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Would you like to inspect the original subtitles? These are the user uploaded subtitles that are being translated: 1 00:00:01,000 --> 00:00:07,067 2 00:02:30,400 --> 00:02:36,501 ( Jamboree music playing ) 3 00:02:39,501 --> 00:02:45,567 SORRY. 4 00:02:48,767 --> 00:02:50,901 MORNING, SHERIFF EDWARDS. 5 00:02:50,968 --> 00:02:52,601 GOOD MORNING, BILLY RAY. 6 00:02:52,667 --> 00:02:54,434 BET YOU AIN'T NEVER SEEN A DAY 7 00:02:54,501 --> 00:02:56,701 AS PRETTY AS THIS BACK EAST IN... 8 00:02:56,767 --> 00:02:58,234 BOSTON. 9 00:02:58,300 --> 00:03:04,400 ACTUALLY, BOSTON CAN BE QUITE BEAUTIFUL SHERIFF. 10 00:03:29,100 --> 00:03:30,167 OH NETTIE! 11 00:03:30,234 --> 00:03:32,000 I'M SORRY, MAMA. 12 00:03:32,067 --> 00:03:33,334 BILLY RAY'S HERE. 13 00:03:33,400 --> 00:03:39,501 I NEVER WOULD HAVE KNOWN. 14 00:03:43,901 --> 00:03:46,234 NETTIE, NO MORE BILLY RAY. 15 00:03:46,300 --> 00:03:47,634 IT'S MR. SMITH, OKAY? 16 00:03:47,701 --> 00:03:48,601 ( knock at the door) 17 00:03:48,667 --> 00:03:51,634 OKAY. 18 00:03:51,701 --> 00:03:54,300 MORNING, BILLY RAY. 19 00:03:54,367 --> 00:03:56,300 ( Billy Ray ) NETTIE. 20 00:03:56,367 --> 00:04:02,434 GOOD MORNING, MRS. TULEEN. 21 00:04:09,868 --> 00:04:11,968 NETTIE, YOU NEED TO BE CAREFUL. 22 00:04:12,033 --> 00:04:13,834 I'LL GET 'EM. 23 00:04:13,901 --> 00:04:19,968 YOU HAVE TO TAKE CARE OF THESE BOOKS. 24 00:04:23,033 --> 00:04:25,968 DO YOU EVER THINK ABOUT ME, BILLY RAY? 25 00:04:26,033 --> 00:04:27,701 OF COURSE I DO. 26 00:04:27,767 --> 00:04:28,934 I USUALLY WONDER IF 27 00:04:29,000 --> 00:04:31,868 YOU'RE DOING YOUR HOMEWORK RIGHT. 28 00:04:31,934 --> 00:04:34,534 NO, I MEAN 29 00:04:34,601 --> 00:04:38,400 DO YOU EVER THINK OF ME AS A WOMAN? 30 00:04:38,467 --> 00:04:41,968 SOMEDAY, YOU'RE GONNA BE A VERY BEAUTIFUL WOMAN. 31 00:04:42,033 --> 00:04:44,634 IN OTHER WORDS, YOU DON'T? 32 00:04:44,701 --> 00:04:46,767 LET ME TELL YOU SOMETHING. 33 00:04:46,834 --> 00:04:49,734 WHEN YOU'RE A LITTLE GIRL, ALL YOU WANT IS TO BE A WOMAN. 34 00:04:49,801 --> 00:04:51,601 WHEN YOU'RE A WOMAN, YOU REALIZE 35 00:04:51,667 --> 00:04:53,767 HOW IMPORTANT IT IS TO BE A LITTLE GIRL. 36 00:04:53,834 --> 00:04:55,100 IT'S DIFFERENT FOR A MAN. 37 00:04:55,167 --> 00:04:56,467 WHEN HE'S A BOY 38 00:04:56,534 --> 00:04:59,167 HE NEEDS TO BEHAVE AND MIND HIS FOLKS. 39 00:04:59,234 --> 00:05:01,667 BUT WHEN HE'S A MAN 40 00:05:01,734 --> 00:05:04,400 HE HAS TO STAND TALL, SPEAK THE TRUTH 41 00:05:04,467 --> 00:05:06,300 MAKE AN HONEST DAY'S LIVING 42 00:05:06,367 --> 00:05:08,334 AND BE ABLE TO LOOK ANY OTHER MAN 43 00:05:08,400 --> 00:05:11,767 STRAIGHT IN THE EYE WITHOUT FLINCHING. 44 00:05:11,834 --> 00:05:13,934 ( Charlie ) GOOD MORNIN', BILLY RAY. 45 00:05:14,000 --> 00:05:15,367 GOOD MORNING, CHARLIE. 46 00:05:15,434 --> 00:05:19,200 BEAUTIFUL MORNIN' FOR PROCREATION. 47 00:05:19,267 --> 00:05:25,334 "BE FRUITFUL AND MULTIPLY," SAYETH THE LORD. 48 00:05:29,100 --> 00:05:35,234 BILLY RAY! 49 00:05:35,300 --> 00:05:42,234 SEVEN MINUS THREE EQUALS... 50 00:05:42,300 --> 00:05:46,234 THINK ABOUT THIS FOR A MINUTE, LON. 51 00:05:46,300 --> 00:05:48,734 LET'S SAY YOU HAD SEVEN CHICKENS 52 00:05:48,801 --> 00:05:50,734 AND YOUR NEIGHBOR CAME OVER 53 00:05:50,801 --> 00:05:53,534 AND TOOK AWAY THREE OF THEM. 54 00:05:53,601 --> 00:05:58,701 HOW MANY WOULD YOU HAVE LEFT? 55 00:05:58,767 --> 00:06:01,701 WELL, I'D HAVE SEVEN 'CAUSE 56 00:06:01,767 --> 00:06:03,167 MY DADDY'D SHOOT HIM 57 00:06:03,234 --> 00:06:04,701 BEFORE HE GOT OUT OF THE HENHOUSE. 58 00:06:04,767 --> 00:06:08,801 ( laughter ) 59 00:06:08,868 --> 00:06:11,267 I THINK THAT'S ENOUGH ARITHMETIC FOR TODAY. 60 00:06:11,334 --> 00:06:18,033 WHY DON'T YOU SIT DOWN? 61 00:06:18,100 --> 00:06:19,234 WE'RE STARTING A NEW 62 00:06:19,300 --> 00:06:21,133 KID DURANGO BOOK TODAY. 63 00:06:21,200 --> 00:06:23,334 THIS IS ONE OF MY PERSONAL FAVORITES. 64 00:06:23,400 --> 00:06:25,033 IS THERE A GIRL IN THIS ONE, BILLY- 65 00:06:25,100 --> 00:06:26,701 I MEAN, MR. SMITH? 66 00:06:26,767 --> 00:06:28,400 YES, THERE IS, NETTIE. 67 00:06:28,467 --> 00:06:29,534 ( students ) AAAWWWW! 68 00:06:29,601 --> 00:06:32,300 THERE'S SOMETHING IN HERE FOR EVERYONE. 69 00:06:32,367 --> 00:06:34,567 WE COULD ALWAYS GO BACK TO ARITHMETIC. 70 00:06:34,634 --> 00:06:38,100 ( students ) NO! 71 00:06:38,167 --> 00:06:40,434 KID DURANGO OF ARIZONA: 72 00:06:40,501 --> 00:06:44,367 THE DUST DEVILS. 73 00:06:44,434 --> 00:06:46,234 "THE LAYER OF DEW THAT COVERED 74 00:06:46,300 --> 00:06:48,567 "THE PRAIRIE DISAPPEARED QUICKLY 75 00:06:48,634 --> 00:06:51,334 "AS THE SUN ROSE OVER THE FOOTHILLS. 76 00:06:51,400 --> 00:06:53,267 "THE MOON HUNG AROUND FOR A WHILE 77 00:06:53,334 --> 00:06:56,667 "AND THEN SUNK FAR BELOW THE RANGES. 78 00:06:56,734 --> 00:06:58,033 "THE DAY BEGAN 79 00:06:58,100 --> 00:07:00,767 "LIKE 1,000 OTHER ARIZONA DAYS. 80 00:07:00,834 --> 00:07:03,601 "THAT WAS 81 00:07:03,667 --> 00:07:06,968 "UNTIL THE CLOUD CAME. 82 00:07:07,033 --> 00:07:09,434 "IT BEGAN ON THE HORIZON. 83 00:07:09,501 --> 00:07:13,501 "SHADOWS OF DUST MOVING AT GREAT SPEED 84 00:07:13,567 --> 00:07:15,701 "AND THEN THE POUNDING HOOVES 85 00:07:15,767 --> 00:07:18,367 ON THE HARD GROUND. 86 00:07:18,434 --> 00:07:24,501 ( horses gallopping) 87 00:07:27,567 --> 00:07:29,567 "AS THE WHIRLWIND GOT CLOSER, 88 00:07:29,634 --> 00:07:31,701 "YOU COULD SEE INTO THE DUST 89 00:07:31,767 --> 00:07:35,167 "THE SHAPES OF HORSES AND THEN THE RIDERS: 90 00:07:35,234 --> 00:07:37,701 "RIDERS WITH GUNS ON BOTH HIPS 91 00:07:37,767 --> 00:07:41,000 "AND BANDOLIERS ACROSS THEIR CHESTS. 92 00:07:41,067 --> 00:07:42,601 "THEY RODE HARD. 93 00:07:42,667 --> 00:07:46,767 "THEY RODE WITH A PURPOSE. 94 00:07:46,834 --> 00:07:49,000 "AS THEY APPROACHED THE TOWN 95 00:07:49,067 --> 00:07:53,868 "THEY REINED BACK ON THEIR HORSES. 96 00:07:53,934 --> 00:08:00,000 ( people running ) 97 00:08:02,667 --> 00:08:04,667 "THE DUST AROUND THEM SETTLED 98 00:08:04,734 --> 00:08:07,701 "AND YOU COULD SEE THEIR FACES. 99 00:08:07,767 --> 00:08:10,467 "FACES WEATHERED BY THE MEXICAN SUN. 100 00:08:10,534 --> 00:08:14,934 "FACES MARKED BY VIOLENCE. 101 00:08:15,000 --> 00:08:21,067 ( horses whinnying ) 102 00:08:38,501 --> 00:08:41,300 "WHEN THE CITIZENS OF THE TOWN SAW THE RIDERS 103 00:08:41,367 --> 00:08:43,334 "THEY INSTINCTIVELY WITHDREW INTO 104 00:08:43,400 --> 00:08:45,567 "THE SHADOWS OF THE BOARDWALK. 105 00:08:45,634 --> 00:08:47,634 "MANY OF THE MERCHANTS WENT INSIDE 106 00:08:47,701 --> 00:08:50,200 "THEIR SHOPS AND LOCKED THEIR DOORS. 107 00:08:50,267 --> 00:08:51,801 "SHADES CAME DOWN. 108 00:08:51,868 --> 00:08:54,267 "'CLOSED' SIGNS APPEARED AS THE TOWN 109 00:08:54,334 --> 00:09:00,400 "PREPARED TO LOOK THE OTHER WAY." 110 00:09:15,567 --> 00:09:17,501 "IT WAS CLEAR WHY THEY WERE THERE. 111 00:09:17,567 --> 00:09:19,701 "THEY HAD AN APPOINTMENT AT THE BANK. 112 00:09:19,767 --> 00:09:25,834 "AND IT WASN'T TO MAKE A DEPOSIT. 113 00:10:16,701 --> 00:10:22,801 ( gunshot ) 114 00:10:34,701 --> 00:10:37,567 "THEY WERE A RUTHLESS BAND OF THIEVES 115 00:10:37,634 --> 00:10:42,234 "AND KILLERS WITH NO REGARD FOR HUMAN LIFE. 116 00:10:42,300 --> 00:10:49,133 ( gunshot ) 117 00:10:49,200 --> 00:10:50,734 "IT WAS AS IF THEY WERE PUT 118 00:10:50,801 --> 00:10:52,400 "ON THIS EARTH BY THE DEVIL 119 00:10:52,467 --> 00:10:55,534 "TO TORMENT DECENT GOD FEARING FOLKS 120 00:10:55,601 --> 00:11:02,334 "WHO WORKED HARD TO MAKE AN HONEST LIVING." 121 00:11:02,400 --> 00:11:07,734 JUST LIKE IN THE STORY, BILLY RAY! 122 00:11:07,801 --> 00:11:09,000 ( man ) THEY GOT GUNS! 123 00:11:09,067 --> 00:11:10,901 THEY'RE COMIN' THIS WAY. 124 00:11:10,968 --> 00:11:16,033 ( Billy Ray ) PUT AWAY EVERYTHING. 125 00:11:16,100 --> 00:11:18,267 STAY IN YOUR SEATS! 126 00:11:18,334 --> 00:11:22,434 COME BACK! COME ON, GIRLS. 127 00:11:22,501 --> 00:11:25,534 STAY IN HERE! 128 00:11:25,601 --> 00:11:27,300 NETTIE, MOVE! 129 00:11:27,367 --> 00:11:29,000 MOVE! 130 00:11:29,067 --> 00:11:35,133 IT'S REAL, NETTIE! 131 00:11:39,868 --> 00:11:40,868 ( Nettie ) LET ME GO! 132 00:11:40,934 --> 00:11:43,567 ( Billy Ray ) PLEASE PUT HER DOWN! 133 00:11:43,634 --> 00:11:44,767 BILLY! 134 00:11:44,834 --> 00:11:48,367 SEQOR, NO, SEQOR. NO! 135 00:11:48,434 --> 00:11:53,701 ( Nettie ) NO! 136 00:11:53,767 --> 00:11:56,300 ( horse whinnies ) 137 00:11:56,367 --> 00:11:59,567 GRINGO! 138 00:11:59,634 --> 00:12:05,701 WAIT! 139 00:12:07,167 --> 00:12:11,968 GRINGO! 140 00:12:12,033 --> 00:12:15,067 ( Nettie ) BILLY! 141 00:12:15,133 --> 00:12:21,200 ( man laughing ) 142 00:12:24,133 --> 00:12:26,367 ( men yelling ) WHO IN THE HELL WAS THAT? 143 00:12:26,434 --> 00:12:28,834 THEY SHOT HAROLD AND MR. WEBB! 144 00:12:28,901 --> 00:12:30,601 WHERE THE HELL'S THE SHERIFF? 145 00:12:30,667 --> 00:12:31,834 SLEEPIN' PROBABLY. 146 00:12:31,901 --> 00:12:33,534 SOMEBODY GO WAKE HIM UP! 147 00:12:33,601 --> 00:12:35,501 TELL HIM TO ROUND UP A POSSE! 148 00:12:35,567 --> 00:12:36,567 THE BANK! 149 00:12:36,634 --> 00:12:38,033 ( women ) THEY TOOK THE TULEEN GIRL. 150 00:12:38,100 --> 00:12:39,601 OH, MY GOD! 151 00:12:39,667 --> 00:12:45,267 ( man ) MOUNT UP! 152 00:12:45,334 --> 00:12:49,133 ( men yelling ) 153 00:12:49,200 --> 00:12:53,033 BILLY RAY? YOU ALL RIGHT? 154 00:12:53,100 --> 00:12:54,968 YOU'RE LOOKIN' KINDA PEAKED. 