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1
00:00:04,105 --> 00:00:07,039
CAPTIONING MADE
POSSIBLE BY ACORN MEDIA
2
00:00:07,108 --> 00:00:10,042
[CHILDREN LAUGHING,
SHOUTING INDISTINCTLY]
3
00:01:04,731 --> 00:01:06,465
SAMMY?
4
00:01:06,534 --> 00:01:08,567
SAMMY?
5
00:01:08,635 --> 00:01:10,702
WHERE ARE YOU, SAMMY?
6
00:01:10,771 --> 00:01:13,038
SAMMY?
7
00:01:13,107 --> 00:01:14,906
SAMMY?
8
00:01:20,481 --> 00:01:22,181
SAMMY?
9
00:01:23,917 --> 00:01:26,751
SAMMY?
10
00:01:26,820 --> 00:01:27,752
SAMMY?
11
00:01:27,821 --> 00:01:29,354
SAMMY?
12
00:01:35,362 --> 00:01:36,940
Man: IT'S BEEN THREE DAYS
13
00:01:36,964 --> 00:01:39,444
SINCE SAMMY WRAY WAS REPORTED
MISSING FROM WITHINGTON PARK.
14
00:01:43,971 --> 00:01:46,071
HOPES ARE NOW
FADING FOR SAMMY WRAY,
15
00:01:46,140 --> 00:01:48,373
FIVE DAYS AFTER HE
WAS LAST SEEN ALIVE.
16
00:01:59,886 --> 00:02:02,621
HIYA.
17
00:02:02,689 --> 00:02:04,123
HI.
18
00:02:04,191 --> 00:02:05,302
GOOD WEEKEND?
19
00:02:05,326 --> 00:02:06,592
YEP.
20
00:02:06,660 --> 00:02:08,071
TAKE THEM ANYWHERE? HI, DARLING.
21
00:02:08,095 --> 00:02:11,029
YEAH. CINEMA, PIZZA.
22
00:02:11,098 --> 00:02:12,864
EVERYTHING OKAY?
23
00:02:12,933 --> 00:02:14,666
FINE. GREAT.
24
00:02:14,735 --> 00:02:16,535
I'LL SEE YOU, THEN.
25
00:02:16,604 --> 00:02:17,702
YEAH, BYE.
26
00:02:37,090 --> 00:02:39,090
D.C.I. JANINE LEWIS.
27
00:02:39,160 --> 00:02:41,026
THANKS.
28
00:02:50,003 --> 00:02:51,670
D.I. MAYNE.
29
00:02:53,507 --> 00:02:56,441
MILLIE FROM THE PRESS OFFICE.
30
00:02:56,510 --> 00:02:57,609
SATISFIED?
31
00:02:57,678 --> 00:02:59,478
WAS SHE?
32
00:03:04,017 --> 00:03:05,950
HI.
33
00:03:06,019 --> 00:03:07,653
YOUNG CHILD.
34
00:03:07,721 --> 00:03:09,065
LOOKS LIKE A BLOW TO THE HEAD.
35
00:03:09,089 --> 00:03:11,390
SAMMY WRAY? COULD WELL BE.
36
00:03:11,458 --> 00:03:13,470
THE CLOTHES ARE
RIGHT. SIZE OF THE BODY.
37
00:03:13,494 --> 00:03:15,038
WE GET THE PARENTS TO I.D. HIM?
38
00:03:15,062 --> 00:03:16,195
TOO DISTRESSING.
39
00:03:16,263 --> 00:03:18,763
THE EFFECTS OF THE
WATER AND ANIMAL.
40
00:03:18,832 --> 00:03:20,432
LET'S CHECK THE DNA.
41
00:03:20,501 --> 00:03:22,621
I DON'T WANT THEM
WAITING A MINUTE LONGER.
42
00:03:34,315 --> 00:03:35,814
MR. AND MRS. WRAY?
43
00:03:35,882 --> 00:03:37,583
I'M D.C.I. LEWIS.
44
00:03:37,651 --> 00:03:40,185
HAVE YOU FOUND HIM?
45
00:03:40,254 --> 00:03:41,853
I'M SO SORRY.
46
00:03:41,922 --> 00:03:44,055
BUT I HAVE TO TELL YOU,
WE HAVE RECOVERED
47
00:03:44,124 --> 00:03:46,625
THE BODY OF A BOY MATCHING
SAMMY'S DESCRIPTION.
48
00:03:46,694 --> 00:03:47,694
NO!
49
00:03:47,728 --> 00:03:48,927
JUST GET OUT.
50
00:03:48,995 --> 00:03:50,095
[WEEPING]
51
00:03:50,163 --> 00:03:52,531
IT'S TERRIBLE NEWS, I KNOW.
52
00:03:54,201 --> 00:03:55,834
I WANT TO SEE HIM.
53
00:03:55,902 --> 00:03:57,369
I CAN'T DO THAT, MRS. WRAY.
54
00:03:57,438 --> 00:03:59,771
Mayne: UNTIL WE
HAVE THE DNA RESULT,
55
00:03:59,840 --> 00:04:03,742
WE DON'T WANT TO PUT YOU
THROUGH THE FORMAL IDENTIFICATION.
56
00:04:03,810 --> 00:04:07,713
SUE WILL REMAIN WITH YOU AS
YOUR FAMILY-LIAISON OFFICER.
57
00:04:07,781 --> 00:04:11,250
SHE'LL CONTINUE
TO STAY WITH YOU.
58
00:04:11,318 --> 00:04:14,419
I'M NOW GOING TO BE
LEADING THE INVESTIGATION.
59
00:04:14,488 --> 00:04:17,155
D.I. MAYNE WILL BE
WORKING WITH ME.
60
00:04:17,224 --> 00:04:18,768
I KNOW YOU'VE ALREADY
MADE STATEMENTS
61
00:04:18,792 --> 00:04:20,103
TO THE MISSING-PERSONS INQUIRY,
62
00:04:20,127 --> 00:04:22,694
BUT THE CIRCUMSTANCES
HAVE CHANGED.
63
00:04:22,763 --> 00:04:25,297
WE DO NEED TO LOOK
AT EVERYTHING AGAIN.
64
00:04:25,366 --> 00:04:27,799
WE CAN, UM...
65
00:04:27,868 --> 00:04:29,167
DO THAT NOW OR...
66
00:04:29,236 --> 00:04:31,102
TAKE A BREAK, COME BACK LATER.
67
00:04:31,171 --> 00:04:32,103
NOW.
68
00:04:32,172 --> 00:04:34,273
FIONA? NOW.
69
00:04:38,612 --> 00:04:40,412
COULD YOU, UM...
70
00:04:40,481 --> 00:04:42,381
COULD YOU DESCRIBE
FOR ME, PLEASE,
71
00:04:42,449 --> 00:04:45,751
WHAT SAMMY WAS WEARING
THE SATURDAY HE WENT MISSING?
72
00:04:45,819 --> 00:04:48,720
HIS NAVY TROUSERS.
73
00:04:48,789 --> 00:04:50,689
A GRIZZLY BEAR T-SHIRT.
74
00:04:50,758 --> 00:04:53,057
RED SHOES.
75
00:04:56,730 --> 00:04:58,697
YOU WENT TO THE PARK?
76
00:04:58,766 --> 00:05:01,667
ABOUT 1:00.
77
00:05:01,735 --> 00:05:03,201
HE LOVES THE SLIDE.
78
00:05:03,270 --> 00:05:06,738
ONE MINUTE HE WAS THERE.
79
00:05:06,807 --> 00:05:08,607
THEN YOU RAISED THE ALARM.
80
00:05:08,676 --> 00:05:10,241
IT'S OKAY.
81
00:05:10,311 --> 00:05:12,311
AND YOU ARRIVED HOME AT?
82
00:05:12,379 --> 00:05:15,180
4:00.
83
00:05:15,248 --> 00:05:17,749
THE POLICE WERE HERE.
84
00:05:17,818 --> 00:05:19,685
OH, MY GOD.
85
00:05:19,753 --> 00:05:21,586
AND YOU'D BEEN WALKING?
86
00:05:21,655 --> 00:05:23,988
UM...
87
00:05:24,057 --> 00:05:25,290
I CAME TO SCOUT.
88
00:05:25,359 --> 00:05:28,393
HAYFIELD.
89
00:05:37,004 --> 00:05:39,871
[WHISTLES]
90
00:05:39,940 --> 00:05:42,306
SO, HAS SHE CALLED
IT OFF YET, MATE?
91
00:05:42,375 --> 00:05:44,910
WHO HAVE YOU TOLD?
HAVE YOU TOLD EVERYONE?
92
00:05:44,978 --> 00:05:46,878
IF SHE DOES, YOU WANT
TO GET THAT ROCK BACK.
93
00:05:46,947 --> 00:05:48,046
STICK THAT IN YOUR PRENUP.
94
00:05:48,114 --> 00:05:49,726
SOMEBODY FINALLY
SAID YES TO BUTCHERS.
95
00:05:49,750 --> 00:05:50,927
AND YOU ACTUALLY MET HER?
96
00:05:50,951 --> 00:05:52,450
DON'T WORRY, BOSS.
MAIL-ORDER BRIDE.
97
00:05:52,519 --> 00:05:53,863
28 DAYS, MONEY-BACK GUARANTEE.
98
00:05:53,887 --> 00:05:55,020
HA, HA, HA.
99
00:05:55,088 --> 00:05:57,388
OKAY, EVERYONE.
100
00:05:57,457 --> 00:06:00,725
SMALL BOY KILLED AND
LEFT IN A DRAINAGE TUNNEL.
101
00:06:00,794 --> 00:06:02,739
IT'S THE SORT OF CASE
WE PRAY WON'T HAPPEN.
102
00:06:02,763 --> 00:06:05,764
IF ANYONE NEEDS TO STEP
DOWN AT ANY POINT, DO IT.
103
00:06:05,832 --> 00:06:07,098
LIKEWISE COUNSELING.
104
00:06:07,167 --> 00:06:09,267
I DON'T WANT TO LOSE ANY OF YOU.
105
00:06:09,335 --> 00:06:11,502
NOW, MOST OF YOU
KNOW MILLIE SAUNDERS.
106
00:06:11,572 --> 00:06:12,604
PRESS OFFICE.
107
00:06:12,673 --> 00:06:14,372
THIS IS A HIGH-PROFILE CASE,
108
00:06:14,441 --> 00:06:16,252
SO MILLIE IS GOING TO BE
DEVELOPING AND MANAGING
109
00:06:16,276 --> 00:06:17,542
OUR PRESS STRATEGY.
110
00:06:17,611 --> 00:06:18,611
JANINE.
111
00:06:18,645 --> 00:06:20,745
WE HAVE THREE
LINES OF INQUIRY...
112
00:06:20,814 --> 00:06:23,347
THE FAMILY, THE PARK,
AND THE CRIME SCENE.
113
00:06:23,416 --> 00:06:26,217
POST-MORTEM SHOWS SHOWS
DEATH DUE TO A FRACTURED SKULL.
114
00:06:26,286 --> 00:06:28,920
THE BODY WAS WRAPPED IN A SHEET.
115
00:06:28,989 --> 00:06:30,488
GENERIC POLYCOTTON.
116
00:06:30,557 --> 00:06:33,058
CHAIN STORES SELL
THEM. CATALOGUES.
117
00:06:33,126 --> 00:06:35,827
CLOTHING HAS DESCRIPTIONS.
118
00:06:35,896 --> 00:06:37,862
POPULAR HIGH-STREET RANGE.
119
00:06:37,931 --> 00:06:40,264
THE FOOTWEAR IS STILL MISSING.
120
00:06:40,333 --> 00:06:44,335
ESTIMATED TIME OF DEATH
BETWEEN 7 AND 12 DAYS AGO.
121
00:06:44,404 --> 00:06:45,670
AND IT APPEARS AS IF THE BODY
122
00:06:45,739 --> 00:06:47,617
WAS PUT INTO THE
TUNNEL SOON AFTER THAT.
123
00:06:47,641 --> 00:06:50,208
SO, IDEAS?
124
00:06:50,276 --> 00:06:51,209
FAMILY?
125
00:06:51,277 --> 00:06:52,421
THE WRAYS KILL HIM
126
00:06:52,445 --> 00:06:54,356
AND THEN REPORT HIM
MISSING AS A COVER-UP.
127
00:06:54,380 --> 00:06:57,048
BUT FIONA WRAY WAS SEEN
WITH SOMEBODY AT THE PARK.
128
00:06:57,117 --> 00:06:58,828
Mayne: CLIVE'S GOT A
DODGY ALIBI, THOUGH.
129
00:06:58,852 --> 00:07:01,064
THERE'S NO ONE TO
VERIFY WHERE HE WAS.
130
00:07:01,088 --> 00:07:02,386
SUPPOSE HE WAS INVOLVED.
131
00:07:02,455 --> 00:07:05,356
WHY BURY SAMMY SO CLOSE TO HOME?
132
00:07:05,425 --> 00:07:07,058
OPPORTUNISTIC?
133
00:07:07,127 --> 00:07:11,229
SHAP, GET ONTO THE WARDENS,
PARK RANGERS, WHATEVER.
134
00:07:11,297 --> 00:07:14,298
CHECK CCTV BETWEEN
HERE AND HAYFIELD.
135
00:07:14,367 --> 00:07:15,433
SPEED CAMERAS.
136
00:07:15,502 --> 00:07:17,513
ANYTHING THAT MIGHT
FLAG UP CLIVE WRAY.
137
00:07:17,537 --> 00:07:18,948
OKAY. MOVING ON.
138
00:07:18,972 --> 00:07:20,071
SCENE OF CRIME.
139
00:07:20,140 --> 00:07:22,273
THE PROPERTY HERE
IS BEING REFURBISHED.
140
00:07:22,342 --> 00:07:23,875
WE'LL TALK TO THE CONTRACTORS.
141
00:07:23,944 --> 00:07:25,644
AND DOOR-TO-DOOR
WITH THE NEIGHBORS.
142
00:07:25,712 --> 00:07:28,847
WE'VE GOT A SCREW FROM A PAIR
OF GLASSES CAUGHT IN THE SHEETS,
143
00:07:28,915 --> 00:07:30,559
PLUS FRAGMENTS OF OPTICAL GLASS
144
00:07:30,583 --> 00:07:32,695
FOUND ON THE PAVEMENT
BY THE MANHOLE COVER.
145
00:07:32,719 --> 00:07:35,319
SAMMY WAS WEARING
HIS GLASSES AT THE PARK.
146
00:07:35,388 --> 00:07:38,623
THE SHEET? IT'S LIKE
A SHROUD, ISN'T IT?
147
00:07:38,692 --> 00:07:40,725
NOT JUST DUMPED IN A BIN BAG.
148
00:07:40,794 --> 00:07:41,993
A MARK OF RESPECT.
149
00:07:42,062 --> 00:07:44,306
OR HE JUST GRABBED
WHAT WAS AT HAND.
150
00:07:44,330 --> 00:07:45,330
YEAH, OKAY.
151
00:07:45,365 --> 00:07:46,464
NOW, AT THE PARK.
152
00:07:46,533 --> 00:07:48,967
Butchers: WE ARE REVIEWING
EYEWITNESS STATEMENTS,
153
00:07:49,036 --> 00:07:51,736
BUT, TO DATE, NO ONE SAW
THE ACTUAL ABDUCTION, SO...
154
00:07:51,805 --> 00:07:54,605
THOSE THREE SIGHTINGS, HAVE
THEY BEEN CROSS-REFERENCED?
155
00:07:54,675 --> 00:07:56,574
WE'RE STILL LOOKING
FOR A WOMAN ON HER OWN,
156
00:07:56,643 --> 00:07:58,576
AN ELDERLY COUPLE WITH A DOG,
157
00:07:58,645 --> 00:08:01,579
AND, YES, A BEARDED MAN
ACTING STRANGELY BY THE GATE.
158
00:08:01,648 --> 00:08:04,082
I KNOW THERE IS ALWAYS A
BEARDED WEIRDO ACTING STRANGELY,
159
00:08:04,151 --> 00:08:05,662
BUT DON'T DISMISS IT COMPLETELY.
160
00:08:05,686 --> 00:08:07,351
JUST DON'T WASTE TIME ON IT.
161
00:08:07,420 --> 00:08:10,421
LOTS TO DO. LET'S
GET ON WITH IT.
162
00:08:13,660 --> 00:08:14,693
HEY.
163
00:08:14,761 --> 00:08:16,172
WHAT ARE YOU DOING ON THIS JOB?
164
00:08:16,196 --> 00:08:17,636
WHAT DO YOU THINK? DOING MY JOB.
165
00:08:17,698 --> 00:08:18,730
MILLIE.
166
00:08:20,767 --> 00:08:22,411
CAN YOU AVOID
SENSATIONALIZING IT?
167
00:08:22,435 --> 00:08:25,436
YEAH, I'LL DO MY BEST, BUT
THE NATIONALS WILL BE ONTO IT.
168
00:08:25,505 --> 00:08:26,571
SUNDAYS.
169
00:08:26,639 --> 00:08:28,106
IT'S A BIG STORY.
170
00:08:28,175 --> 00:08:29,507
READY?
171
00:08:29,576 --> 00:08:30,975
[CAMERA SHUTTERS CLICKING]
172
00:08:33,113 --> 00:08:34,212
[CLEARS THROAT]
173
00:08:34,280 --> 00:08:36,414
AT APPROXIMATELY
7:30 THIS MORNING,
174
00:08:36,482 --> 00:08:39,450
POLICE WERE CALLED TO
KENDALL AVENUE IN WITHINGTON,
175
00:08:39,519 --> 00:08:41,252
WHERE THE BODY OF A YOUNG CHILD
176
00:08:41,321 --> 00:08:43,554
WAS RECOVERED FROM
A DRAINAGE TUNNEL.
177
00:08:43,623 --> 00:08:46,191
CAUSE OF DEATH WAS A
FRACTURE TO THE SKULL.
178
00:08:46,259 --> 00:08:49,060
WE ARE NOT YET IN A
POSITION TO CONFIRM IDENTITY.
179
00:08:49,129 --> 00:08:50,829
IS IT SAMMY WRAY?
180
00:08:50,897 --> 00:08:54,298
WE ARE INVESTIGATING
THAT POSSIBILITY.
181
00:08:57,971 --> 00:09:00,839
DONNY McAVOY.
182
00:09:00,907 --> 00:09:03,641
DONNY McAVOY!
183
00:09:03,710 --> 00:09:05,276
AYE?
184
00:09:05,345 --> 00:09:07,712
YEAH?
185
00:09:07,781 --> 00:09:09,447
MAY I HAVE A WORD?
186
00:09:12,219 --> 00:09:13,351
THIS ABOUT THE MURDER?
187
00:09:13,419 --> 00:09:15,053
THAT'S RIGHT.
188
00:09:15,122 --> 00:09:18,289
I WAS THERE WHEN
THEY FOUND THE BODY.
189
00:09:18,358 --> 00:09:19,924
HUGE SHOCK.
190
00:09:19,993 --> 00:09:21,303
HAVE YOU GOT ANY LEADS YET?
191
00:09:21,327 --> 00:09:24,829
YOU RECKON, IN MOST CASES
LIKE THIS, IT WAS THE FAMILY.
192
00:09:24,898 --> 00:09:26,865
WHEN WERE YOU
LAST THERE? MONDAY.
193
00:09:26,933 --> 00:09:28,032
MY MATE'S ON THE SICK,
194
00:09:28,101 --> 00:09:30,235
SO I'VE BEEN FILLING
IN THERE ALL WEEK.
195
00:09:30,303 --> 00:09:32,237
THAT CHILD...
196
00:09:32,305 --> 00:09:34,105
HE'D BEEN THERE
A WHILE, HADN'T HE?
