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1
00:00:02,770 --> 00:00:06,070
THE RED LIGHT'S ON.
THAT MEANS WE'RE READY, YEAH?
2
00:00:06,073 --> 00:00:07,613
(man) YES.
3
00:00:07,607 --> 00:00:11,907
WOULD YOU TELL US WHY AND HOW
A PSYCHIC BECOMES A CBI AGENT?
4
00:00:11,912 --> 00:00:15,552
I'M NOT A PSYCHIC.
NO SUCH THINGS AS PSYCHICS.
5
00:00:15,548 --> 00:00:18,648
AND HE'S NOT A CBI AGENT.
HE'S A CONSULTANT.
6
00:00:18,652 --> 00:00:20,452
BIG DIFFERENCE.
7
00:00:20,454 --> 00:00:23,324
"NO SUCH THING AS PSYCHICS."
UH, CARE TO ELABORATE?
8
00:00:28,928 --> 00:00:30,728
UH, NO, NOT PARTICULARLY.
9
00:00:30,731 --> 00:00:34,101
UM, YOU KNOW WHAT?
THIS--THIS IS NOT--
10
00:00:34,101 --> 00:00:36,371
THIS IS NOT A GOOD IDEA,
I DON'T THINK.
11
00:00:36,369 --> 00:00:39,309
UM, IT'S NOT A GOOD IDEA.
12
00:00:39,307 --> 00:00:40,937
(clears throat) OKAY.
13
00:00:40,941 --> 00:00:43,611
UM, MAYBE WE'LL--
WE'LL COME BACK TO THAT LATER.
14
00:00:43,610 --> 00:00:45,610
UH, HOW DO YOUR CASES
USUALLY START?
15
00:00:45,612 --> 00:00:48,582
UH, A CASE BEGINS WITH US
GETTING A PHONE CALL
16
00:00:48,582 --> 00:00:51,552
FROM THE A.G.'s OFFICE
TO LEAD AN INVESTIGATION.
17
00:00:51,551 --> 00:00:54,451
IN THE ST. CLARE HOMICIDE,
THE LOCAL D.A. WANTED US ON IT
18
00:00:54,454 --> 00:00:56,424
BECAUSE THERE WERE
POLITICAL ISSUES INVOLVED.
19
00:00:56,423 --> 00:00:58,433
AND HOW DID
THE LOCAL COPS FEEL
20
00:00:58,426 --> 00:01:00,526
BOUT YOUR--
YOUR TEAM COMING IN?
21
00:01:00,527 --> 00:01:04,357
WE GET ALONG EXTREMELY WELL
WITH OUR LOCAL PARTNERS
22
00:01:04,364 --> 00:01:06,634
IN LAW ENFORCEMENT, YEAH.
23
00:01:06,634 --> 00:01:08,644
MY PEOPLE CAN HANDLE THIS,
NO PROBLEM.
24
00:01:08,635 --> 00:01:11,535
CALIFORNIA BUREAU
OF INTERFERENCE IS WHAT YOU ARE.
25
00:01:11,539 --> 00:01:13,709
INTERFERENCE? THAT'S WITTY.
STAY OUT OF THIS.
26
00:01:13,706 --> 00:01:16,306
I'M SURE YOUR PEOPLE ARE
COMPETENT, CHIEF DONNER.
27
00:01:16,310 --> 00:01:18,110
WE'RE SIMPLY FOLLOWING
THE A.G.'s ORDERS.
28
00:01:18,111 --> 00:01:20,651
SCREW THE A.G. THIS CASE IS
GOING TO BE IN THE NEWS,
29
00:01:20,647 --> 00:01:23,017
AND YOU PEOPLE ARE
SPOTLIGHT HOGS. THAT'S ALL.
30
00:01:23,015 --> 00:01:26,685
I ASSURE YOU, CHIEF--
DON'T WASTE YOUR TIME. HIS ANGER
RUNS DEEPER THAN YOU CAN REACH.
31
00:01:26,686 --> 00:01:28,886
SERIOUSLY,
DON'T START TROUBLE HERE.
32
00:01:28,888 --> 00:01:30,688
IT'S THE LAST THING
WE NEED.
33
00:01:30,691 --> 00:01:32,731
THE VICTIM IS
MARTHA ST. CLARE, 34--
34
00:01:32,725 --> 00:01:35,355
MEDIA RELATIONS COORDINATOR
FOR THE MAYOR OF THIS TOWN.
35
00:01:35,362 --> 00:01:37,632
MAYOR WAS HERE TO BREAK GROUND
ON A NEW DEVELOPMENT,
36
00:01:37,631 --> 00:01:39,931
DUG UP
HER P.R. FLACK INSTEAD.
OUCH.
37
00:01:39,932 --> 00:01:42,672
YEAH, VICTIM WAS STABBED
TWICE IN THE CHEST,
38
00:01:42,670 --> 00:01:44,700
BUT THERE'S NO BLOOD HERE.
KILLED ELSEWHERE.
39
00:01:44,704 --> 00:01:47,614
HOME. HER NAILS ARE DONE.
HER HAIR'S DONE.
40
00:01:47,608 --> 00:01:50,108
THIS WOMAN DOESN'T WEAR
SWEATPANTS ANYWHERE BUT AT HOME.
41
00:01:50,109 --> 00:01:52,849
CHO, HAVE VAN PELT
CHECK IT OUT.
42
00:01:52,846 --> 00:01:56,616
THE KILLER WANTED THE BODY
TO BE DISCOVERED HERE
43
00:01:56,616 --> 00:01:58,746
UNDER THE GLARE
OF THE CAMERAS.
44
00:01:58,752 --> 00:02:01,752
AND LIKELY CAME HERE
TO WATCH THE FUSS.
45
00:02:01,754 --> 00:02:04,594
LIKELY.
MAYBE THE CAMERA CREWS
CAUGHT SOMETHING.
46
00:02:04,591 --> 00:02:07,561
WE'LL NEED TO HAVE THEM
LOOK INTO IT.
(sniffing)
47
00:02:07,561 --> 00:02:09,761
THERE'S BRUISES ON HER ARMS.
48
00:02:09,763 --> 00:02:12,733
LOOKS LIKE SOMETHING
WAS RIPPED OFF HER NECK
49
00:02:12,733 --> 00:02:16,103
DURING THE STRUGGLE.
IS HE SNIFFING HER?
50
00:02:16,103 --> 00:02:19,143
YES.
YOU PAY HIM TO SNIFF PEOPLE?
51
00:02:19,139 --> 00:02:22,039
APPARENTLY.
SHE'S BEEN SMOKING.
52
00:02:22,042 --> 00:02:24,712
THE NICOTINE PATCH ON HER ARM
SAYS SHE WAS TRYING TO QUIT.
53
00:02:24,711 --> 00:02:27,511
SO UNDER STRESS OF LATE.
WELL, CASE CLOSED.
54
00:02:27,514 --> 00:02:29,754
STRESS GOT A KNIFE
AND STABBED HER TO DEATH.
55
00:02:29,750 --> 00:02:32,650
HE'S ON A ROLL.
YOU'RE ON A ROLL.
56
00:02:32,652 --> 00:02:35,492
(sniffs) CHEAP SOAP.
UNIRONED SHIRT. STOMACH PAINS.
57
00:02:35,489 --> 00:02:37,859
RECENT LOSS OF WEIGHT. I'M GONNA
TAKE A WILD GUESS HERE.
58
00:02:37,858 --> 00:02:40,888
YOU'RE ANGRY AND UNHAPPY
'CAUSE YOU'RE LIVING IN A MOTEL
59
00:02:40,894 --> 00:02:42,904
BECAUSE YOUR WIFE FOUND OUT
ABOUT THE WOMAN
60
00:02:42,896 --> 00:02:45,596
YOU'RE HAVING AN AFFAIR WITH
THAT YOU DON'T EVEN CARE FOR.
61
00:02:45,598 --> 00:02:48,398
YOU'RE A SEETHING MASS
OF SELF-LOATHING,
62
00:02:48,401 --> 00:02:52,171
AND UNDERSTANDABLY SO.
YOU SON OF A BITCH!
63
00:02:52,171 --> 00:02:55,541
CHIEF DONNER, MY APOLOGIES.
HE WAS COMPLETELY OUT OF LINE.
64
00:02:55,543 --> 00:02:58,483
LET--LET'S JUST GET BACK
TO THE BODY. SIR?
65
00:03:10,424 --> 00:03:13,134
WE'VE CLOSED MORE CASES
THAN ANY OTHER UNIT IN THE CBI,
66
00:03:13,126 --> 00:03:15,126
BUT WE DON'T KEEP SCORE
THAT WAY.
67
00:03:15,127 --> 00:03:16,997
IT'S NOT A CONTEST.
68
00:03:16,997 --> 00:03:18,797
AND YOU--YOU ALSO LEAD
69
00:03:18,799 --> 00:03:22,639
IN THE NUMBER OF COMPLAINTS
AND LAWSUITS FILED.
70
00:03:24,405 --> 00:03:26,365
OKAY, HOLD IT.
71
00:03:26,373 --> 00:03:30,243
I THOUGHT WE HAD AN AGREEMENT.
72
00:03:30,243 --> 00:03:33,683
BRENDA, A WORD.
73
00:03:36,516 --> 00:03:40,486
(lowers voice) JANE'S RIGHT.
THIS ISN'T A GOOD IDEA.
74
00:03:40,487 --> 00:03:42,787
I THOUGHT THIS WAS SUPPOSED
TO BE POSITIVE COVERAGE.
75
00:03:42,789 --> 00:03:45,789
IT IS! IT WILL BE. IF WE'RE OPEN
AND HONEST ABOUT THE ISSUES,
76
00:03:45,793 --> 00:03:48,033
THE POSITIVITY FOLLOWS.
THAT'S P.R. 101.
77
00:03:48,027 --> 00:03:50,827
WE'RE TRYING TO SOLVE
A WOMAN'S MURDER HERE, BRENDA.
78
00:03:50,831 --> 00:03:53,771
WE DON'T HAVE TIME
TO WASTE ON P.R.
79
00:03:53,766 --> 00:03:56,496
TERESA, YOU KNOW THAT WE HAVE
BEEN CRUCIFIED BY THE MEDIA
80
00:03:56,503 --> 00:03:58,913
EVER SINCE BOSCO
AND HIS TEAM WERE KILLED
81
00:03:58,906 --> 00:04:01,736
HERE IN OUR OWN HOUSE. WHEN KTQZ
ASKED ME FOR ACCESS YESTERDAY,
82
00:04:01,741 --> 00:04:06,081
I JUMPED AT IT,
AND THE DEPUTY A.G. CONCURRED.
83
00:04:06,079 --> 00:04:09,249
WHO IS THIS GUY ANYWAY?
84
00:04:09,248 --> 00:04:11,018
TOTALLY LEGIT
TV INVESTIGATIVE REPORTER.
85
00:04:11,018 --> 00:04:15,518
HE HAS BEEN COVERING
THE CENTRAL VALLEY FOR YEARS.
86
00:04:15,522 --> 00:04:18,332
WE NEED THIS, TERESA.
PLEASE.
87
00:04:18,326 --> 00:04:20,326
WORK WITH US.
HE STAYS OUT OF MY WAY.
88
00:04:20,327 --> 00:04:22,897
HE CAN FILM IN THE OFFICE
AND IN THE BULLPEN,
89
00:04:22,896 --> 00:04:25,396
BUT NOT OUT IN THE FIELD.
