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1
00:00:10,144 --> 00:00:12,546
- * ONE, TWO, THREE,
FOUR, FIVE SIX *
2
00:00:12,580 --> 00:00:13,647
* SHAKE IT, DUDE
3
00:00:13,681 --> 00:00:21,622
*
4
00:00:35,369 --> 00:00:37,471
* CUE THE PULSE TO BEGIN
5
00:00:37,505 --> 00:00:46,214
*
6
00:00:46,247 --> 00:00:48,149
* CUE THE PULSE TO BEGIN
7
00:00:48,182 --> 00:00:50,318
*
8
00:00:50,351 --> 00:00:53,621
* CUE THE PULSE TO BEGIN
9
00:00:53,654 --> 00:00:57,325
* CUE THE PULSE TO BEGIN
10
00:00:59,193 --> 00:01:00,828
- [groans]
11
00:01:00,861 --> 00:01:02,830
- ISN'T THIS FUN?
12
00:01:02,863 --> 00:01:07,168
- MAYBE FOR YOU, BUT THAT'S
BECAUSE YOU'RE A SADISTIC SHIT!
13
00:01:07,201 --> 00:01:08,636
- WHO? ME?
14
00:01:08,669 --> 00:01:11,172
- I'LL NEVER TELL YOU
WHERE THE JEWELS ARE!
15
00:01:11,205 --> 00:01:13,107
- MAKE THAT "JEWEL."
16
00:01:13,141 --> 00:01:14,475
NOW LIE STILL.
17
00:01:14,508 --> 00:01:16,110
WHO KNOWS?
IF YOU'RE LUCKY,
18
00:01:16,144 --> 00:01:18,446
YOU MIGHT EVEN GET
A FEW MORE GOOD YEARS,
19
00:01:18,479 --> 00:01:20,848
LIKE ME!
[cackles]
20
00:01:20,881 --> 00:01:24,218
- [screams]
21
00:01:24,252 --> 00:01:28,122
- MR. KINNEY?
MR. KINNEY?
22
00:01:28,156 --> 00:01:31,192
THAT'S IT FOR TODAY,
MR. KINNEY.
23
00:01:31,225 --> 00:01:34,328
WE'LL SEE YOU AGAIN TOMORROW.
24
00:01:34,362 --> 00:01:35,596
AND I SHOULD WARN YOU,
25
00:01:35,629 --> 00:01:37,465
YOU'LL FEEL FINE
FOR THE NEXT FEW HOURS,
26
00:01:37,498 --> 00:01:39,400
BUT YOU'RE GONNA HIT A WALL
AROUND NOON--
27
00:01:39,433 --> 00:01:40,801
NAUSEA, PAIN, FATIGUE.
28
00:01:40,834 --> 00:01:42,603
THEY'RE ALL NORMAL
SIDE EFFECTS.
29
00:01:42,636 --> 00:01:44,638
IN FACT, I WOULD SUGGEST
THAT FOR THE NEXT FEW DAYS,
30
00:01:44,672 --> 00:01:46,207
YOU JUST STAY HOME,
TAKE IT EASY.
31
00:01:46,240 --> 00:01:47,541
DON'T GO TO WORK.
32
00:01:47,575 --> 00:01:50,644
- HUH.
THANK YOU, NURSE.
33
00:01:50,678 --> 00:01:54,748
THAT'S EXCELLENT ADVICE.
34
00:01:54,782 --> 00:01:56,617
- FIRST THING WE DO
WHEN WE GET TO HOLLYWOOD
35
00:01:56,650 --> 00:01:58,152
IS GO TO UNIVERSAL STUDIOS.
36
00:01:58,186 --> 00:01:59,653
THE RIDES SOUND AWESOME.
37
00:01:59,687 --> 00:02:01,489
AND THEN WE DO
THE GRAVE LINE TOUR.
38
00:02:01,522 --> 00:02:04,525
IT TAKES YOU TO ALL THE PLACES
WHERE STARS HAVE BEEN MURDERED.
39
00:02:04,558 --> 00:02:05,759
AND THEN--
- THEN WE GO
40
00:02:05,793 --> 00:02:07,561
TO GRAUMAN'S CHINESE THEATRE,
41
00:02:07,595 --> 00:02:09,830
AND WE STEAL
JOHN WAYNE'S FOOTPRINTS.
42
00:02:13,967 --> 00:02:15,303
LUCY?
43
00:02:15,336 --> 00:02:16,837
I LOVE LUCY?
44
00:02:16,870 --> 00:02:20,641
THEY WENT TO HOLLYWOOD
AND--NEVER MIND.
45
00:02:20,674 --> 00:02:22,643
COULD YOU SAVE ME SOME CEREAL?
46
00:02:22,676 --> 00:02:24,312
- AREN'T YOU BEING
A BIT PREMATURE?
47
00:02:24,345 --> 00:02:26,580
- WHY?
WE'RE GOING, AREN'T WE?
48
00:02:26,614 --> 00:02:28,649
YOU SAID BRETT
TOLD YOU IT WAS A DONE DEAL.
49
00:02:28,682 --> 00:02:30,384
- THAT'S MR. KELLER TO YOU.
50
00:02:30,418 --> 00:02:33,554
AND NOTHING'S A DONE DEAL
UNTIL IT'S DONE.
51
00:02:33,587 --> 00:02:35,689
- I'M DONE.
52
00:02:35,723 --> 00:02:36,924
- BUSY DAY?
53
00:02:36,957 --> 00:02:39,327
- OH, CLASSES,
RESEARCH AT THE LIBRARY,
54
00:02:39,360 --> 00:02:40,961
STUDENT-ADVISOR MEETINGS.
55
00:02:40,994 --> 00:02:43,264
I'M ALSO SUPPOSED TO HEAR
FROM GREENPOINT PRESS.
56
00:02:43,297 --> 00:02:45,199
- ARE THEY INTERESTED
IN YOUR NOVEL?
57
00:02:45,233 --> 00:02:47,301
- HMM, LET'S JUST SAY THE EDITOR
SEEMED RECEPTIVE,
58
00:02:47,335 --> 00:02:49,470
WHICH AT LEAST IS BETTER
THAN ANOTHER REJECTION.
59
00:02:49,503 --> 00:02:53,407
SO KEEP YOUR FINGERS CROSSED.
60
00:02:53,441 --> 00:02:55,543
- HE SHOULD TRY TO EAT
SOME GRAIN IN THE MORNING
61
00:02:55,576 --> 00:02:57,211
INSTEAD OF THOSE CRAPPY SHAKES.
62
00:02:57,245 --> 00:02:59,347
HE'D BE A LOT HAPPIER,
NOT TO MENTION REGULAR.
63
00:02:59,380 --> 00:03:01,282
- I THINK IT'S GOING TO TAKE
MORE THAN A BOWL OF BRAN.
64
00:03:01,315 --> 00:03:05,886
AND YOU COULD TRY AND BE
A LITTLE MORE SENSITIVE.
65
00:03:05,919 --> 00:03:07,955
- HUH?
- "HUH?"
66
00:03:07,988 --> 00:03:09,957
BEN IS GOING THROUGH
A TOUGH TIME RIGHT NOW.
67
00:03:09,990 --> 00:03:12,693
I'M SURE ALL THIS TALK
ISN'T MAKING IT ANY EASIER.
68
00:03:12,726 --> 00:03:15,729
SO, FROM NOW ON,
LET'S TRY NOT TO USE
69
00:03:15,763 --> 00:03:18,532
THE WORD "HOLLYWOOD"
IN A SENTENCE.
70
00:03:22,603 --> 00:03:24,438
- WHAT THE FUCK
ARE YOU DOING HERE?
71
00:03:24,472 --> 00:03:26,307
- I'M WAITING FOR YOU.
72
00:03:26,340 --> 00:03:28,442
YOU WON'T ANSWER THE DOOR.
YOU WON'T RETURN MY CALLS.
73
00:03:28,476 --> 00:03:30,844
- WELL, THAT SHOULD BE A HINT.
- WHY WON'T YOU SEE ME?
74
00:03:30,878 --> 00:03:32,580
- CYNTHIA!
CYNTHIA!
75
00:03:32,613 --> 00:03:34,014
- JESUS, BRIAN,
WHAT'S GOING ON?
76
00:03:34,047 --> 00:03:35,749
- YOU CAN'T JUST KICK ME OUT.
77
00:03:35,783 --> 00:03:38,319
- WATCH ME.
I DON'T WANT HIS CALLS.
78
00:03:38,352 --> 00:03:40,254
I DON'T WANT HIM IN THIS OFFICE,
AND IF HE COMES NEAR ME,
79
00:03:40,288 --> 00:03:44,725
I WANT A RESTRAINING ORDER.
GOT IT?
80
00:03:44,758 --> 00:03:47,661
AND IF SOME ASSHOLE NAMED
VIC GRASSI CALLS FROM HELL,
81
00:03:47,695 --> 00:03:50,364
YOU CAN TELL HIM
I'M IN A MEETING.
82
00:03:58,572 --> 00:04:01,609
- WELL, VIC,
IT'S NOT QUITE THE HEADSTONE
83
00:04:01,642 --> 00:04:04,578
I'D ORIGINALLY INTENDED.
84
00:04:06,314 --> 00:04:07,881
- BUT AS YOU MAY HAVE HEARD,
85
00:04:07,915 --> 00:04:11,352
MICHELANGELO'S NOT TAKING
ANY MORE COMMISSIONS.
86
00:04:11,385 --> 00:04:12,753
- BUT IT'S SOLID.
87
00:04:12,786 --> 00:04:15,289
IT'S HARD, SMOOTH.
88
00:04:15,323 --> 00:04:17,024
COME TO THINK OF IT,
89
00:04:17,057 --> 00:04:19,660
THAT'S A LOT OF THE ATTRIBUTES
YOU LIKED IN A MAN.
90
00:04:19,693 --> 00:04:21,495
[both laugh]
91
00:04:21,529 --> 00:04:24,365
- WHOEVER INVENTS A CELL
PHONE THAT'S ALSO A VIBRATOR
92
00:04:24,398 --> 00:04:27,668
IS GOING TO MAKE A FORTUNE.
93
00:04:27,701 --> 00:04:29,303
EXCUSE ME, DEB.
94
00:04:29,337 --> 00:04:30,838
- YEAH.
DON'T WORRY, HONEY.
95
00:04:30,871 --> 00:04:33,974
- HELLO?
- VIC'S IN NO HURRY.
96
00:04:34,007 --> 00:04:35,776
- OH, HEY...
- SO I'LL PLANT FLOWERS
97
00:04:35,809 --> 00:04:40,648
THIS SPRING
AND MAKE IT MORE HOMEY, OKAY?
98
00:04:40,681 --> 00:04:44,318
AND, UM...
99
00:04:44,352 --> 00:04:47,688
VIC, I JUST WANT TO SAY,
100
00:04:47,721 --> 00:04:50,424
WHEREVER YOU ARE...
101
00:04:50,458 --> 00:04:52,693
OF COURSE I KNOW WHERE YOU ARE.
YOU'RE IN HEAVEN.
102
00:04:52,726 --> 00:04:56,564
WHERE THE HELL
ELSE WOULD YOU BE?
103
00:04:56,597 --> 00:05:01,835
THAT, UM, IN SPITE
OF OUR LITTLE FALLING OUT,
104
00:05:01,869 --> 00:05:04,672
NOT--NOT THAT
IT WAS SO LITTLE--
105
00:05:04,705 --> 00:05:09,610
IT NEARLY PUT ME
IN THE GROUND BESIDE YOU--
106
00:05:09,643 --> 00:05:11,745
THAT I LOVE YOU...
107
00:05:11,779 --> 00:05:15,483
WITH ALL MY HEART.
108
00:05:15,516 --> 00:05:17,685
YOU KNOW THAT, BABY,
DON'T YOU?
109
00:05:17,718 --> 00:05:20,888
- ARRESTED?
110
00:05:20,921 --> 00:05:24,124
- AND THAT I HOPE THAT YOU'VE
FORGIVEN ME FOR WHAT I DID.
111
00:05:24,157 --> 00:05:25,493
- WHAT DID YOU DO?
112
00:05:25,526 --> 00:05:27,961
D.U.I.?
113
00:05:27,995 --> 00:05:29,997
WELL, WHO'S GOING TO HELP ME
CATER THE PARTY TONIGHT?
114
00:05:30,030 --> 00:05:32,433
- AND ALL BECAUSE
OF THIS SILLY PARTY.
115
00:05:32,466 --> 00:05:34,502
- NO, I WILL NOT RECOMMEND
AN ATTORNEY,
116
00:05:34,535 --> 00:05:36,003
UNLESS YOU RECOMMEND A CHEF.
117
00:05:36,036 --> 00:05:39,106
- REST IN PEACE,
LITTLE BROTHER.
118
00:05:39,139 --> 00:05:42,376
- ROT IN HELL,
YOU LITTLE FUCKER.
119
00:05:42,410 --> 00:05:46,780
OH, VIC, VIC,
WHY'D YOU HAVE TO DIE?
120
00:05:46,814 --> 00:05:48,649
- I KNOW, HONEY.
