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Would you like to inspect the original subtitles? These are the user uploaded subtitles that are being translated: 1 00:00:00,768 --> 00:00:03,668 (cell phone vibrating) 2 00:00:05,272 --> 00:00:07,282 (Grace) WHAT? OH. 3 00:00:07,275 --> 00:00:09,275 (grunts and groans) 4 00:00:09,276 --> 00:00:11,776 IT'S MINE. (groans) 5 00:00:11,778 --> 00:00:14,778 (grunting) (groans) 6 00:00:14,782 --> 00:00:18,222 (moaning) (yawns) 7 00:00:18,219 --> 00:00:20,919 RIGSBY. (clears throat) 8 00:00:20,920 --> 00:00:23,690 OH, HEY. YEP. 9 00:00:23,690 --> 00:00:25,790 YOU GOT IT, BOSS. 10 00:00:25,792 --> 00:00:27,092 WE'RE UP. 11 00:00:27,094 --> 00:00:28,764 LISBON? YEP. 12 00:00:28,762 --> 00:00:31,772 OH, NO. NO, SHE'S GONNA CALL HERE NEXT. (chuckling) 13 00:00:31,765 --> 00:00:34,465 SHE'LL KNOW. GET OUT. GRACE, WAKE UP. 14 00:00:34,468 --> 00:00:37,668 (groans) HOW IS LISBON GONNA KNOW I'M WITH YOU, HMM? 15 00:00:37,670 --> 00:00:39,970 RIGHT, YEAH. 16 00:00:39,972 --> 00:00:41,482 (cell phone beeps) 17 00:00:41,475 --> 00:00:43,875 MMM, LEAVE IT. MMM, NO. 18 00:00:43,877 --> 00:00:45,877 NO, OH, OH. (sighs) GET OUT. 19 00:00:45,878 --> 00:00:49,078 GET OUT, GET OUT. (groans) 20 00:00:49,082 --> 00:00:51,482 AGENT GRACE VAN PELT. 21 00:00:51,484 --> 00:00:54,794 HI, BOSS. WHAT'S UP? (shower turns on) 22 00:00:54,787 --> 00:00:56,157 MM-HMM. 23 00:00:56,156 --> 00:00:57,626 ALL RIGHT. 24 00:00:57,625 --> 00:01:03,495 (cell phone beeping, indistinct police radio chatter) 25 00:01:03,496 --> 00:01:04,526 BOSCO. 26 00:01:04,531 --> 00:01:06,801 AND TO WHAT DO I OWE THIS PLEASURE? 27 00:01:06,799 --> 00:01:09,799 YOU'RE UP. WHERE ARE YOU AT? (Patrick) Crime scene. Why? 28 00:01:09,802 --> 00:01:12,642 COFFEE RUN? USUAL FOR YOU, BOSS? YEAH, TALL DRIP, BLACK. 29 00:01:12,640 --> 00:01:15,680 WE NEED TO TALK. ABOUT WHAT? 30 00:01:15,676 --> 00:01:18,346 COME SEE ME WHEN YOU GET BACK. 31 00:01:18,346 --> 00:01:21,346 OKAY. LOOK FORWARD TO IT. (phone clicks shut) 32 00:01:21,349 --> 00:01:24,549 OKAY, BOYS, LET'S GET BACK TO IT. 33 00:01:24,551 --> 00:01:27,291 MORNING. WELL, ALMOST MORNING. 34 00:01:27,287 --> 00:01:29,287 (woman) MORNING, EVERYONE. 35 00:01:29,289 --> 00:01:32,629 WE GOT A CAUCASIAN MALE, 50s, GUNSHOT TO THE HEAD. 36 00:01:32,626 --> 00:01:34,626 (Patrick) AND TASTEFULLY GARNISHED 37 00:01:34,628 --> 00:01:36,858 WITH AN EXPLOSION OF YELLOW ROSES. 38 00:01:36,864 --> 00:01:39,574 SECURITY GUARD SAW THE BODY, CALLED SAC P.D., 39 00:01:39,567 --> 00:01:42,537 BUT THIS IS A STATE CEMETERY, WHICH IS WHY WE'RE HERE AT, UH, 40 00:01:42,536 --> 00:01:44,766 OH-DARK-THIRTY. SWELL SPOT. 41 00:01:44,771 --> 00:01:47,511 (Kimball) CHECK OUT THE STIPPLING. 42 00:01:47,508 --> 00:01:51,408 LOOKS LIKE HE WAS, UH, SHOT AT CLOSE RANGE. YEP. AND FIBERS IN THE WOUND 43 00:01:51,412 --> 00:01:53,982 INDICATE CLOTHES WERE REMOVED POSTMORTEM. 44 00:01:53,980 --> 00:01:55,780 (sniffs) HMM. HUH? 45 00:01:55,783 --> 00:01:59,753 YOU SMELL NICE. IS THAT LILAC SOAP? YEAH. 46 00:01:59,753 --> 00:02:01,563 YOU GOT SOMETHING, JANE? 47 00:02:01,555 --> 00:02:04,455 UH, YES, I DO. UH, HE'S NAKED. LET ME WRITE THAT DOWN. 48 00:02:04,457 --> 00:02:07,727 WELL, IT MAKES HIM LOOK KIND OF SAD, DON'T YOU THINK? 49 00:02:07,727 --> 00:02:09,757 VULNERABLE. A LITTLE COMIC, EVEN. 50 00:02:09,763 --> 00:02:12,433 MEANING WHAT? HE WAS POSED LIKE THIS. HE WASN'T JUST DUMPED HERE, 51 00:02:12,432 --> 00:02:16,402 WILLY-NILLY. THIS IS A STATEMENT. DOCTOR, THE MARK ON THE HAND-- IS THAT A BURN? 52 00:02:16,403 --> 00:02:19,213 MM, LOOKS MORE LIKE FREEZER BURN, ACTUALLY. 53 00:02:19,206 --> 00:02:20,566 OH. 54 00:02:20,574 --> 00:02:21,814 OH? 55 00:02:21,808 --> 00:02:23,538 THAT EXPLAINS IT. 56 00:02:23,544 --> 00:02:26,684 HIS LIVER TEMP IS 45 DEGREES, BUT IT'S ONLY AROUND 58 IN HERE. 57 00:02:26,680 --> 00:02:29,380 SO SOMEBODY FROZE HIS BODY IN THAT POSITION 58 00:02:29,383 --> 00:02:31,323 THEN DUMPED HIM HERE. 59 00:02:31,318 --> 00:02:35,258 COULD BE A SIGNATURE, MAYBE A SERIAL PATTERN. 60 00:02:35,256 --> 00:02:37,456 LISBON AND I WILL TALK TO BOSCO ABOUT THAT, 61 00:02:37,457 --> 00:02:40,257 SEE IF HE HAS ANY SIMILAR INCIDENTS. YEAH, COME ON. 62 00:02:40,260 --> 00:02:43,460 LET'S GET OUT OF HERE. LET FORENSICS DO THEIR THING. (sighs) 63 00:02:43,463 --> 00:02:45,773 YOU SMELL LOVELY. 64 00:02:45,765 --> 00:02:48,065 WHAT IS THAT? IS THAT LILAC? 65 00:02:48,067 --> 00:02:51,407 UH, YEAH. THANKS. OH. 66 00:02:51,405 --> 00:02:52,905 IT'S PRETTY. 67 00:02:52,906 --> 00:02:55,206 YEAH. 68 00:03:00,647 --> 00:03:03,717 MORNING, REBECCA. THEY LOOK GOOD. ONE OF THOSE FOR ME? 69 00:03:03,717 --> 00:03:06,017 YOU KNOW, IT'S ALL RIGHT TO LIKE ME NOW. 70 00:03:06,019 --> 00:03:09,559 YOUR BOSS AND I MADE UP. THAT'S OKAY, REBECCA. I DON'T LIKE HIM, EITHER. 71 00:03:09,556 --> 00:03:11,556 SHE'S A LIAR. SHE LOVES ME. 72 00:03:11,558 --> 00:03:14,688 (Liz) IN YOUR DREAMS. 73 00:03:14,694 --> 00:03:16,464 AAH! (screaming) 74 00:03:16,463 --> 00:03:19,173 (Liz) OH, MY GOD! 75 00:03:19,165 --> 00:03:21,335 OH, MY GOD! OH, MY GOD! 76 00:03:21,335 --> 00:03:24,265 (woman sobbing) 77 00:03:29,776 --> 00:03:31,206 NO PULSE. 78 00:03:31,211 --> 00:03:33,011 JANE, SOME HELP? 79 00:03:33,013 --> 00:03:34,723 APPLY PRESSURE TO THE WOUND. 80 00:03:34,715 --> 00:03:37,215 APPLY PRESSURE TO THE WOUND. COME ON. 81 00:03:37,216 --> 00:03:39,986 NOW! PRESS AS HARD AS YOU CAN. 82 00:03:39,986 --> 00:03:41,216 (woman continues sobbing) 83 00:03:41,221 --> 00:03:42,961 THIS IS SPECIAL AGENT CHO. 84 00:03:42,956 --> 00:03:46,686 WE'VE GOT AGENTS DOWN ON THE FIFTH FLOOR. (Liz panting) 85 00:03:46,694 --> 00:03:49,704 YES, INSIDE THE BUILDING. WE'RE IN LOCKDOWN ON MY AUTHORITY. 86 00:03:49,697 --> 00:03:51,997 I HAVE THREE AGENTS DOWN. I NEED E.M.T.s... 87 00:03:51,998 --> 00:03:54,298 AND ROLL S.W.A.T., SAC P.D. AND C.H.P., AND HAVE THEM... (Liz) 17, 18, 19... 