All language subtitles for Queer.as.Folk.US.S04E09.Have.Some.Balls.1080p.AMZN.WEB-DL.DDP5.1.x264-NTb_track3_eng

af Afrikaans
ak Akan
sq Albanian
am Amharic
ar Arabic
hy Armenian
az Azerbaijani
eu Basque
be Belarusian
bem Bemba
bn Bengali
bh Bihari
bs Bosnian
br Breton
bg Bulgarian
km Cambodian
ca Catalan
ceb Cebuano
chr Cherokee
ny Chichewa
zh-CN Chinese (Simplified)
zh-TW Chinese (Traditional)
co Corsican
hr Croatian
cs Czech
da Danish
nl Dutch
en English Download
eo Esperanto
et Estonian
ee Ewe
fo Faroese
tl Filipino
fi Finnish
fr French
fy Frisian
gaa Ga
gl Galician
ka Georgian
de German
el Greek
gn Guarani
gu Gujarati
ht Haitian Creole
ha Hausa
haw Hawaiian
iw Hebrew
hi Hindi
hmn Hmong
hu Hungarian
is Icelandic
ig Igbo
id Indonesian
ia Interlingua
ga Irish
it Italian
ja Japanese
jw Javanese
kn Kannada
kk Kazakh
rw Kinyarwanda
rn Kirundi
kg Kongo
ko Korean
kri Krio (Sierra Leone)
ku Kurdish
ckb Kurdish (Soranî)
ky Kyrgyz
lo Laothian
la Latin
lv Latvian
ln Lingala
lt Lithuanian
loz Lozi
lg Luganda
ach Luo
lb Luxembourgish
mk Macedonian
mg Malagasy
ms Malay
ml Malayalam
mt Maltese
mi Maori
mr Marathi
mfe Mauritian Creole
mo Moldavian
mn Mongolian
my Myanmar (Burmese)
sr-ME Montenegrin
ne Nepali
pcm Nigerian Pidgin
nso Northern Sotho
no Norwegian
nn Norwegian (Nynorsk)
oc Occitan
or Oriya
om Oromo
ps Pashto
fa Persian
pl Polish
pt-BR Portuguese (Brazil)
pt Portuguese (Portugal)
pa Punjabi
qu Quechua
ro Romanian
rm Romansh
nyn Runyakitara
ru Russian
sm Samoan
gd Scots Gaelic
sr Serbian
sh Serbo-Croatian
st Sesotho
tn Setswana
crs Seychellois Creole
sn Shona
sd Sindhi
si Sinhalese
sk Slovak
sl Slovenian
so Somali
es Spanish Download
es-419 Spanish (Latin American) Download
su Sundanese
sw Swahili
sv Swedish
tg Tajik
ta Tamil
tt Tatar
te Telugu
th Thai
ti Tigrinya
to Tonga
lua Tshiluba
tum Tumbuka
tr Turkish
tk Turkmen
tw Twi
ug Uighur
uk Ukrainian
ur Urdu
uz Uzbek
vi Vietnamese
cy Welsh
wo Wolof
xh Xhosa
yi Yiddish
yo Yoruba
zu Zulu
Would you like to inspect the original subtitles? These are the user uploaded subtitles that are being translated: 1 00:00:10,144 --> 00:00:12,546 - * ONE, TWO, THREE, FOUR, FIVE SIX * 2 00:00:12,580 --> 00:00:13,647 * SHAKE IT, DUDE 3 00:00:13,681 --> 00:00:21,622 * 4 00:00:35,369 --> 00:00:37,471 * CUE THE PULSE TO BEGIN 5 00:00:37,505 --> 00:00:46,214 * 6 00:00:46,247 --> 00:00:48,149 * CUE THE PULSE TO BEGIN 7 00:00:48,182 --> 00:00:50,318 * 8 00:00:50,351 --> 00:00:53,621 * CUE THE PULSE TO BEGIN 9 00:00:53,654 --> 00:00:57,325 * CUE THE PULSE TO BEGIN 10 00:00:59,193 --> 00:01:00,828 - [groans] 11 00:01:00,861 --> 00:01:02,830 - ISN'T THIS FUN? 12 00:01:02,863 --> 00:01:07,168 - MAYBE FOR YOU, BUT THAT'S BECAUSE YOU'RE A SADISTIC SHIT! 13 00:01:07,201 --> 00:01:08,636 - WHO? ME? 14 00:01:08,669 --> 00:01:11,172 - I'LL NEVER TELL YOU WHERE THE JEWELS ARE! 15 00:01:11,205 --> 00:01:13,107 - MAKE THAT "JEWEL." 16 00:01:13,141 --> 00:01:14,475 NOW LIE STILL. 17 00:01:14,508 --> 00:01:16,110 WHO KNOWS? IF YOU'RE LUCKY, 18 00:01:16,144 --> 00:01:18,446 YOU MIGHT EVEN GET A FEW MORE GOOD YEARS, 19 00:01:18,479 --> 00:01:20,848 LIKE ME! [cackles] 20 00:01:20,881 --> 00:01:24,218 - [screams] 21 00:01:24,252 --> 00:01:28,122 - MR. KINNEY? MR. KINNEY? 22 00:01:28,156 --> 00:01:31,192 THAT'S IT FOR TODAY, MR. KINNEY. 23 00:01:31,225 --> 00:01:34,328 WE'LL SEE YOU AGAIN TOMORROW. 24 00:01:34,362 --> 00:01:35,596 AND I SHOULD WARN YOU, 25 00:01:35,629 --> 00:01:37,465 YOU'LL FEEL FINE FOR THE NEXT FEW HOURS, 26 00:01:37,498 --> 00:01:39,400 BUT YOU'RE GONNA HIT A WALL AROUND NOON-- 27 00:01:39,433 --> 00:01:40,801 NAUSEA, PAIN, FATIGUE. 28 00:01:40,834 --> 00:01:42,603 THEY'RE ALL NORMAL SIDE EFFECTS. 29 00:01:42,636 --> 00:01:44,638 IN FACT, I WOULD SUGGEST THAT FOR THE NEXT FEW DAYS, 30 00:01:44,672 --> 00:01:46,207 YOU JUST STAY HOME, TAKE IT EASY. 31 00:01:46,240 --> 00:01:47,541 DON'T GO TO WORK. 32 00:01:47,575 --> 00:01:50,644 - HUH. THANK YOU, NURSE. 33 00:01:50,678 --> 00:01:54,748 THAT'S EXCELLENT ADVICE. 34 00:01:54,782 --> 00:01:56,617 - FIRST THING WE DO WHEN WE GET TO HOLLYWOOD 35 00:01:56,650 --> 00:01:58,152 IS GO TO UNIVERSAL STUDIOS. 36 00:01:58,186 --> 00:01:59,653 THE RIDES SOUND AWESOME. 37 00:01:59,687 --> 00:02:01,489 AND THEN WE DO THE GRAVE LINE TOUR. 38 00:02:01,522 --> 00:02:04,525 IT TAKES YOU TO ALL THE PLACES WHERE STARS HAVE BEEN MURDERED. 39 00:02:04,558 --> 00:02:05,759 AND THEN-- - THEN WE GO 40 00:02:05,793 --> 00:02:07,561 TO GRAUMAN'S CHINESE THEATRE, 41 00:02:07,595 --> 00:02:09,830 AND WE STEAL JOHN WAYNE'S FOOTPRINTS. 42 00:02:13,967 --> 00:02:15,303 LUCY? 43 00:02:15,336 --> 00:02:16,837 I LOVE LUCY? 44 00:02:16,870 --> 00:02:20,641 THEY WENT TO HOLLYWOOD AND--NEVER MIND. 45 00:02:20,674 --> 00:02:22,643 COULD YOU SAVE ME SOME CEREAL? 46 00:02:22,676 --> 00:02:24,312 - AREN'T YOU BEING A BIT PREMATURE? 47 00:02:24,345 --> 00:02:26,580 - WHY? WE'RE GOING, AREN'T WE? 48 00:02:26,614 --> 00:02:28,649 YOU SAID BRETT TOLD YOU IT WAS A DONE DEAL. 49 00:02:28,682 --> 00:02:30,384 - THAT'S MR. KELLER TO YOU. 50 00:02:30,418 --> 00:02:33,554 AND NOTHING'S A DONE DEAL UNTIL IT'S DONE. 51 00:02:33,587 --> 00:02:35,689 - I'M DONE. 52 00:02:35,723 --> 00:02:36,924 - BUSY DAY? 53 00:02:36,957 --> 00:02:39,327 - OH, CLASSES, RESEARCH AT THE LIBRARY, 54 00:02:39,360 --> 00:02:40,961 STUDENT-ADVISOR MEETINGS. 55 00:02:40,994 --> 00:02:43,264 I'M ALSO SUPPOSED TO HEAR FROM GREENPOINT PRESS. 56 00:02:43,297 --> 00:02:45,199 - ARE THEY INTERESTED IN YOUR NOVEL? 57 00:02:45,233 --> 00:02:47,301 - HMM, LET'S JUST SAY THE EDITOR SEEMED RECEPTIVE, 58 00:02:47,335 --> 00:02:49,470 WHICH AT LEAST IS BETTER THAN ANOTHER REJECTION. 59 00:02:49,503 --> 00:02:53,407 SO KEEP YOUR FINGERS CROSSED. 60 00:02:53,441 --> 00:02:55,543 - HE SHOULD TRY TO EAT SOME GRAIN IN THE MORNING 61 00:02:55,576 --> 00:02:57,211 INSTEAD OF THOSE CRAPPY SHAKES. 62 00:02:57,245 --> 00:02:59,347 HE'D BE A LOT HAPPIER, NOT TO MENTION REGULAR. 63 00:02:59,380 --> 00:03:01,282 - I THINK IT'S GOING TO TAKE MORE THAN A BOWL OF BRAN. 64 00:03:01,315 --> 00:03:05,886 AND YOU COULD TRY AND BE A LITTLE MORE SENSITIVE. 65 00:03:05,919 --> 00:03:07,955 - HUH? - "HUH?" 66 00:03:07,988 --> 00:03:09,957 BEN IS GOING THROUGH A TOUGH TIME RIGHT NOW. 67 00:03:09,990 --> 00:03:12,693 I'M SURE ALL THIS TALK ISN'T MAKING IT ANY EASIER. 68 00:03:12,726 --> 00:03:15,729 SO, FROM NOW ON, LET'S TRY NOT TO USE 69 00:03:15,763 --> 00:03:18,532 THE WORD "HOLLYWOOD" IN A SENTENCE. 70 00:03:22,603 --> 00:03:24,438 - WHAT THE FUCK ARE YOU DOING HERE? 71 00:03:24,472 --> 00:03:26,307 - I'M WAITING FOR YOU. 72 00:03:26,340 --> 00:03:28,442 YOU WON'T ANSWER THE DOOR. YOU WON'T RETURN MY CALLS. 73 00:03:28,476 --> 00:03:30,844 - WELL, THAT SHOULD BE A HINT. - WHY WON'T YOU SEE ME? 74 00:03:30,878 --> 00:03:32,580 - CYNTHIA! CYNTHIA! 75 00:03:32,613 --> 00:03:34,014 - JESUS, BRIAN, WHAT'S GOING ON? 76 00:03:34,047 --> 00:03:35,749 - YOU CAN'T JUST KICK ME OUT. 77 00:03:35,783 --> 00:03:38,319 - WATCH ME. I DON'T WANT HIS CALLS. 78 00:03:38,352 --> 00:03:40,254 I DON'T WANT HIM IN THIS OFFICE, AND IF HE COMES NEAR ME, 79 00:03:40,288 --> 00:03:44,725 I WANT A RESTRAINING ORDER. GOT IT? 80 00:03:44,758 --> 00:03:47,661 AND IF SOME ASSHOLE NAMED VIC GRASSI CALLS FROM HELL, 81 00:03:47,695 --> 00:03:50,364 YOU CAN TELL HIM I'M IN A MEETING. 82 00:03:58,572 --> 00:04:01,609 - WELL, VIC, IT'S NOT QUITE THE HEADSTONE 83 00:04:01,642 --> 00:04:04,578 I'D ORIGINALLY INTENDED. 84 00:04:06,314 --> 00:04:07,881 - BUT AS YOU MAY HAVE HEARD, 85 00:04:07,915 --> 00:04:11,352 MICHELANGELO'S NOT TAKING ANY MORE COMMISSIONS. 86 00:04:11,385 --> 00:04:12,753 - BUT IT'S SOLID. 87 00:04:12,786 --> 00:04:15,289 IT'S HARD, SMOOTH. 88 00:04:15,323 --> 00:04:17,024 COME TO THINK OF IT, 89 00:04:17,057 --> 00:04:19,660 THAT'S A LOT OF THE ATTRIBUTES YOU LIKED IN A MAN. 90 00:04:19,693 --> 00:04:21,495 [both laugh] 91 00:04:21,529 --> 00:04:24,365 - WHOEVER INVENTS A CELL PHONE THAT'S ALSO A VIBRATOR 92 00:04:24,398 --> 00:04:27,668 IS GOING TO MAKE A FORTUNE. 93 00:04:27,701 --> 00:04:29,303 EXCUSE ME, DEB. 94 00:04:29,337 --> 00:04:30,838 - YEAH. DON'T WORRY, HONEY. 95 00:04:30,871 --> 00:04:33,974 - HELLO? - VIC'S IN NO HURRY. 