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00:00:18,208 --> 00:00:21,792
(HORSE GALLOPING)
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00:00:26,125 --> 00:00:30,458
Cowboy chorus:
♪ TEXAS RANGERS PROUDLY SING ♪
3
00:00:30,500 --> 00:00:37,333
♪ THE EYES OF TEXAS
ARE UPON THEM ♪
4
00:00:41,583 --> 00:00:45,375
♪ THE EYES OF TEXAS
ARE UPON YOU ♪
5
00:00:45,417 --> 00:00:49,875
♪ ALL THE LIVE-LONG DAY ♪
6
00:00:49,917 --> 00:00:53,500
♪ THE EYES OF TEXAS ARE
UPON YOU, TEXANS ♪
7
00:00:53,542 --> 00:00:58,042
♪ YOU CANNOT GET AWAY ♪
8
00:00:58,125 --> 00:01:02,167
♪ DO NOT THINK
YOU CAN ESCAPE THEM ♪
9
00:01:02,208 --> 00:01:06,500
♪ AT NIGHT
OR EARLY IN THE MORN ♪
10
00:01:06,542 --> 00:01:10,125
♪ THE EYES OF TEXAS
ARE UPON YOU ♪
11
00:01:10,167 --> 00:01:14,625
♪ TILL GABRIEL
BLOWS HIS HORN ♪
12
00:01:17,542 --> 00:01:21,875
♪ THE EYES OF TEXAS
ARE UPON YOU ♪
13
00:01:21,917 --> 00:01:27,042
♪ ALL THE LIVE-LONG DAY ♪
14
00:01:27,083 --> 00:01:30,708
♪ THE EYES OF TEXAS
ARE UPON YOU ♪
15
00:01:30,750 --> 00:01:35,292
♪ YOU CANNOT GET AWAY ♪
16
00:01:39,292 --> 00:01:41,292
[LAUGHING TOGETHER]
17
00:01:55,792 --> 00:01:57,042
BE CAREFUL
WHAT YOU’RE DOING!
18
00:01:58,042 --> 00:01:59,375
AAH!
19
00:02:01,083 --> 00:02:02,458
ALL RIGHT,
LOCK HIM UP.
20
00:02:02,500 --> 00:02:03,875
BUT HE DIDN’T
DO ANYTHING!
21
00:02:03,917 --> 00:02:04,958
NEVER MIND.
22
00:02:05,000 --> 00:02:06,500
NOW GET MOVING,
ALL OF YOU,
23
00:02:06,542 --> 00:02:08,000
OR I’LL LOCK YOU UP
WITH HIM.
24
00:02:26,625 --> 00:02:28,292
HURRY UP
WITH THE REST
OF THAT JUNK.
25
00:02:35,208 --> 00:02:36,417
[CRYING]
OH, BOB!
26
00:02:36,458 --> 00:02:37,458
IT’S ALL RIGHT, MARTHA.
27
00:02:37,500 --> 00:02:38,708
YOU CAN UNLOAD
EVERYTHING.
28
00:02:38,750 --> 00:02:40,250
I’LL HAVE THE TAX MONEY
IN THE MORNING.
29
00:02:40,292 --> 00:02:41,417
IT’S NOW OR NEVER,
MISTER.
30
00:02:41,458 --> 00:02:43,042
BUT THE BANK
PROMISED IT!
31
00:02:43,083 --> 00:02:44,375
FOR JUST A FEW HOURS,
32
00:02:44,417 --> 00:02:45,958
YOU CAN’T TAKE THE ROOF
FROM OVER OUR HEADS!
33
00:02:46,000 --> 00:02:47,667
OH, I CAN’T, CAN I?
34
00:02:49,208 --> 00:02:50,667
YOU CAN’T!
I WON’T LET YOU!
35
00:02:52,125 --> 00:02:53,500
BOB!
[CHAIR BREAKS]
36
00:02:53,542 --> 00:02:55,167
BOB!
37
00:02:55,208 --> 00:02:56,875
[GUNSHOT]
OH!
38
00:03:20,583 --> 00:03:23,083
BETTER PROOFREAD THIS
VERY CAREFULLY, ANN.
39
00:03:23,125 --> 00:03:24,583
YOUR FATHER WANTS
TO BASE HIS LEAD EDITORIAL
40
00:03:24,625 --> 00:03:25,917
ON THIS STORY.
41
00:03:25,958 --> 00:03:29,000
AND IT’LL BE HOT ENOUGH
TO MELT TIGHT METAL.
42
00:03:29,042 --> 00:03:31,542
[CHUCKLE TOGETHER]
43
00:03:31,583 --> 00:03:34,125
"ANOTHER EPISODE
IN THE BRUTAL HISTORY
44
00:03:34,167 --> 00:03:37,458
"BEING WRITTEN IN HOT LEAD
BY THE TEXAS STATE POLICE
45
00:03:37,500 --> 00:03:40,083
"CAME TO LIGHT YESTERDAY
WHEN T.J. WILSON,
46
00:03:40,125 --> 00:03:41,917
"WELL AND FAVORABLY KNOWN
LOCAL RANCHER,
47
00:03:41,958 --> 00:03:43,125
"WAS SHOT AND KILLED
48
00:03:43,167 --> 00:03:45,375
BY STATE POLICE LIEUTENANT
GEORGE BARNES."
49
00:03:45,417 --> 00:03:47,958
THAT’S THE FIRST TIME
THAT TYPE DRAWER’S
BEEN SORTED
50
00:03:48,000 --> 00:03:49,458
SINCE I’VE BEEN HERE.
51
00:03:49,500 --> 00:03:52,167
Gene:
"THE DEAD MAN IS SURVIVED
BY HIS WIDOW, MARTHA,
52
00:03:52,208 --> 00:03:54,042
AND 2 SMALL CHILDREN."
53
00:03:57,333 --> 00:04:00,042
[LAUGHING TOGETHER]
54
00:04:00,083 --> 00:04:01,958
LOOKS LIKE YOU’LL HAVE
TO START ALL OVER AGAIN.
55
00:04:02,000 --> 00:04:03,375
WITH "A"...
56
00:04:03,417 --> 00:04:05,333
AND GO RIGHT
THROUGH TO "Z."
57
00:04:05,375 --> 00:04:07,292
THERE STILL AIN’T
ENOUGH LETTERS THERE
58
00:04:07,333 --> 00:04:09,125
TO SPELL WHAT I’M THINKING.
59
00:04:09,167 --> 00:04:10,792
[GENE CHUCKLES]
60
00:04:10,792 --> 00:04:12,042
"THERE’S EVERY REASON
61
00:04:12,083 --> 00:04:14,417
"TO BELIEVE
THAT THE KILLING
OF RANCHER WILSON
62
00:04:14,458 --> 00:04:16,792
WAS WANTON MURDER,
AND--"
63
00:04:16,833 --> 00:04:18,667
AND THAT’S JUST WHAT IT WAS.
MURDER.
64
00:04:18,708 --> 00:04:19,792
DAD!
65
00:04:19,833 --> 00:04:21,458
WE DIDN’T HEAR YOU
COME IN, COLONEL.
66
00:04:21,500 --> 00:04:24,083
[CHUCKLES] HOW COULD YOU
WITH PAT THROWING TYPE
67
00:04:24,125 --> 00:04:25,333
ALL OVER THE PLACE?
68
00:04:25,375 --> 00:04:27,083
NOW ABOUT THAT
WILSON KILLING--
69
00:04:27,125 --> 00:04:28,542
[GUNSHOT]
70
00:04:39,375 --> 00:04:41,375
[GUNFIRE]
71
00:05:09,917 --> 00:05:11,458
NO BONES BROKEN?
72
00:05:11,500 --> 00:05:13,625
NO.
73
00:05:13,667 --> 00:05:16,292
ANN, YOUR FATHER’S
BEEN HURT!
74
00:05:17,583 --> 00:05:19,042
GUESS THERE’S NO DOUBT
ABOUT WHO SHOT YA.
75
00:05:19,083 --> 00:05:20,667
WHY THE STATE POLICE,
OF COURSE.
76
00:05:20,708 --> 00:05:22,542
THEY’VE REPEATEDLY
THREATENED TO KILL ME
77
00:05:22,583 --> 00:05:24,542
ON ACCOUNT OF
MY EDITORIAL STAND.
78
00:05:24,583 --> 00:05:27,125
US BEING WITH YOU
DIDN’T HELP ANY.
79
00:05:27,167 --> 00:05:28,792
BUT, GENE,
WHY DO YOU SAY THAT?
80
00:05:28,833 --> 00:05:30,417
WHEN THE RANGERS
DISBANDED,
81
00:05:30,458 --> 00:05:32,833
YOUR FATHER
IMMEDIATELY GAVE
PAT AND ME A JOB.
82
00:05:32,875 --> 00:05:34,917
I’M MIGHTY PROUD
TO HAVE YOU, GENE.
83
00:05:34,958 --> 00:05:37,292
BUT IT DIDN’T HELP YOU ANY
WITH THE STATE POLICE.
84
00:05:37,333 --> 00:05:38,875
THEY HATE ALL RANGERS.
85
00:05:38,917 --> 00:05:41,000
YES, I SUPPOSE
THEY DO.
86
00:05:41,042 --> 00:05:42,792
AND BEING AN EX-RANGER,
I THINK I’VE FOUND A WAY
87
00:05:42,833 --> 00:05:44,375
TO GET RID
OF THE WHOLE
CORRUPT OUTFIT.
88
00:05:44,417 --> 00:05:46,167
IF YOU CAN
DO THAT, GENE,
89
00:05:46,208 --> 00:05:48,667
YOU’LL BE
A BIGGER MAN
THAN SAM HOUSTON.
90
00:05:48,708 --> 00:05:50,417
HOW MANY EX-RANGERS
DO WE KNOW, PAT?
91
00:05:50,458 --> 00:05:51,875
OH, 50, 60.
92
00:05:51,917 --> 00:05:54,625
MAYBE MORE IF WE TAKE
A CAREFUL NOSE TALLY.
93
00:05:54,667 --> 00:05:56,750
IF YOU’VE GOT A TEXAS MAP
I’LL SHOW YOU WHAT I MEAN,
COLONEL.
94
00:05:56,792 --> 00:05:58,708
WHY SURE, GENE.
PUT ON SOME COFFEE, ANN.
95
00:05:58,750 --> 00:05:59,958
EXCUSE ME.
96
00:06:10,458 --> 00:06:12,333
WE CAN’T LOSE
IF ALL OF US OLD RANGERS
97
00:06:12,375 --> 00:06:15,083
GET EVERY BIT OF EVIDENCE
WE CAN AGAINST THE STATE POLICE.
98
00:06:15,125 --> 00:06:17,167
THEN IF WE HAVE TO,
WE CAN FORCE A SHOWDOWN
99
00:06:17,208 --> 00:06:19,292
WITH THE STATE LEGISLATURE
OF CONGRESS.
100
00:06:23,583 --> 00:06:25,333
AND WHEN YOU GET
YOUR AFFIDAVITS
101
00:06:25,375 --> 00:06:26,750
AND WITNESS STATEMENTS,
102
00:06:26,792 --> 00:06:29,125
SEND ’EM TO GENE AUTRY
AT COMANCHE WELLS.
103
00:06:37,917 --> 00:06:39,583
MY HORSE IS
ABOUT TO GIVE OUT.
104
00:06:39,625 --> 00:06:41,708
MINE, TOO.
WE GOTTA GET FRESH ONES.
105
00:06:41,750 --> 00:06:43,250
WHY DON’T
WE JUST EASE UP?
106
00:06:43,292 --> 00:06:44,458
I TELL YOU
AUTRY RECOGNIZED ME
107
00:06:44,500 --> 00:06:46,083
BACK THERE
IN TEEPEE SPRINGS.
108
00:06:46,125 --> 00:06:47,708
HE’S PROBABLY
TRAILING US NOW.
109
00:06:47,750 --> 00:06:48,583
WHAT OF IT?
WE’RE STATE POLICE.
110
00:06:48,625 --> 00:06:49,958
HE CAN’T DO US
NO HARM.
111
00:06:50,000 --> 00:06:52,125
LOOK, DRISCOLL,
I SHOT A RANGER ONCE.
112
00:06:52,167 --> 00:06:53,792
THEM RANGERS NEVER FORGET.
113
00:06:53,833 --> 00:06:56,250
AND TEEPEE SPRINGS
WAS CRAWLING
WITH EX-RANGERS.
114
00:06:56,292 --> 00:06:57,583
I WANT A FRESH HORSE.
115
00:06:57,625 --> 00:06:59,125
COME ON!
116
00:07:23,958 --> 00:07:26,542
HEY, YOU INSIDE!
