Would you like to inspect the original subtitles? These are the user uploaded subtitles that are being translated:
1
00:00:01,000 --> 00:00:07,067
2
00:02:30,400 --> 00:02:36,501
( Jamboree music playing )
3
00:02:39,501 --> 00:02:45,567
SORRY.
4
00:02:48,767 --> 00:02:50,901
MORNING,
SHERIFF EDWARDS.
5
00:02:50,968 --> 00:02:52,601
GOOD MORNING,
BILLY RAY.
6
00:02:52,667 --> 00:02:54,434
BET YOU AIN'T
NEVER SEEN A DAY
7
00:02:54,501 --> 00:02:56,701
AS PRETTY AS THIS
BACK EAST IN...
8
00:02:56,767 --> 00:02:58,234
BOSTON.
9
00:02:58,300 --> 00:03:04,400
ACTUALLY, BOSTON CAN BE
QUITE BEAUTIFUL SHERIFF.
10
00:03:29,100 --> 00:03:30,167
OH NETTIE!
11
00:03:30,234 --> 00:03:32,000
I'M SORRY, MAMA.
12
00:03:32,067 --> 00:03:33,334
BILLY RAY'S HERE.
13
00:03:33,400 --> 00:03:39,501
I NEVER WOULD
HAVE KNOWN.
14
00:03:43,901 --> 00:03:46,234
NETTIE, NO MORE
BILLY RAY.
15
00:03:46,300 --> 00:03:47,634
IT'S MR. SMITH, OKAY?
16
00:03:47,701 --> 00:03:48,601
( knock at the door)
17
00:03:48,667 --> 00:03:51,634
OKAY.
18
00:03:51,701 --> 00:03:54,300
MORNING, BILLY RAY.
19
00:03:54,367 --> 00:03:56,300
( Billy Ray )
NETTIE.
20
00:03:56,367 --> 00:04:02,434
GOOD MORNING,
MRS. TULEEN.
21
00:04:09,868 --> 00:04:11,968
NETTIE, YOU NEED
TO BE CAREFUL.
22
00:04:12,033 --> 00:04:13,834
I'LL GET 'EM.
23
00:04:13,901 --> 00:04:19,968
YOU HAVE TO TAKE
CARE OF THESE BOOKS.
24
00:04:23,033 --> 00:04:25,968
DO YOU EVER THINK
ABOUT ME, BILLY RAY?
25
00:04:26,033 --> 00:04:27,701
OF COURSE I DO.
26
00:04:27,767 --> 00:04:28,934
I USUALLY WONDER IF
27
00:04:29,000 --> 00:04:31,868
YOU'RE DOING YOUR
HOMEWORK RIGHT.
28
00:04:31,934 --> 00:04:34,534
NO, I MEAN
29
00:04:34,601 --> 00:04:38,400
DO YOU EVER THINK
OF ME AS A WOMAN?
30
00:04:38,467 --> 00:04:41,968
SOMEDAY, YOU'RE GONNA BE
A VERY BEAUTIFUL WOMAN.
31
00:04:42,033 --> 00:04:44,634
IN OTHER WORDS,
YOU DON'T?
32
00:04:44,701 --> 00:04:46,767
LET ME TELL
YOU SOMETHING.
33
00:04:46,834 --> 00:04:49,734
WHEN YOU'RE A LITTLE GIRL,
ALL YOU WANT IS TO BE A WOMAN.
34
00:04:49,801 --> 00:04:51,601
WHEN YOU'RE A WOMAN,
YOU REALIZE
35
00:04:51,667 --> 00:04:53,767
HOW IMPORTANT IT IS
TO BE A LITTLE GIRL.
36
00:04:53,834 --> 00:04:55,100
IT'S DIFFERENT
FOR A MAN.
37
00:04:55,167 --> 00:04:56,467
WHEN HE'S A BOY
38
00:04:56,534 --> 00:04:59,167
HE NEEDS TO BEHAVE
AND MIND HIS FOLKS.
39
00:04:59,234 --> 00:05:01,667
BUT WHEN
HE'S A MAN
40
00:05:01,734 --> 00:05:04,400
HE HAS TO STAND TALL,
SPEAK THE TRUTH
41
00:05:04,467 --> 00:05:06,300
MAKE AN HONEST
DAY'S LIVING
42
00:05:06,367 --> 00:05:08,334
AND BE ABLE TO LOOK
ANY OTHER MAN
43
00:05:08,400 --> 00:05:11,767
STRAIGHT IN THE EYE
WITHOUT FLINCHING.
44
00:05:11,834 --> 00:05:13,934
( Charlie )
GOOD MORNIN', BILLY RAY.
45
00:05:14,000 --> 00:05:15,367
GOOD MORNING, CHARLIE.
46
00:05:15,434 --> 00:05:19,200
BEAUTIFUL MORNIN'
FOR PROCREATION.
47
00:05:19,267 --> 00:05:25,334
"BE FRUITFUL AND MULTIPLY,"
SAYETH THE LORD.
48
00:05:29,100 --> 00:05:35,234
BILLY RAY!
49
00:05:35,300 --> 00:05:42,234
SEVEN MINUS
THREE EQUALS...
50
00:05:42,300 --> 00:05:46,234
THINK ABOUT THIS
FOR A MINUTE, LON.
51
00:05:46,300 --> 00:05:48,734
LET'S SAY YOU HAD
SEVEN CHICKENS
52
00:05:48,801 --> 00:05:50,734
AND YOUR NEIGHBOR
CAME OVER
53
00:05:50,801 --> 00:05:53,534
AND TOOK AWAY
THREE OF THEM.
54
00:05:53,601 --> 00:05:58,701
HOW MANY WOULD
YOU HAVE LEFT?
55
00:05:58,767 --> 00:06:01,701
WELL, I'D HAVE
SEVEN 'CAUSE
56
00:06:01,767 --> 00:06:03,167
MY DADDY'D
SHOOT HIM
57
00:06:03,234 --> 00:06:04,701
BEFORE HE GOT OUT
OF THE HENHOUSE.
58
00:06:04,767 --> 00:06:08,801
( laughter )
59
00:06:08,868 --> 00:06:11,267
I THINK THAT'S ENOUGH
ARITHMETIC FOR TODAY.
60
00:06:11,334 --> 00:06:18,033
WHY DON'T YOU
SIT DOWN?
61
00:06:18,100 --> 00:06:19,234
WE'RE STARTING
A NEW
62
00:06:19,300 --> 00:06:21,133
KID DURANGO
BOOK TODAY.
63
00:06:21,200 --> 00:06:23,334
THIS IS ONE OF MY
PERSONAL FAVORITES.
64
00:06:23,400 --> 00:06:25,033
IS THERE A GIRL
IN THIS ONE, BILLY-
65
00:06:25,100 --> 00:06:26,701
I MEAN,
MR. SMITH?
66
00:06:26,767 --> 00:06:28,400
YES, THERE IS, NETTIE.
67
00:06:28,467 --> 00:06:29,534
( students )
AAAWWWW!
68
00:06:29,601 --> 00:06:32,300
THERE'S SOMETHING IN
HERE FOR EVERYONE.
69
00:06:32,367 --> 00:06:34,567
WE COULD ALWAYS
GO BACK TO ARITHMETIC.
70
00:06:34,634 --> 00:06:38,100
( students )
NO!
71
00:06:38,167 --> 00:06:40,434
KID DURANGO OF ARIZONA:
72
00:06:40,501 --> 00:06:44,367
THE DUST DEVILS.
73
00:06:44,434 --> 00:06:46,234
"THE LAYER OF DEW
THAT COVERED
74
00:06:46,300 --> 00:06:48,567
"THE PRAIRIE
DISAPPEARED QUICKLY
75
00:06:48,634 --> 00:06:51,334
"AS THE SUN ROSE
OVER THE FOOTHILLS.
76
00:06:51,400 --> 00:06:53,267
"THE MOON HUNG
AROUND FOR A WHILE
77
00:06:53,334 --> 00:06:56,667
"AND THEN SUNK
FAR BELOW THE RANGES.
78
00:06:56,734 --> 00:06:58,033
"THE DAY BEGAN
79
00:06:58,100 --> 00:07:00,767
"LIKE 1,000 OTHER
ARIZONA DAYS.
80
00:07:00,834 --> 00:07:03,601
"THAT WAS
81
00:07:03,667 --> 00:07:06,968
"UNTIL THE CLOUD CAME.
82
00:07:07,033 --> 00:07:09,434
"IT BEGAN ON THE HORIZON.
83
00:07:09,501 --> 00:07:13,501
"SHADOWS OF DUST
MOVING AT GREAT SPEED
84
00:07:13,567 --> 00:07:15,701
"AND THEN THEPOUNDING HOOVES
85
00:07:15,767 --> 00:07:18,367
ON THE HARD GROUND.
86
00:07:18,434 --> 00:07:24,501
( horses gallopping)
87
00:07:27,567 --> 00:07:29,567
"AS THE WHIRLWIND
GOT CLOSER,
88
00:07:29,634 --> 00:07:31,701
"YOU COULD SEE
INTO THE DUST
89
00:07:31,767 --> 00:07:35,167
"THE SHAPES OF HORSES
AND THEN THE RIDERS:
90
00:07:35,234 --> 00:07:37,701
"RIDERS WITH GUNSON BOTH HIPS
91
00:07:37,767 --> 00:07:41,000
"AND BANDOLIERS ACROSSTHEIR CHESTS.
92
00:07:41,067 --> 00:07:42,601
"THEY RODE HARD.
93
00:07:42,667 --> 00:07:46,767
"THEY RODE WITHA PURPOSE.
94
00:07:46,834 --> 00:07:49,000
"AS THEY APPROACHED
THE TOWN
95
00:07:49,067 --> 00:07:53,868
"THEY REINED BACKON THEIR HORSES.
96
00:07:53,934 --> 00:08:00,000
( people running )
97
00:08:02,667 --> 00:08:04,667
"THE DUST AROUNDTHEM SETTLED
98
00:08:04,734 --> 00:08:07,701
"AND YOU COULD
SEE THEIR FACES.
99
00:08:07,767 --> 00:08:10,467
"FACES WEATHERED
BY THE MEXICAN SUN.
100
00:08:10,534 --> 00:08:14,934
"FACES MARKED
BY VIOLENCE.
101
00:08:15,000 --> 00:08:21,067
( horses whinnying )
102
00:08:38,501 --> 00:08:41,300
"WHEN THE CITIZENS OFTHE TOWN SAW THE RIDERS
103
00:08:41,367 --> 00:08:43,334
"THEY INSTINCTIVELY
WITHDREW INTO
104
00:08:43,400 --> 00:08:45,567
"THE SHADOWS OF
THE BOARDWALK.
105
00:08:45,634 --> 00:08:47,634
"MANY OF THE MERCHANTS
WENT INSIDE
106
00:08:47,701 --> 00:08:50,200
"THEIR SHOPS AND
LOCKED THEIR DOORS.
107
00:08:50,267 --> 00:08:51,801
"SHADES CAME DOWN.
108
00:08:51,868 --> 00:08:54,267
"'CLOSED' SIGNS APPEARED
AS THE TOWN
109
00:08:54,334 --> 00:09:00,400
"PREPARED TO LOOK
THE OTHER WAY."
110
00:09:15,567 --> 00:09:17,501
"IT WAS CLEAR WHYTHEY WERE THERE.
111
00:09:17,567 --> 00:09:19,701
"THEY HAD AN APPOINTMENTAT THE BANK.
112
00:09:19,767 --> 00:09:25,834
"AND IT WASN'T
TO MAKE A DEPOSIT.
113
00:10:16,701 --> 00:10:22,801
( gunshot )
114
00:10:34,701 --> 00:10:37,567
"THEY WERE A RUTHLESSBAND OF THIEVES
115
00:10:37,634 --> 00:10:42,234
"AND KILLERS WITH NO
REGARD FOR HUMAN LIFE.
116
00:10:42,300 --> 00:10:49,133
( gunshot )
117
00:10:49,200 --> 00:10:50,734
"IT WAS AS IF
THEY WERE PUT
118
00:10:50,801 --> 00:10:52,400
"ON THIS EARTH
BY THE DEVIL
119
00:10:52,467 --> 00:10:55,534
"TO TORMENT DECENT
GOD FEARING FOLKS
120
00:10:55,601 --> 00:11:02,334
"WHO WORKED HARD TO
MAKE AN HONEST LIVING."
121
00:11:02,400 --> 00:11:07,734
JUST LIKE IN THE
STORY, BILLY RAY!
122
00:11:07,801 --> 00:11:09,000
( man )
THEY GOT GUNS!
123
00:11:09,067 --> 00:11:10,901
THEY'RE COMIN' THIS WAY.
124
00:11:10,968 --> 00:11:16,033
( Billy Ray )
PUT AWAY EVERYTHING.
125
00:11:16,100 --> 00:11:18,267
STAY IN YOUR SEATS!
126
00:11:18,334 --> 00:11:22,434
COME BACK!
COME ON, GIRLS.
127
00:11:22,501 --> 00:11:25,534
STAY IN HERE!
128
00:11:25,601 --> 00:11:27,300
NETTIE, MOVE!
129
00:11:27,367 --> 00:11:29,000
MOVE!
130
00:11:29,067 --> 00:11:35,133
IT'S REAL, NETTIE!
131
00:11:39,868 --> 00:11:40,868
( Nettie )
LET ME GO!
132
00:11:40,934 --> 00:11:43,567
( Billy Ray )
PLEASE PUT HER DOWN!
133
00:11:43,634 --> 00:11:44,767
BILLY!
134
00:11:44,834 --> 00:11:48,367
SEQOR, NO,
SEQOR. NO!
135
00:11:48,434 --> 00:11:53,701
( Nettie )
NO!
136
00:11:53,767 --> 00:11:56,300
( horse whinnies )
137
00:11:56,367 --> 00:11:59,567
GRINGO!
138
00:11:59,634 --> 00:12:05,701
WAIT!
139
00:12:07,167 --> 00:12:11,968
GRINGO!
140
00:12:12,033 --> 00:12:15,067
( Nettie )
BILLY!
141
00:12:15,133 --> 00:12:21,200
( man laughing )
142
00:12:24,133 --> 00:12:26,367
( men yelling )
WHO IN THE HELL WAS THAT?
143
00:12:26,434 --> 00:12:28,834
THEY SHOT HAROLD
AND MR. WEBB!
144
00:12:28,901 --> 00:12:30,601
WHERE THE HELL'S THE SHERIFF?
145
00:12:30,667 --> 00:12:31,834
SLEEPIN' PROBABLY.
146
00:12:31,901 --> 00:12:33,534
SOMEBODY GO WAKE HIM UP!
147
00:12:33,601 --> 00:12:35,501
TELL HIM TO ROUND UP A POSSE!
148
00:12:35,567 --> 00:12:36,567
THE BANK!
149
00:12:36,634 --> 00:12:38,033
( women )
THEY TOOK THE TULEEN GIRL.
150
00:12:38,100 --> 00:12:39,601
OH, MY GOD!
151
00:12:39,667 --> 00:12:45,267
( man )
MOUNT UP!
152
00:12:45,334 --> 00:12:49,133
( men yelling )
153
00:12:49,200 --> 00:12:53,033
BILLY RAY?
YOU ALL RIGHT?
154
00:12:53,100 --> 00:12:54,968
YOU'RE LOOKIN'
KINDA PEAKED.
155
00:12:55,033 --> 00:12:58,434
SOMEBODY BETTER
GO GET THE DOC.
156
00:12:58,501 --> 00:13:04,567
( Mrs. Tuleen )
THEY HAVE MY NETTIE!