96 00:04:34,007 --> 00:04:35,776 - OH, HEY... - SO I'LL PLANT FLOWERS 97 00:04:35,809 --> 00:04:40,648 THIS SPRING AND MAKE IT MORE HOMEY, OKAY? 98 00:04:40,681 --> 00:04:44,318 AND, UM... 99 00:04:44,352 --> 00:04:47,688 VIC, I JUST WANT TO SAY, 100 00:04:47,721 --> 00:04:50,424 WHEREVER YOU ARE... 101 00:04:50,458 --> 00:04:52,693 OF COURSE I KNOW WHERE YOU ARE. YOU'RE IN HEAVEN. 102 00:04:52,726 --> 00:04:56,564 WHERE THE HELL ELSE WOULD YOU BE? 103 00:04:56,597 --> 00:05:01,835 THAT, UM, IN SPITE OF OUR LITTLE FALLING OUT, 104 00:05:01,869 --> 00:05:04,672 NOT--NOT THAT IT WAS SO LITTLE-- 105 00:05:04,705 --> 00:05:09,610 IT NEARLY PUT ME IN THE GROUND BESIDE YOU-- 106 00:05:09,643 --> 00:05:11,745 THAT I LOVE YOU... 107 00:05:11,779 --> 00:05:15,483 WITH ALL MY HEART. 108 00:05:15,516 --> 00:05:17,685 YOU KNOW THAT, BABY, DON'T YOU? 109 00:05:17,718 --> 00:05:20,888 - ARRESTED? 110 00:05:20,921 --> 00:05:24,124 - AND THAT I HOPE THAT YOU'VE FORGIVEN ME FOR WHAT I DID. 111 00:05:24,157 --> 00:05:25,493 - WHAT DID YOU DO? 112 00:05:25,526 --> 00:05:27,961 D.U.I.? 113 00:05:27,995 --> 00:05:29,997 WELL, WHO'S GOING TO HELP ME CATER THE PARTY TONIGHT? 114 00:05:30,030 --> 00:05:32,433 - AND ALL BECAUSE OF THIS SILLY PARTY. 115 00:05:32,466 --> 00:05:34,502 - NO, I WILL NOT RECOMMEND AN ATTORNEY, 116 00:05:34,535 --> 00:05:36,003 UNLESS YOU RECOMMEND A CHEF. 117 00:05:36,036 --> 00:05:39,106 - REST IN PEACE, LITTLE BROTHER. 118 00:05:39,139 --> 00:05:42,376 - ROT IN HELL, YOU LITTLE FUCKER. 119 00:05:42,410 --> 00:05:46,780 OH, VIC, VIC, WHY'D YOU HAVE TO DIE? 120 00:05:46,814 --> 00:05:48,649 - I KNOW, HONEY. 121 00:05:48,682 --> 00:05:51,018 I KNOW, BUT HE'S IN A BETTER PLACE. 122 00:05:53,621 --> 00:05:55,589 - IT'S A WARM AND WONDERFUL PLACE, 123 00:05:55,623 --> 00:05:57,858 FILLED WITH LOVE AND POSSIBILITIES. 124 00:05:57,891 --> 00:05:59,460 - YOU'LL HAVE TO FORGIVE MY WIFE. 125 00:05:59,493 --> 00:06:00,994 SHE TENDS TO WAX POETIC 126 00:06:01,028 --> 00:06:02,730 IN DIRECT PROPORTION TO THE SIZE OF MY TUMMY. 127 00:06:02,763 --> 00:06:04,498 - OH, COME ON, YOU'VE DONE YOUR FAIR SHARE 128 00:06:04,532 --> 00:06:07,601 OF WAXING YOURSELF. - I'VE NEVER ONCE WAXED. 129 00:06:07,635 --> 00:06:09,870 AND EVEN IF I DID, OUR PALTRY EXPRESSIONS 130 00:06:09,903 --> 00:06:12,172 WOULD PALE IN COMPARISON TO MICHAEL'S RHAPSODIZING. 131 00:06:12,205 --> 00:06:13,807 - [scoffs] - HOLY SHIT! 132 00:06:13,841 --> 00:06:15,509 WOULD YOU CHECK OUT THE DICK ON THIS KID? 133 00:06:15,543 --> 00:06:17,911 - OR NOT. - THAT'S THE UMBILICAL CORD. 134 00:06:17,945 --> 00:06:21,749 - AND BESIDES, YOU CAN'T TELL FROM THIS IF IT'S A BOY OR GIRL, 135 00:06:21,782 --> 00:06:25,619 ALTHOUGH SOMETHING TELLS ME A PRINCESS IS ON THE WAY. 136 00:06:25,653 --> 00:06:27,187 - WELL, IT'S OKAY WITH ME IF HE'S GAY. 137 00:06:27,220 --> 00:06:29,923 - I GOT TO RUN. [smooches] 138 00:06:29,957 --> 00:06:31,759 WE'RE INSTALLING THE AUERBACH SHOW. 139 00:06:31,792 --> 00:06:33,160 - DON'T FORGET LAMAZE. 140 00:06:33,193 --> 00:06:37,097 - JESUS. YOU THINK WE COULD MOVE IT? 141 00:06:37,130 --> 00:06:38,766 - HEY, WHY DON'T I GO? 142 00:06:38,799 --> 00:06:40,167 both: YOU? 143 00:06:40,200 --> 00:06:41,769 - IS IT A CLASS FOR LESBIAN MOTHERS? 144 00:06:41,802 --> 00:06:43,070 I WON'T SHAVE MY LEGS. 145 00:06:43,103 --> 00:06:44,638 NO ONE WILL NOTICE. 146 00:06:44,672 --> 00:06:46,039 - [laughs] NO, OF COURSE NOT. 147 00:06:46,073 --> 00:06:48,509 - GOOD. THEN IT'LL SERVE AS A GENTLE REMINDER 148 00:06:48,542 --> 00:06:50,511 THAT UNTIL SOMEONE COMES UP WITH A BETTER PLAN, 149 00:06:50,544 --> 00:06:52,646 YOU STILL NEED A MAN FOR SOME THINGS. 150 00:06:52,680 --> 00:06:54,582 HEY, WHERE HAVE YOU BEEN? 151 00:06:54,615 --> 00:06:56,650 I NEED THOSE PANELS SO I CAN COME UP WITH SOME DIALOGUE 152 00:06:56,684 --> 00:06:57,985 FOR THE EVIL ANAL PROBERS. 153 00:06:58,018 --> 00:07:00,020 - HOW ABOUT, "UP YOUR ASS"? 154 00:07:02,490 --> 00:07:04,424 - SOUNDS ABOUT RIGHT. 155 00:07:07,761 --> 00:07:09,930 HEY. 156 00:07:09,963 --> 00:07:11,599 HEY! WHAT'S WITH YOU? 157 00:07:11,632 --> 00:07:12,966 - WHAT DO YOU THINK? 158 00:07:13,000 --> 00:07:16,870 YOU TOLD HIM THAT WE KNEW, DIDN'T YOU? 159 00:07:16,904 --> 00:07:19,473 - LOOK, I-I DIDN'T MEANT TO. 160 00:07:19,507 --> 00:07:21,675 IT JUST-- - WHAT, SLIPPED OUT? 161 00:07:21,709 --> 00:07:23,477 "WE KNOW YOU HAVE CANCER." 162 00:07:23,511 --> 00:07:25,979 THAT IS THE FUCKING LAMEST EXCUSE I'VE EVER HEARD. 163 00:07:26,013 --> 00:07:27,948 YOU'RE THE ONE WHO SAID THAT WE SHOULD BE STRONG 164 00:07:27,981 --> 00:07:29,683 AND HONOR HIS WISHES. - I'M SORRY. 165 00:07:29,717 --> 00:07:31,118 - DO YOU HAVE ANY IDEA HOW HARD THAT'S BEEN? 166 00:07:31,151 --> 00:07:32,620 WHY ARE YOU SORRY? 167 00:07:32,653 --> 00:07:34,722 DID HE KICK YOU OUT? 168 00:07:34,755 --> 00:07:37,157 DID HE SAY HE NEVER WANTED TO SEE YOU AGAIN? 169 00:07:37,190 --> 00:07:38,759 WELL, IF THAT'S THE WAY HE WANTS IT, 170 00:07:38,792 --> 00:07:41,729 I'LL BE GLAD TO HONOR THOSE WISHES TOO. 171 00:07:50,871 --> 00:07:53,140 - THERE YOU GO. - OKAY, THANK YOU. 172 00:07:55,743 --> 00:07:57,244 - PROFESSOR BRUCKNER. 173 00:07:57,277 --> 00:07:59,647 - THAT'S ME. 174 00:07:59,680 --> 00:08:00,981 - I'M SURE YOU DON'T REMEMBER ME. 175 00:08:01,014 --> 00:08:02,282 I WAS IN YOUR 110 SEMINAR LAST YEAR. 176 00:08:02,315 --> 00:08:04,752 - THERE WERE SO MANY STUDENTS IN THAT SEMINAR. 177 00:08:04,785 --> 00:08:05,986 - ANTHONY FLYNN. 178 00:08:06,019 --> 00:08:07,921 - I HOPE YOU ENJOYED IT. 179 00:08:07,955 --> 00:08:09,657 - [chuckles] IT WAS GREAT. 180 00:08:09,690 --> 00:08:12,726 IN FACT, I EVEN WENT OUT AND BOUGHT YOUR BOOK, RU12. 181 00:08:12,760 --> 00:08:15,729 - OH. DID YOU READ IT? 182 00:08:15,763 --> 00:08:16,997 - A FEW TIMES, ACTUALLY. 183 00:08:17,030 --> 00:08:17,998 I LOVED IT. 184 00:08:18,031 --> 00:08:19,800 SO WELL WRITTEN. 185 00:08:19,833 --> 00:08:21,902 YOU KNOW, I AGREE WITH WHAT THE CRITICS SAID ON THE JACKET. 186 00:08:21,935 --> 00:08:25,606 - OH. SEND THEM A FREE COPY, THEY'LL SAY ANYTHING. 187 00:08:25,639 --> 00:08:28,642 - NO, I'D--I'D REALLY LIKE TO TALK TO YOU ABOUT IT SOME TIME. 188 00:08:28,676 --> 00:08:31,545 YOU SEE, I'M A WRITER TOO-- WELL, TRYING TO BE. 189 00:08:31,579 --> 00:08:34,014 - AS MUCH AS I'D LIKE THAT, ANTHONY, 190 00:08:34,047 --> 00:08:36,884 IT'S, UH, MY POLICY NOT TO FRATERNIZE WITH MY STUDENTS. 191 00:08:36,917 --> 00:08:38,185 - EVEN FORMER ONES? 192 00:08:40,721 --> 00:08:43,791 I'M SORRY. I DIDN'T MEAN TO PUT YOU IN AN AWKWARD POSITION. 193 00:08:43,824 --> 00:08:45,559 - NO, IT'S OKAY. 194 00:08:45,593 --> 00:08:47,561 - IT'S JUST THAT YOUR BOOK REALLY SPOKE TO ME... 195 00:08:47,595 --> 00:08:48,762 AS A GAY MAN, I MEAN. 196 00:08:48,796 --> 00:08:50,764 BY THE TIME I'D FINISHED IT, 197 00:08:50,798 --> 00:08:54,001 I FELT I'D DISCOVERED THINGS ABOUT MYSELF I'D NEVER KNOWN. 198 00:08:56,069 --> 00:08:58,538 - THANK YOU. 199 00:08:59,940 --> 00:09:01,642 FLYNN. 200 00:09:01,675 --> 00:09:04,778 YEAH, YOU USED TO SIT ABOUT HALFWAY BACK, 201 00:09:04,812 --> 00:09:07,180 WAY OVER ON THE RIGHT BY THE WINDOW WITH THE FIRE ESCAPE. 202 00:09:07,214 --> 00:09:10,117 - [chuckles] THAT'S ME. 203 00:09:11,819 --> 00:09:14,655 - IT'S A SIMPLE BUT ELEGANT MENU-- 204 00:09:14,688 --> 00:09:16,724 LOBSTER, FILET MIGNON, SALAD, 205 00:09:16,757 --> 00:09:19,192 AND, OF COURSE, DESSERT. 206 00:09:19,226 --> 00:09:21,194 UH-HUH. 207 00:09:21,228 --> 00:09:24,732 UH-HUH. NO, SURE. I UNDERSTAND. 208 00:09:26,233 --> 00:09:29,202 WELL, THAT WAS THE LAST POSSIBILITY. 209 00:09:29,236 --> 00:09:31,338 - AH, POOR EM. 210 00:09:31,371 --> 00:09:34,875 I KEEP FORGETTING HOW IMPORTANT VIC WAS TO YOU TOO, HONEY. 211 00:09:34,908 --> 00:09:37,978 WITHOUT HIM, YOUR BUSINESS IS FUCKED, HUH? 212 00:09:38,011 --> 00:09:41,348 BUT NEVER FEAR, 'CAUSE HELP IS HERE. 213 00:09:41,381 --> 00:09:44,217 - WHERE? - YOU'RE LOOKING AT IT. 214 00:09:44,251 --> 00:09:46,954 I'LL CANCEL MY SHIFT TONIGHT. I'LL LEND YOU A HAND. 215 00:09:46,987 --> 00:09:49,222 - OH, THANKS, BUT, UH, I NEED MORE THAN A HAND. 216 00:09:49,256 --> 00:09:50,691 I NEED AN ENTIRE BODY, 217 00:09:50,724 --> 00:09:52,893 PREFERABLY ONE BELONGING TO A CHEF. 218 00:09:52,926 --> 00:09:54,828 - WHAT'S THE MATTER WITH MY COOKING? 