117
00:07:30,792 --> 00:07:32,583
COME ON, IN THERE!
118
00:07:32,625 --> 00:07:34,625
DON’T SEEM TO BE
NOBODY TO HOME.
119
00:07:34,667 --> 00:07:36,333
[HORSES NICKERING]
IT’S ALL THE BETTER.
120
00:07:36,375 --> 00:07:38,458
THERE’S WHAT
WE WANT.
121
00:07:39,667 --> 00:07:40,667
YOU KEEP
YOUR EYE PEELED.
122
00:07:40,708 --> 00:07:42,458
SOMEBODY MAY BE WATCHING.
123
00:07:42,500 --> 00:07:44,250
LET ’EM WATCH.
WE’RE LEAVING ’EM
OUR HORSES, AIN’T WE?
124
00:07:44,292 --> 00:07:45,583
BUT UNDER TEXAS LAW,
125
00:07:45,625 --> 00:07:47,250
IT’S STILL
HORSE STEALING.
126
00:08:20,458 --> 00:08:22,292
DADDY!
127
00:08:22,333 --> 00:08:25,667
DADDY, 2 STATE POLICEMEN
ARE STEALING OUR HORSES!
128
00:08:25,708 --> 00:08:27,000
WELL, IT DON’T MAKE
NO DIFFERENCE WHO THEY ARE.
129
00:08:27,042 --> 00:08:28,667
THEM HORSES IS OUR LIVES.
130
00:08:34,958 --> 00:08:37,292
HEY, YOU!
131
00:08:37,333 --> 00:08:39,708
HALT OR I’LL SHOOT!
132
00:08:39,750 --> 00:08:40,708
[GUNSHOT]
133
00:08:40,750 --> 00:08:43,167
GET BACK, CATHY.
134
00:08:45,000 --> 00:08:46,292
[GASPS]
135
00:08:48,292 --> 00:08:49,417
DADDY!
136
00:08:52,833 --> 00:08:54,625
[CRYING]
DADDY!
137
00:09:04,125 --> 00:09:05,875
STAY WITH HIM, PAT!
138
00:09:08,708 --> 00:09:11,458
DADDY! DADDY!
139
00:09:11,500 --> 00:09:12,833
DADDY!
140
00:09:29,292 --> 00:09:30,292
[GUNSHOT]
141
00:09:34,667 --> 00:09:37,417
[GUNSHOTS]
142
00:10:33,250 --> 00:10:36,042
EVERYTHING’LL BE
ALL RIGHT, CATHY.
143
00:10:36,083 --> 00:10:38,042
I’LL TAKE YOU
TO THE SWEETEST GIRL
IN TEXAS,
144
00:10:38,125 --> 00:10:39,250
ANN BELLAMY.
145
00:10:39,292 --> 00:10:40,625
SHE’LL TAKE
GOOD CARE OF YOU.
146
00:10:43,125 --> 00:10:45,167
I’LL DRIVE.
147
00:10:45,208 --> 00:10:47,458
NO! I’LL DRIVE.
148
00:10:47,500 --> 00:10:49,625
YEAH, BUT--
WELL--
149
00:10:52,250 --> 00:10:53,958
IF YOU’RE TAKING ME
UNDER YOUR WING,
150
00:10:54,000 --> 00:10:56,917
I’D BETTER BEGIN
TO EARN MY KEEP.
151
00:10:56,958 --> 00:11:00,833
I CAN HANDLE
THESE CROW BAITS.
152
00:11:00,875 --> 00:11:03,167
ALL RIGHT,
THEY’RE ALL YOURS, HONEY.
153
00:11:03,208 --> 00:11:05,333
GET ’EM ON DOWN
THE ROAD.
154
00:11:05,375 --> 00:11:07,208
GIDDY-UP,
YOU JUG-HEADS!
155
00:11:17,042 --> 00:11:21,042
♪ EV’RY EVENING
JUST AT TWILIGHT ♪
156
00:11:21,083 --> 00:11:23,917
♪ WHEN THE SHADOWS FALL ♪
157
00:11:23,958 --> 00:11:28,125
♪ A LITTLE MAN
COMES CREEPING ♪
158
00:11:28,167 --> 00:11:31,708
♪ TO SEE IF YOU ARE SLEEPING ♪
[CRYING]
159
00:11:31,750 --> 00:11:36,250
♪ HE HAS COME TO TAKE YOU ♪
160
00:11:36,292 --> 00:11:40,125
♪ TO THE LAND OF NOD ♪
161
00:11:40,167 --> 00:11:45,292
♪ SO CLOSE YOUR EYES
AND WAIT ♪
162
00:11:45,333 --> 00:11:50,750
♪ THE SANDMAN’S NEVER LATE ♪
163
00:11:50,792 --> 00:11:55,667
♪ OVER THE MOUNTAIN ♪
164
00:11:55,667 --> 00:12:00,542
♪ ’WAY DOWN IN THE VALLEY ♪
165
00:12:00,583 --> 00:12:03,250
♪ THERE’S A SLUMBER LAND ♪
166
00:12:05,417 --> 00:12:09,625
♪ CHOCOLATE RABBITS ♪
167
00:12:09,667 --> 00:12:14,542
♪ AND BIG LOLLYPOPS ♪
168
00:12:14,583 --> 00:12:16,333
♪ DOWN IN SLUMBERLAND ♪
169
00:12:16,375 --> 00:12:18,667
[CRYING]
170
00:12:18,708 --> 00:12:23,458
♪ ON TOP OF EACH SAND DUNE ♪
171
00:12:23,500 --> 00:12:28,125
♪ A CHERRY YOU’LL FIND ♪
172
00:12:28,167 --> 00:12:32,750
♪ YOU CAN EAT
ALL THE ICE CREAM ♪
173
00:12:32,792 --> 00:12:37,542
♪ THE SANDMAN WON’T MIND ♪
174
00:12:37,583 --> 00:12:41,625
♪ IN ALL OF THE RIVERS ♪
175
00:12:41,667 --> 00:12:46,458
♪ THERE’S PINK LEMONADE ♪
176
00:12:46,500 --> 00:12:54,042
♪ DOWN IN SLUMBERLAND ♪
177
00:12:57,792 --> 00:12:59,542
[CRYING]
178
00:13:09,083 --> 00:13:12,042
TRY TO GO TO SLEEP,
CATHY.
179
00:13:12,083 --> 00:13:14,583
I JUST CAN’T.
180
00:13:14,625 --> 00:13:17,125
IT’S ALL
SO DIFFERENT.
181
00:13:17,167 --> 00:13:19,208
EVER SINCE
MOMMY DIED,
182
00:13:19,250 --> 00:13:21,458
DADDY ALWAYS SAID
MY PRAYERS WITH ME
183
00:13:21,500 --> 00:13:23,542
BEFORE I WENT TO BED.
184
00:13:23,583 --> 00:13:24,833
[SNIFFLES]
185
00:13:24,875 --> 00:13:26,042
WOULD I DO?
186
00:13:26,083 --> 00:13:28,833
DO YOU KNOW
THE LORD’S PRAYER?
187
00:13:28,875 --> 00:13:31,500
YES, THAT’S ONE
YOU NEVER FORGET.
188
00:13:31,542 --> 00:13:34,500
OUR FATHER,
WHICH ART
IN HEAVEN,
189
00:13:34,542 --> 00:13:36,833
[TOGETHER]
HALLOWED BY THY NAME.
190
00:13:36,875 --> 00:13:40,875
THY KINGDOM COME,
THY WILL BE DONE,
191
00:13:40,917 --> 00:13:45,458
IN EARTH
AS IT IS IN HEAVEN.
192
00:13:45,500 --> 00:13:50,042
GIVE US THIS DAY
OUR DAILY BREAD,
193
00:13:50,083 --> 00:13:53,500
AND FORGIVE US OUR DEBTS
194
00:13:53,542 --> 00:13:56,875
AS WE FORGIVE
OUR DEBTORS.
195
00:13:56,917 --> 00:14:01,500
AND LEAD US NOT
INTO TEMPTATION,
196
00:14:01,542 --> 00:14:04,542
BUT DELIVER US FROM EVIL.
197
00:14:04,583 --> 00:14:07,625
FOR THINE IS THE KINGDOM,
198
00:14:07,667 --> 00:14:09,375
AND THE POWER,
199
00:14:09,417 --> 00:14:12,167
AND THE GLORY FOREVER.
200
00:14:12,208 --> 00:14:13,917
AMEN.
201
00:14:18,417 --> 00:14:19,667
GOOD NIGHT, GENE.
202
00:14:21,750 --> 00:14:23,375
GOOD NIGHT, CATHY.
203
00:14:33,333 --> 00:14:37,500
AHH!
THAT COFFEE’S GOOD.
204
00:14:37,542 --> 00:14:40,667
NOW SEE HERE, ANN,
WE JUST CAN’T DO IT.
205
00:14:40,708 --> 00:14:42,292
NOW, I APPRECIATE
GENE’S THOUGHTFULNESS
206
00:14:42,333 --> 00:14:43,667
IN BRINGING
THE CHILD HERE,
207
00:14:43,708 --> 00:14:45,917
AND WE’LL SEE THAT
SHE’S WELL-TAKEN CARE OF,
208
00:14:45,958 --> 00:14:49,292
BUT WE CAN’T--
WE JUST CAN’T TAKE HER
INTO OUR FAMILY.
209
00:14:49,333 --> 00:14:51,708
BUT, FATHER,
SHE’S SO YOUNG AND--
210
00:14:51,750 --> 00:14:53,458
AND SO FRIENDLY.
211
00:14:53,500 --> 00:14:55,833
I’M SORRY.
WE JUST CAN’T TAKE IN
212
00:14:55,875 --> 00:14:57,667
EVERY LITTLE WAIF
THAT NEEDS A HOME.
213
00:14:57,708 --> 00:14:59,125
NOW THAT’S AN END
TO THE MATTER.
214
00:14:59,167 --> 00:15:00,542
YOU UNDERSTAND, GENE?
215
00:15:00,583 --> 00:15:02,625
I’LL TRY TO, SIR.
216
00:15:02,667 --> 00:15:04,875
WELL, THE LEAST
YOU CAN DO
IS MEET CATHY.
217
00:15:04,917 --> 00:15:06,875
WHY, OF COURSE.
YES, OF COURSE.
218
00:15:06,917 --> 00:15:07,875
[CLEARS THROAT]
219
00:15:07,917 --> 00:15:10,708
SHE’S RIGHT OUTSIDE
WITH PAT.
220
00:15:13,583 --> 00:15:15,250
IT’LL BE ALL RIGHT,
CATHY.
221
00:15:15,292 --> 00:15:17,458
JUST YOU REMEMBER
AND SAY EVERYTHING
222
00:15:17,500 --> 00:15:19,458
EXACTLY LIKE
I TOLD YOU.
223
00:15:19,500 --> 00:15:21,375
[SNIFFLES]
I WILL, PAT.
224
00:15:22,917 --> 00:15:24,083
COME ON IN, HONEY.
225
00:15:24,125 --> 00:15:25,625
YOU, TOO, PAT.
226
00:15:32,917 --> 00:15:33,875
HELLO, BUTTRAM.
227
00:15:33,917 --> 00:15:34,958
HOWDY, COLONEL.
MISS ANN.
228
00:15:35,000 --> 00:15:36,167
HELLO, PAT.
229
00:15:36,208 --> 00:15:38,042
CATHY, I WANT YOU
TO MEET COLONEL BELLAMY.
230
00:15:38,083 --> 00:15:39,458
COLONEL, THIS IS
CATHY EVANS.
231
00:15:39,500 --> 00:15:41,417
I’M GLAD
TO MEET YOU, CATHY.
232
00:15:41,458 --> 00:15:44,417
I’M PROUD TO KNOW YOU,
COLONEL BELLAMY.
233
00:15:44,458 --> 00:15:46,625
MY FATHER SAID
THAT YOU WERE ONE
234
00:15:46,667 --> 00:15:48,958
OF THE GREAT MEN
OF THE CONFEDERACY.
235
00:15:49,000 --> 00:15:51,042
[CLEARS THROAT]
WELL, HE DID, EH?
236
00:15:51,083 --> 00:15:53,792
OH, YES, SIR.
HE SAID IN THE SOUTH
237
00:15:53,833 --> 00:15:56,125
THEY HAD 2 GREAT
CAVALRY EATERS--
238
00:15:56,167 --> 00:15:59,083
JEB STUART
AND JIM BELLAMY.
239
00:15:59,125 --> 00:16:00,458
Colonel: HMM.
