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-A comic strip, to me,
is a story
4
00:00:53,547 --> 00:00:56,500
and a real brief story.
5
00:00:56,550 --> 00:00:58,460
It's like having the opportunity
6
00:00:58,510 --> 00:01:03,798
to get a peek
into people, characters' lives.
7
00:01:03,848 --> 00:01:08,636
And they can make you laugh.
They can make you cry.
8
00:01:08,686 --> 00:01:11,055
They just have an impact on you.
9
00:01:11,105 --> 00:01:17,154
For the time that you read it,
it's a world unto itself.
10
00:01:29,416 --> 00:01:31,617
-My mom was always trying
to get me to read,
11
00:01:31,667 --> 00:01:36,290
and I wasn't really into books
with "words," so to speak.
12
00:01:36,340 --> 00:01:38,959
-My dad brought home a couple
of "Calvin and Hobbes" books.
13
00:01:39,009 --> 00:01:43,589
-And he showed me some comic
strips of "Calvin and Hobbes,"
14
00:01:43,639 --> 00:01:44,923
and I was like, "whoa!"
15
00:01:44,973 --> 00:01:46,967
-And I can remember
opening it up,
16
00:01:47,017 --> 00:01:50,471
I turned the page, and Hobbes
wanted me to have this.
17
00:01:50,521 --> 00:01:53,349
And from that point on,
it was me, Calvin, and Hobbes.
18
00:01:53,399 --> 00:01:57,644
-I met Calvin and Hobbes
in the paper, I think,
the way most people did.
19
00:01:57,694 --> 00:01:58,671
-Looking through the comics,
20
00:01:58,695 --> 00:02:00,715
and "Calvin and Hobbes"
was always one that stood out.
21
00:02:00,739 --> 00:02:03,151
-My grandmother is a huge fan
of "Calvin and Hobbes."
22
00:02:03,201 --> 00:02:07,572
-My first and only crime --
I shoplifted this book.
23
00:02:07,622 --> 00:02:08,239
[ Chuckles ]
24
00:02:08,289 --> 00:02:11,242
-And I found this book
of "complete Calvin and Hobbes."
25
00:02:11,292 --> 00:02:13,869
It was in English,
but I said, "I don't care.
26
00:02:13,919 --> 00:02:18,041
I'm gonna learn this language
just to understand this book."
27
00:02:18,091 --> 00:02:18,892
-I was babysitting,
28
00:02:18,925 --> 00:02:21,710
and a couple of the kids
that I babysat,
29
00:02:21,760 --> 00:02:22,711
they had some books.
30
00:02:22,761 --> 00:02:23,989
-All the books got passed to me
31
00:02:24,013 --> 00:02:25,631
and ended up in my room
for awhile.
32
00:02:25,681 --> 00:02:28,468
You know, we'd be trading them
back and forth.
33
00:02:28,518 --> 00:02:29,620
-I hadn't seen the strip before,
34
00:02:29,645 --> 00:02:31,137
but I saw the book
in a bookstore.
35
00:02:31,187 --> 00:02:33,415
-And it was on sale. It was like
$3 or something like that.
36
00:02:33,439 --> 00:02:34,833
So I was like, "all right.
I'll look at it."
37
00:02:34,857 --> 00:02:38,686
Pulled it open, and the first
thing I saw was the snowmen.
38
00:02:38,736 --> 00:02:39,589
-And I burst out laughing
39
00:02:39,613 --> 00:02:41,731
and proceeded to get in trouble
in English class.
40
00:02:41,781 --> 00:02:44,776
-I remember just reading that
thing over and over and over.
41
00:02:44,826 --> 00:02:48,237
-Even now, I reread them,
and I continue to reread them.
42
00:02:48,288 --> 00:02:54,035
I discover so many layers now,
and it's never boring or old.
43
00:02:54,085 --> 00:02:55,104
It's just like a living thing,
44
00:02:55,128 --> 00:02:56,930
and I just discover it
and appreciate it more.
45
00:02:56,963 --> 00:02:59,249
-Calvin is like the kid
you want to be, you know?
46
00:02:59,299 --> 00:03:01,627
Even if
you're a 300-pound black kid,
47
00:03:01,677 --> 00:03:05,180
I mean,
you still want to be Calvin.
48
00:03:06,598 --> 00:03:09,093
-Ididwant to be Calvin.
49
00:03:09,143 --> 00:03:11,512
I felt like iwascalvin.
50
00:03:11,562 --> 00:03:14,223
We were both six years old
in 1985.
51
00:03:14,273 --> 00:03:17,851
We liked tigers, space,
playing in the snow,
52
00:03:17,901 --> 00:03:20,854
had fathers
who loved building character,
53
00:03:20,904 --> 00:03:22,006
and I took pride in the fact
54
00:03:22,030 --> 00:03:25,025
that my first hairstyle
was quite Calvin-esque.
55
00:03:25,075 --> 00:03:27,986
But the truth is
that I don't really remember
56
00:03:28,036 --> 00:03:29,863
when I first met
Calvin and Hobbes.
57
00:03:29,913 --> 00:03:32,866
I'd like to think I was a reader
from day one,
58
00:03:32,916 --> 00:03:34,102
but I know that isn't possible.
59
00:03:34,126 --> 00:03:37,705
My hometown newspaper didn't
even start carrying the strip
60
00:03:37,755 --> 00:03:39,289
until spring of 1988.
61
00:03:39,340 --> 00:03:42,042
The earliest memory
that I can stamp with a date
62
00:03:42,092 --> 00:03:44,837
would be third grade
in Mrs. Smith's classroom,
63
00:03:44,887 --> 00:03:47,549
when I saw
a "Calvin and Hobbes" collection
64
00:03:47,599 --> 00:03:49,384
in the scholastic book catalog.
65
00:03:49,434 --> 00:03:50,718
But if I examine my books,
66
00:03:50,768 --> 00:03:53,638
I find that the only one
with a scholastic logo
67
00:03:53,688 --> 00:03:56,516
is "scientific progress
goes 'boink, '"
68
00:03:56,566 --> 00:03:59,018
with a copyright of 1991.
69
00:03:59,068 --> 00:04:01,521
If I didn't discover
"Calvin and Hobbes"
70
00:04:01,571 --> 00:04:04,899
until that late in life,
I'm secretly embarrassed.
71
00:04:04,949 --> 00:04:06,943
And I would also
blame my parents.
72
00:04:06,993 --> 00:04:11,072
-That little boy
seemed kind of naughty,
73
00:04:11,122 --> 00:04:11,781
and I didn't know
74
00:04:11,831 --> 00:04:17,412
if I wanted my son interested
in a naughty comic character.
75
00:04:17,462 --> 00:04:19,873
-Apparently,
no thanks to my mom,
76
00:04:19,923 --> 00:04:22,876
Calvin and Hobbes
were just always there,
77
00:04:22,926 --> 00:04:27,681
and I don't really remember life
without them.
78
00:04:29,558 --> 00:04:33,094
I may have fallen in love with
"Calvin and Hobbes" as a kid,
79
00:04:33,144 --> 00:04:34,430
but it's one of
those rare things
80
00:04:34,480 --> 00:04:37,308
that still holds great
significance to me as an adult.
81
00:04:37,358 --> 00:04:41,060
I really can't think of
anything else from my childhood
82
00:04:41,111 --> 00:04:42,812
that has retained so much value.
83
00:04:42,862 --> 00:04:46,525
I don't claim to be an expert
on comics --
84
00:04:46,575 --> 00:04:47,735
I'm not even close.
85
00:04:47,785 --> 00:04:48,637
I never read comic books,
86
00:04:48,661 --> 00:04:51,906
I haven't read the newspaper
comics regularly for years,
87
00:04:51,956 --> 00:04:54,950
and I'Ve only recently started
to reacquaint myself
88
00:04:55,000 --> 00:04:57,286
with what the comics
have to offer now.
89
00:04:57,336 --> 00:05:01,499
But for years, I read and reread
my "Calvin and Hobbes" books,
90
00:05:01,549 --> 00:05:04,585
which always
put a smile on my face.
91
00:05:04,635 --> 00:05:06,378
And the strip
still holds meaning
92
00:05:06,428 --> 00:05:08,673
for so many other readers
around the world.
93
00:05:08,723 --> 00:05:10,966
I know
because I'Ve heard from them,
94
00:05:11,016 --> 00:05:12,761
and they'Ve sent me
their stories.
95
00:05:12,811 --> 00:05:16,806
Many people have tried
to track down bill watterson
96
00:05:16,856 --> 00:05:17,599
over the years.
97
00:05:17,649 --> 00:05:20,059
But I'm not so interested
in the man himself
98
00:05:20,109 --> 00:05:23,896
but why his simple comic strip
about a boy and his tiger
99
00:05:23,946 --> 00:05:25,565
could somehow have such meaning
100
00:05:25,615 --> 00:05:29,528
and have had such a personal
impact on so many people.
101
00:05:29,578 --> 00:05:32,322
Just as people
often find it a challenge
102
00:05:32,372 --> 00:05:34,282
to describe the strip itself,
103
00:05:34,332 --> 00:05:36,117
I think
anybody would have a hard time
104
00:05:36,167 --> 00:05:38,911
distilling the ingredients
that made it what it is.
105
00:05:38,961 --> 00:05:41,831
But we can be sure
of one thing --
106
00:05:41,881 --> 00:05:44,084
on November 18, 1985,
107
00:05:44,134 --> 00:05:46,503
bill watterson's creation
debuted
108
00:05:46,553 --> 00:05:47,921
in just a few dozen newspapers,
109
00:05:47,971 --> 00:05:51,633
and it left an enormous imprint
on countless readers
110
00:05:51,683 --> 00:05:54,770
from across the globe.
111
00:05:56,229 --> 00:05:59,558
-Well, the very first
"Calvin and Hobbes" strip --
112
00:05:59,609 --> 00:06:02,310
Calvin off
to check his tiger trap
113
00:06:02,360 --> 00:06:05,272
that he rigged up
with a tuna fish sandwich,
114
00:06:05,322 --> 00:06:07,858
and sure enough,
in the last frame,
115
00:06:07,908 --> 00:06:10,902
we see that Hobbes
has fallen for the bait,
116
00:06:10,952 --> 00:06:15,115
and he has his very own
tiger friend for life.
117
00:06:15,165 --> 00:06:19,911
And that is our intro
to "Calvin and Hobbes."
118
00:06:19,961 --> 00:06:20,814
-I'Ve never met anyone
119
00:06:20,838 --> 00:06:22,498
who doesn't like
"Calvin and Hobbes."
120
00:06:22,548 --> 00:06:24,500
So, I can't say that
about any other strip.
121
00:06:24,550 --> 00:06:27,670
And there are other strips
that are very, very popular,
122
00:06:27,720 --> 00:06:28,713
very successful.
123
00:06:28,763 --> 00:06:29,615
Most people love them,
124
00:06:29,639 --> 00:06:32,133
but, invariably,
I'll run into someone that says,
125
00:06:32,183 --> 00:06:33,384
"I just don't get that strip,"
126
00:06:33,434 --> 00:06:35,177
or, "I really don't like
that strip."
127
00:06:35,227 --> 00:06:37,179
With "Calvin and Hobbes,"
it's different.
128
00:06:37,229 --> 00:06:40,641
It just seems to appeal to
all different audiences --
129
00:06:40,691 --> 00:06:41,836
young and old and men and women
130
00:06:41,860 --> 00:06:44,604
and people in the country,
people in the city.
131
00:06:44,654 --> 00:06:47,148
I mean, really,
just all demographics.
132
00:06:47,198 --> 00:06:48,817
It seems to speak to people.
133
00:06:48,867 --> 00:06:51,737
-Everyone, you know, is united
by their love for this strip,
134
00:06:51,787 --> 00:06:54,906
but everyone has a specific
thing that they love about it
135
00:06:54,956 --> 00:06:57,158
or specific things
that they love about it.
136
00:06:57,208 --> 00:06:58,660
And it's not
always the same thing.
137
00:06:58,710 --> 00:07:00,704
-Well, I grew up
in a Mexican neighborhood.
138
00:07:00,754 --> 00:07:03,457
I went to a white school,
and I was like 300 pounds,
139
00:07:03,507 --> 00:07:06,125
so I didn't really fit in,
but neither did Calvin,
140
00:07:06,175 --> 00:07:08,378
and, like,
it wasn't really a problem.
141
00:07:08,428 --> 00:07:10,756
He was just, "I'm weird,
and that's the way I am,
142
00:07:10,806 --> 00:07:12,341
and that's the way
I'm gonna be."
143
00:07:12,391 --> 00:07:13,925
And I think
that's one of the things
144
00:07:13,975 --> 00:07:16,762
that really kind of attracted me
to the character.
145
00:07:16,812 --> 00:07:17,872
-What really resonated to me
146
00:07:17,896 --> 00:07:19,681
was the whole imagination aspect
of it
147
00:07:19,731 --> 00:07:21,600
and how he just created it
in his head,
148
00:07:21,650 --> 00:07:23,852
and he didn't even see
his teacher or his principal.
149
00:07:23,902 --> 00:07:26,898
He just saw saw aliens,
and he was spaceman spiff.
150
00:07:26,948 --> 00:07:29,942
-It's a very deep,
very philosophical experience
151
00:07:29,992 --> 00:07:31,777
reading
a "Calvin and Hobbes" book,
152
00:07:31,828 --> 00:07:34,154
even though, on the surface,
they're just cartoons.
153
00:07:34,204 --> 00:07:37,240
-He's really created characters
that, I think,
154
00:07:37,290 --> 00:07:41,119
have a lot of depth and
are interesting to read about.
155
00:07:41,169 --> 00:07:44,331
- "Calvin and Hobbes"
is such a subversive comic.
156
00:07:44,381 --> 00:07:48,460
But it has a purity to it
that most comics don't,
157
00:07:48,511 --> 00:07:49,404
because it is so joyful
158
00:07:49,428 --> 00:07:51,923
and very much in the imagination
of this kid,
159
00:07:51,973 --> 00:07:54,759
and yet he is hyperaware
of world events
160
00:07:54,809 --> 00:07:58,220
and pop culture and ironies
and social concepts,
161
00:07:58,270 --> 00:08:00,890
and I just found that
really, really exciting.
162
00:08:00,940 --> 00:08:04,268
-My mom died about 11 years ago
of a heart attack,
163
00:08:04,318 --> 00:08:07,939
and my husband is a huge fan
of "Calvin and Hobbes,"
164
00:08:07,989 --> 00:08:10,108
so he had a lot
of the paperback collections
165
00:08:10,158 --> 00:08:10,968
laying around the house,
166
00:08:10,992 --> 00:08:14,153
and I would just sit at night
and look through those.
167
00:08:14,203 --> 00:08:16,990
And that's how I came to know
"Calvin and Hobbes"
168
00:08:17,040 --> 00:08:20,118
is through those first three
or four months after she passed.
169
00:08:20,168 --> 00:08:23,204
It's just finding a place
to laugh again.
170
00:08:23,254 --> 00:08:24,690
-So I moved down here
in this brand-new state,
171
00:08:24,714 --> 00:08:27,835
this brand-new house,
brand-new neighborhood,
and I knew nobody.
172
00:08:27,885 --> 00:08:29,753
So I was looking for something
173
00:08:29,803 --> 00:08:32,422
to gravitate towards
or associate with,
174
00:08:32,472 --> 00:08:36,175
and "Calvin and Hobbes" became
something I could bond with
175
00:08:36,225 --> 00:08:39,513
on a daily basis
when the newspaper would come.
176
00:08:39,563 --> 00:08:41,807
-I didn't understand, sometimes,
177
00:08:41,857 --> 00:08:44,685
the significance
of his statements,
178
00:08:44,735 --> 00:08:48,229
but that really pushed me
into research
179
00:08:48,279 --> 00:08:52,651
and go to the dictionary
or really looking for meaning.
180
00:08:52,701 --> 00:08:54,319
-It's one of those things that,
181
00:08:54,369 --> 00:08:56,864
when you find it,
you want to share it.
182
00:08:56,914 --> 00:09:00,033
And as soon as
he could start reading,
183
00:09:00,083 --> 00:09:01,952
I wanted to give him the books.
184
00:09:02,002 --> 00:09:04,663
And just like I thought
it would --
185
00:09:04,713 --> 00:09:05,714
I mean, there's times now
186
00:09:05,756 --> 00:09:08,625
where he'll be reading it
in his bedroom,
187
00:09:08,675 --> 00:09:10,085
and I'll just hear him laughing.
188
00:09:10,135 --> 00:09:12,588
And just that simple act
of hearing him laugh
189
00:09:12,638 --> 00:09:16,425
as I know what he's reading,
it's like, "there you go.
190
00:09:16,475 --> 00:09:18,135
That's what I was hoping for."
191
00:09:18,185 --> 00:09:22,015
-I don't know if you know
how Israel was in 2002, 2001.
192
00:09:22,065 --> 00:09:23,223
It was pretty crazy.
193
00:09:23,273 --> 00:09:24,125
You opened the newspaper,
194
00:09:24,149 --> 00:09:26,728
and you saw another bombing
every day.
195
00:09:26,778 --> 00:09:27,630
It was really intense.
196
00:09:27,654 --> 00:09:30,397
So I looked forward
to the Sunday paper
197
00:09:30,447 --> 00:09:32,232
because
they would run the strip,
198
00:09:32,282 --> 00:09:35,194
and I'd cut them out and
would hang them up on my wall.
199
00:09:35,244 --> 00:09:37,947
Even if there was
something horrible in the paper,
200
00:09:37,997 --> 00:09:42,159
I would still get my smile
and, you know, that good feeling
201
00:09:42,209 --> 00:09:44,037
from just reading that.
202
00:09:44,087 --> 00:09:51,711
It just relieves the stress of
living in that kind of a world.
203
00:09:51,761 --> 00:09:54,589
When we need something
to smile about,
204
00:09:54,639 --> 00:09:57,342
you just pull out
one of the old comics,
205
00:09:57,392 --> 00:10:01,554
and you just read it,
and it brings you back.
206
00:10:01,604 --> 00:10:07,019
And that's the beauty of comics,
especially "Calvin."
207
00:10:07,069 --> 00:10:09,320
[ Chuckles ]
208
00:10:10,072 --> 00:10:13,399
-For those of you
who don't know him,
209
00:10:13,449 --> 00:10:14,609
Calvin is a 6-year-old
210
00:10:14,660 --> 00:10:18,030
who some might call
a bit of a troublemaker.
211
00:10:18,080 --> 00:10:20,448
But he's also
extremely intelligent,
212
00:10:20,498 --> 00:10:24,995
with an endless imagination
and an incredible lust for life.
213
00:10:25,045 --> 00:10:28,289
Hobbes is his ballast,
his voice of reason,
214
00:10:28,339 --> 00:10:31,377
his coconspirator,
and loyal companion.
215
00:10:31,427 --> 00:10:36,841
There's mom and dad, susie,
rosalyn, moe, Mrs. Wormwood,
216
00:10:36,891 --> 00:10:38,676
and a few other characters.
217
00:10:38,726 --> 00:10:41,720
But nobody else sees
and understand Hobbes
218
00:10:41,770 --> 00:10:42,571
the way Calvin does,
219
00:10:42,605 --> 00:10:47,810
and it seems the reverse
is probably true, as well.
220
00:10:47,860 --> 00:10:48,795
-If I actually met someone
221
00:10:48,819 --> 00:10:50,604
who had never read
"Calvin and Hobbes,"
222
00:10:50,654 --> 00:10:51,715
which does occasionally happen,
223
00:10:51,739 --> 00:10:54,608
I would probably immediately
just go to my desk,
224
00:10:54,658 --> 00:10:56,903
pull a book off, and say,
"here, take this.
