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1
00:00:06,474 --> 00:00:10,914
(indistinct
police radio chatter)
2
00:00:10,910 --> 00:00:13,110
OHH!
3
00:00:16,684 --> 00:00:18,454
(Patrick) WHAT'S THE FUSS?
4
00:00:18,452 --> 00:00:21,552
(Cho) SLEPT THROUGH LISBON'S
BRIEFING IN THE VAN, DIDN'T YOU?
5
00:00:21,554 --> 00:00:24,594
LIKE A BABY.
YEAH, THE VICTIM'S NAME IS
KRISTIN MARLEY.
6
00:00:24,591 --> 00:00:27,831
SHE WORKED AT THE STATE CAPITOL
FOR SOME LADY SENATOR,
7
00:00:27,827 --> 00:00:29,827
WENT MISSING THREE DAYS AGO.
8
00:00:29,829 --> 00:00:32,329
RUMOR IS SHE WAS
HAVING AN AFFAIR
9
00:00:32,332 --> 00:00:34,272
WITH THE SENATOR'S HUSBAND.
10
00:00:36,170 --> 00:00:38,570
(inhales deeply)
11
00:00:38,572 --> 00:00:41,312
MY BET--SHE'S A JUMPER.
I HOPE NOT.
12
00:00:41,308 --> 00:00:44,448
IF SHE'S A JUMPER, JOB'S DONE.
YEAH, THE SENATOR'S HUSBAND
DUMPS HER,
13
00:00:44,445 --> 00:00:46,245
SHE WANTS
TO MAKE HIM FEEL BAD,
14
00:00:46,246 --> 00:00:49,446
SHE COMES OUT HERE...
(whistles) SPLAT.
DON'T TALK THAT WAY.
15
00:00:49,450 --> 00:00:51,350
OKAY, NOT SPLAT. BAM.
16
00:00:51,351 --> 00:00:53,291
THERE'S NOTHING WORSE
THAN SUICIDE.
17
00:00:53,286 --> 00:00:54,786
HUMAN LIFE IS SACRED.
18
00:00:54,787 --> 00:00:57,387
WHEN SOMEONE TAKES
THEIR OWN LIFE, IT'S A TRAGEDY.
19
00:00:57,390 --> 00:00:59,930
SACRAMENTO P.D.'s
HANDING THE CASE OVER TO US.
20
00:00:59,926 --> 00:01:02,596
LET'S GO TALK
TO THE CORONER.
21
00:01:02,596 --> 00:01:06,526
SHALL I RECAP THE CASE,
SLEEPYHEAD?
22
00:01:06,534 --> 00:01:08,874
KRISTIN MARLEY--
23
00:01:08,868 --> 00:01:10,338
LADY SENATOR'S AIDE,
24
00:01:10,337 --> 00:01:13,437
RUMORED ROMANCE
WITH THE SENATOR'S HUSBAND.
25
00:01:13,441 --> 00:01:14,541
VERY GOOD.
26
00:01:14,542 --> 00:01:16,542
OH, I TRAINED MYSELF
TO HEAR
27
00:01:16,543 --> 00:01:19,383
AND TAKE IN INFORMATION
WHILE ASLEEP.
28
00:01:19,379 --> 00:01:21,979
THE OTHERS TOLD YOU?
YES, THEY DID.
29
00:01:21,981 --> 00:01:23,881
(man) AT THIS POINT,
THERE'S NO WAY TO DETERMINE
30
00:01:23,884 --> 00:01:26,224
WHAT HAPPENED TO THE VICTIM,
AGENT LISBON.
31
00:01:26,219 --> 00:01:29,189
I-I SIMPLY CAN'T HELP YOU.
WELL, CAN YOU TELL
HOW LONG SHE'S BEEN DEAD?
32
00:01:29,189 --> 00:01:31,859
(scoffs) I COULDN'T POSSIBLY,
GIVEN THE EVIDENCE AVAILABLE.
33
00:01:31,859 --> 00:01:35,089
WELL, DO YOU THINK IT WAS
A HOMICIDE OR A SUICIDE?
COULDN'T SAY.
34
00:01:35,094 --> 00:01:36,604
(Cho) WHAT'S YOUR GUESS?
35
00:01:36,597 --> 00:01:39,327
(man) I'M NOT IN THE HABIT
OF--OF GUESSING.
36
00:01:39,332 --> 00:01:41,902
PLEASE DON'T TOUCH
THE DECEDENT.
37
00:01:41,902 --> 00:01:44,702
YOU--YOU--YOU DETECTIVES ALWAYS
WANT THE INSTANT ANSWERS.
38
00:01:44,704 --> 00:01:46,514
WHAT I DO IS SCIENCE.
39
00:01:46,507 --> 00:01:48,607
SCIENCE WILL UNCOVER
THE TRUTH,
40
00:01:48,609 --> 00:01:51,709
BUT SHE WILL BE PRECISE,
METHODICAL AND TAKE HER TIME
41
00:01:51,712 --> 00:01:54,152
BEFORE SHE RENDERS
HER DECISION.
42
00:01:54,147 --> 00:01:57,547
I WONDER IF SCIENCE CAN REMOVE
THE STICK FROM HIS BUTT.
I HEARD THAT.
43
00:01:57,551 --> 00:02:00,451
YOU'RE RIGHT. WE WANT FACTS.
FORTUNATELY, WE HAVE THEM.
44
00:02:00,453 --> 00:02:03,693
OH, WE DO?
IN ABUNDANCE.
45
00:02:03,691 --> 00:02:06,861
YOU'RE THE CONSULTANT
THAT PRETENDS TO READ MINDS,
46
00:02:06,859 --> 00:02:08,629
AREN'T YOU?
47
00:02:08,628 --> 00:02:11,368
NO. I DON'T PRETEND
TO READ MINDS. I DO READ MINDS.
48
00:02:11,365 --> 00:02:13,165
BUT DON'T WE ALL?
LOOK AT LISBON.
49
00:02:13,167 --> 00:02:17,037
YOU CAN SEE
WHAT SHE'S THINKING.
NO KIDDING.
50
00:02:17,037 --> 00:02:19,567
AND I CAN SEE WHAT
YOU'RE THINKING RIGHT NOW.
51
00:02:19,573 --> 00:02:22,913
UH, I-I WAS THINKING THAT
YOU, SIR, ARE A BUMPTIOUS FOOL,
52
00:02:22,909 --> 00:02:25,249
AND I WAS WONDERING
EXACTLY WHAT TRAINING
53
00:02:25,246 --> 00:02:27,276
IN FORENSIC PATHOLOGY
YOU HAVE.
54
00:02:27,281 --> 00:02:29,781
AH, BUT RIGHT BEFORE THAT,
YOU WERE WONDERING
55
00:02:29,783 --> 00:02:32,793
WHETHER YOU WOULD CHOOSE LISBON
OR VAN PELT AS YOUR CONCUBINE
56
00:02:32,786 --> 00:02:36,986
IN THAT LITTLE FANTASY KINGDOM
YOU LIKE TO GO TO SOMETIMES.
57
00:02:36,990 --> 00:02:38,530
I... I DO NOT.
58
00:02:38,526 --> 00:02:40,556
OH, AND--AND YOU'RE RIGHT.
59
00:02:40,561 --> 00:02:43,101
I-I KNOW NOTHING
OF FORENSIC PATHOLOGY.
60
00:02:43,096 --> 00:02:44,996
BUT AGENT VAN PELT--
61
00:02:44,997 --> 00:02:48,097
SHE MIGHT OFFER HER THEORY.
62
00:02:48,100 --> 00:02:50,640
OR I MIGHT NOT.
LOOK AT HER FEET.
63
00:02:50,638 --> 00:02:53,638
I DID.
AND WHAT QUESTION
PRESENTS ITSELF?
64
00:02:56,877 --> 00:03:00,447
WHERE'S HER OTHER SHOE?
65
00:03:00,448 --> 00:03:03,918
IT COULD BE IN HER CAR.
EVEN IF IT WAS, WHY WOULD SHE
WALK TO THE MIDDLE OF THE BRIDGE
66
00:03:03,917 --> 00:03:05,917
WITH ONE SHOE ON?
WHY WOULD SHE DO THAT?
67
00:03:05,919 --> 00:03:08,919
BINGO!
THERE'S NO NEED
TO BE PATRONIZING.
68
00:03:08,921 --> 00:03:10,691
SO SHE MUST HAVE BEEN CARRIED.
69
00:03:10,691 --> 00:03:13,731
SHE DIDN'T KILL HERSELF. SHE WAS
MURDERED, THEN DROPPED OVER.
70
00:03:13,727 --> 00:03:17,797
OR THROWN OVER STILL ALIVE.
BETTER THAN SUICIDE.
71
00:03:17,798 --> 00:03:20,698
IT'S... A THEORY.
72
00:03:20,700 --> 00:03:23,640
IT'S LOVELY TO MEET YOU, DOC.
73
00:03:23,637 --> 00:03:26,007
YOU'RE A HORSE'S ASS,
BUT YOU MEAN WELL.
74
00:03:26,006 --> 00:03:28,006
I'LL BE IN THE VAN.
OH.
75
00:03:28,008 --> 00:03:29,508
MY APOLOGIES, SIR.
76
00:03:29,509 --> 00:03:33,679
CHO, TELL THE SACRAMENTO P.D.
THAT IT'S A HOMICIDE.
77
00:03:33,680 --> 00:03:35,650
RIGSBY, VAN PELT, SEE WHAT
THE SHERIFF'S DEPARTMENT GOT
78
00:03:35,649 --> 00:03:37,549
IN THEIR INVESTIGATION.
(Rigsby) OKAY.
79
00:03:37,550 --> 00:03:39,320
(Lisbon) LET'S GO.
80
00:03:39,319 --> 00:03:54,529
**
81
00:03:54,534 --> 00:03:57,604
KRISTIN HAD BEEN INTERNING HERE
FOR ABOUT NINE MONTHS.
82
00:03:57,604 --> 00:03:59,974
SHE CAME IN AT THE START
OF THE LAST SESSION,
83
00:03:59,973 --> 00:04:01,783
RIGHT OUT OF COLLEGE.
84
00:04:01,775 --> 00:04:04,645
I LIKED HER. SHE WAS SWEET,
YOUNG--IN A GOOD WAY.
85
00:04:04,645 --> 00:04:07,645
WHO DID SHE WORK FOR?
SENATOR MELINDA BATSON.
86
00:04:07,647 --> 00:04:10,477
SHE'S AN UP-AND-COMER
FROM THE CENTRAL VALLEY.
87
00:04:10,484 --> 00:04:12,894
PLEASE PUT THAT DOWN.
88
00:04:14,288 --> 00:04:16,788
ANYTHING TO THE RUMOR
THAT KRISTIN WAS
89
00:04:16,790 --> 00:04:21,530
HAVING AN AFFAIR
WITH BATSON'S HUSBAND?
ELLIOTT BATSON--
HE'S MELINDA'S CHIEF OF STAFF.
90
00:04:21,528 --> 00:04:24,328
WE'VE HEARD THE RUMORS.
EVERYONE DENIES IT.
91
00:04:24,331 --> 00:04:27,901
THERE'S NO EVIDENCE
ANYTHING HAPPENED.
THE MEDIA SEEM TO THINK
THERE IS.
92
00:04:27,901 --> 00:04:31,611
YOU WANT TO GET ME STARTED
ON WHAT THEY BELIEVE?
93
00:04:31,605 --> 00:04:34,105
FRANKLY, WHEN YOU'VE WORKED HERE
AS LONG AS I HAVE,
94
00:04:34,106 --> 00:04:37,506
YOU HEAR A LOT OF STORIES
ABOUT WILD BEHAVIOR.