THANK YOU.
90
00:04:25,399 --> 00:04:27,229
SERIOUSLY, THANK YOU.
91
00:04:27,233 --> 00:04:30,703
YOU WON'T BE SORRY. AND IT'S
A TWO-WAY STREET, AGENT LISBON.
92
00:04:30,704 --> 00:04:34,884
IF THERE'S ANYTHING
I CAN DO FOR YOU...
THERE IS ONE THING.
93
00:04:34,875 --> 00:04:37,375
OKAY, SO THIS IS THE FOOTAGE
STEVE AND I GRABBED
94
00:04:37,377 --> 00:04:38,747
OF THE GROUNDBREAKING.
95
00:04:38,745 --> 00:04:42,115
THAT'S THE MAYOR--
MELBA WALKER SHANNON.
96
00:04:42,115 --> 00:04:44,075
SHE PLAYS UP THE FOLKSY IMAGE,
97
00:04:44,084 --> 00:04:47,124
BUT SHE CAN BE TOUGH AS NAILS
IF SHE NEEDS TO BE.
NICE SHOES. CHIP?
98
00:04:47,120 --> 00:04:51,520
NO, THANKS. WHO'S THE RICH GUY
NEXT TO THE MAYOR?
OH, THAT'S HEATON KRUPP.
HE'S THE PRIVATE DEVELOPER
99
00:04:51,524 --> 00:04:55,264
ON THE PROJECT--
OFF THE RECORD, A PRIZE JERK.
WHO ARE THOSE PEOPLE?
100
00:04:55,262 --> 00:04:57,872
TREE HUGGERS.
THE PROJECT'S GOING UP
101
00:04:57,865 --> 00:05:01,295
ON THE EDGE
OF SOME RECLAIMED LAND.
YOU MEAN PROTECTED WILDLANDS.
102
00:05:01,300 --> 00:05:03,370
YOU SAY "POTATO."
YOU HAVE ANY OTHER FOOTAGE
OF THE CROWDS?
103
00:05:03,370 --> 00:05:05,740
NOT REALLY.
OTHER NETWORKS MIGHT,
104
00:05:05,738 --> 00:05:09,578
BUT GAINING ACCESS
CAN BE TRICKY.
IT'D BE GOOD TO GET
A DIFFERENT PERSPECTIVE.
105
00:05:09,576 --> 00:05:11,476
CHO, SEE IF YOU CAN
GET THE FOOTAGE.
YOU GOT IT.
106
00:05:11,478 --> 00:05:14,648
ALL RIGHT,
THAT'S WILSON FONTENEAU,
107
00:05:14,648 --> 00:05:18,618
THE MAYOR'S FLUNKY,
AND HERE COMES THE MONEY SHOT.
108
00:05:27,694 --> 00:05:29,504
WHEW.
109
00:05:33,401 --> 00:05:35,401
(click)
110
00:05:35,403 --> 00:05:37,403
THESE ARE
FROM THE VICTIM'S HOME.
111
00:05:37,404 --> 00:05:39,214
BESIDES THE SIGNS
OF A SCUFFLE,
112
00:05:39,206 --> 00:05:42,036
THE ONLY THING THAT SEEMED TO BE
MISSING WAS THE VICTIM'S LAPTOP.
113
00:05:42,042 --> 00:05:46,512
THE MURDERER PROBABLY TOOK IT.
CHECK OUT THIS NECKLACE.
114
00:05:46,514 --> 00:05:49,954
FROM THE PHOTOS, IT LOOKS
LIKE SHE WORE IT A LOT.
115
00:05:49,949 --> 00:05:53,549
YOU THINK IT COULD HAVE
MADE THE MARK ON HER NECK?
COULD BE. WHEN YOU GO
TO THE APARTMENT,
116
00:05:53,553 --> 00:05:56,363
DO A TARGETED SEARCH.
THE NECKLACE IS LONG GONE.
117
00:05:56,355 --> 00:06:00,155
MY GUESS--THE KILLER
MADE A SOUVENIR OF IT.
GO.
118
00:06:00,160 --> 00:06:02,190
OKAY.
WHERE WE GOING?
119
00:06:02,194 --> 00:06:04,064
MAYOR'S OFFICE.
120
00:06:04,064 --> 00:06:07,404
I DON'T HAVE ANY PROBLEM
BEING IN CHARGE, NO.
121
00:06:07,401 --> 00:06:10,641
I MEAN, MAYBE AT FIRST
FOR A WHILE,
122
00:06:10,637 --> 00:06:12,637
AS A WOMAN, IT WAS A CHALLENGE,
123
00:06:12,639 --> 00:06:15,409
BUT THE DEMANDS
OF THE JOB TAKE OVER.
124
00:06:15,408 --> 00:06:16,578
YEAH.
125
00:06:16,576 --> 00:06:18,576
(man) TELL ME
ABOUT YOUR WEEKENDS.
126
00:06:18,579 --> 00:06:21,209
YOU WANT TO KNOW WHAT I DO
ON MY WEEKENDS?
127
00:06:21,213 --> 00:06:22,383
YEAH.
128
00:06:22,382 --> 00:06:24,122
WHY DO YOU WANT TO KNOW THAT?
129
00:06:24,117 --> 00:06:28,717
I MEAN, I HAVE NO PROBLEM HAVING
A LIFE, IF THAT'S WHAT YOU MEAN.
130
00:06:28,721 --> 00:06:31,391
I DON'T KNOW WHY ANYBODY
WOULD SAY OTHERWISE--
131
00:06:31,391 --> 00:06:33,461
IF THEY DO SAY OTHERWISE.
132
00:06:33,461 --> 00:06:35,261
UM, I'M SORRY.
133
00:06:35,262 --> 00:06:37,632
WHAT WERE WE TALKING ABOUT?
134
00:06:45,305 --> 00:06:47,105
SORRY FOR THE DELAY.
135
00:06:47,106 --> 00:06:49,506
THE MAYOR'S JUST FINISHING UP
ANOTHER MEETING.
136
00:06:49,509 --> 00:06:52,179
IT'S BEEN A CRAZY DAY
AROUND HERE. CAN I HELP YOU?
137
00:06:52,178 --> 00:06:53,748
OH, NO, I'M FINE. THANKS.
138
00:06:53,747 --> 00:06:58,147
MR. FONTENEAU, DID YOU WORK
CLOSELY WITH MARTHA ST. CLARE?
139
00:06:58,151 --> 00:07:01,291
FOR 16 MONTHS.
MARTHA HIRED ME, ACTUALLY.
140
00:07:01,288 --> 00:07:03,288
WE NOTICED IN A LOT
OF RECENT PHOTOGRAPHS
141
00:07:03,290 --> 00:07:06,660
THAT SHE HAD A-A NECKLACE ON
WITH A BEAUTIFUL STONE.
142
00:07:06,660 --> 00:07:10,560
YES, A TOPAZ, I THINK.
IT WAS HER BIRTHSTONE.
143
00:07:10,564 --> 00:07:15,334
SHE GOT IT CHRISTMAS OF LAST
YEAR AND NEVER TOOK IT OFF.
DO YOU KNOW WHO GAVE IT TO HER?
144
00:07:15,334 --> 00:07:18,544
NO.
SHE HAD A LOT OF MEETINGS,
EVEN ON WEEKENDS--
145
00:07:18,538 --> 00:07:20,468
BUSINESS INTERESTS,
COMMUNITY GROUPS, BOOK CLUB.
146
00:07:20,473 --> 00:07:22,483
TOMORROW IS A BIG DAY.
SHE HAS A STAR
147
00:07:22,475 --> 00:07:24,305
AND 3 EXCLAMATION MARKS
AT 11:00.
148
00:07:24,310 --> 00:07:25,750
YES.
149
00:07:25,745 --> 00:07:29,115
UH, SHE SCHEDULED A BRIEFING
WITH THE CITY COUNCIL.
150
00:07:29,115 --> 00:07:33,245
ON WHAT SUBJECT?
I DON'T KNOW, TO BE HONEST.
THE MAYOR WILL KNOW.
151
00:07:33,252 --> 00:07:35,392
WAS SHE DATING ANYONE?
152
00:07:35,387 --> 00:07:37,387
A SOCIAL LIFE--MARTHA?
153
00:07:37,389 --> 00:07:39,659
NO, SHE HAD A CAT.
154
00:07:39,659 --> 00:07:41,799
AH. YES. SEE?
155
00:07:41,795 --> 00:07:44,495
BUT IT DIED.
RIGHT.
156
00:07:44,497 --> 00:07:46,467
EXCUSE ME.
ARE YOU THE CBI AGENTS?
157
00:07:46,466 --> 00:07:48,866
MAYOR,
THANK YOU FOR SEEING US.
158
00:07:48,869 --> 00:07:51,439
HAPPY TO HELP,
AND PLEASE CALL ME MELBA.
LIKE THE TOAST?
159
00:07:51,437 --> 00:07:54,537
JUST LIKE. THIS WAY.
160
00:07:58,377 --> 00:08:01,547
CAN YOU TELL US ABOUT
YOUR CONSTRUCTION PROJECT
161
00:08:01,548 --> 00:08:03,348
THAT YOU WERE
OPENING YESTERDAY?
162
00:08:03,350 --> 00:08:07,560
IT'S THE GRANTON COMPLEX, YES.
WE ARE VERY PROUD OF IT.
163
00:08:07,555 --> 00:08:10,155
IT'S OFFICE AND RETAIL SPACE
PLUS HOUSING,
164
00:08:10,156 --> 00:08:13,356
ALL BUILT WITH
THE LATEST GREEN TECHNOLOGY.
165
00:08:13,360 --> 00:08:16,100
AND WHAT WAS MARTHA'S
INVOLVEMENT IN THE PROJECT?
166
00:08:16,096 --> 00:08:19,166
NONE, REALLY. SHE...
167
00:08:19,165 --> 00:08:21,935
SHE WAS MY MEDIA LIAISON.
168
00:08:21,935 --> 00:08:25,335
SHE WAS NOT ENGAGED
IN POLICY ISSUES.
169
00:08:25,338 --> 00:08:29,308
THEN WHAT WAS SHE GONNA TALK
ABOUT AT CITY COUNCIL TOMORROW?
170
00:08:29,309 --> 00:08:33,579
OH, A PRESS JUNKET.
IT WAS RIVER RAFTING, I BELIEVE.
171
00:08:33,581 --> 00:08:35,951
CHIEF DONNER SAYS YOUR OFFICE
172
00:08:35,948 --> 00:08:39,018
HAS RECEIVED SEVERAL THREATS
FROM ENVIRONMENTAL ACTIVISTS.
173
00:08:39,019 --> 00:08:41,019
ACTIVISTS?
NO, THEY'RE TERRORISTS.
174
00:08:41,020 --> 00:08:44,190
THEY BURNED DOWN VACATION CONDOS
UP ON THE MOUNTAIN.
175
00:08:44,191 --> 00:08:46,891
THEY DESTROYED LUXURY CAR LOTS
JUST ONE TOWN OVER.
176
00:08:46,894 --> 00:08:50,604
THEY'RE LED BY A MADMAN,
AND HE CALLS HIMSELF JASPER.
177
00:08:50,597 --> 00:08:53,597
EXCUSE ME.
178
00:08:53,600 --> 00:08:56,940
WILSON,
ANYTHING ELSE CAN WAIT.
