Would you like to inspect the original subtitles? These are the user uploaded subtitles that are being translated:
1
00:00:14,334 --> 00:00:19,017
* SOME WALK BY NIGHT *
2
00:00:19,052 --> 00:00:23,666
* SOME FLY BY DAY *
3
00:00:23,701 --> 00:00:27,699
* SOMETHING IS SWEETER *
4
00:00:27,734 --> 00:00:31,933
* 'CAUSE WE MET
ON THE WAY *
5
00:00:31,968 --> 00:00:36,133
* 'CAUSE WE MET
ON THE WAY **
6
00:00:44,534 --> 00:00:47,467
CAPTIONING MADE POSSIBLE BY
LIONS GATE HOME ENTERTAINMENT
7
00:01:10,167 --> 00:01:11,434
YOU MIGHT AS WELL
TAKE YOUR MONEY
AND BURN IT
8
00:01:11,469 --> 00:01:12,618
BECAUSE I'M TELLING YOU,
9
00:01:12,653 --> 00:01:13,732
HE'S NOT
A DISTANCE HORSE.
10
00:01:13,767 --> 00:01:16,334
SIX FURLONGS,
HE'S GONNA GET
BLOWN OFF THE MAP.
11
00:01:16,369 --> 00:01:17,365
WHY DO YOU SAY THAT?
12
00:01:17,400 --> 00:01:19,033
HEY, WHAT AM I,
TALKING TO MYSELF?
13
00:01:19,068 --> 00:01:20,032
GO AHEAD.
14
00:01:20,067 --> 00:01:21,501
YOU GOT MONEY
TO THROW IN THE STREETS,
15
00:01:21,536 --> 00:01:23,435
GO RIGHT AHEAD, PAL.
16
00:01:23,470 --> 00:01:25,299
I CAN MAKE THAT CALL,
17
00:01:25,334 --> 00:01:27,167
BUT I DON'T THINK
IT'S A GOOD IDEA.
I'LL TELL YOU WHY.
18
00:01:27,202 --> 00:01:28,132
WHY, BECAUSE IT
WOULD COME
19
00:01:28,167 --> 00:01:29,899
DANGEROUSLY CLOSE
TO EARNING YOUR 10%?
20
00:01:29,934 --> 00:01:31,534
COME ON, COME ON.
DON'T GET DEFENSIVE ON ME.
21
00:01:31,569 --> 00:01:32,666
I'M BEING DEFENSIVE?
22
00:01:32,701 --> 00:01:34,100
YEAH, YOU'RE GETTING
THAT TONE IN YOUR VOICE.
23
00:01:34,135 --> 00:01:35,801
UGH.
YOU GOT AN ATTITUDE PROBLEM.
24
00:01:35,836 --> 00:01:36,868
IT'S ALL OVER TOWN.
25
00:01:36,903 --> 00:01:38,133
UGH.
26
00:01:39,434 --> 00:01:40,632
YOU'RE
NOT HEARING ME.
27
00:01:40,667 --> 00:01:42,684
I'M LEAVING
IN EXACTLY
FIVE MINUTES.
28
00:01:42,719 --> 00:01:44,666
I HAVE TO MEET
MY ATTORNEY
ACROSS TOWN,
29
00:01:44,701 --> 00:01:47,400
AND I MAKE A POINT
OF BEING ON TIME
FOR MY APPOINTMENTS.
30
00:01:47,435 --> 00:01:49,868
NO, THANKS.
SIX IS MY LIMIT.
31
00:01:51,701 --> 00:01:54,100
MRS. KENDRICK,
I'M SURE DAVID
WILL BE HERE ANY MINUTE.
32
00:01:54,135 --> 00:01:56,065
YOU DO UNDERSTAND.
33
00:01:56,100 --> 00:01:58,200
I REALLY NEED THOSE
PICTURES TODAY.
34
00:01:58,235 --> 00:02:00,300
THE HEARING
IS THE DAY
AFTER TOMORROW.
35
00:02:00,335 --> 00:02:01,601
I DO UNDERSTAND.
36
00:02:01,636 --> 00:02:02,799
DO YOU?
37
00:02:02,834 --> 00:02:05,367
DO YOU REALIZE
HOW MUCH THIS
MEANS TO ME?
38
00:02:05,402 --> 00:02:07,901
I KNOW THERE'S A LOT
OF MONEY INVOLVED.