197
00:09:34,174 --> 00:09:35,818
WHAT WERE YOU DOING
THERE THIS MORNING?
198
00:09:35,842 --> 00:09:37,675
I WAS JUST CHECKING
THE SITE, YOU KNOW.
199
00:09:37,744 --> 00:09:40,145
FOR VANDALISM. WE
GET A LOT OF VANDALISM.
200
00:09:40,213 --> 00:09:42,480
STILL, I DON'T HAVE TO
TELL YOU ABOUT THAT, DO I?
201
00:09:42,548 --> 00:09:44,193
SEE ANYTHING THAT MIGHT HELP US?
202
00:09:44,217 --> 00:09:47,085
I'VE BEEN RACKING MY BRAINS.
203
00:09:47,154 --> 00:09:50,088
IT WAS A FRACTURED
SKULL AND ALL, WASN'T IT?
204
00:09:50,157 --> 00:09:53,324
DO YOU KNOW IF HE WAS
KILLED AND THEN MOVED?
205
00:09:53,393 --> 00:09:56,427
YOU SEE, THERE WAS
THIS CASE IN FLORIDA...
206
00:09:57,730 --> 00:09:59,898
OH, JOY. WE'VE GOT
OURSELVES AN EXPERT.
207
00:10:21,922 --> 00:10:23,087
WHAT?
208
00:10:23,156 --> 00:10:25,857
MR. STAFFORD, DETECTIVE
SERGEANT BUTCHERS.
209
00:10:25,926 --> 00:10:27,236
YOU ARE AWARE OF THE INCIDENT?
210
00:10:27,260 --> 00:10:28,326
YES.
211
00:10:28,394 --> 00:10:30,234
WE'RE INTERVIEWING
EVERYBODY IN THE VICINITY.
212
00:10:30,297 --> 00:10:31,507
I DIDN'T SEE ANYTHING.
213
00:10:31,531 --> 00:10:33,631
I CAN'T HELP YOU.
214
00:10:40,573 --> 00:10:42,207
CAN I COME IN, PLEASE?
215
00:10:42,275 --> 00:10:44,386
YOU SAY YOU'VE NOT
SEEN ANYTHING SUSPICIOUS.
216
00:10:44,410 --> 00:10:46,388
WHAT ABOUT REGULAR
COMINGS AND GOINGS...
217
00:10:46,412 --> 00:10:48,390
NEIGHBORS, BUILDERS NEXT DOOR?
218
00:10:48,414 --> 00:10:49,680
BUILDERS?
219
00:10:49,749 --> 00:10:50,982
THAT'S A JOKE.
220
00:10:51,051 --> 00:10:53,584
PERMANENT GO-SLOW.
221
00:10:53,653 --> 00:10:55,153
DON'T SEE THEM FOR DAYS ON END,
222
00:10:55,222 --> 00:10:57,021
THEN THEY TURN UP
AT THE CRACK OF DAWN.
223
00:10:57,090 --> 00:10:59,590
I'VE TOLD THEM I WORK NIGHTS,
BUT THEY DON'T GIVE A TOSS.
224
00:10:59,659 --> 00:11:01,237
YEAH. WHEN DID
YOU LAST SEE THEM?
225
00:11:01,261 --> 00:11:03,094
MONDAY.
226
00:11:03,163 --> 00:11:05,296
IS THAT IT?
227
00:11:05,365 --> 00:11:07,543
CAN I JUST HAVE A QUICK
WORD WITH YOUR WIFE, AS WELL?
228
00:11:07,567 --> 00:11:09,533
[DOOR OPENS]
229
00:11:09,602 --> 00:11:10,835
SHE DIED.
230
00:11:10,904 --> 00:11:12,370
[DOOR CLOSES]
231
00:11:13,840 --> 00:11:15,740
LUKE...
232
00:11:15,808 --> 00:11:19,878
THE POLICE WANT TO
KNOW IF WE SAW ANYTHING.
233
00:11:19,946 --> 00:11:23,514
NO. JUST THE COPPERS
AND THAT THIS MORNING.
234
00:11:28,721 --> 00:11:29,988
EXCUSE ME.
235
00:11:30,056 --> 00:11:31,589
MR. BREELEY?
236
00:11:31,657 --> 00:11:33,724
D.C.I. JANINE LEWIS.
237
00:11:33,793 --> 00:11:35,994
D.I. MAYNE.
238
00:11:36,062 --> 00:11:38,062
WHAT'S IT ABOUT?
239
00:11:38,131 --> 00:11:39,630
CAN WE COME IN?
240
00:11:40,833 --> 00:11:42,333
MANDY, THERE'S POLICE.
241
00:11:42,402 --> 00:11:44,080
COME 'BOUT THAT LITTLE KIDDY.
242
00:11:44,104 --> 00:11:47,272
Shh! WALLY, I'VE JUST PUT
CHUCK DOWN FOR HIS NAP.
243
00:11:47,340 --> 00:11:50,375
I SAW IT ON THE NEWS.
COULDN'T BELIEVE IT.
244
00:11:50,443 --> 00:11:52,643
YEAH, SIT DOWN.
245
00:11:52,712 --> 00:11:54,478
HELLO. WHO'S THIS?
246
00:11:54,547 --> 00:11:56,347
Mandy: CONNER.
247
00:11:56,416 --> 00:11:59,683
HEY, HEY! HA HA!
248
00:11:59,752 --> 00:12:02,954
Mayne: DID YOU SEE ANYONE
ACTING SUSPICIOUSLY
249
00:12:03,023 --> 00:12:04,855
OR ANYONE CLOSE TO
THE MAIN DRAINAGE?
250
00:12:04,925 --> 00:12:06,805
IS THAT WHERE THEY FOUND HIM?
251
00:12:07,260 --> 00:12:08,559
CHRIST.
252
00:12:08,628 --> 00:12:10,572
YOU KNOW, WHEN YOU'VE
GOT KIDS OF YOUR OWN...
253
00:12:10,596 --> 00:12:11,529
NOT AT WORK?
254
00:12:11,597 --> 00:12:13,398
BAD BACK.
255
00:12:15,168 --> 00:12:17,468
WELL, WEATHER LIKE
WE'VE BEEN HAVING...
256
00:12:17,537 --> 00:12:19,382
THE RAIN... NOTHING GOES OFF.
257
00:12:19,406 --> 00:12:22,140
TAKES TWICE AS LONG TO DO A JOB.
258
00:12:22,208 --> 00:12:24,186
LAST SATURDAY, YOU
KNOCKED OFF LUNCHTIME.
259
00:12:24,210 --> 00:12:26,277
THAT'S RIGHT. I CAME BACK HERE.
260
00:12:26,346 --> 00:12:27,957
WHAT DID YOU DO THAT AFTERNOON?
261
00:12:27,981 --> 00:12:30,415
UM, JUST DID STUFF
AROUND THE HOUSE.
262
00:12:30,483 --> 00:12:33,284
HE'S OUT BUSY FIXING
OTHER PEOPLE'S HOUSES.
263
00:12:33,353 --> 00:12:36,354
I'M ALWAYS ON HIM TO
SORT THIS PLACE UP FIRST.
264
00:12:41,694 --> 00:12:43,372
Charlotte: NO, YOU DIDN'T.
265
00:12:43,396 --> 00:12:44,396
Tom: YEAH, I DID.
266
00:12:44,464 --> 00:12:46,542
REALLY, REALLY
DID. YOU KNOW I DID.
267
00:12:46,566 --> 00:12:47,665
NO, YOU DIDN'T,
268
00:12:47,733 --> 00:12:50,668
'CAUSE I HAD THE
CHEESE-MARGARITA PIZZA, TOO.
269
00:12:50,736 --> 00:12:52,070
YOU WIN.
270
00:12:52,138 --> 00:12:53,204
BYE.
271
00:12:53,273 --> 00:12:54,205
[SIGHS]
272
00:12:54,274 --> 00:12:55,440
WHEN IS IT COMING?
273
00:12:55,508 --> 00:12:56,788
NOT FOR A LONG TIME.
274
00:12:56,843 --> 00:12:58,776
WILL WE GET A DAY OFF
SCHOOL WHEN IT DOES?
275
00:12:58,845 --> 00:13:00,378
DON'T BE STUPID.
276
00:13:00,447 --> 00:13:01,879
[SIGHS]
277
00:13:01,948 --> 00:13:03,114
IT'S STILL WARM.
278
00:13:03,183 --> 00:13:04,961
DOUBT SHE'LL HAVE DARK HAIR.
279
00:13:04,985 --> 00:13:05,916
WHAT'S THIS?
280
00:13:05,986 --> 00:13:07,718
TINA'S BABY.
281
00:13:07,787 --> 00:13:10,488
ANNA THINKS IT'S LOVELY JUST
'CAUSE DAD SAYS SHE CAN BABYSIT.
282
00:13:10,556 --> 00:13:12,290
I'M NOT HAVING IT IN MY ROOM.
283
00:13:12,359 --> 00:13:14,758
ALL BABIES DO IS CRY.
284
00:13:14,827 --> 00:13:16,094
YOU DIDN'T KNOW?
285
00:13:16,162 --> 00:13:18,929
DAD PROBABLY JUST DIDN'T
GET THE CHANCE TO TELL YOU.
286
00:13:18,999 --> 00:13:21,665
I DO NOW.
287
00:13:24,137 --> 00:13:26,170
[CELLPHONE RINGS]
288
00:13:30,810 --> 00:13:33,311
YEAH? BOSS.
289
00:13:33,380 --> 00:13:35,580
SHAP, IF YOU'RE ANGLING FOR
OVERTIME, YOU CAN FORGET IT.
290
00:13:35,615 --> 00:13:37,855
No. It's Clive Wray's alibi.
291
00:13:37,884 --> 00:13:41,652
HAYFIELD WAS HOLDING
A FELL RACE ON THE DAY.
292
00:13:41,721 --> 00:13:45,390
120 ENTRANTS,
SUPPORTERS, AND STEWARDS.
293
00:13:45,458 --> 00:13:48,692
IF HE WAS THERE, THERE'S NO
WAY HE COULD HAVE MISSED IT.
294
00:13:48,761 --> 00:13:50,294
HE'S LYING TO US, BOSS.
295
00:13:50,363 --> 00:13:53,264
He's lying.
296
00:13:53,333 --> 00:13:54,410
YEAH, YEAH.
297
00:13:54,434 --> 00:13:55,933
CAN YOU COMMENT AT ALL...
298
00:13:56,002 --> 00:13:57,868
ANY NEWS AT THIS MOMENT?
299
00:13:57,937 --> 00:13:59,937
[TALKING OVER EACH OTHER]
300
00:14:04,844 --> 00:14:07,778
HE'S OUT. HE WON'T BE LONG.
301
00:14:07,847 --> 00:14:13,017
FIONA, I NEED TO ASK YOU A
REALLY... DIFFICULT QUESTION,
302
00:14:13,086 --> 00:14:17,655
AND I WOULDN'T DO
IF IT WASN'T SO VITAL.
303
00:14:17,723 --> 00:14:19,890
BUT...
304
00:14:19,959 --> 00:14:23,727
WE BELIEVE CLIVE IS LYING
ABOUT GOING WALKING.
305
00:14:23,796 --> 00:14:27,631
WELL, I-I DON'T KNOW
WHAT TO THINK ANYMORE.
306
00:14:27,700 --> 00:14:30,068
HE WAS JUST SO JUMPY
307
00:14:30,136 --> 00:14:32,515
EVERY TIME ANYONE
ASKED US WHERE WE WERE.
308
00:14:32,539 --> 00:14:36,941
I THOUGHT I WAS BEING PARANOID,
309
00:14:37,009 --> 00:14:38,443
BUT...
310
00:14:38,511 --> 00:14:40,478
HIS BOOTS WERE CLEAN,
311
00:14:40,547 --> 00:14:42,947
AND I LOOKED IN HIS POCKETS.
312
00:14:44,584 --> 00:14:45,983
THAT'S WHERE HE WAS.
313
00:14:46,052 --> 00:14:48,852
LOOK AT THE DATE.
314
00:14:48,921 --> 00:14:51,655
HE'S LYING.
315
00:14:51,724 --> 00:14:54,325
TIME LIKE THIS, AND HE'S LYING.
316
00:14:54,394 --> 00:14:56,994
I MEAN, WHY WOULD HE LIE...
317
00:14:57,063 --> 00:15:00,698
WHEN SAMMY... WHY WOULD HE LIE?
318
00:15:04,170 --> 00:15:07,516
SO, I KNOW CLIVE WRAY WASN'T
WALKING. [CELLPHONE RINGS]
319
00:15:07,540 --> 00:15:08,984
WE'LL GET THE REST
OF THE STORY ON THAT
320
00:15:09,008 --> 00:15:11,409
BEFORE WE BRING HIM IN.
321
00:15:11,478 --> 00:15:13,544
MILLIE?
322
00:15:13,613 --> 00:15:14,912
[LAUGHS]
323
00:15:14,981 --> 00:15:16,747
DO YOU, NOW?
324
00:15:16,816 --> 00:15:18,994
OH, YOU'LL HAVE TO
WEAR IT, WON'T YOU?
325
00:15:19,018 --> 00:15:21,419
[LAUGHING]
326
00:15:21,488 --> 00:15:25,623
HEY, LISTEN, CLIVE WRAY,
HIS WIFE SHOPPED HIM.
327
00:15:25,691 --> 00:15:27,925
HE WASN'T OUT
ROAMING THE DARN PEAK.
328
00:15:27,994 --> 00:15:29,727
TURNS OUT HE WAS AT SPORT NORTH.
329
00:15:29,795 --> 00:15:32,130
NO, WE DON'T KNOW.
330
00:15:32,198 --> 00:15:33,864
ALL RIGHT, DARLING. BYE.
331
00:15:38,838 --> 00:15:40,238
WHAT?
332
00:15:40,306 --> 00:15:41,872
I'M THE S.I.O.
333
00:15:41,941 --> 00:15:46,477
I DECIDE WHEN AND HOW
THE PRESS OFFICER IS BRIEFED.
334
00:15:46,546 --> 00:15:48,812
SHE WAS ON THE PHONE.
335
00:15:50,983 --> 00:15:53,451
ARE YOU SERIOUS?
336
00:15:53,520 --> 00:15:54,997
IF YOU THINK IT'S
GONNA BE TRICKY,
337
00:15:55,021 --> 00:15:57,355
US SEEING EACH OTHER AND
WORKING ON THE SAME CASE TOGETHER,
338
00:15:57,423 --> 00:15:59,257
THEN I'LL STAND DOWN!
339
00:16:03,596 --> 00:16:04,873
Shap: RIGHT. HERE WE ARE.
340
00:16:04,897 --> 00:16:07,298
11:45 A.M. ON THE
MORNING OF THE DAY
341
00:16:07,367 --> 00:16:08,866
SAMMY WRAY WAS ABDUCTED,
342
00:16:08,934 --> 00:16:11,068
SPORTS NORTH RECREATION GROUND,
343
00:16:11,137 --> 00:16:14,238
HOCKEY MATCH BETWEEN
MARSH HIGH SCHOOL AND, UH...
344
00:16:14,307 --> 00:16:15,618
ALL SAINTS HIGH, UNDER 16.
345
00:16:15,642 --> 00:16:16,642
RIGHT. OKAY.
346
00:16:16,676 --> 00:16:21,078
ENTER CLIVE WRAY,
AND MEETS WITH JAILBAIT.
347
00:16:21,147 --> 00:16:23,347
NOT THE SORT OF ROAMING
HIS MISSUS HAD IN MIND
348
00:16:23,416 --> 00:16:24,615
WHEN SHE FILLED HIS FLASK.
349
00:16:24,684 --> 00:16:26,584
COULD EXPLAIN THE ALIBI, THOUGH.
350
00:16:26,653 --> 00:16:28,619
OH, HANG ON.
351
00:16:28,688 --> 00:16:31,955
I MEAN, IF YOU ARE IN
SOME SORT OF... ILLICIT,
352
00:16:32,024 --> 00:16:33,402
POSSIBLY EVEN ILLEGAL AFFAIR,
353
00:16:33,426 --> 00:16:35,271
I MEAN, WHY DO IT
OUT IN THE OPEN?
354
00:16:35,295 --> 00:16:36,727
LIKE, THAT'S SO PUBLIC.
355
00:16:36,796 --> 00:16:39,897
Shap: HE'S SHAGGING HER.
SHE'S GIVING HIM THE BOOT.
356
00:16:39,965 --> 00:16:41,131
HE CAN'T TAKE IT,
357
00:16:41,201 --> 00:16:43,767
'CAUSE HE'S SADDLED
WITH A GYM-SLUT FIXATION.
358
00:16:43,836 --> 00:16:44,836
LIKE YOU.
359
00:16:44,904 --> 00:16:46,671
Janine: MM-HMM.
360
00:16:46,739 --> 00:16:48,372
BRING HIM IN.
361
00:16:50,643 --> 00:16:53,611
SATURDAY SCHOOL
FINALS AT SPORTS NORTH,
362
00:16:53,680 --> 00:16:55,313
CAUGHT ON CCTV.
363
00:16:55,381 --> 00:16:56,681
YOUR CHILD GOES MISSING,
364
00:16:56,749 --> 00:16:58,960
AND YOU LIE TO THE PEOPLE
WHO ARE TRYING TO FIND HIM.
365
00:16:58,984 --> 00:17:01,096
FOR WHAT... TO COVER
UP A SEEDY AFFAIR?
366
00:17:01,120 --> 00:17:02,386
SHE'S MY DAUGHTER!
367
00:17:02,455 --> 00:17:05,389
SHE'S MY BLOODY DAUGHTER SARAH.
368
00:17:06,892 --> 00:17:09,827
WHEN I SPLIT FROM
MY EX-WIFE, CLAIRE,
369
00:17:09,895 --> 00:17:12,396
I HOPED THAT I'D STILL GET
TO SEE PLENTY OF SARAH.
370
00:17:12,465 --> 00:17:14,532
THAT'S WHY WE BOUGHT
THE HOUSE NEARBY...
371
00:17:14,601 --> 00:17:17,435
SO THAT SHE COULD COME AROUND.
372
00:17:17,503 --> 00:17:23,140
BUT CLAIRE IS VERY...
NEEDY, VOLATILE.
373
00:17:23,209 --> 00:17:26,076
SH-SHE MADE OUR LIVES HELL...
374
00:17:26,145 --> 00:17:29,046
COMING TO THE HOUSE,
UH, ABUSIVE CALLS,
375
00:17:29,115 --> 00:17:30,348
TURNING UP AT WORK.
376
00:17:30,416 --> 00:17:31,949
IT WAS HORRENDOUS.
377
00:17:32,017 --> 00:17:33,150
[SIGHS]
378
00:17:33,219 --> 00:17:38,021
IN THE END, I PROMISED
FIONA I'D MAKE A CLEAN BREAK.
379
00:17:38,090 --> 00:17:42,293
ON THE VERY DAY SAMMY WAS
BORN, CLAIRE TOOK AN OVERDOSE.
380
00:17:42,362 --> 00:17:44,895
SARAH HAD TO CALL AN AMBULANCE.
381
00:17:44,964 --> 00:17:46,642
HOW LONG DID THIS GO ON FOR?
382
00:17:46,666 --> 00:17:48,733
I LEFT CLAIRE WHEN
FIONA GOT PREGNANT.
383
00:17:48,801 --> 00:17:52,770
SH-SHE WAS STILL HARASSING
US UNTIL SAMMY WAS 6 MONTHS.
384
00:17:52,838 --> 00:17:54,872
BUT RECENTLY, I...
385
00:17:54,940 --> 00:17:58,075
I STARTED TO FEEL BAD
ABOUT SARAH, YOU KNOW?
386
00:17:58,144 --> 00:18:01,812
I'D BEEN THERE FOR
THE FIRST 12 YEARS, AND...
