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1
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[SIREN]
2
00:00:06,571 --> 00:00:08,617
[TIRES SQUEALING]
3
00:00:29,159 --> 00:00:30,769
SHE'S NOT HERE.
4
00:00:30,813 --> 00:00:32,684
YOU STAY SHARP,
MONTOYA.
5
00:00:38,081 --> 00:00:40,649
PAMELA ISLEY...
6
00:00:40,692 --> 00:00:41,998
SHOW YOURSELF!
7
00:00:42,042 --> 00:00:42,868
[LEAVES RUSTLING]
8
00:00:44,522 --> 00:00:46,089
SURRENDER, OR WE WILL
USE FORCE!
9
00:00:49,527 --> 00:00:51,181
I'M RIGHT HERE.
10
00:00:51,225 --> 00:00:54,402
STOP! PLEASE.
11
00:00:54,445 --> 00:00:56,534
PLEASE DON'T MAKE ME
DO THIS.
12
00:01:01,974 --> 00:01:04,803
OFFICER: TAKE THE SHOT,
MONTOYA.
13
00:01:12,681 --> 00:01:14,900
RENEE: NO!
14
00:01:14,944 --> 00:01:19,644
NO, NO, NO, NO, NO! NO!
15
00:01:19,688 --> 00:01:23,387
WHY ARE YOU DOING THIS?
16
00:01:23,431 --> 00:01:26,129
BECAUSE SOMEONE
HAS TO CARE.
17
00:01:26,173 --> 00:01:27,870
[GAGGING]
18
00:01:48,804 --> 00:01:51,111
FLORA & FAWNA:
♪ BABY, TAKE IT SLOW
19
00:01:54,331 --> 00:01:56,681
♪ TURN THE LIGHTS DOWN LOW
20
00:01:56,725 --> 00:01:59,554
♪ TAKE IT SLOW,
TAKE IT SLOW, SLOW ♪
21
00:01:59,597 --> 00:02:04,385
VERY FEW PEOPLE CAN
PULL OFF GREEN WITH ANY SWAGGER,
22
00:02:04,428 --> 00:02:05,168
BUT I ACTUALLY DON'T
HATE THIS FOR YOU.
23
00:02:08,302 --> 00:02:11,087
AHH. YEAH. IT'S
INTERESTING.
24
00:02:11,131 --> 00:02:13,655
I, UM--I'M SORRY.
25
00:02:13,698 --> 00:02:16,179
I'VE NEVER BEEN
IN A POSITION BEFORE
26
00:02:16,223 --> 00:02:18,616
WHERE I COULDN'T
BE HONEST BECAUSE I WAS
27
00:02:18,660 --> 00:02:19,835
WORRIED ABOUT HURTING
SOMEONE'S FEELINGS, SO I'M STALLING.
28
00:02:19,878 --> 00:02:23,360
AW! I THINK THAT'S
THE SWEETEST THING
29
00:02:23,404 --> 00:02:24,318
YOU'VE EVER SAID TO ME.
30
00:02:24,361 --> 00:02:26,015
[LATCH TURNING]
31
00:02:26,058 --> 00:02:28,191
- DID YOU ORDER MORE FOOD?
- NO.
32
00:02:30,411 --> 00:02:33,327
- DID YOU ORDER MORE STRIPPERS?
- UM...
33
00:02:33,370 --> 00:02:36,112
MS. HAMILTON,
IT'S TIME TO ASK YOU
34
00:02:36,156 --> 00:02:38,027
TO PACK YOUR THINGS
AND PART WAYS WITH US.
35
00:02:38,070 --> 00:02:40,464
UM, RUDE.
36
00:02:40,508 --> 00:02:42,292
YOU'VE RACKED UP
AN $8,000 BILL
37
00:02:42,336 --> 00:02:46,383
WITHOUT SHOWING
ANY ABILITY TO PAY FOR IT.
38
00:02:46,427 --> 00:02:48,037
OH! I TOLD THE LADY
AT THE DESK 10 TIMES
39
00:02:48,080 --> 00:02:51,606
TRY ALL MY OTHER CARDS.
40
00:02:51,649 --> 00:02:53,869
THEY'VE ALL BEEN DECLINED,
MS. HAMILTON.
41
00:02:53,912 --> 00:02:56,045
OH, ACTUALLY, IT'S
DR. HAMILTON.
42
00:02:56,088 --> 00:02:57,525
IT'S NOT MS.
43
00:02:57,568 --> 00:03:02,269
I'M AFRAID I NEED
TO ASK YOU TO LEAVE,
44
00:03:02,312 --> 00:03:04,793
OR THE METROPOLIS PD
WILL BE ESCORTING YOU OUT.
45
00:03:12,496 --> 00:03:14,803
THIS IS ALL
A MISUNDERSTANDING.
46
00:03:14,846 --> 00:03:18,459
GIVE ME SOME TIME
TO FIGURE IT OUT.
47
00:03:18,502 --> 00:03:21,505
PLEASE TAKE ALL THE TIME
YOU NEED.
48
00:03:21,549 --> 00:03:23,594
WE'LL ACCEPT YOUR APOLOGY
49
00:03:23,638 --> 00:03:26,206
AND A COMPLIMENTARY BOTTLE
OF DOM
50
00:03:26,249 --> 00:03:26,945
FOR THE INCONVENIENCE.
51
00:03:26,989 --> 00:03:29,252
YOU'RE VERY KIND, MA'AM.
52
00:03:29,296 --> 00:03:31,341
HA! I KNOW.
53
00:03:35,040 --> 00:03:36,825
[DOOR SHUTS]
54
00:03:36,868 --> 00:03:39,654
DID THE BAT BITCHES
CUT ME OFF?
55
00:03:39,697 --> 00:03:42,265
ALL YOUR FANCY DEGREES,
AND YOU DIDN'T SEE THAT COMING?
56
00:03:42,309 --> 00:03:44,267
I THOUGHT WE WERE
PAST THIS.
57
00:03:44,311 --> 00:03:46,051
I MEAN, ONE WOULD THINK
THAT NEARLY VINE-SQUEEZING
58
00:03:46,095 --> 00:03:50,317
THE LIFE OUT OF YOUR BESTIE
AND THEN CRUSHING
59
00:03:50,360 --> 00:03:52,144
THE ONLY CURE
FOR YOU IN EXISTENCE
60
00:03:52,188 --> 00:03:53,581
WAS A PRETTY GOOD INDICATOR
61
00:03:53,624 --> 00:03:56,801
THAT IT WAS TIME TO MOVE ON
FROM THE FRIENDSHIP.
62
00:03:56,845 --> 00:03:58,890
ANYONE ELSE FIND IT IRONIC
THAT WHEN I BEG
63
00:03:58,934 --> 00:04:01,415
RYAN AND LUKE
FOR THEIR ATTENTION
64
00:04:01,458 --> 00:04:03,199
THEY'RE TOO BUSY
WITH THEIR OWN DRAMA,
65
00:04:03,243 --> 00:04:04,069
BUT THEN WHEN I FINALLY
STEP AWAY
66
00:04:04,113 --> 00:04:06,463
FOR SOME MUCH-NEEDED
ME TIME,
67
00:04:06,507 --> 00:04:09,771
MARY HAMILTON IS
THE COVETED BATMISSION OF THE WEEK?
68
00:04:09,814 --> 00:04:13,253
IF THIS IS A LECTURE
ON BEING BATWOMAN'S MOST WANTED,
69
00:04:13,296 --> 00:04:15,255
TRUST ME, I ALREADY
TOOK THE EXAM.
70
00:04:15,298 --> 00:04:18,649
WELL, WHAT DO I DO?
71
00:04:18,693 --> 00:04:19,215
UH, YOU KILL THEM
IMMEDIATELY.
72
00:04:19,259 --> 00:04:20,129
ALICE.
73
00:04:22,871 --> 00:04:27,441
FINE. AS SOMEONE
WHO HAD A SO-CALLED FAMILY MEMBER OBSESSED
74
00:04:27,484 --> 00:04:29,269
WITH THE IDEA THAT
I COULD CHANGE,
75
00:04:29,312 --> 00:04:32,315
HERE'S WHAT YOU DO.
76
00:04:32,359 --> 00:04:35,579
YOU MAKE YOUR FRIENDS
HATE YOU SO MUCH
77
00:04:35,623 --> 00:04:35,971
THAT THEY WANT TO
GIVE UP ON YOU.
78
00:05:15,402 --> 00:05:16,185
RENEE: FLOWERS AREN'T
A FIX-ALL, PAM.
79
00:05:16,228 --> 00:05:19,841
MY PARTNER LOST
A KIDNEY.
80
00:05:19,884 --> 00:05:21,408
BUT THEY'RE
WHITE TULIPS.
81
00:05:21,451 --> 00:05:24,106
TECHNICALLY FROM
THE LILIACEAE FAMILY.
82
00:05:24,149 --> 00:05:28,632
THEY SYMBOLIZE
FORGIVENESS.
83
00:05:28,676 --> 00:05:29,851
WOULD YOU RATHER
IT BE A KIDNEY?
84
00:05:29,894 --> 00:05:33,158
HA!
85
00:05:33,202 --> 00:05:33,811
I'M TRYING HERE, RENEE.
86
00:05:33,855 --> 00:05:35,944
HE COULD HAVE DIED.
87
00:05:35,987 --> 00:05:36,597
HE WAS GOING TO
SHOOT ME.
88
00:05:36,640 --> 00:05:38,425
BECAUSE I COULDN'T.
89
00:05:38,468 --> 00:05:40,775
I'M SUPPOSED TO HAVE
HIS BACK.
90
00:05:40,818 --> 00:05:41,863
NO. YOU'RE SUPPOSED
TO HAVE MY BACK.
91
00:05:41,906 --> 00:05:45,867
OHH. DON'T YOU SEE
HOW UNFAIR THAT IS?
92
00:05:45,910 --> 00:05:47,390
I TOOK AN OATH
TO UPHOLD THE LAW,
93
00:05:47,434 --> 00:05:48,826
AND YOU'RE OUT THERE
BREAKING IT CONSTANTLY
94
00:05:48,870 --> 00:05:51,263
FOR THE SAKE OF WHAT--
MOTHER NATURE?
95
00:05:54,615 --> 00:05:58,967
I KNOW GLOBAL WARMING,
WATER SHORTAGE,
96
00:05:59,010 --> 00:06:00,272
EXTINCTION OF SPECIES IS
AN INCONVENIENT THOUGHT FOR YOU,
97
00:06:00,316 --> 00:06:04,799
BUT UNFORTUNATELY,
THIS REUSABLE COFFEE MUG
98
00:06:04,842 --> 00:06:05,277
ISN'T THE SOLUTION.
99
00:06:08,411 --> 00:06:10,631
WHAT IS
THE SOLUTION THEN?