155 00:12:55,033 --> 00:12:58,434 SOMEBODY BETTER GO GET THE DOC. 156 00:12:58,501 --> 00:13:04,567 ( Mrs. Tuleen ) THEY HAVE MY NETTIE! 157 00:13:44,634 --> 00:13:46,133 IS MY DAUGHTER THERE? 158 00:13:46,200 --> 00:13:48,167 CAN ANYONE SEE MY NETTIE THERE? 159 00:13:48,234 --> 00:13:49,601 BILLY RAY, CAN YOU SEE? 160 00:13:49,667 --> 00:13:52,601 MY EYES AREN'T WHAT THEY USED TO BE. 161 00:13:52,667 --> 00:13:54,267 ( men ) LOOK AT THAT. 162 00:13:54,334 --> 00:13:56,834 LOOKS LIKE ONE RIDER, HUH? 163 00:13:56,901 --> 00:14:00,767 I DON'T THINK THERE'S ANYBODY ON THEM HORSES. 164 00:14:00,834 --> 00:14:09,367 I SEE THE SHERIFF. I SWEAR THAT'S HIM. 165 00:14:09,434 --> 00:14:15,534 WHERE ARE THE OTHERS? 166 00:14:18,767 --> 00:14:21,601 ( man ) SHERIFF, YOU DON'T LOOK SO GOOD. 167 00:14:21,667 --> 00:14:23,367 SOMEBODY GET THE DOC. 168 00:14:23,434 --> 00:14:27,601 THAT'S JETHRO'S HORSE! WHERE IS JETHRO? 169 00:14:27,667 --> 00:14:29,300 THERE'S BLOOD ON THE SADDLE. 170 00:14:29,367 --> 00:14:34,100 WHAT THE HELL HAPPENED, SHERIFF? 171 00:14:34,167 --> 00:14:40,234 LORDY, THEY'VE CUT OUT HIS TONGUE. 172 00:14:44,400 --> 00:14:46,901 EXCUSE ME, DEPUTY. 173 00:14:46,968 --> 00:14:49,901 DID YOU SAY THAT THEY CUT OUT HIS TONGUE? 174 00:14:49,968 --> 00:14:54,634 ( man ) HERE IT IS, RIGHT HERE. 175 00:14:54,701 --> 00:14:56,434 ( Deputy Sheriff) EVEN IF WE COULD GET A POSSE TOGETHER, 176 00:14:56,501 --> 00:14:58,234 WE WOULDN'T KNOW WHERE TO FIND 'EM. 177 00:14:58,300 --> 00:14:59,868 U.S. GOVERNMENT AND THE FEDERALES 178 00:14:59,934 --> 00:15:01,467 BEEN SEARCHIN' FOR HIM FOR YEARS. 179 00:15:01,534 --> 00:15:05,000 I'LL TELL YOU SOMETHIN' ABOUT THIS " EL DIABLO ." 180 00:15:05,067 --> 00:15:07,400 THEY DID FIND HIM ONCE. 181 00:15:07,467 --> 00:15:09,067 CAUGHT HIM DOWN IN AMOS, 182 00:15:09,133 --> 00:15:11,234 THAT LITTLE BORDER TOWN NORTH OF LAREDO. 183 00:15:11,300 --> 00:15:13,100 CAUGHT HIM, TRIED HIM 184 00:15:13,167 --> 00:15:15,601 AND HANGED HIM, ALL IN THE SAME NIGHT. 185 00:15:15,667 --> 00:15:17,734 BUT HE WOULDN'T DIE. 186 00:15:17,801 --> 00:15:20,200 HE JUST HANGED THERE BY HIS NECK, SPITTIN' 187 00:15:20,267 --> 00:15:23,534 AT THE CROWD LIKE THEY DISGUSTED HIM. 188 00:15:23,601 --> 00:15:24,868 CUSSED 'EM OUT SO BAD, 189 00:15:24,934 --> 00:15:26,868 THE WOMENFOLK HAD TO GO HOME. 190 00:15:26,934 --> 00:15:29,501 I WAS THERE WHEN THEY CUT HIM DOWN. 191 00:15:29,567 --> 00:15:33,100 I THANK THE LORD I LEFT WHEN I DID. 192 00:15:33,167 --> 00:15:34,834 IT WAS THREE DAYS LATER, 193 00:15:34,901 --> 00:15:36,400 SO THE STORY GOES 194 00:15:36,467 --> 00:15:39,934 EL DIABLO RETURNED TO AMOS WITH HIS MEN 195 00:15:40,000 --> 00:15:42,434 AND CUT OUT THE HEART OF EVERY MAN, 196 00:15:42,501 --> 00:15:45,200 WOMAN AND CHILD IN THE WHOLE TOWN 197 00:15:45,267 --> 00:15:48,601 AND JUST LEFT THEM THERE TO BLEACH IN THE SUN. 198 00:15:48,667 --> 00:15:51,701 ( woman crying ) 199 00:15:51,767 --> 00:15:54,634 SOON, THEY STARTED TO ROT 200 00:15:54,701 --> 00:15:56,400 AND THEN THE BUZZARDS COME 201 00:15:56,467 --> 00:15:58,167 AND STARTED PECKIN' AT THEIR EYES. 202 00:15:58,234 --> 00:16:00,000 SPIVEY, THAT'S ENOUGH OF THAT. 203 00:16:00,067 --> 00:16:02,667 DEVIL DON'T NEVER DIE! 204 00:16:02,734 --> 00:16:04,133 NO, SIR. 205 00:16:04,200 --> 00:16:06,033 SO NO ONE'S GONNA DO ANYTHING 206 00:16:06,100 --> 00:16:08,000 ABOUT GETTING MY NETTIE BACK. 207 00:16:08,067 --> 00:16:10,200 PROBABLY CUT OUT HER HEART AND EATEN IT. 208 00:16:10,267 --> 00:16:11,534 OH, MY GOD. 209 00:16:11,601 --> 00:16:13,701 I DIDN'T SAY NOTHIN' ABOUT EATING THEIR HEARTS 210 00:16:13,767 --> 00:16:16,234 HE JUST CUT 'EM OUT AND LEFT. 211 00:16:16,300 --> 00:16:17,300 SPIVEY! 212 00:16:17,367 --> 00:16:20,267 I'M SORRY, DEPUTY. 213 00:16:20,334 --> 00:16:23,767 OR ARE YOU THE SHERIFF NOW? 214 00:16:23,834 --> 00:16:26,601 BECAUSE IF YOU ARE, IT'S YOUR RESPONSIBILITY 215 00:16:26,667 --> 00:16:28,834 TO GO AFTER EL DIABLO. 216 00:16:28,901 --> 00:16:30,000 ( crowd murmurring ) 217 00:16:30,067 --> 00:16:32,300 WHAT ARE YOU GONNA DO ABOUT IT, SHERIFF? 218 00:16:32,367 --> 00:16:34,567 AT LAST REPORT, THE DOC SAYS 219 00:16:34,634 --> 00:16:36,234 THE SHERIFF'S FEELIN' MUCH BETTER. 220 00:16:36,300 --> 00:16:37,601 ( chicken clucking ) 221 00:16:37,667 --> 00:16:39,267 AND I SUPPOSE HE'S BEEN WORKIN' 222 00:16:39,334 --> 00:16:41,100 ON HIS SIGN LANGUAGE, TOO? 223 00:16:41,167 --> 00:16:42,400 ( crowd laughing ) 224 00:16:42,467 --> 00:16:44,567 SPIVEY'S RIGHT. YOU'RE THE NEW SHERIFF. 225 00:16:44,634 --> 00:16:46,000 WE PAY YOUR WAGE. 226 00:16:46,067 --> 00:16:48,300 ( man ) YEAH. RIGHT. 227 00:16:48,367 --> 00:16:54,434 I INTEND TO BRING NETTIE BACK. 228 00:16:56,901 --> 00:17:00,000 I SAID, I INTEND TO BRING BACK NETTIE. 229 00:17:00,067 --> 00:17:06,000 YOU AND WHO ELSE, SCHOOLTEACHER? 230 00:17:06,067 --> 00:17:11,634 ME AND KID DURANGO, THAT'S WHO. 231 00:17:11,701 --> 00:17:13,601 I MEAN, KID DURANGO AND I. 232 00:17:13,667 --> 00:17:17,467 CHARLIE, YOU GOT COMPETITION. 233 00:17:17,534 --> 00:17:20,534 ( man ) CAN'T EVEN SHOOT A GUN. 234 00:17:20,601 --> 00:17:23,534 ( Billy Ray ) I INTEND TO LEARN TO SHOOT A GUN. 235 00:17:23,601 --> 00:17:26,200 EL DIABLO'S GONNA DROP A LOAD OF MANURE IN 236 00:17:26,267 --> 00:17:32,367 HIS PANTS WHEN HE SEES YOU COMIN' AT HIM. 237 00:17:54,467 --> 00:17:56,267 ( gunshots ) 238 00:17:56,334 --> 00:17:58,701 ( Spivey ) I DO KNOW ONE MAN 239 00:17:58,767 --> 00:18:02,868 MY SECOND COUSIN MAGGIE SUE'S BROTHER-IN-LAW 240 00:18:02,934 --> 00:18:05,167 J.D. SHOANS. 241 00:18:05,234 --> 00:18:06,601 ( gunshot ) 242 00:18:06,667 --> 00:18:09,467 HE'S SOME KIND OF LAWMAN NOW, 243 00:18:09,534 --> 00:18:11,167 TEXAS RANGER. 244 00:18:11,234 --> 00:18:12,400 ( gunshot ) 245 00:18:12,467 --> 00:18:17,133 HE'S SUPPOSED TO HAVE RODE WITH KID DURANGO. 246 00:18:17,200 --> 00:18:18,968 ( gunshot ) 247 00:18:19,033 --> 00:18:20,434 TELL YOU THE TRUTH, 248 00:18:20,501 --> 00:18:23,534 WE NEVER HAD ALL THAT MUCH TO DO WITH HIM. 249 00:18:23,601 --> 00:18:25,534 ( gunshot ) 250 00:18:25,601 --> 00:18:26,834 SORT OF THE DISGRACE 251 00:18:26,901 --> 00:18:30,934 OF THE FAMILY, YOU KNOW? 252 00:18:31,000 --> 00:18:32,834 ( gunshot ) 253 00:18:32,901 --> 00:18:35,100 HE SHOT AND KILLED MY COUSIN DEKE 254 00:18:35,167 --> 00:18:38,868 ABOUT EIGHT YEARS AGO UP IN SONOMA. 255 00:18:38,934 --> 00:18:40,634 HE ALSO SHOT AND KILLED 256 00:18:40,701 --> 00:18:44,534 MY DADDY'S BROTHER EDWARD. 257 00:18:44,601 --> 00:18:45,434 ( gunshot ) 258 00:18:45,501 --> 00:18:46,567 WHERE'S HE NOW? 259 00:18:46,634 --> 00:18:50,133 THE LAST TIME I HEARD, HE WAS UP IN MILLENNIUM. 260 00:18:50,200 --> 00:18:54,667 SOME KIND OF MARSHAL OR RANGER UP THERE. 261 00:18:54,734 --> 00:18:57,267 HELL, AIN'T BUT A TURD'S DIFFERENCE 262 00:18:57,334 --> 00:19:00,767 BETWEEN J.D. AND THE SCUM HE HAULS IN. 263 00:19:00,834 --> 00:19:02,434 BUT IF ANYBODY COULD HELP YOU 264 00:19:02,501 --> 00:19:08,200 FIND KID DURANGO, IT'D BE HIM. 265 00:19:08,267 --> 00:19:14,367 YOU NEED BIGGER BOTTLES. 266 00:20:13,868 --> 00:20:16,868 YOU BE DARN CAREFUL WHO YOU SHOW THAT TO. 267 00:20:16,934 --> 00:20:23,033 YES, SIR. 268 00:20:24,367 --> 00:20:29,434 SHERIFF EDWARDS WROTE YOU THIS NOTE. 269 00:20:29,501 --> 00:20:34,067 "DON'T GO." 270 00:20:34,133 --> 00:20:37,334 THANK HIM FOR THE ADVICE. 271 00:20:37,400 --> 00:20:40,133 YOU'RE A DARN FOOL, BILLY RAY. 272 00:20:40,200 --> 00:20:42,767 YES, SIR, I KNOW. 273 00:20:42,834 --> 00:20:45,467 COME ON, ROJO. 274 00:20:45,534 --> 00:20:53,300 ONLY GOD CAN KILL THE DEVIL, BILLY RAY. 275 00:20:53,367 --> 00:20:59,434 FORWARD. 276 00:21:33,834 --> 00:21:38,501 ( gunshot ) 277 00:21:38,567 --> 00:21:44,634 ( man ) BILLY RAY DONE SHOT HIS HORSE! 278 00:21:47,567 --> 00:21:50,100 ( Billy Ray) MY JOURNEY DID NOT BEGIN ON A GOOD NOTE. 279 00:21:50,167 --> 00:21:52,534 I WAS NONETHELESS DETERMINED TO PRESS ON. 280 00:21:52,601 --> 00:21:55,000 AFTER ARRANGING FOR TRANSPORT, 281 00:21:55,067 --> 00:22:01,167 I ARRIVED IN MILLENNIUM THREE DAYS LATER. 282 00:22:14,501 --> 00:22:19,133 EXCUSE ME. 283 00:22:19,200 --> 00:22:20,267 CAN YOU TELL ME 284 00:22:20,334 --> 00:22:23,667 WHERE I CAN FIND A MR. J.D. SHOANS? 285 00:22:23,734 --> 00:22:26,434 WHAT DO YOU WANT WITH HIM, SONNY? 286 00:22:26,501 --> 00:22:28,367 I JUST HAVE A VERY IMPORTANT QUESTION 287 00:22:28,434 --> 00:22:30,934 I'D LIKE TO ASK HIM. 288 00:22:31,000 --> 00:22:34,834 YOU SHOULD'VE ASKED HIM YESTERDAY. 289 00:22:34,901 --> 00:22:37,734 ( Conductor ) ALL ABOARD! 290 00:22:37,801 --> 00:22:39,133 ( preacher ) WE ARE NOW COMMITTING 291 00:22:39,200 --> 00:22:41,601 THIS MAN, MR. JONES 292 00:22:41,667 --> 00:22:43,234 MR. SHOANS 293 00:22:43,300 --> 00:22:45,534 TO HIS LIFE IN THE HEREAFTER. 294 00:22:45,601 --> 00:22:47,601 LET'S TAKE A MOMENT TO ACKNOWLEDGE 295 00:22:47,667 --> 00:22:50,567 HIS CONTRIBUTIONS TO OUR COMMUNITY. 296 00:22:50,634 --> 00:22:53,033 DURING HIS SHORT-LIVED TERM AS SHERIFF, 297 00:22:53,100 --> 00:22:56,567 HE SERVED THE PUBLIC TO THE BEST OF HIS ABILITY. 298 00:22:56,634 --> 00:22:59,501 HE SHOT EIGHT MEN AND THREE WOMEN 299 00:22:59,567 --> 00:23:03,267 MOST OF WHOM ENGAGED IN BREAKING THE LAW. 300 00:23:03,334 --> 00:23:06,868 I'M SURE THE OTHERS WERE HONEST MISTAKES. 301 00:23:06,934 --> 00:23:08,934 ( Billy Ray ) WHAT HAPPENED? 302 00:23:09,000 --> 00:23:10,467 A FRIEND OF YOURS? 