240
00:16:00,500 --> 00:16:02,167
MY FIRST TEXAS
CAVALRY REGIMENT
241
00:16:02,208 --> 00:16:04,125
CERTAINLY TAUGHT
THOSE YANKEES
A THING OR 2,
242
00:16:04,167 --> 00:16:06,792
IF I DO
SAY IT MYSELF.
243
00:16:06,833 --> 00:16:08,875
ANN...
[CLEARS THROAT]
244
00:16:08,917 --> 00:16:12,542
Colonel: CAN’T SOMEBODY
DO SOMETHING ABOUT THIS?
245
00:16:12,583 --> 00:16:13,625
UH, YOU’RE
PRETTY BUSY, SIR,
246
00:16:13,667 --> 00:16:15,583
SO I’LL TAKE
CATHY ALONG.
247
00:16:15,625 --> 00:16:17,417
WE GOTTA FIND
A PLACE FOR HER
TO STAY, YOU KNOW.
248
00:16:17,458 --> 00:16:19,458
OH, SHE CAN STAY HERE.
249
00:16:19,500 --> 00:16:21,458
THAT IS,
UNTIL YOU’VE MADE
SUITABLE ARRANGEMENTS.
250
00:16:21,500 --> 00:16:23,292
OH, THANK YOU,
COLONEL!
251
00:16:23,333 --> 00:16:25,042
THUNDER AND LIGHTNING!
252
00:16:25,083 --> 00:16:27,250
I MIGHT’VE KNOWN SOMETHING
LIKE THAT WOULD HAPPEN!
253
00:16:27,292 --> 00:16:30,292
I’M SOAKING WET!
[CLEARS THROAT]
254
00:16:30,333 --> 00:16:34,167
YOU AND PAT
GO AHEAD, GENE.
I CAN HANDLE IT.
255
00:16:34,208 --> 00:16:36,333
IT ALMOST WORKED, PAT.
256
00:16:39,333 --> 00:16:40,750
SEE YOU LATER, CATHY.
257
00:16:50,500 --> 00:16:52,708
SO THAT’S WHAT
YOU AND CATHY
WERE COOKING UP.
258
00:16:52,750 --> 00:16:54,583
YOU TAUGHT THAT KID
TO LIE TO THE COLONEL.
259
00:16:54,625 --> 00:16:57,167
I DID NOT!
260
00:16:57,208 --> 00:16:59,417
I JUST TAUGHT HER TO SAY
WHAT HER OLD MAN MIGHT’VE SAID
261
00:16:59,458 --> 00:17:01,125
IF HE’D HAVE
THOUGHT OF IT.
262
00:17:01,167 --> 00:17:03,083
BESIDES, WE GOTTA TRY
TO PUNCH A HOLE
263
00:17:03,125 --> 00:17:05,125
IN THAT OLD WINDBAG.
264
00:17:05,125 --> 00:17:06,875
YOU KNOW, PAT,
265
00:17:06,917 --> 00:17:08,875
SOMETIMES YOU ACT
AS THOUGH YOUR BRAIN
REALLY WORKED.
266
00:17:08,917 --> 00:17:10,917
YEAH, SOMETIMES!
[CHUCKLES]
267
00:17:10,958 --> 00:17:12,667
HUH?!
268
00:17:19,792 --> 00:17:22,125
[WHISTLING]
269
00:17:22,167 --> 00:17:24,417
BUSIEST GAL IN TEXAS.
270
00:17:24,458 --> 00:17:25,750
WHATCHA DOING, HONEY?
271
00:17:25,792 --> 00:17:28,167
I’M CLEANING OUT
THE COLONEL’S THINGS.
272
00:17:28,208 --> 00:17:32,667
SEEMS LIKE YOU MEN
SURE CAN GET THINGS
DIRTIER THEN US KIDS.
273
00:17:32,708 --> 00:17:36,000
WELL, THAT’S WHY WE
KEEP YOU WOMENFOLKS
AROUND, CATHY.
274
00:17:36,042 --> 00:17:37,875
IT’S YOUR JOB
TO KEEP US
CLEANED UP
275
00:17:37,917 --> 00:17:39,208
AND WELL-FED.
276
00:17:39,250 --> 00:17:40,958
AND DON’T FORGET
THE WELL-FED PART!
277
00:17:41,000 --> 00:17:42,000
[LAUGHS]
278
00:17:43,792 --> 00:17:44,917
OOH!
279
00:17:44,958 --> 00:17:46,708
PAT BUTTRAM!
280
00:17:46,750 --> 00:17:49,917
JUST SEE WHAT YOU DID
TO MY SOAP!
281
00:17:49,958 --> 00:17:53,417
WELL, JUST SEE
WHAT YOUR SOAP DID
TO MY PANTS!
282
00:17:53,458 --> 00:17:55,417
HUMPF!
FROM THE LOOKS OF ’EM,
283
00:17:55,458 --> 00:17:59,083
A LITTLE SOAP AND WATER
WOULDN’T DO THEM ANY HARM.
284
00:17:59,125 --> 00:18:01,000
[CHUCKLES]
285
00:18:01,042 --> 00:18:03,292
YOU KNOW,
YOU SOUND JUST LIKE
MY MOM USED TO
286
00:18:03,333 --> 00:18:04,792
WHEN I WAS YOUR AGE.
287
00:18:04,833 --> 00:18:06,625
I BET SHE KEPT YOU CLEAN.
288
00:18:06,667 --> 00:18:07,750
Pat: CLEAN?!
289
00:18:07,792 --> 00:18:10,583
HONEY CHILD,
THERE WAS
A KIND OF A GLOW
290
00:18:10,625 --> 00:18:12,542
ABOUT US
BUTTRAM KIDS.
291
00:18:12,583 --> 00:18:15,125
YOU SOUND LIKE
THERE WAS A LOT OF YOU.
292
00:18:15,167 --> 00:18:18,125
Pat: ONLY 14.
293
00:18:18,167 --> 00:18:20,583
NOW YOU GO AHEAD
AND GET THESE THINGS
ALL CLEANED UP,
294
00:18:20,625 --> 00:18:22,000
AND I’LL BET
THE OLD COLONEL
295
00:18:22,042 --> 00:18:24,417
WILL JUST ABOUT BUST
WHEN HE SEES ’EM.
296
00:18:24,458 --> 00:18:26,875
DO YOU REALLY THINK SO?
297
00:18:26,917 --> 00:18:29,333
YES, SIR.
HE’LL JUST ABOUT BUST.
298
00:18:42,042 --> 00:18:45,042
Colonel: THE MAN WE’RE AFTER
IS ADJUTANT GENERAL SLAYDEN.
299
00:18:45,083 --> 00:18:46,667
IF WE CAN GET HIM,
300
00:18:46,708 --> 00:18:49,417
THE WHOLE ROTTEN STRUCTURE
WILL COLLAPSE.
301
00:18:51,042 --> 00:18:52,958
AHH.
302
00:18:57,667 --> 00:18:58,625
SOAP!
303
00:18:58,667 --> 00:19:01,292
HE’LL BUST, ALL RIGHT.
304
00:19:01,333 --> 00:19:03,750
HOW IN THE NAME
OF THE HOLY ROMAN EMPIRE
305
00:19:03,792 --> 00:19:05,792
DID SOAP GET IN MY PIPE?!
306
00:19:05,833 --> 00:19:07,875
I’M SURE I DON’T KNOW,
COLONEL.
307
00:19:07,917 --> 00:19:09,042
WELL, YOU SEE,
COLONEL,
308
00:19:09,083 --> 00:19:10,542
CATHY THOUGHT
SHE’D SURPRISE YOU
309
00:19:10,583 --> 00:19:11,792
BY WASHING
YOUR THINGS,
310
00:19:11,833 --> 00:19:13,375
AND I GUESS
SHE DIDN’T KNOW
311
00:19:13,417 --> 00:19:14,792
SOAP DON’T SMOKE
SO GOOD.
312
00:19:14,833 --> 00:19:17,375
THAT CHILD!
THAT INFERNAL CHILD!
313
00:19:17,417 --> 00:19:19,042
[PIPE BREAKS]
314
00:19:19,083 --> 00:19:20,625
NOW SEE WHAT
YOU MADE ME DO?
315
00:19:20,667 --> 00:19:22,000
YOU BROKE IT, COLONEL.
316
00:19:22,042 --> 00:19:23,208
Colonel: THAT’S RIGHT.
317
00:19:23,250 --> 00:19:25,292
SIDE WITH THE LITTLE DEMON!
SIDE WITH HER!
318
00:19:25,333 --> 00:19:26,917
I DID NOT BREAK THE PIPE.
319
00:19:26,958 --> 00:19:28,000
IT SLIPPED OUT
OF MY FINGERS
320
00:19:28,042 --> 00:19:29,958
ON ACCOUNT OF THE SOAP
SHE PUT ON IT.
321
00:19:30,000 --> 00:19:31,708
WHY DID YOU--
322
00:19:31,750 --> 00:19:33,583
YOU’RE UNDER ARREST,
AUTRY!
323
00:19:33,625 --> 00:19:34,917
ANY PARTICULAR
CHARGE?
324
00:19:34,958 --> 00:19:36,583
MURDER. YOU KILLED
CLYDE CHAMBERS.
325
00:19:38,292 --> 00:19:39,792
PUT ’EM UP!
BOTH OF YOU!
326
00:19:46,583 --> 00:19:48,083
GOOD WORK, PAT.
COME ON.
327
00:19:48,125 --> 00:19:50,125
[CHUCKLING]
328
00:19:54,125 --> 00:19:55,542
GIVE US A HAND
HERE, BELLAMY!
329
00:19:55,583 --> 00:19:57,208
I’M A BUSY MAN.
330
00:19:57,250 --> 00:19:58,208
UNLOCK THESE CUFFS!
331
00:19:58,250 --> 00:19:59,500
I LEFT MY KEYS
IN THE OFFICE!
332
00:19:59,542 --> 00:20:01,792
OH, I AIN’T GOT
NO HANDCUFF KEYS.
333
00:20:01,833 --> 00:20:03,250
OH, COME ON!
334
00:20:12,083 --> 00:20:16,167
AUTRY GOT AWAY!
335
00:20:16,208 --> 00:20:18,708
COME ON!
336
00:20:18,708 --> 00:20:21,208
AAH!
337
00:20:21,250 --> 00:20:23,333
AUTRY AND BUTTRAM
GOT AWAY!
338
00:20:23,375 --> 00:20:24,458
COME ON,
LET’S GO AFTER ’EM!
339
00:20:32,042 --> 00:20:33,500
HEY!
340
00:20:33,542 --> 00:20:36,250
WHO’S GONNA TAKE OFF
THESE CONFOUNDED
HANDCUFFS?
341
00:20:36,292 --> 00:20:38,417
THEY GOT THE KEYS!
342
00:20:44,250 --> 00:20:48,000
A MONTH OF THIS
OUTDOOR HOUSEKEEPING
IS A BELLYFUL.
343
00:20:48,042 --> 00:20:49,333
IF EVERYTHING
GOES ALL RIGHT,
344
00:20:49,375 --> 00:20:51,250
MAYBE WE CAN SPEND
A LITTLE TIME
IN TOWN.
345
00:20:51,292 --> 00:20:53,917
I WON’T KNOW
HOW TO ACT.
346
00:21:13,417 --> 00:21:14,667
THAT’S IT.
347
00:21:14,708 --> 00:21:16,542
I AIN’T SO SURE
ABOUT THIS.
348
00:21:16,583 --> 00:21:19,042
I DON’T SEE
NO OUTRIDERS
OR GUN GUARDS,
349
00:21:19,083 --> 00:21:21,958
BUT THERE COULD BE
2 OR 3 TRIGGERMEN
IN THAT STAGECOACH.
350
00:21:22,000 --> 00:21:23,542
YOU KNOW SLAYDEN
DOESN’T TRAVEL THAT WAY.
351
00:21:23,583 --> 00:21:24,917
HE’S GOT
TOO MUCH TO LOSE.
352
00:21:24,958 --> 00:21:27,375
LET’S TAKE HIM
WHEN HE GETS
TO THAT ROCK.
353
00:21:54,417 --> 00:21:55,875
PULL UP!
354
00:21:55,917 --> 00:21:56,875
GET OUT!
355
00:21:56,917 --> 00:21:58,125
HAND ME THAT GUN.
356
00:22:00,583 --> 00:22:02,125
WHAT’S THE MEANING
OF THIS?
357
00:22:04,875 --> 00:22:06,458
DO YOU KNOW
WHO I AM?
358
00:22:06,500 --> 00:22:08,250
I’M HERE BECAUSE
I DO KNOW WHO YOU ARE.
359
00:22:08,292 --> 00:22:10,500
ADJUTANT GENERAL SLAYDEN.
