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These are the user uploaded subtitles that are being translated: 1 00:01:16,000 --> 00:01:16,860 Light? 2 00:01:17,110 --> 00:01:18,580 Yes, thanks. 3 00:01:31,110 --> 00:01:33,110 I'm going to see what's happening. 4 00:01:57,290 --> 00:01:58,870 Anything new? 5 00:01:59,000 --> 00:02:01,230 Nothing. 6 00:02:16,050 --> 00:02:18,050 No. No answer. 7 00:03:15,340 --> 00:03:18,500 This desire to find still water again. 8 00:03:18,630 --> 00:03:23,190 The courage to separate. 9 00:03:24,870 --> 00:03:27,060 In the morning we'll awaken... 10 00:03:27,140 --> 00:03:29,300 ...to the touch of a thigh... 11 00:03:29,430 --> 00:03:31,430 ...a foot... a caress... 12 00:03:31,930 --> 00:03:34,920 You will open in me. 13 00:04:04,330 --> 00:04:07,360 As you desire, I shall receive him. 14 00:04:07,630 --> 00:04:10,570 I am willing to accord him that, at least. 15 00:04:10,640 --> 00:04:12,040 Soon Pylades will bring him here to me; 16 00:04:12,060 --> 00:04:14,910 Yet, if I thought, I should take more care. 17 00:04:15,450 --> 00:04:17,450 And why are you so loath to see the Prince? 18 00:04:17,540 --> 00:04:20,130 Is he not then the same Orestes still 19 00:04:20,220 --> 00:04:22,360 for whose return a thousand times you longed 20 00:04:22,530 --> 00:04:24,110 whom you regretted for his constant love? 21 00:04:25,440 --> 00:04:27,440 It is this love, so much despised by me 22 00:04:27,530 --> 00:04:29,530 which makes his presence so hard to bear. 23 00:04:30,300 --> 00:04:34,010 How must he triumph, how ashamed I am 24 00:04:34,080 --> 00:04:35,800 that my mishaps should equal his distress. 25 00:04:39,010 --> 00:04:42,440 "Is this," he'll say, "the proud Hermione?" 26 00:04:46,050 --> 00:04:49,910 Well... I couldn't see a thing. Mind starting again? 27 00:04:50,030 --> 00:04:52,590 "Is this," he'll say, "the proud Hermione?" 28 00:04:52,710 --> 00:04:54,100 No. That's not it. 29 00:05:05,250 --> 00:05:09,040 You're coming from offstage, so move off centre. 30 00:05:09,540 --> 00:05:11,540 Ok, take it again. 31 00:05:14,560 --> 00:05:17,270 No! Listen... "Is this..." 32 00:05:17,770 --> 00:05:20,320 I've asked you to follow direction... 33 00:05:20,380 --> 00:05:22,570 ...follow it precisely... 34 00:05:24,810 --> 00:05:29,150 No, not like that. I explained that before. 35 00:05:30,420 --> 00:05:33,080 I'm not getting it. 36 00:05:33,170 --> 00:05:35,410 Excuse me. 37 00:05:36,270 --> 00:05:39,460 No! It's absurd! you're an actress, you have to get it! 38 00:05:39,900 --> 00:05:42,150 Look, it may be absurd, but you know... 39 00:05:42,240 --> 00:05:43,930 I can't work in these conditions. 40 00:05:44,020 --> 00:05:46,380 With all this... 41 00:05:47,620 --> 00:05:49,430 Don't argue. Shut up! 42 00:05:49,460 --> 00:05:50,840 I didn't say anything. 43 00:05:52,390 --> 00:05:55,430 I won't! I won't and I can't! Excuse me! 44 00:05:58,930 --> 00:06:01,210 Get someone else. 45 00:06:02,320 --> 00:06:04,320 I'm going. 46 00:06:57,040 --> 00:06:59,920 Do you know the staging? 47 00:07:01,850 --> 00:07:03,500 Yves knows it. 48 00:07:08,550 --> 00:07:12,925 Her lines were right but there wasn't enough feeling. 49 00:07:13,710 --> 00:07:16,710 When you're looking for someone... you know... I'd like... 50 00:07:20,920 --> 00:07:22,920 We could do another scene. 51 00:07:23,360 --> 00:07:25,360 Let's take a look... That's ok. 52 00:07:27,590 --> 00:07:31,070 We could just stop for a bit. 53 00:08:14,540 --> 00:08:18,950 Look, if you want, we'll stop shooting. 54 00:08:19,030 --> 00:08:19,970 Why? 55 00:08:20,740 --> 00:08:23,250 My idea was to... 56 00:08:23,710 --> 00:08:25,750 ...do a show on rehearsals... 57 00:08:25,870 --> 00:08:28,610 ...and the story of the rehearsals... but... 58 00:08:28,670 --> 00:08:32,630 ...life and theatre get a bit too intertwined, eh? 59 00:08:32,690 --> 00:08:34,440 It's a bit natural, after all... 60 00:08:34,860 --> 00:08:38,570 We don't have to show the problems, but... 61 00:08:38,930 --> 00:08:41,990 ...I think it's good, it keeps the actors on their toes... 62 00:08:42,020 --> 00:08:44,020 ...and me too, we know we're being watched... 63 00:08:44,050 --> 00:08:46,970 If you still want to, I think we should go on. 64 00:08:50,080 --> 00:08:52,250 I don't know. We'll have to see. 65 00:08:53,620 --> 00:08:56,570 Anyway, we could ask the cast what they think. 66 00:08:57,675 --> 00:09:01,675 Well they all agreed at the start, so why drag it up again 67 00:09:03,200 --> 00:09:05,200 I'm not going to. 68 00:09:05,550 --> 00:09:08,200 And you? - Me? 69 00:09:08,290 --> 00:09:10,650 I agree. 70 00:09:14,490 --> 00:09:16,490 Why are you called "Puck"? 71 00:09:16,620 --> 00:09:19,250 I'm not! You call me that. 72 00:09:19,750 --> 00:09:21,660 Didn't I hear others call you that? 73 00:09:21,740 --> 00:09:23,230 Her name isn't Puck! 74 00:09:23,300 --> 00:09:26,260 Sure it is. Pearl Puck! 75 00:09:30,290 --> 00:09:32,900 Got any more of those? I've noticed 76 00:09:32,930 --> 00:09:35,760 your, uh... your cigarette tricks... 77 00:09:35,830 --> 00:09:37,830 the match boxes... 78 00:09:37,900 --> 00:09:39,700 I think I was too late. 79 00:09:39,770 --> 00:09:42,610 Have you shown Lewis what you did earlier? 80 00:09:42,820 --> 00:09:44,820 No, but he knows all that. 81 00:09:44,850 --> 00:09:47,420 I'm proud to follow Lewis in your interviews... 82 00:09:47,540 --> 00:09:48,850 You're in luck. 83 00:09:50,570 --> 00:09:51,749 Was it good? 84 00:09:51,750 --> 00:09:52,770 Good. 85 00:09:52,890 --> 00:09:54,890 Is he good? 86 00:09:55,390 --> 00:09:57,390 Show us the rushes? 87 00:09:57,720 --> 00:10:00,060 And there's time to dub, see the commentary. 88 00:10:00,180 --> 00:10:02,120 Sure we just need to sync it first. 89 00:10:02,180 --> 00:10:03,300 Sure... 90 00:10:03,490 --> 00:10:05,630 Maybe I'll see the rushes, 91 00:10:05,710 --> 00:10:08,690 and we can get Lewis to dub my voice as Pyrrhus... 92 00:10:10,280 --> 00:10:12,280 You're kidding, but... 93 00:10:12,450 --> 00:10:14,580 No, I'm not kidding. I talked... 94 00:10:14,770 --> 00:10:16,660 In "Buddy Love"... he was serious... 95 00:10:16,720 --> 00:10:20,000 Yes. No, but even in something... not at all funny... 96 00:10:20,160 --> 00:10:21,810 He should learn French first. 97 00:10:22,340 --> 00:10:25,740 No, he's fine. Have you heard him sing "Good Morning" in that film? 98 00:10:25,830 --> 00:10:29,250 And he improvises the French sounds... 99 00:10:29,820 --> 00:10:31,320 uh, yeah. 100 00:10:31,560 --> 00:10:34,150 He's great at French double-talk. 101 00:10:34,290 --> 00:10:36,750 I'm sure he'd be good in... no, really... 102 00:10:37,920 --> 00:10:39,450 Let's try it. 103 00:11:06,300 --> 00:11:07,970 Marta? 104 00:11:09,170 --> 00:11:11,530 Are you working these days? 105 00:11:11,740 --> 00:11:14,950 No... because I'd like to have you join us... 106 00:11:15,160 --> 00:11:17,450 Yes... Hermione... 107 00:11:18,410 --> 00:11:23,050 No, no problem... I'll explain... 108 00:11:35,700 --> 00:11:38,010 Since I was the one who smashed into it... 109 00:11:38,350 --> 00:11:42,330 I'm in the wrong. We can't collect. 110 00:11:45,770 --> 00:11:47,550 We'll have to take taxis, 111 00:11:50,120 --> 00:11:53,150 since we can't get it fixed now. 112 00:11:54,040 --> 00:11:56,040 It will be more expensive. 113 00:12:08,220 --> 00:12:10,220 Could you get any more work done? 114 00:12:12,000 --> 00:12:12,920 After? 115 00:12:13,420 --> 00:12:15,420 Yes, a little. 116 00:12:18,120 --> 00:12:19,610 You weren't too upset? 117 00:12:22,490 --> 00:12:23,940 Me, no. 118 00:12:25,790 --> 00:12:28,230 But the rest of them... 119 00:12:28,480 --> 00:12:31,230 It makes a bad atmosphere 120 00:12:31,370 --> 00:12:34,000 and some strained relationships. 121 00:12:36,310 --> 00:12:38,560 Mostly, I don't get you. 122 00:12:38,770 --> 00:12:42,970 I know, I don't understand myself either. 123 00:12:43,080 --> 00:12:47,960 For the time being I don't feel like working anymore. 124 00:12:48,070 --> 00:12:49,630 I want to be alone. 125 00:12:50,920 --> 00:12:52,620 I want to go away. 126 00:12:54,420 --> 00:12:56,420 And not see the others. 127 00:12:56,550 --> 00:12:57,990 What've they done? 128 00:12:59,600 --> 00:13:02,210 I don't know, nothing. They're assholes. 129 00:13:07,020 --> 00:13:09,860 You acted like an asshole too. 130 00:13:09,990 --> 00:13:11,290 True... 131 00:13:13,610 --> 00:13:17,160 but I get tired a lot... I want to sleep... 132 00:13:17,240 --> 00:13:19,240 ...I want to go home, that's all. 133 00:13:21,970 --> 00:13:23,380 You rest. 134 00:13:24,670 --> 00:13:27,500 Stay home in the evenings, if you like... 135 00:13:27,760 --> 00:13:29,340 We'll eat here... 136 00:13:29,520 --> 00:13:32,450 I'll work in one room, and you rest... 137 00:13:32,570 --> 00:13:33,200 Rest. 138 00:13:39,970 --> 00:13:41,410 Alright... 139 00:14:26,660 --> 00:14:28,900 You don't need me down there? Sure? 140 00:14:29,710 --> 00:14:31,710 Shall I come? 141 00:14:32,210 --> 00:14:35,960 Yes, if you like. It looks like Marta is OK 142 00:14:36,050 --> 00:14:36,870 Really? 143 00:14:37,640 --> 00:14:40,740 It looks like it... but come if you like. 144 00:14:41,240 --> 00:14:43,970 I don't know... I'll see... Maybe... 145 00:14:45,580 --> 00:14:46,990 I think I'll stay. 146 00:14:50,270 --> 00:14:51,560 Whatever you want. 147 00:15:20,350 --> 00:15:22,905 From the top. Take your place there. 148 00:15:31,640 --> 00:15:36,670 As you desire I shall receive him; I will accord him that. 149 00:15:36,960 --> 00:15:40,900 Soon Pylades will bring here; yet I should not see him... 150 00:15:41,190 --> 00:15:43,870 And why are you so loath to see the Prince? 151 00:15:44,410 --> 00:15:46,240 Is he not then the same Orestes still 152 00:15:46,290 --> 00:15:47,860 for whose return a thousand times you longed 153 00:15:47,940 --> 00:15:49,760 whom you regretted for his constant love? 154 00:15:49,950 --> 00:15:54,440 It is this love, so gracelessly repaid, which makes me dread his presence. 155 00:15:54,940 --> 00:15:57,440 How he must triumph, how ashamed I am... 156 00:15:57,530 --> 00:15:59,860 ...that my mishaps should equal his distress. 157 00:16:00,360 --> 00:16:02,810 "Is this," he'll say, "the proud Hermione?" 158 00:16:02,900 --> 00:16:04,860 She scorned me and another spurns her 159 00:16:05,000 --> 00:16:09,850 "She who used to rate her heart so high, now tastes rejection." 160 00:16:10,710 --> 00:16:15,080 Lady, dispel these empty fears! He's felt your charms too deep. 161 00:16:16,030 --> 00:16:18,030 You think a suitor comes to jeer? 162 00:16:18,530 --> 00:16:20,530 He brings a heart he could not keep away. 163 00:16:21,300 --> 00:16:23,580 But you do not say what your father asks. 164 00:16:23,940 --> 00:16:27,880 If Pyrrhus still delays, not consenting to the young Trojan's death, 165 00:16:27,920 --> 00:16:31,270 My father bids me with the Greeks depart. 166 00:16:32,810 --> 00:16:35,270 Well, lady, listen to Orestes, then. 167 00:16:35,770 --> 00:16:37,770 Pyrrhus began; you should do the rest. 168 00:16:39,380 --> 00:16:42,100 To act aright, you should forestall him now. 169 00:16:43,180 --> 00:16:45,180 Did you not say you hated him? 170 00:16:46,210 --> 00:16:49,840 Hate him, Cleone? Honor so commands; 171 00:16:49,900 --> 00:16:51,910 after so many oaths, he's lost... 172 00:17:25,500 --> 00:17:27,550 As you desire, I shall receive him. 173 00:17:27,780 --> 00:17:29,780 I am willing to accord him that. 174 00:17:30,280 --> 00:17:35,260 Soon Pylades will bring here; yet I should not see him... 175 00:18:13,720 --> 00:18:15,780 How are you? - Fine. 176 00:18:15,910 --> 00:18:18,310 Are you happy? - Yes. 177 00:18:20,250 --> 00:18:23,070 Ok, it's late. Let's stop, shall we? 178 00:18:27,220 --> 00:18:29,560 Hi, dear. How are you? 179 00:18:29,800 --> 00:18:31,430 And you? - Fine. 180 00:18:31,680 --> 00:18:34,450 You look great. - Pretty! 181 00:18:34,530 --> 00:18:35,770 You like it? 182 00:18:39,920 --> 00:18:43,120 My old flames have always gotten along. 183 00:18:53,060 --> 00:18:55,240 Going? 184 00:18:55,440 --> 00:18:56,699 Want to come for dinner at our place? 185 00:18:56,700 --> 00:18:57,829 No. Another time. 186 00:18:57,830 --> 00:19:00,170 After you tell Sebastien. Ok? 187 00:19:42,730 --> 00:19:45,390 Do you have any cinnamon? 188 00:20:20,345 --> 00:20:23,130 He's been on the game for ages and he's getting nowhere... 189 00:20:25,950 --> 00:20:29,370 Come on, we're sitting down after. Have a drink? 190 00:20:35,520 --> 00:20:36,690 Win? 191 00:20:37,010 --> 00:20:39,200 Not even ten francs! 192 00:20:42,720 --> 00:20:44,410 You're not zonked? 193 00:20:44,630 --> 00:20:50,020 Don't worry... I've been zonked for months. 194 00:21:17,910 --> 00:21:20,450 Give me some of your gum. 195 00:21:22,930 --> 00:21:24,080 Gum? 196 00:21:24,600 --> 00:21:27,600 No, listen, I'm talking. 197 00:21:32,470 --> 00:21:34,360 Knock it off! You're disgusting! 198 00:21:41,770 --> 00:21:43,860 Want Some? - Oh! Later. 199 00:21:48,250 --> 00:21:51,020 The gum back in the liberation was louder. 200 00:21:51,070 --> 00:21:52,310 Ahahahahaha! 201 00:23:18,290 --> 00:23:20,860 How her refusal breathes unfeeling scorn. 202 00:23:26,800 --> 00:23:29,260 We're starting right in? 203 00:23:42,340 --> 00:23:45,310 How her refusal breathes unfeeling scorn! 204 00:23:45,430 --> 00:23:48,120 Follow her advice, and see Pyrrhus. 205 00:23:48,170 --> 00:23:50,150 One look would rout Hermione and Greece. 206 00:23:50,710 --> 00:23:52,120 But he is seeking you... 207 00:24:01,090 --> 00:24:03,370 She goes off, there. And you all have to follow her. 208 00:24:41,390 --> 00:24:44,560 You weren't turned away like that. 209 00:24:48,410 --> 00:24:50,410 Is that right? No, shorter. 210 00:24:59,560 --> 00:25:03,260 Do you joy at Hector's widow weeping at your knees? 211 00:25:05,000 --> 00:25:09,390 I do not come with jealous tears, to envy you a heart that longs for you. 212 00:25:09,540 --> 00:25:13,200 I saw, alas! a cruel hand pierce the heart that I aspired to. 213 00:25:14,530 --> 00:25:17,050 My love was lit by Hector long ago; 214 00:25:17,550 --> 00:25:19,550 and it is buried in his tomb, with him. 215 00:25:20,050 --> 00:25:24,070 But I still have his son. 216 00:25:24,160 --> 00:25:27,410 One day you will know Madame, how far a mother's love will go. 217 00:25:27,990 --> 00:25:30,630 Why fear the child, with Hector dead? 218 00:25:30,920 --> 00:25:33,200 Let me conceal him on some desert isle. 219 00:25:33,280 --> 00:25:37,130 I feel for you; but duty falls silent when my father has spoken. 220 00:25:40,220 --> 00:25:44,340 Make him declare his mind; I will subscribe. 221 00:25:53,690 --> 00:25:55,690 You don't look at me. 222 00:25:56,070 --> 00:26:06,500 How scornfully the cruel girl denied us! 223 00:26:09,440 --> 00:26:14,380 Good. Ok, let's do it again from the preceding scene. 224 00:26:14,660 --> 00:26:18,700 From... Andromache's entrance. 225 00:26:51,090 --> 00:26:53,090 See you at home? 226 00:26:53,140 --> 00:26:55,140 Yes. You ok? 227 00:27:00,130 --> 00:27:07,170 it is now buried with him in his tomb. 228 00:27:07,990 --> 00:27:09,450 But still I have his son. 229 00:27:09,560 --> 00:27:12,760 One day you'll know how far... don't laugh... a mother's love will go. 230 00:27:17,950 --> 00:27:19,100 Claire? 231 00:28:19,780 --> 00:28:21,790 Hand me that. 232 00:28:21,840 --> 00:28:26,330 The eau de cologne? 233 00:28:57,130 --> 00:29:04,840 Do you like it? 234 00:29:12,930 --> 00:29:18,940 Not so much... Like that. 235 00:29:19,200 --> 00:29:21,670 Oh, my dear Cephisa 236 00:29:22,040 --> 00:29:25,740 My heart cannot hide from you. 237 00:29:26,160 --> 00:29:32,430 My heart... My heart cannot hide from you. 238 00:29:33,140 --> 00:29:34,550 That's it. 239 00:29:34,610 --> 00:29:37,820 Your faultless loyalty acting to the letter. 240 00:29:37,850 --> 00:29:40,890 Yet I thought you might know me better. 241 00:29:43,830 --> 00:29:46,260 What? Did you think Andromache untrue 242 00:29:46,760 --> 00:29:48,760 would betray him who thought to live anew 243 00:29:53,650 --> 00:29:55,070 I won't bother you here? 244 00:29:55,160 --> 00:29:57,010 No, not at all. 245 00:29:58,300 --> 00:30:00,750 Through her revive the sorrows of the dead 246 00:30:00,850 --> 00:30:03,380 And with my peace betray the tears shed 247 00:30:03,400 --> 00:30:06,980 Good now once more starting from "What?" 248 00:30:13,990 --> 00:30:15,310 Wait, the scene is not sad. 249 00:30:15,390 --> 00:30:16,380 Not sad... 250 00:30:55,280 --> 00:30:56,700 He's dumb. - No, he's nice. 251 00:30:56,800 --> 00:30:58,620 He's the dumbest! Look! 252 00:30:59,880 --> 00:31:01,310 The king of pop-ups... 253 00:31:01,410 --> 00:31:02,700 Doesn't even pop up. 254 00:31:04,630 --> 00:31:06,030 Don't hurt his popper. 255 00:31:06,050 --> 00:31:07,060 He's bad. 256 00:31:07,210 --> 00:31:11,240 He's nice. Leave him like that. 257 00:31:11,550 --> 00:31:13,130 See? Now he's happy. 258 00:31:13,270 --> 00:31:14,520 Can't even pop up! 259 00:31:14,800 --> 00:31:16,380 Leave him alone! 260 00:31:17,670 --> 00:31:21,640 Stop it. He's one of the rarest pop-up toys... 261 00:31:26,510 --> 00:31:28,880 Your drumming sounded nice. 262 00:31:30,210 --> 00:31:31,880 Yes, it was great. 263 00:31:32,210 --> 00:31:34,140 You're improving! 264 00:31:34,810 --> 00:31:36,810 I really am. No kidding, you noticed! 265 00:31:36,860 --> 00:31:39,330 I think you should drop theatre for drumming. 266 00:31:39,630 --> 00:31:41,630 Really? I've thought about it seriously. 267 00:31:41,740 --> 00:31:42,430 Ahaha! 268 00:31:42,530 --> 00:31:44,160 Come on... You're kidding me... 269 00:31:44,410 --> 00:31:45,830 No, I'm not. 270 00:31:46,010 --> 00:31:49,180 Because I'm getting it... I'm still lousy, but I'm getting it. 271 00:31:49,260 --> 00:31:51,210 It's a small set of drums. 272 00:31:52,580 --> 00:31:56,680 I'm going to buy it... Don't worry... I have an idea... 273 00:31:56,810 --> 00:31:58,780 When I was over at Central Rhythm... 274 00:31:58,860 --> 00:32:01,330 I saw a second-hand set... when I get some bread... 275 00:32:01,490 --> 00:32:03,490 I think Celia... 276 00:32:03,720 --> 00:32:06,260 and Madly were very pleased. 277 00:32:06,420 --> 00:32:09,420 Madly... I think they were very pleased. 278 00:32:11,890 --> 00:32:13,124 I didn't see. 279 00:32:13,125 --> 00:32:14,290 I noticed. 280 00:32:14,480 --> 00:32:16,330 Hm... I didn't. 281 00:32:16,490 --> 00:32:19,410 They were surprised, anyway. Couldn't you tell? 282 00:32:22,370 --> 00:32:23,640 What do you expect? 283 00:32:23,760 --> 00:32:25,050 Blacks have rhythm... 284 00:32:25,550 --> 00:32:27,550 - What? - Blacks have rhythm 285 00:32:27,630 --> 00:32:29,670 Idiot! 286 00:32:30,110 --> 00:32:30,950 You too... 287 00:32:31,130 --> 00:32:33,180 You're a black... A real black... 288 00:32:33,340 --> 00:32:35,260 Do you think the neighbours are happy? 289 00:32:35,570 --> 00:32:37,110 Yes. - Yes? 290 00:32:37,310 --> 00:32:38,910 Very happy? - Yes, yes. 291 00:32:40,450 --> 00:32:43,960 Two tam-tams, a snare and a bass... 292 00:32:44,200 --> 00:32:45,890 and brushes... 293 00:32:47,900 --> 00:32:49,890 I don't like brushes... because 294 00:32:50,000 --> 00:32:50,809 they are for Jazz. 295 00:32:50,810 --> 00:32:51,989 Brushes are soft... 296 00:32:51,990 --> 00:32:57,140 I'm not actually into jazz... rhythm and blues are more my specialty... 297 00:32:57,420 --> 00:32:59,080 You know how? 298 00:32:59,140 --> 00:33:00,599 Hey, the pop-up. 299 00:33:00,600 --> 00:33:02,160 He's asleep. 300 00:33:05,840 --> 00:33:09,450 I really don't like him. I really don't. 301 00:33:09,600 --> 00:33:11,600 Leave him like that. 302 00:33:11,880 --> 00:33:14,460 No, I don't like him. He gets on my nerves! 303 00:33:14,740 --> 00:33:16,890 It's really that pop-up that gets on my nerves, you know. 304 00:33:17,410 --> 00:33:19,540 I never saw one so annoying. 305 00:33:20,540 --> 00:33:23,980 I warn you, someday I'll do something to this pop-up... 306 00:33:24,190 --> 00:33:27,820 What are you going to do? You wouldn't let me take his hat off. 307 00:33:28,120 --> 00:33:31,490 I'm going to disguise him as a lady pop-up boy! 308 00:33:33,130 --> 00:33:35,130 teeheehee 309 00:33:41,110 --> 00:33:43,030 Can we toss him out? 310 00:33:43,190 --> 00:33:43,860 Sleep. 311 00:33:43,950 --> 00:33:46,370 I won't sleep with this pop-up toy. I refuse. 312 00:33:47,990 --> 00:33:51,770 Do you want to sleep with him? Or me? You've got to choose... 313 00:33:54,620 --> 00:33:56,110 Sleep... 314 00:33:56,190 --> 00:33:57,910 You asleep? 315 00:33:58,520 --> 00:33:59,320 Like that? 316 00:33:59,440 --> 00:34:00,040 Sleepy? 