88 00:03:54,301 --> 00:03:56,801 SET UP A PERIMETER. SUSPECTS MAY STILL BE HERE. 20, 21, 23... 89 00:03:56,804 --> 00:04:01,784 JUST LOCK THIS PLACE DOWN NOW! (sobbing) 90 00:04:01,775 --> 00:04:04,235 5, 6, 7, 8, 9, 91 00:04:04,243 --> 00:04:08,283 10, 11, 12, 13, 14, 15... 92 00:04:08,282 --> 00:04:24,602 ** 93 00:04:24,598 --> 00:04:26,098 (Liz) HICKS? BOSCO? 94 00:04:26,098 --> 00:04:28,068 BOSCO, HICKS. 95 00:04:28,067 --> 00:04:30,537 STEALING MAJOR CRIMES' FOOD-- 96 00:04:30,538 --> 00:04:33,508 VIOLATION OF PENAL CODE SECTION 484, I BELIEVE. 97 00:04:33,507 --> 00:04:36,537 IT DIDN'T HAVE A NAME ON IT. UH, THIS ONE DOES. 98 00:04:36,543 --> 00:04:39,283 I-IT'S MINE. IT'S FROM CORNARO'S. 99 00:04:39,278 --> 00:04:40,778 MMM! 100 00:04:40,781 --> 00:04:43,181 (mouth full) MEATBALL SUB IS REALLY THEIR BEST THING. 101 00:04:43,182 --> 00:04:45,892 YOU BETTER HOPE I DON'T TELL MANDY YOU WENT OFF YOUR DIET. 102 00:04:45,886 --> 00:04:48,416 SHE'S IN NEW HAMPSHIRE WITH HER SISTER ALL WEEK. 103 00:04:48,422 --> 00:04:50,662 OH, THERE YOU ARE. AGENT HICKS, YOUR FORM 41s. 104 00:04:50,658 --> 00:04:53,428 AND, BOSS, THE ATTORNEY GENERAL'S OFFICE 105 00:04:53,427 --> 00:04:55,997 CALLED ABOUT THE ARMENIAN CARTEL THING. 106 00:04:55,995 --> 00:04:58,765 AND YOU BETTER HOPE I DON'T TELL YOUR WIFE 107 00:04:58,766 --> 00:05:00,926 ABOUT YOU GOING OFF YOUR DIET. 108 00:05:02,636 --> 00:05:08,036 (laughing and choking) 109 00:05:08,040 --> 00:05:10,140 BREATHE, BREATHE. 110 00:05:10,143 --> 00:05:13,313 COME ON, BREATHE, BREATHE. 111 00:05:13,312 --> 00:05:14,312 CLEAR! 112 00:05:14,314 --> 00:05:17,024 (defibrillator whirrs, zaps) 113 00:05:17,016 --> 00:05:18,646 HE'S BACK. 114 00:05:18,651 --> 00:05:20,751 (monitor flatlines) 115 00:05:20,754 --> 00:05:23,324 THERE'S NO BREATH SOUND ON THE RIGHT SIDE. 116 00:05:23,322 --> 00:05:26,632 HIS PULSE IS REALLY WEAK. RUN I.V. WIDE OPEN. WE'RE CODE THREE. 117 00:05:26,627 --> 00:05:28,857 LET'S MOVE, LET'S MOVE. 118 00:05:28,862 --> 00:05:31,962 (siren wailing) 119 00:05:31,964 --> 00:05:35,474 YOU OKAY? 120 00:05:35,468 --> 00:05:38,468 WHAT DO WE GOT? LOCKDOWN'S IN FULL EFFECT, BUILDINGWIDE. 121 00:05:38,471 --> 00:05:42,741 SAME WITH THE CAPITOL AND THE D.O.J. GOOD. CHO'S LIAISING WITH THE SAC P.D. 122 00:05:42,742 --> 00:05:44,682 THEY'RE SETTING UP A 2-BLOCK PERIMETER. 123 00:05:44,677 --> 00:05:47,577 NOW NOBODY GETS IN OR OUT. ALL CIVILIANS ARE BEING SENT 124 00:05:47,581 --> 00:05:49,421 TO THE DOWNSTAIRS LOBBY FOR HOLDING. 125 00:05:49,417 --> 00:05:51,847 AND SWAT'S ON THE WAY UP. WE'RE GONNA DO A SWEEP ROOM BY ROOM. 126 00:05:51,851 --> 00:05:54,351 SUSPECTS COULD STILL BE HERE. GET WITH SECURITY. CHECK ALL THE CAMERA FOOTAGE, 127 00:05:54,353 --> 00:05:56,463 AND SET UP TEAMS TO INTERVIEW ALL OF THE GUARDS, JANITORS 128 00:05:56,456 --> 00:06:00,626 AND EVERYONE DOWN IN THE LOBBY. (Grace and Wayne) YEAH, YOU GOT IT. 129 00:06:00,627 --> 00:06:03,557 HE'S GONE. GO ON NOW. 130 00:06:06,365 --> 00:06:08,595 JANE. 131 00:06:08,601 --> 00:06:10,741 YOU MAY BE IN SHOCK. LOOK AT ME. 132 00:06:10,737 --> 00:06:14,737 THERE SHOULD BE THREE BODIES. THERE--THERE'S ONLY TWO. 133 00:06:14,742 --> 00:06:18,652 WHERE'S AGENT HICKS? I'LL GET CHO ON THAT. 134 00:06:18,646 --> 00:06:22,346 LISBON, LISTEN. MAYBE WE SHOULD JUST WASH UP FIRST. 135 00:06:22,348 --> 00:06:24,948 COME ON. 136 00:06:24,951 --> 00:06:26,891 COME ON. 137 00:06:30,557 --> 00:06:32,957 (water splashing) 138 00:06:46,372 --> 00:06:48,512 (exhales deeply) 139 00:06:52,713 --> 00:06:56,823 (water splashing) (sniffles) 140 00:06:56,817 --> 00:06:59,647 SO YOU NEVER SAW HICKS THIS MORNING? 141 00:06:59,653 --> 00:07:01,653 NO. I HAVEN'T SEEN HIM SINCE YESTERDAY. 142 00:07:01,654 --> 00:07:04,634 AND YESTERDAY, WAS HE ANGRY OR UPSET? 143 00:07:04,625 --> 00:07:07,625 YOU THINK MARLON HICKS COULD HAVE DONE THIS? OH, NO. 144 00:07:07,627 --> 00:07:10,427 WE HAVE TO CHECK EVERY ANGLE, REBECCA. 145 00:07:10,430 --> 00:07:11,800 LET'S BACK UP. 146 00:07:11,798 --> 00:07:13,968 WHEN YOU WENT OUT TO GET THE COFFEE, 147 00:07:13,966 --> 00:07:15,966 DID YOU SEE ANYTHING UNUSUAL? 148 00:07:15,968 --> 00:07:18,768 SOMEBODY WHO DIDN'T BELONG HERE, MAYBE? NO. 149 00:07:18,771 --> 00:07:22,271 EVERYTHING WAS FINE. IT WAS NORMAL. 150 00:07:22,274 --> 00:07:23,844 (whimpers) 151 00:07:25,778 --> 00:07:29,018 GOD, I'M SORRY. I'M NOT HELPING. (Liz whispers) IT'S OKAY. 152 00:07:29,016 --> 00:07:31,576 UM, UH, I WAS GONE MAYBE TEN MINUTES AND I... 153 00:07:31,584 --> 00:07:35,764 I-I DIDN'T SEE ANYTHING WEIRD. AND THEN BOSCO CALLED THE TEAM IN EARLY THIS MORNING. 154 00:07:35,755 --> 00:07:39,785 DO YOU KNOW WHY? WELL, I THOUGHT THAT MAYBE IT WAS THE ARMENIAN CARTEL ARRESTS. 155 00:07:39,793 --> 00:07:42,303 YOU WERE THAT CLOSE TO MAKING AN ARREST? 156 00:07:42,295 --> 00:07:45,765 Y-YEAH, UM, UH... THERE WAS, UM, A BREAK THIS WEEK. 157 00:07:45,766 --> 00:07:48,266 UM, AN INFORMANT CAME THROUGH, THE BOSS SAID. 158 00:07:48,268 --> 00:07:50,738 IT WAS SOMETHING ABOUT, UM, A, UM, UM, A WAREHOUSE. 159 00:07:50,737 --> 00:07:53,007 (Patrick) UH, LISBON. 160 00:07:53,005 --> 00:07:56,435 DID FORENSICS COME UP WITH AN I.D. ON THE FROZEN MAN? I HAVEN'T CHECKED IN WITH THEM. 161 00:07:56,442 --> 00:07:59,912 IT'S NOT REALLY A PRIORITY RIGHT NOW, OKAY? OKAY. 162 00:07:59,913 --> 00:08:01,683 I GUESS. 163 00:08:01,682 --> 00:08:03,852 YOU WERE SAYING? 164 00:08:03,850 --> 00:08:05,850 CAMERA FOUR, ALSO NOTHING. 165 00:08:05,853 --> 00:08:07,863 JUST AN ORDINARY DAY. 166 00:08:07,855 --> 00:08:10,385 WEIRD, HUH? THESE GUYS ARE LIKE GHOSTS. YEAH, NO KIDDING. 167 00:08:10,389 --> 00:08:13,359 WE CLEARED THE BUILDING TOP TO BOTTOM. THERE'S NO SIGN OF THEM. 168 00:08:13,360 --> 00:08:15,860 B.F.S. ARE DUSTING EVERY STAIRWELL AND DOOR FOR PRINTS, 169 00:08:15,862 --> 00:08:18,032 BUT IT'LL TAKE DAYS TO GO THROUGH THEM ALL. 170 00:08:18,031 --> 00:08:21,231 LISBON SAID I SHOULD SEE IF YOU NEEDED A HAND HERE. JIMMY, GO TO CAMERA FIVE NOW-- 171 00:08:21,233 --> 00:08:24,573 LOBBY ENTRANCE, SAME TIME CODE. (typing) 172 00:08:24,572 --> 00:08:26,042 THAT'S REBECCA COMING BACK. 173 00:08:26,038 --> 00:08:28,738 SHE WAS GONE 9 MINUTES, 30 ALTOGETHER. 