360
00:22:10,542 --> 00:22:11,833
NOW JUST TAKE IT EASY.
361
00:22:11,875 --> 00:22:14,000
YOU ACT LIKE YOU MIGHT HAVE
HIGH BLOOD PRESSURE.
362
00:22:15,667 --> 00:22:17,458
MY NAME’S AUTRY.
363
00:22:17,500 --> 00:22:19,458
NOT GENE AUTRY,
THE EX-RANGER?
364
00:22:19,500 --> 00:22:21,167
THAT’S RIGHT.
365
00:22:21,208 --> 00:22:23,958
I’M HERE ON
SOME DELAYED
RANGER BUSINESS.
366
00:22:24,000 --> 00:22:25,250
MIGHT AS WELL GET IN.
367
00:22:25,292 --> 00:22:27,875
WE’RE HEADING FOR
COMANCHE WELLS WITH YA.
368
00:22:30,792 --> 00:22:32,458
KEEP AN EYE ON
THE ENGINEER, PAT.
369
00:22:36,417 --> 00:22:38,042
HYAH! HYAH!
370
00:22:42,417 --> 00:22:44,167
IF THIS IS
A HOLDUP,
MR. AUTRY,
371
00:22:44,208 --> 00:22:45,875
YOU’LL NEVER
GET AWAY WITH IT.
372
00:22:45,917 --> 00:22:48,333
WELL, GENERAL,
IN A WAY IT IS
A HOLDUP.
373
00:22:48,375 --> 00:22:50,458
ONE OF THE FEW
JUSTIFIABLE ONES
IN HISTORY,
374
00:22:50,500 --> 00:22:51,458
AND I’LL GET AWAY
WITH IT.
375
00:22:51,500 --> 00:22:53,375
YOU MEAN
YOU’D KILL ME?
376
00:22:53,375 --> 00:22:55,708
THAT WOULD
JUST COMPLICATE THINGS.
377
00:22:55,750 --> 00:22:57,750
YOUR MEN ALREADY SAY
I’M A MURDERER.
378
00:22:57,792 --> 00:23:00,083
CLYDE CHAMBERS.
YES, I KNOW ABOUT THAT.
379
00:23:00,125 --> 00:23:02,667
YOU ALSO KNOW
HE KILLED A TEXAS RANGER,
380
00:23:02,708 --> 00:23:04,292
AND I HAD TO SHOOT HIM
IN SELF-DEFENSE
381
00:23:04,333 --> 00:23:06,042
AFTER HE KILLED EVANS.
382
00:23:06,083 --> 00:23:09,167
I ALSO KNOW
IF I ACCEPT ARREST
FROM YOUR STATE POLICE
383
00:23:09,208 --> 00:23:10,583
I’LL NEVER GO TO TRIAL.
384
00:23:10,625 --> 00:23:13,625
KILLED WHILE RESISTING
AN OFFICER IS THE WAY
385
00:23:13,667 --> 00:23:15,625
YOU EXPLAIN THE DEATHS
OF MEN YOU DON’T LIKE.
386
00:23:15,667 --> 00:23:19,375
AND JUST WHAT
DO YOU EXPECT ME
TO DO ABOUT IT?
387
00:23:19,417 --> 00:23:21,208
DROP THE CHAMBERS CHARGE.
388
00:23:22,792 --> 00:23:24,250
AND IF I REFUSE?
389
00:23:25,875 --> 00:23:28,958
POWER HAS MADE YOU
VERY CARELESS, GENERAL.
390
00:23:29,000 --> 00:23:30,875
FOR 4 WEEKS,
YOU’VE SCARCELY BEEN
OUT OF MY SIGHT,
391
00:23:30,917 --> 00:23:32,583
AND I’VE LEARNED A LOT.
392
00:23:33,708 --> 00:23:36,250
Slayden: JUST WHAT
HAVE YOU LEARNED?
393
00:23:36,292 --> 00:23:38,833
THIS MONEY IS
YOUR RAKE-OFF
FROM YOUR CAPTAINS
394
00:23:38,875 --> 00:23:40,708
AND THE BANDIT LEADERS
THEY’RE PROTECTING.
395
00:23:40,750 --> 00:23:42,458
AND THIS IS A LIST
OF THE MEN
396
00:23:42,500 --> 00:23:43,667
AND THE AMOUNTS
THEY’VE PAID YOU.
397
00:23:43,708 --> 00:23:45,417
I SEE.
398
00:23:45,458 --> 00:23:46,917
THEN IF THE CHAMBERS
CHARGE IS DROPPED,
399
00:23:46,958 --> 00:23:48,292
YOU WON’T GIVE
THAT LIST
TO COLONEL BELLAMY
400
00:23:48,333 --> 00:23:49,833
FOR PUBLICATION,
IS THAT IT?
401
00:23:49,875 --> 00:23:51,667
LET’S SAY
IT WON’T BE PUBLISHED
402
00:23:51,708 --> 00:23:53,792
AS LONG AS I’M FREE
AND HEALTHY.
403
00:23:53,833 --> 00:23:56,417
VERY WELL.
404
00:23:56,458 --> 00:23:57,792
I’LL SEE THAT
THE NECESSARY ORDERS
ARE ISSUED
405
00:23:57,833 --> 00:23:59,583
WHEN WE REACH
COMANCHE WELLS.
406
00:23:59,625 --> 00:24:02,875
I’LL JUST
STICK AROUND CLOSE BY
TO MAKE SURE YOU DO.
407
00:24:02,917 --> 00:24:04,542
AND, REMEMBER,
YOU CAN SHOOT
A DERRINGER
408
00:24:04,583 --> 00:24:05,875
FROM THE POCKET.
409
00:24:24,458 --> 00:24:25,625
HOW COME
YOU HAD THE BOYS
410
00:24:25,667 --> 00:24:27,208
MAIL THE LETTERS
TO YOU HERE?
411
00:24:27,250 --> 00:24:28,417
BECAUSE NOBODY HERE
KNOWS ME,
412
00:24:28,458 --> 00:24:29,667
FAR AS I KNOW.
413
00:24:29,708 --> 00:24:31,250
I DIDN’T THINK
ABOUT HITTING TOWN
414
00:24:31,292 --> 00:24:32,708
THE SAME TIME
AS GENERAL SLAYDEN.
415
00:24:32,750 --> 00:24:34,500
YEAH, AND HOW COME
YOU MADE THAT DEAL
WITH SLAYDEN?
416
00:24:34,542 --> 00:24:35,667
THAT AIN’T LIKE YOU.
417
00:24:35,708 --> 00:24:37,500
I WANT MORE EVIDENCE.
418
00:24:37,542 --> 00:24:38,917
I SAID I WOULDN’T PUBLISH
THAT PAY-OFF LIST,
419
00:24:38,958 --> 00:24:40,375
AND I WON’T.
420
00:24:40,417 --> 00:24:42,500
BUT I WILL SUBMIT IT
TO THE LEGISLATURE
IN CONGRESS
421
00:24:42,542 --> 00:24:44,375
AS MORE PROOF
OF HIS GUILT.
422
00:24:44,417 --> 00:24:46,542
SLAYDEN AIN’T
GONNA LIKE YOU.
423
00:24:48,500 --> 00:24:49,917
AND SO
THERE YOU HAVE IT.
424
00:24:50,042 --> 00:24:51,417
I ISSUED THE ORDER
425
00:24:51,458 --> 00:24:52,458
THAT NO OFFICIAL
POLICE ACTION
426
00:24:52,500 --> 00:24:53,458
BE TAKEN AGAINST AUTRY
427
00:24:53,500 --> 00:24:55,292
BECAUSE I HAD TO, UH,
428
00:24:55,333 --> 00:24:57,417
SHALL WE SAY
PROTECT US ALL?
429
00:24:57,458 --> 00:24:58,667
CAN YOU THINK
OF A BETTER WAY
430
00:24:58,708 --> 00:25:00,500
TO HANDLE A SITUATION,
CAPTAIN YANCEY?
431
00:25:00,542 --> 00:25:02,542
WELL, THAT ALL DEPENDS
ON WHAT YOU CALL
432
00:25:02,583 --> 00:25:04,042
OFFICIAL POLICE ACTION,
GENERAL.
433
00:25:04,083 --> 00:25:06,292
I MEAN AN OPEN ARREST
ON THE CHAMBERS CHARGE.
434
00:25:06,333 --> 00:25:09,208
IT’S AN EASY WAY TO GET BACK
THAT ENVELOPE OF YOURS.
435
00:25:09,250 --> 00:25:10,583
I DON’T AGREE.
436
00:25:10,625 --> 00:25:12,083
AUTRY’S TOO SMART
TO KEEP THAT
EVIDENCE ON HIM.
437
00:25:12,125 --> 00:25:13,375
WHEN HE LEFT HERE
438
00:25:13,417 --> 00:25:14,792
HE WENT
RIGHT STRAIGHT
TO THE POST OFFICE.
439
00:25:14,833 --> 00:25:16,875
I SAW HIM.
IT’S PROBABLY IN
THE MAILS RIGHT NOW.
440
00:25:16,917 --> 00:25:19,125
BUT IF HE ISN’T AROUND
TO BACK IT UP WITH TESTIMONY
441
00:25:19,167 --> 00:25:20,875
IT DOESN’T MEAN VERY MUCH.
442
00:25:20,917 --> 00:25:23,500
I’M FOR NOT, UH, LETTING HIM
LEAVE COMANCHE WELLS.
443
00:25:23,542 --> 00:25:25,958
NOT A BAD IDEA,
CAPTAIN YANCEY,
444
00:25:26,000 --> 00:25:27,542
[DOOR OPENS]
BUT AFTER ALL WE--
445
00:25:27,542 --> 00:25:29,667
Yancey: I TOLD YOU
TO STICK WITH AUTRY.
446
00:25:29,708 --> 00:25:31,042
I GOT HIM.
I GOT HIM.
447
00:25:31,083 --> 00:25:32,167
HIM AND HIS PARTNER
448
00:25:32,208 --> 00:25:33,625
JUST CHECKED IN AT
THE COMANCHE HOUSE.
449
00:25:33,667 --> 00:25:34,833
SAID THEY’RE GONNA
FEED AND TURN IN
450
00:25:34,875 --> 00:25:36,250
BECAUSE THEY WANNA
START AT SUNUP.
451
00:25:36,292 --> 00:25:37,500
THEN PLANT YOURSELF
IN THE LOBBY
452
00:25:37,542 --> 00:25:38,875
UNTIL YOU’RE SURE
THEY’RE BEDDED DOWN.
453
00:25:38,917 --> 00:25:41,333
YEAH, YEAH,
BUT THERE’S
SOMETHIN’ FUNNY.
454
00:25:41,375 --> 00:25:43,042
AUTRY PICKED UP
A BUNDLE OF MAIL
455
00:25:43,083 --> 00:25:44,042
THAT WOULD
CHOKE A BURRO.
456
00:25:44,083 --> 00:25:45,417
MAIL?
457
00:25:45,458 --> 00:25:47,333
WHY SHOULD AUTRY
BE GETTING MAIL HERE?
458
00:25:47,375 --> 00:25:49,833
HMM, POSTMASTER SAYS
IT’S BEEN COMIN’ IN
3, 4 WEEKS,
459
00:25:49,875 --> 00:25:51,958
AND IT’S ALL
FROM TOWNS IN TEXAS.
460
00:25:52,000 --> 00:25:54,208
I DON’T LIKE THIS.
461
00:25:54,250 --> 00:25:56,000
THAT MAIL
MEANS SOMETHING.
462
00:25:56,042 --> 00:25:57,417
YANCEY,
WE’LL TAKE HIM TONIGHT.
463
00:25:57,458 --> 00:25:58,625
KELLY, DO YOU KNOW ANYTHING
ABOUT THEIR ROOM?
464
00:25:58,667 --> 00:26:00,875
I KNOW ALL
ABOUT IT,
GENERAL.
465
00:26:00,917 --> 00:26:02,458
I’VE SLEPT OFF
A DOZEN DRUNKS
IN IT.
466
00:26:02,500 --> 00:26:03,458
THERE’S
ONE SMALL
467
00:26:03,500 --> 00:26:04,458
LITTLE WINDOW
IN THE ALLEY...
468
00:26:04,500 --> 00:26:05,708
PUT A MAN ON THAT.
469
00:26:05,750 --> 00:26:06,500
AND THERE’S
A DOOR INTO
THE HALL...
470
00:26:06,542 --> 00:26:07,583
YOU CAN
HANDLE THAT.
471
00:26:07,625 --> 00:26:08,583
AND THERE
AIN’T NO DOORS
472
00:26:08,625 --> 00:26:09,833
INTO THE CONNECTING
ROOMS.