317 00:34:00,710 --> 00:34:02,710 Ok. Sleep. 318 00:34:06,690 --> 00:34:08,690 Thursday 319 00:34:08,780 --> 00:34:11,860 I know not. Was I master of myself? 320 00:34:11,980 --> 00:34:14,610 Rage carried me away; perhaps I went 321 00:34:14,660 --> 00:34:16,950 to threaten both the ingrate and her love. 322 00:34:17,390 --> 00:34:19,810 And what resulted from this fit of rage? 323 00:34:19,960 --> 00:34:23,110 Who'd not be stunned by this horrendous blow? 324 00:34:23,610 --> 00:34:25,610 Tomorrow he will wed Hermione... 325 00:34:26,050 --> 00:34:28,530 Honouring me by receiving her from me 326 00:34:29,460 --> 00:34:32,460 Ah! Sooner will this hand, in his barbarian blood... 327 00:34:34,080 --> 00:34:37,080 You accuse him, Sir, by this strange turn of fate 328 00:34:37,360 --> 00:34:39,360 Yet he's tormented by his own plans, perhaps. 329 00:34:40,155 --> 00:34:42,155 He is to be pitied, just as I pity you. 330 00:34:42,880 --> 00:34:46,500 No, no, I know him. My despair spurs him on. 331 00:34:47,560 --> 00:34:49,560 Without me and my love, he'd scorn her. 332 00:34:51,080 --> 00:34:53,080 Up to now her charms hadn't touched him. 333 00:34:53,880 --> 00:34:55,880 He takes her to deprive me of her. 334 00:35:03,120 --> 00:35:05,120 Up to now her charms hadn't touched him. 335 00:35:05,800 --> 00:35:07,800 He takes her to deprive me of her. 336 00:35:07,880 --> 00:35:08,875 You think so? 337 00:35:10,200 --> 00:35:12,075 Never was he more loved! 338 00:35:12,920 --> 00:35:14,920 Do you think that even Pyrrhus had done as you bid 339 00:35:15,360 --> 00:35:17,360 The flimsiest pretext wouldn't have kept her here? 340 00:35:17,840 --> 00:35:20,240 Do you know what I think? Shun her deceptive attractions 341 00:35:21,120 --> 00:35:23,120 Instead of abducting her, flee forever. 342 00:35:24,880 --> 00:35:26,880 Otherwise your lover will turn into a fury 343 00:35:26,960 --> 00:35:28,960 Who will detest you, who, your whole life 344 00:35:29,475 --> 00:35:31,610 Will regret a marriage so nearly attained, 345 00:35:31,715 --> 00:35:33,215 Will want... That's why I must carry her away. 346 00:35:54,120 --> 00:35:56,120 Did you expect, Cleone, such restrained wrath? 347 00:35:59,160 --> 00:36:01,160 Sadness which keeps silent can be just as fatal 348 00:36:03,080 --> 00:36:03,545 I pity him 349 00:36:05,080 --> 00:36:07,080 all the more because he's the author of his own problems, 350 00:36:07,670 --> 00:36:09,670 The thing he has lost is still a part of him: 351 00:36:11,600 --> 00:36:13,600 Look at the length of time since the wedding was announced. 352 00:36:15,080 --> 00:36:17,080 He only talks, Madame, and Pyrrhus fears. 353 00:36:18,370 --> 00:36:20,460 Pyrrhus afraid? 354 00:36:21,140 --> 00:36:23,480 Afraid of what? 355 00:36:23,700 --> 00:36:26,510 Of those who for ten years fled Hector? 356 00:36:26,700 --> 00:36:30,360 Who, by Achilles absence terrified, fled often to the burning ships 357 00:36:30,480 --> 00:36:35,285 And still would, but for his son, be seeking Helen's return? 358 00:36:35,380 --> 00:36:36,380 Livelier 359 00:36:37,020 --> 00:36:41,200 No, Cleone, he is not his enemy. 360 00:36:41,320 --> 00:36:46,270 He does what he wills. Weds me, loves me. 361 00:36:46,305 --> 00:36:51,185 Yet Orestes must ascribe his tears to me 362 00:36:51,220 --> 00:36:51,304 Pyrrhus returns to me Yet Orestes must ascribe his tears to me 363 00:36:51,305 --> 00:36:55,145 Pyrrhus returns to me 364 00:36:55,180 --> 00:37:01,570 Oh, dear Cleone Can you feel the joy that fills Hermione? 365 00:37:01,605 --> 00:37:04,240 Know you who Pyrrhus is? 366 00:37:04,380 --> 00:37:06,780 Have you heard his many exploits? 367 00:37:07,120 --> 00:37:08,830 Many... 368 00:37:08,980 --> 00:37:12,360 Even more... she knows, because he already reproached her... 369 00:37:12,450 --> 00:37:14,850 ...for being too, uh... 370 00:37:14,950 --> 00:37:19,300 for...betraying him... 371 00:37:19,400 --> 00:37:22,640 you, at least, dazzled by his glory. 372 00:37:23,540 --> 00:37:25,810 You know? No, you don't know. 373 00:37:25,900 --> 00:37:30,150 Though she knows... we know you're making him tell the truth. 374 00:37:34,430 --> 00:37:36,590 Know you who Pyrrhus is? 375 00:37:37,900 --> 00:37:40,310 No, you don't know. Look... 376 00:37:40,440 --> 00:37:42,360 You make him tell about the exploits... 377 00:38:20,970 --> 00:38:22,870 I'd like to interview one actress... 378 00:38:23,010 --> 00:38:24,249 ...I'd like it to be you. 379 00:38:24,250 --> 00:38:27,030 Ok, but what'll it be, where are you taking me? 380 00:38:37,050 --> 00:38:39,340 It won't take more than ten minutes. 381 00:38:40,150 --> 00:38:43,460 I wonder if you'd mind leaving us alone. 382 00:38:44,850 --> 00:38:46,850 It's an exclusive interview... 383 00:38:50,690 --> 00:38:51,520 Set? 384 00:38:51,600 --> 00:38:53,120 We're all set; rolling! 385 00:39:06,990 --> 00:39:08,690 I feel like I'm at the doctor's. 386 00:39:08,860 --> 00:39:11,300 No, it's more like the psychiatrist's. 387 00:39:11,490 --> 00:39:12,590 Not much better. 388 00:39:12,720 --> 00:39:15,540 My guess is that Marta is a stage name, right? 389 00:39:17,830 --> 00:39:19,780 Yes, a stage name. That's right. 390 00:39:20,650 --> 00:39:22,330 Why did you change your name? 391 00:39:24,460 --> 00:39:28,270 My real name is... Jose Roskep, actually. 392 00:39:29,930 --> 00:39:33,230 I changed it because when I started in theatre... 393 00:39:33,340 --> 00:39:36,610 ...well, when I first wanted to, at around sixteen or so... 394 00:39:36,900 --> 00:39:38,480 I discovered Pirandello. 395 00:39:38,570 --> 00:39:41,410 I read a line: "To Marta, that I may not die." 396 00:39:41,580 --> 00:39:43,580 It was in honour of Marta-Abba. 397 00:39:44,040 --> 00:39:45,740 I really like it. 398 00:39:45,990 --> 00:39:47,510 You like Pirandello? 399 00:39:47,670 --> 00:39:49,080 Yes, very much. 400 00:39:49,250 --> 00:39:52,090 And I chose Marta. That's all. 401 00:39:52,180 --> 00:39:53,329 Done any Pirandello? 402 00:39:53,330 --> 00:39:56,080 No, I've never played him. Not yet. 403 00:39:56,790 --> 00:39:58,480 What have you done? 404 00:39:59,040 --> 00:40:01,560 Oh, a lot of things... "Antigone"... 405 00:40:01,650 --> 00:40:02,990 uh... "The Seagull"... 406 00:40:03,060 --> 00:40:05,060 and then all the classics... 407 00:40:07,760 --> 00:40:09,640 Happy to be working with Sebastien? 408 00:40:09,730 --> 00:40:12,110 With Sebastien, yes. I'm happy too. 409 00:40:12,350 --> 00:40:14,490 I've played a lot of classics, 410 00:40:14,640 --> 00:40:16,750 and it's never very satisfying... 411 00:40:17,360 --> 00:40:19,850 ...and here, I finally find what I'm looking for... 412 00:40:19,980 --> 00:40:23,140 ...well, you've been at rehearsals... it's good, exciting... 413 00:40:23,440 --> 00:40:25,440 And I think it's honest. 414 00:40:31,090 --> 00:40:31,550 Thanks. 415 00:40:31,640 --> 00:40:32,580 That's ok. 416 00:40:41,410 --> 00:40:43,440 But if you're... 417 00:40:43,500 --> 00:40:47,230 if you let the rhythm take you at that point... 418 00:40:47,420 --> 00:40:48,670 Ok, take it again now. 419 00:40:49,120 --> 00:40:52,430 I would be happy in the urgency of my ardour 420 00:40:58,320 --> 00:41:00,320 If I could carry off my princess in place of Astyanax 421 00:41:01,980 --> 00:41:03,980 Is that it? "Carry off my princess"? 422 00:41:09,750 --> 00:41:11,550 Do I get up too? 423 00:41:11,670 --> 00:41:14,640 For do not hope my new-inflamed love... 424 00:41:14,710 --> 00:41:17,670 ...can by the greatest dangers be dismayed. 425 00:41:19,830 --> 00:41:23,050 Since stubborn, long resistance is in-vain, 426 00:41:23,210 --> 00:41:25,210 I follow blindly my impelling fate. 427 00:41:25,470 --> 00:41:28,570 I love, and come to win Hermione, 428 00:41:28,770 --> 00:41:31,600 carry her off, or die before her eyes. 429 00:41:33,640 --> 00:41:36,430 You know the king; what think you he will do? 430 00:41:36,620 --> 00:41:39,990 Tell me, what happens in his court, and heart? 431 00:41:42,530 --> 00:41:45,530 Will he return what he took from me? 432 00:41:48,820 --> 00:41:50,990 Wait till he's taken a good look. 433 00:41:52,800 --> 00:41:54,640 He's going to get up... 434 00:41:55,140 --> 00:41:56,750 And without his look... 435 00:42:00,400 --> 00:42:02,550 I would be happy in the urgency of my ardour 436 00:42:03,400 --> 00:42:05,400 If I could carry off my princess in place of Astyanax 437 00:42:08,560 --> 00:42:09,830 For I do not expect that my.. 438 00:42:09,960 --> 00:42:11,695 Ok, hang on, once again... 439 00:42:13,635 --> 00:42:15,635 I would be happy in the urgency of my ardour 440 00:42:15,800 --> 00:42:17,800 If I could carry off my princess in place of Astyanax. 441 00:42:18,000 --> 00:42:19,695 That's where you stand up. 442 00:42:20,320 --> 00:42:21,820 That was fine. 443 00:43:04,940 --> 00:43:05,759 Got the keys? 444 00:43:05,760 --> 00:43:07,090 Don't you have them? 445 00:43:34,450 --> 00:43:36,660 Hey, how come Marta isn't with you? 446 00:43:36,730 --> 00:43:38,730 She went home to change. 447 00:43:38,900 --> 00:43:40,310 Shall I change too? 448 00:43:40,530 --> 00:43:42,270 Why? You haven't been working. 449 00:43:42,380 --> 00:43:43,870 I'm dirty. 450 00:43:44,510 --> 00:43:46,240 I want to put on that dress. 451 00:43:47,990 --> 00:43:49,520 Then should I change too? 452 00:43:51,710 --> 00:43:53,450 Don't you think she's a bit dressy? 453 00:43:53,720 --> 00:43:54,870 I don't know... 454 00:43:57,520 --> 00:43:59,270 Tidy up your side. 455 00:43:59,650 --> 00:44:01,350 I'd appreciate it. 456 00:44:02,920 --> 00:44:04,010 Sebastien! 457 00:44:06,500 --> 00:44:07,730 Sebastien! 458 00:44:10,740 --> 00:44:13,560 Say, how did you find Celia? 459 00:44:14,430 --> 00:44:15,120 Fine. 460 00:44:15,260 --> 00:44:16,790 No, who brought her over? 461 00:44:17,720 --> 00:44:19,430 Michele, because she has... 462 00:44:19,500 --> 00:44:21,010 Pass me the salad? 463 00:44:21,280 --> 00:44:23,400 ...she was in a show Celia sang in... 464 00:44:23,470 --> 00:44:24,240 Ah. 465 00:44:24,480 --> 00:44:26,480 How do you like her best–– in a dress or pants? 466 00:44:26,620 --> 00:44:28,170 Uh... I don't know... 467 00:44:28,830 --> 00:44:30,940 I think she's terrific in pants! 468 00:44:31,160 --> 00:44:33,690 You should have her wear pants. 469 00:44:42,530 --> 00:44:44,560 How do you like Madly? 470 00:44:53,460 --> 00:44:54,580 Cephisa! 471 00:44:54,670 --> 00:44:56,300 Madly Bamy... 472 00:44:56,880 --> 00:44:58,880 Oh. She's pretty, eh? Don't you think so? 473 00:44:59,710 --> 00:45:00,610 Eh? 474 00:45:01,200 --> 00:45:03,080 Don't you think she has pretty eyes? 475 00:45:03,470 --> 00:45:05,990 You can tell she's a dancer... she's so graceful. 476 00:45:08,450 --> 00:45:09,449 I hadn't noticed... 477 00:45:09,450 --> 00:45:12,640 Haven't you noticed her hips? Very slim... 478 00:45:14,400 --> 00:45:16,650 ...and she puts on charm... 479 00:45:16,720 --> 00:45:18,310 What do I do with this? 480 00:45:18,570 --> 00:45:22,760 Oh, put it behind the cushion, ok? That's good. 481 00:45:24,120 --> 00:45:26,820 She puts on charm a bit, though, don't you think? 482 00:45:27,660 --> 00:45:30,710 Though it doesn't matter, because for Cephisa... 483 00:45:40,670 --> 00:45:43,730 She never stops. Have you noticed? 484 00:45:43,880 --> 00:45:47,860 I have. Anyway, it works... everybody eats it up... 485 00:45:50,780 --> 00:45:52,060 I don't know. 486 00:45:52,170 --> 00:45:53,710 She has pretty.. Ooh la la 487 00:45:54,180 --> 00:45:56,420 This cover's all wrong! 488 00:45:57,210 --> 00:45:59,210 You're not very neat. 489 00:46:00,420 --> 00:46:03,840 She's a little, little, eh? 490 00:46:03,970 --> 00:46:05,439 Pretty eyes? 491 00:46:05,440 --> 00:46:06,720 Who? 492 00:46:06,960 --> 00:46:08,310 The cover... 493 00:46:08,450 --> 00:46:10,430 Ah! Madly! 494 00:46:10,550 --> 00:46:13,050 She has pretty eyes... very pretty... 495 00:46:13,180 --> 00:46:14,760 Happy? 496 00:46:15,080 --> 00:46:17,080 You're lucky! 497 00:46:17,540 --> 00:46:20,040 I'm surrounded by beauties... mainly you. 498 00:46:20,170 --> 00:46:23,000 What do we do now? 499 00:46:23,690 --> 00:46:25,690 Keep tidying up there. 500 00:46:28,620 --> 00:46:33,510 You're also lucky to have Michele, eh? Real moral support. 501 00:46:43,320 --> 00:46:46,580 Michele's a great girl, isn't she? Really... 502 00:46:46,820 --> 00:46:49,670 I'm not sure you realise how much you need her. 503 00:46:49,910 --> 00:46:51,230 You think so too? - Yes. 504 00:46:51,330 --> 00:46:54,910 I've noticed, when she's gone for five minutes, you're lost... 505 00:46:55,900 --> 00:46:57,160 Don't exaggerate! 506 00:46:58,710 --> 00:47:00,060 She's a rare one, you know. 507 00:47:10,420 --> 00:47:12,500 So, how do you like my dress? 508 00:47:12,680 --> 00:47:15,100 Beautiful... Shiny, eh? 509 00:47:15,460 --> 00:47:18,210 A bit shorter... - No... no? That's too much. 510 00:47:24,640 --> 00:47:26,900 We're pretty good together, I'd say. 511 00:47:28,450 --> 00:47:29,749 Especially you. 512 00:47:29,750 --> 00:47:32,210 We make a nice couple, don't we? 513 00:47:34,680 --> 00:47:37,310 You and Marta made a nice couple too... 514 00:47:59,060 --> 00:48:01,060 Giving us a concert? 515 00:48:05,300 --> 00:48:07,660 No. I'm denying you a concert. 516 00:48:07,700 --> 00:48:08,780 Tough! 517 00:48:10,670 --> 00:48:14,060 Yes, tough! Tough for you. 518 00:48:25,580 --> 00:48:28,360 Noticed anything about Sebastien lately? 519 00:48:28,860 --> 00:48:30,860 Don't you think he's changed a lot? 520 00:48:31,760 --> 00:48:33,760 Don't you think he's not himself? 521 00:48:34,110 --> 00:48:35,350 He looks good, is that it? 522 00:48:38,260 --> 00:48:39,100 You happy? 523 00:48:39,600 --> 00:48:41,260 Yes and no... 524 00:48:41,260 --> 00:48:43,610 It's true, you're looking good. 525 00:48:43,940 --> 00:48:48,210 It's not normal... with all the work he has... 526 00:48:49,300 --> 00:48:51,400 You know, I think he's hiding something... 527 00:48:51,510 --> 00:48:52,290 What? 528 00:48:53,450 --> 00:48:55,160 He's in love... 529 00:48:59,430 --> 00:49:01,770 I think he's living his great passion. 530 00:49:04,270 --> 00:49:06,270 It's a very big moment in his life. 531 00:49:06,490 --> 00:49:08,000 In love with Andromache? 532 00:49:08,280 --> 00:49:11,100 I've got to laugh. 533 00:49:12,530 --> 00:49:14,940 Look... look at him! 534 00:49:16,550 --> 00:49:18,420 You seem very different. 535 00:49:19,510 --> 00:49:20,900 Very handsome... 536 00:49:23,780 --> 00:49:26,880 You know, Marta, Sebastien's cheating on me. I'm sure of it. 537 00:49:27,700 --> 00:49:29,700 He's cheating on me now. 538 00:49:31,610 --> 00:49:35,850 "I cheat on myself... you cheat on yourself... he cheats..." 539 00:49:38,000 --> 00:49:39,590 Wait... 540 00:49:40,690 --> 00:49:45,420 I don't seem like much, but I've done some investigating. 541 00:49:45,920 --> 00:49:51,350 I don't have any proof, but I'm very patient... 542 00:49:53,660 --> 00:49:56,150 Of course, you're cunning, clever... 543 00:49:56,650 --> 00:49:59,660 Very clever... you don't look like much, you 544 00:49:59,730 --> 00:50:02,160 say what you're doing, and then... 545 00:50:03,520 --> 00:50:04,760 ...you won't fool me. 546 00:50:06,350 --> 00:50:09,810 because... I'm watching you... 547 00:50:09,880 --> 00:50:13,360 I know you... I see through you... 548 00:50:16,590 --> 00:50:18,770 I'm here in my corner... 549 00:50:18,880 --> 00:50:20,670 I don't seem to do or see much... 550 00:50:21,170 --> 00:50:22,890 or hear much... but... 551 00:50:23,530 --> 00:50:26,670 I see all. I hear all. 552 00:50:28,600 --> 00:50:29,930 I remember. 553 00:50:37,240 --> 00:50:41,650 And I wait... I bide my time... 554 00:50:53,100 --> 00:50:56,110 One of these days, I'll do something... 555 00:50:57,560 --> 00:51:00,540 Something that will surprise you all... 556 00:51:02,520 --> 00:51:05,100 that will astonish the world... 557 00:51:09,320 --> 00:51:10,760 ...wait... 558 00:51:13,870 --> 00:51:15,560 ...you'll see... 559 00:51:17,160 --> 00:51:19,330 then, it'll be too late... 560 00:51:44,340 --> 00:51:46,340 I'm tired. 561 00:51:54,580 --> 00:51:56,580 I'll leave you. 562 00:51:58,190 --> 00:52:00,490 Don't mind me. 563 00:52:01,620 --> 00:52:05,070 You can stay, Marta. Stay if you like. 564 00:52:17,030 --> 00:52:19,030 See you tomorrow. 565 00:55:51,270 --> 00:55:54,785 I'm on this scene? 566 00:55:55,045 --> 00:55:56,545 Yes, exactly! 567 00:56:19,090 --> 00:56:21,820 My lord, you must control this extreme anger 568 00:56:22,040 --> 00:56:24,690 Your actions seem like those of a stranger 569 00:56:24,950 --> 00:56:27,840 Your words are our of season Pylades, I'm wearied by dull reason. 570 00:56:27,970 --> 00:56:30,350 My life is dragged out now in suffering I must depart with her or end this thing 571 00:56:30,480 --> 00:56:32,770 My plans are made, I shall complete them. Yes I wish it. 572 00:56:33,000 --> 00:56:38,450 I agree, but think how they'll react. What will men say, seeing how you act? 573 00:56:38,580 --> 00:56:42,510 Dissimulate: they mustn't see you fret Let your eyes guard your secret 574 00:56:42,730 --> 00:56:46,810 The guards, the court, the very air around you Belong to Pyrrhus and Hermione 575 00:56:46,950 --> 00:56:49,440 Above all, hide your anger from her eyes 576 00:56:49,540 --> 00:56:51,430 You Gods, why seek her out in this way 577 00:56:51,530 --> 00:56:53,780 Who knows? Of myself, am I the master? 578 00:56:53,900 --> 00:56:56,800 Rage carried me away. Perhaps I went to threaten them. 579 00:56:56,880 --> 00:56:58,820 How did this rage result? 580 00:56:59,000 --> 00:57:03,780 What mind wouldn't be overcome by the blow that snatched away my reason? 581 00:57:03,900 --> 00:57:06,540 he marries Hermione tomorrow I must give her to him, rather this barbarian I'll slay 582 00:57:06,630 --> 00:57:08,580 You accuse him though all is fate you, tormented by his inner fires 583 00:57:08,730 --> 00:57:10,750 He may be equally to be pitied. 584 00:57:10,840 --> 00:57:13,180 No, it is my despair that spurs him on. 585 00:57:13,320 --> 00:57:16,480 But for my love, he'd scorn her; he never cared before. 586 00:57:16,550 --> 00:57:18,780 He takes her only to deprive me. 587 00:57:19,830 --> 00:57:24,030 God! Hermione, won, would've been lost to him forever. 588 00:57:26,580 --> 00:57:29,410 It's changed... that's not what I have... 589 00:57:29,910 --> 00:57:31,420 Yes, it's changed, Denis. 590 00:57:31,980 --> 00:57:33,520 Oh God! It's done. Had I won Hermione 591 00:57:33,750 --> 00:57:35,665 She would have left his sight forever. 592 00:57:35,705 --> 00:57:37,705 Her heart was caught between love and spite; 593 00:57:37,860 --> 00:57:39,860 She wanted to give it to me, awaiting only his refusal. 594 00:57:40,545 --> 00:57:41,885 Her eyes opened, Pylades, she heard Orestes, 595 00:57:42,280 --> 00:57:43,639 Talked to him, pitied him.. One word would have done the rest. 596 00:57:43,640 --> 00:57:44,839 You think so? 597 00:57:44,840 --> 00:57:46,200 What! This enflamed wrath 598 00:57:46,700 --> 00:57:47,359 Against the wretch... 599 00:57:47,360 --> 00:57:47,960 Never! 600 00:57:49,960 --> 00:57:51,960 Is that right? With the cut coming there? 601 00:57:53,480 --> 00:57:55,480 Yes, thats been changed. Good 602 00:58:32,515 --> 00:58:33,515 Ok. So... 603 00:58:36,840 --> 00:58:39,740 Another time I will open my soul to you 604 00:58:39,960 --> 00:58:40,660 Sir! 605 00:58:41,150 --> 00:58:43,150 Another time I will open my soul to you 606 00:58:44,320 --> 00:58:45,320 Sir! 607 00:58:48,590 --> 00:58:50,245 You see: you first, then me... 608 00:58:50,275 --> 00:58:51,075 Sir! 609 00:58:51,100 --> 00:58:53,100 Another time I will open my soul to you. Andromache approaches. 610 00:59:04,400 --> 00:59:06,400 Were you looking for me, Madame? 611 00:59:08,080 --> 00:59:10,080 Would you permit me so charming a hope? 612 00:59:11,880 --> 00:59:13,880 What do I do?... Oh, yes... 613 00:59:15,985 --> 00:59:17,985 Madame, when you kiss him 614 00:59:18,440 --> 00:59:19,945 Madame, when you kiss him 615 00:59:20,280 --> 00:59:21,895 consider how to save him. 616 00:59:59,450 --> 01:00:03,860 It is this love, so gracelessly repaid, which makes me dread his presence. 617 01:00:11,920 --> 01:00:17,800 ...does it follow... if it leads to the character of Pyrrhus... 618 01:00:18,315 --> 01:00:20,315 I mean, you've cut it here... 619 01:00:21,320 --> 01:00:29,320 I've been having a look. Its a kind of dispensation for you... he's.. 620 01:00:31,305 --> 01:00:33,305 in the text here... the role of Pyrrhus... 621 01:00:37,660 --> 01:00:41,130 The pivotal character, between the two forces. 