95
00:04:37,511 --> 00:04:40,611
MOST OF THEM AREN'T TRUE.
(amplified voice)
EXCEPT THE ONES THAT ARE.
96
00:04:40,613 --> 00:04:42,653
(microphone feedback whines)
WHOA. SORRY.
97
00:04:45,284 --> 00:04:47,364
HELLO?
98
00:04:47,355 --> 00:04:49,055
HELLO? HELLO? HELLO?
99
00:04:50,858 --> 00:04:54,058
I'VE ISSUED A STATEMENT, AND I'M
NOT TAKING ANY QUESTIONS.
100
00:04:54,060 --> 00:04:56,630
WE'RE NOT PRESS.
WE'RE CBI.
101
00:04:56,629 --> 00:04:59,329
AGENT TERESA LISBON,
PATRICK JANE.
102
00:04:59,332 --> 00:05:01,502
RIGHT. SORRY. YOU CALLED.
103
00:05:01,502 --> 00:05:03,842
MELINDA BATSON.
104
00:05:03,836 --> 00:05:06,036
THIS IS
MY HUSBAND ELLIOTT.
105
00:05:06,038 --> 00:05:07,838
HI.
106
00:05:07,841 --> 00:05:10,741
(clicks tongue)
TOUGH DAY AROUND HERE.
107
00:05:13,380 --> 00:05:16,280
IS THIS KRISTIN'S DESK?
108
00:05:16,283 --> 00:05:17,853
YES.
MM.
109
00:05:17,850 --> 00:05:21,390
COME INSIDE.
110
00:05:23,990 --> 00:05:26,260
JANE.
111
00:05:26,259 --> 00:05:28,899
CARE TO JOIN US?
I'LL BE RIGHT THERE.
112
00:05:32,466 --> 00:05:34,736
(exhales deeply)
113
00:05:44,478 --> 00:05:46,478
ANYTHING UNUSUAL
ABOUT KRISTIN'S BEHAVIOR
114
00:05:46,480 --> 00:05:48,380
THE DAY SHE DISAPPEARED?
115
00:05:48,382 --> 00:05:50,522
NO, SHE WAS, UH, CHEERFUL.
116
00:05:50,518 --> 00:05:53,588
FINISHED WORK, LEFT AT 6:00,
I THINK, UH...
117
00:05:53,586 --> 00:05:55,586
A LITTLE AFTER 6:00.
AFTER 6:00 THEN.
118
00:05:55,588 --> 00:05:57,988
DID SHE SAY
WHERE SHE WAS GOING?
119
00:05:57,990 --> 00:05:59,360
(sighs)
NO.
120
00:05:59,358 --> 00:06:00,658
NO.
121
00:06:00,661 --> 00:06:04,501
SHE... WAS HAVING TROUBLE
WITH HER FAMILY.
122
00:06:04,497 --> 00:06:07,227
IT WAS HER STEPMOTHER,
RIGHT? YEAH.
123
00:06:07,233 --> 00:06:09,973
HER NATURAL PARENTS ARE DEAD,
AND FOR SOME REASON,
124
00:06:09,970 --> 00:06:12,610
HER STEPMOTHER CALLED
A BUNCH OF TIMES THAT DAY.
125
00:06:12,605 --> 00:06:14,935
DID KRISTIN TELL YOU
WHAT IT WAS ABOUT?
126
00:06:14,942 --> 00:06:18,212
NO.
NO.
127
00:06:18,211 --> 00:06:20,651
NO. I-I WAS SURPRISED.
128
00:06:20,648 --> 00:06:22,878
I-I THOUGHT THEY WERE ESTRANGED.
129
00:06:40,500 --> 00:06:42,770
WHAT WAS YOUR RELATIONSHIP
TO KRISTIN, MR. BATSON?
130
00:06:42,769 --> 00:06:44,499
(whispers) OH, PLEASE.
131
00:06:44,504 --> 00:06:47,514
(normal voice) PLEASE. WE KNOW
WHERE YOU'RE GOING WITH THIS.
132
00:06:47,507 --> 00:06:50,737
MELINDA, I--
NO, LET'S JUST HAUL THE TRASH
OUT IN THE OPEN.
133
00:06:50,744 --> 00:06:52,754
YOU WANT TO KNOW
IF SHE AND ELLIOTT
134
00:06:52,745 --> 00:06:55,075
WERE SLEEPING TOGETHER.
WERE YOU?
135
00:06:55,081 --> 00:06:59,521
NEVER. IT'S A RUMOR.
THAT'S ALL.
RUMORS USUALLY HAPPEN
FOR A REASON.
136
00:06:59,519 --> 00:07:02,689
WELL... (chuckles)
I'LL GIVE YOU THE REASON--
POLITICS.
137
00:07:02,689 --> 00:07:05,689
YOU WANT TO TAKE A FEMALE
POLITICIAN DOWN A FEW NOTCHES?
138
00:07:05,692 --> 00:07:07,692
THROW MUD ON HER MARRIAGE.
139
00:07:21,809 --> 00:07:24,339
WHERE WERE YOU THE NIGHT
KRISTIN WAS KILLED?
140
00:07:24,343 --> 00:07:26,153
HERE.
I WAS ON A CONFERENCE CALL
141
00:07:26,146 --> 00:07:28,376
WITH A TRADE DELEGATION
FROM TAIWAN.
142
00:07:28,380 --> 00:07:30,380
WE TALKED UNTIL AFTER 11:00.
143
00:07:30,382 --> 00:07:32,282
I WAS WITH HIM
THE WHOLE TIME.
144
00:07:32,284 --> 00:07:33,694
(clears throat)
145
00:07:33,687 --> 00:07:36,517
WE'LL BE MARRIED THREE YEARS
THIS OCTOBER,
146
00:07:36,524 --> 00:07:39,594
AND...
TODAY'S NEWS EXCEPTED,
147
00:07:39,593 --> 00:07:44,203
UH, WE'VE NEVER BEEN
HAPPIER.
148
00:07:44,197 --> 00:07:46,827
THAT'S HARD TO BELIEVE.
149
00:07:46,834 --> 00:07:48,974
WHAT DOES THAT MEAN?
150
00:07:48,968 --> 00:07:51,768
WELL, THERE'S NOTHING GOING ON
BETWEEN YOU RIGHT NOW.
151
00:07:51,771 --> 00:07:53,641
(chuckles) EXCUSE ME? WHAT?
152
00:07:53,641 --> 00:07:57,241
I'M SORRY. I-I MEANT SEXUALLY,
NO HEAT. RIGHT?
153
00:08:00,447 --> 00:08:02,577
I THINK WE'RE DONE HERE.
154
00:08:05,151 --> 00:08:07,691
YOU'D THINK A POLITICIAN
WOULD HAVE THICKER SKIN.
155
00:08:07,687 --> 00:08:09,917
YOU ACCUSED THEM OF LYING
ABOUT THEIR SEX LIFE,
156
00:08:09,923 --> 00:08:11,933
AND YOU'RE SURPRISED
THEY'RE UPSET?
157
00:08:11,925 --> 00:08:15,555
OH, COME ON. YOU'RE BUYING
THAT HAPPY TALK? REALLY? UH-OH.
158
00:08:15,562 --> 00:08:18,172
AGENT MINELLI, SIR.
AGENT LISBON.
159
00:08:18,165 --> 00:08:19,625
I ASKED HIM DOWN.
160
00:08:19,632 --> 00:08:21,672
UH, WALTER CREW,
MELINDA BATSON'S DAD.
161
00:08:21,668 --> 00:08:24,368
YOU'RE AGENTS, UH,
JANE AND LISBON?
162
00:08:24,370 --> 00:08:26,870
YEAH, WE ARE. HI.
HI. SORRY TO TRACK YOU DOWN
LIKE THIS.
163
00:08:26,874 --> 00:08:29,214
I ASKED VIRGIL HERE
TO INTRODUCE ME
164
00:08:29,209 --> 00:08:31,609
TO THE TEAM HANDLING
THE POOR MARLEY GIRL'S CASE.
165
00:08:31,612 --> 00:08:35,412
WALTER HAS BEEN A FRIEND
OF THE CBI FOR SOME TIME.
166
00:08:35,414 --> 00:08:39,494
HE WAS AN EXTREMELY INFLUENTIAL
LEGISLATOR FOR WHAT, 20 YEARS?
167
00:08:39,485 --> 00:08:41,615
26, BUT WHO'S COUNTING?
(Minelli chuckles)
168
00:08:41,621 --> 00:08:44,161
ANYWAY, I'M OLD NEWS NOW.
169
00:08:44,157 --> 00:08:46,387
THE ONLY THING I LOBBY FOR
IS A GOOD TEE TIME.
170
00:08:46,393 --> 00:08:49,533
WHY THE INTEREST
IN THE POOR MARLEY GIRL'S CASE?
171
00:08:49,528 --> 00:08:51,198
INTEREST? I LIKED HER.
172
00:08:51,197 --> 00:08:53,797
YEAH,
MET HER IN MELINDA'S OFFICE.
173
00:08:53,801 --> 00:08:55,471
SHE WAS GOOD PEOPLE,
174
00:08:55,467 --> 00:08:59,237
CAME FROM A TOUGH BACKGROUND--
DIDN'T LET THAT STOP HER.
175
00:08:59,239 --> 00:09:02,209
I KNOW HOW DIFFICULT IT IS
TO GET STRAIGHT ANSWERS
176
00:09:02,208 --> 00:09:04,208
FROM THE PEOPLE
IN THAT BUILDING THERE.
177
00:09:04,211 --> 00:09:07,211
IF YOU HAVE ANY PROBLEMS,
YOU JUST LET ME KNOW.
178
00:09:07,214 --> 00:09:09,724
I CAN STILL KNOCK HEADS.
OH, WE'LL BE FINE.
179
00:09:09,716 --> 00:09:12,616
JUST LET ME KNOW. VIRGIL.
WALTER.
180
00:09:12,620 --> 00:09:14,620
TAKE CARE.
SIR.
181
00:09:16,423 --> 00:09:19,693
I HATE WALKS, LISBON. I KNOW
THEY'RE HEALTHY. I DON'T CARE.
182
00:09:19,692 --> 00:09:21,702
PUT ME IN A CHAIR,
I'M A HAPPY MAN.
183
00:09:21,695 --> 00:09:25,465
BUT WHEN WALTER CREW ASKED ME
TO STROLL WITH HIM
184
00:09:25,465 --> 00:09:28,695
DOWN TO THE CAPITOL,
I SAY, "OF COURSE, WALTER."
185
00:09:28,701 --> 00:09:30,541
YOU GET MY DRIFT?
I DO.
186
00:09:30,537 --> 00:09:32,467
STEP CAREFULLY.
I WANT DAILY REPORTS.
187
00:09:32,471 --> 00:09:35,481
OH, AND, UH, HOW DID
THE BATSON INTERVIEW GO?
OH, THAT WAS VERY EXCITING.
188
00:09:35,475 --> 00:09:38,645
WHAT DID HE DO?
NOTHING
THAT CAN'T BE REPAIRED.
189
00:09:51,591 --> 00:09:53,791
(sighs)
190
00:09:56,663 --> 00:09:59,003
(man) TERESA,
NICE OF YOU TO DROP BY.
191
00:09:58,999 --> 00:10:02,739
I KNOW I'M LATE. I'M SORRY.
"LATE" IS AN INTERESTING WORD
IN THIS CONTEXT.
192
00:10:02,735 --> 00:10:04,735
YOU WERE
SUPPOSED TO BE HERE...
193
00:10:04,738 --> 00:10:07,068
42 MINUTES AGO.
194
00:10:07,073 --> 00:10:09,183
I KNOW. THE POINT IS,
I'M HERE NOW.
195
00:10:09,176 --> 00:10:10,936
WE'RE SUPPOSED TO TALK,
SO LET'S TALK.