473
00:26:09,875 --> 00:26:12,333
WELL,
THAT’S JUST FINE.
474
00:26:12,375 --> 00:26:15,042
I’LL TAKE COMMAND
OF THIS DETAIL
MYSELF, CAPTAIN.
475
00:26:15,083 --> 00:26:16,417
JUST TO MAKE IT
LOOK OFFICIAL.
476
00:26:16,458 --> 00:26:17,708
ALL RIGHT, KELLY.
477
00:26:17,750 --> 00:26:18,708
[LAUGHING]
478
00:26:18,750 --> 00:26:21,500
SHOT WHILE
RESISTING ARREST, HUH?
479
00:26:21,542 --> 00:26:23,083
[DOOR CLOSES]
PRECISELY, CAPTAIN.
480
00:26:23,125 --> 00:26:25,208
SHOT WHILE
RESISTING ARREST.
481
00:26:27,875 --> 00:26:28,917
DID YA GET IT?
482
00:26:28,958 --> 00:26:29,958
YEAH.
483
00:26:32,250 --> 00:26:33,792
MAKE A LOTTA RACKET.
484
00:26:33,833 --> 00:26:35,708
GIMME SOMETHIN’
TO RACKET WITH.
485
00:26:41,625 --> 00:26:44,333
Pat: SOMEBODY
HAD A BAD COLD.
486
00:26:44,375 --> 00:26:46,583
AND WHAT A HANGOVER.
487
00:26:46,625 --> 00:26:48,667
JUST WHAT I NEED
FOR MY RACKET.
488
00:26:49,875 --> 00:26:50,833
WHEW.
489
00:26:50,875 --> 00:26:51,625
[COUGH]
490
00:27:33,958 --> 00:27:35,875
Gene: YOU MUST BE
DOWN IN THE DUMPS, PAT.
491
00:27:35,917 --> 00:27:38,792
HAVEN’T HEARD
A SONG OUTTA YOU ALL DAY.
492
00:27:38,833 --> 00:27:41,667
Pat: JUST WAITIN’
FOR YOU TO ASK ME,
FRIEND GENE.
493
00:27:41,708 --> 00:27:43,292
NOW DO
SOME LOUD SINGIN’.
494
00:27:43,333 --> 00:27:44,750
LET ME GET ’EM
TUNED FIRST.
495
00:27:44,792 --> 00:27:47,042
WANNA MAKE SURE
THEY MATCH MY VOICE.
496
00:27:47,083 --> 00:27:49,333
[HIGH-PITCH TAPPING]
497
00:28:00,250 --> 00:28:01,708
[COUGH]
498
00:28:05,583 --> 00:28:08,750
♪ THERE’S A YELLOW ROSE
IN TEXAS ♪
499
00:28:08,792 --> 00:28:10,833
♪ I’M GOIN’ THERE TO SEE ♪
500
00:28:10,875 --> 00:28:13,333
♪ NO OTHER FELLER
KNOWS HER ♪
501
00:28:13,375 --> 00:28:15,708
♪ NOBODY, ONLY ME ♪
502
00:28:15,750 --> 00:28:18,417
♪ SHE CRIED SO
WHEN I LEFT HER ♪
503
00:28:18,458 --> 00:28:20,458
♪ IT BROKE
HER LOVIN’ HEART ♪
504
00:28:20,500 --> 00:28:23,042
♪ AND IF WE NEVER
MEET AGAIN ♪
505
00:28:23,083 --> 00:28:24,000
♪ WE NEVER,
NEVER PART ♪
506
00:28:24,042 --> 00:28:25,250
LOUDER.
507
00:28:25,292 --> 00:28:27,458
♪ SHE’S THE SWEETEST
ROSE OF COLOR ♪
508
00:28:27,500 --> 00:28:29,708
♪ THIS FELLER EVER KNEW ♪
509
00:28:29,750 --> 00:28:32,375
♪ HER EYES
ARE BRIGHT AS DIAMONDS ♪
510
00:28:32,417 --> 00:28:34,667
♪ THEY SPARKLE
LIKE THE DEW ♪
511
00:28:34,708 --> 00:28:37,042
♪ YOU TALK ABOUT
YOUR PRETTY GALS ♪
512
00:28:37,083 --> 00:28:38,750
♪ AND SING
OF ROSY LEE ♪
513
00:28:38,792 --> 00:28:41,167
♪ BUT THE YELLOW ROSE
OF TEXAS ♪
514
00:28:41,208 --> 00:28:42,333
♪ BEATS THE BELLS ♪
515
00:28:42,375 --> 00:28:46,125
♪ OF TENNESSEE! ♪
516
00:28:49,208 --> 00:28:50,792
[FOOTSTEPS]
517
00:28:54,292 --> 00:28:55,833
ANY SIGHT OF ’EM?
518
00:28:55,875 --> 00:28:58,625
NO. HADN’T BEEN FOR
THE LAST 2 OR 3 HOURS.
519
00:28:58,667 --> 00:28:59,833
FOR A SPELL
THEY CARRIED ON
520
00:28:59,875 --> 00:29:01,042
LIKE THEY WAS DRUNKS,
521
00:29:01,083 --> 00:29:02,708
SINGIN’ AND BANGIN’
BOTTLES AROUND,
522
00:29:02,750 --> 00:29:04,417
BUT THEY FINALLY
SIMMERED DOWN.
523
00:29:04,458 --> 00:29:06,042
PASSED OUT
MOST LIKELY.
524
00:29:06,083 --> 00:29:08,083
DO YOU THINK YOU CAN
HANDLE THAT WINDOW
525
00:29:08,125 --> 00:29:09,708
IN CASE THEY
MAKE A BREAK FOR IT?
526
00:29:09,750 --> 00:29:11,917
YOU JUST
RUN ’EM OUT.
527
00:29:21,792 --> 00:29:22,792
Slayden:
LIGHT A LAMP.
528
00:29:28,750 --> 00:29:30,167
Yancey:
THEY’RE GONE!
529
00:29:30,208 --> 00:29:32,083
YEAH, BUT HOW?
THEY DIDN’T FLY
THROUGH THE ROOF.
530
00:29:32,125 --> 00:29:33,542
OH, I’M CUSSED
IF I KNOW.
531
00:29:35,792 --> 00:29:36,875
THAT’S HOW THEY
GOT OUTTA HERE!
532
00:29:36,917 --> 00:29:39,042
YOU KNOW, I THOUGHT
IT WAS KINDA FUNNY.
533
00:29:39,083 --> 00:29:40,542
YOU THOUGHT
WHAT WAS FUNNY?
534
00:29:40,583 --> 00:29:42,542
WELL, WHILE
I’M SITTIN’ IN THE LOBBY
535
00:29:42,583 --> 00:29:44,458
AUTRY LIMPS OUT
WITH ONE BOOT ON
536
00:29:44,500 --> 00:29:46,917
AND ASKED THE NIGHT CLERK
CAN HE BORROW A HAMMER?
537
00:29:46,958 --> 00:29:49,583
SAYS HE KNOCKED THE HEEL
OFF OF ONE OF HIS BOOTS
538
00:29:49,625 --> 00:29:51,458
AND WANTS
TO NAIL IT BACK ON.
539
00:29:51,500 --> 00:29:53,000
I THOUGHT
IT WAS FUNNY.
540
00:29:53,042 --> 00:29:54,583
YOU THOUGHT
IT WAS FUNNY!
541
00:30:01,292 --> 00:30:02,833
[DOOR CLOSES]
542
00:30:15,917 --> 00:30:17,292
WE’LL WALK
A WHILE, PAT.
543
00:30:17,333 --> 00:30:18,833
EASE THE HORSES
A LITTLE.
544
00:30:18,875 --> 00:30:20,500
EASE OUR HORSES?
545
00:30:20,542 --> 00:30:22,625
IF YOU WASN’T IN SUCH
AN ALL-FIRED HURRY
546
00:30:22,667 --> 00:30:24,667
TO GET SOMEWHERE
BEFORE WE START
547
00:30:24,708 --> 00:30:26,333
WE’D BE EASIN’
OURSELVES
548
00:30:26,375 --> 00:30:27,750
IN A NICE, SOFT BED
549
00:30:27,792 --> 00:30:29,250
BACK IN COMANCHE WELLS.
550
00:30:29,292 --> 00:30:30,792
IT MEANS WE’LL GET BACK
TO ANN’S BISCUITS
551
00:30:30,833 --> 00:30:32,042
THAT MUCH SOONER.
552
00:30:32,083 --> 00:30:34,333
WELL, ANN BAKES
A MIGHTY NICE BISCUIT,
553
00:30:34,375 --> 00:30:36,667
BUT I HATE TO WALK
TO GET TO ’EM.
554
00:30:36,750 --> 00:30:37,875
COME ON, HORSEY.
555
00:30:49,625 --> 00:30:51,792
♪ I’VE GOT A HEART ♪
556
00:30:51,833 --> 00:30:54,500
♪ AS BIG AS TEXAS ♪
557
00:30:54,542 --> 00:30:56,083
♪ AND IT’S FILLED ♪
558
00:30:56,125 --> 00:30:58,708
♪ IT’S FILLED
WITH LOVE FOR YOU ♪
559
00:30:58,750 --> 00:31:00,875
♪ I LOOKED AROUND ♪
560
00:31:00,917 --> 00:31:03,417
♪ ALL OVER TEXAS ♪
561
00:31:03,458 --> 00:31:04,792
♪ TILL I FOUND ♪
562
00:31:04,833 --> 00:31:07,875
♪ I FOUND
SOMEONE SO TRUE ♪
563
00:31:07,917 --> 00:31:12,292
♪ IT ALWAYS SEEMED
THE SAME AS ANY OTHER ♪
564
00:31:12,333 --> 00:31:14,333
♪ BUT WHEN
YOU CAME ALONG ♪
565
00:31:14,375 --> 00:31:16,583
♪ IT GREW AND GREW ♪
566
00:31:16,583 --> 00:31:18,667
♪ I’VE GOT A HEART ♪
567
00:31:18,708 --> 00:31:21,458
♪ AS BIG AS TEXAS ♪
568
00:31:21,458 --> 00:31:22,792
♪ AND IT’S FILLED ♪
569
00:31:22,833 --> 00:31:25,542
♪ IT’S FILLED
WITH LOVE FOR YOU ♪
570
00:31:25,583 --> 00:31:27,958
♪ I’VE GOT A HEART ♪
571
00:31:28,000 --> 00:31:30,125
♪ AS BIG AS TEXAS ♪
572
00:31:30,167 --> 00:31:31,792
♪ AND IT’S FILLED ♪
573
00:31:31,833 --> 00:31:34,583
♪ IT’S FILLED
WITH LOVE FOR YOU ♪
574
00:31:34,625 --> 00:31:36,583
♪ I LOOKED AROUND ♪
575
00:31:36,625 --> 00:31:38,875
♪ ALL OVER TEXAS ♪
576
00:31:38,917 --> 00:31:40,500
♪ TILL I FOUND ♪
577
00:31:41,583 --> 00:31:43,458
♪ I FOUND SOMEONE
SO TRUE ♪
578
00:31:43,500 --> 00:31:48,042
♪ IT ALWAYS SEEMED
THE SAME AS ANY OTHER ♪
579
00:31:48,083 --> 00:31:50,000
♪ BUT WHEN
YOU CAME ALONG ♪
580
00:31:50,042 --> 00:31:52,042
♪ IT GREW AND GREW ♪
581
00:31:52,083 --> 00:31:54,250
♪ I’VE GOT A HEART ♪
582
00:31:54,292 --> 00:31:56,917
♪ AS BIG AS TEXAS ♪
583
00:31:56,958 --> 00:31:58,708
♪ AND IT’S FILLED ♪
584
00:31:58,750 --> 00:32:03,000
♪ IT’S FILLED
WITH LOVE FOR YOU ♪
585
00:32:06,958 --> 00:32:09,833
GOLLY, GENE,
THAT SONG
WAS A KNOCKOUT.
586
00:32:12,875 --> 00:32:14,542
DIDN’T KNOW
IT WAS THAT GOOD.
587
00:32:14,583 --> 00:32:17,083
GEE, PAT,
I DIDN’T MEAN
TO HURT YA.
588
00:32:17,125 --> 00:32:19,167
THAT’S ALL RIGHT,
HONEY. YOU COULDN’T
HELP IT,
589
00:32:19,208 --> 00:32:21,708
BUT THAT FOOL
THING’S LIABLE
TO KILL SOMEBODY.
590
00:32:24,958 --> 00:32:26,375
FATHER!
591
00:32:29,208 --> 00:32:32,167
I GOT SOME WORK TO DO.