387
00:18:01,881 --> 00:18:05,249
WHAT ABOUT THE ARGUMENT
AT THE HOCKEY MATCH?
388
00:18:05,318 --> 00:18:07,318
SHE WAS VERY ANGRY WITH ME.
389
00:18:07,387 --> 00:18:08,797
SHE... SHE TOLD ME TO PISS OFF.
390
00:18:08,821 --> 00:18:09,898
WHERE DID YOU GO?
391
00:18:09,922 --> 00:18:10,988
I DON'T REMEMBER.
392
00:18:11,056 --> 00:18:13,023
I, UM...
393
00:18:13,092 --> 00:18:15,793
I DROVE AROUND AND
JUST SAT IN THE CAR.
394
00:18:17,463 --> 00:18:19,129
DO YOU HAVE TO TELL FIONA?
395
00:18:19,198 --> 00:18:20,431
NO.
396
00:18:20,500 --> 00:18:21,932
YOU HAVE TO.
397
00:18:22,001 --> 00:18:24,012
Mayne: STILL NO ALIBI
FOR THAT AFTERNOON.
398
00:18:24,036 --> 00:18:25,336
Janine: STILL NO MOTIVE.
399
00:18:25,405 --> 00:18:27,885
MAYBE HE THOUGHT HE'D
MADE THE WRONG CHOICE.
400
00:18:27,940 --> 00:18:29,351
IF HE WANTED TO
GO BACK TO CLAIRE,
401
00:18:29,375 --> 00:18:30,886
HE COULD HAVE JUST
UP STICKS AND GONE.
402
00:18:30,910 --> 00:18:34,512
DIDN'T NEED TO KILL HIS
SON. LET'S TALK TO THE GIRL.
403
00:18:34,580 --> 00:18:36,992
HE THOUGHT HE
COULD JUST SAY SORRY,
404
00:18:37,016 --> 00:18:39,261
AND IT'D MAKE EVERYTHING BETTER.
405
00:18:39,285 --> 00:18:40,396
LIKE HELLO.
406
00:18:40,420 --> 00:18:41,885
IS THAT WHY YOU WERE OUT?
407
00:18:41,954 --> 00:18:43,865
DID YOU KNOW ABOUT
THIS ARGUMENT?
408
00:18:43,889 --> 00:18:45,066
I TOLD HER ABOUT IT.
409
00:18:45,090 --> 00:18:47,102
SHE STOPPED EATING,
YOU KNOW, WHEN HE LEFT.
410
00:18:47,126 --> 00:18:48,126
STARVED HERSELF.
411
00:18:48,194 --> 00:18:49,226
MOM.
412
00:18:49,295 --> 00:18:51,895
IS THIS THE FIRST TIME
HE'D COME TO SEE YOU?
413
00:18:51,964 --> 00:18:53,464
SARAH, YOUR DAD?
414
00:18:53,533 --> 00:18:56,066
UM, NO.
415
00:18:56,135 --> 00:18:58,514
HE BROUGHT SAMMY
AROUND A FEW WEEKS AGO.
416
00:18:58,538 --> 00:18:59,870
SOME DERANGED PLAN...
417
00:18:59,939 --> 00:19:01,583
IF WE MET HIM, IT'D
CHANGE EVERYTHING.
418
00:19:01,607 --> 00:19:02,607
YOU MET SAMMY?
419
00:19:02,675 --> 00:19:04,252
IT WAS SO NOT A GOOD IDEA.
420
00:19:04,276 --> 00:19:06,188
I NEVER WISHED
THE CHILD ANY HARM.
421
00:19:06,212 --> 00:19:08,879
I JUST... WISHED IT
HAD NEVER BEEN BORN.
422
00:19:08,948 --> 00:19:09,880
MOM.
423
00:19:09,949 --> 00:19:11,794
IF IT HADN'T BEEN FOR THE BABY,
424
00:19:11,818 --> 00:19:13,317
HE'D HAVE NEVER HAVE LEFT ME.
425
00:19:13,386 --> 00:19:14,785
WE'RE SECOND BEST.
426
00:19:14,854 --> 00:19:15,894
HE'S JUST IN DENIAL.
427
00:19:15,955 --> 00:19:17,287
HE CHOSE FIONA.
428
00:19:17,357 --> 00:19:18,789
HE CHOSE SAMMY.
429
00:19:18,858 --> 00:19:20,624
HE NEEDS HEALING.
430
00:19:20,693 --> 00:19:23,594
HE NEEDS TO FORGIVE
HIMSELF AND TO ACCEPT...
431
00:19:23,663 --> 00:19:25,073
MY MOM, SHE TOOK AN OVERDOSE.
432
00:19:25,097 --> 00:19:26,731
I HAD TO STAY AT DAD'S.
433
00:19:26,799 --> 00:19:27,999
I WAS INVISIBLE.
434
00:19:28,067 --> 00:19:29,177
MY MOM HAD ALMOST DIED,
435
00:19:29,201 --> 00:19:31,112
AND ALL HE COULD
THINK ABOUT WAS SAMMY.
436
00:19:31,136 --> 00:19:33,070
IT MUST HAVE BEEN
VERY HARD FOR YOU.
437
00:19:33,138 --> 00:19:34,916
WE HAVE TO EMBRACE OUR EMOTIONS.
438
00:19:34,940 --> 00:19:37,975
ALL THEY WANTED WAS TO
LIVE HAPPILY EVER AFTER.
439
00:19:38,043 --> 00:19:39,477
POOR FIONA.
440
00:19:39,545 --> 00:19:42,145
SUCH A TRAGEDY.
441
00:19:44,517 --> 00:19:45,983
BLOODY VIOLET.
442
00:19:46,051 --> 00:19:47,951
IF I EVER GET THAT
BITTER AND TWISTED,
443
00:19:48,020 --> 00:19:49,253
DO ME A FAVOR... SHOOT ME.
444
00:19:49,321 --> 00:19:50,488
"IF"?
445
00:19:59,131 --> 00:20:01,866
DAD WILL STILL LOVE
YOU JUST THE SAME.
446
00:20:01,934 --> 00:20:04,001
SO WILL ME AND CHARLOTTE.
447
00:20:04,069 --> 00:20:07,337
LOVE DOESN'T RUN
OUT. IT STRETCHES.
448
00:20:07,407 --> 00:20:08,839
LIKE AN ELASTIC BAND.
449
00:20:08,908 --> 00:20:10,374
YEAH, SORT OF.
450
00:20:10,443 --> 00:20:11,776
NOT ALWAYS.
451
00:20:11,844 --> 00:20:14,311
LIKE IF SOMEONE GETS A NEW WIFE.
452
00:20:14,380 --> 00:20:17,615
YEAH. NO, NOT ALWAYS.
453
00:20:17,683 --> 00:20:20,384
DAD WILL NEED A BIGGER CAR,
THOUGH. THAT WON'T STRETCH.
454
00:20:20,453 --> 00:20:21,453
COOL.
455
00:20:21,521 --> 00:20:23,387
CAN I GET A PACKET OF CRISPS?
456
00:20:23,456 --> 00:20:24,855
YEAH.
457
00:20:32,064 --> 00:20:34,565
Janine: CLAIRE HATES CLIVE
FOR DESTROYING THE MARRIAGE.
458
00:20:34,634 --> 00:20:36,111
YEAH, BUT SHE WANTS HIM BACK.
459
00:20:36,135 --> 00:20:37,212
[CAMERA SHUTTER CLICKS]
460
00:20:37,236 --> 00:20:39,003
SHE BLAMES SAMMY
FOR CLIVE LEAVING.
461
00:20:39,071 --> 00:20:41,104
MAYBE SEEING THE CHILD
TRIGGERS THAT RAGE.
462
00:20:41,173 --> 00:20:42,217
[CAMERA SHUTTER CLICKS]
463
00:20:42,241 --> 00:20:43,819
OR THE GIRL. ANGRY, JEALOUS.
464
00:20:43,843 --> 00:20:45,754
HE SAW SHE WAS
SHIELDING HER MOTHER.
465
00:20:45,778 --> 00:20:48,512
[CAMERA SHUTTER CLICKS]
SARAH DOES IT FOR CLAIRE.
466
00:20:48,581 --> 00:20:49,625
OR HERSELF.
467
00:20:49,649 --> 00:20:50,748
WITNESSES AT THE PARK,
468
00:20:50,816 --> 00:20:52,816
THEY SAID THEY SAW A
WOMAN ON THEIR OWN.
469
00:20:52,885 --> 00:20:54,484
COULD THAT BE CLAIRE OR SARAH?
470
00:20:54,554 --> 00:20:56,486
[CAMERA SHUTTER CLICKS]
471
00:20:56,556 --> 00:20:58,088
OKAY?
472
00:21:00,526 --> 00:21:01,703
OOH. NICE.
473
00:21:01,727 --> 00:21:04,047
CAN WE DO THIS AGAIN, PLEASE?
474
00:21:05,330 --> 00:21:06,363
YEAH.
475
00:21:06,432 --> 00:21:07,776
GOOD. DO WE KNOW WHAT TIME?
476
00:21:07,800 --> 00:21:08,999
I'VE JUST HAD "THE STAR" ON.
477
00:21:09,068 --> 00:21:11,035
DONNY McAVOY'S BEEN
TRYING TO SELL PICTURES
478
00:21:11,103 --> 00:21:12,269
FROM THE CRIME SCENE.
479
00:21:12,337 --> 00:21:14,282
TOOK HIM WITH HIS
PHONE. THEY'RE NOT BITING?
480
00:21:14,306 --> 00:21:16,707
NO. THEY KNOW THE SCORE.
481
00:21:16,776 --> 00:21:17,808
MYSTIC MEG.
482
00:21:17,877 --> 00:21:19,555
SHE WAS SEEN LOITERING
OUTSIDE THE RES
483
00:21:19,579 --> 00:21:21,745
THAT AFTERNOON.
484
00:21:21,814 --> 00:21:24,682
YOU WERE SEEN AT THE HOUSE
SHORTLY BEFORE 1:00 ON SATURDAY.
485
00:21:24,750 --> 00:21:26,951
WAS I? WHAT WERE
YOU DOING THERE?
486
00:21:27,019 --> 00:21:29,397
IF CLIVE WANTS TO PLAY
DADDY TO SARAH AGAIN,
487
00:21:29,421 --> 00:21:30,821
HE'LL HAVE TO GIVE IT 100%.
488
00:21:30,890 --> 00:21:32,222
COME BACK TO YOU?
489
00:21:34,694 --> 00:21:37,227
I WENT TO TELL HIM,
"ALL OR NOTHING."
490
00:21:37,296 --> 00:21:39,964
WHEN I THINK ABOUT
WHAT HE'D DONE.
491
00:21:40,032 --> 00:21:42,766
OUR LOVELY GIRL.
HE ABANDONED HER.
492
00:21:42,835 --> 00:21:44,768
CUT HER DEAD.
493
00:21:44,837 --> 00:21:46,737
HE NEARLY DESTROYED ME.
494
00:21:46,806 --> 00:21:50,540
SARAH HAD TO LISTEN TO ME
HOWLING NIGHT AFTER NIGHT.
495
00:21:50,610 --> 00:21:51,909
WHAT DID CLIVE SAY?
496
00:21:51,978 --> 00:21:53,944
NOTHING.
497
00:21:54,013 --> 00:21:57,214
NO ONE WAS HOME.
498
00:21:57,282 --> 00:21:59,149
SO, YOU WENT TO THE PARK?
499
00:21:59,218 --> 00:22:01,351
SAW SAMMY AND FIONA?
500
00:22:01,420 --> 00:22:02,653
HE LOVES ME.
501
00:22:02,722 --> 00:22:05,222
THAT'S WHAT PEOPLE
MISS... THE CONNECTION.
502
00:22:05,290 --> 00:22:07,658
PASSION.
503
00:22:07,727 --> 00:22:10,928
WE WERE PROBABLY
LOVERS IN OUR FORMER LIVES.
504
00:22:10,997 --> 00:22:12,863
IT HAS THAT RESONANCE.
505
00:22:12,932 --> 00:22:15,432
AND THEY LOOKED
HAPPY... FIONA AND SAMMY?
506
00:22:15,501 --> 00:22:17,034
AND YOU'VE BEEN
HAPPY, HAVEN'T YOU?
507
00:22:17,103 --> 00:22:18,235
YOU AND SARAH...
508
00:22:18,303 --> 00:22:20,504
WELL, YOU AND SARAH AND
CLIVE TILL SAMMY CAME ALONG.
509
00:22:20,572 --> 00:22:21,872
IT'S AT TIMES LIKE THIS
510
00:22:21,941 --> 00:22:24,307
THAT PEOPLE FIND OUT
WHAT REALLY MATTERS.
511
00:22:24,376 --> 00:22:25,776
LIKE CLIVE AND I.
512
00:22:27,346 --> 00:22:29,091
IT'LL BRING US
CLOSER IN THE END.
513
00:22:29,115 --> 00:22:31,115
DID YOU GO TO THE PARK?
514
00:22:31,183 --> 00:22:33,583
YOU'RE HOLDING ON TO
A GREAT DEAL OF ANGER.
515
00:22:33,653 --> 00:22:34,752
MRS. WRAY.
516
00:22:34,820 --> 00:22:36,453
NO.
517
00:22:38,691 --> 00:22:41,025
I HAD A WALK AND CAME HOME.
518
00:22:41,093 --> 00:22:42,093
SARAH?
519
00:22:42,161 --> 00:22:43,927
SHE WAS HERE.
520
00:22:43,996 --> 00:22:45,863
WHAT TIME WAS THAT?
521
00:22:47,299 --> 00:22:49,066
I DON'T WEAR A WATCH.
522
00:22:49,135 --> 00:22:51,101
IT INTERFERES WITH MY CHAKRAS.
523
00:22:53,105 --> 00:22:58,008
WHY DID YOU TAKE
SAMMY TO SEE CLAIRE?
524
00:22:59,745 --> 00:23:00,978
HE'S JUST A LITTLE BOY.
525
00:23:01,047 --> 00:23:03,280
SHE ACTED AS IF HE WAS A...
526
00:23:03,348 --> 00:23:05,849
I JUST THOUGHT
THAT IF SHE SAW HIM.
527
00:23:05,918 --> 00:23:09,853
YOU TOOK OUR SON TO
SEE THAT BLOODY WOMAN
528
00:23:09,922 --> 00:23:12,956
AFTER EVERYTHING SHE DID TO US?
529
00:23:13,025 --> 00:23:14,624
THE CAR.
530
00:23:14,694 --> 00:23:19,129
THE SCRATCHES, THE TIRES...
THAT WAS HER AGAIN, NOT VANDALS.
531
00:23:19,198 --> 00:23:22,199
YOU STILL LOVE HER, DON'T YOU?
532
00:23:22,267 --> 00:23:25,069
CLAIRE'S BEEN RIGHT ALL ALONG.
533
00:23:25,137 --> 00:23:27,304
YOU ONLY LEFT HER
BECAUSE I WAS PREGNANT.
534
00:23:27,372 --> 00:23:29,406
YOU NEVER REALLY LOVED ME.
535
00:23:29,474 --> 00:23:31,909
IT'S ALWAYS BEEN
CLAIRE, HASN'T IT?
536
00:23:31,977 --> 00:23:33,143
NO.
537
00:23:33,212 --> 00:23:36,346
TRAGIC BLOODY CLAIRE AND
HER PRECIOUS DAUGHTER.
538
00:23:36,415 --> 00:23:38,775
DO YOU KNOW SHE NEVER EVEN
LET ME GIVE BIRTH IN PEACE?
539
00:23:38,818 --> 00:23:40,562
OH, NO. SHE HAD TO
GRAB THE SPOTLIGHT.
540
00:23:40,586 --> 00:23:41,852
TRY AND KILL HERSELF.
541
00:23:41,921 --> 00:23:43,020
MY BOY.
542
00:23:43,089 --> 00:23:44,321
SHE'D NEVER TOUCH HIM.
543
00:23:44,389 --> 00:23:46,256
YOU HAVE NO REASON TO THINK SO.
544
00:23:46,325 --> 00:23:48,025
CLAIRE WAS SEEN.
545
00:23:48,094 --> 00:23:49,292
SHE ADMITS SHE CAME HERE.
546
00:23:49,361 --> 00:23:51,428
SHE KILLED HIM!
547
00:23:51,496 --> 00:23:53,130
AND IT'S YOUR FAULT!
548
00:23:53,199 --> 00:23:56,078
[CELLPHONE RINGING] THAT
MAD BITCH CAME AND TOOK HIM!
549
00:23:56,102 --> 00:23:57,846
DO YOU SEE WHAT YOU'VE DONE?!
550
00:23:57,870 --> 00:23:59,136
HELLO.
551
00:23:59,205 --> 00:24:01,038
CLAIRE IS NOT THE KILLER.
552
00:24:01,107 --> 00:24:02,539
I LOVE YOU, FIONA.
553
00:24:02,608 --> 00:24:04,274
YOU, SAMMY, AND SARAH.
554
00:24:04,343 --> 00:24:05,442
YOU SURE?
555
00:24:05,510 --> 00:24:07,455
I MAY HAVE LOST ONE
CHILD, BUT I'LL FIGHT HARD
556
00:24:07,479 --> 00:24:09,024
TO BE A FATHER TO THE OTHER ONE.
557
00:24:09,048 --> 00:24:10,180
NO DOUBT WHATSOEVER?
558
00:24:10,249 --> 00:24:12,682
YEAH, I SEE.
559
00:24:12,752 --> 00:24:15,352
THANKS.
560
00:24:15,420 --> 00:24:16,631
THAT'S HOW IT'LL BE.
561
00:24:16,655 --> 00:24:19,135
IF YOU LOVE ME,
YOU'LL ACCEPT THAT.
562
00:24:22,795 --> 00:24:26,529
FIONA, I...
563
00:24:26,598 --> 00:24:29,432
I'M SO SORRY.
564
00:24:29,501 --> 00:24:31,869
THE CHILD... THE BOY...
565
00:24:33,739 --> 00:24:35,472
IT'S NOT SAMMY.
566
00:24:35,540 --> 00:24:38,675
THE DNA RESULTS HAVE COME
BACK, AND IT'S NOT SAMMY.
567
00:24:38,744 --> 00:24:41,178
[SOBBING]
568
00:24:44,083 --> 00:24:47,017
SO, SAMMY WRAY IS STILL MISSING,
569
00:24:47,086 --> 00:24:50,020
AND YOU STILL HAVE NO IDEA
WHO THE ACTUAL MURDER VICTIM IS.
570
00:24:50,089 --> 00:24:52,455
YOU'VE WASTED TWO DAYS
FOLLOWING FALSE TRAILS.
571
00:24:52,524 --> 00:24:54,235
WE NEVER SAID
SAMMY WAS THE VICTIM.
572
00:24:54,259 --> 00:24:55,637
NO, BUT YOU ASSUMED HE WAS,
573
00:24:55,661 --> 00:24:57,105
AND YOU LET THAT
DETERMINE YOUR ACTIONS.
574
00:24:57,129 --> 00:24:59,997
THEY WERE WEARING THE
SAME CLOTHES... THE SAME TOP.
575
00:25:00,066 --> 00:25:02,599
"MOST POPULAR HIGH-STREET
BRAND," AS I RECALL.
576
00:25:02,668 --> 00:25:05,368
THE CHIEF CONSTABLE IS
WAITING TO HEAR FROM ME.
577
00:25:05,437 --> 00:25:08,271
HE WANTS TO KNOW EXACTLY HOW
WE ARE HELPING SAMMY'S PARENTS,
578
00:25:08,340 --> 00:25:10,340
HOW WE INTEND TO
REASSURE THE COMMUNITY,
579
00:25:10,409 --> 00:25:12,375
AND PROTECT THE
FORCE'S REPUTATION.
