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1
00:00:02,520 --> 00:00:05,560
Wow, Lola, you should totally do
a piano number with the girls.
2
00:00:05,560 --> 00:00:08,320
I think you should
leave the band. What?!
3
00:00:08,320 --> 00:00:10,560
Lola is going solo.
Mum, what are you doing?
4
00:00:10,560 --> 00:00:13,280
Listen, we're just not getting
as many followers as we should
5
00:00:13,280 --> 00:00:16,440
have. But to get the major labels
interested, we need more followers.
6
00:00:16,440 --> 00:00:18,560
You do need a new
signing. Lola has talent.
7
00:00:18,560 --> 00:00:21,800
I believe in her.
If I'm wrong, you can fire me. Deal.
8
00:00:21,800 --> 00:00:24,240
But I'm putting you two in charge
of dealing with Mumzilla.
9
00:00:24,240 --> 00:00:26,400
What are you two so happy about?
10
00:00:26,400 --> 00:00:29,200
Sasha's thinking
about signing me as a solo artist.
11
00:00:29,200 --> 00:00:31,400
Congrats. Fingers crossed!
12
00:00:34,960 --> 00:00:38,720
So if spaghetti sticks to the wall,
it's good to eat?
13
00:00:38,720 --> 00:00:42,760
Yeah, it's how the Italians do it.
They must have some sticky walls!
14
00:00:42,760 --> 00:00:46,080
Well, it looks ready to me. How
are the meatballs? Incoming...
15
00:00:46,080 --> 00:00:47,480
Oh... SPLAT!
16
00:00:47,480 --> 00:00:49,520
What are you doing to my kitchen?!
17
00:00:49,520 --> 00:00:53,920
Just checking the special's ready.
What's wrong with a taste test?!
18
00:00:57,840 --> 00:00:59,640
Oh-eh
19
00:00:59,640 --> 00:01:01,360
Eh-oh
20
00:01:01,360 --> 00:01:02,960
Oh-eh.
21
00:01:02,960 --> 00:01:04,440
Oh, boys!
22
00:01:06,800 --> 00:01:09,200
Let's make tonight a classic...
23
00:01:09,200 --> 00:01:12,040
How can there be no
gigs in the pipeline?
24
00:01:12,040 --> 00:01:15,440
Jordan said to build the fan base on
the socials, but where are the gigs?
25
00:01:15,440 --> 00:01:19,400
Relax. Jordan's the best manager
going. He's got a plan.
26
00:01:19,400 --> 00:01:22,440
Yeah, well, GHF had a plan,
and Tyra and Lola have both left
27
00:01:22,440 --> 00:01:24,200
because it wasn't working.
28
00:01:24,200 --> 00:01:26,640
I just don't want that to
happen to us, you know?
29
00:01:26,640 --> 00:01:30,720
Besides,
what part of Jordan's plan is this?
30
00:01:30,720 --> 00:01:33,520
Three plates for table six, please,
Oakley. Oui, chef.
31
00:01:35,440 --> 00:01:39,600
What are you doing? Dan's taste
test. Make sure it's not poisoned.
32
00:01:39,600 --> 00:01:41,360
We cooked it.
33
00:01:41,360 --> 00:01:44,560
Oh, my back's on fire. Huh?! Oh!
34
00:01:44,560 --> 00:01:48,040
Argh! Ow! What are you doing?!
You said your back's on fire!
35
00:01:48,040 --> 00:01:49,280
Not literally!
36
00:01:49,280 --> 00:01:53,800
Oi! Squirt! Mum's
spaghetti recipe's a family secret.
37
00:01:53,800 --> 00:01:58,240
Secret to making me rich. I thought
I'd better check on you. Oh!
38
00:01:58,240 --> 00:02:03,040
How's this back holding up? Good as
new. You're falling apart, old man.
39
00:02:03,040 --> 00:02:08,440
Hey! Boys, meets my annoying little
sister Jess. Hey. Hi. Yo.
40
00:02:08,440 --> 00:02:11,800
Well, it's lovely to finally
meet you, boys.
41
00:02:11,800 --> 00:02:14,600
Right, go put your feet up.
Everything's fine, Jess.
42
00:02:14,600 --> 00:02:16,560
I've got this place running like
clockwork.
43
00:02:16,560 --> 00:02:18,400
PLATES SHATTER Right.
44
00:02:22,120 --> 00:02:24,800
Singing, dancing,
cooking up a storm -
45
00:02:24,800 --> 00:02:27,360
is there anything The Wonderland
can't do?
46
00:02:27,360 --> 00:02:28,600
Get any gigs.
47
00:02:31,840 --> 00:02:35,720
Six, seven, eight and one,
two, three, four, down.
48
00:02:35,720 --> 00:02:38,520
Six, seven, eight,
and one and two...
49
00:02:38,520 --> 00:02:41,480
No, Lola.
It is hit, hit, twist, twist.
50
00:02:41,480 --> 00:02:44,320
Twist more. OK. That's better.
51
00:02:44,320 --> 00:02:48,360
Fabio, I'm on lunch and Junior
hates the sushi bar.
52
00:02:48,360 --> 00:02:51,560
Would you be a doll? But I'm
just in the middle of teaching.
53
00:02:51,560 --> 00:02:55,440
It looks like you haven't even
started yet. Back to the top, Lola.
54
00:02:55,440 --> 00:02:59,760
Please can we take a break? You can
take a break or you can be a star!
55
00:02:59,760 --> 00:03:01,840
Mum, stop it.
56
00:03:01,840 --> 00:03:05,040
Get a handle on Mumzilla or Lola's
never getting signed.
57
00:03:05,040 --> 00:03:09,920
Helen is bad for business.
And our sanity. Will do.
58
00:03:09,920 --> 00:03:11,280
Toodles!
59
00:03:15,000 --> 00:03:18,000
Right, excuse me? Yeah, come here.
60
00:03:18,000 --> 00:03:21,200
Very good. I'm self-taught.
Where did you train?
61
00:03:21,200 --> 00:03:22,760
Er... Mum!