121
00:05:48,682 --> 00:05:51,018
I KNOW,
BUT HE'S IN A BETTER PLACE.
122
00:05:53,621 --> 00:05:55,589
- IT'S A WARM
AND WONDERFUL PLACE,
123
00:05:55,623 --> 00:05:57,858
FILLED WITH LOVE
AND POSSIBILITIES.
124
00:05:57,891 --> 00:05:59,460
- YOU'LL HAVE
TO FORGIVE MY WIFE.
125
00:05:59,493 --> 00:06:00,994
SHE TENDS TO WAX POETIC
126
00:06:01,028 --> 00:06:02,730
IN DIRECT PROPORTION
TO THE SIZE OF MY TUMMY.
127
00:06:02,763 --> 00:06:04,498
- OH, COME ON,
YOU'VE DONE YOUR FAIR SHARE
128
00:06:04,532 --> 00:06:07,601
OF WAXING YOURSELF.
- I'VE NEVER ONCE WAXED.
129
00:06:07,635 --> 00:06:09,870
AND EVEN IF I DID,
OUR PALTRY EXPRESSIONS
130
00:06:09,903 --> 00:06:12,172
WOULD PALE IN COMPARISON
TO MICHAEL'S RHAPSODIZING.
131
00:06:12,205 --> 00:06:13,807
- [scoffs]
- HOLY SHIT!
132
00:06:13,841 --> 00:06:15,509
WOULD YOU CHECK OUT
THE DICK ON THIS KID?
133
00:06:15,543 --> 00:06:17,911
- OR NOT.
- THAT'S THE UMBILICAL CORD.
134
00:06:17,945 --> 00:06:21,749
- AND BESIDES, YOU CAN'T TELL
FROM THIS IF IT'S A BOY OR GIRL,
135
00:06:21,782 --> 00:06:25,619
ALTHOUGH SOMETHING TELLS ME
A PRINCESS IS ON THE WAY.
136
00:06:25,653 --> 00:06:27,187
- WELL, IT'S OKAY WITH ME
IF HE'S GAY.
137
00:06:27,220 --> 00:06:29,923
- I GOT TO RUN.
[smooches]
138
00:06:29,957 --> 00:06:31,759
WE'RE INSTALLING
THE AUERBACH SHOW.
139
00:06:31,792 --> 00:06:33,160
- DON'T FORGET LAMAZE.
140
00:06:33,193 --> 00:06:37,097
- JESUS.
YOU THINK WE COULD MOVE IT?
141
00:06:37,130 --> 00:06:38,766
- HEY, WHY DON'T I GO?
142
00:06:38,799 --> 00:06:40,167
both: YOU?
143
00:06:40,200 --> 00:06:41,769
- IS IT A CLASS
FOR LESBIAN MOTHERS?
144
00:06:41,802 --> 00:06:43,070
I WON'T SHAVE MY LEGS.
145
00:06:43,103 --> 00:06:44,638
NO ONE WILL NOTICE.
146
00:06:44,672 --> 00:06:46,039
- [laughs]
NO, OF COURSE NOT.
147
00:06:46,073 --> 00:06:48,509
- GOOD. THEN IT'LL SERVE
AS A GENTLE REMINDER
148
00:06:48,542 --> 00:06:50,511
THAT UNTIL SOMEONE COMES UP
WITH A BETTER PLAN,
149
00:06:50,544 --> 00:06:52,646
YOU STILL NEED A MAN
FOR SOME THINGS.
150
00:06:52,680 --> 00:06:54,582
HEY, WHERE HAVE YOU BEEN?
151
00:06:54,615 --> 00:06:56,650
I NEED THOSE PANELS SO I CAN
COME UP WITH SOME DIALOGUE
152
00:06:56,684 --> 00:06:57,985
FOR THE EVIL ANAL PROBERS.
153
00:06:58,018 --> 00:07:00,020
- HOW ABOUT, "UP YOUR ASS"?
154
00:07:02,490 --> 00:07:04,424
- SOUNDS ABOUT RIGHT.
155
00:07:07,761 --> 00:07:09,930
HEY.
156
00:07:09,963 --> 00:07:11,599
HEY!
WHAT'S WITH YOU?
157
00:07:11,632 --> 00:07:12,966
- WHAT DO YOU THINK?
158
00:07:13,000 --> 00:07:16,870
YOU TOLD HIM THAT WE KNEW,
DIDN'T YOU?
159
00:07:16,904 --> 00:07:19,473
- LOOK, I-I DIDN'T MEANT TO.
160
00:07:19,507 --> 00:07:21,675
IT JUST--
- WHAT, SLIPPED OUT?
161
00:07:21,709 --> 00:07:23,477
"WE KNOW YOU HAVE CANCER."
162
00:07:23,511 --> 00:07:25,979
THAT IS THE FUCKING LAMEST
EXCUSE I'VE EVER HEARD.
163
00:07:26,013 --> 00:07:27,948
YOU'RE THE ONE WHO SAID
THAT WE SHOULD BE STRONG
164
00:07:27,981 --> 00:07:29,683
AND HONOR HIS WISHES.
- I'M SORRY.
165
00:07:29,717 --> 00:07:31,118
- DO YOU HAVE ANY IDEA
HOW HARD THAT'S BEEN?
166
00:07:31,151 --> 00:07:32,620
WHY ARE YOU SORRY?
167
00:07:32,653 --> 00:07:34,722
DID HE KICK YOU OUT?
168
00:07:34,755 --> 00:07:37,157
DID HE SAY HE NEVER WANTED
TO SEE YOU AGAIN?
169
00:07:37,190 --> 00:07:38,759
WELL, IF THAT'S
THE WAY HE WANTS IT,
170
00:07:38,792 --> 00:07:41,729
I'LL BE GLAD TO HONOR
THOSE WISHES TOO.
171
00:07:50,871 --> 00:07:53,140
- THERE YOU GO.
- OKAY, THANK YOU.
172
00:07:55,743 --> 00:07:57,244
- PROFESSOR BRUCKNER.
173
00:07:57,277 --> 00:07:59,647
- THAT'S ME.
174
00:07:59,680 --> 00:08:00,981
- I'M SURE
YOU DON'T REMEMBER ME.
175
00:08:01,014 --> 00:08:02,282
I WAS IN YOUR 110 SEMINAR
LAST YEAR.
176
00:08:02,315 --> 00:08:04,752
- THERE WERE SO MANY STUDENTS
IN THAT SEMINAR.
177
00:08:04,785 --> 00:08:05,986
- ANTHONY FLYNN.
178
00:08:06,019 --> 00:08:07,921
- I HOPE YOU ENJOYED IT.
179
00:08:07,955 --> 00:08:09,657
- [chuckles]
IT WAS GREAT.
180
00:08:09,690 --> 00:08:12,726
IN FACT, I EVEN WENT OUT
AND BOUGHT YOUR BOOK, RU12.
181
00:08:12,760 --> 00:08:15,729
- OH.
DID YOU READ IT?
182
00:08:15,763 --> 00:08:16,997
- A FEW TIMES, ACTUALLY.
183
00:08:17,030 --> 00:08:17,998
I LOVED IT.
184
00:08:18,031 --> 00:08:19,800
SO WELL WRITTEN.
185
00:08:19,833 --> 00:08:21,902
YOU KNOW, I AGREE WITH WHAT
THE CRITICS SAID ON THE JACKET.
186
00:08:21,935 --> 00:08:25,606
- OH. SEND THEM A FREE COPY,
THEY'LL SAY ANYTHING.
187
00:08:25,639 --> 00:08:28,642
- NO, I'D--I'D REALLY LIKE TO
TALK TO YOU ABOUT IT SOME TIME.
188
00:08:28,676 --> 00:08:31,545
YOU SEE, I'M A WRITER TOO--
WELL, TRYING TO BE.
189
00:08:31,579 --> 00:08:34,014
- AS MUCH
AS I'D LIKE THAT, ANTHONY,
190
00:08:34,047 --> 00:08:36,884
IT'S, UH, MY POLICY NOT TO
FRATERNIZE WITH MY STUDENTS.
191
00:08:36,917 --> 00:08:38,185
- EVEN FORMER ONES?
192
00:08:40,721 --> 00:08:43,791
I'M SORRY. I DIDN'T MEAN TO PUT
YOU IN AN AWKWARD POSITION.
193
00:08:43,824 --> 00:08:45,559
- NO, IT'S OKAY.
194
00:08:45,593 --> 00:08:47,561
- IT'S JUST THAT YOUR BOOK
REALLY SPOKE TO ME...
195
00:08:47,595 --> 00:08:48,762
AS A GAY MAN, I MEAN.
196
00:08:48,796 --> 00:08:50,764
BY THE TIME I'D FINISHED IT,
197
00:08:50,798 --> 00:08:54,001
I FELT I'D DISCOVERED THINGS
ABOUT MYSELF I'D NEVER KNOWN.
198
00:08:56,069 --> 00:08:58,538
- THANK YOU.
199
00:08:59,940 --> 00:09:01,642
FLYNN.
200
00:09:01,675 --> 00:09:04,778
YEAH, YOU USED TO SIT
ABOUT HALFWAY BACK,
201
00:09:04,812 --> 00:09:07,180
WAY OVER ON THE RIGHT BY
THE WINDOW WITH THE FIRE ESCAPE.
202
00:09:07,214 --> 00:09:10,117
- [chuckles]
THAT'S ME.
203
00:09:11,819 --> 00:09:14,655
- IT'S A SIMPLE
BUT ELEGANT MENU--
204
00:09:14,688 --> 00:09:16,724
LOBSTER, FILET MIGNON, SALAD,
205
00:09:16,757 --> 00:09:19,192
AND, OF COURSE, DESSERT.
206
00:09:19,226 --> 00:09:21,194
UH-HUH.
207
00:09:21,228 --> 00:09:24,732
UH-HUH.
NO, SURE. I UNDERSTAND.
208
00:09:26,233 --> 00:09:29,202
WELL, THAT WAS
THE LAST POSSIBILITY.
209
00:09:29,236 --> 00:09:31,338
- AH, POOR EM.
210
00:09:31,371 --> 00:09:34,875
I KEEP FORGETTING HOW IMPORTANT
VIC WAS TO YOU TOO, HONEY.
211
00:09:34,908 --> 00:09:37,978
WITHOUT HIM,
YOUR BUSINESS IS FUCKED, HUH?
212
00:09:38,011 --> 00:09:41,348
BUT NEVER FEAR,
'CAUSE HELP IS HERE.
213
00:09:41,381 --> 00:09:44,217
- WHERE?
- YOU'RE LOOKING AT IT.
214
00:09:44,251 --> 00:09:46,954
I'LL CANCEL MY SHIFT TONIGHT.
I'LL LEND YOU A HAND.
215
00:09:46,987 --> 00:09:49,222
- OH, THANKS, BUT, UH,
I NEED MORE THAN A HAND.
216
00:09:49,256 --> 00:09:50,691
I NEED AN ENTIRE BODY,
217
00:09:50,724 --> 00:09:52,893
PREFERABLY ONE BELONGING
TO A CHEF.
218
00:09:52,926 --> 00:09:54,828
- WHAT'S THE MATTER
WITH MY COOKING?
219
00:09:54,862 --> 00:09:56,964
- DON'T TAKE THIS THE WRONG WAY,
BUT NOT EVERYTHING IS COVERED
220
00:09:56,997 --> 00:09:58,999
IN MARINARA SAUCE.
221
00:09:59,032 --> 00:10:00,600
- FINE.
222
00:10:03,136 --> 00:10:04,638
- THE OCTOBER DETECTIVE?
223
00:10:04,672 --> 00:10:06,707
- HMM.
IT'S ONE IN A SERIES.
224
00:10:06,740 --> 00:10:07,708
- OF 12?
225
00:10:07,741 --> 00:10:09,643
- HOW DID YOU GUESS?
226
00:10:09,677 --> 00:10:12,913
- WHEN IT COMES TO CLUES,
I'M QUICK.
227
00:10:12,946 --> 00:10:14,915
FOR INSTANCE,
I'VE, UH, NEVER KNOWN YOU
228
00:10:14,948 --> 00:10:16,850
TO READ DETECTIVE NOVELS.
229
00:10:16,884 --> 00:10:18,719
- SO?
230
00:10:18,752 --> 00:10:22,255
- SO I WOULD SURMISE, USING MY
BRILLIANT POWERS OF DEDUCTION,
231
00:10:22,289 --> 00:10:26,727
THAT IT HAS SOMETHING TO DO
WITH ONE LIEUTENANT HORVATH.
232
00:10:26,760 --> 00:10:28,328
- SORRY, SHERLOCK.
233
00:10:28,361 --> 00:10:30,330
CARL CAME HERE
STRICTLY AS A FRIEND,
234
00:10:30,363 --> 00:10:32,132
AND THERE'S NOTHING BETWEEN US.
235
00:10:32,165 --> 00:10:34,401
- THE LOOK IN HIS EYES
SAID OTHERWISE.
236
00:10:34,434 --> 00:10:37,437
- WHAT DO YOU KNOW
ABOUT THE LOOK IN A MAN'S--
237
00:10:37,470 --> 00:10:39,339
NEVER MIND.
I TAKE IT BACK.