303 00:23:10,534 --> 00:23:12,167 SORT OF. 304 00:23:12,234 --> 00:23:19,033 YEAH. SAME HERE. 305 00:23:19,100 --> 00:23:20,667 SORT OF. 306 00:23:20,734 --> 00:23:23,067 YOU GOT BUSINESS WITH J.D.? 307 00:23:23,133 --> 00:23:26,367 YEAH. 308 00:23:26,434 --> 00:23:29,234 I'M THE SHERIFF NOW. 309 00:23:29,300 --> 00:23:31,300 MAYBE I CAN BE OF SOME ASSISTANCE. 310 00:23:31,367 --> 00:23:37,434 ( gunshot ) 311 00:23:38,834 --> 00:23:40,434 ( preacher ) THROW THE DIRT ON HIM 312 00:23:40,501 --> 00:23:45,868 AND LET'S GET OUTTA HERE. 313 00:23:45,934 --> 00:23:47,868 ARE YOU RELATED TO HIM? 314 00:23:47,934 --> 00:23:54,000 NO, SIR. 315 00:24:03,434 --> 00:24:05,968 ( woman chattering ) 316 00:24:06,033 --> 00:24:12,133 I WANNA THANK YOU FOR DISTRACTIN' THEM FOLK. 317 00:24:32,701 --> 00:24:34,334 WHAT YOU LOOKIN' AT? 318 00:24:34,400 --> 00:24:36,534 YOU JUST SHOT HIM IN THE BACK. 319 00:24:36,601 --> 00:24:39,033 HIS BACK WAS TO ME. 320 00:24:39,100 --> 00:24:42,801 COME ON, BOY, HELP ME OUTTA THIS HOLE. 321 00:24:42,868 --> 00:24:47,200 COME ON, HELP ME UP. 322 00:24:47,267 --> 00:24:50,434 BESIDES, HE SHOT J.D. IN THE BACK. 323 00:24:50,501 --> 00:24:52,267 JUST SEEMED RIGHT. 324 00:24:52,334 --> 00:24:53,501 HE KILLED J.D.? 325 00:24:53,567 --> 00:24:54,501 YEAH. 326 00:24:54,567 --> 00:24:56,601 SAID HE WANTED TO BE SHERIFF REAL BAD. 327 00:24:56,667 --> 00:24:58,133 NOW HE'S SHERIFF 328 00:24:58,200 --> 00:25:04,267 REAL BAD. 329 00:25:09,767 --> 00:25:15,200 REO HERE DON'T LIKE GUNFIRE. HURTS HIS EARS. 330 00:25:15,267 --> 00:25:16,734 MAYBE YOU CAN TELL ME WHERE 331 00:25:16,801 --> 00:25:19,667 I CAN FIND A MAN NAMED KID DURANGO? 332 00:25:19,734 --> 00:25:21,434 WHAT DO YOU WANT HIM FOR? 333 00:25:21,501 --> 00:25:24,033 THEY SAY HE'S THE FASTEST GUN IN THE WEST. 334 00:25:24,100 --> 00:25:25,934 OH, YEAH? 335 00:25:26,000 --> 00:25:30,234 I WANNA HIRE HIM FOR A JOB. 336 00:25:30,300 --> 00:25:32,868 YOU GOT ANY MONEY? 337 00:25:32,934 --> 00:25:36,400 MAYBE. 338 00:25:36,467 --> 00:25:39,534 HIRE ME. 339 00:25:39,601 --> 00:25:42,734 I AIN'T AS FAST AS I USED TO BE, 340 00:25:42,801 --> 00:25:47,367 BUT, I CHEAT REAL GOOD. 341 00:25:47,434 --> 00:25:50,434 FAST DON'T MEAN A WHOLE LOT THESE DAYS. 342 00:25:50,501 --> 00:25:52,534 US PROFESSIONAL FOLKS ARE TIRED 343 00:25:52,601 --> 00:25:55,334 OF FIGHTIN' FAIR AND DYIN' FOR IT. 344 00:25:55,400 --> 00:25:56,634 YOU KNOW KID DURANGO? 345 00:25:56,701 --> 00:25:58,133 YEAH, I KNOW HIM. 346 00:25:58,200 --> 00:26:03,400 COULD YOU TAKE ME TO HIM? 347 00:26:03,467 --> 00:26:05,968 WHERE ARE YOU FROM, BOY? 348 00:26:06,033 --> 00:26:08,567 ORIGINALLY BOSTON, MASSACHUSETTS. 349 00:26:08,634 --> 00:26:12,767 I FIGURED. 350 00:26:12,834 --> 00:26:17,033 I'M GETTIN' OLD, REO. 351 00:26:17,100 --> 00:26:19,501 MAYBE YOU COULD HELP ME. 352 00:26:19,567 --> 00:26:24,601 JUST POINT ME IN THE RIGHT DIRECTION, MR? 353 00:26:24,667 --> 00:26:28,567 VAN LEEK. THOMAS VAN LEEK. 354 00:26:28,634 --> 00:26:31,801 I COULD STAY HERE AND DRAW YOU A MAP. 355 00:26:31,868 --> 00:26:33,400 BUT I'D BETTER MOVE BEFORE 356 00:26:33,467 --> 00:26:35,534 THEY START ASKIN' QUESTIONS ABOUT 357 00:26:35,601 --> 00:26:37,400 HOW THE SHERIFF LEFT OFFICE. 358 00:26:37,467 --> 00:26:40,167 FIGURE ME AND REO GONNA HEAD FOR MEXICO. 359 00:26:40,234 --> 00:26:41,834 MEXICO? YOU KNOW, THE MAN 360 00:26:41,901 --> 00:26:43,501 I WISH TO APPREHEND IS IN MEXICO. 361 00:26:43,567 --> 00:26:45,534 MOUNT UP. I WOULDN'T MIND 362 00:26:45,601 --> 00:26:48,467 HAVIN' YOU TAG ALONG FOR A WHILE. 363 00:26:48,534 --> 00:26:54,601 I DON'T HAVE A HORSE. 364 00:27:01,000 --> 00:27:04,601 ( gunshot ) 365 00:27:04,667 --> 00:27:07,868 I'M SORRY, REO. 366 00:27:07,934 --> 00:27:10,300 IF YOU'D BE SO KIND 367 00:27:10,367 --> 00:27:12,634 AS TO LEAVE THAT SADDLE WHERE IT IS, 368 00:27:12,701 --> 00:27:14,000 WE'LL BE ON OUR WAY. 369 00:27:14,067 --> 00:27:20,133 YES, SIR. 370 00:27:32,334 --> 00:27:38,400 JUST A MINUTE. 371 00:28:30,033 --> 00:28:32,133 ( Billy Ray ) MY CONTACT IN MILLENNIUM, MR. SHOANS, 372 00:28:32,200 --> 00:28:34,400 WAS SHOT THE DAY BEFORE BY MR. MURPHY 373 00:28:34,467 --> 00:28:36,300 WHO WAS IN TURN SHOT WHILE I WAS 374 00:28:36,367 --> 00:28:39,133 CONVERSING WITH HIM BY A MR. VAN LEEK. 375 00:28:39,200 --> 00:28:41,567 MR. VAN LEEK CLAIMS HE WAS 376 00:28:41,634 --> 00:28:44,000 A PERSONAL ACQUAINTANCE OF KID DURANGO. 377 00:28:44,067 --> 00:28:46,701 AFTER HELPING TO ARRANGE TRANSPORTATION FOR ME 378 00:28:46,767 --> 00:28:50,100 I AM ACCOMPANYING HIM ON HIS JOURNEY TO MEXICO . 379 00:28:50,167 --> 00:28:51,968 I'M COUNTING ON HIM 380 00:28:52,033 --> 00:28:54,000 TO FORMALLY INTRODUCE ME TO KID DURANGO 381 00:28:54,067 --> 00:29:00,133 WHEN WE REACH HIS HIDEOUT . 382 00:29:05,267 --> 00:29:07,767 HOW MUCH WAS YOU FIXIN' TO PAY THIS 383 00:29:07,834 --> 00:29:13,601 KID DURANGO FOR THIS JOB YOU NEEDED? 384 00:29:13,667 --> 00:29:15,567 WHATEVER THE GOING RATE, 385 00:29:15,634 --> 00:29:22,634 THE FAIR RATE, HAPPENS TO BE. 386 00:29:22,701 --> 00:29:24,167 YOU NEVER DID SAY 387 00:29:24,234 --> 00:29:26,834 WHAT IT WAS YOU NEEDED TO BE DONE. 388 00:29:26,901 --> 00:29:28,300 HARD TO COME UP WITH A PRICE 389 00:29:28,367 --> 00:29:31,200 IF YOU DON'T KNOW THAT. 390 00:29:31,267 --> 00:29:33,501 I WANT TO RESCUE A YOUNG GIRL WHO WAS 391 00:29:33,567 --> 00:29:37,167 KIDNAPPED BY A MAN NAMED EL DIABLO. 392 00:29:37,234 --> 00:29:38,267 AND I WANT TO BRING HIM 393 00:29:38,334 --> 00:29:44,400 AND HIS COMPATRIOTS TO JUSTICE. 394 00:29:50,501 --> 00:29:56,567 WHAT'S THE MATTER? 395 00:29:58,901 --> 00:30:00,567 YOU CAN'T RIDE. YOU CAN'T SHOOT. 396 00:30:00,634 --> 00:30:02,334 YOU CAN'T EVEN THINK, BOY. 397 00:30:02,400 --> 00:30:08,467 YOU'RE IN THE WRONG TERRITORY. 398 00:30:12,100 --> 00:30:16,367 GODDAMN FOOL! 399 00:30:16,434 --> 00:30:22,534 COME ON, REO. 400 00:30:32,200 --> 00:30:34,033 ( Billy Ray ) ADDITIONAL DETAILS ON MY TRIP 401 00:30:34,100 --> 00:30:36,033 SEEMED TO DISCOURAGE MR. VAN LEEK 402 00:30:36,100 --> 00:30:38,267 FROM CONTINUING THE JOURNEY TOGETHER. 403 00:30:38,334 --> 00:30:39,901 I WAS ONCE AGAIN ALONE, 404 00:30:39,968 --> 00:30:46,033 BUT STILL DETERMINED TO PURSUE MY QUEST. 405 00:30:55,133 --> 00:30:56,467 WHOA. 406 00:30:56,534 --> 00:31:00,934 ( horses approaching ) 407 00:31:01,000 --> 00:31:06,634 ( gunshots ) 408 00:31:06,701 --> 00:31:08,467 ( men yelling ) DON'T LET HIM GET AWAY! 409 00:31:08,534 --> 00:31:14,601 I GOT HIM. 410 00:31:16,467 --> 00:31:22,534 ( men yelling ) 411 00:31:46,300 --> 00:31:47,767 ( man yelling ) WHERE'D HE GO? 412 00:31:47,834 --> 00:31:49,100 THAT WAY. 413 00:31:49,167 --> 00:31:51,400 OVER THERE. HE'S IN THE GULLY! 414 00:31:51,467 --> 00:31:53,200 I DON'T SEE NO GULLY. 415 00:31:53,267 --> 00:31:56,767 IT'S RIGHT IN FRONT OF YOU! 416 00:31:56,834 --> 00:31:58,033 SORRY. 417 00:31:58,100 --> 00:32:00,400 THIS WAY, YOU JACKASS. LET'S GO. 418 00:32:00,467 --> 00:32:01,901 ( man yelling ) WHAT'S WRONG WITH YOU? 419 00:32:01,968 --> 00:32:08,033 HOW COULD HE GET AWAY? 420 00:32:21,734 --> 00:32:24,634 THERE HE IS. 421 00:32:24,701 --> 00:32:27,667 WE GOT HIM NOW, BOYS. SPLIT UP! 422 00:32:27,734 --> 00:32:29,501 I TOLD YOU THE GULLY. 423 00:32:29,567 --> 00:32:32,434 LET ME HAVE THE FIRST SHOT! 424 00:32:32,501 --> 00:32:35,634 LOOK, HE'S GOIN' IN THE SHITTER. 425 00:32:35,701 --> 00:32:37,968 AWFUL BIG ONE. 426 00:32:38,033 --> 00:32:39,467 THAT'S ONE OF THEM THREE-HOLERS. 427 00:32:39,534 --> 00:32:41,000 I SAW IT IN THE CATALOGUE. 428 00:32:41,067 --> 00:32:42,334 YOU CAN'T READ. 429 00:32:42,400 --> 00:32:43,667 COME ON, LET'S GET HIM. 430 00:32:43,734 --> 00:32:45,567 WAIT TILL HE GETS OUT. 431 00:32:45,634 --> 00:32:51,701 HELL, HE MIGHT BE IN THERE A WEEK. 432 00:32:59,834 --> 00:33:05,901 ( gunshots ) 433 00:33:33,634 --> 00:33:35,567 YOU THINK WE GOT HIM? 434 00:33:35,634 --> 00:33:37,801 YEAH, BUT GO ON OVER AND MAKE SURE. 435 00:33:37,868 --> 00:33:39,200 YOU GO. YOU'RE CLOSER. 436 00:33:39,267 --> 00:33:40,701 THE HELL I AM. 437 00:33:40,767 --> 00:33:42,133 DICK'S CLOSEST. 438 00:33:42,200 --> 00:33:43,801 I WENT FIRST LAST WEEK. 439 00:33:43,868 --> 00:33:46,868 HORSESHIT. I WENT FIRST AND GOT SHOT, REMEMBER? 440 00:33:46,934 --> 00:33:48,300 SHUT UP! 441 00:33:48,367 --> 00:33:50,667 BUT IT WAS ONLY IN THE HEAD. 442 00:33:50,734 --> 00:33:53,033 IT STILL HURT AND IT AFFECTED MY BALANCE. 443 00:33:53,100 --> 00:33:54,901 I SAID SHUT UP! 444 00:33:54,968 --> 00:33:56,901 AFTERNOON. 445 00:33:56,968 --> 00:34:01,334 JESUS H. CHRIST, VAN LEEK, DON'T SNEAK UP LIKE THAT. 446 00:34:01,400 --> 00:34:05,634 I WASN'T SNEAKIN'. 447 00:34:05,701 --> 00:34:08,200 WHAT DO YOU WANT? 448 00:34:08,267 --> 00:34:13,767 JUST PASSIN' THROUGH. 449 00:34:13,834 --> 00:34:15,667 GOT SOMEBODY HOLED UP IN THERE? 450 00:34:15,734 --> 00:34:20,634 WE DO. SNARED UP LIKE A RABBIT. 451 00:34:20,701 --> 00:34:22,200 THE BOY THAT SHOT THE SHERIFF? 452 00:34:22,267 --> 00:34:24,767 YEAH. 453 00:34:24,834 --> 00:34:26,434 DOES IT HAVE A REWARD? 454 00:34:26,501 --> 00:34:28,167 NO, WE'RE JUST UP HERE 455 00:34:28,234 --> 00:34:35,300 BECAUSE WE WANNA SEE JUSTICE DONE. 456 00:34:35,367 --> 00:34:36,267 HOW MUCH? 457 00:34:36,334 --> 00:34:38,834 $400-- 458 00:34:38,901 --> 00:34:40,968 $200. 459 00:34:41,033 --> 00:34:44,868 DEAD OR ALIVE. 460 00:34:44,934 --> 00:34:47,434 THAT SEEMS LIKE ENOUGH TO GO AROUND. 