622 01:00:41,390 --> 01:00:45,180 the forces of Andromache and Hermione. 623 01:00:45,410 --> 01:00:49,450 I don't think so. I think he, er.. her... that's not like Racine... 624 01:00:52,850 --> 01:00:54,730 That is, he'd belong to a second group 625 01:00:54,830 --> 01:01:00,880 ...there's the line... the idea... the fact that he's wrecked everything.. 626 01:01:06,140 --> 01:01:10,100 Hermione says she loved Pyrrhus before being... before... 627 01:01:10,230 --> 01:01:17,020 Michele, you want to give us... uh... the blocking? 628 01:01:41,710 --> 01:01:43,760 Flee then; and since you're loved... 629 01:01:43,860 --> 01:01:45,860 Give my fury time to swell. 630 01:01:45,920 --> 01:01:48,390 Let me assure myself against my foe. 631 01:01:48,680 --> 01:01:51,820 Cleone, I wish to depart from him with horror. 632 01:01:52,970 --> 01:01:55,060 He'll help it all too readily, the wretch! 633 01:02:13,970 --> 01:02:17,040 I can do it too. I have to get into it. 634 01:02:17,830 --> 01:02:20,750 Ok. Go ahead, Go on. 635 01:02:25,760 --> 01:02:27,450 Could you call my place? 636 01:02:27,530 --> 01:02:29,530 Sure. What do I say? 637 01:02:30,790 --> 01:02:32,960 No, I'd better do it myself. 638 01:02:36,290 --> 01:02:37,710 Where'd you buy it? 639 01:02:44,870 --> 01:02:49,720 Hello, Claire? Look, uh... Don't wait up for me tonight. 640 01:02:49,790 --> 01:02:52,740 Go to bed... I'll be home late... 641 01:02:52,810 --> 01:02:55,680 I don't want to bother you by making noise. 642 01:02:56,680 --> 01:03:00,150 No, don't worry about me. I sleep anywhere... 643 01:03:00,520 --> 01:03:04,290 Yes, but above all, get some rest. 644 01:03:05,490 --> 01:03:09,400 Yes. I'll call you in the morning, bye. 645 01:03:37,320 --> 01:03:40,740 And I myself have sacrificed today my blood, my hate and my love 646 01:03:40,970 --> 01:03:43,990 It is important to remember, Andromache's fate. 647 01:03:46,920 --> 01:03:48,610 is trusted to your faithfulness. 648 01:03:48,880 --> 01:03:51,710 It is Hermione! Let us flee her temper. 649 01:04:17,270 --> 01:04:18,690 Jean-Pierre. 650 01:04:19,070 --> 01:04:21,070 I went there. - Yes, there. 651 01:04:38,210 --> 01:04:40,690 I don't think you can put it that way... 652 01:04:40,850 --> 01:04:43,690 that it's theatre, and nothing else, 653 01:04:43,840 --> 01:04:46,000 What is theatre? It's... A game with masks... 654 01:04:46,150 --> 01:04:49,840 ...and then characters come into this waiting room, to talk, to confess... 655 01:04:49,950 --> 01:04:54,210 You have to feel that... the walls have burst open... 656 01:04:54,260 --> 01:04:58,290 ...and we're given a look at... the condition of the soul 657 01:04:58,490 --> 01:05:02,450 ...the condition of the soul... bared before a spectator, who... 658 01:05:02,610 --> 01:05:05,350 ...judges the characters in relation... 659 01:05:05,500 --> 01:05:08,260 ...to each other... each wrapped in his own subjectivity... 660 01:05:08,370 --> 01:05:11,770 and so for each to achieve that subjectivity, the actor must... 661 01:05:11,970 --> 01:05:17,910 have deeply understood just how much... 662 01:05:18,510 --> 01:05:24,820 the guy he's playing runs up against... 663 01:05:28,320 --> 01:05:29,990 You don't answer! I see you are false. 664 01:05:31,400 --> 01:05:33,400 You count these moments with me as lost! 665 01:05:33,795 --> 01:05:35,795 Your heart, impatient to return to Troy 666 01:05:37,000 --> 01:05:39,000 Suffers no regret; you guard it closely. 667 01:05:47,960 --> 01:05:49,195 You talk to her with your heart, you seek her with your eyes. 668 01:05:51,640 --> 01:05:53,640 I will keep you here no longer in this place: 669 01:05:56,560 --> 01:05:58,560 Go and promise her what you have promised me; 670 01:05:59,080 --> 01:06:01,080 Go and profane the sacred majesty of the Gods: 671 01:06:02,120 --> 01:06:04,120 The Gods, the just Gods, will not have forgotten 672 01:06:04,360 --> 01:06:06,360 How those same oaths have bound me to you. 673 01:06:06,480 --> 01:06:08,480 Take this heart which has abandoned me to the foot of the altar; 674 01:06:13,120 --> 01:06:15,120 Go, run; but beware lest you find Hermione there again. 675 01:06:26,720 --> 01:06:28,495 Sir, you understand. Beware 676 01:06:29,280 --> 01:06:31,280 A passionate lover intent upon revenge. 677 01:06:33,320 --> 01:06:35,320 She is, in this place, only too well supported; 678 01:06:36,360 --> 01:06:37,880 The Greek's quarrel has bound them to her; 679 01:06:38,240 --> 01:06:40,240 Orestes loves her still; and perhaps at this price... 680 01:06:40,580 --> 01:06:42,580 Andromache awaits me. Phoenix, guard her son. 681 01:06:42,780 --> 01:06:45,015 Which way did Andromache exit last time? 682 01:06:56,340 --> 01:06:56,830 That way 683 01:06:58,400 --> 01:06:58,900 That way? 684 01:07:00,960 --> 01:07:02,340 Here's the line. 685 01:07:03,020 --> 01:07:05,020 That way would be better 686 01:07:05,600 --> 01:07:07,600 Let's go; flee her violence? 687 01:07:08,160 --> 01:07:10,160 Yes...so, this way then. 688 01:07:10,570 --> 01:07:12,950 Ok. Good. You go that way and I'll go this. 689 01:07:13,200 --> 01:07:17,710 Hang on, hang on: the line... 690 01:07:17,900 --> 01:07:21,420 Orestes loves her still; and perhaps at this price... 691 01:07:21,670 --> 01:07:24,830 Orestes loves her still; and perhaps at this price... 692 01:07:25,110 --> 01:07:26,660 Andromache awaits me... 693 01:07:45,590 --> 01:07:48,120 There you go. Ok? - Yes, OK. 694 01:07:48,160 --> 01:07:50,380 Phoenix is done. 695 01:08:12,860 --> 01:08:15,650 Want any? - What? 696 01:08:15,790 --> 01:08:16,939 Tranquilizers... 697 01:08:16,940 --> 01:08:20,670 No, I'd rather do some speed. 698 01:08:28,030 --> 01:08:30,250 You take tranquillisers and coffee? 699 01:08:30,560 --> 01:08:32,470 I didn't take a tranquilliser. 700 01:08:36,220 --> 01:08:38,310 You know... 701 01:08:39,440 --> 01:08:41,000 I think you should... 702 01:08:42,890 --> 01:08:46,680 start again, with facts and words 703 01:08:46,790 --> 01:08:49,590 ...you should run the lines with the actors... you know... 704 01:08:53,080 --> 01:08:54,970 I don't know. 705 01:08:55,090 --> 01:09:00,140 The lines... in costume... 706 01:09:00,850 --> 01:09:05,420 It's too physical, all mechanical. They're not going to get inside it. 707 01:09:06,180 --> 01:09:08,550 It's all nonsense... the dialogue... 708 01:09:08,810 --> 01:09:12,030 It's crazy... have you thought about what you're trying to change? 709 01:09:12,110 --> 01:09:15,360 At the read-throughs, they do seem to be getting it really... 710 01:09:15,450 --> 01:09:17,450 ...a great feeling for the play... 711 01:09:17,560 --> 01:09:22,130 but translating that to movements on the stage... 712 01:09:24,690 --> 01:09:26,690 It's all shot to hell! 713 01:09:26,860 --> 01:09:30,300 Yes, but it's because they've forgotten uh... 714 01:09:30,360 --> 01:09:37,450 ...the words... what the lines mean... 715 01:09:38,670 --> 01:09:42,040 which makes the action meaningless. 716 01:09:42,130 --> 01:09:43,630 The movements are false. 717 01:09:43,760 --> 01:09:45,760 Maybe they shouldn't move at all. Racine is really... 718 01:09:46,520 --> 01:09:52,140 people speaking, speaking and finally expressing what they have to say... 719 01:09:55,790 --> 01:09:57,240 Perhaps that's all... - The movements are irrelevant. 720 01:09:57,840 --> 01:09:59,840 So sad! - Yes, sad. 721 01:10:04,875 --> 01:10:06,875 You're leaving them on their own too much. 722 01:10:10,740 --> 01:10:12,640 No... Well, yes I do, but I'm not exactly to blame for leaving them alone. 723 01:10:15,000 --> 01:10:17,000 Well, I don't really know... what to do. I saw... you saw the rushes... 724 01:10:19,320 --> 01:10:23,820 There was something I really... I wanted to be the kindly director... 725 01:10:24,120 --> 01:10:26,120 ...feeling ideas and everyone getting something from it. 726 01:10:27,200 --> 01:10:30,700 All along we wanted the idea of a society - just to get 727 01:10:31,200 --> 01:10:34,200 the actor's own ideas... the bringing everyone together. 728 01:10:34,360 --> 01:10:38,360 But that's a whole new way, a common effort... 729 01:10:39,640 --> 01:10:45,040 Why? But if you see that on TV, it perpetuates the myth of the director 730 01:10:45,400 --> 01:10:47,400 You don't look much like a director. 731 01:10:55,040 --> 01:10:57,040 Anyway, it's not that serious, it's not a portrait. 732 01:10:58,510 --> 01:11:02,510 It's not the TV so much... it's just I realise that... 733 01:11:03,710 --> 01:11:07,710 ...it influences... they're expecting things from me. 734 01:11:08,160 --> 01:11:10,160 And now I'd like... I'd like to be completely... 735 01:11:12,180 --> 01:11:14,580 ...to do a couple of read-throughs and let them do it. 736 01:11:17,600 --> 01:11:19,600 So why not? - But now it's too late, you see. 737 01:11:20,920 --> 01:11:22,920 That doesn't mean anything... 738 01:11:28,470 --> 01:11:31,470 There are director's who say, "OK, I'll let you do it." 739 01:11:32,030 --> 01:11:34,030 Then they go to sleep. 740 01:11:37,080 --> 01:11:39,580 But still, seeing it again... reading it in the book... 741 01:11:41,280 --> 01:11:43,280 I agree with you, I have done that. 742 01:11:44,000 --> 01:11:46,435 They have the book with them... When you're sitting round a table, 743 01:11:46,470 --> 01:11:47,990 reading, it's fine... 744 01:11:48,100 --> 01:11:51,700 I don't need to talk. We can get the style back. 745 01:11:52,515 --> 01:11:55,515 But as soon as the action starts, it's all gone again. 746 01:11:55,840 --> 01:11:57,840 It slips away. 747 01:11:58,400 --> 01:12:01,180 What Labarthe said the other day, that didn't work... 748 01:12:01,745 --> 01:12:03,745 The thing is, I don't want it to work, unless it's in a special way. 749 01:12:09,640 --> 01:12:11,640 It's like it's really got to be conversation 750 01:12:12,000 --> 01:12:14,000 Just people talking, naturally... 751 01:12:16,160 --> 01:12:20,160 But technically, to be audible, it's about projection 752 01:12:29,080 --> 01:12:31,080 We can do it. 753 01:12:32,760 --> 01:12:34,760 You just to really grasp... It's what you do on that stage... 754 01:12:35,155 --> 01:12:37,155 It's... it's the guy who's... who's expressing... 755 01:12:37,950 --> 01:12:41,050 ...what he's saying very carefully - but what it should be, just people talking 756 01:12:42,120 --> 01:12:46,120 without worrying about anything else. That's all there is! 757 01:12:47,385 --> 01:12:51,385 People... two people talk... they make contact 758 01:12:51,920 --> 01:12:53,375 ...they're on the same level... 759 01:12:54,390 --> 01:12:55,600 ...whatever they do, it's... 760 01:12:56,475 --> 01:12:58,475 ...they do it as people... 761 01:12:59,435 --> 01:13:00,789 and that's it. That's all. 762 01:13:00,790 --> 01:13:02,790 That's all there is to it. It seems so simple to me... 763 01:13:08,720 --> 01:13:10,720 And then as soon as you try to do it... 764 01:13:15,880 --> 01:13:17,880 Ah! I didn't think he was so near. 765 01:13:23,840 --> 01:13:26,840 Enter a bit more normally... more normal, huh? 766 01:13:32,320 --> 01:13:34,320 Can I believe, Sir, that a drop of tenderness 767 01:13:34,510 --> 01:13:36,510 leads you to seek out this sad princess? 768 01:13:36,715 --> 01:13:38,685 Or must one impute it to obligation - 769 01:13:38,945 --> 01:13:40,925 This earnest eagerness you have to see me? 770 01:13:41,600 --> 01:13:42,850 This is the lethal blindness of my love, 771 01:13:43,100 --> 01:13:46,070 You know it, Madame, and the fate of Orestes 772 01:13:47,825 --> 01:13:49,755 Is to come to you ceaselessly, to worship your beauty, 773 01:13:49,990 --> 01:13:51,990 While swearing always never to return. 774 01:13:52,120 --> 01:13:54,900 There you are, then; for a year only care has animated me. 775 01:13:55,115 --> 01:13:56,760 Madame, it is up to you to choose a victim. 776 01:14:00,475 --> 01:14:04,475 You got it? - Yes, yes. 777 01:14:23,990 --> 01:14:27,160 Can we go? - Yes 778 01:14:45,050 --> 01:14:50,270 Somehow that changes everything. 779 01:14:50,410 --> 01:14:52,060 I'll have to rethink the whole thing. 780 01:14:52,200 --> 01:14:54,490 Yes, we'll have to take another look at it. 781 01:14:54,950 --> 01:14:58,270 Can I sleep at your place tonight? 782 01:14:58,370 --> 01:14:59,530 Sure. 783 01:14:59,590 --> 01:15:01,740 You don't mind no one's coming in the morning? 784 01:15:01,890 --> 01:15:04,860 No, no. You can come. 785 01:15:32,370 --> 01:15:34,510 Still can't play records at night? 786 01:15:34,580 --> 01:15:36,040 No, they still complain. 787 01:15:38,450 --> 01:15:40,450 Not many new ones... 788 01:15:45,550 --> 01:15:47,550 Still listen to this one? 789 01:15:47,630 --> 01:15:50,050 Yes, from time to time. 790 01:15:50,550 --> 01:15:52,940 You need a hand? - I'm fine. 791 01:15:54,830 --> 01:15:57,320 You like to help these days? - Well, you know... 792 01:16:22,160 --> 01:16:24,980 There! You'll be fine. 793 01:16:48,650 --> 01:16:51,870 I wrote some good stuff on the play. 794 01:16:52,730 --> 01:16:53,969 What, on the direction? 795 01:16:53,970 --> 01:16:58,530 Yes, on the direction... for the actors... 796 01:16:58,920 --> 01:17:00,920 everything is really... it's very sharp. 797 01:17:01,420 --> 01:17:02,700 So it's new? 798 01:17:03,030 --> 01:17:05,030 For me it is. 799 01:17:10,120 --> 01:17:11,580 Show me? 800 01:17:11,790 --> 01:17:14,990 Yes, I will, but I have to read it... 801 01:17:15,090 --> 01:17:18,020 because, you know, my writing... 802 01:17:19,280 --> 01:17:22,430 So, the best way to present characters, 803 01:17:22,500 --> 01:17:25,170 is to show what they project. 804 01:17:25,740 --> 01:17:29,910 It's to commit yourself to pursue a whole work... 805 01:17:30,860 --> 01:17:32,900 No, I don't feel like reading it right now. 806 01:17:33,230 --> 01:17:35,910 I'll do it tomorrow for everyone... 807 01:17:36,020 --> 01:17:37,690 Hey, comb your hair! 808 01:17:48,060 --> 01:17:49,540 Not bad! 809 01:17:51,720 --> 01:17:53,710 Got a razor you can lend me? 810 01:17:54,830 --> 01:17:56,570 No, don't bother. 811 01:18:00,460 --> 01:18:01,970 Sleep well. 812 01:18:10,560 --> 01:18:12,090 Got all you need? 813 01:18:12,260 --> 01:18:14,870 Yes. No, do you have any sleeping pills? 814 01:18:15,040 --> 01:18:17,040 No, I never take them. 815 01:18:22,240 --> 01:18:25,520 Can I sleep nude? The maid isn't coming in the morning? 816 01:18:25,610 --> 01:18:27,610 No, not till the afternoon. 817 01:18:38,340 --> 01:18:40,340 Marta, I'm bored! 818 01:18:41,420 --> 01:18:43,540 What time are you getting up? 819 01:18:44,420 --> 01:18:45,910 I don't know. 820 01:18:47,530 --> 01:18:49,060 What time is it? 821 01:18:49,330 --> 01:18:51,450 I don't know... look. 822 01:18:52,670 --> 01:18:55,850 Ah... 2:15 823 01:18:57,410 --> 01:18:59,040 I should get up at 8:30. 824 01:19:07,990 --> 01:19:12,450 He's all right, he's nice; he has a good smile. 825 01:19:13,310 --> 01:19:15,310 Alarm clock work? 826 01:19:16,470 --> 01:19:18,450 Are you sure? 827 01:19:18,580 --> 01:19:20,540 Yes, listen. 828 01:19:21,010 --> 01:19:23,010 The bell? Yes, I use it every day. 829 01:20:08,280 --> 01:20:09,239 Saturday 19th 830 01:20:09,240 --> 01:20:12,240 Alas, he will die! His only defence 831 01:20:12,590 --> 01:20:14,590 Is in the tears of his mother and his own innocence... 832 01:20:15,300 --> 01:20:17,590 And perhaps, after all, in my present state 833 01:20:17,630 --> 01:20:19,630 His death will hasten the end of my sorrows. 834 01:20:19,675 --> 01:20:21,670 I prolonged my life for him and my misery 835 01:20:21,715 --> 01:20:23,515 But finally I will follow in his steps and see his father again. 836 01:20:23,630 --> 01:20:26,160 Your efforts will unite us three... 837 01:20:26,250 --> 01:20:28,430 Go, lady, go and see your son. 838 01:20:28,530 --> 01:20:33,940 Perhaps your love will be less guided by your anger. 839 01:20:34,510 --> 01:20:37,730 To know your fate, I'll call on you again. 840 01:20:38,050 --> 01:20:43,020 Lady, as you embrace him, think to save your son. 841 01:20:46,870 --> 01:20:52,030 As you desire, I shall receive him; I am willing to accord him that. 842 01:20:52,410 --> 01:20:55,980 Soon Pylades will bring him here; yet I should not see him... 843 01:20:56,050 --> 01:20:58,390 All our ports are open for her and for him. 844 01:20:58,440 --> 01:21:01,630 How she could spare me trouble and tedium! 845 01:21:02,860 --> 01:21:05,940 Sir - Another time I will open my soul to you: Andromache approaches 846 01:21:12,790 --> 01:21:14,660 Were you looking for me, Madame? 847 01:21:15,720 --> 01:21:17,630 Would you permit so charming a hope? 848 01:21:19,610 --> 01:21:22,950 I'm going to the place my son is being kept 849 01:21:23,210 --> 01:21:25,050 Wait! Wait! 850 01:21:25,110 --> 01:21:31,180 I'm going to the place 851 01:21:35,240 --> 01:21:37,030 Since once per day you suffer it that I may see him, 852 01:21:37,160 --> 01:21:39,260 The only good thing left to me of Hector and Troy. 853 01:21:39,590 --> 01:21:41,910 I'm going to weep with him for a moment: 854 01:21:42,595 --> 01:21:44,595 I have not kissed him today. 855 01:21:45,080 --> 01:21:47,450 Ah, Madame, the Greeks, if I believe their warnings, 856 01:21:47,560 --> 01:21:49,500 Will soon give you other subjects for alarm. 857 01:21:50,350 --> 01:21:51,815 And you will announce so cruel a decree? 858 01:21:52,150 --> 01:21:54,150 Is it because of me he's called a criminal? 859 01:21:54,250 --> 01:21:55,910 Alas! 860 01:21:57,190 --> 01:21:59,780 Alas! One doesn't fear the vengeance of his father one day 861 01:22:00,160 --> 01:22:02,280 One fears that he will assuage the tears of his mother. 862 01:22:02,700 --> 01:22:04,159 He'd have been to me like a father and a husband, 863 01:22:04,160 --> 01:22:06,160 But it was necessary for me to lose everything, always by your hand. 864 01:22:14,230 --> 01:22:18,410 When you start a line, you have to see the whole context. 865 01:22:18,820 --> 01:22:20,690 No, but really try. 866 01:22:21,750 --> 01:22:23,280 Try? - Yeah. 867 01:22:25,260 --> 01:22:26,660 We're getting there. 868 01:22:27,160 --> 01:22:29,720 Really good, nobody's ever gotten it quite like that. 869 01:22:30,970 --> 01:22:34,680 No, usually you look for the end of the line... the rhythm... 870 01:22:34,780 --> 01:22:38,240 I don't what people are thinking of... I just don't know, eh? 871 01:22:38,310 --> 01:22:40,700 You never know, because no one's ever... 872 01:22:40,840 --> 01:22:44,480 really tried it this way... 873 01:22:44,680 --> 01:22:47,490 I've never had much to do with line-readers. 874 01:22:47,630 --> 01:22:48,130 haha 875 01:22:48,190 --> 01:22:49,420 I'm surprised. 876 01:22:49,920 --> 01:22:53,550 But... without realising what had been done before... 877 01:22:54,290 --> 01:22:56,100 Because what's been put on.. - Bof... 878 01:22:57,110 --> 01:23:00,310 When it comes to what had been done before, well... 879 01:23:01,380 --> 01:23:05,030 yeah, it wasn't, uh... very satisfying... 880 01:23:05,530 --> 01:23:06,900 Why? 881 01:23:08,110 --> 01:23:10,110 Well, this was the idea... simply that... 882 01:23:10,870 --> 01:23:15,890 that thoughts don't have to do with words, but groups of words... 883 01:23:15,960 --> 01:23:17,960 For a long time, we've believed... 884 01:23:18,440 --> 01:23:21,900 that, for example, to "think" a classical play... 885 01:23:22,310 --> 01:23:23,980 Has she forgotten your past services? 886 01:23:25,015 --> 01:23:27,015 Do Troy and Hector make her soul revolt against you? 887 01:23:27,520 --> 01:23:29,520 Can she only be inspired by the ashes of a husband? 888 01:23:29,840 --> 01:23:31,840 And what a husband! Ah! Cruel memory! 889 01:23:36,390 --> 01:23:38,390 His death alone has rendered your father immortal: 890 01:23:38,840 --> 01:23:40,840 His renowned strength was born in Hector's blood; 891 01:23:41,150 --> 01:23:43,150 And you both are known through my tears. 892 01:23:48,240 --> 01:23:51,540 Well, Madame, well, it is necessary to obey you: 893 01:23:52,850 --> 01:23:55,715 It is necessary to forget you, or soon I will hate you. 894 01:23:57,600 --> 01:23:59,800 Go, Madame, go and see your son. 895 01:24:00,150 --> 01:24:04,550 Perhaps in seeing him your love will become more circumspect 896 01:24:06,715 --> 01:24:08,715 To know our destinies, I will find you again: 897 01:24:09,920 --> 01:24:11,920 Madame, when you embrace him, consider how to save him. 898 01:24:23,420 --> 01:24:25,120 It's good, isn't it? 899 01:24:28,290 --> 01:24:47,455 It's good... quite rigorous... I love it when the... crack... crack... crack 900 01:24:49,020 --> 01:24:51,250 That's fine. Ok, let's take it again. 