225
00:10:56,953 --> 00:10:59,655
[ Chuckling ]
This will change your life."
226
00:10:59,705 --> 00:11:01,908
It's so hard to just sum it up,
227
00:11:01,958 --> 00:11:05,871
other than to say,
"this is every one of US."
228
00:11:05,921 --> 00:11:08,957
-Certainly, it's a family strip.
It's a kids' strip.
229
00:11:09,007 --> 00:11:12,043
In some senses,
it's a gag-a-day kind of strip.
230
00:11:12,093 --> 00:11:14,087
You know,
there's always a punch line,
231
00:11:14,137 --> 00:11:15,114
some kind of gag at the end.
232
00:11:15,138 --> 00:11:18,049
But in other ways, I think it
transcends all of those things,
233
00:11:18,099 --> 00:11:20,385
because there is a little bit
of philosophy in it.
234
00:11:20,435 --> 00:11:23,805
There's a little bit
of commentary about society.
235
00:11:23,855 --> 00:11:25,515
Certainly,
there is a lot of humor.
236
00:11:25,565 --> 00:11:26,751
You know,
it's a very funny strip.
237
00:11:26,775 --> 00:11:31,646
So it really, I think,
defies categorization.
238
00:11:31,696 --> 00:11:32,314
[ Chuckles ]
239
00:11:32,364 --> 00:11:35,317
-There have been a lot of strips
out there
240
00:11:35,367 --> 00:11:36,526
about younger people --
241
00:11:36,576 --> 00:11:38,653
you know,
"Dennis the menace" --
242
00:11:38,703 --> 00:11:41,698
a whole school of strips
that try to recall youth
243
00:11:41,748 --> 00:11:46,578
and make it relevant to readers
across different ages.
244
00:11:46,628 --> 00:11:50,958
But bill's take
was so fresh and so simple.
245
00:11:51,008 --> 00:11:52,793
Here he just took this idea
246
00:11:52,843 --> 00:11:56,546
and just blew it up into
this wonderful relationship.
247
00:11:56,596 --> 00:11:58,075
It's the only strip
we'Ve ever launched
248
00:11:58,099 --> 00:12:00,635
that we had editors who hadn't
seen it yet, calling US, saying,
249
00:12:00,685 --> 00:12:04,262
"hey, we'Ve heard about
this thing called
'Calvin and Hobbes.'
250
00:12:04,312 --> 00:12:06,098
we want to be sure
we get to see it."
251
00:12:06,148 --> 00:12:07,600
-I was just blown away
immediately.
252
00:12:07,650 --> 00:12:11,353
It was one of those things
that was so much fun to read.
253
00:12:11,404 --> 00:12:12,255
It drew me in right then.
254
00:12:12,279 --> 00:12:14,482
I remember
getting to the end of the set
255
00:12:14,532 --> 00:12:17,068
and thinking,
"where is the rest of it?
256
00:12:17,118 --> 00:12:18,945
I want more. I want more."
257
00:12:18,995 --> 00:12:19,654
-Here was a strip
258
00:12:19,704 --> 00:12:22,990
that was much better-drawn
than anything in the papers,
259
00:12:23,040 --> 00:12:25,618
that had
a really fresh perspective,
260
00:12:25,668 --> 00:12:27,245
and it just took off.
261
00:12:27,295 --> 00:12:30,414
Within less than a year,
Calvin was taunting susie.
262
00:12:30,464 --> 00:12:32,291
He was playing
at being spaceman spiff.
263
00:12:32,341 --> 00:12:34,861
I think it was within the first
year that he started g.R.O.S.S.,
264
00:12:34,885 --> 00:12:39,049
the get rid of slimy girls club
in his tree fort.
265
00:12:39,099 --> 00:12:41,300
And when you look at
other strips,
266
00:12:41,350 --> 00:12:43,636
it generally takes an artist
much longer
267
00:12:43,686 --> 00:12:48,141
to reach that kind of maturity
and that kind of understanding
268
00:12:48,191 --> 00:12:51,895
of who his characters are,
what their strengths are,
269
00:12:51,945 --> 00:12:55,107
what their potential is
for humor and for interaction.
270
00:12:55,157 --> 00:12:59,611
And watterson just, you know,
had the penning equivalent
271
00:12:59,661 --> 00:13:02,664
of hitting the ground running.
272
00:13:19,931 --> 00:13:23,552
-This was my bedroom
when I was a kid.
273
00:13:23,602 --> 00:13:25,595
When I was like 10 years old,
274
00:13:25,645 --> 00:13:29,017
my brother moved to another room
in the house,
275
00:13:29,067 --> 00:13:30,559
and this became my room,
276
00:13:30,609 --> 00:13:34,105
and my dad
put in this corkboard wall.
277
00:13:34,155 --> 00:13:37,357
And I had it plastered
with things
278
00:13:37,407 --> 00:13:40,987
that sort of represented
who I was.
279
00:13:41,037 --> 00:13:42,697
And the main thing
280
00:13:42,747 --> 00:13:45,950
was "Calvin and Hobbes"
Sunday strips.
281
00:13:46,000 --> 00:13:47,243
I would get the Sunday paper --
282
00:13:47,293 --> 00:13:49,245
dailies, too,
but mostly the Sunday --
283
00:13:49,295 --> 00:13:51,873
and I'd go,
and I'd get it right away
284
00:13:51,923 --> 00:13:53,458
and cut out "Calvin and Hobbes,"
285
00:13:53,508 --> 00:13:56,085
and it would go
right on the wall.
286
00:13:56,135 --> 00:13:58,004
And even at the end,
287
00:13:58,054 --> 00:14:01,300
like the ceiling,
like all along here,
288
00:14:01,350 --> 00:14:04,761
this was all comic strips
like the whole way
289
00:14:04,811 --> 00:14:07,764
and even on the other side.
290
00:14:07,814 --> 00:14:09,098
Oh, man.
291
00:14:09,149 --> 00:14:14,445
Just plastered, plastered
with "Calvin and Hobbes."
292
00:14:16,240 --> 00:14:19,400
-You know,
Calvin's world is just huge.
293
00:14:19,450 --> 00:14:20,610
It doesn't stop.
294
00:14:20,660 --> 00:14:21,595
There was spaceman spiff.
295
00:14:21,619 --> 00:14:24,364
There was susie.
There were the snowmen.
296
00:14:24,414 --> 00:14:25,391
-I loved the snowmen stuff.
297
00:14:25,415 --> 00:14:28,035
I loved the dinosaur stuff,
totally.
298
00:14:28,085 --> 00:14:31,579
-He turns into the t. Rex
at recess a lot.
299
00:14:31,629 --> 00:14:32,690
And then he's going...[ Roars ]
300
00:14:32,714 --> 00:14:36,001
-Well, there were the snowballs,
as well as the snowmen.
301
00:14:36,051 --> 00:14:36,861
-Oh, and then there were
302
00:14:36,885 --> 00:14:38,503
the mutant-killer-monster
snow dudes,
303
00:14:38,554 --> 00:14:39,531
and that just cracks me up.
304
00:14:39,555 --> 00:14:41,840
-Oh, and then they're in
the infamous red wagon.
305
00:14:41,890 --> 00:14:43,717
-There he was getting jumped
by Hobbes.
306
00:14:43,767 --> 00:14:45,928
- Monsters under the bed.
- Tracer bullet.
307
00:14:45,978 --> 00:14:48,430
-And you see him in
black-and-white with the hat on,
308
00:14:48,480 --> 00:14:51,058
and, "the dame walked in.
She was hysterical."
309
00:14:51,108 --> 00:14:52,935
-He'd go on a space adventure.
310
00:14:52,985 --> 00:14:54,978
-And the time-machine parts.
311
00:14:55,028 --> 00:14:56,231
-Stupendous man.
312
00:14:56,281 --> 00:14:58,148
- "Safari al." [ Chuckles ]
313
00:14:58,199 --> 00:15:00,651
-Then you have
the transmogrifier,
314
00:15:00,701 --> 00:15:01,944
when he duplicates himself.
315
00:15:01,994 --> 00:15:04,029
- There was g.R.O.S.S.
- Get rid of slimy girls.
316
00:15:04,080 --> 00:15:07,408
-Calvin going with his parents
on vacation and going camping.
317
00:15:07,458 --> 00:15:09,244
-Those soap-opera-esque ones.
318
00:15:09,294 --> 00:15:12,454
-He would draw like "Mary worth"
or "Rex Morgan, m.D."
319
00:15:12,504 --> 00:15:13,915
Or some ultrarealistic comic.
320
00:15:13,965 --> 00:15:16,625
-One of my favorites, actually,
with the teacher
321
00:15:16,675 --> 00:15:19,963
is, he's in the classroom,
he's doing whatever,
322
00:15:20,013 --> 00:15:21,256
the teacher calls on him,
323
00:15:21,306 --> 00:15:22,757
and he's imagining, you know,
324
00:15:22,807 --> 00:15:24,425
that he's being sentenced
to death,
325
00:15:24,475 --> 00:15:27,303
and he runs out of the classroom
and hides in a cave.
326
00:15:27,353 --> 00:15:30,223
And you see just his eyes
and, you know, a black screen,
327
00:15:30,273 --> 00:15:33,184
and he says, "what's the smell?"
Or "what's that noise?"
328
00:15:33,234 --> 00:15:36,104
And, all of a sudden,
you just see the lights go on,
329
00:15:36,154 --> 00:15:40,024
and there are like
10 hideous monsters behind him,
330
00:15:40,074 --> 00:15:40,942
and he runs out.
331
00:15:40,992 --> 00:15:42,052
Then it cuts back to reality,
332
00:15:42,076 --> 00:15:44,654
and he's snuck into
the teachers' lounge,
333
00:15:44,704 --> 00:15:45,681
which he thought was a cave.
334
00:15:45,705 --> 00:15:49,075
And there's just a little quote,
you know, a little bubble
335
00:15:49,125 --> 00:15:50,785
that says, "who was that?"
336
00:15:50,835 --> 00:15:55,332
That stuff cracks me up
because it's so dramatic.
337
00:15:55,382 --> 00:16:00,004
Everything is so dramatic
in Calvin's mind.
338
00:16:00,054 --> 00:16:01,629
And to everyone outside,
339
00:16:01,679 --> 00:16:06,385
it's just like,
"what's that little kid doing?
340
00:16:06,435 --> 00:16:09,355
That little kid's
kind of weird."
341
00:16:11,648 --> 00:16:15,853
-So many of Calvin's adventures
take place in faraway worlds,
342
00:16:15,903 --> 00:16:20,816
but his everyday reality
looked so familiar to me.
343
00:16:20,866 --> 00:16:22,359
His backyard and the woods
he explored
344
00:16:22,409 --> 00:16:24,904
probably looked just like home
to a lot of readers,
345
00:16:24,954 --> 00:16:27,156
and they looked a lot like
the small town
346
00:16:27,206 --> 00:16:31,577
that bill watterson grew up in,
near Cleveland, Ohio.
347
00:16:31,627 --> 00:16:33,245
We're just outside
of chagrin falls,
348
00:16:33,295 --> 00:16:37,250
and we're about to head to
the fireside book shop,
349
00:16:37,300 --> 00:16:40,961
where we are going to
meet up with nevin martell,
350
00:16:41,011 --> 00:16:44,590
who recently wrote a book
about bill watterson.
351
00:16:44,640 --> 00:16:48,345
And if you look around,
this is the type of scenery
352
00:16:48,395 --> 00:16:51,348
that you see
in "Calvin and Hobbes" --
353
00:16:51,398 --> 00:16:55,809
the landscapes, the trees,
the colors, the hills.
354
00:16:55,859 --> 00:16:58,271
I mean,
these are the landscapes
355
00:16:58,321 --> 00:17:01,942
as you see Calvin and Hobbes
sledding
356
00:17:01,992 --> 00:17:08,531
or, you know, wagoneering
in their backyard.
357
00:17:08,581 --> 00:17:09,824
It's just, you look around,
358
00:17:09,874 --> 00:17:13,954
and it's like this is the strip
in real life.
359
00:17:14,004 --> 00:17:14,996
It's great.
360
00:17:15,046 --> 00:17:17,332
-When I first drove
into chagrin falls,
361
00:17:17,382 --> 00:17:20,710
it was like walking into
a "Calvin and Hobbes" strip,
362
00:17:20,760 --> 00:17:23,755
because the road in which
I happened to come in on
363
00:17:23,805 --> 00:17:26,550
happened to be
from the same perspective
364
00:17:26,600 --> 00:17:27,926
of the image of Calvin rampaging
365
00:17:27,976 --> 00:17:30,637
through the triangle
at the center of town
366
00:17:30,687 --> 00:17:33,139
while holding the popcorn shop
above him
367
00:17:33,190 --> 00:17:34,167
like he's a giant Godzilla.
368
00:17:34,191 --> 00:17:37,561
So when I drove into town,
I knew exactly where I was,
369
00:17:37,611 --> 00:17:38,671
because I had seen that before,
370
00:17:38,695 --> 00:17:42,066
except I had seen it as one of
watterson's watercolors.
371
00:17:42,116 --> 00:17:44,901
-The view is from
above the clock tower here
372
00:17:44,952 --> 00:17:48,990
at the south end of town,
looking north.
373
00:17:49,040 --> 00:17:50,157
Bandstand.
374
00:17:50,207 --> 00:17:52,285
Fireside is roughly right here.
375
00:17:52,335 --> 00:17:56,956
And popcorn shop,
which is just around the corner,
376
00:17:57,006 --> 00:17:59,083
on the same side as fireside.
377
00:17:59,133 --> 00:18:02,211
And, you know,
as is usual for bill,
378
00:18:02,261 --> 00:18:08,092
he has almost completely done
the architectural details
379
00:18:08,142 --> 00:18:12,054
exactly as they are.
380
00:18:12,104 --> 00:18:14,015
I'm not sure
what's on fire back here.
381
00:18:14,065 --> 00:18:17,101
But this is probably
the most popular book we sell,
382
00:18:17,151 --> 00:18:19,563
simply because of
the local drawing on the back.
383
00:18:19,613 --> 00:18:26,611
-You came to chagrin falls,
the hometown of bill watterson,
384
00:18:26,661 --> 00:18:29,114
as a part of your journey.
385
00:18:29,164 --> 00:18:30,823
What was that like?
386
00:18:30,873 --> 00:18:31,892
-When I had pitched the book,
387
00:18:31,916 --> 00:18:34,785
I had always pitched it
with the trip to chagrin falls.
388
00:18:34,835 --> 00:18:37,331
And I always knew
that I wanted to come.
389
00:18:37,381 --> 00:18:39,749
When I had pitched it,
it was just kind of like,
390
00:18:39,799 --> 00:18:42,127
"and in a dream world,
we'll go to chagrin falls,
391
00:18:42,177 --> 00:18:44,379
and we'll knock on doors,
and we'll talk to people,
392
00:18:44,429 --> 00:18:46,757
and we'll see things
that have never been seen."
393
00:18:46,807 --> 00:18:49,634
And so I didn't really know
what I was gonna get.
394
00:18:49,685 --> 00:18:52,137
And it turned into
a minor bonanza.
395
00:18:52,187 --> 00:18:53,722
I mean, it was a major bonanza,
396
00:18:53,772 --> 00:18:56,224
in terms of, like, insight
and material.
397
00:18:56,274 --> 00:19:01,772
Like, the book would have
been thinner without it.
398
00:19:01,822 --> 00:19:03,065
[ Chuckles ]
399
00:19:03,115 --> 00:19:06,193
-We started the library here
about three years ago.
400
00:19:06,243 --> 00:19:07,903
And I walked into my office,
401
00:19:07,953 --> 00:19:11,407
and turns out I'Ve got
an original "Calvin and Hobbes"
402
00:19:11,457 --> 00:19:13,659
about Calvin
going to the library
403
00:19:13,709 --> 00:19:15,160
and having an overdue book.
404
00:19:15,211 --> 00:19:16,787
I was very excited to buy it.
405
00:19:16,837 --> 00:19:20,082
And as you can tell,
by looking at it really close,
406
00:19:20,133 --> 00:19:22,168
you can actually even see
wite-out on it.
407
00:19:22,218 --> 00:19:28,341
-And this is the first original
I'Ve ever seen.
408
00:19:28,391 --> 00:19:30,468
- It's like the movement.
- Mm-hmm.
409
00:19:30,518 --> 00:19:33,346
-He decided that he didn't
want you to see that.
410
00:19:33,396 --> 00:19:34,514
-Mm-hmm.
411
00:19:34,564 --> 00:19:36,974
-The size is so much bigger
412
00:19:37,024 --> 00:19:38,768
than how they're printed
in the newspapers.
413
00:19:38,818 --> 00:19:42,271
You have no idea when you're
reading them in the paper.
414
00:19:42,321 --> 00:19:43,122
And there are papers
415
00:19:43,156 --> 00:19:45,651
that would have printed them
smaller than this.
416
00:19:45,701 --> 00:19:46,359
-Than that. Yeah.
417
00:19:46,409 --> 00:19:50,196
And there's some pretty cool
stuff on the back, too.
418
00:19:50,246 --> 00:19:52,699
-"Bill watterson
grew up in chagrin falls.
419
00:19:52,749 --> 00:19:54,867
"His otherwise
civic-minded parents
420
00:19:54,917 --> 00:19:56,869
"encouraged
bill's slothful habits
421
00:19:56,919 --> 00:19:59,997
"until the youth was fit
for no respectable work
422
00:20:00,047 --> 00:20:01,233
"and had to go into cartooning.
423
00:20:01,257 --> 00:20:04,545
"'Calvin and Hobbes' was
syndicated a year ago this month
424
00:20:04,595 --> 00:20:07,506
"and now appears in newspapers
across the world,
425
00:20:07,556 --> 00:20:10,426
"wherever better comic strips
are read.
426
00:20:10,476 --> 00:20:12,594
Value -- $200."
427
00:20:12,644 --> 00:20:15,389
And now it says $500.
428
00:20:15,439 --> 00:20:17,765
-We have thechagrin herald.
429
00:20:17,815 --> 00:20:22,729
They're bound newspapers
from the '70s and earlier.
430
00:20:22,779 --> 00:20:27,775
In the '70s, you'll find some of
bill watterson's earlier work.
431
00:20:27,826 --> 00:20:28,861
We'll go back here
432
00:20:28,911 --> 00:20:34,917
and see what we can
pull off the shelf for you.
433
00:20:37,211 --> 00:20:43,133
So down here
in the catacombs of the library.
434
00:20:45,093 --> 00:20:46,504
-1976.
435
00:20:46,554 --> 00:20:48,263
-Yes.
436
00:20:58,608 --> 00:20:59,933
-Oh.
437
00:20:59,983 --> 00:21:00,560
-Oh.
438
00:21:00,610 --> 00:21:02,520
- It's a very early one.
- Yeah.
439
00:21:02,570 --> 00:21:04,062
-Well, "Thursday, August 26th."
440
00:21:04,113 --> 00:21:06,232
-The kids
were going back to school.
441
00:21:06,282 --> 00:21:07,692
-So going back to school. Yep.
442
00:21:07,742 --> 00:21:11,571
Coming straight from vacation,
squealing into school.
443
00:21:11,621 --> 00:21:12,197
I got you.
444
00:21:12,247 --> 00:21:15,116
Calvin would be headed
the other direction.