592
00:32:32,208 --> 00:32:33,667
[MOANING]
593
00:32:35,917 --> 00:32:38,667
IS THAT CHILD TRYIN’
TO ASSASSINATE ME?
594
00:32:38,708 --> 00:32:41,375
I BETTER GO
AND HELP PAT.
595
00:32:42,500 --> 00:32:44,333
THERE.
YOU’RE NOT HURT.
596
00:32:44,375 --> 00:32:45,750
NOT HURT? NOT HURT?!
597
00:32:45,792 --> 00:32:48,125
I’LL BET
MY JAW IS CRACKED.
598
00:32:48,167 --> 00:32:50,625
THAT CHILD WILL BE
THE DEATH OF ME.
599
00:32:50,667 --> 00:32:52,375
GO PUT ON
SOME COFFEE, ANN.
600
00:32:52,417 --> 00:32:54,250
MAKE IT STRONG, TOO.
601
00:32:54,292 --> 00:32:57,583
GENE, I’VE BEEN
ALL THROUGH THESE PAPERS,
602
00:32:57,625 --> 00:32:59,250
THOROUGHLY,
603
00:32:59,292 --> 00:33:02,000
AND YOUR RANGERS HAVE
CERTAINLY DONE A GOOD JOB.
604
00:33:02,042 --> 00:33:03,500
YEAH.
I KNEW THEY WOULD.
605
00:33:03,542 --> 00:33:04,750
THERE’S ENOUGH
EVIDENCE HERE
606
00:33:04,792 --> 00:33:06,667
TO JUSTIFY SOME
MURDER INDICTMENTS.
607
00:33:06,708 --> 00:33:07,708
ENOUGH TO GET SLAYDEN?
608
00:33:07,750 --> 00:33:10,083
WHY, WITH THIS LIST
OF PAYOFF MEN,
609
00:33:10,125 --> 00:33:12,958
WE’LL CONVICT SLAYDEN
AND A LOTTA OTHERS.
610
00:33:13,000 --> 00:33:14,792
THEN WE’LL GET IT INTO
THE STATE LEGISLATURE
RIGHT AWAY.
611
00:33:14,833 --> 00:33:16,417
AND WASHINGTON, TOO, GENE.
612
00:33:16,458 --> 00:33:18,958
LET’S TIE ’EM ON ALL SIDES
AS LONG AS WE’RE AT IT.
613
00:33:19,000 --> 00:33:21,292
NOW, WE’RE GONNA BE BUSY
FOR THE NEXT FEW DAYS
614
00:33:21,333 --> 00:33:23,042
GETTIN’ OUT
THIS WEEK’S PAPER,
615
00:33:23,083 --> 00:33:26,667
AND THEN WE’LL MAKE
A FOOLPROOF PRESENTMENT
OF THE EVIDENCE
616
00:33:26,708 --> 00:33:29,042
AND WATCH
THOSE RASCALS SQUIRM.
617
00:33:29,083 --> 00:33:30,417
[LAUGHING]
COME ON.
618
00:33:32,917 --> 00:33:33,750
[HORSES NEIGH]
WHOA.
619
00:33:35,208 --> 00:33:36,667
[DOOR OPENS]
620
00:33:39,875 --> 00:33:41,250
YOU’RE 2 DAYS EARLY,
GENERAL.
621
00:33:41,292 --> 00:33:42,500
YES, I KNOW.
622
00:33:42,542 --> 00:33:43,458
I CANCELLED
MY TRIP TO BEAUMONT
623
00:33:43,500 --> 00:33:44,500
AND DROVE ALL DAY
TO GET HERE.
624
00:33:44,542 --> 00:33:45,542
WHAT’S NEW
IN THE AUTRY MATTER?
625
00:33:45,583 --> 00:33:46,792
I’VE GOT
SOME RESULTS.
626
00:33:46,833 --> 00:33:48,500
I TOLD YA TO BEAR
DOWN ON IT, YANCEY.
627
00:33:48,542 --> 00:33:50,125
I WANNA KNOW
WHAT AUTRY’S UP TO.
628
00:33:50,125 --> 00:33:51,917
WELL, PERHAPS YOU WILL
WHEN YOU’VE HEARD MY REPORT.
629
00:33:51,958 --> 00:33:53,083
AH, YEAH, I’M SORRY.
630
00:33:53,125 --> 00:33:54,083
I’M A LITTLE TIRED.
631
00:33:54,125 --> 00:33:55,625
GO AHEAD.
632
00:33:55,667 --> 00:33:58,333
I STARTED WITH
THE POSTMASTER HERE.
633
00:33:58,375 --> 00:33:59,500
HE REMEMBERED
SOME OF THE TOWNS
634
00:33:59,542 --> 00:34:01,042
WHERE AUTRY’S MAIL
CAME FROM,
635
00:34:01,083 --> 00:34:03,375
AND EVERY TOWN
OUR MEN HAVE HAD TROUBLE,
636
00:34:03,417 --> 00:34:04,583
SERIOUS TROUBLE.
637
00:34:04,625 --> 00:34:06,083
AND IN EVERY ONE
OF THOSE TOWNS
638
00:34:06,125 --> 00:34:07,625
EX-RANGERS
ARE GETTING AFFIDAVITS
639
00:34:07,667 --> 00:34:08,792
FROM THE CIVILIANS
INVOLVED.
640
00:34:08,833 --> 00:34:11,167
IN DETAIL.
AFFIDAVITS?
641
00:34:11,208 --> 00:34:12,750
THEY’RE INTERVIEWING
EVERY WITNESS THEY CAN FIND
642
00:34:12,792 --> 00:34:13,750
TO ANY ACT OF OUR MEN
643
00:34:13,792 --> 00:34:15,542
THAT EVEN LOOKS
A LITTLE SHADY.
644
00:34:15,583 --> 00:34:17,583
THAT CAN MEAN
ONLY ONE THING...
645
00:34:17,625 --> 00:34:18,583
AUTRY’S COLLECTING
646
00:34:18,625 --> 00:34:20,208
A MASS OF
ANTI-POLICE EVIDENCE
647
00:34:20,250 --> 00:34:21,375
THAT EVEN
WE CAN’T IGNORE.
648
00:34:21,417 --> 00:34:22,625
IT LOOKS LIKE IT.
649
00:34:22,667 --> 00:34:23,917
AND OLD BELLAMY’S
YAPPING ABOUT
650
00:34:23,958 --> 00:34:25,542
A CONGRESSIONAL
INVESTIGATION.
651
00:34:25,583 --> 00:34:27,417
THIS IS PROBABLY
PART OF IT.
652
00:34:27,458 --> 00:34:28,500
WE’D BETTER
GO TO GALVESTON.
653
00:34:28,542 --> 00:34:29,792
RIGHT NOW,
NOW?
654
00:34:29,792 --> 00:34:31,250
AND GET ME
A NEW DRIVER.
655
00:34:31,292 --> 00:34:32,625
MIKE’S ALL IN.
TAKE US ALL NIGHT
TO GET THERE.
656
00:34:32,667 --> 00:34:34,292
I’LL GET TED DRISCOLL.
HE USED TO DRIVE A STAGE.
657
00:34:34,333 --> 00:34:35,542
GOOD.
658
00:34:53,875 --> 00:34:55,042
WE’RE IN, GENERAL.
659
00:34:55,083 --> 00:34:56,042
GENERAL.
660
00:34:56,083 --> 00:34:57,208
GALVESTON.
661
00:35:21,042 --> 00:35:22,542
AHEM.
662
00:35:26,292 --> 00:35:28,167
CATHY, MY SHEARS.
663
00:35:41,500 --> 00:35:43,250
[GRUMBLING]
664
00:35:45,292 --> 00:35:46,708
CATHY, MY PASTE.
665
00:35:50,583 --> 00:35:51,583
YECCH.
666
00:35:54,042 --> 00:35:56,417
BE CAREFUL
OF MY NEW HAT THERE.
667
00:36:05,042 --> 00:36:06,542
GENTLEMEN...
668
00:36:06,583 --> 00:36:08,333
I’M GONNA
WEAR THIS HAT
669
00:36:08,375 --> 00:36:10,625
IN YOUR PRESENCE
CONSTANTLY.
670
00:36:10,667 --> 00:36:12,917
IF ONE OF YOU
SHOULD LAUGH,
671
00:36:12,958 --> 00:36:14,500
IF YOU DARE EVEN A SMILE
672
00:36:14,542 --> 00:36:16,083
I’LL...I’LL SHOOT YA,
673
00:36:16,125 --> 00:36:18,833
SO HELP ME, JEFFERSON DAVIS,
I’LL SHOOT YA!
674
00:36:18,875 --> 00:36:20,792
AND AS FOR YOU, ANN, I...
675
00:36:20,833 --> 00:36:22,708
HELL,
I’LL RESERVE JUDGMENT.
676
00:36:22,750 --> 00:36:24,458
NOW YOU TAKE
THAT CHILD WITH YOU.
677
00:36:24,500 --> 00:36:25,917
YOU GET LUNCH READY.
678
00:36:25,917 --> 00:36:27,167
I’LL BE HOME FOR IT
IN AN HOUR,
679
00:36:27,208 --> 00:36:28,250
AND THEN WE’LL
COME BACK HERE
680
00:36:28,292 --> 00:36:29,542
AND START
THE PRESS ROLLIN’.
681
00:36:29,583 --> 00:36:30,750
ALL RIGHT,
FATHER.
682
00:36:30,792 --> 00:36:31,875
COME ON,
CATHY.
683
00:36:39,417 --> 00:36:41,708
WELL?
684
00:36:55,250 --> 00:36:57,000
CAPTAIN YANCEY,
685
00:36:57,042 --> 00:36:58,375
I JUST SAW THAT KID
686
00:36:58,417 --> 00:37:00,500
THAT WAS AT THE RANCH
THE DAY CLYDE KILLED EVANS.
687
00:37:00,542 --> 00:37:01,417
OH, YOU’RE CRAZY.
688
00:37:01,458 --> 00:37:02,958
HE’S RIGHT, TIM.
689
00:37:03,000 --> 00:37:04,833
AUTRY BROUGHT
THAT KID TO TOWN
AFTER THE SHOOTING.
690
00:37:04,833 --> 00:37:08,375
WELL, THIS CHANGES
THE WHOLE PICTURE.
691
00:37:09,583 --> 00:37:11,125
YES, GENTLEMEN.
692
00:37:11,167 --> 00:37:12,833
IT CHANGES
THE WHOLE PICTURE.
693
00:37:29,417 --> 00:37:30,792
THEY’RE
ALL IN THERE.
694
00:37:30,833 --> 00:37:32,375
THOSE GIRLS HAVE
NEVER SEEN YOU, YANCEY.
695
00:37:32,417 --> 00:37:33,375
YOU DRIVE.
696
00:37:33,417 --> 00:37:35,000
YOU GET
OUT OF SIGHT.
697
00:38:15,708 --> 00:38:17,250
ARE YOU
MISS ANN BELLAMY?
698
00:38:17,292 --> 00:38:18,250
YES.
699
00:38:18,292 --> 00:38:19,583
MY NAME’S YANCEY.
700
00:38:19,625 --> 00:38:20,917
YOUR FATHER HAD
A HORSE ACCIDENT
701
00:38:21,000 --> 00:38:22,333
OUT AT MY PLACE
AND I--
702
00:38:22,375 --> 00:38:24,542
AN ACCIDENT?
IS IT SERIOUS?
703
00:38:24,583 --> 00:38:26,333
WELL, NOT TOO
SERIOUS, I HOPE,
704
00:38:26,375 --> 00:38:27,375
BUT I THINK
YOU BETTER COME.
705
00:38:27,417 --> 00:38:28,875
OH, OF COURSE.
706
00:38:30,917 --> 00:38:32,125
Ann: CATHY!
707
00:38:32,167 --> 00:38:33,583
HURRY, DEAR.
708
00:38:34,917 --> 00:38:36,667
WHAT ON EARTH
WAS FATHER DOING
709
00:38:36,708 --> 00:38:38,000
OUT OF THE OFFICE TODAY?
710
00:38:38,042 --> 00:38:39,292
TODAY’S PRESS DAY.
711
00:38:39,333 --> 00:38:40,625
WELL,
I’VE BEEN WORKING
WITH YOUR FATHER
712
00:38:40,667 --> 00:38:41,875
ON SOME TEXAS RANGER
BUSINESS.
713
00:38:41,917 --> 00:38:43,958
HE CAME OUT TO TALK
OVER SOME THINGS.
714
00:38:44,000 --> 00:38:45,667
CATHY DEAR,
THE COLONEL’S
BEEN HURT
715
00:38:45,708 --> 00:38:46,917
AND WE’RE
GOING TO HIM.