62
00:03:24,160 --> 00:03:28,320
SHOUTING AND CLATTERING
63
00:03:28,320 --> 00:03:32,360
Oh, Dan! I don't remember Mum
serving it like that.
64
00:03:32,360 --> 00:03:34,720
It's my own twist on a classic
recipe.
65
00:03:34,720 --> 00:03:36,920
Yeah, I think
most people prefer it on a plate.
66
00:03:36,920 --> 00:03:39,280
I don't
need my little sister cleaning me.
67
00:03:39,280 --> 00:03:42,240
Well, it's either that or I grate
some Parmesan on you. Very funny.
68
00:03:42,240 --> 00:03:44,360
SHE CHUCKLES
69
00:03:44,360 --> 00:03:47,480
Diesel! Yo, Dan! What's up?
70
00:03:47,480 --> 00:03:49,560
Sorry for not checking
out your joint earlier.
71
00:03:49,560 --> 00:03:51,600
Beats the touring grind.
Are you still in the biz?
72
00:03:51,600 --> 00:03:55,160
Yeah, I run rap battles now. I sold
out the old car factory earlier.
73
00:03:55,160 --> 00:03:57,360
That's huge.
I'm actually an act short.
74
00:03:57,360 --> 00:04:00,120
Do you get any rappers in here
that would be up for a rap battle?
75
00:04:00,120 --> 00:04:02,760
You should speak to Nate. Him
and his mates gig around here.
76
00:04:02,760 --> 00:04:06,120
PLATES SHATTER Not again! Sorry, mate.
77
00:04:07,760 --> 00:04:10,160
Hey. Nate, right? I'm Diesel.
78
00:04:10,160 --> 00:04:12,760
Dan says you and your boys would be
a good fit for my gig today.
79
00:04:12,760 --> 00:04:14,800
Reckon you can cut it? Cut it?
80
00:04:14,800 --> 00:04:20,080
Oh, yeah, yeah. We're so sharp
we need a...safety warning. OK...
81
00:04:20,080 --> 00:04:23,080
Trust me, we've got banger after
banger. Crowds go crazy for us.
82
00:04:23,080 --> 00:04:25,080
How comes I haven't heard of you,
then? Oh.
83
00:04:25,080 --> 00:04:28,880
Well, we're kind of underground.
Right. In an overground way.
84
00:04:28,880 --> 00:04:30,280
We've got mad hype on the socials.
85
00:04:30,280 --> 00:04:33,200
Great, that's just what I'm looking
for. Your boys definitely free?
86
00:04:33,200 --> 00:04:36,280
Yeah. Good to go. Great.
I'll text you the deets. Safe.
87
00:04:37,800 --> 00:04:40,880
Who was that? Only the promoter
for our gig.
88
00:04:40,880 --> 00:04:43,680
Today. Good work, Nate!
Good job, bro.
89
00:04:45,320 --> 00:04:47,480
So watch me while I work, work
90
00:04:48,680 --> 00:04:50,760
So watch me while I work, hey!
91
00:04:52,000 --> 00:04:54,320
You'd better watch me work.
92
00:04:55,680 --> 00:04:57,320
No, no, no, no.
That is not the routine.
93
00:04:57,320 --> 00:04:59,600
I just think it's better
if I add a freestyle finish.
94
00:04:59,600 --> 00:05:03,520
It's funky, go with it. No,
it's better if you keep it simple.
95
00:05:03,520 --> 00:05:06,240
But all I'm doing is whatever you
tell me to do.
96
00:05:06,240 --> 00:05:09,640
You are never going to make it with
an attitude like that, Lola.
97
00:05:09,640 --> 00:05:14,560
Ugh, Mum! How about we take a lunch
break, come back fresh?
98
00:05:14,560 --> 00:05:17,440
Fine. But it better be
perfect by the end of the day.
99
00:05:22,480 --> 00:05:26,920
Let's make tonight a classic, oh
Ay-ay-ay-ay-ay-ah
100
00:05:26,920 --> 00:05:31,160
Cos anything could happen
Ay-ay-ay-ay-ay-ah
101
00:05:31,160 --> 00:05:33,200
If you got a problem then lose it
102
00:05:33,200 --> 00:05:35,000
You got a body then use it
103
00:05:35,000 --> 00:05:38,960
Let's make tonight a classic
Ay-ay-ay-ay-ay-ah
104
00:05:38,960 --> 00:05:41,080
Oh, yeah
105
00:05:41,080 --> 00:05:43,680
Ay-ay-ay-ay-ay-ah
106
00:05:43,680 --> 00:05:47,360
Let's make tonight a classic
Ay-ay-ay-ay-ay-ah
107
00:05:47,360 --> 00:05:51,640
Let's make tonight a classic
Ay-ay-ay-ay-ay-ah
108
00:05:51,640 --> 00:05:55,480
Let's make tonight a classic
Ay-ay-ay-ay-ay-ah.
109
00:05:57,400 --> 00:06:00,800
Woo! Sounding tight. We're going
to nail this gig tonight.
110
00:06:00,800 --> 00:06:02,080
Diesel just text.
111
00:06:02,080 --> 00:06:04,560
Says we're on after
the third loser gets kicked off.
112
00:06:04,560 --> 00:06:07,000
Who's The Third Loser?
Never heard of them.
113
00:06:07,000 --> 00:06:10,120
Must be an emo punk band or
something. How long is our set?
114
00:06:10,120 --> 00:06:13,560
Says until the crowd have had
enough. So we could be on all night?
115
00:06:13,560 --> 00:06:14,640
We will be on all night.
116
00:06:14,640 --> 00:06:16,520
We've got to make sure
everybody knows
117
00:06:16,520 --> 00:06:18,840
it's Nate who got us this awesome
slot. Proud of you, man.
118
00:06:31,240 --> 00:06:33,600
You OK? Yeah.
119
00:06:33,600 --> 00:06:36,280
I just feel like, between Sasha
and my mum, I can't ever do what
120
00:06:36,280 --> 00:06:39,000
I want to do. You just need to
stand up for yourself.
121
00:06:39,000 --> 00:06:42,280
Take control of your own life.
But how? Easy.
122
00:06:42,280 --> 00:06:44,640
Don't take no for an answer.