219 00:09:54,862 --> 00:09:56,964 - DON'T TAKE THIS THE WRONG WAY, BUT NOT EVERYTHING IS COVERED 220 00:09:56,997 --> 00:09:58,999 IN MARINARA SAUCE. 221 00:09:59,032 --> 00:10:00,600 - FINE. 222 00:10:03,136 --> 00:10:04,638 - THE OCTOBER DETECTIVE? 223 00:10:04,672 --> 00:10:06,707 - HMM. IT'S ONE IN A SERIES. 224 00:10:06,740 --> 00:10:07,708 - OF 12? 225 00:10:07,741 --> 00:10:09,643 - HOW DID YOU GUESS? 226 00:10:09,677 --> 00:10:12,913 - WHEN IT COMES TO CLUES, I'M QUICK. 227 00:10:12,946 --> 00:10:14,915 FOR INSTANCE, I'VE, UH, NEVER KNOWN YOU 228 00:10:14,948 --> 00:10:16,850 TO READ DETECTIVE NOVELS. 229 00:10:16,884 --> 00:10:18,719 - SO? 230 00:10:18,752 --> 00:10:22,255 - SO I WOULD SURMISE, USING MY BRILLIANT POWERS OF DEDUCTION, 231 00:10:22,289 --> 00:10:26,727 THAT IT HAS SOMETHING TO DO WITH ONE LIEUTENANT HORVATH. 232 00:10:26,760 --> 00:10:28,328 - SORRY, SHERLOCK. 233 00:10:28,361 --> 00:10:30,330 CARL CAME HERE STRICTLY AS A FRIEND, 234 00:10:30,363 --> 00:10:32,132 AND THERE'S NOTHING BETWEEN US. 235 00:10:32,165 --> 00:10:34,401 - THE LOOK IN HIS EYES SAID OTHERWISE. 236 00:10:34,434 --> 00:10:37,437 - WHAT DO YOU KNOW ABOUT THE LOOK IN A MAN'S-- 237 00:10:37,470 --> 00:10:39,339 NEVER MIND. I TAKE IT BACK. 238 00:10:41,775 --> 00:10:44,077 - STOP LIVING IN A BOOK 239 00:10:44,111 --> 00:10:47,881 AND START LIVING YOUR LIFE. 240 00:10:47,915 --> 00:10:51,151 MMM, GOD, THIS CHOCOLATE MOUSSE IS SCRUMPTIOUS. 241 00:10:51,184 --> 00:10:54,421 PERHAPS I UNDERESTIMATED YOUR CULINARY SKILLS. 242 00:10:54,454 --> 00:10:58,458 - MY CHOCOLATE MOUSSE IS COVERED IN MARINARA SAUCE. 243 00:10:58,491 --> 00:11:00,728 THIS IS FROM THAT SWEET KID DARREN-- 244 00:11:00,761 --> 00:11:02,763 YOU KNOW, THE ONE WHO GOT BASHED. 245 00:11:02,796 --> 00:11:04,297 I SENT HIM FOOD EVERY DAY FROM THE DINER, 246 00:11:04,331 --> 00:11:06,166 AND NOW HE SENDS ME GOODIES BACK-- 247 00:11:06,199 --> 00:11:08,101 KIND OF LIKE A THANK-YOU. 248 00:11:08,135 --> 00:11:10,303 AND HE DOES IT ALL HIMSELF. 249 00:11:10,337 --> 00:11:13,440 I TELL YOU, HE CAN DANCE. HE CAN COOK. 250 00:11:13,473 --> 00:11:15,308 HE'S A KNOCKOUT IN A DRESS. 251 00:11:15,342 --> 00:11:19,346 HE'LL BE A REAL CATCH FOR SOME LUCKY GUY. 252 00:11:19,379 --> 00:11:23,050 [door closes] EM? 253 00:11:23,083 --> 00:11:25,185 EM? 254 00:11:25,218 --> 00:11:27,220 WHERE THE FUCK HE GO? 255 00:11:29,990 --> 00:11:31,691 - BRIAN? 256 00:11:40,433 --> 00:11:42,369 BRIAN? 257 00:11:45,773 --> 00:11:48,075 JESUS CHRIST, WHAT'S WRONG? 258 00:11:48,108 --> 00:11:49,943 - NOTHING. 259 00:11:49,977 --> 00:11:51,879 I'M FINE. WHY DO YOU ASK? 260 00:11:51,912 --> 00:11:53,380 - WELL, FOR ONE THING, YOU LOOK LIKE SHIT. 261 00:11:53,413 --> 00:11:55,248 - THANK YOU. 262 00:11:59,386 --> 00:12:02,222 - OKAY, LOOK, NOW, THIS IS THE SECOND TIME THIS HAS HAPPENED. 263 00:12:02,255 --> 00:12:03,757 - FUCKING ACCOUNTANTS-- 264 00:12:03,791 --> 00:12:05,225 DO YOU HAVE TO KEEP A RECORD OF EVERYTHING? 265 00:12:05,258 --> 00:12:08,495 - I JUST WANT YOU TO KNOW THAT YOU CAN TRUST ME, 266 00:12:08,528 --> 00:12:11,531 AS A FRIEND AND AS SOMEONE WHO HAS BEEN THROUGH IT ALL. 267 00:12:11,564 --> 00:12:13,433 I MEAN, THERE IS NOTHING I HAVEN'T SEEN OR DONE, 268 00:12:13,466 --> 00:12:16,169 WHICH IS WHY I DON'T PRESUME TO JUDGE ANYONE. 269 00:12:16,203 --> 00:12:18,405 BUT THERE'S ONE THING I KNOW-- 270 00:12:18,438 --> 00:12:22,776 THE FIRST AND HARDEST STEP YOU'LL EVER HAVE TO TAKE... 271 00:12:22,810 --> 00:12:24,511 IS ADMITTING YOU HAVE A PROBLEM. 272 00:12:24,544 --> 00:12:27,114 AND ONCE YOU'VE DONE THAT, YOU'RE ON THE ROAD TO RECOVERY-- 273 00:12:27,147 --> 00:12:31,151 - IT'S THE BIG "C," TED. [scoffs] 274 00:12:35,088 --> 00:12:39,059 - COCAINE? - [laughs] 275 00:12:39,092 --> 00:12:41,294 IT'S BIGGER. 276 00:12:41,328 --> 00:12:43,196 - CRYSTAL? 277 00:12:43,230 --> 00:12:45,198 - BIGGER. 278 00:12:45,232 --> 00:12:47,400 - CAFFEINE? 279 00:12:47,434 --> 00:12:51,038 - IT'S CANCER, THEODORE. 280 00:12:53,240 --> 00:12:55,042 - C-C-C-C-- 281 00:12:55,075 --> 00:12:57,044 - YEAH. 282 00:12:58,211 --> 00:13:01,448 BUT RELAX. 283 00:13:01,481 --> 00:13:03,817 THEY GOT IT. 284 00:13:03,851 --> 00:13:07,354 I'M IN RADIATION. 285 00:13:07,387 --> 00:13:09,422 STARTED THIS MORNING. 286 00:13:09,456 --> 00:13:12,392 WOULD YOU EXCUSE ME FOR A MOMENT? 287 00:13:17,630 --> 00:13:20,800 [vomits] 288 00:13:25,472 --> 00:13:28,808 [spits, coughs] 289 00:13:37,350 --> 00:13:40,053 - I CAN'T TELL YOU HOW RELIEVED I AM. 290 00:13:40,087 --> 00:13:41,454 - I MEAN, THAT-- 291 00:13:41,488 --> 00:13:44,557 THAT YOU'RE GONNA BE ALL RIGHT. 292 00:13:45,959 --> 00:13:47,895 - THANK YOU. 293 00:13:56,436 --> 00:13:58,105 - IS THERE ANYTHING I CAN DO? 294 00:13:58,138 --> 00:13:59,472 - YEAH, AS A MATTER OF FACT, 295 00:13:59,506 --> 00:14:03,010 YOU CAN DO THREE THINGS. 296 00:14:03,043 --> 00:14:06,079 FIRST... [scoffs] 297 00:14:06,113 --> 00:14:08,882 YOU KEEP YOUR BIG MOUTH SHUT, 298 00:14:08,916 --> 00:14:10,083 OR YOU'RE FIRED. 299 00:14:10,117 --> 00:14:12,986 - SEALING. SEALING. SECOND? 300 00:14:13,020 --> 00:14:16,957 - I WANT YOU TO COVER FOR ME THIS AFTERNOON 301 00:14:16,990 --> 00:14:18,959 WITH DANDY LUBE. 302 00:14:18,992 --> 00:14:21,294 - WAIT. COVER F-FOR YOU? 303 00:14:21,328 --> 00:14:22,963 - MAKE THE PRESENTATION. 304 00:14:22,996 --> 00:14:25,498 - BUT I-- - LOOK, IF YOU COULD PRETEND 305 00:14:25,532 --> 00:14:27,367 THAT YOU WERE PAVAROTTI 306 00:14:27,400 --> 00:14:31,504 AT THAT PATHETIC PASTA PALACE, 307 00:14:31,538 --> 00:14:34,141 YOU CAN DO THIS. 308 00:14:36,076 --> 00:14:38,178 - [sniffs] WHAT'S THE THIRD? 309 00:14:38,211 --> 00:14:40,180 - CALL ME A CAB. 310 00:14:42,315 --> 00:14:45,018 I'M GOING HOME. 311 00:14:49,222 --> 00:14:51,992 - AND THE PART WHERE ALL YOUR FRIENDS WERE TURNING POSITIVE-- 312 00:14:52,025 --> 00:14:53,994 - HOW ABOUT OVER THERE? - UH, FINE. 313 00:14:54,027 --> 00:14:56,529 - BUT YOU STILL HADN'T BEEN INFECTED. 314 00:14:56,563 --> 00:15:00,400 - YEAH, I REMEMBER FEELING TERRIFIED THAT I'D BE NEXT. 315 00:15:00,433 --> 00:15:03,170 BUT AT THE SAME TIME, 316 00:15:03,203 --> 00:15:05,605 FEELING LIKE I JUST WANTED TO GET IT OVER WITH. 317 00:15:05,638 --> 00:15:08,408 - THEN WHEN YOU CONVERTED, IT--IT PUT YOU 318 00:15:08,441 --> 00:15:10,410 IN A WHOLE DIFFERENT PLACE. 319 00:15:10,443 --> 00:15:14,681 - SPIRITUALLY, EMOTIONALLY, POLITICALLY. 320 00:15:14,714 --> 00:15:18,085 - YOU KNOW, I HAVE TO TELL YOU, IT WAS VERY MOVING. 321 00:15:26,059 --> 00:15:28,028 - ANTHONY, MAY I ASK YOU A PERSONAL QUESTION? 322 00:15:28,061 --> 00:15:30,497 - I FEEL LIKE I ALREADY KNOW SO MUCH ABOUT YOU, 323 00:15:30,530 --> 00:15:32,032 IT'S ONLY FAIR. 324 00:15:32,065 --> 00:15:33,967 - ARE YOU POSITIVE? 325 00:15:34,001 --> 00:15:36,336 - NO. 326 00:15:36,369 --> 00:15:39,072 BUT YOUR BOOK STILL SPOKE TO ME. 327 00:15:39,106 --> 00:15:41,208 AND ISN'T THAT THE MEASURE OF ANY GREAT BOOK... 328 00:15:41,241 --> 00:15:42,509 - [scoffs] - THAT IT SPEAKS TO EVERYONE? 329 00:15:42,542 --> 00:15:45,178 - OH, I DON'T KNOW ABOUT THAT. 330 00:15:45,212 --> 00:15:48,115 I MEAN, ABOUT IT BEING A GREAT BOOK, BUT THANKS. 331 00:15:48,148 --> 00:15:51,384 - SO THE QUESTION IS, WHEN'S THE NEXT ONE COMING OUT? 332 00:15:51,418 --> 00:15:54,387 - MM, THAT IS THE QUESTION. 333 00:15:54,421 --> 00:15:56,456 JUST FINISHED A NOVEL ABOUT TWO MEN, 334 00:15:56,489 --> 00:15:58,458 SET IN PARIS IN THE '30s. 335 00:15:58,491 --> 00:15:59,759 - SOUNDS GREAT. - MM-HMM. 336 00:15:59,792 --> 00:16:01,461 THERE ARE A COUPLE DOZEN PUBLISHERS 337 00:16:01,494 --> 00:16:02,462 WHO DON'T AGREE WITH YOU. 338 00:16:02,495 --> 00:16:05,132 THEY'VE ALL TURNED IT DOWN. 339 00:16:05,165 --> 00:16:06,733 - WELL, I'D LOVE TO READ IT... 340 00:16:06,766 --> 00:16:10,337 IF YOU'D LET ME. - I DON'T KNOW. 341 00:16:10,370 --> 00:16:12,605 - HEY, I'M AN ENGLISH-LIT MAJOR, 342 00:16:12,639 --> 00:16:15,508 A BUDDING YOUNG WRITER, AND I WORK IN A LIBRARY. 343 00:16:15,542 --> 00:16:18,211 OH, AND I GOT AN "A" IN YOUR COURSE. 