196
00:10:10,943 --> 00:10:13,853
I HAVE ANOTHER PATIENT SCHEDULED
IN EIGHT MINUTES.
197
00:10:13,846 --> 00:10:17,046
I CAN TALK FAST.
198
00:10:17,049 --> 00:10:19,419
THIS IS THE THIRD TIME
YOU'VE BEEN LATE.
199
00:10:19,418 --> 00:10:22,818
WHAT CAN I SAY?
LOT OF PEOPLE GETTING KILLED.
200
00:10:22,822 --> 00:10:25,732
CAN I GET A COFFEE?
201
00:10:25,725 --> 00:10:28,225
(sighs)
202
00:10:30,263 --> 00:10:33,533
DO YOU KNOW WHY
COUNSELING IS MANDATORY
203
00:10:33,533 --> 00:10:36,273
FOR CBI AGENTS WHO'VE BEEN
INVOLVED IN A SHOOTING?
204
00:10:36,269 --> 00:10:39,669
BECAUSE NOBODY WOULD COME
IF IT WAS VOLUNTARY?
205
00:10:39,673 --> 00:10:42,173
AND THAT'S WHAT IT
REMAINS MANDATORY
206
00:10:42,174 --> 00:10:46,084
UNTIL I SIGN AND FILE
THIS FORM.
207
00:10:48,816 --> 00:10:50,416
SEE YOU NEXT WEEK.
208
00:10:50,417 --> 00:10:54,517
THIS IS UNNECESSARY. I'M FINE.
I'M NOT TRAUMATIZED.
209
00:10:54,520 --> 00:10:56,290
A MAN POINTED A GUN AT YOU,
210
00:10:56,288 --> 00:10:58,418
A MAN WHO INTENDED
TO KILL YOU.
211
00:10:58,424 --> 00:11:01,494
FORTUNATELY,
JANE SHOT HIM FIRST.
IT DOESN'T MATTER.
212
00:11:01,494 --> 00:11:04,634
YOU WENT FROM THINKING
YOU WERE GOING TO BE KILLED
213
00:11:04,630 --> 00:11:06,400
TO WATCHING A MAN DIE--
214
00:11:06,399 --> 00:11:08,839
TWO OF THE MOST WRENCHING
EXPERIENCES WE CAN HAVE--
215
00:11:08,836 --> 00:11:10,796
AND YOU WENT THROUGH THEM
IN SECONDS.
216
00:11:10,803 --> 00:11:13,443
YOU DON'T THINK
THAT AFFECTED YOU?
NO.
217
00:11:13,440 --> 00:11:16,880
(chuckles) YOU REALLY WANT
TO KEEP SEEING ME, DON'T YOU?
218
00:11:16,876 --> 00:11:20,276
NEXT WEEK, ON TIME.
219
00:11:21,681 --> 00:11:24,151
FINE.
220
00:11:31,759 --> 00:11:33,629
WOW.
221
00:11:33,625 --> 00:11:36,625
THERE'S A STAIN ON THE CEILING
THAT LOOKS LIKE ELVIS,
222
00:11:36,629 --> 00:11:39,869
BUT TODAY, IT LOOKS
MORE LIKE A... BASSET HOUND.
223
00:11:39,866 --> 00:11:42,666
SOMEONE CALL THE MEDIA.
IT'S A MIRACLE.
224
00:11:42,668 --> 00:11:44,498
OR MAYBE
SOMEONE'S MOVED MY COUCH.
225
00:11:44,504 --> 00:11:45,614
CHO?
226
00:11:45,605 --> 00:11:47,605
DID YOU MOVE MY COUCH?
227
00:11:47,606 --> 00:11:49,606
NO. WHY WOULD I?
228
00:11:49,609 --> 00:11:52,749
EXCUSE ME?
229
00:11:52,745 --> 00:11:54,745
DID YOU MOVE THE COUCH?
230
00:11:54,748 --> 00:11:57,548
(foreign accent) I HAD TO, UH,
CHANGE A LIGHT. PROBLEM?
231
00:11:57,549 --> 00:12:01,719
NO, NO, NO. CAN YOU HELP ME
MOVE IT BACK, PLEASE?
232
00:12:02,923 --> 00:12:04,923
(clatter)
233
00:12:04,924 --> 00:12:06,964
I GOT A THING I...
THANKS.
234
00:12:06,960 --> 00:12:10,660
JUST UP THERE.
I THINK IT'S THIS WAY.
235
00:12:10,663 --> 00:12:12,633
JUST A LITTLE.
236
00:12:12,631 --> 00:12:14,371
(grunts) THAT'S IT.
237
00:12:14,366 --> 00:12:17,766
LET ME JUST TRY TO...
238
00:12:17,770 --> 00:12:19,870
PERFECT. THANK YOU.
239
00:12:19,873 --> 00:12:22,343
ELVIS IS BACK.
240
00:12:22,341 --> 00:12:23,981
ANYTHING ON THE STEPMOM?
241
00:12:23,976 --> 00:12:25,746
HER NAME'S CHARLOTTE McADOO.
242
00:12:25,745 --> 00:12:27,745
SHE CALLED KRISTIN 11 TIMES
243
00:12:27,746 --> 00:12:29,946
IN THE TWO DAYS
BEFORE SHE DISAPPEARED.
244
00:12:29,950 --> 00:12:32,380
ANY IDEA WHAT THAT WAS ABOUT?
NO, BUT HER SON HARLAN
245
00:12:32,384 --> 00:12:34,254
HAD BEEN PICKED UP
ON A CARJACKING CHARGE.
246
00:12:34,254 --> 00:12:35,654
HE POSTED BAIL
THE DAY KRISTIN DISAPPEARED,
247
00:12:35,654 --> 00:12:38,234
CLAIMED HE HAD NOTHING
TO DO WITH THE CARJACKING,
248
00:12:38,225 --> 00:12:41,355
SAID HE WAS WITH KRISTIN
WHEN IT HAPPENED.
HE USED KRISTIN AS HIS ALIBI?
HOW BAD'S HARLAN?
249
00:12:41,360 --> 00:12:44,600
WELL, MOSTLY CAR THEFT,
SOME ASSAULT.
WHAT DID CHARLOTTE HAVE TO SAY
ABOUT THAT?
250
00:12:44,596 --> 00:12:47,096
SHE WON'T ANSWER HER PHONE,
WON'T CALL BACK.
251
00:12:47,100 --> 00:12:50,470
WE'RE HEADING OUT
TO TALK TO HER.
SHOULDN'T WE BE LOOKING
FOR KRISTIN'S LOVER?
252
00:12:50,470 --> 00:12:53,010
WHO? ELLIOTT BATSON'S ALIBI
CHECKED OUT,
253
00:12:53,005 --> 00:12:55,905
AND THERE'S NO SIGN
SHE WAS SEEING SOMEONE ELSE.
254
00:12:55,908 --> 00:12:59,508
(Van Pelt) WE'VE CHECKED.
WELL, NOT ENOUGH. SHE WAS
AN IMMATURE ROMANTIC LOOKING
255
00:12:59,511 --> 00:13:02,921
FOR ESCAPE AND ADVENTURE.
SHE WAS HAVING AN AFFAIR.
256
00:13:02,916 --> 00:13:04,716
WE SEARCHED HER PLACE
THOROUGHLY.
257
00:13:04,716 --> 00:13:07,886
SHE KEPT THE AFFAIR
WELL-HIDDEN.
WELL, OF COURSE.
258
00:13:07,888 --> 00:13:10,988
IT'S AN ADVENTURE
BECAUSE IT'S A SECRET.
259
00:13:10,990 --> 00:13:14,460
BUT I EXPECT
SHE'LL TELL US WHO IT WAS.
260
00:13:14,461 --> 00:13:16,731
I'LL BITE. HOW?
261
00:13:16,729 --> 00:13:19,669
(clears throat)
CHECK THIS OUT.
262
00:13:19,666 --> 00:13:21,296
SHE WAS A COLLECTOR.
263
00:13:21,301 --> 00:13:24,441
SHE KEPT SAND FROM EVERY BEACH
SHE EVER WENT TO.
264
00:13:24,437 --> 00:13:26,607
SHE WOULD HAVE KEPT
A MEMENTO OF HER LOVER,
265
00:13:26,605 --> 00:13:29,935
SOMETHING SMALL--I BET SHE
KEPT IT IN A FANCY JEWELRY BOX,
266
00:13:29,942 --> 00:13:31,812
THE KIND
WITH A FIGURINE ON THE LID.
267
00:13:31,811 --> 00:13:35,411
THERE WAS A FANCY JEWELRY BOX
LIKE THAT IN HER BEDROOM--
268
00:13:35,414 --> 00:13:37,384
A BALLERINA.
BALLERINA--SHE'S THE TYPE.
269
00:13:37,384 --> 00:13:41,054
BUT WE CHECKED IT. THERE'S
NOTHING IN IT BUT CHEAP JEWELRY.
270
00:13:41,053 --> 00:13:43,363
DID YOU CHECK
IN THE SECRET COMPARTMENT?
THE...
271
00:13:43,355 --> 00:13:45,515
THE SECRET COMPARTMENT
EITHER ON THE BOTTOM
272
00:13:45,524 --> 00:13:49,604
OR ONE OF THE SIDES.
THEY USUALLY HAVE ONE.
IT'S WORTH TAKING A LOOK.
273
00:13:49,596 --> 00:13:52,526
(Van Pelt) FINE.
274
00:13:54,868 --> 00:13:56,868
FORGET ABOUT BOSCO.
275
00:14:00,440 --> 00:14:02,270
HE'S GOT SOMETHING.
276
00:14:02,274 --> 00:14:04,544
YEAH, HE'S GOT RED JOHN,
AND WE DON'T.
277
00:14:04,543 --> 00:14:08,453
NO. NO, HE'S GOT SOMETHING NEW
ON THE CASE--NEW EVIDENCE.
HOW CAN YOU TELL?
278
00:14:08,447 --> 00:14:11,547
IT'S CLEAR AS CAN BE.
I'LL BE RIGHT BACK.
279
00:14:11,551 --> 00:14:15,291
JANE, RED JOHN BELONGS TO BOSCO
NOW. I DON'T LIKE IT EITHER,
280
00:14:15,288 --> 00:14:19,328
BUT YOU'RE GONNA HAVE
TO DEAL WITH IT.
DO YOU WANT A COFFEE?
I'M GONNA BRING YOU A COFFEE.
281
00:14:24,596 --> 00:14:27,726
I NEED COPIES OF EACH OF THESE
SENT OVER TO DIVISION.
282
00:14:27,734 --> 00:14:30,274
WHAT'S HE DOING IN THERE?
283
00:14:30,269 --> 00:14:32,299
HE SAID YOU TOLD HIM
TO WAIT IN THERE.
284
00:14:32,304 --> 00:14:35,144
(sighs) WE'LL FINISH LATER.
285
00:14:35,142 --> 00:14:38,182
GET AWAY FROM MY DESK.
WHERE'D YOU GO?
286
00:14:38,177 --> 00:14:40,477
I'VE BEEN HERE
ALMOST HALF AN HOUR.
287
00:14:40,480 --> 00:14:43,220
AND STOP HACKING MY PASSCODES
AND STOP HUSTLING MY PEOPLE.
288
00:14:43,216 --> 00:14:47,286
IT'S NOT DOING YOU ANY GOOD,
YOU KNOW.
I DON'T KNOW
WHAT YOU'RE TALKING ABOUT.
289
00:14:47,287 --> 00:14:49,287
WHAT'D YOU GET ON RED JOHN?
290
00:14:49,288 --> 00:14:51,518
AND WHAT MAKES YOU THINK
I GOT ANYTHING?