461 00:34:47,501 --> 00:34:50,367 I AIN'T SPLITTIN' IT MORE THAN FIVE WAYS. 462 00:34:50,434 --> 00:34:51,901 I WAS HOPIN' THAT KID WOULD GET LUCKY 463 00:34:51,968 --> 00:34:54,234 AND SHOOT A COUPLE OF US. 464 00:34:54,300 --> 00:35:00,367 WHY DON'T YOU JUST BACK OFF, VAN LEEK? 465 00:35:04,467 --> 00:35:10,534 GOOD LUCK. 466 00:35:20,868 --> 00:35:26,934 THIS WON'T TAKE BUT A MINUTE, REO. 467 00:35:35,734 --> 00:35:37,767 (men yelling ) DID YOU GUYS HEAR THAT? 468 00:35:37,834 --> 00:35:41,767 IS THAT A HORSE? 469 00:35:41,834 --> 00:35:46,634 SURE AIN'T NO ARMADILLO. 470 00:35:46,701 --> 00:35:50,400 I HEAR IT, BUT I DON'T SEE NOTHIN'. 471 00:35:50,467 --> 00:35:53,100 ( gunshots ) 472 00:35:53,167 --> 00:35:54,300 JAKE'S DOWN. 473 00:35:54,367 --> 00:35:56,300 JAKE'S DOWN. 474 00:35:56,367 --> 00:35:59,400 JESUS! 475 00:35:59,467 --> 00:36:02,000 WHO IS THAT? 476 00:36:02,067 --> 00:36:08,133 ( gunshots ) 477 00:36:17,501 --> 00:36:19,567 LET'S GO. 478 00:36:19,634 --> 00:36:25,701 SOMEBODY KILL THAT SON OF A BITCH! 479 00:36:30,667 --> 00:36:36,734 THAT KID'S SOMETHIN' ELSE. 480 00:37:16,501 --> 00:37:21,567 NICE SHOT, KID. 481 00:37:21,634 --> 00:37:27,701 THANK YOU. 482 00:38:09,834 --> 00:38:15,901 ( gunshot ) 483 00:38:30,467 --> 00:38:36,534 THERE'S YOUR NEW HORSE UP THERE. 484 00:38:40,400 --> 00:38:44,934 MR. VAN LEEK? 485 00:38:45,000 --> 00:38:46,734 I'D LIKE TO TAKE YOU UP ON YOUR OFFER 486 00:38:46,801 --> 00:38:53,234 TO HELP ME GET EL DIABLO. 487 00:38:53,300 --> 00:38:56,033 I'LL THINK ABOUT IT. 488 00:38:56,100 --> 00:39:02,167 COME ON, REO. 489 00:39:30,534 --> 00:39:31,934 THAT WAS AN IMPRESSIVE DISPLAY 490 00:39:32,000 --> 00:39:35,133 OF GUNMANSHIP TODAY. 491 00:39:35,200 --> 00:39:37,868 GUNMANSHIP? 492 00:39:37,934 --> 00:39:40,868 I WAS WONDERING IF YOU'D CONSIDER 493 00:39:40,934 --> 00:39:45,667 TEACHING ME A FEW TRICKS OF THE TRADE. 494 00:39:45,734 --> 00:39:47,901 THEY AIN'T TRICKS, BOY. 495 00:39:47,968 --> 00:39:54,033 THEY'RE MEANS OF DEATH. 496 00:40:04,667 --> 00:40:10,734 HERE. 497 00:40:18,367 --> 00:40:20,601 DON'T POINT THAT THING AT ME, BOY. 498 00:40:20,667 --> 00:40:23,067 I AIN'T NO HORSE. 499 00:40:23,133 --> 00:40:28,334 SORRY. 500 00:40:28,400 --> 00:40:30,000 PICK A STAR. 501 00:40:30,067 --> 00:40:32,033 WHAT? 502 00:40:32,100 --> 00:40:33,434 LAY DOWN ON YOUR BACK. 503 00:40:33,501 --> 00:40:34,400 WHAT FOR? 504 00:40:34,467 --> 00:40:35,868 SHUT YOUR GODDAMN HOLE, BOY, 505 00:40:35,934 --> 00:40:42,000 AND LAY DOWN ON YOUR BACK. 506 00:40:44,534 --> 00:40:50,601 PICK A STAR. 507 00:40:54,467 --> 00:41:00,534 GOT ONE. 508 00:41:12,701 --> 00:41:14,634 THAT'S ENIF. 509 00:41:14,701 --> 00:41:16,567 ENIF? 510 00:41:16,634 --> 00:41:19,734 THE STAR YOU'RE FIXIN' ON. 511 00:41:19,801 --> 00:41:23,701 IT'S THE BRIGHTEST STAR IN PEGASUS 512 00:41:23,767 --> 00:41:28,033 THE CONSTELLATION OF THE WINGED HORSE. 513 00:41:28,100 --> 00:41:30,567 RIGHT THERE. 514 00:41:30,634 --> 00:41:32,501 DON'T DROP YOUR LOOK, BOY. 515 00:41:32,567 --> 00:41:35,534 YOU GOTTA CONCENTRATE. 516 00:41:35,601 --> 00:41:38,033 KEEP YOUR EYE FIXED ON THAT TARGET, 517 00:41:38,100 --> 00:41:40,400 REAL STEADY. 518 00:41:40,467 --> 00:41:41,868 I GOT IT. 519 00:41:41,934 --> 00:41:44,667 GOOD. 520 00:41:44,734 --> 00:41:47,400 KEEP IT THERE 521 00:41:47,467 --> 00:41:49,701 TILL I TELL YOU TO STOP. 522 00:41:49,767 --> 00:41:51,100 YES, SIR. 523 00:41:51,167 --> 00:41:57,234 GOOD. 524 00:42:01,634 --> 00:42:03,634 DROP YOUR EYES FROM THAT TARGET, 525 00:42:03,701 --> 00:42:09,033 YOU'RE A DEAD MAN. 526 00:42:09,100 --> 00:42:11,200 PATIENCE 527 00:42:11,267 --> 00:42:13,567 CONCENTRATION 528 00:42:13,634 --> 00:42:19,701 THE FIRST TWO THINGS YOU GOTTA LEARN. 529 00:42:37,100 --> 00:42:43,167 GOT IT. 530 00:43:08,534 --> 00:43:11,067 ( gunshot and horse whinny ) 531 00:43:11,133 --> 00:43:17,200 ( Thomas ) YOU BETTER START PRAYIN' THAT WASN'T REO. 532 00:43:41,534 --> 00:43:47,601 ( baby crying ) 533 00:43:54,033 --> 00:44:00,100 BEBE? 534 00:44:11,367 --> 00:44:14,801 YOU MISSED. 535 00:44:14,868 --> 00:44:17,634 HE MISSED? 536 00:44:17,701 --> 00:44:24,734 I GUESS THE BALANCE AIN'T QUITE RIGHT. 537 00:44:24,801 --> 00:44:27,000 WHERE THE HELL DID YOU GET THAT? 538 00:44:27,067 --> 00:44:29,434 RIGHT OFF THE SON OF A BITCH'S BOOT. 539 00:44:29,501 --> 00:44:31,100 YOU GOT IT. 540 00:44:31,167 --> 00:44:33,300 THIS BOY HERE GOT IT. 541 00:44:33,367 --> 00:44:36,200 COUPLE OF WEEKS AGO THEY STOLE HIS GIRL. 542 00:44:36,267 --> 00:44:38,267 ACTUALLY, SHE WAS ONE OF MY STUDENTS. 543 00:44:38,334 --> 00:44:41,200 PRETTIEST ONE IN THE CLASS, I'LL BET. 544 00:44:41,267 --> 00:44:42,501 I MAKE IT A POLICY 545 00:44:42,567 --> 00:44:46,434 NOT TO GET INVOLVED WITH MY STUDENTS. 546 00:44:46,501 --> 00:44:47,968 ( laughter ) 547 00:44:48,033 --> 00:44:51,434 THINK THIS'LL GET US IN? 548 00:44:51,501 --> 00:44:53,701 COULD BE. 549 00:44:53,767 --> 00:44:57,234 OL' EL DIABLO DOES FAVOR HIS SPURS. 550 00:44:57,300 --> 00:45:00,267 GETTING IN'S THE EASY PART. 551 00:45:00,334 --> 00:45:01,801 IF YOU DON'T TAKE THE WHOLE DAMN THING 552 00:45:01,868 --> 00:45:03,534 IN WITH YOU 553 00:45:03,601 --> 00:45:10,801 YOU JUST MIGHT GET BACK OUT AGAIN IN ONE PIECE. 554 00:45:10,868 --> 00:45:13,934 WHAT THE HELL YOU LOOKIN' AT, BOY? 555 00:45:14,000 --> 00:45:19,834 NOTHIN'. 556 00:45:19,901 --> 00:45:25,801 DAMN RIGHT! THERE AIN'T NOTHIN' THERE. 557 00:45:25,868 --> 00:45:27,701 ( Billy Ray ) ALTHOUGH MR. VAN LEEK KEPT HIS 558 00:45:27,767 --> 00:45:29,801 INTENTIONS PRETTY MUCH TO HIMSELF 559 00:45:29,868 --> 00:45:32,334 IT APPEARED THE PLAN WAS TO ASSEMBLE 560 00:45:32,400 --> 00:45:35,133 SOME PROFESSIONALS TO HELP IN MY ENDEAVOR. 561 00:45:35,200 --> 00:45:37,000 THE FIRST PERSON SELECTED WAS 562 00:45:37,067 --> 00:45:39,334 A MR. BEBE PATTERSON WHO HAD BEEN CAPTURED 563 00:45:39,400 --> 00:45:41,701 BY EL DIABLO'S MEN SEVERAL YEARS AGO. 564 00:45:41,767 --> 00:45:43,934 HE ESCAPED WITH SOME USEFUL INFORMATION, 565 00:45:44,000 --> 00:45:51,534 BUT RETURNED HOME MINUS A FOOT. 566 00:45:51,601 --> 00:45:57,033 * SHALL WE GATHER AT THE RIVER * 567 00:45:57,100 --> 00:46:02,367 * WHERE BRIGHT ANGEL'S FEET HAVE TROD * 568 00:46:02,434 --> 00:46:07,734 * WITH ITS CRYSTAL TIDE FOREVER * 569 00:46:07,801 --> 00:46:13,200 * FLOWING FROM THE THRONE OF GOD * 570 00:46:13,267 --> 00:46:18,434 * YES, WE'LL GATHER AT THE RIVER * 571 00:46:18,501 --> 00:46:23,968 * THE BEAUTIFUL, THE BEAUTIFUL RIVER * 572 00:46:24,033 --> 00:46:29,133 * GATHER WITH THE SAINTS AT THE RIVER * 573 00:46:29,200 --> 00:46:36,968 * THAT FLOWS FROM THE THRONE OF GOD. * 574 00:46:37,033 --> 00:46:38,834 HEAR THE WORD OF THE LORD, 575 00:46:38,901 --> 00:46:41,834 O PEOPLE OF... 576 00:46:41,901 --> 00:46:43,000 BENDIX. 577 00:46:43,067 --> 00:46:44,534 BENDIX ROCK, FOR THE LORD 578 00:46:44,601 --> 00:46:48,033 HAS A CONTROVERSY WITH THE INHABITANTS OF THE LAND. 579 00:46:48,100 --> 00:46:51,567 THERE IS NO FAITHFULNESS OF GOD IN THE LAND. 580 00:46:51,634 --> 00:46:53,000 THERE IS SWEARING. 581 00:46:53,067 --> 00:46:53,767 ( crowd ) AMEN. 582 00:46:53,834 --> 00:46:55,133 AND LYING. 583 00:46:55,200 --> 00:46:57,434 KILLING. STEALING. 584 00:46:57,501 --> 00:46:59,133 AND COMMITTING ADULTERY. 585 00:46:59,200 --> 00:47:00,901 AMEN. 586 00:47:00,968 --> 00:47:02,601 AMEN! 587 00:47:02,667 --> 00:47:05,334 NOTHING ESCAPES THE POWER 588 00:47:05,400 --> 00:47:07,701 AND THE VISION OF THE LORD. 589 00:47:07,767 --> 00:47:10,834 THOSE WHO HAVE SINNED WILL BE PUNISHED! 590 00:47:10,901 --> 00:47:12,801 ( crowd ) PRAISE THE LORD. 591 00:47:12,868 --> 00:47:16,601 BUT WE ARE HERE, ALSO, TO FORGIVE 592 00:47:16,667 --> 00:47:19,467 TO ASK THE LORD FOR MERCY 593 00:47:19,534 --> 00:47:23,000 SO THAT THE SOULS OF JONATHAN NAPIER 594 00:47:23,067 --> 00:47:25,334 AND BOB ZAMUDIO. 595 00:47:25,400 --> 00:47:26,267 ROBERTO. 596 00:47:26,334 --> 00:47:29,467 SO THAT THEIR SOULS CAN BE SAVED. 597 00:47:29,534 --> 00:47:32,434 IF YOU DO NOT TAKE THE LORD SERIOUSLY 598 00:47:32,501 --> 00:47:34,834 THEN HE WILL NOT TAKE YOU SERIOUSLY. 599 00:47:34,901 --> 00:47:38,367 NOT ONLY WILL THE SOULS OF THESE POOR UNFORTUNATES 600 00:47:38,434 --> 00:47:41,868 BE EXILED FOR ETERNITY IN HELL 601 00:47:41,934 --> 00:47:44,067 BUT SO WILL YOURS AS WELL! 602 00:47:44,133 --> 00:47:46,100 YOU MUST SHARE WITH THE LORD 603 00:47:46,167 --> 00:47:47,901 THE FRUITS OF YOUR LABORS. 604 00:47:47,968 --> 00:47:51,234 ONLY THEN CAN HE TRULY BECOME YOUR SAVIOR. 605 00:47:51,300 --> 00:47:54,300 ( crowd ) HANG 'EM. GET ON WITH IT! 606 00:47:54,367 --> 00:47:56,968 NOW I WANNA SEE THIS COLLECTION PLATE 607 00:47:57,033 --> 00:47:58,734 PASSED AROUND ONCE AGAIN. 608 00:47:58,801 --> 00:48:01,434 THIS TIME I WANNA SEE IT OVERFLOW 609 00:48:01,501 --> 00:48:04,934 WITH EVIDENCE OF YOUR LOVE FOR THE LORD! 610 00:48:05,000 --> 00:48:06,801 AND I ADD THAT IF I'M DISAPPOINTED, 611 00:48:06,868 --> 00:48:09,901 THERE WON'T BE ANY SHOW 612 00:48:09,968 --> 00:48:13,133 OF JUSTICE METED OUT TODAY. 613 00:48:13,200 --> 00:48:16,534 BUT RATHER, THESE MEN WILL BE RELEASED 614 00:48:16,601 --> 00:48:18,601 BACK INTO YOUR FOLD TO CONTINUE 615 00:48:18,667 --> 00:48:20,701 ROBBING AND KILLING 616 00:48:20,767 --> 00:48:25,734 AND HAVING THEIR WAY WITH YOUR WIVES AND DAUGHTERS 617 00:48:25,801 --> 00:48:27,567 WITH THE SHEEP AND GOATS 618 00:48:27,634 --> 00:48:30,467 AND TURKEYS OF YOUR FLOCKS! 619 00:48:30,534 --> 00:48:34,501 TURKEYS? 