344 00:16:18,245 --> 00:16:19,746 THAT SHOULD QUALIFY ME TO KNOW 345 00:16:19,779 --> 00:16:21,848 A LITTLE SOMETHING ABOUT GOOD WRITING. 346 00:16:25,718 --> 00:16:28,755 - AT THE RISK OF LOSING A FAN... 347 00:16:28,788 --> 00:16:32,392 - OR GAINING AN EVEN BIGGER ONE. 348 00:16:32,425 --> 00:16:36,263 [chuckles] 349 00:16:36,296 --> 00:16:39,666 - * I'D BE THE "MAN" IN MANKIND * 350 00:16:39,699 --> 00:16:42,235 * AND THE UNIVERSAL HE 351 00:16:42,269 --> 00:16:44,437 * EVERY DOOR THAT ONCE WAS SHUT * 352 00:16:44,471 --> 00:16:46,639 * WOULD OPEN FOR ME 353 00:16:46,673 --> 00:16:49,309 * IF I WERE A MAN 354 00:16:49,342 --> 00:16:53,813 * IF I WERE A MAN, I'D LIKE TO MEET SOMEBODY LIKE ME * 355 00:16:53,846 --> 00:16:59,686 * IF I WERE A MAN, I'D LIKE TO MEET SOMEBODY LIKE ME * 356 00:17:01,454 --> 00:17:04,391 - BRAVO! [laughs] 357 00:17:04,424 --> 00:17:06,726 I MEAN, BRAVA! 358 00:17:06,759 --> 00:17:08,428 I'M, UM, EMMETT HONEYCUTT. 359 00:17:08,461 --> 00:17:10,130 I LIVE WITH DEBBIE NOVOTNY. 360 00:17:10,163 --> 00:17:12,065 WE MET AT THE "SO WHAT IF IT'S NOT CHRISTMAS? 361 00:17:12,099 --> 00:17:13,666 WE'RE HAVING A CHRISTMAS PARTY ANYWAY" PARTY. 362 00:17:13,700 --> 00:17:15,068 - RIGHT. 363 00:17:15,102 --> 00:17:17,137 - YOU ARE FABULOUS. 364 00:17:17,170 --> 00:17:20,140 I JUST LOVE THE ROUTINES, THE GOWNS... 365 00:17:20,173 --> 00:17:22,475 THE CHOCOLATE MOUSSE. 366 00:17:22,509 --> 00:17:23,543 - EXCUSE ME? 367 00:17:23,576 --> 00:17:26,613 - I'M A PARTY PLANNER. 368 00:17:26,646 --> 00:17:31,618 DEBBIE'S BROTHER, VIC, UH, WAS MY CHEF BEFORE HE PASSED AWAY. 369 00:17:31,651 --> 00:17:34,454 HE'S GONE NOW, BUT OUR BUSINESS ISN'T. 370 00:17:34,487 --> 00:17:38,825 AND IF ANYONE KNOWS THE SHOW MUST GO ON, IT'S YOU, SO... 371 00:17:38,858 --> 00:17:41,628 - YOU WANT SHANDA LEER TO PERFORM AT A PARTY? 372 00:17:41,661 --> 00:17:46,566 NO, I WANT DARREN TO COOK FOR A PARTY. 373 00:17:46,599 --> 00:17:48,568 - BUT, UH... 374 00:17:48,601 --> 00:17:50,770 [whispering] I'M NOT A CHEF. 375 00:17:50,803 --> 00:17:53,473 - WELL, YOU DO A FABULOUS IMPERSONATION OF THAT TOO. 376 00:17:53,506 --> 00:17:55,175 I MEAN, THOSE DELICACIES 377 00:17:55,208 --> 00:17:57,577 YOU'VE BEEN SENDING OVER TO DEB'S ARE TO DIE FOR. 378 00:17:57,610 --> 00:17:59,512 NO OFFENSE, VIC. 379 00:17:59,546 --> 00:18:04,184 - I'D LOVE TO HELP YOU OUT, BUT SHANDA'S MAKING A COMEBACK. 380 00:18:04,217 --> 00:18:07,587 [exhales sharply] GOD, I HATE THAT WORD. 381 00:18:07,620 --> 00:18:11,258 IT'S A...RETURN. 382 00:18:11,291 --> 00:18:12,625 THERE'S JUST NO TIME. 383 00:18:12,659 --> 00:18:16,629 - WELL, YOU CAN'T BLAME A GIRL FOR TRYING. 384 00:18:17,930 --> 00:18:21,768 GOOD LUCK. UH, BREAK A LEG. 385 00:18:24,504 --> 00:18:28,875 - * IF I WERE A MAN 386 00:18:28,908 --> 00:18:30,877 - DAMN. 387 00:18:30,910 --> 00:18:32,245 - DIDN'T MEAN IT LITERALLY. 388 00:18:32,279 --> 00:18:34,614 - LOOK AT THIS. RUINED. 389 00:18:34,647 --> 00:18:38,818 DO YOU KNOW HOW MUCH THESE SATIN PUMPS IN A SIZE 11 1/2 COST? 390 00:18:38,851 --> 00:18:43,356 NOT TO MENTION THE NEW GOWNS AND THE HAIR. 391 00:18:43,390 --> 00:18:44,824 SHANDA MAY BE A STAR, 392 00:18:44,857 --> 00:18:48,795 BUT SHE'S GOING TO DRIVE ME TO THE POORHOUSE. 393 00:18:48,828 --> 00:18:51,831 - HONEY, LET'S REVIEW. 394 00:18:51,864 --> 00:18:53,700 YOU NEED DOUGH, 395 00:18:53,733 --> 00:18:55,902 AND I NEED SOMEONE TO STUFF IT 396 00:18:55,935 --> 00:18:58,538 WITH SPINACH AND PORCINI MUSHROOMS. 397 00:19:01,808 --> 00:19:04,244 [bell jingles] - MAIL'S HERE. 398 00:19:04,277 --> 00:19:06,246 - SINCE WHEN DO I GET SPECIAL DELIVERY? 399 00:19:06,279 --> 00:19:07,914 - SINCE THIS ARRIVED FROM THAT PLACE 400 00:19:07,947 --> 00:19:11,384 I'M NOT SUPPOSED TO USE IN A SENTENCE. 401 00:19:11,418 --> 00:19:14,921 - IT'S FROM BRETT. - YOU MEAN MR. KELLER? 402 00:19:14,954 --> 00:19:18,625 STOP STARING AND OPEN THE GODDAMN LETTER ALREADY. 403 00:19:21,294 --> 00:19:22,862 WELL? 404 00:19:22,895 --> 00:19:25,265 - IT'S TWO CHECKS-- ONE MADE OUT TO JUSTIN, 405 00:19:25,298 --> 00:19:28,301 ONE MADE OUT TO ME, EACH FOR $10,000. 406 00:19:28,335 --> 00:19:31,404 - $10,000--OH, MY GOD! 407 00:19:31,438 --> 00:19:33,906 [both cheer] 408 00:19:36,443 --> 00:19:37,577 WE'RE RICH! 409 00:19:37,610 --> 00:19:39,446 - NOT QUITE. - BUT WE WILL BE. 410 00:19:39,479 --> 00:19:41,548 - JUST IMAGINE, RAGE ON THE SILVER SCREEN, 411 00:19:41,581 --> 00:19:42,882 BIG-BUDGET SPECIAL EFFECTS. 412 00:19:42,915 --> 00:19:45,285 - MILLIONS IN FAST-FOOD-MERCHANDISING TIE-INS. 413 00:19:45,318 --> 00:19:47,687 - TOM CRUISE PUMPING AWAY IN HOT, SUPERHERO MAN-SEX. 414 00:19:47,720 --> 00:19:48,988 - CAREFUL. HE'LL SUE YOUR ASS. 415 00:19:49,021 --> 00:19:51,491 - CAN'T SUE SOMEONE FOR DREAMING. 416 00:19:51,524 --> 00:19:53,826 - SPEAKING OF DREAMS, THIS CAME TOO. 417 00:19:53,860 --> 00:19:56,329 IT'S FROM GREENPOINT PRESS. 418 00:19:56,363 --> 00:19:59,299 - WELL, YOU CAN'T OPEN SOMEONE ELSE'S MAIL. 419 00:19:59,332 --> 00:20:00,833 IT'S A FEDERAL OFFENSE. 420 00:20:00,867 --> 00:20:02,569 - I CAN SEE IT NOW. 421 00:20:02,602 --> 00:20:04,471 I'M ON DEATH ROW, AWAITING LETHAL INJECTION. 422 00:20:04,504 --> 00:20:07,307 THIS MASS MURDERER WHO KILLED 48 BABIES AND ATE THEM 423 00:20:07,340 --> 00:20:09,609 ASKS ME WHAT I'M BEING EXECUTED FOR. 424 00:20:09,642 --> 00:20:12,445 I SAY, "OPENING BEN'S LETTER." 425 00:20:12,479 --> 00:20:14,013 - STILL, IT'S NOT ETHICAL. 426 00:20:14,046 --> 00:20:16,316 - ETHICAL, SHMETHICAL. 427 00:20:16,349 --> 00:20:18,885 OOPS. TOO LATE. 428 00:20:18,918 --> 00:20:20,587 SHOULD I SEAL IT BACK UP? 429 00:20:20,620 --> 00:20:22,755 - WELL, I SUPPOSE SINCE IT'S ALREADY OPEN... 430 00:20:22,789 --> 00:20:25,358 - THAT'S WHAT I LIKE-- A MAN WITH VALUES. 431 00:20:27,827 --> 00:20:30,930 - WELL? 432 00:20:30,963 --> 00:20:34,734 - THEY THINK IT SUCKS. - SHIT. 433 00:20:34,767 --> 00:20:36,536 SHIT. 434 00:20:36,569 --> 00:20:39,906 BEN'S GOING TO BE SO UPSET. - NOT IF HE NEVER GETS IT. 435 00:20:39,939 --> 00:20:42,909 - GIVE ME THAT. 436 00:20:48,080 --> 00:20:49,916 - MM. 437 00:20:51,918 --> 00:20:53,620 - AM I INTERRUPTING? 438 00:20:53,653 --> 00:20:55,922 - JUST ABOUT TO DEVOUR MY MANWICH. 439 00:20:55,955 --> 00:20:59,025 - IN MY NEIGHBORHOOD, THAT'S THREE GUYS FUCKING. 440 00:20:59,058 --> 00:21:03,630 - COME ON IN. HAVE A SEAT. 441 00:21:03,663 --> 00:21:06,032 HOW YOU DOING? 442 00:21:06,065 --> 00:21:07,500 - BETTER... 443 00:21:07,534 --> 00:21:09,369 THANKS IN NO SMALL PART TO YOU. 444 00:21:09,402 --> 00:21:11,037 - I'M GLAD TO HEAR IT. 445 00:21:11,070 --> 00:21:13,773 - I'M--I'M SORRY YOU'RE FINISHING LUNCH, 446 00:21:13,806 --> 00:21:16,075 'CAUSE I WAS GONNA TAKE YOU UP ON YOUR OFFER-- 447 00:21:16,108 --> 00:21:20,046 YOU KNOW, STEP OUT, HAVE A BITE. 448 00:21:20,079 --> 00:21:22,982 BUT I HAVE TO WARN YOU, CARL, I HAVEN'T CHANGED MUCH. 449 00:21:23,015 --> 00:21:25,785 I STILL GOT A BIG MOUTH, AND I STILL SPEAK MY MIND, 450 00:21:25,818 --> 00:21:29,055 AND I'M STILL AS STUBBORN AS A PROM-WEEK PIMPLE. 451 00:21:29,088 --> 00:21:31,458 [both laugh] 452 00:21:31,491 --> 00:21:36,329 BUT IF THAT'S STILL OKAY WITH YOU, THEN HOW ABOUT DINNER? 453 00:21:36,363 --> 00:21:37,997 - DEBBIE-- - I'VE BEEN HAVING THESE DREAMS 454 00:21:38,030 --> 00:21:39,666 ABOUT LOBSTER LATELY. 455 00:21:39,699 --> 00:21:41,734 I'M ADRIFT ON THIS SEA OF MELTED BUTTER AND-- 456 00:21:41,768 --> 00:21:44,003 - DEBBIE. - WHAT? 457 00:21:44,036 --> 00:21:46,573 - I'VE BEEN SEEING SOMEONE. 458 00:21:48,875 --> 00:21:50,543 - OH. 459 00:21:50,577 --> 00:21:52,479 - COUPLE OF MONTHS NOW. 460 00:21:52,512 --> 00:21:54,414 HER NAME'S KATHARINE. 461 00:21:54,447 --> 00:21:57,984 - WELL, THAT'S GOOD NEWS. 462 00:21:58,017 --> 00:22:01,020 - SEE, WHEN I ASKED YOU IF YOU WANTED TO GET A BITE, 463 00:22:01,053 --> 00:22:02,955 IT WAS AS FRIENDS. 464 00:22:02,989 --> 00:22:04,357 I HOPE I DIDN'T GIVE YOU THE WRONG-- 465 00:22:04,391 --> 00:22:06,025 - OH, NO, NO, NOT AT ALL. 466 00:22:08,861 --> 00:22:11,097 KATHARINE... 