716
00:38:46,958 --> 00:38:49,583
OH, ANN, I HOPE
HE ISN’T HURT BAD.
717
00:38:49,625 --> 00:38:51,708
I HOPE SO, TOO, DEAR.
718
00:38:59,958 --> 00:39:03,500
ANN, THERE’S ONE OF THE MEN
WHO SHOT MY FATHER!
719
00:39:03,542 --> 00:39:05,042
GET IN THAT BUGGY.
720
00:39:07,167 --> 00:39:08,208
COME ON.
GET IN.
721
00:39:39,125 --> 00:39:40,917
THIS WAY.
722
00:39:43,417 --> 00:39:44,625
THIS IS
A SMALL CABIN.
723
00:39:44,667 --> 00:39:46,500
THERE’S 4 OF US
TO WATCH,
724
00:39:46,542 --> 00:39:48,208
SO DON’T
GET ANY IDEAS.
725
00:39:48,250 --> 00:39:49,583
INSIDE.
726
00:40:24,292 --> 00:40:25,833
OH, CATHY,
727
00:40:25,875 --> 00:40:27,458
WHAT ON EARTH
HAS HAPPENED?
728
00:40:27,500 --> 00:40:29,125
IT’S ROUGH INSIDE.
729
00:40:29,167 --> 00:40:30,458
JUST LIKE A LADDER.
730
00:40:30,500 --> 00:40:31,708
I’VE ALREADY BEEN
731
00:40:31,750 --> 00:40:33,667
ALMOST TO THE TOP.
732
00:40:33,708 --> 00:40:35,458
DARLING, WHAT ARE YOU
TALKING ABOUT?
733
00:40:35,500 --> 00:40:36,625
THE CHIMNEY.
734
00:40:36,667 --> 00:40:39,250
I CAN GET OUT
AND GET GENE.
735
00:40:40,708 --> 00:40:42,792
BUT SUPPOSE
THEY CATCH YOU.
736
00:40:42,833 --> 00:40:45,125
WELL, THEY’LL
JUST DUST ME OFF
737
00:40:45,167 --> 00:40:47,458
AND SHOVE ME
BACK IN HERE.
738
00:40:55,542 --> 00:40:56,792
DO YOU KNOW
HOW TO GET HOME?
739
00:40:56,792 --> 00:40:58,833
YOU BET I DO.
740
00:41:21,333 --> 00:41:22,667
[KICKING ON DOOR]
741
00:41:26,458 --> 00:41:27,417
WHAT DO YOU WANT?
742
00:41:27,458 --> 00:41:29,000
HERE’S SOME FOOD.
743
00:41:30,417 --> 00:41:32,167
LATER PERHAPS.
744
00:41:32,208 --> 00:41:34,250
CATHY’S ASLEEP.
745
00:41:34,292 --> 00:41:35,375
PLEASE DON’T
WAKEN HER.
746
00:41:35,417 --> 00:41:37,750
WELL, ALL RIGHT.
747
00:42:56,042 --> 00:42:58,583
I CAN’T FIND ANYONE WHO’S
EVEN SEEN ’EM ALL AFTERNOON.
748
00:42:58,625 --> 00:43:01,583
I LEARNED ONE THING:
SLAYDEN’S IN TOWN,
749
00:43:01,625 --> 00:43:03,500
AND IF WE HAVEN’T
FOUND ANN AND CATHY
BY MIDNIGHT
750
00:43:03,542 --> 00:43:04,708
I’LL GET HIM
INTO A CORNER
751
00:43:04,750 --> 00:43:06,083
AND BEAT SOMEINFORMATION OUT OF HIM.
752
00:43:06,125 --> 00:43:08,083
HE’LL NEVER LET YA
GET THAT CLOSE TO HIM, GENE.
753
00:43:08,125 --> 00:43:11,083
BUTTRAM MAY KNOW SOMETHING
WHEN HE GETS BACK.
754
00:43:25,083 --> 00:43:26,917
[SIGH]
755
00:43:30,958 --> 00:43:33,667
SOON AS I GET
THE LIGHT GOIN’...
756
00:43:33,708 --> 00:43:35,333
BREW ME UP SOME COFFEE,
WILL YA, GENE?
757
00:43:35,375 --> 00:43:36,708
SURE, COLONEL.
758
00:43:36,750 --> 00:43:38,417
WE WON’T
BE HERE THAT LONG.
759
00:43:39,667 --> 00:43:41,000
I DON’T SEE HOW
THEY CAN
DISAPPEAR
760
00:43:41,042 --> 00:43:42,167
INTO THIN AIR--
761
00:43:42,208 --> 00:43:43,583
JUST IN TIME, BUTTRAM.
762
00:43:43,625 --> 00:43:44,792
TAKE THEIR GUNS!
763
00:43:45,917 --> 00:43:47,833
SLAYDEN,
YOU SCOUNDREL,
764
00:43:47,875 --> 00:43:49,417
WHAT HAVE YOU DONE
WITH MY DAUGHTER?
765
00:43:49,458 --> 00:43:50,750
THEY’RE SAFE, COLONEL.
766
00:43:50,792 --> 00:43:51,958
QUITE SAFE,
767
00:43:52,000 --> 00:43:53,667
AND SO THEY SHALL REMAIN
768
00:43:53,708 --> 00:43:55,458
IF YOU’RE INCLINED
TO LISTEN TO REASON.
769
00:43:55,500 --> 00:43:57,167
GO ON.
770
00:43:57,208 --> 00:43:59,750
YOU HAVE CERTAIN
AFFIDAVITS AND STATEMENTS
771
00:43:59,792 --> 00:44:01,833
GATHERED TOGETHER FOR YOU
BY OUR FRIEND AUTRY HERE.
772
00:44:01,875 --> 00:44:03,500
I WANT THEM.
773
00:44:03,542 --> 00:44:04,958
WHEN THEY’RE
SURRENDERED TO ME
774
00:44:05,000 --> 00:44:06,750
YOUR DAUGHTER
AND THE EVANS GIRL
SHALL BE RELEASED.
775
00:44:06,792 --> 00:44:09,292
WHAT GUARANTEE
HAVE I OF THAT?
776
00:44:09,292 --> 00:44:10,292
MY WORD.
777
00:44:10,292 --> 00:44:12,042
YOUR WORD. HA.
778
00:44:12,083 --> 00:44:14,083
THE WORD
OF A MURDERING
SCOUNDREL--
779
00:44:14,125 --> 00:44:15,208
WHY YOU--
780
00:44:15,250 --> 00:44:17,083
NO, NO, DON’T,
GENE, DON’T.
781
00:44:17,125 --> 00:44:19,333
THOSE AFFIDAVITS.
782
00:44:19,375 --> 00:44:20,958
THAT’S ALL YOU WANT?
783
00:44:21,000 --> 00:44:23,333
WHY YES. EVEN THOUGH YOU
ENTERED INTO A CONSPIRACY
784
00:44:23,375 --> 00:44:24,917
TO HAVE ME
REMOVED FROM OFFICE,
785
00:44:24,958 --> 00:44:27,542
YOU’RE HELPLESS WITHOUT
THESE TEXAS RANGERS,
786
00:44:27,583 --> 00:44:30,375
AND I HAVE A STATE POLICE
WARRANT OUT FOR BOTH OF ’EM.
787
00:44:30,417 --> 00:44:32,750
I WANT AUTRY FOR THE MURDER
OF A STATE POLICEMAN,
788
00:44:32,792 --> 00:44:34,583
AND I WANT BUTTRAM
AS AN ACCESSORY.
789
00:44:34,625 --> 00:44:36,417
I CAN ASSURE YOU
790
00:44:36,458 --> 00:44:38,375
THEY WON’T COLLECT
ANY MORE AFFIDAVITS.
791
00:44:38,417 --> 00:44:41,375
YOU’RE NO TRUE
TEXAN, SLAYDEN,
792
00:44:41,417 --> 00:44:42,542
BUT MY DAUGHTER IS.
793
00:44:42,583 --> 00:44:43,708
WHY, IF I DID
AS YOU ASKED
794
00:44:43,750 --> 00:44:45,125
SHE’D WALK IN SHAME
795
00:44:45,167 --> 00:44:46,250
THE REST
OF HER LIFE.
796
00:44:46,292 --> 00:44:48,708
RUN, GENE!
797
00:44:48,750 --> 00:44:49,542
DON’T SHOOT!
YOU’LL KILL EACH OTHER!
798
00:44:49,583 --> 00:44:50,583
CAPTURE ’EM!
799
00:44:52,542 --> 00:44:54,083
[PUNCHES]
800
00:45:32,583 --> 00:45:34,250
GET OUTTA HERE, GENE!
801
00:45:34,292 --> 00:45:35,625
YOU GOTTA FIND ANN!
802
00:46:03,833 --> 00:46:05,375
Cathy: GENE!
803
00:46:05,375 --> 00:46:07,125
GENE!
804
00:46:33,250 --> 00:46:35,208
WE’LL GET ANN, CATHY.
NOW YOU STAY RIGHT HERE.
805
00:46:35,250 --> 00:46:36,167
YES, GENE.
806
00:47:02,750 --> 00:47:04,458
SEE THAT
WE’RE NOT DISTURBED.
807
00:47:06,458 --> 00:47:07,875
GIMME THOSE KEYS.
808
00:47:36,583 --> 00:47:38,667
GET THOSE AFFIDAVITS.
809
00:47:38,708 --> 00:47:40,833
THEY’RE IN THE SAFE.
810
00:47:40,875 --> 00:47:42,458
ARE YOU GONNA
OPEN THAT SAFE
811
00:47:42,500 --> 00:47:44,167
OR DO I HAVE
TO GET GUNPOWDER?
812
00:47:44,208 --> 00:47:47,458
THERE’S NO NEED
FOR FURTHER
VANDALISM, SLAYDEN.
813
00:47:47,500 --> 00:47:49,542
I’LL OPEN IT.
814
00:48:09,167 --> 00:48:10,167
[GUNSHOT]
815
00:48:30,417 --> 00:48:31,792
[DOOR CLOSES]
816
00:48:35,292 --> 00:48:36,542
WHERE’D THEY SHOOT YOU?
817
00:48:36,583 --> 00:48:38,292
GET ME UP.
818
00:48:38,333 --> 00:48:40,292
I PRAY THEY CUT
AN ARTERY.
819
00:48:40,292 --> 00:48:42,333
HERE,
HELP ME UP.
820
00:48:42,375 --> 00:48:45,167
THIS ISN’T ANY TIME
TO TRY AND BOX THINGS,
COLONEL.
821
00:48:45,208 --> 00:48:47,417
YOU’RE BLEEDING BAD.
822
00:48:47,458 --> 00:48:49,417
HELP ME UP, I SAY.
823
00:48:49,458 --> 00:48:51,792
AND I SAY LIE STILL!
824
00:48:54,667 --> 00:48:56,708
THIS IS DIRTY,
BUT IT’LL DO
825
00:48:56,750 --> 00:48:57,958
FOR ONE
OF THOSE TOURNIQUETS
826
00:48:58,000 --> 00:48:59,792
THAT STOPS BLEEDING.
827
00:49:03,083 --> 00:49:04,375
[MOAN]
828
00:49:04,417 --> 00:49:06,167
GIMME THAT TOURNIQUET.
829
00:49:06,208 --> 00:49:08,292
YOU STOP FUSSIN’.
830
00:49:08,333 --> 00:49:09,542
YOU’RE NOT HAPPY
831
00:49:09,583 --> 00:49:12,000
UNLESS YOU’RE RAMRODDIN’
EVERYBODY AROUND.
832
00:49:12,042 --> 00:49:13,792
WELL, JUST BE UNHAPPY
833
00:49:13,833 --> 00:49:16,167
UNTIL I GET THIS
TIED TIGHT.
834
00:49:16,208 --> 00:49:17,083
[GRUMBLING]
835
00:49:20,625 --> 00:49:21,958
TIE IT TIGHT.
836
00:49:23,208 --> 00:49:24,292
TIGHT.
837
00:49:41,667 --> 00:49:43,375
LET’S GO AROUND
IN BACK.
838
00:49:43,417 --> 00:49:44,708
I--I’LL
JUST WAIT HERE.
839
00:49:44,750 --> 00:49:46,042
OOH.
COME ON.
840
00:50:03,875 --> 00:50:06,167
I WONDER WHY THEY AIN’T
DONE NOTHING ABOUT FOOD.
841
00:50:06,208 --> 00:50:08,833
EVEN SCARED KIDS
AND WOMEN GET HUNGRY.
842
00:50:08,875 --> 00:50:10,458
THAT IS FUNNY.