291
00:14:51,524 --> 00:14:53,164
THE FOLDER--
292
00:14:53,159 --> 00:14:55,459
YOU MOVED IT WHEN YOU SAW ME,
PROTECTED IT.
293
00:14:55,461 --> 00:14:58,231
IT'S THE ONE THING
YOU'D PROTECT FROM ME.
294
00:14:58,230 --> 00:15:01,530
IT'S THE COVER-UP
THAT GAVE YOU AWAY.
HUH.
295
00:15:01,533 --> 00:15:03,503
WHAT IS IT?
296
00:15:03,503 --> 00:15:05,543
IT'S NONE OF YOUR BUSINESS,
SO GO.
297
00:15:05,538 --> 00:15:08,838
YOU NEED TO UNDERSTAND
SOMETHING.
298
00:15:08,841 --> 00:15:11,711
RED JOHN DOESN'T MAKE MISTAKES.
HE DOESN'T LEAVE CLUES.
299
00:15:11,711 --> 00:15:14,551
IF YOU HAVE NEW EVIDENCE, IT'S
BECAUSE HE WANTS YOU TO HAVE IT.
300
00:15:14,547 --> 00:15:16,517
THE QUESTION
ISN'T "WHAT DOES IT MEAN?"
301
00:15:16,515 --> 00:15:19,285
IT'S "WHY DID HE GIVE IT
TO YOU?"
THAT'S DEEP.
302
00:15:19,286 --> 00:15:23,056
TELL ME WHAT IT IS.
I CAN HELP YOU.
HAVE YOU EVER SEEN
A CRACK ADDICT
303
00:15:23,056 --> 00:15:24,886
WHEN THEY'RE BEGGING
FOR A HIT?
304
00:15:24,890 --> 00:15:28,130
YOU GOT THAT SAME LOOK
IN YOUR EYE THAT THEY GET.
(cell phone rings)
305
00:15:28,128 --> 00:15:31,558
OH. YOU'VE GOT ME
ALL FIGURED OUT.
306
00:15:31,563 --> 00:15:33,133
HEY, VAN PELT.
307
00:15:33,133 --> 00:15:34,633
Did you get it?
308
00:15:34,634 --> 00:15:37,344
THERE'S A SECRET COMPARTMENT,
JUST LIKE YOU SAID.
309
00:15:37,336 --> 00:15:40,466
And what was in it?
NOTHING. IT'S EMPTY.
310
00:15:40,472 --> 00:15:42,982
HUH. ALL RIGHT.
311
00:15:44,610 --> 00:15:46,110
BAD NEWS, HUH?
312
00:15:46,113 --> 00:15:48,413
NO, NOT AT ALL.
313
00:15:48,414 --> 00:15:51,724
IT'S LIKE YOU SAID--IT'S
THE COVER-UP THAT GAVE YOU AWAY.
314
00:15:51,717 --> 00:15:53,647
YOU'RE AN ADDICT, JANE.
315
00:15:53,653 --> 00:15:55,153
YOU NEED HELP.
316
00:15:55,154 --> 00:15:56,924
YOU'RE MAKING A MISTAKE.
317
00:15:56,923 --> 00:15:59,693
YOU CAN GO.
318
00:16:12,339 --> 00:16:14,169
YOU WANT TO GO?
I'M GOING OUT.
319
00:16:14,173 --> 00:16:17,383
WHO WITH?
THE NIECE OF THE SHOPKEEPER
WE MET ON THAT RED JOHN THING.
320
00:16:17,376 --> 00:16:19,806
OH, FINALLY.
IT TOOK YOU LONG ENOUGH.
5-B?
321
00:16:19,812 --> 00:16:22,552
YEAH.
YEAH, WE TALKED ON THE PHONE.
SHE'S NICE.
322
00:16:22,548 --> 00:16:25,548
WE'LL SEE HOW IT GOES.
OH, I EXPECT A FULL REPORT.
323
00:16:25,552 --> 00:16:29,262
IN YOUR DREAMS.
HEY, I GOT YOU THAT NUMBER.
YOU OWE ME.
324
00:16:29,255 --> 00:16:32,015
NO.
325
00:16:32,024 --> 00:16:34,694
CHARLOTTE McADOO?
YEAH.
326
00:16:34,693 --> 00:16:36,563
WE NEED TO TALK TO YOU
327
00:16:36,562 --> 00:16:39,032
ABOUT YOUR STEPDAUGHTER,
KRISTIN MARLEY.
328
00:16:43,202 --> 00:16:45,802
YOU KNOW THAT KRISTIN'S
DEAD, RIGHT, CHARLOTTE?
329
00:16:45,804 --> 00:16:47,144
WHAT ABOUT IT?
330
00:16:47,139 --> 00:16:49,179
I GUESS
YOU'RE PRETTY BROKEN UP.
331
00:16:49,176 --> 00:16:50,906
SHE WASN'T MY KID.
332
00:16:50,909 --> 00:16:53,949
I'M NOT THE HUGGY TYPE.
SUE ME.
IF YOU DIDN'T LIKE KRISTIN,
333
00:16:53,946 --> 00:16:57,346
WHY'D YOU MAKE ALL THOSE CALLS
RIGHT BEFORE SHE DISAPPEARED?
334
00:16:57,350 --> 00:17:00,050
DON'T REMEMBER.
IT WAS A WEEK AGO.
335
00:17:00,052 --> 00:17:02,692
I'M OLD. MY MEMORY'S BAD.
336
00:17:02,688 --> 00:17:06,028
DID IT HAVE SOMETHING TO DO
WITH YOUR SON HARLAN?
WHAT ABOUT HARLAN?
337
00:17:06,025 --> 00:17:09,255
HE USED KRISTIN AS AN ALIBI WHEN
HE WAS ARRESTED, BUT KRISTIN
338
00:17:09,261 --> 00:17:11,661
TOLD SACRAMENTO P.D. SHE HADN'T
SEEN HARLAN FOR MONTHS.
339
00:17:11,663 --> 00:17:14,433
WERE YOU ASKING KRISTIN
TO CHANGE HER STORY
340
00:17:14,433 --> 00:17:17,403
AND LIE AN ALIBI
FOR HER STEPBROTHER?
NO, THAT'S CRAZY.
341
00:17:17,403 --> 00:17:20,943
WHERE IS HARLAN?
I DON'T KNOW.
I HAVEN'T SEEN HIM FOR DAYS.
342
00:17:20,940 --> 00:17:23,110
OKAY. THANKS FOR YOUR TIME.
343
00:17:23,109 --> 00:17:25,509
THAT'S...
344
00:17:25,511 --> 00:17:26,611
THAT'S IT?
345
00:17:26,613 --> 00:17:29,683
WE'LL SEE OURSELVES OUT.
THANK YOU.
346
00:17:36,088 --> 00:17:40,328
(whispers) YOU THINK CHARLOTTE
SMOKES FILTERED AND UNFILTERED?
NOT IF SHE'S GOT A VISITOR.
BATHROOM OR CLOSET?
347
00:17:40,326 --> 00:17:42,526
BATHROOM.
I THINK CLOSET.
YOU WANT TO BET?
348
00:17:42,528 --> 00:17:46,068
WHAT DO I GET IF I WIN?
I PAY FOR LUNCH NEXT WEEK.
349
00:17:46,065 --> 00:17:49,035
I WIN, YOU TELL ME
ABOUT YOUR DATE.
THAT'S ENOUGH TIME.
350
00:17:49,035 --> 00:17:50,865
(Cho) HEY, HARLAN.
351
00:17:50,869 --> 00:17:54,069
OH, CRAP.
(Rigsby) HARLAN, WERE YOU
IN THE BATHROOM OR THE CLOSET?
352
00:17:54,073 --> 00:17:56,413
CLOSET. WH--
TOLD YA.
353
00:17:56,409 --> 00:17:58,709
WE DIDN'T BET.
YES, WE DID.
354
00:18:00,747 --> 00:18:02,477
(sighs)
355
00:18:02,481 --> 00:18:04,751
NO LAW AGAINST
BEING IN A CLOSET.
356
00:18:04,750 --> 00:18:07,750
NO, HARLAN, BUT IT IS
KINDA SUSPICIOUS.
357
00:18:10,856 --> 00:18:12,886
YOU GOT NO RIGHT TO HOLD ME.
358
00:18:12,892 --> 00:18:15,492
WE'RE JUST TALKING.
359
00:18:15,494 --> 00:18:19,134
ALL RIGHT, WHAT DO YOU WANT
TO TALK ABOUT?
360
00:18:19,132 --> 00:18:22,032
KRISTIN MARLEY--
WHEN DID YOU SEE HER LAST?
361
00:18:22,034 --> 00:18:24,474
WHAT HAPPENED TO HER?
YOU TELL US.
362
00:18:24,471 --> 00:18:26,511
I GOT NOTHING TO SAY
ABOUT HER.
363
00:18:26,506 --> 00:18:29,336
YOU MUST BE MAD THAT
SHE DIDN'T BACK YOUR ALIBI
364
00:18:29,342 --> 00:18:31,312
ON THE CARJACKING CHARGE, HUH?
365
00:18:31,310 --> 00:18:32,610
FIRST OF ALL,
366
00:18:32,612 --> 00:18:35,112
THAT ARREST WAS
COMPLETELY BOGUS.
367
00:18:35,114 --> 00:18:37,124
AND "B," THAT STUCK-UP BITCH
368
00:18:37,115 --> 00:18:39,145
DON'T GET WHAT
THE WORD "FAMILY" MEANS, SO...
369
00:18:39,152 --> 00:18:42,492
WHAT IS THAT?
FAMILY'S SUPPOSED TO HELP
WHEN YOU'RE DOWN.
370
00:18:42,489 --> 00:18:44,459
BUT SHE GETS A JOB
IN THE CAPITOL
371
00:18:44,457 --> 00:18:46,457
WITH SOME BIG MONEY FRIENDS,
AND POW--
372
00:18:46,459 --> 00:18:48,489
SHE'S TOO GOOD FOR THE PEOPLE
SHE GREW UP WITH.
373
00:18:48,494 --> 00:18:51,534
SHE DON'T GET WHAT THE WORD
"FAMILY" IS ALL ABOUT, YOU KNOW?
374
00:18:51,530 --> 00:18:54,530
DIDN'T.
(whispers) SHE'S DEAD.
375
00:18:54,534 --> 00:18:57,674
YEAH.
376
00:18:57,670 --> 00:18:59,770
THAT'S TOO BAD.
377
00:18:59,771 --> 00:19:02,211
DID YOU HAVE ANY CONTACT
WITH KRISTIN
378
00:19:02,209 --> 00:19:04,679
AFTER YOU POSTED BAIL, HARLAN?
NO.
379
00:19:04,676 --> 00:19:06,776
NONE?
THAT'S WHAT I SAID.
380
00:19:06,778 --> 00:19:08,778
IT'S FUNNY,
'CAUSE OUR TECH GUYS
381
00:19:08,780 --> 00:19:10,780
HAVE BEEN GOING THROUGH
HER CELL PHONE.
382
00:19:10,782 --> 00:19:12,792
THERE'S SOME DELETED TEXTS
ON IT.
383
00:19:12,785 --> 00:19:15,755
FOUR OF THEM WERE FROM YOU
THE DAY SHE DISAPPEARED.
384
00:19:15,755 --> 00:19:19,355
NO. THAT'S WHAT YOU CALL
A-A GLITCH--COMPUTER THING.
385
00:19:19,358 --> 00:19:23,558
YOU WERE THREATENING KRISTIN TO
GET HER TO LIE FOR YOU, RIGHT?
DIDN'T SAY THAT.
386
00:19:23,563 --> 00:19:25,573
I COULD SEE WHY YOU'D DO IT.