580
00:25:12,444 --> 00:25:13,677
WHAT SHALL I TELL HIM?
581
00:25:13,746 --> 00:25:15,691
THAT NO ONE COULD BE MORE
DEDICATED TO SOLVING THIS
582
00:25:15,715 --> 00:25:16,995
THAN ME AND MY TEAM.
583
00:25:17,049 --> 00:25:19,360
THAT WE WILL PURSUE EVERY
POSSIBLE LINE OF INQUIRY,
584
00:25:19,384 --> 00:25:21,830
AND I HAVE NO DOUBT OF
OUR EVENTUAL SUCCESS.
585
00:25:21,854 --> 00:25:24,088
ALL VERY WELL,
586
00:25:24,156 --> 00:25:27,791
BUT WHAT WE NEED
IS A BREAKTHROUGH.
587
00:25:30,162 --> 00:25:31,695
WE HAVE AN ABDUCTION
588
00:25:31,764 --> 00:25:34,531
AND THE MURDER OF
AN UNKNOWN CHILD.
589
00:25:34,600 --> 00:25:35,899
A WEEK AGO LAST SATURDAY,
590
00:25:35,968 --> 00:25:39,269
3-YEAR-OLD SAMMY WRAY WAS
ABDUCTED FROM WITHINGTON PARK.
591
00:25:39,338 --> 00:25:41,839
TWO DAYS AGO,
592
00:25:41,907 --> 00:25:44,674
THE BODY OF A CHILD WAS
RECOVERED FROM KENDALL AVENUE
593
00:25:44,744 --> 00:25:45,943
LESS THAN A MILE AWAY.
594
00:25:46,011 --> 00:25:48,912
NOW, THIS CHILD WAS OF A
SIMILAR AGE AND APPEARANCE,
595
00:25:48,981 --> 00:25:50,380
BUT HE IS NOT SAMMY WRAY.
596
00:25:50,449 --> 00:25:53,784
SAMMY IS OFFICIALLY A
MISSING PERSON AGAIN.
597
00:25:53,853 --> 00:25:56,053
BACK TO SQUARE ONE ON THIS.
598
00:25:56,122 --> 00:25:59,389
HE'S NOW BEEN
MISSING FOR 11 DAYS.
599
00:25:59,458 --> 00:26:03,460
CLAIRE WRAY IS OUR KEY
CANDIDATE FOR THE ABDUCTION.
600
00:26:03,528 --> 00:26:04,694
DID YOU SEARCH HER HOUSE?
601
00:26:06,398 --> 00:26:09,366
WE'LL GET A WARRANT.
WE'LL TALK TO HER.
602
00:26:09,434 --> 00:26:12,002
LOOK INTO THIS RECENT
HARASSMENT OF CLIVE AND FIONA.
603
00:26:12,071 --> 00:26:13,949
SEE WHAT THREATS
SHE'S BEEN MAKING.
604
00:26:13,973 --> 00:26:15,305
COULD DO A LINEUP.
605
00:26:15,374 --> 00:26:17,207
SEE IF PEOPLE PICK HER OUT
606
00:26:17,276 --> 00:26:18,942
AS THE SINGLE WOMAN AT THE PARK.
607
00:26:19,011 --> 00:26:21,411
SARAH IS ANOTHER
CONTENDER FOR THAT.
608
00:26:21,480 --> 00:26:22,946
WE'LL TALK TO HER, TOO.
609
00:26:23,015 --> 00:26:24,793
[CELLPHONE RINGING]
OKAY, ACTIONS.
610
00:26:24,817 --> 00:26:28,051
TRACE, INTERVIEW, AND
ELIMINATE REMAINING WITNESSES.
611
00:26:28,120 --> 00:26:29,798
RECONSTRUCTION SET FOR TOMORROW.
612
00:26:29,822 --> 00:26:32,455
AND IF YOU RULE OUT CLAIRE WRAY?
613
00:26:32,524 --> 00:26:33,791
CASES COULD BE LINKED.
614
00:26:33,859 --> 00:26:36,226
COULD BE SOMEBODY
TARGETING 3 YEAR OLDS.
615
00:26:36,295 --> 00:26:38,662
Janine: YEAH, OR THERE
COULD BE NO CONNECTION.
616
00:26:38,730 --> 00:26:41,098
SO WE DEAL WITH THESE
AS TWO DISTINCT INQUIRIES.
617
00:26:47,940 --> 00:26:51,608
THIS IS NOT SAMMY WRAY.
618
00:26:51,677 --> 00:26:53,410
WHO IS IT?
619
00:26:53,478 --> 00:26:57,681
WITH NO I.D. FOR THE CHILD,
WE CONCENTRATE ON THE SITE.
620
00:26:57,749 --> 00:26:59,016
HANG ON. JANINE.
621
00:27:02,221 --> 00:27:04,487
WELL, I'VE SEEN A
FEW THINGS IN MY LIFE,
622
00:27:04,556 --> 00:27:07,024
BUT SOMETHING LIKE
THIS, WRAPPED IN A SHEET.
623
00:27:07,092 --> 00:27:09,293
I COULD TELL IT WAS A BODY,
624
00:27:09,361 --> 00:27:11,321
AND HE'D BEEN
DOWN THERE A WHILE.
625
00:27:11,363 --> 00:27:13,997
AND THEN HERE'S ME JUST
WORKING A FEW YARDS AWAY.
626
00:27:14,066 --> 00:27:15,199
BEGGAR'S BELIEF.
627
00:27:16,936 --> 00:27:18,046
I WANT HIM GAGGED.
628
00:27:18,070 --> 00:27:20,548
SHAP, TALK TO HIM.
WHY IS HE SO KEEN?
629
00:27:20,572 --> 00:27:23,040
IT'S THE MOST EXCITING THING
THAT'S EVER HAPPENED TO HIM.
630
00:27:23,108 --> 00:27:24,519
YEAH, OR HE HAD A HAND IN IT.
631
00:27:24,543 --> 00:27:26,254
WHO ELSE HAD ACCESS TO THE SITE?
632
00:27:26,278 --> 00:27:27,388
THE PROPERTY DEVELOPER.
633
00:27:27,412 --> 00:27:29,279
YEAH, HE'S ON A SUN
LOUNGER IN MEXICO.
634
00:27:29,348 --> 00:27:31,048
BOOK VERIFIED THAT.
635
00:27:31,116 --> 00:27:32,349
NEIGHBORS.
636
00:27:32,417 --> 00:27:34,362
KEN STAFFORD COULDN'T
GET RID OF ME FAST ENOUGH.
637
00:27:34,386 --> 00:27:35,618
RIGHT.
638
00:27:35,687 --> 00:27:38,588
WE ELIMINATE ALL OF THEM
BEFORE WE TAKE THIS ANY WIDER.
639
00:27:38,657 --> 00:27:41,992
BACKGROUND CHECKS,
RECORD CHECKS, BE THOROUGH.
640
00:27:42,061 --> 00:27:43,538
WE'RE STARTING
AFRESH ON THIS ONE.
641
00:27:43,562 --> 00:27:45,762
WE'VE TWO CRIMES. TWO BOYS.
642
00:27:45,831 --> 00:27:47,998
FOR NOW, THIS IS NOT A SERIES.
643
00:27:49,434 --> 00:27:50,868
MR. McAVOY?
644
00:27:52,905 --> 00:27:54,238
YOU FROM THE PAPERS?
645
00:27:54,306 --> 00:27:55,438
NO.
646
00:27:55,507 --> 00:27:57,908
MY BOSS... SHE'S NOT
VERY HAPPY WITH YOU.
647
00:27:57,977 --> 00:28:00,210
SHOOTING YOUR MOUTH OFF.
648
00:28:00,279 --> 00:28:02,190
COULD COMPROMISE
OUR INVESTIGATION.
649
00:28:02,214 --> 00:28:03,758
I'M ONLY GIVING MY
SIDE OF THE STORY.
650
00:28:03,782 --> 00:28:05,215
NOT ANYMORE, YOU'RE NOT.
651
00:28:05,284 --> 00:28:06,416
WHAT ABOUT FREE SPEECH?
652
00:28:06,485 --> 00:28:08,864
IT ISN'T FREE IF IT COSTS
US THE CASE. GOT IT?
653
00:28:08,888 --> 00:28:11,955
NOW, DATES, PLACES, TIMES.
654
00:28:12,024 --> 00:28:15,625
I NEED TO GO OVER IT ALL
AGAIN WITH YOU, MR. McAVOY.
655
00:28:15,694 --> 00:28:17,794
FINE.
656
00:28:17,863 --> 00:28:20,864
She took Clive, and now
she's still persecuting me.
657
00:28:20,933 --> 00:28:24,467
Because she knows where
Clive really belongs, that's why.
658
00:28:24,536 --> 00:28:26,569
Did you take Sammy?
659
00:28:26,638 --> 00:28:28,305
Do you know where he is?
660
00:28:28,374 --> 00:28:30,407
[Scoffs]
661
00:28:30,475 --> 00:28:32,209
No.
662
00:28:32,278 --> 00:28:34,912
Mrs. Wray... It's
still Mrs. Wray?
663
00:28:34,980 --> 00:28:37,781
WHAT DO YOU THINK?
664
00:28:37,849 --> 00:28:39,783
SHE'S CRACKED ENOUGH.
665
00:28:39,851 --> 00:28:42,452
LET'S SEE WHAT
THE LINEUP GIVES US.
666
00:28:42,521 --> 00:28:45,022
MY PHONE IS IN MELTDOWN.
667
00:28:45,090 --> 00:28:46,601
LOCAL PRESS HAVE
GOT WIND OF AN ARREST.
668
00:28:46,625 --> 00:28:47,936
HALF OF THEM ARE CAMPED OUTSIDE.
669
00:28:47,960 --> 00:28:49,804
IS IT TRUE YOU'RE
QUESTIONING THE EX-WIFE
670
00:28:49,828 --> 00:28:51,295
FOR THE ABDUCTION?
671
00:28:51,363 --> 00:28:55,598
What gives you the impression
that Clive still loves you?
672
00:28:55,667 --> 00:28:57,512
WELL, THANK YOU FOR THE UPDATE.
673
00:28:57,536 --> 00:28:58,635
I'VE BEEN QUITE BUSY.
674
00:28:58,703 --> 00:29:00,882
I SHOULD BE TOLD OF ALL
MAJOR DEVELOPMENTS.
675
00:29:00,906 --> 00:29:02,717
NOW, THIS IS A
MAJOR DEVELOPMENT?
676
00:29:02,741 --> 00:29:04,207
NO. YEAH.
677
00:29:04,276 --> 00:29:06,109
YOUR FINAL ANSWER?
678
00:29:06,178 --> 00:29:08,478
THERE'S A LOT OF SPECULATION
FLYING ABOUT AT THIS STAGE.
679
00:29:08,547 --> 00:29:10,591
WELL, UNLESS YOU GIVE ME
SOMETHING TO WORK WITH,
680
00:29:10,615 --> 00:29:12,627
IT'S GONNA BE ALL OVER
THE AIRWAVES, AS WELL.
681
00:29:12,651 --> 00:29:15,752
SHALL I PUT THE CALLS STRAIGHT
THROUGH TO THE INCIDENT ROOM?
682
00:29:15,821 --> 00:29:17,098
TO THE HORSE'S MOUTH?
683
00:29:17,122 --> 00:29:18,922
RICHARD.
684
00:29:18,991 --> 00:29:21,358
NO NAMES YET.
685
00:29:23,329 --> 00:29:26,496
THANK YOU FOR YOUR SUPPORT.
686
00:29:26,565 --> 00:29:29,285
I'M NOT GONNA TALK TO
HER LIKE THAT. [SIGHS]
687
00:29:34,373 --> 00:29:37,607
YOU'VE BEEN UP TO YOUR
OLD TRICKS AGAIN, MRS. WRAY.
688
00:29:37,676 --> 00:29:39,676
ATTACKING PROPERTY,
689
00:29:39,744 --> 00:29:42,612
THREATENING CLIVE
AND HIS FAMILY.
690
00:29:42,681 --> 00:29:45,648
SECOND FAMILY.
691
00:29:45,717 --> 00:29:48,196
WE'VE BEEN READING
SOME OF THE MESSAGES
692
00:29:48,220 --> 00:29:49,686
YOU'VE BEEN SENDING HIM.
693
00:29:49,754 --> 00:29:53,723
"YOUR LIFE WON'T
BE WORTH LIVING."
694
00:29:53,792 --> 00:29:57,894
"YOUR SLUT AND HER
BRAT CAN ROT IN HELL."
695
00:29:57,963 --> 00:29:59,596
THIS ALL STARTED UP AGAIN
696
00:29:59,664 --> 00:30:02,165
AFTER HE BROUGHT
SAMMY AROUND, YEAH?
697
00:30:02,234 --> 00:30:04,534
WELL, WHAT DID HE EXPECT?
698
00:30:04,603 --> 00:30:06,470
I HATED THAT CHILD.
699
00:30:06,538 --> 00:30:07,971
HATED?
700
00:30:08,040 --> 00:30:11,808
YOU THINK HE'S STILL ALIVE?
701
00:30:13,979 --> 00:30:15,412
YES!
702
00:30:15,481 --> 00:30:18,515
LUKE STAFFORD...
BIT OF A BAD UN.
703
00:30:18,583 --> 00:30:20,817
AND HE WENT TO ALL
SAINTS HIGH SCHOOL...
704
00:30:20,886 --> 00:30:22,285
SAME SCHOOL AS SARAH WRAY.
705
00:30:22,354 --> 00:30:24,488
[TELEPHONE RINGS]
706
00:30:24,556 --> 00:30:26,623
D.S. SHAP.
707
00:30:26,691 --> 00:30:28,392
OH, HIYA, KIM.
708
00:30:28,460 --> 00:30:31,628
YEAH, NO, IT'S TONY, YOUR
FIANC�'S BETTER HALF HERE.
709
00:30:33,265 --> 00:30:35,698
NO, LOVE, YOU'VE
JUST MISSED HIM, YEAH.
710
00:30:35,767 --> 00:30:39,503
OKAY. ALL SYSTEMS
GO FOR TONIGHT?
711
00:30:39,571 --> 00:30:41,838
I CAN'T WAIT. I'LL TELL HIM.
712
00:30:41,907 --> 00:30:44,207
ALL RIGHT, BYE.
713
00:30:44,276 --> 00:30:47,110
MAYBE WE SHOULD
POSTPONE THE PARTY.
714
00:30:47,179 --> 00:30:49,546
EVERYONE'S FLAT-OUT.
NO WAY, MATE.
715
00:30:49,614 --> 00:30:51,014
AFTER THE LAST FEW DAYS,
716
00:30:51,083 --> 00:30:53,750
WE ALL NEED A CHANCE
TO GET TOTALLY HAMMERED.
717
00:30:53,818 --> 00:30:57,220
A WEEK LAST SATURDAY, YOU
WERE WORKING. THEN WHAT?
718
00:30:57,289 --> 00:30:59,122
SHIFT FINISHES AT 4:00 A.M.
719
00:30:59,191 --> 00:31:00,457
I GET IN AT HALF PAST,
720
00:31:00,526 --> 00:31:03,193
SLEPT THROUGH TILL
5:00-ISH THAT AFTERNOON.
721
00:31:03,262 --> 00:31:06,196
SO YOU DIDN'T SEE LUKE...
722
00:31:06,265 --> 00:31:09,966
FOR THE BEST PART
OF 20-ODD HOURS?
723
00:31:10,035 --> 00:31:11,535
I NEEDED IT.
724
00:31:11,603 --> 00:31:13,670
I JUST GOT OFF WHEN THE
BLOODY BUILDERS ROLLED UP.
725
00:31:13,738 --> 00:31:15,183
AND YOU NEVER SHUT UP ABOUT IT.
726
00:31:15,207 --> 00:31:17,174
WHAT TIME DID YOU
GET UP? DON'T KNOW.
727
00:31:17,242 --> 00:31:19,054
THE REST OF THE
DAY... WHAT THEN?
728
00:31:19,078 --> 00:31:21,278
HERE PROBABLY.
729
00:31:21,346 --> 00:31:24,114
'CAUSE YOU'VE BEEN IN A BIT
OF A BOTHER, HAVEN'T YOU?
730
00:31:24,183 --> 00:31:25,915
VANDALISM, ASSAULT.
731
00:31:27,319 --> 00:31:28,896
DOES IT MAKE YOU
FEEL BIG, DOES IT?
732
00:31:28,920 --> 00:31:30,165
KNOCKING SOMEONE ABOUT?
733
00:31:30,189 --> 00:31:31,933
DO YOU GET A BUZZ
OUT OF HURTING PEOPLE?
734
00:31:31,957 --> 00:31:33,656
PACK IT IN!
735
00:31:38,964 --> 00:31:41,309
HOW WELL DO YOU KNOW SARAH WRAY?
736
00:31:41,333 --> 00:31:42,765
WE'RE MATES.
737
00:31:42,834 --> 00:31:45,354
HAS SHE SAID ANYTHING ABOUT THE
ABDUCTION OF HER HALF BROTHER?
738
00:31:45,404 --> 00:31:47,070
NO. NOTHING?
739
00:31:48,340 --> 00:31:51,040
SAID YOU LOT WENT 'ROUND THERE.
740
00:31:51,110 --> 00:31:52,310
AND THAT'S ALL?
741
00:31:55,414 --> 00:31:57,892
IF YOU HAVE NO OBJECTION,
I'M GONNA LOOK 'ROUND IN HERE.
742
00:31:57,916 --> 00:31:58,848
YES.
743
00:31:58,917 --> 00:32:01,251
THERE'S NOTHING FOR YOU HERE.
744
00:32:03,589 --> 00:32:04,654
OKAY.
745
00:32:07,826 --> 00:32:09,804
HAVE WE GOT THAT WARRANT
FOR CLAIRE WRAY'S HOUSE?
746
00:32:09,828 --> 00:32:11,661
Lisa: YEAH. MEET ME THERE.
747
00:32:23,742 --> 00:32:25,742
RIGHT.
748
00:32:25,810 --> 00:32:27,710
CHARMING.
749
00:32:27,779 --> 00:32:29,019
YOU HAVE ANYTHING?
750
00:32:29,080 --> 00:32:30,380
NOT YET.
751
00:32:36,721 --> 00:32:39,156
[CELLPHONE RINGING]
752
00:32:41,860 --> 00:32:42,860
[BEEP]
753
00:33:00,712 --> 00:33:01,878
THAT'S GREAT.
754
00:33:01,946 --> 00:33:02,986
THANKS.
755
00:33:03,048 --> 00:33:04,526
YEAH, IT NEEDS
SENSITIVE HANDLING.
756
00:33:04,550 --> 00:33:05,760
WELL, YOU'RE GOOD AT THAT.
757
00:33:05,784 --> 00:33:06,794
[CHUCKLES]
758
00:33:06,818 --> 00:33:08,518
YOU STILL FOR THE PARTY TONIGHT?
759
00:33:08,587 --> 00:33:09,886
YEAH.
760
00:33:09,954 --> 00:33:11,288
ARE YOU COMING?
761
00:33:11,356 --> 00:33:12,522
DOUBT IT.
762
00:33:12,591 --> 00:33:16,560
BOSS, LUKE STAFFORD AND
SARAH WRAY ARE BEST MATES.
763
00:33:16,628 --> 00:33:19,028
HE'S GOT A HISTORY
OF VIOLENT BEHAVIOR,
764
00:33:19,097 --> 00:33:21,698
AND HE LIVES NEXT DOOR
TO THE MURDER SCENE.
765
00:33:21,766 --> 00:33:23,866
SHE'S GOT A REASON TO
WANT RID OF SAMMY WRAY.