467 00:22:11,130 --> 00:22:13,966 I HAD AN AUNT NAMED KATHARINE. SHE WAS A GREAT LADY. 468 00:22:14,000 --> 00:22:15,835 SHE WAS NAMED AFTER KATHARINE HEPBURN-- 469 00:22:15,868 --> 00:22:17,470 ANOTHER GREAT LADY. 470 00:22:22,141 --> 00:22:25,545 WELL, I'M VERY HAPPY FOR YOU, CARL. 471 00:22:27,046 --> 00:22:29,348 I TRULY AM. 472 00:22:36,623 --> 00:22:39,158 - THE DIFFERENCE BETWEEN OUR LUBE AND THEIR LUBE 473 00:22:39,191 --> 00:22:41,994 IS OUR LUBE SAYS... 474 00:22:42,028 --> 00:22:45,398 "SEX." 475 00:22:45,432 --> 00:22:46,733 IF YOU, UH... 476 00:22:46,766 --> 00:22:49,736 [clears throat] IF YOU WANT TO BE COOL, 477 00:22:49,769 --> 00:22:51,170 IF YOU WANT TO BE POPULAR, 478 00:22:51,203 --> 00:22:55,041 IF YOU WANT TO GET LAID, THIS IS THE LUBE YOU USE... 479 00:22:57,810 --> 00:23:01,448 ON YOUR CAR, I MEAN. 480 00:23:01,481 --> 00:23:04,884 - I FAIL TO SEE HOW GETTING AN OIL CHANGE 481 00:23:04,917 --> 00:23:09,556 OR HAVING YOUR TIRES ROTATED CAN IMPROVE YOUR SEX LIFE. 482 00:23:09,589 --> 00:23:12,058 - WELL, SEE, THAT'S WHERE YOU'RE WRONG. 483 00:23:12,091 --> 00:23:14,160 - I'M WRONG? 484 00:23:14,193 --> 00:23:18,831 - NOT--NOT WRONG. I MEAN, UH, JUST NOT RIGHT. 485 00:23:18,865 --> 00:23:22,201 - WHAT HE MEANS IS THAT WITH A SEXIER, 486 00:23:22,234 --> 00:23:23,936 MORE PLAYFUL NEW IMAGE, 487 00:23:23,970 --> 00:23:26,906 YOU CAN EXPAND DANDY LUBE'S SHARE OF THE MARKET. 488 00:23:26,939 --> 00:23:28,641 - YEAH, THAT--THAT'S IT. 489 00:23:28,675 --> 00:23:30,042 THAT'S-- WHAT SHE SAID. 490 00:23:30,076 --> 00:23:32,812 - BY SUGGESTING WE HAVE HALF-NAKED MUSCLE BOYS 491 00:23:32,845 --> 00:23:35,915 OFFERING LUBE-JOBS IN A, UH, CLOTHING-OPTIONAL GARAGE? 492 00:23:35,948 --> 00:23:38,785 - BY APPEALING TO WOMEN AND GAY MEN. 493 00:23:38,818 --> 00:23:41,521 - THAT'S AN INTERESTING POINT, DAD. 494 00:23:41,554 --> 00:23:45,191 GAYS ARE AN IMPORTANT DEMOGRAPHIC THESE DAYS. 495 00:23:45,224 --> 00:23:48,127 - WELL, WE'RE MEETING WITH VANGARD THIS AFTERNOON. 496 00:23:48,160 --> 00:23:52,465 I'M SURE THEY'LL HAVE A MORE, UH, STRAIGHTFORWARD APPROACH. 497 00:23:52,499 --> 00:23:54,767 COMING, DOUG? 498 00:23:59,572 --> 00:24:01,741 - COULD YOU DIRECT ME TO THE MEN'S ROOM? 499 00:24:01,774 --> 00:24:04,877 - IT'S DOWN THE HALL TO YOUR LEFT. 500 00:24:08,848 --> 00:24:11,551 THAT'D BE YOUR CUE. - MY CUE? 501 00:24:11,584 --> 00:24:15,087 - TO NAIL THE ACCOUNT. 502 00:24:15,121 --> 00:24:16,689 - OH, NO, I COULDN'T. I MEAN-- 503 00:24:16,723 --> 00:24:18,558 WELL, WHAT MAKES YOU THINK THAT HE-- 504 00:24:18,591 --> 00:24:21,494 SUPPOSE HE'S NOT, AND I-- - WELL, IT NEVER STOPPED BRIAN. 505 00:24:21,528 --> 00:24:23,996 MAKE HIM PROUD. 506 00:24:24,030 --> 00:24:26,999 - [sighs] 507 00:24:41,213 --> 00:24:44,851 - YOUR PRESENTATION WAS VERY... 508 00:24:44,884 --> 00:24:46,185 INTERESTING. 509 00:24:46,218 --> 00:24:47,987 - [scoffs] 510 00:24:48,020 --> 00:24:50,523 YOUR FATHER DIDN'T SEEM TO THINK SO. 511 00:24:50,557 --> 00:24:54,594 - DAD JUST HEARS THE INITIAL PITCHES, AND... 512 00:24:54,627 --> 00:24:56,763 THEN IT'S UP TO ME TO FOLLOW THROUGH. 513 00:25:01,668 --> 00:25:04,637 SO DO YOU HAVE ANYTHING ELSE YOU'D LIKE TO SHOW ME? 514 00:25:10,710 --> 00:25:12,511 - YEAH. 515 00:25:14,814 --> 00:25:16,549 THIS. 516 00:25:22,789 --> 00:25:25,091 - PERFECT TIMING. 517 00:25:25,124 --> 00:25:28,060 YOUR DRAWINGS HAVE JUST COME BACK FROM THE FRAMER'S. 518 00:25:30,663 --> 00:25:32,164 DON'T YOU LIKE IT? 519 00:25:32,198 --> 00:25:34,333 - I ALREADY KNOW WHAT MY STUFF LOOKS LIKE. 520 00:25:34,366 --> 00:25:35,835 I'M FAR MORE INTERESTED 521 00:25:35,868 --> 00:25:37,336 IN SEEING SOMETHING THAT ISN'T MINE. 522 00:25:37,369 --> 00:25:39,038 - OH, THAT'S NOTHING. 523 00:25:39,071 --> 00:25:41,107 JUST A MINOR PIECE BY AN UNKNOWN ARTIST. 524 00:25:41,140 --> 00:25:43,309 - PETERSON. "FIGURE STUDY." 525 00:25:43,342 --> 00:25:45,177 - SAM, SAM. WAIT. 526 00:25:45,211 --> 00:25:47,680 I-I'M NOT SURE YOU'RE GOING TO LIKE IT. 527 00:25:47,714 --> 00:25:48,981 I'M NOT EVEN SURE I LIKE IT. 528 00:25:49,015 --> 00:25:51,183 - THEN WHY'D YOU HAVE IT FRAMED? 529 00:25:51,217 --> 00:25:55,054 - GOOD QUESTION. [breathing heavily] 530 00:25:55,087 --> 00:25:56,823 - SOMETHING WRONG? 531 00:25:56,856 --> 00:25:59,358 - NO. NOTHING. 532 00:25:59,391 --> 00:26:02,194 WHY DO YOU ASK? - YOU'RE HYPERVENTILATING. 533 00:26:02,228 --> 00:26:05,197 - [breathing heavily] 534 00:26:05,231 --> 00:26:06,966 - YOU BETTER SIT DOWN. 535 00:26:06,999 --> 00:26:09,068 WOULDN'T WANT YOU TO DO SOMETHING GIRLIE, LIKE FAINT. 536 00:26:09,101 --> 00:26:10,737 - EASY FOR YOU TO SAY. 537 00:26:10,770 --> 00:26:13,706 SAM AUERBACH ISN'T ABOUT TO EVALUATE YOUR WORK. 538 00:26:16,042 --> 00:26:17,944 - HO-LY SHIT! 539 00:26:17,977 --> 00:26:19,245 - I KNEW YOU WOULDN'T LIKE IT. - NO. 540 00:26:19,278 --> 00:26:21,013 - DON'T LOOK. - WOULD YOU SIT DOWN 541 00:26:21,047 --> 00:26:23,983 AND SHUT UP? 542 00:26:27,419 --> 00:26:29,689 YOU FLATTER ME, MY DEAR... 543 00:26:29,722 --> 00:26:31,758 BY AT LEAST A COUPLE INCHES. 544 00:26:31,791 --> 00:26:35,695 - WHAT ABOUT THE REST OF YOU? - DOESN'T LOOK LIKE ME. 545 00:26:35,728 --> 00:26:37,363 - THAT'S WHAT GERTRUDE STEIN SAID TO PICASSO 546 00:26:37,396 --> 00:26:38,698 ABOUT HER PORTRAIT. 547 00:26:38,731 --> 00:26:40,266 YOU KNOW WHAT HE SAID? - HMM. 548 00:26:40,299 --> 00:26:43,135 - IT WILL. [both laugh] 549 00:26:45,071 --> 00:26:46,773 IT'S GOOD. IT'S REALLY GOOD. 550 00:26:46,806 --> 00:26:49,375 IF I WEREN'T ME, I'D BE JEALOUS. 551 00:26:49,408 --> 00:26:51,878 - YOU WERE THE INSPIRATION. 552 00:26:51,911 --> 00:26:53,112 - YOU KNOW, IF YOU WEREN'T A FUCKING DYKE, 553 00:26:53,145 --> 00:26:54,313 I'D ASK YOU TO MARRY ME. 554 00:26:54,346 --> 00:26:55,915 - OH, IS THAT HOW IT WORKS? - YEAH. 555 00:26:55,948 --> 00:26:57,383 - YOU PROPOSE TO ANY WOMAN WHO FLATTERS YOU? 556 00:26:57,416 --> 00:26:59,318 - GENERALLY SPEAKING AND WITH DISASTROUS RESULTS. 557 00:26:59,351 --> 00:27:03,289 - WELL, IF I WEREN'T ALREADY MARRIED, I MIGHT JUST ACCEPT. 558 00:27:19,939 --> 00:27:23,810 - BRIAN. 559 00:27:23,843 --> 00:27:27,780 BRIAN! 560 00:27:27,814 --> 00:27:30,316 BRIAN? 561 00:27:33,119 --> 00:27:35,755 JESUS, WHAT HAPPENED TO YOU? 562 00:27:35,788 --> 00:27:37,790 - CHERNOBYL. 563 00:27:40,259 --> 00:27:42,161 - CHRIST, YOU SHOULD BE IN BED. 564 00:27:42,194 --> 00:27:44,196 - WELL, I WAS, BUT... 565 00:27:44,230 --> 00:27:49,035 SOMEONE KEPT KNOCK, KNOCK, KNOCKING AT MY FUCKING DOOR. 566 00:27:49,068 --> 00:27:52,705 WHAT ARE YOU DOING? - I'M MAKING SOME CHICKEN SOUP. 567 00:27:54,340 --> 00:27:56,943 THERE'S NOTHING IN HERE BUT BEER AND POPPERS. 568 00:27:56,976 --> 00:27:58,945 - ALL THE ESSENTIALS. 569 00:27:58,978 --> 00:28:01,748 - WELL, WE'RE GOING TO HAVE TO STOCK UP ON GROCERIES. 570 00:28:01,781 --> 00:28:03,449 - MICHAEL. - AS LONG AS I'M HERE, 571 00:28:03,482 --> 00:28:06,252 I CAN DO YOUR LAUNDRY. - MICHAEL! 572 00:28:06,285 --> 00:28:08,921 THIS IS EXACTLY WHY I DID NOT WANT ANYONE TO KNOW. 573 00:28:08,955 --> 00:28:11,323 IT'S WHY I TOLD EVERYONE I WENT TO IBIZA, 574 00:28:11,357 --> 00:28:13,926 IN THE HOPES THAT I WOULDN'T BE TREATED LIKE AN INVALID 575 00:28:13,960 --> 00:28:16,729 OR A VICTIM OR LIKE I WAS GONNA DIE. 576 00:28:16,763 --> 00:28:19,698 NOW, WOULD YOU GET OUT OF HERE? 577 00:28:42,121 --> 00:28:44,356 WHAT DON'T YOU UNDERSTAND ABOUT "FUCK OFF"? 578 00:28:44,390 --> 00:28:47,026 - YOU THINK YOU CAN KICK ME OUT OF HERE THE WAY YOU DID JUSTIN? 579 00:28:47,059 --> 00:28:49,829 AND FOR WHAT--TRYING NOT TO LET ON THAT HE KNEW, 580 00:28:49,862 --> 00:28:51,497 BECAUSE THAT'S THE WAY YOU WANTED IT? 581 00:28:51,530 --> 00:28:54,834 HE DESERVES TO KNOW. HE'S YOUR LOVER... 582 00:28:54,867 --> 00:28:59,371 YOUR PARTNER, WHETHER YOU WANT TO ADMIT IT OR NOT. 583 00:28:59,405 --> 00:29:02,374 AND SICK OR NOT, THAT'S A FUCKING SHITTY WAY TO TREAT HIM. 584 00:29:02,408 --> 00:29:05,111 - I WAS ONLY TRYING TO MAKE IT EASIER. 585 00:29:05,144 --> 00:29:06,512 - BY NEVER SEEING HIM AGAIN? 586 00:29:06,545 --> 00:29:08,247 - HE WOULD'VE LEFT SOONER OR LATER ANYWAY. 587 00:29:08,280 --> 00:29:10,316 MIGHT AS WELL BE SOONER. - WHAT ARE YOU TALKING-- 588 00:29:10,349 --> 00:29:12,852 - WOULD YOU JUST GO HOME, MICHAEL? 