157
00:13:44,634 --> 00:13:46,133
IS MY DAUGHTER THERE?
158
00:13:46,200 --> 00:13:48,167
CAN ANYONE SEE
MY NETTIE THERE?
159
00:13:48,234 --> 00:13:49,601
BILLY RAY,
CAN YOU SEE?
160
00:13:49,667 --> 00:13:52,601
MY EYES AREN'T WHAT
THEY USED TO BE.
161
00:13:52,667 --> 00:13:54,267
( men )
LOOK AT THAT.
162
00:13:54,334 --> 00:13:56,834
LOOKS LIKE ONE RIDER, HUH?
163
00:13:56,901 --> 00:14:00,767
I DON'T THINK THERE'S
ANYBODY ON THEM HORSES.
164
00:14:00,834 --> 00:14:09,367
I SEE THE SHERIFF.
I SWEAR THAT'S HIM.
165
00:14:09,434 --> 00:14:15,534
WHERE ARE THE OTHERS?
166
00:14:18,767 --> 00:14:21,601
( man )
SHERIFF, YOU
DON'T LOOK SO GOOD.
167
00:14:21,667 --> 00:14:23,367
SOMEBODY GET THE DOC.
168
00:14:23,434 --> 00:14:27,601
THAT'S JETHRO'S HORSE!
WHERE IS JETHRO?
169
00:14:27,667 --> 00:14:29,300
THERE'S BLOOD
ON THE SADDLE.
170
00:14:29,367 --> 00:14:34,100
WHAT THE HELL
HAPPENED, SHERIFF?
171
00:14:34,167 --> 00:14:40,234
LORDY, THEY'VE CUT
OUT HIS TONGUE.
172
00:14:44,400 --> 00:14:46,901
EXCUSE ME, DEPUTY.
173
00:14:46,968 --> 00:14:49,901
DID YOU SAY THAT THEY
CUT OUT HIS TONGUE?
174
00:14:49,968 --> 00:14:54,634
( man )
HERE IT IS, RIGHT HERE.
175
00:14:54,701 --> 00:14:56,434
( Deputy Sheriff)
EVEN IF WE COULD
GET A POSSE TOGETHER,
176
00:14:56,501 --> 00:14:58,234
WE WOULDN'T KNOW
WHERE TO FIND 'EM.
177
00:14:58,300 --> 00:14:59,868
U.S. GOVERNMENT
AND THE FEDERALES
178
00:14:59,934 --> 00:15:01,467
BEEN SEARCHIN'
FOR HIM FOR YEARS.
179
00:15:01,534 --> 00:15:05,000
I'LL TELL YOU SOMETHIN'
ABOUT THIS " EL DIABLO ."
180
00:15:05,067 --> 00:15:07,400
THEY DID FIND HIM ONCE.
181
00:15:07,467 --> 00:15:09,067
CAUGHT HIM
DOWN IN AMOS,
182
00:15:09,133 --> 00:15:11,234
THAT LITTLE BORDER TOWN
NORTH OF LAREDO.
183
00:15:11,300 --> 00:15:13,100
CAUGHT HIM,
TRIED HIM
184
00:15:13,167 --> 00:15:15,601
AND HANGED HIM,
ALL IN THE SAME NIGHT.
185
00:15:15,667 --> 00:15:17,734
BUT HE WOULDN'T DIE.
186
00:15:17,801 --> 00:15:20,200
HE JUST HANGED THERE
BY HIS NECK, SPITTIN'
187
00:15:20,267 --> 00:15:23,534
AT THE CROWD LIKE
THEY DISGUSTED HIM.
188
00:15:23,601 --> 00:15:24,868
CUSSED 'EM OUT SO BAD,
189
00:15:24,934 --> 00:15:26,868
THE WOMENFOLK
HAD TO GO HOME.
190
00:15:26,934 --> 00:15:29,501
I WAS THERE WHEN
THEY CUT HIM DOWN.
191
00:15:29,567 --> 00:15:33,100
I THANK THE LORD
I LEFT WHEN I DID.
192
00:15:33,167 --> 00:15:34,834
IT WAS THREE DAYS LATER,
193
00:15:34,901 --> 00:15:36,400
SO THE STORY GOES
194
00:15:36,467 --> 00:15:39,934
EL DIABLO RETURNED
TO AMOS WITH HIS MEN
195
00:15:40,000 --> 00:15:42,434
AND CUT OUT THE
HEART OF EVERY MAN,
196
00:15:42,501 --> 00:15:45,200
WOMAN AND CHILD
IN THE WHOLE TOWN
197
00:15:45,267 --> 00:15:48,601
AND JUST LEFT THEM THERE
TO BLEACH IN THE SUN.
198
00:15:48,667 --> 00:15:51,701
( woman crying )
199
00:15:51,767 --> 00:15:54,634
SOON, THEY STARTED TO ROT
200
00:15:54,701 --> 00:15:56,400
AND THEN THE
BUZZARDS COME
201
00:15:56,467 --> 00:15:58,167
AND STARTED PECKIN'
AT THEIR EYES.
202
00:15:58,234 --> 00:16:00,000
SPIVEY, THAT'S
ENOUGH OF THAT.
203
00:16:00,067 --> 00:16:02,667
DEVIL DON'T
NEVER DIE!
204
00:16:02,734 --> 00:16:04,133
NO, SIR.
205
00:16:04,200 --> 00:16:06,033
SO NO ONE'S
GONNA DO ANYTHING
206
00:16:06,100 --> 00:16:08,000
ABOUT GETTING
MY NETTIE BACK.
207
00:16:08,067 --> 00:16:10,200
PROBABLY CUT OUT
HER HEART AND EATEN IT.
208
00:16:10,267 --> 00:16:11,534
OH, MY GOD.
209
00:16:11,601 --> 00:16:13,701
I DIDN'T SAY NOTHIN'
ABOUT EATING THEIR HEARTS
210
00:16:13,767 --> 00:16:16,234
HE JUST CUT
'EM OUT AND LEFT.
211
00:16:16,300 --> 00:16:17,300
SPIVEY!
212
00:16:17,367 --> 00:16:20,267
I'M SORRY, DEPUTY.
213
00:16:20,334 --> 00:16:23,767
OR ARE YOU THE
SHERIFF NOW?
214
00:16:23,834 --> 00:16:26,601
BECAUSE IF YOU ARE,
IT'S YOUR RESPONSIBILITY
215
00:16:26,667 --> 00:16:28,834
TO GO AFTER EL DIABLO.
216
00:16:28,901 --> 00:16:30,000
( crowd murmurring )
217
00:16:30,067 --> 00:16:32,300
WHAT ARE YOU GONNA
DO ABOUT IT, SHERIFF?
218
00:16:32,367 --> 00:16:34,567
AT LAST REPORT,
THE DOC SAYS
219
00:16:34,634 --> 00:16:36,234
THE SHERIFF'S FEELIN'
MUCH BETTER.
220
00:16:36,300 --> 00:16:37,601
( chicken clucking )
221
00:16:37,667 --> 00:16:39,267
AND I SUPPOSE
HE'S BEEN WORKIN'
222
00:16:39,334 --> 00:16:41,100
ON HIS SIGN
LANGUAGE, TOO?
223
00:16:41,167 --> 00:16:42,400
( crowd laughing )
224
00:16:42,467 --> 00:16:44,567
SPIVEY'S RIGHT.
YOU'RE THE NEW SHERIFF.
225
00:16:44,634 --> 00:16:46,000
WE PAY YOUR WAGE.
226
00:16:46,067 --> 00:16:48,300
( man )
YEAH. RIGHT.
227
00:16:48,367 --> 00:16:54,434
I INTEND TO BRING
NETTIE BACK.
228
00:16:56,901 --> 00:17:00,000
I SAID, I INTEND TO
BRING BACK NETTIE.
229
00:17:00,067 --> 00:17:06,000
YOU AND WHO ELSE,
SCHOOLTEACHER?
230
00:17:06,067 --> 00:17:11,634
ME AND KID DURANGO,
THAT'S WHO.
231
00:17:11,701 --> 00:17:13,601
I MEAN,
KID DURANGO AND I.
232
00:17:13,667 --> 00:17:17,467
CHARLIE, YOU
GOT COMPETITION.
233
00:17:17,534 --> 00:17:20,534
( man )
CAN'T EVEN SHOOT A GUN.
234
00:17:20,601 --> 00:17:23,534
( Billy Ray )
I INTEND TO LEARN
TO SHOOT A GUN.
235
00:17:23,601 --> 00:17:26,200
EL DIABLO'S GONNA DROP
A LOAD OF MANURE IN
236
00:17:26,267 --> 00:17:32,367
HIS PANTS WHEN HE SEES
YOU COMIN' AT HIM.
237
00:17:54,467 --> 00:17:56,267
( gunshots )
238
00:17:56,334 --> 00:17:58,701
( Spivey )
I DO KNOW ONE MAN
239
00:17:58,767 --> 00:18:02,868
MY SECOND COUSIN
MAGGIE SUE'S BROTHER-IN-LAW
240
00:18:02,934 --> 00:18:05,167
J.D. SHOANS.
241
00:18:05,234 --> 00:18:06,601
( gunshot )
242
00:18:06,667 --> 00:18:09,467
HE'S SOME KIND
OF LAWMAN NOW,
243
00:18:09,534 --> 00:18:11,167
TEXAS RANGER.
244
00:18:11,234 --> 00:18:12,400
( gunshot )
245
00:18:12,467 --> 00:18:17,133
HE'S SUPPOSED TO HAVE
RODE WITH KID DURANGO.
246
00:18:17,200 --> 00:18:18,968
( gunshot )
247
00:18:19,033 --> 00:18:20,434
TELL YOU THE TRUTH,
248
00:18:20,501 --> 00:18:23,534
WE NEVER HAD ALL THAT
MUCH TO DO WITH HIM.
249
00:18:23,601 --> 00:18:25,534
( gunshot )
250
00:18:25,601 --> 00:18:26,834
SORT OF THE DISGRACE
251
00:18:26,901 --> 00:18:30,934
OF THE FAMILY,
YOU KNOW?
252
00:18:31,000 --> 00:18:32,834
( gunshot )
253
00:18:32,901 --> 00:18:35,100
HE SHOT AND KILLED
MY COUSIN DEKE
254
00:18:35,167 --> 00:18:38,868
ABOUT EIGHT YEARS
AGO UP IN SONOMA.
255
00:18:38,934 --> 00:18:40,634
HE ALSO SHOT
AND KILLED
256
00:18:40,701 --> 00:18:44,534
MY DADDY'S
BROTHER EDWARD.
257
00:18:44,601 --> 00:18:45,434
( gunshot )
258
00:18:45,501 --> 00:18:46,567
WHERE'S HE NOW?
259
00:18:46,634 --> 00:18:50,133
THE LAST TIME I HEARD,
HE WAS UP IN MILLENNIUM.
260
00:18:50,200 --> 00:18:54,667
SOME KIND OF MARSHAL
OR RANGER UP THERE.
261
00:18:54,734 --> 00:18:57,267
HELL, AIN'T BUT A
TURD'S DIFFERENCE
262
00:18:57,334 --> 00:19:00,767
BETWEEN J.D. AND
THE SCUM HE HAULS IN.
263
00:19:00,834 --> 00:19:02,434
BUT IF ANYBODY
COULD HELP YOU
264
00:19:02,501 --> 00:19:08,200
FIND KID DURANGO,
IT'D BE HIM.
265
00:19:08,267 --> 00:19:14,367
YOU NEED BIGGER BOTTLES.
266
00:20:13,868 --> 00:20:16,868
YOU BE DARN CAREFUL
WHO YOU SHOW THAT TO.
267
00:20:16,934 --> 00:20:23,033
YES, SIR.
268
00:20:24,367 --> 00:20:29,434
SHERIFF EDWARDS
WROTE YOU THIS NOTE.
269
00:20:29,501 --> 00:20:34,067
"DON'T GO."
270
00:20:34,133 --> 00:20:37,334
THANK HIM FOR
THE ADVICE.
271
00:20:37,400 --> 00:20:40,133
YOU'RE A DARN
FOOL, BILLY RAY.
272
00:20:40,200 --> 00:20:42,767
YES, SIR,
I KNOW.
273
00:20:42,834 --> 00:20:45,467
COME ON, ROJO.
274
00:20:45,534 --> 00:20:53,300
ONLY GOD CAN KILL
THE DEVIL, BILLY RAY.
275
00:20:53,367 --> 00:20:59,434
FORWARD.
276
00:21:33,834 --> 00:21:38,501
( gunshot )
277
00:21:38,567 --> 00:21:44,634
( man )
BILLY RAY DONE SHOT HIS HORSE!
278
00:21:47,567 --> 00:21:50,100
( Billy Ray)
MY JOURNEY DIDNOT BEGIN ON A GOOD NOTE.
279
00:21:50,167 --> 00:21:52,534
I WAS NONETHELESSDETERMINED TO PRESS ON.
280
00:21:52,601 --> 00:21:55,000
AFTER ARRANGINGFOR TRANSPORT,
281
00:21:55,067 --> 00:22:01,167
I ARRIVED IN MILLENNIUMTHREE DAYS LATER.
282
00:22:14,501 --> 00:22:19,133
EXCUSE ME.
283
00:22:19,200 --> 00:22:20,267
CAN YOU TELL ME
284
00:22:20,334 --> 00:22:23,667
WHERE I CAN FIND
A MR. J.D. SHOANS?
285
00:22:23,734 --> 00:22:26,434
WHAT DO YOU WANT
WITH HIM, SONNY?
286
00:22:26,501 --> 00:22:28,367
I JUST HAVE A VERY
IMPORTANT QUESTION
287
00:22:28,434 --> 00:22:30,934
I'D LIKE TO ASK HIM.
288
00:22:31,000 --> 00:22:34,834
YOU SHOULD'VE
ASKED HIM YESTERDAY.
289
00:22:34,901 --> 00:22:37,734
( Conductor )
ALL ABOARD!
290
00:22:37,801 --> 00:22:39,133
( preacher )
WE ARE NOW COMMITTING
291
00:22:39,200 --> 00:22:41,601
THIS MAN, MR. JONES
292
00:22:41,667 --> 00:22:43,234
MR. SHOANS
293
00:22:43,300 --> 00:22:45,534
TO HIS LIFE IN
THE HEREAFTER.
294
00:22:45,601 --> 00:22:47,601
LET'S TAKE A MOMENT
TO ACKNOWLEDGE
295
00:22:47,667 --> 00:22:50,567
HIS CONTRIBUTIONS
TO OUR COMMUNITY.
296
00:22:50,634 --> 00:22:53,033
DURING HIS SHORT-LIVED
TERM AS SHERIFF,
297
00:22:53,100 --> 00:22:56,567
HE SERVED THE PUBLIC TO
THE BEST OF HIS ABILITY.
298
00:22:56,634 --> 00:22:59,501
HE SHOT EIGHT MEN
AND THREE WOMEN
299
00:22:59,567 --> 00:23:03,267
MOST OF WHOM ENGAGED IN
BREAKING THE LAW.
300
00:23:03,334 --> 00:23:06,868
I'M SURE THE OTHERS
WERE HONEST MISTAKES.
301
00:23:06,934 --> 00:23:08,934
( Billy Ray )
WHAT HAPPENED?
302
00:23:09,000 --> 00:23:10,467
A FRIEND OF YOURS?
303
00:23:10,534 --> 00:23:12,167
SORT OF.
304
00:23:12,234 --> 00:23:19,033
YEAH.
SAME HERE.