238
00:10:41,775 --> 00:10:44,077
- STOP LIVING IN A BOOK
239
00:10:44,111 --> 00:10:47,881
AND START LIVING YOUR LIFE.
240
00:10:47,915 --> 00:10:51,151
MMM, GOD, THIS CHOCOLATE MOUSSE
IS SCRUMPTIOUS.
241
00:10:51,184 --> 00:10:54,421
PERHAPS I UNDERESTIMATED
YOUR CULINARY SKILLS.
242
00:10:54,454 --> 00:10:58,458
- MY CHOCOLATE MOUSSE
IS COVERED IN MARINARA SAUCE.
243
00:10:58,491 --> 00:11:00,728
THIS IS FROM
THAT SWEET KID DARREN--
244
00:11:00,761 --> 00:11:02,763
YOU KNOW,
THE ONE WHO GOT BASHED.
245
00:11:02,796 --> 00:11:04,297
I SENT HIM FOOD EVERY DAY
FROM THE DINER,
246
00:11:04,331 --> 00:11:06,166
AND NOW HE SENDS
ME GOODIES BACK--
247
00:11:06,199 --> 00:11:08,101
KIND OF LIKE A THANK-YOU.
248
00:11:08,135 --> 00:11:10,303
AND HE DOES IT ALL HIMSELF.
249
00:11:10,337 --> 00:11:13,440
I TELL YOU, HE CAN DANCE.
HE CAN COOK.
250
00:11:13,473 --> 00:11:15,308
HE'S A KNOCKOUT IN A DRESS.
251
00:11:15,342 --> 00:11:19,346
HE'LL BE A REAL CATCH
FOR SOME LUCKY GUY.
252
00:11:19,379 --> 00:11:23,050
[door closes]
EM?
253
00:11:23,083 --> 00:11:25,185
EM?
254
00:11:25,218 --> 00:11:27,220
WHERE THE FUCK HE GO?
255
00:11:29,990 --> 00:11:31,691
- BRIAN?
256
00:11:40,433 --> 00:11:42,369
BRIAN?
257
00:11:45,773 --> 00:11:48,075
JESUS CHRIST, WHAT'S WRONG?
258
00:11:48,108 --> 00:11:49,943
- NOTHING.
259
00:11:49,977 --> 00:11:51,879
I'M FINE.
WHY DO YOU ASK?
260
00:11:51,912 --> 00:11:53,380
- WELL, FOR ONE THING,
YOU LOOK LIKE SHIT.
261
00:11:53,413 --> 00:11:55,248
- THANK YOU.
262
00:11:59,386 --> 00:12:02,222
- OKAY, LOOK, NOW, THIS IS THE
SECOND TIME THIS HAS HAPPENED.
263
00:12:02,255 --> 00:12:03,757
- FUCKING ACCOUNTANTS--
264
00:12:03,791 --> 00:12:05,225
DO YOU HAVE TO KEEP A RECORD
OF EVERYTHING?
265
00:12:05,258 --> 00:12:08,495
- I JUST WANT YOU TO KNOW
THAT YOU CAN TRUST ME,
266
00:12:08,528 --> 00:12:11,531
AS A FRIEND AND AS SOMEONE
WHO HAS BEEN THROUGH IT ALL.
267
00:12:11,564 --> 00:12:13,433
I MEAN, THERE IS NOTHING
I HAVEN'T SEEN OR DONE,
268
00:12:13,466 --> 00:12:16,169
WHICH IS WHY I DON'T PRESUME
TO JUDGE ANYONE.
269
00:12:16,203 --> 00:12:18,405
BUT THERE'S ONE THING I KNOW--
270
00:12:18,438 --> 00:12:22,776
THE FIRST AND HARDEST STEP
YOU'LL EVER HAVE TO TAKE...
271
00:12:22,810 --> 00:12:24,511
IS ADMITTING
YOU HAVE A PROBLEM.
272
00:12:24,544 --> 00:12:27,114
AND ONCE YOU'VE DONE THAT,
YOU'RE ON THE ROAD TO RECOVERY--
273
00:12:27,147 --> 00:12:31,151
- IT'S THE BIG "C," TED.
[scoffs]
274
00:12:35,088 --> 00:12:39,059
- COCAINE?
- [laughs]
275
00:12:39,092 --> 00:12:41,294
IT'S BIGGER.
276
00:12:41,328 --> 00:12:43,196
- CRYSTAL?
277
00:12:43,230 --> 00:12:45,198
- BIGGER.
278
00:12:45,232 --> 00:12:47,400
- CAFFEINE?
279
00:12:47,434 --> 00:12:51,038
- IT'S CANCER, THEODORE.
280
00:12:53,240 --> 00:12:55,042
- C-C-C-C--
281
00:12:55,075 --> 00:12:57,044
- YEAH.
282
00:12:58,211 --> 00:13:01,448
BUT RELAX.
283
00:13:01,481 --> 00:13:03,817
THEY GOT IT.
284
00:13:03,851 --> 00:13:07,354
I'M IN RADIATION.
285
00:13:07,387 --> 00:13:09,422
STARTED THIS MORNING.
286
00:13:09,456 --> 00:13:12,392
WOULD YOU EXCUSE ME
FOR A MOMENT?
287
00:13:17,630 --> 00:13:20,800
[vomits]
288
00:13:25,472 --> 00:13:28,808
[spits, coughs]
289
00:13:37,350 --> 00:13:40,053
- I CAN'T TELL YOU
HOW RELIEVED I AM.
290
00:13:40,087 --> 00:13:41,454
- I MEAN, THAT--
291
00:13:41,488 --> 00:13:44,557
THAT YOU'RE GONNA
BE ALL RIGHT.
292
00:13:45,959 --> 00:13:47,895
- THANK YOU.
293
00:13:56,436 --> 00:13:58,105
- IS THERE ANYTHING I CAN DO?
294
00:13:58,138 --> 00:13:59,472
- YEAH, AS A MATTER OF FACT,
295
00:13:59,506 --> 00:14:03,010
YOU CAN DO THREE THINGS.
296
00:14:03,043 --> 00:14:06,079
FIRST...
[scoffs]
297
00:14:06,113 --> 00:14:08,882
YOU KEEP YOUR BIG MOUTH SHUT,
298
00:14:08,916 --> 00:14:10,083
OR YOU'RE FIRED.
299
00:14:10,117 --> 00:14:12,986
- SEALING. SEALING.
SECOND?
300
00:14:13,020 --> 00:14:16,957
- I WANT YOU TO COVER
FOR ME THIS AFTERNOON
301
00:14:16,990 --> 00:14:18,959
WITH DANDY LUBE.
302
00:14:18,992 --> 00:14:21,294
- WAIT.
COVER F-FOR YOU?
303
00:14:21,328 --> 00:14:22,963
- MAKE THE PRESENTATION.
304
00:14:22,996 --> 00:14:25,498
- BUT I--
- LOOK, IF YOU COULD PRETEND
305
00:14:25,532 --> 00:14:27,367
THAT YOU WERE PAVAROTTI
306
00:14:27,400 --> 00:14:31,504
AT THAT PATHETIC PASTA PALACE,
307
00:14:31,538 --> 00:14:34,141
YOU CAN DO THIS.
308
00:14:36,076 --> 00:14:38,178
- [sniffs]
WHAT'S THE THIRD?
309
00:14:38,211 --> 00:14:40,180
- CALL ME A CAB.
310
00:14:42,315 --> 00:14:45,018
I'M GOING HOME.
311
00:14:49,222 --> 00:14:51,992
- AND THE PART WHERE ALL YOUR
FRIENDS WERE TURNING POSITIVE--
312
00:14:52,025 --> 00:14:53,994
- HOW ABOUT OVER THERE?
- UH, FINE.
313
00:14:54,027 --> 00:14:56,529
- BUT YOU STILL
HADN'T BEEN INFECTED.
314
00:14:56,563 --> 00:15:00,400
- YEAH, I REMEMBER FEELING
TERRIFIED THAT I'D BE NEXT.
315
00:15:00,433 --> 00:15:03,170
BUT AT THE SAME TIME,
316
00:15:03,203 --> 00:15:05,605
FEELING LIKE I JUST WANTED
TO GET IT OVER WITH.
317
00:15:05,638 --> 00:15:08,408
- THEN WHEN YOU CONVERTED,
IT--IT PUT YOU
318
00:15:08,441 --> 00:15:10,410
IN A WHOLE
DIFFERENT PLACE.
319
00:15:10,443 --> 00:15:14,681
- SPIRITUALLY, EMOTIONALLY,
POLITICALLY.
320
00:15:14,714 --> 00:15:18,085
- YOU KNOW, I HAVE TO TELL YOU,
IT WAS VERY MOVING.
321
00:15:26,059 --> 00:15:28,028
- ANTHONY, MAY I ASK YOU
A PERSONAL QUESTION?
322
00:15:28,061 --> 00:15:30,497
- I FEEL LIKE I ALREADY KNOW
SO MUCH ABOUT YOU,
323
00:15:30,530 --> 00:15:32,032
IT'S ONLY FAIR.
324
00:15:32,065 --> 00:15:33,967
- ARE YOU POSITIVE?
325
00:15:34,001 --> 00:15:36,336
- NO.
326
00:15:36,369 --> 00:15:39,072
BUT YOUR BOOK STILL SPOKE TO ME.
327
00:15:39,106 --> 00:15:41,208
AND ISN'T THAT THE MEASURE
OF ANY GREAT BOOK...
328
00:15:41,241 --> 00:15:42,509
- [scoffs]
- THAT IT SPEAKS TO EVERYONE?
329
00:15:42,542 --> 00:15:45,178
- OH, I DON'T KNOW ABOUT THAT.
330
00:15:45,212 --> 00:15:48,115
I MEAN, ABOUT IT BEING
A GREAT BOOK, BUT THANKS.
331
00:15:48,148 --> 00:15:51,384
- SO THE QUESTION IS,
WHEN'S THE NEXT ONE COMING OUT?
332
00:15:51,418 --> 00:15:54,387
- MM, THAT IS THE QUESTION.
333
00:15:54,421 --> 00:15:56,456
JUST FINISHED A NOVEL
ABOUT TWO MEN,
334
00:15:56,489 --> 00:15:58,458
SET IN PARIS IN THE '30s.
335
00:15:58,491 --> 00:15:59,759
- SOUNDS GREAT.
- MM-HMM.
336
00:15:59,792 --> 00:16:01,461
THERE ARE
A COUPLE DOZEN PUBLISHERS
337
00:16:01,494 --> 00:16:02,462
WHO DON'T AGREE WITH YOU.
338
00:16:02,495 --> 00:16:05,132
THEY'VE ALL TURNED IT DOWN.
339
00:16:05,165 --> 00:16:06,733
- WELL, I'D LOVE TO READ IT...
340
00:16:06,766 --> 00:16:10,337
IF YOU'D LET ME.
- I DON'T KNOW.
341
00:16:10,370 --> 00:16:12,605
- HEY,
I'M AN ENGLISH-LIT MAJOR,
342
00:16:12,639 --> 00:16:15,508
A BUDDING YOUNG WRITER,
AND I WORK IN A LIBRARY.
343
00:16:15,542 --> 00:16:18,211
OH, AND I GOT AN "A"
IN YOUR COURSE.
344
00:16:18,245 --> 00:16:19,746
THAT SHOULD QUALIFY ME TO KNOW
345
00:16:19,779 --> 00:16:21,848
A LITTLE SOMETHING
ABOUT GOOD WRITING.
346
00:16:25,718 --> 00:16:28,755
- AT THE RISK
OF LOSING A FAN...
347
00:16:28,788 --> 00:16:32,392
- OR GAINING
AN EVEN BIGGER ONE.
348
00:16:32,425 --> 00:16:36,263
[chuckles]
349
00:16:36,296 --> 00:16:39,666
- * I'D BE THE "MAN"
IN MANKIND *
350
00:16:39,699 --> 00:16:42,235
* AND THE UNIVERSAL HE
351
00:16:42,269 --> 00:16:44,437
* EVERY DOOR
THAT ONCE WAS SHUT *
352
00:16:44,471 --> 00:16:46,639
* WOULD OPEN FOR ME
353
00:16:46,673 --> 00:16:49,309
* IF I WERE A MAN
354
00:16:49,342 --> 00:16:53,813
* IF I WERE A MAN, I'D LIKE
TO MEET SOMEBODY LIKE ME *
355
00:16:53,846 --> 00:16:59,686
* IF I WERE A MAN, I'D LIKE
TO MEET SOMEBODY LIKE ME *
356
00:17:01,454 --> 00:17:04,391
- BRAVO!
[laughs]
357
00:17:04,424 --> 00:17:06,726
I MEAN, BRAVA!
358
00:17:06,759 --> 00:17:08,428
I'M, UM, EMMETT HONEYCUTT.
359
00:17:08,461 --> 00:17:10,130
I LIVE WITH DEBBIE NOVOTNY.
360
00:17:10,163 --> 00:17:12,065
WE MET AT THE "SO WHAT
IF IT'S NOT CHRISTMAS?
361
00:17:12,099 --> 00:17:13,666
WE'RE HAVING A CHRISTMAS PARTY
ANYWAY" PARTY.