179
00:09:02,576 --> 00:09:04,576
THE THREATS?
180
00:09:04,577 --> 00:09:06,577
YES. UM...
181
00:09:08,280 --> 00:09:12,250
(voice distorted) THE GRANTON
DEVELOPMENT IS AN ABOMINATION--
182
00:09:12,251 --> 00:09:15,661
A HUNDRED ACRES
OF PRISTINE WILDLANDS RAZED,
183
00:09:15,655 --> 00:09:18,515
AN ENTIRE ECOSYSTEM ENDANGERED.
184
00:09:18,524 --> 00:09:20,664
IT MUST STOP.
185
00:09:20,661 --> 00:09:24,801
IT WILL STOP, NO MATTER
WHAT NEEDS TO BE DONE.
186
00:09:24,798 --> 00:09:29,868
MY NAME IS JASPER,
AND I AM LEGION.
187
00:09:29,870 --> 00:09:32,110
(chuckling) COME ON.
188
00:09:32,105 --> 00:09:35,165
"I AM LEGION."
THAT'S JUST SILLY.
189
00:09:35,174 --> 00:09:36,984
SILLY?
YEAH.
190
00:09:36,976 --> 00:09:40,006
HE MURDERED MARTHA.
WELL, YOU ASSUME.
191
00:09:40,013 --> 00:09:43,023
YES, I DO. THE BODY WAS BURIED
AT THE SITE, FOR GOD'S SAKE.
192
00:09:43,015 --> 00:09:45,645
AND THAT IS A CLEAR MESSAGE,
ISN'T IT?
193
00:09:45,653 --> 00:09:48,193
MELBA,
WHY WOULD HE KILL MARTHA...
194
00:09:48,187 --> 00:09:50,017
AND NOT KILL YOU?
195
00:09:50,023 --> 00:09:52,233
IT'D BE
A BIGGER PUBLICITY COUP.
196
00:09:52,225 --> 00:09:54,285
EXCUSE ME?
197
00:09:54,293 --> 00:09:58,163
UH...
WHAT MR. JANE IS TRYING TO ASK
IS WHETHER THERE WAS SOMEBODY
198
00:09:58,164 --> 00:10:01,104
WITH A MORE DIRECT PERSONAL
GRUDGE AGAINST MARTHA.
MM...
199
00:10:01,100 --> 00:10:02,900
YEAH.
NO.
200
00:10:02,903 --> 00:10:05,743
SHE WAS A LOVELY--
WAS A LOVELY PERSON.
201
00:10:05,739 --> 00:10:08,479
OH, THEN WHY DID YOU
DISLIKE HER SO MUCH?
202
00:10:08,475 --> 00:10:10,275
I DIDN'T DISLIKE MARTHA.
203
00:10:10,277 --> 00:10:14,177
WHY WOULD I EMPLOY SOMEONE
THAT I DON'T LIKE?
204
00:10:14,181 --> 00:10:16,321
THAT'S A VERY GOOD QUESTION.
WHEN YOU SAID IT,
205
00:10:16,316 --> 00:10:18,886
YOUR JAW TENSED AND YOUR EYES
WENT EMPTY LIKE A COBRA.
WILSON!
206
00:10:18,885 --> 00:10:21,245
I'M NOT SAYING
YOU KILLED HER.
207
00:10:21,254 --> 00:10:25,364
I'M JUST SAYING THAT YOU'RE
RELIEVED THAT SHE'S DEAD.
THESE PEOPLE
WILL BE LEAVING NOW.
208
00:10:25,357 --> 00:10:28,257
OH, I LIKE THE WAY YOU SAY THAT,
MELBA-LIKE-THE-TOAST--
209
00:10:28,260 --> 00:10:30,800
SO TOUGH AND COMMANDING.
LET ME TELL YOU SOMETHING.
210
00:10:30,798 --> 00:10:33,228
WE ARE STATE LAW ENFORCEMENT,
AND WE LEAVE
211
00:10:33,232 --> 00:10:35,902
WHEN WE WANT TO LEAVE.
(Lisbon)
THANK YOU FOR YOUR TIME.
212
00:10:35,903 --> 00:10:38,043
(Patrick) SHE WANTS TO LEAVE.
213
00:10:40,740 --> 00:10:43,310
YOU BLEW MY COOL.
214
00:10:43,309 --> 00:10:45,879
I SWEAR, SOMETIMES I THINK
YOU NEED MEDICATION.
215
00:10:45,879 --> 00:10:47,849
IT'S LIKE YOU'VE GOT
A.D.D. OR SOMETHING.
216
00:10:47,847 --> 00:10:50,417
WELL, "A," I'M NOT SO SURE
THAT A.D.D. EVEN EXISTS,
217
00:10:50,417 --> 00:10:53,117
AND "B," I WAS WINDING HER UP
FOR A REASON.
WHICH IS?
218
00:10:53,120 --> 00:10:55,460
A DIVERSION.
THE MESSAGE THE AIDE BROUGHT IN
219
00:10:55,455 --> 00:10:58,015
MADE HER NERVOUS,
SO I TOOK IT.
YOU'RE STEALING NOW?
220
00:10:58,024 --> 00:11:00,464
WELL, LET'S JUST
CALL IT PURLOINING.
WHAT DOES IT SAY?
221
00:11:00,460 --> 00:11:04,330
IT SAYS "YOUR 3:00 MEETING
HAS NOW BEEN MOVED TO 3:15."
222
00:11:04,331 --> 00:11:05,531
I'M JUST KIDDING.
223
00:11:05,532 --> 00:11:08,572
IT SAYS, "9-1-1. CALL NOW.
URGENT. ABOUT MARTHA."
224
00:11:08,567 --> 00:11:10,737
FROM HEATON KRUPP.
225
00:11:10,738 --> 00:11:14,608
THE DEVELOPER
OF THE GRANTON PROJECT.
226
00:11:14,606 --> 00:11:17,076
OH, YEAH.
227
00:11:17,076 --> 00:11:19,276
(man) DO YOU ENJOY
POLICE WORK?
228
00:11:19,278 --> 00:11:21,208
MM...
229
00:11:24,650 --> 00:11:26,620
PATRICK?
230
00:11:26,619 --> 00:11:28,719
UH, YEAH, I'M THINKING.
231
00:11:28,721 --> 00:11:31,961
UH, MM, YES AND NO.
232
00:11:31,958 --> 00:11:35,998
UH, YEAH, SOMETIMES.
SOMETIMES NOT.
233
00:11:35,995 --> 00:11:38,065
FORGET IT, STEVE.
234
00:11:38,065 --> 00:11:40,825
WHY DO YOU SO DISLIKE
BEING FILMED?
235
00:11:40,834 --> 00:11:43,944
UH... (clears throat)
236
00:11:43,937 --> 00:11:46,767
'CAUSE YOU'RE
STEALING MY SOUL.
237
00:11:47,908 --> 00:11:51,278
SO I CALLED THE MAYOR.
SO WHAT?
238
00:11:51,278 --> 00:11:54,378
I'M BUILDING A $20 MILLION
COMPLEX IN HER TOWN.
239
00:11:54,380 --> 00:11:56,780
I CALL HER A LOT.
ABOUT MS. ST. CLARE?
240
00:11:56,783 --> 00:11:59,353
ABOUT WHEN I CAN START
CONSTRUCTION AGAIN.
241
00:11:59,351 --> 00:12:01,891
THIS IS COSTING ME HUNDREDS
OF THOUSANDS OF DOLLARS.
242
00:12:01,889 --> 00:12:05,489
IT COST MS. ST. CLARE
A LOT MORE.
AND I'M SORRY ABOUT THAT.
243
00:12:05,491 --> 00:12:08,291
I AM. BUT THERE'S NOTHING
I CAN DO ABOUT IT.
244
00:12:08,294 --> 00:12:11,704
MARTHA WOULD HAVE
WANTED US TO GO ON.
245
00:12:11,697 --> 00:12:15,837
YOU KNEW HER WELL ENOUGH
TO KNOW THAT?
YOU'RE RIGHT. I'M BEING PIOUS.
246
00:12:15,836 --> 00:12:18,166
MAYBE MARTHA WOULD HAVE SAID,
"SCREW IT."
247
00:12:18,171 --> 00:12:21,341
I KNEW HER NOT AT ALL
OUTSIDE OF BUSINESS.
REALLY?
248
00:12:21,341 --> 00:12:23,311
'CAUSE WE JUST GOT
HER CELL PHONE RECORDS,
249
00:12:23,309 --> 00:12:25,109
AND YOU CALLED HER
TEN TIMES YESTERDAY.
250
00:12:25,111 --> 00:12:27,181
YOU WANT TO TELL US
WHAT YOU WANTED
251
00:12:27,179 --> 00:12:30,149
TO TALK ABOUT SO URGENTLY?
SEEMS I SHOULD GET MY LAWYER,
HAVE HIM SIT IN WITH US.
252
00:12:30,149 --> 00:12:34,019
SURE. THAT'S YOUR RIGHT.
TELL HIM TO BRING ALL YOUR
PERMITS FOR THE GRANTON PROJECT.
253
00:12:34,020 --> 00:12:36,020
MY PERMITS? WHY?
WHY NOT?
254
00:12:36,023 --> 00:12:38,963
AND WE SHOULD MAKE SURE THIS
STAYS AN ACTIVE CRIME SCENE--
255
00:12:38,959 --> 00:12:41,829
KEEP EVERYONE OUT
UNTIL THE CASE IS SOLVED.
COULD TAKE WEEKS.
256
00:12:41,828 --> 00:12:44,098
SEE... WE WERE TALKING
ABOUT MONEY, OKAY?
257
00:12:44,096 --> 00:12:46,396
$10 MILLION IN PUBLIC FUNDS
WAS TO BE RELEASED
258
00:12:46,399 --> 00:12:49,539
WHEN WE BROKE GROUND. THEN I
HEARD RUMORS THAT ST. CLARE
259
00:12:49,536 --> 00:12:52,866
WAS PLANNING TO TELL THE CITY
COUNCIL TO WITHHOLD THEM.
WHY?
260
00:12:52,873 --> 00:13:00,083
I DON'T KNOW! I MEAN, THAT'S
WHAT I WAS TRYING TO FIND OUT.
BUT ST. CLARE WAS KILLED
261
00:13:00,080 --> 00:13:04,220
BECAUSE YOU'RE MESSING
WITH THE WRONG GUY, OFFICER!
WE'RE NOT OFFICERS.
WE'RE AGENTS.
262
00:13:04,216 --> 00:13:07,286
THAT'S QUITE A TEMPER
YOU GOT THERE.
(glass shatters)
263
00:13:07,287 --> 00:13:08,817
LOOK OUT!
264
00:13:11,091 --> 00:13:14,661
(grunts)
GET DOWN, GET DOWN!
GET ON THE FLOOR!
265
00:13:14,660 --> 00:13:17,730
HELP!
(shouting indistinctly)
266
00:13:17,730 --> 00:13:20,770
I GOT THE DOOR!
GO, GO, GO, GO!
267
00:13:20,767 --> 00:13:23,437
I GOT THE DOOR!
(grunting)
268
00:13:23,436 --> 00:13:26,836
AAH! I GOT YOU.
269
00:13:30,009 --> 00:13:31,479
(glass shatters)
270
00:13:35,715 --> 00:13:36,915
(coughs)
271
00:13:41,955 --> 00:13:44,885
(all coughing and wheezing)
272
00:14:01,173 --> 00:14:05,613
THIS WAS DONE BY SOMEONE WHO
KNEW WHAT HE OR SHE WAS DOING.