174 00:08:28,742 --> 00:08:30,312 I DON'T RECOGNIZE HAT GUY HERE. 175 00:08:30,310 --> 00:08:32,480 PUT HIM ON THE LIST OF PEOPLE TO CHECK OUT. 176 00:08:32,479 --> 00:08:35,049 OKAY, JIMMY, CAMERA SIX-- THE GARAGE ENTRANCE. MM-HMM. 177 00:08:35,048 --> 00:08:38,688 HANG ON. SOMETHING'S SCREWED UP HERE. 178 00:08:38,686 --> 00:08:40,716 (typing on keyboard) 179 00:08:40,721 --> 00:08:43,061 SOME FILES ARE CORRUPTED ON THIS DATA DRIVE. 180 00:08:43,056 --> 00:08:46,186 UM, THAT'S NOT POSSIBLE. OUR FIREWALLS ARE-- HAVE BEEN BREACHED. 181 00:08:46,192 --> 00:08:49,732 CAMERA SIX AND SEVEN-- THAT'S THE GARAGE. 182 00:08:49,730 --> 00:08:52,230 THEY WERE DISABLED REMOTELY. LOOKS LIKE AT LEAST 183 00:08:52,231 --> 00:08:54,671 A 30-MINUTE GAP. WHICH MEANS WE HAVE NO WAY OF KNOWING 184 00:08:54,668 --> 00:08:59,568 WHO WENT IN OR OUT VIA THE GARAGE. JIMMY, GET SOMEBODY FROM I.T. DOWN HERE NOW, 185 00:08:59,572 --> 00:09:03,312 FIGURE OUT WHAT WE'RE DEALING WITH. OKAY, I-I'LL TELL MY BOSS. 186 00:09:03,309 --> 00:09:06,109 (sighs) TEN MINUTES. 187 00:09:06,113 --> 00:09:10,853 IT WAS ALL OVER IN TEN MINUTES. 188 00:09:15,822 --> 00:09:18,132 OKAY, GOT IT. THANKS, AVILA. I OWE YOU ONE. 189 00:09:18,125 --> 00:09:22,325 (indistinct police radio chatter) 190 00:09:22,328 --> 00:09:24,828 AGENT LISBON, I JUST SPOKE TO THE GOVERNOR. 191 00:09:24,831 --> 00:09:27,901 I TOLD HIM THAT I HAVE MY BEST TEAM ON THIS ONE. 192 00:09:27,900 --> 00:09:30,400 I KNOW YOU'LL DO US PROUD. THANKS, BOSS. 193 00:09:30,403 --> 00:09:32,913 I JUST REACHED OUT TO SAC P.D. NARCOTICS 194 00:09:32,905 --> 00:09:36,035 ABOUT THAT ARMENIAN DRUG CARTEL THAT-- IN A MINUTE. 195 00:09:37,543 --> 00:09:40,783 I JUST GOT WORD FROM THE HOSPITAL. HE'S NOT DEAD? 196 00:09:40,780 --> 00:09:42,780 NO. NO, BOSCO'S IN SURGERY, 197 00:09:42,783 --> 00:09:45,223 BUT I WANTED YOU TO PREPARE YOURSELF. 198 00:09:45,217 --> 00:09:49,317 HIS INJURIES ARE EXTENSIVE, CRITICAL. 199 00:09:49,322 --> 00:09:52,292 TERESA, I'M, UH, I'M SORRY TO ASK THIS, BUT I NEED TO KNOW 200 00:09:52,292 --> 00:09:55,802 THAT YOU'RE GONNA BE ABLE TO GO ON WITH THIS CASE, 201 00:09:55,796 --> 00:09:58,366 NO MATTER WHAT HAPPENS. IF--IF YOU CAN'T, 202 00:09:58,365 --> 00:10:02,365 JUST LET ME KNOW, AND I'LL PUT SOMEONE ELSE ON POINT. NOT NECESSARY. 203 00:10:02,369 --> 00:10:05,469 YOU THINK SAM BOSCO IS GONNA LET A LITTLE LEAD STOP HIM? 204 00:10:05,471 --> 00:10:06,671 PLEASE. 205 00:10:06,673 --> 00:10:09,813 I HOPE YOU'RE RIGHT. GOOD LUCK. 206 00:10:11,443 --> 00:10:13,253 NOTHING ON HICKS. 207 00:10:13,245 --> 00:10:16,045 I HAD A UNI RUN BY HIS HOUSE, BUT HE'S NOT THERE. 208 00:10:16,048 --> 00:10:19,248 NO CAR IN THE DRIVEWAY. I'VE GOT SOMETHING. YOU KNOW THAT ARMENIAN DRUG CARTEL 209 00:10:19,251 --> 00:10:21,791 THAT BOSCO WAS CLOSE TO NAILING? 210 00:10:21,788 --> 00:10:24,088 IT'S RUN BY A GUY NAMED MICHAEL ASSANIAN. 211 00:10:24,091 --> 00:10:26,461 OH, BAD GUY. OUTSIDE OF THE MEXICANS, 212 00:10:26,458 --> 00:10:28,898 BIGGEST HEROIN DISTRIBUTOR ON THE WEST COAST. BOSCO MUST'VE SPOOKED HIM. 213 00:10:28,895 --> 00:10:32,525 HE LEFT THE COUNTRY THREE DAYS AGO. SO MAYBE HE LEAVES TOWN TO KEEP HIMSELF CLEAN 214 00:10:32,532 --> 00:10:35,672 WHILE HIS PEOPLE KILL BOSCO. YEAH, MAKES SENSE. KILL THE TEAM, KILL THE CASE. 215 00:10:35,668 --> 00:10:38,968 IT'S WORTH CHECKING OUT. LISBON, DID WE GET AN I.D. ON THE MAN FROM THE CEMETERY YET? 216 00:10:38,971 --> 00:10:42,081 WHAT IS WITH YOU AND THIS CASE? OH, IT'S JUST A FEELING. 217 00:10:42,075 --> 00:10:44,805 YOU THINK IT'S CONNECTED TO BOSCO? MAYBE. 218 00:10:44,812 --> 00:10:47,822 HOW? HARD TO SAY. UH... 219 00:10:47,815 --> 00:10:49,445 FINE. CHO, CALL IT UP. 220 00:10:49,448 --> 00:10:52,048 FORENSICS MAY HAVE POSTED SOMETHING BY NOW. THANK YOU. 221 00:10:52,052 --> 00:10:54,552 RUN DOWN THIS INFORMANT. SEE IF HE'S GOT ANYTHING FOR US. 222 00:10:54,553 --> 00:10:57,493 LAURO IN NARCOTICS SAID YOU COULD USE HIS NAME. YEAH, WILL DO. 223 00:10:57,490 --> 00:11:00,830 FORENSICS SAYS CEMETERY GUY'S FINGERPRINTS BELONG TO 224 00:11:00,827 --> 00:11:02,697 A DR. TOWLEN MORNING, AGE 55, STOCKTON. 225 00:11:02,696 --> 00:11:05,656 TOWLEN MORNING. 226 00:11:05,664 --> 00:11:08,034 JANE? 227 00:11:09,702 --> 00:11:11,872 CHO, WITH ME. 228 00:11:29,322 --> 00:11:31,792 (car door closes) 229 00:11:56,783 --> 00:11:59,893 (piano playing) 230 00:12:01,788 --> 00:12:03,358 (doorknob rattles) 231 00:12:10,330 --> 00:12:12,130 (doorknob rattles) 232 00:12:15,701 --> 00:12:19,971 ** 233 00:12:36,123 --> 00:12:39,063 ** 234 00:12:52,438 --> 00:12:55,138 OH, NO. 235 00:12:55,142 --> 00:12:56,782 HICKS. 236 00:13:12,192 --> 00:13:13,732 (indistinct police radio chatter) 237 00:13:13,725 --> 00:13:15,785 HOW DID YOU KNOW IT WAS RED JOHN? 238 00:13:15,794 --> 00:13:17,764 TOWLEN MORNING WAS THE FAMILY DOCTOR 239 00:13:17,764 --> 00:13:19,674 FOR JANET AND CARTER PEAK. 240 00:13:19,666 --> 00:13:22,066 THE PEAKS WERE RED JOHN'S THIRD AND FOURTH VICTIMS. 241 00:13:22,068 --> 00:13:24,068 CARTER PRESUMED TO BE THE FOURTH. 242 00:13:24,071 --> 00:13:26,111 THEY NEVER FOUND HIS BODY. 243 00:13:26,105 --> 00:13:29,335 THAT WAS NINE YEARS AGO. WHY ATTACK THE CBI TODAY? 244 00:13:29,341 --> 00:13:32,081 YEAH, IT'S PUZZLING. I'M RED JOHN. 245 00:13:32,078 --> 00:13:35,318 WHY DO I KILL MORNING AND HICKS AND ATTACK BOSCO'S TEAM? 246 00:13:35,315 --> 00:13:37,475 (whispering) CARTER AND JANET PEAK. 247 00:13:37,484 --> 00:13:40,224 NINE YEARS AGO. CARTER AND JANET PEAK. NINE. 248 00:13:40,220 --> 00:13:44,260 (normal voice) NINE YEARS AGO, I'M A LOT LESS EXPERIENCED. 249 00:13:44,256 --> 00:13:47,386 SOMETHING WENT WRONG WITH CARTER AND JANET PEAK, A MISTAKE. 250 00:13:47,394 --> 00:13:50,064 NOW HE FIXED IT, BUT SOMEHOW NOW IT'S COME UNDONE. 