445
00:21:15,166 --> 00:21:16,201
-[ Chuckles ]
446
00:21:16,251 --> 00:21:18,828
-So this is January...
447
00:21:18,878 --> 00:21:19,871
-'78.
448
00:21:19,921 --> 00:21:23,341
- To December of '78.
449
00:21:27,929 --> 00:21:29,632
- Oh.
- There we go.
450
00:21:29,682 --> 00:21:30,758
-Oh, look at that.
451
00:21:30,808 --> 00:21:31,785
-"Watterson on watterson --
452
00:21:31,809 --> 00:21:35,596
theherald sun'saward-winning
cartoonist, bill watterson,
453
00:21:35,646 --> 00:21:38,264
turns his satiric pen
on himself."
454
00:21:38,314 --> 00:21:39,933
Much longer hair then.
455
00:21:39,983 --> 00:21:40,975
-Mm-hmm.
456
00:21:41,025 --> 00:21:43,395
-Ink all over.
457
00:21:43,445 --> 00:21:45,606
And "peanuts."
458
00:21:45,656 --> 00:21:48,024
And then his signature.
459
00:21:48,074 --> 00:21:52,530
That almost looks gothic
in a way or something.
460
00:21:52,580 --> 00:21:55,865
Do you have any 1982?
461
00:21:55,915 --> 00:21:57,626
-Yeah.
462
00:22:10,807 --> 00:22:12,550
-Oh. There we go.
463
00:22:12,600 --> 00:22:13,802
-There you go.
464
00:22:13,852 --> 00:22:14,803
-They pop out to you.
465
00:22:14,853 --> 00:22:18,514
"He knew the risks when he put
the garbage out early, ma'am."
466
00:22:18,564 --> 00:22:21,392
This actually reminds me
of the Sunday strip
467
00:22:21,442 --> 00:22:25,479
when the deer pop in with rifles
468
00:22:25,530 --> 00:22:32,495
and shoot bill or Phil
or some guy.
469
00:22:33,120 --> 00:22:35,490
His signature here
470
00:22:35,540 --> 00:22:39,536
is a lot more like his signature
with "Calvin and Hobbes."
471
00:22:39,586 --> 00:22:41,338
-Mm-hmm.
472
00:22:43,005 --> 00:22:46,668
-In the early '80s, watterson
did have a few opportunities.
473
00:22:46,718 --> 00:22:50,004
To showcase his drawing skills
for various publications
474
00:22:50,055 --> 00:22:53,466
while he endured repeated
rejection from the syndicates.
475
00:22:53,516 --> 00:22:56,928
But while he worked hard to make
a living as a cartoonist,
476
00:22:56,978 --> 00:23:00,932
his talents were often wasted
on laying out advertising
477
00:23:00,982 --> 00:23:02,642
in order to pay the bills.
478
00:23:02,692 --> 00:23:05,729
Within months, however,
of quitting that job,
479
00:23:05,780 --> 00:23:08,816
watterson was becoming
one of the cartoonists
480
00:23:08,866 --> 00:23:11,943
who other professional
and aspiring cartoonists
481
00:23:11,993 --> 00:23:14,321
were looking up to.
482
00:23:14,371 --> 00:23:17,032
-It's probably hard
to name an artist
483
00:23:17,082 --> 00:23:20,160
who came along in the 1990s,
onward --
484
00:23:20,210 --> 00:23:22,245
a comic-strip artist --
485
00:23:22,295 --> 00:23:25,625
who wasn't influenced
in some way
486
00:23:25,675 --> 00:23:27,710
by "Calvin and Hobbes."
487
00:23:27,760 --> 00:23:30,421
-You can definitely see
his impact in comics today,
488
00:23:30,471 --> 00:23:34,090
and it's not that anyone is
copying his comic specifically
489
00:23:34,140 --> 00:23:35,801
or trying to do
exactly what he did.
490
00:23:35,851 --> 00:23:40,306
But you can clearly see that
the creators who are younger
491
00:23:40,356 --> 00:23:43,392
and who are
introducing new comic strips,
492
00:23:43,442 --> 00:23:46,771
you can clearly see that
they'Ve read "Calvin and Hobbes"
493
00:23:46,821 --> 00:23:48,814
and are influenced by that.
494
00:23:48,864 --> 00:23:51,067
-I can tell you
when I saw Calvin --
495
00:23:51,117 --> 00:23:53,945
I saw the very first day
in thel.A. Times.
496
00:23:53,995 --> 00:23:57,156
I liked it, and you don't like
strips very often
497
00:23:57,206 --> 00:23:58,449
from the, you know, first day.
498
00:23:58,499 --> 00:24:01,787
-I remember looking at comics
in the newspaper
499
00:24:01,837 --> 00:24:02,647
and thinking, "you know,
500
00:24:02,671 --> 00:24:05,749
I could probably write and draw
as well as these guys.
501
00:24:05,799 --> 00:24:08,543
I should give a comic strip
a shot."
502
00:24:08,593 --> 00:24:11,087
After "Calvin and Hobbes"
came out,
503
00:24:11,137 --> 00:24:12,138
I sort of modified it to,
504
00:24:12,179 --> 00:24:14,048
"well, I could probably
write and draw
505
00:24:14,098 --> 00:24:15,158
as well as most of these guys."
506
00:24:15,182 --> 00:24:17,928
-I had sort of written off
the comic strips at that point.
507
00:24:17,978 --> 00:24:20,764
And when "Calvin and Hobbes"
came fresh on the scene,
508
00:24:20,814 --> 00:24:24,226
it was brand-new,
and it was funny.
509
00:24:24,276 --> 00:24:25,852
It captivated me
right off the bat.
510
00:24:25,902 --> 00:24:26,921
I knew that was a good strip.
511
00:24:26,945 --> 00:24:28,214
I said
I knew it was a funny strip.
512
00:24:28,238 --> 00:24:30,899
I couldn't wait to read
that strip every single day.
513
00:24:30,949 --> 00:24:36,029
-There was a unique perspective,
a unique voice to it,
514
00:24:36,079 --> 00:24:40,952
that it wasn't
generic formula-gag stuff,
515
00:24:41,002 --> 00:24:44,037
which permeates
most of the comic page.
516
00:24:44,087 --> 00:24:46,791
-And in every way, shape,
and form, on every level,
517
00:24:46,841 --> 00:24:49,710
it was like
comic-strip perfection.
518
00:24:49,761 --> 00:24:50,377
And it still is.
519
00:24:50,427 --> 00:24:52,922
-One of my favorite lines
came from Lynn johnston,
520
00:24:52,972 --> 00:24:55,675
who was doing
"for better or for worse."
521
00:24:55,725 --> 00:24:56,383
And she said,
522
00:24:56,433 --> 00:24:59,219
"you know, he inspires all of US
to do a little bit better."
523
00:24:59,269 --> 00:25:02,765
And I think that,
on the one side,
524
00:25:02,815 --> 00:25:04,892
was a beneficial impact
that he had,
525
00:25:04,942 --> 00:25:08,396
not only among the artists
who were working at the time,
526
00:25:08,446 --> 00:25:11,482
but on younger people
who were reading comics,
527
00:25:11,532 --> 00:25:13,860
that there was this opportunity
528
00:25:13,910 --> 00:25:15,862
to do different things
with the art
529
00:25:15,912 --> 00:25:18,531
and try to push the boundaries
a little bit.
530
00:25:18,581 --> 00:25:20,825
-My initial impression
when I saw him was,
531
00:25:20,875 --> 00:25:24,328
"the guy is making it harder
for the rest of US,"
532
00:25:24,378 --> 00:25:25,179
'cause he is setting
533
00:25:25,213 --> 00:25:27,123
this ridiculous standard
of excellence
534
00:25:27,173 --> 00:25:29,584
that hadn't been seen
since the "pogo" years,
535
00:25:29,634 --> 00:25:30,251
in drawing.
536
00:25:30,301 --> 00:25:33,087
-Most of the time, I was just
trying to meet my deadline.
537
00:25:33,137 --> 00:25:35,631
For bill, it wasn't enough
to just meet the deadline.
538
00:25:35,681 --> 00:25:39,677
You had to sort of, you know,
move the bar a little bit
539
00:25:39,727 --> 00:25:41,220
over what you'd done previously.
540
00:25:41,270 --> 00:25:43,724
-It was
a completely different approach
541
00:25:43,774 --> 00:25:46,100
to the traditional
four-panel strip.
542
00:25:46,150 --> 00:25:47,811
There was
just something about it
543
00:25:47,861 --> 00:25:49,605
that was just
very, very magical --
544
00:25:49,655 --> 00:25:52,315
the way he drew trees,
the way he drew water,
545
00:25:52,365 --> 00:25:53,366
the way he drew movement.
546
00:25:53,407 --> 00:25:56,235
-The brushwork
just continues to amaze me,
547
00:25:56,285 --> 00:25:58,572
and his writing,
which is so concise
548
00:25:58,622 --> 00:26:00,783
and yet so deep
and philosophical.
549
00:26:00,833 --> 00:26:03,201
-You know,
his approach at philosophy
550
00:26:03,251 --> 00:26:06,204
and sort of representing
the human condition
551
00:26:06,255 --> 00:26:08,665
was something
that was always bigger
552
00:26:08,715 --> 00:26:10,000
than just a little comic strip.
553
00:26:10,050 --> 00:26:14,379
The conversations
had so many layers of meaning.
554
00:26:14,429 --> 00:26:16,924
And if I could even come close
to that,
555
00:26:16,974 --> 00:26:18,884
I would be absolutely thrilled.
556
00:26:18,934 --> 00:26:22,304
-Bill watterson showed me
557
00:26:22,354 --> 00:26:24,681
that a great, amazing comic
558
00:26:24,731 --> 00:26:27,768
is great writing
that can stand on its own
559
00:26:27,818 --> 00:26:30,437
and great drawing
that can stand on its own.
560
00:26:30,487 --> 00:26:33,273
You know, you take out
either one of those
561
00:26:33,323 --> 00:26:35,400
from
a "Calvin and Hobbes" strip,
562
00:26:35,450 --> 00:26:38,153
and it's still great
to look at.
563
00:26:38,203 --> 00:26:39,989
It's still funny to read.
564
00:26:40,039 --> 00:26:40,782
Put them together,
565
00:26:40,832 --> 00:26:44,077
and you have one of the greatest
comic strips of all time.
566
00:26:44,127 --> 00:26:46,579
- "Calvin and Hobbes,"
as far as a comic strip goes,
567
00:26:46,629 --> 00:26:50,500
was such a huge influence on me
wanting to become a cartoonist.
568
00:26:50,550 --> 00:26:52,544
It was everything
a comic strip should be.
569
00:26:52,594 --> 00:26:55,755
It's very dynamic. It's funny.
It's got a strong voice.
570
00:26:55,805 --> 00:26:57,172
You know,
the artwork is fabulous.
571
00:26:57,222 --> 00:26:59,717
There wasn't anything
not to like about it.
572
00:26:59,767 --> 00:27:02,178
-If he's not
the most cited influence,
573
00:27:02,228 --> 00:27:06,100
he's certainly second,
behind schulz and "peanuts."
574
00:27:06,150 --> 00:27:06,891
But he's up there.
575
00:27:06,941 --> 00:27:09,519
And I think we get so many
submissions that say, you know,
576
00:27:09,569 --> 00:27:12,106
"I'Ve always been a big fan
of 'Calvin and Hobbes, '
577
00:27:12,156 --> 00:27:13,983
so I wanted to try and do this."
578
00:27:14,033 --> 00:27:14,942
-I think you can see
579
00:27:14,992 --> 00:27:17,318
an influence
of "Calvin and Hobbes,"
580
00:27:17,368 --> 00:27:21,531
to a degree, in "zits,"
a strip I like very much.
581
00:27:21,581 --> 00:27:24,284
There is a kind of
Calvin-esque feel
582
00:27:24,334 --> 00:27:27,495
to the way that Jim borgman
and Jerry Scott
583
00:27:27,545 --> 00:27:33,043
will play Jeremy Duncan's
fantasies against the reality.
584
00:27:33,093 --> 00:27:35,671
-As a professional cartoonist,
I read it now,
585
00:27:35,721 --> 00:27:37,590
and you just see
a master at his craft,
586
00:27:37,640 --> 00:27:40,885
you know, someone that
[Chuckles] puts you to shame
587
00:27:40,935 --> 00:27:43,512
as far as what you're able to do
in comparison.
588
00:27:43,562 --> 00:27:48,100
-I actually have a comic that I
had to do for a class in college
589
00:27:48,150 --> 00:27:49,294
at the school of visual arts.
590
00:27:49,318 --> 00:27:52,479
So we had to do a comic
about our biggest influence.
591
00:27:52,529 --> 00:27:55,274
Of course, what else would I
pick but "Calvin and Hobbes"?
592
00:27:55,324 --> 00:27:58,527
One of the things that I feel
that I gained the most,
593
00:27:58,577 --> 00:28:00,404
as a cartoonist,
from reading this strip,
594
00:28:00,454 --> 00:28:04,491
is learning how to do
such wild and crazy expressions.
595
00:28:04,541 --> 00:28:07,037
And sometimes
it's not just the writing.
596
00:28:07,087 --> 00:28:08,746
It's just
the simplest, crazy drawing
597
00:28:08,796 --> 00:28:12,499
that will make you laugh or
smile and really influence you.
598
00:28:12,549 --> 00:28:15,921
So I was very happy
to get my inner Calvin on
599
00:28:15,971 --> 00:28:20,183
[chuckles]
While working on the strip.
600
00:28:21,810 --> 00:28:23,344
-I got a lot of attention
601
00:28:23,394 --> 00:28:26,806
for a resemblance
to "Calvin and Hobbes."
602
00:28:26,856 --> 00:28:29,643
And some of it
was very, very flattering,
603
00:28:29,693 --> 00:28:32,269
and some of it
was less flattering,
604
00:28:32,319 --> 00:28:34,439
and some it was flat-out mean.
605
00:28:34,489 --> 00:28:36,691
I tried
not to take it personally.
606
00:28:36,741 --> 00:28:38,902
I mean,
the people who were outraged
607
00:28:38,952 --> 00:28:41,529
that my strip might bear
any resemblance
608
00:28:41,579 --> 00:28:42,473
to "Calvin and Hobbes,"
609
00:28:42,497 --> 00:28:45,659
I think that was done mostly
out of a passionate love
610
00:28:45,709 --> 00:28:46,519
for "Calvin and Hobbes."
611
00:28:46,543 --> 00:28:50,038
And anything that you write
is gonna be autobiographical
612
00:28:50,089 --> 00:28:50,889
at its heart.
613
00:28:50,922 --> 00:28:52,316
Same with "frazz."
You know, frazz is me.
614
00:28:52,340 --> 00:28:56,212
He's cooler than I am,
because I can make him that way,
615
00:28:56,262 --> 00:28:56,878
but he's me.
616
00:28:56,928 --> 00:28:59,839
And, likewise,
if I learned a whole bunch
617
00:28:59,890 --> 00:29:03,593
from "Calvin and Hobbes,"
from bill watterson,
618
00:29:03,643 --> 00:29:04,971
I'm not gonna cover that up.
619
00:29:05,021 --> 00:29:07,181
Honestly,
I think it would be rude
620
00:29:07,231 --> 00:29:09,599
to try and say, "oh, no,
I did this all on my own.
621
00:29:09,649 --> 00:29:12,310
This is all me. I didn't
learn this from anybody."
622
00:29:12,360 --> 00:29:16,481
No. We're all standing on
the shoulders of giants.
623
00:29:16,531 --> 00:29:22,279
-Watterson certainly left US
a legacy of great ideas,
624
00:29:22,329 --> 00:29:26,409
great drawing,
great, great comics,
625
00:29:26,459 --> 00:29:27,868
but he was last in a long line
626
00:29:27,918 --> 00:29:31,455
of really amazing cartoonists
from the 20th century,
627
00:29:31,505 --> 00:29:36,253
since the real blooming
of the comic-strip art form.
628
00:29:36,303 --> 00:29:39,422
And he very much valued the work
of Walt Kelly,
629
00:29:39,472 --> 00:29:44,885
one of the cartoonists that I
loved to read when I was a kid.
630
00:29:44,935 --> 00:29:45,787
If you look at "pogo,"
631
00:29:45,811 --> 00:29:48,556
you can see that
he very strongly influenced
632
00:29:48,606 --> 00:29:49,557
not only bill watterson
633
00:29:49,607 --> 00:29:51,184
but also Jeff Smith,
who does "bone."
634
00:29:51,234 --> 00:29:55,188
"Pogo" was this world similar
to what watterson created,
635
00:29:55,238 --> 00:29:59,567
where there were these animals
and these characters,
636
00:29:59,617 --> 00:30:00,594
and they spoke about things
637
00:30:00,618 --> 00:30:02,263
much bigger than the swamp
that they lived in.
638
00:30:02,287 --> 00:30:07,993
They were possums and alligators
and chicks and all these things,
639
00:30:08,043 --> 00:30:10,996
but they were politicians
and philosophers,
640
00:30:11,046 --> 00:30:14,833
and they commented heavily
on society.
641
00:30:14,883 --> 00:30:15,500
So I can imagine
642
00:30:15,550 --> 00:30:18,336
why watterson found "pogo"
fascinating to look at,
643
00:30:18,387 --> 00:30:20,589
and it's beautifully drawn,
and Walt Kelly --
644
00:30:20,639 --> 00:30:25,719
you know, just no end of genius
in how he created "pogo."
645
00:30:25,769 --> 00:30:26,621
-Schulz is, of course,
646
00:30:26,645 --> 00:30:29,931
such an important cartoonist
and such a great one
647
00:30:29,981 --> 00:30:32,185
that, I think,
pretty much any comic strip
648
00:30:32,235 --> 00:30:36,688
that began after the early '50s
was influenced by it.
649
00:30:36,738 --> 00:30:39,816
The scale of the stories
he would tell,
650
00:30:39,866 --> 00:30:43,779
the intimacy of the strip
and of the settings,
651
00:30:43,829 --> 00:30:47,574
the observations
of children's lives,
652
00:30:47,624 --> 00:30:48,617
all I think, again,
653
00:30:48,667 --> 00:30:52,371
can be seen as influences
on "Calvin and Hobbes."
654
00:30:52,421 --> 00:30:57,877
Just the notion of the world
from a child's point of view
655
00:30:57,927 --> 00:30:59,837
was something that schulz took,
656
00:30:59,887 --> 00:31:03,591
and while other artists
had done things with it before,
657
00:31:03,641 --> 00:31:08,429
schulz did it so much better
and had so much influence
658
00:31:08,479 --> 00:31:10,681
that, once again, you can see it
659
00:31:10,731 --> 00:31:13,434
flowing into
"Calvin and Hobbes."
660
00:31:13,484 --> 00:31:15,312
-Well,
I don't know bill watterson,
661
00:31:15,362 --> 00:31:17,480
so I don't want to
speak to his motives,
662
00:31:17,530 --> 00:31:19,690
but it appears to me,
in reading his essays
663
00:31:19,740 --> 00:31:22,068
and seeing some of his
interviews about "krazy Kat,"
664
00:31:22,118 --> 00:31:26,156
that "krazy Kat" set a bar
that he judged his own work by
665
00:31:26,206 --> 00:31:29,118
and would not be satisfied
with his own work
666
00:31:29,168 --> 00:31:33,330
if it wasn't as idiosyncratic,
as imaginative,
667
00:31:33,380 --> 00:31:36,666
as personal as "krazy Kat" was.