901 01:25:28,390 --> 01:25:33,610 At this point, you're picking the spots where... 902 01:25:33,750 --> 01:25:36,380 Yes, actually, we're trying to put... you know... 903 01:25:36,450 --> 01:25:40,380 ...with the work we've already done... after a point... 904 01:25:41,090 --> 01:25:42,830 You try to, uh... 905 01:25:43,030 --> 01:25:46,560 to set it, tentatively... 906 01:25:46,910 --> 01:25:50,120 It'll change, but... with rehearsals, I figure 907 01:25:50,200 --> 01:25:53,710 you need three of four months for work like this. 908 01:25:53,790 --> 01:25:59,770 So, even if you have to play it in two weeks, you're still... 909 01:25:59,950 --> 01:26:02,320 ...it's still strange... - Does the actor - 910 01:26:02,550 --> 01:26:05,670 ...that's to say... you need four or five months... 911 01:26:08,350 --> 01:26:13,100 But doesn't the actor's ego have to enter in? 912 01:26:13,330 --> 01:26:16,140 With... these structures... 913 01:26:16,910 --> 01:26:19,930 Well, if you get to the point of... no, it shouldn't. 914 01:26:20,000 --> 01:26:23,530 If we could get back to the diagram of... 915 01:26:23,600 --> 01:26:26,770 That is, we have to find a unity to the play again... 916 01:26:26,820 --> 01:26:30,600 the author's unity... and try to get with the author's rhythm... 917 01:26:30,680 --> 01:26:33,310 in becoming ourselves a bit... and then... 918 01:26:33,390 --> 01:26:37,510 trying to impart this rhythm to each other. 919 01:26:37,650 --> 01:26:42,950 The... the rhythm of the thoughts and the words... when... 920 01:26:43,030 --> 01:26:46,520 when it... gets fixed in your head... 921 01:26:46,580 --> 01:26:50,520 Each idea, uh, comes... 922 01:26:50,650 --> 01:26:53,310 shooting forward from the one before... 923 01:26:53,370 --> 01:26:55,740 Yes, but trying to play one of the parts... 924 01:26:55,780 --> 01:27:00,480 ...doesn't that, in fact, shed light on one of the functions of direction? 925 01:27:00,640 --> 01:27:02,640 For example, right now... 926 01:27:02,740 --> 01:27:05,470 ...when we're going to look at these rushes... 927 01:27:05,560 --> 01:27:09,400 ...and, like the earlier ones, we'll see you on the screen. 928 01:27:09,510 --> 01:27:11,070 You'll be Pyrrhus, 929 01:27:11,150 --> 01:27:13,040 and the director. 930 01:27:13,310 --> 01:27:16,270 I can tell you, seeing the other rushes 931 01:27:16,430 --> 01:27:18,800 really helped me a bit 932 01:27:18,910 --> 01:27:22,150 Because I... I realised that I was leaving too much... 933 01:27:22,230 --> 01:27:25,270 It seemed to me that it was too... 934 01:27:25,580 --> 01:27:29,300 too directed... too manipulated... 935 01:27:30,100 --> 01:27:31,590 Ah, but seeing what... 936 01:27:32,000 --> 01:27:32,899 ...the play? 937 01:27:32,900 --> 01:27:36,010 Right. I saw the rushes, and it struck me 938 01:27:36,110 --> 01:27:38,510 that I was manipulating people. 939 01:27:40,700 --> 01:27:44,980 But anyways, uh, you mean... with Pyrrhus as director? 940 01:27:45,000 --> 01:27:47,980 Yes, I'd say the fact of playing Pyrrhus 941 01:27:48,910 --> 01:27:50,910 while directing the play... 942 01:27:50,970 --> 01:27:54,920 is more than simply adding a role to the director's duties, 943 01:27:54,980 --> 01:27:57,500 it's also a way of directing. 944 01:27:58,000 --> 01:27:59,860 Since after much effort my resistance is in vain; 945 01:28:00,360 --> 01:28:02,360 I blindly follow the fate which carries me away. 946 01:28:02,420 --> 01:28:04,420 I love; I have come to seek Hermione in this place 947 01:28:05,600 --> 01:28:08,600 To appease her, to carry her off to die in her eyes. 948 01:28:10,240 --> 01:28:13,240 You, who knows Pyrrhus, what do you think he will do? 949 01:28:15,320 --> 01:28:17,090 In his heart - - In his court 950 01:28:17,335 --> 01:28:19,025 In his court, in his heart - 951 01:28:19,380 --> 01:28:21,380 Go back to make sure you've got it. - ...what do you think he will do? 952 01:28:23,200 --> 01:28:24,555 In his heart - - No, in his court. 953 01:28:24,710 --> 01:28:26,710 In his court, in his heart, tell me what will happen. 954 01:28:27,960 --> 01:28:29,710 My Hermione, is he still enslaved to her? 955 01:28:30,040 --> 01:28:32,740 Will he give back to me, Pylades, what he has stolen from me? 956 01:28:43,720 --> 01:28:46,720 I would only abuse you, if I dared promise you - 957 01:28:46,865 --> 01:28:48,305 Come back, come back. 958 01:28:48,630 --> 01:28:50,630 To appease her, to carry her off - from there 959 01:28:55,400 --> 01:28:57,325 I have to seek Hermione in this place 960 01:28:57,610 --> 01:29:00,510 To appease her, to carry her off to die in her eyes. 961 01:29:03,280 --> 01:29:04,940 Still here? 962 01:29:05,310 --> 01:29:06,710 Well, I'm going to bed. 963 01:29:16,050 --> 01:29:18,050 I'm in your way? - Yep. 964 01:29:18,790 --> 01:29:21,430 You're going to sleep here? - Yep. 965 01:29:21,850 --> 01:29:24,470 You'll be uncomfortable. - Yep. 966 01:29:24,910 --> 01:29:29,560 This is good and in the theatrical tradition. 967 01:29:29,595 --> 01:29:30,890 You do this for a job? 968 01:29:31,240 --> 01:29:35,610 It's the first time and the last, I hope. 969 01:29:36,580 --> 01:29:39,770 Happy with today's work? - And you? 970 01:29:41,680 --> 01:29:43,280 It's kind of a novelty. 971 01:29:44,420 --> 01:29:45,709 Packing me off? 972 01:29:45,710 --> 01:29:51,420 No, no... Your coat... It's uh... 973 01:29:51,740 --> 01:29:53,560 Working tomorrow? - Yep. 974 01:29:53,680 --> 01:29:55,040 Rehearsing Sunday? 975 01:29:55,100 --> 01:29:58,180 No, not with the actors... but maybe I'll work a bit. 976 01:29:58,270 --> 01:30:00,570 Figuring out what's happening... 977 01:30:00,660 --> 01:30:02,460 Would you mind if I stop by? 978 01:30:02,690 --> 01:30:06,050 No, no. Well, I... but come by anyway, if you want. 979 01:30:06,120 --> 01:30:08,700 I'll see. Maybe I'll come by. 980 01:30:41,460 --> 01:30:43,050 Sebastien? - Yes 981 01:30:43,250 --> 01:30:44,279 Did I wake you? 982 01:30:44,280 --> 01:30:46,390 No, it's OK. Go on. 983 01:30:46,500 --> 01:30:50,150 Claire tried to kill herself. It's not serious, she just hurt herself a bit. 984 01:30:50,520 --> 01:30:53,080 She's OK. She wants to see you. 985 01:30:53,550 --> 01:30:55,470 Are you coming? - Yes 986 01:31:13,730 --> 01:31:16,120 Hold my head in your hands. Squeeze... 987 01:31:16,780 --> 01:31:18,130 Squeeze hard. 988 01:31:19,790 --> 01:31:21,470 I'm on a long trip... 989 01:31:22,400 --> 01:31:26,370 ...or a short trip... over a rocky landscape... 990 01:31:36,200 --> 01:31:37,520 Found anything? 991 01:31:37,870 --> 01:31:40,220 No, and I don't know... I can't... 992 01:31:40,310 --> 01:31:41,090 Eh? 993 01:31:41,130 --> 01:31:44,390 I can't find anything in these programs... 994 01:31:44,450 --> 01:31:47,920 I can't read them... can't even figure out what it's about... 995 01:31:47,940 --> 01:31:50,050 So, let's not go to the movies, ok? 996 01:31:50,120 --> 01:31:53,880 Ok... let's not. So what do you want to do? Go back to the theatre? 997 01:31:53,920 --> 01:31:55,720 No, that bores me. 998 01:31:55,780 --> 01:31:57,860 Me too... all day long... 999 01:31:58,120 --> 01:32:00,260 And the theatre's no fun. 1000 01:32:02,540 --> 01:32:05,130 Let's make it an evening of love. 1001 01:32:05,210 --> 01:32:07,210 Yes. Put on a record. 1002 01:32:07,450 --> 01:32:08,579 A love record? 1003 01:32:08,580 --> 01:32:09,870 Yes, a love record. 1004 01:32:13,780 --> 01:32:15,800 What shall I put on, this one? 1005 01:32:16,370 --> 01:32:18,570 No, look! I just took it off! 1006 01:32:23,860 --> 01:32:26,880 We still might find a good movie. 1007 01:32:28,170 --> 01:32:30,790 I've... we've seen the good ones... 1008 01:32:31,740 --> 01:32:33,710 Shall I put on this record? 1009 01:32:33,780 --> 01:32:37,270 I just put it back in its jacket... we just heard it. 1010 01:32:38,810 --> 01:32:40,340 Something else? 1011 01:32:42,170 --> 01:32:43,590 What about this one? 1012 01:32:46,690 --> 01:32:47,980 Yet again? - You don't like it? - Oh, yes! 1013 01:32:48,810 --> 01:32:50,309 Put on something else! 1014 01:32:50,310 --> 01:32:51,990 That's played all day. 1015 01:32:52,040 --> 01:32:56,310 Let's see. Which one should we play? Ah, this one! 1016 01:32:57,170 --> 01:32:59,430 No? - Stupid! 1017 01:32:59,520 --> 01:33:01,600 Don't like it? - Yes, very much! 1018 01:33:02,730 --> 01:33:03,770 Too big! 1019 01:33:03,860 --> 01:33:05,550 But we already played it... 1020 01:33:07,880 --> 01:33:09,880 That one there, no? - No. 1021 01:33:10,380 --> 01:33:11,420 Here! 1022 01:33:11,920 --> 01:33:14,040 Oh, no, that's no good. 1023 01:33:14,090 --> 01:33:15,309 If it's good... no... 1024 01:33:15,310 --> 01:33:16,449 What's that? 1025 01:33:16,450 --> 01:33:20,590 Something I bought this afternoon... I liked the dog... 1026 01:33:20,640 --> 01:33:24,740 But I listened to it in a booth... it's no good... 1027 01:33:24,910 --> 01:33:26,910 Know why I bought it? 1028 01:33:27,030 --> 01:33:28,690 The dog reminded me of you. 1029 01:33:28,830 --> 01:33:31,610 Yes! Exactly! 1030 01:33:31,800 --> 01:33:32,859 Same nose... 1031 01:33:32,860 --> 01:33:37,070 The same sad eyes... eh? A little sleep in the corner... 1032 01:33:37,150 --> 01:33:39,320 and the ears... 1033 01:33:39,660 --> 01:33:42,630 I'd like a dog like that. - Really? 1034 01:33:43,240 --> 01:33:45,940 The thing is, when it grows up, it gets enormous... 1035 01:33:46,020 --> 01:33:48,160 Like an inner-tube. 1036 01:33:48,340 --> 01:33:50,350 When it's big, 1037 01:33:50,410 --> 01:33:51,699 out it goes! 1038 01:33:51,700 --> 01:33:54,190 No. That's not nice. 1039 01:33:54,510 --> 01:33:55,980 Or we'll eat it. 1040 01:33:56,620 --> 01:33:59,070 Fatten him up... we'll pick one, 1041 01:33:59,140 --> 01:34:02,680 a nice little puppy, we'll fatten him up, give him good food... 1042 01:34:02,840 --> 01:34:05,160 ...and when he's big, we'll eat him. 1043 01:34:07,110 --> 01:34:08,050 Like it? 1044 01:34:09,290 --> 01:34:11,290 Oh, I think... 1045 01:34:13,600 --> 01:34:15,140 Well, I don't know... 1046 01:34:17,110 --> 01:34:20,220 Have your dog and eat it too. 1047 01:34:21,150 --> 01:34:22,530 I've never tried them. 1048 01:34:22,560 --> 01:34:23,820 Me neither! 1049 01:34:36,950 --> 01:34:40,800 Look, we can go to the movies anyway, see something we've seen... 1050 01:34:48,570 --> 01:34:51,600 Rather walk around Paris a bit? 1051 01:35:02,410 --> 01:35:04,100 You know, 1052 01:35:04,600 --> 01:35:08,360 I'm really sorry you're not with us in "Andromache". 1053 01:35:13,800 --> 01:35:18,300 I'm sure we would've found even better things with you. 1054 01:35:18,510 --> 01:35:22,740 Just today, for instance, I found a great thing... 1055 01:35:22,820 --> 01:35:26,800 Something solid for me, and the actors...for the Alexandrine lines. 1056 01:35:28,450 --> 01:35:30,900 You have to just say them, or... 1057 01:35:31,000 --> 01:35:32,620 As if... it didn't exist. 1058 01:35:32,680 --> 01:35:36,080 Speak the line as if the alexandrine didn't exist. 1059 01:35:36,280 --> 01:35:40,210 And then they will have their... own force! See? 1060 01:35:40,750 --> 01:35:44,530 They start emerging... like a rhythm... 1061 01:35:44,760 --> 01:35:46,980 abruptly... all twelve syllables 1062 01:35:47,060 --> 01:35:49,960 it's a thing that rings in the ear... 1063 01:35:53,600 --> 01:35:56,440 you know why they're there. 1064 01:35:56,620 --> 01:35:58,940 See what I mean? 1065 01:36:08,340 --> 01:36:09,180 TUESDAY 22nd 1066 01:37:02,090 --> 01:37:04,430 Hello? Hello, the kennel? 1067 01:37:04,630 --> 01:37:07,160 I'd like to know if you have a dog 1068 01:37:07,350 --> 01:37:10,750 Uh... A dog with big ears... 1069 01:37:10,890 --> 01:37:14,000 They have sad eyes, you know? 1070 01:37:14,340 --> 01:37:16,860 And a long pointy nose, 1071 01:37:16,920 --> 01:37:18,700 Well, not too pointy, but a bit... 1072 01:37:21,130 --> 01:37:23,130 Yes, a hunting dog. That must be it. 1073 01:37:23,570 --> 01:37:26,770 No, no, not a Pointer, I don't think so. 1074 01:37:27,270 --> 01:37:29,260 It's got reddish spots... 1075 01:37:33,290 --> 01:37:36,300 No, I think the simplest thing would be 1076 01:37:36,470 --> 01:37:41,340 for me to come by and take a look. I'm kind of rushed. 1077 01:38:13,470 --> 01:38:15,190 How's it going? 1078 01:38:15,260 --> 01:38:17,720 Not bad... see for yourself. 1079 01:38:18,220 --> 01:38:20,150 But Sebastien? How's he doing? 1080 01:38:20,200 --> 01:38:22,620 I hope... I don't know... 1081 01:38:22,870 --> 01:38:25,340 I think he has some problems with us... 1082 01:38:25,450 --> 01:38:27,450 but it's always like that. 1083 01:38:27,500 --> 01:38:28,750 Always? 1084 01:38:29,330 --> 01:38:32,020 Sure. Rehearsals are for working... 1085 01:38:32,070 --> 01:38:35,050 But special problems? Really? What? 1086 01:38:35,160 --> 01:38:39,380 Well, there was a bit of trouble with Claire, but... 1087 01:38:39,520 --> 01:38:42,100 But who's this Marta who's replacing her? 1088 01:38:42,720 --> 01:38:45,700 He used to live with her... 1089 01:38:45,800 --> 01:38:46,839 Is that OK? 1090 01:38:46,840 --> 01:38:48,210 Yes, isn't she any good? 1091 01:38:48,920 --> 01:38:50,220 You don't seem to know! 1092 01:38:50,270 --> 01:38:53,630 Yes. I don't know her... we haven't really played 1093 01:38:53,740 --> 01:38:56,230 to an audience yet, so I don't know... 1094 01:39:03,810 --> 01:39:07,560 I just got here towards the end. 1095 01:39:07,630 --> 01:39:10,300 What exactly happened with Claire? 1096 01:39:11,280 --> 01:39:16,060 I don't know... I don't know, it's really Sebastien's business. 1097 01:39:17,290 --> 01:39:20,990 Michele, call places, please. 1098 01:39:21,310 --> 01:39:23,860 Besides, Claire's my friend. I don't know... 1099 01:39:25,420 --> 01:39:29,400 I'd like to interview Marta... What do you think? 1100 01:39:29,710 --> 01:39:34,040 Try it! 1101 01:39:45,060 --> 01:39:46,540 Puppy? 1102 01:39:46,600 --> 01:39:50,380 Yes, I want one like that. I called a while ago. 1103 01:39:50,460 --> 01:39:51,810 You're the one who called... 1104 01:39:51,890 --> 01:39:53,790 That's an Artesian Basset 1105 01:39:53,910 --> 01:39:55,530 A mixture of Artesian and Basset. 1106 01:39:55,580 --> 01:39:56,280 Got one? 1107 01:39:56,330 --> 01:39:59,520 No, and you won't find one in Paris now. 1108 01:39:59,590 --> 01:40:02,770 It's a dog that's become very rare... 1109 01:40:02,810 --> 01:40:05,070 Everyone wants them... wait a year... 1110 01:40:05,100 --> 01:40:06,310 What'll I do? 1111 01:40:06,440 --> 01:40:07,469 I don't know... 1112 01:40:07,470 --> 01:40:10,040 I need one tomorrow or the next day. 1113 01:40:10,400 --> 01:40:13,430 I could suggest something else.. I have a beagle... 1114 01:40:13,760 --> 01:40:15,159 Look the same. 1115 01:40:15,160 --> 01:40:16,640 I'll show him to you. 1116 01:40:22,550 --> 01:40:23,980 He's cute. 1117 01:40:25,810 --> 01:40:27,150 Nearly the same... 1118 01:40:27,200 --> 01:40:29,200 A spotted dog... big ears, too. 1119 01:40:30,330 --> 01:40:32,330 They look alike but it's not a basset. 1120 01:40:32,440 --> 01:40:34,130 It's not him, is it? 1121 01:40:35,120 --> 01:40:36,420 I want this one. 1122 01:40:37,250 --> 01:40:39,180 My mind's made up. This one. 1123 01:40:39,680 --> 01:40:41,380 They don't have the same eyes 1124 01:40:41,970 --> 01:40:43,450 He has big ears... 1125 01:40:47,930 --> 01:40:50,140 Marta. Take two. 1126 01:40:54,230 --> 01:40:57,980 There's someone here to see you. 1127 01:40:58,370 --> 01:41:00,370 Here's our Hermione" 1128 01:41:01,840 --> 01:41:03,490 How is it? - What? 1129 01:41:03,580 --> 01:41:04,940 Playing Hermione? 1130 01:41:05,040 --> 01:41:07,600 I like it. What else? 1131 01:41:08,170 --> 01:41:09,990 No, but picking it up... 1132 01:41:10,040 --> 01:41:11,490 in the middle, like this? 1133 01:41:11,580 --> 01:41:15,360 It wasn't bad... the rehearsals had just started... 1134 01:41:15,530 --> 01:41:17,530 He'd followed a work plan... 1135 01:41:17,830 --> 01:41:21,650 When I arrived, I just stepped in. Then we changed a few things. 1136 01:41:21,760 --> 01:41:22,759 Did you read? 1137 01:41:22,760 --> 01:41:26,040 Yes. That's how we got to this re-evaluation. 1138 01:41:26,240 --> 01:41:29,110 I practically started with them, so it's no... 1139 01:41:29,180 --> 01:41:31,590 I had trouble at the same time they did. 1140 01:41:32,570 --> 01:41:35,390 Have you played this kind of part? 1141 01:41:35,770 --> 01:41:38,140 Yes, in a different way, of course. 1142 01:41:40,380 --> 01:41:41,740 Do you like it? 1143 01:41:41,830 --> 01:41:43,440 This way, or the other? 1144 01:41:43,530 --> 01:41:44,290 This. 1145 01:41:44,450 --> 01:41:48,280 This way? I prefer it. I like it much better. 1146 01:41:48,780 --> 01:41:51,320 But how... how did it go? You... 1147 01:41:53,130 --> 01:41:55,820 Yes, because you... you replace someone... 1148 01:41:57,270 --> 01:42:01,830 How does that work? Aren't there lists of unemployed actresses? 1149 01:42:01,930 --> 01:42:03,930 Ask me something else, will you? 1150 01:42:04,430 --> 01:42:05,860 That bothers you? 1151 01:42:44,930 --> 01:42:48,450 Why must you, cruel one, inflame my wounds? 1152 01:42:49,620 --> 01:42:52,470 I fear to know myself as I am now. 1153 01:42:53,620 --> 01:42:57,250 Each thing you witness, try to disbelieve. 1154 01:42:57,560 --> 01:43:01,210 ? I love no more, until my victory. 1155 01:43:01,660 --> 01:43:04,800 Believe that spite has steeled my heart. 1156 01:43:22,660 --> 01:43:24,630 Where am I? 1157 01:43:25,130 --> 01:43:29,180 Where am I? What have I done? 1158 01:43:29,680 --> 01:43:31,680 Where am I? 1159 01:43:39,430 --> 01:43:41,430 What have I done? 1160 01:43:41,870 --> 01:43:44,390 What more must I do? 1161 01:43:44,450 --> 01:43:45,950 What comes over me? 1162 01:43:47,490 --> 01:43:49,340 What pain devours me? 1163 01:43:51,170 --> 01:43:53,960 I wander in the palace aimlessly. 1164 01:43:56,290 --> 01:44:03,770 Can I not know whether I love or hate? 1165 01:44:06,370 --> 01:44:11,440 Can I not know whether I love or hate? 1166 01:44:13,330 --> 01:44:16,820 With what a cruel look he cast me out. 1167 01:44:18,500 --> 01:44:20,550 Without pity, or even feigned grief. 1168 01:44:21,050 --> 01:44:23,170 Did he pale, or pause to pity me? 1169 01:44:23,880 --> 01:44:26,060 Could I extract from him a single groan? 1170 01:44:28,250 --> 01:44:29,990 Unmoved by my distress, 1171 01:44:30,710 --> 01:44:33,090 Did he even slightly mark my tears? 1172 01:44:34,560 --> 01:44:36,230 And I still pity him! 1173 01:44:36,900 --> 01:44:41,080 And, crowning woe, my heart, my craven heart yet cares for him! 1174 01:44:55,070 --> 01:45:00,020 You're at Act Three, scene one? - Yes. 1175 01:45:00,230 --> 01:45:02,230 Ok, go ahead. 1176 01:45:04,490 --> 01:45:07,150 Restrain, my lord, this extreme anger. 1177 01:45:07,380 --> 01:45:10,490 I no longer know. You are not yourself. You must suffer this... 1178 01:45:10,560 --> 01:45:14,270 No, your counsels are no longer in season, Pylades. 1179 01:45:14,400 --> 01:45:16,030 I'm tired of listening to reason. 1180 01:45:16,330 --> 01:45:18,330 My ordeal has endured too long. 1181 01:45:18,830 --> 01:45:20,710 I must abduct her, or else die. 1182 01:45:21,110 --> 01:45:23,660 My mind's made up. I will succeed. I will. 1183 01:45:25,180 --> 01:45:27,180 Well then, you must abduct her. I agree. 1184 01:45:27,340 --> 01:45:30,800 But consider where you are. What they will say... 1185 01:45:30,900 --> 01:45:33,940 "Consider where you are." No connection there. 1186 01:45:34,750 --> 01:45:37,530 You must abduct her. I agree. 1187 01:45:38,020 --> 01:45:39,930 But consider where you are. 1188 01:45:40,580 --> 01:45:42,710 What they will say... 1189 01:45:42,980 --> 01:45:44,110 Who'd not 1190 01:45:44,420 --> 01:45:47,610 be stunned by this mind staggering blow? 1191 01:45:47,860 --> 01:45:49,600 He weds Hermione tomorrow; 1192 01:45:49,710 --> 01:45:51,710 it is my honour to give her away! 1193 01:45:52,060 --> 01:45:54,930 I'd sooner plunge my hand in his barbarian's blood. 1194 01:45:55,150 --> 01:45:57,150 Wait, keep going. I'll be right back. 1195 01:46:03,580 --> 01:46:06,070 You blame him, sir, for this odd twist... 1196 01:46:06,390 --> 01:46:09,640 Yet tortured by his own designs, he may be wretched too. 1197 01:46:10,140 --> 01:46:12,700 No, it is my despair that spurs him on. 1198 01:46:12,790 --> 01:46:15,160 But for my love, he'd scorn the ingrate; 1199 01:46:15,400 --> 01:46:17,510 her charms never moved him before. 1200 01:46:17,640 --> 01:46:19,660 He takes her only to deprive me. 1201 01:46:19,950 --> 01:46:23,720 God! Hermione, won, would have been lost to him forever. 