387
00:19:25,565 --> 00:19:28,725
YOU'RE FACING SERIOUS TIME.
388
00:19:28,734 --> 00:19:31,644
YOU ARRESTING ME?
389
00:19:31,637 --> 00:19:34,767
YOU GOT NO RIGHT TO HOLD ME
IF YOU AIN'T.
390
00:19:34,773 --> 00:19:35,913
YOU'RE NOT UNDER ARREST,
391
00:19:35,907 --> 00:19:38,547
BUT YOU ARE OUT ON BAIL,
AND THAT CAN BE REVOKED
392
00:19:38,545 --> 00:19:42,405
IF THE JUDGE THINKS
YOU'RE NOT BEING COOPERATIVE.
DO YOU WANT A SODA, HARLAN?
393
00:19:44,750 --> 00:19:46,750
I WANT CHIPS.
394
00:19:51,423 --> 00:19:53,493
IF HE TOOK KRISTIN'S BODY
TO THE BRIDGE,
395
00:19:53,492 --> 00:19:56,262
HE PUT HER IN HIS TRUNK.
IT'S WORTH TAKING A LOOK.
396
00:19:56,262 --> 00:19:59,132
I'LL CALL
THE DISTRICT ATTORNEY.
IF HARLAN HEARS
WE'RE LOOKING AT HIS CAR,
397
00:19:59,131 --> 00:20:03,571
HE'LL BE OUT THE DOOR BEFORE
THE WARRANT COMES THROUGH.
(Rigsby and Van Pelt
speaking inaudibly)
398
00:20:03,569 --> 00:20:06,839
(Lisbon) WE'RE GONNA MAKE HIM
WANT TO STAY. VAN PELT.
399
00:20:06,838 --> 00:20:09,168
YOU'RE TAKING OVER
THE McADOO INTERVIEW.
400
00:20:09,174 --> 00:20:12,644
I'M TOTALLY READY FOR THAT. I
CAN GET HIM TO CONFESS TO THIS.
401
00:20:12,644 --> 00:20:15,554
YEAH, MAYBE. THE MAIN THING IS,
YOU KEEP HIM IN THERE
402
00:20:15,548 --> 00:20:17,678
LONG ENOUGH
FOR US TO SEARCH HIS CAR.
403
00:20:17,683 --> 00:20:20,693
BE FRIENDLY. HE THINKS
HE'S A PLAYER. HE'LL EAT IT UP.
404
00:20:20,686 --> 00:20:23,056
WHAT DO YOU MEAN,
BE FRIENDLY?
405
00:20:23,055 --> 00:20:25,215
NEED A MAP?
406
00:20:25,223 --> 00:20:26,793
GOOD LUCK.
407
00:20:30,329 --> 00:20:32,869
(opens folder)
408
00:20:34,800 --> 00:20:36,600
HEY.
409
00:20:36,603 --> 00:20:39,673
I HEARD BOSCO CLEANED YOUR CLOCK
THIS MORNING.
410
00:20:39,672 --> 00:20:41,612
OH,
THAT'S ONE INTERPRETATION.
411
00:20:41,607 --> 00:20:45,677
I GET IT. IT'S TOUGH TO HAVE
RED JOHN TAKEN AWAY LIKE THAT.
412
00:20:45,677 --> 00:20:47,647
BET YOU'D GIVE A LOT
TO KNOW
413
00:20:47,646 --> 00:20:50,016
WHAT THEY'RE SAYING
IN BOSCO'S OFFICE.
414
00:20:51,817 --> 00:20:53,417
YEAH.
415
00:20:55,322 --> 00:20:57,622
YEAH, I WOULD.
416
00:20:57,624 --> 00:20:59,664
YOU GOTTA LET IT GO, MAN.
417
00:20:59,659 --> 00:21:02,129
FORGET ABOUT THE JEWELRY BOX.
YOU MISSED ONE. SO WHAT?
418
00:21:02,127 --> 00:21:03,627
ACTUALLY, I DIDN'T.
419
00:21:03,630 --> 00:21:06,570
I'M PURSUING AN INDEPENDENT LINE
OF INVESTIGATION,
420
00:21:06,566 --> 00:21:09,736
GONNA CRACK THIS CASE
IN 24 HOURS.
421
00:21:09,736 --> 00:21:12,566
I THINK WE MIGHT BE AHEAD OF YOU
THIS TIME.
422
00:21:26,085 --> 00:21:27,585
HI, HARLAN.
423
00:21:27,586 --> 00:21:29,886
I'M AGENT VAN PELT.
424
00:21:29,888 --> 00:21:33,688
SPECIAL AGENT LISBON ASKED ME
TO TAKE OVER THE INTERVIEW.
425
00:21:33,692 --> 00:21:34,862
WHY?
426
00:21:34,861 --> 00:21:36,301
SHE'S BUSY...
427
00:21:36,295 --> 00:21:39,595
WITH SOMETHING ELSE.
428
00:21:39,598 --> 00:21:42,098
SO I'VE LOOKED THROUGH
YOUR FILE,
429
00:21:42,101 --> 00:21:43,871
AND IT'S, UH,
430
00:21:43,869 --> 00:21:47,139
IT'S VERY...
431
00:21:47,138 --> 00:21:48,808
WHAT?
432
00:21:48,807 --> 00:21:50,737
WELL...
433
00:21:50,742 --> 00:21:53,782
I DON'T THINK YOU HAD
ANYTHING TO DO WITH THIS CRIME.
434
00:21:53,779 --> 00:21:55,779
THANK YOU.
435
00:21:55,781 --> 00:21:58,051
THAT'S WHAT
I'VE BEEN SAYING.
436
00:21:58,049 --> 00:22:00,319
IT'S JUST A BIG
MISUNDERSTANDING, I'M SURE.
437
00:22:00,318 --> 00:22:02,118
YEAH. YOU GOT THAT RIGHT.
438
00:22:02,121 --> 00:22:06,831
BUT LET'S FILL OUT THE FORMS
SO EVERYONE'S HAPPY, OKAY?
439
00:22:06,826 --> 00:22:08,826
MMM. CHIPS.
440
00:22:10,128 --> 00:22:12,628
(crunching)
441
00:22:12,632 --> 00:22:15,732
SO LET'S MAKE A TIME LINE
442
00:22:15,734 --> 00:22:18,104
OF EVERYWHERE YOU'VE BEEN
SINCE KRISTIN DISAPPEARED.
443
00:22:18,104 --> 00:22:21,014
OKAY.
444
00:22:21,007 --> 00:22:22,737
YOU WANT ANOTHER?
445
00:22:22,741 --> 00:22:24,011
MM.
446
00:22:45,932 --> 00:22:48,872
(beeping)
447
00:22:52,038 --> 00:22:54,668
(Patrick) THESE ALL PICTURES
OF YOUR DAUGHTER?
448
00:22:54,673 --> 00:22:57,283
(liquid pours)
(Walter) YES, THEY ARE.
449
00:22:57,276 --> 00:23:00,346
OH, IT'S SURPRISING THERE'S
NOT MORE PICTURES OF YOU,
450
00:23:00,346 --> 00:23:03,746
GIVEN YOUR STANDING, THAT IS.
(laughs) WHAT, ME TALKING
TO A BUNCH OF FAMOUS WINDBAGS?
451
00:23:03,750 --> 00:23:07,350
HAD THOSE, TOOK 'EM DOWN.
WASTE OF SPACE.
452
00:23:07,353 --> 00:23:09,723
THANK YOU.
NO, MY DAYS ARE OVER.
453
00:23:09,721 --> 00:23:12,221
MELINDA HAS GOT THE FUTURE.
454
00:23:12,223 --> 00:23:15,663
SHE COULD GO FAR, VERY FAR,
IF SHE LISTENS TO ME.
455
00:23:15,662 --> 00:23:19,432
NOW WHAT DID YOU WANT
TO TALK ABOUT?
456
00:23:20,967 --> 00:23:22,837
(sighs)
457
00:23:22,835 --> 00:23:25,535
HOW LONG WERE YOU SLEEPING
WITH KRISTIN MARLEY
458
00:23:25,538 --> 00:23:27,108
BEFORE SHE WAS KILLED?
459
00:23:27,105 --> 00:23:29,675
(scoffs)
460
00:23:29,675 --> 00:23:31,705
WHAT MAKES YOU THINK I WAS?
461
00:23:31,711 --> 00:23:33,651
YOU'RE A POLITICIAN--
AMBITIOUS, NARCISSISTIC,
462
00:23:33,645 --> 00:23:35,645
ADDICTED TO THE LOVE
OF STRANGERS.
463
00:23:35,647 --> 00:23:37,477
SHE WAS BEAUTIFUL,
IMPRESSIONABLE,
464
00:23:37,483 --> 00:23:40,523
NO DOUBT FLATTERED
BY YOUR ATTENTIONS.
465
00:23:40,519 --> 00:23:42,519
AND YOU'RE NOT
THE SORT OF MAN
466
00:23:42,521 --> 00:23:44,691
TO DENY YOURSELF
AN OBJECT OF DESIRE.
467
00:23:44,691 --> 00:23:46,961
I'M MARRIED 38 YEARS,
MR. JANE.
468
00:23:46,959 --> 00:23:48,389
(chuckles)
469
00:23:48,394 --> 00:23:50,104
AS I SAID.
470
00:23:50,096 --> 00:23:53,296
UH, EVEN IF WHAT YOU SAY
IS TRUE--
471
00:23:53,298 --> 00:23:56,338
AND I'M NOT SAYING IT IS--
472
00:23:56,335 --> 00:24:00,405
WHAT DOES THAT HAVE TO DO
WITH POOR KRISTIN'S MURDER?
473
00:24:00,405 --> 00:24:02,535
BLACKMAIL
OR SOMETHING LIKE IT.
474
00:24:04,076 --> 00:24:07,476
THE BUSINESS
ADULTERY LEADS TO.
475
00:24:07,480 --> 00:24:08,680
AH.
476
00:24:08,681 --> 00:24:13,651
BUT EVEN IF I AM
WHAT YOU SAY I AM--
477
00:24:13,653 --> 00:24:17,063
AND I'M NOT SAYING I AM--
478
00:24:17,056 --> 00:24:19,756
WOULDN'T I HAVE FACED
A SITUATION LIKE THIS BEFORE
479
00:24:19,759 --> 00:24:22,389
AND HANDLED IT
WITHOUT KILLING ANYBODY?
480
00:24:22,394 --> 00:24:24,434
IT'S A GOOD POINT.
MM.
481
00:24:24,430 --> 00:24:27,170
I'LL THINK ABOUT THAT.
PLEASE.
482
00:24:27,165 --> 00:24:29,565
MM.
483
00:24:29,568 --> 00:24:31,168
ANYTHING ELSE?
484
00:24:31,170 --> 00:24:33,440
WHAT? MM? SORRY?
485
00:24:33,439 --> 00:24:36,639
WELL, WHOEVER IT IS, I'LL HAVE
THE KILLER BY THE MORNING,
486
00:24:36,643 --> 00:24:39,753
SO, UH, YOU SHOULD ACT
ACCORDINGLY.
487
00:24:39,746 --> 00:24:41,846
THANK YOU FOR YOUR TIME.
488
00:24:46,919 --> 00:24:49,689
(Cho) YOU THINK HARLAN
EVER CLEANS OUT HIS CAR?
489
00:24:49,689 --> 00:24:51,759
SO WHERE YOU TAKING
THE SHOPKEEPER'S NIECE
490
00:24:51,758 --> 00:24:53,758
FOR DINNER?
I'D RATHER NOT TALK ABOUT IT.
491
00:24:53,759 --> 00:24:56,029
WHY NOT?
IT'S PRIVATE.
492
00:24:56,028 --> 00:24:58,998
OH, COME ON.