100
00:06:10,674 --> 00:06:13,590
QUITTING YOUR JOB,
OSTRACIZING OUR FRIENDS,
101
00:06:13,634 --> 00:06:15,418
BECOMING SO OBSESSED
TO THE POINT
102
00:06:15,462 --> 00:06:17,464
WHERE I DON'T EVEN
RECOGNIZE YOU?
103
00:06:18,508 --> 00:06:19,814
ARE YOU COMING WITH ME
OR NOT?
104
00:06:24,906 --> 00:06:26,603
NOT IF YOU GO WHERE
I CAN'T FOLLOW YOU.
105
00:06:26,647 --> 00:06:30,128
STAY HERE. STAY THE...
106
00:06:30,172 --> 00:06:32,783
QUIRKY, BRILLIANT
SCIENTIST WHO LOVES READING AND BASEBALL
107
00:06:32,827 --> 00:06:34,176
THAT I FELL IN LOVE
WITH A DECADE AGO.
108
00:06:34,219 --> 00:06:38,006
SHE'S GONE.
109
00:06:38,049 --> 00:06:40,269
SHE'S BLOSSOMED INTO SOMEONE
WHO CAN STAND UP FOR HERSELF
110
00:06:40,312 --> 00:06:43,751
AND, MORE IMPORTANTLY,
FOR THOSE THINGS THAT CAN'T.
111
00:06:59,854 --> 00:07:01,812
LUKE: I FROZE
MARY'S BANK ACCOUNTS. I THINK.
112
00:07:01,856 --> 00:07:05,599
INTERNET'S CUT OUT 10 TIMES.
113
00:07:05,642 --> 00:07:06,208
AND NOW I HAVE
THE SPINNING WHEEL OF DEATH.
114
00:07:06,251 --> 00:07:09,385
THAT'S...AWESOME.
115
00:07:09,429 --> 00:07:11,648
SOPHIE: DOES ASBESTOS
HAVE A SMELL?
116
00:07:11,692 --> 00:07:12,606
ANYONE SMELL THAT?
117
00:07:12,649 --> 00:07:14,477
RYAN: DEAD RAT
IN THE WALL.
118
00:07:14,521 --> 00:07:15,347
GIVE IT 3 DAYS.
IT'LL PASS.
119
00:07:15,391 --> 00:07:16,871
RENEE: WE DON'T HAVE
3 DAYS.
120
00:07:16,914 --> 00:07:19,177
YOU SAW HER CLINIC.
121
00:07:19,221 --> 00:07:21,484
IT'S COMPLETELY
OVERRUN BY PLANT LIFE.
122
00:07:21,528 --> 00:07:23,181
YOU DON'T FIND
THAT SYMBOLIC?
123
00:07:23,225 --> 00:07:24,052
WE WON'T LET HER FORGET
WHO SHE IS.
124
00:07:24,095 --> 00:07:25,967
OH, HOPE.
THAT'S SWEET.
125
00:07:26,010 --> 00:07:29,405
HOW'S THAT WORKING
OUT FOR YOU?
126
00:07:29,449 --> 00:07:32,408
I'M SORRY. I LEFT
MY SARCASM METER
127
00:07:32,452 --> 00:07:34,497
IN THE BATCAVE I NO LONGER
HAVE ACCESS TO.
128
00:07:34,541 --> 00:07:36,368
IS THERE SOMETHING
YOU WOULD LIKE TO SAY TO ME?
129
00:07:36,412 --> 00:07:38,153
TAKE OFF
THE KID GLOVES, RYAN.
130
00:07:38,196 --> 00:07:40,242
- KID GLOVES?
- YOU WOULDN'T HAVE MARQUIS
131
00:07:40,285 --> 00:07:42,026
ARRESTED BECAUSE
HE'S FAMILY.
132
00:07:42,070 --> 00:07:43,724
YOU UNDERESTIMATED
MARY BECAUSE SHE'S YOUR FRIEND,
133
00:07:43,767 --> 00:07:45,856
AND NOW YOU'RE LOCKED
OUT OF YOUR BATCAVE
134
00:07:45,900 --> 00:07:47,379
AND YOUR BESTIE'S
ON THE LAM
135
00:07:47,423 --> 00:07:49,512
WITH A SERIAL KILLER.
136
00:07:49,556 --> 00:07:50,644
JUMP IN IF I'M
MISSING ANYTHING.
137
00:07:50,687 --> 00:07:51,471
OK. WHAT THE HELL
WAS I SUPPOSED TO DO,
138
00:07:51,514 --> 00:07:53,908
PUMMEL MARY WITH BATARANGS,
139
00:07:53,951 --> 00:07:55,300
LET THEM THROW MARQUIS
IN ARKHAM FOR A BRAIN INJURY
140
00:07:55,344 --> 00:07:57,607
THAT ISN'T HIS FAULT?
141
00:07:57,651 --> 00:07:59,783
IT'S CALLED MAKING
HARD CHOICES.
142
00:07:59,827 --> 00:08:00,697
WHY ARE WE EVEN HERE?
THERE WASN'T A TOXIC SEWER
143
00:08:00,741 --> 00:08:02,960
WITH WI-FI ACCESS?
144
00:08:03,004 --> 00:08:05,920
RENEE'S NOT WRONG, RYAN.
145
00:08:05,963 --> 00:08:07,922
WE NEED A HARDER STANCE.
146
00:08:07,965 --> 00:08:08,662
BY AGREEING
WITH THE WOMAN
147
00:08:08,705 --> 00:08:10,925
WHO'S BLACKMAILING ME
148
00:08:10,968 --> 00:08:12,796
BECAUSE YOU'RE
SLEEPING WITH HER?
149
00:08:12,840 --> 00:08:15,059
LUKE: AHEM. WOW.
UM, I THINK I SMELL THAT ASBESTOS.
150
00:08:15,103 --> 00:08:16,321
MAYBE WE SHOULD GO
GET SOME AIR.
151
00:08:16,365 --> 00:08:19,150
RENEE: LOOK. I GET IT.
MARY'S YOUR FRIEND.
152
00:08:19,194 --> 00:08:20,325
I THOUGHT I COULD PLEAD
AND HOPE
153
00:08:20,369 --> 00:08:21,675
AND RATIONALIZE
WITH PAM, TOO.
154
00:08:21,718 --> 00:08:24,460
IT DIDN'T WORK.
EVENTUALLY, IT GOT TO THE POINT
155
00:08:24,504 --> 00:08:25,548
WHERE SHE MADE ME CHOOSE--
156
00:08:25,592 --> 00:08:26,854
MY OBLIGATION
TO THE CITY OR HER.
157
00:08:26,897 --> 00:08:29,117
SO WHAT DID YOU DO?
158
00:08:30,553 --> 00:08:34,383
SOMETHING PAM WILL NEVER
FORGIVE ME FOR.
159
00:08:34,426 --> 00:08:35,732
I SOLD MY SOUL
TO BATMAN.
160
00:08:35,776 --> 00:08:37,952
HE KNEW HE COULDN'T
TRUST ARKHAM TO CONTAIN HER,
161
00:08:37,995 --> 00:08:39,562
SO HE DEVELOPED
A DESICCATION SERUM
162
00:08:39,606 --> 00:08:41,738
THAT MIMICKED THE PROCESS
A PLANT GOES THROUGH
163
00:08:41,782 --> 00:08:43,479
WHEN IT'S DENIED
WATER OR SUNLIGHT.
164
00:08:43,523 --> 00:08:45,699
THE DEVICE USED
TO INJECT IT
165
00:08:45,742 --> 00:08:46,830
IS CODED TO THE SERUM,
MEANING IT'S ALSO
166
00:08:46,874 --> 00:08:48,353
THE ONLY WAY
TO EXTRACT IT FROM HER.
167
00:08:48,397 --> 00:08:50,791
LUKE: SO IF WE GOT
MORE OF THE SERUM,
168
00:08:50,834 --> 00:08:51,443
WE COULD USE IT
ON MARY?
169
00:08:51,487 --> 00:08:53,402
I HAVE THE DEVICE,
170
00:08:53,445 --> 00:08:55,622
BUT HE ONLY MADE
ONE DOSE OF SERUM.
171
00:08:55,665 --> 00:08:56,361
IT'S CURRENTLY
PUMPING THROUGH
172
00:08:56,405 --> 00:08:58,015
PAMELA'S BLOODSTREAM.
173
00:08:58,059 --> 00:08:59,321
- SO WHERE IS SHE?
- NO ONE KNOWS.
174
00:08:59,364 --> 00:09:00,888
LUKE: OK, BUT IF WE
FIND HER,
175
00:09:00,931 --> 00:09:02,019
THEN PRESUMABLY
WE COULD SIPHON THE SERUM
176
00:09:02,063 --> 00:09:05,240
AND USE IT TO STOP
MARY, RIGHT?
177
00:09:05,283 --> 00:09:07,068
WRONG! FIRST OF ALL,
ACCIDENTALLY UNLEASHING
178
00:09:07,111 --> 00:09:10,854
AN ECOTERRORIST
WOULD NOT BE A GOOD LOOK FOR US.
179
00:09:10,898 --> 00:09:12,377
SECOND, DO YOU KNOW
WHAT DESICCATION MEANS?
180
00:09:12,421 --> 00:09:15,076
WE WOULD BE
DEHYDRATING MARY TO THE BRINK OF DEATH.
181
00:09:15,119 --> 00:09:17,078
RENEE: NO. THE SERUM
WAS JUST TO PUT PAM DOWN,
182
00:09:17,121 --> 00:09:19,646
AND THAT WAS 10 YEARS AGO.
183
00:09:19,689 --> 00:09:21,865
IF WE REMOVE IT,
MY GUESS IS SHE STAYS DORMANT
184
00:09:21,909 --> 00:09:23,258
UNLESS SHE COMES INTO CONTACT
WITH SUNLIGHT OR WATER.
185
00:09:23,301 --> 00:09:27,218
AS FOR POINT NUMBER TWO,
KID GLOVES, RYAN.
186
00:09:27,262 --> 00:09:29,525
DID YOU HEAR WHAT
RENEE JUST SAID?
187
00:09:29,569 --> 00:09:31,179
PAM WILL NEVER
FORGIVE HER FOR WHAT SHE DID TO HER.
188
00:09:31,222 --> 00:09:33,050
WE ARE NOT PUTTING
MARY THROUGH THAT SAME TORTURE
189
00:09:33,094 --> 00:09:34,704
SO SHE CAN HATE
US, TOO.
190
00:09:34,748 --> 00:09:36,663
SOPHIE: THIS COULD BE
OUR ONLY CHANCE TO SAVE MARY.
191
00:09:40,667 --> 00:09:43,539
THE TRUE MARY WOULD WANT
US TO STOP HER
192
00:09:43,583 --> 00:09:45,106
BEFORE SHE CAN DO SOMETHING
THAT SHE CAN'T TAKE BACK.
193
00:09:45,149 --> 00:09:46,281
WE CANNOT HELP HER
UNLESS WE STOP HER.
194
00:09:53,288 --> 00:09:54,724
FINE.