251 00:13:50,062 --> 00:13:52,472 HICKS CAME TO SEE THE DOCTOR FOR A REASON. 252 00:13:52,465 --> 00:13:55,465 HE WAS CHECKING SOMETHING OUT. AND RED JOHN KILLED HIM FOR IT, 253 00:13:55,467 --> 00:13:58,297 KILLED THEM ALL. EXCEPT FOR BOSCO, I MEAN. 254 00:13:58,304 --> 00:14:00,474 BOSCO HAD A LEAD IN THE RED JOHN CASE. 255 00:14:00,472 --> 00:14:02,112 CHO, GO INSIDE. 256 00:14:02,109 --> 00:14:04,839 CHECK THE DOCTOR'S FILES FOR CARTER AND JANET PEAK-- 257 00:14:04,844 --> 00:14:07,114 X-RAYS, LABS, EVERYTHING. 258 00:14:07,114 --> 00:14:10,584 WHY DID BOSCO WANT THE MEDICAL RECORDS? 259 00:14:10,582 --> 00:14:12,122 WHAT DID HE KNOW? 260 00:14:12,119 --> 00:14:14,449 HE'S IN I.C.U. IN A MEDICALLY INDUCED COMA. 261 00:14:14,453 --> 00:14:17,663 HE'S NOT GONNA TELL US ANYTHING. I KNOW. I KNOW. 262 00:14:17,657 --> 00:14:19,327 THE CASE FILES WILL. 263 00:14:21,161 --> 00:14:23,401 VAN PELT, HAVE B.F.S. SEARCH BOSCO'S OFFICE 264 00:14:23,395 --> 00:14:26,165 FOR ANY NEW EVIDENCE OR NOTES IN THE RED JOHN FILE. 265 00:14:26,166 --> 00:14:30,266 YOU AND RIGSBY START WORKING THE SECRETARY, REBECCA. 266 00:14:30,269 --> 00:14:31,499 MM-HMM. 267 00:14:51,457 --> 00:14:53,127 HEY, BOSS. 268 00:14:53,125 --> 00:14:54,995 NOTHING FROM REBECCA. THE B.F.S. TECHS ARE 269 00:14:54,995 --> 00:14:58,995 STILL TAKING APART BOSCO'S OFFICE, BUT SO FAR-- IS JANE BACK? 270 00:14:58,999 --> 00:15:01,029 I HAVEN'T SEEN HIM. FIND HIM, WOULD YOU? 271 00:15:01,033 --> 00:15:04,243 YEAH. (Minelli) SPECIAL AGENTS NICK MARTINEZ AND MARK DYSON 272 00:15:04,236 --> 00:15:06,306 DIED AT THE SCENE HERE. 273 00:15:06,306 --> 00:15:08,766 AND SPECIAL AGENT MARLON HICKS 274 00:15:08,774 --> 00:15:12,254 WAS FOUND DEAD AT A SECONDARY CRIME SCENE. 275 00:15:12,245 --> 00:15:16,815 SPECIAL AGENT SAMUEL BOSCO REMAINS IN CRITICAL CONDITION. 276 00:15:16,816 --> 00:15:20,046 WE ARE DEVOTING EVERY RESOURCE TO THIS INVESTIGATION. 277 00:15:20,052 --> 00:15:23,462 AND I PROMISE--I PROMISE THE AGENTS' FAMILIES, 278 00:15:23,456 --> 00:15:26,226 WE WILL NOT REST 279 00:15:26,225 --> 00:15:29,225 UNTIL WE BRING THE PERPETRATOR TO JUSTICE. 280 00:15:29,229 --> 00:15:31,599 SPECIAL AGENT MINELLI, OUR CONDOLENCES. 281 00:15:31,597 --> 00:15:35,867 WOULD YOU DESCRIBE YOUR FEELINGS AT THIS TERRIBLE TIME? 282 00:15:35,868 --> 00:15:38,768 WOW, MEREDITH. THAT... 283 00:15:38,770 --> 00:15:41,170 YOU MEDIA GUYS--THAT'S JUST... 284 00:15:44,043 --> 00:15:47,183 YOU KNOW, FOR EIGHT YEARS, 285 00:15:47,179 --> 00:15:50,119 I'VE PUT UP WITH THE IDIOTIC QUESTIONS OF THE MEDIA, 286 00:15:50,116 --> 00:15:52,146 AND I'VE NEVER SAID SQUAT. 287 00:15:52,152 --> 00:15:54,252 BUT TODAY... 288 00:15:54,254 --> 00:15:57,124 I MUST TELL YOU, MEREDITH, 289 00:15:57,124 --> 00:16:02,064 YOU'VE REALLY SET A NEW STANDARD IN HORSE'S ASSERY. 290 00:16:04,163 --> 00:16:10,243 YOU PEOPLE HAVE NO CONCEPT OF WHAT WE DO. 291 00:16:10,236 --> 00:16:13,306 WE GO INTO DARK, HORRIBLE PLACES, 292 00:16:13,306 --> 00:16:16,376 ALONE AND AFRAID, 293 00:16:16,375 --> 00:16:18,375 AND WE DO IT WITH NO MONEY, 294 00:16:18,378 --> 00:16:20,008 WITH BROKEN-DOWN VEHICLES 295 00:16:20,013 --> 00:16:25,253 AND WITH COMPUTERS THAT HAVE MORE VIRUSES THAN A $10 WHORE. 296 00:16:25,251 --> 00:16:28,321 HOW? GOOD PEOPLE. 297 00:16:29,655 --> 00:16:33,125 AND I LOST THREE GOOD PEOPLE TODAY, 298 00:16:33,125 --> 00:16:35,495 AND A FOURTH WHO'S IN CRITICAL CONDITION, 299 00:16:35,495 --> 00:16:38,295 AND YOU ASK ME HOW I'M FEELING? 300 00:16:39,932 --> 00:16:42,702 I'M FEELING SAD... 301 00:16:42,701 --> 00:16:45,641 YOU... MORON. 302 00:16:48,941 --> 00:16:50,611 ANY OTHER QUESTIONS? 303 00:16:52,312 --> 00:16:56,152 OKAY, THEN. GOOD DAY TO YOU. 304 00:16:56,149 --> 00:16:59,289 ELIZABETH, CARRY ON. 305 00:17:03,423 --> 00:17:05,893 VIRGIL. 306 00:17:05,892 --> 00:17:07,192 HORSE'S ASSERY. 307 00:17:07,193 --> 00:17:09,233 (chuckles) NICE. 308 00:17:09,229 --> 00:17:11,459 I SHOULDN'T HAVE DONE THAT. 309 00:17:11,463 --> 00:17:14,003 HEY, YOU TOLD THEM THE TRUTH. 310 00:17:14,000 --> 00:17:16,270 I DID. IT FELT GOOD. 311 00:17:17,869 --> 00:17:20,509 STICK WITH US, BOSS. WE NEED YOU. 312 00:17:20,507 --> 00:17:22,667 OKAY. 313 00:17:22,674 --> 00:17:24,044 YES. 314 00:17:24,042 --> 00:17:27,312 I GOTTA RUN. YOU GOT THIS? GO. 315 00:17:30,517 --> 00:17:32,417 (horn honks) 316 00:17:35,555 --> 00:17:38,255 (clears throat) 317 00:17:38,258 --> 00:17:41,388 (indistinct conversations) 318 00:17:43,262 --> 00:17:45,372 EVENING, GENTLEMEN. 319 00:17:47,500 --> 00:17:50,240 (monitor beeping steadily) 320 00:17:50,237 --> 00:17:53,437 (typing on keyboard) 321 00:17:54,374 --> 00:17:56,084 HI. HI. 322 00:17:56,075 --> 00:17:58,075 YOU ARE? 323 00:17:58,076 --> 00:18:00,246 OH, I'M SORRY. UH, PATRICK JANE, CBI. 324 00:18:00,247 --> 00:18:02,947 I'M A FRIEND OF HIS. UH, HOW'S HE DOING? 325 00:18:02,949 --> 00:18:04,749 HE'S NOT GOOD. 326 00:18:04,750 --> 00:18:06,750 THE NEXT TWO DAYS SHOULD TELL US A LOT. 327 00:18:06,752 --> 00:18:09,892 OH, HE WAS IN SUCH PAIN. IS HE GETTING ENOUGH MORPHINE? 328 00:18:09,888 --> 00:18:11,318 HE SHOULD BE. 329 00:18:13,859 --> 00:18:16,759 LOOKS GOOD. CALL ME IF YOU NEED ANYTHING ELSE. 330 00:18:16,762 --> 00:18:18,602 WILL DO. THANKS, DOC. 331 00:18:27,273 --> 00:18:29,283 WHAT ARE YOU DOING? 332 00:18:30,477 --> 00:18:32,177 UNPLUGGING HIS MORPHINE. 333 00:18:32,179 --> 00:18:35,009 I'D ASK A DOCTOR TO DO IT, BUT I THINK I KNOW 334 00:18:35,013 --> 00:18:37,383 WHAT THEY'D SAY. ARE YOU CRAZY? 335 00:18:37,384 --> 00:18:39,954 YES, THAT'S EXACTLY WHAT THEY'D SAY. 336 00:18:39,951 --> 00:18:42,791 THEY WOULDN'T UNDERSTAND THE MORAL IMPERATIVE HERE. 337 00:18:44,257 --> 00:18:46,827 BOSCO IS THE ONLY PERSON 338 00:18:46,826 --> 00:18:50,096 THAT CAN TELL US WHAT HE FOUND ON RED JOHN. 339 00:18:50,096 --> 00:18:52,626 NOW HE MAY DIE. WE NEED TO WAKE HIM UP 340 00:18:52,632 --> 00:18:55,002 AND HAVE HIM TELL US EVERYTHING HE KNOWS, 341 00:18:55,000 --> 00:18:56,700 WHILE HE STILL CAN. 342 00:18:56,702 --> 00:19:00,272 (machine emitting high-pitched tone) 343 00:19:06,913 --> 00:19:09,783 WHY NOT? MORPHINE DOESN'T MAKE HIM ANY BETTER. (tone stops) 344 00:19:09,781 --> 00:19:12,421 IT JUST STOPS THE PAIN. YES, THAT'S WHAT IT DOES. 345 00:19:12,419 --> 00:19:14,389 PAIN IS NOTHING. PAIN MEANS HE'S STILL ALIVE. 