843
00:50:10,500 --> 00:50:12,417
I’LL TRY THEM
WITH SOME COFFEE.
844
00:50:26,750 --> 00:50:29,083
HEY, IN THERE!
WANT SOME COFFEE?
845
00:50:33,167 --> 00:50:36,792
CATHY’S STILL ASLEEP.
PLEASE LET US ALONE.
846
00:50:36,792 --> 00:50:39,208
NOBODY’S GONNA HURT YOU.
847
00:50:39,250 --> 00:50:41,167
I JUST WANT TO MAKE SURE
EVERYTHING’S ALL RIGHT.
848
00:50:41,208 --> 00:50:42,500
OPEN UP.
849
00:50:42,542 --> 00:50:45,917
NO! YOU CAN’T COME IN.
850
00:50:45,958 --> 00:50:48,167
I DON’T WANT YOU TO.
YOU MUSTN’T.
851
00:50:48,208 --> 00:50:51,750
DON’T TELL ME I MUSTN’T!
WHAT GOES ON HERE?
852
00:51:02,750 --> 00:51:04,917
HEY, THE KID’S GONE!
853
00:51:25,458 --> 00:51:28,167
[SHELLS EXPLODING]
854
00:51:36,458 --> 00:51:38,667
YOU TWO GET UP
ON THE ROAD
AND HAVE A LOOK.
855
00:51:44,250 --> 00:51:46,417
DRISCOLL,
YOU COME WITH ME.
856
00:52:09,833 --> 00:52:11,750
THANK YOU, CATHY.
857
00:52:14,000 --> 00:52:16,167
[HORSES APPROACHING]
858
00:52:20,500 --> 00:52:21,667
THAT’S THE STATE
POLICE, PROBABLY.
859
00:52:21,708 --> 00:52:22,750
HIDE, CATHY, HIDE.
860
00:52:22,792 --> 00:52:24,792
I WILL NOT!
861
00:52:32,500 --> 00:52:34,958
STAND WHERE YOU ARE
OR I’LL SHOOT!
862
00:52:37,917 --> 00:52:39,792
WHY, CATHY!
863
00:52:41,625 --> 00:52:43,042
DAD, YOU’VE BEEN HURT.
864
00:52:43,083 --> 00:52:44,625
OH, NO, NO,
IT’S NOTHING, REALLY,
865
00:52:44,667 --> 00:52:46,375
BUT THE BULLET
CUT A BLEEDER.
866
00:52:46,417 --> 00:52:48,000
I’D HAVE SURE
BLED TO DEATH
867
00:52:48,042 --> 00:52:51,167
IF THIS BLESSED CHILD
HADN’T GOT TO ME
WITH A TOURNIQUET.
868
00:52:51,208 --> 00:52:53,000
I WISH I OWNED
THE STATE OF TEXAS
869
00:52:53,042 --> 00:52:55,042
BECAUSE I SURE WOULD
GIVE IT TO HER.
870
00:52:55,083 --> 00:52:56,292
WAS IT SLAYDEN?
871
00:52:56,333 --> 00:52:59,292
YEAH. HE GOT
THE AFFIDAVITS, GENE.
872
00:52:59,333 --> 00:53:02,708
Cathy: HE LEFT
IN A STAGECOACH
FOR AUSTIN.
873
00:53:02,750 --> 00:53:05,292
I SNUCK OUT
THE FRONT DOOR
AND LISTENED,
874
00:53:05,333 --> 00:53:07,917
AFTER I GOT
THE COLONEL’S
HAND BANDAGED.
875
00:53:07,958 --> 00:53:09,667
WAS ANYBODY WITH HIM?
876
00:53:09,708 --> 00:53:12,500
ONLY THE STAGECOACH
DRIVER.
877
00:53:12,542 --> 00:53:15,750
IF I KNOW SLAYDEN,
HE WANTS TO GET
TO AUSTIN
878
00:53:15,792 --> 00:53:17,208
TO ORDER A PRIVATE
REIGN OF TERROR
879
00:53:17,250 --> 00:53:19,625
OVER EVERYBODY
WHO SIGNED THOSE
AFFIDAVITS TO HELP US.
880
00:53:19,667 --> 00:53:21,875
WELL,
HE SURE GOT
A GOOD START.
881
00:53:21,917 --> 00:53:24,958
BUT BY STAGE,
HE’LL HAVE TO GO
THROUGH COMANCHE WELLS.
882
00:53:25,000 --> 00:53:26,458
I CAN FORD THE RIVER
AT SANDY CROSSING
883
00:53:26,500 --> 00:53:28,208
AND TAKE HIM LIKE
GRANT TOOK RICHMOND.
884
00:53:28,250 --> 00:53:31,667
SAY, THAT’S NO WAY
FOR AN EX-CONFEDERATE
CAVALRYMAN TO TALK.
885
00:53:31,708 --> 00:53:32,958
YOU MIGHT
TAKE HIM,
886
00:53:33,000 --> 00:53:34,750
BUT YOU’LL
NEVER GET HIM
BACK HERE.
887
00:53:34,792 --> 00:53:36,292
IF YOU LISTEN TO ME,
WE CAN DO THAT, TOO.
888
00:53:36,333 --> 00:53:37,833
LET’S GO.
889
00:54:13,833 --> 00:54:16,708
Driver: HYAH!
890
00:54:16,750 --> 00:54:24,792
HYAH!
891
00:54:59,542 --> 00:55:01,375
WHAT’S THE MATTER?
892
00:55:01,417 --> 00:55:03,167
I GOTTA LET ’EM
BREATHE, GENERAL.
893
00:55:03,208 --> 00:55:05,292
WELL, I MIGHT AS WELL
STRETCH MY LEGS, THEN.
894
00:55:05,333 --> 00:55:07,625
Gene:
YOU CAN STRETCH
YOUR HANDS, TOO,
895
00:55:07,667 --> 00:55:09,458
STRAIGHT UP.
896
00:55:11,042 --> 00:55:12,792
GET DOWN.
897
00:55:14,708 --> 00:55:17,250
DROP THAT GUN.
898
00:55:17,292 --> 00:55:18,625
TIE HIM UP.
899
00:55:18,667 --> 00:55:21,000
I AIN’T GOT NOTHING
TO TIE HIM WITH.
900
00:55:21,042 --> 00:55:22,792
USE THIS.
901
00:55:29,292 --> 00:55:31,042
NOW GET IN THERE.
902
00:55:36,708 --> 00:55:38,917
US TEXANS DON’T DO
NEAR ENOUGH WALKING.
903
00:55:38,958 --> 00:55:41,875
SUPPOSE YOU TRY IT
A WHILE. THIS WAY.
904
00:55:43,250 --> 00:55:45,167
BUT WHAT ABOUT
MY STAGE?
905
00:55:45,250 --> 00:55:47,333
IT’S NOW BECOME
THE NIGHT STAGE
TO GALVESTON,
906
00:55:47,375 --> 00:55:49,125
AND I DON’T WANT TO
KEEP THE GENERAL WAITING.
907
00:55:49,167 --> 00:55:50,917
MOVE ON.
908
00:56:02,375 --> 00:56:03,708
HYAH!
909
00:56:16,292 --> 00:56:19,000
[NEIGHS]
910
00:56:43,833 --> 00:56:46,083
[HORSES APPROACHING]
911
00:56:52,458 --> 00:56:54,375
WHAT HAPPENED TO
THE STAGECOACH?
912
00:56:54,417 --> 00:56:54,958
AUTRY TOOK IT.
913
00:56:56,000 --> 00:56:57,208
AUTRY? DID HE TAKE
SLAYDEN, TOO?
914
00:56:57,250 --> 00:56:59,292
THE WORKS.
HE’S HEADING
FOR GALVESTON.
915
00:56:59,333 --> 00:57:01,333
HE TOOK
THE ROCKY FORD
CUTOFF.
916
00:57:01,375 --> 00:57:02,625
IT’S ROUGH,
BUT HE CAN
MAKE IT.
917
00:57:02,667 --> 00:57:04,958
SO CAN WE.
918
00:57:39,625 --> 00:57:41,208
THERE HE IS.
919
00:57:41,292 --> 00:57:43,125
TRY TO GET AUTRY.
AIM HIGH.
920
00:57:43,167 --> 00:57:45,250
REMEMBER, SLAYDEN’S
IN THAT STAGECOACH.
921
00:57:48,542 --> 00:57:50,667
[GUNSHOTS]
922
00:57:54,750 --> 00:57:57,250
HYAH!
GET GOING, HORSES!
923
00:58:19,542 --> 00:58:21,625
[BULLET RICOCHETS]
924
00:58:37,542 --> 00:58:39,625
[GUNSHOTS]
925
00:58:45,625 --> 00:58:47,375
COME ON,
GET OUT OF HERE!
926
00:59:13,208 --> 00:59:15,542
WHOA, BOY, WHOA!
927
00:59:33,292 --> 00:59:35,292
SEEMS LIKE I’VE
SEEN YOU MEN BEFORE.
928
00:59:35,333 --> 00:59:36,833
LISTEN TO HIM!
929
00:59:36,875 --> 00:59:39,083
WE’VE RANGERED ALL OVER
TEXAS TOGETHER,
930
00:59:39,125 --> 00:59:42,208
AND THEN HE SAYS,
"SEEMS LIKE I’VE
SEEN YOU BEFORE."
931
00:59:42,250 --> 00:59:44,417
[ALL CHUCKLE]
932
00:59:44,458 --> 00:59:46,500
WHO’S YOUR PASSENGER,
MR. STAGE DRIVER?
933
00:59:46,542 --> 00:59:49,167
A BIG MAN
IN THE TEXAS
STATE POLICE.
934
00:59:49,208 --> 00:59:51,667
A MAN SHOULD BE CAREFUL
OF THE COMPANY HE KEEPS.
935
00:59:51,708 --> 00:59:54,250
OH, IT’S ALL RIGHT.
HE WON’T BE
IN OFFICE LONG.
936
00:59:54,292 --> 00:59:56,250
LET’S GET HIM
BACK TO GALVESTON,
SOON AS POSSIBLE.
937
00:59:56,292 --> 00:59:57,792
LET’S GET GOING.
938
00:59:59,542 --> 01:00:01,625
GIDDY-UP! [WHISTLES]
939
01:00:10,333 --> 01:00:11,583
[GUNSHOTS]
940
01:00:11,625 --> 01:00:13,167
Cathy: THEY’RE COMING!
941
01:00:13,208 --> 01:00:16,375
THEY’RE COMING! COME ON!
942
01:00:16,458 --> 01:00:18,792
Man:
THE RANGERS ARE COMING!
HERE COMES THE RANGERS!
943
01:00:18,833 --> 01:00:21,375
Second Man:
HOORAY! HERE’S
THE RANGERS, BOYS.
944
01:00:21,417 --> 01:00:24,375
♪ THE EYES OF TEXAS
ARE UPON YOU, TEXANS ♪
945
01:00:24,417 --> 01:00:28,667
♪ YOU CANNOT GET AWAY ♪
946
01:00:28,708 --> 01:00:32,250
♪ DO NOT THINK
YOU CAN ESCAPE THEM ♪
947
01:00:32,292 --> 01:00:37,042
♪ AT NIGHT
OR EARLY IN THE MORN ♪
948
01:00:37,083 --> 01:00:40,625
♪ THE EYES OF TEXAS
ARE UPON YOU ♪
949
01:00:40,667 --> 01:00:45,583
♪ TILL GABRIEL BLOWS
HIS HORN ♪
950
01:00:45,625 --> 01:00:48,875
♪ WELCOME, GOOD OLD
TEXAS RANGERS ♪
951
01:00:48,917 --> 01:00:53,417
♪ NOW YOU’RE HERE TO STAY ♪
952
01:00:53,458 --> 01:00:57,583
♪ YOU’RE THE PRIDE
AND MIGHT OF TEXAS ♪
953
01:00:57,625 --> 01:01:01,792
♪ FOREVER AND A DAY ♪
954
01:01:18,750 --> 01:01:21,500
[TRUMPET PLAYINGTO THE COLORS]
955
01:01:31,958 --> 01:01:35,500
I CAN ENJOY LIFE NOW
WITH MY 2 GIRLS.
956
01:01:35,667 --> 01:01:38,375
TEXAS IS IN
SAFE HANDS AGAIN.
957
01:01:41,625 --> 01:01:45,167
RIGHT HAND--SALUTE!
958
01:01:45,208 --> 01:01:46,333
Crowd: HOORAY!
959
01:01:46,375 --> 01:01:53,333
♪ THE EYES OF TEXAS
ARE UPON THEM ♪
960
01:01:53,375 --> 01:02:00,042
♪ TILL GABRIEL
BLOWS HIS HORN ♪
66482
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