123
00:06:44,640 --> 00:06:48,960
OK. Right. Shall we get back to the
studio and nail that dance routine?
124
00:06:48,960 --> 00:06:52,760
No, you're right! I need to
take control of my own life more.
125
00:06:52,760 --> 00:06:56,000
Starting now. Come on! Lola, no!
Sorry, Chloe.
126
00:06:56,000 --> 00:06:58,160
I'm not taking no for an answer.
127
00:06:58,160 --> 00:07:01,280
Dan, it's the salsa teacher,
she's stuck in traffic.
128
00:07:01,280 --> 00:07:03,200
Aargh, I'll have to find
a replacement.
129
00:07:03,200 --> 00:07:08,280
What time does it start? Five
minutes ago. Fine! I'll do it. Ugh!
130
00:07:10,280 --> 00:07:12,600
Nothing like the lunch rush.
131
00:07:12,600 --> 00:07:15,840
Last time I was here must have been
1993.
132
00:07:15,840 --> 00:07:18,800
You used to work in a car factory?
No, no, no, no.
133
00:07:18,800 --> 00:07:22,480
This place has been abandoned
for ages. No, I was here for a rave.
134
00:07:22,480 --> 00:07:25,080
Throwing some banging shapes,
you know? So cringe.
135
00:07:27,360 --> 00:07:30,800
Artists entry only, fellas. We're
The Wonderland, we're on later.
136
00:07:30,800 --> 00:07:32,520
OK, in you go. Cheers. Thanks.
137
00:07:32,520 --> 00:07:34,400
Hello, mate, you all right?
Cheers, mate.
138
00:07:35,640 --> 00:07:40,760
Oh, not you, mate. You are far too
old. They didn't say that in '93.
139
00:07:40,760 --> 00:07:42,960
Get lost, Grandad.
140
00:07:42,960 --> 00:07:45,240
Don't worry, lads. I'll...
I'll see you in there.
141
00:07:46,600 --> 00:07:50,080
Now, what's it going to take for you
to let me in? A time machine.
142
00:07:50,080 --> 00:07:51,960
That's a bit rude.
143
00:07:56,960 --> 00:08:01,120
HIP-HOP MUSIC PLAYS, DOGS BARK
144
00:08:01,120 --> 00:08:03,760
Well, this is...scary.
145
00:08:06,960 --> 00:08:09,280
MC: ..with the new kid on the block,
MC Square.
146
00:08:09,280 --> 00:08:11,640
CROWD CHEERS
147
00:08:12,680 --> 00:08:15,680
Are you sure this is the right
place?
148
00:08:15,680 --> 00:08:18,640
Diesel? Hey, boys.
149
00:08:18,640 --> 00:08:21,960
What's good? Welcome to my rap
battle. Rap battle?
150
00:08:21,960 --> 00:08:24,480
Who's this fool anyway?
I ain't breaking a sweat
151
00:08:24,480 --> 00:08:27,040
I'mma call you junkyard
152
00:08:27,040 --> 00:08:28,840
Cos you about to get wrecked.
153
00:08:28,840 --> 00:08:31,680
KLAXON SOUNDS
154
00:08:31,680 --> 00:08:35,720
Uh, check the beat, uh, yeah
155
00:08:36,960 --> 00:08:38,320
Check...check the beat.
156
00:08:38,320 --> 00:08:39,840
CROWD BOOS
157
00:08:39,840 --> 00:08:41,440
RECORDING: G-g-game over!
158
00:08:43,760 --> 00:08:45,920
What a beatdown.
159
00:08:45,920 --> 00:08:48,960
Nate... What's going on?
It's winner stays on.
160
00:08:48,960 --> 00:08:51,240
Standard bloodbath rules. Bloodbath?
161
00:08:51,240 --> 00:08:54,880
Er, Diesel, I think
there's been a mix-up.
162
00:08:54,880 --> 00:08:57,600
We're a guitar band, we're
not rappers. Too late.
163
00:08:57,600 --> 00:09:01,040
Green room's that way,
and lose the guitars, man.
164
00:09:01,040 --> 00:09:02,480
Nate, what were you thinking?
165
00:09:02,480 --> 00:09:05,320
You can't go on that stage
and try to rap.
166
00:09:05,320 --> 00:09:07,600
This is a social media manager's
worst nightmare.
167
00:09:07,600 --> 00:09:09,360
The internet never forgets. Ever.
168
00:09:10,600 --> 00:09:12,560
All right, I'll just...
I'll just tell Diesel
169
00:09:12,560 --> 00:09:14,000
that we're not going to go on.
170
00:09:14,000 --> 00:09:16,880
Diesel: Next up,
The Wonderland! Make some noise!
171
00:09:16,880 --> 00:09:18,760
CROWD CHEERS
172
00:09:18,760 --> 00:09:22,320
This is an absolute Nate-mare.
Right, Oakley, I get it.
173
00:09:22,320 --> 00:09:24,240
MC: And the winner, we have...
174
00:09:24,240 --> 00:09:26,200
I've got a better idea.
175
00:09:26,200 --> 00:09:30,000
We quickly learn to rap? No.
We sneak out of here now, let's go.
176
00:09:30,000 --> 00:09:33,600
CROWD CHEERS, KLAXON SOUNDS
177
00:09:34,840 --> 00:09:37,600
We should get back to the studio.
Don't want your mum to freak.
178
00:09:37,600 --> 00:09:41,440
Oh, relax! Come on, let's have some
fun. What about the dance routine?
179
00:09:42,800 --> 00:09:47,040
See? Perfect. Hey, let's do that!
Lola! No!
180
00:09:47,040 --> 00:09:48,920
Last one there's a loser!
181
00:09:54,640 --> 00:09:56,960
EXAGGERATED SPANISH ACCENT: Hey-ho,
salsarinos!
182
00:09:56,960 --> 00:10:00,160
Are you ready to have some fun? Eh?
Salsarinos?!
183
00:10:00,160 --> 00:10:01,960
What is he wearing?!
184
00:10:01,960 --> 00:10:03,800
Here's some basic steps.
185
00:10:05,440 --> 00:10:09,360
Uno, dos, three...