589 00:29:12,885 --> 00:29:16,889 GO HOME TO YOUR WIFE AND YOUR KID! 590 00:29:22,061 --> 00:29:26,032 [indistinct chatter] 591 00:29:30,502 --> 00:29:32,538 - HAVE I TOLD YOU HOW MUCH I LOVE YOU? 592 00:29:32,571 --> 00:29:34,540 - NOT FOR AT LEAST TEN MINUTES. 593 00:29:34,573 --> 00:29:36,142 - THEN I'D BETTER REMIND YOU. 594 00:29:36,175 --> 00:29:38,110 - EXCUSE ME. 595 00:29:41,447 --> 00:29:43,315 WHAT A FOOL I'VE BEEN. 596 00:29:43,349 --> 00:29:45,918 ALL THOSE SUNDAY AFTERNOONS GOING TO TEA DANCES AT WOODY'S, 597 00:29:45,952 --> 00:29:47,920 WHEN I COULD'VE BEEN GOING TO FOOTBALL GAMES INSTEAD. 598 00:29:47,954 --> 00:29:49,889 - THOSE IRON MEN ARE DELECTABLE. 599 00:29:49,922 --> 00:29:52,892 - ALMOST AS DELECTABLE AS YOUR CHERRIES JUBILEE. 600 00:29:52,925 --> 00:29:56,428 - WE'RE ABOUT TO MAKE THE ANNOUNCEMENT! 601 00:29:56,462 --> 00:29:58,898 - HERE WE GO. 602 00:29:58,931 --> 00:30:01,033 [humming tune] 603 00:30:01,067 --> 00:30:02,902 - CAN WE HAVE YOUR ATTENTION, EVERYONE? 604 00:30:02,935 --> 00:30:05,437 DREW AND I HAVE AN ANNOUNCEMENT TO MAKE. 605 00:30:05,471 --> 00:30:08,040 - AS YOU ALL KNOW, THERE'S ONLY ONE PERSON 606 00:30:08,074 --> 00:30:11,911 WHO'S BETTER AT KICKING BALLS THAN I AM, AND THAT'S SIERRA. 607 00:30:11,944 --> 00:30:13,579 [laughter] 608 00:30:13,612 --> 00:30:15,915 SO, AFTER THREATENING TO KICK MINE OVER THE GOALPOST, 609 00:30:15,948 --> 00:30:17,183 I'VE FINALLY AGREED TO MARRY HER. 610 00:30:17,216 --> 00:30:18,450 - WE'RE ENGAGED! 611 00:30:18,484 --> 00:30:22,354 [cheers and applause] 612 00:30:24,290 --> 00:30:27,093 - HEY, BROTHER. - CONGRATULATIONS. 613 00:30:27,126 --> 00:30:28,527 WAY TO GO, MAN. 614 00:30:28,560 --> 00:30:30,963 - HEY, DREW, WHERE'D YOU GET THOSE CATERERS? 615 00:30:30,997 --> 00:30:33,065 - LOOKS LIKE A COUPLE OF FLAMERS TO ME. 616 00:30:33,099 --> 00:30:36,969 [laughter, indistinct chatter] 617 00:30:44,643 --> 00:30:49,215 - EXCUSE ME, MR. BOYD. 618 00:30:49,248 --> 00:30:52,218 I HOPE I'M NOT, UH, OUT OF PLACE FOR SAYING THIS. 619 00:30:52,251 --> 00:30:54,954 ACTUALLY, I DON'T GIVE A FUCK IF I AM. 620 00:30:54,987 --> 00:30:58,090 BACK IN HAZELHURST, UH, MISSISSIPPI, WHERE I GREW UP, 621 00:30:58,124 --> 00:31:00,893 I WAS ALWAYS TAUGHT THAT IF A REAL MAN 622 00:31:00,927 --> 00:31:02,561 HAS SOMETHING TO SAY ABOUT SOMEONE, 623 00:31:02,594 --> 00:31:05,497 HE SAYS IT TO HIS FACE, NOT BEHIND HIS BACK. 624 00:31:05,531 --> 00:31:08,968 SO, EVEN THOUGH YOU MAY BE A-A STAR, 625 00:31:09,001 --> 00:31:11,437 YOU KNOW, CAPTAIN OF THE TEAM, HERO TO MILLIONS, 626 00:31:11,470 --> 00:31:15,407 YOU STILL HAVE A LOT TO LEARN ABOUT BEING A MAN. 627 00:31:23,615 --> 00:31:26,919 FLAMING CHERRIES JUBILEE? - OH, THANK YOU. 628 00:31:29,088 --> 00:31:30,990 - IT LOOKS LIKE SOMEONE'S OPENED IT. 629 00:31:31,023 --> 00:31:33,259 - REALLY? IT MUST'VE BEEN ONE OF THE NEIGHBORS. 630 00:31:33,292 --> 00:31:34,660 THEY'RE ALWAYS SNOOPING. 631 00:31:34,693 --> 00:31:37,930 - [scoffs] 632 00:31:46,238 --> 00:31:48,540 - THEY REJECTED IT. - WE KNOW! 633 00:31:48,574 --> 00:31:51,177 I MEAN, THAT TOTALLY SUCKS. 634 00:31:53,645 --> 00:31:55,414 - I'M SORRY, BEN. 635 00:31:55,447 --> 00:31:58,717 - [scoffs] 636 00:31:58,750 --> 00:32:02,021 WELL, I GUESS THAT'S THAT. 637 00:32:02,054 --> 00:32:04,090 - DIDN'T SOME FAMOUS WRITER, 638 00:32:04,123 --> 00:32:06,592 LIKE ERNEST HEMINGWAY OR STEPHEN KING, 639 00:32:06,625 --> 00:32:08,961 SEND THEIR BOOK TO 24 PUBLISHERS 640 00:32:08,995 --> 00:32:11,563 BEFORE SOMEONE FINALLY ACCEPTED IT? 641 00:32:11,597 --> 00:32:15,467 - THIS WAS THE 25TH. 642 00:32:15,501 --> 00:32:18,070 - STILL, YOU'RE A WONDERFUL WRITER. 643 00:32:18,104 --> 00:32:21,440 AND YOU HAVE A MILLION STORIES INSIDE YOU, 644 00:32:21,473 --> 00:32:25,577 AND THAT'S WHY I GOT YOU SOMETHING TO HELP YOU TELL THEM. 645 00:32:25,611 --> 00:32:26,712 - WHAT'S THAT? 646 00:32:26,745 --> 00:32:28,114 - IT'S CALLED A COMPUTER. 647 00:32:28,147 --> 00:32:29,448 - YOU SAID YOU NEEDED A NEW ONE. 648 00:32:29,481 --> 00:32:31,117 - I DIDN'T REALIZE YOU COULD AFFORD 649 00:32:31,150 --> 00:32:33,085 SOMETHING THIS EXTRAVAGANT. 650 00:32:33,119 --> 00:32:34,653 - IT WAS ME. I PAID FOR IT. 651 00:32:34,686 --> 00:32:38,657 I'VE BEEN MOONLIGHTING-- - SHUT UP. 652 00:32:38,690 --> 00:32:42,261 I GOT A CHECK TODAY FROM... 653 00:32:42,294 --> 00:32:44,196 HOLLYWOOD. 654 00:32:44,230 --> 00:32:47,466 - SO YOU READ MY MAIL, 655 00:32:47,499 --> 00:32:49,668 FIGURED YOU'D BETTER DO SOMETHING TO CHEER ME UP, 656 00:32:49,701 --> 00:32:52,004 AND WENT OUT AND BOUGHT ME A COMPUTER? 657 00:32:52,038 --> 00:32:55,007 - THAT'S PRETTY MUCH THE PLOT IN A NUTSHELL. 658 00:32:55,041 --> 00:32:57,709 - WELL, I DON'T WANT YOUR CONSOLATION PRIZE OR YOUR PITY. 659 00:33:00,246 --> 00:33:01,413 - BEN. 660 00:33:06,118 --> 00:33:08,087 - SO, UH... 661 00:33:08,120 --> 00:33:11,057 DOES THIS MEAN I GET THE COMPUTER? 662 00:33:18,330 --> 00:33:20,399 - ON THE HOUSE. 663 00:33:20,432 --> 00:33:23,502 - NICE TO SEE YOU BACK ON THE JOB. 664 00:33:23,535 --> 00:33:25,771 - AS LIBERTY AVENUE'S LEADING FAG HAG? 665 00:33:25,804 --> 00:33:28,540 - ACCEPT NO SUBSTITUTES. 666 00:33:28,574 --> 00:33:30,109 COSMO, PLEASE. 667 00:33:30,142 --> 00:33:32,778 - SO HOW WAS YOUR PARTY? DID DARREN WORK OUT? 668 00:33:32,811 --> 00:33:34,813 - KID'S GOT QUITE A RANGE-- 669 00:33:34,846 --> 00:33:36,782 KITSCH TO KITCHEN. 670 00:33:36,815 --> 00:33:40,252 AS FOR ME, IT WAS MY USUAL TRIUMPH... 671 00:33:40,286 --> 00:33:41,553 EXCEPT FOR THE HOST-- 672 00:33:41,587 --> 00:33:44,523 SOME MACHO ASSHOLE, PLAYS FOR THE IRON MEN. 673 00:33:44,556 --> 00:33:46,325 HALFBACK... 674 00:33:46,358 --> 00:33:47,793 QUARTERBACK... 675 00:33:47,826 --> 00:33:49,528 "THIRDBACK." 676 00:33:49,561 --> 00:33:53,265 - YEAH, STRAIGHT GUYS-- YOU CAN KEEP 'EM. 677 00:33:53,299 --> 00:33:55,401 NO, THANKS. 678 00:33:55,434 --> 00:33:58,270 ALTHOUGH THERE IS A CERTAIN DETECTIVE 679 00:33:58,304 --> 00:34:00,306 I'D HOLD ON TO, IF I WERE YOU. 680 00:34:00,339 --> 00:34:02,408 - REFILL, PLEASE. 681 00:34:02,441 --> 00:34:04,476 - DID YOU HEAR WHAT I SAID? 682 00:34:04,510 --> 00:34:08,414 - JUST WHEN YOU HAND THEM YOUR HEART, THEY GO AND... 683 00:34:08,447 --> 00:34:11,417 [pops lips] DROP-KICK IT. 684 00:34:11,450 --> 00:34:15,354 - HIDDEN IN THE FOOTBALL METAPHOR IS A SECRET CLUE. 685 00:34:15,387 --> 00:34:16,588 UH... 686 00:34:16,622 --> 00:34:19,425 I SUSPECT TO ANOTHER WOMAN? 687 00:34:19,458 --> 00:34:22,394 - HMM. DAMN, YOU'RE GOOD. 688 00:34:24,663 --> 00:34:27,599 IT'S LIKE OLIVER MARCONI ALL OVER AGAIN. 689 00:34:29,868 --> 00:34:32,838 HE WAS A SWEET BOY. 690 00:34:32,871 --> 00:34:35,507 HE LIVED NEXT DOOR TO US WHEN I WAS GROWING UP. 691 00:34:35,541 --> 00:34:39,178 AND HE HAD A HUGE CRUSH ON ME. 692 00:34:39,211 --> 00:34:40,712 OF COURSE, I DIDN'T KNOW HE WAS ALIVE 693 00:34:40,746 --> 00:34:43,849 UNTIL HE AND HIS FAMILY MOVED AWAY. 694 00:34:43,882 --> 00:34:47,519 I STARTED ACHING FOR HIM. 695 00:34:47,553 --> 00:34:49,655 BUT IT WAS TOO LATE. 696 00:34:52,491 --> 00:34:55,761 IT'S FUNNY, I-I STILL HOLD A PIECE OF MY HEART FOR HIM... 697 00:34:57,496 --> 00:35:00,332 SAME AS I DO FOR CARL. 698 00:35:00,366 --> 00:35:01,733 - SO HE'S DATING. 699 00:35:01,767 --> 00:35:03,335 SO WHAT? 700 00:35:03,369 --> 00:35:04,770 IT DOESN'T MEAN ANYTHING. 701 00:35:04,803 --> 00:35:06,272 HELL, DATING IN THIS PLACE 702 00:35:06,305 --> 00:35:07,873 JUST MEANS YOU SUCKED SOME GUY'S DICK 703 00:35:07,906 --> 00:35:11,510 AND WENT OUT FOR COFFEE. 704 00:35:11,543 --> 00:35:15,914 - WELL, UNLESS THERE'S SOMETHING HE'S NOT TELLING ME... 705 00:35:15,947 --> 00:35:19,218 THIS CHICK AIN'T GOT A DICK. 706 00:35:19,251 --> 00:35:22,888 AND IT'S MORE THAN A CUP OF JOE. 707 00:35:22,921 --> 00:35:26,692 HE'S GONE, EM. 708 00:35:26,725 --> 00:35:30,629 I LOST HIM. 709 00:35:30,662 --> 00:35:33,799 [rhythmic breathing] 710 00:35:33,832 --> 00:35:35,801 - BEAUTIFUL. 711 00:35:38,837 --> 00:35:42,274 GOOD. 712 00:35:42,308 --> 00:35:44,676 EXCELLENT. 713 00:35:44,710 --> 00:35:46,245 HEY. 714 00:35:46,278 --> 00:35:47,579 WHAT ABOUT YOU? 715 00:35:47,613 --> 00:35:49,415 WHY AREN'T YOU BREATHING? 