766
00:33:23,935 --> 00:33:25,613
WHAT ARE YOU SAYING?
WELL, IT'S A PACT.
767
00:33:25,637 --> 00:33:27,537
SHE DOES SAMMY, AND
HE DOES ANOTHER CHILD.
768
00:33:27,606 --> 00:33:28,805
THEY'RE KIDS.
769
00:33:28,873 --> 00:33:32,309
OR... HE WAS GOING AFTER
SAMMY, BUT HE GOT THE WRONG KID.
770
00:33:32,377 --> 00:33:33,497
AW, COME ON.
771
00:33:33,545 --> 00:33:35,278
BOSS, YOU OUGHT TO SEE HER ROOM.
772
00:33:35,347 --> 00:33:37,581
FULL OF CHILLER DVDs
773
00:33:37,649 --> 00:33:40,149
AND STUFF ABOUT
DEATH AND PAIN...
774
00:33:40,219 --> 00:33:41,585
SICK STUFF.
775
00:33:41,653 --> 00:33:43,298
SHE'S 15. HELLO?
776
00:33:43,322 --> 00:33:46,389
LEONARD COHEN,
PURPLE INK, CRAP POETRY.
777
00:33:46,458 --> 00:33:48,203
I KNOW YOU SPRANG FULLY FORMED,
778
00:33:48,227 --> 00:33:49,804
BUT THE REST OF
US HAVE BEEN THERE.
779
00:33:49,828 --> 00:33:51,728
I'M NOT PULLING JUVENILES IN
780
00:33:51,796 --> 00:33:54,598
ON THE BASIS OF A
FREAKY DVD COLLECTION.
781
00:33:54,666 --> 00:33:57,767
CAN YOU PUT EITHER
SARAH OR LUKE AT THE PARK?
782
00:33:57,836 --> 00:33:59,836
NOT YET. BUT I CAN TRY.
783
00:33:59,904 --> 00:34:02,424
I THOUGHT YOU WERE
OTHERWISE ENGAGED THIS EVENING.
784
00:34:04,042 --> 00:34:06,876
GIVING HER A PREVIEW...
LIFE WITH A COP.
785
00:34:06,945 --> 00:34:09,112
BOSS, NONE OF THE
WITNESSES PICKED CLAIRE WRAY
786
00:34:09,180 --> 00:34:10,513
OUT OF THE LINEUP.
787
00:34:12,517 --> 00:34:14,851
OKAY, RELEASE HER.
788
00:34:24,229 --> 00:34:26,441
WE HAVE NO EVIDENCE
THAT CLAIRE IS INVOLVED.
789
00:34:26,465 --> 00:34:29,299
THE RECONSTRUCTION IS
TIMED FOR 1:00 TOMORROW.
790
00:34:29,368 --> 00:34:31,834
AND?
791
00:34:31,903 --> 00:34:33,069
IS THAT IT?
792
00:34:33,138 --> 00:34:35,505
WE GO THROUGH THE WHOLE
THING FOR THE CAMERAS
793
00:34:35,574 --> 00:34:37,118
JUST SO YOU CAN
PLASTER OVER THE NEWS?
794
00:34:37,142 --> 00:34:39,354
THERE ARE STILL WITNESSES
WE HAVEN'T MANAGED TO TALK TO.
795
00:34:39,378 --> 00:34:40,788
I'M HOPING THEY'LL COME FORWARD,
796
00:34:40,812 --> 00:34:42,357
BUT YOU DON'T NEED TO BE THERE.
797
00:34:42,381 --> 00:34:44,892
WE DON'T NEED TO MAKE THIS
ANY HARDER THAN IT HAS TO BE.
798
00:34:44,916 --> 00:34:47,550
OH, NO. WE'LL BE THERE.
799
00:34:47,619 --> 00:34:50,052
WHEN YOU FIRST TOLD
US THAT YOU'D FOUND HIM,
800
00:34:50,121 --> 00:34:52,054
WHEN WE BELIEVED HE WAS DEAD,
801
00:34:52,123 --> 00:34:55,625
IT WAS SO RAW AND
DARK, I COULDN'T BREATHE.
802
00:34:55,694 --> 00:34:58,227
BUT THIS... THIS IS WORSE.
803
00:34:58,297 --> 00:34:59,457
I'M SO SORRY.
804
00:34:59,498 --> 00:35:02,265
I DON'T KNOW WHAT'S
HAPPENING TO HIM.
805
00:35:02,334 --> 00:35:05,568
I WATCH THE CLOCK,
AND I COUNT HIS HOURS,
806
00:35:05,637 --> 00:35:07,069
AND I'M NOT THERE.
807
00:35:07,138 --> 00:35:09,706
I SHOULD BE THERE.
808
00:35:53,117 --> 00:35:54,584
YEAH, PETE?
809
00:35:54,653 --> 00:35:56,753
CAN YOU POP 'ROUND?
SOMETHING'S COME UP.
810
00:35:58,690 --> 00:36:00,222
HIYA.
811
00:36:00,291 --> 00:36:01,891
I THOUGHT YOU MEANT WORK.
812
00:36:01,960 --> 00:36:03,103
IT'S WORK-RELATED.
813
00:36:03,127 --> 00:36:04,561
IS, UM...
814
00:36:04,629 --> 00:36:06,128
IS TINA ALL RIGHT?
815
00:36:08,433 --> 00:36:09,532
YEAH, GOOD.
816
00:36:10,769 --> 00:36:11,769
BYE, THEN.
817
00:36:15,607 --> 00:36:18,240
[MID-TEMPO DISCO MUSIC PLAYS]
818
00:36:22,380 --> 00:36:24,814
[INDISTINCT CONVERSATIONS]
819
00:36:32,090 --> 00:36:33,590
[CHEERING]
820
00:36:33,658 --> 00:36:35,592
[LAUGHTER]
821
00:36:38,396 --> 00:36:39,696
HIYA.
822
00:36:39,764 --> 00:36:41,664
THIS ONE'S ON ME.
823
00:36:41,733 --> 00:36:44,968
WHATEVER THESE GUYS WANT
AND SOMETHING FOR YOURSELF.
824
00:36:45,036 --> 00:36:46,956
YOU OUGHT TO GET HER
NAME DOWN FOR A WIFE SWAP.
825
00:36:47,005 --> 00:36:48,537
SHE'D BE PERFECT.
826
00:36:48,607 --> 00:36:49,739
[LAUGHS]
827
00:36:49,808 --> 00:36:52,775
[WOMEN CHEERING]
828
00:36:56,180 --> 00:36:57,814
THANKS.
829
00:36:57,882 --> 00:37:00,316
COME ON, BUTCHERS.
WHICH ONE IS SHE?
830
00:37:00,384 --> 00:37:01,629
THE ONE IN PINK.
THE ONE IN PINK?
831
00:37:01,653 --> 00:37:03,385
[WOMEN CHEERING]
832
00:37:03,454 --> 00:37:05,888
CONGRATULATIONS, DEAR.
833
00:37:05,957 --> 00:37:07,256
YES, BOSS.
834
00:37:07,325 --> 00:37:09,191
I'M GONNA JUST...
835
00:37:09,260 --> 00:37:11,260
[LAUGHTER]
836
00:37:12,897 --> 00:37:14,664
HI, GIRLS. [LAUGHTER]
837
00:37:17,636 --> 00:37:20,770
? IT TOOK ALL THE STRENGTH
I HAD NOT TO FALL APART ?
838
00:37:20,839 --> 00:37:24,641
? KEPT TRYIN' HARD TO MEND
THE PIECES OF MY BROKEN HEART ?
839
00:37:24,709 --> 00:37:26,676
? AND I SPENT, OH,
SO MANY NIGHTS ?
840
00:37:26,745 --> 00:37:28,577
? FEELING SORRY FOR MYSELF ?
841
00:37:28,647 --> 00:37:30,613
? I USED TO CRY ?
842
00:37:30,682 --> 00:37:32,715
? BUT NOW I HOLD
MY HEAD UP HIGH ?
843
00:37:32,784 --> 00:37:34,316
? AND YOU SEE ME ?
844
00:37:34,385 --> 00:37:36,163
[Slurring] MILLIE.
845
00:37:36,187 --> 00:37:38,254
MILLIE.
846
00:37:38,322 --> 00:37:40,567
WE HAD A TORTOISE
CALLED MILLIE ONCE.
847
00:37:40,591 --> 00:37:42,025
IS IT SHORT FOR SOMETHING?
848
00:37:42,093 --> 00:37:43,359
MILLISON?
849
00:37:43,427 --> 00:37:44,761
IT'S EMILY, ACTUALLY.
850
00:37:44,829 --> 00:37:46,129
OH.
851
00:37:46,197 --> 00:37:48,731
YOU DON'T USE EMILY FOR WORK.
852
00:37:48,800 --> 00:37:50,444
YOU DON'T THINK YOU
MIGHT BE A BIT MORE...
853
00:37:50,468 --> 00:37:52,802
SAME AGAIN? WILL
YOU DO THE HONORS?
854
00:37:52,871 --> 00:37:53,803
THANKS.
855
00:37:53,872 --> 00:37:55,016
I THINK YOU'VE HAD ENOUGH.
856
00:37:55,040 --> 00:37:56,172
PISS OFF.
857
00:37:56,240 --> 00:37:57,640
MORE WHAT?
858
00:37:59,778 --> 00:38:01,010
SORRY?
859
00:38:02,781 --> 00:38:05,314
[TALKS INDISTINCTLY]
860
00:38:05,383 --> 00:38:07,394
HE ACTS LIKE IT'S
A TRADE SECRET.
861
00:38:07,418 --> 00:38:08,996
YOU'RE NOT MARRIED TO A
WOMAN OR SOMETHING, ARE YOU?
862
00:38:09,020 --> 00:38:10,920
[SCOFFS] GOD, NO.
863
00:38:10,989 --> 00:38:12,288
ARE YOU?
864
00:38:13,792 --> 00:38:15,257
? I'VE GOT ALL MY SELF-ESTEEM ?
865
00:38:15,326 --> 00:38:17,827
? I WILL SURVIVE ?
866
00:38:17,896 --> 00:38:19,696
WHAT?
867
00:38:19,764 --> 00:38:23,099
SO, WHAT MADE YOU
POP THE QUESTION?
868
00:38:23,168 --> 00:38:24,934
WERE YOU PISSED OR WHAT?
869
00:38:25,003 --> 00:38:26,402
I DON'T REMEMBER.
870
00:38:26,470 --> 00:38:28,137
IT WAS NEWS TO ME.
871
00:38:28,206 --> 00:38:29,505
BAD NEWS.
872
00:38:29,574 --> 00:38:31,774
BUT YOU STILL WENT AHEAD
AND STUMPED UP FOR A RING?
873
00:38:31,843 --> 00:38:33,109
WELL, UH...
874
00:38:33,178 --> 00:38:35,778
YOU TIGHT GIT.
875
00:38:35,847 --> 00:38:36,879
[LAUGHS]
876
00:38:36,948 --> 00:38:38,514
YOU MADE HER PAY
FOR HER OWN RING.
877
00:38:38,583 --> 00:38:40,194
ONLY TILL ME SALARY
COMES THROUGH.
878
00:38:40,218 --> 00:38:41,617
[LAUGHS]
879
00:38:41,686 --> 00:38:43,686
WHAT AM I GONNA DO?
880
00:38:43,755 --> 00:38:45,188
LEAVE IT WITH ME.
881
00:38:45,256 --> 00:38:46,555
I'LL HAVE A QUIET WORD.
882
00:38:46,624 --> 00:38:48,091
TONY.
883
00:38:48,159 --> 00:38:49,992
IT'S DECIDED.
884
00:38:50,061 --> 00:38:51,393
TRUST ME.
885
00:38:53,698 --> 00:38:56,999
I NEVER TOOK YOU
FOR A PARTY ANIMAL.
886
00:38:57,068 --> 00:38:59,501
LIVE IT LARGE, LOUISE.
THAT'S WHAT I SAY.
887
00:38:59,570 --> 00:39:01,403
GOT TO SHOW THEM WE'RE HUMAN.
888
00:39:01,472 --> 00:39:03,417
THE TEAM RESPECTS YOU, JANINE.
889
00:39:03,441 --> 00:39:05,881
THAT'S HARD TO
WIN BUT EASILY LOST.
890
00:39:05,944 --> 00:39:07,922
YOU KNOW, YOU'RE
NEVER REALLY OFF DUTY.
891
00:39:07,946 --> 00:39:09,345
THAT'S RIGHT.
892
00:39:09,413 --> 00:39:11,447
THAT'S RIGHT.
893
00:39:11,515 --> 00:39:14,016
AND YOU CAN BE ALL MATES
TOGETHER ALL NIGHT AND CHUMMY,
894
00:39:14,085 --> 00:39:15,952
AND THEN, IN THE
OFFICE IN THE MORNING,
895
00:39:16,020 --> 00:39:17,854
YOU CAN BE GIVING
SOMEONE A BOLLOCKING.
896
00:39:17,922 --> 00:39:19,722
YOU HAVE TO SET THE TONE.
897
00:39:19,791 --> 00:39:21,023
LEAD BY EXAMPLE.
898
00:39:21,092 --> 00:39:23,793
CAN BE TRICKY KNOWING
WHERE TO DRAW THE LINE.
899
00:39:23,862 --> 00:39:26,273
A CASE LIKE THIS IS HARD
ON EVERYONE INVOLVED.
900
00:39:26,297 --> 00:39:28,231
CAN SAY THAT AGAIN.
901
00:39:28,299 --> 00:39:32,568
WE'RE WORKING OUR BALLS
OFF AND GETTING NOWHERE.
902
00:39:32,637 --> 00:39:34,037
[Voice breaking] AND THERE'S ME,
903
00:39:34,105 --> 00:39:36,372
TELLING THE PARENTS
OF A MISSING 3-YEAR-OLD
904
00:39:36,440 --> 00:39:38,540
THERE'S STILL NO NEWS.
905
00:39:38,609 --> 00:39:41,911
AND IT MAKES ME
WONDER, YOU KNOW,
906
00:39:41,980 --> 00:39:44,113
MAYBE I'VE DONE SOMETHING WRONG.
907
00:39:44,182 --> 00:39:48,017
MAYBE I CAN'T HACK IT ANYMORE.
908
00:39:48,086 --> 00:39:51,854
AM I JUST IN THIS JOB BECAUSE
IT'S ALL I'VE EVER DONE?
909
00:39:51,923 --> 00:39:53,089
YOU!
910
00:39:53,158 --> 00:39:54,690
IF I FEEL LIKE THAT,
911
00:39:54,759 --> 00:39:58,027
HOW AM I SUPPOSED TO KEEP
UP MORALE FOR THAT LOT?
912
00:39:58,096 --> 00:39:59,874
WHERE WERE YOU?! WHAT
DO YOU THINK YOU'RE DOING?!
913
00:39:59,898 --> 00:40:03,099
COME ON, BOSS. YOU
HAVEN'T HAD ANY CAKE YET.
914
00:40:03,168 --> 00:40:05,268
WE NEED TO GET IN QUICK.
915
00:40:05,336 --> 00:40:08,938
Kim: [SHOUTING INDISTINCTLY]
916
00:40:12,777 --> 00:40:15,111
Janine: ? REGRETS ?
917
00:40:15,180 --> 00:40:16,879
? I'VE HAD A FEW ?
918
00:40:16,948 --> 00:40:18,915
I'VE HAD A FEW, ACTUALLY.
919
00:40:18,983 --> 00:40:20,049
[FEEDBACK]
920
00:40:20,118 --> 00:40:22,318
? THEN AGAIN ?
921
00:40:22,386 --> 00:40:25,288
? TOO FEW TO MENTION ?
922
00:40:25,356 --> 00:40:28,024
? I DID ?
923
00:40:28,092 --> 00:40:31,327
? WHAT I HAD TO DO ?
924
00:40:31,395 --> 00:40:34,230
? I SAW IT THROUGH ?
925
00:40:34,299 --> 00:40:38,201
? WITHOUT EXEMPTION ?
926
00:40:38,269 --> 00:40:40,169
? I PLANNED ?
927
00:40:40,238 --> 00:40:43,439
? EACH CHARTED COURSE ?
928
00:40:43,507 --> 00:40:47,009
? EACH CAREFUL STEP ?
929
00:40:47,078 --> 00:40:50,412
? ALONG THE BYWAY ?
930
00:40:50,481 --> 00:40:53,082
? MORE ?
931
00:40:53,151 --> 00:40:56,185
? MORE THAN THIS ?
932
00:40:56,254 --> 00:41:02,291
? I DID IT MY-Y-Y WAY ?
933
00:41:09,433 --> 00:41:10,833
HI.
934
00:41:10,902 --> 00:41:12,622
PETE, CAN YOU DROP
ME LAPTOP 'ROUND?
935
00:41:12,671 --> 00:41:13,870
I'VE LEFT IT IN THE HALL.
936
00:41:13,938 --> 00:41:15,638
THANKS.
937
00:41:24,582 --> 00:41:26,149
[SIGHS]
938
00:41:28,086 --> 00:41:29,752
? REGRETS ?
939
00:41:29,821 --> 00:41:30,920
? I'VE HAD A FEW ?
940
00:41:30,989 --> 00:41:32,288
? BUT THEN AGAIN ?
941
00:41:32,356 --> 00:41:34,256
I CAN ARRANGE A
FEW MORE IF YOU LIKE.
942
00:41:34,325 --> 00:41:35,958
[LAUGHTER]
943
00:41:38,063 --> 00:41:39,528
OKAY.
944
00:41:39,597 --> 00:41:42,398
WE'VE, UH, WE'VE NOW
GOT DETAILED STATEMENTS
945
00:41:42,466 --> 00:41:47,269
FROM THE STAFFORDS,
McAVOY, BREELEY,
946
00:41:47,338 --> 00:41:50,406
HOUSE STAFFS FOR THE
WHOLE OF KENDALL AVENUE,
947
00:41:50,474 --> 00:41:52,975
PLUS TESTIMONY
FROM ROYAL MAIL STAFF,
948
00:41:53,044 --> 00:41:57,714
METER READERS, WINDOW
CLEANERS, AVON LADY, THE WORKS.
949
00:41:57,782 --> 00:42:00,516
THAT LITTLE LOT NEEDS
CORRELATING AND MAPPING OUT.
950
00:42:00,585 --> 00:42:03,152
SOMEONE PUT THAT CHILD THERE.
951
00:42:03,221 --> 00:42:05,454
THEY WEREN'T OBSERVED.
952
00:42:05,523 --> 00:42:07,156
WHEN DID THEY GET THE CHANCE?
953
00:42:07,225 --> 00:42:08,457
[DOOR OPENS]
954
00:42:08,526 --> 00:42:09,826
LATE NIGHT, BUTCHERS?
955
00:42:09,894 --> 00:42:12,239
I BROUGHT IN LUKE
STAFFORD AND SARAH WRAY.
956
00:42:12,263 --> 00:42:14,441
THEY WERE AT LUKE'S HOUSE
THAT SATURDAY AFTERNOON.
957
00:42:14,465 --> 00:42:16,877
THAT'S WHERE SHE WENT
AFTER THE HOCKEY MATCH,
958
00:42:16,901 --> 00:42:19,836
AND LUKE FAILED TO MENTION IT.
959
00:42:19,904 --> 00:42:21,204
AND?
960
00:42:21,272 --> 00:42:23,272
AND...
961
00:42:23,341 --> 00:42:26,408
THEY COULD HAVE GONE TO
THE PARK AND TAKEN SAMMY.
962
00:42:26,477 --> 00:42:28,077
HOW'S THIS?
963
00:42:31,249 --> 00:42:33,349
WE HUNG OUT
TOGETHER, THAT'S ALL.