668
00:31:36,716 --> 00:31:39,128
Watterson said,
in his first hiatus,
669
00:31:39,178 --> 00:31:40,363
he started paying more attention
670
00:31:40,387 --> 00:31:43,048
to what herriman was doing
on those full pages,
671
00:31:43,098 --> 00:31:45,466
when the newspaper page
was a blank canvas
672
00:31:45,516 --> 00:31:48,804
and he could have form
be dictated by content
673
00:31:48,854 --> 00:31:49,956
instead of the other way around,
674
00:31:49,980 --> 00:31:52,515
instead of saying,
"you'Ve got eight panels here.
675
00:31:52,566 --> 00:31:54,852
You know,
that's gonna be your narrative."
676
00:31:54,902 --> 00:31:57,980
Instead,
he could blow it wide-open,
677
00:31:58,030 --> 00:31:59,356
have the panels not be panels,
678
00:31:59,406 --> 00:32:02,609
you know, have the adventure,
the narrative flow
679
00:32:02,659 --> 00:32:05,279
follow whatever course,
artistically,
680
00:32:05,330 --> 00:32:06,572
that he wanted to take.
681
00:32:06,622 --> 00:32:10,617
All that stuff that herriman
gave himself license to do
682
00:32:10,667 --> 00:32:11,644
is right there on the page.
683
00:32:11,668 --> 00:32:14,955
So I think, for a cartoonist,
it represented freedom.
684
00:32:15,005 --> 00:32:17,916
It represented personal,
artistic, visionary freedom.
685
00:32:17,966 --> 00:32:24,640
I think he saw that and saw
this was what he could do, too.
686
00:32:36,610 --> 00:32:41,191
-There is something else deep
in the basement of the library
687
00:32:41,241 --> 00:32:42,650
in chagrin falls.
688
00:32:42,700 --> 00:32:45,320
Watterson
lent his photography skills
689
00:32:45,370 --> 00:32:46,738
to his high-school yearbook,
690
00:32:46,788 --> 00:32:51,242
and his cartoons
are scattered throughout.
691
00:32:51,292 --> 00:32:52,093
One of his drawings
692
00:32:52,126 --> 00:32:55,456
is a depiction of
the four photographers on staff,
693
00:32:55,506 --> 00:32:56,347
as the caption reads,
694
00:32:56,382 --> 00:33:00,502
"watterson is the one
on the far right, blinking."
695
00:33:00,552 --> 00:33:04,923
Perhaps this drawing foreshadows
watterson's future reputation
696
00:33:04,973 --> 00:33:08,427
for being a man who shied away
from the spotlight
697
00:33:08,477 --> 00:33:12,514
and very much desired
his privacy.
698
00:33:12,564 --> 00:33:14,433
-I think, initially,
he was pleased
699
00:33:14,483 --> 00:33:16,310
that so many papers
were signing on.
700
00:33:16,360 --> 00:33:19,521
He started getting
a lot of fan mail.
701
00:33:19,571 --> 00:33:21,523
He got a lot of press attention,
702
00:33:21,573 --> 00:33:24,109
and he realized, I think,
pretty quickly on
703
00:33:24,159 --> 00:33:26,070
that he had done something
special.
704
00:33:26,120 --> 00:33:28,405
And I think
it didn't take him long
705
00:33:28,455 --> 00:33:32,326
to become a little unnerved
and taken aback by it.
706
00:33:32,376 --> 00:33:35,329
-Even with
a tiny amount of success,
707
00:33:35,379 --> 00:33:41,252
it's a little daunting how much
feedback and comment and request
708
00:33:41,302 --> 00:33:43,379
you get from the general public.
709
00:33:43,430 --> 00:33:45,923
So I can only imagine
if I'm bill watterson
710
00:33:45,973 --> 00:33:51,679
and I have millions and millions
and millions of adoring fans.
711
00:33:51,729 --> 00:33:52,789
-Nobody knows bill watterson.
712
00:33:52,813 --> 00:33:55,599
There's like three
people on the planet
who have ever seen him.
713
00:33:55,649 --> 00:33:56,809
He won't talk to anybody.
714
00:33:56,859 --> 00:33:59,104
He's the sasquatch
of cartoonists.
715
00:33:59,154 --> 00:34:01,106
You know,
people have seen his footprint,
716
00:34:01,156 --> 00:34:03,358
but nobody has ever
gotten a picture of him.
717
00:34:03,408 --> 00:34:05,693
-He just wanted
to draw his comic strip.
718
00:34:05,743 --> 00:34:07,570
He didn't really
want to be famous.
719
00:34:07,620 --> 00:34:09,906
He didn't want all the trappings
that went with it.
720
00:34:09,956 --> 00:34:13,742
He just wanted to do a good job
drawing a comic strip.
721
00:34:13,792 --> 00:34:18,581
-Cartooning attracts
solitary people,
722
00:34:18,631 --> 00:34:20,792
quiet people, insular people.
723
00:34:20,842 --> 00:34:23,295
Because, if you were gonna
spend time at your drawing desk,
724
00:34:23,345 --> 00:34:26,798
you weren't the kind of person
that dated well in high school.
725
00:34:26,848 --> 00:34:27,882
You know what I mean?
726
00:34:27,932 --> 00:34:28,951
You weren't the kind of person
727
00:34:28,975 --> 00:34:30,411
that was the captain
of the football team.
728
00:34:30,435 --> 00:34:33,179
For the most part,
it's people that use their art
729
00:34:33,229 --> 00:34:35,433
to make their voice
to the world, you know?
730
00:34:35,483 --> 00:34:41,813
So it doesn't surprise me
that he errs on the shier side,
731
00:34:41,863 --> 00:34:44,858
the introverted side,
the reclusive side.
732
00:34:44,908 --> 00:34:48,362
Because that's probably what his
life framed him as, you know?
733
00:34:48,412 --> 00:34:52,074
He was probably always shy
and introverted and reclusive,
734
00:34:52,124 --> 00:34:54,076
or else he wouldn't have
spent the decades
735
00:34:54,126 --> 00:34:56,745
crafting his abilities
as an artist, you know?
736
00:34:56,795 --> 00:34:58,705
He would have
been out socializing
737
00:34:58,755 --> 00:35:00,665
and become
a regional sales manager
738
00:35:00,715 --> 00:35:01,734
for midas car parts, you know?
739
00:35:01,758 --> 00:35:05,629
I mean, it would have been
a different path in life.
740
00:35:05,679 --> 00:35:09,674
-Luckily, watterson didn't
end up selling car parts
741
00:35:09,724 --> 00:35:12,511
and he did create
"Calvin and Hobbes."
742
00:35:12,561 --> 00:35:15,473
By the end
of its decade-long syndication,
743
00:35:15,523 --> 00:35:18,560
it was in over 2,400 newspapers
worldwide,
744
00:35:18,610 --> 00:35:20,686
with a daily readership
of millions.
745
00:35:20,736 --> 00:35:24,566
Watterson won the Reuben award
for cartoonist of the year
746
00:35:24,616 --> 00:35:26,275
in 1986 and 1988,
747
00:35:26,325 --> 00:35:29,779
the Harvey award
for best syndicated comic strip
748
00:35:29,829 --> 00:35:31,030
seven years in a row,
749
00:35:31,080 --> 00:35:32,001
and "Calvin and Hobbes"
750
00:35:32,039 --> 00:35:34,326
was loved by readers and critics
alike.
751
00:35:34,376 --> 00:35:37,036
18 "Calvin and Hobbes"
book collections
752
00:35:37,086 --> 00:35:38,954
have been published in the u.S.,
753
00:35:39,004 --> 00:35:40,915
selling 45 million copies,
754
00:35:40,965 --> 00:35:44,336
and dozens more have been
published internationally
755
00:35:44,386 --> 00:35:46,129
in at least two dozen languages.
756
00:35:46,179 --> 00:35:49,757
There are frequent homages
and spoofs on the comics pages,
757
00:35:49,807 --> 00:35:51,968
and the strip
has been referenced
758
00:35:52,018 --> 00:35:53,121
in numerous American TV shows,
759
00:35:53,145 --> 00:35:56,556
including "family guy,"
"the big bang theory,"
760
00:35:56,606 --> 00:36:00,018
"parks and reaction,"
"portlandia,"
761
00:36:00,068 --> 00:36:01,186
and "robot chicken."
762
00:36:01,236 --> 00:36:04,064
But bill watterson
doesn't seem to care too much
763
00:36:04,114 --> 00:36:07,192
about the numbers or the awards
or the accolades.
764
00:36:07,242 --> 00:36:10,237
His focus
was on the comic strip itself,
765
00:36:10,287 --> 00:36:11,697
which, despite being something
766
00:36:11,747 --> 00:36:14,199
that watterson has said
he did for himself,
767
00:36:14,249 --> 00:36:17,578
had become very important
to readers worldwide.
768
00:36:17,628 --> 00:36:21,666
-Bill watterson saved
almost all of the original art
769
00:36:21,716 --> 00:36:23,125
from "Calvin and Hobbes,"
770
00:36:23,175 --> 00:36:24,793
both the dailies and the sundays
771
00:36:24,843 --> 00:36:27,505
and all of the book art
that he did,
772
00:36:27,555 --> 00:36:29,756
and he put it on deposit here
773
00:36:29,806 --> 00:36:32,759
at the Billy Ireland
cartoon library & museum.
774
00:36:32,809 --> 00:36:33,786
So were are the caretakers,
775
00:36:33,810 --> 00:36:36,180
and we make sure that
it's preserved and kept safe
776
00:36:36,230 --> 00:36:40,143
and, also, that it's accessible
to researchers and scholars.
777
00:36:40,193 --> 00:36:43,187
So if somebody wants to come and
actually see the original art,
778
00:36:43,237 --> 00:36:45,648
they can come to our
reading room and request it,
779
00:36:45,698 --> 00:36:48,109
and we'll bring it out,
and they can look at it.
780
00:36:48,159 --> 00:36:50,153
So this is
what we call the stacks,
781
00:36:50,203 --> 00:36:53,614
and this is obviously where
we keep all of our collection.
782
00:36:53,664 --> 00:36:56,200
We operate
like a rare-books room,
783
00:36:56,250 --> 00:36:57,102
so nothing circulates,
784
00:36:57,126 --> 00:36:58,911
nothing actually leaves
the cartoon library.
785
00:36:58,961 --> 00:37:00,329
If anybody
wants to use something,
786
00:37:00,379 --> 00:37:02,540
they have to actually come here
and request it,
787
00:37:02,591 --> 00:37:04,917
and then we bring it out,
and you can look at it.
788
00:37:04,967 --> 00:37:08,796
So we have
over 400,000 original cartoons,
789
00:37:08,846 --> 00:37:11,717
including, of course, the bill
watterson deposit collection.
790
00:37:11,767 --> 00:37:15,052
We have many, many books
about cartoons, periodicals.
791
00:37:15,102 --> 00:37:16,513
We have comic books.
792
00:37:16,563 --> 00:37:18,055
We also have archival material,
793
00:37:18,105 --> 00:37:21,685
so we collect the papers
and letters of cartoonists
794
00:37:21,735 --> 00:37:23,171
and other people
related to the business.
795
00:37:23,195 --> 00:37:26,898
This is gonna be all of
your books about cartoons,
796
00:37:26,948 --> 00:37:29,401
anthologies, reprint books,
how-to books,
797
00:37:29,451 --> 00:37:34,448
journals likepokkorjudgethat
have a lot of cartoons in them.
798
00:37:34,498 --> 00:37:38,285
And then, over here,
we have our flat files,
799
00:37:38,335 --> 00:37:40,787
which is
all of the original art.
800
00:37:40,838 --> 00:37:43,415
So, this is
one of my favorite drawers.
801
00:37:43,465 --> 00:37:46,753
This is our "little Nemo"
by winsor mccay.
802
00:37:46,803 --> 00:37:50,380
And these are
just absolutely spectacular.
803
00:37:50,430 --> 00:37:52,174
-That is massive.
804
00:37:52,224 --> 00:37:52,717
-Yes.
805
00:37:52,767 --> 00:37:56,596
Of course, the newspaper pages
were bigger themselves,
806
00:37:56,646 --> 00:37:57,262
at the time,
807
00:37:57,312 --> 00:37:59,542
but it would have been smaller
than he did it as the original.
808
00:37:59,566 --> 00:38:02,226
"Little Nemo," of course,
is a wonderful comic strip
809
00:38:02,276 --> 00:38:05,270
about a little boy
who goes to sleep every night,
810
00:38:05,320 --> 00:38:06,980
and he goes to slumberland
811
00:38:07,030 --> 00:38:08,899
and has
all these amazing adventures.
812
00:38:08,949 --> 00:38:11,985
And then, always
on the last panel, he wakes up
813
00:38:12,035 --> 00:38:14,280
and is back in his bed
and is back into reality,
814
00:38:14,330 --> 00:38:17,784
and so you can see how this
influenced bill watterson
815
00:38:17,834 --> 00:38:18,686
with "Calvin and Hobbes."
816
00:38:18,710 --> 00:38:20,994
There are a lot of strips
that are like that,
817
00:38:21,045 --> 00:38:22,398
where he's in
kind of a fantasy world,
818
00:38:22,422 --> 00:38:24,457
and then, in the last panel,
he wakes up
819
00:38:24,507 --> 00:38:28,761
or comes back to reality.
820
00:38:34,267 --> 00:38:37,345
-If you had the chance
to view a selection
821
00:38:37,395 --> 00:38:39,597
of "Calvin and Hobbes"
originals,
822
00:38:39,647 --> 00:38:42,901
how would you pick
which strips to see?
823
00:38:43,192 --> 00:38:46,647
Would you pick specific examples
of panel layout
824
00:38:46,697 --> 00:38:49,817
or use of black-and-white
or line techniques?
825
00:38:49,867 --> 00:38:53,069
Maybe a daily and a Sunday
from each year?
826
00:38:53,119 --> 00:38:58,834
Or would you just narrow it down
to your absolute favorites?
827
00:38:59,959 --> 00:39:01,829
No matter
what you finally decide,
828
00:39:01,879 --> 00:39:06,040
once you put on the white gloves
and sit down with the strips,
829
00:39:06,090 --> 00:39:09,670
I don't really think
you can go wrong.
830
00:39:09,720 --> 00:39:12,756
It's admittedly
a strange experience.
831
00:39:12,806 --> 00:39:16,010
You can examine
each line and letter
832
00:39:16,060 --> 00:39:17,803
and mistake and alteration.
833
00:39:17,853 --> 00:39:20,014
And you can
compare the originals
834
00:39:20,064 --> 00:39:22,433
to the printed newspaper
or book version.
835
00:39:22,483 --> 00:39:25,436
The dailies look much
as you might expect,
836
00:39:25,486 --> 00:39:28,147
but the Sunday strips
are another story.
837
00:39:28,197 --> 00:39:32,610
You can explore watterson's
lush watercolor art,
838
00:39:32,661 --> 00:39:36,113
but the Sunday originals
are black-and-white.
839
00:39:36,163 --> 00:39:40,284
They're incredible to see,
despite the missing color.
840
00:39:40,334 --> 00:39:42,119
But the experience
got me thinking
841
00:39:42,169 --> 00:39:43,872
about the art
of the comic strip.
842
00:39:43,922 --> 00:39:46,916
Comics
are a bit of a unique medium
843
00:39:46,966 --> 00:39:49,836
in that it can be difficult
to define
844
00:39:49,886 --> 00:39:53,964
exactly what the final piece
of art actually is.
845
00:39:54,014 --> 00:39:56,718
Watterson's originals
are probably worth
846
00:39:56,768 --> 00:39:59,721
tens of thousands of dollars
apiece.
847
00:39:59,771 --> 00:40:00,513
But it isn't until
848
00:40:00,563 --> 00:40:03,475
the Sunday strips are printed
in the paper or in books
849
00:40:03,525 --> 00:40:05,894
that they reach their final,
intended state.
850
00:40:05,944 --> 00:40:10,273
If you think for just a moment
about how prevalent comics are
851
00:40:10,323 --> 00:40:14,527
and how many millions of prints
of each daily strip
852
00:40:14,577 --> 00:40:17,530
are distributed
across the planet,
853
00:40:17,580 --> 00:40:19,115
it might be easy to understand
854
00:40:19,165 --> 00:40:22,745
how comics might be often
categorized as low art,
855
00:40:22,795 --> 00:40:27,675
but it's hard to deny
their high impact.
856
00:40:31,302 --> 00:40:35,215
-I think he very quickly grew
from,
857
00:40:35,265 --> 00:40:39,219
"let me get a package together
that a syndicate will pick up,"
858
00:40:39,269 --> 00:40:43,683
to, "gosh, I got picked up,
and I'm gonna be syndicated,"
859
00:40:43,733 --> 00:40:45,643
to, "now I have this opportunity
860
00:40:45,693 --> 00:40:49,980
to kind of explore these
different artistic options."
861
00:40:50,030 --> 00:40:53,317
But I think he quickly picked up
the opportunities
862
00:40:53,367 --> 00:40:54,819
with color on sundays,
863
00:40:54,869 --> 00:40:57,405
the ability
to push out the boundaries
864
00:40:57,455 --> 00:41:00,574
on that piece of canvas
on the sundays.
865
00:41:00,624 --> 00:41:01,560
And, also, on the dailies,
866
00:41:01,584 --> 00:41:04,495
he tried so many different
things in the dailies
867
00:41:04,545 --> 00:41:07,999
as just from the perspective
of an artist.
868
00:41:08,049 --> 00:41:11,335
-Cartoon art and comic art
is something that, you know,
869
00:41:11,385 --> 00:41:15,966
was originally seen as kind of
trashy, populist stuff,
870
00:41:16,016 --> 00:41:17,968
almost very childish.
871
00:41:18,018 --> 00:41:19,886
And then,
as the years have gone on,
872
00:41:19,936 --> 00:41:22,597
you know, people have started
to see the worth in it.
873
00:41:22,647 --> 00:41:27,351
And that's because comic strips
have tackled heavier subjects.
874
00:41:27,401 --> 00:41:31,690
The artwork has been elevated to
a massive degree in some cases.
875
00:41:31,740 --> 00:41:35,402
-I don't understand the
distinction that people make.
876
00:41:35,452 --> 00:41:36,304
So you can have fine art.
877
00:41:36,328 --> 00:41:39,573
You can have these amazing
images that people acknowledge,
878
00:41:39,623 --> 00:41:42,659
you know,
can speak about any topic
879
00:41:42,709 --> 00:41:44,369
and say great things
880
00:41:44,419 --> 00:41:49,041
and reflect
what the artist is trying to do.
881
00:41:49,091 --> 00:41:51,334
You can have literature
that does that, too.
882
00:41:51,384 --> 00:41:53,921
You can have a great novel
that people respect
883
00:41:53,971 --> 00:41:54,771
and they understand.
884
00:41:54,805 --> 00:41:57,842
But, somehow, if you combine
the words and the images,
885
00:41:57,892 --> 00:42:02,179
all of a sudden, all you get
is something for kids.
886
00:42:02,229 --> 00:42:02,847
And why is that?
887
00:42:02,897 --> 00:42:05,098
If you read through
all of "Calvin and Hobbes,"
888
00:42:05,148 --> 00:42:09,227
you'll see that he really has
very interesting things to say
889
00:42:09,277 --> 00:42:12,355
about society, about humanity,
890
00:42:12,405 --> 00:42:14,609
about relationships,
about the world.
891
00:42:14,659 --> 00:42:18,529
And there's no reason why he
can't do that in a comic strip.