39
00:02:07,936 --> 00:02:09,032
MISS HAYES,
40
00:02:09,067 --> 00:02:12,200
IF I CAN'T
CONVINCE THE LAWYER
BY FRIDAY,
41
00:02:12,235 --> 00:02:14,167
IF I CAN'T PRODUCE
SOLID EVIDENCE
42
00:02:14,202 --> 00:02:16,065
THAT MY HUSBAND'S
PLEAS OF POVERTY
43
00:02:16,100 --> 00:02:18,534
ARE A CROCK OF
WHAT THIS COFFEE
TASTES LIKE,
44
00:02:18,569 --> 00:02:20,866
I'M GONNA BE FORCED
TO TAKE HIS OFFER.
45
00:02:20,901 --> 00:02:24,968
AND THAT'S ISN'T
EVEN ENOUGH MONEY
TO PAY THE GARDENER.
46
00:02:25,003 --> 00:02:26,518
YOU HAVE
A VERY STRONG CASE.
47
00:02:26,553 --> 00:02:28,127
WE HAVE PHOTOS
OF YOUR HUSBAND
48
00:02:28,162 --> 00:02:29,666
AND THE YACHT
HE CLAIMS HE SOLD,
49
00:02:29,701 --> 00:02:31,467
PHOTOS OF
THE FERRARI HE BOUGHT
HIS GIRLFRIEND,
50
00:02:31,502 --> 00:02:33,167
THE BILL OF SALE
WITH HIS SIGNATURE ON IT.
51
00:02:33,202 --> 00:02:34,434
NONE OF WHICH DOES
ME A BIT OF GOOD
52
00:02:34,469 --> 00:02:36,401
UNTIL I HOLD IT
IN MY HAND.
53
00:02:36,436 --> 00:02:38,334
I'M SURE
DAVID WILL BE HERE.
54
00:02:38,369 --> 00:02:40,201
YES. I KNOW.
55
00:02:40,236 --> 00:02:42,033
ANY MINUTE.
56
00:02:43,834 --> 00:02:44,799
EXCUSE ME, SIR.
57
00:02:44,834 --> 00:02:46,000
I'M WITH
MR. SPRINGSTEEN'S PARTY.
58
00:02:46,035 --> 00:02:47,167
DON'T BOTHER,
I'LL FIND THEM.
59
00:02:47,202 --> 00:02:48,132
DAVID!
60
00:02:48,167 --> 00:02:49,499
MADDIE,
MRS. KENDRICK,
61
00:02:49,534 --> 00:02:51,417
GOOD MORNING, SORRY
I'M A LITTLE LATE.
62
00:02:51,452 --> 00:02:53,226
NO, MR. ADDISON,
YOU'RE A LOT LATE.
63
00:02:53,261 --> 00:02:55,000
THE IMPORTANT THING
IS YOU MADE IT.
64
00:02:55,035 --> 00:02:56,199
STAY DOWNWIND.
65
00:02:56,234 --> 00:02:57,934
I DON'T HAVE TIME
FOR SMALL TALK.
66
00:02:57,969 --> 00:02:59,701
I'D JUST LIKE THE PHOTOS.
67
00:02:59,736 --> 00:03:01,434
PHOTOS?
THE PICTURES.
68
00:03:01,469 --> 00:03:02,799
THE PICTURES?
69
00:03:02,834 --> 00:03:04,566
THE PICTURES
I HIRED YOU TO TAKE.
70
00:03:04,601 --> 00:03:07,167
THE PICTURES
WE'VE BEEN WAITING
FOR YOU TO BRING.
71
00:03:07,202 --> 00:03:08,799
THE PICTURES
WITHOUT WHICH
72
00:03:08,834 --> 00:03:11,334
YOU CAN KISS
YOUR RETAINER GOOD-BYE.
73
00:03:11,369 --> 00:03:13,098
OH, YEAH.
74
00:03:13,133 --> 00:03:15,167
AH, THOSE PICTURES.
75
00:03:17,300 --> 00:03:19,700
WOULD YOU SETTLE
FOR 1,000 WORDS?
76
00:03:19,735 --> 00:03:21,551
MISS HAYES,
I THINK YOU'LL AGREE
77
00:03:21,586 --> 00:03:23,210
I'VE BEEN
MORE THAN PATIENT.