1202 01:46:23,860 --> 01:46:26,050 Her heart, torn between spite and love, 1203 01:46:26,260 --> 01:46:28,440 awaited but his "no" to yield to me. 1204 01:46:28,550 --> 01:46:30,940 Her eyes opened. She listened to me, 1205 01:46:31,020 --> 01:46:34,450 spoke to me, pitied me; a word had done the rest. 1206 01:47:46,390 --> 01:47:49,350 Say "hope": I'll give you, and be father to, your son. 1207 01:47:49,390 --> 01:47:51,180 I'll teach him to avenge Troy. 1208 01:47:51,310 --> 01:47:53,560 I punish Greece for us both. 1209 01:48:19,150 --> 01:48:20,340 Hello? 1210 01:48:20,680 --> 01:48:23,870 Hello, I wondered if you have the dog's address? 1211 01:48:23,980 --> 01:48:27,750 I was in yesterday, about an Artesian Basset... right. 1212 01:48:30,050 --> 01:48:32,050 19, rue Spontani... 1213 01:48:35,440 --> 01:48:39,160 Good. Thank you, sir. Goodbye. 1214 01:49:12,070 --> 01:49:14,490 Excuse me, but, uh... 1215 01:49:14,600 --> 01:49:16,250 I was given your address, 1216 01:49:16,310 --> 01:49:18,630 because I went to a kennel yesterday for a dog 1217 01:49:18,760 --> 01:49:22,750 and they said you had a couple of Artesian Bassets... 1218 01:49:22,840 --> 01:49:25,420 They exaggerated... I have just one. 1219 01:49:25,510 --> 01:49:29,220 Maybe... they said you might be having a litter... 1220 01:49:29,360 --> 01:49:31,530 Not a chance. But come in, please. 1221 01:49:50,220 --> 01:49:52,950 I didn't quite understand what you wanted. 1222 01:49:54,690 --> 01:49:57,720 I don't know why the kennel sent me to you... 1223 01:49:57,770 --> 01:50:01,110 because obviously you don't seem to have any dogs for sale. 1224 01:50:01,270 --> 01:50:03,580 No, no. I... I only have one. 1225 01:50:04,410 --> 01:50:06,320 My parents gave him to me, so... 1226 01:50:06,390 --> 01:50:09,630 Yes, I'm sorry. Do you know anyone who'd sell me one? 1227 01:50:09,650 --> 01:50:12,100 A friend has one from the same litter... 1228 01:50:12,480 --> 01:50:14,540 Return to Helen's daughter. 1229 01:50:14,600 --> 01:50:18,010 How can I, lady? Ah, how you torture me! 1230 01:50:18,090 --> 01:50:20,260 How can I return a heart that's yours? 1231 01:50:20,690 --> 01:50:27,940 And then you turn... gently, very gently... 1232 01:50:28,540 --> 01:50:30,170 Can't I reach him? 1233 01:50:30,230 --> 01:50:33,180 If I can get ahold of him, tomorrow or the next day... 1234 01:50:33,830 --> 01:50:35,600 Yes, I'd be interested... 1235 01:50:35,680 --> 01:50:37,160 It's that important? 1236 01:50:37,280 --> 01:50:39,800 Excuse me, telephone. 1237 01:51:11,870 --> 01:51:15,400 Fighting for you, may I no longer count you an enemy? 1238 01:51:18,310 --> 01:51:19,060 Cut it? 1239 01:51:19,770 --> 01:51:21,190 You're out of film! 1240 01:51:22,630 --> 01:51:25,090 I knew it was tough filming rehearsals. 1241 01:51:25,370 --> 01:51:27,600 I don't think it'll interest people. 1242 01:51:27,980 --> 01:51:29,410 The rehearsals? 1243 01:51:30,410 --> 01:51:33,870 It will if there are explanations. 1244 01:51:34,750 --> 01:51:37,640 ...which shed a little light - obviously if there are people- 1245 01:51:37,960 --> 01:51:39,120 It's incomprehensible. 1246 01:51:41,620 --> 01:51:43,680 But when you start explaining, 1247 01:51:44,180 --> 01:51:46,940 see, you start losing the idea... you get off on the wrong things 1248 01:51:47,460 --> 01:51:49,830 that really aren't definitive, I don't know. 1249 01:51:51,770 --> 01:51:54,310 Rehearsals are interesting if you film them... 1250 01:51:54,490 --> 01:51:57,750 from the rehearsal stage up to... up to the first... 1251 01:51:59,110 --> 01:52:01,900 Being able to watch it made into a film... 1252 01:52:07,070 --> 01:52:09,970 Now I want to get on to something else in this interview. 1253 01:52:10,760 --> 01:52:14,100 The thing is to see if rehearsals are mainly... 1254 01:52:14,190 --> 01:52:17,360 Since, actually you can consider the words... 1255 01:52:17,710 --> 01:52:20,300 ...Racine's words, as an object. 1256 01:52:20,730 --> 01:52:24,600 Isn't this object changed when it's put on film? 1257 01:52:25,000 --> 01:52:28,770 Can't be done. Isn't it idiotic just to film someone talking? 1258 01:52:28,870 --> 01:52:30,380 Reciting Racine? 1259 01:52:30,560 --> 01:52:34,590 Anyway, I think filming Racine like this should be great. 1260 01:52:35,090 --> 01:52:36,690 Better than the theatre. 1261 01:52:37,130 --> 01:52:38,530 I think it's been done... 1262 01:53:25,040 --> 01:53:29,590 Lord, my tears beg you for exile. Far from the Greeks... 1263 01:53:29,680 --> 01:53:31,680 See, that's it! 1264 01:53:33,000 --> 01:53:37,830 ...the palace aimlessly. Can I not know whether I love or hate? 1265 01:53:38,140 --> 01:53:40,510 Can I not know whether I love or... 1266 01:53:41,550 --> 01:53:44,710 Can I not know whether I love or hate... 1267 01:53:44,950 --> 01:53:47,870 Can I not know... whether... cruel... 1268 01:54:33,880 --> 01:54:36,790 Did he pale or pause to pity me? 1269 01:54:37,290 --> 01:54:41,200 ...and crowning woe, I quake to think of the impending blow! 1270 01:54:41,270 --> 01:54:44,310 Hit him with a blow, a woe, a crow-bar... 1271 01:54:44,710 --> 01:54:47,150 ...a bowl. And still I pity him! 1272 01:54:47,170 --> 01:54:51,550 The traitor... the wretch... the monster... 1273 01:54:52,290 --> 01:54:56,930 Anyone. Anything. Ridiculous, rotten, shitty Don Juan. 1274 01:54:58,160 --> 01:55:00,250 Any time he can sleep with... 1275 01:55:01,080 --> 01:55:06,280 I hate him! I hope he rots! I hope he dies! 1276 01:55:08,830 --> 01:55:12,500 Excuse me. It's not you. It's my fault. 1277 01:55:12,840 --> 01:55:14,840 It's funny... 1278 01:55:17,210 --> 01:55:20,590 It's funny, I'm the guilty one, and just when you... 1279 01:55:25,040 --> 01:55:26,270 Hello? 1280 01:55:27,180 --> 01:55:28,580 Hello? 1281 01:55:29,200 --> 01:55:30,760 Hello? - Yes? 1282 01:55:31,010 --> 01:55:33,570 Is that Piquot 151070? 1283 01:55:33,660 --> 01:55:34,620 Yes. 1284 01:55:34,770 --> 01:55:37,290 Could I speak to Sebastien Graq? 1285 01:55:38,080 --> 01:55:40,360 No, he's not here. 1286 01:55:42,310 --> 01:55:45,250 You see, I'm a young actress, I'd like... 1287 01:55:45,270 --> 01:55:48,290 Oh, I don't know... Maybe... 1288 01:55:48,370 --> 01:55:51,600 Could I stop by and see him at rehearsals? 1289 01:55:51,970 --> 01:55:53,750 I really have no idea. 1290 01:55:55,050 --> 01:55:57,050 I hate to insist, 1291 01:55:57,080 --> 01:55:59,420 but I'd really like to meet him... 1292 01:56:06,740 --> 01:56:08,690 I'd love to work with him... 1293 01:56:08,750 --> 01:56:10,410 ...even a tiny part... 1294 01:56:42,670 --> 01:56:43,889 How are you? 1295 01:56:43,890 --> 01:56:45,510 Okay 1296 01:56:47,530 --> 01:56:49,180 And your arm? - What? 1297 01:56:49,260 --> 01:56:50,189 Arm better? 1298 01:56:50,190 --> 01:56:52,760 My arm? Oh, it's nothing. 1299 01:56:54,490 --> 01:56:57,110 It's really... the emptiness... 1300 01:56:57,400 --> 01:57:01,170 Next time I'll do better, I hope. 1301 01:57:01,260 --> 01:57:04,760 You should get away for a bit. Rest. 1302 01:57:05,370 --> 01:57:08,980 Oh, sure. That's what I'm going to do anyway. 1303 01:57:12,850 --> 01:57:14,370 With Sebastien? 1304 01:57:14,430 --> 01:57:17,940 Oh, Sebastien... what a mess... 1305 01:57:21,440 --> 01:57:24,130 I don't know. It's all screwed up. 1306 01:57:24,220 --> 01:57:28,570 I don't understand... what he wants, what he doesn't want... 1307 01:57:28,640 --> 01:57:30,310 he's really strange... 1308 01:57:31,400 --> 01:57:34,330 Anyway, it's all screwed up now. 1309 01:57:36,110 --> 01:57:40,470 You know, you've really got to get away. You're losing weight... 1310 01:57:44,710 --> 01:57:47,530 Yes, I've got to get away, one way or another... 1311 01:57:51,340 --> 01:57:52,590 You are right. 1312 01:57:54,140 --> 01:57:56,140 Want a drink? 1313 01:58:02,600 --> 01:58:04,110 No, I don't want one. 1314 01:58:08,390 --> 01:58:10,120 He hasn't said anything? 1315 01:58:10,490 --> 01:58:12,820 No. You know, we're working... 1316 01:58:13,520 --> 01:58:15,410 He's strange, huh? 1317 01:58:16,090 --> 01:58:18,190 Don't you think so? 1318 01:58:19,440 --> 01:58:22,800 He's preoccupied... Work, you know... 1319 01:58:22,850 --> 01:58:25,200 He seems to shut himself up in it. 1320 01:58:27,400 --> 01:58:29,400 What? Shuts himself... 1321 01:58:35,900 --> 01:58:38,590 I'm leaving him. I've had enough. 1322 01:58:41,930 --> 01:58:43,860 I've really had enough. 1323 01:58:47,810 --> 01:58:51,060 It's impossible, you know, really a flop... 1324 01:58:56,180 --> 01:58:57,740 Don't you think so? 1325 01:59:08,040 --> 01:59:11,890 I can't think of any other way. 1326 01:59:23,460 --> 01:59:26,140 It's not funny. 1327 01:59:29,330 --> 01:59:30,850 Do something. 1328 01:59:31,470 --> 01:59:33,530 Eh? Do something. 1329 01:59:33,640 --> 01:59:36,620 What do you mean? Of course I will... 1330 01:59:49,870 --> 01:59:51,870 It's hard to say. 1331 01:59:55,040 --> 01:59:57,000 You can talk to me if it helps. 1332 01:59:57,070 --> 01:59:59,070 Eh? - If it helps, talk. 1333 01:59:59,270 --> 02:00:00,410 I can't. 1334 02:00:02,590 --> 02:00:05,490 I can't talk, I can't talk. 1335 02:00:24,800 --> 02:00:27,990 I think I'm going to leave... fast... 1336 02:00:38,690 --> 02:00:40,440 How's it going with...? 1337 02:00:40,500 --> 02:00:42,920 With Hermione? Fine. 1338 02:00:55,850 --> 02:00:57,630 What's that? 1339 02:00:57,780 --> 02:00:59,900 An elephant, can't you tell? 1340 02:01:00,400 --> 02:01:02,070 From who? 1341 02:01:02,250 --> 02:01:04,680 Puck... her cat had seven. 1342 02:01:05,440 --> 02:01:07,030 What'll we call it? 1343 02:01:07,190 --> 02:01:08,060 Who? 1344 02:01:08,100 --> 02:01:10,120 Him... It's a he. 1345 02:01:11,280 --> 02:01:12,870 I don't care! 1346 02:01:13,210 --> 02:01:15,210 Neither do I. 1347 02:01:31,510 --> 02:01:35,760 Fast service, eh? 1348 02:01:45,780 --> 02:01:50,680 Go on, let's have a smoke-filled room... 1349 02:01:51,030 --> 02:01:52,920 Want a cigarette? 1350 02:01:52,950 --> 02:01:55,590 I don't smoke. Makes me hoarse. 1351 02:02:37,430 --> 02:02:40,200 Don't you feel well? 1352 02:02:41,060 --> 02:02:42,500 Are you ok? 1353 02:02:47,750 --> 02:02:51,190 We've got to talk, Sebastien. 1354 02:02:51,560 --> 02:02:53,560 What about? 1355 02:02:53,750 --> 02:02:55,630 You've got to tell me... 1356 02:02:56,130 --> 02:02:59,890 Do you want a divorce? 1357 02:03:00,960 --> 02:03:03,570 Please, I'd rather know, you must tell me. 1358 02:03:04,950 --> 02:03:06,520 I can't go on living like this. 1359 02:03:10,100 --> 02:03:13,730 There's nothing to say. I have nothing to tell you. 1360 02:03:13,880 --> 02:03:16,210 Yes. You know. We must talk about it. 1361 02:03:20,510 --> 02:03:22,510 Listen, I'm tired. 1362 02:03:22,570 --> 02:03:25,760 We'll talk tomorrow. I can't answer you. 1363 02:03:26,010 --> 02:03:28,020 In the morning... Let's sleep now. 1364 02:03:28,050 --> 02:03:30,370 No, answer me, listen... Sebastien! 1365 02:03:30,950 --> 02:03:33,010 I've got to know, you've got to tell me. 1366 02:03:33,130 --> 02:03:36,640 You've got to tell me, you've got to! Hear? 1367 02:03:36,860 --> 02:03:40,570 I have to know! I can listen. 1368 02:03:40,840 --> 02:03:41,940 Sebastien! 1369 02:03:42,140 --> 02:03:44,140 Sebastien, look at me... 1370 02:03:44,250 --> 02:03:46,250 Sebastien, you must tell me okay? 1371 02:03:46,360 --> 02:03:48,420 I have to know! Listen, Sebastien! 1372 02:03:48,470 --> 02:03:50,480 But Sebastian come on. 1373 02:03:51,130 --> 02:03:52,930 Finally tell me! 1374 02:03:52,970 --> 02:03:54,350 Tell Me! 1375 02:03:55,080 --> 02:03:56,510 Sebastien! 1376 02:03:56,590 --> 02:03:57,780 Tell me 1377 02:04:38,660 --> 02:04:39,860 THURSDAY 24th 1378 02:04:56,900 --> 02:05:00,350 There's a broken 2 cv. waiting at the red light. 1379 02:05:12,990 --> 02:05:15,380 Would you please come. 1380 02:05:19,240 --> 02:05:21,270 Mich�le, come here... 1381 02:05:34,880 --> 02:05:36,880 You'll stand over there. 1382 02:05:39,120 --> 02:05:41,120 You two over there. 1383 02:05:50,890 --> 02:05:54,440 And near the end... half way through this half hour... 1384 02:05:54,530 --> 02:05:57,360 Each group goes to its end point... 1385 02:05:57,420 --> 02:05:58,980 pause, look out 1386 02:05:59,050 --> 02:06:02,270 at the audience, to take them... 1387 02:06:14,700 --> 02:06:19,650 The old bag's washing windows. She's in blue, with pom-pom shoes. 1388 02:06:28,690 --> 02:06:33,520 Two nuns pass. One spits, the other wipes her nose. 1389 02:06:44,980 --> 02:06:48,100 Like that... we'll all be a sort of... 1390 02:06:48,150 --> 02:06:49,960 ...the second half, we'll go here. 1391 02:06:53,700 --> 02:06:58,040 By concentration, we'll take them, lead them, easily. 1392 02:06:58,250 --> 02:06:59,830 Concentrate, huh? 1393 02:07:13,410 --> 02:07:15,730 Just when the show starts... 1394 02:07:16,280 --> 02:07:19,400 And when it starts... I don't know, a bell rings, or something... 1395 02:07:19,940 --> 02:07:22,900 ...the light changes, and just then, 1396 02:07:23,000 --> 02:07:26,980 everyone who's not in the first scene... 1397 02:07:27,220 --> 02:07:31,340 Everyone exits a way he'll be able to enter from in the next scenes. 1398 02:07:31,370 --> 02:07:34,260 So, while the others go off, 1399 02:07:34,880 --> 02:07:36,730 you come in to here. 1400 02:08:08,265 --> 02:08:10,265 Towards the public, you see... towards the public... and out... 1401 02:08:27,390 --> 02:08:31,265 Yes, since I have rediscovered so faithful a friend, 1402 02:08:31,600 --> 02:08:34,260 My fortune will take on a new aspect; 1403 02:08:34,450 --> 02:08:36,710 Her anger already looks like relenting. 1404 02:08:36,760 --> 02:08:38,760 since she took pains to reunite us here. 1405 02:08:38,970 --> 02:08:42,530 Who'd have thought on this unkindly shore 1406 02:08:42,620 --> 02:08:44,010 Orestes would meet Pylades? 1407 02:08:44,210 --> 02:08:46,610 That, after six months lost, 1408 02:08:46,840 --> 02:08:49,580 at Pyrrhus' court you'd be restored to me? 1409 02:09:17,010 --> 02:09:20,310 New series Number one... 1410 02:09:40,450 --> 02:09:42,450 Number two... 1411 02:09:49,970 --> 02:09:53,120 Number three... 1412 02:10:04,020 --> 02:10:07,320 Number four... 1413 02:10:14,080 --> 02:10:16,400 Number five... 1414 02:11:13,840 --> 02:11:16,870 Hello? Could I speak to Puck? 1415 02:11:27,310 --> 02:11:30,480 Hello? Hello, it's Claire. 1416 02:11:30,830 --> 02:11:33,090 What scene are they doing now? 1417 02:11:33,800 --> 02:11:35,480 A scene between Orestes and Pylades. 1418 02:11:35,550 --> 02:11:36,729 Going well? 1419 02:11:36,730 --> 02:11:38,370 I think so. 1420 02:11:39,350 --> 02:11:40,950 Denis learned his lines? 1421 02:11:41,450 --> 02:11:43,450 Nearly. Not too well yet. 1422 02:11:43,770 --> 02:11:45,069 What does Sebastien say? 1423 02:11:45,070 --> 02:11:46,490 He seems happy. 1424 02:11:48,830 --> 02:11:50,830 By the way, the kitten's dead. 1425 02:11:50,910 --> 02:11:54,390 I'm kidding. He's just very sick. 1426 02:11:54,810 --> 02:11:56,160 Sad? 1427 02:11:57,760 --> 02:12:01,120 That's too bad. See you! 1428 02:12:57,765 --> 02:12:59,290 Pyrrhus enters. 1429 02:13:04,120 --> 02:13:05,304 Should I start? 1430 02:13:05,305 --> 02:13:06,640 - Yes, yes. - OK 1431 02:13:08,590 --> 02:13:13,290 I told you, despite Greece, you'd again be mistress of your fate. 1432 02:13:13,420 --> 02:13:15,050 Alas! What bitter prophecy! 1433 02:13:15,110 --> 02:13:17,790 I'd no choice but to condemn my son. 1434 02:13:18,890 --> 02:13:23,110 Lady, you have been faithful to your husband... 1435 02:13:23,460 --> 02:13:26,130 What? I should give him Pyrrhus as successor? 1436 02:13:26,820 --> 02:13:29,830 So wills your son, abducted by the greeks. 1437 02:13:56,140 --> 02:13:58,730 Forget his father, fallen at my feet. 1438 02:13:58,820 --> 02:14:01,160 bloodying the altar he embraced? 1439 02:14:01,220 --> 02:14:03,220 Call to mind that cruel night 1440 02:14:03,260 --> 02:14:06,630 which brought eternal night to all our race. 1441 02:14:07,130 --> 02:14:10,010 Picture me crazed amidst horrors 1442 02:14:10,060 --> 02:14:12,210 thus Pyrrhus appeared to me. 1443 02:14:12,710 --> 02:14:15,360 By these exploits crowned himself. 1444 02:14:15,760 --> 02:14:18,420 This is he hand you offer me! 1445 02:14:19,460 --> 02:14:23,460 Then let us go and see your son expire. 1446 02:14:24,280 --> 02:14:28,040 They only wait for you. You shudder! 1447 02:14:28,130 --> 02:14:31,530 Ah! With what a memory you strike my soul! 1448 02:14:31,700 --> 02:14:34,180 Cephisa! What, go and see expire 1449 02:14:34,220 --> 02:14:37,050 my son, my joy, the image of my Hector! 1450 02:14:37,130 --> 02:14:38,190 Of course 1451 02:14:38,600 --> 02:14:41,530 There, for example spend three weeks... 1452 02:14:41,690 --> 02:14:44,100 and all you do is talk. 1453 02:14:44,160 --> 02:14:47,510 But, by the same token, rehearsals are work. 1454 02:14:47,610 --> 02:14:50,650 You all work 24 hours a day. 1455 02:14:52,530 --> 02:14:56,390 But some... some people don't value such lives highly. 1456 02:14:56,500 --> 02:15:01,250 I agree. You choose... what you like... I choose theatre. 1457 02:15:52,460 --> 02:15:55,080 It gets to be pretty tough, because 1458 02:15:55,580 --> 02:15:58,030 you figure the blocking, ok. 1459 02:15:58,210 --> 02:15:59,289 You still have to figure time, 1460 02:15:59,290 --> 02:16:02,650 because the length of the play is crucial... 1461 02:16:16,480 --> 02:16:18,020 and... within all the caesuras, 1462 02:16:18,040 --> 02:16:18,989 you still have to see that 1463 02:16:18,990 --> 02:16:22,240 each line and phrase 1464 02:16:22,320 --> 02:16:24,610 because a phrase isn't exactly a line... 1465 02:16:24,730 --> 02:16:26,650 ...uh, you also have to... 1466 02:16:26,770 --> 02:16:29,200 ...construct it mentally. 1467 02:16:29,380 --> 02:16:30,730 It's work. 1468 02:16:30,790 --> 02:16:34,070 Yes. The problem's to do it simply, but... circuitously... 1469 02:16:34,130 --> 02:16:37,600 And above all, not let it show... so you go against 1470 02:16:37,660 --> 02:16:39,920 what typical classical actors do... 1471 02:16:40,040 --> 02:16:41,410 that is, expression. 1472 02:16:41,480 --> 02:16:42,870 Don't explain... 1473 02:16:42,940 --> 02:16:46,130 Don't explain, to give the public... 1474 02:16:46,180 --> 02:16:48,180 You asked why the actors didn't speak... 1475 02:16:48,290 --> 02:16:50,740 Well, because basically, 1476 02:16:50,830 --> 02:16:54,080 it's not important to show the public an effort... 1477 02:16:54,110 --> 02:16:57,630 ...you don't have to sell them a product they'll like... 1478 02:16:57,970 --> 02:17:02,290 ...they'll like looking at, or make a big effort to put on... 1479 02:17:02,370 --> 02:17:04,310 What's important is, first of, that we, 1480 02:17:04,420 --> 02:17:07,650 here on stage, are happy. That we... 1481 02:17:07,780 --> 02:17:09,230 ...that we really... 1482 02:17:09,300 --> 02:17:11,300 ...felt what we mean. 1483 02:17:11,360 --> 02:17:12,690 After that, well... 1484 02:17:12,750 --> 02:17:14,450 the work will take care of itself. 1485 02:17:14,600 --> 02:17:17,680 Anyway, I don't think for the time being, 1486 02:17:18,310 --> 02:17:21,720 that it can please the public or please them. 1487 02:17:22,260 --> 02:17:24,690 Because it really defies the norm... 1488 02:17:24,790 --> 02:17:27,500 there won't be the old intonation. 1489 02:17:27,570 --> 02:17:30,580 all the old stuff. There won't be any of that. 1490 02:17:30,620 --> 02:17:32,260 There's nothing to explain. 1491 02:17:32,450 --> 02:17:33,840 Yes, but how can you... 1492 02:17:34,000 --> 02:17:37,480 ...one more question, while we're on it... 1493 02:17:37,530 --> 02:17:40,880 How can you play without having moments alone? 1494 02:17:40,940 --> 02:17:42,109 Is it that we're never alone? 1495 02:17:42,110 --> 02:17:43,860 That's to say... the "technique"... 1496 02:17:44,060 --> 02:17:44,729 What do you mean, alone? 1497 02:17:44,730 --> 02:17:48,170 No, but knowing we're there nearly all the time. 1498 02:17:48,410 --> 02:17:50,470 Doesn't that work against... 1499 02:18:30,440 --> 02:18:33,320 Hello? Could I speak to Marta, please? 1500 02:18:33,460 --> 02:18:36,910 She's just left. She's done. 1501 02:18:37,410 --> 02:18:41,150 Is this Claire? Are you ok? 1502 02:19:43,150 --> 02:19:46,110 Hello? Hello, Marta. It's Claire. 1503 02:19:46,330 --> 02:19:49,100 Can I see you? Right away... 1504 02:19:49,600 --> 02:19:51,600 At the cafe next door. 1505 02:20:17,360 --> 02:20:19,260 Shall we talk about Andromaque? 1506 02:20:22,990 --> 02:20:24,120 Yes 1507 02:20:25,550 --> 02:20:27,550 Coffee. 1508 02:20:36,680 --> 02:20:38,650 Are you ok? 1509 02:20:39,010 --> 02:20:39,900 Tired. 