892
00:42:18,579 --> 00:42:21,032
That's a perfectly valid form.
893
00:42:21,082 --> 00:42:22,518
And I'm thrilled
that he chose that form,
894
00:42:22,542 --> 00:42:25,202
because I think he could have
done probably anything.
895
00:42:25,252 --> 00:42:27,162
He could have been
just a fine artist.
896
00:42:27,212 --> 00:42:28,189
He could have written books.
897
00:42:28,213 --> 00:42:30,833
But he actually chose to do it
as a comic strip,
898
00:42:30,883 --> 00:42:32,960
and I'm grateful to him
for that,
899
00:42:33,010 --> 00:42:33,946
because he did it so well,
900
00:42:33,970 --> 00:42:38,800
and he showed
how it could really be done.
901
00:42:38,850 --> 00:42:41,302
My favorite strip, which
probably doesn't surprise you,
902
00:42:41,352 --> 00:42:44,263
is the one where Calvin
and Hobbes are looking at art,
903
00:42:44,313 --> 00:42:46,724
and they're talking about
comics versus art
904
00:42:46,774 --> 00:42:49,268
and how you can have high art,
like a painting,
905
00:42:49,318 --> 00:42:52,522
and then you have low art,
which is the comic strip,
906
00:42:52,572 --> 00:42:54,900
and it's commercial
and it's hack work.
907
00:42:54,950 --> 00:42:58,236
And then he kind of shows
how absurd that is
908
00:42:58,286 --> 00:43:01,698
by saying, "a painting
of a comic strip panel --
909
00:43:01,748 --> 00:43:05,035
that's sophisticated irony,
philosophically challenging.
910
00:43:05,085 --> 00:43:06,452
That's high art."
911
00:43:06,502 --> 00:43:07,312
And so then Hobbes says,
912
00:43:07,336 --> 00:43:10,331
"well, suppose I draw a cartoon
of a painting of a comic strip."
913
00:43:10,381 --> 00:43:12,793
And, you know, at that point,
it's just absurd,
914
00:43:12,843 --> 00:43:14,920
but Calvin says,
"no, that's sophomoric.
915
00:43:14,970 --> 00:43:17,255
It's intellectually sterile.
It's low art."
916
00:43:17,306 --> 00:43:20,050
So he's commenting here
exactly on this debate --
917
00:43:20,100 --> 00:43:21,661
you know, what's high art?
What's low art?
918
00:43:21,685 --> 00:43:26,181
And why, just because it's
printed in a newspaper
and it's a comic strip,
919
00:43:26,231 --> 00:43:27,474
is it automatically low art?
920
00:43:27,524 --> 00:43:30,727
I don't think anybody would
look at "Calvin and Hobbes"
921
00:43:30,777 --> 00:43:33,772
and say that it's not art
or say that it's low art.
922
00:43:33,822 --> 00:43:35,566
But that seems to be
a distinction
923
00:43:35,616 --> 00:43:38,193
that comic-strip art
has been stuck with.
924
00:43:38,243 --> 00:43:40,905
-Comics are self-expression.
925
00:43:40,955 --> 00:43:43,323
Self-expression is art.
926
00:43:43,373 --> 00:43:45,910
I don't give a...
927
00:43:45,960 --> 00:43:49,371
About what an art critic
might say art is
928
00:43:49,421 --> 00:43:55,460
because I know
that I'm creating something.
929
00:43:55,510 --> 00:44:00,466
Art is about
creating something -- the end.
930
00:44:00,516 --> 00:44:02,802
-If you actually
still have a subscription,
931
00:44:02,852 --> 00:44:05,179
you can probably tell
newspapers are hurting
932
00:44:05,229 --> 00:44:08,766
simply by stepping out
on your porch to get yours.
933
00:44:08,816 --> 00:44:10,518
Nearly 100% of the time,
934
00:44:10,568 --> 00:44:12,687
it isn't the front page
that greets me
935
00:44:12,737 --> 00:44:16,191
but a full-page ad
for a sports-equipment retailer.
936
00:44:16,241 --> 00:44:19,819
Then, the state of the perceived
value of the comics is clear
937
00:44:19,869 --> 00:44:22,697
when you try to find
the comics section.
938
00:44:22,747 --> 00:44:23,990
When I was growing up,
939
00:44:24,041 --> 00:44:26,186
depending on how your paperboy
put together your paper,
940
00:44:26,210 --> 00:44:30,956
the Sunday comics section
was often the front page
of the Sunday newspaper
941
00:44:31,006 --> 00:44:32,958
when it arrived at your door.
942
00:44:33,008 --> 00:44:34,667
It was the first thing you saw.
943
00:44:34,717 --> 00:44:39,048
Now it takes me a couple minutes
just to locate it.
944
00:44:39,098 --> 00:44:42,258
In looking back
at comics sections of the past
945
00:44:42,308 --> 00:44:42,968
in comparison,
946
00:44:43,018 --> 00:44:46,304
it's clear just how much
the comics are being trimmed.
947
00:44:46,354 --> 00:44:49,183
A typical "Calvin and Hobbes"
from the 1990s.
948
00:44:49,233 --> 00:44:52,186
Wouldn't even fit
in todays Sunday funnies.
949
00:44:52,236 --> 00:44:54,270
Watterson
had more space on the page
950
00:44:54,320 --> 00:44:56,231
than "stone soup,"
"in the bleachers,"
951
00:44:56,281 --> 00:45:01,445
"candorville," "frazz," and half
of "non sequitur" combined.
952
00:45:01,495 --> 00:45:04,031
-The comics page was shrinking
in the 1980s.
953
00:45:04,081 --> 00:45:06,992
It was getting smaller
and smaller and smaller,
954
00:45:07,042 --> 00:45:08,452
and cartoonists were rebelling.
955
00:45:08,502 --> 00:45:10,663
It was getting tougher
and tougher
956
00:45:10,713 --> 00:45:13,749
to fit really quality content
into the strips.
957
00:45:13,799 --> 00:45:16,335
-I typically avoided
looking at comic pages
958
00:45:16,385 --> 00:45:19,922
because I so hated
how mine looked on a page.
959
00:45:19,973 --> 00:45:22,841
Your strips look so beautiful
as they head out.
960
00:45:22,892 --> 00:45:26,012
You know, you draw them
this big, and they're gorgeous.
961
00:45:26,062 --> 00:45:29,723
And you see them, especially
25 years ago, 30 years ago,
962
00:45:29,774 --> 00:45:31,851
reproduced this big
on bad newsprint,
963
00:45:31,901 --> 00:45:34,729
often out of alignment,
and it was depressing.
964
00:45:34,779 --> 00:45:37,398
It was like,
"why am I in this business?"
965
00:45:37,448 --> 00:45:40,068
-The smaller and smaller
reproductions
966
00:45:40,118 --> 00:45:43,488
meant there was less chance
for visuals,
967
00:45:43,538 --> 00:45:45,240
less chance to draw well,
968
00:45:45,290 --> 00:45:48,618
less chance for the audience
to appreciate
969
00:45:48,668 --> 00:45:51,454
good drawing
and imaginative visuals.
970
00:45:51,504 --> 00:45:56,584
If you are working
to create a graphic entity,
971
00:45:56,634 --> 00:45:59,963
a pictorial representation
of something,
972
00:46:00,013 --> 00:46:02,841
you don't want to see it
shrunk down to a postage stamp.
973
00:46:02,891 --> 00:46:06,636
-Some of the first comic strips
in america in the early 1900s,
974
00:46:06,686 --> 00:46:08,680
some of those
were like full-page comics.
975
00:46:08,730 --> 00:46:12,268
And, like, those artists had
just huge palettes to work with,
976
00:46:12,318 --> 00:46:14,477
and the art
was really, really important.
977
00:46:14,527 --> 00:46:17,731
Whereas now, some people
are working with, like, this,
978
00:46:17,781 --> 00:46:19,025
and it's black-and-white,
979
00:46:19,075 --> 00:46:21,736
and everything
is about the simplicity of it.
980
00:46:21,786 --> 00:46:24,155
-Clearly,
his focus was on the sundays.
981
00:46:24,205 --> 00:46:25,307
So he approached the sundays
982
00:46:25,331 --> 00:46:27,033
as an opportunity
to do some dynamite art,
983
00:46:27,083 --> 00:46:30,493
which in the comics, has been
a dying thing for decades.
984
00:46:30,543 --> 00:46:33,289
-You almost cry a little
when you look at the old comics,
985
00:46:33,339 --> 00:46:36,208
when they had a full page
to do whatever they wanted.
986
00:46:36,258 --> 00:46:38,376
You know, again,
the "Nemo" in slumberland,
987
00:46:38,427 --> 00:46:40,463
I mean, good heavens,
it was just unreal.
988
00:46:40,513 --> 00:46:43,382
-When you look at
the great strips of the past,
989
00:46:43,432 --> 00:46:50,056
not only mccay and herriman
and milt caniff and Walt Kelly,
990
00:46:50,106 --> 00:46:53,100
the general standard
of draftsmanship
991
00:46:53,151 --> 00:46:54,311
used to be much higher.
992
00:46:54,361 --> 00:46:56,812
You couldn't have
"Terry and the pirates"
993
00:46:56,862 --> 00:46:59,899
the same way you did
in the '30s and '40s.
994
00:46:59,949 --> 00:47:03,778
-The biggest and most popular
strips were the story strips.
995
00:47:03,828 --> 00:47:07,740
They needed that space
to move the story along.
996
00:47:07,790 --> 00:47:12,661
Well, as they shrunk the comics,
there wasn't that space anymore
997
00:47:12,711 --> 00:47:14,455
for both the art
and the dialogue.
998
00:47:14,505 --> 00:47:19,086
-Bill's particular problem was
that, with the Sunday format,
999
00:47:19,136 --> 00:47:22,214
it could be chopped up
to fit different sizes --
1000
00:47:22,264 --> 00:47:27,219
either a half page or a third of
a page or a quarter of a page --
1001
00:47:27,269 --> 00:47:29,679
and he felt
trying to configure it
1002
00:47:29,729 --> 00:47:32,224
so that it fit
into all those sizes
1003
00:47:32,274 --> 00:47:35,102
was really
an obstruction for him.
1004
00:47:35,152 --> 00:47:38,605
So he came back with one-sized
proposal, and that was it.
1005
00:47:38,655 --> 00:47:42,150
-Once the sundays were totally
in watterson's control,
1006
00:47:42,201 --> 00:47:44,986
they didn't get moved around
or chopped up,
1007
00:47:45,036 --> 00:47:46,780
or they wouldn't
lose the top bar.
1008
00:47:46,830 --> 00:47:49,032
That really opened up
a whole new world,
1009
00:47:49,083 --> 00:47:52,661
in the sense that the artwork
could go to another level,
1010
00:47:52,711 --> 00:47:55,622
because he was working
with a really huge palette
1011
00:47:55,672 --> 00:47:59,751
where it was uninterrupted,
unbreakable half pages.
1012
00:47:59,801 --> 00:48:00,837
That was amazing to watch
1013
00:48:00,887 --> 00:48:03,923
because it really allowed him
to work in a way
1014
00:48:03,973 --> 00:48:06,801
that just freed up
his creativity.
1015
00:48:06,851 --> 00:48:11,055
-Every three years
at Ohio state university,
1016
00:48:11,105 --> 00:48:13,182
the cartoon library & museum
1017
00:48:13,232 --> 00:48:15,517
hosts
the festival of cartoon art,
1018
00:48:15,568 --> 00:48:19,272
which brings together scholars,
cartoonists, fans,
1019
00:48:19,322 --> 00:48:22,191
and industry professionals
from around the world
1020
00:48:22,241 --> 00:48:26,112
to celebrate comic creators
and their work.
1021
00:48:26,162 --> 00:48:28,365
In 1989, bill watterson
1022
00:48:28,415 --> 00:48:31,075
was a featured speaker
at the festival,
1023
00:48:31,125 --> 00:48:32,244
and he took the opportunity
1024
00:48:32,294 --> 00:48:35,746
to talk about the power
and possibilities of comics
1025
00:48:35,796 --> 00:48:39,209
and how the current climate
for cartoonists
1026
00:48:39,259 --> 00:48:40,960
was failing the art form.
1027
00:48:41,010 --> 00:48:43,380
-He gave a speech titled
"the cheapening of the comics,"
1028
00:48:43,430 --> 00:48:47,134
which was really his way
of drawing a line in the sand
1029
00:48:47,184 --> 00:48:50,595
and saying, "if we are
to take this art form seriously,
1030
00:48:50,645 --> 00:48:51,622
if we are to serve it best,
1031
00:48:51,646 --> 00:48:53,307
these are the things
that we should do."
1032
00:48:53,357 --> 00:48:57,560
And it was sort of a series of
seven or eight or nine points
1033
00:48:57,610 --> 00:48:58,187
that says,
1034
00:48:58,237 --> 00:48:59,964
"look, you cheapen the comics
when you commercialize it.
1035
00:48:59,988 --> 00:49:02,733
You cheapen the comics when you
take the artist of the equation.
1036
00:49:02,783 --> 00:49:05,194
You cheapen the comics
when you let it go on
1037
00:49:05,244 --> 00:49:08,155
a life beyond
what it was intended to do."
1038
00:49:08,205 --> 00:49:10,016
"You cheapen the comics
when you give the syndicate,"
1039
00:49:10,040 --> 00:49:12,951
which is the publisher and the
distributor, "too much power."
1040
00:49:13,001 --> 00:49:14,828
"And if we are
to truly serve this art form,
1041
00:49:14,878 --> 00:49:17,915
the artist has to come first,
their voice has to come first,
1042
00:49:17,965 --> 00:49:20,335
and the art before commerce
has to come first."
1043
00:49:20,385 --> 00:49:22,753
He was essentially
throwing down the gauntlet
1044
00:49:22,803 --> 00:49:24,464
and said, "look,
we'Ve lost something
1045
00:49:24,514 --> 00:49:26,216
"from the early part
of the 20th century,
1046
00:49:26,266 --> 00:49:29,051
"where, you know, the art
was beautifully displayed,
1047
00:49:29,101 --> 00:49:31,346
"the artists were given
this truly unique voice,
1048
00:49:31,396 --> 00:49:34,098
"and we need to go back
to a different time,
1049
00:49:34,148 --> 00:49:35,641
to a different way
of cartooning."
1050
00:49:35,691 --> 00:49:40,438
-I think he took a very lofty,
at times even philosophical look
1051
00:49:40,488 --> 00:49:41,813
at the art form.
1052
00:49:41,864 --> 00:49:42,841
There's nothing wrong with that,
1053
00:49:42,865 --> 00:49:45,068
because he held himself
to those own standards,
1054
00:49:45,118 --> 00:49:47,946
and I have a lot of respect
for him for doing that.
1055
00:49:47,996 --> 00:49:49,613
-I think
it was kind of a brave speech
1056
00:49:49,663 --> 00:49:51,866
because mort Walker
took it very personally --
1057
00:49:51,916 --> 00:49:52,851
of "beetle Bailey" fame --
1058
00:49:52,875 --> 00:49:56,037
and a few other bigger names in
cartooning took it personally,
1059
00:49:56,087 --> 00:49:58,373
because they viewed it
as a shot across the bow
1060
00:49:58,423 --> 00:50:00,333
of the way
they handled their business,
1061
00:50:00,383 --> 00:50:02,126
the way they handled
their cartooning.
1062
00:50:02,176 --> 00:50:05,088
-Within the crowd,
my recollection was
1063
00:50:05,138 --> 00:50:11,594
that there was a strong split
among those who were,
1064
00:50:11,644 --> 00:50:14,431
"yeah, go get them.
Go tell them the way it is"
1065
00:50:14,481 --> 00:50:16,724
and the other side,
which was, you know,
1066
00:50:16,774 --> 00:50:19,018
"who is this kid
to tell me how to do my art
1067
00:50:19,068 --> 00:50:21,522
and do what I want
with my life and my business?"
1068
00:50:21,572 --> 00:50:24,774
-Watterson was coming out of
more of the artistic tradition
1069
00:50:24,824 --> 00:50:26,734
and just, "look,
we can raise this art up."
1070
00:50:26,784 --> 00:50:29,696
And others were coming from,
"look, it has always been
1071
00:50:29,746 --> 00:50:32,157
this intersection
of art and commerce,
1072
00:50:32,207 --> 00:50:33,143
so you cannot deny that."
1073
00:50:33,167 --> 00:50:35,312
You know, I'Ve talked to
Jeff Smith of "bone" about it,
1074
00:50:35,336 --> 00:50:38,663
and he said he literally walked
out of that hall and said,
1075
00:50:38,713 --> 00:50:42,543
"I realize that 'bone' cannot be
what I want it to be
1076
00:50:42,593 --> 00:50:43,794
in a comic-strip form.
1077
00:50:43,844 --> 00:50:45,212
I have to forge my own path.
1078
00:50:45,262 --> 00:50:48,641
I have to take 'bone'
elsewhere."
1079
00:50:53,395 --> 00:50:56,974
-My relationship with bill
was one of letters.
1080
00:50:57,024 --> 00:50:59,727
And it's not unique
to cartoonists
1081
00:50:59,777 --> 00:51:02,980
that we draw
in our letters to each other.
1082
00:51:03,030 --> 00:51:05,149
But it's unique that he would
1083
00:51:05,199 --> 00:51:08,528
spend as much time as he did
on his drawings,
1084
00:51:08,578 --> 00:51:09,862
which is just like him.
1085
00:51:09,912 --> 00:51:12,240
He didn't do anything
like I did,
1086
00:51:12,290 --> 00:51:14,742
which was
by the seat of the pants
1087
00:51:14,792 --> 00:51:16,494
and extremely quickly.
1088
00:51:16,544 --> 00:51:18,121
The source of much of the energy
1089
00:51:18,171 --> 00:51:20,373
with the letters
and the drawings,
1090
00:51:20,423 --> 00:51:24,127
to me, was at my expense.
1091
00:51:24,177 --> 00:51:26,421
He and I
were the yin and the Yang
1092
00:51:26,471 --> 00:51:27,755
of the comic strips in the '80s,
1093
00:51:27,805 --> 00:51:34,304
because I was making these,
and he was not.
1094
00:51:34,354 --> 00:51:36,806
And as he would draw me,
1095
00:51:36,856 --> 00:51:40,018
I was taking the money
and buying gasoline with it
1096
00:51:40,068 --> 00:51:42,187
and pumping it
into my speedboat,
1097
00:51:42,237 --> 00:51:43,548
which he used to
put on the bottom
1098
00:51:43,572 --> 00:51:45,174
almost of each of the letters
he wrote me.
1099
00:51:45,198 --> 00:51:49,361
And the person handing me the
money was the syndicate boss,
1100
00:51:49,412 --> 00:51:50,597
who he had no appreciation for.
1101
00:51:50,621 --> 00:51:54,367
So that's how he saw me, and
it's how he saw the syndicate,
1102
00:51:54,417 --> 00:51:58,662
and that's how he saw the
exploitation of one's characters
1103
00:51:58,712 --> 00:51:59,372
in a comic strip,
1104
00:51:59,422 --> 00:52:02,957
all nicely personified
in one drawing.
1105
00:52:03,007 --> 00:52:05,085
-We realized
that "Calvin and Hobbes"
1106
00:52:05,136 --> 00:52:06,363
was gonna be huge in licensing.
1107
00:52:06,387 --> 00:52:08,381
'Cause we could just tell
by the signs,
1108
00:52:08,431 --> 00:52:09,449
the response from the public.