305
00:23:19,100 --> 00:23:20,667
SORT OF.
306
00:23:20,734 --> 00:23:23,067
YOU GOT BUSINESS
WITH J.D.?
307
00:23:23,133 --> 00:23:26,367
YEAH.
308
00:23:26,434 --> 00:23:29,234
I'M THE SHERIFF NOW.
309
00:23:29,300 --> 00:23:31,300
MAYBE I CAN BE OF
SOME ASSISTANCE.
310
00:23:31,367 --> 00:23:37,434
( gunshot )
311
00:23:38,834 --> 00:23:40,434
( preacher )
THROW THE DIRT ON HIM
312
00:23:40,501 --> 00:23:45,868
AND LET'S GET OUTTA HERE.
313
00:23:45,934 --> 00:23:47,868
ARE YOU RELATED TO HIM?
314
00:23:47,934 --> 00:23:54,000
NO, SIR.
315
00:24:03,434 --> 00:24:05,968
( woman chattering )
316
00:24:06,033 --> 00:24:12,133
I WANNA THANK YOU
FOR DISTRACTIN' THEM FOLK.
317
00:24:32,701 --> 00:24:34,334
WHAT YOU LOOKIN' AT?
318
00:24:34,400 --> 00:24:36,534
YOU JUST SHOT
HIM IN THE BACK.
319
00:24:36,601 --> 00:24:39,033
HIS BACK WAS TO ME.
320
00:24:39,100 --> 00:24:42,801
COME ON, BOY, HELP
ME OUTTA THIS HOLE.
321
00:24:42,868 --> 00:24:47,200
COME ON,
HELP ME UP.
322
00:24:47,267 --> 00:24:50,434
BESIDES, HE SHOT
J.D. IN THE BACK.
323
00:24:50,501 --> 00:24:52,267
JUST SEEMED RIGHT.
324
00:24:52,334 --> 00:24:53,501
HE KILLED J.D.?
325
00:24:53,567 --> 00:24:54,501
YEAH.
326
00:24:54,567 --> 00:24:56,601
SAID HE WANTED TO
BE SHERIFF REAL BAD.
327
00:24:56,667 --> 00:24:58,133
NOW HE'S SHERIFF
328
00:24:58,200 --> 00:25:04,267
REAL BAD.
329
00:25:09,767 --> 00:25:15,200
REO HERE DON'T LIKE
GUNFIRE. HURTS HIS EARS.
330
00:25:15,267 --> 00:25:16,734
MAYBE YOU CAN
TELL ME WHERE
331
00:25:16,801 --> 00:25:19,667
I CAN FIND A MAN
NAMED KID DURANGO?
332
00:25:19,734 --> 00:25:21,434
WHAT DO YOU
WANT HIM FOR?
333
00:25:21,501 --> 00:25:24,033
THEY SAY HE'S THE
FASTEST GUN IN THE WEST.
334
00:25:24,100 --> 00:25:25,934
OH, YEAH?
335
00:25:26,000 --> 00:25:30,234
I WANNA HIRE
HIM FOR A JOB.
336
00:25:30,300 --> 00:25:32,868
YOU GOT ANY MONEY?
337
00:25:32,934 --> 00:25:36,400
MAYBE.
338
00:25:36,467 --> 00:25:39,534
HIRE ME.
339
00:25:39,601 --> 00:25:42,734
I AIN'T AS FAST AS
I USED TO BE,
340
00:25:42,801 --> 00:25:47,367
BUT, I CHEAT
REAL GOOD.
341
00:25:47,434 --> 00:25:50,434
FAST DON'T MEAN A
WHOLE LOT THESE DAYS.
342
00:25:50,501 --> 00:25:52,534
US PROFESSIONAL
FOLKS ARE TIRED
343
00:25:52,601 --> 00:25:55,334
OF FIGHTIN' FAIR
AND DYIN' FOR IT.
344
00:25:55,400 --> 00:25:56,634
YOU KNOW
KID DURANGO?
345
00:25:56,701 --> 00:25:58,133
YEAH, I KNOW HIM.
346
00:25:58,200 --> 00:26:03,400
COULD YOU TAKE
ME TO HIM?
347
00:26:03,467 --> 00:26:05,968
WHERE ARE YOU
FROM, BOY?
348
00:26:06,033 --> 00:26:08,567
ORIGINALLY BOSTON,
MASSACHUSETTS.
349
00:26:08,634 --> 00:26:12,767
I FIGURED.
350
00:26:12,834 --> 00:26:17,033
I'M GETTIN' OLD, REO.
351
00:26:17,100 --> 00:26:19,501
MAYBE YOU
COULD HELP ME.
352
00:26:19,567 --> 00:26:24,601
JUST POINT ME IN THE
RIGHT DIRECTION, MR?
353
00:26:24,667 --> 00:26:28,567
VAN LEEK.
THOMAS VAN LEEK.
354
00:26:28,634 --> 00:26:31,801
I COULD STAY HERE
AND DRAW YOU A MAP.
355
00:26:31,868 --> 00:26:33,400
BUT I'D BETTER
MOVE BEFORE
356
00:26:33,467 --> 00:26:35,534
THEY START ASKIN'
QUESTIONS ABOUT
357
00:26:35,601 --> 00:26:37,400
HOW THE SHERIFF
LEFT OFFICE.
358
00:26:37,467 --> 00:26:40,167
FIGURE ME AND REO
GONNA HEAD FOR MEXICO.
359
00:26:40,234 --> 00:26:41,834
MEXICO? YOU
KNOW, THE MAN
360
00:26:41,901 --> 00:26:43,501
I WISH TO APPREHEND
IS IN MEXICO.
361
00:26:43,567 --> 00:26:45,534
MOUNT UP.
I WOULDN'T MIND
362
00:26:45,601 --> 00:26:48,467
HAVIN' YOU TAG
ALONG FOR A WHILE.
363
00:26:48,534 --> 00:26:54,601
I DON'T HAVE
A HORSE.
364
00:27:01,000 --> 00:27:04,601
( gunshot )
365
00:27:04,667 --> 00:27:07,868
I'M SORRY, REO.
366
00:27:07,934 --> 00:27:10,300
IF YOU'D BE SO KIND
367
00:27:10,367 --> 00:27:12,634
AS TO LEAVE THAT
SADDLE WHERE IT IS,
368
00:27:12,701 --> 00:27:14,000
WE'LL BE ON OUR WAY.
369
00:27:14,067 --> 00:27:20,133
YES, SIR.
370
00:27:32,334 --> 00:27:38,400
JUST A MINUTE.
371
00:28:30,033 --> 00:28:32,133
( Billy Ray )
MY CONTACT INMILLENNIUM, MR. SHOANS,
372
00:28:32,200 --> 00:28:34,400
WAS SHOT THE DAYBEFORE BY MR. MURPHY
373
00:28:34,467 --> 00:28:36,300
WHO WAS IN TURNSHOT WHILE I WAS
374
00:28:36,367 --> 00:28:39,133
CONVERSING WITH HIMBY A MR. VAN LEEK.
375
00:28:39,200 --> 00:28:41,567
MR. VAN LEEKCLAIMS HE WAS
376
00:28:41,634 --> 00:28:44,000
A PERSONAL ACQUAINTANCEOF KID DURANGO.
377
00:28:44,067 --> 00:28:46,701
AFTER HELPING TO ARRANGETRANSPORTATION FOR ME
378
00:28:46,767 --> 00:28:50,100
I AM ACCOMPANYING HIMON HIS JOURNEY TO MEXICO .
379
00:28:50,167 --> 00:28:51,968
I'M COUNTING ON HIM
380
00:28:52,033 --> 00:28:54,000
TO FORMALLY INTRODUCEME TO KID DURANGO
381
00:28:54,067 --> 00:29:00,133
WHEN WE REACH HIS HIDEOUT .
382
00:29:05,267 --> 00:29:07,767
HOW MUCH WAS YOU
FIXIN' TO PAY THIS
383
00:29:07,834 --> 00:29:13,601
KID DURANGO FOR
THIS JOB YOU NEEDED?
384
00:29:13,667 --> 00:29:15,567
WHATEVER THE
GOING RATE,
385
00:29:15,634 --> 00:29:22,634
THE FAIR RATE,
HAPPENS TO BE.
386
00:29:22,701 --> 00:29:24,167
YOU NEVER DID SAY
387
00:29:24,234 --> 00:29:26,834
WHAT IT WAS YOU
NEEDED TO BE DONE.
388
00:29:26,901 --> 00:29:28,300
HARD TO COME UP
WITH A PRICE
389
00:29:28,367 --> 00:29:31,200
IF YOU DON'T
KNOW THAT.
390
00:29:31,267 --> 00:29:33,501
I WANT TO RESCUE A
YOUNG GIRL WHO WAS
391
00:29:33,567 --> 00:29:37,167
KIDNAPPED BY A MAN
NAMED EL DIABLO.
392
00:29:37,234 --> 00:29:38,267
AND I WANT TO
BRING HIM
393
00:29:38,334 --> 00:29:44,400
AND HIS COMPATRIOTS
TO JUSTICE.
394
00:29:50,501 --> 00:29:56,567
WHAT'S THE MATTER?
395
00:29:58,901 --> 00:30:00,567
YOU CAN'T RIDE.
YOU CAN'T SHOOT.
396
00:30:00,634 --> 00:30:02,334
YOU CAN'T
EVEN THINK, BOY.
397
00:30:02,400 --> 00:30:08,467
YOU'RE IN THE
WRONG TERRITORY.
398
00:30:12,100 --> 00:30:16,367
GODDAMN FOOL!
399
00:30:16,434 --> 00:30:22,534
COME ON, REO.
400
00:30:32,200 --> 00:30:34,033
( Billy Ray )
ADDITIONAL DETAILSON MY TRIP
401
00:30:34,100 --> 00:30:36,033
SEEMED TO DISCOURAGEMR. VAN LEEK
402
00:30:36,100 --> 00:30:38,267
FROM CONTINUING THEJOURNEY TOGETHER.
403
00:30:38,334 --> 00:30:39,901
I WAS ONCE AGAIN ALONE,
404
00:30:39,968 --> 00:30:46,033
BUT STILL DETERMINEDTO PURSUE MY QUEST.
405
00:30:55,133 --> 00:30:56,467
WHOA.
406
00:30:56,534 --> 00:31:00,934
( horses approaching )
407
00:31:01,000 --> 00:31:06,634
( gunshots )
408
00:31:06,701 --> 00:31:08,467
( men yelling )
DON'T LET HIM GET AWAY!
409
00:31:08,534 --> 00:31:14,601
I GOT HIM.
410
00:31:16,467 --> 00:31:22,534
( men yelling )
411
00:31:46,300 --> 00:31:47,767
( man yelling )
WHERE'D HE GO?
412
00:31:47,834 --> 00:31:49,100
THAT WAY.
413
00:31:49,167 --> 00:31:51,400
OVER THERE.
HE'S IN THE GULLY!
414
00:31:51,467 --> 00:31:53,200
I DON'T SEE NO GULLY.
415
00:31:53,267 --> 00:31:56,767
IT'S RIGHT IN
FRONT OF YOU!
416
00:31:56,834 --> 00:31:58,033
SORRY.
417
00:31:58,100 --> 00:32:00,400
THIS WAY, YOU JACKASS.
LET'S GO.
418
00:32:00,467 --> 00:32:01,901
( man yelling )
WHAT'S WRONG WITH YOU?
419
00:32:01,968 --> 00:32:08,033
HOW COULD HE GET AWAY?
420
00:32:21,734 --> 00:32:24,634
THERE HE IS.
421
00:32:24,701 --> 00:32:27,667
WE GOT HIM NOW,
BOYS. SPLIT UP!
422
00:32:27,734 --> 00:32:29,501
I TOLD YOU THE GULLY.
423
00:32:29,567 --> 00:32:32,434
LET ME HAVE
THE FIRST SHOT!
424
00:32:32,501 --> 00:32:35,634
LOOK, HE'S GOIN'
IN THE SHITTER.
425
00:32:35,701 --> 00:32:37,968
AWFUL BIG ONE.
426
00:32:38,033 --> 00:32:39,467
THAT'S ONE OF THEM
THREE-HOLERS.
427
00:32:39,534 --> 00:32:41,000
I SAW IT IN
THE CATALOGUE.
428
00:32:41,067 --> 00:32:42,334
YOU CAN'T READ.
429
00:32:42,400 --> 00:32:43,667
COME ON,
LET'S GET HIM.
430
00:32:43,734 --> 00:32:45,567
WAIT TILL HE GETS OUT.
431
00:32:45,634 --> 00:32:51,701
HELL, HE MIGHT BE
IN THERE A WEEK.
432
00:32:59,834 --> 00:33:05,901
( gunshots )
433
00:33:33,634 --> 00:33:35,567
YOU THINK WE GOT HIM?
434
00:33:35,634 --> 00:33:37,801
YEAH, BUT GO ON
OVER AND MAKE SURE.
435
00:33:37,868 --> 00:33:39,200
YOU GO.
YOU'RE CLOSER.
436
00:33:39,267 --> 00:33:40,701
THE HELL I AM.
437
00:33:40,767 --> 00:33:42,133
DICK'S CLOSEST.
438
00:33:42,200 --> 00:33:43,801
I WENT FIRST LAST WEEK.
439
00:33:43,868 --> 00:33:46,868
HORSESHIT. I WENT FIRST AND
GOT SHOT, REMEMBER?
440
00:33:46,934 --> 00:33:48,300
SHUT UP!
441
00:33:48,367 --> 00:33:50,667
BUT IT WAS ONLY
IN THE HEAD.
442
00:33:50,734 --> 00:33:53,033
IT STILL HURT AND IT
AFFECTED MY BALANCE.
443
00:33:53,100 --> 00:33:54,901
I SAID SHUT UP!
444
00:33:54,968 --> 00:33:56,901
AFTERNOON.
445
00:33:56,968 --> 00:34:01,334
JESUS H. CHRIST, VAN LEEK,
DON'T SNEAK UP LIKE THAT.
446
00:34:01,400 --> 00:34:05,634
I WASN'T SNEAKIN'.
447
00:34:05,701 --> 00:34:08,200
WHAT DO YOU WANT?
448
00:34:08,267 --> 00:34:13,767
JUST PASSIN' THROUGH.
449
00:34:13,834 --> 00:34:15,667
GOT SOMEBODY
HOLED UP IN THERE?
450
00:34:15,734 --> 00:34:20,634
WE DO. SNARED
UP LIKE A RABBIT.
451
00:34:20,701 --> 00:34:22,200
THE BOY THAT SHOT
THE SHERIFF?
452
00:34:22,267 --> 00:34:24,767
YEAH.
453
00:34:24,834 --> 00:34:26,434
DOES IT HAVE
A REWARD?
454
00:34:26,501 --> 00:34:28,167
NO, WE'RE
JUST UP HERE
455
00:34:28,234 --> 00:34:35,300
BECAUSE WE WANNA
SEE JUSTICE DONE.
456
00:34:35,367 --> 00:34:36,267
HOW MUCH?
457
00:34:36,334 --> 00:34:38,834
$400--
458
00:34:38,901 --> 00:34:40,968
$200.
459
00:34:41,033 --> 00:34:44,868
DEAD OR ALIVE.
460
00:34:44,934 --> 00:34:47,434
THAT SEEMS LIKE
ENOUGH TO GO AROUND.
461
00:34:47,501 --> 00:34:50,367
I AIN'T SPLITTIN' IT
MORE THAN FIVE WAYS.