620 00:48:34,567 --> 00:48:37,400 MAY GOD BLESS YOU! 621 00:48:37,467 --> 00:48:39,801 BLESS YOU! 622 00:48:39,868 --> 00:48:46,000 BLESS YOU. 623 00:48:46,067 --> 00:48:51,167 ( man yelling ) 624 00:48:51,234 --> 00:48:52,767 ( Bebe ) YOU RECOGNIZE 'EM? 625 00:48:52,834 --> 00:48:55,200 ONE OF 'EM'S BOB ZAMUDIO. 626 00:48:55,267 --> 00:48:58,300 HE'S A PRETTY GOOD HAND WITH EXPLOSIVES. 627 00:48:58,367 --> 00:49:03,267 THAT ONE DANGLIN', I DON'T KNOW. 628 00:49:03,334 --> 00:49:09,400 WE COULD USE SOME HELP. 629 00:49:14,033 --> 00:49:20,033 ( gunshot ) 630 00:49:20,100 --> 00:49:26,167 ( gunshot ) 631 00:49:30,601 --> 00:49:34,367 ( Thomas ) AFTERNOON PREACHER. 632 00:49:34,434 --> 00:49:36,601 LET US ALL JOIN IN AND SING THE HYMN, 633 00:49:36,667 --> 00:49:38,934 WHAT A FRIEND WE HAVE IN JESUS 634 00:49:39,000 --> 00:49:43,200 WHILST THE GOOD LORD DETERMINES THE FATE OF OUR 635 00:49:43,267 --> 00:49:44,567 BRETHREN HERE. 636 00:49:44,634 --> 00:49:50,601 * WHAT A FRIEND WE HAVE IN JESUS * 637 00:49:50,667 --> 00:49:56,667 * ALL OUR SINS AND PRAISE TO BEAR * 638 00:49:56,734 --> 00:49:59,467 * WHAT A FRIEND WE HAVE... * 639 00:49:59,534 --> 00:50:02,534 EQUAL SHARES ALL AROUND. 640 00:50:02,601 --> 00:50:10,234 WE'RE GONNA NEED YOUR DEAD MEN NOW. 641 00:50:10,300 --> 00:50:15,501 I THINK THAT CAN BE ARRANGED. 642 00:50:15,567 --> 00:50:17,534 ( Billy Ray ) TODAY WE WENT TO CHURCH. IT WAS 643 00:50:17,601 --> 00:50:20,100 VERY DIFFERENT FROM WHAT I WAS USED TO. 644 00:50:20,167 --> 00:50:21,634 I HAD THE OPPORTUNITY TO 645 00:50:21,701 --> 00:50:23,200 WITNESS MY FIRST HANGING . 646 00:50:23,267 --> 00:50:25,133 IN FACT, THE GENTLEMAN WHO WAS 647 00:50:25,200 --> 00:50:27,100 HANGED, A MR. "PITCHFORK" NAPIER 648 00:50:27,167 --> 00:50:31,367 HAS ELECTED TO JOIN OUR OUTFIT. 649 00:50:31,434 --> 00:50:33,467 I'M LOOKING FORWARD TO DISCUSSING 650 00:50:33,534 --> 00:50:36,200 OUR PLANS WITH MY NEW COMPANIONS. 651 00:50:36,267 --> 00:50:38,167 WHO IN THE HELL IS THIS 652 00:50:38,234 --> 00:50:42,200 SNOT-NOSED LITTLE PANTYWAIST? 653 00:50:42,267 --> 00:50:46,334 HE'S WITH ME. 654 00:50:46,400 --> 00:50:52,300 HELL, HE'S THE ONE THAT STOLE THIS! 655 00:50:52,367 --> 00:50:55,968 IS THIS ALL WE GOT TO GO ON? 656 00:50:56,033 --> 00:50:58,334 HIS SPURS ARE LIKE HIS FINGERS, LIKE HIS TOES. 657 00:50:58,400 --> 00:51:00,200 THEY'RE PART OF HIS BODY. 658 00:51:00,267 --> 00:51:01,601 HELL, THAT WAS HIS DADDY'S SPURS, 659 00:51:01,667 --> 00:51:03,067 AND HIS DADDY'S DADDY'S! 660 00:51:03,133 --> 00:51:07,234 "HIS DADDY'S SPURS, AND HIS DADDY'S DADDY'S." 661 00:51:07,300 --> 00:51:15,534 WHAT A SORRY BUNCH OF WASHED-UP HAS-BEENS. 662 00:51:15,601 --> 00:51:16,968 IS MUY VALUABLE . 663 00:51:17,033 --> 00:51:18,834 THOSE RED THINGS ARE REAL RUBIES, BOB. 664 00:51:18,901 --> 00:51:21,701 ROBERTO. 665 00:51:21,767 --> 00:51:26,367 EL DIABLO'S TREASURE: 666 00:51:26,434 --> 00:51:29,167 INDIAN GOLD 667 00:51:29,234 --> 00:51:31,167 EUROPEAN GOLD JUST WAITIN' THERE 668 00:51:31,234 --> 00:51:32,934 FOR US TO TAKE IT. 669 00:51:33,000 --> 00:51:34,534 ( Bebe ) HE'S RIGHT ABOUT THAT. 670 00:51:34,601 --> 00:51:37,200 I SEEN IT WITH MY OWN EYES. 671 00:51:37,267 --> 00:51:39,000 ( Billy Ray ) EL DIABLO HAS SOMETHING WORTH 672 00:51:39,067 --> 00:51:40,834 A LITTLE MORE THAN GOLD DOWN THERE. 673 00:51:40,901 --> 00:51:42,467 THERE'S A LITTLE GIRL-- 674 00:51:42,534 --> 00:51:44,133 FUCK YOUR LITTLE GIRL. 675 00:51:44,200 --> 00:51:45,200 JUST A SECOND. 676 00:51:45,267 --> 00:51:46,434 YOU DON'T WANNA DO THAT. 677 00:51:46,501 --> 00:51:47,868 YES, HE DOES. 678 00:51:47,934 --> 00:51:50,634 YES, HE DOES. 679 00:51:50,701 --> 00:51:52,067 COME ON, BOY. 680 00:51:52,133 --> 00:51:53,868 COME ON! 681 00:51:53,934 --> 00:51:55,734 COME ON. 682 00:51:55,801 --> 00:52:01,901 COME AND GET IT, BOY. 683 00:52:08,701 --> 00:52:10,734 ( flash exploding ) 684 00:52:10,801 --> 00:52:12,734 WE'RE GOING TO NEED DYNAMITE 685 00:52:12,801 --> 00:52:20,400 AND SOMEONE TO HANDLE IT. 686 00:52:20,467 --> 00:52:23,601 HOW ABOUT IT, BOBBY? 687 00:52:23,667 --> 00:52:26,601 I THINK I TOLD YOU ONCE OR TWICE 688 00:52:26,667 --> 00:52:29,033 I DO NOT ANSWER TO THAT GRINGO NAME! 689 00:52:29,100 --> 00:52:31,968 LOOK, SEQOR ROBERTO 690 00:52:32,033 --> 00:52:33,901 WE VERY MUCH APPRECIATE 691 00:52:33,968 --> 00:52:38,834 YOU HELPING US WITH YOUR SPECIAL TALENTS. 692 00:52:38,901 --> 00:52:42,067 DYNAMITE IS LIKE A WOMAN. 693 00:52:42,133 --> 00:52:43,767 IT TAKES THE RIGHT HOMBRE 694 00:52:43,834 --> 00:52:48,400 TO KNOW HOW TO MAKE HER EXPLODE! 695 00:52:48,467 --> 00:52:51,133 THERE'S SOMEBODY OUT THERE. 696 00:52:51,200 --> 00:52:55,234 I DON'T HEAR NOTHIN'. 697 00:52:55,300 --> 00:52:56,467 INJUNS. 698 00:52:56,534 --> 00:52:59,067 INJUNS? AIN'T NO DAMN INJUNS AROUND HERE. 699 00:52:59,133 --> 00:53:01,000 WE'RE IN MEXICO, ASSHOLE! 700 00:53:01,067 --> 00:53:03,968 THE PONCHACHAUN'S, ASSHOLE! 701 00:53:04,033 --> 00:53:06,934 I LIVED WITH 'EM FOR A YEAR. 702 00:53:07,033 --> 00:53:10,334 DON'T NEVER ROB NO INDIAN. 703 00:53:10,400 --> 00:53:15,501 I ROB AN INDIAN, SAME AS ANYBODY. 704 00:53:15,567 --> 00:53:18,200 YEAH, DID YOU SLEEP WITH HIS WIFE, TOO? 705 00:53:18,267 --> 00:53:21,501 WHAT WAS IT LIKE SLEEPIN' WITH AN INDIAN WOMAN? 706 00:53:21,567 --> 00:53:27,634 ( Napier ) BETTER THAN A NIGGER. 707 00:53:41,467 --> 00:53:45,300 ( Thomas ) THANK YOU, BOY. 708 00:53:45,367 --> 00:53:49,701 NOW, GENERALLY, I LET A MAN OFF FIRST TIME 709 00:53:49,767 --> 00:53:51,601 HE SAY THAT TO ME. 710 00:53:51,667 --> 00:53:55,267 THAT IS, IF HE SAYS HE'S SORRY. 711 00:53:55,334 --> 00:53:59,000 HOW ABOUT YOU, MR. NAPIER? 712 00:53:59,067 --> 00:54:01,033 ARE YOU SORRY? 713 00:54:01,100 --> 00:54:06,267 I DON'T HEAR YOU, MR. NAPIER. 714 00:54:06,334 --> 00:54:08,167 ( Napier ) I'M... 715 00:54:08,234 --> 00:54:14,334 I'M WAITIN'. 716 00:54:17,667 --> 00:54:23,734 BYE, NIGGER! 717 00:55:08,267 --> 00:55:14,334 ( chanting ) 718 00:55:18,601 --> 00:55:20,767 SOMEONE OUGHT TO TRY TO TALK TO HIM. 719 00:55:20,834 --> 00:55:22,801 GO ON, BOB, YOU SPEAKUM SIGN. 720 00:55:22,868 --> 00:55:28,934 ROBERTO. 721 00:55:48,901 --> 00:55:51,534 I DON'T THINK CHIEF UNDERSTANDS. 722 00:55:51,601 --> 00:55:54,434 ( Dancing Bear ) YOU'RE FULL OF SHIT, BROWN MAN. 723 00:55:54,501 --> 00:55:57,100 AND NAME NOT CHIEF. 724 00:55:57,167 --> 00:56:03,234 NAME DANCING BEAR. 725 00:56:07,667 --> 00:56:09,834 ( Billy Ray ) WE ADDED A NEW MEMBER TO OUR GROUP 726 00:56:09,901 --> 00:56:12,634 LAST NIGHT, AN INDIAN, MR. DANCING BEAR 727 00:56:12,701 --> 00:56:13,834 WHO'D BEEN TRACKING 728 00:56:13,901 --> 00:56:15,367 MR. NAPIER FOR SOME TIME. 729 00:56:15,434 --> 00:56:16,834 IT SEEMS MR. NAPIER 730 00:56:16,901 --> 00:56:18,334 HAD BEDDED DOWN WITH HIS WIFE 731 00:56:18,400 --> 00:56:20,634 A TRANSGRESSION NOT LOOKED ON FAVORABLY 732 00:56:20,701 --> 00:56:23,000 BY MEMBERS OF HIS PARTICULAR TRIBE. 733 00:56:23,067 --> 00:56:24,634 I NEVER LIKED HIM! 734 00:56:24,701 --> 00:56:27,334 ONCE DANCING BEAR EXACTED HIS REVENGE 735 00:56:27,400 --> 00:56:29,901 HE TOLD US EL DIABLO HAD STOLEN GOLD 736 00:56:29,968 --> 00:56:33,534 FROM HIS PEOPLE AND ENSLAVED THEM. 737 00:56:33,601 --> 00:56:38,033 ( speaking Spanish ) 738 00:56:38,100 --> 00:56:40,467 THE NEXT STEP WAS TO LOCATE A BOX OF 739 00:56:40,534 --> 00:56:43,601 DYNAMITE THAT MR. ZAMUDIO HAD BURIED. 740 00:56:43,667 --> 00:56:45,467 ONCE THE SPOT WAS FOUND, 741 00:56:45,534 --> 00:56:51,601 I WAS VOLUNTEERED TO DIG IT UP. 742 00:56:59,434 --> 00:57:00,234 WHAT? 743 00:57:00,300 --> 00:57:06,400 GET OUT OF THE HOLE. 744 00:57:17,701 --> 00:57:19,300 THIS LITTLE CACHE HERE 745 00:57:19,367 --> 00:57:21,033 HAS ENABLED ROBERTO AND ME 746 00:57:21,100 --> 00:57:23,133 TO OPEN ACCOUNTS AT OVER 747 00:57:23,200 --> 00:57:29,267 22 OF THE BEST BANKS IN THE SOUTHWEST. 748 00:57:33,000 --> 00:57:35,133 YOU CAN GET ME OUT OF HERE NOW. 749 00:57:35,200 --> 00:57:37,634 NOT FAST. 750 00:57:37,701 --> 00:57:38,767 WHAT'S THE MATTER? 751 00:57:38,834 --> 00:57:39,968 IT'S DECAYIN', I THINK. 752 00:57:40,033 --> 00:57:42,267 I TOLD YOU WE SHOULDN'T BURY IT HERE, BOB. 753 00:57:42,334 --> 00:57:46,200 NO SHADE, TOO HOT, BOB. 754 00:57:46,267 --> 00:57:52,334 I DON'T THINK NOW'S THE TIME TO MAKE ME ANGRY. 755 00:58:03,167 --> 00:58:09,267 AIE, AIE, AIE, AIE, 756 00:58:24,234 --> 00:58:27,534 ( explosion ) 757 00:58:27,601 --> 00:58:28,400 I AM ROBERTO. 758 00:58:28,467 --> 00:58:29,534 ( explosion ) 759 00:58:29,601 --> 00:58:31,234 COME ON, COME ON. 760 00:58:31,300 --> 00:58:33,434 ( explosions ) 761 00:58:33,501 --> 00:58:35,033 ( Billy Ray ) IT'S NOT FUNNY. 762 00:58:35,100 --> 00:58:39,701 ( Roberto ) IS GOOD, HUH? 763 00:58:39,767 --> 00:58:41,901 ( Billy Ray ) MR. PATTERSON AND MR. ZAMUDIO SECURED 764 00:58:41,968 --> 00:58:43,968 THE DYNAMITE TO THE BUCKBOARD. 765 00:58:44,033 --> 00:58:45,901 THERE STILL SEEMED TO BE SOME QUESTION 766 00:58:45,968 --> 00:58:48,234 AS TO ITS STABILITY, HOWEVER. 767 00:58:48,300 --> 00:58:50,067 WE'RE A BIT FAR APART. 768 00:58:50,133 --> 00:58:52,634 MAYBE THAT MIGHT NOT BE GOOD FOR THEIR MORALE? 769 00:58:52,701 --> 00:58:54,601 FEEL FREE TO JOIN 'EM, BOY. 770 00:58:54,667 --> 00:59:00,734 I'M SURE THEY'D WELCOME THE COMPANY. 771 00:59:07,300 --> 00:59:09,400 ( Billy Ray ) AFTER RIDING HARD THE ENTIRE DAY, 772 00:59:09,467 --> 00:59:11,434 WE FINALLY CROSSED INTO MEXICO. 