964
00:42:33,417 --> 00:42:35,284
WE JUST STAYED AT HIS HOUSE.
965
00:42:35,353 --> 00:42:36,719
YOU EVER GO OUT AT ALL?
966
00:42:36,788 --> 00:42:37,788
NO.
967
00:42:37,822 --> 00:42:38,902
BOY'S OUT OF CONTROL.
968
00:42:38,957 --> 00:42:40,723
YOU DON'T KNOW
ANYTHING ABOUT HIM.
969
00:42:40,792 --> 00:42:41,836
PLEASE, MRS. WRAY,
970
00:42:41,860 --> 00:42:44,004
CAN WE JUST HEAR WHAT
SARAH'S GOT TO SAY?
971
00:42:44,028 --> 00:42:46,362
LUKE'S MUM DIED,
972
00:42:46,430 --> 00:42:48,831
AND HIS DAD WON'T
EVEN SAY HER NAME.
973
00:42:48,900 --> 00:42:50,967
IT'S LIKE SHE NEVER EXISTED.
974
00:42:51,035 --> 00:42:52,035
HE GETS DOWN,
975
00:42:52,103 --> 00:42:54,036
AND SO HE GETS ANGRY
AND HE GETS INTO FIGHTS.
976
00:42:54,105 --> 00:42:55,105
THAT'S ALL.
977
00:42:55,140 --> 00:42:56,438
HOW FAR DOES HE GO?
978
00:42:56,507 --> 00:42:59,147
HAS HE EVER REALLY
HURT ANYONE? NO.
979
00:42:59,210 --> 00:43:00,709
IT'S JUST A SCRAP...
980
00:43:00,779 --> 00:43:02,812
USUALLY SOMEONE
WHO'S GETTING AT HIM.
981
00:43:02,881 --> 00:43:05,748
MOSTLY, HE JUST TALKS
ABOUT KILLING HIMSELF
982
00:43:05,817 --> 00:43:07,884
BECAUSE HIS LIFE
ISN'T WORTH LIVING.
983
00:43:07,952 --> 00:43:10,419
I KNOW ONLY TOO WELL
HOW GREAT A LOSS CAN BE.
984
00:43:10,488 --> 00:43:12,655
PLEASE. BE QUIET.
985
00:43:12,723 --> 00:43:14,456
NO.
986
00:43:14,525 --> 00:43:16,392
NO, IT'S NOT THE SAME.
987
00:43:16,460 --> 00:43:19,395
DAD LEFT YOU, BUT
HE LEFT ME, TOO.
988
00:43:19,463 --> 00:43:22,031
YOU JUST MADE IT HARDER.
989
00:43:22,100 --> 00:43:25,034
HE WANTED TO SEE ME,
BUT YOU MADE IT IMPOSSIBLE.
990
00:43:25,103 --> 00:43:27,314
HAS ANYONE EVER ASKED
YOU WHAT YOU WANTED?
991
00:43:27,338 --> 00:43:29,939
I MISSED HIM SO MUCH.
992
00:43:32,143 --> 00:43:34,010
YOU SHOULD HAVE TOLD ME.
993
00:43:34,078 --> 00:43:37,013
SARAH'S TELLING
YOU NOW. JUST LISTEN.
994
00:43:39,417 --> 00:43:43,119
HE'D GONE, AND
THEN YOU TOOK PILLS.
995
00:43:45,256 --> 00:43:47,489
WHAT IF I HADN'T
FOUND YOU IN TIME?
996
00:43:47,558 --> 00:43:49,892
DID YOU EVER EVEN
THINK OF THAT...
997
00:43:49,961 --> 00:43:52,661
AND WHAT IT WAS LIKE FOR ME?
998
00:43:52,730 --> 00:43:56,299
I'M SO SICK OF IT.
999
00:43:56,367 --> 00:43:59,368
[Voice breaking] I JUST
WANT IT ALL TO STOP.
1000
00:44:07,645 --> 00:44:08,811
WHY DIDN'T YOU TELL US
1001
00:44:08,880 --> 00:44:11,347
THAT SARAH HAD COME TO
YOUR HOUSE THAT AFTERNOON?
1002
00:44:11,415 --> 00:44:13,760
YOU JUST ASKED ME WHERE I WAS.
1003
00:44:13,784 --> 00:44:15,818
LUKE, CAN YOU HELP US?
1004
00:44:15,887 --> 00:44:19,388
DO YOU KNOW ANYTHING ABOUT
THE MURDER OR SAMMY'S ABDUCTION?
1005
00:44:19,457 --> 00:44:21,535
NO. HOW CAN YOU THINK THAT?
1006
00:44:21,559 --> 00:44:24,160
WE WON'T GET ANY SURPRISES
WHEN YOUR DNA TESTS COME BACK?
1007
00:44:24,229 --> 00:44:26,729
NO. IS SARAH ALL RIGHT?
1008
00:44:26,797 --> 00:44:28,898
YES, SHE'S FINE. THANKS
VERY MUCH FOR YOUR HELP.
1009
00:44:28,967 --> 00:44:31,100
COULD YOU JUST WAIT
OUTSIDE FOR A MOMENT, PLEASE?
1010
00:44:33,804 --> 00:44:36,472
HOLD ON, PLEASE.
1011
00:44:36,540 --> 00:44:40,209
[DOOR OPENS, CLOSES]
1012
00:44:40,278 --> 00:44:42,211
THESE PROBLEMS THAT
LUKE'S BEEN HAVING,
1013
00:44:42,280 --> 00:44:44,146
THEY STARTED AFTER
YOUR WIFE'S DEATH?
1014
00:44:44,215 --> 00:44:46,148
HE TOOK IT HARD.
1015
00:44:46,217 --> 00:44:48,517
YOU TRY TALKING TO
HIM? GET ANY HELP?
1016
00:44:48,586 --> 00:44:51,587
THERE'S NO POINT
IN DWELLING ON IT.
1017
00:44:51,655 --> 00:44:53,022
SO, YOU DID NOTHING?
1018
00:44:54,259 --> 00:44:55,491
ARE YOU AWARE OF THE FACT
1019
00:44:55,559 --> 00:44:58,394
THAT LUKE'S BEEN
STRUGGLING WITH DEPRESSION?
1020
00:44:58,462 --> 00:44:59,996
HE'S HAD SUICIDAL THOUGHTS.
1021
00:45:01,866 --> 00:45:03,465
OH, GOD.
1022
00:45:03,534 --> 00:45:05,101
[SIGHS]
1023
00:45:05,169 --> 00:45:08,104
I GOT IT ALL WRONG, DIDN'T I?
1024
00:45:08,172 --> 00:45:09,616
I'M A DETECTIVE, NOT
A FAMILY THERAPIST.
1025
00:45:09,640 --> 00:45:11,340
YOU DRAG THEM IN THERE,
1026
00:45:11,409 --> 00:45:13,888
FORCING ME AWAY FROM
TWO CRITICAL INVESTIGATIONS.
1027
00:45:13,912 --> 00:45:16,357
YOU LATCHED ONTO THE
WHOLE TEENAGE-KILLER THEORY
1028
00:45:16,381 --> 00:45:17,457
'CAUSE IT WAS EASIER
1029
00:45:17,481 --> 00:45:19,726
THAN DEALING WITH
YOUR PERSONAL STUFF.
1030
00:45:19,750 --> 00:45:21,050
NOW, WE'VE ALL DONE IT,
1031
00:45:21,119 --> 00:45:23,463
BUT IT COCKS THINGS
UP HERE AND AT HOME.
1032
00:45:23,487 --> 00:45:25,388
IT'S ALL OFF.
1033
00:45:25,456 --> 00:45:26,967
WHY DOESN'T THAT SURPRISE ME?
1034
00:45:26,991 --> 00:45:28,157
HAPPY?
1035
00:45:28,226 --> 00:45:29,758
SHE WAS A BIT OF A SLAPPER.
1036
00:45:29,827 --> 00:45:31,560
AND YOU'RE A PRAT.
1037
00:45:31,629 --> 00:45:33,941
I WANT TO REVIEW YOUR
ORIGINAL STATEMENTS,
1038
00:45:33,965 --> 00:45:36,285
SEE HOW OBJECTIVE THEY ARE.
1039
00:45:41,139 --> 00:45:42,416
LAYING DOWN THE LAW?
1040
00:45:42,440 --> 00:45:44,960
LOOKS LIKE HE'S DONE A
FEW ROUNDS WITH AMIR KHAN.
1041
00:45:49,013 --> 00:45:50,479
A "THANK YOU" WOULD BE NICE.
1042
00:45:50,548 --> 00:45:52,148
HONESTY WOULD BE NICE.
1043
00:45:52,216 --> 00:45:54,716
WERE YOU EVER
GONNA SAY ANYTHING?
1044
00:45:54,785 --> 00:45:56,825
GETTING THE KIDS TO TELL
ME... HOW PATHETIC IS THAT?
1045
00:45:56,854 --> 00:45:58,198
I DIDN'T TELL THEM. IT WAS TINA.
1046
00:45:58,222 --> 00:46:00,622
[Chuckling] OH,
WELL, THAT'S RIGHT.
1047
00:46:00,691 --> 00:46:02,702
SO, YOU'RE KEEPING THE
BABY A SECRET FROM ALL OF US.
1048
00:46:02,726 --> 00:46:04,526
FORGIVE ME IF I DON'T
CONGRATULATE YOU.
1049
00:46:04,595 --> 00:46:05,806
I DON'T WANT ANOTHER CHILD.
1050
00:46:05,830 --> 00:46:07,596
YOU KNOW THAT.
1051
00:46:07,665 --> 00:46:10,025
IT'S NEVER PART OF THE PLANNING.
1052
00:46:11,069 --> 00:46:14,703
LOOK, UM, WHATEVER HAPPENS,
I'M NOT GOING ANYWHERE.
1053
00:46:14,772 --> 00:46:17,017
THE KIDS... I'LL BE
THERE FOR THEM.
1054
00:46:17,041 --> 00:46:18,841
IS SHE GONNA WANT
TO GET MARRIED?
1055
00:46:20,211 --> 00:46:21,255
I DON'T KNOW.
1056
00:46:21,279 --> 00:46:23,412
AW, COME ON, PETE.
TAKE A WILD GUESS.
1057
00:46:23,481 --> 00:46:25,448
WHAT IS IT? A
COMMITMENT TOO FAR?
1058
00:46:25,516 --> 00:46:27,583
IT'S NOT THE BABY.
1059
00:46:27,651 --> 00:46:29,830
YOU KNOW, IT'S
JUST... I HAD OPTIONS.
1060
00:46:29,854 --> 00:46:31,932
I WAS SEEING HOW
THINGS PANNED OUT.
1061
00:46:31,956 --> 00:46:33,122
[LAUGHS] RIGHT.
1062
00:46:33,191 --> 00:46:34,890
RIGHT.
1063
00:46:34,959 --> 00:46:37,426
YOU CAN'T LEAVE TINA NOW.
1064
00:46:37,495 --> 00:46:38,861
IS THAT IT?
1065
00:46:38,929 --> 00:46:40,696
WHAT OPTIONS DID I HAVE?
1066
00:46:40,764 --> 00:46:42,865
HMM?
1067
00:46:42,933 --> 00:46:44,833
PROMOTION, THREE
KIDS, ONE ON THE WAY
1068
00:46:44,902 --> 00:46:46,002
WHEN YOU SWANNED OFF.
1069
00:46:46,070 --> 00:46:49,238
I DIDN'T CHOOSE THIS. THIS
WASN'T PART OF MY PLAN.
1070
00:46:49,307 --> 00:46:50,906
I WANT A DIVORCE.
1071
00:46:50,975 --> 00:46:52,619
[SIGHS] YOU'RE UPSET.
1072
00:46:52,643 --> 00:46:55,211
IT'S BEEN TWO YEARS.
IT'S NOT COMPLICATED.
1073
00:46:55,279 --> 00:46:56,778
THIS ISN'T A
MARRIAGE. IT'S OVER.
1074
00:46:56,847 --> 00:46:58,127
[KNOCK ON DOOR] YEAH?
1075
00:47:04,822 --> 00:47:07,890
[INDISTINCT HIGH-PITCHED
CONVERSATIONS]
1076
00:47:09,994 --> 00:47:13,095
KEN STAFFORD'S SECOND STATEMENT.
1077
00:47:13,164 --> 00:47:14,741
"SATURDAY, BACK
FROM THE NIGHT SHIFT,
1078
00:47:14,765 --> 00:47:16,877
JUST GOT OFF TO SLEEP,
WHEN THE BUILDERS START UP."
1079
00:47:16,901 --> 00:47:18,512
LUKE SAYS HIS DAD
COMPLAINED ABOUT IT.
1080
00:47:18,536 --> 00:47:22,305
INITIAL DOOR-TO-DOOR
TESTIMONY FROM KEN STAFFORD...
1081
00:47:22,373 --> 00:47:23,653
"DON'T SEE THEM FOR DAYS,
1082
00:47:23,707 --> 00:47:25,852
THEN THEY TURN UP
AT THE CRACK OF DAWN."
1083
00:47:25,876 --> 00:47:30,012
LAZY BUILDERS... ON THE
JOB BEFORE DAYLIGHT?
1084
00:47:30,081 --> 00:47:32,681
IT'S THE BUILDERS WE
SHOULD BE TALKING TO.
1085
00:47:32,750 --> 00:47:34,250
IT'S THE BLOODY BUILDERS.
1086
00:47:34,319 --> 00:47:36,752
Shap: BREELEY'S CAR BROKE
DOWN ON THE FRIDAY AFTERNOON.
1087
00:47:36,821 --> 00:47:38,999
A.A. WERE CALLED OUT.
MANDY BREELEY WAS DRIVING.
1088
00:47:39,023 --> 00:47:41,623
YEAH, HE WAS FIXING THAT CAR
WHEN WE FIRST WENT 'ROUND THERE.
1089
00:47:41,692 --> 00:47:43,938
IF IT WAS BREELEY, AND
THAT CAR WAS OUT OF ACTION,
1090
00:47:43,962 --> 00:47:45,572
HE'D HAVE HAD TO
USE HIS WORK VAN
1091
00:47:45,596 --> 00:47:47,441
TO TAKE THE BODY TO
THE DRAINAGE TUNNEL.
1092
00:47:47,465 --> 00:47:48,664
FROM?
1093
00:47:50,701 --> 00:47:52,268
ALL RIGHT.
1094
00:47:52,337 --> 00:47:56,305
IF BREELEY OR McAVOY
DID KILL THE CHILD,
1095
00:47:56,374 --> 00:47:58,640
COULD THEY HAVE GONE
ON TO SNATCH SAMMY,
1096
00:47:58,709 --> 00:48:00,142
HIDDEN HIM SOMEWHERE, TOO?
1097
00:48:00,211 --> 00:48:02,389
BREELEY'S WIFE SAID HE WAS
WITH HER ALL SATURDAY AFTERNOON.
1098
00:48:02,413 --> 00:48:04,158
AND THERE'S NO ONE TO
ALIBI McAVOY FOR, THEN.
1099
00:48:04,182 --> 00:48:06,893
NO ONE? HOME IN FRONT
OF THE TELLY, A FEW BEERS.
1100
00:48:06,917 --> 00:48:08,050
LIVES ALONE, NO FAMILY?
1101
00:48:08,119 --> 00:48:09,663
AND WHAT? THAT MAKES
IT ANY MORE LIKELY?
1102
00:48:09,687 --> 00:48:11,498
JUST NO ONE TO KEEP TABS ON HIM.
1103
00:48:11,522 --> 00:48:12,989
HAS ITS ADVANTAGES.
1104
00:48:13,057 --> 00:48:15,691
SO, BREELEY'S BEEN OFF SICK.
1105
00:48:15,759 --> 00:48:18,060
WHICH SITES HAS
McAVOY BEEN WORKING AT?
1106
00:48:18,129 --> 00:48:19,395
FIND OUT.
1107
00:48:19,464 --> 00:48:20,762
WE NEED TO SEARCH THEM.
1108
00:48:20,831 --> 00:48:22,398
LET'S GET CRACKING ON THIS.
1109
00:48:22,467 --> 00:48:23,467
RICHARD?
1110
00:48:31,609 --> 00:48:33,109
IS THIS ABOUT LAST NIGHT?
1111
00:48:33,177 --> 00:48:35,222
THE GLACIAL TONE,
THE MOODY STARES.
1112
00:48:35,246 --> 00:48:36,390
DID I POP YOUR BALLOON?
1113
00:48:36,414 --> 00:48:38,447
NO, YOU WERE A RIGHT
COW TO MILLIE LAST NIGHT.
1114
00:48:38,516 --> 00:48:39,982
YOU COULD BARELY SAY HER NAME.
1115
00:48:40,051 --> 00:48:41,051
"MILLIE?"
1116
00:48:41,085 --> 00:48:43,319
PATRONIZING HER,
STICKING YOUR NOSE IN.
1117
00:48:43,388 --> 00:48:45,388
OR MAYBE YOU CAN'T
REMEMBER THAT.
1118
00:48:45,456 --> 00:48:47,267
IT WAS JUST BEFORE YOU
MADE A RIGHT PRAT OF YOURSELF
1119
00:48:47,291 --> 00:48:49,691
WITH YOUR "'X' FACTOR" ROUTINE.
1120
00:48:52,530 --> 00:48:56,499
OKAY, SO, WILL YOU CALL
HIM AND THEN LET ME KNOW?
1121
00:48:56,567 --> 00:48:58,067
THANKS, JEFF.
1122
00:48:58,136 --> 00:48:59,402
YEAH, NO PROBS.
1123
00:48:59,470 --> 00:49:01,303
SPEAK TO YOU LATER. BYE.
1124
00:49:03,807 --> 00:49:06,153
WE'VE, UM... WE'VE HAD A BREAK.
1125
00:49:06,177 --> 00:49:09,178
STAFFORD'S STATEMENT PUTS
ONE OF THE BUILDERS AT THE SCENE
1126
00:49:09,247 --> 00:49:10,527
EARLY THAT SATURDAY MORNING.
1127
00:49:10,581 --> 00:49:11,680
WHO?
1128
00:49:11,749 --> 00:49:14,850
IT'S TOO EARLY TO ELIMINATE
EITHER OF THEM YET.
1129
00:49:14,919 --> 00:49:17,819
ANYTHING ELSE?
1130
00:49:17,888 --> 00:49:20,089
YEAH, UH, YEAH.
1131
00:49:20,158 --> 00:49:22,658
YOU COULD ISSUE A
STATEMENT SAYING,
1132
00:49:22,726 --> 00:49:25,239
"YOUR INFORMATION HAS GIVEN
US SOME POSITIVE NEW LEADS
1133
00:49:25,263 --> 00:49:26,895
AND VERY HELPFUL."
1134
00:49:26,964 --> 00:49:28,431
THAT TRUE?
1135
00:49:28,499 --> 00:49:29,965
NO.
1136
00:49:30,034 --> 00:49:32,212
FEEL LIKE I'M SMASHING ME
HEAD AGAINST A BRICK WALL,
1137
00:49:32,236 --> 00:49:33,613
BUT THAT DOESN'T SCAN SO WELL.
1138
00:49:33,637 --> 00:49:37,739
WELL, I COULD DIG AROUND
A BIT, DO AN ARCHIVE SEARCH.
1139
00:49:37,808 --> 00:49:39,475
YEAH, THANKS.
1140
00:49:39,544 --> 00:49:43,079
THE WRAYS ARE STILL SET ON
ATTENDING THE RECONSTRUCTION.
1141
00:49:43,147 --> 00:49:45,459
THEY, UM, THEY WANT
TO FEEL INVOLVED.
1142
00:49:45,483 --> 00:49:47,083
[TELEPHONE RINGS]
1143
00:49:48,819 --> 00:49:50,453
I'LL SEE YOU THERE.