462
00:34:50,434 --> 00:34:51,901
I WAS HOPIN' THAT
KID WOULD GET LUCKY
463
00:34:51,968 --> 00:34:54,234
AND SHOOT A
COUPLE OF US.
464
00:34:54,300 --> 00:35:00,367
WHY DON'T YOU JUST
BACK OFF, VAN LEEK?
465
00:35:04,467 --> 00:35:10,534
GOOD LUCK.
466
00:35:20,868 --> 00:35:26,934
THIS WON'T TAKE
BUT A MINUTE, REO.
467
00:35:35,734 --> 00:35:37,767
(men yelling )
DID YOU GUYS HEAR THAT?
468
00:35:37,834 --> 00:35:41,767
IS THAT A HORSE?
469
00:35:41,834 --> 00:35:46,634
SURE AIN'T NO ARMADILLO.
470
00:35:46,701 --> 00:35:50,400
I HEAR IT,
BUT I DON'T SEE NOTHIN'.
471
00:35:50,467 --> 00:35:53,100
( gunshots )
472
00:35:53,167 --> 00:35:54,300
JAKE'S DOWN.
473
00:35:54,367 --> 00:35:56,300
JAKE'S DOWN.
474
00:35:56,367 --> 00:35:59,400
JESUS!
475
00:35:59,467 --> 00:36:02,000
WHO IS THAT?
476
00:36:02,067 --> 00:36:08,133
( gunshots )
477
00:36:17,501 --> 00:36:19,567
LET'S GO.
478
00:36:19,634 --> 00:36:25,701
SOMEBODY KILL
THAT SON OF A BITCH!
479
00:36:30,667 --> 00:36:36,734
THAT KID'S SOMETHIN' ELSE.
480
00:37:16,501 --> 00:37:21,567
NICE SHOT, KID.
481
00:37:21,634 --> 00:37:27,701
THANK YOU.
482
00:38:09,834 --> 00:38:15,901
( gunshot )
483
00:38:30,467 --> 00:38:36,534
THERE'S YOUR NEW
HORSE UP THERE.
484
00:38:40,400 --> 00:38:44,934
MR. VAN LEEK?
485
00:38:45,000 --> 00:38:46,734
I'D LIKE TO TAKE YOU
UP ON YOUR OFFER
486
00:38:46,801 --> 00:38:53,234
TO HELP ME GET EL DIABLO.
487
00:38:53,300 --> 00:38:56,033
I'LL THINK ABOUT IT.
488
00:38:56,100 --> 00:39:02,167
COME ON, REO.
489
00:39:30,534 --> 00:39:31,934
THAT WAS AN
IMPRESSIVE DISPLAY
490
00:39:32,000 --> 00:39:35,133
OF GUNMANSHIP TODAY.
491
00:39:35,200 --> 00:39:37,868
GUNMANSHIP?
492
00:39:37,934 --> 00:39:40,868
I WAS WONDERING
IF YOU'D CONSIDER
493
00:39:40,934 --> 00:39:45,667
TEACHING ME A FEW
TRICKS OF THE TRADE.
494
00:39:45,734 --> 00:39:47,901
THEY AIN'T
TRICKS, BOY.
495
00:39:47,968 --> 00:39:54,033
THEY'RE MEANS
OF DEATH.
496
00:40:04,667 --> 00:40:10,734
HERE.
497
00:40:18,367 --> 00:40:20,601
DON'T POINT THAT
THING AT ME, BOY.
498
00:40:20,667 --> 00:40:23,067
I AIN'T NO HORSE.
499
00:40:23,133 --> 00:40:28,334
SORRY.
500
00:40:28,400 --> 00:40:30,000
PICK A STAR.
501
00:40:30,067 --> 00:40:32,033
WHAT?
502
00:40:32,100 --> 00:40:33,434
LAY DOWN ON
YOUR BACK.
503
00:40:33,501 --> 00:40:34,400
WHAT FOR?
504
00:40:34,467 --> 00:40:35,868
SHUT YOUR
GODDAMN HOLE, BOY,
505
00:40:35,934 --> 00:40:42,000
AND LAY DOWN
ON YOUR BACK.
506
00:40:44,534 --> 00:40:50,601
PICK A STAR.
507
00:40:54,467 --> 00:41:00,534
GOT ONE.
508
00:41:12,701 --> 00:41:14,634
THAT'S ENIF.
509
00:41:14,701 --> 00:41:16,567
ENIF?
510
00:41:16,634 --> 00:41:19,734
THE STAR YOU'RE
FIXIN' ON.
511
00:41:19,801 --> 00:41:23,701
IT'S THE BRIGHTEST
STAR IN PEGASUS
512
00:41:23,767 --> 00:41:28,033
THE CONSTELLATION
OF THE WINGED HORSE.
513
00:41:28,100 --> 00:41:30,567
RIGHT THERE.
514
00:41:30,634 --> 00:41:32,501
DON'T DROP
YOUR LOOK, BOY.
515
00:41:32,567 --> 00:41:35,534
YOU GOTTA
CONCENTRATE.
516
00:41:35,601 --> 00:41:38,033
KEEP YOUR EYE FIXED
ON THAT TARGET,
517
00:41:38,100 --> 00:41:40,400
REAL STEADY.
518
00:41:40,467 --> 00:41:41,868
I GOT IT.
519
00:41:41,934 --> 00:41:44,667
GOOD.
520
00:41:44,734 --> 00:41:47,400
KEEP IT THERE
521
00:41:47,467 --> 00:41:49,701
TILL I TELL
YOU TO STOP.
522
00:41:49,767 --> 00:41:51,100
YES, SIR.
523
00:41:51,167 --> 00:41:57,234
GOOD.
524
00:42:01,634 --> 00:42:03,634
DROP YOUR EYES
FROM THAT TARGET,
525
00:42:03,701 --> 00:42:09,033
YOU'RE A DEAD MAN.
526
00:42:09,100 --> 00:42:11,200
PATIENCE
527
00:42:11,267 --> 00:42:13,567
CONCENTRATION
528
00:42:13,634 --> 00:42:19,701
THE FIRST TWO THINGS
YOU GOTTA LEARN.
529
00:42:37,100 --> 00:42:43,167
GOT IT.
530
00:43:08,534 --> 00:43:11,067
( gunshot and horse whinny )
531
00:43:11,133 --> 00:43:17,200
( Thomas )
YOU BETTER START
PRAYIN' THAT WASN'T REO.
532
00:43:41,534 --> 00:43:47,601
( baby crying )
533
00:43:54,033 --> 00:44:00,100
BEBE?
534
00:44:11,367 --> 00:44:14,801
YOU MISSED.
535
00:44:14,868 --> 00:44:17,634
HE MISSED?
536
00:44:17,701 --> 00:44:24,734
I GUESS THE BALANCE
AIN'T QUITE RIGHT.
537
00:44:24,801 --> 00:44:27,000
WHERE THE HELL
DID YOU GET THAT?
538
00:44:27,067 --> 00:44:29,434
RIGHT OFF THE SON
OF A BITCH'S BOOT.
539
00:44:29,501 --> 00:44:31,100
YOU GOT IT.
540
00:44:31,167 --> 00:44:33,300
THIS BOY
HERE GOT IT.
541
00:44:33,367 --> 00:44:36,200
COUPLE OF WEEKS AGO
THEY STOLE HIS GIRL.
542
00:44:36,267 --> 00:44:38,267
ACTUALLY, SHE WAS
ONE OF MY STUDENTS.
543
00:44:38,334 --> 00:44:41,200
PRETTIEST ONE IN
THE CLASS, I'LL BET.
544
00:44:41,267 --> 00:44:42,501
I MAKE IT A POLICY
545
00:44:42,567 --> 00:44:46,434
NOT TO GET INVOLVED
WITH MY STUDENTS.
546
00:44:46,501 --> 00:44:47,968
( laughter )
547
00:44:48,033 --> 00:44:51,434
THINK THIS'LL
GET US IN?
548
00:44:51,501 --> 00:44:53,701
COULD BE.
549
00:44:53,767 --> 00:44:57,234
OL' EL DIABLO DOES
FAVOR HIS SPURS.
550
00:44:57,300 --> 00:45:00,267
GETTING IN'S
THE EASY PART.
551
00:45:00,334 --> 00:45:01,801
IF YOU DON'T TAKE THE
WHOLE DAMN THING
552
00:45:01,868 --> 00:45:03,534
IN WITH YOU
553
00:45:03,601 --> 00:45:10,801
YOU JUST MIGHT GET BACK
OUT AGAIN IN ONE PIECE.
554
00:45:10,868 --> 00:45:13,934
WHAT THE HELL YOU
LOOKIN' AT, BOY?
555
00:45:14,000 --> 00:45:19,834
NOTHIN'.
556
00:45:19,901 --> 00:45:25,801
DAMN RIGHT! THERE
AIN'T NOTHIN' THERE.
557
00:45:25,868 --> 00:45:27,701
( Billy Ray )
ALTHOUGH MR. VAN LEEK KEPT HIS
558
00:45:27,767 --> 00:45:29,801
INTENTIONS PRETTYMUCH TO HIMSELF
559
00:45:29,868 --> 00:45:32,334
IT APPEARED THE PLANWAS TO ASSEMBLE
560
00:45:32,400 --> 00:45:35,133
SOME PROFESSIONALS TOHELP IN MY ENDEAVOR.
561
00:45:35,200 --> 00:45:37,000
THE FIRST PERSONSELECTED WAS
562
00:45:37,067 --> 00:45:39,334
A MR. BEBE PATTERSONWHO HAD BEEN CAPTURED
563
00:45:39,400 --> 00:45:41,701
BY EL DIABLO'S MENSEVERAL YEARS AGO.
564
00:45:41,767 --> 00:45:43,934
HE ESCAPED WITH SOMEUSEFUL INFORMATION,
565
00:45:44,000 --> 00:45:51,534
BUT RETURNED HOMEMINUS A FOOT.
566
00:45:51,601 --> 00:45:57,033
* SHALL WE GATHER
AT THE RIVER *
567
00:45:57,100 --> 00:46:02,367
* WHERE BRIGHT ANGEL'S
FEET HAVE TROD *
568
00:46:02,434 --> 00:46:07,734
* WITH ITS CRYSTAL
TIDE FOREVER *
569
00:46:07,801 --> 00:46:13,200
* FLOWING FROM THE
THRONE OF GOD *
570
00:46:13,267 --> 00:46:18,434
* YES, WE'LL GATHER
AT THE RIVER *
571
00:46:18,501 --> 00:46:23,968
* THE BEAUTIFUL,
THE BEAUTIFUL RIVER *
572
00:46:24,033 --> 00:46:29,133
* GATHER WITH THE
SAINTS AT THE RIVER *
573
00:46:29,200 --> 00:46:36,968
* THAT FLOWS FROM
THE THRONE OF GOD. *
574
00:46:37,033 --> 00:46:38,834
HEAR THE WORD
OF THE LORD,
575
00:46:38,901 --> 00:46:41,834
O PEOPLE OF...
576
00:46:41,901 --> 00:46:43,000
BENDIX.
577
00:46:43,067 --> 00:46:44,534
BENDIX ROCK,
FOR THE LORD
578
00:46:44,601 --> 00:46:48,033
HAS A CONTROVERSY WITH
THE INHABITANTS OF THE LAND.
579
00:46:48,100 --> 00:46:51,567
THERE IS NO FAITHFULNESS
OF GOD IN THE LAND.
580
00:46:51,634 --> 00:46:53,000
THERE IS SWEARING.
581
00:46:53,067 --> 00:46:53,767
( crowd )
AMEN.
582
00:46:53,834 --> 00:46:55,133
AND LYING.
583
00:46:55,200 --> 00:46:57,434
KILLING. STEALING.
584
00:46:57,501 --> 00:46:59,133
AND COMMITTING ADULTERY.
585
00:46:59,200 --> 00:47:00,901
AMEN.
586
00:47:00,968 --> 00:47:02,601
AMEN!
587
00:47:02,667 --> 00:47:05,334
NOTHING ESCAPES
THE POWER
588
00:47:05,400 --> 00:47:07,701
AND THE VISION
OF THE LORD.
589
00:47:07,767 --> 00:47:10,834
THOSE WHO HAVE SINNED
WILL BE PUNISHED!
590
00:47:10,901 --> 00:47:12,801
( crowd )
PRAISE THE LORD.
591
00:47:12,868 --> 00:47:16,601
BUT WE ARE HERE,
ALSO, TO FORGIVE
592
00:47:16,667 --> 00:47:19,467
TO ASK THE LORD FOR MERCY
593
00:47:19,534 --> 00:47:23,000
SO THAT THE SOULS
OF JONATHAN NAPIER
594
00:47:23,067 --> 00:47:25,334
AND BOB ZAMUDIO.
595
00:47:25,400 --> 00:47:26,267
ROBERTO.
596
00:47:26,334 --> 00:47:29,467
SO THAT THEIR SOULS
CAN BE SAVED.
597
00:47:29,534 --> 00:47:32,434
IF YOU DO NOT TAKE
THE LORD SERIOUSLY
598
00:47:32,501 --> 00:47:34,834
THEN HE WILL NOT
TAKE YOU SERIOUSLY.
599
00:47:34,901 --> 00:47:38,367
NOT ONLY WILL THE SOULS
OF THESE POOR UNFORTUNATES
600
00:47:38,434 --> 00:47:41,868
BE EXILED FOR
ETERNITY IN HELL
601
00:47:41,934 --> 00:47:44,067
BUT SO WILL
YOURS AS WELL!
602
00:47:44,133 --> 00:47:46,100
YOU MUST SHARE
WITH THE LORD
603
00:47:46,167 --> 00:47:47,901
THE FRUITS OF
YOUR LABORS.
604
00:47:47,968 --> 00:47:51,234
ONLY THEN CAN HE TRULY
BECOME YOUR SAVIOR.
605
00:47:51,300 --> 00:47:54,300
( crowd )
HANG 'EM. GET ON WITH IT!
606
00:47:54,367 --> 00:47:56,968
NOW I WANNA SEE
THIS COLLECTION PLATE
607
00:47:57,033 --> 00:47:58,734
PASSED AROUND ONCE AGAIN.
608
00:47:58,801 --> 00:48:01,434
THIS TIME I WANNA
SEE IT OVERFLOW
609
00:48:01,501 --> 00:48:04,934
WITH EVIDENCE OF YOUR
LOVE FOR THE LORD!
610
00:48:05,000 --> 00:48:06,801
AND I ADD THAT
IF I'M DISAPPOINTED,
611
00:48:06,868 --> 00:48:09,901
THERE WON'T BE ANY SHOW
612
00:48:09,968 --> 00:48:13,133
OF JUSTICE METED
OUT TODAY.
613
00:48:13,200 --> 00:48:16,534
BUT RATHER, THESE MEN
WILL BE RELEASED
614
00:48:16,601 --> 00:48:18,601
BACK INTO YOUR
FOLD TO CONTINUE
615
00:48:18,667 --> 00:48:20,701
ROBBING AND KILLING
616
00:48:20,767 --> 00:48:25,734
AND HAVING THEIR WAY WITH
YOUR WIVES AND DAUGHTERS
617
00:48:25,801 --> 00:48:27,567
WITH THE SHEEP AND GOATS
618
00:48:27,634 --> 00:48:30,467
AND TURKEYS OF
YOUR FLOCKS!
619
00:48:30,534 --> 00:48:34,501
TURKEYS?
620
00:48:34,567 --> 00:48:37,400
MAY GOD BLESS YOU!
621
00:48:37,467 --> 00:48:39,801
BLESS YOU!
622
00:48:39,868 --> 00:48:46,000
BLESS YOU.