773 00:59:11,501 --> 00:59:13,434 THE BUCKBOARD DIDN'T EXPLODE 774 00:59:13,501 --> 00:59:15,567 AND I TOOK THIS AS A POSITIVE SIGN. 775 00:59:15,634 --> 00:59:18,033 BUT I WAS VERY SORE AND WAS GLAD WHEN 776 00:59:18,100 --> 00:59:24,167 WE STOPPED IN A VILLAGE FOR REFRESHMENTS. 777 01:00:30,767 --> 01:00:33,934 WHAT DO YOU WANT, BOY? 778 01:00:34,000 --> 01:00:38,267 LEMON, WHATEVER HE'S HAVING. 779 01:00:38,334 --> 01:00:39,934 ( Billy Ray ) THE CANTINA WE SELECTED 780 01:00:40,000 --> 01:00:41,601 WOULD NOT HAVE BEEN MY FIRST CHOICE 781 01:00:41,667 --> 01:00:43,767 BUT IT WAS THE ONLY ONE IN TOWN. 782 01:00:43,834 --> 01:00:45,801 IT HOSTED A DIFFERENT SORT OF CLIENTELE 783 01:00:45,868 --> 01:00:51,934 THAN WHAT I WAS USED TO BACK EAST. 784 01:01:17,567 --> 01:01:21,267 ( man ) THOMAS, IS THAT YOU? 785 01:01:21,334 --> 01:01:24,667 BARTENDER, PUT THEIR DRINKS ON MY BILL. 786 01:01:24,734 --> 01:01:26,400 THOMAS, YOU DEVIL, 787 01:01:26,467 --> 01:01:32,567 PLEASE COME HERE, JOIN ME. 788 01:01:46,667 --> 01:01:50,767 ( snake hissing ) 789 01:01:50,834 --> 01:01:54,334 THOMAS VAN LEEK, AS I LIVE AND BREATHE? 790 01:01:54,400 --> 01:01:56,634 SO NICE TO SEE YOU. HELLO. 791 01:01:56,701 --> 01:01:58,100 ( Billy Ray ) HELLO. 792 01:01:58,167 --> 01:02:03,067 AREN'T YOU GOING TO INTRODUCE ME TO YOUR FRIEND? 793 01:02:03,133 --> 01:02:05,501 THIS HERE IS BILLY RAY SMITH. 794 01:02:05,567 --> 01:02:10,067 BOY, THIS HERE IS TRUMAN FEATHERS 795 01:02:10,133 --> 01:02:15,767 SOMETIMES KNOWN AS KID DURANGO. 796 01:02:15,834 --> 01:02:17,734 KID DURANGO? 797 01:02:17,801 --> 01:02:21,434 UH-HUH. KID DURANGO. 798 01:02:21,501 --> 01:02:22,801 KID DURANGO? 799 01:02:22,868 --> 01:02:24,667 UH-HUH. 800 01:02:24,734 --> 01:02:29,133 THIS BOY HAS READ EVERY ONE OF YOUR BOOKS. 801 01:02:29,200 --> 01:02:31,801 REALLY? 802 01:02:31,868 --> 01:02:37,968 KID DURANGO? 803 01:02:39,567 --> 01:02:41,734 WHAT BRINGS YOU TO THIS HOLE? 804 01:02:41,801 --> 01:02:45,367 I'M RESEARCHING OUR NEXT ADVENTURE. 805 01:02:45,434 --> 01:02:47,033 SMOKE SIGNALS INDICATED THAT 806 01:02:47,100 --> 01:02:52,300 YOU WERE HEADED IN THIS DIRECTION. 807 01:02:52,367 --> 01:02:55,701 YOU KNOW, I HAVE A HAT JUST LIKE THAT. 808 01:02:55,767 --> 01:02:58,934 I LOVE YOUR OUTFIT. 809 01:02:59,000 --> 01:03:00,834 ( Truman ) WHERE ARE YOU FROM? 810 01:03:00,901 --> 01:03:03,634 ORIGINALLY BOSTON, MASSACHUSETTS. 811 01:03:03,701 --> 01:03:08,234 REALLY? I'VE BEEN TO RHODE ISLAND. 812 01:03:08,300 --> 01:03:10,167 WHAT DID HE MEAN WHEN HE SAID, 813 01:03:10,234 --> 01:03:11,868 "OUR NEXT ADVENTURE?" 814 01:03:11,934 --> 01:03:15,133 IT'S A WONDERFUL ARRANGEMENT. 815 01:03:15,200 --> 01:03:19,033 THOMAS RUNS AROUND THE WEST, RISKING HIS SILLY NECK 816 01:03:19,100 --> 01:03:29,133 AND I INCORPORATE HIS EXPLOITS INTO MY LITTLE TRUE STORIES. 817 01:03:29,200 --> 01:03:30,234 YOU MEAN-- 818 01:03:30,300 --> 01:03:32,601 WHAT HE MEANS IS, AIN'T NOBODY GONNA BUY 819 01:03:32,667 --> 01:03:36,901 NO STORIES ABOUT NO NEGRO COWBOYS. 820 01:03:36,968 --> 01:03:39,334 IT'S DRAMATIC LICENSE, REALLY. 821 01:03:39,400 --> 01:03:41,968 IT'S A NECESSARY EVIL IN THE LITERARY WORLD. 822 01:03:42,033 --> 01:03:47,234 DRAMATIC LICENSE, HELL! WHOLE BUNCH OF LIES. 823 01:03:47,300 --> 01:03:50,334 YOU MADE ALL THAT MONEY AND I NEVER DID SEE SQUAT. 824 01:03:50,400 --> 01:03:52,868 WHAT REALLY GETS ME IS ALL THAT CRAP 825 01:03:52,934 --> 01:03:55,868 ABOUT "LOOKIN' A MAN IN THE EYE." 826 01:03:55,934 --> 01:03:59,200 HELL, A MAN DON'T GO FOR A GUN WITH HIS EYE. 827 01:03:59,267 --> 01:04:02,133 LOOK AT HIS HAND. 828 01:04:02,200 --> 01:04:05,501 I'LL MAKE A NOTE OF IT. 829 01:04:05,567 --> 01:04:11,634 ( men yelling ) 830 01:04:19,467 --> 01:04:25,534 THEY WERE WITH EL DIABLO IN THE BANK. 831 01:04:31,067 --> 01:04:34,167 THE UNATTRACTIVE ONE IS PESTOSO. 832 01:04:34,234 --> 01:04:36,400 THAT OTHER ONE AIN'T NO LADY-KILLER. 833 01:04:36,467 --> 01:04:39,234 YES, THAT'S CHAK MOL. 834 01:04:39,300 --> 01:04:40,534 ( Billy Ray ) DO YOU KNOW THEM? 835 01:04:40,601 --> 01:04:43,033 ( Truman ) THEY COME HERE TO UNWIND AFTER 836 01:04:43,100 --> 01:04:46,701 THEIR FORAYS OF RAPING AND PILLAGING. 837 01:04:46,767 --> 01:04:49,901 I'VE INTERVIEWED BOTH OF THEM. 838 01:04:49,968 --> 01:04:56,701 PESTOSO IS SURPRISINGLY VOCAL. 839 01:04:56,767 --> 01:05:02,834 HEY, BOY. 840 01:05:02,901 --> 01:05:05,000 HOW DO YOU FEEL ABOUT BEING 841 01:05:05,067 --> 01:05:11,200 THE FASTEST GUN IN THE WEST? 842 01:05:11,267 --> 01:05:17,334 HUH? 843 01:05:32,601 --> 01:05:40,434 SO, YOU'RE THE FASTEST GUN IN THE WEST? 844 01:05:40,501 --> 01:05:44,968 DO YOU KNOW TO WHOM THIS BELONGS? 845 01:05:45,033 --> 01:05:47,100 WHERE YOU GET THAT? 846 01:05:47,167 --> 01:05:49,467 CAN YOU TAKE ME TO HIM? 847 01:05:49,534 --> 01:05:51,534 TAKE YOU TO WHO? 848 01:05:51,601 --> 01:05:55,601 "TAKE YOU TO WHOM." 849 01:05:55,667 --> 01:05:59,734 ( speaking Spanish ) 850 01:05:59,801 --> 01:06:05,033 EL DIABLO. 851 01:06:05,100 --> 01:06:11,167 EL DIABLO? 852 01:06:18,267 --> 01:06:24,334 WHERE YOU GOIN', GRINGO? 853 01:07:04,167 --> 01:07:10,234 ( knuckes cracking ) 854 01:07:37,100 --> 01:07:39,934 ( speaking Spanish ) 855 01:07:40,000 --> 01:07:46,067 ( gunshots ) 856 01:07:55,701 --> 01:07:58,133 ( Billy Ray ) I HAD SHOT A MAN IN A SHOWDOWN 857 01:07:58,200 --> 01:08:01,334 IN THE MIDDLE OF THE STREET AT HIGH NOON. 858 01:08:01,400 --> 01:08:03,501 ACTUALLY, IT WAS MUCH LATER IN THE DAY, 859 01:08:03,567 --> 01:08:07,434 BUT IT WAS STILL QUITE A THRILL. 860 01:08:07,501 --> 01:08:09,167 GOOD SHOT, BOY. 861 01:08:09,234 --> 01:08:10,767 I DON'T CONDONE KILLING, 862 01:08:10,834 --> 01:08:13,567 BUT THIS PESTOSO PROBABLY DESERVED IT. 863 01:08:13,634 --> 01:08:16,000 IF HE TRAVELED WITH EL DIABLO, HE HAD 864 01:08:16,067 --> 01:08:20,667 SOME SEVERE CHARACTER FLAWS, I WAS SURE. 865 01:08:20,734 --> 01:08:26,801 GOOD SHOT. 866 01:08:42,501 --> 01:08:48,567 YOU? 867 01:09:00,534 --> 01:09:03,467 I'LL MEET YOU IN THE MORNING 868 01:09:03,534 --> 01:09:06,901 JUST OUTSIDE OF TOWN 869 01:09:06,968 --> 01:09:10,767 THE TREE OF DEATH. 870 01:09:10,834 --> 01:09:14,234 ( Chak Mol ) COME ALONE. 871 01:09:14,300 --> 01:09:20,400 TREE OF DEATH? 872 01:09:24,534 --> 01:09:27,200 OUCH! 873 01:09:27,267 --> 01:09:29,300 ( speaking Spanish ) 874 01:09:29,367 --> 01:09:32,567 NEVER TRUST A MAN WHO TALKS TO HIS SNAKE. 875 01:09:32,634 --> 01:09:37,033 IT'S TRUMAN. 876 01:09:37,100 --> 01:09:43,267 MORNING. 877 01:09:43,334 --> 01:09:45,434 ( Thomas ) WHAT THE HELL YOU DOIN', FEATHERS? 878 01:09:45,501 --> 01:09:47,400 WELL, 879 01:09:47,467 --> 01:09:49,501 I'VE DECIDED TO JOIN YOUR EXPEDITION. 880 01:09:49,567 --> 01:09:52,000 NOT WITH ME, YOU AIN'T. 881 01:09:52,067 --> 01:09:54,033 YOU WON'T HAVE TO WORRY ABOUT ME. 882 01:09:54,100 --> 01:09:55,467 I'M NOT WORRIED ABOUT YOU. 883 01:09:55,534 --> 01:09:57,801 I'M WORRIED ABOUT US, WITH YOU OUT THERE. 884 01:09:57,868 --> 01:09:59,701 OH, THOMAS, PLEASE. 885 01:09:59,767 --> 01:10:01,100 I'M SURE I CAN PERFORM 886 01:10:01,167 --> 01:10:03,667 SOME VERY USEFUL FUNCTIONS ON THE TRAIL. 887 01:10:03,734 --> 01:10:06,567 AND BESIDES, I'M AN EXCELLENT COOK. 888 01:10:06,634 --> 01:10:09,334 CAN YOU MAKE COFFEE? 889 01:10:09,400 --> 01:10:10,801 AS A MATTER OF FACT, 890 01:10:10,868 --> 01:10:13,067 I BROUGHT SOME FRESH COLUMBIAN BEANS. 891 01:10:13,133 --> 01:10:17,434 AND, BY THE WAY, I MAKE A WONDERFUL OMELET. 892 01:10:17,501 --> 01:10:19,234 ( Dancing Bear ) WHAT IS "OMELET?" 893 01:10:19,300 --> 01:10:23,934 AN OMELET IS DICED HAM, CHEESE, PEPPERS 894 01:10:24,000 --> 01:10:25,601 FOLDED INTO THREE EGGS, COOKED 895 01:10:25,667 --> 01:10:28,501 IN AN IRON SKILLET, SLIGHTLY WARMED. 896 01:10:28,567 --> 01:10:31,834 MUSHROOMS, SNAKE MEAT, SQUASH? GOOD? 897 01:10:31,901 --> 01:10:34,767 GOOD? I WOULDN'T RECOMMEND THE SQUASH BUT 898 01:10:34,834 --> 01:10:36,400 IT'S ENTIRELY UP TO YOU. 899 01:10:36,467 --> 01:10:39,734 FOR CHRIST'S SAKE, LET'S MOVE OUT! 900 01:10:39,801 --> 01:10:46,234 COME ON. 901 01:10:46,300 --> 01:10:48,367 FORWARD! 902 01:10:48,434 --> 01:10:50,501 ( Billy Ray ) THOUGH STILL PUZZLED BY THE REVELATION 903 01:10:50,567 --> 01:10:52,634 THAT TRUMAN WAS KID DURANGO 904 01:10:52,701 --> 01:10:54,100 OR NOT KID DURANGO, 905 01:10:54,167 --> 01:10:56,033 I WAS EXCITED THAT HE HAD JOINED US. 906 01:10:56,100 --> 01:10:57,701 IT AFFORDED ME THE OPPORTUNITY 907 01:10:57,767 --> 01:10:59,567 TO CLEAR UP MY CONFUSION 908 01:10:59,634 --> 01:11:02,000 AND I LOOKED FORWARD TO ONE OF HIS OMELETS . 909 01:11:02,067 --> 01:11:04,400 NOW, I STILL DON'T UNDERSTAND 910 01:11:04,467 --> 01:11:07,033 WHY YOU'RE COMIN' ALONG WITH US. 911 01:11:07,100 --> 01:11:10,167 ACTUALLY, IT'S YOUR EXAMPLE, BILLY RAY. 912 01:11:10,234 --> 01:11:11,434 I'VE ALWAYS WRITTEN 913 01:11:11,501 --> 01:11:13,033 ABOUT OTHER PEOPLE'S EXPLOITS. 914 01:11:13,100 --> 01:11:15,501 I'D LIKE TO THINK THAT BEFORE I PASS ON 915 01:11:15,567 --> 01:11:19,801 I COULD INCLUDE A FEW ADVENTURES OF MY VERY OWN. 916 01:11:19,868 --> 01:11:21,868 THAT WAS A WONDERFUL MOMENT YESTERDAY 917 01:11:21,934 --> 01:11:24,634 IN THE STREETS WITH YOU AND PESTOSO. 918 01:11:24,701 --> 01:11:28,100 IT WAS THRILLING, VIRTUALLY WRITES ITSELF. 919 01:11:28,167 --> 01:11:31,100 YOU'RE GONNA PUT ME IN ONE OF YOUR BOOKS? 