195
00:09:58,728 --> 00:09:59,947
IF I WERE BATMAN,
196
00:09:59,990 --> 00:10:03,820
WHERE WOULD I STASH
POISON IVY?
197
00:10:03,864 --> 00:10:05,387
OUR BEST BET IS THAT
BRUCE WROTE ABOUT PAM ISLEY
198
00:10:05,430 --> 00:10:07,432
IN HIS JOURNALS,
WHICH ARE IN THE BATCAVE HERE,
199
00:10:07,476 --> 00:10:09,652
BUT MARQUIS'
STATE-OF-THE-ART INTERIOR
200
00:10:09,696 --> 00:10:10,697
AND EXTERIOR CAMERAS MEANS
201
00:10:10,740 --> 00:10:13,090
NO ROOF, BALCONY,
OR GARAGE ACCESS.
202
00:10:13,134 --> 00:10:14,004
CAN YOU HACK INTO THE FEED
AND BUY ME SOME TIME?
203
00:10:14,048 --> 00:10:16,441
- NOT WITH DIALUP.
- MANPOWER?
204
00:10:16,485 --> 00:10:18,008
THERE'S 5
SECURITY GUARDS PER FLOOR.
205
00:10:18,052 --> 00:10:19,619
- DIGITAL UPGRADES?
- ACCORDING TO OUR FORMER STAFF,
206
00:10:19,662 --> 00:10:22,534
EVERY EXECUTIVE ELEVATOR
REQUIRES A THUMB SCAN,
207
00:10:22,578 --> 00:10:24,101
AND HIS OFFICE IS LOCKED
WITH A RETINAL SCAN.
208
00:10:24,145 --> 00:10:25,276
SOPHIE: GUYS, WE'RE NOT
GETTING INTO THIS BUILDING.
209
00:10:25,320 --> 00:10:28,018
[CELL PHONE RINGING]
210
00:10:28,062 --> 00:10:30,281
WHY IS MARQUIS CALLING ME?
AM I SUPPOSED TO TAKE THIS?
211
00:10:30,325 --> 00:10:32,066
WHAT THE HELL
DOES HE WANT?
212
00:10:32,109 --> 00:10:35,243
GUESS I'M ABOUT TO
FIND OUT.
213
00:10:35,286 --> 00:10:38,594
I'M SORRY. I WAS
A DETECTIVE FOR 8 YEARS,
214
00:10:38,638 --> 00:10:40,727
AND I'M JUST LEARNING NOW
THAT...
215
00:10:40,770 --> 00:10:44,556
BRUCE WAYNE WAS...BATMAN?
216
00:10:44,600 --> 00:10:47,081
MARQUIS: WHAT UP, SIS?
QUICK QUESTION FOR YOU.
217
00:10:47,124 --> 00:10:48,909
IS THIS THING LEGIT?
218
00:10:48,952 --> 00:10:49,866
WHAT DO YOU THINK
I CAN HAWK IT FOR,
219
00:10:49,910 --> 00:10:52,042
A BUCK 50, TWO?
220
00:10:52,086 --> 00:10:54,131
WHAT ARE YOU DOING,
MARQUIS?
221
00:10:54,175 --> 00:10:56,873
I'M REDECORATING
MY OFFICE.
222
00:10:56,917 --> 00:10:58,309
YOU DO KNOW YOU HAD
A CHESS SET, RIGHT?
223
00:10:58,353 --> 00:11:00,355
YOU SHOULD BE
IN JAIL.
224
00:11:00,398 --> 00:11:01,878
OH! SAMESIES, SIS.
225
00:11:01,922 --> 00:11:03,488
REMEMBER WHEN YOU
HAD ME KIDNAPPED?
226
00:11:03,532 --> 00:11:05,708
THAT'S ILLEGAL!
TSK, TSK, TSK.
227
00:11:05,752 --> 00:11:07,928
YOU WANT TO CALL IT SIXES
AND MOVE ON?
228
00:11:07,971 --> 00:11:09,712
YOU NEED HELP.
YOU NEED A DOCTOR.
229
00:11:09,756 --> 00:11:11,453
IT'S NOT TOO LATE.
230
00:11:11,496 --> 00:11:13,716
- HOLD THAT THOUGHT.
- SIR.
231
00:11:13,760 --> 00:11:14,891
THE PLANNER'S UPSTAIRS
READY TO TAKE YOU
232
00:11:14,935 --> 00:11:16,284
THROUGH THE STAGING
FOR THE PARTY TONIGHT,
233
00:11:16,327 --> 00:11:17,459
AND YOUR MASK IS HERE
FOR A FITTING.
234
00:11:17,502 --> 00:11:19,417
YEAH. TWO SECONDS.
235
00:11:19,461 --> 00:11:20,027
SORRY ABOUT THAT.
YOU WERE CALLING ME
236
00:11:20,070 --> 00:11:22,290
A MENTAL CASE.
237
00:11:22,333 --> 00:11:24,292
YOU WOULDN'T HAVE
CALLED ME
238
00:11:24,335 --> 00:11:25,336
IF A TINY PART OF YOU
WASN'T REACHING OUT FOR HELP.
239
00:11:25,380 --> 00:11:27,599
JUST LIKE THERE'S
A TINY PART OF YOU
240
00:11:27,643 --> 00:11:28,339
THAT LOVES ME, RIGHT,
OR ELSE YOU WOULD HAVE HAD
241
00:11:28,383 --> 00:11:29,079
MY ASS THROWN IN ARKHAM,
242
00:11:29,123 --> 00:11:30,907
AND BECAUSE YOU LOVE ME,
243
00:11:30,951 --> 00:11:33,344
YOU TRIED TO TURN ME
INTO AN ICE CUBE.
244
00:11:33,388 --> 00:11:35,738
ANYWAY, I JUST WANTED TO
SAY THANK YOU.
245
00:11:35,782 --> 00:11:39,394
THE COLD,
THE NEAR DEATH OF IT ALL,
246
00:11:39,437 --> 00:11:41,004
GOT TO SAY,
IT AWOKE SOMETHING IN ME
247
00:11:41,048 --> 00:11:44,181
BECAUSE I'VE NEVER FELT
THIS ALIVE.
248
00:11:44,225 --> 00:11:47,010
MARQUIS JET IS COMING
FOR YOU, GOTHAM!
249
00:11:50,187 --> 00:11:50,840
YOU'LL BE HEARING
FROM ME SOON.
250
00:12:00,023 --> 00:12:03,113
WANT TO TALK
ABOUT IT?
251
00:12:03,157 --> 00:12:05,725
I THINK MARQUIS IS
THROWING A PARTY AT WAYNE TONIGHT,
252
00:12:05,768 --> 00:12:06,856
AND WE'RE GONNA
CRASH IT.
253
00:12:12,383 --> 00:12:14,559
[DANCE MUSIC PLAYING]
254
00:12:43,501 --> 00:12:45,460
SO WE SHOULD RUN
OUR IDENTITIES. GO.
255
00:12:45,503 --> 00:12:47,679
AHEM. HELLO.
I'M SPENCER GLAD,
256
00:12:47,723 --> 00:12:50,291
FORMER OLYMPIC ATHLETE,
RUMORED TO BE
257
00:12:50,334 --> 00:12:52,467
THE NEXT OWNER
OF THE GOTHAM KNIGHTS.
258
00:12:52,510 --> 00:12:55,296
I'LL HIT YOU UP
FOR FLOOR SEATS, SPENCE.
259
00:12:55,339 --> 00:12:56,601
THE NAME'S
CECELIA LANGLEY,
260
00:12:56,645 --> 00:12:59,517
HEIRESS TO A WHISKEY FORTUNE
AND WORLD TRAVELER.
261
00:13:02,956 --> 00:13:04,827
PENELOPE DEVEREAUX,
WHO FOR SOME REASON
262
00:13:04,871 --> 00:13:07,482
RUNS A BOARD GAME
EMPIRE?
263
00:13:07,525 --> 00:13:08,439
- HONESTLY, DREAM JOB.
- JUST GONNA SAY IT.
264
00:13:08,483 --> 00:13:10,137
MY GIRL SOUNDS HOT.
265
00:13:10,180 --> 00:13:12,443
ALSO, HOW ARE WE NOT
GONNA RUN INTO THESE PEOPLE TONIGHT?
266
00:13:12,487 --> 00:13:14,837
YEAH. I SENT SOME E-MAILS.
THEY THINK THEY'RE UNINVITED,
267
00:13:14,881 --> 00:13:17,492
AND, YES, SHE IS.
268
00:13:17,535 --> 00:13:19,146
I FITTED YOUR MASK
WITH OCULAR MESH SCANNERS
269
00:13:19,189 --> 00:13:20,800
FROM THE BATSUIT.
270
00:13:20,843 --> 00:13:22,323
BE CAREFUL.
SOPHIE, YOURS IS
271
00:13:22,366 --> 00:13:23,498
FROM THE DOLLAR STORE.
272
00:13:23,541 --> 00:13:25,630
LUKE: GO NUTS.
RYAN: OK. SO WE GET IN,
273
00:13:25,674 --> 00:13:26,806
GET PAST SECURITY,
GET TO THE BATCAVE,
274
00:13:26,849 --> 00:13:29,591
FIND BRUCE'S JOURNALS,
AND FIND PAM.
275
00:13:29,634 --> 00:13:31,985
[DANCE MUSIC PLAYING]
276
00:13:32,028 --> 00:13:34,901
OH, AND, PENELOPE,
YOU'RE FRENCH.
277
00:13:34,944 --> 00:13:35,684
WAIT. WHAT?
278
00:13:35,727 --> 00:13:37,860
[MUSIC CONTINUES]
279
00:13:42,169 --> 00:13:43,213
[CELL PHONE BEEPS]
280
00:13:51,047 --> 00:13:55,008
8 OF CLUBS?
WHAT'S THIS ABOUT?
281
00:13:55,051 --> 00:13:56,966
HOPEFULLY WE'LL
BE LONG GONE BEFORE IT MATTERS.
282
00:13:57,010 --> 00:13:58,272
MARQUIS, ON P.A.:
WHO WANTS TO PLAY A GAME?
283
00:14:06,019 --> 00:14:10,284
THERE'S NOTHING WORSE IN LIFE
THAN A FAKE SMILE.
284
00:14:18,379 --> 00:14:20,424
A COUPLE DAYS AGO,
I SAT DOWN
285
00:14:20,468 --> 00:14:22,687
AT THE TABLE
OF MY BRAND-NEW BOARD ROOM,
286
00:14:22,731 --> 00:14:25,299
SURROUNDED BY MEN AND WOMEN
WHO WERE SUPPOSED TO BE
287
00:14:25,342 --> 00:14:26,604
MY SOLDIERS,
288
00:14:26,648 --> 00:14:30,260
AND THEY TOLD ME THAT
I WASN'T THE RIGHT MAN
289
00:14:30,304 --> 00:14:31,740
TO LEAD WAYNE ENTERPRISES.