362
00:17:13,700 --> 00:17:15,068
- RIGHT.
363
00:17:15,102 --> 00:17:17,137
- YOU ARE FABULOUS.
364
00:17:17,170 --> 00:17:20,140
I JUST LOVE THE ROUTINES,
THE GOWNS...
365
00:17:20,173 --> 00:17:22,475
THE CHOCOLATE MOUSSE.
366
00:17:22,509 --> 00:17:23,543
- EXCUSE ME?
367
00:17:23,576 --> 00:17:26,613
- I'M A PARTY PLANNER.
368
00:17:26,646 --> 00:17:31,618
DEBBIE'S BROTHER, VIC, UH, WAS
MY CHEF BEFORE HE PASSED AWAY.
369
00:17:31,651 --> 00:17:34,454
HE'S GONE NOW,
BUT OUR BUSINESS ISN'T.
370
00:17:34,487 --> 00:17:38,825
AND IF ANYONE KNOWS THE SHOW
MUST GO ON, IT'S YOU, SO...
371
00:17:38,858 --> 00:17:41,628
- YOU WANT SHANDA LEER
TO PERFORM AT A PARTY?
372
00:17:41,661 --> 00:17:46,566
NO, I WANT DARREN
TO COOK FOR A PARTY.
373
00:17:46,599 --> 00:17:48,568
- BUT, UH...
374
00:17:48,601 --> 00:17:50,770
[whispering]
I'M NOT A CHEF.
375
00:17:50,803 --> 00:17:53,473
- WELL, YOU DO A FABULOUS
IMPERSONATION OF THAT TOO.
376
00:17:53,506 --> 00:17:55,175
I MEAN, THOSE DELICACIES
377
00:17:55,208 --> 00:17:57,577
YOU'VE BEEN SENDING OVER
TO DEB'S ARE TO DIE FOR.
378
00:17:57,610 --> 00:17:59,512
NO OFFENSE, VIC.
379
00:17:59,546 --> 00:18:04,184
- I'D LOVE TO HELP YOU OUT,
BUT SHANDA'S MAKING A COMEBACK.
380
00:18:04,217 --> 00:18:07,587
[exhales sharply]
GOD, I HATE THAT WORD.
381
00:18:07,620 --> 00:18:11,258
IT'S A...RETURN.
382
00:18:11,291 --> 00:18:12,625
THERE'S JUST NO TIME.
383
00:18:12,659 --> 00:18:16,629
- WELL, YOU CAN'T BLAME
A GIRL FOR TRYING.
384
00:18:17,930 --> 00:18:21,768
GOOD LUCK.
UH, BREAK A LEG.
385
00:18:24,504 --> 00:18:28,875
- * IF I WERE A MAN
386
00:18:28,908 --> 00:18:30,877
- DAMN.
387
00:18:30,910 --> 00:18:32,245
- DIDN'T MEAN IT LITERALLY.
388
00:18:32,279 --> 00:18:34,614
- LOOK AT THIS.
RUINED.
389
00:18:34,647 --> 00:18:38,818
DO YOU KNOW HOW MUCH THESE SATIN
PUMPS IN A SIZE 11 1/2 COST?
390
00:18:38,851 --> 00:18:43,356
NOT TO MENTION
THE NEW GOWNS AND THE HAIR.
391
00:18:43,390 --> 00:18:44,824
SHANDA MAY BE A STAR,
392
00:18:44,857 --> 00:18:48,795
BUT SHE'S GOING TO DRIVE ME
TO THE POORHOUSE.
393
00:18:48,828 --> 00:18:51,831
- HONEY, LET'S REVIEW.
394
00:18:51,864 --> 00:18:53,700
YOU NEED DOUGH,
395
00:18:53,733 --> 00:18:55,902
AND I NEED SOMEONE TO STUFF IT
396
00:18:55,935 --> 00:18:58,538
WITH SPINACH
AND PORCINI MUSHROOMS.
397
00:19:01,808 --> 00:19:04,244
[bell jingles]
- MAIL'S HERE.
398
00:19:04,277 --> 00:19:06,246
- SINCE WHEN DO I GET
SPECIAL DELIVERY?
399
00:19:06,279 --> 00:19:07,914
- SINCE THIS ARRIVED
FROM THAT PLACE
400
00:19:07,947 --> 00:19:11,384
I'M NOT SUPPOSED
TO USE IN A SENTENCE.
401
00:19:11,418 --> 00:19:14,921
- IT'S FROM BRETT.
- YOU MEAN MR. KELLER?
402
00:19:14,954 --> 00:19:18,625
STOP STARING AND OPEN
THE GODDAMN LETTER ALREADY.
403
00:19:21,294 --> 00:19:22,862
WELL?
404
00:19:22,895 --> 00:19:25,265
- IT'S TWO CHECKS--
ONE MADE OUT TO JUSTIN,
405
00:19:25,298 --> 00:19:28,301
ONE MADE OUT TO ME,
EACH FOR $10,000.
406
00:19:28,335 --> 00:19:31,404
- $10,000--OH, MY GOD!
407
00:19:31,438 --> 00:19:33,906
[both cheer]
408
00:19:36,443 --> 00:19:37,577
WE'RE RICH!
409
00:19:37,610 --> 00:19:39,446
- NOT QUITE.
- BUT WE WILL BE.
410
00:19:39,479 --> 00:19:41,548
- JUST IMAGINE,
RAGE ON THE SILVER SCREEN,
411
00:19:41,581 --> 00:19:42,882
BIG-BUDGET SPECIAL EFFECTS.
412
00:19:42,915 --> 00:19:45,285
- MILLIONS IN
FAST-FOOD-MERCHANDISING TIE-INS.
413
00:19:45,318 --> 00:19:47,687
- TOM CRUISE PUMPING AWAY
IN HOT, SUPERHERO MAN-SEX.
414
00:19:47,720 --> 00:19:48,988
- CAREFUL.
HE'LL SUE YOUR ASS.
415
00:19:49,021 --> 00:19:51,491
- CAN'T SUE SOMEONE
FOR DREAMING.
416
00:19:51,524 --> 00:19:53,826
- SPEAKING OF DREAMS,
THIS CAME TOO.
417
00:19:53,860 --> 00:19:56,329
IT'S FROM GREENPOINT PRESS.
418
00:19:56,363 --> 00:19:59,299
- WELL, YOU CAN'T OPEN
SOMEONE ELSE'S MAIL.
419
00:19:59,332 --> 00:20:00,833
IT'S A FEDERAL OFFENSE.
420
00:20:00,867 --> 00:20:02,569
- I CAN SEE IT NOW.
421
00:20:02,602 --> 00:20:04,471
I'M ON DEATH ROW,
AWAITING LETHAL INJECTION.
422
00:20:04,504 --> 00:20:07,307
THIS MASS MURDERER WHO KILLED
48 BABIES AND ATE THEM
423
00:20:07,340 --> 00:20:09,609
ASKS ME
WHAT I'M BEING EXECUTED FOR.
424
00:20:09,642 --> 00:20:12,445
I SAY, "OPENING BEN'S LETTER."
425
00:20:12,479 --> 00:20:14,013
- STILL, IT'S NOT ETHICAL.
426
00:20:14,046 --> 00:20:16,316
- ETHICAL, SHMETHICAL.
427
00:20:16,349 --> 00:20:18,885
OOPS.
TOO LATE.
428
00:20:18,918 --> 00:20:20,587
SHOULD I SEAL IT BACK UP?
429
00:20:20,620 --> 00:20:22,755
- WELL, I SUPPOSE
SINCE IT'S ALREADY OPEN...
430
00:20:22,789 --> 00:20:25,358
- THAT'S WHAT I LIKE--
A MAN WITH VALUES.
431
00:20:27,827 --> 00:20:30,930
- WELL?
432
00:20:30,963 --> 00:20:34,734
- THEY THINK IT SUCKS.
- SHIT.
433
00:20:34,767 --> 00:20:36,536
SHIT.
434
00:20:36,569 --> 00:20:39,906
BEN'S GOING TO BE SO UPSET.
- NOT IF HE NEVER GETS IT.
435
00:20:39,939 --> 00:20:42,909
- GIVE ME THAT.
436
00:20:48,080 --> 00:20:49,916
- MM.
437
00:20:51,918 --> 00:20:53,620
- AM I INTERRUPTING?
438
00:20:53,653 --> 00:20:55,922
- JUST ABOUT
TO DEVOUR MY MANWICH.
439
00:20:55,955 --> 00:20:59,025
- IN MY NEIGHBORHOOD,
THAT'S THREE GUYS FUCKING.
440
00:20:59,058 --> 00:21:03,630
- COME ON IN.
HAVE A SEAT.
441
00:21:03,663 --> 00:21:06,032
HOW YOU DOING?
442
00:21:06,065 --> 00:21:07,500
- BETTER...
443
00:21:07,534 --> 00:21:09,369
THANKS IN NO SMALL PART
TO YOU.
444
00:21:09,402 --> 00:21:11,037
- I'M GLAD TO HEAR IT.
445
00:21:11,070 --> 00:21:13,773
- I'M--I'M SORRY
YOU'RE FINISHING LUNCH,
446
00:21:13,806 --> 00:21:16,075
'CAUSE I WAS GONNA TAKE YOU UP
ON YOUR OFFER--
447
00:21:16,108 --> 00:21:20,046
YOU KNOW, STEP OUT,
HAVE A BITE.
448
00:21:20,079 --> 00:21:22,982
BUT I HAVE TO WARN YOU, CARL,
I HAVEN'T CHANGED MUCH.
449
00:21:23,015 --> 00:21:25,785
I STILL GOT A BIG MOUTH,
AND I STILL SPEAK MY MIND,
450
00:21:25,818 --> 00:21:29,055
AND I'M STILL AS STUBBORN
AS A PROM-WEEK PIMPLE.
451
00:21:29,088 --> 00:21:31,458
[both laugh]
452
00:21:31,491 --> 00:21:36,329
BUT IF THAT'S STILL OKAY WITH
YOU, THEN HOW ABOUT DINNER?
453
00:21:36,363 --> 00:21:37,997
- DEBBIE--
- I'VE BEEN HAVING THESE DREAMS
454
00:21:38,030 --> 00:21:39,666
ABOUT LOBSTER LATELY.
455
00:21:39,699 --> 00:21:41,734
I'M ADRIFT ON THIS SEA
OF MELTED BUTTER AND--
456
00:21:41,768 --> 00:21:44,003
- DEBBIE.
- WHAT?
457
00:21:44,036 --> 00:21:46,573
- I'VE BEEN SEEING SOMEONE.
458
00:21:48,875 --> 00:21:50,543
- OH.
459
00:21:50,577 --> 00:21:52,479
- COUPLE OF MONTHS NOW.
460
00:21:52,512 --> 00:21:54,414
HER NAME'S KATHARINE.
461
00:21:54,447 --> 00:21:57,984
- WELL, THAT'S GOOD NEWS.
462
00:21:58,017 --> 00:22:01,020
- SEE, WHEN I ASKED YOU
IF YOU WANTED TO GET A BITE,
463
00:22:01,053 --> 00:22:02,955
IT WAS AS FRIENDS.
464
00:22:02,989 --> 00:22:04,357
I HOPE I DIDN'T GIVE YOU
THE WRONG--
465
00:22:04,391 --> 00:22:06,025
- OH, NO, NO,
NOT AT ALL.
466
00:22:08,861 --> 00:22:11,097
KATHARINE...
467
00:22:11,130 --> 00:22:13,966
I HAD AN AUNT NAMED KATHARINE.
SHE WAS A GREAT LADY.
468
00:22:14,000 --> 00:22:15,835
SHE WAS NAMED
AFTER KATHARINE HEPBURN--
469
00:22:15,868 --> 00:22:17,470
ANOTHER GREAT LADY.
470
00:22:22,141 --> 00:22:25,545
WELL, I'M VERY HAPPY
FOR YOU, CARL.
471
00:22:27,046 --> 00:22:29,348
I TRULY AM.
472
00:22:36,623 --> 00:22:39,158
- THE DIFFERENCE BETWEEN
OUR LUBE AND THEIR LUBE
473
00:22:39,191 --> 00:22:41,994
IS OUR LUBE SAYS...
474
00:22:42,028 --> 00:22:45,398
"SEX."
475
00:22:45,432 --> 00:22:46,733
IF YOU, UH...
476
00:22:46,766 --> 00:22:49,736
[clears throat]
IF YOU WANT TO BE COOL,
477
00:22:49,769 --> 00:22:51,170
IF YOU WANT TO BE POPULAR,
478
00:22:51,203 --> 00:22:55,041
IF YOU WANT TO GET LAID,
THIS IS THE LUBE YOU USE...
479
00:22:57,810 --> 00:23:01,448
ON YOUR CAR, I MEAN.
480
00:23:01,481 --> 00:23:04,884
- I FAIL TO SEE
HOW GETTING AN OIL CHANGE
481
00:23:04,917 --> 00:23:09,556
OR HAVING YOUR TIRES ROTATED
CAN IMPROVE YOUR SEX LIFE.
482
00:23:09,589 --> 00:23:12,058
- WELL, SEE,
THAT'S WHERE YOU'RE WRONG.