186
00:10:09,360 --> 00:10:12,920
Salsa, salsa, salsa.
Dingo, dango, tango.
187
00:10:12,920 --> 00:10:14,720
Patatas fritas...
188
00:10:14,720 --> 00:10:18,440
Oh, I can't watch this.
Neither can they.
189
00:10:18,440 --> 00:10:20,120
Oh, no, no, no, please...
190
00:10:20,120 --> 00:10:24,920
Hi, my name's Jess and I'll be
your salsa senorita for today.
191
00:10:24,920 --> 00:10:29,240
You've already met my...partner.
192
00:10:29,240 --> 00:10:32,640
Take it away, sister! Here we go...
193
00:10:35,600 --> 00:10:37,120
Perfecto!
194
00:10:37,120 --> 00:10:38,440
Eh!
195
00:10:41,200 --> 00:10:43,400
Old, am I?
I'll show you who's old!
196
00:10:43,400 --> 00:10:45,520
HE GROANS
197
00:10:54,960 --> 00:10:56,560
Morning. Lovely day.
198
00:10:56,560 --> 00:10:58,440
HE CHUCKLES
199
00:10:58,440 --> 00:10:59,600
Oh!
200
00:11:05,120 --> 00:11:09,000
Ah-ha! Where there's a will,
there's an AJ.
201
00:11:10,800 --> 00:11:14,400
HE GROANS
202
00:11:24,120 --> 00:11:25,800
FABRIC RIPS
203
00:11:27,680 --> 00:11:29,400
Probably should have taken a run-up.
204
00:11:34,440 --> 00:11:36,160
NATE: Come on, guys.
Follow me this way.
205
00:11:36,160 --> 00:11:38,560
I think I've found us a way
out of this nightmare. Great.
206
00:11:38,560 --> 00:11:41,480
Let's get out of here
before Diesel sees us.
207
00:11:41,480 --> 00:11:43,240
Well, there WAS a gap.
208
00:11:43,240 --> 00:11:46,560
ALL: AJ! Dad, what are you doing?
I'm trying to get in.
209
00:11:46,560 --> 00:11:48,920
We're trying to get out.
Why are you trying to get out?!
210
00:11:48,920 --> 00:11:50,760
DIESEL COUGHS
211
00:11:50,760 --> 00:11:53,520
Oh, this isn't the way to the stage!
212
00:11:53,520 --> 00:11:56,800
FORCED LAUGHTER
213
00:11:56,800 --> 00:12:01,160
I'm sorry, Mr Diesel.
Sorry, Mr Diesel. Sorry, Mr Diesel.
214
00:12:01,160 --> 00:12:03,480
Sorry, Mr Diesel.
215
00:12:03,480 --> 00:12:06,480
Couldn't give me a hand, could you,
Mr Diesel? What?!
216
00:12:06,480 --> 00:12:07,520
No.
217
00:12:17,720 --> 00:12:21,160
Ready? I really think we should be
heading back.
218
00:12:21,160 --> 00:12:22,680
Can you even climb?
219
00:12:22,680 --> 00:12:27,120
Um, not yet. But, like you said,
I can do anything I put my mind to.
220
00:12:39,120 --> 00:12:41,320
Shoulders down.
221
00:12:41,320 --> 00:12:45,160
Uno, dos, tres. Cinco, seis, siete.
Hips don't lie.
222
00:12:45,160 --> 00:12:49,560
I've been possessed by the rhythm!
And everybody spin.
223
00:12:49,560 --> 00:12:52,400
Si, senorita! Woo!
224
00:12:52,400 --> 00:12:54,040
BONES CRACK Argh!
225
00:12:54,040 --> 00:12:57,120
Argh! Man down! Man down.
226
00:12:57,120 --> 00:13:00,400
At last, he takes a break.
227
00:13:00,400 --> 00:13:02,280
Give it up for Dan, everyone.
228
00:13:03,840 --> 00:13:05,760
HE MOUTHS
229
00:13:05,760 --> 00:13:08,800
Let's go from the top.
Shoulders down.
230
00:13:08,800 --> 00:13:10,440
To the corner.
231
00:13:10,440 --> 00:13:12,200
And flourish.
232
00:13:13,920 --> 00:13:15,600
LOLA SCREAMS
233
00:13:15,600 --> 00:13:20,640
You all right? I can't
move my hands. I might be frozen.
234
00:13:20,640 --> 00:13:22,680
Don't worry,
this happens all the time.
235
00:13:22,680 --> 00:13:25,880
You just need to talk her down.
Easy. Right, Lola...
236
00:13:25,880 --> 00:13:27,880
Whoa, whoa, whoa. From the wall.
237
00:13:29,440 --> 00:13:32,560
I don't really like helmets,
or...heights.
238
00:13:32,560 --> 00:13:36,240
Can you call my mum now?
What's her number? It's on my phone.
239
00:13:38,280 --> 00:13:39,560
CHLOE SIGHS
240
00:13:39,560 --> 00:13:42,640
I'll call Fabio and
he can tell your mum where we are.
241
00:13:42,640 --> 00:13:45,200
And I can stay on the ground,
where we belong.
242
00:13:49,840 --> 00:13:52,600
HE GROANS AND GRUNTS
243
00:13:54,440 --> 00:13:58,280
OK, I give up. You win.
Maybe I am too old for this.
244
00:14:01,800 --> 00:14:04,160
FABRIC RIPS
245
00:14:09,600 --> 00:14:11,040
Or am I?
246
00:14:23,080 --> 00:14:24,720
I'll show you how we did it in '93.
247
00:14:29,240 --> 00:14:34,160
Yo, yo. What's up, my G?
It's all good, "dog."
248
00:14:34,160 --> 00:14:36,200
That's a sweet people carrier you
got there.
249
00:14:36,200 --> 00:14:38,440
Oh, thanks. Yeah, my kids...
250
00:14:38,440 --> 00:14:43,040
..I mean my homies,
they think it's lame-o.
251
00:14:43,040 --> 00:14:47,680
What's "lame-o" about 50 miles to
the gallon, am I right? Exactly.