290
00:14:31,783 --> 00:14:33,350
ON YOUR RIGHT.
291
00:14:33,394 --> 00:14:34,874
OH, OH, MAN. OH.
I'M SO SORRY.
292
00:14:34,917 --> 00:14:37,354
HI. I'LL TAKE
THIS FOR YOU.
293
00:14:37,398 --> 00:14:38,399
MARQUIS: BUT IT WAS THE WAY
THAT THEY SAID IT.
294
00:14:38,442 --> 00:14:39,922
NO CRACK OR ANYTHING.
THAT'S CRAZY.
295
00:14:39,966 --> 00:14:44,057
MARQUIS: SO CONDESCENDING,
LIKE THEY WERE MAD ABOUT IT,
296
00:14:44,100 --> 00:14:45,188
LIKE THIS.
297
00:14:48,061 --> 00:14:49,584
SO I FIRED THEIR ASSES!
298
00:14:49,627 --> 00:14:52,587
[CHEERING]
299
00:14:52,630 --> 00:14:56,591
EACH OF YOU HAS PROVEN
TO BE OF SAVAGE MIND.
300
00:14:56,634 --> 00:14:59,942
THAT'S WHO I WANT
AT MY WAYNE ENTERPRISES.
301
00:15:08,211 --> 00:15:10,083
JACK OF HEARTS.
302
00:15:10,126 --> 00:15:11,214
DID WE JUST CRASH
A DERANGED GROUP JOB INTERVIEW?
303
00:15:11,258 --> 00:15:12,955
SOPHIE: I'M AFRAID SO.
304
00:15:18,047 --> 00:15:20,049
HANDS ON THE TABLE,
JACK OF HEARTS.
305
00:15:22,747 --> 00:15:23,661
TRUE OR FALSE--
306
00:15:23,705 --> 00:15:26,273
WHEN WE CLIMB
TO THE TOP,
307
00:15:26,316 --> 00:15:28,014
WE GOT TO BE WILLING
TO GET A LITTLE CRAZY.
308
00:15:28,057 --> 00:15:29,972
TRUE.
309
00:15:30,016 --> 00:15:32,018
[MARQUIS CLAPS ONCE]
310
00:15:32,061 --> 00:15:33,933
RYAN: HOW'S THIS?
CLOSE ENOUGH?
311
00:15:33,976 --> 00:15:35,717
LUKE: NO. WE NEED
A FULL RETINAL MAP TO FOOL THE SCANNERS.
312
00:15:35,760 --> 00:15:37,414
YOU NEED TO BE A LOT CLOSER.
313
00:15:37,458 --> 00:15:38,502
HOW AM I SUPPOSED
TO DO THAT
314
00:15:38,546 --> 00:15:40,635
WHILE HE'S PLAYING
GAME SHOW HOST?
315
00:15:40,678 --> 00:15:41,766
LOOK. ALL I KNOW IS
I SWITCHED THE SIM CARD
316
00:15:41,810 --> 00:15:43,420
ON HIS ASSISTANT'S TABLET,
AND NOW I HAVE
317
00:15:43,464 --> 00:15:44,465
FULL ACCESS
TO TOWER SECURITY CAMS.
318
00:15:44,508 --> 00:15:47,337
OK. AHEM.
IT'S NOT A COMPETITION.
319
00:15:50,645 --> 00:15:52,603
YEAH. SURE THING,
BUT, UH, SOPHIE JUST GOT
320
00:15:52,647 --> 00:15:55,041
MARQUIS' THUMBPRINT,
SO KIND OF JUST WAITING ON YOU HERE.
321
00:15:55,084 --> 00:15:57,782
[SIGHS]
322
00:15:57,826 --> 00:15:58,740
COMPLETE THIS SENTENCE.
323
00:15:58,783 --> 00:16:01,569
THE SICK AMONG US
DESERVE OUR...
324
00:16:02,700 --> 00:16:04,702
PITY?
325
00:16:04,746 --> 00:16:07,314
[GRUNTING]
326
00:16:07,357 --> 00:16:07,879
HA HA HA!
327
00:16:07,923 --> 00:16:09,794
[PEOPLE GASPING]
328
00:16:09,838 --> 00:16:15,235
HA HA HA! HA HA HA!
329
00:16:15,278 --> 00:16:18,064
THE ANSWER WE WERE
LOOKING FOR WAS FEAR.
330
00:16:18,107 --> 00:16:20,980
TOUGH LUCK.
331
00:16:21,023 --> 00:16:21,676
WHO'S NEXT?
332
00:16:25,027 --> 00:16:27,116
COME ON. DON'T BE SHY.
333
00:16:27,160 --> 00:16:29,553
LOOK. I PROMISE THIS IS
THE OPPORTUNITY OF A LIFETIME.
334
00:16:31,860 --> 00:16:32,992
3 OF DIAMONDS.
335
00:16:44,220 --> 00:16:45,961
OUI. C'EST MOI.
336
00:16:46,005 --> 00:16:49,095
MARQUIS: OH.
MISS PENELOPE DEVEREAUX
337
00:16:49,138 --> 00:16:51,749
I PRESUME.
338
00:16:51,793 --> 00:16:52,968
OK. HERE WE GO.
339
00:16:53,012 --> 00:16:54,970
MARQUIS: THE ONLY PARISIAN
ON MY GUEST LIST.
340
00:16:55,014 --> 00:16:57,494
YOU CREATED THE GAME
3 MURDERS AT THE BOWERY.
341
00:16:57,538 --> 00:17:02,064
MAY I SAY YOUR WORK
IS MOST...
342
00:17:02,108 --> 00:17:02,586
THOUGHTFULLY DERANGED.
343
00:17:02,630 --> 00:17:04,632
MERCI.
344
00:17:04,675 --> 00:17:08,157
LUKE: JUST--JUST
A FEW MORE SECONDS.
345
00:17:08,201 --> 00:17:09,115
TRUE OR FALSE--
346
00:17:09,158 --> 00:17:11,639
AN ARTIST ALWAYS PUTS
HERSELF,
347
00:17:11,682 --> 00:17:15,077
NO MATTER HOW DARK,
INTO HER WORK.
348
00:17:15,121 --> 00:17:16,339
OUI.
349
00:17:18,428 --> 00:17:22,084
WHENEVER WE REVEAL
OUR DARKNESS INTO THE LIGHT.
350
00:17:22,128 --> 00:17:22,650
WE ARE NO LONGER SCARED.
351
00:17:22,693 --> 00:17:24,086
NON.
352
00:17:24,130 --> 00:17:26,262
HEH.
353
00:17:26,306 --> 00:17:29,135
FINISH THIS SENTENCE.
354
00:17:29,178 --> 00:17:31,311
A MOTHER'S LOVE IS...
355
00:17:31,354 --> 00:17:32,573
SCAN COMPLETE.
GOOD TO GO.
356
00:17:34,749 --> 00:17:37,404
EH, NOT MY PROBLEM.
357
00:17:38,622 --> 00:17:41,408
[PEOPLE MURMURING]
358
00:17:44,585 --> 00:17:45,368
[BEEP]
359
00:17:53,637 --> 00:17:55,248
YOU KNOW, IF MY
THERAPIST WERE HERE,
360
00:17:55,291 --> 00:17:57,424
SHE'D SAY IT'S NEVER
A GOOD IDEA
361
00:17:57,467 --> 00:17:59,643
TO HUNT A DESICCATED BODY
WHILE ANGRY.
362
00:17:59,687 --> 00:18:01,167
JUST TELL ME WHY
SHE WANTS TO BE HERE ALL OF A SUDDEN.
363
00:18:01,210 --> 00:18:03,343
IT'S NOT ALL
OF A SUDDEN.
364
00:18:03,386 --> 00:18:04,474
WE WERE PLANNING
TO SPEND OUR ENTIRE LIVES TOGETHER.
365
00:18:04,518 --> 00:18:06,998
BRUCE MENTIONED
ANYTHING ABOUT PAM,
366
00:18:07,042 --> 00:18:10,089
THERE'S A GOOD CHANCE
I'LL UNDERSTAND IT.
367
00:18:10,132 --> 00:18:12,178
JUST BECAUSE YOU WANT TO
KISS AND MAKE UP WITH HER
368
00:18:12,221 --> 00:18:13,048
DOESN'T MEAN WE'RE GOOD.
369
00:18:13,092 --> 00:18:14,571
I GET WHY
YOU'RE PISSED,
370
00:18:14,615 --> 00:18:16,617
BUT REMEMBER
SOMETHING.
371
00:18:16,660 --> 00:18:19,228
POISON IVY COST ME
THE LOVE OF MY LIFE.
372
00:18:19,272 --> 00:18:20,099
TRYING TO HELP.
373
00:18:22,971 --> 00:18:24,712
I'LL TAKE YOUR HELP.
374
00:18:24,755 --> 00:18:26,931
THEN I WANT MY NAME--
375
00:18:26,975 --> 00:18:29,325
BATWOMAN'S NAME--
OUT OF YOUR MOUTH.
376
00:18:29,369 --> 00:18:31,545
WE'VE PRETTY MUCH
CLEANED UP EVERYTHING ON YOUR LIST.
377
00:18:31,588 --> 00:18:33,677
THAT'S A FUN WAY
OF SAYING THE JOKER'S JOY BUZZER'S
378
00:18:33,721 --> 00:18:34,591
STILL UNACCOUNTED FOR.
379
00:18:34,635 --> 00:18:36,332
OK. WE NEED ALICE
TO FIND IT.
380
00:18:36,376 --> 00:18:39,118
WAIT. ALICE WAS
YOUR JOB, RIGHT?
381
00:18:39,161 --> 00:18:40,467
AND YOU WERE HOOKING UP
WITH HER AT HER PLACE,
382
00:18:40,510 --> 00:18:42,991
WHICH--PHEW--I HOPE
IT'S NICER THAN HER OFFICE.
383
00:18:43,034 --> 00:18:43,731
MY PLACE IS
RENT CONTROLLED.
384
00:18:43,774 --> 00:18:46,821
WHO CARES IF
IT'S NICE?
385
00:18:46,864 --> 00:18:47,952
REALLY THOUGHT WAYNE TOWER
WAS TALL ENOUGH
386
00:18:47,996 --> 00:18:49,084
FOR US TO GET
TO HANDSHAKES, LADIES.
387
00:18:49,128 --> 00:18:51,565
[DING]
388
00:18:51,608 --> 00:18:53,132
[INDISTINCT CHATTER ON TV]
389
00:18:58,398 --> 00:18:58,572
[BEEP]
390
00:19:08,451 --> 00:19:10,758
HI. HEY. I THOUGHT
I TOLD YOU TO LOCK THE DOOR.
391
00:19:13,543 --> 00:19:13,587
EHH.
392
00:19:18,592 --> 00:19:19,636
UHH!
393
00:19:26,556 --> 00:19:27,557
WE'RE THE CLEANING LADIES.
394
00:19:33,041 --> 00:19:35,130
MAN: LET'S GO.