78
00:03:23,245 --> 00:03:24,834
MRS. KENDRICK,
DON'T YOU THINK-
79
00:03:24,869 --> 00:03:26,165
GOOD DAY.
80
00:03:26,200 --> 00:03:27,834
NO, SHE DOESN'T.
81
00:03:33,133 --> 00:03:35,000
NOW, LOOK,
BEFORE YOU GET MAD-
82
00:03:35,035 --> 00:03:36,984
TOO LATE!
83
00:03:37,019 --> 00:03:38,934
TOUGH TABLE.
84
00:03:41,200 --> 00:03:42,834
MADDIE-
LEAVE ME ALONE.
I HATE YOU!
85
00:03:42,869 --> 00:03:44,234
I TOLD YOU,
IT WASN'T MY FAULT.
86
00:03:44,269 --> 00:03:45,301
THE FREEWAY WAS JAMMED!
87
00:03:45,336 --> 00:03:46,568
THERE WAS
A BIG ACCIDENT.
88
00:03:46,603 --> 00:03:47,801
WHAT, A GIN TRUCK
OVERTURNED?
89
00:03:49,067 --> 00:03:50,434
GOOD MORNING,
MISS HAYES.
90
00:03:50,469 --> 00:03:51,399
GRRR!
91
00:03:51,434 --> 00:03:52,500
YES, MISS HAYES.
92
00:03:52,535 --> 00:03:53,532
SO, THAT'S IT?
93
00:03:53,567 --> 00:03:54,901
JUST GONNA GO HIDE
IN YOUR OFFICE
94
00:03:54,936 --> 00:03:56,235
AND BE MAD AT ME?
95
00:03:56,270 --> 00:03:57,534
I'M NOT MAD AT YOU!
96
00:03:57,569 --> 00:03:58,601
I HATE YOU!
97
00:03:58,636 --> 00:03:59,599
I DESPISE YOU.
98
00:03:59,634 --> 00:04:02,334
I LOATHE THE GROUND
UNDER WHICH YOU BURROW!
99
00:04:09,801 --> 00:04:11,667
MAYBE IT WAS THE WIND?
100
00:04:11,702 --> 00:04:13,534
ARE YOU IN TROUBLE?
101
00:04:13,569 --> 00:04:15,499
TROUBLE, ME?
102
00:04:15,534 --> 00:04:16,667
TROUBLE'S MY MIDDLE NAME.
103
00:04:16,702 --> 00:04:17,732
I LAUGH AT TROUBLE.
104
00:04:17,767 --> 00:04:19,617
I TICKLE TROUBLE
UNDER THE CHIN.
105
00:04:19,652 --> 00:04:21,459
MISS HAYES SEEMED
A LITTLE UPSET.
106
00:04:21,494 --> 00:04:23,267
MISS HAYES IS ALWAYS
A LITTLE UPSET.
107
00:04:23,302 --> 00:04:24,851
SHE'LL GET OVER IT.
YOU'LL SEE.
108
00:04:24,886 --> 00:04:26,400
SHE'LL COME CRAWLING
OUTOF THERE
109
00:04:26,435 --> 00:04:27,400
BEFORE YOU CAN SAY-
110
00:04:27,435 --> 00:04:29,434
GET IN HERE!
111
00:04:30,701 --> 00:04:32,200
SHE'S NUTS ABOUT ME.
112
00:04:37,300 --> 00:04:38,466
I WANT TO KNOW
WHY YOU WERE LATE,
113
00:04:38,501 --> 00:04:39,965
I WANT TO KNOW
WHY YOU FORGOT
THE PHOTOGRAPHS,
114
00:04:40,000 --> 00:04:42,534
AND I WANT TO KNOW
WHY YOU SMELL LIKE YOU
SLEPT IN A CESSPOOL.
115
00:04:42,569 --> 00:04:44,068
MADDIE, WHAT WAS
I SUPPOSED TO DO,
116
00:04:44,103 --> 00:04:45,532
LEAVE THE GUY TRAPPED
IN A BURNING CAR
117
00:04:45,567 --> 00:04:47,501
BECAUSE I DIDN'T WANT
TO SINGE MY CUFFLINKS?
118
00:04:47,536 --> 00:04:49,935
DAVID, THAT IS
A STUPID LIE.