252
00:14:47,680 --> 00:14:50,360
It's a pleasure to meet someone who
appreciates fuel efficiency.
253
00:14:50,360 --> 00:14:53,320
Save it for the school run,
Grandad. Hey, what's up, Sean?
254
00:14:54,800 --> 00:14:59,120
Ha-ha! Oh, AJ, you all right?
255
00:14:59,120 --> 00:15:00,840
Well, why did you let him in?
256
00:15:00,840 --> 00:15:04,280
Well, he's not wearing his jacket
inside out. It's reversible.
257
00:15:04,280 --> 00:15:07,040
No-one wears reversible, mate.
258
00:15:07,040 --> 00:15:10,600
Well, they did in 1993.
259
00:15:10,600 --> 00:15:12,600
They did in 1993.
260
00:15:16,280 --> 00:15:17,840
CAR ALARM SOUNDS
261
00:15:24,320 --> 00:15:26,280
Yes! Get in!
262
00:15:26,280 --> 00:15:28,080
I can't believe this is happening.
263
00:15:28,080 --> 00:15:31,000
Who knows, maybe this is an exciting
new direction for us?
264
00:15:31,000 --> 00:15:36,160
The Wonderland, are you ready?
Boys, there you are! Jordan!
265
00:15:36,160 --> 00:15:38,880
How did you know we were here?
Thanks to Elena, I saw your feed.
266
00:15:38,880 --> 00:15:40,920
Good to know one of us is doing
something right.
267
00:15:40,920 --> 00:15:43,560
Right, boys, you're on. No, mate.
They're not playing this gig.
268
00:15:43,560 --> 00:15:46,280
They've already agreed they're going
to do it. Show me a contract.
269
00:15:46,280 --> 00:15:48,160
See, I told you he'd find a way
out of this.
270
00:15:48,160 --> 00:15:50,000
I didn't think so.
Boys, let's get...
271
00:15:50,000 --> 00:15:51,720
ALL: Jordan!
272
00:15:51,720 --> 00:15:53,320
OK, now what? Nate?
273
00:15:53,320 --> 00:15:55,320
Um...
274
00:15:55,320 --> 00:15:56,840
Looks like you're up next.
275
00:16:01,600 --> 00:16:03,240
Don't panic, Lola.
276
00:16:03,240 --> 00:16:04,400
Your mum'll be here soon.
277
00:16:04,400 --> 00:16:07,840
Oh, my God! I'm coming! Wait! OK...
278
00:16:07,840 --> 00:16:10,520
Where's Helen?
Just get me down! Get me down!
279
00:16:10,520 --> 00:16:12,360
OK, Lola. I'm coming up.
280
00:16:13,360 --> 00:16:14,640
I've got this.
281
00:16:30,640 --> 00:16:33,120
HE SCREAMS
282
00:16:33,120 --> 00:16:35,680
I can't do this, Chloe!
283
00:16:35,680 --> 00:16:36,920
Seriously?!
284
00:16:36,920 --> 00:16:38,760
Yes!
285
00:16:38,760 --> 00:16:41,760
OK, Lola. I'm going to get your
phone and call your mum, all right?
286
00:16:41,760 --> 00:16:43,240
Thanks, Chloe.
287
00:16:43,240 --> 00:16:45,880
Can you call Mountain Rescue too?
288
00:16:45,880 --> 00:16:47,920
Aargh!
289
00:16:47,920 --> 00:16:50,600
JORDAN GROANS
290
00:16:50,600 --> 00:16:54,000
Hey, you're not my mummy.
Where am I?
291
00:16:54,000 --> 00:16:56,320
You better sit this one out, mate.
Right, boys.
292
00:16:56,320 --> 00:16:58,280
Let the battle commence. Let's go!
293
00:16:58,280 --> 00:17:01,920
Yeah, let's go! Let's go! Me first!
294
00:17:01,920 --> 00:17:03,400
Me first...
295
00:17:06,000 --> 00:17:08,640
Let me take the first verse
and just get it out the way.
296
00:17:08,640 --> 00:17:10,640
I'll get the special ready.
You know what?
297
00:17:10,640 --> 00:17:13,280
I actually think we've got this.
We so haven't.
298
00:17:13,280 --> 00:17:16,240
Try not to think of the
career-ending aftermath.
299
00:17:16,240 --> 00:17:19,880
DIESEL: Next up, from The Palais
Diner, we've got The Wonderland!
300
00:17:19,880 --> 00:17:21,960
DJ, run the track.
301
00:17:21,960 --> 00:17:24,000
CROWD CHEERS, MUSIC PLAYS
302
00:17:24,960 --> 00:17:26,200
Good luck, bro.
303
00:17:26,200 --> 00:17:29,000
Yeah, check it.
304
00:17:30,200 --> 00:17:33,520
Wonderland, got me wondering why
you're even here
305
00:17:33,520 --> 00:17:35,840
Coming on stage with your eyes
full of fear
306
00:17:35,840 --> 00:17:39,040
Oh, dear,
I think he's going to cry
307
00:17:39,040 --> 00:17:42,560
Dressed like half a century just
passed him straight by
308
00:17:42,560 --> 00:17:44,880
Three little piggies
stand in front of me
309
00:17:44,880 --> 00:17:48,440
And the big, bad wolf
stands in front of thee
310
00:17:48,440 --> 00:17:51,480
Now stop, stand back
while I blow this house down
311
00:17:51,480 --> 00:17:54,680
Ain't no way you chumps
are taking my crown.
312
00:17:54,680 --> 00:17:56,960
BELL DINGS
313
00:18:00,640 --> 00:18:03,000
Woo, yeah! What's good?
314
00:18:05,880 --> 00:18:09,320
The name is Harry,
I'm not called Simon
315
00:18:09,320 --> 00:18:11,080
And I'm not called Larry...
316
00:18:11,080 --> 00:18:14,560
CROWD BOOS Oh, yeah! Yes, Harry!
317
00:18:14,560 --> 00:18:17,560
Someone once mistook me for Gary
318
00:18:17,560 --> 00:18:20,440
But I corrected him and said,
"I'm Harry!"
319
00:18:20,440 --> 00:18:23,440
Nothing to see here.