623
00:48:46,067 --> 00:48:51,167
( man yelling )
624
00:48:51,234 --> 00:48:52,767
( Bebe )
YOU RECOGNIZE 'EM?
625
00:48:52,834 --> 00:48:55,200
ONE OF 'EM'S
BOB ZAMUDIO.
626
00:48:55,267 --> 00:48:58,300
HE'S A PRETTY GOOD
HAND WITH EXPLOSIVES.
627
00:48:58,367 --> 00:49:03,267
THAT ONE DANGLIN',
I DON'T KNOW.
628
00:49:03,334 --> 00:49:09,400
WE COULD USE
SOME HELP.
629
00:49:14,033 --> 00:49:20,033
( gunshot )
630
00:49:20,100 --> 00:49:26,167
( gunshot )
631
00:49:30,601 --> 00:49:34,367
( Thomas )
AFTERNOON PREACHER.
632
00:49:34,434 --> 00:49:36,601
LET US ALL JOIN IN
AND SING THE HYMN,
633
00:49:36,667 --> 00:49:38,934
WHAT A FRIEND WE HAVE IN JESUS
634
00:49:39,000 --> 00:49:43,200
WHILST THE GOOD LORD
DETERMINES THE FATE OF OUR
635
00:49:43,267 --> 00:49:44,567
BRETHREN HERE.
636
00:49:44,634 --> 00:49:50,601
* WHAT A FRIEND
WE HAVE IN JESUS *
637
00:49:50,667 --> 00:49:56,667
* ALL OUR SINS AND
PRAISE TO BEAR *
638
00:49:56,734 --> 00:49:59,467
* WHAT A FRIEND WE HAVE... *
639
00:49:59,534 --> 00:50:02,534
EQUAL SHARES
ALL AROUND.
640
00:50:02,601 --> 00:50:10,234
WE'RE GONNA NEED
YOUR DEAD MEN NOW.
641
00:50:10,300 --> 00:50:15,501
I THINK THAT CAN
BE ARRANGED.
642
00:50:15,567 --> 00:50:17,534
( Billy Ray )
TODAY WE WENT TOCHURCH. IT WAS
643
00:50:17,601 --> 00:50:20,100
VERY DIFFERENT FROMWHAT I WAS USED TO.
644
00:50:20,167 --> 00:50:21,634
I HAD THE OPPORTUNITY TO
645
00:50:21,701 --> 00:50:23,200
WITNESS MY FIRST HANGING .
646
00:50:23,267 --> 00:50:25,133
IN FACT, THE GENTLEMANWHO WAS
647
00:50:25,200 --> 00:50:27,100
HANGED, A MR."PITCHFORK" NAPIER
648
00:50:27,167 --> 00:50:31,367
HAS ELECTED TOJOIN OUR OUTFIT.
649
00:50:31,434 --> 00:50:33,467
I'M LOOKING FORWARDTO DISCUSSING
650
00:50:33,534 --> 00:50:36,200
OUR PLANS WITHMY NEW COMPANIONS.
651
00:50:36,267 --> 00:50:38,167
WHO IN THE
HELL IS THIS
652
00:50:38,234 --> 00:50:42,200
SNOT-NOSED
LITTLE PANTYWAIST?
653
00:50:42,267 --> 00:50:46,334
HE'S WITH ME.
654
00:50:46,400 --> 00:50:52,300
HELL, HE'S THE ONE
THAT STOLE THIS!
655
00:50:52,367 --> 00:50:55,968
IS THIS ALL WE
GOT TO GO ON?
656
00:50:56,033 --> 00:50:58,334
HIS SPURS ARE LIKE HIS
FINGERS, LIKE HIS TOES.
657
00:50:58,400 --> 00:51:00,200
THEY'RE PART
OF HIS BODY.
658
00:51:00,267 --> 00:51:01,601
HELL, THAT WAS
HIS DADDY'S SPURS,
659
00:51:01,667 --> 00:51:03,067
AND HIS DADDY'S
DADDY'S!
660
00:51:03,133 --> 00:51:07,234
"HIS DADDY'S SPURS,
AND HIS DADDY'S DADDY'S."
661
00:51:07,300 --> 00:51:15,534
WHAT A SORRY BUNCH
OF WASHED-UP HAS-BEENS.
662
00:51:15,601 --> 00:51:16,968
IS MUY VALUABLE .
663
00:51:17,033 --> 00:51:18,834
THOSE RED THINGS
ARE REAL RUBIES, BOB.
664
00:51:18,901 --> 00:51:21,701
ROBERTO.
665
00:51:21,767 --> 00:51:26,367
EL DIABLO'S
TREASURE:
666
00:51:26,434 --> 00:51:29,167
INDIAN GOLD
667
00:51:29,234 --> 00:51:31,167
EUROPEAN GOLD
JUST WAITIN' THERE
668
00:51:31,234 --> 00:51:32,934
FOR US TO TAKE IT.
669
00:51:33,000 --> 00:51:34,534
( Bebe )
HE'S RIGHT ABOUT THAT.
670
00:51:34,601 --> 00:51:37,200
I SEEN IT WITH
MY OWN EYES.
671
00:51:37,267 --> 00:51:39,000
( Billy Ray )
EL DIABLO HAS
SOMETHING WORTH
672
00:51:39,067 --> 00:51:40,834
A LITTLE MORE THAN
GOLD DOWN THERE.
673
00:51:40,901 --> 00:51:42,467
THERE'S A LITTLE GIRL--
674
00:51:42,534 --> 00:51:44,133
FUCK YOUR LITTLE GIRL.
675
00:51:44,200 --> 00:51:45,200
JUST A SECOND.
676
00:51:45,267 --> 00:51:46,434
YOU DON'T
WANNA DO THAT.
677
00:51:46,501 --> 00:51:47,868
YES, HE DOES.
678
00:51:47,934 --> 00:51:50,634
YES, HE DOES.
679
00:51:50,701 --> 00:51:52,067
COME ON, BOY.
680
00:51:52,133 --> 00:51:53,868
COME ON!
681
00:51:53,934 --> 00:51:55,734
COME ON.
682
00:51:55,801 --> 00:52:01,901
COME AND
GET IT, BOY.
683
00:52:08,701 --> 00:52:10,734
( flash exploding )
684
00:52:10,801 --> 00:52:12,734
WE'RE GOING TO
NEED DYNAMITE
685
00:52:12,801 --> 00:52:20,400
AND SOMEONE
TO HANDLE IT.
686
00:52:20,467 --> 00:52:23,601
HOW ABOUT
IT, BOBBY?
687
00:52:23,667 --> 00:52:26,601
I THINK I TOLD YOU
ONCE OR TWICE
688
00:52:26,667 --> 00:52:29,033
I DO NOT ANSWER TO
THAT GRINGO NAME!
689
00:52:29,100 --> 00:52:31,968
LOOK, SEQOR ROBERTO
690
00:52:32,033 --> 00:52:33,901
WE VERY MUCH
APPRECIATE
691
00:52:33,968 --> 00:52:38,834
YOU HELPING US WITH
YOUR SPECIAL TALENTS.
692
00:52:38,901 --> 00:52:42,067
DYNAMITE IS
LIKE A WOMAN.
693
00:52:42,133 --> 00:52:43,767
IT TAKES THE
RIGHT HOMBRE
694
00:52:43,834 --> 00:52:48,400
TO KNOW HOW TO
MAKE HER EXPLODE!
695
00:52:48,467 --> 00:52:51,133
THERE'S SOMEBODY
OUT THERE.
696
00:52:51,200 --> 00:52:55,234
I DON'T HEAR
NOTHIN'.
697
00:52:55,300 --> 00:52:56,467
INJUNS.
698
00:52:56,534 --> 00:52:59,067
INJUNS? AIN'T NO DAMN
INJUNS AROUND HERE.
699
00:52:59,133 --> 00:53:01,000
WE'RE IN MEXICO,
ASSHOLE!
700
00:53:01,067 --> 00:53:03,968
THE PONCHACHAUN'S,
ASSHOLE!
701
00:53:04,033 --> 00:53:06,934
I LIVED WITH
'EM FOR A YEAR.
702
00:53:07,033 --> 00:53:10,334
DON'T NEVER
ROB NO INDIAN.
703
00:53:10,400 --> 00:53:15,501
I ROB AN INDIAN,
SAME AS ANYBODY.
704
00:53:15,567 --> 00:53:18,200
YEAH, DID YOU SLEEP
WITH HIS WIFE, TOO?
705
00:53:18,267 --> 00:53:21,501
WHAT WAS IT LIKE SLEEPIN'
WITH AN INDIAN WOMAN?
706
00:53:21,567 --> 00:53:27,634
( Napier )
BETTER THAN A NIGGER.
707
00:53:41,467 --> 00:53:45,300
( Thomas )
THANK YOU, BOY.
708
00:53:45,367 --> 00:53:49,701
NOW, GENERALLY, I LET
A MAN OFF FIRST TIME
709
00:53:49,767 --> 00:53:51,601
HE SAY THAT
TO ME.
710
00:53:51,667 --> 00:53:55,267
THAT IS, IF HE
SAYS HE'S SORRY.
711
00:53:55,334 --> 00:53:59,000
HOW ABOUT YOU,
MR. NAPIER?
712
00:53:59,067 --> 00:54:01,033
ARE YOU SORRY?
713
00:54:01,100 --> 00:54:06,267
I DON'T HEAR YOU,
MR. NAPIER.
714
00:54:06,334 --> 00:54:08,167
( Napier )
I'M...
715
00:54:08,234 --> 00:54:14,334
I'M WAITIN'.
716
00:54:17,667 --> 00:54:23,734
BYE, NIGGER!
717
00:55:08,267 --> 00:55:14,334
( chanting )
718
00:55:18,601 --> 00:55:20,767
SOMEONE OUGHT TO
TRY TO TALK TO HIM.
719
00:55:20,834 --> 00:55:22,801
GO ON, BOB,
YOU SPEAKUM SIGN.
720
00:55:22,868 --> 00:55:28,934
ROBERTO.
721
00:55:48,901 --> 00:55:51,534
I DON'T THINK
CHIEF UNDERSTANDS.
722
00:55:51,601 --> 00:55:54,434
( Dancing Bear )
YOU'RE FULL OF SHIT, BROWN MAN.
723
00:55:54,501 --> 00:55:57,100
AND NAME NOT CHIEF.
724
00:55:57,167 --> 00:56:03,234
NAME DANCING BEAR.
725
00:56:07,667 --> 00:56:09,834
( Billy Ray )
WE ADDED A NEWMEMBER TO OUR GROUP
726
00:56:09,901 --> 00:56:12,634
LAST NIGHT, AN INDIAN,MR. DANCING BEAR
727
00:56:12,701 --> 00:56:13,834
WHO'D BEEN TRACKING
728
00:56:13,901 --> 00:56:15,367
MR. NAPIER FOR SOME TIME.
729
00:56:15,434 --> 00:56:16,834
IT SEEMS MR. NAPIER
730
00:56:16,901 --> 00:56:18,334
HAD BEDDEDDOWN WITH HIS WIFE
731
00:56:18,400 --> 00:56:20,634
A TRANSGRESSION NOTLOOKED ON FAVORABLY
732
00:56:20,701 --> 00:56:23,000
BY MEMBERS OF HISPARTICULAR TRIBE.
733
00:56:23,067 --> 00:56:24,634
I NEVER LIKED HIM!
734
00:56:24,701 --> 00:56:27,334
ONCE DANCING BEAREXACTED HIS REVENGE
735
00:56:27,400 --> 00:56:29,901
HE TOLD US EL DIABLOHAD STOLEN GOLD
736
00:56:29,968 --> 00:56:33,534
FROM HIS PEOPLE ANDENSLAVED THEM.
737
00:56:33,601 --> 00:56:38,033
( speaking Spanish )
738
00:56:38,100 --> 00:56:40,467
THE NEXT STEP WASTO LOCATE A BOX OF
739
00:56:40,534 --> 00:56:43,601
DYNAMITE THAT MR. ZAMUDIOHAD BURIED.
740
00:56:43,667 --> 00:56:45,467
ONCE THE SPOTWAS FOUND,
741
00:56:45,534 --> 00:56:51,601
I WAS VOLUNTEEREDTO DIG IT UP.
742
00:56:59,434 --> 00:57:00,234
WHAT?
743
00:57:00,300 --> 00:57:06,400
GET OUT OF THE HOLE.
744
00:57:17,701 --> 00:57:19,300
THIS LITTLE
CACHE HERE
745
00:57:19,367 --> 00:57:21,033
HAS ENABLED
ROBERTO AND ME
746
00:57:21,100 --> 00:57:23,133
TO OPEN ACCOUNTS
AT OVER
747
00:57:23,200 --> 00:57:29,267
22 OF THE BEST BANKS
IN THE SOUTHWEST.
748
00:57:33,000 --> 00:57:35,133
YOU CAN GET ME
OUT OF HERE NOW.
749
00:57:35,200 --> 00:57:37,634
NOT FAST.
750
00:57:37,701 --> 00:57:38,767
WHAT'S THE MATTER?
751
00:57:38,834 --> 00:57:39,968
IT'S DECAYIN',
I THINK.
752
00:57:40,033 --> 00:57:42,267
I TOLD YOU WE SHOULDN'T
BURY IT HERE, BOB.
753
00:57:42,334 --> 00:57:46,200
NO SHADE,
TOO HOT, BOB.
754
00:57:46,267 --> 00:57:52,334
I DON'T THINK NOW'S THE
TIME TO MAKE ME ANGRY.
755
00:58:03,167 --> 00:58:09,267
AIE, AIE, AIE, AIE,
756
00:58:24,234 --> 00:58:27,534
( explosion )
757
00:58:27,601 --> 00:58:28,400
I AM ROBERTO.
758
00:58:28,467 --> 00:58:29,534
( explosion )
759
00:58:29,601 --> 00:58:31,234
COME ON, COME ON.
760
00:58:31,300 --> 00:58:33,434
( explosions )
761
00:58:33,501 --> 00:58:35,033
( Billy Ray )
IT'S NOT FUNNY.
762
00:58:35,100 --> 00:58:39,701
( Roberto )
IS GOOD, HUH?
763
00:58:39,767 --> 00:58:41,901
( Billy Ray )
MR. PATTERSON ANDMR. ZAMUDIO SECURED
764
00:58:41,968 --> 00:58:43,968
THE DYNAMITE TOTHE BUCKBOARD.
765
00:58:44,033 --> 00:58:45,901
THERE STILL SEEMEDTO BE SOME QUESTION
766
00:58:45,968 --> 00:58:48,234
AS TO ITS STABILITY,HOWEVER.
767
00:58:48,300 --> 00:58:50,067
WE'RE A BIT FAR APART.
768
00:58:50,133 --> 00:58:52,634
MAYBE THAT MIGHT NOT BE
GOOD FOR THEIR MORALE?
769
00:58:52,701 --> 00:58:54,601
FEEL FREE TO
JOIN 'EM, BOY.
770
00:58:54,667 --> 00:59:00,734
I'M SURE THEY'D
WELCOME THE COMPANY.
771
00:59:07,300 --> 00:59:09,400
( Billy Ray )
AFTER RIDING HARDTHE ENTIRE DAY,
772
00:59:09,467 --> 00:59:11,434
WE FINALLY CROSSEDINTO MEXICO.
773
00:59:11,501 --> 00:59:13,434
THE BUCKBOARDDIDN'T EXPLODE
774
00:59:13,501 --> 00:59:15,567
AND I TOOK THISAS A POSITIVE SIGN.