119
00:04:49,970 --> 00:04:52,299
THAT IS NOT A STUPID LIE.
120
00:04:52,334 --> 00:04:55,599
MY "DOG ATE MY TERM PAPER"
IS A STUPID LIE.
121
00:04:55,634 --> 00:04:58,167
"OF COURSE, WE CAN
STILL BE FRIENDS"
IS A STUPID LIE.
122
00:04:58,202 --> 00:05:00,701
I HAPPEN TO THINK
YOU CAN BUY
"WRECK ON A FREEWAY"
123
00:05:00,736 --> 00:05:01,834
AND STILL HOLD
YOUR HEAD UP.
124
00:05:03,267 --> 00:05:04,232
NO SALE, HUH?
125
00:05:04,267 --> 00:05:05,265
NOT AT
HALF THE PRICE.
126
00:05:05,300 --> 00:05:06,634
ALL RIGHT, LOOK.
FOR THE SAKE OF ARGUMENT,
127
00:05:06,669 --> 00:05:08,085
LET'S JUST SAY
IT WAS MY FAULT.
128
00:05:08,120 --> 00:05:09,466
HAS IT EVER
OCCURRED TO YOU
129
00:05:09,501 --> 00:05:11,117
THAT MAYBE I AM
A NORMAL HUMAN BEING-
130
00:05:11,152 --> 00:05:12,476
THAT'S
CERTAINLY NEVER
OCCURRED TO ME.
131
00:05:12,511 --> 00:05:13,766
CAPABLE OF
MAKING AN HONEST MISTAKE?
132
00:05:13,801 --> 00:05:15,734
HONEST MISTAKE?
YES, HONEST MISTAKE, MADDIE.
133
00:05:15,769 --> 00:05:17,601
HAVEN'T YOU EVER
HEARD OF HUMAN ERROR?
134
00:05:17,636 --> 00:05:19,451
YES, BUT HOW WOULD
THAT APPLY TO YOU?
135
00:05:19,486 --> 00:05:21,267
I'M TALKING ABOUT
THE EVERYDAY MISHAPS,
136
00:05:21,302 --> 00:05:22,732
LIKE FORGETTING
TO SET THE ALARM-
137
00:05:22,767 --> 00:05:24,467
I'M NOT LISTENING!
LOSING DIRECTIONS...
138
00:05:24,502 --> 00:05:25,651
YOU'RE WASTING
YOUR BREATH!
139
00:05:25,686 --> 00:05:26,743
WAKING UP
ON THE FLOOR OF A BAR
140
00:05:26,778 --> 00:05:28,422
WITH A COP
TAKING YOUR PULSE.
141
00:05:28,457 --> 00:05:30,032
I KNEW IT!
LITTLE FREE ADVICE,
142
00:05:30,067 --> 00:05:32,267
NEVER ORDER A DRINK
CALLED A VICIOUS VIRGIN.
143
00:05:32,302 --> 00:05:34,467
AT LEAST, DON'T ORDER
FIVE OF THEM IN A ROW.
144
00:05:34,502 --> 00:05:35,732
YOU KNOW OUR
FINANCIAL SITUATION,
145
00:05:35,767 --> 00:05:38,217
YOU THE KIND OF
MONEY THE KENDRICK
CASE COULD BRING IN,
146
00:05:38,252 --> 00:05:40,667
AND YET YOU WALK
IN HERE LOOKING LIKE
THE WRATH OF GOD
147
00:05:40,702 --> 00:05:42,067
AND SMELLING
LIKE A WINE CELLAR.
148
00:05:42,102 --> 00:05:43,098
MORE LIKE
A WINE BUYER
149
00:05:43,133 --> 00:05:44,432
IF YOU WANT
TO GET TECHNICAL
ABOUT IT.
150
00:05:44,467 --> 00:05:46,167
AND ARE YOU
EMBARRASSED? ARE
YOU GUILT-RIDDEN?
151
00:05:46,202 --> 00:05:48,065
NO! IT DOESN'T
EVEN FAZE YOU!
152
00:05:48,100 --> 00:05:50,000
NONSENSE. I'M AS FAZED
AS THE NEXT GUY.
153
00:05:50,035 --> 00:05:51,467
SEE WHAT I MEAN?
LOOK, MADDIE,
154
00:05:51,502 --> 00:05:52,833
WHAT IS
THE BIG DEAL?