273
00:14:05,611 --> 00:14:07,611
(coughing)
CRACKPOT JASPER.
274
00:14:07,614 --> 00:14:09,224
HE'S A TERRORIST,
275
00:14:09,216 --> 00:14:11,616
AND YOU AIN'T DOING JACK
TO CATCH HIM, CHIEF.
276
00:14:11,618 --> 00:14:15,618
I'M IN CHARGE OF THE TOWN
OF SALTER, MR. KRUPP,
277
00:14:15,621 --> 00:14:17,191
NOT THE OUTLYING AREAS.
278
00:14:17,190 --> 00:14:19,060
(indistinct
police radio chatter)
279
00:14:19,058 --> 00:14:23,158
JASPER'S NEVER LAUNCHED
AN ATTACK HERE IN TOWN BEFORE.
UNTIL NOW.
280
00:14:23,163 --> 00:14:25,903
HEY! CHECK THIS OUT.
281
00:14:32,371 --> 00:14:35,141
APPARENTLY, THIS IS
THE SAME TAG THAT JASPER USED
282
00:14:35,142 --> 00:14:38,382
IN THE ATTACK ON THE CONDOS.
283
00:14:39,879 --> 00:14:42,719
IT'S GOOD JUST HERE?
(man) THAT'S GREAT.
284
00:14:42,715 --> 00:14:44,515
UH, I'VE BEEN IN FIRES BEFORE.
285
00:14:44,517 --> 00:14:47,887
I WORKED WITH THE, UH,
ARSON SQUAD IN SAN DIEGO
286
00:14:47,886 --> 00:14:50,656
FOR A COUPLE YEARS, SO I'M NOT
UNFAMILIAR WITH THE ISSUES.
287
00:14:50,657 --> 00:14:53,657
IT'S NEVER PLEASANT, THOUGH.
(chuckles)
288
00:14:53,659 --> 00:14:55,459
UM, I MEAN, WHEN YOU'RE--
289
00:14:55,461 --> 00:14:58,131
WHEN YOU'RE IN IT, IT'S--
THERE'S NO TIME TO THINK.
290
00:14:58,130 --> 00:15:01,630
BUT--BUT AFTERWARDS,
WELL...
291
00:15:01,634 --> 00:15:03,804
YEAH.
292
00:15:03,802 --> 00:15:05,802
IT CAN MAKE YOU THINK.
293
00:15:05,804 --> 00:15:08,344
THERE WAS A...
294
00:15:08,341 --> 00:15:12,081
THERE WAS A MOMENT THERE
WHERE, UH...
295
00:15:15,248 --> 00:15:18,988
YEAH, MAKES YOU THINK.
296
00:15:20,687 --> 00:15:22,817
IT'S A GIFT, ISN'T IT?
297
00:15:22,822 --> 00:15:24,422
LIFE.
298
00:15:24,423 --> 00:15:28,003
YOU SHOULD BE
GRATEFUL FOR IT...
299
00:15:27,995 --> 00:15:31,095
MAKE THE MOST OF IT.
300
00:15:31,097 --> 00:15:35,127
WE HAVE TO CATCH THIS GUY
BEFORE HE KILLS SOMEONE ELSE.
HE HASN'T KILLED ANYONE YET.
301
00:15:35,134 --> 00:15:36,904
NOT MARTHA ST. CLARE?
302
00:15:36,903 --> 00:15:39,473
EH.
MARTHA ST. CLARE WAS ABOUT
TO STALL THE DEVELOPMENT.
303
00:15:39,471 --> 00:15:41,771
THAT EXACTLY WHAT JASPER WANTS.
SO WHY KILL HER?
304
00:15:41,774 --> 00:15:44,444
(Lisbon) MAYBE HE DIDN'T
KNOW MARTHA'S INTENTIONS.
305
00:15:44,443 --> 00:15:47,483
BUT THE MAYOR MUST HAVE KNOWN.
LET'S GO SEE HER.
306
00:15:47,480 --> 00:15:50,280
YEAH. YOU GUYS LOOK
INTO THIS JASPER CHARACTER.
307
00:15:50,283 --> 00:15:53,253
DON'T BOTHER.
HE'S A RED HERRING.
WHAT DOES THAT MEAN, ANYWAY--
A RED HERRING?
308
00:15:53,253 --> 00:15:55,053
A RED HERRING IS
WHAT YOU LOOK IN TO
309
00:15:55,054 --> 00:15:57,124
REGARDLESS OF WHAT
JANE TELLS YOU.
310
00:15:57,124 --> 00:16:00,194
ANYTHING ON
THE NETWORKS' FOOTAGE?
THEY'VE BEEN
THROWING UP HURDLES--
311
00:16:00,192 --> 00:16:04,432
SOMETHING ABOUT
FIRST AMENDMENT ISSUES.
GET THE FOOTAGE. I'M TIRED
OF HEARING THEIR EXCUSES.
312
00:16:04,431 --> 00:16:08,201
WE I.D. SOMEBODY IN THE CROWD,
MAYBE WE GET LUCKY.
YES, BOSS.
313
00:16:08,201 --> 00:16:10,041
WHY AM I A DETECTIVE?
WHY ARE YOU A REPORTER?
314
00:16:10,037 --> 00:16:12,207
WHAT?
315
00:16:12,205 --> 00:16:14,965
WHY ARE YOU MAKING
THIS DOCUMENTARY?
IT'S A FRESH PERSPECTIVE
ON LAW ENFORCEMENT.
316
00:16:14,974 --> 00:16:17,344
NO, I MEAN,
WHAT'S IN IT FOR YOU?
317
00:16:17,344 --> 00:16:19,714
WELL, UH, SCORING THIS EXCLUSIVE
IS A GOOD WAY TO GET NOTICED.
318
00:16:19,711 --> 00:16:22,451
SO YOU'RE AMBITIOUS. HOW LONG
YOU BEEN DOING THE NEWS HERE?
319
00:16:22,448 --> 00:16:24,718
ABOUT EIGHT YEARS.
ANCHOR?
320
00:16:24,716 --> 00:16:29,256
MOSTLY FIELDWORK.
SO YOU'RE AMBITIOUS, BUT YOU
HAVEN'T GOTTEN VERY FAR.
321
00:16:29,255 --> 00:16:31,655
I, UH, I GUESS
THAT'S ABOUT IT, YEAH.
322
00:16:31,658 --> 00:16:33,628
YOU DON'T LIKE BEING ASKED
QUESTIONS, DO YOU?
323
00:16:33,625 --> 00:16:36,725
THE TEAM AS A WHOLE SEEMS
TO HAVE A PROBLEM WITH THAT.
324
00:16:36,729 --> 00:16:39,229
IS THAT A QUESTION?
325
00:16:39,231 --> 00:16:41,771
MIKE,
IF I CAN INTERRUPT HERE?
YEAH.
326
00:16:41,768 --> 00:16:43,538
WE'RE CLEAR.
327
00:16:43,536 --> 00:16:47,836
UH, THERE'S COFFEE IN
THE KITCHEN, JOHN. I'M SO SORRY.
328
00:16:47,840 --> 00:16:49,340
AGENT CHO?
329
00:16:49,341 --> 00:16:50,541
YEAH?
330
00:16:50,543 --> 00:16:52,543
IT IS THE SPECIFIC REQUEST
OF THE DEPUTY A.G.
331
00:16:52,544 --> 00:16:55,854
THAT YOUR UNIT COOPERATE
FULLY WITH THE MEDIA.
332
00:16:55,847 --> 00:16:58,317
WHAT'S YOUR POINT?
(coughs)
333
00:16:58,317 --> 00:17:00,647
(Rigsby clears throat)
334
00:17:00,653 --> 00:17:02,653
OHH.
335
00:17:02,654 --> 00:17:04,594
(Rigsby coughs)
336
00:17:10,563 --> 00:17:13,103
MAYOR SHANNON,
WE NEED TO TALK.
337
00:17:13,099 --> 00:17:15,629
OF COURSE. I HAVE A MEETING.
PLEASE MAKE IT FAST.
338
00:17:15,634 --> 00:17:19,944
SURE. HOW BIG WAS YOUR BRIBE
FROM HEATON KRUPP?
339
00:17:19,939 --> 00:17:22,879
THAT IS
AN OUTRAGEOUS SLANDER.
340
00:17:22,875 --> 00:17:25,475
YOU SOLD YOUR APPROVAL
OF THE GRANTON PROJECT.
341
00:17:25,478 --> 00:17:27,478
MARTHA FOUND OUT.
SHE WAS GONNA REVEAL IT
342
00:17:27,480 --> 00:17:30,480
AT THE CITY COUNCIL MEETING,
WHICH YOU SAID WAS GONNA BE
343
00:17:30,482 --> 00:17:33,522
ABOUT RIVER RAFTING,
OF ALL THINGS.
344
00:17:33,519 --> 00:17:35,519
RIVER RAFTING--
FROM WHERE DID YOU PULL THAT?
345
00:17:35,521 --> 00:17:37,591
YOU BETTER HAVE
REALLY GOOD PERSONAL LAWYERS.
346
00:17:37,589 --> 00:17:40,429
IF YOU PURSUE
THIS ABSURD LINE OF HARASSMENT,
347
00:17:40,426 --> 00:17:45,426
I WILL HANG YOU BY YOUR HEELS.
DID YOU GET A SLICE, TOO,
OR ARE YOU STRICTLY WAGE LABOR?
348
00:17:45,432 --> 00:17:48,502
I--
YOUR SUPERIORS WILL HEAR
FROM OUR LAWYERS.
349
00:17:48,500 --> 00:17:50,240
OH,
DON'T BOTHER WITH LAWYERS.
350
00:17:50,237 --> 00:17:52,737
IT'S SUCH A WASTE
OF TAXPAYER DOLLARS.
351
00:17:52,739 --> 00:17:56,939
JUST CONFESS.
YOU'LL FEEL A LOT BETTER.
IN ACTUALITY, YOU HAVE NO PROOF
OF THIS SO-CALLED BRIBERY.
352
00:17:56,942 --> 00:17:58,712
UH, NONE AT ALL.
353
00:17:58,711 --> 00:18:01,151
ARE ALL CBI AGENTS
THIS INCOMPETENT?
354
00:18:01,147 --> 00:18:04,047
HAVE YOU EVEN BOTHERED TO CHECK
HER LOVER AS A SUSPECT?
355
00:18:04,049 --> 00:18:07,049
FIRST YOU SAY IT WAS JASPER.
NOW IT'S THE LOVER THAT DID IT.
356
00:18:07,053 --> 00:18:10,363
YOU GONNA MAKE UP YOUR MIND?
WHAT LOVER? WE UNDERSTOOD
SHE HAD NO SOCIAL LIFE.
357
00:18:10,356 --> 00:18:14,826
I DIDN'T KNOW SHE DID.
OH, WELL, SHE DID, AND COMPETENT
POLICE WOULD HAVE KNOWN THAT.
358
00:18:14,826 --> 00:18:16,896
WHY DIDN'T YOU TELL US
THIS EARLIER?
359
00:18:16,895 --> 00:18:20,665
WHY DON'T I JUST DO YOUR JOB
FOR YOU? HOW WOULD THAT BE?