1510 02:20:40,020 --> 02:20:41,350 You look it. 1511 02:20:43,980 --> 02:20:47,300 Why did you call me? What's up? 1512 02:20:47,650 --> 02:20:51,330 I don't know. Nothing. Nothing. 1513 02:21:09,150 --> 02:21:12,030 I'm going shopping. There's no food. 1514 02:21:29,350 --> 02:21:31,590 I'd like four yogurts, please. 1515 02:21:31,630 --> 02:21:34,580 That'll be one franc twenty-four. 1516 02:21:35,080 --> 02:21:37,770 And a pound of oranges, please. 1517 02:21:42,500 --> 02:21:45,780 That's seventy-eight centimes. What else? 1518 02:22:03,080 --> 02:22:06,440 Think it went well today? 1519 02:22:07,430 --> 02:22:10,280 I... I don't think much at all, right now. 1520 02:22:10,470 --> 02:22:14,370 I can't see things clearly anymore. 1521 02:22:14,870 --> 02:22:18,820 We've got to admit, it's not terrific. 1522 02:22:18,930 --> 02:22:21,370 Don't worry. It's always like this. 1523 02:22:21,470 --> 02:22:23,470 There's always a low spot, 1524 02:22:24,220 --> 02:22:25,820 but we'll get there. 1525 02:22:25,870 --> 02:22:28,180 Yeah, when we get an audience... 1526 02:22:28,400 --> 02:22:30,130 Anyhow, I don't want to work now, 1527 02:22:30,200 --> 02:22:32,200 no more Andromaque today... 1528 02:22:33,040 --> 02:22:35,420 Besides, it's boring Claire? 1529 02:22:36,710 --> 02:22:38,900 What are you doing now? 1530 02:22:39,340 --> 02:22:40,110 Nothing. 1531 02:23:41,700 --> 02:23:43,210 Doesn't that dog on the cover 1532 02:23:43,230 --> 02:23:45,630 look a lot like Fran�oise... 1533 02:23:46,440 --> 02:23:47,680 ...uh... Claire? 1534 02:24:21,240 --> 02:24:25,900 You don't have to worry about me, Fran�oise. 1535 02:24:27,040 --> 02:24:29,040 I'll be ok. 1536 02:24:29,170 --> 02:24:31,170 I'm keeping my distance. 1537 02:24:31,430 --> 02:24:33,360 Why do you say that? 1538 02:24:33,420 --> 02:24:35,520 Don't you see what's going on? 1539 02:24:35,720 --> 02:24:37,980 Don't you see he's driving me crazy? 1540 02:24:38,100 --> 02:24:40,950 You're like the rest... pretending not to see! 1541 02:24:41,920 --> 02:24:43,920 Everyone's deceiving me! 1542 02:24:44,420 --> 02:24:46,420 Everyone's against me! 1543 02:24:53,090 --> 02:24:58,480 Here. The way you're feeling... My other women have used it. 1544 02:25:04,060 --> 02:25:05,320 Ladies? 1545 02:25:06,570 --> 02:25:08,050 No? No taker? 1546 02:25:47,680 --> 02:25:50,020 I want a divorce. 1547 02:26:00,610 --> 02:26:04,760 You disgust me! You only want me when I'm upset. Get out! 1548 02:26:04,790 --> 02:26:07,500 Don't touch me! Get out! Get out! 1549 02:27:22,340 --> 02:27:24,340 Not going to the theatre? 1550 02:27:24,790 --> 02:27:26,430 I don't feel like it. 1551 02:27:26,560 --> 02:27:29,330 You ought to go. You'll be late... 1552 02:27:30,310 --> 02:27:31,300 I'm going. 1553 02:27:31,610 --> 02:27:35,070 Go on. Hurry up! 1554 02:28:26,430 --> 02:28:28,690 What do you think of the situation? 1555 02:28:28,800 --> 02:28:32,950 I don't want to be indiscreet... I talked to Marta... 1556 02:28:34,220 --> 02:28:36,850 She seemed a bit annoyed, I don't know why... 1557 02:28:37,080 --> 02:28:38,820 While she seems fine... 1558 02:28:39,330 --> 02:28:41,330 She seems fine to me now... 1559 02:28:42,170 --> 02:28:42,740 How? 1560 02:28:42,840 --> 02:28:44,230 In her role... 1561 02:28:44,340 --> 02:28:45,710 But maybe that doesn't mean anything. 1562 02:28:45,810 --> 02:28:48,560 Maybe she doesn't like interviews... 1563 02:28:48,860 --> 02:28:50,990 What's your job? 1564 02:29:07,600 --> 02:29:10,490 Actors very often 1565 02:29:10,610 --> 02:29:12,690 forget the direction... 1566 02:29:13,070 --> 02:29:14,730 So, that's my job. 1567 02:29:18,330 --> 02:29:20,330 You know Sebastien well? 1568 02:29:21,230 --> 02:29:23,180 Yes, pretty well. 1569 02:29:23,220 --> 02:29:25,220 You know him best here. 1570 02:29:25,910 --> 02:29:27,560 Maybe. I suppose so. 1571 02:29:29,750 --> 02:29:31,750 Sebastien isn't a very... 1572 02:29:32,180 --> 02:29:34,180 No, I ask because it seems to me 1573 02:29:35,350 --> 02:29:36,960 that for some time now... 1574 02:29:37,940 --> 02:29:40,140 something's been going on, right? 1575 02:29:40,410 --> 02:29:42,520 Just that he changed the direction... 1576 02:29:42,570 --> 02:29:43,830 that seemed too... 1577 02:29:44,960 --> 02:29:49,410 ...too strange. Replacing Claire, for example. 1578 02:29:49,570 --> 02:29:52,710 Well, he had to, she left. 1579 02:29:53,030 --> 02:29:55,590 He had to find someone, to do the show. 1580 02:29:57,000 --> 02:29:59,000 That's normal. 1581 02:30:00,250 --> 02:30:06,250 And changing the direction, God, that's normal, 1582 02:30:06,350 --> 02:30:07,920 it can happen just like that... 1583 02:30:08,040 --> 02:30:10,060 You realise you're off the track... 1584 02:30:10,140 --> 02:30:12,140 you try something else... 1585 02:30:12,310 --> 02:30:16,350 No, but when I first came here, with the crew, he said... 1586 02:30:16,410 --> 02:30:19,520 ...he said "Do whatever you want... 1587 02:30:20,510 --> 02:30:21,860 "...interrupt rehearsals. 1588 02:30:21,930 --> 02:30:24,620 "Ask questions. You've got carte blanche." 1589 02:30:24,890 --> 02:30:26,380 And now, I get the feeling... 1590 02:30:29,920 --> 02:30:32,240 ...the past two days... he's annoyed... 1591 02:30:32,320 --> 02:30:35,250 ...people are, when you ask them questions. 1592 02:30:36,080 --> 02:30:38,080 They've had enough. 1593 02:30:39,940 --> 02:30:43,240 Yes, maybe... it's hard to answer questions. 1594 02:30:44,370 --> 02:30:46,680 Yes, it's really tough! 1595 02:30:48,750 --> 02:30:51,080 And when you're into work, like he is... 1596 02:30:51,110 --> 02:30:53,110 He gets into the work... 1597 02:30:53,180 --> 02:30:55,450 it's pretty concentrated... 1598 02:30:55,950 --> 02:31:00,660 ...and suddenly you've got to talk to someone else, 1599 02:31:00,910 --> 02:31:02,330 it can be annoying. 1600 02:31:03,040 --> 02:31:05,350 He shouldn't have tried it. 1601 02:31:06,410 --> 02:31:08,930 To promise you he'd answer... 1602 02:31:09,270 --> 02:31:10,860 ...nicely... 1603 02:31:40,130 --> 02:31:44,240 New evidence against Sebastien. 1604 02:31:58,650 --> 02:32:00,650 Hello, Bertrand? It's Claire. 1605 02:32:00,840 --> 02:32:03,300 Can I see you? Now? 1606 02:32:04,310 --> 02:32:06,310 Oh. Okay, then. 1607 02:32:56,350 --> 02:32:58,060 Hello, Philippe? Are you home? 1608 02:32:58,160 --> 02:32:59,680 Can I see you? 1609 02:32:59,770 --> 02:33:03,410 Ok, I'll be right over. 1610 02:34:24,890 --> 02:34:29,060 It's Claire. 1611 02:34:31,800 --> 02:34:34,660 Visiting an old friend? 1612 02:34:35,040 --> 02:34:38,020 Funny face. 1613 02:34:51,680 --> 02:34:54,420 What's up? 1614 02:34:54,520 --> 02:34:57,400 Are you sick? - No. 1615 02:35:26,220 --> 02:35:27,530 No thanks. 1616 02:35:47,140 --> 02:35:49,140 So, what it is? 1617 02:35:50,160 --> 02:35:52,640 Nothing important. 1618 02:36:03,170 --> 02:36:06,370 Your face really looks awful today. 1619 02:36:06,870 --> 02:36:08,870 Think so? 1620 02:36:14,240 --> 02:36:17,000 I've got sticky fingers... 1621 02:36:19,500 --> 02:36:20,850 What from? 1622 02:36:23,880 --> 02:36:26,340 I don't know, emotion maybe. 1623 02:36:31,550 --> 02:36:34,450 I think irons really fly low. 1624 02:36:35,500 --> 02:36:37,040 Irons fly... 1625 02:36:37,150 --> 02:36:39,370 Laughing too much... So, something's wrong? 1626 02:37:13,640 --> 02:37:17,950 Ah! How I fear so ominous a calm! And how much better 1627 02:37:17,970 --> 02:37:19,270 Have you sent for Orestes? 1628 02:37:19,370 --> 02:37:21,580 He is coming. 1629 02:37:23,740 --> 02:37:27,680 You will see how eagerly he wished to kneel to you. 1630 02:37:27,830 --> 02:37:30,810 ready to serve without hope of reward; your eyes 1631 02:37:30,880 --> 02:37:33,450 are all too sure to please him. But here he is... 1632 02:37:36,450 --> 02:37:40,450 Ah! Is it true for once I obey your will in seeking you? 1633 02:37:40,590 --> 02:37:43,110 Am I not flattered by false hope? 1634 02:37:43,270 --> 02:37:45,520 Did you really wish my company? 1635 02:37:45,910 --> 02:37:49,400 May I believe your eyes, at last disarmed, will... 1636 02:37:49,470 --> 02:37:52,110 I would know if you love me. 1637 02:37:55,920 --> 02:37:59,020 I wish to leave Epirus mourning. 1638 02:37:59,130 --> 02:38:02,690 I take delays to be refusals. Haste to the temple. Sacrifice... 1639 02:38:02,750 --> 02:38:04,029 Who? - Pyrrhus. 1640 02:38:04,030 --> 02:38:06,570 Pyrrhus? - What? Your hate flags? 1641 02:38:06,640 --> 02:38:09,450 Haste! Fear lest I stop you! 1642 02:38:09,500 --> 02:38:13,480 Advance no rights I would forget, nor seek to justify him. 1643 02:38:13,600 --> 02:38:16,050 Revenge, yes; but by other ways. 1644 02:38:16,140 --> 02:38:21,510 Let's be his foes, not his assassins; effect his ruin by just conquest. 1645 02:39:25,700 --> 02:39:27,700 What are you playing at? 1646 02:39:30,240 --> 02:39:31,240 Playing? 1647 02:39:34,000 --> 02:39:37,510 You think it's funny? - A bit. 1648 02:39:41,470 --> 02:39:45,810 Are you feeling alright, or what? 1649 02:39:47,920 --> 02:39:50,190 Despite the fact, Sir, that I have been shamefully deceived in my wishes 1650 02:39:50,305 --> 02:39:52,305 Despite the just horror that his crime inspires me, 1651 02:39:52,395 --> 02:39:54,395 While he still lives, fear only that I shall pardon him. 1652 02:39:55,440 --> 02:39:57,440 Until his death, suspect my uncertain wrath; 1653 02:39:57,600 --> 02:39:59,675 If he doesn't die today, I may love him tomorrow. 1654 02:40:01,040 --> 02:40:03,040 Well, his death is necessary and must come before your pardon. 1655 02:40:04,905 --> 02:40:06,905 It's necessary... but that depends on what I must do. 1656 02:40:07,800 --> 02:40:09,800 With some difficulty I have come again to Epirus 1657 02:40:09,875 --> 02:40:12,575 You want a kind dead; and for this punishment 1658 02:40:12,720 --> 02:40:14,720 You allow not a day, not an hour, not a moment 1659 02:40:15,230 --> 02:40:17,230 And yet today he weds Andromache. 1660 02:40:18,200 --> 02:40:20,200 Will you, in spite of him, try to guard his life? 1661 02:40:21,680 --> 02:40:23,680 Arm all those, along with your Greeks, who would follow me; 1662 02:40:24,200 --> 02:40:26,270 Call up your friends. All of mine are with you; 1663 02:40:26,800 --> 02:40:29,800 Come back covered in the blood of the infidel, 1664 02:40:30,400 --> 02:40:33,800 Go: when it is done, you may be sure of my heart. 1665 02:40:35,000 --> 02:40:36,720 But, Madame, consider... - Ah! It is too much, Sir, 1666 02:40:36,935 --> 02:40:38,400 All your reason offends my anger. 1667 02:40:38,640 --> 02:40:40,035 I wanted to give you the means to make me happy, 1668 02:40:40,190 --> 02:40:41,559 To make Orestes content, but at last I clearly see. 1669 02:40:41,560 --> 02:40:44,390 What are you doing? Leaving? 1670 02:40:44,480 --> 02:40:48,350 I've had enough. I think I'll go home. 1671 02:40:54,120 --> 02:40:59,160 Ok, that's it. Same time tomorrow. 1672 02:41:35,440 --> 02:41:37,050 What would you like? 1673 02:41:37,440 --> 02:41:39,440 I'd like some peaches. 1674 02:41:40,550 --> 02:41:42,050 A kilo, please. 1675 02:41:57,470 --> 02:41:58,690 Not eating? 1676 02:41:58,720 --> 02:42:00,720 Taste it first. 1677 02:42:29,670 --> 02:42:31,820 Want some wine? 1678 02:42:31,890 --> 02:42:34,900 Yes, I'll have a bit. 1679 02:44:07,200 --> 02:44:09,760 Would you do something? 1680 02:44:09,920 --> 02:44:13,290 Call the wake-up service for a 10 AM call. 1681 02:44:27,260 --> 02:44:30,850 What is it? 1682 02:44:31,590 --> 02:44:35,170 Why do you keep me? 1683 02:44:38,060 --> 02:44:40,530 Why don't you get rid of me? 1684 02:44:40,660 --> 02:44:43,560 It's easy, 'cause I'm crazy! 1685 02:44:44,050 --> 02:44:46,050 Why do you say that? 1686 02:44:50,290 --> 02:44:54,400 You know, Sebastien, I've thought about it a lot... 1687 02:44:54,790 --> 02:44:57,440 It's best if we separate. 1688 02:44:59,100 --> 02:45:02,560 Maybe just a couple of weeks, to let us both think... 1689 02:45:06,680 --> 02:45:09,600 Then maybe we could be like we used to... 1690 02:45:12,680 --> 02:45:14,520 ...maybe... 1691 02:45:22,190 --> 02:45:24,190 Think it's necessary? 1692 02:45:32,780 --> 02:45:35,600 Yes, Sebastien, I want to go. 1693 02:45:35,630 --> 02:45:37,970 I want to leave tomorrow. 1694 02:45:39,810 --> 02:45:41,360 Don't worry about me, really. 1695 02:45:44,120 --> 02:45:45,450 It's the only thing to do. 1696 02:45:48,680 --> 02:45:50,680 It's got to be... 1697 02:45:52,210 --> 02:45:54,050 It's got to be. 1698 02:45:59,010 --> 02:46:02,290 No. It doesn't have to be. 1699 02:46:05,020 --> 02:46:07,020 It's got to be... 1700 02:46:08,890 --> 02:46:14,170 No, I don't want it to. 1701 02:49:57,550 --> 02:50:01,020 Sebastien, stop. 1702 02:50:39,350 --> 02:50:40,690 Saturday 1703 02:50:41,190 --> 02:50:45,180 Ah! How I fear so ominous a calm! And how much better 1704 02:50:45,210 --> 02:50:46,440 Have you sent for Orestes? 1705 02:50:46,870 --> 02:50:48,530 He is coming. 1706 02:50:49,690 --> 02:50:55,150 Always ready to serve without hope of reward; 1707 02:50:55,390 --> 02:50:57,390 Your eyes are only to certain of pleasing him. 1708 02:50:57,630 --> 02:50:59,520 But he comes. 1709 02:51:03,970 --> 02:51:09,600 Ah! Is it true for once I obey your will in seeking you? 1710 02:51:09,630 --> 02:51:12,020 Am I not flattered by false hope? 1711 02:51:12,210 --> 02:51:15,800 Did you really wish my company? 1712 02:51:15,930 --> 02:51:17,970 May I believe your eyes, at last disarmed, will... 1713 02:51:18,020 --> 02:51:20,020 I would know if you love me. 1714 02:51:22,930 --> 02:51:24,930 What's the kitten's name? 1715 02:51:25,980 --> 02:51:27,670 We haven't named him. 1716 02:51:35,010 --> 02:51:38,320 I take delays to be refusals. Haste to the temple. Sacrifice... 1717 02:51:38,370 --> 02:51:39,559 Who? - Pyrrhus. 1718 02:51:39,560 --> 02:51:42,640 Pyrrhus? - What? Your hate flags? 1719 02:51:56,690 --> 02:52:00,000 That I detest him? That I loved him once? 1720 02:52:00,070 --> 02:52:03,760 I'll not deny, the ingrate knew my heart. 1721 02:52:03,820 --> 02:52:06,290 Whether my love or father so ordained no matter; 1722 02:52:06,330 --> 02:52:09,120 but be ruled by this. 1723 02:52:26,280 --> 02:52:28,870 Look, this isn't working. 1724 02:52:29,200 --> 02:52:33,930 You see... you know, you've seen it... 1725 02:52:34,220 --> 02:52:38,660 Your rehearsals are really impossible now. 1726 02:52:53,680 --> 02:52:56,000 You've got to do something, unless you stop... 1727 02:52:56,050 --> 02:53:00,290 because they'll come to see me, and I won't know what to say... 1728 02:53:00,540 --> 02:53:03,330 They're getting fed up, they feel... 1729 02:53:04,950 --> 02:53:08,160 suspended, there's no progress. 1730 02:53:09,620 --> 02:53:12,220 Not just that, we're losing ground. 1731 02:53:12,330 --> 02:53:15,240 They're feeling ill at ease... 1732 02:53:18,800 --> 02:53:21,930 What's the matter? What is it? 1733 02:53:22,880 --> 02:53:25,130 I don't know... 1734 02:53:26,740 --> 02:53:29,560 I don't know... the rehearsals... 1735 02:53:29,680 --> 02:53:32,090 that's not the play... 1736 02:53:32,790 --> 02:53:35,720 It's too bad, but still... 1737 02:53:37,490 --> 02:53:39,600 You know, I'm going to tell you something... 1738 02:53:40,600 --> 02:53:43,110 It's true... You've got to talk to people... 1739 02:53:45,640 --> 02:53:48,030 get things out, you can't keep it all in. 1740 02:53:48,100 --> 02:53:50,130 When you keep it all pent up... 1741 02:53:53,600 --> 02:53:57,620 or let it out in the show... 1742 02:53:57,730 --> 02:53:59,300 that doesn't work. 1743 02:54:00,970 --> 02:54:02,970 That's no answer, it's nothing. 1744 02:54:03,800 --> 02:54:05,540 You're not here, that's obvious. 1745 02:54:05,630 --> 02:54:07,680 I've been watching you... 1746 02:54:08,810 --> 02:54:11,470 You don't even look at rehearsals. 1747 02:54:19,180 --> 02:54:23,180 You can't keep shutting yourself off! 1748 02:54:31,270 --> 02:54:35,480 I don't know... That's just advice... 1749 02:54:36,340 --> 02:54:38,340 You ought to talk. 1750 02:54:46,520 --> 02:54:50,110 See, without you... you may not like it, but 1751 02:54:50,570 --> 02:54:54,030 they're all looking to you, all the actors... 1752 02:54:54,530 --> 02:54:58,330 waiting for you to speak... and nothing happens. 1753 02:54:59,140 --> 02:55:03,110 They just have to work, they're actors. 1754 02:55:05,660 --> 02:55:07,970 Come on, be honest. 1755 02:55:08,330 --> 02:55:13,320 Either you say, sorry, I won't be at rehearsals, 1756 02:55:13,500 --> 02:55:16,220 I'm taking three days off to think... 1757 02:55:16,360 --> 02:55:20,210 or else you do it, because you're committed to do it. 1758 02:55:20,710 --> 02:55:24,810 They can't rehearse... You've got ideas... 1759 02:55:25,770 --> 02:55:27,960 ...specific ones... 1760 02:55:28,020 --> 02:55:30,650 ...and you just let everything go... 1761 02:55:43,400 --> 02:55:47,230 See, I've come to see you for the rest of them... 1762 02:55:48,230 --> 02:55:51,090 We shouldn't need courage to come see you. 1763 02:55:51,260 --> 02:55:53,950 Even I... I've known you for a long time, but... 1764 02:55:54,500 --> 02:55:58,530 I come to see you, I make an effort, 1765 02:55:58,780 --> 02:56:01,270 I don't know, you could... 1766 02:56:10,960 --> 02:56:14,560 It's not my business. 1767 02:56:14,660 --> 02:56:17,750 I shouldn't have anything to do with it. 1768 02:56:20,510 --> 02:56:23,310 It bothers me to see you like this. 1769 02:56:32,830 --> 02:56:38,200 I can't do anything. It makes me laugh. 1770 02:56:38,520 --> 02:56:39,950 What makes you laugh? 1771 02:56:40,450 --> 02:56:43,070 That we should be like this, you and me. 1772 02:56:43,200 --> 02:56:47,170 I know it's all... it's all wrong... 1773 02:56:47,490 --> 02:56:50,380 I see how bad it is, but... 1774 02:56:51,060 --> 02:56:54,580 either I'm like this, or... 1775 03:01:02,090 --> 03:01:07,640 I have a suitcase in my head that pops up... 1776 03:01:08,820 --> 03:01:12,180 Squeeze harder, or it'll open... 1777 03:01:12,380 --> 03:01:13,910 ...socks coming out of the eyes, 1778 03:01:14,220 --> 03:01:16,470 handkerchiefs out of the mouth... 1779 03:01:19,910 --> 03:01:21,910 You turn on Greece? 1780 03:01:21,950 --> 03:01:24,150 Did I triumph to depend on her? 1781 03:01:24,200 --> 03:01:27,990 Hermione, lord, will stop you, between you and her father torn. 1782 03:01:28,030 --> 03:01:32,100 I can love Hermione still, and not be her father's slave. 1783 03:01:32,360 --> 03:01:34,100 And someday I may learn 1784 03:01:34,130 --> 03:01:36,360 to reconcile my glory with my love. 1785 03:01:36,460 --> 03:01:38,910 You may, however, see Helen's daughter: 1786 03:01:38,940 --> 03:01:40,330 I know you are united tightly by chains of blood. 1787 03:01:40,390 --> 03:01:42,560 After that, Sir, I will not detain you any more, 1788 03:01:42,600 --> 03:01:44,140 And you may announce my refusal to the Greeks. 1789 03:02:02,160 --> 03:02:04,160 How she could spare me these tedious constraints. 1790 03:02:04,445 --> 03:02:05,845 Sir - - Another time I will open my soul to you. 1791 03:02:06,160 --> 03:02:08,160 Andromache approaches. Were you looking for me, Madame? 1792 03:02:08,675 --> 03:02:10,230 Would you permit me so charming a hope? 1793 03:02:10,600 --> 03:02:12,190 I'm going to the place where my son is being kept 1794 03:02:12,560 --> 03:02:15,560 Since once per day you suffer it that I may see him, 1795 03:02:16,000 --> 03:02:18,000 I'm going to weep with him for a moment: 1796 03:02:18,400 --> 03:02:19,199 I have not yet kissed him today. 1797 03:02:19,200 --> 03:02:21,200 Ah, Madame, the Greeks, If I believe their warnings, 1798 03:02:21,360 --> 03:02:22,559 Will soon give you other subjects for alarm. 1799 03:02:22,560 --> 03:02:24,560 And what fear has caused their hearts to beat so, 1800 03:02:24,640 --> 03:02:26,640 Sir? Which Trojan has escaped from you? 1801 03:02:26,760 --> 03:02:28,560 They dread his son. - A worthy object for their hate! 1802 03:02:28,720 --> 03:02:30,720 An unlucky child who still doesn't know 1803 03:02:30,875 --> 03:02:32,875 That Pyrrhus is his master, that Hector is his father. 1804 03:02:37,540 --> 03:02:39,460 I feel for you; but duty bids that I 1805 03:02:39,500 --> 03:02:41,480 be silent when my father speaks. 1806 03:02:42,050 --> 03:02:43,910 It's he who stirs up Pyrrhus. 1807 03:02:43,960 --> 03:02:46,070 Who more than you can move Pyrrhus? 1808 03:02:46,370 --> 03:02:50,190 Your eyes have long ruled him. Make him declare; I'll subscribe. 1809 03:02:50,560 --> 03:02:52,710 How much contempt does she lend to her cruel refusal! 1810 03:02:53,080 --> 03:02:54,695 I would believe what she counsels and go and see Pyrrhus. 