716 00:35:49,448 --> 00:35:51,583 - ME? 717 00:35:51,617 --> 00:35:53,652 - THIS IS A TEAM EFFORT. 718 00:35:53,685 --> 00:35:57,589 YOUR RHYTHM HELPS MAINTAIN HER RHYTHM, HMM? 719 00:35:57,623 --> 00:36:00,192 RIGHT. - MM. 720 00:36:01,893 --> 00:36:03,395 MY RHYTHM? 721 00:36:03,429 --> 00:36:04,863 WHO DOES SHE THINK I AM-- B.B. KING? 722 00:36:04,896 --> 00:36:06,732 - SHE PROBABLY THINKS YOU'RE MY HUSBAND 723 00:36:06,765 --> 00:36:09,768 AND WE'RE THIS CUTE MARRIED COUPLE, LIKE THEM. 724 00:36:11,737 --> 00:36:13,539 - I'D SAY WE'RE CUTER. 725 00:36:13,572 --> 00:36:15,607 - WOULDN'T SHE BE SURPRISED TO KNOW THE TRUTH? 726 00:36:15,641 --> 00:36:16,975 - MAYBE NOT. 727 00:36:17,008 --> 00:36:18,544 MAYBE SHE'D JUST THINK, 728 00:36:18,577 --> 00:36:22,414 "HOW SWEET," OR, "ISN'T THAT INTERESTING?" 729 00:36:22,448 --> 00:36:25,551 BETTER YET, MAYBE SHE WOULDN'T CARE AT ALL. 730 00:36:25,584 --> 00:36:28,820 - I THINK IT'S AMAZING, HOW FAR WE'VE COME-- 731 00:36:28,854 --> 00:36:31,557 YOU AND BEN, ME AND LINDSAY. 732 00:36:31,590 --> 00:36:34,826 I'D SAY WE'RE FUCKING LUCKY TO HAVE SUCH STABLE HOME LIVES, 733 00:36:34,860 --> 00:36:38,297 WONDERFUL MATES WHOM WE LOVE AND WHO LOVE US, 734 00:36:38,330 --> 00:36:41,233 ONE BEAUTIFUL CHILD AND ANOTHER ONE ON THE WAY-- 735 00:36:41,267 --> 00:36:43,302 BRIGHT FUTURES ALL AROUND. 736 00:36:43,335 --> 00:36:46,338 - BRIGHT FUTURES ALL AROUND. 737 00:36:52,043 --> 00:36:53,479 HEY. 738 00:36:53,512 --> 00:36:55,013 I WAS JUST AT LAMAZE CLASS WITH MEL. 739 00:36:55,046 --> 00:36:56,982 - I CAME FOR THE CHECK. 740 00:36:57,015 --> 00:37:00,652 - OH, RIGHT. 741 00:37:00,686 --> 00:37:03,989 I WAS GOING TO DROP IT OFF. 742 00:37:04,022 --> 00:37:05,857 - THANKS. 743 00:37:05,891 --> 00:37:07,025 - HEY, WAIT UP. 744 00:37:07,058 --> 00:37:08,527 - WHAT FOR? 745 00:37:08,560 --> 00:37:10,396 - I SAW BRIAN LAST NIGHT. 746 00:37:10,429 --> 00:37:11,897 - LUCKY YOU. 747 00:37:11,930 --> 00:37:13,465 - HE LOOKED LIKE SHIT. 748 00:37:13,499 --> 00:37:15,467 FELT SO BAD, HE COULD HARDLY GET OUT OF BED. 749 00:37:15,501 --> 00:37:16,868 - I'M SORRY TO HEAR THAT, 750 00:37:16,902 --> 00:37:18,770 BUT IT REALLY DOESN'T CONCERN ME ANYMORE. 751 00:37:18,804 --> 00:37:20,539 - THAT'S BULLSHIT. 752 00:37:20,572 --> 00:37:21,940 - HE FUCKING KICKED ME OUT. 753 00:37:21,973 --> 00:37:23,609 HE SAID HE DIDN'T WANT TO SEE ME AGAIN. 754 00:37:23,642 --> 00:37:27,012 - MORE LIKE HE DOESN'T WANT YOU TO SEE HIM. 755 00:37:27,045 --> 00:37:29,481 YOU'VE READ THE KINNEY OPERATING MANUAL. 756 00:37:29,515 --> 00:37:32,484 HE THINKS NOW THAT HE'S SICK THAT HE'S NO LONGER PERFECT, 757 00:37:32,518 --> 00:37:35,654 THAT YOU WON'T LOVE HIM ANYMORE, 758 00:37:35,687 --> 00:37:38,023 THAT YOU'RE GOING TO LEAVE HIM. 759 00:37:38,056 --> 00:37:40,359 - THAT'S CRAZY, EVEN FOR HIM. 760 00:37:40,392 --> 00:37:43,662 - NOT IF YOU PUT ALL YOUR EGGS IN ONE BASKET, SO TO SPEAK. 761 00:37:43,695 --> 00:37:47,366 WHEN--WHEN BEING YOUNG, BEING BEAUTIFUL, 762 00:37:47,399 --> 00:37:49,501 BEING BRIAN KINNEY IS WHAT IT'S ALL ABOUT, 763 00:37:49,535 --> 00:37:52,438 YOU TAKE THAT AWAY, HE FIGURES, WHAT'S HE GOT? 764 00:38:00,346 --> 00:38:02,981 [footsteps] 765 00:38:03,014 --> 00:38:05,384 - THAT NEEDS TO GO OVER THERE, 766 00:38:05,417 --> 00:38:07,953 AND I THINK WE NEED A LARGER PIECE FOR THAT SPACE. 767 00:38:07,986 --> 00:38:09,988 - HEY, KIDS, LET'S PUT ON A SHOW. 768 00:38:10,021 --> 00:38:11,923 - YOU WANT TO GIVE ME A HAND HERE? 769 00:38:11,957 --> 00:38:13,792 - WHAT ARE YOU DOING HERE? 770 00:38:13,825 --> 00:38:15,827 I DIDN'T WANT YOU SEEING ANYTHING UNTIL IT'S FINISHED. 771 00:38:15,861 --> 00:38:17,663 - I'M SURE IT'LL BE JUST DUCKY. - "DUCKY"? 772 00:38:17,696 --> 00:38:19,398 THIS MAY BE SMALL POTATOES TO YOU, 773 00:38:19,431 --> 00:38:20,932 CONSIDERING YOU'VE HAD SHOWS 774 00:38:20,966 --> 00:38:22,801 AT EVERY MAJOR GALLERY AND MUSEUM ALL OVER THE WORLD, 775 00:38:22,834 --> 00:38:24,703 BUT TO US YOKELS HERE IN PITTSBURGH, 776 00:38:24,736 --> 00:38:26,805 THIS IS A BIG DEAL. - DID I SAY ANYTHING? 777 00:38:26,838 --> 00:38:30,342 - [sighs] I JUST WANT EVERYTHING TO BE PERFECT... 778 00:38:30,376 --> 00:38:33,111 DO RIGHT BY YOU AND YOUR WORK. 779 00:38:33,144 --> 00:38:35,414 - YOU WILL, KIDDO. YOU'RE WORLD-CLASS. 780 00:38:35,447 --> 00:38:37,416 - I AM? 781 00:38:37,449 --> 00:38:40,419 - IN FACT, IT REMINDS ME OF MY LAST RETROSPECTIVE IN VENICE. 782 00:38:40,452 --> 00:38:41,953 - HEY, SIR. - GOT IT. 783 00:38:41,987 --> 00:38:43,889 - COULDN'T FIND A FUCKING ASHTRAY THERE EITHER. 784 00:38:43,922 --> 00:38:45,691 HEADS UP! 785 00:38:45,724 --> 00:38:48,326 OH. THAT WAS A CLOSE CALL. 786 00:38:55,467 --> 00:38:57,436 - IT WASN'T THAT BAD. 787 00:38:57,469 --> 00:39:00,038 - THEN WHY ARE YOU SHAKING? 788 00:39:20,492 --> 00:39:22,494 - WRITING? 789 00:39:22,528 --> 00:39:25,464 - PREPARING A LECTURE. 790 00:39:25,497 --> 00:39:29,000 - [sighs] HOW ABOUT I ORDER A PIZZA? 791 00:39:29,034 --> 00:39:32,471 - UH, NOT HUNGRY. 792 00:39:32,504 --> 00:39:34,473 - HOW ABOUT YOU HANDCUFF ME TO THE BED-- 793 00:39:34,506 --> 00:39:36,742 - MICHAEL, CAN'T YOU SEE I'M WORKING? 794 00:39:36,775 --> 00:39:38,910 - YES, NOW THAT YOU MENTION IT, I CAN. 795 00:39:38,944 --> 00:39:41,747 I CAN ALSO SEE THE NEW COMPUTER I GOT YOU, SITTING ALONE, 796 00:39:41,780 --> 00:39:44,616 IGNORED, LIKE SOME GEEKY GUY AT THE PROM. 797 00:39:44,650 --> 00:39:46,084 - JESUS. 798 00:39:46,117 --> 00:39:48,520 - LOOK, I KNOW WHAT YOU'VE BEEN GOING THROUGH. 799 00:39:48,554 --> 00:39:49,955 BELIEVE IT OR NOT, 800 00:39:49,988 --> 00:39:51,757 I'VE HAD MORE THAN MY FAIR SHARE OF REJECTIONS, 801 00:39:51,790 --> 00:39:54,092 LIKE, BY PRACTICALLY EVERY CLUB, EVERY COLLEGE, 802 00:39:54,125 --> 00:39:55,894 EVERY JOB I EVER WENT UP FOR. 803 00:39:55,927 --> 00:39:58,897 - BUT YOU'RE BEING ACCEPTED NOW. THAT'S ALL THAT COUNTS. 804 00:39:58,930 --> 00:40:00,632 - BUT I JUST DON'T WANT YOU TO BLAME ME 805 00:40:00,666 --> 00:40:02,534 OR MAKE ME FEEL LIKE IT'S MY FAULT. 806 00:40:02,568 --> 00:40:03,969 - I'M SORRY IF I DID THAT. 807 00:40:04,002 --> 00:40:06,772 I HAVE NO ONE TO CREDIT FOR MY FAILURE BUT MYSELF, 808 00:40:06,805 --> 00:40:11,042 WHICH IS WHY I'VE DECIDED TO REEVALUATE MY GOALS. 809 00:40:11,076 --> 00:40:15,113 UM, REFOCUS MY ENERGY AND... 810 00:40:15,146 --> 00:40:17,048 STOP WRITING... 811 00:40:17,082 --> 00:40:20,185 AT LEAST FOR A WHILE. 812 00:40:20,218 --> 00:40:22,454 I-I FEEL I SHOULD START CONCENTRATING MY EFFORTS 813 00:40:22,488 --> 00:40:25,123 ON WHAT I DO BEST, WHICH IS TO TEACH. 814 00:40:25,156 --> 00:40:26,958 IT'S WHERE MY SKILLS ARE. 815 00:40:26,992 --> 00:40:28,927 IT'S WHERE MY LIFE IS LEADING ME. 816 00:40:28,960 --> 00:40:31,997 - BEN, THE-- - OOH, IN FACT, I... 817 00:40:32,030 --> 00:40:35,601 GOT TO GO TO MY OFFICE. - NOW? 818 00:40:35,634 --> 00:40:40,539 - I LEFT SOME REFERENCE BOOKS I NEED FOR MY LECTURE... 819 00:40:40,572 --> 00:40:42,741 AND A PILE OF TERM PAPERS. 820 00:40:42,774 --> 00:40:46,712 - WELL, WHEN WILL YOU BE BACK? - DON'T KNOW. 821 00:40:50,716 --> 00:40:54,119 I'M SURE YOU CAN RETURN IT AND GET YOUR MONEY BACK. 822 00:41:00,125 --> 00:41:02,193 [door closes] 823 00:41:08,066 --> 00:41:09,568 - IS SIERRA IN? 824 00:41:09,601 --> 00:41:11,002 - SHE'S OFF WITH HER GIRLFRIENDS, 825 00:41:11,036 --> 00:41:14,139 SEEING SOME CHICK FLICK. - OH. 826 00:41:14,172 --> 00:41:17,976 WELL, I STOPPED BY TO PICK UP A CHECK AND MY EQUIPMENT. 827 00:41:18,009 --> 00:41:21,046 - YEAH, SHE LEFT YOU A CHECK. COME IN. 828 00:41:24,149 --> 00:41:25,951 WELL? 829 00:41:36,662 --> 00:41:39,130 HERE YOU GO. 830 00:41:39,164 --> 00:41:40,599 - THANKS. 831 00:41:40,632 --> 00:41:42,734 I'LL JUST GET MY EQUIPMENT AND-- 832 00:41:42,768 --> 00:41:45,571 - HOW ABOUT A BEER? 833 00:41:48,640 --> 00:41:52,277 [bottles clinking] 834 00:41:52,310 --> 00:41:53,879 I'M NOT SUPPOSED TO BE DRINKING, 835 00:41:53,912 --> 00:41:56,615 BUT, YOU KNOW, I'M IN PRETTY GOOD SHAPE, 836 00:41:56,648 --> 00:42:00,552 WOULDN'T YOU SAY? 837 00:42:00,586 --> 00:42:04,055 - I'D SAY ONE BEER IS NOT GOING TO RUIN THAT SIX-PACK. 838 00:42:08,059 --> 00:42:10,195 - OH, THAT'S LAST WEEK'S GAME. 839 00:42:10,228 --> 00:42:13,198 COACH MAKES US WATCH OURSELVES. 