346 00:19:14,386 --> 00:19:16,716 WE NEED HIM NOW, LISBON, NOW. 347 00:19:16,722 --> 00:19:20,462 HE IS USELESS TO US WHEN HE'S DEAD. SHUT UP. HE'S GONNA LIVE. 348 00:19:20,460 --> 00:19:22,300 MAYBE AND MAYBE NOT. 349 00:19:22,295 --> 00:19:24,395 GOD, YOU'RE A COLD BASTARD. 350 00:19:24,396 --> 00:19:27,366 OH, PLEASE. Y-Y-YOU--YOU NEED TO THINK LOGICALLY. 351 00:19:27,366 --> 00:19:29,336 HE WOULD WANT US TO DO THIS. 352 00:19:29,336 --> 00:19:33,066 HOW COULD YOU KNOW WHAT HE WOULD WANT? YOU DON'T EVEN KNOW HIM. BUT YOU DO. 353 00:19:33,072 --> 00:19:36,312 IF HE HAD TO SUFFER PAIN TO STOP RED JOHN, HE WOULD DO THAT. 354 00:19:36,308 --> 00:19:38,608 YOU KNOW THAT HE WOULD. YOU KNOW THAT. 355 00:19:38,611 --> 00:19:40,711 WHAT'S ALL THE COMMOTION? 356 00:19:40,712 --> 00:19:41,652 WHAT THE... 357 00:19:41,647 --> 00:19:44,447 DID YOU TOUCH THAT MACHINE? 358 00:19:44,451 --> 00:19:46,691 NO. 359 00:19:46,685 --> 00:19:48,285 (sighs) 360 00:19:52,424 --> 00:19:54,564 (Minelli) GOOD PEOPLE. 361 00:19:54,560 --> 00:19:59,300 AND I'VE LOST THREE GOOD PEOPLE TODAY-- 362 00:19:59,298 --> 00:20:01,298 (turns video off) 363 00:20:01,300 --> 00:20:03,100 (Van Pelt) IS LISBON WITH YOU? 364 00:20:03,102 --> 00:20:05,972 NO. (indistinct police radio chatter) 365 00:20:05,971 --> 00:20:07,411 WHAT'S GOING ON? 366 00:20:07,406 --> 00:20:10,476 WE GOT A HIT ON BOSCO'S CELL PHONE RECORDS. 367 00:20:10,477 --> 00:20:12,477 JUST BEFORE THE ATTACK, BOSCO CALLED A COP 368 00:20:12,479 --> 00:20:14,879 DOWN IN CLOVERVILLE, NOT FAR FROM STOCKTON. 369 00:20:14,881 --> 00:20:17,351 THE COP TOLD ME WHEN THEY TORE DOWN AN OLD STRIP MALL 370 00:20:17,349 --> 00:20:20,119 LAST WEEK, THEY FOUND A BODY BURIED IN THE FOUNDATION. A BODY? 371 00:20:20,118 --> 00:20:22,558 THE COP WHO POSTED THE BULLETIN SAID HE GOT A CALL FROM BOSCO, 372 00:20:22,555 --> 00:20:26,215 SAYING HE'D GO AND CHECK IT OUT. WHAT BODY? 373 00:20:26,224 --> 00:20:29,804 THIS ONE. CLOVERVILLE P.D. E-MAILED A COPY OF THE X-RAYS. 374 00:20:29,796 --> 00:20:31,896 JOHN DOE, 30s. 375 00:20:31,897 --> 00:20:35,127 SEE HERE? HIS HEAD WAS ALMOST CUT OFF. VICIOUS. 376 00:20:35,134 --> 00:20:37,404 THEN THERE'S THIS. (clicks key) 377 00:20:37,403 --> 00:20:39,573 WHAT'S THAT? HIS LEG. 378 00:20:39,572 --> 00:20:43,442 HE'S MISSING A LEG? THE CORONER TOLD THE COP IT WAS NOT PART OF THE ATTACK. 379 00:20:43,442 --> 00:20:47,812 A MUCH EARLIER AMPUTATION, HE SAID. DISTINCTIVE. THE FILES WE GOT FROM DR. MORNING'S OFFICE-- 380 00:20:47,814 --> 00:20:49,724 THIS MATCHES AN X-RAY WE FOUND THERE. 381 00:20:49,715 --> 00:20:51,945 CARTER PEAK. CARTER PEAK--RETIRED ARMY, 382 00:20:51,951 --> 00:20:56,521 LOST HIS RIGHT LEG DURING THE FIRST GULF WAR. THEY FOUND THE MISSING RED JOHN VICTIM. 383 00:20:56,522 --> 00:20:58,122 BETTER STILL. 384 00:20:58,124 --> 00:20:59,934 THIS IS RED JOHN'S MISTAKE. 385 00:20:59,925 --> 00:21:04,425 THIS IS IT. HE MADE A MISTAKE, AND THIS IS IT. 386 00:21:08,300 --> 00:21:09,800 AAH! 387 00:21:09,801 --> 00:21:12,441 (squish) 388 00:21:14,641 --> 00:21:16,141 AAH! 389 00:21:16,142 --> 00:21:18,142 (Jane) KILLING CARTER PEAK WASN'T RED JOHN'S M.O. 390 00:21:18,144 --> 00:21:21,654 HE WAS A MAN WHO WAS KILLED WITH HIS WIFE. (squish) 391 00:21:21,647 --> 00:21:24,377 HIS BODY WAS REMOVED FROM THE SCENE. 392 00:21:24,384 --> 00:21:26,394 IT IS UNLIKE ANY OF RED JOHN'S 14 OTHER MURDERS. 393 00:21:26,385 --> 00:21:28,215 MAYBE CARTER RETURNED UNEXPECTEDLY. 394 00:21:28,220 --> 00:21:31,560 MAYBE THERE WAS A STRUGGLE. SO PEAK'S BODY RESURFACES. 395 00:21:31,557 --> 00:21:35,027 RED JOHN HEARS ABOUT IT SOMEHOW, AND IT UPSETS HIM. 396 00:21:35,027 --> 00:21:37,197 "A," HOW DOES HE HEAR ABOUT THE BODY? 397 00:21:37,195 --> 00:21:40,365 OFF THE BULLETIN, I GUESS. IT WAS STATEWIDE. 398 00:21:40,366 --> 00:21:42,666 AND "B," WHY DOES IT UPSET HIM? 399 00:21:42,669 --> 00:21:44,599 THERE'S EVIDENCE ON CARTER PEAK'S BODY. 400 00:21:44,604 --> 00:21:46,674 THAT'S WHY HE TRIED TO MAKE IT DISAPPEAR. 401 00:21:46,673 --> 00:21:50,613 DAMNING EVIDENCE, LIKE D.N.A. WE GOTTA GET TO CLOVERVILLE. 402 00:21:53,779 --> 00:21:56,549 THE CEMENT MATRIX PRESERVED THE BODY REMARKABLY WELL. 403 00:21:56,548 --> 00:21:58,648 WE WERE ABLE TO RUN A FULL D.N.A. CRIME KIT-- 404 00:21:58,651 --> 00:22:00,851 HAIR, SKIN, UNDER THE FINGERNAILS, ETCETERA. 405 00:22:00,853 --> 00:22:03,563 WE NEED SOMEONE SITTING ON THIS PLACE 24/7 406 00:22:03,556 --> 00:22:06,356 UNTIL WE CAN MOVE THE BODY UP TO SACRAMENTO. 407 00:22:14,800 --> 00:22:15,930 WHOOPS. 408 00:22:15,934 --> 00:22:18,474 UH, MY BAD. 409 00:22:20,406 --> 00:22:22,306 WHOA. UH... 410 00:22:22,307 --> 00:22:23,777 THAT'S WEIRD. 411 00:22:23,776 --> 00:22:26,906 YEAH, IT IS. WHERE'S THE BODY, DOC? 412 00:22:26,913 --> 00:22:31,123 UH, LET ME--LET ME CHECK THE LOG HERE. 413 00:22:33,519 --> 00:22:36,519 OKAY, YOU GUYS GOTTA GET YOUR SIGNALS 414 00:22:36,522 --> 00:22:38,792 STRAIGHTENED UP IN SACRAMENTO. 415 00:22:38,790 --> 00:22:42,190 CBI ALREADY PICKED UP THE BODY NIGHT BEFORE LAST. CBI DID? 416 00:22:42,193 --> 00:22:44,863 YEAH, NIGHT SHIFT LOGGED IT RIGHT HERE. 417 00:22:44,864 --> 00:22:48,304 CALIFORNIA BUREAU OF INVESTIGATION, AN AGENT ROJO. 418 00:22:48,299 --> 00:22:49,599 THE BODY, SAMPLES, 419 00:22:49,602 --> 00:22:52,372 UH, EVERYTHING WE HAD, IT LOOKS LIKE. 420 00:22:52,371 --> 00:22:53,671 SEE FOR YOURSELF. 421 00:22:53,673 --> 00:22:56,113 ARRIVED AT 2:15 A.M. WITH A MEAT WAGON. 