LET'S TALK ABOUT
SOMETHIN' ELSE.
493
00:24:58,998 --> 00:25:01,398
I'LL CALL
TECHNICAL SERVICES.
494
00:25:01,400 --> 00:25:04,770
THEY CAN POP THAT LOCK
IN 20 SECONDS.
IT'LL TAKE 'EM 2 HOURS
TO GET HERE.
495
00:25:04,770 --> 00:25:07,570
IT TOOK YOU TWO HOURS TO OPEN
THE DOOR LAST TIME
496
00:25:07,574 --> 00:25:10,584
YOU TRIED THIS, AND WE HAD
TO PAY FOR THE BUSTED WINDOW.
FLUKE.
497
00:25:10,576 --> 00:25:13,746
IF I HAD A DATE,
I'D TELL YOU ABOUT IT.
(scoffs) YEAH.
498
00:25:13,746 --> 00:25:15,846
I WOULD, TELL YOU ANYTHING
YOU WANTED TO KNOW.
499
00:25:15,847 --> 00:25:19,917
OKAY, YOU EVER GONNA MAN UP
AND MAKE A MOVE ON VAN PELT?
FINE. DON'T TELL ME.
500
00:25:19,919 --> 00:25:21,149
RIGHT.
501
00:25:25,892 --> 00:25:27,092
(grunts)
502
00:25:34,767 --> 00:25:36,497
HEY. CHECK THIS OUT.
503
00:25:36,501 --> 00:25:39,711
WASN'T THE OTHER ONE OF THESE
ON KRISTIN MARLEY'S FOOT?
504
00:25:39,705 --> 00:25:42,665
I'LL CALL LISBON.
505
00:25:49,048 --> 00:25:52,348
MNH-MNH.
YOU WANT TO TELL US
HOW IT GOT THERE, HARLAN?
506
00:25:52,351 --> 00:25:55,091
I DON'T KNOW.
MAYBE YOU PUT IT THERE, HUH?
507
00:25:55,086 --> 00:25:58,556
YOU HAVE NO ALIBI FOR THE NIGHT
OF KRISTIN'S DISAPPEARANCE.
508
00:25:58,557 --> 00:26:01,487
I TOLD YOU.
I WAS WITH MY MOM.
509
00:26:01,492 --> 00:26:04,032
SHE WAS CONCEALING YOU
WHEN WE WENT TO PICK YOU UP.
510
00:26:04,029 --> 00:26:06,569
IT'S NOT GONNA CUT IT.
YOU WERE MAD AT KRISTIN.
511
00:26:06,565 --> 00:26:09,495
A LITTLE, BUT--
YOU THREATENED HER.
512
00:26:09,500 --> 00:26:11,700
NO.
513
00:26:11,703 --> 00:26:13,843
OKAY, I MEAN, A-A LITTLE,
BUT COME ON.
514
00:26:13,839 --> 00:26:16,109
I-I WOULDN'T HURT HER
FOR REAL.
515
00:26:16,107 --> 00:26:18,777
THAT'S NOT MUCH OF A STORY,
HARLAN.
516
00:26:18,778 --> 00:26:21,608
(whispers) I THOUGHT
YOU BELIEVED ME.
517
00:26:21,614 --> 00:26:23,454
YOU WERE WRONG.
518
00:26:23,449 --> 00:26:26,619
YOU KNOW WHAT? THE HELL
WITH THIS. I'M OUTTA HERE.
519
00:26:26,618 --> 00:26:28,618
NOT QUITE YET.
520
00:26:28,621 --> 00:26:32,021
OH, YOU'RE GONNA STOP ME?
YEAH.
521
00:26:32,023 --> 00:26:34,493
DID YOU MAKE THE ARREST?
I DID.
522
00:26:34,492 --> 00:26:36,302
AH, VICTORY IS YOURS.
523
00:26:36,295 --> 00:26:38,055
YES, IT IS.
524
00:26:39,665 --> 00:26:41,025
WHAT?
525
00:26:41,032 --> 00:26:42,432
OH, NOTHING.
526
00:26:42,433 --> 00:26:45,403
COME ON.
NO. NO.
527
00:26:45,403 --> 00:26:46,873
I'M STILL WAITING.
528
00:26:48,507 --> 00:26:51,807
THROWING THE BODY OFF THE BRIDGE
WAS A SMART MOVE--
529
00:26:51,810 --> 00:26:54,850
GOOD CHANCE THE CORONER
WOULD DECLARE IT A SUICIDE.
530
00:26:54,846 --> 00:26:57,016
DO YOU REALLY THINK
531
00:26:57,016 --> 00:26:59,716
HARLAN McADOO
WOULD COME UP WITH THAT?
532
00:26:59,719 --> 00:27:01,819
DUMB PEOPLE CAN COME UP
WITH SMART IDEAS,
533
00:27:01,820 --> 00:27:04,320
AND SMART PEOPLE
CAN COME UP WITH DUMB ONES.
534
00:27:04,323 --> 00:27:07,233
EH, TRUE.
535
00:27:07,226 --> 00:27:10,226
I'LL HAVE THE REAL KILLER HERE
IN 12 HOURS OR SO.
536
00:27:10,229 --> 00:27:12,829
WHAT ARE YOU TALKING ABOUT?
YOU'LL SEE. BYE.
537
00:27:12,832 --> 00:27:16,842
JANE.
HEY, BOSS, YOU WANT ME TO SEND
McADOO DOWN TO BE ARRAIGNED?
538
00:27:17,970 --> 00:27:20,410
NOT YET. SIT ON HIM.
SEE IF HE COMES UP
539
00:27:20,405 --> 00:27:23,105
WITH SOMETHING USEFUL
ONCE HE CALMS DOWN.
540
00:27:27,145 --> 00:27:30,115
OBVIOUSLY, YOU'VE GOT TO GET IT
OUT OF COMMITTEE BEFORE--
541
00:27:30,115 --> 00:27:33,015
MR. JANE?
HI. DON'T MIND ME.
542
00:27:33,019 --> 00:27:35,519
WHAT ARE YOU DOING?
543
00:27:35,520 --> 00:27:37,990
HARD AT WORK, ON THE CASE.
544
00:27:37,990 --> 00:27:41,030
I DON'T UNDERSTAND.
WE GOT A CALL FROM AGENT MINELLI
545
00:27:41,027 --> 00:27:43,597
SAYING THAT AN ARREST HAD BEEN
MADE--KRISTIN'S STEPBROTHER.
546
00:27:43,595 --> 00:27:45,725
NOPE, NOPE, NOPE. WRONG GUY.
547
00:27:45,731 --> 00:27:47,971
HOW CAN THAT BE?
548
00:27:47,967 --> 00:27:52,337
SIMPLE MISCARRIAGE OF JUSTICE,
HAPPENS ALL THE TIME.
549
00:27:52,337 --> 00:27:56,577
WHAT DOES THAT MEAN?
IT MEANS I HAVE TO FIND
THE REAL KILLER.
550
00:27:56,575 --> 00:27:59,045
THE REAL KILLER? HOW?
551
00:27:59,045 --> 00:28:00,745
OH, KRISTIN WAS A COLLECTOR.
552
00:28:00,747 --> 00:28:04,577
ERGO, THE IDENTITY OF KRISTIN'S
KILLER WILL BE IN HER THINGS.
553
00:28:04,583 --> 00:28:08,193
HOW CAN YOU BE SURE
IT'S THERE?
OH, I'M SURE.
554
00:28:08,186 --> 00:28:11,616
MR. JANE, THIS ISN'T ACCEPTABLE.
FIRST YOU ACCOST MY FATHER--
555
00:28:11,623 --> 00:28:13,423
OH, I WOULDN'T USE
THE WORD "ACCOST."
556
00:28:13,424 --> 00:28:15,434
NOW YOU'RE RANSACKING MY OFFICE.
CALM DOWN, MELINDA.
557
00:28:15,426 --> 00:28:18,656
I WON'T CALM DOWN. I THOUGHT
WE PUT THIS BEHIND US.
558
00:28:18,663 --> 00:28:20,473
NOT MUCH
OF A CAMPAIGN SLOGAN--
559
00:28:20,465 --> 00:28:24,035
"BATSON--SO TOUGH ON CRIME, SHE
PUTS THE INNOCENT BEHIND BARS."
560
00:28:26,372 --> 00:28:29,672
DO WHAT YOU HAVE TO DO. UH,
WE'LL HELP IN ANY WAY WE CAN.
561
00:28:29,674 --> 00:28:32,914
GREAT. THANK YOU. THERE'S
A COUPLE OF BOXES RIGHT THERE,
562
00:28:32,912 --> 00:28:35,612
IF YOU COULD JUST,
UH, GRAB ONE EACH
563
00:28:35,614 --> 00:28:37,854
AND FOLLOW ME TO MY CAR.
564
00:28:42,320 --> 00:28:44,360
(Minelli) LISBON,
DIDN'T YOU ARREST McADOO?
565
00:28:44,355 --> 00:28:47,385
YEAH, WE DID.
D.A. SAYS YOU HAVEN'T SENT HIM
DOWN TO BE ARRAIGNED.
566
00:28:47,393 --> 00:28:51,103
WE HAVE 48 HOURS TO DO THAT.
WE STILL HAVE SOME LOOSE ENDS.
567
00:28:51,096 --> 00:28:53,766
WHAT--WHAT LOOSE ENDS? HIM?
NO.
568
00:28:53,766 --> 00:28:57,496
WHAT ARE YOU DOING?
NO, DON'T TELL ME.
569
00:28:57,502 --> 00:29:00,312
I WANT THIS OFF MY DESK.
GET McADOO TO THE D.A. TONIGHT.
570
00:29:00,306 --> 00:29:02,406
HOW HARD IS CREW
LEANING ON YOU?
571
00:29:02,407 --> 00:29:03,707
HE'S NOT.
572
00:29:03,709 --> 00:29:06,709
THEN WHO'S DOING IT FOR HIM?
NO ONE.
573
00:29:06,711 --> 00:29:10,221
IS THIS MY CASE, SIR?
YES, BUT--
574
00:29:10,215 --> 00:29:13,145
THEN IT'S MY DECISION
AS TO WHEN THE SUSPECT IS
575
00:29:13,152 --> 00:29:16,522
HANDED OVER TO
THE DISTRICT ATTORNEY, RIGHT?
IF McADOO ISN'T
IN THE D.A.'s OFFICE
576
00:29:16,521 --> 00:29:17,921
FIRST THING TOMORROW MORNING,
577
00:29:17,923 --> 00:29:20,933
THIS BECOMES
A DIFFERENT CONVERSATION.
578
00:29:24,063 --> 00:29:25,633
YOU WON'T REGRET THIS.
579
00:29:25,631 --> 00:29:27,831
I ALREADY DO.
580
00:29:33,739 --> 00:29:38,139
(door closes)
581
00:29:48,720 --> 00:29:50,560
(dialing)
582
00:29:50,556 --> 00:29:52,086
(phone rings)
583
00:29:52,090 --> 00:29:54,090
(Lisbon) Hey, this is Lisbon.
584
00:29:54,093 --> 00:29:56,563
Leave a message.
I'll call you back.
(beep)
585
00:29:56,561 --> 00:29:58,361
I FOUND WHAT I WAS LOOKING FOR.
586
00:29:58,364 --> 00:30:01,374
I DON'T WANT TO RISK
TAKING IT OUT OF THE OFFICE,
587
00:30:01,366 --> 00:30:04,866
SO I'M GONNA PUT IT IN THE TOP
RIGHT-HAND DRAWER OF YOUR DESK.
588
00:30:04,871 --> 00:30:07,111
WHEN YOU GET THIS, CALL ME.
589
00:30:39,671 --> 00:30:43,541
"AH HA"?