360
00:18:20,666 --> 00:18:22,896
OH, JUST PLEASE
ARREST HER OR SOMETHING.
361
00:18:22,902 --> 00:18:25,172
NOTHING TO HOLD HER ON.
362
00:18:25,172 --> 00:18:27,172
EH.
363
00:18:27,173 --> 00:18:28,883
EH.
364
00:18:28,875 --> 00:18:33,375
I'M THE ROOKIE ON THE TEAM.
(chuckles)
365
00:18:33,380 --> 00:18:36,350
BEEN HERE... 18 MONTHS NOW.
366
00:18:36,348 --> 00:18:39,588
UM, IT'S HARD WORK,
367
00:18:39,586 --> 00:18:44,256
BUT THIS HAS BEEN MY DREAM
EVER SINCE I WAS A KID--
368
00:18:44,257 --> 00:18:45,827
TO BE A DETECTIVE.
369
00:18:45,825 --> 00:18:48,685
(Mike) AND WHAT'S BEEN
THE MOST SURPRISING THING
370
00:18:48,694 --> 00:18:51,304
YOU'VE LEARNED
ABOUT THIS JOB YOU DO?
371
00:18:53,799 --> 00:18:55,469
I'VE...
372
00:18:55,468 --> 00:18:58,538
LEARNED A LOT ABOUT MYSELF...
373
00:18:58,538 --> 00:19:01,668
AS WELL AS ABOUT OTHER PEOPLE--
374
00:19:01,673 --> 00:19:06,353
STUFF I WISH
I DIDN'T KNOW SOMETIMES.
375
00:19:06,346 --> 00:19:08,346
STUFF LIKE...
376
00:19:08,347 --> 00:19:13,617
WHY PEOPLE DO BAD THINGS
TO ONE ANOTHER.
377
00:19:13,619 --> 00:19:16,519
IT'S MAINLY BECAUSE OF SECRETS.
378
00:19:16,522 --> 00:19:19,662
TRYING TO HIDE THE TRUTH
CHIPS AWAY AT YOUR SPIRIT.
379
00:19:19,659 --> 00:19:23,459
SECRETS RUIN RELATIONSHIPS.
380
00:19:23,462 --> 00:19:25,272
WE FINALLY GOT THE FOOTAGE
381
00:19:25,265 --> 00:19:28,465
FROM EVERY NEWS STATION COVERING
THE GROUNDBREAKING CEREMONY.
382
00:19:28,468 --> 00:19:30,468
APPARENTLY, THREATS WORK.
383
00:19:30,470 --> 00:19:32,970
THESE ARE TWO SEPARATE
VANTAGE POINTS OF THE MAYOR,
384
00:19:32,971 --> 00:19:36,511
AND THESE ARE FEEDS
OF THE CROWD. THERE--THAT GUY.
(clicking)
385
00:19:36,509 --> 00:19:38,779
(Lisbon)
CAN YOU NARROW IT DOWN FOR US?
386
00:19:38,778 --> 00:19:41,608
THERE'S, LIKE, 50 GUYS THERE.
THE GUY IN THE CROWD THERE--
387
00:19:41,614 --> 00:19:46,594
AFTER THE MAYOR
DIGS UP THE VICTIM.
HE CERTAINLY DOESN'T LOOK LIKE
HE FITS IN. OH, THAT'S BOLD.
388
00:19:46,586 --> 00:19:49,456
A JASPER ACOLYTE.
OR THE MAN HIMSELF.
389
00:19:49,455 --> 00:19:52,685
GET WITH THE LOCAL P.D.
SEE IF THEY CAN IDENTIFY HIM.
390
00:19:52,692 --> 00:19:54,492
(clears throat)
391
00:19:54,493 --> 00:19:57,733
(Lisbon) WHAT IS IT?
NOTHING. JUST HUNGRY.
392
00:20:05,003 --> 00:20:07,373
SO WE WENT BACK
TO ST. CLARE'S APARTMENT,
393
00:20:07,374 --> 00:20:09,644
WENT THROUGH HER CLOSET
AND REALIZED THAT SOME
394
00:20:09,642 --> 00:20:13,012
OF HER WORK SHIRTS--
BUTTON ON THE RIGHT.
395
00:20:13,011 --> 00:20:15,081
YEAH, AND NOT HER SIZE.
SO THE MAYOR WAS RIGHT.
SHE DID HAVE A LOVER.
396
00:20:15,080 --> 00:20:16,750
OF COURSE SHE HAD A LOVER.
397
00:20:16,749 --> 00:20:19,289
THAT NECKLACE SHE ALWAYS WORE
WAS OBVIOUSLY A ROMANTIC GIFT.
398
00:20:19,286 --> 00:20:22,786
SHE'D NEVER SPEND
THAT KIND OF MONEY ON HERSELF.
NOW YOU SAY SO.
VERY WISE IN HINDSIGHT.
399
00:20:22,788 --> 00:20:24,918
WELL, I THOUGHT
IT WENT WITHOUT SAYING.
400
00:20:24,923 --> 00:20:26,933
IT'S HORRIBLY OBVIOUS WHEN
PEOPLE ARE IN A RELATIONSHIP--
401
00:20:26,925 --> 00:20:29,155
IMPOSSIBLE TO HIDE,
TRY THOUGH THEY MIGHT.
402
00:20:29,161 --> 00:20:30,961
SHE WAS
A VERY ATTRACTIVE WOMAN.
403
00:20:30,962 --> 00:20:34,032
I WOULD NOT BE SURPRISED
IF SHE HAD TWO LOVERS.
404
00:20:34,032 --> 00:20:36,602
THERE IS NOTHING HERE.
I'M GONNA GO OUT FOR LUNCH.
405
00:20:36,603 --> 00:20:41,473
TURN THAT THING OFF, OR I WILL
SHOVE IT DOWN YOUR THROAT.
406
00:20:41,473 --> 00:20:43,843
(Lisbon) LET'S TAKE A WALK,
SHALL WE?
407
00:20:43,843 --> 00:20:45,613
COME ON.
408
00:20:56,154 --> 00:20:58,664
I KNOW IT HASN'T BEEN
THE MOST PLEASANT EXPERIENCE
409
00:20:58,657 --> 00:21:00,587
HAVING A CAMERA CREW HERE.
410
00:21:00,593 --> 00:21:03,763
BUT YOU GOTTA COOPERATE--
DEPUTY A.G.'s ORDERS.
411
00:21:03,762 --> 00:21:05,702
YEAH.
412
00:21:05,698 --> 00:21:08,028
SO WHAT'S THE DEAL?
I WOULD THINK OUT OF EVERYBODY,
413
00:21:08,034 --> 00:21:10,904
YOU'D BE THE MOST COMFORTABLE
WITH THE CAMERAS.
414
00:21:13,972 --> 00:21:15,072
MM.
415
00:21:15,074 --> 00:21:17,684
LAST TIME I WAS
IN FRONT OF A CAMERA,
416
00:21:17,676 --> 00:21:21,246
THINGS, UH,
DIDN'T TURN OUT SO WELL.
417
00:21:21,247 --> 00:21:24,877
OH, GOD, JANE, I'M SORRY.
418
00:21:24,884 --> 00:21:28,724
YOU DON'T NEED TO BE SORRY,
AND YOU'RE RIGHT.
419
00:21:28,721 --> 00:21:33,361
THERE'S NO REASON NOT TO BE
CIVIL. I'M GOING TO APOLOGIZE.
420
00:21:37,596 --> 00:21:41,596
HEY, I'M SORRY.
WE DIDN'T MEAN TO BE INTRUSIVE.
421
00:21:41,601 --> 00:21:43,441
NO, I-I SHOULDN'T
HAVE SNAPPED AT YOU.
422
00:21:43,435 --> 00:21:47,405
I'M SORRY. I JUST--I DON'T
LIKE FEELING SPIED ON.
423
00:21:47,406 --> 00:21:49,406
IT'S MY OWN LITTLE NEUROSIS.
424
00:21:49,409 --> 00:21:51,409
YOU'RE JUST DOING
YOUR JOB, RIGHT?
425
00:21:51,411 --> 00:21:53,781
RIGHT.
WELL, LET ME BUY YOU A TACO.
426
00:21:53,779 --> 00:21:56,119
SURE.
I KNOW YOU'RE IN.
427
00:21:56,115 --> 00:22:00,615
I AM KIND OF HUNGRY.
THAT'S THE SPIRIT. I KNOW
THE PERFECT PLACE. VáMONOS.
428
00:22:02,855 --> 00:22:06,485
MUCHAS GRACIAS.
429
00:22:06,492 --> 00:22:09,632
MIKE.
THANK YOU.
430
00:22:09,628 --> 00:22:13,668
STEVE. SO TELL ME
ABOUT NEWS GATHERING.
431
00:22:13,665 --> 00:22:16,535
(Steve) YOU GET AN ASSIGNMENT,
AND PRETTY MUCH--
432
00:22:16,536 --> 00:22:19,706
WHOA! WHOA!
(crowd gasping and murmuring)
433
00:22:28,847 --> 00:22:32,147
DID YOU GET THAT?
DID YOU GET IT?
434
00:22:32,151 --> 00:22:34,451
(sighs)
435
00:22:43,796 --> 00:22:48,396
I DON'T KNOW WHERE WE'RE GOING,
BUT I HOPE THERE'S A BATHROOM.
436
00:22:48,401 --> 00:22:51,841
I AM BUSTING.
437
00:22:51,837 --> 00:22:53,537
OHH.
438
00:22:58,210 --> 00:23:00,210
DEFINITELY JASPER.
439
00:23:00,211 --> 00:23:02,011
THE DESCRIPTION OF THE VAN
440
00:23:02,013 --> 00:23:04,023
MATCHES ONE SEEN
NEAR THE CONDO FIRE
441
00:23:04,016 --> 00:23:06,176
AND THE LUXURY CAR LOT
JASPER DESTROYED.
442
00:23:06,184 --> 00:23:08,194
HOW LONG HAS CHIEF DONNER
HAD THIS INFORMATION?
443
00:23:08,186 --> 00:23:10,616
CONTACT THE LOCAL
AND THE COUNTY P.D.
ON IT.
444
00:23:10,623 --> 00:23:12,633
WE GOT A HIT
ON THE JASPER ASSOCIATE
445
00:23:12,625 --> 00:23:14,055
AT THE GROUNDBREAKING CEREMONY.
446
00:23:14,059 --> 00:23:16,429
LOCAL ACTIVISTS
DRAW THE LINE AT KIDNAPPING.
447
00:23:16,429 --> 00:23:18,929
THEY GAVE THIS GUY UP FAST.
BART HENRIK. ON HIS BLOG, HE
CALLS HIMSELF A GREEN WARRIOR.
448
00:23:18,931 --> 00:23:21,231
HE'S BEEN ARRESTED SEVERAL TIMES
FOR INCITING A RIOT,
449
00:23:21,232 --> 00:23:25,872
PUBLIC DISORDER AND VANDALISM.
GO FIND HIM. TAKE RIGSBY.
YOU GOT IT.
450
00:23:27,673 --> 00:23:30,983
(crickets chirping)
451
00:23:56,802 --> 00:23:57,902
(clicks)
452
00:24:04,576 --> 00:24:06,376
I CAN SEE YOU MEAN BUSINESS.
453
00:24:06,377 --> 00:24:09,517
UH, THERE'S NO NEED FOR
FIREARMS. I'M NOT HARRY HOUDINI.