775
00:59:15,634 --> 00:59:18,033
BUT I WAS VERY SOREAND WAS GLAD WHEN
776
00:59:18,100 --> 00:59:24,167
WE STOPPED IN A VILLAGEFOR REFRESHMENTS.
777
01:00:30,767 --> 01:00:33,934
WHAT DO YOU
WANT, BOY?
778
01:00:34,000 --> 01:00:38,267
LEMON, WHATEVER
HE'S HAVING.
779
01:00:38,334 --> 01:00:39,934
( Billy Ray )
THE CANTINA WE SELECTED
780
01:00:40,000 --> 01:00:41,601
WOULD NOT HAVEBEEN MY FIRST CHOICE
781
01:00:41,667 --> 01:00:43,767
BUT IT WAS THEONLY ONE IN TOWN.
782
01:00:43,834 --> 01:00:45,801
IT HOSTED A DIFFERENTSORT OF CLIENTELE
783
01:00:45,868 --> 01:00:51,934
THAN WHAT I WASUSED TO BACK EAST.
784
01:01:17,567 --> 01:01:21,267
( man )
THOMAS, IS THAT YOU?
785
01:01:21,334 --> 01:01:24,667
BARTENDER, PUT THEIR
DRINKS ON MY BILL.
786
01:01:24,734 --> 01:01:26,400
THOMAS, YOU DEVIL,
787
01:01:26,467 --> 01:01:32,567
PLEASE COME HERE,
JOIN ME.
788
01:01:46,667 --> 01:01:50,767
( snake hissing )
789
01:01:50,834 --> 01:01:54,334
THOMAS VAN LEEK,
AS I LIVE AND BREATHE?
790
01:01:54,400 --> 01:01:56,634
SO NICE TO SEE YOU.
HELLO.
791
01:01:56,701 --> 01:01:58,100
( Billy Ray )
HELLO.
792
01:01:58,167 --> 01:02:03,067
AREN'T YOU GOING TO INTRODUCE
ME TO YOUR FRIEND?
793
01:02:03,133 --> 01:02:05,501
THIS HERE IS
BILLY RAY SMITH.
794
01:02:05,567 --> 01:02:10,067
BOY, THIS HERE IS
TRUMAN FEATHERS
795
01:02:10,133 --> 01:02:15,767
SOMETIMES KNOWN
AS KID DURANGO.
796
01:02:15,834 --> 01:02:17,734
KID DURANGO?
797
01:02:17,801 --> 01:02:21,434
UH-HUH.
KID DURANGO.
798
01:02:21,501 --> 01:02:22,801
KID DURANGO?
799
01:02:22,868 --> 01:02:24,667
UH-HUH.
800
01:02:24,734 --> 01:02:29,133
THIS BOY HAS READ EVERY
ONE OF YOUR BOOKS.
801
01:02:29,200 --> 01:02:31,801
REALLY?
802
01:02:31,868 --> 01:02:37,968
KID DURANGO?
803
01:02:39,567 --> 01:02:41,734
WHAT BRINGS YOU
TO THIS HOLE?
804
01:02:41,801 --> 01:02:45,367
I'M RESEARCHING
OUR NEXT ADVENTURE.
805
01:02:45,434 --> 01:02:47,033
SMOKE SIGNALS
INDICATED THAT
806
01:02:47,100 --> 01:02:52,300
YOU WERE HEADED
IN THIS DIRECTION.
807
01:02:52,367 --> 01:02:55,701
YOU KNOW, I HAVE A
HAT JUST LIKE THAT.
808
01:02:55,767 --> 01:02:58,934
I LOVE YOUR OUTFIT.
809
01:02:59,000 --> 01:03:00,834
( Truman )
WHERE ARE YOU FROM?
810
01:03:00,901 --> 01:03:03,634
ORIGINALLY BOSTON,
MASSACHUSETTS.
811
01:03:03,701 --> 01:03:08,234
REALLY? I'VE BEEN
TO RHODE ISLAND.
812
01:03:08,300 --> 01:03:10,167
WHAT DID HE MEAN
WHEN HE SAID,
813
01:03:10,234 --> 01:03:11,868
"OUR NEXT ADVENTURE?"
814
01:03:11,934 --> 01:03:15,133
IT'S A WONDERFUL
ARRANGEMENT.
815
01:03:15,200 --> 01:03:19,033
THOMAS RUNS AROUND THE WEST,
RISKING HIS SILLY NECK
816
01:03:19,100 --> 01:03:29,133
AND I INCORPORATE HIS EXPLOITS
INTO MY LITTLE TRUE STORIES.
817
01:03:29,200 --> 01:03:30,234
YOU MEAN--
818
01:03:30,300 --> 01:03:32,601
WHAT HE MEANS IS,
AIN'T NOBODY GONNA BUY
819
01:03:32,667 --> 01:03:36,901
NO STORIES ABOUT
NO NEGRO COWBOYS.
820
01:03:36,968 --> 01:03:39,334
IT'S DRAMATIC
LICENSE, REALLY.
821
01:03:39,400 --> 01:03:41,968
IT'S A NECESSARY EVIL
IN THE LITERARY WORLD.
822
01:03:42,033 --> 01:03:47,234
DRAMATIC LICENSE, HELL!
WHOLE BUNCH OF LIES.
823
01:03:47,300 --> 01:03:50,334
YOU MADE ALL THAT MONEY
AND I NEVER DID SEE SQUAT.
824
01:03:50,400 --> 01:03:52,868
WHAT REALLY GETS
ME IS ALL THAT CRAP
825
01:03:52,934 --> 01:03:55,868
ABOUT "LOOKIN' A
MAN IN THE EYE."
826
01:03:55,934 --> 01:03:59,200
HELL, A MAN DON'T GO FOR
A GUN WITH HIS EYE.
827
01:03:59,267 --> 01:04:02,133
LOOK AT HIS HAND.
828
01:04:02,200 --> 01:04:05,501
I'LL MAKE A
NOTE OF IT.
829
01:04:05,567 --> 01:04:11,634
( men yelling )
830
01:04:19,467 --> 01:04:25,534
THEY WERE WITH
EL DIABLO IN THE BANK.
831
01:04:31,067 --> 01:04:34,167
THE UNATTRACTIVE
ONE IS PESTOSO.
832
01:04:34,234 --> 01:04:36,400
THAT OTHER ONE
AIN'T NO LADY-KILLER.
833
01:04:36,467 --> 01:04:39,234
YES, THAT'S
CHAK MOL.
834
01:04:39,300 --> 01:04:40,534
( Billy Ray )
DO YOU KNOW THEM?
835
01:04:40,601 --> 01:04:43,033
( Truman )
THEY COME HERE
TO UNWIND AFTER
836
01:04:43,100 --> 01:04:46,701
THEIR FORAYS OF
RAPING AND PILLAGING.
837
01:04:46,767 --> 01:04:49,901
I'VE INTERVIEWED
BOTH OF THEM.
838
01:04:49,968 --> 01:04:56,701
PESTOSO IS
SURPRISINGLY VOCAL.
839
01:04:56,767 --> 01:05:02,834
HEY, BOY.
840
01:05:02,901 --> 01:05:05,000
HOW DO YOU FEEL
ABOUT BEING
841
01:05:05,067 --> 01:05:11,200
THE FASTEST GUN
IN THE WEST?
842
01:05:11,267 --> 01:05:17,334
HUH?
843
01:05:32,601 --> 01:05:40,434
SO, YOU'RE THE FASTEST
GUN IN THE WEST?
844
01:05:40,501 --> 01:05:44,968
DO YOU KNOW TO
WHOM THIS BELONGS?
845
01:05:45,033 --> 01:05:47,100
WHERE YOU
GET THAT?
846
01:05:47,167 --> 01:05:49,467
CAN YOU TAKE
ME TO HIM?
847
01:05:49,534 --> 01:05:51,534
TAKE YOU TO WHO?
848
01:05:51,601 --> 01:05:55,601
"TAKE YOU TO WHOM."
849
01:05:55,667 --> 01:05:59,734
( speaking Spanish )
850
01:05:59,801 --> 01:06:05,033
EL DIABLO.
851
01:06:05,100 --> 01:06:11,167
EL DIABLO?
852
01:06:18,267 --> 01:06:24,334
WHERE YOU GOIN',
GRINGO?
853
01:07:04,167 --> 01:07:10,234
( knuckes cracking )
854
01:07:37,100 --> 01:07:39,934
( speaking Spanish )
855
01:07:40,000 --> 01:07:46,067
( gunshots )
856
01:07:55,701 --> 01:07:58,133
( Billy Ray )
I HAD SHOT AMAN IN A SHOWDOWN
857
01:07:58,200 --> 01:08:01,334
IN THE MIDDLE OF THESTREET AT HIGH NOON.
858
01:08:01,400 --> 01:08:03,501
ACTUALLY, IT WAS MUCHLATER IN THE DAY,
859
01:08:03,567 --> 01:08:07,434
BUT IT WAS STILLQUITE A THRILL.
860
01:08:07,501 --> 01:08:09,167
GOOD SHOT, BOY.
861
01:08:09,234 --> 01:08:10,767
I DON'T CONDONE KILLING,
862
01:08:10,834 --> 01:08:13,567
BUT THIS PESTOSOPROBABLY DESERVED IT.
863
01:08:13,634 --> 01:08:16,000
IF HE TRAVELED WITHEL DIABLO, HE HAD
864
01:08:16,067 --> 01:08:20,667
SOME SEVERE CHARACTERFLAWS, I WAS SURE.
865
01:08:20,734 --> 01:08:26,801
GOOD SHOT.
866
01:08:42,501 --> 01:08:48,567
YOU?
867
01:09:00,534 --> 01:09:03,467
I'LL MEET YOU
IN THE MORNING
868
01:09:03,534 --> 01:09:06,901
JUST OUTSIDE
OF TOWN
869
01:09:06,968 --> 01:09:10,767
THE TREE OF DEATH.
870
01:09:10,834 --> 01:09:14,234
( Chak Mol )
COME ALONE.
871
01:09:14,300 --> 01:09:20,400
TREE OF DEATH?
872
01:09:24,534 --> 01:09:27,200
OUCH!
873
01:09:27,267 --> 01:09:29,300
( speaking Spanish )
874
01:09:29,367 --> 01:09:32,567
NEVER TRUST A MAN WHO
TALKS TO HIS SNAKE.
875
01:09:32,634 --> 01:09:37,033
IT'S TRUMAN.
876
01:09:37,100 --> 01:09:43,267
MORNING.
877
01:09:43,334 --> 01:09:45,434
( Thomas )
WHAT THE HELL YOU
DOIN', FEATHERS?
878
01:09:45,501 --> 01:09:47,400
WELL,
879
01:09:47,467 --> 01:09:49,501
I'VE DECIDED TO JOIN
YOUR EXPEDITION.
880
01:09:49,567 --> 01:09:52,000
NOT WITH ME,
YOU AIN'T.
881
01:09:52,067 --> 01:09:54,033
YOU WON'T HAVE TO
WORRY ABOUT ME.
882
01:09:54,100 --> 01:09:55,467
I'M NOT WORRIED
ABOUT YOU.
883
01:09:55,534 --> 01:09:57,801
I'M WORRIED ABOUT US,
WITH YOU OUT THERE.
884
01:09:57,868 --> 01:09:59,701
OH, THOMAS, PLEASE.
885
01:09:59,767 --> 01:10:01,100
I'M SURE I CAN PERFORM
886
01:10:01,167 --> 01:10:03,667
SOME VERY USEFUL
FUNCTIONS ON THE TRAIL.
887
01:10:03,734 --> 01:10:06,567
AND BESIDES, I'M
AN EXCELLENT COOK.
888
01:10:06,634 --> 01:10:09,334
CAN YOU MAKE COFFEE?
889
01:10:09,400 --> 01:10:10,801
AS A MATTER OF FACT,
890
01:10:10,868 --> 01:10:13,067
I BROUGHT SOME FRESH
COLUMBIAN BEANS.
891
01:10:13,133 --> 01:10:17,434
AND, BY THE WAY, I MAKE
A WONDERFUL OMELET.
892
01:10:17,501 --> 01:10:19,234
( Dancing Bear )
WHAT IS "OMELET?"
893
01:10:19,300 --> 01:10:23,934
AN OMELET IS DICED HAM,
CHEESE, PEPPERS
894
01:10:24,000 --> 01:10:25,601
FOLDED INTO THREE
EGGS, COOKED
895
01:10:25,667 --> 01:10:28,501
IN AN IRON SKILLET,
SLIGHTLY WARMED.
896
01:10:28,567 --> 01:10:31,834
MUSHROOMS, SNAKE MEAT,
SQUASH? GOOD?
897
01:10:31,901 --> 01:10:34,767
GOOD? I WOULDN'T
RECOMMEND THE SQUASH BUT
898
01:10:34,834 --> 01:10:36,400
IT'S ENTIRELY
UP TO YOU.
899
01:10:36,467 --> 01:10:39,734
FOR CHRIST'S SAKE,
LET'S MOVE OUT!
900
01:10:39,801 --> 01:10:46,234
COME ON.
901
01:10:46,300 --> 01:10:48,367
FORWARD!
902
01:10:48,434 --> 01:10:50,501
( Billy Ray )
THOUGH STILL PUZZLEDBY THE REVELATION
903
01:10:50,567 --> 01:10:52,634
THAT TRUMAN WASKID DURANGO
904
01:10:52,701 --> 01:10:54,100
OR NOT KID DURANGO,
905
01:10:54,167 --> 01:10:56,033
I WAS EXCITED THATHE HAD JOINED US.
906
01:10:56,100 --> 01:10:57,701
IT AFFORDED METHE OPPORTUNITY
907
01:10:57,767 --> 01:10:59,567
TO CLEAR UP MY CONFUSION
908
01:10:59,634 --> 01:11:02,000
AND I LOOKED FORWARDTO ONE OF HIS OMELETS .
909
01:11:02,067 --> 01:11:04,400
NOW, I STILL
DON'T UNDERSTAND
910
01:11:04,467 --> 01:11:07,033
WHY YOU'RE COMIN'
ALONG WITH US.
911
01:11:07,100 --> 01:11:10,167
ACTUALLY, IT'S YOUR
EXAMPLE, BILLY RAY.
912
01:11:10,234 --> 01:11:11,434
I'VE ALWAYS WRITTEN
913
01:11:11,501 --> 01:11:13,033
ABOUT OTHER
PEOPLE'S EXPLOITS.
914
01:11:13,100 --> 01:11:15,501
I'D LIKE TO THINK THAT
BEFORE I PASS ON
915
01:11:15,567 --> 01:11:19,801
I COULD INCLUDE A FEW
ADVENTURES OF MY VERY OWN.
916
01:11:19,868 --> 01:11:21,868
THAT WAS A WONDERFUL
MOMENT YESTERDAY
917
01:11:21,934 --> 01:11:24,634
IN THE STREETS WITH
YOU AND PESTOSO.
918
01:11:24,701 --> 01:11:28,100
IT WAS THRILLING,
VIRTUALLY WRITES ITSELF.
919
01:11:28,167 --> 01:11:31,100
YOU'RE GONNA PUT ME
IN ONE OF YOUR BOOKS?
920
01:11:31,167 --> 01:11:35,300
OF COURSE. EVERY
STORY NEEDS ITS HERO.
921
01:11:35,367 --> 01:11:38,300
( Thomas )
HEY, BOY, LEMME
SEE THAT SPUR.
922
01:11:38,367 --> 01:11:44,434
YES, SIR.
923
01:11:48,367 --> 01:11:50,434
YOU HOLD ONTO
THAT HALF, BOY.