590
00:30:43,541 --> 00:30:45,611
OH. YOU--YOU STARTLED ME.
591
00:30:45,611 --> 00:30:46,611
UH....
592
00:30:46,612 --> 00:30:48,812
I'LL...
593
00:30:48,814 --> 00:30:51,124
I'LL JUST GET OUT
OF YOUR WAY.
594
00:30:51,116 --> 00:30:53,046
STAND STILL. TURN AROUND.
595
00:30:53,051 --> 00:30:55,051
HUH? WHOA. WHOA.
596
00:30:55,054 --> 00:30:57,064
WHAT IS THIS?
597
00:30:57,056 --> 00:30:59,956
WHO ARE YOU
AND WHO ARE YOU WORKING FOR?
598
00:30:59,959 --> 00:31:03,329
I WORK FOR THE BUILDING.
I CLEAN. I CLEAN.
599
00:31:03,328 --> 00:31:05,528
OH, YOU'RE NOT A CLEANER.
600
00:31:05,530 --> 00:31:07,870
LOOK AT THIS PLACE.
IT'S A MESS.
601
00:31:07,865 --> 00:31:09,535
YOU'RE THE FIXER.
602
00:31:09,535 --> 00:31:13,105
YOU'VE BEEN LISTENING IN
ON OUR CONVERSATIONS.
603
00:31:13,105 --> 00:31:16,465
HUH? WHAT'S THAT? THAT'S ONE
OF THE BUGS YOU PLACED.
604
00:31:16,474 --> 00:31:18,414
I FOUND IT
IN THE OVERHEAD LIGHT.
605
00:31:18,410 --> 00:31:21,950
WHEN I TOLD VAN PELT TO GO
AND CHECK OUT THE JEWELRY BOX,
606
00:31:21,948 --> 00:31:24,178
YOU OVERHEARD
AND YOU WENT THERE FIRST.
607
00:31:24,182 --> 00:31:27,692
AND IT WAS YOU THAT PLACED
THE SHOE IN McADOO'S TRUNK.
608
00:31:27,685 --> 00:31:29,645
I'M ON THE CLEANING CREW.
609
00:31:29,654 --> 00:31:31,264
OH, REALLY?
610
00:31:31,257 --> 00:31:33,487
I'M NEW.
YOU CAN CALL MY SUPERVISOR.
611
00:31:33,491 --> 00:31:35,831
MARTY, UH,
612
00:31:35,826 --> 00:31:39,366
MARTY, UH, TORETTA, HUH?
613
00:31:39,365 --> 00:31:41,865
CALL HIM UP RIGHT NOW.
NO.
614
00:31:41,866 --> 00:31:43,566
WAKE HIM UP.
615
00:31:45,436 --> 00:31:49,076
I GOT NO IDEA WHAT
YOU'RE TALKING ABOUT HERE.
616
00:31:49,075 --> 00:31:51,735
WE'RE TALKING ABOUT
ACCESSORY TO MURDER,
617
00:31:51,742 --> 00:31:53,052
CONSPIRACY, OBSTRUCTION.
618
00:31:53,045 --> 00:31:54,775
WHO HIRED YOU?
619
00:31:54,779 --> 00:31:57,579
MURDER?
620
00:31:57,583 --> 00:31:59,753
OH, I-I DON'T FEEL TOO GOOD.
621
00:31:59,750 --> 00:32:01,990
CAN I SIT--CAN I--
OH, TAKE A SEAT.
622
00:32:01,988 --> 00:32:03,648
THANKS.
623
00:32:05,124 --> 00:32:07,694
(American accent)
ALL RIGHT. NO, NO, NO.
624
00:32:07,692 --> 00:32:09,362
CALM.
625
00:32:09,361 --> 00:32:10,561
ARE YOU CALM?
626
00:32:10,561 --> 00:32:11,731
SURE.
627
00:32:11,730 --> 00:32:15,700
ALL RIGHT, NOW I WANT YOU
TO LIFT YOUR GUN OUT
628
00:32:15,701 --> 00:32:19,571
WITH TWO FINGERS
AND SLIDE IT ACROSS THE FLOOR.
629
00:32:23,642 --> 00:32:26,552
(clatter)
630
00:32:26,545 --> 00:32:28,175
NOW GET YOUR CUFFS.
631
00:32:28,180 --> 00:32:31,020
THIS ISN'T GONNA WORK.
(clacking)
632
00:32:31,017 --> 00:32:32,977
THE DOOR--
633
00:32:32,984 --> 00:32:34,694
HOOK YOURSELF UP.
634
00:32:36,688 --> 00:32:38,358
(click)
635
00:32:40,425 --> 00:32:42,425
(handcuffs continue clicking)
636
00:32:42,427 --> 00:32:44,127
TOSS THE KEYS.
637
00:32:45,864 --> 00:32:47,474
(keys jingle, thud)
638
00:32:47,465 --> 00:32:52,365
NOW YOU AND I ARE
GONNA WALK OUT HERE.
639
00:32:52,371 --> 00:32:53,871
SURE.
640
00:32:53,872 --> 00:32:56,582
IT'S A LITTLE STROLL.
641
00:32:56,575 --> 00:32:59,435
(object thuds)
642
00:32:59,444 --> 00:33:02,684
(man speaks indistinctly
over police radio)
643
00:33:09,621 --> 00:33:11,491
FIND OUT WHERE HE GOES.
644
00:33:11,490 --> 00:33:14,530
OH, NO, I THINK--
GO, NOW! GO!
645
00:33:18,630 --> 00:33:20,070
KEYS, PLEASE.
646
00:33:20,066 --> 00:33:21,566
THERE. YEAH.
647
00:33:38,616 --> 00:33:42,046
(tires screech)
648
00:34:15,686 --> 00:34:18,616
(footsteps approaching)
649
00:34:20,425 --> 00:34:23,825
SO, AGENT LISBON, HERE WE ARE.
650
00:34:23,829 --> 00:34:26,129
WHAT'S THIS ABOUT?
651
00:34:26,132 --> 00:34:27,802
THIS IS ART CAVALLERI.
652
00:34:27,798 --> 00:34:31,338
HE'S THE PRIVATE INVESTIGATOR
ONE OF YOU HIRED
653
00:34:31,336 --> 00:34:33,636
TO WIRETAP AND OBSTRUCT
OUR INVESTIGATION.
654
00:34:33,639 --> 00:34:36,939
REALLY?
HE'S AGREED TO TALK
IN EXCHANGE FOR LENIENCY.
655
00:34:36,942 --> 00:34:40,112
I CALLED YOU DOWN HERE
TO OFFER YOU THE SAME DEAL.
656
00:34:40,112 --> 00:34:42,012
WELL, THAT'S VERY NICE OF YOU.
657
00:34:42,012 --> 00:34:45,222
YOU CAN DISCUSS IT
WITH MY ATTORNEY. MELINDA?
I HAVE NOTHING TO SAY.
658
00:34:45,217 --> 00:34:48,347
EVEN IF YOU HAD NOTHING TO DO
WITH KRISTIN MARLEY'S MURDER,
659
00:34:48,353 --> 00:34:51,563
WITH WHAT CAVALLERI IS SAYING
ABOUT THE CONSPIRACY
660
00:34:51,556 --> 00:34:53,356
AND THE COVER-UP,
YOU'RE ALL GONNA DO
661
00:34:53,358 --> 00:34:56,258
A LOT OF TIME IN PRISON.
I DON'T NEED TO HEAR ANY MORE.
662
00:34:56,262 --> 00:34:57,932
W-WAIT. I-I DO.
663
00:34:57,929 --> 00:35:00,529
WHAT KIND OF LENIENCY
ARE WE TALKING ABOUT HERE?
ELLIOTT.
664
00:35:00,532 --> 00:35:04,372
DEPENDS, MR. BATSON.
WHAT DO YOU KNOW?
I NEED AN ASSURANCE THAT ANY
CHARGES RELATED TO THE MURDER
665
00:35:04,369 --> 00:35:06,509
WILL BE DROPPED.
GOT IT,
666
00:35:06,505 --> 00:35:08,765
AS LONG AS YOU DIDN'T HAVE
ANYTHING TO DO WITH THE MURDER.
667
00:35:08,773 --> 00:35:11,783
IF YOU'LL EXCUSE US, I WANT SOME
PRIVATE TIME WITH MY FAMILY
668
00:35:11,777 --> 00:35:15,047
RIGHT NOW.
MR. CREW, STAY THERE. GO ON.
669
00:35:15,045 --> 00:35:17,005
OH, COME ON.
SPIT IT OUT, MAN.
670
00:35:17,014 --> 00:35:20,194
THE MARRIAGE IS A SHAM.
SHE'S GAY. YOU'RE THE BEARD.
671
00:35:20,186 --> 00:35:22,486
IT WAS KIND OF OBVIOUS
FROM THE START.
672
00:35:22,487 --> 00:35:26,357
I HAD AN ARRANGEMENT
WITH MELINDA.
ELLIOTT, DON'T.
673
00:35:26,358 --> 00:35:28,558
I AGREED TO MARRY MELINDA
674
00:35:28,559 --> 00:35:31,399
IN EXCHANGE FOR... CERTAIN
FINANCIAL CONSIDERATIONS.
675
00:35:31,396 --> 00:35:35,926
BATSON, WE HAD A DEAL.
DID THAT DEAL INCLUDE TIME
IN PRISON? I DON'T THINK SO.
676
00:35:35,934 --> 00:35:38,074
SO IT WAS YOUR OWN PEOPLE
THAT STARTED THE RUMOR
677
00:35:38,068 --> 00:35:41,168
ABOUT YOU AND KRISTIN--TO HIDE
HER AFFAIR WITH MELINDA.
678
00:35:41,172 --> 00:35:45,982
YES. I'M SORRY, MELINDA.
679
00:35:45,976 --> 00:35:50,216
KRISTIN BROKE IT OFF
SHORTLY BEFORE SHE DISAPPEARED.
680
00:35:50,215 --> 00:35:52,945
MELINDA WAS UPSET.
681
00:35:52,951 --> 00:35:56,521
AND WERE YOU WITH MELINDA
THE NIGHT KRISTIN DISAPPEARED?
682
00:35:58,423 --> 00:36:01,693
NO. I DIDN'T SEE HER
UNTIL LATE THAT NIGHT.
683
00:36:01,693 --> 00:36:04,563
SHE WAS... A MESS.
684
00:36:04,563 --> 00:36:06,733
BUT SHE WOULDN'T
TELL ME WHAT HAD HAPPENED.
685
00:36:06,731 --> 00:36:09,531
KRISTIN HAD SOMETHING HIDDEN
IN HER APARTMENT--
686
00:36:09,534 --> 00:36:12,674
A MEMENTO, I GUESS.
LOVERS' MEMENTO.
687
00:36:12,670 --> 00:36:16,940
CAVALLERI HAD FOUND IT,
BUT WE TOOK IT OUT OF HIS CAR.
688
00:36:16,942 --> 00:36:20,082
IT COULD BE A "W,"
BUT I THINK IT'S AN "M."
689
00:36:20,077 --> 00:36:22,207
(Patrick) ME, TOO.
690
00:36:26,318 --> 00:36:27,948
YOU AND YOUR FATHER
691
00:36:27,952 --> 00:36:31,822
WERE BOTH HAVING
AN AFFAIR WITH KRISTIN.
NO.
692
00:36:33,958 --> 00:36:35,128
NO.
693
00:36:35,126 --> 00:36:36,626
I--
694
00:36:36,628 --> 00:36:38,458
MELINDA.
695
00:36:38,463 --> 00:36:40,373
I HAD A RELATIONSHIP
WITH KRISTIN.
696
00:36:40,365 --> 00:36:43,735
HE SEDUCED HER...