454
00:24:09,516 --> 00:24:11,576
QUIET.
455
00:24:13,085 --> 00:24:15,585
THANK YOU.
456
00:24:15,587 --> 00:24:17,787
SO YOU'RE JASPER.
457
00:24:19,659 --> 00:24:21,629
WELL, I'M HONORED.
458
00:24:23,829 --> 00:24:25,829
PLEASE DON'T SAY
YOU KIDNAPPED ME FOR RANSOM,
459
00:24:25,832 --> 00:24:29,602
BECAUSE I-I DOUBT YOU'LL GET
$50, LET ALONE SAVE THE WHALES.
460
00:24:29,602 --> 00:24:32,742
NO RANSOM. IN ACTUALITY,
JUST A SIMPLE MESSAGE--
461
00:24:32,739 --> 00:24:35,169
I DID NOT KILL
MARTHA ST. CLARE
462
00:24:35,173 --> 00:24:38,113
AND I DIDN'T THROW THAT
FIREBOMB IN KRUPP'S OFFICE.
463
00:24:38,109 --> 00:24:41,179
AND YOU--YOU ARE GONNA
TELL THAT TO THE POLICE
464
00:24:41,180 --> 00:24:45,380
AND TO THE MEDIA.
SO YOU KIDNAPPED ME
TO PROCLAIM YOUR INNOCENCE.
465
00:24:45,384 --> 00:24:47,694
HAVE YOU EVER HEARD
OF A PHONE?
466
00:24:47,686 --> 00:24:50,016
OH, YEAH. I SEE.
467
00:24:50,021 --> 00:24:53,031
IF YOU KIDNAP ME,
AND I PASS ON THE MESSAGE,
468
00:24:53,025 --> 00:24:56,555
THEN YOU GET A BLAST OF
THAT PUBLICITY THAT YOU LOVE.
469
00:24:56,563 --> 00:24:58,573
IF I AM BRANDED A KILLER,
470
00:24:58,565 --> 00:25:00,625
EVERYTHING I HAVE FOUGHT FOR
IS DISCREDITED.
471
00:25:00,633 --> 00:25:03,843
PEOPLE SUPPORT ME BECAUSE I HAVE
RESPECT FOR ALL LIVING THINGS.
472
00:25:03,836 --> 00:25:06,936
YES. YES,
IT'S A GOOD RULE OF THUMB
473
00:25:06,939 --> 00:25:09,579
TO AVOID DOING THINGS
THAT REQUIRE YOU TO WEAR A MASK.
474
00:25:09,576 --> 00:25:12,736
AND YOU'RE
SUCH A HANDSOME FELLOW, TOO.
475
00:25:14,512 --> 00:25:18,482
HOW'D YOU KNOW
I'M HANDSOME?
476
00:25:18,483 --> 00:25:20,753
WELL, I WAS
JUST SPEAKING FIGURATIVELY.
477
00:25:20,752 --> 00:25:22,592
NO, YOU WEREN'T.
478
00:25:22,588 --> 00:25:24,588
YOU KNOW WHO I AM.
479
00:25:24,590 --> 00:25:26,590
NO, I HAVE NO IDEA.
480
00:25:26,593 --> 00:25:28,933
LEAVE US
AND DON'T COME BACK.
481
00:25:28,928 --> 00:25:31,528
NO, HE DOESN'T HAVE TO
GO ANYWHERE. I-I-I--
482
00:25:31,529 --> 00:25:33,329
WILL YOU LISTEN TO ME?
I HAVE NO IDEA--
483
00:25:33,332 --> 00:25:37,642
YOU COULD BE ELVIS PRESLEY,
FOR ALL I KNOW.
HOW DID YOU KNOW?
484
00:25:37,636 --> 00:25:39,466
I DON'T KNOW.
HOW DID YOU...
485
00:25:39,471 --> 00:25:42,611
PLEASE DON'T DO THAT.
486
00:25:42,608 --> 00:25:44,608
PL-- (sighs)
487
00:25:44,611 --> 00:25:47,081
(grunts)
488
00:25:49,480 --> 00:25:53,650
HOW DID YOU KNOW?
489
00:25:57,489 --> 00:26:00,589
WELL, WHAT'S NOT TO KNOW?
490
00:26:00,593 --> 00:26:03,433
YOUR HEIGHT,
YOUR BODY LANGUAGE,
491
00:26:03,429 --> 00:26:05,699
YOUR SYNTAX.
492
00:26:05,698 --> 00:26:07,568
YOU SAID "IN ACTUALITY."
493
00:26:07,566 --> 00:26:09,736
I MEAN,
WHO--WHO SAYS "IN ACTUALITY"?
494
00:26:11,470 --> 00:26:12,540
YES.
495
00:26:12,538 --> 00:26:14,438
(whispers) YEAH.
496
00:26:14,440 --> 00:26:16,780
VERY CLEVER.
497
00:26:18,576 --> 00:26:20,846
SO NOW WE HAVE A PROBLEM.
498
00:26:30,588 --> 00:26:33,628
GET THAT THING OUT OF MY FACE!
499
00:26:46,838 --> 00:26:49,078
JASPER KIDNAPPED OUR COLLEAGUE.
WHERE ARE THEY?
500
00:26:49,075 --> 00:26:53,275
JASPER WHO?
DID YOU KNOW YOU CAN GET MORE
TIME FOR KIDNAPPING THAN MURDER?
501
00:26:53,278 --> 00:26:56,518
THAT'S CRAZY, RIGHT?
AND BEING
AN ACCESSORY AFTER THE FACT
502
00:26:56,515 --> 00:26:58,845
MAKES YOU JUST AS GUILTY
AS JASPER.
503
00:27:00,318 --> 00:27:03,418
MAN, JASPER'S AVENGING
MOTHER EARTH. THAT'S ALL.
504
00:27:03,422 --> 00:27:06,422
YOU KNOW HIM WELL ENOUGH
TO BE SURE OF HIS MOTIVES.
YES.
505
00:27:06,424 --> 00:27:09,434
YOU KNOW HIM SO WELL YOU CAN
TELL US WHERE HE MIGHT BE.
506
00:27:09,428 --> 00:27:13,368
EVEN IF I KNEW, WHICH I DON'T,
I WOULD NEVER BETRAY JASPER.
"NEVER" IS A BIG WORD.
507
00:27:13,365 --> 00:27:16,565
TRY ME.
WHAT WOULD JANE WANT US TO DO
IN THIS SITUATION, CHO?
508
00:27:16,567 --> 00:27:20,067
WITH HIS LIFE IN JEOPARDY?
YOU KNOW
WHAT HE'D WANT US TO DO.
509
00:27:20,071 --> 00:27:21,711
YEP. OKAY.
510
00:27:21,708 --> 00:27:25,778
(Rigsby)
I GUESS WE HAVE TO GO THERE.
511
00:27:30,016 --> 00:27:32,746
WE SHOULD CALL AN AMBULANCE.
IT'S PROCEDURE.
SURE. THEY CAN SET IT FAST,
512
00:27:32,751 --> 00:27:36,451
AND WE CAN GET STRAIGHT BACK
TO QUESTIONING.
WAIT. SET WHAT?
513
00:27:36,454 --> 00:27:37,824
(loud clank)
514
00:27:37,824 --> 00:27:40,634
YOUR ARM--YOU BROKE IT,
SLIPPED ON THE STAIRS.
515
00:27:40,625 --> 00:27:42,555
YEAH, YOU SHOULD
BE MORE CAREFUL, HENRIK.
516
00:27:42,560 --> 00:27:46,600
HEY. HEY. A BUNCH OF PEOPLE
SAW ME COME IN HERE FINE.
517
00:27:46,597 --> 00:27:48,397
A BUNCH OF COPS,
AND I'M ONE OF THEM.
518
00:27:48,400 --> 00:27:49,940
I SAW YOU FALL.
519
00:27:49,935 --> 00:27:52,765
AND EVERY COP IN THIS BUILDING
WILL SAY EXACTLY THE SAME.
520
00:27:52,771 --> 00:27:54,771
(thud)
521
00:27:57,242 --> 00:27:59,952
(blinds rattle)
522
00:28:04,615 --> 00:28:07,185
A CABIN
IN THE SIERRA FOOTHILLS,
523
00:28:07,185 --> 00:28:09,385
10 MILES
NORTHEAST OF SALTER.
524
00:28:09,387 --> 00:28:10,457
NICE WORK.
525
00:28:12,624 --> 00:28:14,464
WHAT TO DO?
526
00:28:14,460 --> 00:28:15,760
WHAT TO DO?
527
00:28:15,761 --> 00:28:18,431
IF I LET YOU GO NOW,
YOU'LL RAT ME OUT.
528
00:28:18,430 --> 00:28:20,430
IF I MAY MAKE A SUGGESTION?
529
00:28:20,432 --> 00:28:22,672
NO, YOU MAY NOT.
530
00:28:22,667 --> 00:28:24,937
PLEASE, WILSON. I CAN HELP.
531
00:28:24,936 --> 00:28:28,406
I CANNOT GO TO PRISON.
532
00:28:28,406 --> 00:28:30,906
I NEED TO FINISH MY WORK.
DON'T YOU SEE?
533
00:28:30,910 --> 00:28:34,050
I DO. I SEE.
YOUR WORK IS VERY IMPORTANT.
534
00:28:34,046 --> 00:28:36,176
BUT WHAT I DON'T UNDERSTAND,
THOUGH,
535
00:28:36,182 --> 00:28:39,752
IS WHY YOU WERE WORKING
IN THE MAYOR'S OFFICE.
WHERE BETTER TO STUDY THE ENEMY
536
00:28:39,751 --> 00:28:42,951
THAN FROM
WITHIN THEIR VERY CAMP?
DID YOU KNOW THAT THE MAYOR
537
00:28:42,954 --> 00:28:45,794
WAS TAKING BRIBES
FROM THE DEVELOPER KRUPP?
538
00:28:45,791 --> 00:28:48,391
OF COURSE. WHO DO YOU THINK
PUT MARTHA ONTO IT?
539
00:28:48,394 --> 00:28:51,334
AH. YOU TOLD HER.
540
00:28:51,329 --> 00:28:55,369
BUT WHY NOT EXPOSE THE MAYOR
YOURSELF OR DO IT AS JASPER?
541
00:28:55,366 --> 00:28:58,566
THEY WOULD KNOW THAT JASPER WAS
INSIDE THE MAYOR'S OFFICE.
542
00:28:58,569 --> 00:29:00,569
THEY WOULD SOON SUSPECT ME.
543
00:29:00,571 --> 00:29:02,371
I WORK IN THE SHADOWS.
544
00:29:02,374 --> 00:29:04,814
THAT'S WHY I AM STILL HERE,
STILL FIGHTING.
545
00:29:04,810 --> 00:29:06,780
I UNDERSTAND.
546
00:29:06,778 --> 00:29:08,508
LET ME HELP YOU.
547
00:29:08,513 --> 00:29:10,623
DON'T TRY TO PLAY ME.
548
00:29:10,615 --> 00:29:14,585
DON'T GO SAYING YOU WON'T TELL
ON ME IF I SET YOU FREE,
549
00:29:14,586 --> 00:29:16,386
BECAUSE I KNOW YOU WILL.
550
00:29:16,387 --> 00:29:19,457
WILSON, I AM NOT TRYING TO
PLAY YOU. I WILL NOT PLAY YOU.