395
00:19:35,174 --> 00:19:36,697
WOMAN: ♪ AIN'T NO POLITE WAY
396
00:19:36,740 --> 00:19:39,569
♪ RUNNING AIN'T SO EASY
397
00:19:39,613 --> 00:19:41,092
♪ CROSS THE COUNTRY,
THAT'S ME ♪
398
00:19:41,136 --> 00:19:42,659
♪ THAT'S YOU, THAT'S ME,
THAT'S WE, THAT'S ME ♪
399
00:19:42,703 --> 00:19:43,617
♪ AIN'T NO POLITE WAY
400
00:19:43,660 --> 00:19:46,794
♪ RUNNING AIN'T SO EASY
401
00:19:46,837 --> 00:19:48,230
♪ CROSS THE COUNTRY,
THAT'S ME ♪
402
00:19:48,274 --> 00:19:49,318
♪ THAT'S YOU, THAT'S ME,
THAT'S WE, THAT'S ME ♪
403
00:19:57,457 --> 00:19:58,109
SORRY ABOUT THE MESS.
404
00:20:07,423 --> 00:20:08,772
CAN YOU FACE
THE OTHER WAY?
405
00:20:08,816 --> 00:20:11,340
WE KIND OF GOT
A HIDDEN ENTRY SITUATION GOING HERE.
406
00:20:31,055 --> 00:20:32,492
WOMAN: ♪ DON'T YOU
UNDERESTIMATE ME ♪
407
00:20:34,842 --> 00:20:35,016
♪ DON'T YOU
408
00:20:40,500 --> 00:20:42,893
♪ DON'T YOU UNDERESTIMATE ME
409
00:20:42,937 --> 00:20:45,461
♪ SIZE YOU UP,
I BRING ON THE HEAT ♪
410
00:20:45,505 --> 00:20:47,158
LET'S HAVE SOME FUN.
411
00:20:53,861 --> 00:20:55,645
GUYS, PLEASE TELL ME
YOU FIGURED OUT
412
00:20:55,689 --> 00:20:57,125
WHERE POISON IVY'S BURIED.
413
00:20:57,168 --> 00:20:58,082
- WE JUST GOT TO THE JOURNALS.
- BE QUICK ABOUT IT
414
00:20:58,126 --> 00:20:59,780
BECAUSE MARY JUST GOT HERE.
415
00:20:59,823 --> 00:21:02,565
ARE YOU SERIOUS?
416
00:21:02,609 --> 00:21:04,306
MARY CAME HOME.
IS SHE LOOKING FOR US?
417
00:21:04,350 --> 00:21:05,612
UH, JUST JUDGING
A BOOK BY ITS COVER HERE,
418
00:21:05,655 --> 00:21:06,787
BUT I THINK IT'S
MORE LIKELY THAT SHE'S LOOKING
419
00:21:06,830 --> 00:21:07,788
FOR FREAK FERTILIZER.
420
00:21:07,831 --> 00:21:10,356
SOPHIE: ANY SIGN
OF ALICE WITH HER?
421
00:21:10,399 --> 00:21:11,357
NO, NOT YET,
BUT I'LL KEEP MY EYE ON THE SECURITY CAMS.
422
00:21:11,400 --> 00:21:13,750
DON'T LET HER
LEAVE THIS BUILDING.
423
00:21:13,794 --> 00:21:14,490
GREAT. I MEAN, SHE'S
BEEN SO COOPERATIVE LATELY,
424
00:21:14,534 --> 00:21:16,275
I SEE NO PROBLEMS THERE.
425
00:21:16,318 --> 00:21:18,364
OK. CALL IF YOU
NEED BACKUP.
426
00:21:18,407 --> 00:21:19,539
IF MARY'S HERE,
IT'S FOR A REASON,
427
00:21:19,582 --> 00:21:22,933
AND I CAN ASSURE YOU
IT'S NOT TO DANCE.
428
00:21:22,977 --> 00:21:24,108
LET'S JUST GET
TO THESE.
429
00:21:27,198 --> 00:21:29,331
WOMAN: ♪ OOH, BABY
430
00:21:29,375 --> 00:21:31,290
♪ YOU GOT A RHYTHM LIKE...
431
00:21:31,333 --> 00:21:34,858
OK. I PROMISE I JUST
WANT TO TALK.
432
00:21:34,902 --> 00:21:37,165
OK. I'LL JUST GRAB
A NUMBER AND STAY RIGHT HERE.
433
00:21:37,208 --> 00:21:39,863
♪ SO IN A HURRY...
434
00:21:39,907 --> 00:21:42,692
MARY HAMILTON.
435
00:21:42,736 --> 00:21:44,694
WELL, WELL.
I SHOULD PROBABLY
436
00:21:44,738 --> 00:21:47,741
FIRE MY PUBLICIST,
MARY HAMILTON,
437
00:21:47,784 --> 00:21:51,397
BECAUSE YOU SHOULD
KNOW YOUR FRIENDS NO LONGER LIVE HERE.
438
00:21:51,440 --> 00:21:54,095
WELL, I'M NO PR REP,
BUT IF SHE'S THE ONE
439
00:21:54,138 --> 00:21:56,445
WHO CAME UP WITH YOUR
DECK OF CARDS THEME,
440
00:21:56,489 --> 00:21:58,273
IT'S DEFINITELY SOMETHING
YOU SHOULD CONSIDER.
441
00:21:58,317 --> 00:22:01,929
HEH. I'M NOT FEELING
THE VIBES YOU'RE PUTTING OUT,
442
00:22:01,972 --> 00:22:05,411
AND THAT'S A SHAME
BECAUSE YOU...
443
00:22:05,454 --> 00:22:08,370
YOU LOOK LIKE YOU'D
BE A LOT OF FUN.
444
00:22:08,414 --> 00:22:12,331
DON'T GIVE UP ON ME
SO FAST, MR. C-E-BRO.
445
00:22:12,374 --> 00:22:15,551
YOU HAVEN'T EVEN HEARD
THE REASON I CAME ALL THIS WAY TO FIND YOU.
446
00:22:15,595 --> 00:22:18,206
DANCE?
447
00:22:22,558 --> 00:22:24,647
[SIGH]
448
00:22:24,691 --> 00:22:27,824
OK. OK. OK, OK,
OK, OK, OK, OK.
449
00:22:27,868 --> 00:22:30,000
WE DON'T HAVE TIME
FOR THIS.
450
00:22:31,959 --> 00:22:34,570
NEW PLAN. BRUCE
ARCHIVED THESE CHRONOLOGICALLY,
451
00:22:34,614 --> 00:22:38,095
SO LET'S START THERE.
452
00:22:38,139 --> 00:22:38,879
WHEN WAS THE FIRST
TIME YOU CONTACTED BATMAN FOR HELP?
453
00:22:38,922 --> 00:22:39,488
IT WAS EARLY JUNE 2011.
454
00:22:39,532 --> 00:22:41,229
OK.
455
00:22:46,408 --> 00:22:48,932
DOES ANY OF THIS
LOOK FAMILIAR?
456
00:22:48,976 --> 00:22:52,980
THIS. THIS IS
THE GOTHAM CITY DAM.
457
00:22:53,023 --> 00:22:54,590
BRUCE WOULDN'T HAVE
DESICCATED PAM AROUND THAT MUCH WATER.
458
00:22:54,634 --> 00:22:57,811
HE DIDN'T. HE NEEDED TO
STOP HER FROM DESTROYING IT.
459
00:22:57,854 --> 00:22:59,116
THE DAM WAS
HER NEXT TARGET.
460
00:22:59,160 --> 00:23:01,902
OK, OK. I'M--I'M SORRY.
461
00:23:01,945 --> 00:23:04,339
WHY DID YOU LOVE
THIS WOMAN?
462
00:23:04,383 --> 00:23:07,211
BECAUSE THROUGH IT ALL
I KNEW IT REALLY WASN'T HER.
463
00:23:07,255 --> 00:23:11,302
WHAT'S HAPPENING TO MARY,
WHAT HAPPENED TO PAM
464
00:23:11,346 --> 00:23:12,347
WASN'T A FAIR FIGHT.
465
00:23:26,274 --> 00:23:28,407
I APPRECIATE
THE SYMBOLISM,
466
00:23:28,450 --> 00:23:31,279
BUT TECHNICALLY,
YOU JUST KILLED A TULIP.
467
00:23:31,322 --> 00:23:32,236
YOU GOING SOMEWHERE?
468
00:23:32,280 --> 00:23:34,978
YES, I AM.
469
00:23:35,022 --> 00:23:37,416
THE QUESTION IS
DO I PACK
470
00:23:37,459 --> 00:23:41,594
ONE TOOTHBRUSH OR TWO?
471
00:23:41,637 --> 00:23:42,812
GUYS AT THE PRECINCT
MENTIONED SOMETHING
472
00:23:42,856 --> 00:23:46,816
ABOUT A BREAK-IN
AT GOTHAM DAM LAST NIGHT.
473
00:23:46,860 --> 00:23:48,383
YOU WOULDN'T KNOW
ANYTHING ABOUT THAT, WOULD YOU?
474
00:23:51,038 --> 00:23:52,561
I HAVEN'T BEEN
STUDYING MY ASS OFF
475
00:23:52,605 --> 00:23:56,043
FOR MY DETECTIVE'S EXAM
FOR NOTHING.
476
00:23:56,086 --> 00:23:56,609
WHAT ARE YOU PLANNING
TO DO THERE?
477
00:24:01,570 --> 00:24:02,963
YOU WANT THE TRUTH
SO YOU HAVE TO BREAK UP WITH ME
478
00:24:03,006 --> 00:24:04,486
OR A LIE SO WE CAN
STAY TOGETHER?
479
00:24:04,530 --> 00:24:06,923
DON'T DO THAT.
DON'T PUT THIS ON ME.
480
00:24:06,967 --> 00:24:09,709
WHY NOT? YOU ALREADY KNOW
WHAT I WANT.
481
00:24:09,752 --> 00:24:12,668
I WANT TO SAVE GOTHAM
FROM BECOMING
482
00:24:12,712 --> 00:24:14,235
A TOXIC WASTE DUMP,
AND I'D LIKE YOU TO SUPPORT ME
483
00:24:14,278 --> 00:24:15,410
WHILE I DO IT,
484
00:24:15,454 --> 00:24:16,977
SO...
485
00:24:17,020 --> 00:24:20,894
WHAT DO YOU WANT?
486
00:24:20,937 --> 00:24:23,418
FLETCHER: ♪ JUST STARING
AT THE CEILING FAN ♪
487
00:24:23,462 --> 00:24:26,856
FOR YOU TO
CHOOSE ONE--
488
00:24:26,900 --> 00:24:28,554
YOUR CAUSE,
FLOODING THE CITY,
489
00:24:28,597 --> 00:24:32,688
WIPING FULL NEIGHBORHOODS
OFF THE MAP, OR ME.