422 00:22:56,107 --> 00:23:00,147 THE NIGHT BEFORE THE CBI ATTACK. I CAN GET YOU PHOTOS, THOUGH. WE USUALLY KEEP A SET. 423 00:23:00,145 --> 00:23:01,975 BUT THE CRIME SCENE KIT, 424 00:23:01,980 --> 00:23:04,780 THE D.N.A. SAMPLES... WHAT ABOUT THE D.N.A.? WELL, I'M TELLING YA, 425 00:23:04,784 --> 00:23:07,324 IT SHOULD HAVE ALL GONE WITH YOUR GUY. THAT'S PROCEDURE. HE WASN'T OUR GUY. 426 00:23:07,318 --> 00:23:10,658 RED JOHN? CALL IN YOUR NIGHT SHIFT PERSON. IT'S--IT'S IMPORTANT THAT WE GET 427 00:23:10,656 --> 00:23:13,726 AN IDEA OF WHAT THIS, UH, AGENT ROJO LOOKS LIKE. 428 00:23:16,929 --> 00:23:19,569 (knock on window) YOU WANTED TO SEE ME, BOSS? 429 00:23:19,566 --> 00:23:21,566 SIT DOWN, PLEASE. 430 00:23:23,234 --> 00:23:26,674 BOSCO'S DOING BETTER. I TALKED TO HIS DOCTOR. 431 00:23:26,673 --> 00:23:28,373 GOOD. (taps desk) 432 00:23:28,374 --> 00:23:30,314 THAT'S GOOD. 433 00:23:30,308 --> 00:23:32,578 YOU OKAY, BOSS? 434 00:23:32,578 --> 00:23:35,078 IS THIS ABOUT BEFORE, THE PRESS CONFERENCE? 435 00:23:35,080 --> 00:23:36,720 NO. 436 00:23:36,715 --> 00:23:39,915 YES. 437 00:23:39,919 --> 00:23:43,089 I, UM, 438 00:23:43,088 --> 00:23:46,728 I HAVE SOMETHING TO TELL YOU, TERESA, 439 00:23:46,726 --> 00:23:49,296 SOMETHING IMPORTANT. (knock on window) 440 00:23:49,295 --> 00:23:50,695 WHAT IS IT, AGENT? 441 00:23:50,697 --> 00:23:52,867 SORRY TO INTERRUPT, BUT I'VE BEEN GOING THROUGH 442 00:23:52,865 --> 00:23:56,365 THE SECURITY FOOTAGE, TRYING TO I.D. EVERYONE GOING IN AND OUT. 443 00:23:56,367 --> 00:23:58,367 THIS IS TIMECODED FOR THIS MORNING, 444 00:23:58,369 --> 00:24:00,369 RIGHT BEFORE THE ATTACK. 445 00:24:00,372 --> 00:24:03,442 ACCORDING TO EMPLOYEE SUPPORT SERVICES, THAT'S AMBLYN DeMOTT, 446 00:24:03,442 --> 00:24:05,142 AN ANALYST ON FOUR. 447 00:24:05,144 --> 00:24:06,244 SO WHAT? 448 00:24:06,244 --> 00:24:08,784 DeMOTT WENT ON MATERNITY LEAVE LAST MONTH. 449 00:24:08,780 --> 00:24:10,880 SHE HAD HER BABY YESTERDAY. 450 00:24:10,883 --> 00:24:14,753 THERE'S NO WAY SHE COULD BE WHERE THAT CAMERA SAYS SHE WAS. 451 00:24:14,753 --> 00:24:16,453 SOMEONE SWITCHED THE FOOTAGE. 452 00:24:16,454 --> 00:24:19,534 WE CAN'T TRUST ANYTHING ON ANY CAMERA. 453 00:24:21,259 --> 00:24:24,529 (Cho) YOU TRANSFERRED THE BODY TO THE CUSTODY OF A CBI AGENT? 454 00:24:24,530 --> 00:24:26,700 YEAH. (Jane) DESCRIBE THIS AGENT. 455 00:24:26,699 --> 00:24:30,269 UH, DARK HAIR, NOT THAT TALL, KINDA DUMPY, 456 00:24:30,269 --> 00:24:31,769 OLIVE-COMPLECTED, 457 00:24:31,770 --> 00:24:34,710 WORE THESE HEELS THAT CLICKED... (Cho) A WOMAN? 458 00:24:34,707 --> 00:24:38,307 WORE A THING, A WHATSIT, IN HER HAIR. 459 00:24:38,309 --> 00:24:41,079 A BARRETTE. RIGHT. BARRETTE. 460 00:24:48,587 --> 00:24:50,517 HEY, SWEETIE. 461 00:24:50,522 --> 00:24:52,532 OKAY. 462 00:24:52,525 --> 00:24:54,525 HERE YOU GO. THAT'S FOR YOU. 463 00:24:54,527 --> 00:24:57,357 HAVE A NICE DAY. 464 00:24:57,363 --> 00:25:00,073 HI, RICH. 465 00:25:03,769 --> 00:25:06,269 HELLO, BARNEY. HOW YOU DOING? 466 00:25:07,707 --> 00:25:10,837 (monitor beeping steadily) 467 00:25:12,912 --> 00:25:16,052 (woman speaking indistinctly over P.A.) 468 00:25:19,451 --> 00:25:21,191 (whispering) HEY, BOSS. 469 00:25:21,186 --> 00:25:23,616 BOSS? HEY. 470 00:25:39,305 --> 00:25:43,005 (Dyson) WEREN'T YOU HEADING TO CLOVERVILLE? UH, AS SOON AS I BRIEF JANE. 471 00:25:43,009 --> 00:25:44,839 (chuckles) 472 00:25:44,844 --> 00:25:47,484 SAMUEL BOSCO, JR. GETTING SOFT. 473 00:25:47,479 --> 00:25:49,519 HEY! SCREW YOU, MARTINEZ. 474 00:25:49,515 --> 00:25:52,875 (laughs) HEY, GUYS. LOOK WHAT I HAVE. 475 00:25:52,884 --> 00:25:55,894 AW, YOU'RE THE BEST. DID YOU GET THE COFFEE? 476 00:25:57,222 --> 00:25:58,722 (Bosco) REBECCA? 477 00:25:58,724 --> 00:26:00,994 YOU OKAY? A-OKAY, BOSS. 478 00:26:04,296 --> 00:26:07,396 OOH! 479 00:26:07,398 --> 00:26:08,568 OH! 480 00:26:08,567 --> 00:26:11,537 REBECCA. OH! 481 00:26:11,537 --> 00:26:15,537 (panting) 482 00:26:15,540 --> 00:26:18,040 (grunting) 483 00:26:31,557 --> 00:26:34,227 RED JOHN SAYS HI. 484 00:26:34,226 --> 00:26:35,756 (Bosco sputters) 485 00:26:55,247 --> 00:26:57,377 (whispers) HI, BOSS. 486 00:27:02,689 --> 00:27:04,819 (whispers) HEY. 487 00:27:04,824 --> 00:27:07,434 (Lisbon) DON'T MOVE. 488 00:27:07,425 --> 00:27:08,795 (gun clatter) (grunts) 489 00:27:10,797 --> 00:27:12,557 (Lisbon) BITCH. 490 00:27:12,564 --> 00:27:14,104 YOU BITCH. 491 00:27:14,099 --> 00:27:18,199 KEEP SMILING, AND I WILL BLOW YOUR HEAD OFF. 492 00:27:20,006 --> 00:27:22,266 (Rebecca) DON'T HURT ME. 493 00:27:22,273 --> 00:27:23,983 I'M NOT RESISTING. 494 00:27:23,976 --> 00:27:26,776 WHAT THE HELL'S WITH ALL THE BALLOONS? 495 00:27:29,181 --> 00:27:33,691 WHAT ARE YOU GUYS DOING HERE? (Lisbon) GET HER OUTTA HERE. 496 00:27:50,936 --> 00:27:54,836 (indistinct police radio chatter) 497 00:28:04,349 --> 00:28:05,919 (engine shuts off) 498 00:28:10,655 --> 00:28:13,285 (helicopter whirring) 499 00:28:23,669 --> 00:28:26,199 (Rebecca sighs) 500 00:28:49,929 --> 00:28:52,129 HOW LONG ARE THEY GONNA SIT THERE? 501 00:28:52,131 --> 00:28:54,831 SHH. 502 00:28:57,502 --> 00:29:00,412 WHAT'S YOUR FAVORITE KIND OF MUSIC? 503 00:29:00,405 --> 00:29:04,605 MR. JANE, PLEASE. 504 00:29:04,609 --> 00:29:06,509 I KNOW YOUR GAMES. 505 00:29:06,511 --> 00:29:09,151 YOU DON'T CARE WHAT TYPE OF MUSIC I LIKE. 506 00:29:09,147 --> 00:29:12,677 I'M JUST MAKING CONVERSATION, GETTING TO KNOW YOU. 507 00:29:12,683 --> 00:29:14,693 WELL, YOU WANT TO KNOW HOW I COULD DO 508 00:29:14,685 --> 00:29:17,185 SUCH TERRIBLE THINGS FOR RED JOHN, 509 00:29:17,189 --> 00:29:19,459 OH, I KNOW THAT STUFF-- UNHAPPY CHILDHOOD, 510 00:29:19,458 --> 00:29:22,328 SEXUALLY ABUSED BY A CLOSE RELATIVE, 511 00:29:22,327 --> 00:29:25,327 CUTTING OR SOME OTHER SELF-ABUSE, 512 00:29:25,330 --> 00:29:27,630 SELF-MEDICATING, SELF-LOATHING, 513 00:29:27,633 --> 00:29:29,043 BLAH, BLAH. 514 00:29:29,035 --> 00:29:34,165 EVERYONE YOU EVER MET MADE YOU FEEL ASHAMED, 515 00:29:34,173 --> 00:29:38,713 ASHAMED OF THAT UGLY DARKNESS 516 00:29:38,710 --> 00:29:41,680 FESTERING INSIDE YOU. 517 00:29:41,680 --> 00:29:43,120 BUT HE DIDN'T. 518 00:29:43,115 --> 00:29:44,445 HE MADE YOU STRONG. 