924
01:11:50,501 --> 01:11:52,667
THAT'S YOUR
CALLING CARD.
925
01:11:52,734 --> 01:11:54,167
GO AHEAD ON.
926
01:11:54,234 --> 01:11:57,467
BE RIGHT BEHIND
YOU. GO ON.
927
01:11:57,534 --> 01:11:59,200
GOOD LUCK,
BILLY RAY.
928
01:11:59,267 --> 01:12:05,367
THANK YOU.
GOODBYE.
929
01:12:21,300 --> 01:12:23,501
EXCUSE ME, COULD
YOU TELL ME PRECISELY
930
01:12:23,567 --> 01:12:27,267
WHY THEY CALL THIS
THE TREE OF DEATH?
931
01:12:27,334 --> 01:12:30,167
( Billy Ray )
EXCUSE ME.
932
01:12:30,234 --> 01:12:32,000
( Billy Ray )
I MET CHAK MOL AS ARRANGED
933
01:12:32,067 --> 01:12:36,033
AND I FOLLOWED HIMDEEPER INTO MEXICO.
934
01:12:36,100 --> 01:12:39,133
MY NERVES, NORMALLY QUITESTEADY, WERE ACTING UP
935
01:12:39,200 --> 01:12:43,968
AS I SENSED US GETTINGCLOSER AND CLOSER TO EL DIABLO .
936
01:12:44,033 --> 01:12:46,200
SURELY, THE TENSIONWOULD'VE BEEN EASED
937
01:12:46,267 --> 01:12:49,634
IF CHAK MOL HAD BEEN ABETTER CONVERSATIONALIST.
938
01:12:49,701 --> 01:12:55,767
PERHAPS HE WAS SHY.
939
01:13:16,667 --> 01:13:21,300
THANK YOU.
940
01:13:21,367 --> 01:13:27,434
SORRY.
941
01:13:35,467 --> 01:13:39,400
THEY'RE TOO SPLIT UP FOR
US TO GET ALL AT ONCE.
942
01:13:39,467 --> 01:13:40,868
I THINK THERE
MIGHT JUST BE
943
01:13:40,934 --> 01:13:47,033
A SOLUTION TO THIS
PROBLEM FORTHCOMING.
944
01:13:55,767 --> 01:14:02,000
( speaking Spanish )
945
01:14:02,067 --> 01:14:07,634
( gunshots )
946
01:14:07,701 --> 01:14:13,767
( speaking Spanish )
947
01:15:02,334 --> 01:15:04,767
WE SPLIT UP HERE.
948
01:15:04,834 --> 01:15:08,767
THAT LEFT TUNNEL WILL LET YOU
OUT ABOVE THE VILLAGE.
949
01:15:08,834 --> 01:15:13,067
WAIT FOR MY SIGNAL.
GOOD ENOUGH?
950
01:15:13,133 --> 01:15:15,200
I THINK A LITTLE
PRAYER IS IN ORDER
951
01:15:15,267 --> 01:15:17,334
BEFORE WE EMBARK ON
THIS PERILOUS ORDEAL.
952
01:15:17,400 --> 01:15:20,501
IF YOU WILL ALL JOIN ME IN
RECITING THE LORD'S PRAYER.
953
01:15:20,567 --> 01:15:22,067
"OUR FATHER--
954
01:15:22,133 --> 01:15:24,267
"OUR FATHER,
WHO ART IN HEAVEN
955
01:15:24,334 --> 01:15:26,167
"HALLOWED BE THY NAME.
956
01:15:26,234 --> 01:15:31,400
"THY KINGDOM COME.
THY WILL BE DONE ON EARTH"
957
01:15:31,467 --> 01:15:35,434
THIS IS SORRY WORK
PARTY, BROWN MAN.
958
01:15:35,501 --> 01:15:39,701
I DID THE BEST I
COULD, RED MAN.
959
01:15:39,767 --> 01:15:45,033
I'M HERE TO FREE MY PEOPLE.
DON'T YOU GET IN MY WAY.
960
01:15:45,100 --> 01:15:51,167
WOULDN'T THINK OF IT.
961
01:15:56,701 --> 01:15:58,901
THOMAS?
962
01:15:58,968 --> 01:16:01,167
I'D LIKE TO HAVE
A WORD WITH YOU.
963
01:16:01,234 --> 01:16:03,067
IF IT'S SHORT.
964
01:16:03,133 --> 01:16:06,267
I FIND YOUR BEHAVIOR IN THIS
ENDEAVOR QUESTIONABLE.
965
01:16:06,334 --> 01:16:09,100
IT'S PERFECTLY OBVIOUS TO
ME WHAT YOU'RE DOING.
966
01:16:09,167 --> 01:16:12,267
YOU'RE USING THIS
BOY AS A DIVERSION
967
01:16:12,334 --> 01:16:15,567
SO THAT YOU CAN STEAL AS
MUCH GOLD AS YOU CAN CARRY.
968
01:16:15,634 --> 01:16:19,868
ONLY DANCING BEAR IS MOTIVATED
BY HONORABLE INTENTIONS.
969
01:16:19,934 --> 01:16:21,400
AS FAR AS I'M CONCERNED,
970
01:16:21,467 --> 01:16:24,834
YOU'RE ALL A BUNCH
OF MERCENARIES.
971
01:16:24,901 --> 01:16:26,601
YOU FINISHED?
972
01:16:26,667 --> 01:16:28,501
YES.
973
01:16:28,567 --> 01:16:32,300
I HAD TO GET IT
OFF MY CHEST.
974
01:16:32,367 --> 01:16:40,167
HOPE YOU FEEL BETTER.
COME ON, REO.
975
01:16:40,234 --> 01:16:45,868
( Thomas )
EL DIABLO WON'T TOUCH
THE KID WITHOUT HIS SPUR.
976
01:16:45,934 --> 01:16:47,968
( Billy Ray )
WHEN I ARRIVED AT ELDIABLO'S COMPOUND,
977
01:16:48,033 --> 01:16:50,501
HE WAS NOT IN THE VICINITY .
978
01:16:50,567 --> 01:16:53,434
I DECIDED TO WAIT ANDNOT BE IMPATIENT.
979
01:16:53,501 --> 01:16:55,267
I KNEW I WAS STILLCARRYING AN ACE
980
01:16:55,334 --> 01:17:01,400
IN MY POCKET,SO TO SPEAK.
981
01:17:26,167 --> 01:17:32,067
YOU ARE THE BOY WHO
KILLED PESTOSO?
982
01:17:32,133 --> 01:17:34,133
WHAT IS YOUR NAME,
LITTLE BOY?
983
01:17:34,200 --> 01:17:36,534
WILLIAM RAYMOND SMITH.
984
01:17:36,601 --> 01:17:40,400
MR. DEVIL, IS IT?
985
01:17:40,467 --> 01:17:43,801
I UNDERSTAND,
MR. WILLIAM RAYMOND SMITH
986
01:17:43,868 --> 01:17:47,901
YOU HAVE BROUGHT
SOMETHING FOR ME.
987
01:17:47,968 --> 01:17:51,667
YES, SIR.
988
01:17:51,734 --> 01:17:54,167
THIS IS MY SPUR,
I BELIEVE?
989
01:17:54,234 --> 01:17:58,000
THAT IS CORRECT.
990
01:17:58,067 --> 01:18:00,501
THERE IS
SOMETHING MISSING.
991
01:18:00,567 --> 01:18:05,200
THAT IS ALSO CORRECT.
992
01:18:05,267 --> 01:18:08,200
WHERE IS THE
MISSING PIECE?
993
01:18:08,267 --> 01:18:14,801
THAT'S FOR ME TO KNOW
AND YOU TO FIND OUT.
994
01:18:14,868 --> 01:18:16,567
I WANT TO EXCHANGE IT,
995
01:18:16,634 --> 01:18:20,267
THE MISSING PIECE THAT
IS, FOR THE GIRL.
996
01:18:20,334 --> 01:18:22,501
WHAT GIRL IS THAT?
997
01:18:22,567 --> 01:18:27,033
MISS NETTIE TULEEN.
998
01:18:27,100 --> 01:18:28,634
YOU KIDNAPPED
HER IN FRONT
999
01:18:28,701 --> 01:18:32,934
OF MY SCHOOL ABOUT
FIVE WEEKS AGO?
1000
01:18:33,000 --> 01:18:39,167
SO MANY TOWNS,
SO MANY GIRLS.
1001
01:18:39,234 --> 01:18:41,834
SHE'S ABOUT 5-FOOT-4
1002
01:18:41,901 --> 01:18:45,501
BLONDE HAIR,
BLUE EYES
1003
01:18:45,567 --> 01:18:47,434
QUITE ATTRACTIVE
1004
01:18:47,501 --> 01:18:54,667
AND A VERY
GOOD STUDENT.
1005
01:18:54,734 --> 01:18:57,033
DOES SHE
LOOK LIKE
1006
01:18:57,100 --> 01:19:00,767
THIS GIRL?
1007
01:19:00,834 --> 01:19:06,901
YES, SHE DOES.
1008
01:19:09,133 --> 01:19:11,567
I DON'T RECALL
THAT OUTFIT.
1009
01:19:11,634 --> 01:19:19,267
YES, SHE IS
QUITE ATTRACTIVE.
1010
01:19:19,334 --> 01:19:21,434
( Billy Ray )
I COULD NOT BELIEVE MY EYES.
1011
01:19:21,501 --> 01:19:23,234
THIS WAS NOTTHE SAME NETTIE
1012
01:19:23,300 --> 01:19:25,701
WHO WAS IN MY CLASSROOMFIVE WEEKS AGO.
1013
01:19:25,767 --> 01:19:30,434
IT WAS EL DIABLO'S WORK,I WAS SURE.
1014
01:19:30,501 --> 01:19:37,934
SHE IS A VERY
GOOD STUDENT.
1015
01:19:38,000 --> 01:19:41,934
NETTIE!
1016
01:19:42,000 --> 01:19:47,434
I LIKE MY SPURS
VERY MUCH, MR. SMITH.
1017
01:19:47,501 --> 01:19:49,801
THEY BELONGED
TO MY FATHER
1018
01:19:49,868 --> 01:19:53,934
AND HIS FATHER'S
FATHER'S FATHER.
1019
01:19:54,000 --> 01:19:56,734
I'D LIKE TO HAVE BACK
THE PIECE YOU'VE STOLEN.
1020
01:19:56,801 --> 01:19:58,767
TECHNICALLY,
IT WASN'T STOLEN.
1021
01:19:58,834 --> 01:20:01,434
BUT, YOU SEE, ROSITA--
1022
01:20:01,501 --> 01:20:02,667
ROSITA?
1023
01:20:02,734 --> 01:20:05,267
( El Diablo )
MY ROSITA
1024
01:20:05,334 --> 01:20:11,400
MEANS MORE TO ME
THAN A FAMILY BAUBLE.
1025
01:20:36,834 --> 01:20:43,334
( Thomas )
THERE'S THE BOY.
1026
01:20:43,400 --> 01:20:49,467
THEY'RE ALL OVER
THE PLACE.
1027
01:20:58,300 --> 01:20:59,868
SEEMS YOUR PLAN
HAS TAKEN
1028
01:20:59,934 --> 01:21:06,000
AN UNEXPECTED TURN
FOR THE WORSE, THOMAS.
1029
01:21:13,033 --> 01:21:16,834
SPARE SPURS.
1030
01:21:16,901 --> 01:21:19,501
SPOILED BY
SPARE SPURS.
1031
01:21:19,567 --> 01:21:21,300
TRY SAYING THAT
THREE TIMES FAST.
1032
01:21:21,367 --> 01:21:23,767
SPOILED BY SPARE SPURS.
SPOILED BY SPARE SPURS.
1033
01:21:23,834 --> 01:21:24,801
SPOILED BY SPARE...
1034
01:21:24,868 --> 01:21:26,467
SHUT UP!
1035
01:21:26,534 --> 01:21:30,834
SORRY, JUST STARTING TO GET
WORRIED ABOUT THE BOY.
1036
01:21:30,901 --> 01:21:33,133
DO YOU THINK
THEY'LL HURT HIM?
1037
01:21:33,200 --> 01:21:38,901
I'M GONNA HURT YOU IF
YOU DON'T SHUT UP!
1038
01:21:38,968 --> 01:21:42,300
KID DURANGO.
1039
01:21:42,367 --> 01:21:43,868
( Roberto )
ALWAYS RIDING IN BACK.
1040
01:21:43,934 --> 01:21:46,167
YOU CAN RIDE IN FRONT
ON THE WAY HOME.
1041
01:21:46,234 --> 01:21:48,801
NO, NOT THE WAY HOME!
NOW! IT'S YOUR TURN.
1042
01:21:48,868 --> 01:21:50,200
I'M NOT GOIN' IN BACK
1043
01:21:50,267 --> 01:21:51,801
WITH YOUR
GODFORSAKEN PET.
1044
01:21:51,868 --> 01:21:54,801
DON'T CALL HIM
GODFORSAKEN.
1045
01:21:54,868 --> 01:22:00,934
QUIET!
1046
01:22:07,501 --> 01:22:13,567
HELLO, GENTLEMEN.
1047
01:22:15,968 --> 01:22:21,167
I'LL HANDLE THIS.
THEY'RE MY PEOPLE.
1048
01:22:21,234 --> 01:22:27,300
( speaking Spanish )
1049
01:22:29,167 --> 01:22:33,868
NICE PANTS.
1050
01:22:33,934 --> 01:22:35,868
THESE ARE
NOT MY PEOPLE.
1051
01:22:35,934 --> 01:22:37,968
DAMN IT! I KNEW WE
SHOULD'VE TAKEN
1052
01:22:38,033 --> 01:22:40,334
A RIGHT AT
THAT LAST FORK.
1053
01:22:40,400 --> 01:22:42,100
THROW DOWN
YOUR WEAPONS.
1054
01:22:42,167 --> 01:22:44,434
GUYS, SETTLE DOWN.
WE GOT NO QUARREL
1055
01:22:44,501 --> 01:22:46,767
WITH YOU. WE'RE JUST
DELIVERIN' SUPPLIES.
1056
01:22:46,834 --> 01:22:49,033
COLLINS CATERING.
HOW DO YOU DO?
1057
01:22:49,100 --> 01:22:51,334
I WOULD TO INTRODUCE
MY ASSISTANTS.
1058
01:22:51,400 --> 01:22:53,100
THIS IS BOB.
1059
01:22:53,167 --> 01:22:59,234
BEBE. WE HAVE FINE WINES,
DELICACIES, SILKEN ROBES...
1060
01:23:04,100 --> 01:23:08,934
WHAT'S IN THE BAG?
1061
01:23:09,033 --> 01:23:13,968
IS NOTHING.
1062
01:23:14,033 --> 01:23:16,033
YOU CAN HAVE
ANYTHING YOU WANT
1063
01:23:16,100 --> 01:23:18,501
IN THE WAGON,
BUT DON'T TOUCH
1064
01:23:18,567 --> 01:23:23,167
THE BAG, OKAY?
1065
01:23:23,234 --> 01:23:28,767
I WILL DECIDE
WHAT I WANT.
1066
01:23:28,834 --> 01:23:32,200
AMIGO, I WOULD
RATHER DIE
1067
01:23:32,267 --> 01:23:39,968
THAN TO GIVE
YOU THAT BAG.
1068
01:23:40,033 --> 01:23:46,133
( gunshot )
1069
01:23:49,501 --> 01:23:54,934
ANY OTHER REQUESTS?
1070
01:23:55,000 --> 01:23:58,501
GRINGO , THE BAG.