551
00:29:19,458 --> 00:29:23,598
I UNDERSTAND AND RESPECT
YOUR INTELLIGENCE.
552
00:29:23,595 --> 00:29:26,655
HAVE A SEAT.
553
00:29:26,664 --> 00:29:28,534
JUST TAKE A MOMENT.
554
00:29:38,544 --> 00:29:41,284
(sighs)
555
00:29:44,016 --> 00:29:47,516
WILSON, LOOK AT ME.
556
00:29:47,519 --> 00:29:49,219
I CAN HELP YOU.
557
00:29:51,824 --> 00:29:53,664
(whispers) HOW?
558
00:29:53,659 --> 00:29:56,429
LOOK AT ME.
559
00:29:56,427 --> 00:29:59,367
YOU CAN SEE
THAT I'M TELLING THE TRUTH.
560
00:30:01,567 --> 00:30:05,137
I WANT WHAT YOU WANT--
561
00:30:05,136 --> 00:30:08,536
PEACE AND HARMONY.
562
00:30:08,539 --> 00:30:11,339
PEACE...
563
00:30:11,343 --> 00:30:13,013
QUIET...
564
00:30:14,913 --> 00:30:16,653
IT'S EASY.
565
00:30:16,647 --> 00:30:19,587
YOU CAN HAVE IT.
566
00:30:21,720 --> 00:30:24,390
IF YOU WANT IT,
YOU CAN HAVE IT.
567
00:30:25,892 --> 00:30:29,102
SO PEACEFUL.
568
00:30:30,695 --> 00:30:34,625
THIS IS CHIEF DONNER OF
THE SALTER POLICE DEPARTMENT!
569
00:30:34,633 --> 00:30:38,373
YOU'RE COMPLETELY SURROUNDED.
COME OUT WITH YOUR HANDS UP!
STAY COOL.
570
00:30:49,949 --> 00:30:52,619
JUST STAY COOL.
571
00:30:59,959 --> 00:31:01,729
CLEAR!
572
00:31:01,727 --> 00:31:03,127
(Rigsby) CLEAR!
573
00:31:04,430 --> 00:31:07,070
(Patrick) I'M GOOD.
I GOT HIM. I GOT HIM.
574
00:31:07,066 --> 00:31:07,926
LISBON?
J-JANE.
575
00:31:07,933 --> 00:31:10,143
WOW. I'M IMPRESSED.
576
00:31:10,135 --> 00:31:13,135
HOW THE HELL DID YOU FIND ME
OUT HERE?
RIGHT, BECAUSE WE'RE LOST
WITHOUT YOU?
577
00:31:13,138 --> 00:31:16,338
WELL, I WOULDN'T SAY THAT,
BUT I'M STILL IMPRESSED.
WAIT. I--DON'T MOVE.
578
00:31:16,342 --> 00:31:19,112
OHH.
THEY COULD HAVE BOOBY-TRAPPED
THE PLACE.
579
00:31:19,111 --> 00:31:23,281
WE'LL HAVE THE BOMB SQUAD
TAKE A LOOK AT YOU.
WHAT? (mutters) YOU'RE KIDDING.
YOU'RE KIDDING.
580
00:31:23,281 --> 00:31:25,151
I'M--I'M THANKFUL
AND ALL THAT,
581
00:31:25,151 --> 00:31:28,351
BUT JUST GET ME OUT OF HERE,
AND I'LL TELL YOU THE STORY.
WHAT STORY?
582
00:31:28,354 --> 00:31:29,994
AHH.
(handcuffs clatter)
583
00:31:37,063 --> 00:31:38,703
SO WE KNOW WHO JASPER IS.
FONTENEAU.
584
00:31:38,697 --> 00:31:41,167
NO TRACE OF HIM. SLIPPED RIGHT
THROUGH THE LOCALS' HANDS.
585
00:31:41,166 --> 00:31:44,366
HE'S ONE MAN,
FOR CRYING OUT LOUD.
WELL, HE OBVIOUSLY KNOWS
THOSE WOODS A LOT BETTER.
586
00:31:44,369 --> 00:31:46,439
JANE, ENOUGH RECOVERY TIME.
TELL US ABOUT FONTENEAU.
587
00:31:46,438 --> 00:31:49,438
WHAT'D HE SAY?
WELL, HE SPOUTED
A LOT OF NONSENSE, DENIAL.
588
00:31:49,441 --> 00:31:52,441
TRUTH IS, HE TOOK THE JOB
IN THE MAYOR'S OFFICE
589
00:31:52,443 --> 00:31:55,313
TO PLAN TARGETED ATTACKS
ON NEW DEVELOPMENTS AROUND TOWN.
590
00:31:55,314 --> 00:31:57,884
HE AND ST. CLARE BECAME LOVERS.
SECRET BOYFRIEND.
591
00:31:57,883 --> 00:32:00,293
BUT WHEN ST. CLARE FOUND OUT
592
00:32:00,286 --> 00:32:03,486
ABOUT FONTENEAU'S SECRET LIFE
AS JASPER, HE KILLED HER FOR IT,
593
00:32:03,489 --> 00:32:06,289
TO KEEP HER QUIET.
I'LL CHECK ON THE WARRANT
FOR FONTENEAU'S PLACE.
594
00:32:06,291 --> 00:32:10,361
GET EVERYBODY BRIEFED,
SUITED UP AND READY TO ROLL.
OH, LOOK
FOR ST. CLARE'S NECKLACE.
595
00:32:10,362 --> 00:32:12,362
IT WAS A GIFT FROM FONTENEAU.
596
00:32:12,364 --> 00:32:15,704
(Patrick) MY GUESS--HE TOOK IT
WHEN HE KILLED HER. WE NEED IT.
597
00:32:15,701 --> 00:32:20,441
YOU GUYS SIT ON THE LOCATION
UNTIL THE WARRANT COMES IN.
598
00:32:20,439 --> 00:32:22,639
CHIEF DONNER?
YEAH, I-IT'S LISBON.
599
00:32:22,641 --> 00:32:24,611
OH, I NEED SOME ASPIRIN.
600
00:32:24,609 --> 00:32:26,809
YEAH.
(pills rattle)
601
00:32:26,811 --> 00:32:29,651
YEAH, I-I JUST WANTED--
COULD YOU HOLD ON, CHIEF?
602
00:32:29,647 --> 00:32:32,247
LOOK, THAT'S ENOUGH, GUYS.
WE'RE DONE FILMING.
603
00:32:32,250 --> 00:32:34,050
YOU KNOW,
CATCHING THE BAD GUY WOULD BE
604
00:32:34,052 --> 00:32:37,322
A GREAT END OF THE SHOW, MAKE
YOU GUYS LOOK LIKE SUPERSTARS.
605
00:32:37,323 --> 00:32:40,563
WELL, IT'D CERTAINLY MAKE
THE DEPUTY A.G. VERY HAPPY.
606
00:32:40,558 --> 00:32:42,228
TRUE.
607
00:32:42,228 --> 00:32:44,428
ALL RIGHT.
YOU CAN FILM THE BUST,
608
00:32:44,430 --> 00:32:46,800
BUT YOU HAVE TO DO
EXACTLY WHAT I SAY.
609
00:32:46,798 --> 00:32:49,428
DEAL.
MEET ME AT FONTENEAU'S
AT 0600 HOURS.
610
00:32:49,434 --> 00:32:52,204
YES, MA'AM.
HEY. CHIEF,
WE'RE GONNA NEED ASSISTANCE
611
00:32:52,203 --> 00:32:55,313
FROM YOUR ENTRY TEAM AGAIN.
612
00:33:43,922 --> 00:33:45,492
WHAT NOW?
613
00:33:45,490 --> 00:33:48,660
WE SET A PERIMETER
AND WAIT FOR THE WARRANT.
614
00:33:48,660 --> 00:33:51,330
YEAH, THERE'S A LOT
OF THIS KIND OF STUFF.
615
00:33:51,329 --> 00:33:54,169
NOT TOO MANY CAR CHASES.
616
00:33:54,165 --> 00:33:58,765
MAYBE WE COULD, UH, ASK A FEW
QUESTIONS WHILE WE'RE WAITING?
617
00:33:58,769 --> 00:34:02,309
UH...
618
00:34:02,307 --> 00:34:04,577
SURE. IF YOU MUST.
619
00:34:07,145 --> 00:34:08,445
(clears throat)
620
00:34:08,447 --> 00:34:12,517
UM, HOW DID YOU COME
TO WORK WITH THE CBI?
621
00:34:12,518 --> 00:34:15,448
YOU KNOW HOW.
YES, BUT I-I NEED YOU
TO SAY IT TO THE CAMERA.
622
00:34:15,454 --> 00:34:19,564
YEAH, YEAH. I-I SEE.
I GOT IT.
623
00:34:19,557 --> 00:34:21,087
(sighs deeply)
624
00:34:21,092 --> 00:34:23,302
UM...
625
00:34:23,295 --> 00:34:25,425
WELL, I CAME TO WORK
WITH THE CBI
626
00:34:25,431 --> 00:34:28,331
AFTER MY WIFE AND CHILD
WERE MURDERED.
627
00:34:39,445 --> 00:34:42,645
HAVE YOU EVER EXPERIENCED
LOSS LIKE THAT?
628
00:34:42,648 --> 00:34:44,778
A LOSS OF LOVE?
629
00:34:47,853 --> 00:34:50,593
THERE'S NOTHING MORE IMPORTANT
THAN LOVE, IS THERE?
630
00:34:50,588 --> 00:34:52,788
WELL,
WE'RE TALKING ABOUT YOU.
631
00:34:52,791 --> 00:34:54,391
YEAH.
632
00:34:57,329 --> 00:34:59,829
IT CAN BE VERY HARD
WHEN LOVE GOES AWAY.
633
00:34:59,831 --> 00:35:03,701
IT'S LIKE A... A BETRAYAL,
634
00:35:03,702 --> 00:35:07,512
ALMOST LIKE A VIOLENT ACT,
RIGHT?
635
00:35:07,505 --> 00:35:09,735
RIGHT?
636
00:35:09,740 --> 00:35:11,240
I GUESS.
637
00:35:11,242 --> 00:35:13,552
UM, WHY DON'T--WHY DON'T
WE GO BACK TO, UM--
638
00:35:13,545 --> 00:35:16,745
WHEN YOU GIVE SOMEONE YOUR HEART
AND THEY THROW IT ASIDE,
639
00:35:16,748 --> 00:35:19,718
IT'S NATURAL TO BE ANGRY.
640
00:35:19,717 --> 00:35:22,647
ESPECIALLY WHEN YOU'VE COME
TO RELY ON THEM,
641
00:35:22,653 --> 00:35:26,023
WHEN YOUR CAREER IS TIED
TO THEIRS.
642
00:35:26,023 --> 00:35:28,263
I DON'T KNOW WHAT YOU'RE,
UH--
643
00:35:28,260 --> 00:35:31,460
WHY DON'T YOU SHOW US
WHAT YOU GOT IN YOUR POCKETS?
WHAT?
644
00:35:31,463 --> 00:35:33,573
YOU HEARD ME.
NO.
645
00:35:33,565 --> 00:35:34,625
WHY NOT?
646
00:35:34,632 --> 00:35:38,002
BECAUSE YOU DON'T HAVE
THE RIGHT.
647
00:35:38,003 --> 00:35:40,343
OKAY.