1811 03:02:54,840 --> 03:02:56,620 One look would confound Hermione and Greece... 1812 03:02:56,670 --> 03:02:59,000 But he himself is looking for you. - Where then is the princess? 1813 03:02:59,075 --> 03:03:00,440 Didn't you tell me she was in this place? 1814 03:03:00,800 --> 03:03:02,800 I thought she was. - You see the power of my eyes! 1815 03:03:03,480 --> 03:03:06,480 What does she say Phoenix? - Alas, everyone abandons me! 1816 03:03:07,955 --> 03:03:09,625 Go, Sir, march in step with Hermione. 1817 03:03:10,000 --> 03:03:12,000 Do you hear? Break this obstinate silence. 1818 03:03:12,320 --> 03:03:13,184 He has promised me my son! 1819 03:03:13,185 --> 03:03:15,110 But he hasn't delivered him yet. 1820 03:03:17,600 --> 03:03:18,990 Again. - Sorry 1821 03:03:20,950 --> 03:03:22,920 I would believe what she counsels and go and see Pyrrhus. 1822 03:03:23,040 --> 03:03:24,440 One look would confound Hermione and Greece... 1823 03:03:24,600 --> 03:03:25,910 But he is looking for you himself.. - Where then is the princess? 1824 03:03:25,970 --> 03:03:27,650 Didn't you tell me she was in this place? 1825 03:03:27,875 --> 03:03:29,875 I thought she was. - You see the power of my eyes! 1826 03:03:29,920 --> 03:03:31,985 What does she say, Phoenix? - Alas, everyone abandons me! 1827 03:03:32,280 --> 03:03:33,955 Go, Sir, and march in step with Hermione. 1828 03:03:34,160 --> 03:03:36,160 What pride! - I have only irritated him again, 1829 03:03:36,240 --> 03:03:38,240 I will leave. - We should go to the Greeks to 1830 03:03:38,241 --> 03:03:39,235 deliver up the son of Hector 1831 03:03:40,240 --> 03:03:41,815 Ah! Sir! Stop! What would you do? 1832 03:03:42,360 --> 03:03:44,360 If you deliver up the son, you must deliver up the mother, too! 1833 03:03:44,520 --> 03:03:46,145 In your oath just now you swore that much friendship to me! 1834 03:03:46,760 --> 03:03:48,545 Phoenix will tell you. My word is given. 1835 03:03:49,680 --> 03:03:51,080 You who would brave so many pains for me! 1836 03:03:51,195 --> 03:03:53,195 No, you hate me; and in the depths of your soul 1837 03:03:53,235 --> 03:03:55,345 You fear to owe something to my passion. 1838 03:03:55,655 --> 03:03:57,400 This same son, this son, object of so much attention, 1839 03:03:57,595 --> 03:03:58,985 If I were to save him, you would love him less. 1840 03:03:59,600 --> 03:04:04,600 The hate, the contempt, all assembled against me. 1841 03:04:04,920 --> 03:04:08,620 Let's go Phoenix. - Let us go and rejoin my husband. 1842 03:04:08,760 --> 03:04:10,760 Madame... - And what more do you want me to say to him? 1843 03:04:10,875 --> 03:04:12,405 The author of all my misfortune, do you think he can ignore it? 1844 03:04:13,320 --> 03:04:15,320 Go and wait for me, Phoenix. - Madame, wait. 1845 03:04:15,520 --> 03:04:17,300 It may be that the son for whom you weep can be restored to you. 1846 03:04:17,510 --> 03:04:19,510 I am sorry to see that exciting you to tears... 1847 03:04:27,360 --> 03:04:29,360 You haven't flattered me with a false hope? 1848 03:04:29,760 --> 03:04:31,500 Have you actually desired my presence? 1849 03:04:32,040 --> 03:04:33,565 Am I to believe that those eyes, finally disarmed, 1850 03:04:33,665 --> 03:04:35,665 Would want... - I want to know, Sir, if you love me. 1851 03:04:35,800 --> 03:04:37,800 If I love you! Oh God! My oaths, my perjuries, 1852 03:04:37,955 --> 03:04:39,845 My flight, my return, my respects, my injuries, 1853 03:04:39,895 --> 03:04:41,785 My hopelessness, my eyes forever drowning in tears; 1854 03:04:41,810 --> 03:04:43,670 What witness would you believe, if you wouldn't believe those things? 1855 03:04:43,720 --> 03:04:44,985 Avenge me, I believe all. 1856 03:04:46,720 --> 03:04:49,035 So let's go, Madame, Let us again inflame all of Greece; 1857 03:04:49,370 --> 03:04:50,790 As a signal of my power and your name, you took 1858 03:04:50,830 --> 03:04:52,365 The place of Helen, and I, of Agamemnon; 1859 03:04:52,685 --> 03:04:54,055 And in this land reawaken the miseries of Troy; 1860 03:04:54,320 --> 03:04:55,740 And we shall be talked of as our forefathers were 1861 03:04:55,955 --> 03:04:57,555 Let us go, I am ready. - No, Sir, wait... 1862 03:04:57,880 --> 03:04:59,900 Wait... it's not worth it, since 1863 03:05:00,310 --> 03:05:02,490 Act Four is still Marta, 1864 03:05:02,530 --> 03:05:05,130 or Hermione, so without Marta, why bother. 1865 03:05:05,820 --> 03:05:08,030 Ok, let's stop. 1866 03:05:08,890 --> 03:05:11,450 I'd like you to work at home a bit. 1867 03:05:11,580 --> 03:05:14,160 You're not working at all... 1868 03:05:14,240 --> 03:05:17,380 Ok, you don't know the lines, we can do it on the book, 1869 03:05:18,620 --> 03:05:20,620 but work! That's something else. 1870 03:05:22,890 --> 03:05:24,320 See you tomorrow. 1871 03:05:30,010 --> 03:05:31,680 Hey, you're late! 1872 03:05:36,430 --> 03:05:38,980 Always the same ones. 1873 03:06:20,780 --> 03:06:22,620 Your hand is cold. 1874 03:06:23,820 --> 03:06:25,820 I'm cold? 1875 03:06:38,320 --> 03:06:39,455 MONDAY 28th 1876 03:08:10,950 --> 03:08:14,260 I was born to... see like this. 1877 03:08:14,440 --> 03:08:17,570 I was born to illustrate your wrath, 1878 03:08:17,620 --> 03:08:20,970 to be... will, this will to be... 1879 03:08:21,210 --> 03:08:23,210 to be a model of misfortune. 1880 03:08:23,250 --> 03:08:26,090 I die contented, and my fate... 1881 03:08:29,760 --> 03:08:31,500 It's going to work. 1882 03:08:32,490 --> 03:08:35,290 If you really concentrate 1883 03:08:36,130 --> 03:08:39,580 on making an enormous monster of it... see... 1884 03:08:40,080 --> 03:08:43,980 But you need two people really concentrating... 1885 03:08:44,000 --> 03:08:46,530 You know what I'm talking about. 1886 03:08:51,560 --> 03:08:55,050 Let's join three discordant hearts. 1887 03:08:58,790 --> 03:09:04,790 But what dense night suddenly enfolds me? 1888 03:09:05,470 --> 03:09:08,020 Where lies escape? 1889 03:09:09,210 --> 03:09:11,780 Why do I tremble? 1890 03:09:11,910 --> 03:09:16,720 What horror seizes me? By heaven's grace, I see... 1891 03:09:20,810 --> 03:09:24,070 Ye Gods! What streams of blood flow around me! 1892 03:09:24,170 --> 03:09:26,170 Or maybe it's... see? 1893 03:09:28,670 --> 03:09:33,300 Daughters of Hades, are your hands ready? 1894 03:09:33,380 --> 03:09:37,520 For whom are these snakes hissing on your heads? 1895 03:09:37,580 --> 03:09:40,680 For whom this retinue that follows you? 1896 03:09:40,730 --> 03:09:43,300 Come you to plunge me in eternal night? 1897 03:09:43,410 --> 03:09:48,400 Come! To your rage Orestes yields himself. 1898 03:09:48,490 --> 03:09:51,630 But no, retire; leave it to Hermione. 1899 03:09:51,750 --> 03:09:54,230 More savagely than you she'll rend me. 1900 03:09:54,370 --> 03:09:57,620 I bring my heart. She can devour it now. 1901 03:09:58,090 --> 03:10:02,990 That's good, see, because you're right back to the womb. 1902 03:10:03,080 --> 03:10:04,010 It's true. 1903 03:12:56,590 --> 03:12:57,779 So, what'll I say? 1904 03:12:57,780 --> 03:12:58,320 Say... 1905 03:12:58,340 --> 03:13:01,530 We're leaving? Or... or that I... or what? What? 1906 03:13:01,580 --> 03:13:04,020 Tell her you're taking two days... 1907 03:13:04,050 --> 03:13:06,580 to go off and think abut the play. 1908 03:13:06,680 --> 03:13:07,370 Hello? 1909 03:13:07,460 --> 03:13:08,690 Hello, Michèle? 1910 03:13:12,710 --> 03:13:15,900 Listen, uh... no, Claire's tickling me... 1911 03:13:15,950 --> 03:13:19,200 Have you... no, I mean... 1912 03:13:19,240 --> 03:13:21,940 You're taking two days off to think about the play. 1913 03:13:21,970 --> 03:13:25,740 Yes. I have to leave for two days because... 1914 03:13:28,080 --> 03:13:30,080 because I have to think... 1915 03:13:31,150 --> 03:13:33,850 Wait, here's Claire, she'll tell you. 1916 03:13:37,110 --> 03:13:39,750 Sebastien's decided to take two days off 1917 03:13:39,830 --> 03:13:42,700 to work on the play... he's not sure of it. 1918 03:13:42,800 --> 03:13:47,240 So he wants to take a couple of days... to concentrate. 1919 03:13:47,300 --> 03:13:49,020 She should have them all rehearse. 1920 03:13:49,110 --> 03:13:52,670 Have everyone rehearse, ok? Have them... 1921 03:13:52,680 --> 03:13:54,680 ...especially Denis... work on lines. 1922 03:13:57,230 --> 03:14:00,050 He'll call you from wherever he is. 1923 03:14:00,250 --> 03:14:03,570 He won't go far. Nearby, in the Chevreuse Valley... 1924 03:14:05,740 --> 03:14:08,090 He'll call you when he gets back... 1925 03:14:08,370 --> 03:14:11,110 Work on the costumes too. 1926 03:14:14,270 --> 03:14:16,900 Ok, wait. I'll put Sebastien back on. 1927 03:14:17,460 --> 03:14:19,640 Mich�le? Sorry about just now. 1928 03:14:19,760 --> 03:14:23,550 So look... you do that, ok? 1929 03:14:23,640 --> 03:14:26,130 Right. I'll call you when I get back. Thanks. 1930 03:14:26,630 --> 03:14:28,630 Sorry. Goodbye. 1931 03:14:44,330 --> 03:14:47,960 Happy? Are you happy? 1932 03:15:15,060 --> 03:15:18,250 Like a flower growing in the nose. 1933 03:15:18,320 --> 03:15:20,120 Does it look like me? 1934 03:15:20,240 --> 03:15:21,770 Eh? 1935 03:15:21,860 --> 03:15:23,610 You have flowers in your nose. 1936 03:15:23,680 --> 03:15:27,050 I can pull your nose and your ears... 1937 03:15:27,190 --> 03:15:29,190 both at once. 1938 03:15:37,560 --> 03:15:39,470 Not bad. 1939 03:15:39,520 --> 03:15:41,830 What's that, on the right? 1940 03:15:42,440 --> 03:15:43,110 What? 1941 03:15:44,560 --> 03:15:46,740 That's your magnificent chest. 1942 03:15:46,830 --> 03:15:48,310 Not my chest! 1943 03:15:49,100 --> 03:15:51,630 It's got to be someone else's chest. 1944 03:15:55,250 --> 03:15:57,310 Milk's gushing out. 1945 03:15:58,720 --> 03:16:01,120 That's an unknown chest. 1946 03:16:01,690 --> 03:16:03,130 What's that? 1947 03:16:03,160 --> 03:16:05,160 That's the little forest. 1948 03:16:06,290 --> 03:16:07,550 Stupid! 1949 03:16:20,920 --> 03:16:22,340 Is it marking? - Yes. 1950 03:16:22,460 --> 03:16:23,740 Mine isn't. 1951 03:16:23,850 --> 03:16:25,650 Is it coming apart? - Wait a minute... 1952 03:16:30,770 --> 03:16:34,550 Wait, we'll colour the thing a bit, because... 1953 03:16:38,730 --> 03:16:40,470 Ah, there... 1954 03:16:41,190 --> 03:16:43,190 It's getting to look like something. 1955 03:16:54,140 --> 03:16:56,690 Better. 1956 03:16:56,750 --> 03:16:58,069 Nothing marks. 1957 03:16:58,070 --> 03:17:00,070 Nothing else marks. 1958 03:17:02,900 --> 03:17:05,250 We shouldn't copy each other. 1959 03:17:21,920 --> 03:17:23,550 Recognise it? Come see. 1960 03:17:23,610 --> 03:17:28,460 Wait. I'm not finished. 1961 03:17:28,960 --> 03:17:33,590 We'll have to go over it all... you can't see it. 1962 03:17:35,050 --> 03:17:38,150 No, I don't recognise it. 1963 03:17:38,650 --> 03:17:40,650 Anyway, it's a good likeness. 1964 03:17:47,200 --> 03:17:49,900 Got any scissors there? 1965 03:18:05,680 --> 03:18:08,630 I'm cutting out the nipple. 1966 03:18:36,350 --> 03:18:38,060 We can look, can't we? 1967 03:18:41,060 --> 03:18:44,420 We don't have any tacks... what a nuisance! 1968 03:19:12,850 --> 03:19:15,150 Careful, you'll cut the nipple. 1969 03:19:15,190 --> 03:19:16,930 We'll try. Yes, the nipple. 1970 03:19:16,980 --> 03:19:19,320 No, but if you go farther... 1971 03:19:20,150 --> 03:19:22,150 What, like that? 1972 03:19:24,470 --> 03:19:25,900 Come on. 1973 03:19:29,600 --> 03:19:32,030 No, I haven't finished. 1974 03:19:39,090 --> 03:19:40,860 Wait, I haven't finished. 1975 03:19:40,920 --> 03:19:43,820 OK, finish, go ahead. 1976 03:19:46,720 --> 03:19:49,040 What are you doing? 1977 03:19:49,090 --> 03:19:51,910 Nothing. Keep working. 1978 03:19:54,000 --> 03:19:57,260 I am! I want to know what you're doing down there. 1979 03:19:57,740 --> 03:19:58,799 Don't you feel it? 1980 03:19:58,800 --> 03:20:00,800 Eh? - Nothing. 1981 03:20:04,380 --> 03:20:06,060 I'm ashamed. 1982 03:20:12,760 --> 03:20:15,610 I've finished my work. 1983 03:20:15,690 --> 03:20:17,370 I'm just starting. 1984 03:20:18,810 --> 03:20:20,810 Each to his own work... 1985 03:20:21,530 --> 03:20:23,830 Each to his own work, in his own time. 1986 03:21:15,830 --> 03:21:20,350 Racine... Andro-mackerel in white wine... blue, red... 1987 03:21:20,420 --> 03:21:23,780 ...a small red wine, boss, and a glass of Andromache. 1988 03:21:31,150 --> 03:21:36,240 You know, I heard M. Jean Racine... 1989 03:21:36,310 --> 03:21:39,310 had a wig with spaniel ears... 1990 03:21:39,360 --> 03:21:41,130 He wrote Andromaque... 1991 03:21:41,200 --> 03:21:45,510 and Louis XVI was Andro... was Pyrrhus... 1992 03:21:45,600 --> 03:21:49,600 and, uh... what's her name... 1993 03:21:49,710 --> 03:21:52,480 something like that, anyway... 1994 03:21:52,520 --> 03:21:54,850 ...the actress who was... Duguesclin... 1995 03:21:58,890 --> 03:22:02,560 Duguesclin, and Bayard was Orestes... 1996 03:22:02,590 --> 03:22:04,770 and Charlemagne was... 1997 03:22:05,680 --> 03:22:07,420 ...Pylades... 1998 03:22:07,520 --> 03:22:08,870 And that wasn't it at all. 1999 03:22:08,960 --> 03:22:10,960 No? - Not at all. 2000 03:22:11,900 --> 03:22:13,560 And Hermione... 2001 03:22:13,600 --> 03:22:16,390 Hermione was... I don't know... 2002 03:22:16,790 --> 03:22:23,670 Vercingetorix was Pyrrhus, 2003 03:22:23,780 --> 03:22:27,220 and Andromache was Hermione, 2004 03:22:27,260 --> 03:22:28,970 who was Noah. 2005 03:22:29,000 --> 03:22:31,950 And what did Noah do about making love? 2006 03:22:32,020 --> 03:22:34,350 How did it work, when they said... 2007 03:22:34,430 --> 03:22:37,640 ...when they said "Yes... uh, Noah..." 2008 03:22:38,070 --> 03:22:41,270 ...yes, uh... no, uh... 2009 03:22:41,450 --> 03:22:42,330 See? 2010 03:22:42,430 --> 03:22:44,260 So what did he do? 2011 03:22:44,310 --> 03:22:45,430 Make love? 2012 03:22:45,660 --> 03:22:48,660 Sure don't want you saying "Yes, uh... No, uh..." 2013 03:22:49,460 --> 03:22:52,060 Well, if that's how it is... 2014 03:22:52,110 --> 03:22:55,080 I heard a stop with this "Yes, uh... No, uh..." stuff... 2015 03:22:55,115 --> 03:22:59,270 Where Noah... I didn't understand any of it. 2016 03:23:03,980 --> 03:23:06,110 I never understood it. 2017 03:23:06,250 --> 03:23:08,590 Oh yes! It's wasn't about making love... 2018 03:23:08,640 --> 03:23:12,110 it was building the Ark... 2019 03:23:12,150 --> 03:23:14,520 When the Lord said "Yes, uh, Noah..." 2020 03:23:14,610 --> 03:23:18,640 he said "What is it? Make up your mind!" 2021 03:23:19,840 --> 03:23:22,440 He couldn't take it... he was drowned... 2022 03:23:22,540 --> 03:23:24,140 That's why he's Noah. 2023 03:23:24,190 --> 03:23:26,740 They say he became a pretty good lover... 2024 03:23:45,770 --> 03:23:49,160 Was my story good? - Yes, I liked it very much. 2025 03:23:58,510 --> 03:24:01,930 You must keep me near you. 2026 03:24:02,740 --> 03:24:06,040 Sebastien wants to take me back. 2027 03:24:06,980 --> 03:24:09,560 He wants to kill me. 2028 03:24:10,480 --> 03:24:14,330 They say it's easy to kill someone... 2029 03:24:14,520 --> 03:24:16,520 Very simple. 2030 03:24:19,860 --> 03:24:22,200 You are my childhood, you are my love. 2031 03:24:24,220 --> 03:24:25,930 Cradle me. 2032 03:24:28,700 --> 03:24:30,400 I'm happy in my water. 2033 03:24:33,600 --> 03:24:35,600 We're like fishes. 2034 03:24:35,700 --> 03:24:37,960 We pass each other. 2035 03:24:40,030 --> 03:24:42,560 Then we meet. 2036 03:24:43,190 --> 03:24:45,190 Then we sleep. 2037 03:24:46,800 --> 03:24:51,550 Early morning, late morning... 2038 03:24:52,830 --> 03:24:54,210 ...touching... 2039 03:24:54,790 --> 03:24:57,910 ...knees, calves, heels, toes... 2040 03:24:58,590 --> 03:25:00,080 ...we're there... 2041 03:25:01,420 --> 03:25:04,900 Come, come closer to me. 2042 03:25:08,810 --> 03:25:10,810 I'm cold for you... 2043 03:25:15,150 --> 03:25:16,760 I'm attacking! 2044 03:25:26,580 --> 03:25:29,800 Think the hammer's good? 2045 03:25:37,150 --> 03:25:39,870 I'm losing my hat! 2046 03:25:43,570 --> 03:25:45,260 I'm late. 2047 03:25:56,640 --> 03:25:58,570 It's not fair! 2048 03:26:02,160 --> 03:26:03,620 Ugly! 2049 03:26:03,660 --> 03:26:05,830 Terrible! 2050 03:26:28,860 --> 03:26:31,450 There it is... I made it! 2051 03:26:42,540 --> 03:26:45,130 There! The door is open! 2052 03:26:45,200 --> 03:26:48,600 Mine isn't quite, the wood's thicker. 2053 03:26:54,330 --> 03:26:57,140 Come on, bitch! 2054 03:27:11,710 --> 03:27:13,070 It's not nice here. 2055 03:27:13,850 --> 03:27:17,190 It's not nice, we'll have to fix it up. 2056 03:27:19,660 --> 03:27:21,660 It's... is that what you think, bitch? 2057 03:27:24,270 --> 03:27:28,390 Let's get down to it! 2058 03:27:47,380 --> 03:27:49,060 What is it? 2059 03:27:49,340 --> 03:27:52,040 MIght have to wake you. 2060 03:27:52,260 --> 03:27:54,630 That's not all... there's more work to be done. 2061 03:27:57,900 --> 03:27:59,550 Where do we start? 2062 03:28:00,590 --> 03:28:01,960 I don't know. 2063 03:28:02,520 --> 03:28:05,570 That. That thing there. 2064 03:28:07,330 --> 03:28:09,870 I've had you, bitch bastard. 2065 03:28:18,160 --> 03:28:20,360 Yes, but... there are some photos... 2066 03:28:21,510 --> 03:28:22,810 Pull 'em all down! 2067 03:28:30,120 --> 03:28:31,950 Break things up a bit. 2068 03:28:43,980 --> 03:28:45,980 Break it up. - I'm doing it. 2069 03:28:50,670 --> 03:28:52,480 It's got to be done... 2070 03:28:54,820 --> 03:28:57,480 It's dangerous. Hey, this part's iron. 2071 03:28:57,560 --> 03:29:00,520 Give it here. We'll toss it away! 2072 03:29:00,590 --> 03:29:03,090 Come here! Come here! 2073 03:30:02,420 --> 03:30:04,090 Get undressed. 2074 03:31:11,250 --> 03:31:13,670 Which way shall we put it? 2075 03:31:13,840 --> 03:31:15,280 Look out for your fingers. 2076 03:31:19,660 --> 03:31:21,330 Not bad, like that. 2077 03:31:22,050 --> 03:31:23,980 Shouldn't that end be round there? 2078 03:31:40,950 --> 03:31:43,140 Not again! 2079 03:31:58,200 --> 03:31:59,100 Who is it? 2080 03:31:59,460 --> 03:32:01,790 It's little Claire Riding Hood, 2081 03:32:02,020 --> 03:32:05,290 arriving with her basket of goodies. 2082 03:32:05,790 --> 03:32:09,970 Come in, my little one... Come in... 2083 03:32:09,980 --> 03:32:13,270 Hello, Grandfather... 2084 03:32:15,220 --> 03:32:17,220 A visitor... 2085 03:32:17,460 --> 03:32:19,980 Hello, my friend. 2086 03:32:21,650 --> 03:32:23,650 I prefer to, uh... 2087 03:32:24,720 --> 03:32:26,970 To eat this. 2088 03:32:27,100 --> 03:32:31,400 Really? Oh, I'm really tired now. 2089 03:32:43,480 --> 03:32:46,450 So, we'll repaint this... 2090 03:32:46,500 --> 03:32:48,670 violet, here, what do you think? 2091 03:32:50,660 --> 03:32:52,590 And there, fluorescent green... with black light? 2092 03:32:53,150 --> 03:32:56,470 We could do all fluorescent with black light? 2093 03:32:57,190 --> 03:32:59,390 No, because... yes! Yes, look! 2094 03:32:59,420 --> 03:33:02,570 We could do that room in fluorescent siding... 2095 03:33:02,840 --> 03:33:05,340 ...and do, uh... 2096 03:33:06,100 --> 03:33:08,100 ...do the other rooms... 2097 03:33:09,430 --> 03:33:14,060 ...the other rooms in loud colours, but not... 2098 03:33:14,740 --> 03:33:16,010 ...not fluorescent... 2099 03:33:16,550 --> 03:33:17,900 ...farty colours... 2100 03:33:20,260 --> 03:33:22,230 That'd be nice. 2101 03:33:26,930 --> 03:33:29,920 Say, do we have anything other than cream cheese and yogurt? 2102 03:33:29,980 --> 03:33:31,260 No, that's it. 2103 03:33:32,500 --> 03:33:34,500 That makes four meals... 2104 03:33:34,690 --> 03:33:36,800 That's all I got –– I knew you'd like it. 2105 03:33:36,900 --> 03:33:38,900 That's nice. Thank you. 2106 03:33:41,320 --> 03:33:42,279 I'm zonked. 2107 03:33:42,280 --> 03:33:44,440 Me too, I'm zonked out. 2108 03:33:44,520 --> 03:33:46,590 We're Mr. and Mrs. Zonko. 2109 03:33:46,650 --> 03:33:48,270 Maybe we could take a little... 2110 03:33:49,860 --> 03:33:51,320 ...a little nap? 2111 03:33:52,160 --> 03:33:54,230 A little siesta, before eating... 2112 03:33:57,700 --> 03:33:59,510 ...before eating our yogurt... 2113 03:34:00,920 --> 03:34:02,920 This is nice, isn't it? 2114 03:34:47,770 --> 03:34:50,140 You're sad... 2115 03:34:51,260 --> 03:34:53,260 Crying? 2116 03:34:54,940 --> 03:34:57,360 I'm tired. 2117 03:34:58,990 --> 03:35:01,780 We've played too much. I've had enough. 2118 03:35:03,930 --> 03:35:05,240 I don't want to see you anymore. 2119 03:35:06,600 --> 03:35:07,630 Go away. 2120 03:35:10,470 --> 03:35:13,350 Don't want to see you... 2121 03:36:06,790 --> 03:36:08,340 Hello, Michèle? 2122 03:36:09,170 --> 03:36:11,460 Sebastien. Yes, I'm back... 2123 03:36:12,400 --> 03:36:16,730 How's it gone? Rehearsed any? Good. 2124 03:36:18,020 --> 03:36:20,590 Can we get up a rehearsal tonight? 