519 00:29:44,450 --> 00:29:47,650 HE MADE YOU FEEL PROUD OF THAT DARKNESS. 520 00:29:47,653 --> 00:29:49,223 YES, HE DID. 521 00:29:49,221 --> 00:29:51,721 HE GAVE YOUR LIFE PURPOSE AND MEANING 522 00:29:51,722 --> 00:29:54,362 AND, UH, LOVE. 523 00:29:54,359 --> 00:29:57,059 YOU'RE VERY MUCH LIKE HIM, YOU KNOW-- 524 00:29:57,063 --> 00:30:00,073 THE WAY YOU LOOK AT PEOPLE AND SEE RIGHT THROUGH THEM. 525 00:30:00,066 --> 00:30:02,366 THAT IS JUST SPOOKY. 526 00:30:04,536 --> 00:30:08,236 I WANT YOU TO THINK OF THIS TONIGHT BEFORE YOU GO TO SLEEP. 527 00:30:10,576 --> 00:30:16,646 YOU ARE NOTHING TO HIM BUT A USEFUL OBJECT. 528 00:30:16,647 --> 00:30:18,647 HE IS NOT A GOOD MAN. 529 00:30:18,650 --> 00:30:21,690 YOU ARE SO WRONG. 530 00:30:21,686 --> 00:30:24,356 HE IS A VERY GOOD MAN. 531 00:30:24,355 --> 00:30:25,955 HE'S ON A MISSION 532 00:30:25,958 --> 00:30:28,728 OF LOVE AND ENLIGHTENMENT. 533 00:30:28,727 --> 00:30:30,997 HE TORTURES AND KILLS WOMEN. 534 00:30:30,997 --> 00:30:33,097 DON'T YOU SEE? 535 00:30:33,098 --> 00:30:36,428 WITHOUT DEATH, THERE'S NO LIFE. 536 00:30:36,434 --> 00:30:40,214 WITHOUT DARKNESS, THERE'S NO LIGHT. 537 00:30:40,205 --> 00:30:42,405 LOOK AT YOU. ME? 538 00:30:42,407 --> 00:30:45,377 WELL, UNTIL YOUR WIFE AND YOUR DAUGHTER WERE KILLED, 539 00:30:45,376 --> 00:30:47,406 YOU WERE BLIND, WEREN'T YOU? 540 00:30:47,413 --> 00:30:49,853 YOU WERE LIVING AN ILLUSION. 541 00:30:49,847 --> 00:30:52,317 BUT RED JOHN OPENED YOUR EYES. 542 00:30:52,317 --> 00:30:55,747 AND NOW YOU SEE THE WORLD FOR WHAT IT TRULY IS. 543 00:30:55,753 --> 00:30:57,593 (whispers) OH. 544 00:30:57,588 --> 00:30:59,858 MM. 545 00:31:03,595 --> 00:31:05,395 HOW DID YOU FIRST MEET HIM? 546 00:31:05,396 --> 00:31:08,426 I'M NOT TELLING YOU ANYTHING ABOUT HIM. 547 00:31:08,433 --> 00:31:10,703 YOU WILL. 548 00:31:10,701 --> 00:31:13,971 YOU'LL WAKE UP ONE DAY, HORRIFIED OF WHAT YOU'VE DONE, 549 00:31:13,972 --> 00:31:16,112 AND YOU WILL TELL ME EVERYTHING. 550 00:31:16,107 --> 00:31:18,607 NO, NEVER. I LOVE RED JOHN. 551 00:31:18,609 --> 00:31:21,909 AND HE LOVES ME. AND I WILL NEVER BETRAY THAT TRUST. 552 00:31:21,913 --> 00:31:23,383 ONE DAY. 553 00:31:23,382 --> 00:31:26,622 BUT I WILL TELL YOU THAT I LIKE ALL KINDS OF MUSIC, 554 00:31:26,617 --> 00:31:28,117 ESPECIALLY COUNTRY. 555 00:31:28,119 --> 00:31:30,119 AND I HAVE A CAT NAMED REX. 556 00:31:30,122 --> 00:31:33,392 AND I COLLECT PORCELAIN FROGS. 557 00:31:33,392 --> 00:31:35,792 DON'T ASK ME WHY. IT'S JUST A QUIRK, REALLY. 558 00:31:35,794 --> 00:31:39,004 WELL, THE PSYCHOLOGIST WILL WANT TO TALK TO YOU NEXT. 559 00:31:38,998 --> 00:31:41,428 HE'LL HAVE A FIELD DAY WITH THAT. 560 00:31:41,432 --> 00:31:44,642 BUT I'M AS SANE AND AS HEALTHY AS CAN BE. 561 00:31:44,635 --> 00:31:46,195 I REALLY AM. 562 00:31:46,204 --> 00:31:49,814 I KNOW. I DO HAVE ONE QUESTION BEFORE YOU GO, REBECCA-- 563 00:31:49,807 --> 00:31:51,937 AFTER YOU TOOK CARTER PEAK'S BODY 564 00:31:51,943 --> 00:31:55,313 AND ALL THE D.N.A. SAMPLES... HMM? 565 00:31:55,314 --> 00:31:59,054 WHY DID RED JOHN HAVE YOU ATTACK BOSCO'S TEAM? 566 00:31:59,050 --> 00:32:00,420 THERE WAS REALLY NO NEED. 567 00:32:00,419 --> 00:32:04,589 THE EVIDENCE WAS DESTROYED. YOU KNOW WHY. 568 00:32:04,589 --> 00:32:07,029 NO. OH, YOU DON'T? 569 00:32:07,026 --> 00:32:11,196 UH, RED JOHN THOUGHT YOU'D UNDERSTAND. 570 00:32:11,196 --> 00:32:13,526 I GOT RID OF BOSCO AND HIS TEAM 571 00:32:13,531 --> 00:32:16,371 SO THAT YOU COULD HAVE THE CASE BACK. 572 00:32:18,203 --> 00:32:20,713 RED JOHN MISSES YOU. 573 00:32:20,705 --> 00:32:23,135 AND... 574 00:32:23,142 --> 00:32:26,052 IT'S WHAT YOU WANTED, TOO. 575 00:32:26,045 --> 00:32:28,105 ISN'T IT? 576 00:32:43,162 --> 00:32:45,102 WE'RE DONE HERE. 577 00:32:49,401 --> 00:32:52,101 VERY INTERESTING TALKING TO YOU, REBECCA. 578 00:32:52,104 --> 00:32:54,174 LIKEWISE. 579 00:32:54,173 --> 00:32:56,883 I GUESS I'LL SEE YOU AROUND. 580 00:32:56,875 --> 00:32:58,635 YEAH. 581 00:33:07,618 --> 00:33:10,758 (Peter Bradley Adams' "Darkening Sky" playing) 582 00:33:20,932 --> 00:33:23,932 (speaking inaudibly) 583 00:33:23,934 --> 00:33:26,444 ** 584 00:33:26,438 --> 00:33:31,538 * OH, COME WITH ME FOREVER, MY LOVE * 585 00:33:31,542 --> 00:33:35,752 * UNDER THE DARKENING SKY 586 00:33:35,747 --> 00:33:38,177 * COME HIDE WITH ME 587 00:33:38,183 --> 00:33:40,123 * I'LL SAVE YOU, MY LOVE 588 00:33:40,118 --> 00:33:45,058 * HEAR ME, I BEG FOR YOUR LIFE 589 00:33:46,857 --> 00:33:54,367 ** 590 00:33:54,365 --> 00:33:56,395 * HER HAIR IS DAMP 591 00:33:56,402 --> 00:33:59,142 * HER SKIN HAS TURNED COLD 592 00:33:59,137 --> 00:34:01,807 * THERE'S HARDLY A SOUND AS SHE BLEEDS * 593 00:34:01,807 --> 00:34:05,177 * OH, STAY, MY LOVE 594 00:34:05,176 --> 00:34:07,176 * PLEASE OPEN YOUR EYES 595 00:34:07,179 --> 00:34:10,879 * AND PROMISE ME YOU'LL NEVER LEAVE * 596 00:34:10,882 --> 00:34:16,222 * OH, MY LOVE 597 00:34:19,324 --> 00:34:24,564 * STAY, MY LOVE 598 00:34:24,563 --> 00:34:27,273 (man) Officer needs assistance. She's down. She's down. 599 00:34:27,266 --> 00:34:30,636 (indistinct police radio chatter) 600 00:34:30,635 --> 00:34:34,105 ** 601 00:34:37,576 --> 00:34:39,546 DON'T TOUCH HER! 602 00:34:43,949 --> 00:34:46,749 (panting) 603 00:34:50,222 --> 00:34:53,292 HE POISONED HER. 604 00:35:07,505 --> 00:35:10,635 (whispering indistinctly) 605 00:35:17,248 --> 00:35:18,548 (monitor beeping steadily) 606 00:35:18,550 --> 00:35:21,590 MANDY-- YOU GET AHOLD OF HER? 607 00:35:21,586 --> 00:35:24,386 ALL THE FLIGHTS OUT OF BOSTON WERE DELAYED. 608 00:35:24,389 --> 00:35:26,659 SHE'S IN THE AIR NOW. 609 00:35:26,657 --> 00:35:29,487 SHE'LL BE HERE SOON. IT'S ALL RIGHT. 610 00:35:29,494 --> 00:35:31,934 YOU'RE GONNA BE OKAY. 611 00:35:31,929 --> 00:35:34,569 IT'S GONNA BE OKAY. 612 00:35:34,565 --> 00:35:37,765 TERESA. 613 00:35:37,768 --> 00:35:40,568 DON'T LIE TO ME. 614 00:35:40,572 --> 00:35:43,472 I CAN TELL WHEN YOU'RE LYING. 