648
00:35:40,338 --> 00:35:43,408
OKAY. I'LL TELL YOU
WHAT YOU HAVE IN YOUR POCKET,
649
00:35:43,409 --> 00:35:45,409
AND YOU TELL ME IF I'M RIGHT.
650
00:35:45,411 --> 00:35:47,711
IN YOUR POCKET, YOU HAVE
A BLUE TOPAZ NECKLACE
651
00:35:47,713 --> 00:35:50,853
THAT YOU ONCE GAVE
TO MARTHA ST. CLARE
652
00:35:50,849 --> 00:35:52,349
WHEN YOU WERE LOVERS.
653
00:35:52,351 --> 00:35:54,691
YOU TOOK THAT NECKLACE BACK
AFTER YOU KILLED HER.
654
00:35:54,686 --> 00:35:57,686
YOU WERE GONNA PLANT IT
IN FONTENEAU'S HOUSE,
655
00:35:57,688 --> 00:36:00,528
PROMPTED BY
MY CUNNINGLY BRILLIANT RUSE.
656
00:36:04,596 --> 00:36:07,366
AHA.
657
00:36:07,365 --> 00:36:10,395
AHA. THAT'S IT.
658
00:36:10,402 --> 00:36:12,642
I DON'T KNOW
HOW THAT GOT IN THERE.
659
00:36:12,637 --> 00:36:15,567
OH, PLEASE. DON'T BE SO SILLY.
ARREST HIM, CHO.
660
00:36:15,574 --> 00:36:18,584
GET ON YOUR KNEES.
PUT YOUR HANDS ON YOUR HEAD.
661
00:36:18,577 --> 00:36:19,707
NOW!
662
00:36:21,280 --> 00:36:22,710
(click)
663
00:36:22,713 --> 00:36:24,883
GET UP.
664
00:36:24,882 --> 00:36:27,392
THAT'S FOR YOU.
665
00:36:27,385 --> 00:36:28,745
AND THIS...
666
00:36:30,889 --> 00:36:32,519
IS FOR ME.
667
00:36:36,362 --> 00:36:39,402
HERE IT COMES.
668
00:36:40,465 --> 00:36:43,065
BANG. THERE.
YOU LOOKED AWAY.
669
00:36:43,068 --> 00:36:45,168
MARTHA ST. CLARE'S BODY
HASN'T BEEN REVEALED,
670
00:36:45,170 --> 00:36:48,170
AND YOU LOOKED AWAY, BECAUSE YOU
KNEW WHAT WAS GONNA HAPPEN,
671
00:36:48,172 --> 00:36:50,842
BECAUSE YOU BURIED THAT BODY
AT THAT BUILDING SITE
672
00:36:50,842 --> 00:36:54,582
AND YOU FIREBOMBED THE TRAILER
TO TRY AND FRAME JASPER.
673
00:36:54,579 --> 00:36:57,819
YOU'RE TOO CLEVER, MIKE,
YOU'RE JUST TOO CLEVER.
674
00:36:57,815 --> 00:37:01,015
NAH.
YOU SPOUT A LOT OF THEORY,
675
00:37:01,018 --> 00:37:03,448
BUT NO LEGAL PROOF.
AH.
676
00:37:03,454 --> 00:37:06,324
YOU WANT LEGAL PROOF?
THE LAB REPORTS CAME BACK.
677
00:37:06,324 --> 00:37:09,664
THEY FOUND TRACES OF MARTHA'S
BLOOD IN THE TRUNK OF YOUR CAR.
678
00:37:12,331 --> 00:37:14,771
DO YOU WANT TO TELL US
WHAT HAPPENED?
679
00:37:23,173 --> 00:37:26,483
RUMORS SAID
THE MAYOR WAS DIRTY,
680
00:37:26,478 --> 00:37:28,908
BUT THERE WAS NO PROOF.
681
00:37:28,914 --> 00:37:30,724
I KNEW SOMETHING WAS UP.
682
00:37:30,715 --> 00:37:34,515
BUT... NO MATTER
HOW MUCH I PUSHED HER,
683
00:37:34,519 --> 00:37:38,289
MARTHA WOULDN'T SAY ANYTHING.
NOTHING.
684
00:37:40,057 --> 00:37:42,627
AND LAST NIGHT,
685
00:37:42,628 --> 00:37:44,898
I WAS GOING THROUGH
HER COMPUTER,
686
00:37:44,896 --> 00:37:47,766
JUST CHECKING ON SOME STUFF,
YOU KNOW?
687
00:37:49,534 --> 00:37:53,444
I FOUND THIS SPEECH
SHE WAS PREPARING TO GIVE,
688
00:37:53,438 --> 00:37:56,378
EXPOSING THE MAYOR
AS CORRUPT,
689
00:37:56,375 --> 00:37:57,675
WITH PROOF--
690
00:37:57,675 --> 00:37:59,835
FACTS AND FIGURES,
THE WHOLE DEAL.
691
00:37:59,844 --> 00:38:03,184
AND SHE KEPT IT FROM ME
THE WHOLE TIME.
692
00:38:03,181 --> 00:38:06,421
THIS IS A STORY THAT COULD HAVE
MADE MY CAREER.
693
00:38:06,418 --> 00:38:09,818
I HAVE BEEN WAITING
FOR A STORY LIKE THIS
694
00:38:09,820 --> 00:38:11,490
MY WHOLE LIFE.
695
00:38:11,489 --> 00:38:14,759
AND SHE'S MAD 'CAUSE I'M
ON HER COMPUTER. HELLO.
696
00:38:14,760 --> 00:38:17,200
SO SHE...
697
00:38:17,195 --> 00:38:22,365
SHE SAID, UH, SHE COULDN'T TRUST
ME ANYMORE AND THAT IT WAS OVER.
698
00:38:22,367 --> 00:38:25,397
THE ARGUMENT ESCALATED,
699
00:38:25,403 --> 00:38:27,913
AND, UH,
I TOOK MY NECKLACE BACK.
700
00:38:27,905 --> 00:38:30,935
AND THEN SHE STARTS
TAUNTING ME,
701
00:38:30,942 --> 00:38:34,412
YOU KNOW, IMPLYING THAT
I DON'T HAVE WHAT IT TAKES
702
00:38:34,413 --> 00:38:37,453
TO BE IN THE BIG LEAGUES
ANYWAY,
703
00:38:37,449 --> 00:38:39,889
SAYING I'M A LOSER.
704
00:38:39,885 --> 00:38:42,285
SHE'S HAD ENOUGH?
705
00:38:42,286 --> 00:38:45,316
SHE'S HAD ENOUGH? SHE HAS?
706
00:38:45,322 --> 00:38:46,892
NO, NO, NO, NO.
707
00:38:46,891 --> 00:38:48,431
I'VE HAD ENOUGH.
708
00:38:48,427 --> 00:38:51,057
ME!
709
00:38:56,867 --> 00:38:59,507
WELL...
710
00:38:59,505 --> 00:39:01,805
WE'LL TAKE THAT
AS A CONFESSION.
711
00:39:01,806 --> 00:39:04,736
IN A STUNNING REVELATION,
MAYOR MELBA WALKER SHANNON
712
00:39:04,742 --> 00:39:07,952
HAS BEEN ARRESTED BY THE D.A.
FOR CORRUPTION CHARGES...
(Rigsby) OH, YEAH.
713
00:39:07,945 --> 00:39:10,245
STEMMING FROM THE GRANTON
AT SALTER DEVELOPMENT.
714
00:39:10,248 --> 00:39:13,418
THE ACCUSER IS HER
CLOSEST AIDE, WILSON FONTENEAU,
715
00:39:13,418 --> 00:39:15,288
WHO AGREED TO TESTIFY
AGAINST THE MAYOR
716
00:39:15,286 --> 00:39:16,916
IN EXCHANGE FOR LENIENCY
717
00:39:16,922 --> 00:39:20,792
REGARDING HIS ACTIVITIES
AS ECO-TERRORIST "JASPER."
718
00:39:20,791 --> 00:39:23,161
THIS ONLY
THE LATEST DEVELOPMENT
719
00:39:23,161 --> 00:39:25,561
IN A BIZARRE STORY
OF MURDER AND GREED
720
00:39:25,563 --> 00:39:29,573
THAT HAS CAPTIVATED
THE CENTRAL VALLEY.
HEY. I WAS ENJOYING THAT.
721
00:39:29,568 --> 00:39:32,598
UGH. I HATE HOW THEY
OVERDRAMATIZE EVERYTHING.
YEAH, I HATE THAT.
722
00:39:32,603 --> 00:39:34,613
(deepens voice)
"CAPTURED THE CENTRAL VALLEY."
723
00:39:34,606 --> 00:39:37,276
(normal voice) GIVE ME A BREAK.
DOUGHNUTS.
724
00:39:37,275 --> 00:39:39,905
THANKS.
LADIES FIRST.
725
00:39:39,911 --> 00:39:42,251
SO, UH, GUYS?
726
00:39:42,246 --> 00:39:45,316
UH, I HAVE SOMETHING TO SAY.
727
00:39:45,315 --> 00:39:47,845
WE HAVE SOMETHING TO SAY.
728
00:39:47,853 --> 00:39:51,923
UH, LIFE'S TOO SHORT
FOR DISHONESTY.
729
00:39:51,922 --> 00:39:53,292
VAN PELT--
730
00:39:53,291 --> 00:39:55,661
GRACE AND I ARE... LOVERS.
731
00:39:59,396 --> 00:40:01,596
NO, YOU'RE NOT.
732
00:40:01,599 --> 00:40:03,199
UM, YES, WE ARE.
733
00:40:03,201 --> 00:40:06,041
NO, YOU ARE NOT LOVERS.
734
00:40:06,036 --> 00:40:10,476
UH, BUT WE ARE, THOUGH.
NO, YOU'RE NOT,
BECAUSE A SEXUAL RELATIONSHIP
735
00:40:10,476 --> 00:40:13,546
BETWEEN TWO FELLOW
BUREAU EMPLOYEES IS
736
00:40:13,545 --> 00:40:16,345
STRICTLY AGAINST THE RULES.
737
00:40:16,347 --> 00:40:18,147
WHICH IS WHY WE KEPT IT
A SECRET.
738
00:40:18,148 --> 00:40:20,648
BUT WE DON'T WANT TO LIVE
A LIE ANYMORE.
739
00:40:20,652 --> 00:40:22,592
(inhales deeply)
COME WHAT MAY.
740
00:40:22,588 --> 00:40:24,088
(chuckles)
741
00:40:25,523 --> 00:40:28,193
WELL, IT'S A BIG SECRET.
WELL-KEPT.
742
00:40:28,193 --> 00:40:30,503
WELL, MAYBE YOU KNEW,
BUT NOBODY ELSE DID.
743
00:40:30,496 --> 00:40:32,456
I KNEW. HALF THE BUILDING KNOWS.
THEY DO NOT.
744
00:40:32,463 --> 00:40:35,673
THE ONLY PERSON THAT DIDN'T KNOW
IS GLARING AT YOU RIGHT NOW.
745
00:40:35,666 --> 00:40:38,696
AND NOW I HAVE TO DO
SOMETHING ABOUT IT.
746
00:40:38,704 --> 00:40:41,574
WHAT ARE YOU GONNA DO?
YEAH, WHAT ARE YOU GONNA DO?
747
00:40:45,543 --> 00:40:48,053
I'M THINKING.
748
00:40:48,045 --> 00:40:50,845
(Lisbon) GO.
55666
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