920 01:11:31,167 --> 01:11:35,300 OF COURSE. EVERY STORY NEEDS ITS HERO. 921 01:11:35,367 --> 01:11:38,300 ( Thomas ) HEY, BOY, LEMME SEE THAT SPUR. 922 01:11:38,367 --> 01:11:44,434 YES, SIR. 923 01:11:48,367 --> 01:11:50,434 YOU HOLD ONTO THAT HALF, BOY. 924 01:11:50,501 --> 01:11:52,667 THAT'S YOUR CALLING CARD. 925 01:11:52,734 --> 01:11:54,167 GO AHEAD ON. 926 01:11:54,234 --> 01:11:57,467 BE RIGHT BEHIND YOU. GO ON. 927 01:11:57,534 --> 01:11:59,200 GOOD LUCK, BILLY RAY. 928 01:11:59,267 --> 01:12:05,367 THANK YOU. GOODBYE. 929 01:12:21,300 --> 01:12:23,501 EXCUSE ME, COULD YOU TELL ME PRECISELY 930 01:12:23,567 --> 01:12:27,267 WHY THEY CALL THIS THE TREE OF DEATH? 931 01:12:27,334 --> 01:12:30,167 ( Billy Ray ) EXCUSE ME. 932 01:12:30,234 --> 01:12:32,000 ( Billy Ray ) I MET CHAK MOL AS ARRANGED 933 01:12:32,067 --> 01:12:36,033 AND I FOLLOWED HIM DEEPER INTO MEXICO. 934 01:12:36,100 --> 01:12:39,133 MY NERVES, NORMALLY QUITE STEADY, WERE ACTING UP 935 01:12:39,200 --> 01:12:43,968 AS I SENSED US GETTING CLOSER AND CLOSER TO EL DIABLO . 936 01:12:44,033 --> 01:12:46,200 SURELY, THE TENSION WOULD'VE BEEN EASED 937 01:12:46,267 --> 01:12:49,634 IF CHAK MOL HAD BEEN A BETTER CONVERSATIONALIST. 938 01:12:49,701 --> 01:12:55,767 PERHAPS HE WAS SHY. 939 01:13:16,667 --> 01:13:21,300 THANK YOU. 940 01:13:21,367 --> 01:13:27,434 SORRY. 941 01:13:35,467 --> 01:13:39,400 THEY'RE TOO SPLIT UP FOR US TO GET ALL AT ONCE. 942 01:13:39,467 --> 01:13:40,868 I THINK THERE MIGHT JUST BE 943 01:13:40,934 --> 01:13:47,033 A SOLUTION TO THIS PROBLEM FORTHCOMING. 944 01:13:55,767 --> 01:14:02,000 ( speaking Spanish ) 945 01:14:02,067 --> 01:14:07,634 ( gunshots ) 946 01:14:07,701 --> 01:14:13,767 ( speaking Spanish ) 947 01:15:02,334 --> 01:15:04,767 WE SPLIT UP HERE. 948 01:15:04,834 --> 01:15:08,767 THAT LEFT TUNNEL WILL LET YOU OUT ABOVE THE VILLAGE. 949 01:15:08,834 --> 01:15:13,067 WAIT FOR MY SIGNAL. GOOD ENOUGH? 950 01:15:13,133 --> 01:15:15,200 I THINK A LITTLE PRAYER IS IN ORDER 951 01:15:15,267 --> 01:15:17,334 BEFORE WE EMBARK ON THIS PERILOUS ORDEAL. 952 01:15:17,400 --> 01:15:20,501 IF YOU WILL ALL JOIN ME IN RECITING THE LORD'S PRAYER. 953 01:15:20,567 --> 01:15:22,067 "OUR FATHER-- 954 01:15:22,133 --> 01:15:24,267 "OUR FATHER, WHO ART IN HEAVEN 955 01:15:24,334 --> 01:15:26,167 "HALLOWED BE THY NAME. 956 01:15:26,234 --> 01:15:31,400 "THY KINGDOM COME. THY WILL BE DONE ON EARTH" 957 01:15:31,467 --> 01:15:35,434 THIS IS SORRY WORK PARTY, BROWN MAN. 958 01:15:35,501 --> 01:15:39,701 I DID THE BEST I COULD, RED MAN. 959 01:15:39,767 --> 01:15:45,033 I'M HERE TO FREE MY PEOPLE. DON'T YOU GET IN MY WAY. 960 01:15:45,100 --> 01:15:51,167 WOULDN'T THINK OF IT. 961 01:15:56,701 --> 01:15:58,901 THOMAS? 962 01:15:58,968 --> 01:16:01,167 I'D LIKE TO HAVE A WORD WITH YOU. 963 01:16:01,234 --> 01:16:03,067 IF IT'S SHORT. 964 01:16:03,133 --> 01:16:06,267 I FIND YOUR BEHAVIOR IN THIS ENDEAVOR QUESTIONABLE. 965 01:16:06,334 --> 01:16:09,100 IT'S PERFECTLY OBVIOUS TO ME WHAT YOU'RE DOING. 966 01:16:09,167 --> 01:16:12,267 YOU'RE USING THIS BOY AS A DIVERSION 967 01:16:12,334 --> 01:16:15,567 SO THAT YOU CAN STEAL AS MUCH GOLD AS YOU CAN CARRY. 968 01:16:15,634 --> 01:16:19,868 ONLY DANCING BEAR IS MOTIVATED BY HONORABLE INTENTIONS. 969 01:16:19,934 --> 01:16:21,400 AS FAR AS I'M CONCERNED, 970 01:16:21,467 --> 01:16:24,834 YOU'RE ALL A BUNCH OF MERCENARIES. 971 01:16:24,901 --> 01:16:26,601 YOU FINISHED? 972 01:16:26,667 --> 01:16:28,501 YES. 973 01:16:28,567 --> 01:16:32,300 I HAD TO GET IT OFF MY CHEST. 974 01:16:32,367 --> 01:16:40,167 HOPE YOU FEEL BETTER. COME ON, REO. 975 01:16:40,234 --> 01:16:45,868 ( Thomas ) EL DIABLO WON'T TOUCH THE KID WITHOUT HIS SPUR. 976 01:16:45,934 --> 01:16:47,968 ( Billy Ray ) WHEN I ARRIVED AT EL DIABLO'S COMPOUND, 977 01:16:48,033 --> 01:16:50,501 HE WAS NOT IN THE VICINITY . 978 01:16:50,567 --> 01:16:53,434 I DECIDED TO WAIT AND NOT BE IMPATIENT. 979 01:16:53,501 --> 01:16:55,267 I KNEW I WAS STILL CARRYING AN ACE 980 01:16:55,334 --> 01:17:01,400 IN MY POCKET, SO TO SPEAK. 981 01:17:26,167 --> 01:17:32,067 YOU ARE THE BOY WHO KILLED PESTOSO? 982 01:17:32,133 --> 01:17:34,133 WHAT IS YOUR NAME, LITTLE BOY? 983 01:17:34,200 --> 01:17:36,534 WILLIAM RAYMOND SMITH. 984 01:17:36,601 --> 01:17:40,400 MR. DEVIL, IS IT? 985 01:17:40,467 --> 01:17:43,801 I UNDERSTAND, MR. WILLIAM RAYMOND SMITH 986 01:17:43,868 --> 01:17:47,901 YOU HAVE BROUGHT SOMETHING FOR ME. 987 01:17:47,968 --> 01:17:51,667 YES, SIR. 988 01:17:51,734 --> 01:17:54,167 THIS IS MY SPUR, I BELIEVE? 989 01:17:54,234 --> 01:17:58,000 THAT IS CORRECT. 990 01:17:58,067 --> 01:18:00,501 THERE IS SOMETHING MISSING. 991 01:18:00,567 --> 01:18:05,200 THAT IS ALSO CORRECT. 992 01:18:05,267 --> 01:18:08,200 WHERE IS THE MISSING PIECE? 993 01:18:08,267 --> 01:18:14,801 THAT'S FOR ME TO KNOW AND YOU TO FIND OUT. 994 01:18:14,868 --> 01:18:16,567 I WANT TO EXCHANGE IT, 995 01:18:16,634 --> 01:18:20,267 THE MISSING PIECE THAT IS, FOR THE GIRL. 996 01:18:20,334 --> 01:18:22,501 WHAT GIRL IS THAT? 997 01:18:22,567 --> 01:18:27,033 MISS NETTIE TULEEN. 998 01:18:27,100 --> 01:18:28,634 YOU KIDNAPPED HER IN FRONT 999 01:18:28,701 --> 01:18:32,934 OF MY SCHOOL ABOUT FIVE WEEKS AGO? 1000 01:18:33,000 --> 01:18:39,167 SO MANY TOWNS, SO MANY GIRLS. 1001 01:18:39,234 --> 01:18:41,834 SHE'S ABOUT 5-FOOT-4 1002 01:18:41,901 --> 01:18:45,501 BLONDE HAIR, BLUE EYES 1003 01:18:45,567 --> 01:18:47,434 QUITE ATTRACTIVE 1004 01:18:47,501 --> 01:18:54,667 AND A VERY GOOD STUDENT. 1005 01:18:54,734 --> 01:18:57,033 DOES SHE LOOK LIKE 1006 01:18:57,100 --> 01:19:00,767 THIS GIRL? 1007 01:19:00,834 --> 01:19:06,901 YES, SHE DOES. 1008 01:19:09,133 --> 01:19:11,567 I DON'T RECALL THAT OUTFIT. 1009 01:19:11,634 --> 01:19:19,267 YES, SHE IS QUITE ATTRACTIVE. 1010 01:19:19,334 --> 01:19:21,434 ( Billy Ray ) I COULD NOT BELIEVE MY EYES. 1011 01:19:21,501 --> 01:19:23,234 THIS WAS NOT THE SAME NETTIE 1012 01:19:23,300 --> 01:19:25,701 WHO WAS IN MY CLASSROOM FIVE WEEKS AGO. 1013 01:19:25,767 --> 01:19:30,434 IT WAS EL DIABLO'S WORK, I WAS SURE. 1014 01:19:30,501 --> 01:19:37,934 SHE IS A VERY GOOD STUDENT. 1015 01:19:38,000 --> 01:19:41,934 NETTIE! 1016 01:19:42,000 --> 01:19:47,434 I LIKE MY SPURS VERY MUCH, MR. SMITH. 1017 01:19:47,501 --> 01:19:49,801 THEY BELONGED TO MY FATHER 1018 01:19:49,868 --> 01:19:53,934 AND HIS FATHER'S FATHER'S FATHER. 1019 01:19:54,000 --> 01:19:56,734 I'D LIKE TO HAVE BACK THE PIECE YOU'VE STOLEN. 1020 01:19:56,801 --> 01:19:58,767 TECHNICALLY, IT WASN'T STOLEN. 1021 01:19:58,834 --> 01:20:01,434 BUT, YOU SEE, ROSITA-- 1022 01:20:01,501 --> 01:20:02,667 ROSITA? 1023 01:20:02,734 --> 01:20:05,267 ( El Diablo ) MY ROSITA 1024 01:20:05,334 --> 01:20:11,400 MEANS MORE TO ME THAN A FAMILY BAUBLE. 1025 01:20:36,834 --> 01:20:43,334 ( Thomas ) THERE'S THE BOY. 1026 01:20:43,400 --> 01:20:49,467 THEY'RE ALL OVER THE PLACE. 1027 01:20:58,300 --> 01:20:59,868 SEEMS YOUR PLAN HAS TAKEN 1028 01:20:59,934 --> 01:21:06,000 AN UNEXPECTED TURN FOR THE WORSE, THOMAS. 1029 01:21:13,033 --> 01:21:16,834 SPARE SPURS. 1030 01:21:16,901 --> 01:21:19,501 SPOILED BY SPARE SPURS. 1031 01:21:19,567 --> 01:21:21,300 TRY SAYING THAT THREE TIMES FAST. 1032 01:21:21,367 --> 01:21:23,767 SPOILED BY SPARE SPURS. SPOILED BY SPARE SPURS. 1033 01:21:23,834 --> 01:21:24,801 SPOILED BY SPARE... 1034 01:21:24,868 --> 01:21:26,467 SHUT UP! 1035 01:21:26,534 --> 01:21:30,834 SORRY, JUST STARTING TO GET WORRIED ABOUT THE BOY. 1036 01:21:30,901 --> 01:21:33,133 DO YOU THINK THEY'LL HURT HIM? 1037 01:21:33,200 --> 01:21:38,901 I'M GONNA HURT YOU IF YOU DON'T SHUT UP! 1038 01:21:38,968 --> 01:21:42,300 KID DURANGO. 1039 01:21:42,367 --> 01:21:43,868 ( Roberto ) ALWAYS RIDING IN BACK. 1040 01:21:43,934 --> 01:21:46,167 YOU CAN RIDE IN FRONT ON THE WAY HOME. 1041 01:21:46,234 --> 01:21:48,801 NO, NOT THE WAY HOME! NOW! IT'S YOUR TURN. 1042 01:21:48,868 --> 01:21:50,200 I'M NOT GOIN' IN BACK 1043 01:21:50,267 --> 01:21:51,801 WITH YOUR GODFORSAKEN PET. 1044 01:21:51,868 --> 01:21:54,801 DON'T CALL HIM GODFORSAKEN. 1045 01:21:54,868 --> 01:22:00,934 QUIET! 1046 01:22:07,501 --> 01:22:13,567 HELLO, GENTLEMEN. 1047 01:22:15,968 --> 01:22:21,167 I'LL HANDLE THIS. THEY'RE MY PEOPLE. 1048 01:22:21,234 --> 01:22:27,300 ( speaking Spanish ) 1049 01:22:29,167 --> 01:22:33,868 NICE PANTS. 1050 01:22:33,934 --> 01:22:35,868 THESE ARE NOT MY PEOPLE. 1051 01:22:35,934 --> 01:22:37,968 DAMN IT! I KNEW WE SHOULD'VE TAKEN 1052 01:22:38,033 --> 01:22:40,334 A RIGHT AT THAT LAST FORK. 1053 01:22:40,400 --> 01:22:42,100 THROW DOWN YOUR WEAPONS. 1054 01:22:42,167 --> 01:22:44,434 GUYS, SETTLE DOWN. WE GOT NO QUARREL 1055 01:22:44,501 --> 01:22:46,767 WITH YOU. WE'RE JUST DELIVERIN' SUPPLIES. 1056 01:22:46,834 --> 01:22:49,033 COLLINS CATERING. HOW DO YOU DO? 1057 01:22:49,100 --> 01:22:51,334 I WOULD TO INTRODUCE MY ASSISTANTS. 1058 01:22:51,400 --> 01:22:53,100 THIS IS BOB. 1059 01:22:53,167 --> 01:22:59,234 BEBE. WE HAVE FINE WINES, DELICACIES, SILKEN ROBES... 1060 01:23:04,100 --> 01:23:08,934 WHAT'S IN THE BAG? 1061 01:23:09,033 --> 01:23:13,968 IS NOTHING. 1062 01:23:14,033 --> 01:23:16,033 YOU CAN HAVE ANYTHING YOU WANT 1063 01:23:16,100 --> 01:23:18,501 IN THE WAGON, BUT DON'T TOUCH 1064 01:23:18,567 --> 01:23:23,167 THE BAG, OKAY? 1065 01:23:23,234 --> 01:23:28,767 I WILL DECIDE WHAT I WANT. 1066 01:23:28,834 --> 01:23:32,200 AMIGO, I WOULD RATHER DIE 1067 01:23:32,267 --> 01:23:39,968 THAN TO GIVE YOU THAT BAG. 1068 01:23:40,033 --> 01:23:46,133 ( gunshot ) 1069 01:23:49,501 --> 01:23:54,934 ANY OTHER REQUESTS? 