Nothing to hear, either. Oh!
320
00:18:23,440 --> 00:18:26,480
Oh, come on, man! Mate, move on.
321
00:18:26,480 --> 00:18:29,560
Let me in, dawg!
I'm not your "dawg"!
322
00:18:31,040 --> 00:18:35,160
You hear that? That's my boy!
Harry, I'm coming!
323
00:18:35,160 --> 00:18:37,480
I'm not called Barry, and...
324
00:18:37,480 --> 00:18:39,840
..definitely not Sally.
325
00:18:39,840 --> 00:18:42,880
Yeah, go, Harry!
I've never called him Larry!
326
00:18:42,880 --> 00:18:44,400
CROWD BOOS
327
00:18:45,600 --> 00:18:47,000
Oh, I can't do this...
328
00:18:47,000 --> 00:18:48,800
BELL DINGS
329
00:18:52,760 --> 00:18:54,360
Hey. One, two.
330
00:18:56,560 --> 00:18:59,680
My name is Nate,
I'm here to lay a rap verse
331
00:18:59,680 --> 00:19:02,880
That is...fate?
332
00:19:02,880 --> 00:19:06,640
I go to school, I'm not too
cool for school, um...
333
00:19:06,640 --> 00:19:08,240
CROWD BOOS
334
00:19:08,240 --> 00:19:10,800
I actually want to do quite
well at school, um...
335
00:19:12,560 --> 00:19:15,920
No, that's a good thing!
He's a high achiever!
336
00:19:15,920 --> 00:19:17,480
He's going to go far, guys,
all right?
337
00:19:17,480 --> 00:19:18,720
Oh, dear
338
00:19:18,720 --> 00:19:19,920
Is that all you got?
339
00:19:19,920 --> 00:19:22,000
Captain Rap About All The Names
I'm Not?
340
00:19:23,120 --> 00:19:26,280
And the teacher's pet,
the definition of wet
341
00:19:26,280 --> 00:19:28,360
Yeah, we get it, you like school
342
00:19:29,440 --> 00:19:32,480
So pin your ears back
and listen to my lesson, fool
343
00:19:32,480 --> 00:19:36,000
I don't mean to be mean,
but your raps are weak
344
00:19:36,000 --> 00:19:38,880
The geek, the freak and the one
that don't speak.
345
00:19:38,880 --> 00:19:41,440
BELL DINGS
346
00:19:41,440 --> 00:19:43,280
KLAXON SOUNDS
347
00:19:50,440 --> 00:19:52,240
CROWD JEERS
348
00:19:52,240 --> 00:19:56,200
HEART THUMPS RHYTHMICALLY
349
00:20:01,320 --> 00:20:03,240
I've heard enough of this
loser whine
350
00:20:03,240 --> 00:20:04,760
My name is Oakley, sunshine
351
00:20:04,760 --> 00:20:06,680
You think it's big or clever
to rap against us?
352
00:20:06,680 --> 00:20:08,720
I could destroy you here
or behind the tour bus
353
00:20:08,720 --> 00:20:10,640
You could take on two
but not all three of us
354
00:20:10,640 --> 00:20:12,720
You want me to keep going
Well, let me just readjust
355
00:20:12,720 --> 00:20:14,560
Don't tempt me,
I'm just getting started, cos
356
00:20:14,560 --> 00:20:16,360
I don't want a come across nasty
or arrogant
357
00:20:16,360 --> 00:20:18,400
But a simple fact,
your rap's an embarrassment
358
00:20:18,400 --> 00:20:20,560
You just stand there whining
and wailing and all that
359
00:20:20,560 --> 00:20:22,080
You a big man, and that's
all you got
360
00:20:22,080 --> 00:20:23,920
I might as well fight a
test your speed rover
361
00:20:23,920 --> 00:20:25,800
Cos I could just keep rapping
and turn into the speed
362
00:20:25,800 --> 00:20:27,440
I'm one of the best,
like Muhammad Ali
363
00:20:27,440 --> 00:20:29,280
I sting like a butterfly and float
like a bee
364
00:20:29,280 --> 00:20:31,080
You like our music?
Let me give you a freebie
365
00:20:31,080 --> 00:20:33,440
Maybe you could just take the L
and let me know how that felt
366
00:20:33,440 --> 00:20:34,640
Light speed, cos I can go faster
367
00:20:34,640 --> 00:20:36,520
Call me Shakespeare,
cos I'm the lyrical master
368
00:20:36,520 --> 00:20:38,160
Yeah, I wash dishes,
what's wrong with that?
369
00:20:38,160 --> 00:20:39,760
I wiped the floor with you
in one verse flat
370
00:20:39,760 --> 00:20:42,640
You just gotta pay the piper,
I'm singing the facts
371
00:20:42,640 --> 00:20:44,240
CROWD CHEERS, KLAXON SOUNDS
372
00:20:44,240 --> 00:20:46,480
There's no I in team
but there's one in winning
373
00:20:46,480 --> 00:20:47,680
I'll raise my hand, Judge
374
00:20:47,680 --> 00:20:51,080
I need to go
and have my dinner before I go
375
00:20:51,080 --> 00:20:53,000
Y'all better remember the brand
376
00:20:53,000 --> 00:20:56,640
Who be your champ?
CROWD: The Wonderland!
377
00:20:56,640 --> 00:20:58,120
Oakley out.
378
00:20:59,840 --> 00:21:01,440
RECORDING: G-g-game over.
379
00:21:01,440 --> 00:21:04,000
KLAXON SOUNDS, CROWD CHEERS
380
00:21:04,000 --> 00:21:07,200
RECORDING: We have a winner!
We have a winner!
381
00:21:07,200 --> 00:21:09,360
We have a winner!
382
00:21:10,680 --> 00:21:12,920
Sorry, Chloe. We should have gone
back when you said.
383
00:21:12,920 --> 00:21:15,960
I just wanted to feel in control.
Don't be sorry.
384
00:21:15,960 --> 00:21:17,400
It was good seeing you have fun.
385
00:21:17,400 --> 00:21:20,680
At least now we know you can stand
up for yourself.