155
00:05:52,868 --> 00:05:55,432
ONE NIGHT IN 2 YEARS,
I DRINK TOO MUCH,
156
00:05:55,467 --> 00:05:57,899
SLEEP TOO LITTLE,
AND DON'T SHOWER.
I OVERSLEPT.
157
00:05:57,934 --> 00:06:00,267
IF YOU CARED,
YOU WOULDN'T BE DOING
THE STAND-UP ROUTINE.
158
00:06:00,302 --> 00:06:01,666
YOU'D BE APOLOGIZING,
159
00:06:01,701 --> 00:06:03,065
YOU'D BE TRYING
TO MAKE AMENDS.
160
00:06:03,100 --> 00:06:05,767
MAKE AMENDS?
I'VE NEVER EVEN
SEEN AN AMEND.
161
00:06:07,601 --> 00:06:08,965
OUT!
OUT?
162
00:06:09,000 --> 00:06:11,267
OUT OF MY OFFICE,
OUT OF MY SIGHT,
OUT OF MY ZIP CODE!
163
00:06:11,302 --> 00:06:13,799
GO SOMEWHERE.
NEED I BE MORE SPECIFIC?
164
00:06:13,834 --> 00:06:15,965
LET'S TAKE A MOMENT HERE
FOR A PERSPECTIVE CHECK.
165
00:06:16,000 --> 00:06:18,667
I DO NOT THINK
THAT THIS IS THE END
OF LIFE AS WE KNOW IT.
166
00:06:18,702 --> 00:06:20,200
I DON'T THINK
THE HEADLINE TOMORROW'S
GOING TO READ,
167
00:06:20,235 --> 00:06:21,734
"ADDISON BLOWS CASE.
WORLD SELF-DESTRUCTS."
168
00:06:21,769 --> 00:06:23,399
IT'S NOT THE CASE,
DAVID, IT'S YOU.
169
00:06:23,434 --> 00:06:26,300
I'M SICK OF YOU.
I'M SICK OF NOT BEING
ABLE TO DEPEND ON YOU.
170
00:06:26,335 --> 00:06:28,584
YOU CAN DEPEND ON ME...
171
00:06:28,619 --> 00:06:30,834
A GREAT DEAL
OF THE TIME.
172
00:06:30,869 --> 00:06:32,499
WHY DO I BOTHER?
173
00:06:32,534 --> 00:06:34,532
WHY DO I PUT MYSELF
THROUGH THIS?
174
00:06:34,567 --> 00:06:36,567
WHY DON'T
I JUST GIVE UP
AND ACCEPT THE FACT
175
00:06:36,602 --> 00:06:37,532
THAT YOU
ARE INCAPABLE
176
00:06:37,567 --> 00:06:39,200
OF ACTING LIKE
A RESPONSIBLE ADULT?
177
00:06:39,235 --> 00:06:40,717
WRONG.
WRONG?
178
00:06:40,752 --> 00:06:42,165
WRONG. INCORRECT.
179
00:06:42,200 --> 00:06:44,133
YOU LOSE ALL YOUR
ACCUMULATED POINTS
180
00:06:44,168 --> 00:06:45,632
AND THE BROYHILL
DINETTE SET.
181
00:06:45,667 --> 00:06:48,067
ARE YOU TELLING ME
THAT YOU ARE
A DEPENDABLE PERSON?
182
00:06:48,102 --> 00:06:51,701
NO, I'M TELLING YOU
THAT I AM NOT INCAPABLE
183
00:06:51,736 --> 00:06:52,901
OF BEING
A DEPENDABLE PERSON.
184
00:06:52,936 --> 00:06:54,499
PLEASE.
IT'S THE TRUTH.
185
00:06:54,534 --> 00:06:56,901
I COULD BE THE PICTURE
OF DEPENDABILITY
IF I WANTED.
186
00:06:56,936 --> 00:06:58,834
SO, WHAT YOU'RE SAYING
IS THAT THE WAY YOU ARE
187
00:06:58,869 --> 00:06:59,998
IS A CONSCIOUS CHOICE?
188
00:07:00,033 --> 00:07:02,667
"CONSCIOUS" BEING
A RELATIVE TERM.
IS THAT IT?
189
00:07:02,702 --> 00:07:03,965
YEAH.