490
00:24:32,732 --> 00:24:36,518
FLETCHER: ♪ SO I'LL DRINK
THIS WINE ♪
491
00:24:36,562 --> 00:24:39,216
♪ LIKE IT'S MEDICINE
FOR THE MIND ♪
492
00:24:39,260 --> 00:24:43,699
ABOVE ALL ELSE,
I WANT YOU.
493
00:24:43,743 --> 00:24:45,788
♪ BECAUSE I STILL TASTE
YOUR LOVE ♪
494
00:24:45,832 --> 00:24:48,835
BUT I NEED YOU TO TRUST THAT
I KNOW WHAT I'M DOING HERE.
495
00:24:48,878 --> 00:24:52,055
♪ HEAD TO MY TOES
496
00:24:52,099 --> 00:24:55,537
♪ DOING TIME,
TRYING TO HEAL ♪
497
00:24:55,581 --> 00:24:57,713
♪ DO ANYTHING SO I DON'T
498
00:24:57,757 --> 00:25:07,331
♪ FEEL YOU
499
00:25:07,375 --> 00:25:09,246
♪ FEEL YOU, FEEL YOU
500
00:25:09,290 --> 00:25:11,640
WHAT IS THIS FOR?
501
00:25:11,684 --> 00:25:13,163
FORGIVENESS.
502
00:25:13,207 --> 00:25:14,861
[GASPS]
503
00:25:19,169 --> 00:25:19,605
OHH!
504
00:25:21,694 --> 00:25:24,174
[GASPING]
505
00:25:42,628 --> 00:25:43,411
RYAN: YOU THINK
OF SOMETHING?
506
00:25:47,154 --> 00:25:48,503
YOU GOOD?
507
00:25:52,899 --> 00:25:54,465
SOPHIE: HEY.
GOT SOMETHING.
508
00:25:54,509 --> 00:25:56,642
BRUCE WROTE THAT
POISON IVY WOULD HAVE TO BE KEPT
509
00:25:56,685 --> 00:25:57,947
WHERE NO ONE
WOULD LOOK FOR HER
510
00:25:57,991 --> 00:25:59,601
BUT SOMEWHERE HE
COULD GET TO HER IF HE NEEDED.
511
00:25:59,645 --> 00:26:02,038
SO CLOSE. HE WOULDN'T
HAVE BURIED HER ANYWHERE
512
00:26:02,082 --> 00:26:03,431
NEAR THEIR USUAL
HOT SPOTS--
513
00:26:03,474 --> 00:26:06,303
DOCKS, SHIPYARDS,
BACK ALLEYS.
514
00:26:06,347 --> 00:26:07,435
NO. IT'D HAVE TO BE
DARK AND DRY,
515
00:26:07,478 --> 00:26:08,610
NO WATER, NO LIGHT,
NO OTHER PLANT LIFE.
516
00:26:08,654 --> 00:26:10,438
WATER WAS
HIS BIGGEST CONCERN.
517
00:26:10,481 --> 00:26:13,093
A SINGLE DROP COULD BE
ENOUGH TO REANIMATE HER.
518
00:26:13,136 --> 00:26:14,703
GOTHAM CITY IS
A DAMN ISLAND,
519
00:26:14,747 --> 00:26:17,924
WHERE IT RAINS
300 DAYS A YEAR.
520
00:26:17,967 --> 00:26:19,273
ARE YOU SURE HE
DIDN'T MAKE A DEAL WITH GCPD
521
00:26:19,316 --> 00:26:20,927
FOR SOME KIND OF
SPECIAL PROTECTIVE CUSTODY?
522
00:26:20,970 --> 00:26:23,625
WELL, SHE'S NOT
AT BLACKGATE,
523
00:26:23,669 --> 00:26:24,844
AND I CHECKED
THE OFF-BOOKS WING AT ARKHAM, TOO.
524
00:26:24,887 --> 00:26:26,193
THERE HAS TO BE AN ANSWER
WE'RE NOT SEEING.
525
00:26:31,938 --> 00:26:34,462
OH, MY GOD.
526
00:26:49,520 --> 00:26:50,434
WHAT IF SHE'S HERE?
527
00:27:03,186 --> 00:27:05,580
YOU SPEND YOUR WHOLE LIFE
IN SERVICE
528
00:27:05,624 --> 00:27:07,974
TO LOGIC
AND FORENSIC EVIDENCE,
529
00:27:08,017 --> 00:27:10,672
AND THEN YOU KNOW
WHAT LOVE DOES.
530
00:27:10,716 --> 00:27:13,370
IT MAKES YOU WANT TO SAY
THINGS LIKE,
531
00:27:13,414 --> 00:27:15,677
"I KNOW SHE'S DOWN HERE.
532
00:27:15,721 --> 00:27:16,852
I CAN FEEL HER."
533
00:27:22,597 --> 00:27:23,467
IF SHE'S IN THERE,
ARE YOU SURE
534
00:27:23,511 --> 00:27:26,427
YOU WANT TO SEE HER
LIKE THIS?
535
00:27:26,470 --> 00:27:29,691
RYAN AND I CAN
HANDLE IT.
536
00:27:29,735 --> 00:27:33,216
THANKS, BUT I OWE
IT TO HER NOT TO RUN AWAY AND HIDE.
537
00:27:33,260 --> 00:27:35,218
RYAN: THIS HAS THE SCHEMATICS
FOR THE TUNNEL SYSTEM
538
00:27:35,262 --> 00:27:37,220
BELOW THE BATCAVE.
539
00:27:37,264 --> 00:27:38,787
I HAVE NO IDEA WHERE WE'RE
GONNA END UP,
540
00:27:38,831 --> 00:27:41,529
SO MAKE SURE WE FIND
OUR WAY BACK.
541
00:27:41,572 --> 00:27:45,054
HOW FAR DOWN
DOES THIS GO?
542
00:27:45,098 --> 00:27:46,316
EVEN CLOSER TO HELL
THAN YOUR OFFICE.
543
00:27:46,360 --> 00:27:47,230
OK. I NEED TOTAL QUIET.
544
00:27:55,325 --> 00:27:56,979
[CELL PHONE BUZZING]
545
00:27:57,023 --> 00:27:58,807
SORRY, GUYS.
DAMN FRAUD ALERT ON MY CREDIT CARD.
546
00:27:58,851 --> 00:28:01,331
Y--SILENCING.
547
00:28:04,030 --> 00:28:06,032
[WHITE NOISE]
548
00:28:12,560 --> 00:28:16,999
[COMPUTER HUMMING AND BEEPING]
549
00:28:17,043 --> 00:28:19,001
[THUMPING]
550
00:28:19,045 --> 00:28:22,831
I THINK I GOT SOMETHING.
551
00:28:22,875 --> 00:28:24,006
TRYING TO ISOLATE IT.
552
00:28:28,228 --> 00:28:30,230
[SLOW HEARTBEAT]
553
00:28:30,273 --> 00:28:34,060
OK. I'M LOCKED IN.
554
00:28:34,103 --> 00:28:37,019
I CAN HEAR IT CLEAR ENOUGH
TO TRACK THE SOURCE.
555
00:28:37,063 --> 00:28:38,804
HEAR WHAT?
556
00:28:38,847 --> 00:28:42,024
- PAM'S HEARTBEAT.
- OH, MY GOD.
557
00:28:42,068 --> 00:28:43,243
- YOU HAVE THE DEVICE?
- YEAH.
558
00:28:43,286 --> 00:28:45,549
THEN WE NEED TO MOVE.
WHATEVER MARY'S UP TO,
559
00:28:45,593 --> 00:28:47,508
SHE DOESN'T STAY
IN ONE PLACE FOR LONG.
560
00:28:47,551 --> 00:28:48,901
LUKE, WE THINK PAM'S
SOMEWHERE
561
00:28:48,944 --> 00:28:51,164
IN THE LOWER TUNNELS.
562
00:28:51,207 --> 00:28:53,557
LUKE: AH. THAT IS
ACTUALLY BRILLIANT.
563
00:28:53,601 --> 00:28:54,341
A LOT OF SOLID ROCK
DOWN THERE,
564
00:28:54,384 --> 00:28:55,516
SO WE MIGHT LOSE CONTACT.
565
00:28:55,559 --> 00:28:57,605
KEEP MARY THERE.
HELP IS ON THE WAY.
566
00:28:57,648 --> 00:28:58,345
LET'S GO.
567
00:29:04,351 --> 00:29:07,354
[WOMAN SINGING INDISTINCTLY]
568
00:29:07,397 --> 00:29:10,096
SO I KEEP
WONDERING TWO THINGS.
569
00:29:10,139 --> 00:29:13,795
WHY ARE YOU HERE,
AND WHERE'S WILDER?
570
00:29:13,839 --> 00:29:16,929
YOU'RE SERIOUSLY THINKING
ABOUT YOUR SISTER RIGHT NOW?
571
00:29:16,972 --> 00:29:21,281
SO YOU EXPECT ME
TO THINK THAT I COULD STEAL HER COMPANY...
572
00:29:21,324 --> 00:29:23,500
AND SHE'S JUST
COOL WITH IT?
573
00:29:23,544 --> 00:29:25,415
HMM. IT'S HONESTLY
KIND OF ANNOYING
574
00:29:25,459 --> 00:29:28,679
HOW MUCH CLINGINESS RUNS
IN YOUR FAMILY.
575
00:29:28,723 --> 00:29:31,334
YOU WANT TO KNOW WHY
RYAN ISN'T PAYING ATTENTION TO YOU?
576
00:29:31,378 --> 00:29:33,989
IT'S BECAUSE SHE'S
TOO OBSESSED WITH FIXING ME.
577
00:29:37,645 --> 00:29:39,560
YOU DON'T LOOK
BROKEN TO ME.
578
00:29:39,603 --> 00:29:41,083
LOOK.
579
00:29:41,127 --> 00:29:43,172
LONG STORY SHORT,
580
00:29:43,216 --> 00:29:45,653
I JUST WANT TO MOVE ON
WITH MY LIFE
581
00:29:45,696 --> 00:29:46,785
WITH THE ONE PERSON LEFT
WHO UNDERSTANDS ME.
582
00:29:46,828 --> 00:29:49,091
UNH.
583
00:29:49,135 --> 00:29:51,702
BUT THEN I THOUGHT
TO MYSELF
584
00:29:51,746 --> 00:29:55,837
THIS MARQUIS GUY HAS
A LOT OF WEIRD BAGGAGE.
585
00:29:55,881 --> 00:29:59,449
MAYBE HE WANTS TO TAKE
REVENGE ON RYAN ON MY BEHALF.
586
00:29:59,493 --> 00:30:00,581
WHAT DO YOU HAVE
IN MIND?
587
00:30:15,161 --> 00:30:18,294
OOP. WELL, LOOK
WHO STOPPED TALKING.
588
00:30:18,338 --> 00:30:22,429
UM, A LITTLE BONUS
FOR YOU.
589
00:30:22,472 --> 00:30:27,651
IT MIGHT HELP OPEN UP
SOME DOORS FOR YOU IN THE FUTURE.