483
00:23:12,091 --> 00:23:14,160
- I'M WRONG?
484
00:23:14,193 --> 00:23:18,831
- NOT--NOT WRONG.
I MEAN, UH, JUST NOT RIGHT.
485
00:23:18,865 --> 00:23:22,201
- WHAT HE MEANS
IS THAT WITH A SEXIER,
486
00:23:22,234 --> 00:23:23,936
MORE PLAYFUL NEW IMAGE,
487
00:23:23,970 --> 00:23:26,906
YOU CAN EXPAND DANDY LUBE'S
SHARE OF THE MARKET.
488
00:23:26,939 --> 00:23:28,641
- YEAH, THAT--THAT'S IT.
489
00:23:28,675 --> 00:23:30,042
THAT'S--
WHAT SHE SAID.
490
00:23:30,076 --> 00:23:32,812
- BY SUGGESTING
WE HAVE HALF-NAKED MUSCLE BOYS
491
00:23:32,845 --> 00:23:35,915
OFFERING LUBE-JOBS IN A,
UH, CLOTHING-OPTIONAL GARAGE?
492
00:23:35,948 --> 00:23:38,785
- BY APPEALING TO WOMEN
AND GAY MEN.
493
00:23:38,818 --> 00:23:41,521
- THAT'S
AN INTERESTING POINT, DAD.
494
00:23:41,554 --> 00:23:45,191
GAYS ARE AN IMPORTANT
DEMOGRAPHIC THESE DAYS.
495
00:23:45,224 --> 00:23:48,127
- WELL, WE'RE MEETING
WITH VANGARD THIS AFTERNOON.
496
00:23:48,160 --> 00:23:52,465
I'M SURE THEY'LL HAVE A MORE,
UH, STRAIGHTFORWARD APPROACH.
497
00:23:52,499 --> 00:23:54,767
COMING, DOUG?
498
00:23:59,572 --> 00:24:01,741
- COULD YOU DIRECT ME
TO THE MEN'S ROOM?
499
00:24:01,774 --> 00:24:04,877
- IT'S DOWN THE HALL
TO YOUR LEFT.
500
00:24:08,848 --> 00:24:11,551
THAT'D BE YOUR CUE.
- MY CUE?
501
00:24:11,584 --> 00:24:15,087
- TO NAIL THE ACCOUNT.
502
00:24:15,121 --> 00:24:16,689
- OH, NO, I COULDN'T.
I MEAN--
503
00:24:16,723 --> 00:24:18,558
WELL, WHAT MAKES YOU THINK
THAT HE--
504
00:24:18,591 --> 00:24:21,494
SUPPOSE HE'S NOT, AND I--
- WELL, IT NEVER STOPPED BRIAN.
505
00:24:21,528 --> 00:24:23,996
MAKE HIM PROUD.
506
00:24:24,030 --> 00:24:26,999
- [sighs]
507
00:24:41,213 --> 00:24:44,851
- YOUR PRESENTATION
WAS VERY...
508
00:24:44,884 --> 00:24:46,185
INTERESTING.
509
00:24:46,218 --> 00:24:47,987
- [scoffs]
510
00:24:48,020 --> 00:24:50,523
YOUR FATHER
DIDN'T SEEM TO THINK SO.
511
00:24:50,557 --> 00:24:54,594
- DAD JUST HEARS
THE INITIAL PITCHES, AND...
512
00:24:54,627 --> 00:24:56,763
THEN IT'S UP TO ME
TO FOLLOW THROUGH.
513
00:25:01,668 --> 00:25:04,637
SO DO YOU HAVE ANYTHING ELSE
YOU'D LIKE TO SHOW ME?
514
00:25:10,710 --> 00:25:12,511
- YEAH.
515
00:25:14,814 --> 00:25:16,549
THIS.
516
00:25:22,789 --> 00:25:25,091
- PERFECT TIMING.
517
00:25:25,124 --> 00:25:28,060
YOUR DRAWINGS HAVE JUST
COME BACK FROM THE FRAMER'S.
518
00:25:30,663 --> 00:25:32,164
DON'T YOU LIKE IT?
519
00:25:32,198 --> 00:25:34,333
- I ALREADY KNOW
WHAT MY STUFF LOOKS LIKE.
520
00:25:34,366 --> 00:25:35,835
I'M FAR MORE INTERESTED
521
00:25:35,868 --> 00:25:37,336
IN SEEING SOMETHING
THAT ISN'T MINE.
522
00:25:37,369 --> 00:25:39,038
- OH, THAT'S NOTHING.
523
00:25:39,071 --> 00:25:41,107
JUST A MINOR PIECE
BY AN UNKNOWN ARTIST.
524
00:25:41,140 --> 00:25:43,309
- PETERSON.
"FIGURE STUDY."
525
00:25:43,342 --> 00:25:45,177
- SAM, SAM. WAIT.
526
00:25:45,211 --> 00:25:47,680
I-I'M NOT SURE
YOU'RE GOING TO LIKE IT.
527
00:25:47,714 --> 00:25:48,981
I'M NOT EVEN SURE I LIKE IT.
528
00:25:49,015 --> 00:25:51,183
- THEN WHY'D YOU HAVE IT FRAMED?
529
00:25:51,217 --> 00:25:55,054
- GOOD QUESTION.
[breathing heavily]
530
00:25:55,087 --> 00:25:56,823
- SOMETHING WRONG?
531
00:25:56,856 --> 00:25:59,358
- NO.
NOTHING.
532
00:25:59,391 --> 00:26:02,194
WHY DO YOU ASK?
- YOU'RE HYPERVENTILATING.
533
00:26:02,228 --> 00:26:05,197
- [breathing heavily]
534
00:26:05,231 --> 00:26:06,966
- YOU BETTER SIT DOWN.
535
00:26:06,999 --> 00:26:09,068
WOULDN'T WANT YOU TO DO
SOMETHING GIRLIE, LIKE FAINT.
536
00:26:09,101 --> 00:26:10,737
- EASY FOR YOU TO SAY.
537
00:26:10,770 --> 00:26:13,706
SAM AUERBACH ISN'T ABOUT
TO EVALUATE YOUR WORK.
538
00:26:16,042 --> 00:26:17,944
- HO-LY SHIT!
539
00:26:17,977 --> 00:26:19,245
- I KNEW YOU WOULDN'T LIKE IT.
- NO.
540
00:26:19,278 --> 00:26:21,013
- DON'T LOOK.
- WOULD YOU SIT DOWN
541
00:26:21,047 --> 00:26:23,983
AND SHUT UP?
542
00:26:27,419 --> 00:26:29,689
YOU FLATTER ME, MY DEAR...
543
00:26:29,722 --> 00:26:31,758
BY AT LEAST A COUPLE INCHES.
544
00:26:31,791 --> 00:26:35,695
- WHAT ABOUT THE REST OF YOU?
- DOESN'T LOOK LIKE ME.
545
00:26:35,728 --> 00:26:37,363
- THAT'S WHAT GERTRUDE STEIN
SAID TO PICASSO
546
00:26:37,396 --> 00:26:38,698
ABOUT HER PORTRAIT.
547
00:26:38,731 --> 00:26:40,266
YOU KNOW WHAT HE SAID?
- HMM.
548
00:26:40,299 --> 00:26:43,135
- IT WILL.
[both laugh]
549
00:26:45,071 --> 00:26:46,773
IT'S GOOD.
IT'S REALLY GOOD.
550
00:26:46,806 --> 00:26:49,375
IF I WEREN'T ME,
I'D BE JEALOUS.
551
00:26:49,408 --> 00:26:51,878
- YOU WERE THE INSPIRATION.
552
00:26:51,911 --> 00:26:53,112
- YOU KNOW, IF YOU WEREN'T
A FUCKING DYKE,
553
00:26:53,145 --> 00:26:54,313
I'D ASK YOU TO MARRY ME.
554
00:26:54,346 --> 00:26:55,915
- OH, IS THAT HOW IT WORKS?
- YEAH.
555
00:26:55,948 --> 00:26:57,383
- YOU PROPOSE TO ANY WOMAN
WHO FLATTERS YOU?
556
00:26:57,416 --> 00:26:59,318
- GENERALLY SPEAKING
AND WITH DISASTROUS RESULTS.
557
00:26:59,351 --> 00:27:03,289
- WELL, IF I WEREN'T ALREADY
MARRIED, I MIGHT JUST ACCEPT.
558
00:27:19,939 --> 00:27:23,810
- BRIAN.
559
00:27:23,843 --> 00:27:27,780
BRIAN!
560
00:27:27,814 --> 00:27:30,316
BRIAN?
561
00:27:33,119 --> 00:27:35,755
JESUS, WHAT HAPPENED TO YOU?
562
00:27:35,788 --> 00:27:37,790
- CHERNOBYL.
563
00:27:40,259 --> 00:27:42,161
- CHRIST, YOU SHOULD BE IN BED.
564
00:27:42,194 --> 00:27:44,196
- WELL, I WAS, BUT...
565
00:27:44,230 --> 00:27:49,035
SOMEONE KEPT KNOCK, KNOCK,
KNOCKING AT MY FUCKING DOOR.
566
00:27:49,068 --> 00:27:52,705
WHAT ARE YOU DOING?
- I'M MAKING SOME CHICKEN SOUP.
567
00:27:54,340 --> 00:27:56,943
THERE'S NOTHING IN HERE
BUT BEER AND POPPERS.
568
00:27:56,976 --> 00:27:58,945
- ALL THE ESSENTIALS.
569
00:27:58,978 --> 00:28:01,748
- WELL, WE'RE GOING TO HAVE
TO STOCK UP ON GROCERIES.
570
00:28:01,781 --> 00:28:03,449
- MICHAEL.
- AS LONG AS I'M HERE,
571
00:28:03,482 --> 00:28:06,252
I CAN DO YOUR LAUNDRY.
- MICHAEL!
572
00:28:06,285 --> 00:28:08,921
THIS IS EXACTLY WHY
I DID NOT WANT ANYONE TO KNOW.
573
00:28:08,955 --> 00:28:11,323
IT'S WHY I TOLD EVERYONE
I WENT TO IBIZA,
574
00:28:11,357 --> 00:28:13,926
IN THE HOPES THAT I WOULDN'T
BE TREATED LIKE AN INVALID
575
00:28:13,960 --> 00:28:16,729
OR A VICTIM
OR LIKE I WAS GONNA DIE.
576
00:28:16,763 --> 00:28:19,698
NOW, WOULD YOU GET OUT OF HERE?
577
00:28:42,121 --> 00:28:44,356
WHAT DON'T YOU UNDERSTAND
ABOUT "FUCK OFF"?
578
00:28:44,390 --> 00:28:47,026
- YOU THINK YOU CAN KICK ME OUT
OF HERE THE WAY YOU DID JUSTIN?
579
00:28:47,059 --> 00:28:49,829
AND FOR WHAT--TRYING NOT
TO LET ON THAT HE KNEW,
580
00:28:49,862 --> 00:28:51,497
BECAUSE THAT'S THE WAY
YOU WANTED IT?
581
00:28:51,530 --> 00:28:54,834
HE DESERVES TO KNOW.
HE'S YOUR LOVER...
582
00:28:54,867 --> 00:28:59,371
YOUR PARTNER, WHETHER YOU WANT
TO ADMIT IT OR NOT.
583
00:28:59,405 --> 00:29:02,374
AND SICK OR NOT, THAT'S A
FUCKING SHITTY WAY TO TREAT HIM.
584
00:29:02,408 --> 00:29:05,111
- I WAS ONLY TRYING
TO MAKE IT EASIER.
585
00:29:05,144 --> 00:29:06,512
- BY NEVER SEEING HIM AGAIN?
586
00:29:06,545 --> 00:29:08,247
- HE WOULD'VE LEFT
SOONER OR LATER ANYWAY.
587
00:29:08,280 --> 00:29:10,316
MIGHT AS WELL BE SOONER.
- WHAT ARE YOU TALKING--
588
00:29:10,349 --> 00:29:12,852
- WOULD YOU JUST
GO HOME, MICHAEL?
589
00:29:12,885 --> 00:29:16,889
GO HOME TO YOUR WIFE
AND YOUR KID!
590
00:29:22,061 --> 00:29:26,032
[indistinct chatter]
591
00:29:30,502 --> 00:29:32,538
- HAVE I TOLD YOU
HOW MUCH I LOVE YOU?
592
00:29:32,571 --> 00:29:34,540
- NOT FOR AT LEAST TEN MINUTES.
593
00:29:34,573 --> 00:29:36,142
- THEN I'D BETTER REMIND YOU.
594
00:29:36,175 --> 00:29:38,110
- EXCUSE ME.
595
00:29:41,447 --> 00:29:43,315
WHAT A FOOL I'VE BEEN.
596
00:29:43,349 --> 00:29:45,918
ALL THOSE SUNDAY AFTERNOONS
GOING TO TEA DANCES AT WOODY'S,
597
00:29:45,952 --> 00:29:47,920
WHEN I COULD'VE BEEN GOING
TO FOOTBALL GAMES INSTEAD.
598
00:29:47,954 --> 00:29:49,889
- THOSE IRON MEN
ARE DELECTABLE.