840 00:42:15,233 --> 00:42:18,770 - WHICH ONE ARE YOU? - NUMBER SEVEN. 841 00:42:18,804 --> 00:42:21,539 - VERY GRACEFUL... 842 00:42:23,108 --> 00:42:25,310 IN A RUGGED, MANLY WAY. 843 00:42:25,343 --> 00:42:29,180 - [chuckles] 844 00:42:29,214 --> 00:42:31,316 - YOU KNOW, THERE'S SOMETHING I'VE ALWAYS WANTED TO ASK. 845 00:42:31,349 --> 00:42:33,184 WHY THE TIGHT PANTS? 846 00:42:33,218 --> 00:42:35,921 - SO THERE'S NOTHING TO GRAB ONTO IF YOU'RE TACKLED. 847 00:42:35,954 --> 00:42:40,191 - AND WHY ARE YOU ALWAYS PATTING EACH OTHER'S ASSES? 848 00:42:40,225 --> 00:42:42,661 - JUST FRIENDLY ENCOURAGEMENT. 849 00:42:42,694 --> 00:42:46,064 - YOU KNOW, I DON'T SEE MUCH DIFFERENCE 850 00:42:46,097 --> 00:42:48,366 IN HOW YOU PLAY YOUR GAME ON SUNDAY AFTERNOONS 851 00:42:48,399 --> 00:42:51,970 AND HOW I PLAY MY GAME ON SATURDAY NIGHTS. 852 00:42:54,973 --> 00:42:57,743 - HERE... 853 00:42:57,776 --> 00:42:59,344 CATCH. 854 00:42:59,377 --> 00:43:00,946 - OH, MY GOD! [chuckles] 855 00:43:00,979 --> 00:43:02,013 DID YOU SEE THAT? 856 00:43:02,047 --> 00:43:03,381 I CAUGHT IT. 857 00:43:03,414 --> 00:43:06,217 NEVER CAUGHT A BALL IN MY LIFE. 858 00:43:06,251 --> 00:43:08,987 OH! 859 00:43:11,657 --> 00:43:13,258 - YOU OKAY? 860 00:43:13,291 --> 00:43:17,729 - THIS ALSO ISN'T MUCH DIFFERENT THAN MY SATURDAY NIGHTS. 861 00:43:21,199 --> 00:43:25,704 YOU HAVE A-A VERY NICE BODY. 862 00:43:25,737 --> 00:43:28,840 - YOU THINK SO? 863 00:43:28,874 --> 00:43:31,843 - STRONG, UH... 864 00:43:31,877 --> 00:43:32,844 HARD. 865 00:43:32,878 --> 00:43:35,246 - FEEL MY BICEP. 866 00:43:35,280 --> 00:43:37,615 GO ON. 867 00:43:43,755 --> 00:43:45,924 NOW FEEL THIS. 868 00:43:48,293 --> 00:43:50,729 - WHAT ABOUT SIERRA? 869 00:43:50,762 --> 00:43:53,699 - SHE THINKS I HAVE A NICE BODY TOO. 870 00:43:55,767 --> 00:43:59,237 [shuddering] 871 00:44:01,306 --> 00:44:03,041 [knock at door] 872 00:44:03,074 --> 00:44:04,943 - I WAS WORKING LATE AND FIGURED YOU MIGHT BE TOO, 873 00:44:04,976 --> 00:44:06,411 SO I TOOK A CHANCE AND STOPPED BY. 874 00:44:06,444 --> 00:44:08,013 - WELL, YOU FIGURED RIGHT... 875 00:44:08,046 --> 00:44:10,749 EXCEPT, AS YOU CAN SEE, I'M A LITTLE BUSY 876 00:44:10,782 --> 00:44:12,784 DOING RESEARCH FOR THIS LECTURE. 877 00:44:12,818 --> 00:44:14,185 - THEN I WON'T KEEP YOU. 878 00:44:14,219 --> 00:44:17,222 I JUST WANTED TO TELL YOU I READ YOUR BOOK. 879 00:44:17,255 --> 00:44:20,759 - ALREADY? THAT WAS FAST. 880 00:44:20,792 --> 00:44:22,894 - IT'S LIKE I MISSED THE LAST 36 HOURS. 881 00:44:22,928 --> 00:44:24,830 I WAS SO ENTHRALLED, I COULDN'T PUT IT DOWN. 882 00:44:24,863 --> 00:44:27,032 - THAT'S A FIRST. MOST PEOPLE COULD BARELY PICK IT UP. 883 00:44:27,065 --> 00:44:29,434 - [laughs] WHAT THE FUCK DO THEY KNOW? 884 00:44:29,467 --> 00:44:32,804 - I'D LIKE TO THINK NOT MUCH. - EXACTLY. 885 00:44:35,941 --> 00:44:37,809 - THANK YOU, ANTHONY. 886 00:44:37,843 --> 00:44:40,712 - NO, UH, THANK YOU 887 00:44:40,746 --> 00:44:42,948 FOR... 888 00:44:42,981 --> 00:44:44,983 ENTRUSTING ME WITH IT. 889 00:44:51,489 --> 00:44:52,991 WHEN YOU HAVE A SPARE MOMENT, 890 00:44:53,024 --> 00:44:55,861 MAYBE WE CAN GO FOR COFFEE AGAIN, DISCUSS IT. 891 00:44:55,894 --> 00:44:58,363 - RIGHT. 892 00:45:02,834 --> 00:45:06,471 ANTHONY... 893 00:45:06,504 --> 00:45:10,108 ACTUALLY, I HAVE A MOMENT NOW. 894 00:45:11,843 --> 00:45:15,280 - [groans] 895 00:45:15,313 --> 00:45:18,917 [coughs, clears throat] 896 00:45:26,157 --> 00:45:28,827 - BRI? DANDY LUBE JUST CALLED. 897 00:45:28,860 --> 00:45:30,428 WE GOT 'EM. 898 00:45:30,461 --> 00:45:33,231 - WAY TO GO, THEODORE. 899 00:45:33,264 --> 00:45:35,266 YEAH, I TOLD YOU YOU COULD DO IT. 900 00:45:35,300 --> 00:45:38,303 - YEAH, IT WAS A LITTLE DICEY AT FIRST, BUT, UH... 901 00:45:38,336 --> 00:45:41,372 [sniffs] YEAH, I MANAGED TO CONVINCE THEM. 902 00:45:41,406 --> 00:45:45,110 - HOW'D YOU DO THAT? 903 00:45:45,143 --> 00:45:49,180 - I JUST THOUGHT TO MYSELF, "WHAT WOULD BRIAN KINNEY DO?" 904 00:45:49,214 --> 00:45:53,018 AFTER THAT, IT WAS A SNAP. 905 00:45:53,051 --> 00:45:57,255 YOU KNOW, YOU DON'T LOOK SO HOT. 906 00:45:57,288 --> 00:45:59,157 WHY DON'T YOU-- 907 00:45:59,190 --> 00:46:01,993 WHY DON'T YOU LET ME, UH, MIND THE SHOP AND YOU GO HOME, 908 00:46:02,027 --> 00:46:04,295 HMM? 909 00:46:19,044 --> 00:46:21,980 [keys jingling] 910 00:46:36,962 --> 00:46:39,064 - I THOUGHT I TOLD YOU TO GET OUT. 911 00:46:39,097 --> 00:46:43,902 - I GUESS I DIDN'T HEAR. YOU TEND TO MUMBLE A LOT. 912 00:46:43,935 --> 00:46:47,438 YOU WANT SOME SOUP? IT'S DEBBIE'S HOMEMADE RECIPE. 913 00:46:47,472 --> 00:46:49,474 - WELL, NO WONDER I FEEL LIKE BARFING. 914 00:46:49,507 --> 00:46:52,177 LISTEN TO ME, YOU LITTLE SHIT. 915 00:46:52,210 --> 00:46:55,480 I DON'T WANT YOU HERE. 916 00:46:55,513 --> 00:46:57,515 - I DON'T CARE WHAT YOU WANT. 917 00:47:02,087 --> 00:47:04,589 [pot lid rattling] 918 00:47:04,622 --> 00:47:07,525 YOU'RE NOT GETTING RID OF ME. 919 00:47:07,558 --> 00:47:10,461 - [groans] 920 00:47:10,495 --> 00:47:13,064 - SHIT. ARE YOU ALL RIGHT? 921 00:47:13,098 --> 00:47:15,600 TELL ME YOU'RE-- - I'M ALL RIGHT! 922 00:47:15,633 --> 00:47:17,135 - YOU'RE NOT ALL RIGHT. 923 00:47:17,168 --> 00:47:19,470 - THEN WHAT THE HELL ARE YOU ASKING ME FOR? 924 00:47:19,504 --> 00:47:21,006 - SO THAT I CAN TELL YOU 925 00:47:21,039 --> 00:47:22,340 WHAT A MOTHERFUCKING PIECE OF SHIT YOU ARE 926 00:47:22,373 --> 00:47:24,943 FOR NOT TELLING ME, FOR SHUTTING ME OUT, 927 00:47:24,976 --> 00:47:27,112 FOR THINKING THAT YOU COULD HANDLE THIS ON YOUR OWN, 928 00:47:27,145 --> 00:47:29,981 AND, MOST OF ALL, FOR THINKING I WOULD LEAVE YOU. 929 00:47:30,015 --> 00:47:33,384 WHY WOULD YOU THINK THAT-- BECAUSE YOU HAD A BALL REMOVED? 930 00:47:33,418 --> 00:47:35,420 BECAUSE YOU'RE NO LONGER PERFECT? 931 00:47:35,453 --> 00:47:37,088 WELL, BELIEVE ME, MR. KINNEY, 932 00:47:37,122 --> 00:47:39,390 THAT IS THE LEAST OF YOUR IMPERFECTIONS. 933 00:47:39,424 --> 00:47:40,992 AND IF I'D WANTED TO LEAVE YOU, 934 00:47:41,026 --> 00:47:43,261 I'VE HAD BETTER REASONS-- PLENTY OF THEM. 935 00:47:43,294 --> 00:47:45,296 - MAYBE YOU SHOULD HAVE. 936 00:47:45,330 --> 00:47:48,233 - YEAH, MAYBE YOU'RE RIGHT. 937 00:47:48,266 --> 00:47:50,268 BUT I THOUGHT WE HAD A COMMITMENT. 938 00:47:50,301 --> 00:47:52,403 AND I PLAN TO STAND BY IT. 939 00:47:54,405 --> 00:47:56,141 NOW, WHY DON'T YOU TO GET YOUR ASS BACK IN BED, 940 00:47:56,174 --> 00:48:00,345 YOU SON OF A BITCH, AND EAT SOME FUCKING CHICKEN SOUP? 941 00:48:11,322 --> 00:48:14,559 - [groans] 942 00:48:23,701 --> 00:48:28,273 - * WELL, I GOT NO PLACE 943 00:48:28,306 --> 00:48:33,311 * TO LAY DOWN MY HEAD 944 00:48:33,344 --> 00:48:37,682 * RAN OUT OF TIME 945 00:48:37,715 --> 00:48:43,021 * I'M ALL OUT OF TIME 946 00:48:43,054 --> 00:48:47,325 * WELL, I GOT NO PLACE 947 00:48:47,358 --> 00:48:52,330 * TO LAY DOWN MY HEAD 948 00:48:52,363 --> 00:48:56,701 * RAN OUT OF TIME 949 00:48:56,734 --> 00:49:01,172 * I'M ALL OUT OF TIME 950 00:49:01,206 --> 00:49:06,511 * I NEED YOU, I NEED YOU TO FIND ME HERE * 951 00:49:06,544 --> 00:49:10,348 * COME RESCUE ME 952 00:49:10,381 --> 00:49:16,187 * AND TAKE ME, AND TAKE ME SO FAR AWAY * 953 00:49:16,221 --> 00:49:19,724 * COME RESCUE ME 954 00:49:19,757 --> 00:49:22,193 * JUST ONCE OR TWICE 955 00:49:22,227 --> 00:49:26,364 * GOT TO TAKE MY OWN ADVICE 956 00:49:26,397 --> 00:49:29,200 * 957 00:49:29,234 --> 00:49:31,736 * JUST ONCE OR TWICE 958 00:49:31,769 --> 00:49:35,740 * GOT TO TAKE MY OWN ADVICE 959 00:49:35,773 --> 00:49:40,078 * 960 00:49:40,111 --> 00:49:44,382 * WELL, I GOT NO PLACE 961 00:49:44,415 --> 00:49:49,387 * TO LAY DOWN MY HEAD 962 00:49:49,420 --> 00:49:54,092 * RAN OUT OF TIME 963 00:49:54,125 --> 00:49:59,097 * I'M ALL OUT OF TIME 964 00:49:59,130 --> 00:50:03,401 * WELL, I GOT NO PLACE 965 00:50:03,434 --> 00:50:08,406 * TO LAY DOWN MY HEAD 966 00:50:08,439 --> 00:50:13,111 * RAN OUT OF TIME 967 00:50:13,144 --> 00:50:17,582 * I'M ALL OUT OF TIME 968 00:50:17,615 --> 00:50:25,556 * 68941

Can't find what you're looking for?
Get subtitles in any language from opensubtitles.com, and translate them here.