1071
01:23:58,567 --> 01:24:04,634
PRONTO.
1072
01:24:22,267 --> 01:24:27,767
( snake hiss )
1073
01:24:27,834 --> 01:24:33,901
( gunshots )
1074
01:25:06,767 --> 01:25:10,567
WHEN MY FAMILY CAME
TO THIS COUNTRY
1075
01:25:10,634 --> 01:25:13,501
THEY ENCOUNTERED
INCREDIBLE INTELLIGENCE
1076
01:25:13,567 --> 01:25:16,133
AND INCREDIBLE SAVAGERY.
1077
01:25:16,200 --> 01:25:18,434
( gunshot )
1078
01:25:18,501 --> 01:25:20,934
THE MAYANS BUILT THE
PYRAMIDS, CHARTED
1079
01:25:21,000 --> 01:25:23,801
THE HEAVENS AND
GAVE US OUR CALENDAR.
1080
01:25:23,868 --> 01:25:25,734
BUT THE AZTECS
1081
01:25:25,801 --> 01:25:30,634
BROUGHT THE ART OF HUMAN
SACRIFICE TO A NEW HEIGHT.
1082
01:25:30,701 --> 01:25:36,767
( gunshots )
1083
01:26:06,200 --> 01:26:08,501
JESUS!
1084
01:26:08,567 --> 01:26:14,634
COME ON!
1085
01:26:24,133 --> 01:26:30,234
WHAT THE HELL?
1086
01:26:32,267 --> 01:26:38,334
YEEHAAA!
1087
01:26:42,467 --> 01:26:48,534
THAT'S ME COMIN',
YOU SON OF A BITCH!
1088
01:26:57,868 --> 01:27:03,968
( explosion )
1089
01:27:30,067 --> 01:27:36,167
( gunshots and screaming )
1090
01:28:26,634 --> 01:28:32,701
WHOLE LOT DIFFERENT
THAN WRITIN' ABOUT IT?
1091
01:28:35,634 --> 01:28:41,701
HE TOOK NETTIE.
WE HAVE TO CATCH HIM.
1092
01:29:09,067 --> 01:29:15,133
GOOD OL' BEBE.
1093
01:29:18,434 --> 01:29:19,801
SO THAT'S WHY
YOU'RE HERE?
1094
01:29:19,868 --> 01:29:21,300
FOR THE GOLD?
1095
01:29:21,367 --> 01:29:25,467
THAT'S MORE IMPORTANT TO
YOU THAN SAVING THE GIRL?
1096
01:29:25,534 --> 01:29:31,601
THE GIRL AIN'T
MY PROBLEM.
1097
01:29:47,767 --> 01:29:49,634
( Billy Ray )
I FOUND A PIECEOF THE OUTFIT
1098
01:29:49,701 --> 01:29:52,868
NETTIE WAS WEARINGNEXT TO THE CAVE.
1099
01:29:52,934 --> 01:29:54,834
IT CONFIRMED MYSUSPICION THAT
1100
01:29:54,901 --> 01:30:00,968
EL DIABLO FORCED HERTO ESCAPE WITH HIM.
1101
01:30:31,267 --> 01:30:37,334
NETTIE?
1102
01:30:41,634 --> 01:30:47,701
NETTIE!
1103
01:30:58,534 --> 01:31:00,934
( El Diablo )
HELLO, LITTLE BOY.
1104
01:31:01,000 --> 01:31:04,667
LOOKING FOR SOMETHING?
1105
01:31:04,734 --> 01:31:07,734
I WANT THE GIRL.
1106
01:31:07,801 --> 01:31:10,467
HOW ARE YOU GOING
TO GET HER BACK?
1107
01:31:10,534 --> 01:31:16,601
WITH YOUR
LITTLE STICK?
1108
01:31:21,067 --> 01:31:23,501
GIVE UP THE
GIRL, DIABLO.
1109
01:31:23,567 --> 01:31:27,767
WHO IS THIS,
LITTLE BOY?
1110
01:31:27,834 --> 01:31:34,100
MY NAME
1111
01:31:34,167 --> 01:31:39,801
IS KID DURANGO.
1112
01:31:39,868 --> 01:31:41,901
KID DURANGO?
1113
01:31:41,968 --> 01:31:44,934
AM I TO BE FRIGHTENED
BY THIS NAME?
1114
01:31:45,000 --> 01:31:53,100
TRUMAN, YOU DON'T
HAVE TO DO THIS.
1115
01:31:53,167 --> 01:31:55,734
YES, I DO.
1116
01:31:55,801 --> 01:31:58,567
TRUMAN.
1117
01:31:58,634 --> 01:32:02,167
( El Diablo )
BUT YOU ARE THE GUEST,
1118
01:32:02,234 --> 01:32:08,334
I WILL WAIT FOR YOU TO
MAKE THE FIRST MOVE.
1119
01:32:28,534 --> 01:32:34,601
( gunshot )
1120
01:32:40,901 --> 01:32:45,534
TRUMAN, YOU DIDN'T
HAVE TO DO THAT.
1121
01:32:45,601 --> 01:32:48,067
YES, I DID.
1122
01:32:48,133 --> 01:32:54,701
( Truman )
I DID.
1123
01:32:54,767 --> 01:32:56,701
IT HURTS.
1124
01:32:56,767 --> 01:33:03,334
I'M SORRY.
1125
01:33:03,400 --> 01:33:06,667
I NEVER THOUGHT
ABOUT THE PAIN.
1126
01:33:06,734 --> 01:33:13,300
I ASSUMED IT WOULD
BE OVER QUICKLY.
1127
01:33:13,367 --> 01:33:18,067
PERHAPS I SHOULD'VE
LOOKED AT HIS HANDS
1128
01:33:18,133 --> 01:33:24,200
NOT HIS EYES.
1129
01:33:24,267 --> 01:33:30,667
YOU'RE RUINING A
PERFECTLY GOOD SCARF.
1130
01:33:30,734 --> 01:33:36,801
I'M SORRY.
1131
01:33:38,400 --> 01:33:43,267
I WANT YOU TO DO
SOMETHING FOR ME.
1132
01:33:43,334 --> 01:33:48,367
ANYTHING,
I'LL DO ANYTHING.
1133
01:33:48,434 --> 01:33:51,934
KILL HIM.
1134
01:33:52,000 --> 01:33:55,200
KILL EL DIABLO.
1135
01:33:55,267 --> 01:34:01,334
( Truman )
COMPLETE THE STORY, BILLY RAY.
1136
01:34:06,901 --> 01:34:10,901
TRUMAN, YOU'RE
NOT GONNA DIE.
1137
01:34:10,968 --> 01:34:14,767
I KNOW.
1138
01:34:14,834 --> 01:34:20,934
I'VE NEVER
FELT SO ALIVE.
1139
01:34:31,133 --> 01:34:34,701
IN WHOSE ARMS ARE YOU
GOING TO DIE, LITTLE BOY?
1140
01:34:34,767 --> 01:34:36,801
HE DIDN'T EVEN
GO FOR HIS GUN.
1141
01:34:36,868 --> 01:34:39,100
I WAS GETTING BORED.
1142
01:34:39,167 --> 01:34:42,367
I'M A BUSY MAN.
1143
01:34:42,434 --> 01:34:45,000
WHERE WOULD YOU LIKE
ME TO SHOOT YOU?
1144
01:34:45,067 --> 01:34:48,100
I WILL GIVE YOU THE CHOICE.
1145
01:34:48,167 --> 01:34:49,300
WHERE?
1146
01:34:49,367 --> 01:34:55,467
( speaking Spanish )
1147
01:35:05,801 --> 01:35:08,267
I WOULD NOT RECOMMEND
THE STOMACH.
1148
01:35:08,334 --> 01:35:11,467
IT IS VERY PAINFUL AND
IT TAKES A LONG TIME TO DIE.
1149
01:35:11,534 --> 01:35:13,934
BUT MAKE A DECISION
QUICKLY, PLEASE.
1150
01:35:14,000 --> 01:35:17,400
YOU HAVE SEEN,
I'M AN IMPATIENT MAN.
1151
01:35:17,467 --> 01:35:19,334
HOW ABOUT YOU
JUST WING ME
1152
01:35:19,400 --> 01:35:25,501
ON THE SHOULDER
RIGHT ABOUT HERE.
1153
01:35:25,567 --> 01:35:29,667
YOU ARE VERY FUNNY,
LITTLE BOY.
1154
01:35:29,734 --> 01:35:35,000
I THINK MAYBE
1155
01:35:35,067 --> 01:35:42,300
( speaking Spanish )
1156
01:35:42,367 --> 01:35:48,434
( Thomas )
DIABLO!
1157
01:36:35,334 --> 01:36:39,000
FINALLY, SOMEONE WHO IS
WORTHY OF THE CHALLENGE.
1158
01:36:39,067 --> 01:36:41,968
CUT THE BULLSHIT,
EL DIABLO.
1159
01:36:42,033 --> 01:36:48,100
MAKE YOUR MOVE.
1160
01:36:58,968 --> 01:37:05,067
( gunshot )
1161
01:37:52,167 --> 01:37:55,267
YOU WANT A CHAW?
1162
01:37:55,334 --> 01:38:01,400
( gunshot )
1163
01:38:09,300 --> 01:38:15,400
YOU WANNA
TRY AGAIN?
1164
01:38:22,167 --> 01:38:28,234
( gunshot )
1165
01:39:00,501 --> 01:39:06,567
( gunshot )
1166
01:39:12,100 --> 01:39:18,901
DAMN, BOY! YOU SHOT
HIM IN THE BACK.
1167
01:39:18,968 --> 01:39:25,033
WELL, HIS BACK
WAS TO ME.
1168
01:39:32,467 --> 01:39:38,534
I FORGOT.
1169
01:39:44,067 --> 01:39:45,667
( Billy Ray )
I SHOT EL DIABLO.
1170
01:39:45,734 --> 01:39:47,334
IT MAY NOT HAVEBEEN A SHOWDOWN
1171
01:39:47,400 --> 01:39:49,100
IN THE MIDDLE OF THESTREET AT HIGH NOON,
1172
01:39:49,167 --> 01:39:51,634
BUT IT HAPPENED .
1173
01:39:51,701 --> 01:39:54,300
MR. VAN LEEK WAS THERETO DOCUMENT THE EVENT.
1174
01:39:54,367 --> 01:39:56,467
HE SEEMED TO APPROVEOF MY TACTICS.
1175
01:39:56,534 --> 01:40:02,601
( Thomas )
YOU DID GOOD, BOY.
1176
01:40:17,200 --> 01:40:19,100
( Billy Ray )
WE BURIED THE PREACHER,ROBERTO,
1177
01:40:19,167 --> 01:40:22,167
BEBE, AND TRUMANIN THE HIGH PLAINS.
1178
01:40:22,234 --> 01:40:23,868
DANCING BEARPICKED THE SPOT.
1179
01:40:23,934 --> 01:40:25,534
HE SAID THAT THEGROUND WAS RICH
1180
01:40:25,601 --> 01:40:27,200
IN HIS ANCESTOR'S BLOOD
1181
01:40:27,267 --> 01:40:32,601
AND WOULD NOURISHOUR COMPATRIOTS' SOULS .
1182
01:40:32,667 --> 01:40:35,133
THERE'S NOT MUCH
TO SAY, EXCEPT
1183
01:40:35,200 --> 01:40:42,868
I DON'T PLAN TO JOIN
YOU NO TIME SOON.
1184
01:40:42,934 --> 01:40:44,367
( Billy Ray )
IT WAS WITH GREAT SADNESS
1185
01:40:44,434 --> 01:40:45,901
THAT I KNELT ATTRUMAN'S GRAVE.
1186
01:40:45,968 --> 01:40:47,334
HE HAD SAVED MY LIFE
1187
01:40:47,400 --> 01:40:48,801
AND THEREWAS NO WAY
1188
01:40:48,868 --> 01:40:51,000
I WOULD EVER BEABLE TO PAY HIM BACK.
1189
01:40:51,067 --> 01:40:54,234
HE HAD PROVEN TO BEPERHAPS THE BRAVEST OF US ALL.
1190
01:40:54,300 --> 01:40:56,100
I REGRET THAT I WOULDNEVER BE ABLE
1191
01:40:56,167 --> 01:41:02,267
TO REALLY KNOW HIM .
1192
01:41:19,567 --> 01:41:28,234
( man )
LOOK AT THAT.
THAT'S BILLY RAY.
1193
01:41:28,300 --> 01:41:34,400
( woman )
MY GOD! IS THAT
NETTIE TULEEN?
1194
01:41:44,767 --> 01:41:48,501
ISN'T THAT BILLY RAY?
SURE LOOKS DIFFERENT.
1195
01:41:48,567 --> 01:41:54,634
HE USED TO WEAR
A HAT, DIDN'T HE?
1196
01:41:59,033 --> 01:42:05,133
SHE'S COME BACK.
1197
01:42:10,801 --> 01:42:16,868
DIDN'T THINK WE'D
SEE THAT BOY AGAIN.
1198
01:42:51,534 --> 01:42:57,601
THANK YOU.
1199
01:43:18,968 --> 01:43:24,267
COMIN' BACK,
BILLY RAY?
1200
01:43:24,334 --> 01:43:30,400
SOMEDAY.
1201
01:43:52,767 --> 01:43:55,934
DID YOU KILL
EL DIABLO, BILLY RAY?
1202
01:43:56,000 --> 01:43:58,501
ONLY GOD CAN KILL
THE DEVIL, CHARLIE.
1203
01:43:58,567 --> 01:44:03,968
THAT'S RIGHT, BILLY RAY.
THAT'S RIGHT.
1204
01:44:04,033 --> 01:44:05,868
( Billy Ray )
WHEN I TOLD MR. VAN LEEKI WAS GOING
1205
01:44:05,934 --> 01:44:07,801
TO WRITE AN ACCOUNTOF OUR ADVENTURE
1206
01:44:07,868 --> 01:44:09,434
HIS EARS PICKED UP .
1207
01:44:09,501 --> 01:44:11,767
SUDDENLY, HE WAS AFOUNTAIN OF INFORMATION
1208
01:44:11,834 --> 01:44:14,601
OR SHOULD I SAYFABRICATION?
1209
01:44:14,667 --> 01:44:17,167
HE REALLY GOT ROLLINGWHEN I MENTIONED
1210
01:44:17,234 --> 01:44:20,133
I INTENDED TO PEN AWHOLE SERIES OF BOOKS.
1211
01:44:20,200 --> 01:44:22,667
( Thomas )
I DON'T WANT YOU
TO BE WRITIN' ABOUT
1212
01:44:22,734 --> 01:44:25,234
NO WHITE BOY WITH A
FANCY HAT AND SHIRT.
1213
01:44:25,300 --> 01:44:28,434
I WANNA HEAR ABOUT
THE WAY IT REALLY IS
1214
01:44:28,501 --> 01:44:30,534
HOW YOU SQUARE OFF
WITH ANOTHER MAN.
1215
01:44:30,601 --> 01:44:31,834
LOOK HIM RIGHT IN THE--
1216
01:44:31,901 --> 01:44:33,567
IN THE BACK?
1217
01:44:33,634 --> 01:44:34,868
RIGHT.
1218
01:44:34,934 --> 01:44:38,934
LOOK ANOTHER MAN RIGHT IN THE
BACK AND YOU SHOOT HIM
1219
01:44:39,000 --> 01:44:41,601
BEFORE HE KNOWS
WHAT HIT HIM.
84589
Can't find what you're looking for?
Get subtitles in any language from opensubtitles.com, and translate them here.