599
00:29:49,922 --> 00:29:52,892
- ALMOST AS DELECTABLE
AS YOUR CHERRIES JUBILEE.
600
00:29:52,925 --> 00:29:56,428
- WE'RE ABOUT TO MAKE
THE ANNOUNCEMENT!
601
00:29:56,462 --> 00:29:58,898
- HERE WE GO.
602
00:29:58,931 --> 00:30:01,033
[humming tune]
603
00:30:01,067 --> 00:30:02,902
- CAN WE HAVE
YOUR ATTENTION, EVERYONE?
604
00:30:02,935 --> 00:30:05,437
DREW AND I HAVE
AN ANNOUNCEMENT TO MAKE.
605
00:30:05,471 --> 00:30:08,040
- AS YOU ALL KNOW,
THERE'S ONLY ONE PERSON
606
00:30:08,074 --> 00:30:11,911
WHO'S BETTER AT KICKING BALLS
THAN I AM, AND THAT'S SIERRA.
607
00:30:11,944 --> 00:30:13,579
[laughter]
608
00:30:13,612 --> 00:30:15,915
SO, AFTER THREATENING TO KICK
MINE OVER THE GOALPOST,
609
00:30:15,948 --> 00:30:17,183
I'VE FINALLY AGREED
TO MARRY HER.
610
00:30:17,216 --> 00:30:18,450
- WE'RE ENGAGED!
611
00:30:18,484 --> 00:30:22,354
[cheers and applause]
612
00:30:24,290 --> 00:30:27,093
- HEY, BROTHER.
- CONGRATULATIONS.
613
00:30:27,126 --> 00:30:28,527
WAY TO GO, MAN.
614
00:30:28,560 --> 00:30:30,963
- HEY, DREW, WHERE'D YOU
GET THOSE CATERERS?
615
00:30:30,997 --> 00:30:33,065
- LOOKS LIKE A COUPLE
OF FLAMERS TO ME.
616
00:30:33,099 --> 00:30:36,969
[laughter, indistinct chatter]
617
00:30:44,643 --> 00:30:49,215
- EXCUSE ME, MR. BOYD.
618
00:30:49,248 --> 00:30:52,218
I HOPE I'M NOT, UH,
OUT OF PLACE FOR SAYING THIS.
619
00:30:52,251 --> 00:30:54,954
ACTUALLY,
I DON'T GIVE A FUCK IF I AM.
620
00:30:54,987 --> 00:30:58,090
BACK IN HAZELHURST, UH,
MISSISSIPPI, WHERE I GREW UP,
621
00:30:58,124 --> 00:31:00,893
I WAS ALWAYS TAUGHT
THAT IF A REAL MAN
622
00:31:00,927 --> 00:31:02,561
HAS SOMETHING TO SAY
ABOUT SOMEONE,
623
00:31:02,594 --> 00:31:05,497
HE SAYS IT TO HIS FACE,
NOT BEHIND HIS BACK.
624
00:31:05,531 --> 00:31:08,968
SO, EVEN THOUGH YOU MAY BE
A-A STAR,
625
00:31:09,001 --> 00:31:11,437
YOU KNOW, CAPTAIN OF THE TEAM,
HERO TO MILLIONS,
626
00:31:11,470 --> 00:31:15,407
YOU STILL HAVE A LOT TO LEARN
ABOUT BEING A MAN.
627
00:31:23,615 --> 00:31:26,919
FLAMING CHERRIES JUBILEE?
- OH, THANK YOU.
628
00:31:29,088 --> 00:31:30,990
- IT LOOKS LIKE
SOMEONE'S OPENED IT.
629
00:31:31,023 --> 00:31:33,259
- REALLY? IT MUST'VE BEEN
ONE OF THE NEIGHBORS.
630
00:31:33,292 --> 00:31:34,660
THEY'RE ALWAYS SNOOPING.
631
00:31:34,693 --> 00:31:37,930
- [scoffs]
632
00:31:46,238 --> 00:31:48,540
- THEY REJECTED IT.
- WE KNOW!
633
00:31:48,574 --> 00:31:51,177
I MEAN, THAT TOTALLY SUCKS.
634
00:31:53,645 --> 00:31:55,414
- I'M SORRY, BEN.
635
00:31:55,447 --> 00:31:58,717
- [scoffs]
636
00:31:58,750 --> 00:32:02,021
WELL, I GUESS THAT'S THAT.
637
00:32:02,054 --> 00:32:04,090
- DIDN'T SOME FAMOUS WRITER,
638
00:32:04,123 --> 00:32:06,592
LIKE ERNEST HEMINGWAY
OR STEPHEN KING,
639
00:32:06,625 --> 00:32:08,961
SEND THEIR BOOK
TO 24 PUBLISHERS
640
00:32:08,995 --> 00:32:11,563
BEFORE SOMEONE
FINALLY ACCEPTED IT?
641
00:32:11,597 --> 00:32:15,467
- THIS WAS THE 25TH.
642
00:32:15,501 --> 00:32:18,070
- STILL,
YOU'RE A WONDERFUL WRITER.
643
00:32:18,104 --> 00:32:21,440
AND YOU HAVE A MILLION STORIES
INSIDE YOU,
644
00:32:21,473 --> 00:32:25,577
AND THAT'S WHY I GOT YOU
SOMETHING TO HELP YOU TELL THEM.
645
00:32:25,611 --> 00:32:26,712
- WHAT'S THAT?
646
00:32:26,745 --> 00:32:28,114
- IT'S CALLED A COMPUTER.
647
00:32:28,147 --> 00:32:29,448
- YOU SAID YOU NEEDED A NEW ONE.
648
00:32:29,481 --> 00:32:31,117
- I DIDN'T REALIZE
YOU COULD AFFORD
649
00:32:31,150 --> 00:32:33,085
SOMETHING
THIS EXTRAVAGANT.
650
00:32:33,119 --> 00:32:34,653
- IT WAS ME.
I PAID FOR IT.
651
00:32:34,686 --> 00:32:38,657
I'VE BEEN MOONLIGHTING--
- SHUT UP.
652
00:32:38,690 --> 00:32:42,261
I GOT A CHECK TODAY FROM...
653
00:32:42,294 --> 00:32:44,196
HOLLYWOOD.
654
00:32:44,230 --> 00:32:47,466
- SO YOU READ MY MAIL,
655
00:32:47,499 --> 00:32:49,668
FIGURED YOU'D BETTER DO
SOMETHING TO CHEER ME UP,
656
00:32:49,701 --> 00:32:52,004
AND WENT OUT
AND BOUGHT ME A COMPUTER?
657
00:32:52,038 --> 00:32:55,007
- THAT'S PRETTY MUCH
THE PLOT IN A NUTSHELL.
658
00:32:55,041 --> 00:32:57,709
- WELL, I DON'T WANT YOUR
CONSOLATION PRIZE OR YOUR PITY.
659
00:33:00,246 --> 00:33:01,413
- BEN.
660
00:33:06,118 --> 00:33:08,087
- SO, UH...
661
00:33:08,120 --> 00:33:11,057
DOES THIS MEAN
I GET THE COMPUTER?
662
00:33:18,330 --> 00:33:20,399
- ON THE HOUSE.
663
00:33:20,432 --> 00:33:23,502
- NICE TO SEE YOU
BACK ON THE JOB.
664
00:33:23,535 --> 00:33:25,771
- AS LIBERTY AVENUE'S
LEADING FAG HAG?
665
00:33:25,804 --> 00:33:28,540
- ACCEPT NO SUBSTITUTES.
666
00:33:28,574 --> 00:33:30,109
COSMO, PLEASE.
667
00:33:30,142 --> 00:33:32,778
- SO HOW WAS YOUR PARTY?
DID DARREN WORK OUT?
668
00:33:32,811 --> 00:33:34,813
- KID'S GOT QUITE A RANGE--
669
00:33:34,846 --> 00:33:36,782
KITSCH TO KITCHEN.
670
00:33:36,815 --> 00:33:40,252
AS FOR ME,
IT WAS MY USUAL TRIUMPH...
671
00:33:40,286 --> 00:33:41,553
EXCEPT FOR THE HOST--
672
00:33:41,587 --> 00:33:44,523
SOME MACHO ASSHOLE,
PLAYS FOR THE IRON MEN.
673
00:33:44,556 --> 00:33:46,325
HALFBACK...
674
00:33:46,358 --> 00:33:47,793
QUARTERBACK...
675
00:33:47,826 --> 00:33:49,528
"THIRDBACK."
676
00:33:49,561 --> 00:33:53,265
- YEAH, STRAIGHT GUYS--
YOU CAN KEEP 'EM.
677
00:33:53,299 --> 00:33:55,401
NO, THANKS.
678
00:33:55,434 --> 00:33:58,270
ALTHOUGH THERE
IS A CERTAIN DETECTIVE
679
00:33:58,304 --> 00:34:00,306
I'D HOLD ON TO,
IF I WERE YOU.
680
00:34:00,339 --> 00:34:02,408
- REFILL, PLEASE.
681
00:34:02,441 --> 00:34:04,476
- DID YOU HEAR WHAT I SAID?
682
00:34:04,510 --> 00:34:08,414
- JUST WHEN YOU HAND THEM
YOUR HEART, THEY GO AND...
683
00:34:08,447 --> 00:34:11,417
[pops lips]
DROP-KICK IT.
684
00:34:11,450 --> 00:34:15,354
- HIDDEN IN THE FOOTBALL
METAPHOR IS A SECRET CLUE.
685
00:34:15,387 --> 00:34:16,588
UH...
686
00:34:16,622 --> 00:34:19,425
I SUSPECT TO ANOTHER WOMAN?
687
00:34:19,458 --> 00:34:22,394
- HMM.
DAMN, YOU'RE GOOD.
688
00:34:24,663 --> 00:34:27,599
IT'S LIKE OLIVER MARCONI
ALL OVER AGAIN.
689
00:34:29,868 --> 00:34:32,838
HE WAS A SWEET BOY.
690
00:34:32,871 --> 00:34:35,507
HE LIVED NEXT DOOR TO US
WHEN I WAS GROWING UP.
691
00:34:35,541 --> 00:34:39,178
AND HE HAD A HUGE CRUSH ON ME.
692
00:34:39,211 --> 00:34:40,712
OF COURSE,
I DIDN'T KNOW HE WAS ALIVE
693
00:34:40,746 --> 00:34:43,849
UNTIL HE AND HIS FAMILY
MOVED AWAY.
694
00:34:43,882 --> 00:34:47,519
I STARTED ACHING FOR HIM.
695
00:34:47,553 --> 00:34:49,655
BUT IT WAS TOO LATE.
696
00:34:52,491 --> 00:34:55,761
IT'S FUNNY, I-I STILL HOLD
A PIECE OF MY HEART FOR HIM...
697
00:34:57,496 --> 00:35:00,332
SAME AS I DO FOR CARL.
698
00:35:00,366 --> 00:35:01,733
- SO HE'S DATING.
699
00:35:01,767 --> 00:35:03,335
SO WHAT?
700
00:35:03,369 --> 00:35:04,770
IT DOESN'T MEAN ANYTHING.
701
00:35:04,803 --> 00:35:06,272
HELL, DATING IN THIS PLACE
702
00:35:06,305 --> 00:35:07,873
JUST MEANS YOU SUCKED
SOME GUY'S DICK
703
00:35:07,906 --> 00:35:11,510
AND WENT OUT FOR COFFEE.
704
00:35:11,543 --> 00:35:15,914
- WELL, UNLESS THERE'S SOMETHING
HE'S NOT TELLING ME...
705
00:35:15,947 --> 00:35:19,218
THIS CHICK AIN'T GOT A DICK.
706
00:35:19,251 --> 00:35:22,888
AND IT'S MORE
THAN A CUP OF JOE.
707
00:35:22,921 --> 00:35:26,692
HE'S GONE, EM.
708
00:35:26,725 --> 00:35:30,629
I LOST HIM.
709
00:35:30,662 --> 00:35:33,799
[rhythmic breathing]
710
00:35:33,832 --> 00:35:35,801
- BEAUTIFUL.
711
00:35:38,837 --> 00:35:42,274
GOOD.
712
00:35:42,308 --> 00:35:44,676
EXCELLENT.
713
00:35:44,710 --> 00:35:46,245
HEY.
714
00:35:46,278 --> 00:35:47,579
WHAT ABOUT YOU?
715
00:35:47,613 --> 00:35:49,415
WHY AREN'T YOU BREATHING?
716
00:35:49,448 --> 00:35:51,583
- ME?
717
00:35:51,617 --> 00:35:53,652
- THIS IS A TEAM EFFORT.
718
00:35:53,685 --> 00:35:57,589
YOUR RHYTHM HELPS MAINTAIN
HER RHYTHM, HMM?
719
00:35:57,623 --> 00:36:00,192
RIGHT.
- MM.
720
00:36:01,893 --> 00:36:03,395
MY RHYTHM?
721
00:36:03,429 --> 00:36:04,863
WHO DOES SHE THINK I AM--
B.B. KING?