697
00:36:43,735 --> 00:36:46,405
TOOK HER...
698
00:36:46,405 --> 00:36:49,205
THE WAY HE'S TAKEN WOMEN
HIS WHOLE LIFE.
699
00:36:49,206 --> 00:36:51,476
I WAS TRYING TO MAKE A POINT.
700
00:36:51,476 --> 00:36:54,136
YOU WERE WHAT?
I WAS TRYING TO SHOW YOU--
701
00:36:54,144 --> 00:36:55,984
WHAT?
SHE WAS JUST ANOTHER GIRL,
702
00:36:55,981 --> 00:36:58,121
THAT SHE WAS JUST
ANOTHER TRASHY LITTLE GIRL.
703
00:36:58,115 --> 00:37:00,115
YOU THOUGHT YOU WERE IN LOVE,
704
00:37:00,117 --> 00:37:02,217
BUT SHE WAS
JUST HAVING A FLING.
705
00:37:02,219 --> 00:37:04,159
HE BELIEVED THAT
YOU WERE GIVING AWAY
706
00:37:04,155 --> 00:37:08,385
A VERY BRIGHT POLITICAL CAREER
BECAUSE OF SOME STRUMPET.
707
00:37:08,393 --> 00:37:10,763
WHAT HAPPENED THAT NIGHT?
708
00:37:16,268 --> 00:37:18,898
MELINDA,
EVERY DAY YOU DON'T TALK
709
00:37:18,903 --> 00:37:21,613
IS ANOTHER DAY
YOU'RE ON THE NEWS.
710
00:37:27,278 --> 00:37:29,148
I KNEW KRISTIN
WAS SEEING SOMEONE,
711
00:37:29,146 --> 00:37:32,176
BUT I DIDN'T KNOW WHO IT WAS.
712
00:37:32,182 --> 00:37:37,392
SO I FOLLOWED HER...
713
00:37:37,389 --> 00:37:40,859
AND THAT'S WHEN
I SAW MY FATHER.
714
00:37:42,827 --> 00:37:43,957
(exhales deeply)
715
00:37:43,961 --> 00:37:48,471
AFTER HE LEFT,
I WENT INTO HER APARTMENT.
716
00:37:52,269 --> 00:37:56,009
SHE HAD THESE STONE BOOKENDS.
717
00:37:56,007 --> 00:37:59,677
I GRABBED ONE.
718
00:37:59,677 --> 00:38:00,947
(crying)
719
00:38:00,945 --> 00:38:06,215
NEXT THING I KNEW,
KRISTIN WAS ON THE FLOOR.
720
00:38:06,217 --> 00:38:08,317
IT JUST...
721
00:38:08,320 --> 00:38:10,820
HAPPENED.
722
00:38:16,061 --> 00:38:20,371
AND THEN I DID WHAT I ALWAYS DO
WHEN I'M IN TROUBLE.
723
00:38:20,365 --> 00:38:23,965
I CALLED DADDY.
724
00:38:23,969 --> 00:38:29,269
HE SAID HE KNEW SOMEONE
WHO COULD FIX IT.
725
00:38:29,273 --> 00:38:32,343
AH, THE FIXER.
726
00:38:32,344 --> 00:38:35,084
YOU CAN LET CAVALLERI GO NOW.
727
00:38:35,079 --> 00:38:36,979
(whispers) WATCH.
728
00:38:44,690 --> 00:38:48,130
(whispers) OH, MY GOD.
729
00:38:48,126 --> 00:38:50,156
HE'S...
730
00:38:50,161 --> 00:38:53,031
(normal voice) HE'S DEAD.
731
00:38:55,300 --> 00:38:57,100
YEAH.
732
00:39:03,909 --> 00:39:07,309
YOU ABUSED A CORPSE
TO GET A CONFESSION.
733
00:39:07,311 --> 00:39:10,281
USED. USED A CORPSE.
THERE'S NO "AB."
734
00:39:10,280 --> 00:39:12,520
I'M APPALLED. I'M...
735
00:39:12,518 --> 00:39:15,318
I DON'T KNOW WHAT TO SAY.
736
00:39:15,320 --> 00:39:17,120
SIR, IT'S NOT LIKE
WE KILLED HIM.
737
00:39:17,121 --> 00:39:20,161
HIS NECK WAS BROKEN
IN THE CRASH.
WE GOT A CONFESSION.
738
00:39:20,157 --> 00:39:22,157
SUPPOSE YOU DIDN'T.
739
00:39:22,159 --> 00:39:24,799
SUPPOSE YOU'D BEEN WRONG.
740
00:39:24,795 --> 00:39:27,395
HAVE YOU ANY IDEA
OF THE VASTNESS
741
00:39:27,398 --> 00:39:29,098
OF THE CRAP STORM
THAT WOULD FOLLOW?
742
00:39:29,099 --> 00:39:32,839
IT WOULD BLOT OUT THE SUN.
SIR, CREW AND BATSON
MANIPULATED US
743
00:39:32,838 --> 00:39:34,708
INTO ARRESTING
THE WRONG PERSON.
744
00:39:34,706 --> 00:39:38,006
THEY BUGGED OUR OFFICES
AND SUBVERTED OUR CASE.
745
00:39:38,009 --> 00:39:40,379
I DON'T THINK WE DID
ANYTHING WRONG.
746
00:39:40,378 --> 00:39:42,478
I THINK WE SHOULD BE
COMMENDED.
HUH.
747
00:39:42,481 --> 00:39:46,681
CONGRATULATIONS. YOU FINALLY
GOT HER TO DRINK THE KOOL-AID.
748
00:39:50,188 --> 00:39:52,118
CHECK YOURSELF, AGENT.
749
00:39:53,858 --> 00:39:55,758
ALL OF YOU.
750
00:39:58,597 --> 00:40:00,867
WELL, I THOUGHT
THAT WENT PRETTY WELL.
751
00:40:00,865 --> 00:40:01,995
GREAT, YEAH.
752
00:40:02,000 --> 00:40:04,800
HIGHLIGHT FOR ME
WAS DEFINITELY YOUR SPEECH--
753
00:40:04,802 --> 00:40:08,972
PASSIONATE, ARTICULATE,
STRONG.
754
00:40:08,974 --> 00:40:10,784
WHATEVER.
755
00:40:14,144 --> 00:40:16,084
HMM.
756
00:40:21,052 --> 00:40:24,222
HEY, GOOD WORK WITH McADOO,
YOU KNOW, KEEPING HIM HERE.
757
00:40:24,222 --> 00:40:25,562
YEAH.
758
00:40:25,556 --> 00:40:27,956
YOU KNOW, IF BOSS
HAD GIVEN ME A CHANCE,
759
00:40:27,958 --> 00:40:30,528
I THINK I COULD HAVE
GOTTEN HIM TO CONFESS.
760
00:40:30,528 --> 00:40:32,698
SURE, IF HE WASN'T,
YOU KNOW, INNOCENT.
761
00:40:32,697 --> 00:40:34,567
IF IT WASN'T
FOR THAT SMALL FACT,
762
00:40:34,565 --> 00:40:38,335
I'M SURE YOU'D HAVE
TAKEN HIM TO TOWN. (chuckles)
THANKS.
763
00:40:38,335 --> 00:40:40,905
YOU HAVE ANY PLANS
FOR TONIGHT?
764
00:40:40,905 --> 00:40:43,035
HOME, TV.
765
00:40:43,041 --> 00:40:46,041
WELL... HAVE FUN.
766
00:40:46,043 --> 00:40:48,453
YOU, TOO.
767
00:40:50,181 --> 00:40:52,151
YOU'RE GONNA DIE ALONE.
768
00:40:57,789 --> 00:40:59,059
SIR?
769
00:40:59,056 --> 00:41:00,986
MORNING.
YEAH. SIR,
YOU CAN'T GO IN THERE.
770
00:41:00,992 --> 00:41:02,992
NO, IT'S OKAY.
I COME IN PEACE.
771
00:41:02,994 --> 00:41:06,334
Y-YOU--
GREAT COLOR ON YOU.
772
00:41:06,331 --> 00:41:07,671
GO AWAY.
773
00:41:07,666 --> 00:41:08,926
JUST GIVE ME A MINUTE,
PLEASE.
774
00:41:08,934 --> 00:41:11,974
I-I WANT YOU,
AND I WANT YOUR TEAM TO KNOW
775
00:41:11,969 --> 00:41:14,239
THAT I GOT IT.
I GOT THE MESSAGE.
776
00:41:14,239 --> 00:41:16,169
I GOT IT.
777
00:41:16,173 --> 00:41:19,783
THE RED JOHN CASE...
778
00:41:19,777 --> 00:41:21,777
BELONGS TO YOU.
779
00:41:21,780 --> 00:41:24,320
YOU'RE GONNA LEAVE US ALONE?
YEAH, THAT'S RIGHT.
780
00:41:24,315 --> 00:41:28,215
I DON'T BELIEVE THAT.
I BROUGHT YOU DOUGHNUTS--
781
00:41:28,219 --> 00:41:30,019
THE INTERNATIONAL
782
00:41:30,021 --> 00:41:32,761
LAW ENFORCEMENT
SYMBOL OF FRIENDSHIP.
783
00:41:34,125 --> 00:41:37,125
I AM TRUSTING YOU
TO CATCH RED JOHN.
784
00:41:39,164 --> 00:41:41,674
I'M COUNTING ON IT.
785
00:41:41,666 --> 00:41:44,166
WE WILL CATCH HIM.
786
00:41:44,168 --> 00:41:46,368
THANKS.
787
00:41:46,371 --> 00:41:48,741
GOOD HUNTING.
788
00:41:50,375 --> 00:41:51,705
(door closes)
789
00:41:51,710 --> 00:41:54,580
HICKS, TAKE THAT AWAY.
TAKE IT FAR AWAY.
790
00:41:54,579 --> 00:41:58,419
TAKE IT OUT OF THE BUILDING.
GOD KNOW WHAT HE PUT IN THERE.
YOU GOT IT.
791
00:41:58,416 --> 00:42:01,016
ALL RIGHT, LET'S GO OVER
THE MOST RECENT FORENSICS.
792
00:42:01,018 --> 00:42:03,418
THERE ARE TWO SHORT,
LINEAR INCISED WOUNDS
793
00:42:03,420 --> 00:42:05,090
THAT ARE EXTREMELY SUPERFICIAL.
794
00:42:05,090 --> 00:42:08,360
THEY INVOLVE THE ANTERIOR
SURFACE OF THE RIGHT WRIST,
795
00:42:08,358 --> 00:42:10,798
WHICH MEASURES 0.8 INCHES.
796
00:42:13,632 --> 00:42:16,332
(man speaking indistinctly)
797
00:42:16,333 --> 00:42:18,443
(man) OKAY, YOU GOT IT.
798
00:42:18,436 --> 00:42:21,266
(Bosco) DON'T TELL
THE LOCALS WHAT IT'S FOR.
YEAH, NO WORRIES.
799
00:42:21,271 --> 00:42:23,311
JUST SAY YOU'RE FOLLOWING UP
ON SOMETHING.
800
00:42:23,307 --> 00:42:25,807
I WANT TO KEEP THIS
ON THE DOWN LOW FOR NOW.
801
00:42:25,811 --> 00:42:27,211
NOW WHAT ELSE DID YOU GET
FROM HANDWRITING ANALYSIS?
802
00:42:27,211 --> 00:42:28,881
WE'VE HAD TWO GUYS
LOOK AT IT--
803
00:42:28,880 --> 00:42:31,380
ONE LOCAL, ONE FROM D.C.,
804
00:42:31,382 --> 00:42:36,022
AND OF COURSE THEY AGREE
ON PRETTY MUCH NOTHING.
FIGURES.
WHAT DID THE D.C. GUY SAY?
57621
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