615 00:35:43,474 --> 00:35:44,614 YOU ARE. 616 00:35:44,610 --> 00:35:48,780 LOOK, YOU WILL BE-- YOU'LL BE OKAY. 617 00:35:48,780 --> 00:35:51,020 I'M A COP. 618 00:35:51,016 --> 00:35:53,546 YOU'RE A BAD LIAR. 619 00:35:53,552 --> 00:35:56,292 YOUR EYES GIVE YOU AWAY EVERY TIME. 620 00:35:56,288 --> 00:35:57,788 HONEST EYES. 621 00:35:57,789 --> 00:35:59,659 (sniffles) SAM. 622 00:35:59,657 --> 00:36:01,927 TELL ME THE TRUTH. 623 00:36:01,927 --> 00:36:03,887 (sighs) 624 00:36:07,365 --> 00:36:10,135 YOU LOST A LOT OF BLOOD. 625 00:36:10,135 --> 00:36:13,695 (voice breaks) THE DOCTORS DON'T THINK YOU'RE GONNA MAKE IT. 626 00:36:16,307 --> 00:36:19,477 I'M GONNA SAY IT, THEN. 627 00:36:19,478 --> 00:36:22,178 THE DOCTORS BETTER BE RIGHT. 628 00:36:23,782 --> 00:36:26,322 I LOVE YOU, TERESA. 629 00:36:28,420 --> 00:36:31,260 (whispers) I LOVE YOU, TOO. 630 00:36:31,257 --> 00:36:33,487 NO. I MEAN, I LOVE YOU. 631 00:36:33,492 --> 00:36:36,532 I KNOW WHAT YOU MEAN. 632 00:36:40,931 --> 00:36:43,641 (whispers) IT HAD TO BE SAID. 633 00:36:51,943 --> 00:36:55,053 IS JANE HERE? 634 00:36:55,045 --> 00:36:58,215 FOR THE RECORD, 635 00:36:58,215 --> 00:37:00,585 I'M VERY PISSED OFF ABOUT THIS. 636 00:37:00,585 --> 00:37:02,915 (chuckles) CAN'T BLAME YOU. 637 00:37:04,722 --> 00:37:06,192 SAM, UH-- 638 00:37:06,190 --> 00:37:08,490 WE DON'T HAVE TIME TO BE NICE. 639 00:37:09,894 --> 00:37:12,434 RED JOHN MAKES MISTAKES. 640 00:37:12,431 --> 00:37:15,801 THIS PROVES IT. YOU WILL CATCH HIM. 641 00:37:15,800 --> 00:37:17,240 YES, I WILL. 642 00:37:17,235 --> 00:37:20,405 DO ME A FAVOR. 643 00:37:20,405 --> 00:37:24,105 WHEN YOU CATCH HIM, DON'T ARREST HIM. 644 00:37:24,108 --> 00:37:26,338 KILL THE SON OF A BITCH. 645 00:37:26,344 --> 00:37:28,714 (whispers) THAT'S THE PLAN. 646 00:37:28,713 --> 00:37:31,053 (whispers) GOOD. 647 00:37:31,048 --> 00:37:32,748 LISTEN... 648 00:37:34,320 --> 00:37:35,750 LISTEN... 649 00:37:41,592 --> 00:37:43,732 (whispers indistinctly) 650 00:37:47,699 --> 00:37:50,599 (monitor beeping erratically) (whispers) BOSCO? 651 00:37:53,639 --> 00:37:55,139 BOSCO? 652 00:37:55,139 --> 00:37:56,569 (Lisbon) SAM. 653 00:37:56,574 --> 00:37:59,714 (monitor emitting continuous tone) 654 00:38:19,597 --> 00:38:21,597 YOU WEREN'T AT THE FUNERAL. 655 00:38:21,599 --> 00:38:24,869 I WAS THERE. I STAYED IN THE BACK. 656 00:38:24,869 --> 00:38:28,309 YOU'RE QUITTING? 657 00:38:28,306 --> 00:38:30,606 I TRIED TO TELL YOU BEFORE. 658 00:38:32,277 --> 00:38:34,977 ANYWAY, I PREFER "RETIRING." 659 00:38:34,980 --> 00:38:36,450 FULL PENSION. 660 00:38:36,447 --> 00:38:38,917 I GOT MY 20 AND THEN SOME. 661 00:38:38,916 --> 00:38:40,446 OKAY, THEN. 662 00:38:40,452 --> 00:38:42,652 WE'LL STAY HERE AND CATCH THE BAD GUYS 663 00:38:42,653 --> 00:38:45,093 WHILE YOU GO FISHING. 664 00:38:47,626 --> 00:38:50,526 LISBON, IN MY EIGHT YEARS AS S.A.C., 665 00:38:50,528 --> 00:38:53,698 I'VE LOST FOUR AGENTS-- ALL OF THEM THIS WEEK. 666 00:38:53,699 --> 00:38:56,739 YOU SHOULD HAVE QUIT LAST WEEK. IT'S TOO LATE NOW. 667 00:38:56,735 --> 00:38:58,835 NO. 668 00:38:58,836 --> 00:39:00,636 IT'S TIME. 669 00:39:02,507 --> 00:39:05,237 YOU, UH, YOU TAKE CARE OF YOUR PEOPLE. 670 00:39:05,242 --> 00:39:07,552 THEY'RE GOOD KIDS. 671 00:39:07,545 --> 00:39:09,545 KEEP AN EYE ON JANE. 672 00:39:09,547 --> 00:39:11,577 IF HE SCREWS UP TOO BAD, SHOOT HIM. 673 00:39:11,583 --> 00:39:15,793 THERE'S NOT A COURT IN THE LAND THAT WOULD CONVICT YOU. 674 00:39:23,994 --> 00:39:25,764 MM. 675 00:39:27,632 --> 00:39:29,132 (clears throat) 676 00:39:31,369 --> 00:39:33,569 (sighs) 677 00:39:41,713 --> 00:39:42,853 HEY. 678 00:39:42,847 --> 00:39:45,517 (whispers) HEY. 679 00:39:45,516 --> 00:39:47,646 (normal voice) I HEARD ABOUT MINELLI. 680 00:39:50,489 --> 00:39:52,419 I'M SORRY. 681 00:39:54,826 --> 00:39:57,626 JANE? 682 00:39:57,628 --> 00:39:59,258 YOU AND BOSCO, 683 00:39:59,264 --> 00:40:00,704 AT THE HOSPITAL... 684 00:40:02,634 --> 00:40:04,374 WHAT'D HE SAY? 685 00:40:04,369 --> 00:40:07,439 WELL, HE, UH... 686 00:40:09,875 --> 00:40:12,075 HE TOLD ME TO LOOK AFTER YOU. 687 00:40:15,481 --> 00:40:16,881 THAT'S ALL? 688 00:40:16,882 --> 00:40:20,052 NO. 689 00:40:20,050 --> 00:40:22,550 HE SAID THAT IF I DIDN'T LOOK AFTER YOU, 690 00:40:22,554 --> 00:40:24,824 HE'D COME BACK AND HAUNT ME. 691 00:40:24,822 --> 00:40:27,262 TOTAL NONSENSE, OF COURSE, 692 00:40:27,257 --> 00:40:31,097 BUT, UH, IT WASN'T THE RIGHT TIME TO CORRECT HIM. 693 00:40:31,096 --> 00:40:32,556 TEQUILA. 694 00:40:32,563 --> 00:40:34,603 BOSCO'S FAVORITE. 695 00:40:34,599 --> 00:40:37,139 (bottle clinks) 696 00:40:41,472 --> 00:40:42,942 PINT OF SCOTCH-- 697 00:40:42,940 --> 00:40:45,210 LEFT OF THE FRIDGE, TOP SHELF, BEHIND THE RAMEN. 698 00:40:45,210 --> 00:40:47,550 YEAH. 699 00:40:47,545 --> 00:40:49,375 TO SAM BOSCO. 700 00:40:49,380 --> 00:40:51,620 A DAMN FINE AGENT. (clink) 701 00:41:00,592 --> 00:41:04,532 IT WAS A NICE SERVICE. 702 00:41:04,530 --> 00:41:05,900 NICE MUSIC. 703 00:41:05,896 --> 00:41:07,526 MM. NOT A FAN OF THE BAGPIPES. 704 00:41:07,532 --> 00:41:10,502 (Van Pelt) REALLY? I LOVE 'EM. 705 00:41:10,501 --> 00:41:12,371 THEY'RE SO... 706 00:41:12,369 --> 00:41:14,369 LONELY. 707 00:41:14,371 --> 00:41:16,371 IT WAS A NICE SERVICE. 708 00:41:16,373 --> 00:41:19,183 (Rigsby humming "Amazing Grace") 709 00:41:22,847 --> 00:41:28,387 * AMAZING GRACE 710 00:41:28,385 --> 00:41:33,555 * HOW SWEET THE SOUND 711 00:41:33,559 --> 00:41:35,289 * THAT SAVED 712 00:41:35,293 --> 00:41:36,533 (humming) 713 00:41:36,527 --> 00:41:38,827 * A WRETCH 714 00:41:38,829 --> 00:41:42,329 * LIKE ME * LIKE ME 715 00:41:42,333 --> 00:41:47,513 (Van Pelt, Lisbon and Rigsby) * I ONCE WAS LOST 716 00:41:47,505 --> 00:41:52,375 * BUT NOW AM FOUND 717 00:41:52,376 --> 00:41:54,876 * WAS BLIND 718 00:41:54,880 --> 00:41:55,550 * BUT NOW I SEE 48936

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