722
00:36:04,896 --> 00:36:06,732
- SHE PROBABLY THINKS
YOU'RE MY HUSBAND
723
00:36:06,765 --> 00:36:09,768
AND WE'RE THIS CUTE
MARRIED COUPLE, LIKE THEM.
724
00:36:11,737 --> 00:36:13,539
- I'D SAY WE'RE CUTER.
725
00:36:13,572 --> 00:36:15,607
- WOULDN'T SHE BE SURPRISED
TO KNOW THE TRUTH?
726
00:36:15,641 --> 00:36:16,975
- MAYBE NOT.
727
00:36:17,008 --> 00:36:18,544
MAYBE SHE'D JUST THINK,
728
00:36:18,577 --> 00:36:22,414
"HOW SWEET," OR,
"ISN'T THAT INTERESTING?"
729
00:36:22,448 --> 00:36:25,551
BETTER YET,
MAYBE SHE WOULDN'T CARE AT ALL.
730
00:36:25,584 --> 00:36:28,820
- I THINK IT'S AMAZING,
HOW FAR WE'VE COME--
731
00:36:28,854 --> 00:36:31,557
YOU AND BEN, ME AND LINDSAY.
732
00:36:31,590 --> 00:36:34,826
I'D SAY WE'RE FUCKING LUCKY
TO HAVE SUCH STABLE HOME LIVES,
733
00:36:34,860 --> 00:36:38,297
WONDERFUL MATES
WHOM WE LOVE AND WHO LOVE US,
734
00:36:38,330 --> 00:36:41,233
ONE BEAUTIFUL CHILD
AND ANOTHER ONE ON THE WAY--
735
00:36:41,267 --> 00:36:43,302
BRIGHT FUTURES ALL AROUND.
736
00:36:43,335 --> 00:36:46,338
- BRIGHT FUTURES ALL AROUND.
737
00:36:52,043 --> 00:36:53,479
HEY.
738
00:36:53,512 --> 00:36:55,013
I WAS JUST AT LAMAZE CLASS
WITH MEL.
739
00:36:55,046 --> 00:36:56,982
- I CAME FOR THE CHECK.
740
00:36:57,015 --> 00:37:00,652
- OH, RIGHT.
741
00:37:00,686 --> 00:37:03,989
I WAS GOING TO DROP IT OFF.
742
00:37:04,022 --> 00:37:05,857
- THANKS.
743
00:37:05,891 --> 00:37:07,025
- HEY, WAIT UP.
744
00:37:07,058 --> 00:37:08,527
- WHAT FOR?
745
00:37:08,560 --> 00:37:10,396
- I SAW BRIAN LAST NIGHT.
746
00:37:10,429 --> 00:37:11,897
- LUCKY YOU.
747
00:37:11,930 --> 00:37:13,465
- HE LOOKED LIKE SHIT.
748
00:37:13,499 --> 00:37:15,467
FELT SO BAD,
HE COULD HARDLY GET OUT OF BED.
749
00:37:15,501 --> 00:37:16,868
- I'M SORRY TO HEAR THAT,
750
00:37:16,902 --> 00:37:18,770
BUT IT REALLY
DOESN'T CONCERN ME ANYMORE.
751
00:37:18,804 --> 00:37:20,539
- THAT'S BULLSHIT.
752
00:37:20,572 --> 00:37:21,940
- HE FUCKING KICKED ME OUT.
753
00:37:21,973 --> 00:37:23,609
HE SAID HE DIDN'T WANT
TO SEE ME AGAIN.
754
00:37:23,642 --> 00:37:27,012
- MORE LIKE HE DOESN'T WANT YOU
TO SEE HIM.
755
00:37:27,045 --> 00:37:29,481
YOU'VE READ
THE KINNEY OPERATING MANUAL.
756
00:37:29,515 --> 00:37:32,484
HE THINKS NOW THAT HE'S SICK
THAT HE'S NO LONGER PERFECT,
757
00:37:32,518 --> 00:37:35,654
THAT YOU WON'T LOVE HIM
ANYMORE,
758
00:37:35,687 --> 00:37:38,023
THAT YOU'RE GOING
TO LEAVE HIM.
759
00:37:38,056 --> 00:37:40,359
- THAT'S CRAZY, EVEN FOR HIM.
760
00:37:40,392 --> 00:37:43,662
- NOT IF YOU PUT ALL YOUR EGGS
IN ONE BASKET, SO TO SPEAK.
761
00:37:43,695 --> 00:37:47,366
WHEN--WHEN BEING YOUNG,
BEING BEAUTIFUL,
762
00:37:47,399 --> 00:37:49,501
BEING BRIAN KINNEY
IS WHAT IT'S ALL ABOUT,
763
00:37:49,535 --> 00:37:52,438
YOU TAKE THAT AWAY,
HE FIGURES, WHAT'S HE GOT?
764
00:38:00,346 --> 00:38:02,981
[footsteps]
765
00:38:03,014 --> 00:38:05,384
- THAT NEEDS TO GO OVER THERE,
766
00:38:05,417 --> 00:38:07,953
AND I THINK WE NEED
A LARGER PIECE FOR THAT SPACE.
767
00:38:07,986 --> 00:38:09,988
- HEY, KIDS,
LET'S PUT ON A SHOW.
768
00:38:10,021 --> 00:38:11,923
- YOU WANT TO GIVE ME
A HAND HERE?
769
00:38:11,957 --> 00:38:13,792
- WHAT ARE YOU DOING HERE?
770
00:38:13,825 --> 00:38:15,827
I DIDN'T WANT YOU SEEING
ANYTHING UNTIL IT'S FINISHED.
771
00:38:15,861 --> 00:38:17,663
- I'M SURE IT'LL BE JUST DUCKY.
- "DUCKY"?
772
00:38:17,696 --> 00:38:19,398
THIS MAY BE
SMALL POTATOES TO YOU,
773
00:38:19,431 --> 00:38:20,932
CONSIDERING YOU'VE HAD SHOWS
774
00:38:20,966 --> 00:38:22,801
AT EVERY MAJOR GALLERY
AND MUSEUM ALL OVER THE WORLD,
775
00:38:22,834 --> 00:38:24,703
BUT TO US YOKELS
HERE IN PITTSBURGH,
776
00:38:24,736 --> 00:38:26,805
THIS IS A BIG DEAL.
- DID I SAY ANYTHING?
777
00:38:26,838 --> 00:38:30,342
- [sighs] I JUST WANT
EVERYTHING TO BE PERFECT...
778
00:38:30,376 --> 00:38:33,111
DO RIGHT BY YOU AND YOUR WORK.
779
00:38:33,144 --> 00:38:35,414
- YOU WILL, KIDDO.
YOU'RE WORLD-CLASS.
780
00:38:35,447 --> 00:38:37,416
- I AM?
781
00:38:37,449 --> 00:38:40,419
- IN FACT, IT REMINDS ME OF
MY LAST RETROSPECTIVE IN VENICE.
782
00:38:40,452 --> 00:38:41,953
- HEY, SIR.
- GOT IT.
783
00:38:41,987 --> 00:38:43,889
- COULDN'T FIND A FUCKING
ASHTRAY THERE EITHER.
784
00:38:43,922 --> 00:38:45,691
HEADS UP!
785
00:38:45,724 --> 00:38:48,326
OH.
THAT WAS A CLOSE CALL.
786
00:38:55,467 --> 00:38:57,436
- IT WASN'T THAT BAD.
787
00:38:57,469 --> 00:39:00,038
- THEN WHY ARE YOU SHAKING?
788
00:39:20,492 --> 00:39:22,494
- WRITING?
789
00:39:22,528 --> 00:39:25,464
- PREPARING A LECTURE.
790
00:39:25,497 --> 00:39:29,000
- [sighs]
HOW ABOUT I ORDER A PIZZA?
791
00:39:29,034 --> 00:39:32,471
- UH, NOT HUNGRY.
792
00:39:32,504 --> 00:39:34,473
- HOW ABOUT YOU HANDCUFF ME
TO THE BED--
793
00:39:34,506 --> 00:39:36,742
- MICHAEL,
CAN'T YOU SEE I'M WORKING?
794
00:39:36,775 --> 00:39:38,910
- YES, NOW THAT YOU MENTION IT,
I CAN.
795
00:39:38,944 --> 00:39:41,747
I CAN ALSO SEE THE NEW COMPUTER
I GOT YOU, SITTING ALONE,
796
00:39:41,780 --> 00:39:44,616
IGNORED, LIKE SOME GEEKY GUY
AT THE PROM.
797
00:39:44,650 --> 00:39:46,084
- JESUS.
798
00:39:46,117 --> 00:39:48,520
- LOOK, I KNOW WHAT
YOU'VE BEEN GOING THROUGH.
799
00:39:48,554 --> 00:39:49,955
BELIEVE IT OR NOT,
800
00:39:49,988 --> 00:39:51,757
I'VE HAD MORE THAN MY FAIR SHARE
OF REJECTIONS,
801
00:39:51,790 --> 00:39:54,092
LIKE, BY PRACTICALLY EVERY CLUB,
EVERY COLLEGE,
802
00:39:54,125 --> 00:39:55,894
EVERY JOB
I EVER WENT UP FOR.
803
00:39:55,927 --> 00:39:58,897
- BUT YOU'RE BEING ACCEPTED NOW.
THAT'S ALL THAT COUNTS.
804
00:39:58,930 --> 00:40:00,632
- BUT I JUST DON'T WANT YOU
TO BLAME ME
805
00:40:00,666 --> 00:40:02,534
OR MAKE ME FEEL LIKE
IT'S MY FAULT.
806
00:40:02,568 --> 00:40:03,969
- I'M SORRY IF I DID THAT.
807
00:40:04,002 --> 00:40:06,772
I HAVE NO ONE TO CREDIT
FOR MY FAILURE BUT MYSELF,
808
00:40:06,805 --> 00:40:11,042
WHICH IS WHY I'VE DECIDED
TO REEVALUATE MY GOALS.
809
00:40:11,076 --> 00:40:15,113
UM, REFOCUS MY ENERGY
AND...
810
00:40:15,146 --> 00:40:17,048
STOP WRITING...
811
00:40:17,082 --> 00:40:20,185
AT LEAST FOR A WHILE.
812
00:40:20,218 --> 00:40:22,454
I-I FEEL I SHOULD START
CONCENTRATING MY EFFORTS
813
00:40:22,488 --> 00:40:25,123
ON WHAT I DO BEST,
WHICH IS TO TEACH.
814
00:40:25,156 --> 00:40:26,958
IT'S WHERE MY SKILLS ARE.
815
00:40:26,992 --> 00:40:28,927
IT'S WHERE MY LIFE
IS LEADING ME.
816
00:40:28,960 --> 00:40:31,997
- BEN, THE--
- OOH, IN FACT, I...
817
00:40:32,030 --> 00:40:35,601
GOT TO GO TO MY OFFICE.
- NOW?
818
00:40:35,634 --> 00:40:40,539
- I LEFT SOME REFERENCE BOOKS
I NEED FOR MY LECTURE...
819
00:40:40,572 --> 00:40:42,741
AND A PILE OF TERM PAPERS.
820
00:40:42,774 --> 00:40:46,712
- WELL, WHEN WILL YOU BE BACK?
- DON'T KNOW.
821
00:40:50,716 --> 00:40:54,119
I'M SURE YOU CAN RETURN IT
AND GET YOUR MONEY BACK.
822
00:41:00,125 --> 00:41:02,193
[door closes]
823
00:41:08,066 --> 00:41:09,568
- IS SIERRA IN?
824
00:41:09,601 --> 00:41:11,002
- SHE'S OFF
WITH HER GIRLFRIENDS,
825
00:41:11,036 --> 00:41:14,139
SEEING SOME CHICK FLICK.
- OH.
826
00:41:14,172 --> 00:41:17,976
WELL, I STOPPED BY TO PICK UP
A CHECK AND MY EQUIPMENT.
827
00:41:18,009 --> 00:41:21,046
- YEAH, SHE LEFT YOU A CHECK.
COME IN.
828
00:41:24,149 --> 00:41:25,951
WELL?
829
00:41:36,662 --> 00:41:39,130
HERE YOU GO.
830
00:41:39,164 --> 00:41:40,599
- THANKS.
831
00:41:40,632 --> 00:41:42,734
I'LL JUST GET
MY EQUIPMENT AND--
832
00:41:42,768 --> 00:41:45,571
- HOW ABOUT A BEER?
833
00:41:48,640 --> 00:41:52,277
[bottles clinking]
834
00:41:52,310 --> 00:41:53,879
I'M NOT SUPPOSED
TO BE DRINKING,
835
00:41:53,912 --> 00:41:56,615
BUT, YOU KNOW,
I'M IN PRETTY GOOD SHAPE,
836
00:41:56,648 --> 00:42:00,552
WOULDN'T YOU SAY?
837
00:42:00,586 --> 00:42:04,055
- I'D SAY ONE BEER IS NOT GOING
TO RUIN THAT SIX-PACK.
838
00:42:08,059 --> 00:42:10,195
- OH, THAT'S LAST WEEK'S GAME.
839
00:42:10,228 --> 00:42:13,198
COACH MAKES US
WATCH OURSELVES.
840
00:42:15,233 --> 00:42:18,770
- WHICH ONE ARE YOU?