1144
00:49:50,521 --> 00:49:51,853
MILLIE SAUNDERS.
1145
00:49:51,922 --> 00:49:52,999
WE HAVE A WITNESS
1146
00:49:53,023 --> 00:49:55,757
WHO PLACES YOU AT KENDALL
AVENUE MUCH EARLIER.
1147
00:49:55,826 --> 00:49:58,294
THAT CAN'T BE ME. I
DIDN'T GET THERE TILL 9:00.
1148
00:49:58,362 --> 00:49:59,473
WERE YOU THE FIRST?
1149
00:49:59,497 --> 00:50:00,497
YEAH.
1150
00:50:00,531 --> 00:50:02,231
WHEN DID BREELEY SHOW?
1151
00:50:02,300 --> 00:50:03,765
JUST AFTER.
1152
00:50:03,834 --> 00:50:06,034
DO YOU THINK HE HAD
SOMETHING TO DO WITH IT?
1153
00:50:06,104 --> 00:50:07,747
YOU'RE THE ONE IN
THE INTERVIEW ROOM.
1154
00:50:07,771 --> 00:50:09,838
THAT'S RUBBISH, THAT IS.
1155
00:50:09,907 --> 00:50:12,941
I WAS THE ONE WHO REPORTED
IT... THE FLOOD, ANYWAY.
1156
00:50:13,010 --> 00:50:14,510
NOW, WHY WOULD I DO THAT?
1157
00:50:14,579 --> 00:50:16,145
YOU TELL ME.
1158
00:50:16,214 --> 00:50:18,258
YOU'RE A TRUE
CRIME FAN. AM I RIGHT?
1159
00:50:18,282 --> 00:50:19,215
YEAH.
1160
00:50:19,283 --> 00:50:20,561
OH, YOU'LL KNOW, THEN.
1161
00:50:20,585 --> 00:50:22,796
THERE ARE SOME PEOPLE WHO
ATTRACT PARTICULAR ATTENTION
1162
00:50:22,820 --> 00:50:23,964
IN A MURDER INQUIRY.
1163
00:50:23,988 --> 00:50:25,454
FAMILY, CLOSE FRIENDS.
1164
00:50:25,523 --> 00:50:28,457
ALSO, THE LAST PERSON
TO SEE THE VICTIM ALIVE,
1165
00:50:28,526 --> 00:50:30,704
THE ONE WHO DISCOVERS THE BODY,
1166
00:50:30,728 --> 00:50:34,096
ANYONE SHOWING AN EXCESSIVE
AMOUNT OF INTEREST IN THE CASE,
1167
00:50:34,165 --> 00:50:37,099
AND A PERSON WHO RETURNS
TO THE SCENE OF THE CRIME.
1168
00:50:37,168 --> 00:50:38,934
THREE OUT OF FOUR.
1169
00:50:39,003 --> 00:50:40,136
NO WAY!
1170
00:50:40,204 --> 00:50:43,071
YOU GOT IT ALL WRONG!
I WAS WORKING THERE.
1171
00:50:43,141 --> 00:50:45,407
I CALLED IT IN... THE FLOOD.
1172
00:50:45,476 --> 00:50:47,309
IT'S JUST
CIRCUMSTANTIAL IS THIS.
1173
00:50:47,378 --> 00:50:49,911
YOU'VE BEEN TRYING TO SELL
YOUR STORY TO THE PAPERS.
1174
00:50:49,980 --> 00:50:51,280
WHAT EXACTLY IS YOUR STORY?
1175
00:50:51,349 --> 00:50:53,315
IT'S HUMAN INTEREST.
1176
00:50:53,384 --> 00:50:55,317
IT'S IN THE PUBLIC DOMAIN.
1177
00:50:55,386 --> 00:50:56,652
I AM ENTITLED.
1178
00:50:56,720 --> 00:50:58,898
YOU'VE BEEN MOVING AROUND
QUITE A LOT JUST RECENTLY.
1179
00:50:58,922 --> 00:51:00,889
DIFFERENT SITES.
1180
00:51:00,958 --> 00:51:04,193
HANDY, THAT, IF YOU'RE
TRYING TO HIDE SOMETHING.
1181
00:51:04,262 --> 00:51:06,728
I'M NOT HIDING ANYTHING!
1182
00:51:12,870 --> 00:51:15,904
[CAMERA SHUTTER CLICKING]
1183
00:51:19,677 --> 00:51:20,909
Woman: MA'AM?
1184
00:51:25,082 --> 00:51:28,617
WE'VE, UM... WE'VE
GOT A GOOD TURNOUT.
1185
00:51:28,686 --> 00:51:30,052
WHAT IF THIS DOESN'T WORK?
1186
00:51:30,120 --> 00:51:31,387
I MEAN, HOW MUCH LONGER?
1187
00:51:31,455 --> 00:51:33,689
WE'RE DOING EVERYTHING
WE CAN, I PROMISE.
1188
00:51:53,811 --> 00:51:55,511
THE GLASSES SCREW.
1189
00:51:57,114 --> 00:51:59,548
WE THOUGHT IT WAS SAMMY'S.
1190
00:51:59,617 --> 00:52:01,950
TURN IT ON ITS HEAD.
1191
00:52:02,019 --> 00:52:03,885
WHAT IF IT'S THE KILLER'S?
1192
00:52:03,954 --> 00:52:06,188
McAVOY WEARS GLASSES.
1193
00:52:06,257 --> 00:52:07,590
HE'S STILL GOT IT.
1194
00:52:07,658 --> 00:52:09,491
[CELLPHONE BEEPING]
1195
00:52:12,697 --> 00:52:13,929
YEAH, RICHARD?
1196
00:52:13,997 --> 00:52:16,732
WHEN WE SPOKE TO JOE
BREELEY AT HIS HOUSE,
1197
00:52:16,800 --> 00:52:17,977
THERE WERE PHOTOS ON THE WALL.
1198
00:52:18,001 --> 00:52:19,646
WAS HE WEARING
GLASSES IN SOME OF THEM?
1199
00:52:19,670 --> 00:52:21,081
I THINK HE WAS.
CAN YOU REMEMBER?
1200
00:52:21,105 --> 00:52:23,083
YOU'VE NOT GOT YOUR
GLASSES, MR. BREELEY.
1201
00:52:23,107 --> 00:52:24,273
HE LOST THEM.
1202
00:52:24,342 --> 00:52:25,841
WHEN WAS THAT, THEN?
1203
00:52:25,909 --> 00:52:27,287
I DON'T KNOW. I CAN'T REMEMBER.
1204
00:52:27,311 --> 00:52:30,346
WELL, YOU DIDN'T HAVE THEM
THE FIRST TIME WE CAME 'ROUND,
1205
00:52:30,414 --> 00:52:32,080
SO BEFORE THEN?
1206
00:52:32,149 --> 00:52:35,117
WE FOUND OPTICAL GLASS ON
THE PAVEMENT AT KENDALL AVENUE
1207
00:52:35,185 --> 00:52:37,653
AND A GLASSES SCREW
INSIDE THE SHEET
1208
00:52:37,722 --> 00:52:39,321
THE CHILD WAS WRAPPED IN.
1209
00:52:39,390 --> 00:52:42,157
HAVE YOU LOST YOUR
GLASSES, OR ARE THEY BROKEN?
1210
00:52:42,226 --> 00:52:43,503
MAYBE THEY'RE IN THE VAN.
1211
00:52:43,527 --> 00:52:45,939
IT'S JUST OUTSIDE.
CAN I HAVE A LOOK?
1212
00:52:45,963 --> 00:52:47,696
NO NEED TO DO THAT.
1213
00:52:47,765 --> 00:52:50,232
IT WON'T TAKE A MINUTE
TO CLEAR THIS UP.
1214
00:52:50,301 --> 00:52:51,500
NOT IN THERE.
1215
00:52:51,569 --> 00:52:52,768
WHAT'S WRONG?
1216
00:52:52,836 --> 00:52:55,137
LEAVE IT!
1217
00:52:55,205 --> 00:52:56,438
JUST LEAVE!
1218
00:52:56,507 --> 00:52:58,039
BREELEY, RELAX.
1219
00:52:58,108 --> 00:52:59,508
JOSEPH BREELEY,
1220
00:52:59,577 --> 00:53:02,155
I'M ARRESTING YOU UNDER
SUSPICION OF MURDER. MANDY!
1221
00:53:02,179 --> 00:53:03,724
YOU DO NOT HAVE TO
SAY ANYTHING... MANDY!
1222
00:53:03,748 --> 00:53:05,148
BUT IT MAY HARM YOUR DEFENSE
1223
00:53:05,182 --> 00:53:06,815
IF YOU DO NOT MENTION,
WHEN QUESTIONED,
1224
00:53:06,884 --> 00:53:08,917
SOMETHING WHICH YOU
LATER RELY ON IN COURT.
1225
00:53:08,986 --> 00:53:11,353
ANYTHING YOU DO SAY
MAY BE GIVEN IN EVIDENCE.
1226
00:53:11,422 --> 00:53:12,755
JUST RELAX.
1227
00:53:12,823 --> 00:53:16,292
THE SCREW MUST HAVE WORKED
LOOSE AND DROPPED INTO THE SHEET.
1228
00:53:16,360 --> 00:53:18,472
LATER, AS YOU'RE
MOVING THE BODY,
1229
00:53:18,496 --> 00:53:20,407
YOUR LENS FELL OUT AND BROKE.
1230
00:53:20,431 --> 00:53:21,463
THEY'RE NOT MINE.
1231
00:53:21,532 --> 00:53:22,731
COME ON, JOE,
1232
00:53:22,800 --> 00:53:25,367
WE CAN IDENTIFY THE
PRESCRIPTION FROM THE FRAGMENTS.
1233
00:53:25,436 --> 00:53:26,535
THEY'LL MATCH.
1234
00:53:26,604 --> 00:53:28,181
THERE'S PLENTY MORE
WHERE THAT CAME FROM.
1235
00:53:28,205 --> 00:53:29,683
WE GOT YOUR CLOTHES,
WE GOT YOUR DNA.
1236
00:53:29,707 --> 00:53:31,807
YOU'RE BOUND TO FIND
TRACES OF ME EVERYWHERE.
1237
00:53:31,875 --> 00:53:32,974
I WORKED THERE.
1238
00:53:33,043 --> 00:53:36,478
RIGHT, YOU WENT TO
WORK EARLY IN THE VAN.
1239
00:53:36,547 --> 00:53:39,782
YOU PUT THE LITTLE BOY IN
THE DRAINAGE TUNNEL, LEFT,
1240
00:53:39,850 --> 00:53:41,850
AND THEN CAME BACK AT 9:00.
1241
00:53:41,919 --> 00:53:43,251
WHAT HAPPENED, JOE?
1242
00:53:44,888 --> 00:53:46,888
WHO WAS THE LITTLE BOY?
1243
00:53:48,892 --> 00:53:50,793
Who was he, Joe?
1244
00:53:50,861 --> 00:53:53,696
Where is he from? Don't
make it any worse for yourself.
1245
00:53:53,764 --> 00:53:55,230
[DOOR OPENS]
1246
00:53:55,299 --> 00:53:57,199
JANINE, LOOK AT THIS.
1247
00:53:57,267 --> 00:53:59,768
JOE BREELEY HAD A
LITTLE BROTHER... GARY.
1248
00:53:59,837 --> 00:54:02,270
JOE WAS LOOKING AFTER
HIM WHEN THE TODDLER DIED.
1249
00:54:02,340 --> 00:54:04,873
HE FELL DOWN SOME
STEPS, FRACTURED HIS SKULL.
1250
00:54:04,942 --> 00:54:08,377
THEY RULED ACCIDENTAL DEATH,
THOUGH THERE WERE RUMORS.
1251
00:54:08,446 --> 00:54:10,824
"DID HE FALL, OR WAS HE PUSHED?"
1252
00:54:10,848 --> 00:54:11,848
EXACTLY.
1253
00:54:11,915 --> 00:54:13,949
JOE WAS 10 AT THE TIME.
1254
00:54:27,798 --> 00:54:29,798
WE KNOW ABOUT YOUR BROTHER...
1255
00:54:29,867 --> 00:54:31,667
ABOUT GARY.
1256
00:54:31,736 --> 00:54:34,970
OH, YOU DO, DO YOU?
KNOW ALL ABOUT THAT?
1257
00:54:36,807 --> 00:54:39,842
HE HAD A FRACTURE
TO THE SKULL. SAME AGE.
1258
00:54:39,910 --> 00:54:44,179
WHAT HAPPENED THIS
TIME? ANOTHER ACCIDENT?
1259
00:54:44,248 --> 00:54:45,726
SOMEONE OUT THERE
IS WORRIED SICK
1260
00:54:45,750 --> 00:54:47,293
'CAUSE THEIR LITTLE
BOY IS MISSING.
1261
00:54:47,317 --> 00:54:48,450
YOU'RE A FATHER.
1262
00:54:48,519 --> 00:54:50,552
IMAGINE THAT.
1263
00:54:50,621 --> 00:54:52,554
THAT LITTLE BOY NEEDS A NAME,
1264
00:54:52,623 --> 00:54:55,657
BUT WE NEED TO FIND OUT
WHAT HAPPENED TO HIM.
1265
00:54:58,295 --> 00:55:00,195
HE'S IN OUR MORTUARY.
1266
00:55:00,264 --> 00:55:02,731
THAT'S NO PLACE FOR HIM.
1267
00:55:05,068 --> 00:55:07,002
HE NEEDS YOUR HELP.
1268
00:55:07,070 --> 00:55:10,038
WHO IS HE, JOE?
1269
00:55:10,107 --> 00:55:11,940
HE'S MY SON.
1270
00:55:12,009 --> 00:55:13,876
[SOBBING]
1271
00:55:13,944 --> 00:55:15,977
MY SON.
1272
00:55:17,815 --> 00:55:20,416
MY LITTLE BOY.
1273
00:55:25,022 --> 00:55:27,122
AND HE'S DEAD.
1274
00:55:31,395 --> 00:55:33,239
IS HE LOSING IT OR WHAT?
1275
00:55:33,263 --> 00:55:34,997
HAS HE GOT ANOTHER KID?
1276
00:55:35,065 --> 00:55:37,165
WELL, THERE'S THE BABY...
1277
00:55:37,234 --> 00:55:38,634
AND JOHN.
1278
00:55:38,702 --> 00:55:41,102
I'VE JUST PUT CHUCK
DOWN FOR HIS NAP.
1279
00:55:46,243 --> 00:55:48,877
OH, MY GOD.
1280
00:55:48,946 --> 00:55:51,680
MANDY WENT OUT FRIDAY AFTERNOON.
1281
00:55:51,749 --> 00:55:53,927
CAR BROKE DOWN. YOU WERE
LEFT ALONE WITH THE BOYS.
1282
00:55:53,951 --> 00:55:55,918
IT WERE AN ACCIDENT.
1283
00:55:55,986 --> 00:55:58,420
JUST WANTED THEM TO
STOP MESSING ABOUT.
1284
00:55:58,488 --> 00:56:00,433
HE WAS HAVING A
TANTRUM, KICKING OUT,
1285
00:56:00,457 --> 00:56:02,435
CHUCKING HIS FOOD
ALL OVER THE PLACE,
1286
00:56:02,459 --> 00:56:06,161
SCREAMING HIS LITTLE HEAD OFF.
1287
00:56:06,229 --> 00:56:08,063
I PICK HIM UP.
1288
00:56:08,131 --> 00:56:09,464
YOU SHOOK HIM?
1289
00:56:09,533 --> 00:56:11,733
PUT HIM DOWN TOO ROUGH.
1290
00:56:11,802 --> 00:56:16,805
HE GOES BACKWARDS
HARD AGAINST THE WALL.
1291
00:56:16,874 --> 00:56:19,708
AND THEN HE'S QUIET.
1292
00:56:19,777 --> 00:56:21,944
[INHALES SHARPLY]
1293
00:56:22,012 --> 00:56:23,378
SHE WOULDN'T LET HIM GO.
1294
00:56:25,248 --> 00:56:28,249
WE STAYED WITH HIM ALL NIGHT.
1295
00:56:31,288 --> 00:56:34,122
BUT I HAD TO.
1296
00:56:34,191 --> 00:56:38,293
SO, THEN, UH, YOU WENT
OUT AND TOOK SAMMY?
1297
00:56:42,032 --> 00:56:43,832
MANDY.
1298
00:56:43,901 --> 00:56:45,181
INTERVIEW SUSPENDED.
1299
00:56:51,108 --> 00:56:53,075
RICHARD, MANDY BREELEY'S GONE.
1300
00:56:53,143 --> 00:56:54,876
SHE'S TAKEN THE KIDS WITH HER.
1301
00:56:54,945 --> 00:56:57,178
HOW LONG? About 10 minutes.
1302
00:56:57,247 --> 00:56:58,446
CAN YOU TALK TO JOE BREELEY,
1303
00:56:58,515 --> 00:57:00,493
SEE IF SHE KNOWS WHERE SHE
IS, WHERE SHE MIGHT BE HEADED?
1304
00:57:00,517 --> 00:57:01,850
CAN YOU STICK LISA ON?
1305
00:57:03,887 --> 00:57:04,953
HELLO?
1306
00:57:05,022 --> 00:57:06,722
WOULD YOU LIKE DETAILS? YEAH.
1307
00:57:06,790 --> 00:57:09,658
LISA, MAP OUT RADIUS,
POSSIBLE DISTANCE TRAVELED,
1308
00:57:09,727 --> 00:57:11,426
tire projection.
1309
00:57:11,495 --> 00:57:12,794
WE'VE GOT ABOUT 10 MINUTES.
1310
00:57:12,863 --> 00:57:14,329
OKAY.
1311
00:57:15,599 --> 00:57:17,611
JOE, MANDY'S GONE MISSING.
1312
00:57:17,635 --> 00:57:18,566
WHAT?
1313
00:57:18,636 --> 00:57:19,801
WHAT ABOUT CONNER?
1314
00:57:19,870 --> 00:57:21,848
SHE'S TAKEN HIM... AND SAMMY.
1315
00:57:21,872 --> 00:57:25,040
I'M VERY CONCERNED FOR THEIR
SAFETY. WHERE WOULD SHE GO?
1316
00:57:25,109 --> 00:57:27,275
YOU'LL TAKE CONNER OFF
HER. I CAN'T DO THAT TO HIM.
1317
00:57:27,344 --> 00:57:29,656
WHAT IF SOMETHING HAPPENS?
WHAT IF SOMETHING GOES WRONG?
1318
00:57:29,680 --> 00:57:30,812
NO.
1319
00:57:30,881 --> 00:57:32,659
IF YOU HELP US, JOE, IT'LL
BE TAKEN INTO ACCOUNT.
1320
00:57:32,683 --> 00:57:34,728
DON'T CARE ABOUT THAT.
CHRIST, YOU THINK THAT MATTERS?!
1321
00:57:34,752 --> 00:57:36,029
WE NEED TO SPEAK TO HER FRIENDS.
1322
00:57:36,053 --> 00:57:38,098
PERHAPS SHE'S LEFT
THE KIDS WITH SOMEONE,
1323
00:57:38,122 --> 00:57:40,656
ASKED SOMEBODY FOR HELP.
1324
00:57:40,724 --> 00:57:41,724
JOE?
1325
00:57:44,628 --> 00:57:46,494
THEY'RE ON ME PHONE.
1326
00:57:46,563 --> 00:57:48,842
WHAT'S BREELEY BEEN
SAYING? NOT A LOT, BOSS.
1327
00:57:48,866 --> 00:57:50,276
HAVE SOMEONE
INFORM THE WRAYS NOW.