386
00:21:20,680 --> 00:21:22,400
HELEN SQUEALS
387
00:21:22,400 --> 00:21:23,720
Lola! Mum!
388
00:21:23,720 --> 00:21:25,480
How did you know we were here?
389
00:21:25,480 --> 00:21:28,200
Aha! I knew you were tracking
her phone!
390
00:21:29,320 --> 00:21:32,480
Fabio told Sasha where you were.
Oh, yes, I did do that.
391
00:21:32,480 --> 00:21:36,040
Down, now! Yes, Helen.
Sorry, Helen.
392
00:21:41,520 --> 00:21:43,120
I think I can get to the top, Mum.
393
00:21:45,800 --> 00:21:47,200
No, Lola!
394
00:21:49,480 --> 00:21:51,000
Wait.
395
00:21:51,000 --> 00:21:52,480
We're in this together.
396
00:21:55,800 --> 00:21:58,400
Come down this instant!
397
00:22:15,600 --> 00:22:17,080
Woo!
398
00:22:17,080 --> 00:22:20,200
FABIO LAUGHS Woo! Fabulous!
399
00:22:20,200 --> 00:22:23,480
Do you have any idea how much
studio time we've wasted?!
400
00:22:23,480 --> 00:22:25,360
Let's not waste any more, then.
401
00:22:29,320 --> 00:22:30,760
BONES CRACK Oh!
402
00:22:30,760 --> 00:22:33,360
Oh!
Thanks for your help today, sis.
403
00:22:33,360 --> 00:22:35,200
Please say you're sticking around.
404
00:22:35,200 --> 00:22:37,800
Oh, I think Dan's had
enough of his little sister.
405
00:22:37,800 --> 00:22:40,640
Oh, but having another girl on the
team would be awesome. Come on, Dan.
406
00:22:40,640 --> 00:22:43,320
You've got to admit, that salsa
class was amazing. You're right.
407
00:22:43,320 --> 00:22:45,280
I have been pushing myself too much.
408
00:22:45,280 --> 00:22:47,320
No, it's been great having you
around.
409
00:22:47,320 --> 00:22:50,160
Oh, it's been so much fun.
I've loved it.
410
00:22:50,160 --> 00:22:53,240
Well, why don't you start your own
dance class here?
411
00:22:53,240 --> 00:22:56,000
Yeah, you could teach me how to
pop and lock.
412
00:22:56,000 --> 00:22:57,320
BONES CRACK Aargh!
413
00:22:57,320 --> 00:22:58,800
Aargh... JESS LAUGHS
414
00:22:58,800 --> 00:23:01,560
Aargh!
Guys, I'm stuck!
415
00:23:05,320 --> 00:23:08,360
So watch me while I work
Drop it!
416
00:23:08,360 --> 00:23:10,760
So watch me while I work, hey!
417
00:23:12,120 --> 00:23:15,200
So watch me while I work, work
418
00:23:15,200 --> 00:23:16,720
So watch me while I work.
419
00:23:16,720 --> 00:23:18,560
These aren't the moves that we
agreed on.
420
00:23:18,560 --> 00:23:19,920
No, they're way better.
421
00:23:22,600 --> 00:23:24,000
Nice!
422
00:23:24,000 --> 00:23:26,920
That freestyle finish almost
reminds me of how amazing I was
423
00:23:26,920 --> 00:23:29,600
when I was your age. Sasha! Thanks.
424
00:23:29,600 --> 00:23:33,080
Lola, you superstar. Oh!
425
00:23:33,080 --> 00:23:36,280
Good job taming Mumzilla,
but Lola still needs
426
00:23:36,280 --> 00:23:40,360
a lot of work before we can even
think about signing her. OK.
427
00:23:43,480 --> 00:23:48,160
You were right, and I was wrong.
You get that from me. Oh!
428
00:23:52,360 --> 00:23:54,840
Guys, that was amazing.
Oakley, where did you learn to rap?
429
00:23:54,840 --> 00:23:58,160
I just need to be focused.
I needed to eat.
430
00:23:58,160 --> 00:24:00,920
Jordan, sorry about the whole
getting you knocked out thing.
431
00:24:00,920 --> 00:24:03,160
I'll leave getting us
gigs to you. This is my fault.
432
00:24:03,160 --> 00:24:05,440
I've been so distracted picking
up Sasha's slack,
433
00:24:05,440 --> 00:24:08,760
but I promise I'm going to
step it up, yeah?
434
00:24:09,720 --> 00:24:11,000
Starting right now.
435
00:24:12,840 --> 00:24:14,240
What's he doing?
436
00:24:15,640 --> 00:24:17,960
DJ, drop a beat.
437
00:24:23,800 --> 00:24:26,720
OK, listen up,
and bring them ears back
438
00:24:26,720 --> 00:24:29,200
It's my time, hope you're
listening, but we don't do rap
439
00:24:29,200 --> 00:24:32,200
You see, my boys is fresh
and they bring their own vibes
440
00:24:32,200 --> 00:24:35,200
I'm proud to say that I'm
the manager and leading this tribe
441
00:24:35,200 --> 00:24:37,880
Sick guitar riffs
and a bass that won't quit
442
00:24:37,880 --> 00:24:40,760
I stick it on my reputation
that you're going to love it
443
00:24:40,760 --> 00:24:43,720
Tipped for the top of the charts
and the headline tours
444
00:24:43,720 --> 00:24:46,800
Filling up all the arenas till
they lock off the doors
445
00:24:46,800 --> 00:24:49,560
Forget the hype train,
we straight up legit
446
00:24:49,560 --> 00:24:52,320
From Oakley, Harry, Nate,
you won't know which one to pick
447
00:24:52,320 --> 00:24:55,360
So put your hands together for
the number one band
448
00:24:55,360 --> 00:24:59,760
And welcome to the stage...
CROWD: The Wonderland!
449
00:24:59,760 --> 00:25:01,800
THEY CHEER
450
00:25:01,800 --> 00:25:04,440
OK, OK.
451
00:25:04,440 --> 00:25:06,800
Wow, what an intro.
452
00:25:06,800 --> 00:25:10,920
Rapping ain't my thing, but this
next one, it's called Classic.