- NUMBER SEVEN.
841
00:42:18,804 --> 00:42:21,539
- VERY GRACEFUL...
842
00:42:23,108 --> 00:42:25,310
IN A RUGGED, MANLY WAY.
843
00:42:25,343 --> 00:42:29,180
- [chuckles]
844
00:42:29,214 --> 00:42:31,316
- YOU KNOW, THERE'S SOMETHING
I'VE ALWAYS WANTED TO ASK.
845
00:42:31,349 --> 00:42:33,184
WHY THE TIGHT PANTS?
846
00:42:33,218 --> 00:42:35,921
- SO THERE'S NOTHING TO GRAB
ONTO IF YOU'RE TACKLED.
847
00:42:35,954 --> 00:42:40,191
- AND WHY ARE YOU ALWAYS
PATTING EACH OTHER'S ASSES?
848
00:42:40,225 --> 00:42:42,661
- JUST FRIENDLY ENCOURAGEMENT.
849
00:42:42,694 --> 00:42:46,064
- YOU KNOW,
I DON'T SEE MUCH DIFFERENCE
850
00:42:46,097 --> 00:42:48,366
IN HOW YOU PLAY YOUR GAME
ON SUNDAY AFTERNOONS
851
00:42:48,399 --> 00:42:51,970
AND HOW I PLAY MY GAME
ON SATURDAY NIGHTS.
852
00:42:54,973 --> 00:42:57,743
- HERE...
853
00:42:57,776 --> 00:42:59,344
CATCH.
854
00:42:59,377 --> 00:43:00,946
- OH, MY GOD!
[chuckles]
855
00:43:00,979 --> 00:43:02,013
DID YOU SEE THAT?
856
00:43:02,047 --> 00:43:03,381
I CAUGHT IT.
857
00:43:03,414 --> 00:43:06,217
NEVER CAUGHT A BALL
IN MY LIFE.
858
00:43:06,251 --> 00:43:08,987
OH!
859
00:43:11,657 --> 00:43:13,258
- YOU OKAY?
860
00:43:13,291 --> 00:43:17,729
- THIS ALSO ISN'T MUCH DIFFERENT
THAN MY SATURDAY NIGHTS.
861
00:43:21,199 --> 00:43:25,704
YOU HAVE A-A VERY NICE BODY.
862
00:43:25,737 --> 00:43:28,840
- YOU THINK SO?
863
00:43:28,874 --> 00:43:31,843
- STRONG, UH...
864
00:43:31,877 --> 00:43:32,844
HARD.
865
00:43:32,878 --> 00:43:35,246
- FEEL MY BICEP.
866
00:43:35,280 --> 00:43:37,615
GO ON.
867
00:43:43,755 --> 00:43:45,924
NOW FEEL THIS.
868
00:43:48,293 --> 00:43:50,729
- WHAT ABOUT SIERRA?
869
00:43:50,762 --> 00:43:53,699
- SHE THINKS
I HAVE A NICE BODY TOO.
870
00:43:55,767 --> 00:43:59,237
[shuddering]
871
00:44:01,306 --> 00:44:03,041
[knock at door]
872
00:44:03,074 --> 00:44:04,943
- I WAS WORKING LATE
AND FIGURED YOU MIGHT BE TOO,
873
00:44:04,976 --> 00:44:06,411
SO I TOOK A CHANCE
AND STOPPED BY.
874
00:44:06,444 --> 00:44:08,013
- WELL, YOU FIGURED RIGHT...
875
00:44:08,046 --> 00:44:10,749
EXCEPT, AS YOU CAN SEE,
I'M A LITTLE BUSY
876
00:44:10,782 --> 00:44:12,784
DOING RESEARCH
FOR THIS LECTURE.
877
00:44:12,818 --> 00:44:14,185
- THEN I WON'T KEEP YOU.
878
00:44:14,219 --> 00:44:17,222
I JUST WANTED TO TELL YOU
I READ YOUR BOOK.
879
00:44:17,255 --> 00:44:20,759
- ALREADY?
THAT WAS FAST.
880
00:44:20,792 --> 00:44:22,894
- IT'S LIKE I MISSED
THE LAST 36 HOURS.
881
00:44:22,928 --> 00:44:24,830
I WAS SO ENTHRALLED,
I COULDN'T PUT IT DOWN.
882
00:44:24,863 --> 00:44:27,032
- THAT'S A FIRST. MOST PEOPLE
COULD BARELY PICK IT UP.
883
00:44:27,065 --> 00:44:29,434
- [laughs]
WHAT THE FUCK DO THEY KNOW?
884
00:44:29,467 --> 00:44:32,804
- I'D LIKE TO THINK NOT MUCH.
- EXACTLY.
885
00:44:35,941 --> 00:44:37,809
- THANK YOU, ANTHONY.
886
00:44:37,843 --> 00:44:40,712
- NO, UH, THANK YOU
887
00:44:40,746 --> 00:44:42,948
FOR...
888
00:44:42,981 --> 00:44:44,983
ENTRUSTING ME WITH IT.
889
00:44:51,489 --> 00:44:52,991
WHEN YOU HAVE A SPARE MOMENT,
890
00:44:53,024 --> 00:44:55,861
MAYBE WE CAN GO
FOR COFFEE AGAIN, DISCUSS IT.
891
00:44:55,894 --> 00:44:58,363
- RIGHT.
892
00:45:02,834 --> 00:45:06,471
ANTHONY...
893
00:45:06,504 --> 00:45:10,108
ACTUALLY, I HAVE A MOMENT NOW.
894
00:45:11,843 --> 00:45:15,280
- [groans]
895
00:45:15,313 --> 00:45:18,917
[coughs, clears throat]
896
00:45:26,157 --> 00:45:28,827
- BRI?
DANDY LUBE JUST CALLED.
897
00:45:28,860 --> 00:45:30,428
WE GOT 'EM.
898
00:45:30,461 --> 00:45:33,231
- WAY TO GO, THEODORE.
899
00:45:33,264 --> 00:45:35,266
YEAH, I TOLD YOU
YOU COULD DO IT.
900
00:45:35,300 --> 00:45:38,303
- YEAH, IT WAS A LITTLE DICEY
AT FIRST, BUT, UH...
901
00:45:38,336 --> 00:45:41,372
[sniffs] YEAH, I MANAGED
TO CONVINCE THEM.
902
00:45:41,406 --> 00:45:45,110
- HOW'D YOU DO THAT?
903
00:45:45,143 --> 00:45:49,180
- I JUST THOUGHT TO MYSELF,
"WHAT WOULD BRIAN KINNEY DO?"
904
00:45:49,214 --> 00:45:53,018
AFTER THAT, IT WAS A SNAP.
905
00:45:53,051 --> 00:45:57,255
YOU KNOW,
YOU DON'T LOOK SO HOT.
906
00:45:57,288 --> 00:45:59,157
WHY DON'T YOU--
907
00:45:59,190 --> 00:46:01,993
WHY DON'T YOU LET ME, UH,
MIND THE SHOP AND YOU GO HOME,
908
00:46:02,027 --> 00:46:04,295
HMM?
909
00:46:19,044 --> 00:46:21,980
[keys jingling]
910
00:46:36,962 --> 00:46:39,064
- I THOUGHT I TOLD YOU
TO GET OUT.
911
00:46:39,097 --> 00:46:43,902
- I GUESS I DIDN'T HEAR.
YOU TEND TO MUMBLE A LOT.
912
00:46:43,935 --> 00:46:47,438
YOU WANT SOME SOUP?
IT'S DEBBIE'S HOMEMADE RECIPE.
913
00:46:47,472 --> 00:46:49,474
- WELL, NO WONDER
I FEEL LIKE BARFING.
914
00:46:49,507 --> 00:46:52,177
LISTEN TO ME,
YOU LITTLE SHIT.
915
00:46:52,210 --> 00:46:55,480
I DON'T WANT YOU HERE.
916
00:46:55,513 --> 00:46:57,515
- I DON'T CARE WHAT YOU WANT.
917
00:47:02,087 --> 00:47:04,589
[pot lid rattling]
918
00:47:04,622 --> 00:47:07,525
YOU'RE NOT GETTING RID OF ME.
919
00:47:07,558 --> 00:47:10,461
- [groans]
920
00:47:10,495 --> 00:47:13,064
- SHIT.
ARE YOU ALL RIGHT?
921
00:47:13,098 --> 00:47:15,600
TELL ME YOU'RE--
- I'M ALL RIGHT!
922
00:47:15,633 --> 00:47:17,135
- YOU'RE NOT ALL RIGHT.
923
00:47:17,168 --> 00:47:19,470
- THEN WHAT THE HELL
ARE YOU ASKING ME FOR?
924
00:47:19,504 --> 00:47:21,006
- SO THAT I CAN TELL YOU
925
00:47:21,039 --> 00:47:22,340
WHAT A MOTHERFUCKING
PIECE OF SHIT YOU ARE
926
00:47:22,373 --> 00:47:24,943
FOR NOT TELLING ME,
FOR SHUTTING ME OUT,
927
00:47:24,976 --> 00:47:27,112
FOR THINKING THAT YOU COULD
HANDLE THIS ON YOUR OWN,
928
00:47:27,145 --> 00:47:29,981
AND, MOST OF ALL, FOR THINKING
I WOULD LEAVE YOU.
929
00:47:30,015 --> 00:47:33,384
WHY WOULD YOU THINK THAT--
BECAUSE YOU HAD A BALL REMOVED?
930
00:47:33,418 --> 00:47:35,420
BECAUSE YOU'RE
NO LONGER PERFECT?
931
00:47:35,453 --> 00:47:37,088
WELL, BELIEVE ME, MR. KINNEY,
932
00:47:37,122 --> 00:47:39,390
THAT IS THE LEAST
OF YOUR IMPERFECTIONS.
933
00:47:39,424 --> 00:47:40,992
AND IF I'D WANTED
TO LEAVE YOU,
934
00:47:41,026 --> 00:47:43,261
I'VE HAD BETTER REASONS--
PLENTY OF THEM.
935
00:47:43,294 --> 00:47:45,296
- MAYBE YOU SHOULD HAVE.
936
00:47:45,330 --> 00:47:48,233
- YEAH, MAYBE YOU'RE RIGHT.
937
00:47:48,266 --> 00:47:50,268
BUT I THOUGHT
WE HAD A COMMITMENT.
938
00:47:50,301 --> 00:47:52,403
AND I PLAN TO STAND BY IT.
939
00:47:54,405 --> 00:47:56,141
NOW, WHY DON'T YOU TO GET
YOUR ASS BACK IN BED,
940
00:47:56,174 --> 00:48:00,345
YOU SON OF A BITCH, AND EAT
SOME FUCKING CHICKEN SOUP?
941
00:48:11,322 --> 00:48:14,559
- [groans]
942
00:48:23,701 --> 00:48:28,273
- * WELL, I GOT NO PLACE
943
00:48:28,306 --> 00:48:33,311
* TO LAY DOWN MY HEAD
944
00:48:33,344 --> 00:48:37,682
* RAN OUT OF TIME
945
00:48:37,715 --> 00:48:43,021
* I'M ALL OUT OF TIME
946
00:48:43,054 --> 00:48:47,325
* WELL, I GOT NO PLACE
947
00:48:47,358 --> 00:48:52,330
* TO LAY DOWN MY HEAD
948
00:48:52,363 --> 00:48:56,701
* RAN OUT OF TIME
949
00:48:56,734 --> 00:49:01,172
* I'M ALL OUT OF TIME
950
00:49:01,206 --> 00:49:06,511
* I NEED YOU,
I NEED YOU TO FIND ME HERE *
951
00:49:06,544 --> 00:49:10,348
* COME RESCUE ME
952
00:49:10,381 --> 00:49:16,187
* AND TAKE ME,
AND TAKE ME SO FAR AWAY *
953
00:49:16,221 --> 00:49:19,724
* COME RESCUE ME
954
00:49:19,757 --> 00:49:22,193
* JUST ONCE OR TWICE
955
00:49:22,227 --> 00:49:26,364
* GOT TO TAKE MY OWN ADVICE
956
00:49:26,397 --> 00:49:29,200
*
957
00:49:29,234 --> 00:49:31,736
* JUST ONCE OR TWICE
958
00:49:31,769 --> 00:49:35,740
* GOT TO TAKE MY OWN ADVICE
959
00:49:35,773 --> 00:49:40,078
*
960
00:49:40,111 --> 00:49:44,382
* WELL, I GOT NO PLACE
961
00:49:44,415 --> 00:49:49,387
* TO LAY DOWN MY HEAD
962
00:49:49,420 --> 00:49:54,092
* RAN OUT OF TIME
963
00:49:54,125 --> 00:49:59,097
* I'M ALL OUT OF TIME
964
00:49:59,130 --> 00:50:03,401
* WELL, I GOT NO PLACE
965
00:50:03,434 --> 00:50:08,406
* TO LAY DOWN MY HEAD
966
00:50:08,439 --> 00:50:13,111
* RAN OUT OF TIME
967
00:50:13,144 --> 00:50:17,582
* I'M ALL OUT OF TIME
968
00:50:17,615 --> 00:50:25,556
*
68941
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