THE CREW, EVERYONE. I LOVE YOU SO MUCH. IT WAS AMAZING! 69822

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