1070 01:23:55,000 --> 01:23:58,501 GRINGO , THE BAG. 1071 01:23:58,567 --> 01:24:04,634 PRONTO. 1072 01:24:22,267 --> 01:24:27,767 ( snake hiss ) 1073 01:24:27,834 --> 01:24:33,901 ( gunshots ) 1074 01:25:06,767 --> 01:25:10,567 WHEN MY FAMILY CAME TO THIS COUNTRY 1075 01:25:10,634 --> 01:25:13,501 THEY ENCOUNTERED INCREDIBLE INTELLIGENCE 1076 01:25:13,567 --> 01:25:16,133 AND INCREDIBLE SAVAGERY. 1077 01:25:16,200 --> 01:25:18,434 ( gunshot ) 1078 01:25:18,501 --> 01:25:20,934 THE MAYANS BUILT THE PYRAMIDS, CHARTED 1079 01:25:21,000 --> 01:25:23,801 THE HEAVENS AND GAVE US OUR CALENDAR. 1080 01:25:23,868 --> 01:25:25,734 BUT THE AZTECS 1081 01:25:25,801 --> 01:25:30,634 BROUGHT THE ART OF HUMAN SACRIFICE TO A NEW HEIGHT. 1082 01:25:30,701 --> 01:25:36,767 ( gunshots ) 1083 01:26:06,200 --> 01:26:08,501 JESUS! 1084 01:26:08,567 --> 01:26:14,634 COME ON! 1085 01:26:24,133 --> 01:26:30,234 WHAT THE HELL? 1086 01:26:32,267 --> 01:26:38,334 YEEHAAA! 1087 01:26:42,467 --> 01:26:48,534 THAT'S ME COMIN', YOU SON OF A BITCH! 1088 01:26:57,868 --> 01:27:03,968 ( explosion ) 1089 01:27:30,067 --> 01:27:36,167 ( gunshots and screaming ) 1090 01:28:26,634 --> 01:28:32,701 WHOLE LOT DIFFERENT THAN WRITIN' ABOUT IT? 1091 01:28:35,634 --> 01:28:41,701 HE TOOK NETTIE. WE HAVE TO CATCH HIM. 1092 01:29:09,067 --> 01:29:15,133 GOOD OL' BEBE. 1093 01:29:18,434 --> 01:29:19,801 SO THAT'S WHY YOU'RE HERE? 1094 01:29:19,868 --> 01:29:21,300 FOR THE GOLD? 1095 01:29:21,367 --> 01:29:25,467 THAT'S MORE IMPORTANT TO YOU THAN SAVING THE GIRL? 1096 01:29:25,534 --> 01:29:31,601 THE GIRL AIN'T MY PROBLEM. 1097 01:29:47,767 --> 01:29:49,634 ( Billy Ray ) I FOUND A PIECE OF THE OUTFIT 1098 01:29:49,701 --> 01:29:52,868 NETTIE WAS WEARING NEXT TO THE CAVE. 1099 01:29:52,934 --> 01:29:54,834 IT CONFIRMED MY SUSPICION THAT 1100 01:29:54,901 --> 01:30:00,968 EL DIABLO FORCED HER TO ESCAPE WITH HIM. 1101 01:30:31,267 --> 01:30:37,334 NETTIE? 1102 01:30:41,634 --> 01:30:47,701 NETTIE! 1103 01:30:58,534 --> 01:31:00,934 ( El Diablo ) HELLO, LITTLE BOY. 1104 01:31:01,000 --> 01:31:04,667 LOOKING FOR SOMETHING? 1105 01:31:04,734 --> 01:31:07,734 I WANT THE GIRL. 1106 01:31:07,801 --> 01:31:10,467 HOW ARE YOU GOING TO GET HER BACK? 1107 01:31:10,534 --> 01:31:16,601 WITH YOUR LITTLE STICK? 1108 01:31:21,067 --> 01:31:23,501 GIVE UP THE GIRL, DIABLO. 1109 01:31:23,567 --> 01:31:27,767 WHO IS THIS, LITTLE BOY? 1110 01:31:27,834 --> 01:31:34,100 MY NAME 1111 01:31:34,167 --> 01:31:39,801 IS KID DURANGO. 1112 01:31:39,868 --> 01:31:41,901 KID DURANGO? 1113 01:31:41,968 --> 01:31:44,934 AM I TO BE FRIGHTENED BY THIS NAME? 1114 01:31:45,000 --> 01:31:53,100 TRUMAN, YOU DON'T HAVE TO DO THIS. 1115 01:31:53,167 --> 01:31:55,734 YES, I DO. 1116 01:31:55,801 --> 01:31:58,567 TRUMAN. 1117 01:31:58,634 --> 01:32:02,167 ( El Diablo ) BUT YOU ARE THE GUEST, 1118 01:32:02,234 --> 01:32:08,334 I WILL WAIT FOR YOU TO MAKE THE FIRST MOVE. 1119 01:32:28,534 --> 01:32:34,601 ( gunshot ) 1120 01:32:40,901 --> 01:32:45,534 TRUMAN, YOU DIDN'T HAVE TO DO THAT. 1121 01:32:45,601 --> 01:32:48,067 YES, I DID. 1122 01:32:48,133 --> 01:32:54,701 ( Truman ) I DID. 1123 01:32:54,767 --> 01:32:56,701 IT HURTS. 1124 01:32:56,767 --> 01:33:03,334 I'M SORRY. 1125 01:33:03,400 --> 01:33:06,667 I NEVER THOUGHT ABOUT THE PAIN. 1126 01:33:06,734 --> 01:33:13,300 I ASSUMED IT WOULD BE OVER QUICKLY. 1127 01:33:13,367 --> 01:33:18,067 PERHAPS I SHOULD'VE LOOKED AT HIS HANDS 1128 01:33:18,133 --> 01:33:24,200 NOT HIS EYES. 1129 01:33:24,267 --> 01:33:30,667 YOU'RE RUINING A PERFECTLY GOOD SCARF. 1130 01:33:30,734 --> 01:33:36,801 I'M SORRY. 1131 01:33:38,400 --> 01:33:43,267 I WANT YOU TO DO SOMETHING FOR ME. 1132 01:33:43,334 --> 01:33:48,367 ANYTHING, I'LL DO ANYTHING. 1133 01:33:48,434 --> 01:33:51,934 KILL HIM. 1134 01:33:52,000 --> 01:33:55,200 KILL EL DIABLO. 1135 01:33:55,267 --> 01:34:01,334 ( Truman ) COMPLETE THE STORY, BILLY RAY. 1136 01:34:06,901 --> 01:34:10,901 TRUMAN, YOU'RE NOT GONNA DIE. 1137 01:34:10,968 --> 01:34:14,767 I KNOW. 1138 01:34:14,834 --> 01:34:20,934 I'VE NEVER FELT SO ALIVE. 1139 01:34:31,133 --> 01:34:34,701 IN WHOSE ARMS ARE YOU GOING TO DIE, LITTLE BOY? 1140 01:34:34,767 --> 01:34:36,801 HE DIDN'T EVEN GO FOR HIS GUN. 1141 01:34:36,868 --> 01:34:39,100 I WAS GETTING BORED. 1142 01:34:39,167 --> 01:34:42,367 I'M A BUSY MAN. 1143 01:34:42,434 --> 01:34:45,000 WHERE WOULD YOU LIKE ME TO SHOOT YOU? 1144 01:34:45,067 --> 01:34:48,100 I WILL GIVE YOU THE CHOICE. 1145 01:34:48,167 --> 01:34:49,300 WHERE? 1146 01:34:49,367 --> 01:34:55,467 ( speaking Spanish ) 1147 01:35:05,801 --> 01:35:08,267 I WOULD NOT RECOMMEND THE STOMACH. 1148 01:35:08,334 --> 01:35:11,467 IT IS VERY PAINFUL AND IT TAKES A LONG TIME TO DIE. 1149 01:35:11,534 --> 01:35:13,934 BUT MAKE A DECISION QUICKLY, PLEASE. 1150 01:35:14,000 --> 01:35:17,400 YOU HAVE SEEN, I'M AN IMPATIENT MAN. 1151 01:35:17,467 --> 01:35:19,334 HOW ABOUT YOU JUST WING ME 1152 01:35:19,400 --> 01:35:25,501 ON THE SHOULDER RIGHT ABOUT HERE. 1153 01:35:25,567 --> 01:35:29,667 YOU ARE VERY FUNNY, LITTLE BOY. 1154 01:35:29,734 --> 01:35:35,000 I THINK MAYBE 1155 01:35:35,067 --> 01:35:42,300 ( speaking Spanish ) 1156 01:35:42,367 --> 01:35:48,434 ( Thomas ) DIABLO! 1157 01:36:35,334 --> 01:36:39,000 FINALLY, SOMEONE WHO IS WORTHY OF THE CHALLENGE. 1158 01:36:39,067 --> 01:36:41,968 CUT THE BULLSHIT, EL DIABLO. 1159 01:36:42,033 --> 01:36:48,100 MAKE YOUR MOVE. 1160 01:36:58,968 --> 01:37:05,067 ( gunshot ) 1161 01:37:52,167 --> 01:37:55,267 YOU WANT A CHAW? 1162 01:37:55,334 --> 01:38:01,400 ( gunshot ) 1163 01:38:09,300 --> 01:38:15,400 YOU WANNA TRY AGAIN? 1164 01:38:22,167 --> 01:38:28,234 ( gunshot ) 1165 01:39:00,501 --> 01:39:06,567 ( gunshot ) 1166 01:39:12,100 --> 01:39:18,901 DAMN, BOY! YOU SHOT HIM IN THE BACK. 1167 01:39:18,968 --> 01:39:25,033 WELL, HIS BACK WAS TO ME. 1168 01:39:32,467 --> 01:39:38,534 I FORGOT. 1169 01:39:44,067 --> 01:39:45,667 ( Billy Ray ) I SHOT EL DIABLO. 1170 01:39:45,734 --> 01:39:47,334 IT MAY NOT HAVE BEEN A SHOWDOWN 1171 01:39:47,400 --> 01:39:49,100 IN THE MIDDLE OF THE STREET AT HIGH NOON, 1172 01:39:49,167 --> 01:39:51,634 BUT IT HAPPENED . 1173 01:39:51,701 --> 01:39:54,300 MR. VAN LEEK WAS THERE TO DOCUMENT THE EVENT. 1174 01:39:54,367 --> 01:39:56,467 HE SEEMED TO APPROVE OF MY TACTICS. 1175 01:39:56,534 --> 01:40:02,601 ( Thomas ) YOU DID GOOD, BOY. 1176 01:40:17,200 --> 01:40:19,100 ( Billy Ray ) WE BURIED THE PREACHER, ROBERTO, 1177 01:40:19,167 --> 01:40:22,167 BEBE, AND TRUMAN IN THE HIGH PLAINS. 1178 01:40:22,234 --> 01:40:23,868 DANCING BEAR PICKED THE SPOT. 1179 01:40:23,934 --> 01:40:25,534 HE SAID THAT THE GROUND WAS RICH 1180 01:40:25,601 --> 01:40:27,200 IN HIS ANCESTOR'S BLOOD 1181 01:40:27,267 --> 01:40:32,601 AND WOULD NOURISH OUR COMPATRIOTS' SOULS . 1182 01:40:32,667 --> 01:40:35,133 THERE'S NOT MUCH TO SAY, EXCEPT 1183 01:40:35,200 --> 01:40:42,868 I DON'T PLAN TO JOIN YOU NO TIME SOON. 1184 01:40:42,934 --> 01:40:44,367 ( Billy Ray ) IT WAS WITH GREAT SADNESS 1185 01:40:44,434 --> 01:40:45,901 THAT I KNELT AT TRUMAN'S GRAVE. 1186 01:40:45,968 --> 01:40:47,334 HE HAD SAVED MY LIFE 1187 01:40:47,400 --> 01:40:48,801 AND THERE WAS NO WAY 1188 01:40:48,868 --> 01:40:51,000 I WOULD EVER BE ABLE TO PAY HIM BACK. 1189 01:40:51,067 --> 01:40:54,234 HE HAD PROVEN TO BE PERHAPS THE BRAVEST OF US ALL. 1190 01:40:54,300 --> 01:40:56,100 I REGRET THAT I WOULD NEVER BE ABLE 1191 01:40:56,167 --> 01:41:02,267 TO REALLY KNOW HIM . 1192 01:41:19,567 --> 01:41:28,234 ( man ) LOOK AT THAT. THAT'S BILLY RAY. 1193 01:41:28,300 --> 01:41:34,400 ( woman ) MY GOD! IS THAT NETTIE TULEEN? 1194 01:41:44,767 --> 01:41:48,501 ISN'T THAT BILLY RAY? SURE LOOKS DIFFERENT. 1195 01:41:48,567 --> 01:41:54,634 HE USED TO WEAR A HAT, DIDN'T HE? 1196 01:41:59,033 --> 01:42:05,133 SHE'S COME BACK. 1197 01:42:10,801 --> 01:42:16,868 DIDN'T THINK WE'D SEE THAT BOY AGAIN. 1198 01:42:51,534 --> 01:42:57,601 THANK YOU. 1199 01:43:18,968 --> 01:43:24,267 COMIN' BACK, BILLY RAY? 1200 01:43:24,334 --> 01:43:30,400 SOMEDAY. 1201 01:43:52,767 --> 01:43:55,934 DID YOU KILL EL DIABLO, BILLY RAY? 1202 01:43:56,000 --> 01:43:58,501 ONLY GOD CAN KILL THE DEVIL, CHARLIE. 1203 01:43:58,567 --> 01:44:03,968 THAT'S RIGHT, BILLY RAY. THAT'S RIGHT. 1204 01:44:04,033 --> 01:44:05,868 ( Billy Ray ) WHEN I TOLD MR. VAN LEEK I WAS GOING 1205 01:44:05,934 --> 01:44:07,801 TO WRITE AN ACCOUNT OF OUR ADVENTURE 1206 01:44:07,868 --> 01:44:09,434 HIS EARS PICKED UP . 1207 01:44:09,501 --> 01:44:11,767 SUDDENLY, HE WAS A FOUNTAIN OF INFORMATION 1208 01:44:11,834 --> 01:44:14,601 OR SHOULD I SAY FABRICATION? 1209 01:44:14,667 --> 01:44:17,167 HE REALLY GOT ROLLING WHEN I MENTIONED 1210 01:44:17,234 --> 01:44:20,133 I INTENDED TO PEN A WHOLE SERIES OF BOOKS. 1211 01:44:20,200 --> 01:44:22,667 ( Thomas ) I DON'T WANT YOU TO BE WRITIN' ABOUT 1212 01:44:22,734 --> 01:44:25,234 NO WHITE BOY WITH A FANCY HAT AND SHIRT. 1213 01:44:25,300 --> 01:44:28,434 I WANNA HEAR ABOUT THE WAY IT REALLY IS 1214 01:44:28,501 --> 01:44:30,534 HOW YOU SQUARE OFF WITH ANOTHER MAN. 1215 01:44:30,601 --> 01:44:31,834 LOOK HIM RIGHT IN THE-- 1216 01:44:31,901 --> 01:44:33,567 IN THE BACK? 1217 01:44:33,634 --> 01:44:34,868 RIGHT. 1218 01:44:34,934 --> 01:44:38,934 LOOK ANOTHER MAN RIGHT IN THE BACK AND YOU SHOOT HIM 1219 01:44:39,000 --> 01:44:41,601 BEFORE HE KNOWS WHAT HIT HIM. 84589

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