1109
00:52:09,473 --> 00:52:13,052
But bill made it clear that
he was just not gonna do it.
1110
00:52:13,102 --> 00:52:15,971
-Watterson, obviously,
had very strong feelings
1111
00:52:16,021 --> 00:52:21,435
about merchandising
and the commerce side of comics.
1112
00:52:21,485 --> 00:52:23,562
I mean,
he participated in a way,
1113
00:52:23,612 --> 00:52:27,525
just being in a newspaper,
as part of that.
1114
00:52:27,575 --> 00:52:30,361
But he clearly had
very specific ideas
1115
00:52:30,411 --> 00:52:36,075
about how merchandising
can change the characters
1116
00:52:36,125 --> 00:52:36,784
or change the art
1117
00:52:36,834 --> 00:52:41,080
or change the creator
and what their vision is.
1118
00:52:41,130 --> 00:52:42,998
-The idea of, you know,
1119
00:52:43,048 --> 00:52:46,294
a stuffed Hobbes
sitting on a shelf somewhere
1120
00:52:46,344 --> 00:52:48,380
would basically
answer that question
1121
00:52:48,430 --> 00:52:50,507
that's always
hanging over the strip --
1122
00:52:50,557 --> 00:52:53,343
you know, is Hobbes real?
Is he a stuffed toy?
1123
00:52:53,393 --> 00:52:55,470
Well, there's a stuffed toy,
you know?
1124
00:52:55,520 --> 00:52:57,639
-We have seen
many comic-strip characters
1125
00:52:57,689 --> 00:53:01,143
go from being, you know,
figures you see in the paper
1126
00:53:01,193 --> 00:53:02,436
that may give you a laugh,
1127
00:53:02,486 --> 00:53:04,146
to being kind of
a national blight
1128
00:53:04,196 --> 00:53:06,314
in the case
of something like Garfield,
1129
00:53:06,364 --> 00:53:09,651
that at one point was on, I
think, 5,000 different products.
1130
00:53:09,701 --> 00:53:12,195
And the character
becomes ubiquitous
1131
00:53:12,245 --> 00:53:16,199
and begins to feel like a pest
or something you can't escape,
1132
00:53:16,249 --> 00:53:20,078
rather than something you
look forward to encountering.
1133
00:53:20,128 --> 00:53:22,914
In a society
that is as media-obsessed
1134
00:53:22,964 --> 00:53:25,792
and money-obsessed
as ours is and was then,
1135
00:53:25,842 --> 00:53:29,796
his decision seemed strange,
if not almost UN-American.
1136
00:53:29,846 --> 00:53:35,093
He walked away from literally
tens of millions of dollars
1137
00:53:35,143 --> 00:53:35,844
in merchandising,
1138
00:53:35,894 --> 00:53:38,389
because everything
that snoopy was on,
1139
00:53:38,439 --> 00:53:41,016
I'm sure he was offered
for Hobbes.
1140
00:53:41,066 --> 00:53:43,352
- "Sparky" did feel protective
1141
00:53:43,402 --> 00:53:47,607
about being criticized
for licensing,
1142
00:53:47,657 --> 00:53:48,274
because he said,
1143
00:53:48,324 --> 00:53:51,569
"people don't realize, you know,
how it all started
1144
00:53:51,619 --> 00:53:54,821
and that everything
was somebody coming to me,
1145
00:53:54,871 --> 00:53:57,200
wanting to use the characters.
1146
00:53:57,250 --> 00:53:58,242
I drew it for them."
1147
00:53:58,292 --> 00:54:01,287
And it had an aspect
of kind of fun,
1148
00:54:01,337 --> 00:54:03,206
an entrepreneurialism about it
1149
00:54:03,256 --> 00:54:05,541
that was not to do
with business.
1150
00:54:05,591 --> 00:54:09,755
It was to do with
extending your art,
1151
00:54:09,805 --> 00:54:11,589
extending your sentiments.
1152
00:54:11,639 --> 00:54:15,551
-When "sparky" did what he did,
"sparky" had no template,
1153
00:54:15,602 --> 00:54:17,887
and I'm talking about
the licensing.
1154
00:54:17,937 --> 00:54:19,765
Like, Percy Crosby
had licensed "skippy,"
1155
00:54:19,815 --> 00:54:22,308
and, you know,
"blondie" had been licensed,
1156
00:54:22,358 --> 00:54:24,060
but nobody -- nobody --
1157
00:54:24,110 --> 00:54:26,979
had been licensed
anywhere close,
1158
00:54:27,029 --> 00:54:27,939
before or since.
1159
00:54:27,989 --> 00:54:33,779
You know, you're talking
$40-million-a-year empire.
1160
00:54:33,829 --> 00:54:35,781
In so far as that includes
1161
00:54:35,831 --> 00:54:39,785
a snoopy plush
that a kid could hold,
1162
00:54:39,835 --> 00:54:41,411
that looks like snoopy
1163
00:54:41,461 --> 00:54:45,165
and doesn't have
sort of a bullshit smile
1164
00:54:45,215 --> 00:54:47,292
that snoopy doesn't have,
1165
00:54:47,342 --> 00:54:48,085
it's great.
1166
00:54:48,135 --> 00:54:53,465
In so far as the "peanuts"
characters speak for metlife.
1167
00:54:53,515 --> 00:54:57,302
Or any corporation,
I always cringe.
1168
00:54:57,352 --> 00:54:58,846
It just strikes me wrong.
1169
00:54:58,896 --> 00:55:01,473
I don't want to see snoopy
selling me insurance.
1170
00:55:01,523 --> 00:55:04,268
It's sort of like a cousin
who got really close to you
1171
00:55:04,318 --> 00:55:05,853
and you spent all this time
together
1172
00:55:05,903 --> 00:55:07,229
and you think
you really know him,
1173
00:55:07,279 --> 00:55:09,675
and then you're fishing with him
one day, and he says, "you know,
1174
00:55:09,699 --> 00:55:14,654
I never said this to you before,
but I sell life insurance."
1175
00:55:14,704 --> 00:55:17,490
And your stomach
would just drop,
1176
00:55:17,540 --> 00:55:18,616
because you'd say, "god,
1177
00:55:18,666 --> 00:55:21,159
has the whole relationship
been based on that?
1178
00:55:21,209 --> 00:55:23,371
Like,
were you building to this point?
1179
00:55:23,421 --> 00:55:24,247
Was it all b.S.?"
1180
00:55:24,297 --> 00:55:25,998
Something strikes you as false,
1181
00:55:26,048 --> 00:55:28,418
and you question
the whole friendship.
1182
00:55:28,468 --> 00:55:31,629
And I think
when a character advertises,
1183
00:55:31,679 --> 00:55:33,131
sells you insurance,
1184
00:55:33,181 --> 00:55:38,978
I think that hurts your
relationship to the character.
1185
00:55:40,855 --> 00:55:43,266
When watterson did what he did
1186
00:55:43,316 --> 00:55:47,020
and he said
no licensing whatsoever,
1187
00:55:47,070 --> 00:55:47,963
to the extent he meant,
1188
00:55:47,987 --> 00:55:51,024
"I don't want my characters
speaking for everybody.
1189
00:55:51,074 --> 00:55:52,051
I don't want my characters
1190
00:55:52,075 --> 00:55:54,277
to be on every lunchbox
and every shirt,"
1191
00:55:54,327 --> 00:55:55,168
I totally understand.
1192
00:55:55,203 --> 00:55:58,907
That makes a lot of sense,
'cause it lessens the character.
1193
00:55:58,957 --> 00:56:03,995
In so far as he took the stand,
"there can't be a Hobbes doll,"
1194
00:56:04,045 --> 00:56:05,246
I will never understand that.
1195
00:56:05,296 --> 00:56:07,999
If they made a Hobbes doll
and he had control over it --
1196
00:56:08,049 --> 00:56:10,544
it could look exactly
like he wanted it to look --
1197
00:56:10,594 --> 00:56:13,046
every kid in the world
would have loved it.
1198
00:56:13,096 --> 00:56:14,506
Has there ever been a character
1199
00:56:14,556 --> 00:56:17,635
who was more built for licensing
than Hobbes?
1200
00:56:17,685 --> 00:56:19,386
It's a stuffed animal
in the strip,
1201
00:56:19,436 --> 00:56:22,598
and the kid's imagination
can make it come alive --
1202
00:56:22,648 --> 00:56:23,458
you know, the whole bit.
1203
00:56:23,482 --> 00:56:26,769
What would the harm
have been in that?
1204
00:56:26,819 --> 00:56:29,229
And I can't see it.
1205
00:56:29,279 --> 00:56:30,173
This leads to my theory
1206
00:56:30,197 --> 00:56:32,274
of what it is
that watterson might be doing,
1207
00:56:32,324 --> 00:56:37,906
and I suspect that some of it
is about control.
1208
00:56:37,956 --> 00:56:40,199
Comic strips
are all about control.
1209
00:56:40,249 --> 00:56:45,120
It's the one art form
where you have full control.
1210
00:56:45,170 --> 00:56:47,623
It's not collaborative
like a film.
1211
00:56:47,674 --> 00:56:49,500
It's not collaborative
even like a book,
1212
00:56:49,550 --> 00:56:50,820
where your editor
changes things.
1213
00:56:50,844 --> 00:56:52,766
I really don't even have
an editor. It's just me.
1214
00:56:52,804 --> 00:56:55,089
It's not collaborative
like a TV show.
1215
00:56:55,139 --> 00:56:57,550
It's not collaborative
like a record album.
1216
00:56:57,600 --> 00:56:59,928
It's you -- it's just you.
1217
00:56:59,978 --> 00:57:04,223
When you wander into licensing,
it becomes a collaboration.
1218
00:57:04,273 --> 00:57:07,352
Somebody at your syndicate
has to approve it.
1219
00:57:07,402 --> 00:57:09,521
Somebody at your syndicate
gives suggestions.
1220
00:57:09,571 --> 00:57:12,315
Somebody at your syndicate says,
"you know, that's nice,
1221
00:57:12,365 --> 00:57:15,985
but it'd be better if he smiled
on the package, right?
1222
00:57:16,035 --> 00:57:17,487
Smiling sells more."
1223
00:57:17,537 --> 00:57:18,764
Then it gets in the hand
of the designer.
1224
00:57:18,788 --> 00:57:21,491
The designer has their own ideas
how the character should look.
1225
00:57:21,541 --> 00:57:23,493
The designer knows
what material sells.
1226
00:57:23,543 --> 00:57:25,745
The designer knows
what materials are safe.
1227
00:57:25,795 --> 00:57:27,580
Then
there's the designer's boss,
1228
00:57:27,630 --> 00:57:28,691
who may have different ideas,
1229
00:57:28,715 --> 00:57:30,793
'cause they gave it
to the salesman,
1230
00:57:30,843 --> 00:57:31,652
and it didn't sell well.
1231
00:57:31,676 --> 00:57:33,879
So I'Ve just introduced
seven people into my life
1232
00:57:33,929 --> 00:57:35,072
that weren't in my life before.
1233
00:57:35,096 --> 00:57:37,675
I don't particularly like
any of them.
1234
00:57:37,725 --> 00:57:39,509
They're not my kind of people.
1235
00:57:39,559 --> 00:57:40,494
They're commercial people,
1236
00:57:40,518 --> 00:57:43,723
and they make your stomach hurt
when you're with them.
1237
00:57:43,773 --> 00:57:46,016
So I'Ve introduced an element
into my life
1238
00:57:46,066 --> 00:57:48,519
of a whole bunch of people
I don't like.
1239
00:57:48,569 --> 00:57:49,770
I'Ve got to overcome them all,
1240
00:57:49,820 --> 00:57:51,772
even if it's so much
as just saying,
1241
00:57:51,822 --> 00:57:53,148
"I don't think
we should do this,"
1242
00:57:53,198 --> 00:57:56,652
and they say yes, I still have
to do that to seven people.
1243
00:57:56,702 --> 00:57:58,696
And that's all
a loss of control,
1244
00:57:58,746 --> 00:58:02,073
a loss of control
that I never had before, right?
1245
00:58:02,123 --> 00:58:04,034
And imagine
if he started licensing.
1246
00:58:04,084 --> 00:58:07,997
The first lunchbox would have
sold nine billion, right?
1247
00:58:08,047 --> 00:58:11,751
The minute that happens,
everybody is gonna be on him
1248
00:58:11,801 --> 00:58:15,755
for all the more, like this,
that, and the other --
1249
00:58:15,805 --> 00:58:18,132
all represents
a loss of control.
1250
00:58:18,182 --> 00:58:19,759
Then they all sit in your head.
1251
00:58:19,809 --> 00:58:21,803
Rather than go,
as he probably did,
1252
00:58:21,853 --> 00:58:23,554
and walk through the forest
that day,
1253
00:58:23,604 --> 00:58:26,725
he took six phone calls
that he didn't want to take.
1254
00:58:26,775 --> 00:58:27,626
They interrupted his day.
1255
00:58:27,650 --> 00:58:29,143
They're floating around
in his head.
1256
00:58:29,193 --> 00:58:32,480
That's all bad.
You know what I'm saying?
1257
00:58:32,530 --> 00:58:33,564
And that's control.
1258
00:58:33,615 --> 00:58:36,108
That's not about
artistic purity.
1259
00:58:36,158 --> 00:58:39,613
No, no.
That's about control.
1260
00:58:39,663 --> 00:58:40,504
-Well, contractually,
1261
00:58:40,539 --> 00:58:43,575
we had the rights
to license "Calvin and Hobbes"
1262
00:58:43,625 --> 00:58:45,535
to anything and anyone
in the world.
1263
00:58:45,585 --> 00:58:49,873
We had calls from, you know,
people like Steven Spielberg
1264
00:58:49,923 --> 00:58:52,626
and Disney studios
and George Lucas.
1265
00:58:52,676 --> 00:58:54,544
I can go right down the line.
1266
00:58:54,594 --> 00:58:58,799
The potential for products
worldwide, internationally
1267
00:58:58,849 --> 00:59:01,968
was, again, huge,
and we recognized that.
1268
00:59:02,018 --> 00:59:03,496
Certainly,
it would have been up there
1269
00:59:03,520 --> 00:59:06,933
with the licensing revenues
from "Garfield" and "peanuts."
1270
00:59:06,983 --> 00:59:08,391
That was not money just for US.
1271
00:59:08,441 --> 00:59:12,897
I mean, all the revenues
would be split 50/50 with bill.
1272
00:59:12,947 --> 00:59:14,731
So the fact that we were,
1273
00:59:14,782 --> 00:59:18,110
you know,
turning down huge opportunities
1274
00:59:18,160 --> 00:59:22,657
also meant that he was turning
down huge opportunities, too.
1275
00:59:22,707 --> 00:59:24,366
-Everyone has
a different opinion,
1276
00:59:24,416 --> 00:59:26,994
but I think the number is --
oh -- very, very high,
1277
00:59:27,044 --> 00:59:30,330
depending on who you're talking
to and what mood they're in.
1278
00:59:30,380 --> 00:59:35,127
I'Ve heard many people say
$300 million to $400 million.
1279
00:59:35,177 --> 00:59:36,963
I wouldn't be surprised.
1280
00:59:37,013 --> 00:59:37,672
It could be more,
1281
00:59:37,722 --> 00:59:41,050
depending on how far, you know,
bill was willing to go.
1282
00:59:41,100 --> 00:59:47,557
-Our discussions were very
involved and sometimes heated.
1283
00:59:47,607 --> 00:59:49,684
It weighed heavily on him,
1284
00:59:49,734 --> 00:59:51,477
and I think it became apparent
1285
00:59:51,527 --> 00:59:55,898
in some of the ways in which
the script was being worked out,
1286
00:59:55,948 --> 00:59:58,651
some of the story lines
that bill employed,
1287
00:59:58,701 --> 01:00:02,072
and, you know, the question
of commercialism versus art
1288
01:00:02,122 --> 01:00:02,865
and all this stuff
1289
01:00:02,915 --> 01:00:04,600
that it was clear that bill
was sending some messages.
1290
01:00:04,624 --> 01:00:08,578
And, you know, we realized that
we'Ve got to make a decision
1291
01:00:08,628 --> 01:00:13,000
as to, "are we gonna try to
accommodate him and his interest
1292
01:00:13,050 --> 01:00:19,172
"in a reasonable way within the
context of running a business,
1293
01:00:19,222 --> 01:00:23,010
"or are we gonna, in essence,
1294
01:00:23,060 --> 01:00:26,763
"beat up one of
the most important cartoonists
1295
01:00:26,813 --> 01:00:28,891
of his generation?"
1296
01:00:28,941 --> 01:00:30,434
And we did what we could do
1297
01:00:30,484 --> 01:00:32,853
to try to work out
the business arrangement,
1298
01:00:32,903 --> 01:00:37,774
and the good news was
we got some more time from him.
1299
01:00:37,824 --> 01:00:40,736
But I do believe
he did come close
1300
01:00:40,786 --> 01:00:44,915
to just calling one day
and saying, "that's it."
1301
01:00:59,263 --> 01:01:05,219
-The cliché of building
an entertainment franchise.
1302
01:01:05,269 --> 01:01:06,137
In any medium
1303
01:01:06,187 --> 01:01:08,305
is that
you have to merchandise it.
1304
01:01:08,355 --> 01:01:12,060
Since he wasn't gonna do that,
he had to confront the notion
1305
01:01:12,110 --> 01:01:15,104
that people were gonna be making
their own merchandise.
1306
01:01:15,154 --> 01:01:19,274
-My friends and I even made
a personal bootleg Calvin shirt
1307
01:01:19,324 --> 01:01:20,401
just for ourselves.
1308
01:01:20,451 --> 01:01:24,948
And then you started seeing
Calvin being used
1309
01:01:24,998 --> 01:01:29,869
in both religious iconography
on the back of gang vehicles,
1310
01:01:29,919 --> 01:01:30,370
I guess,
1311
01:01:30,420 --> 01:01:32,789
where it's Calvin
like mourning the cross,
1312
01:01:32,839 --> 01:01:34,707
pouring some out
for my dead homies
1313
01:01:34,757 --> 01:01:39,295
or Calvin peeing
on whatever import car
1314
01:01:39,345 --> 01:01:41,215
the driver doesn't like.
1315
01:01:41,265 --> 01:01:43,466
But I just thought,
"who has licensed this?"
1316
01:01:43,516 --> 01:01:44,493
And, of course, no one had.
1317
01:01:44,517 --> 01:01:46,427
-I remember when I was younger,
thinking,
1318
01:01:46,477 --> 01:01:48,304
"I'm really kind of bummed
that there aren't
1319
01:01:48,354 --> 01:01:51,016
any 'Calvin and Hobbes' toys
that I can play with."
1320
01:01:51,066 --> 01:01:53,018
And I remember thinking,
"I'm a genius.
1321
01:01:53,068 --> 01:01:54,937
People could actually
make some money
1322
01:01:54,987 --> 01:01:57,856
if they made 'Calvin and Hobbes'
action figures."
1323
01:01:57,906 --> 01:01:58,883
And, obviously, at the time,
1324
01:01:58,907 --> 01:02:01,694
I didn't understand that Mr.
watterson had made a decision
1325
01:02:01,744 --> 01:02:04,071
to not license and market
"Calvin and Hobbes,"
1326
01:02:04,121 --> 01:02:06,490
and as I'Ve grown up,
I'Ve respected that,
1327
01:02:06,540 --> 01:02:08,909
and I realize that
it would probably cheapen it
1328
01:02:08,959 --> 01:02:12,621
if Calvin and Hobbes' face were
on my toothpaste or whatever.