453
00:25:10,920 --> 00:25:14,480
THEY CHEER DJ, play it loud!
454
00:25:16,000 --> 00:25:18,000
All in
455
00:25:18,000 --> 00:25:21,640
If we gon' do this right,
we got to go all in
456
00:25:21,640 --> 00:25:23,480
All in
457
00:25:23,480 --> 00:25:26,240
Call everybody
458
00:25:26,240 --> 00:25:28,880
Tell 'em that we about to get into
459
00:25:28,880 --> 00:25:31,480
Something
Something
460
00:25:31,480 --> 00:25:34,360
Ain't got no time to take it slow
461
00:25:34,360 --> 00:25:36,480
Dance and lose control
462
00:25:36,480 --> 00:25:39,440
Yeah, we can make history
463
00:25:39,440 --> 00:25:41,720
Let's make tonight a classic
464
00:25:41,720 --> 00:25:43,680
Ay-ay-ay-ay-ay-ah
465
00:25:43,680 --> 00:25:46,040
Cos anything could happen
466
00:25:46,040 --> 00:25:47,840
Ay-ay-ay-ay-ay-ah
467
00:25:47,840 --> 00:25:50,120
If you got a problem then lose it
468
00:25:50,120 --> 00:25:52,080
If you got a body then use it
469
00:25:52,080 --> 00:25:54,120
Let's make tonight a classic
470
00:25:54,120 --> 00:25:56,080
Ay-ay-ay-ay-ay-ah
471
00:25:56,080 --> 00:25:58,240
Let's make tonight...
472
00:25:58,240 --> 00:26:00,240
Ay-ay-ay-ay-ay-ah
473
00:26:00,240 --> 00:26:02,400
Let's make tonight a classic
474
00:26:02,400 --> 00:26:05,560
Ay-ay-ay-ay-ay-ah
475
00:26:05,560 --> 00:26:07,680
Tattoo
476
00:26:07,680 --> 00:26:11,480
Tonight's going to
stay on me like a tattoo
477
00:26:11,480 --> 00:26:13,200
Tattoo
478
00:26:13,200 --> 00:26:16,080
So, baby, come through
479
00:26:16,080 --> 00:26:19,600
You can bring your friends,
but I really just want you
480
00:26:19,600 --> 00:26:21,480
Want you
481
00:26:21,480 --> 00:26:23,960
Ain't got no time to take it slow
482
00:26:23,960 --> 00:26:25,880
Dance and lose control
483
00:26:25,880 --> 00:26:31,200
Yeah, we could make history
484
00:26:31,200 --> 00:26:33,480
Let's make tonight a classic
485
00:26:33,480 --> 00:26:35,400
Ay-ay-ay-ay-ay-ah
486
00:26:35,400 --> 00:26:37,560
Cos anything could happen
487
00:26:37,560 --> 00:26:39,560
Ay-ay-ay-ay-ay-ah
488
00:26:39,560 --> 00:26:41,800
If you got a problem then lose it
489
00:26:41,800 --> 00:26:44,000
If you got a body then use it
490
00:26:44,000 --> 00:26:45,800
Let's make tonight a classic
491
00:26:45,800 --> 00:26:47,800
Ay-ay-ay-ay-ay-ah
492
00:26:47,800 --> 00:26:49,880
Let's make tonight...
493
00:26:49,880 --> 00:26:51,960
Ay-ay-ay-ay-ay-ah
494
00:26:51,960 --> 00:26:54,080
Let's make tonight a classic
495
00:26:54,080 --> 00:26:56,200
Ay-ay-ay-ay-ay-ah
496
00:26:56,200 --> 00:26:58,160
Let's make tonight...
497
00:26:58,160 --> 00:27:00,280
Ay-ay-ay-ay-ay-ah
498
00:27:00,280 --> 00:27:02,400
Let's make tonight a classic
499
00:27:02,400 --> 00:27:05,440
Ay-ay-ay-ay-ay-ah
500
00:27:05,440 --> 00:27:07,720
Ooh
501
00:27:07,720 --> 00:27:10,320
Never seen anything
like this before
502
00:27:11,600 --> 00:27:13,120
Oh
503
00:27:13,120 --> 00:27:15,960
I'm saying, ooh
504
00:27:15,960 --> 00:27:19,160
Making these
memories out on the floor
505
00:27:19,160 --> 00:27:20,960
Oh, whoa, whoa
506
00:27:20,960 --> 00:27:23,040
Let's make tonight a classic
507
00:27:23,040 --> 00:27:25,080
Ay-ay-ay-ay-ay-ah
508
00:27:25,080 --> 00:27:27,240
Cos anything could happen
509
00:27:27,240 --> 00:27:29,200
Ay-ay-ay-ay-ay-ah
510
00:27:29,200 --> 00:27:31,520
If you got a problem then lose it
511
00:27:31,520 --> 00:27:33,280
If you got a body then use it
512
00:27:33,280 --> 00:27:35,480
Let's make tonight a classic
513
00:27:35,480 --> 00:27:37,120
Ay-ay-ay-ay-ay-ah
514
00:27:37,120 --> 00:27:39,320
Oh, yeah
515
00:27:39,320 --> 00:27:41,640
Ay-ay-ay-ay-ay-ah
516
00:27:41,640 --> 00:27:43,720
Let's make tonight a classic
517
00:27:43,720 --> 00:27:45,640
Ay-ay-ay-ay-ay-ah
518
00:27:45,640 --> 00:27:47,880
Let's make tonight...
519
00:27:47,880 --> 00:27:49,800
Ay-ay-ay-ay-ay-ah
520
00:27:49,800 --> 00:27:52,040
Let's make tonight a classic
521
00:27:52,040 --> 00:27:55,000
Ay-ay-ay-ay-ay-ah!
522
00:27:55,000 --> 00:27:57,240
THEY CHEER
523
00:28:07,880 --> 00:28:09,640
Oh-eh
524
00:28:09,640 --> 00:28:11,520
Eh-oh
525
00:28:11,520 --> 00:28:12,800
Oh-eh.
526
00:28:12,850 --> 00:28:17,400
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