590
00:30:27,695 --> 00:30:28,827
HEH HEH HEH.
591
00:30:38,837 --> 00:30:40,229
RYAN, ARE WE
HOT OR COLD?
592
00:30:40,273 --> 00:30:42,841
TELL ME WE'RE SCALDING
593
00:30:42,884 --> 00:30:44,886
BECAUSE WE'RE ALMOST
AT THE END OF THE MAP.
594
00:30:44,930 --> 00:30:46,235
WELL, IT'S GETTING LOUDER.
I JUST DON'T KNOW HOW MUCH FURTHER.
595
00:30:46,279 --> 00:30:47,976
[HIGH-PITCHED BEEP]
596
00:30:48,020 --> 00:30:48,890
RYAN: AGH!
LUKE: BATWOMAN...
597
00:30:48,934 --> 00:30:50,370
- MARY AND MARQUIS...
- LUKE?
598
00:30:50,413 --> 00:30:53,503
LUKE, YOU COPY? DAMN.
599
00:30:53,547 --> 00:30:54,896
OK. THERE'S SOMETHING
GOING ON WITH MARY UPSTAIRS.
600
00:30:54,940 --> 00:30:55,636
WE'RE ALMOST OUT OF TIME.
601
00:30:55,679 --> 00:30:56,115
GUYS!
602
00:31:27,755 --> 00:31:29,626
TELL ME SHE HAD
A CHARMING PERSONALITY.
603
00:31:29,670 --> 00:31:30,758
RENEE: THAT'S
THE DESICCATION.
604
00:31:30,801 --> 00:31:32,194
THE SERUM LEECHES WATER
FROM THE CELLS.
605
00:31:32,238 --> 00:31:32,934
INCLUDES SKIN AND TISSUE.
606
00:31:35,981 --> 00:31:38,766
YOU WANT TO DO
THIS TO MARY?
607
00:31:38,809 --> 00:31:40,202
I'M TRYING TO PREVENT
A POISON IVY OUTBREAK
608
00:31:40,246 --> 00:31:42,030
FROM WIPING OUT GOTHAM'S
BEST AND BRIGHTEST UPSTAIRS.
609
00:31:42,074 --> 00:31:45,947
LOOK, RYAN.
I WAS YOU ONCE.
610
00:31:45,991 --> 00:31:48,341
I WANTED TO BELIEVE
THAT THERE WAS SOME MAGICAL SOLUTION
611
00:31:48,384 --> 00:31:49,255
WHERE I SAVED
THE LOVE OF MY LIFE
612
00:31:49,298 --> 00:31:51,344
WITHOUT HER HATING ME
FOREVER.
613
00:31:51,387 --> 00:31:53,041
THERE ISN'T.
MARY IS AT THE PARTY.
614
00:31:53,085 --> 00:31:55,391
THE SERUM IS HERE.
615
00:31:56,305 --> 00:31:57,089
IT'S TIME TO STEP UP.
616
00:32:16,760 --> 00:32:19,720
ALL RIGHT. GOT IT.
617
00:32:19,763 --> 00:32:21,243
HEY, LUKE. IF YOU CAN
HEAR ME, I'M HEADED UP.
618
00:32:21,287 --> 00:32:22,418
- WE'RE COMING WITH YOU.
- STAY AND MAKE SURE
619
00:32:22,462 --> 00:32:24,464
PAM DOESN'T WAKE UP.
620
00:32:24,507 --> 00:32:25,291
I'LL CHECK IN
ONCE MARY'S DOWN.
621
00:32:25,334 --> 00:32:28,511
REMEMBER,
NO WATER BREAKS,
622
00:32:28,555 --> 00:32:29,121
AND IF YOU SO MUCH AS
HAVE TO SNEEZE, DON'T.
623
00:32:35,127 --> 00:32:37,129
JUST IN CASE.
624
00:32:44,005 --> 00:32:45,224
HEY. BATWOMAN, IF YOU COPY,
I LOST EYES ON MARY.
625
00:32:45,267 --> 00:32:48,531
WHERE ARE YOU?
626
00:32:48,575 --> 00:32:50,403
- DIDN'T KNOW YOU WERE COMING.
- GET THE HELL OFF ME, MAN.
627
00:32:50,446 --> 00:32:52,057
OH, I DON'T THINK
YOU SHOULD BE TALKING LIKE THAT.
628
00:32:52,100 --> 00:32:53,232
YOU'RE NOT WEARING
THE RIGHT COSTUME.
629
00:32:53,275 --> 00:32:55,495
WHAT ARE YOU TALKING ABOUT?
630
00:32:55,538 --> 00:32:56,452
SEE, I JUST WONDER
WHERE YOU KEEP IT.
631
00:32:56,496 --> 00:32:58,367
PLUG IT IN LIKE
A TESLA CHARGER?
632
00:32:58,411 --> 00:33:00,413
I DON'T
HAVE TIME FOR THIS.
633
00:33:00,456 --> 00:33:09,683
BUT I THINK YOU DO,
BATWING.
634
00:33:09,726 --> 00:33:12,729
SHE'D FORGIVE YOU.
635
00:33:12,773 --> 00:33:15,906
YOU HAVE NO CLUE
HOW MUCH OF A FIGHTER SHE WAS.
636
00:33:15,950 --> 00:33:19,171
I'M TALKING ABOUT PAM,
637
00:33:19,214 --> 00:33:19,910
THE WOMAN YOU FELL
IN LOVE WITH,
638
00:33:19,954 --> 00:33:22,304
NOT POISON IVY.
639
00:33:29,137 --> 00:33:31,270
FOR THE RECORD,
I TAKE HALF THE BLAME
640
00:33:31,313 --> 00:33:34,099
FOR ALICE GOING FREE.
641
00:33:34,142 --> 00:33:35,926
NOT THE WISEST MOVE
ON MY PART.
642
00:33:35,970 --> 00:33:38,320
WE'LL FIND HER.
SHE'LL SCREW UP EVENTUALLY,
643
00:33:38,364 --> 00:33:40,061
PING A TRAFFIC CAM,
ROB A BANK.
644
00:33:40,105 --> 00:33:43,673
ALICE? MORE LIKE HOLD UP
A DOUGHNUT SHOP.
645
00:33:46,850 --> 00:33:50,376
OH, MY GOD.
THE FRAUD ALERT.
646
00:33:52,378 --> 00:33:53,379
WHOEVER STOLE MY CARD,
THEY PURCHASED
647
00:33:53,422 --> 00:33:55,859
A 3-TIER STRAWBERRY
CHEESECAKE
648
00:33:55,903 --> 00:33:56,904
AND A GRAPE SODA,
THEN HAD IT SENT
649
00:33:56,947 --> 00:33:58,949
TO HER HOTEL ROOM.
650
00:33:58,993 --> 00:34:00,168
AND YOU THINK
IT WAS ALICE?
651
00:34:00,212 --> 00:34:02,692
KNOWING HER, SHE WON'T
BE THERE MUCH LONGER.
652
00:34:02,736 --> 00:34:04,781
I NEED TO GET HER BACK.
ARE YOU GOOD HERE?
653
00:34:04,825 --> 00:34:06,261
DOESN'T LOOK LIKE
SHE'S REANIMATING. I'LL BE FINE.
654
00:34:09,525 --> 00:34:10,178
BE CAREFUL.
655
00:34:19,579 --> 00:34:21,885
SORRY, MA'AM.
ELEVATORS ARE TEMPORARILY DOWN.
656
00:34:21,929 --> 00:34:23,974
ALL OF THEM? WHY?
657
00:34:24,018 --> 00:34:27,195
JUST SOME HICCUP
WITH THE BUILDING COMPUTER SYSTEM.
658
00:34:27,239 --> 00:34:28,936
WE'LL GET YOU
ON YOUR WAY SHORTLY.
659
00:34:28,979 --> 00:34:32,113
OH, RYAN, WHEN WILL
YOU GIVE UP?
660
00:34:32,157 --> 00:34:33,201
THE STAIRS ARE BETTER
FOR MY CALVES ANYWAY.
661
00:34:42,732 --> 00:34:43,429
TOOK YOU LONG ENOUGH.
662
00:34:43,472 --> 00:34:45,474
CAKE?
663
00:34:45,518 --> 00:34:48,042
I BELIEVE YOU GET 5%
CASH BACK.
664
00:34:48,086 --> 00:34:49,435
- YOU LURED ME HERE?
- LURED YOU?
665
00:34:49,478 --> 00:34:51,828
LET'S NOT GET KINKY.
666
00:34:51,872 --> 00:34:52,960
ALICE, WHAT THE HELL
IS THIS?
667
00:34:53,003 --> 00:34:55,267
[SIGHS]
668
00:34:55,310 --> 00:34:58,531
I MADE A JUICY DISCOVERY,
669
00:34:58,574 --> 00:34:59,749
AND I'VE BEEN DYING
TO TELL YOU,
670
00:34:59,793 --> 00:35:01,273
BUT YOU'VE BEEN SO HARD
TO GET ALONE LATELY.
671
00:35:01,316 --> 00:35:02,317
HONESTLY, I DON'T KNOW
WHAT'S HAPPENED TO OUR FRIENDSHIP.
672
00:35:02,361 --> 00:35:05,146
WE DON'T HAVE ONE,
FOR STARTERS.
673
00:35:05,190 --> 00:35:09,368
BESIDES THE POINT.
YOU HAVE BEEN SO KIND
674
00:35:09,411 --> 00:35:12,153
TO HOUSE ME
ON THAT PRISON COT YOU CALL A PULL-OUT COUCH.
675
00:35:12,197 --> 00:35:14,547
I JUST WANTED TO RETURN
THE FAVOR.
676
00:35:14,590 --> 00:35:17,767
YOUR LITTLE LOVER
HAS BEEN PLAYING US.
677
00:35:17,811 --> 00:35:18,942
- RENEE?
- SURE,
678
00:35:18,986 --> 00:35:20,205
OR WHATEVER YOU CALL HER
UNDER THE SHEETS.
679
00:35:20,248 --> 00:35:24,383
SINCE WHEN DO YOU
DO ME FAVORS?
680
00:35:24,426 --> 00:35:26,689
BECAUSE RE-NAY-NAY
IS A LIAR,
681
00:35:26,733 --> 00:35:29,388
AND SHE NEEDS TO PAY
FOR BEING A BAD ONE.
682
00:35:29,431 --> 00:35:30,432
SAYS THE WORLD'S
BIGGEST LIAR.
683
00:35:30,476 --> 00:35:33,566
YOU KNOW, RENEE'S
HUGE MISTAKE
684
00:35:33,609 --> 00:35:35,045
WAS LEAVING ME ALONE
IN HER OFFICE.
685
00:35:35,089 --> 00:35:38,136
DID SHE NOT THINK
I WOULD SNOOP EVERY NOOK AND CRANNY?
686
00:35:38,179 --> 00:35:40,312
LEFT CABINET,
SECOND DRAWER DOWN.