1329
01:02:12,671 --> 01:02:16,000
Because now, for me,
it exists solely in my books
1330
01:02:16,050 --> 01:02:18,627
and with me and my Hobbes
in the backyard.
1331
01:02:18,677 --> 01:02:21,714
And I think
that's one of my favorite things
1332
01:02:21,764 --> 01:02:25,676
is that it's alive to me
like Hobbes is alive to Calvin.
1333
01:02:25,726 --> 01:02:30,306
-He made a point of letting
the comic stand on its own.
1334
01:02:30,356 --> 01:02:32,516
I know the colors.
I know the sounds.
1335
01:02:32,566 --> 01:02:33,543
I have that all in my head.
1336
01:02:33,567 --> 01:02:39,398
And I do really appreciate
that it's remained that.
1337
01:02:39,448 --> 01:02:42,068
-It won't be
in the public consciousness,
1338
01:02:42,118 --> 01:02:43,569
particularly with young people,
1339
01:02:43,619 --> 01:02:49,200
as much as we older folks
think it should.
1340
01:02:49,250 --> 01:02:55,915
But it will be remembered
in the "proper" way,
1341
01:02:55,965 --> 01:02:57,125
which is based on the work
1342
01:02:57,175 --> 01:03:01,713
and not because there are
still Hobbes dolls for sale,
1343
01:03:01,763 --> 01:03:03,506
you know, at target.
1344
01:03:03,556 --> 01:03:04,357
-I definitely think,
1345
01:03:04,391 --> 01:03:07,594
by him not allowing anyone
to merchandise it,
1346
01:03:07,644 --> 01:03:08,605
the mystique of it grows
1347
01:03:08,645 --> 01:03:11,056
and the desire
for those kinds of things
1348
01:03:11,106 --> 01:03:13,391
or the care
with which it's taken by people.
1349
01:03:13,441 --> 01:03:16,312
You know, people preserve the
memory of "Calvin and Hobbes"
1350
01:03:16,362 --> 01:03:18,855
as something very precious
and personal,
1351
01:03:18,905 --> 01:03:21,649
and I think that has a lot to do
directly with the fact
1352
01:03:21,699 --> 01:03:25,528
that it wasn't exploited --
stuffed toys or cartoons
1353
01:03:25,578 --> 01:03:28,573
or post-it notes
or sleeping bags or anything.
1354
01:03:28,623 --> 01:03:30,993
-It's pure in it's purest form.
1355
01:03:31,043 --> 01:03:33,620
It's just his lines
and his words
1356
01:03:33,670 --> 01:03:36,373
and not
somebody else's interpretation
1357
01:03:36,423 --> 01:03:40,836
of how it should look in plastic
or plush or anything.
1358
01:03:40,886 --> 01:03:42,545
-I think
it strengthened the strip,
1359
01:03:42,595 --> 01:03:44,340
and I think
the legacy of the strip
1360
01:03:44,390 --> 01:03:45,408
wouldn't be as strong as it is
1361
01:03:45,432 --> 01:03:49,220
if he hadn't focused everything
he had on making that strip
1362
01:03:49,270 --> 01:03:53,224
the absolute best strip
that he could make.
1363
01:03:53,274 --> 01:03:54,209
-The fact that there isn't
1364
01:03:54,233 --> 01:03:57,395
"Calvin and Hobbes" stuff
all over the place is really --
1365
01:03:57,445 --> 01:03:59,814
I think that's the reason why
this strip
1366
01:03:59,864 --> 01:04:03,201
is still as popular
as it is today.
1367
01:04:03,909 --> 01:04:06,612
-There are two ways
to look at bill,
1368
01:04:06,662 --> 01:04:10,741
and I try to keep it
as objective as possible
1369
01:04:10,791 --> 01:04:11,450
in the book.
1370
01:04:11,500 --> 01:04:13,661
There's the people
that look at him
1371
01:04:13,711 --> 01:04:17,540
as a curmudgeon
and somebody they resent
1372
01:04:17,590 --> 01:04:20,168
for not sharing himself
when he was so famous
1373
01:04:20,218 --> 01:04:24,463
and somebody who did not
give them what they wanted.
1374
01:04:24,513 --> 01:04:25,490
That might be like the fact
1375
01:04:25,514 --> 01:04:28,385
that he never made a, you know,
Saturday-morning cartoon special
1376
01:04:28,435 --> 01:04:29,494
that they really wanted to see,
1377
01:04:29,518 --> 01:04:31,721
or they didn't allow
a Hobbes doll to be made,
1378
01:04:31,771 --> 01:04:33,640
and they always wanted one
as a kid.
1379
01:04:33,690 --> 01:04:34,709
There's that group of people.
1380
01:04:34,733 --> 01:04:36,855
And then there's the group
of people that look at him,
1381
01:04:36,902 --> 01:04:38,838
and, you know, they respect
his choices that he made
1382
01:04:38,862 --> 01:04:40,897
when it came to merchandising
and licensing.
1383
01:04:40,947 --> 01:04:45,403
They love him as a writer.
They respect him as an artist.
1384
01:04:45,453 --> 01:04:47,195
And those are the two people
1385
01:04:47,245 --> 01:04:49,030
that I was chasing
at the same time.
1386
01:04:49,080 --> 01:04:53,452
You know, there was somebody
who was incredibly principled,
1387
01:04:53,502 --> 01:04:54,119
who stuck to it,
1388
01:04:54,169 --> 01:04:56,121
and who also happened
to be incredibly talented.
1389
01:04:56,171 --> 01:04:59,082
And then there was a guy that,
like, really turns his back
1390
01:04:59,133 --> 01:05:01,793
on this whole
public-persona machine
1391
01:05:01,843 --> 01:05:04,297
that we'Ve come to expect
as Americans.
1392
01:05:04,347 --> 01:05:05,922
So,
over the course of the journey,
1393
01:05:05,972 --> 01:05:08,800
I was rooting for the guy
that was so principled,
1394
01:05:08,850 --> 01:05:10,677
and yet I was peeved at the guy
1395
01:05:10,727 --> 01:05:13,181
that was not giving me
what I wanted.
1396
01:05:13,231 --> 01:05:16,683
It was frustrating,
and yet, at the same time,
1397
01:05:16,733 --> 01:05:18,853
I couldn't help
but root for him.
1398
01:05:18,903 --> 01:05:22,231
You know, I think
that he made his decisions,
1399
01:05:22,281 --> 01:05:23,941
and I totally respect them.
1400
01:05:23,991 --> 01:05:27,278
And any personal wants
that I have from him
1401
01:05:27,328 --> 01:05:29,697
are selfishly motivated,
1402
01:05:29,747 --> 01:05:32,875
and so that's up to him.
1403
01:05:48,641 --> 01:05:52,803
-I would say my favorite strips
are on my arm.
1404
01:05:52,853 --> 01:05:55,224
I made sure I got some snowmen
in there,
1405
01:05:55,274 --> 01:05:57,434
making fun of girls,
the silly ones,
1406
01:05:57,484 --> 01:05:59,602
some of the imagination stuff,
where he thinks
1407
01:05:59,652 --> 01:06:01,480
he's a crocodile here,
and he's just swimming.
1408
01:06:01,530 --> 01:06:05,525
I try to get a little bit of
everything -- stupendous man.
1409
01:06:05,575 --> 01:06:07,444
When I was getting this tattoo,
1410
01:06:07,494 --> 01:06:09,821
I knew a guy
that could get phone numbers,
1411
01:06:09,871 --> 01:06:11,865
and I got
bill watterson's phone number.
1412
01:06:11,915 --> 01:06:14,034
I wanted to get permission
to get the tattoo
1413
01:06:14,084 --> 01:06:16,536
so I wouldn't be just as bad
as the bootleggers.
1414
01:06:16,586 --> 01:06:22,000
But [clears throat]
he didn't return my phone calls.
1415
01:06:22,050 --> 01:06:23,418
I did get it anyway.
1416
01:06:23,468 --> 01:06:26,880
But I feel like
it's not a bootleg.
1417
01:06:26,930 --> 01:06:28,840
It's just a labor of love.
1418
01:06:28,890 --> 01:06:33,854
[ Up-tempo bluegrass music
plays ]
1419
01:07:59,400 --> 01:08:03,479
[ Cheers and applause ]
1420
01:08:03,529 --> 01:08:07,024
-People talk about
kind of the death of cartooning
1421
01:08:07,074 --> 01:08:10,487
because of, kind of,
the passing of newspapers.
1422
01:08:10,537 --> 01:08:12,321
But, really,
we're in a time right now
1423
01:08:12,371 --> 01:08:15,240
where it's not just newspapers.
It's media.
1424
01:08:15,290 --> 01:08:16,101
Like, media is changing,
1425
01:08:16,125 --> 01:08:18,952
and the way we make money
from media is changing.
1426
01:08:19,002 --> 01:08:22,415
Newspaper comics are especially
interesting, though,
1427
01:08:22,465 --> 01:08:24,750
because they used to be unified.
1428
01:08:24,800 --> 01:08:27,545
Like, every day, you'd open up,
and your paper would have
1429
01:08:27,595 --> 01:08:30,881
one or two pages
devoted to newspaper comics.
1430
01:08:30,931 --> 01:08:32,258
And, first of all, those pages
1431
01:08:32,308 --> 01:08:36,388
are getting cut down and shrunk
more and more as time goes on
1432
01:08:36,438 --> 01:08:38,764
and as newspaper budgets
keep getting cut.
1433
01:08:38,814 --> 01:08:42,936
So you're not coming to the same
collective space every day
1434
01:08:42,986 --> 01:08:45,438
to experience the newspaper
and comics.
1435
01:08:45,488 --> 01:08:47,690
You know, you can go online,
if you're interested,
1436
01:08:47,741 --> 01:08:51,027
and either find the strips
that you already like
1437
01:08:51,077 --> 01:08:51,887
or go discover new ones,
1438
01:08:51,911 --> 01:08:53,822
but it's not
the kind of same thing.
1439
01:08:53,872 --> 01:08:56,241
You have to go to one page
on gocomics.
1440
01:08:56,291 --> 01:08:57,101
For "Calvin and Hobbes,"
1441
01:08:57,125 --> 01:09:00,036
and then you go to another
independent artist's website
1442
01:09:00,086 --> 01:09:00,887
for their web comic,
1443
01:09:00,920 --> 01:09:04,749
and then you go to another
website for another web comic.
1444
01:09:04,799 --> 01:09:06,835
And, you know, you're surfing.
1445
01:09:06,885 --> 01:09:08,421
But you're never
going to one place
1446
01:09:08,471 --> 01:09:10,171
to get all those
different perspectives.
1447
01:09:10,221 --> 01:09:12,048
And that was the cool thing
about comics.
1448
01:09:12,098 --> 01:09:14,385
Whether you liked "Garfield"
or "family circus"
1449
01:09:14,435 --> 01:09:16,803
or the "wizard of ID"
or "Calvin and Hobbes,"
1450
01:09:16,853 --> 01:09:19,515
you could come to one page
in the newspaper
1451
01:09:19,565 --> 01:09:20,375
and experience them all.
1452
01:09:20,399 --> 01:09:24,478
And because that medium
is disappearing or shrinking,
1453
01:09:24,528 --> 01:09:26,522
that experience is disappearing,
as well.
1454
01:09:26,572 --> 01:09:31,110
-There is sort of a high point
for mass distributed arts,
1455
01:09:31,160 --> 01:09:33,612
somewhere between
the postwar era
1456
01:09:33,662 --> 01:09:36,031
and probably somewhere
in the mid '90s.
1457
01:09:36,081 --> 01:09:41,954
And it's been a diminishment
for TV, for films, for albums,
1458
01:09:42,004 --> 01:09:44,540
for cartooning, for novels
ever since then.
1459
01:09:44,590 --> 01:09:47,168
Because the basic fact is,
as a culture,
1460
01:09:47,218 --> 01:09:50,880
the means of distribution
have been so filtered out,
1461
01:09:50,930 --> 01:09:53,424
and the means of creation
have been so filtered out
1462
01:09:53,475 --> 01:09:55,926
that we're now getting
tens of thousands of blogs,
1463
01:09:55,976 --> 01:09:58,763
tens of thousands of web comics,
tens of thousands of small bands
1464
01:09:58,813 --> 01:09:59,831
that can distribute directly.
1465
01:09:59,855 --> 01:10:04,352
-There simply is no way to
concentrate people's attention,
1466
01:10:04,402 --> 01:10:07,564
and when it gets concentrated
on something,
1467
01:10:07,614 --> 01:10:10,983
it gets concentrated for
a very short period of time,
1468
01:10:11,033 --> 01:10:11,843
probably very intensely.
1469
01:10:11,867 --> 01:10:15,572
Everybody is tweeting about it
and watching it on YouTube,
1470
01:10:15,622 --> 01:10:19,576
and then it's gone, because
the next thing has come along.
1471
01:10:19,626 --> 01:10:21,745
-You're getting
all of these incredible voices
1472
01:10:21,795 --> 01:10:23,105
that you never
would have gotten before,
1473
01:10:23,129 --> 01:10:26,208
but you no longer have those
water-cooler pieces of art,
1474
01:10:26,258 --> 01:10:27,193
where everyone would know,
1475
01:10:27,217 --> 01:10:28,611
everyone would
gather around at work
1476
01:10:28,635 --> 01:10:29,862
and say, "ah. Yeah.
That's the one."
1477
01:10:29,886 --> 01:10:35,258
-There will no longer ever be
a, like, rolling stones.
1478
01:10:35,308 --> 01:10:37,552
There won't be the Beatles.
1479
01:10:37,603 --> 01:10:39,262
There won't be
an Elvis Presley
1480
01:10:39,312 --> 01:10:42,974
for the same reason there won't
be another "Calvin and Hobbes."
1481
01:10:43,024 --> 01:10:47,979
The market is digitalizing,
and it's atomizing.
1482
01:10:48,029 --> 01:10:53,109
So it's being spread over
a far wider surface
1483
01:10:53,159 --> 01:10:55,987
but in a much thinner layer.
1484
01:10:56,037 --> 01:10:57,014
-If the "far side" started,
1485
01:10:57,038 --> 01:11:00,326
or "Calvin and Hobbes"
started today in newspapers,
1486
01:11:00,376 --> 01:11:02,411
it would probably do well,
1487
01:11:02,461 --> 01:11:05,581
but I don't think
it would have the impact
1488
01:11:05,631 --> 01:11:07,416
that it had in the late '80s.
1489
01:11:07,466 --> 01:11:09,710
-If you can name me
a cartoon character
1490
01:11:09,760 --> 01:11:15,800
that's been invented since 1985,
that's new --
1491
01:11:15,851 --> 01:11:20,346
from comic page,
not on television --
1492
01:11:20,396 --> 01:11:22,974
if you can name me
a cartoon character
1493
01:11:23,024 --> 01:11:25,518
that is a household term
or a name
1494
01:11:25,568 --> 01:11:27,144
throughout this country, truly,
1495
01:11:27,194 --> 01:11:30,273
that my mother would know
and that I would know
1496
01:11:30,323 --> 01:11:31,775
and that my kids would know
1497
01:11:31,825 --> 01:11:34,778
and anyone through Canada
would know,
1498
01:11:34,828 --> 01:11:35,945
I would be very shocked.
1499
01:11:35,995 --> 01:11:39,282
And I don't think
it's gonna happen again.
1500
01:11:39,332 --> 01:11:40,435
So I think Calvin and Hobbes
1501
01:11:40,459 --> 01:11:43,119
are the last great
cartoon characters.
1502
01:11:43,169 --> 01:11:43,911
So he nailed that.
1503
01:11:43,961 --> 01:11:48,165
It's great to be first,
but it's also good to be last.
1504
01:11:48,216 --> 01:11:49,710
- "Calvin and Hobbes"
was of its age,
1505
01:11:49,760 --> 01:11:52,421
and you couldn't transplant it
elsewhere, you know?
1506
01:11:52,471 --> 01:11:54,172
And, thankfully,
itwasof its age,
1507
01:11:54,222 --> 01:11:55,617
which is another way
of looking at it.
1508
01:11:55,641 --> 01:11:57,327
Thank god that itdidappear
when it appeared,
1509
01:11:57,351 --> 01:12:00,971
and thank god that itdidrun
when it ran and where it ran,
1510
01:12:01,021 --> 01:12:04,516
because I don't think it would
have been near the success,
1511
01:12:04,566 --> 01:12:08,729
artistically or financially,
for its worthy creator
1512
01:12:08,779 --> 01:12:10,981
had it run any other time,
1513
01:12:11,031 --> 01:12:14,443
which is both sort of amazing
and kind of sad,
1514
01:12:14,493 --> 01:12:17,245
in a way, you know?
1515
01:12:33,680 --> 01:12:37,717
-If you were to ask me
the question 10 years ago,
1516
01:12:37,767 --> 01:12:41,596
"how would his lack of licensing
affect the strip,"
1517
01:12:41,646 --> 01:12:45,516
I would have said,
"it's ridiculous.
It's gonna fail.
1518
01:12:45,566 --> 01:12:47,810
It's gonna hurt
the long-term legacy.
1519
01:12:47,860 --> 01:12:49,854
People will forget the strip
quickly."
1520
01:12:49,904 --> 01:12:52,732
Because, you know,
part of snoopy's enduring legacy
1521
01:12:52,782 --> 01:12:56,569
is that your 4-year-old
can have a plush snoopy
1522
01:12:56,619 --> 01:12:59,572
and then learn about
the cartoons and the strip.
1523
01:12:59,622 --> 01:13:02,033
They fall in love
with the merchandising first
1524
01:13:02,083 --> 01:13:06,162
and then the characters
and the content and the art.
1525
01:13:06,212 --> 01:13:07,997
So I would have said,
"it's never gonna work.
1526
01:13:08,047 --> 01:13:11,209
"The strip is gonna go, vanish.
We'll never hear from it again.
1527
01:13:11,259 --> 01:13:14,337
"And there will be people
like me, 40 years from now,
1528
01:13:14,387 --> 01:13:16,130
"talking about it
the same way we do
1529
01:13:16,180 --> 01:13:19,551
"about 'krazy Kat' and 'pogo' --
brilliant, wonderful.
1530
01:13:19,601 --> 01:13:20,787
The public has forgotten them."
1531
01:13:20,811 --> 01:13:23,889
Not with "Calvin and Hobbes."
It's universal.
1532
01:13:23,939 --> 01:13:26,767
It has maintained its quality
and integrity
1533
01:13:26,817 --> 01:13:30,688
to the point that kids today
coming up are still reading it.
1534
01:13:30,738 --> 01:13:35,108
How did they learn about it?
It's in their school libraries.
1535
01:13:35,159 --> 01:13:36,610
That was
one of the breakthroughs,
1536
01:13:36,660 --> 01:13:41,323
is that "Calvin and Hobbes"
wasencouragedby the teachers.
1537
01:13:41,373 --> 01:13:44,284
Teachers spotted the child
who was Calvin
1538
01:13:44,334 --> 01:13:47,788
and said, "you're Calvin.
I want you to read this."
1539
01:13:47,838 --> 01:13:51,041
And it got them reading.
And parents encouraged it, too.
1540
01:13:51,091 --> 01:13:55,045
So I think that that made up
for a lot of the merchandising
1541
01:13:55,095 --> 01:13:57,131
that would have helped
carry it on.