2125 03:36:21,390 --> 03:36:23,590 Yes, even with two or three, it's ok. 2126 03:36:25,460 --> 03:36:27,980 Good. Nine o'clock. Right. 2127 03:36:28,940 --> 03:36:31,840 See you in a bit. Yes... I'll Explain. 'Bye. 2128 03:36:37,520 --> 03:36:40,070 ...is it necessary for you to die? 2129 03:36:40,130 --> 03:36:42,410 She's dying? God, what's this? 2130 03:36:42,900 --> 03:36:45,560 What? You did not know? 2131 03:36:46,700 --> 03:36:51,240 Returning here, we met her running to the temple, wild, distraught. 2132 03:36:51,520 --> 03:36:55,590 She found Pyrrhus being carried by soldiers; his blood inflamed her revenge. 2133 03:36:55,740 --> 03:36:58,090 At the sight of him, her frenzy was aroused. 2134 03:36:58,500 --> 03:37:01,260 And from our vantage point 2135 03:37:01,310 --> 03:37:05,510 We witnessed her, a dagger in her hand 2136 03:37:11,940 --> 03:37:13,940 Bend over Pyrrhus, lift her eyes to the sky 2137 03:37:14,440 --> 03:37:16,930 Stab herself and fall. 2138 03:37:19,900 --> 03:37:23,860 I praise you, heavens, for your perseverance. 2139 03:37:24,530 --> 03:37:27,410 Resolved relentlessly to punish me, 2140 03:37:27,530 --> 03:37:28,880 you've raised me to new heights of suffering 2141 03:37:31,020 --> 03:37:33,680 Your hate has joyed in shaping my mishaps. 2142 03:37:33,840 --> 03:37:36,050 I was born to illustrate your wrath, 2143 03:37:36,250 --> 03:37:38,510 to be a model of misfortune. 2144 03:37:40,180 --> 03:37:43,930 I die contented, and my fate's fulfilled. 2145 03:37:44,460 --> 03:37:48,900 Where is this pair of dead lovers to crown my joy, 2146 03:37:49,140 --> 03:37:52,090 I long to wallow in their blood and mine. 2147 03:37:52,200 --> 03:37:54,540 Dying, I want to look on both of them. 2148 03:37:54,770 --> 03:37:58,450 Let's join three discordant hearts. 2149 03:37:59,190 --> 03:38:01,930 But what dense night suddenly enfolds me? 2150 03:38:02,080 --> 03:38:05,210 Where lies escape? Why do I tremble? 2151 03:38:05,290 --> 03:38:07,290 What horror seizes me? 2152 03:38:07,350 --> 03:38:10,120 By heaven's grace, I see... 2153 03:38:11,390 --> 03:38:14,270 Ye Gods! What streams of blood flow around me! 2154 03:38:14,350 --> 03:38:16,350 Ah, Sir! 2155 03:38:20,190 --> 03:38:22,620 What? Pyrrhus, 2156 03:38:22,800 --> 03:38:24,800 so we meet again! 2157 03:38:24,980 --> 03:38:27,230 I find my hated rival everywhere! 2158 03:38:27,450 --> 03:38:30,150 Cut so often, how do you yet live? 2159 03:38:30,650 --> 03:38:33,450 Take this! 2160 03:38:35,280 --> 03:38:37,930 Here is the blow I kept for you. 2161 03:38:41,140 --> 03:38:45,690 But what? Before me, Hermione embraces him? 2162 03:38:45,900 --> 03:38:48,730 She saves him from the deadly blow. 2163 03:38:48,990 --> 03:38:51,960 Ye Gods! What looks she darts at me! 2164 03:38:52,350 --> 03:38:55,780 What demons, snakes, follow me? 2165 03:38:56,170 --> 03:39:00,030 Daughters of Hades are your hands ready? 2166 03:39:00,110 --> 03:39:03,080 For whom these snakes above you? 2167 03:39:03,190 --> 03:39:07,750 For whom this retinue? Came you to plunge me in eternal night? 2168 03:39:08,650 --> 03:39:12,620 Come! Orestes abandons himself to your rage. 2169 03:39:12,800 --> 03:39:15,710 But rather withdraw, leave Hermione be: 2170 03:39:15,910 --> 03:39:18,540 The wretch would rather you left me for her to rip into 2171 03:39:18,670 --> 03:39:21,370 I'm carrying my heart to her now for her to devour. 2172 03:39:23,440 --> 03:39:26,410 He's losing his senses. Friends, time presses 2173 03:39:26,520 --> 03:39:28,190 We should use the moments his seizure allows us. 2174 03:39:28,230 --> 03:39:30,410 Save him. Our efforts would be useless 2175 03:39:30,440 --> 03:39:33,530 If he regains his senses and still retains his fury. 2176 03:39:45,070 --> 03:39:49,290 You see?...this last passage... Maybe I could talk to someone there. 2177 03:39:49,440 --> 03:39:52,310 I'm talking into a void... 2178 03:39:52,360 --> 03:39:55,470 It's the last act and I get fed up. 2179 03:39:56,430 --> 03:39:58,730 No, we're going to put people there. 2180 03:40:05,480 --> 03:40:07,330 No, but you can go on... 2181 03:40:08,490 --> 03:40:10,490 ...exercise, work... 2182 03:40:11,090 --> 03:40:13,280 ...vomit a bit... 2183 03:40:29,740 --> 03:40:31,720 Anyway, we'll stop here. 2184 03:40:34,650 --> 03:40:35,990 Here already? 2185 03:40:36,100 --> 03:40:39,080 We're going to take an hour or two to rest. 2186 03:40:39,140 --> 03:40:41,520 We're bushed. We worked all night. 2187 03:40:41,540 --> 03:40:42,930 Starting again soon? 2188 03:40:47,330 --> 03:40:48,910 Coffee first? 2189 03:41:02,420 --> 03:41:03,719 THURSDAY 31st 2190 03:41:03,720 --> 03:41:05,970 I would believe what she counsels and go and see Pyrrhus. 2191 03:41:06,090 --> 03:41:08,950 One look would confound Hermione and Greece. 2192 03:41:15,060 --> 03:41:17,350 But he himself is looking for you. - Where then is the princess? 2193 03:41:17,420 --> 03:41:20,040 Didn't you tell me she was in this place? 2194 03:41:20,110 --> 03:41:21,650 I thought she was. 2195 03:41:25,550 --> 03:41:27,040 You see the power of my eyes! 2196 03:41:27,110 --> 03:41:28,600 What does she say, Phoenix? 2197 03:41:28,830 --> 03:41:30,280 Alas, everyone abandons me! 2198 03:41:30,360 --> 03:41:33,040 Go, Sir, march in step with Hermione. 2199 03:41:33,220 --> 03:41:35,330 My despair does not await their indifference. 2200 03:41:35,380 --> 03:41:36,659 They have not forbidden me the chance of hope 2201 03:41:36,660 --> 03:41:38,660 Or said to me just once that which they have always said to me. 2202 03:41:39,040 --> 03:41:40,535 There! For a year this has been the sole care which has inspired me. 2203 03:41:40,640 --> 03:41:41,855 Madame, its for you to take this victim, 2204 03:41:41,930 --> 03:41:43,465 Who even Scythians would have snatched from your blows 2205 03:41:43,635 --> 03:41:45,030 If I had found them as cruel as you. 2206 03:41:45,160 --> 03:41:47,160 Leave off, Sir, leave off this funereal language. 2207 03:41:48,160 --> 03:41:49,539 You cannot ignore it: Andromache, without you, 2208 03:41:49,540 --> 03:41:52,250 Would never have kissed a master's knee. 2209 03:41:52,290 --> 03:41:55,570 No, you hate me, and in the depth of your soul 2210 03:41:55,830 --> 03:41:59,910 You fear to owe something to my passion. 2211 03:42:00,060 --> 03:42:02,530 This same son, this son, object of so much affection, 2212 03:42:02,580 --> 03:42:06,160 If I were to save him you would love him less. 2213 03:42:07,040 --> 03:42:10,130 The hate, the scorn, all assembled against me. 2214 03:42:13,080 --> 03:42:15,760 Enjoy at leisure such a noble wrath. 2215 03:42:17,250 --> 03:42:19,250 Let's go, Phoenix. 2216 03:42:22,090 --> 03:42:25,030 Let us go and rejoin my husband. - Madame... 2217 03:42:25,550 --> 03:42:27,930 And what more do you want me to say to him? 2218 03:42:28,100 --> 03:42:31,640 The author of all my misfortune, do you think he can ignore it? 2219 03:42:33,950 --> 03:42:36,680 Sir, look upon the state to which you have reduced me. 2220 03:42:37,070 --> 03:42:38,760 I wanted to give you the means to make me happy, 2221 03:42:38,840 --> 03:42:40,850 To make Orestes content, but at last I clearly see that all he wants to do 2222 03:42:40,900 --> 03:42:42,190 is complain and never achieve anything 2223 03:42:42,950 --> 03:42:44,950 Go! Boast of your constancy elsewhere 2224 03:42:44,980 --> 03:42:46,560 and leave me to my vengeance. 2225 03:42:47,260 --> 03:42:51,040 My heart regrets its weakness; in one day it's been too oft refused. 2226 03:42:51,250 --> 03:42:55,620 I'll go alone to the temple, where you dare not go to win my hand. 2227 03:42:55,710 --> 03:42:57,270 I'll find a way to reach my foe. 2228 03:42:58,040 --> 03:43:01,070 I thought I brought more than hate to this place. 2229 03:43:02,170 --> 03:43:05,590 My lady, turn your eyes on me at least. 2230 03:43:06,440 --> 03:43:09,080 Are mine the eyes of an unbending judge, 2231 03:43:09,180 --> 03:43:12,190 of a foe who seeks your enmity? 2232 03:43:12,630 --> 03:43:15,720 Why do you force me to betray your cause? 2233 03:43:16,120 --> 03:43:18,900 In your son's name, let's cease our hate. 2234 03:43:18,960 --> 03:43:20,990 To save him once and for all, it's I who am asking you. 2235 03:43:21,030 --> 03:43:24,140 Must my sighs plead for his life? 2236 03:43:24,210 --> 03:43:25,870 You doom yourself, Madame, 2237 03:43:25,920 --> 03:43:28,110 and you should consider, 2238 03:43:28,820 --> 03:43:29,579 If I doom myself or not.. 2239 03:43:29,580 --> 03:43:32,840 What hatred I call call down on me; 2240 03:43:32,910 --> 03:43:35,170 I send Hermione away, 2241 03:43:35,320 --> 03:43:37,100 I put no crown on her, 2242 03:43:37,160 --> 03:43:39,340 but everlasting shame. 2243 03:43:39,480 --> 03:43:43,440 In this direct confession, you at least do justice to yourself. 2244 03:43:44,390 --> 03:43:48,360 I place her marriage wreath on her head. 2245 03:43:48,460 --> 03:43:50,940 But this is no longer, Madame, an offer you can disdain; 2246 03:43:51,140 --> 03:43:54,510 I'm telling you, you must either perish or reign. 2247 03:43:54,720 --> 03:43:58,490 My heart, despairing for a year out of ingratitude; 2248 03:43:58,530 --> 03:44:01,560 Can no longer suffer this sort of uncertainty. 2249 03:44:01,590 --> 03:44:06,030 The fears, menaces and laments have lasted too long. 2250 03:44:06,510 --> 03:44:09,340 If I die, I doom you; but I die if I wait. 2251 03:44:10,210 --> 03:44:12,810 Consider! I leave you now, and I will return to take you, 2252 03:44:12,850 --> 03:44:15,320 Leading the way to the temple where this son waits for me; 2253 03:44:15,520 --> 03:44:18,020 And you will come, submissively or raging, 2254 03:44:18,220 --> 03:44:20,770 To be crowned, Madame, or doomed before his eyes. 2255 03:44:30,490 --> 03:44:32,630 I have already told you that, despite the Greeks, 2256 03:44:32,715 --> 03:44:34,715 You will once again be the mistress of your fate. 2257 03:44:35,130 --> 03:44:37,860 Alas! But what has come from your words! 2258 03:44:37,960 --> 03:44:40,470 I had no option but to condemn my son. 2259 03:44:51,720 --> 03:44:53,000 What are you doing? 2260 03:44:53,210 --> 03:44:54,700 Nothing special. 2261 03:44:55,440 --> 03:44:56,990 Take me to your place? 2262 03:44:59,420 --> 03:45:01,420 Let's go. 2263 03:45:10,880 --> 03:45:13,600 I don't like the way you smoke. 2264 03:45:14,160 --> 03:45:16,160 Why? 2265 03:45:17,860 --> 03:45:19,860 You smoke like a man. 2266 03:45:22,000 --> 03:45:24,000 What's the difference? 2267 03:45:25,460 --> 03:45:29,380 The difference is in your haircut. 2268 03:45:40,790 --> 03:45:43,860 Looks more like a little monkey. 2269 03:45:49,170 --> 03:45:52,040 You should look in the mirror every once in a while. 2270 03:45:52,270 --> 03:45:54,270 What for? 2271 03:45:56,830 --> 03:45:58,410 I got the buttons wrong. 2272 03:45:58,730 --> 03:46:00,730 No reason, it'd just do you good. 2273 03:46:08,910 --> 03:46:11,790 I'm not bored, but my mother's waiting up. 2274 03:46:27,610 --> 03:46:30,250 'Bye. Sorry... 2275 03:47:03,580 --> 03:47:05,120 We're not breaking up. 2276 03:47:07,230 --> 03:47:09,480 You'll stay with me always. 2277 03:47:10,170 --> 03:47:12,530 The danger's from outside... 2278 03:47:13,030 --> 03:47:15,030 We'll stay like this... 2279 03:47:15,200 --> 03:47:16,800 ...keeping close... 2280 03:47:17,300 --> 03:47:19,300 ...very close... 2281 03:47:20,870 --> 03:47:22,350 We'll never go out... 2282 03:47:24,430 --> 03:47:25,710 I'll go shopping... 2283 03:47:26,480 --> 03:47:29,060 Milk? Do you like milk? 2284 03:47:32,540 --> 03:47:34,950 Whisky, if you like. We'll shut ourselves in. 2285 03:47:37,140 --> 03:47:39,140 I'll breathe with your mouth... 2286 03:47:41,780 --> 03:47:43,780 ...breathe through your skin. 2287 03:47:45,120 --> 03:47:48,530 Stay with me... don't look anywhere else... 2288 03:47:49,250 --> 03:47:50,720 Don't go back for... 2289 03:47:51,920 --> 03:47:53,440 Why do you turn your back? 2290 03:47:55,810 --> 03:47:57,670 You're not here... you're far away. 2291 03:48:00,100 --> 03:48:03,680 No one sees you as I do... 2292 03:48:05,200 --> 03:48:07,200 I don't care... 2293 03:48:08,260 --> 03:48:10,260 that you won't find anyone else. 2294 03:48:11,480 --> 03:48:13,480 You'll always search for me. 2295 03:48:15,790 --> 03:48:17,790 Stay with me! 2296 03:48:19,400 --> 03:48:21,760 Turn back. Hold me! 2297 03:48:23,100 --> 03:48:25,100 Don't look outside. 2298 03:48:25,750 --> 03:48:30,120 Besides... there's no more light... 2299 03:48:32,380 --> 03:48:35,270 We're alone... don't be afraid... 2300 03:48:35,770 --> 03:48:38,170 Please... don't be afraid... don't be afraid... 2301 03:48:38,500 --> 03:48:42,620 I've been so far away alone. 2302 03:48:43,120 --> 03:48:48,100 Don't be afraid. I'll protect you. 2303 03:48:58,800 --> 03:48:59,720 FRIDAY 1st 2304 03:49:42,340 --> 03:49:44,490 Yes, since I have found again so faithful a friend, 2305 03:49:44,625 --> 03:49:46,625 My fortune will take on a new aspect; 2306 03:49:47,800 --> 03:49:49,800 And already her wrath looks like relenting 2307 03:49:50,215 --> 03:49:52,025 Since she has taken care to meet us again here. 2308 03:49:53,480 --> 03:49:55,480 Who would have thought that on this grim shore 2309 03:49:56,280 --> 03:49:58,250 Pylade would have first laid eyes on Orestes; 2310 03:49:58,800 --> 03:50:00,800 After six months of having been lost, 2311 03:50:01,200 --> 03:50:03,180 I should be reunited with you at the court of Pyrrhus. 2312 03:50:04,160 --> 03:50:07,160 Ah! Let them love, Phoenix! I consent to it: let her leave; 2313 03:50:08,160 --> 03:50:10,160 Each charms the other, let them return to Sparta; 2314 03:50:10,720 --> 03:50:12,345 All our ports are open for her and for him. 2315 03:50:13,000 --> 03:50:14,885 How she could spare me these tedious constraints. 2316 03:50:15,120 --> 03:50:19,120 Sir... Another time I will open my soul to you: Andromache approaches 2317 03:50:27,240 --> 03:50:29,240 Were you looking for me, Madame? 2318 03:50:29,300 --> 03:50:30,760 Would you permit me so charming a hope? 2319 03:50:34,200 --> 03:50:36,200 I'm going to the place where my son is kept. 2320 03:50:41,940 --> 03:50:45,890 It is this love, so gracelessly repaid, which makes me dread his presence. 2321 03:50:46,450 --> 03:50:48,510 What shame for me, what triumph for him 2322 03:50:49,160 --> 03:50:51,160 To see my misfortune equalled by his boredom! 2323 03:50:51,720 --> 03:50:53,720 Is this, he will say, the passionate Hermione? 2324 03:50:54,280 --> 03:50:56,280 She once disdained me: another casts her off: 2325 03:50:56,550 --> 03:50:58,545 The wretch, she puts her heart at so high a price, 2326 03:50:58,715 --> 03:51:01,415 Now look - it's her turn to suffer contempt! Oh God! 2327 03:51:02,120 --> 03:51:03,495 No, I will deprive you of his grim pleasure, 2328 03:51:04,280 --> 03:51:06,280 Madame, he will only die by Orestes' hand. 2329 03:51:07,120 --> 03:51:09,120 Your enemies will be sacrificied for you by me, 2330 03:51:09,360 --> 03:51:11,105 And you may acknowledge my concerns, if you wish. 2331 03:51:13,760 --> 03:51:15,760 Go. For your destiny, let me be the guide 2332 03:51:17,800 --> 03:51:19,800 And let all of your ships be made ready for our flight. 2333 03:51:25,040 --> 03:51:26,540 You doom yourself, Madame, and you should consider... 2334 03:51:26,715 --> 03:51:28,510 If I doom myself or not, I will consider only my vengeance. 2335 03:51:29,360 --> 03:51:31,360 Must I forget this, even if he remembers them no more? 2336 03:51:32,400 --> 03:51:34,400 Must I forget Hector, deprived of a funeral, 2337 03:51:34,625 --> 03:51:36,625 And dragged without honour around our walls? 2338 03:51:38,160 --> 03:51:40,040 Must I forget my father, fallen at my feet, 2339 03:51:40,440 --> 03:51:42,740 Bloodying the altar that he clung to? 2340 03:51:43,625 --> 03:51:45,625 Consider, consider, C�phise, how cruel the night 2341 03:51:45,955 --> 03:51:48,160 Led a whole people into eternal night. 2342 03:51:49,550 --> 03:51:51,235 By Heaven's grace, I see... 2343 03:51:52,040 --> 03:51:54,040 Ye Gods! What streams of blood flow around me! 2344 03:51:58,560 --> 03:52:01,560 Ah, Sir! - What! Pyrrhus, so we meet again! 2345 03:52:03,310 --> 03:52:08,420 Seems to me, rehearsals so near opening night... 2346 03:52:08,570 --> 03:52:09,910 Scenes aren't yet... 2347 03:52:10,010 --> 03:52:12,670 Yes, they're set, they just aren't... 2348 03:52:12,840 --> 03:52:15,650 Because this business about the ending... 2349 03:52:15,710 --> 03:52:17,920 You know it's the usual thing... 2350 03:52:17,970 --> 03:52:19,970 ...and it's... it's the... 2351 03:52:20,120 --> 03:52:22,920 the disagreement between the words, 2352 03:52:23,030 --> 03:52:25,520 the words and the action. 2353 03:52:25,590 --> 03:52:28,410 The words maintain a certain feeling... 2354 03:52:28,460 --> 03:52:30,770 ...for the language, you have to keep alive... 2355 03:52:30,890 --> 03:52:32,700 ...certain norms. 2356 03:52:32,760 --> 03:52:36,290 While... when he falls apart completely, 2357 03:52:36,320 --> 03:52:37,530 and shows a moral flabbiness... 2358 03:52:37,640 --> 03:52:42,090 the mind disintegrates, the body keeps talking... 2359 03:52:42,170 --> 03:52:45,120 ...and even if it's just by Pylades' intervention, who says... 2360 03:52:45,170 --> 03:52:49,250 ...he loses feeling... while the other is really insane already... 2361 03:52:49,280 --> 03:52:50,870 vomiting all over... 2362 03:52:56,960 --> 03:52:59,850 We're not there yet... of course... 2363 03:53:00,170 --> 03:53:03,780 In a month... four weeks... 2364 03:53:03,900 --> 03:53:05,900 But the set... for example, there's... 2365 03:53:06,440 --> 03:53:08,850 That's sort of a symbol of all this. 2366 03:53:11,190 --> 03:53:14,540 It's really... a big symbol, in the midst of... 2367 03:53:14,600 --> 03:53:17,120 ...of this modern thing... this object... 2368 03:53:17,170 --> 03:53:22,040 ...it's...it's sort of an object.. you know... 2369 03:53:23,700 --> 03:53:25,840 Will that stay like that? 2370 03:53:25,890 --> 03:53:27,890 Yes, we'll fix it up better. 2371 03:53:37,800 --> 03:53:40,240 Why's that happening already? 2372 03:53:40,280 --> 03:53:43,220 It's got to be done. 2373 03:53:44,220 --> 03:53:46,360 So it's not ready yet? 2374 03:53:46,420 --> 03:53:50,350 No, after all, it's got to be done, or else... 2375 03:53:50,950 --> 03:53:52,780 I could use another month. 2376 03:53:54,870 --> 03:53:58,270 Oh, yes. We really need another month. 2377 03:53:58,320 --> 03:54:00,320 How long did you figure at first? 2378 03:54:00,550 --> 03:54:03,880 They gave me three weeks, we've got three weeks. 2379 03:54:12,610 --> 03:54:14,730 So it's a bit of a mess? - Yes. 2380 03:54:20,150 --> 03:54:21,420 Friends, time presses; 2381 03:54:21,545 --> 03:54:23,640 We should use the moments his seizure allows us. 2382 03:54:23,780 --> 03:54:25,320 Save him. Our efforts would be useless 2383 03:54:25,540 --> 03:54:27,415 If he regains his senses, yet still retains his fury. 2384 03:55:26,250 --> 03:55:27,680 Hello, Sebastien? 2385 03:55:29,110 --> 03:55:32,410 Claire's left, she asked me to tell you. 2386 03:55:33,000 --> 03:55:34,030 Where? 2387 03:55:34,070 --> 03:55:36,070 She wouldn't say. 2388 03:55:36,900 --> 03:55:38,720 How was she? All right? 2389 03:55:38,780 --> 03:55:42,650 Yes. She told me not to worry about her... 2390 03:55:44,000 --> 03:55:45,320 ...you shouldn't worry... 2391 03:55:45,540 --> 03:55:48,230 She'll write, but later... not right away. 2392 03:55:48,320 --> 03:55:50,210 She needs rest. 2393 03:55:55,010 --> 03:55:58,960 Understood. See you. 2394 03:56:28,260 --> 03:56:29,670 Talk to him? 2395 03:56:31,500 --> 03:56:32,719 You didn't tell... 2396 03:56:32,720 --> 03:56:33,410 Nothing. 2397 03:56:34,370 --> 03:56:35,860 You didn't mention Vesoul? 2398 03:56:36,510 --> 03:56:37,940 No. Don't worry. 2399 03:56:39,200 --> 03:56:40,750 What did he say? 2400 03:56:41,170 --> 03:56:42,400 What could he say? 2401 03:56:43,380 --> 03:56:45,380 Yes, nothing, that's true. 2402 03:56:47,740 --> 03:56:49,970 Sure? You won't change your mind? 2403 03:56:50,430 --> 03:56:51,700 Completely sure? 2404 03:56:53,510 --> 03:56:56,090 I feel like I've suddenly woken up. 2405 03:56:56,800 --> 03:56:58,150 Understand? 2406 03:57:00,010 --> 03:57:02,010 You don't think I'm crazy? 2407 03:57:02,720 --> 03:57:04,270 No. Not at all. 2408 03:57:07,330 --> 03:57:09,000 Walk me to my train? 2409 03:57:09,050 --> 03:57:10,130 Sure. Now? 2410 03:57:10,240 --> 03:57:12,240 Yes. Let's go. 179283