687
00:35:40,355 --> 00:35:41,356
SEE FOR YOURSELF.
688
00:35:54,587 --> 00:35:55,675
I DON'T WANT TO
HURT YOU, MARY.
689
00:35:59,418 --> 00:36:02,464
THERE'S ANOTHER
PROMISE BROKEN.
690
00:36:02,508 --> 00:36:07,252
OH! WHAT IS THAT?
DO YOU EVEN KNOW?
691
00:36:07,295 --> 00:36:08,644
BATMAN MADE IT
TO STOP POISON IVY.
692
00:36:08,688 --> 00:36:11,517
WHEN, A DECADE AGO?
DO YOU EVEN KNOW THE HALF-LIFE
693
00:36:11,560 --> 00:36:13,301
OF ITS CHEMICAL COMPOUND?
694
00:36:13,345 --> 00:36:15,912
YOU DON'T EVEN KNOW WHAT
THAT'LL DO TO ME, DO YOU?
695
00:36:15,956 --> 00:36:18,132
YOU GAVE ME NO CHOICE.
696
00:36:18,176 --> 00:36:20,743
MARQUIS: HEY, BATWOMAN.
HOLD UP.
697
00:36:20,787 --> 00:36:22,919
YOU READY FOR ME
TO BLOW YOUR MIND?
698
00:36:22,963 --> 00:36:26,488
HOW ABOUT WE KILL
YOUR TWO LITTLE SIDEKICKS
699
00:36:26,532 --> 00:36:27,707
AT THE SAME TIME,
HMM?
700
00:36:27,750 --> 00:36:29,099
A LITTLE BROTHER-SISTER
BONDING ACTION?
701
00:36:29,143 --> 00:36:29,839
COME ON!
702
00:36:34,366 --> 00:36:38,631
MARY: IT WAS ME.
I TOLD HIM
703
00:36:38,674 --> 00:36:39,980
SO YOU DON'T HAVE TO PUT
US ALL THROUGH THAT
704
00:36:40,023 --> 00:36:41,547
"I DON'T KNOW WHAT
YOU'RE TALKING ABOUT" PHASE.
705
00:36:41,590 --> 00:36:44,550
MARY...HOW COULD YOU?
706
00:36:44,593 --> 00:36:47,379
YOU GAVE ME NO CHOICE.
707
00:36:47,422 --> 00:36:49,119
MARQUIS: I ALWAYS
WONDERED WHY I WAS THE KID
708
00:36:49,163 --> 00:36:51,296
THAT GOT CHOSE
ON THAT BUS THAT DAY.
709
00:36:51,339 --> 00:36:55,952
A COUPLE DOZEN KIDS,
SO WHY WAS I THE ONE THAT GOT BUZZED?
710
00:36:55,996 --> 00:36:58,955
EVERYONE SAYS
THE WORLD'S GONE MAD,
711
00:36:58,999 --> 00:37:00,566
BUT I GET IT.
712
00:37:00,609 --> 00:37:04,134
BATMAN HAD THE JOKER,
713
00:37:04,178 --> 00:37:08,443
AND, BATWOMAN,
YOU GOT ME.
714
00:37:08,487 --> 00:37:09,401
TRUE OR FALSE, SIS--
715
00:37:09,444 --> 00:37:12,447
YOU GOTTA TRUST
DESTINY.
716
00:37:12,491 --> 00:37:15,755
FALSE. WE MAKE
OUR OWN DESTINIES.
717
00:37:15,798 --> 00:37:17,147
YOU WISH.
718
00:37:17,191 --> 00:37:18,845
UNH!
719
00:37:39,039 --> 00:37:40,910
ALICE: I'VE BEEN
IN THE BEDROOM TRYING
720
00:37:40,954 --> 00:37:43,130
TO FINAGLE MY WAY
OUT OF SOPHIE'S HANDCUFFS,
721
00:37:43,173 --> 00:37:45,175
AND YOU'VE BEEN IN HERE
DRINKING ALL THE DOM?
722
00:37:49,702 --> 00:37:52,705
RYAN HAD ME BEAT.
723
00:37:52,748 --> 00:37:54,315
SHE WAS ABOUT TO INJECT
ME WITH SOMETHING,
724
00:37:54,359 --> 00:37:56,099
AND THEN SHE HESITATED.
725
00:37:56,143 --> 00:37:59,451
WHATEVER SHE WAS
ABOUT TO DO TO ME SCARED HER.
726
00:37:59,494 --> 00:38:02,454
DON'T TELL YOU'RE GETTING
THE CONSCIENCE TINGLES.
727
00:38:02,497 --> 00:38:05,413
BEFORE I EVEN KNEW
WHAT WAS HAPPENING,
728
00:38:05,457 --> 00:38:08,373
SHE USED THE SYRINGE
ON MARQUIS.
729
00:38:08,416 --> 00:38:11,419
I DON'T KNOW IF IT WAS
TO SAVE LUKE
730
00:38:11,463 --> 00:38:13,595
OR PROTECT HER SECRET.
731
00:38:15,380 --> 00:38:22,387
BUT ALL I KNOW IS
IN THAT MOMENT,
732
00:38:22,430 --> 00:38:25,999
I WAS THE LEAST
OF HER PROBLEMS.
733
00:38:26,042 --> 00:38:27,827
SHE STILL
UNDERESTIMATES YOU.
734
00:38:29,872 --> 00:38:33,789
I KNOW IT'S SILLY,
BUT A PART OF ME
735
00:38:33,833 --> 00:38:36,836
JUST WANTED HER TO
SEE ME AS POWERFUL.
736
00:38:40,622 --> 00:38:43,364
DO YOU KNOW ALL THOSE
LOONEY TUNE DELUSIONS I'VE BEEN HAVING,
737
00:38:43,408 --> 00:38:46,498
POSTCARDS FROM DAD,
IMAGINARY FRIENDS,
738
00:38:46,541 --> 00:38:48,369
WALKING IN ON SOPHIE
IN THE SHOWER?
739
00:38:48,413 --> 00:38:51,851
THAT LAST ONE HAPPENED.
740
00:38:51,894 --> 00:38:53,809
OH.
741
00:38:53,853 --> 00:38:58,074
ANYWAY, SINCE YOUR WHOLE
POISON MARY METAMORPHOSIS,
742
00:38:58,118 --> 00:39:01,121
I HAVE YET TO HAVE
A SINGLE DELUSIONAL THOUGHT,
743
00:39:01,164 --> 00:39:03,166
WHICH MEANS BABY-SITTING
YOU, MY DEAR,
744
00:39:03,210 --> 00:39:06,039
HAS MADE ME LESS
OF A CRAZY PERSON,
745
00:39:06,082 --> 00:39:08,998
AND IF THAT'S NOT POWERFUL,
746
00:39:09,042 --> 00:39:11,131
I DON'T KNOW WHAT IS.
747
00:39:11,174 --> 00:39:12,524
[GLEESON'S "EMPTY PAGES"
PLAYING]
748
00:39:21,228 --> 00:39:25,014
I KNOW YOU CAN'T HEAR ME.
749
00:39:25,058 --> 00:39:25,101
I KNOW YOU HATE ME...
750
00:39:29,192 --> 00:39:32,761
BUT I AM SORRY.
751
00:39:32,805 --> 00:39:33,936
I'VE BEEN SORRY
EVERY DAY I WAKE UP
752
00:39:33,980 --> 00:39:35,198
TO A BADGE AND NOT TO YOU.
753
00:39:42,292 --> 00:39:44,382
[GLEESON VOCALIZING]
754
00:39:47,994 --> 00:39:50,475
OH, MY GOD.
755
00:39:57,046 --> 00:40:02,269
PAM.
756
00:40:02,312 --> 00:40:05,577
PAM, CAN YOU HEAR ME?
757
00:40:05,620 --> 00:40:10,451
PAM?
758
00:40:10,495 --> 00:40:12,627
GLEESON: ♪ OOH, OOH, OOH, OOH
759
00:40:12,671 --> 00:40:14,412
[VOCALIZING]
760
00:40:49,142 --> 00:40:49,664
OH, MY GOD.
761
00:40:52,580 --> 00:40:54,756
DESICCATION
IS NOT PRETTY.
762
00:40:54,800 --> 00:40:57,498
RYAN: DO YOU THINK
WE SHOULD HOOK HIM UP TO FLUIDS?
763
00:40:57,542 --> 00:40:59,457
NOT UNLESS YOU WANT HIM
TO WAKE UP.
764
00:40:59,500 --> 00:41:01,502
HE KNOWS WHO WE ARE.
THE SECOND HE WAKES UP,
765
00:41:01,546 --> 00:41:02,547
THE WHOLE WORLD
WILL, TOO.
766
00:41:02,590 --> 00:41:03,461
THAT'S A BIG, FAT IF
HE WAKES UP.
767
00:41:13,340 --> 00:41:15,211
[VOICE MODULATED]
JADA JET, THIS IS BATWOMAN.
768
00:41:15,255 --> 00:41:16,909
I HAVE YOUR SON.
IF YOU'RE LOOKING FOR A WAY
769
00:41:16,952 --> 00:41:19,259
TO FIX HIS BRAIN,
I SUGGEST YOU FIND IT QUICK.
770
00:41:19,302 --> 00:41:22,131
[CELL PHONE VIBRATING]
771
00:41:22,175 --> 00:41:25,918
SOPHIE, HOW DO YOU
HAVE RECEPTION IN THE TUNNELS?
772
00:41:25,961 --> 00:41:27,615
I'M NOT IN THE TUNNELS,
BUT YOU NEED TO GET THERE ASAP.
773
00:41:27,659 --> 00:41:30,183
SOPHIE, WHERE'S RENEE?
774
00:41:30,226 --> 00:41:31,358
YOU KNOW WHY YOU AND ALICE
HAVEN'T BEEN ABLE
775
00:41:31,401 --> 00:41:33,665
TO CROSS THE JOY BUZZER
OFF HER LIST?
776
00:41:33,708 --> 00:41:36,537
RENEE HAS HAD IT
THIS ENTIRE TIME.
777
00:41:36,581 --> 00:41:37,843
WHAT DO YOU MEAN
SHE HAD IT?
778
00:41:37,886 --> 00:41:41,107
I MEAN, SHE WAS NEVER
GONNA LET ALICE FREE.
779
00:41:41,150 --> 00:41:46,112
SHE LIED, RYAN,
TO ALICE, TO YOU, TO ME.
780
00:41:46,155 --> 00:41:47,374
SHE WAS HOLDING IT
OVER YOUR HEADS
781
00:41:47,417 --> 00:41:49,419
TILL ONE OF YOU FOUND
WHAT SHE WANTED--
782
00:41:49,463 --> 00:41:52,901
HER SOUL MATE PAMELA ISLEY.
783
00:42:20,189 --> 00:42:22,017
MAN: GREG, MOVE YOUR HEAD.
784
00:42:22,067 --> 00:42:26,617
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