1328
00:57:50,300 --> 00:57:51,978
SPEAK TO THE BANK TO
GET IN TOUCH WITH US
1329
00:57:52,002 --> 00:57:53,780
THE MINUTE SHE STARTS
USING HER CREDIT CARDS.
1330
00:57:53,804 --> 00:57:54,948
WHAT ABOUT A MOBILE PHONE?
1331
00:57:54,972 --> 00:57:56,149
I'VE CONTACTED THE
MOBILE NETWORK.
1332
00:57:56,173 --> 00:57:57,583
THEY'RE GONNA LOG ANY
CALLS THAT SHE'S MADE.
1333
00:57:57,607 --> 00:57:58,785
SHE CALL ANYONE SO FAR? NO.
1334
00:57:58,809 --> 00:58:00,887
30 MINUTES, BOSS. SHE'S
SOMEWHERE IN THIS AREA.
1335
00:58:00,911 --> 00:58:02,255
MOST LIKELY ON THE MOTORWAY.
1336
00:58:02,279 --> 00:58:03,945
A CAMERA SHOULD PICK HER UP.
1337
00:58:04,014 --> 00:58:05,313
BUTCHERS, GET ONTO THAT.
1338
00:58:05,382 --> 00:58:06,748
SHAP, I NEED A NEGOTIATOR.
1339
00:58:06,817 --> 00:58:08,261
GET ONTO THE
NATIONAL CRIME FACULTY.
1340
00:58:08,285 --> 00:58:10,030
SEE IF WE CAN HAVE A
PSYCHOLOGIST STANDING BY,
1341
00:58:10,054 --> 00:58:11,230
ADVISE US ON HOW TO PLAY IT.
1342
00:58:11,254 --> 00:58:13,555
CUSTOMS ON BOARD? YES, BOSS.
1343
00:58:13,623 --> 00:58:14,868
SOCIAL SERVICES? WILL DO.
1344
00:58:14,892 --> 00:58:16,524
WE COULD GO PUBLIC...
BREAKING NEWS.
1345
00:58:16,593 --> 00:58:18,393
I COULD GET US A "BE
ON THE LOOKOUT FOR."
1346
00:58:18,461 --> 00:58:20,439
MIGHT FREAK HER. NO, GO FOR IT.
1347
00:58:20,463 --> 00:58:22,097
NEWSROOM, PLEASE.
1348
00:58:22,166 --> 00:58:23,899
YEAH, MILLIE SAUNDERS, GMP.
1349
00:58:23,967 --> 00:58:25,645
DO YOU WANT TEA OR COFFEE?
1350
00:58:25,669 --> 00:58:26,935
YEAH.
1351
00:58:27,004 --> 00:58:28,514
SHE'S ON THE PHONE.
SHE'S USING THE PHONE NOW.
1352
00:58:28,538 --> 00:58:29,538
WHO IS SHE CALLING?
1353
00:58:29,606 --> 00:58:31,472
[CELLPHONE RINGING]
1354
00:58:38,381 --> 00:58:40,048
MANDY?
1355
00:58:40,117 --> 00:58:41,795
Mandy: Joe, I wanted
to say goodbye.
1356
00:58:41,819 --> 00:58:43,952
I had to go.
1357
00:58:44,021 --> 00:58:45,520
I'm sorry.
1358
00:58:45,589 --> 00:58:47,622
NO, I'M SORRY.
1359
00:58:47,691 --> 00:58:49,324
IT'S MY FAULT.
1360
00:58:49,392 --> 00:58:50,959
IT'S ALL MY FAULT.
1361
00:58:51,028 --> 00:58:52,627
JUST COME HOME, YEAH?
1362
00:58:52,696 --> 00:58:54,062
COME BACK.
1363
00:58:54,131 --> 00:58:55,997
PLEASE, BABE.
1364
00:58:56,066 --> 00:58:57,833
I love you, Joe.
1365
00:58:57,901 --> 00:58:59,445
Remember that. I love you.
1366
00:58:59,469 --> 00:59:01,569
BUT WE CAN WORK SOMETHING OUT.
1367
00:59:01,638 --> 00:59:03,004
JUST COME HOME.
1368
00:59:03,073 --> 00:59:04,572
WE CAN SORT THIS OUT.
1369
00:59:04,641 --> 00:59:06,975
It's too late. I'm sorry.
1370
00:59:07,044 --> 00:59:08,543
MANDY, NO, DON'T. MANDY.
1371
00:59:08,612 --> 00:59:09,923
[RECEIVER CLICKS] MANDY!
1372
00:59:09,947 --> 00:59:11,880
[BEEP]
1373
00:59:11,949 --> 00:59:13,159
CAMERAS HAVE GOT HER, BOSS.
1374
00:59:13,183 --> 00:59:15,195
M62 WEST, JUST PAST WARRINGTON.
1375
00:59:15,219 --> 00:59:17,318
SHE'S HEADING FOR LIVERPOOL.
1376
00:59:19,723 --> 00:59:20,803
THE CALL?
1377
00:59:20,858 --> 00:59:22,157
SAYING GOODBYE.
1378
00:59:22,226 --> 00:59:23,658
GOODBYE AS IN?
1379
00:59:27,530 --> 00:59:29,675
MANDY'S TRAVELING
TOWARDS LIVERPOOL.
1380
00:59:29,699 --> 00:59:32,934
WE BELIEVE SHE MIGHT BE HEADING
FOR THE AIRPORT OR THE PORT.
1381
00:59:33,003 --> 00:59:34,114
WHERE IS SHE GOING?
1382
00:59:34,138 --> 00:59:35,703
HAVE YOU GOT FAMILY ABROAD?
1383
00:59:35,773 --> 00:59:37,572
A PLACE THAT'S SPECIAL?
1384
00:59:37,641 --> 00:59:39,474
WHAT'S GONNA HAPPEN TO CONNER?
1385
00:59:39,542 --> 00:59:40,742
I DON'T KNOW.
1386
00:59:40,811 --> 00:59:42,956
BUT LET'S JUST TRY AND
GET HIM BACK SAFELY, YEAH?
1387
00:59:42,980 --> 00:59:44,545
SHE'D NEVER HURT HIM.
1388
00:59:44,614 --> 00:59:46,214
WELL, SHE'S GRIEVING.
1389
00:59:46,283 --> 00:59:48,917
SHE'S LOST A CHILD AND
TAKEN A REPLACEMENT.
1390
00:59:48,986 --> 00:59:50,696
SHE KNOWS WE'VE ARRESTED YOU.
1391
00:59:50,720 --> 00:59:52,921
WHEN THINGS LOOK BAD,
1392
00:59:52,990 --> 00:59:55,301
IT CAN SOMETIMES FEEL LIKE
THERE'S ONLY ONE WAY OUT.
1393
00:59:55,325 --> 00:59:57,737
ARE YOU PREPARED TO
TAKE THAT RISK WITH SAMMY,
1394
00:59:57,761 --> 00:59:59,261
WITH CONNER?
1395
01:00:02,399 --> 01:00:03,464
ISLAND.
1396
01:00:03,533 --> 01:00:06,268
WE USED TO GO AND SEE
HER COUSINS IN WEXFORD.
1397
01:00:06,336 --> 01:00:08,603
USED TO TALK ABOUT MOVING THERE.
1398
01:00:08,672 --> 01:00:10,784
HOW'D YOU USUALLY GET THERE?
1399
01:00:10,808 --> 01:00:12,307
ON THE FERRY.
1400
01:00:12,375 --> 01:00:13,441
[SIREN WAILING]
1401
01:00:13,510 --> 01:00:15,221
WE SHOULD BE WITH
YOU IN ABOUT 30.
1402
01:00:15,245 --> 01:00:16,856
MANDY BREELEY COULD BE VOLATILE.
1403
01:00:16,880 --> 01:00:19,400
SHE'S GRIEF-STRICKEN, AND
SHE MAY BE FEELING DESPERATE.
1404
01:00:19,449 --> 01:00:21,969
LET HER BOARD, BUT TRY NOT
TO DO ANYTHING TO SPOOK HER.
1405
01:00:22,019 --> 01:00:24,130
CAN YOU ASK YOUR GUIDES
NOT TO APPROACH HER?
1406
01:00:24,154 --> 01:00:25,394
HOLD ALL SAILINGS.
1407
01:00:43,573 --> 01:00:45,285
[INDISTINCT TALKING
ON POLICE RADIO]
1408
01:00:45,309 --> 01:00:47,509
YEAH, HERE. STEP DOWN.
1409
01:00:52,282 --> 01:00:53,581
HIYA.
1410
01:00:53,650 --> 01:00:54,850
D.C.I. LEWIS.
1411
01:00:54,918 --> 01:00:56,017
HI.
1412
01:00:56,086 --> 01:00:57,618
WE'VE DONE A DISCREET SEARCH.
1413
01:00:57,687 --> 01:00:58,854
SHE'S ON DECK 5.
1414
01:00:58,922 --> 01:01:00,021
THANKS.
1415
01:01:00,090 --> 01:01:02,390
COAST GUARD IS STANDING
BY. NO NEGOTIATOR AS YET.
1416
01:01:02,459 --> 01:01:04,226
SOCIAL WORKER'S ON THE WAY.
1417
01:01:04,294 --> 01:01:06,814
I'VE MET HER BEFORE.
SHE MIGHT TALK TO ME.
1418
01:01:25,782 --> 01:01:27,916
MANDY, YOU ALL RIGHT?
1419
01:01:27,985 --> 01:01:30,919
GO AWAY.
1420
01:01:33,556 --> 01:01:36,057
IT'S ALL RIGHT.
IT'S OVER, MANDY.
1421
01:01:36,126 --> 01:01:38,459
IT'S OVER.
1422
01:01:38,528 --> 01:01:40,461
YOU NEED TO COME WITH US.
1423
01:01:40,530 --> 01:01:42,663
WE KNOW ABOUT JOHN.
1424
01:01:42,732 --> 01:01:45,100
HE'S FINE.
1425
01:01:45,168 --> 01:01:46,734
AREN'T YOU, LOVE?
WE'RE BOTH FINE.
1426
01:01:46,803 --> 01:01:48,136
JUST LEAVE US ALONE.
1427
01:01:48,205 --> 01:01:49,737
THAT'S NOT JOHN.
1428
01:01:49,806 --> 01:01:51,672
THAT'S SAMMY.
1429
01:01:51,741 --> 01:01:54,776
AND HE'S SAD AND HE'S
FRIGHTENED AND HE MISSES HIS MOM.
1430
01:01:54,844 --> 01:01:56,945
I DON'T KNOW WHAT
YOU'RE ON ABOUT.
1431
01:01:58,848 --> 01:02:00,782
THAT'S SAMMY, ISN'T IT?
1432
01:02:00,850 --> 01:02:02,483
[SOBBING]
1433
01:02:05,488 --> 01:02:07,422
MANDY...
1434
01:02:09,192 --> 01:02:10,992
JOE TOLD US WHAT HE DID.
1435
01:02:13,363 --> 01:02:15,630
THEY'D DREDGE IT ALL UP AGAIN.
1436
01:02:15,698 --> 01:02:18,666
WHAT'S THE CHANCE
OF IT HAPPENING TWICE?
1437
01:02:18,735 --> 01:02:20,969
NEVER BELIEVE ME.
1438
01:02:21,038 --> 01:02:24,439
I TOLD THE TRUTH ONCE
BEFORE, AND IT FELL APART.
1439
01:02:24,507 --> 01:02:27,275
HIS BROTHER, NOW HIS SON.
1440
01:02:27,344 --> 01:02:28,676
NO.
1441
01:02:30,480 --> 01:02:32,180
NO, IT'S NOT LIKE THAT.
1442
01:02:32,249 --> 01:02:33,714
TELL ME.
1443
01:02:36,753 --> 01:02:39,687
I WANTED TO GET AN
AMBULANCE TO GET HELP,
1444
01:02:39,756 --> 01:02:41,789
BUT HE WASN'T MOVING.
1445
01:02:41,858 --> 01:02:45,093
I WENT TO SEE WHAT
OUR GARY WAS UP TO.
1446
01:02:45,162 --> 01:02:48,063
THE CELLAR DOOR WAS OPEN.
1447
01:02:48,131 --> 01:02:52,300
OUR GARY HAD NEVER
OPENED IT BEFORE.
1448
01:02:52,369 --> 01:02:54,336
THE LIGHT WAS BROKE.
1449
01:02:54,404 --> 01:02:57,905
IT WAS REALLY DARK.
1450
01:02:57,975 --> 01:02:59,907
I GOT ME TORCH.
1451
01:02:59,977 --> 01:03:04,912
OUR GARY WASN'T
SCARED OF THE DARK.
1452
01:03:04,982 --> 01:03:07,315
DIDN'T WANT TO GO DOWN THERE.
1453
01:03:07,384 --> 01:03:09,117
[SOBS]
1454
01:03:09,186 --> 01:03:11,953
HE JUST SNAPPED.
HE'S NOT A BAD MAN.
1455
01:03:12,022 --> 01:03:15,556
HE HAS A TEMPER, BUT
HE'S NOT A BAD MAN.
1456
01:03:15,625 --> 01:03:18,994
I WAS LATE BACK.
1457
01:03:19,062 --> 01:03:21,363
JOE SAID WE'D LOSE IT ALL.
1458
01:03:21,431 --> 01:03:22,730
[SNIFFLES]
1459
01:03:22,799 --> 01:03:25,333
WITH HIS BROTHER,
IT WAS DIFFERENT.
1460
01:03:25,402 --> 01:03:27,969
IT WAS AN ACCIDENT, AND
THEY STILL PUT HIM IN CARE.
1461
01:03:28,038 --> 01:03:29,304
HIS MUM LEFT HIM.
1462
01:03:29,373 --> 01:03:32,840
ME MUM'S EYES AND HER
FACE... SHE NEVER SPOKE TO ME.
1463
01:03:32,909 --> 01:03:34,909
I WAS 10 YEARS OLD!
1464
01:03:34,978 --> 01:03:37,845
BLAME AND HATE... THAT'S
WHAT THE TRUTH GOT ME,
1465
01:03:37,914 --> 01:03:39,914
AND IT NEVER BROUGHT
OUR GARY BACK.
1466
01:03:39,983 --> 01:03:43,718
IMAGINE YOU COULD
BRING JOHN BACK.
1467
01:03:43,786 --> 01:03:46,787
NOW, YOU CAN DO THAT
FOR SAMMY'S MOM AND DAD.
1468
01:03:48,558 --> 01:03:50,958
'CAUSE YOU KNOW WHAT IT'S LIKE.
1469
01:03:53,363 --> 01:03:54,529
COME ON.
1470
01:03:56,599 --> 01:03:59,334
I LOVED MY SON.
1471
01:03:59,403 --> 01:04:01,736
I LOVED HIM.
1472
01:04:05,975 --> 01:04:07,175
[SOBBING CONTINUES]
1473
01:04:07,244 --> 01:04:08,843
PLEASE, COME ON.
1474
01:04:13,650 --> 01:04:15,750
COME ON, SAMMY.
1475
01:04:15,818 --> 01:04:16,858
COME ON.
1476
01:04:16,920 --> 01:04:18,786
THAT'S IT, SWEETHEART.
1477
01:04:18,855 --> 01:04:19,899
THAT'S IT.
1478
01:04:19,923 --> 01:04:21,122
THAT'S IT.
1479
01:04:25,562 --> 01:04:28,029
HELLO, SAMMY.
1480
01:04:28,098 --> 01:04:29,098
HELLO.
1481
01:04:29,132 --> 01:04:31,244
SHALL WE GO FIND YOUR MOTHER?
1482
01:04:31,268 --> 01:04:32,900
COME ON, MANDY.
1483
01:04:32,969 --> 01:04:34,202
COME ON.
1484
01:04:38,075 --> 01:04:40,875
HE'LL NEED A BOTTLE
IN AN HOUR OR SO.
1485
01:04:43,180 --> 01:04:49,150
THERE'S A CHANGE OF CLOTHES
IN THE BAG AND HIS TEDDY.
1486
01:04:49,219 --> 01:04:51,586
HE LIKES ROASTED APRICOTS.
1487
01:04:54,023 --> 01:04:55,557
LOVE YOU.
1488
01:04:55,625 --> 01:04:57,959
[SOBBING]
1489
01:05:06,303 --> 01:05:08,543
COME ON. COME ON, MANDY.
1490
01:05:18,781 --> 01:05:21,182
SWEETHEART, HERE YOU GO, BABY.
1491
01:05:21,251 --> 01:05:23,951
THAT'S IT. THERE WE ARE.
1492
01:05:24,020 --> 01:05:25,086
A BIG BOY.
1493
01:05:25,155 --> 01:05:26,821
THAT'S A BIG BOY.
1494
01:05:26,889 --> 01:05:28,856
HERE WE GO.
1495
01:05:28,925 --> 01:05:30,925
OH.
1496
01:05:30,994 --> 01:05:32,427
OH!
1497
01:06:15,572 --> 01:06:19,374
YOU THINK THEY'LL PROSECUTE HER?
1498
01:06:19,442 --> 01:06:21,276
IT'S HARD TO TELL.
1499
01:06:21,344 --> 01:06:23,611
I'M NOT PUSHING FOR IT.
1500
01:06:23,680 --> 01:06:26,200
SHE'D BE BETTER OFF
RAISING THAT BABY.
1501
01:06:27,350 --> 01:06:28,716
AND BREELEY?
1502
01:06:28,785 --> 01:06:31,786
WELL, HE CAUSED JOHN'S DEATH...
1503
01:06:31,854 --> 01:06:33,754
COVERED IT UP...
1504
01:06:33,823 --> 01:06:36,457
PUT HIS SON'S BODY
IN A DRAINAGE TUNNEL.
1505
01:06:36,526 --> 01:06:39,794
IF HE'D COME CLEAN, IT MIGHT
HAVE BEEN DIFFERENT, BUT...
1506
01:06:39,862 --> 01:06:41,329
HEY, YOU.
1507
01:06:41,398 --> 01:06:42,478
Mayne: HI.
1508
01:06:44,201 --> 01:06:47,168
WILL YOU GIVE US FIVE MINUTES?
1509
01:06:47,237 --> 01:06:49,370
YEAH.
1510
01:06:49,439 --> 01:06:50,771
CONGRATULATIONS.
1511
01:06:50,840 --> 01:06:51,840
GREAT COPY.
1512
01:06:51,908 --> 01:06:53,241
THANKS.
1513
01:06:53,310 --> 01:06:54,590
SEE YOU DOWN THERE?
1514
01:07:01,818 --> 01:07:05,786
RICHARD, UM, LAST NIGHT...
1515
01:07:05,855 --> 01:07:07,988
I WAS OUT OF ORDER.
1516
01:07:08,057 --> 01:07:11,892
EVERYTHING...
1517
01:07:11,961 --> 01:07:13,361
NO EXCUSE.
1518
01:07:13,430 --> 01:07:16,964
I KNOW.
1519
01:07:17,033 --> 01:07:19,701
NOT FOR MURDERING
A CLASSIC LIKE THAT.
1520
01:07:21,605 --> 01:07:23,738
STILL NOT CONVINCED.
1521
01:07:23,806 --> 01:07:25,906
WHAT'S THAT?
1522
01:07:25,975 --> 01:07:28,376
THAT SHE'S YOUR TYPE.
1523
01:07:28,445 --> 01:07:31,379
DON'T BE DAFT. I
DON'T HAVE A TYPE.
1524
01:07:34,718 --> 01:07:36,618
WHAT IS MY TYPE?
1525
01:07:36,686 --> 01:07:39,053
YOU'LL BE LATE.
1526
01:07:53,403 --> 01:07:56,404
CAPTIONING MADE
POSSIBLE BY ACORN MEDIA
1527
01:07:56,454 --> 01:08:01,004
Repair and Synchronization by
Easy Subtitles Synchronizer 1.0.0.0
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