1542
01:13:57,181 --> 01:14:00,760
That made up for the animation
that never happened,
1543
01:14:00,810 --> 01:14:03,638
is that the comic
was just that good
1544
01:14:03,688 --> 01:14:06,223
that it could survive
without it.
1545
01:14:06,273 --> 01:14:09,309
I don't know that
there is a lot like that.
1546
01:14:09,359 --> 01:14:12,897
-I'Ve lost track of the number
of 6- and 7-year-olds
1547
01:14:12,947 --> 01:14:17,444
who list "Calvin and Hobbes"
as their favorite comic strip.
1548
01:14:17,494 --> 01:14:20,321
And they know about
the transmogrifier,
1549
01:14:20,371 --> 01:14:23,032
they know about
the time machine,
1550
01:14:23,082 --> 01:14:23,883
and they know how to
1551
01:14:23,917 --> 01:14:26,619
turn a cardboard box
into absolutely anything.
1552
01:14:26,669 --> 01:14:30,123
I think there's even a
generation of kids named Calvin
1553
01:14:30,173 --> 01:14:34,544
because people my age
are starting to become parents.
1554
01:14:34,594 --> 01:14:39,799
And all it takes, really,
is seeing that dog-eared copy
1555
01:14:39,849 --> 01:14:43,720
of "something under the bed
is drooling" or "Yukon ho!"
1556
01:14:43,770 --> 01:14:47,348
At your public library
or on your school bookshelf.
1557
01:14:47,398 --> 01:14:50,895
-I'Ve heard questions like, "why
are people still reading that?"
1558
01:14:50,945 --> 01:14:52,772
Or "why are the books
still so popular?"
1559
01:14:52,822 --> 01:14:54,841
You know, "he hasn't
been in newspapers in 15 years.
1560
01:14:54,865 --> 01:14:56,175
Why are people
still talking about him?"
1561
01:14:56,199 --> 01:14:59,486
And it's like,
"'cause it's transcendent."
1562
01:14:59,537 --> 01:15:00,988
That's the beauty of it.
1563
01:15:01,038 --> 01:15:01,839
And that's, I think,
1564
01:15:01,872 --> 01:15:04,950
why Calvin will be around
10 years from today, 25,
1565
01:15:05,000 --> 01:15:08,370
because he talks to US
on a deeper level
1566
01:15:08,420 --> 01:15:10,163
than just a punch line.
1567
01:15:10,213 --> 01:15:11,749
-It's kind of reflected
in the fact
1568
01:15:11,799 --> 01:15:13,959
that people can go back
to "Calvin and Hobbes"
1569
01:15:14,009 --> 01:15:16,796
and read them over and over
and over and over again,
1570
01:15:16,846 --> 01:15:17,781
and they're always joyful.
1571
01:15:17,805 --> 01:15:20,299
Even when you know
what the punch line is gonna be,
1572
01:15:20,349 --> 01:15:21,451
it's still funny.
[ Chuckles ]
1573
01:15:21,475 --> 01:15:25,262
-I feel inspired when I read
a "Calvin and Hobbes" strip.
1574
01:15:25,312 --> 01:15:28,224
You know, as a human being,
I'm just like,
1575
01:15:28,274 --> 01:15:29,767
"Calvin's enjoying life so much.
1576
01:15:29,817 --> 01:15:31,937
I want to go out
and enjoy life that way."
1577
01:15:31,987 --> 01:15:36,900
-It can't really be contained
by print or panels.
1578
01:15:36,950 --> 01:15:42,739
It's a living, breathing thing,
and I think it always will be.
1579
01:15:42,789 --> 01:15:46,200
He used ink and brushes
and some watercolors,
1580
01:15:46,250 --> 01:15:49,120
but, you know,
he created life with that,
1581
01:15:49,170 --> 01:15:54,125
which I think is what
every cartoonist aspires to,
1582
01:15:54,175 --> 01:15:57,045
but not many of US
ever get to achieve it.
1583
01:15:57,095 --> 01:16:01,925
- "Calvin and Hobbes" -- there is
not a single element in it
1584
01:16:01,975 --> 01:16:05,177
that isn't kind of as current
as it was when it came out.
1585
01:16:05,227 --> 01:16:09,641
It's all about being a kid.
It's all about imagination.
1586
01:16:09,691 --> 01:16:11,560
Every single thing's referenced.
1587
01:16:11,610 --> 01:16:13,937
I don't have to explain
the context to my kids.
1588
01:16:13,987 --> 01:16:16,815
They actually live it
in the same way I did.
1589
01:16:16,865 --> 01:16:18,400
It's not changing.
1590
01:16:18,450 --> 01:16:19,860
And, you know,
to read "doonesbury"
1591
01:16:19,910 --> 01:16:22,195
or to read "bloom county"
or the other, you know,
1592
01:16:22,245 --> 01:16:24,447
for me, the most important
things growing up,
1593
01:16:24,497 --> 01:16:26,075
you need to have
a sense of the history.
1594
01:16:26,125 --> 01:16:29,286
You need to understand
the pop culture of the time
1595
01:16:29,336 --> 01:16:31,413
in a very specific way.
1596
01:16:31,463 --> 01:16:32,790
And "Calvin and Hobbes"
1597
01:16:32,840 --> 01:16:35,417
just kind of requires
that you're alive.
1598
01:16:35,467 --> 01:16:39,964
[ Chuckles ]
And it is quite an achievement.
1599
01:16:40,014 --> 01:16:41,256
-You know, I'Ve been fortunate
1600
01:16:41,306 --> 01:16:43,258
to work with
some wonderful cartoonists,
1601
01:16:43,308 --> 01:16:46,470
and, you know, certainly, at the
top of that list has to be bill,
1602
01:16:46,520 --> 01:16:49,473
because he was so different,
so challenging.
1603
01:16:49,523 --> 01:16:53,644
He really caused US as a company
and me as an individual
1604
01:16:53,694 --> 01:16:57,565
to rethink the ways we dealt
with cartoonist
1605
01:16:57,615 --> 01:16:59,192
and, you know, what our role was
1606
01:16:59,242 --> 01:17:02,987
in helping them get their work
out into the public.
1607
01:17:03,037 --> 01:17:08,784
His creativity
and the result of his efforts
1608
01:17:08,834 --> 01:17:10,745
were, you know, up there
1609
01:17:10,795 --> 01:17:13,706
with probably the two or three
or four greatest strips
1610
01:17:13,756 --> 01:17:14,373
of all time.
1611
01:17:14,423 --> 01:17:18,377
I think "Calvin"
is something that will last.
1612
01:17:18,427 --> 01:17:19,337
And, heaven forbid,
1613
01:17:19,387 --> 01:17:22,673
if newspapers
were to disappear tomorrow
1614
01:17:22,723 --> 01:17:24,258
and books
were not to be printed,
1615
01:17:24,308 --> 01:17:28,304
there would be some way people
would want to find his work
1616
01:17:28,354 --> 01:17:29,723
and read it again,
1617
01:17:29,773 --> 01:17:31,390
because I think it's that strong
1618
01:17:31,440 --> 01:17:34,695
and that enduring
and that special.
1619
01:17:40,784 --> 01:17:41,401
-Over the years,
1620
01:17:41,451 --> 01:17:44,571
my favorite "Calvin and Hobbes"
strip has changed.
1621
01:17:44,621 --> 01:17:47,824
When watterson
was still writing and drawing,
1622
01:17:47,874 --> 01:17:49,785
my favorite might change weekly,
1623
01:17:49,835 --> 01:17:50,953
especially as he continued
1624
01:17:51,003 --> 01:17:53,080
to put out
some of his greatest work
1625
01:17:53,130 --> 01:17:53,982
in the last few years.
1626
01:17:54,006 --> 01:17:56,792
I have my collection
of "Calvin and Hobbes" strips
1627
01:17:56,842 --> 01:17:59,795
that I love
for one reason or another.
1628
01:17:59,845 --> 01:18:01,505
But looking back at it all,
1629
01:18:01,555 --> 01:18:04,299
as much as I love
some of the strips for the humor
1630
01:18:04,349 --> 01:18:06,010
or the adventure
or the amazing art
1631
01:18:06,060 --> 01:18:09,429
or the imaginative place
that the strip took me,
1632
01:18:09,479 --> 01:18:11,723
the strip
that I can't really forget
1633
01:18:11,773 --> 01:18:14,476
is one that nobody else
has ever mentioned to me
1634
01:18:14,526 --> 01:18:17,354
as a favorite
or even a notable one.
1635
01:18:17,404 --> 01:18:19,564
When I'Ve described it
to other fans,
1636
01:18:19,614 --> 01:18:21,358
I don't often get
a look of recognition.
1637
01:18:21,408 --> 01:18:27,115
But for me, it's unforgettable,
and it has a special meaning.
1638
01:18:27,165 --> 01:18:30,868
I'll never know exactly what
bill watterson's intentions were
1639
01:18:30,918 --> 01:18:32,495
with this strip.
1640
01:18:32,545 --> 01:18:33,121
I, myself,
1641
01:18:33,171 --> 01:18:35,915
can see a few different
possible interpretations.
1642
01:18:35,965 --> 01:18:37,166
But I can no longer look at it
1643
01:18:37,216 --> 01:18:39,961
without feeling like
I'Ve glimpsed beyond the surface
1644
01:18:40,011 --> 01:18:42,588
of a comic strip
filled with imagination
1645
01:18:42,638 --> 01:18:45,591
and magic and joy
and adventure and friendship
1646
01:18:45,641 --> 01:18:50,388
and seen instead a hint
of tremendous disappointment
1647
01:18:50,438 --> 01:18:52,390
and loss.
1648
01:18:52,440 --> 01:18:54,726
Watterson conceived
of this strip.
1649
01:18:54,776 --> 01:18:57,271
He wrote it, drew it,
and inked it
1650
01:18:57,321 --> 01:18:58,771
using
the simplest of tools --
1651
01:18:58,821 --> 01:19:04,987
Bristol board, 2h pencils,
a sable brush, and India ink.
1652
01:19:05,037 --> 01:19:06,989
He handed it over
to his syndicate
1653
01:19:07,039 --> 01:19:09,449
for publication
in newspapers worldwide.
1654
01:19:09,499 --> 01:19:11,952
And millions of readers
discovered it
1655
01:19:12,002 --> 01:19:13,829
in the paper
or in one his books,
1656
01:19:13,879 --> 01:19:16,832
where we all brought
our individual experiences
1657
01:19:16,882 --> 01:19:20,002
and perspectives
into the equation.
1658
01:19:20,052 --> 01:19:25,591
And bill watterson has repeated
this process 3,160 times.
1659
01:19:25,641 --> 01:19:28,344
Each of these strips
holds the potential
1660
01:19:28,394 --> 01:19:33,182
to touch someone somewhere
in a unique and personal way.
1661
01:19:33,233 --> 01:19:38,437
Many of watterson's strips
mean something special to me.
1662
01:19:38,487 --> 01:19:40,564
Some bring a huge smile
to my face,
1663
01:19:40,614 --> 01:19:45,987
some challenge me to think,
and a few are more melancholy.
1664
01:19:46,037 --> 01:19:50,449
I see some strips differently
now than I did as a kid.
1665
01:19:50,499 --> 01:19:51,434
And for me, looking back,
1666
01:19:51,458 --> 01:19:57,423
this strip foreshadows
the end of "Calvin and Hobbes."
1667
01:20:18,236 --> 01:20:20,230
-I just remember
the announcement.
1668
01:20:20,280 --> 01:20:22,107
I remember reading
the final comic.
1669
01:20:22,157 --> 01:20:25,693
I remember knowing
that that was going to be it
1670
01:20:25,743 --> 01:20:30,740
and that it was
a really poignant way to end it
1671
01:20:30,790 --> 01:20:33,493
and true to everything
he'd built up before it.
1672
01:20:33,543 --> 01:20:36,122
-I certainly remember
opening the comic page
1673
01:20:36,172 --> 01:20:38,290
that last Sunday
in thechicago tribune
1674
01:20:38,340 --> 01:20:41,001
and seeing it and being like,
"wow. It's over."
1675
01:20:41,051 --> 01:20:43,545
You just weren't used to
comics ending, you know?
1676
01:20:43,595 --> 01:20:47,465
Like, they kept going.
That was part of the deal.
1677
01:20:47,515 --> 01:20:52,304
-The final strip
was the last draw.
1678
01:20:52,354 --> 01:20:56,516
All the elements that made
the strip wonderful were there,
1679
01:20:56,566 --> 01:21:01,355
including the drawing
that was so much a part of it.
1680
01:21:01,405 --> 01:21:03,065
There were very few words.
1681
01:21:03,115 --> 01:21:05,860
-Everyone who was
a "Calvin and Hobbes" fan
1682
01:21:05,910 --> 01:21:07,361
remembers two strips.
1683
01:21:07,412 --> 01:21:10,448
One is that one
that spoke to them individually
1684
01:21:10,498 --> 01:21:13,784
and the last one --
"let's go exploring!"
1685
01:21:13,834 --> 01:21:17,121
And it was just a wonderful way
for him to end it.
1686
01:21:17,171 --> 01:21:19,457
-The way he handled it
was so wonderful
1687
01:21:19,507 --> 01:21:21,418
with, you know,
the toboggan ride,
1688
01:21:21,468 --> 01:21:24,753
which was very much
a staple of the strip,
1689
01:21:24,803 --> 01:21:27,340
going off into just wide-open.
1690
01:21:27,390 --> 01:21:30,634
It wasn't nothingness,
as I saw it.
1691
01:21:30,684 --> 01:21:32,678
It was everything-ness.
1692
01:21:32,728 --> 01:21:35,849
You know, white is not
the absence of color.
1693
01:21:35,899 --> 01:21:37,267
White is all colors.
1694
01:21:37,317 --> 01:21:41,104
And you could make
whatever you wanted
1695
01:21:41,154 --> 01:21:43,606
out of that final episode.
1696
01:21:43,656 --> 01:21:44,316
And, honestly,
1697
01:21:44,366 --> 01:21:46,735
how else is a cartoonist
going to see the world?
1698
01:21:46,785 --> 01:21:48,820
It has to be
a big, wide-open world,
1699
01:21:48,870 --> 01:21:53,825
because until you draw
your very last strip,
1700
01:21:53,875 --> 01:21:57,329
you'Ve got to come up
with a brand-new story
1701
01:21:57,379 --> 01:21:59,915
out of that world
every single day.
1702
01:21:59,965 --> 01:22:05,338
-You know, it was an end
posed as a beginning, basically.
1703
01:22:05,388 --> 01:22:09,090
-There's just something magical
about that particular strip,
1704
01:22:09,140 --> 01:22:10,302
where, you know, it really is
1705
01:22:10,351 --> 01:22:11,536
just looking at the world
afresh.
1706
01:22:11,560 --> 01:22:15,097
I imagine that's what
bill watterson must have
felt like, you know,
1707
01:22:15,147 --> 01:22:16,333
when he finished
that last strip --
1708
01:22:16,357 --> 01:22:19,809
"it's a magical world.
Now I can move on.
What's next in my life?"
1709
01:22:19,859 --> 01:22:20,836
-He's trying to show US all
1710
01:22:20,860 --> 01:22:24,773
that, you know, there's more
to life than a comic strip,
1711
01:22:24,823 --> 01:22:25,274
I think,
1712
01:22:25,324 --> 01:22:28,236
and trying to make US feel
a little bit better,
1713
01:22:28,286 --> 01:22:29,087
but it doesn't work.
1714
01:22:29,120 --> 01:22:30,988
It doesn't work at all.
[ Chuckles ]
1715
01:22:31,038 --> 01:22:31,932
-It gave the impression
1716
01:22:31,956 --> 01:22:35,284
that he was going to be
exploring [laughs] new things,
1717
01:22:35,334 --> 01:22:37,703
and he probably is
exploring new things,
1718
01:22:37,753 --> 01:22:39,997
but he's not
sharing those publicly,
1719
01:22:40,047 --> 01:22:44,001
and so [chuckles]
that's too bad.
1720
01:22:44,051 --> 01:22:45,504
-The final strip, for me,
1721
01:22:45,554 --> 01:22:48,673
is bittersweet in the sense
that it was the end,
1722
01:22:48,723 --> 01:22:51,342
but the thought that,
at the end of it,
1723
01:22:51,393 --> 01:22:54,136
you're being told,
"let's go exploring,"
1724
01:22:54,186 --> 01:22:56,222
which is something
I think watterson did
1725
01:22:56,272 --> 01:22:57,723
throughout his time
in the strip,
1726
01:22:57,773 --> 01:22:59,684
whether it was making leaps
in the artwork
1727
01:22:59,734 --> 01:23:01,686
so you had to kind of think
what was happening
1728
01:23:01,736 --> 01:23:04,605
in the little white space
between the panels,
1729
01:23:04,655 --> 01:23:05,591
or whether it was the fact
1730
01:23:05,615 --> 01:23:08,901
that an adventure didn't
necessarily end succinctly
1731
01:23:08,951 --> 01:23:09,986
at the end of a strip
1732
01:23:10,037 --> 01:23:11,363
so you had to kind of imagine
1733
01:23:11,413 --> 01:23:13,156
what might have happened
afterwards,
1734
01:23:13,206 --> 01:23:16,493
he was always
telling his readers to explore.
1735
01:23:16,543 --> 01:23:19,121
-There is still magic
in everyday life
1736
01:23:19,171 --> 01:23:20,189
if you know where to look.
1737
01:23:20,213 --> 01:23:22,457
And maybe if we look
in the right place,
1738
01:23:22,507 --> 01:23:26,295
there is something else as
wonderful as "Calvin and Hobbes"
1739
01:23:26,345 --> 01:23:30,716
or something that will give US
that daily magic.
1740
01:23:30,766 --> 01:23:32,134
But we have to find it.
1741
01:23:32,184 --> 01:23:34,970
It may well be out there,
as Calvin said.
1742
01:23:35,020 --> 01:23:40,025
It's up to US to look for it
and to discover it.
1743
01:23:43,779 --> 01:23:48,443
-There is that saying that all
good things must come to an end,
1744
01:23:48,493 --> 01:23:50,403
but I'm not sure I believe it.
1745
01:23:50,453 --> 01:23:52,195
As long as there are new readers
1746
01:23:52,246 --> 01:23:55,073
being introduced
to "Calvin and Hobbes,"
1747
01:23:55,123 --> 01:23:57,452
watterson's legacy will live on.
1748
01:23:57,502 --> 01:23:59,203
And with those final three words
1749
01:23:59,253 --> 01:24:01,539
that almost every fan
can recite,
1750
01:24:01,589 --> 01:24:05,801
so many new adventures
will begin.
1751
01:29:15,450 --> 01:29:17,194
-So here is a question
for you --
1752
01:29:17,244 --> 01:29:20,614
have you guys or have you
written a letter to watterson,
1753
01:29:20,664 --> 01:29:24,326
and if so, you know,
what was the experience like?
1754
01:29:24,376 --> 01:29:28,121
-I never have --
not when I was younger, not now.
1755
01:29:28,171 --> 01:29:28,622
-Mm-hmm.
1756
01:29:28,672 --> 01:29:32,584
-I have a word file
on my computer,
1757
01:29:32,635 --> 01:29:34,503
and it's one line so far.
1758
01:29:34,553 --> 01:29:37,297
All it says is,
"dear Mr. Watterson."
1759
01:29:37,347 --> 01:29:39,466
-[ Laughs ]
Very fitting.
1760
01:29:39,517 --> 01:29:42,219
- There is nothing else.
- Very fitting.
1761
01:29:42,269 --> 01:29:44,522
-Not another word.
135174