190
00:07:04,000 --> 00:07:06,434
AND THIS IS NOT
AN UNFORTUNATE
GENETIC MISHAP,
191
00:07:06,469 --> 00:07:07,734
BUT SOMETHING
THAT YOU WORK AT?
192
00:07:07,769 --> 00:07:08,933
RIGHT ON, BROTHER.
193
00:07:08,968 --> 00:07:10,567
AND THAT ANY DAY
YOU COULD SIMPLY CHOOSE
194
00:07:10,602 --> 00:07:12,184
TO BE AN ENTIRELY
DIFFERENT PERSON?
195
00:07:12,219 --> 00:07:13,732
DOES DOLLY PARTON
SLEEP ON HER BACK?
196
00:07:13,767 --> 00:07:15,501
YOU WERE HAVING
BETTER LUCK WITH
THE FREEWAY STORY.
197
00:07:15,536 --> 00:07:16,933
WHAT DO YOU THINK, MADDIE?
198
00:07:16,968 --> 00:07:18,801
YOU THINK PEOPLE'S
BEHAVIOR PATTERNS
ARE DECIDED AT BIRTH,
199
00:07:18,836 --> 00:07:20,365
LIKE EYE COLOR
OR GENDER,
200
00:07:20,400 --> 00:07:22,732
OR THAT THEY JUST
BECOME IRRESPONSIBLE
201
00:07:22,767 --> 00:07:24,234
BECAUSE THEY AREN'T
GETTING ENOUGH VITAMINS?
202
00:07:24,269 --> 00:07:25,499
I LOVE YOUR LOGIC.
203
00:07:25,534 --> 00:07:27,667
"I'M A JERK,
BUT IT'S VOLUNTARY,
204
00:07:27,702 --> 00:07:29,132
SO THAT
MAKES IT OK."
205
00:07:29,167 --> 00:07:30,767
LET ME TELL
YOU SOMETHING, BABY.
206
00:07:30,802 --> 00:07:32,232
I THINK IT'S SAFE TO ASSUME
207
00:07:32,267 --> 00:07:34,701
THAT I'VE BEEN DOWN
A FEW MORE ROADS THAN YOU.
208
00:07:34,736 --> 00:07:36,032
YOU MEAN SLEPT
IN A FEW MORE GUTTERS.
209
00:07:36,067 --> 00:07:37,933
AND BY NOW, I FIGURED OUT
WHICH ROADS ARE FOR ME,
210
00:07:37,968 --> 00:07:39,867
WHICH ROADS ARE
FOR OTHER PEOPLE, AND
WHERE THE DEAD ENDS ARE.
211
00:07:39,902 --> 00:07:41,767
FINE, DO YOU THINK
WE COULD BRING THIS
CONVERSATION TO ONE?
212
00:07:41,802 --> 00:07:43,568
AND THE FACT THAT
THE WAY I CHOOSE TO BE
213
00:07:43,603 --> 00:07:45,334
DIFFERS FROM THE WAY
YOU CHOOSE TO BE,
214
00:07:45,369 --> 00:07:46,399
DOES NOT GIVE YOU
ANY RIGHT
215
00:07:46,434 --> 00:07:48,400
TO GET ON YOUR
MORALLY SUPERIOR
HIGH HORSE.
216
00:07:48,435 --> 00:07:49,584
IS THAT SO?
217
00:07:49,619 --> 00:07:50,699
YES, THAT'S SO.
218
00:07:50,734 --> 00:07:52,767
WELL, THAT'S KIND OF NICE
FOR THE IRRESPONSIBLE TEAM,
219
00:07:52,802 --> 00:07:53,833
ISN'T IT?
220
00:07:53,868 --> 00:07:55,467
YOU COUNT ON THE REST
OF US TO COVER FOR YOU,
221
00:07:55,502 --> 00:07:57,032
SO YOU'LL BE FREE
TO DO WHATEVER YOU PLEASE!
222
00:07:57,067 --> 00:07:59,234
WHAT IF I'D
WANTED TO PASS OUT
IN A BAR LAST NIGHT?
223
00:07:59,269 --> 00:08:00,799
NOBODY WOULD HAVE
STOPPED YOU.
224
00:08:00,834 --> 00:08:02,265
IN FACT, A LOT OF PEOPLE
WOULD HAVE HELPED YOU.
225
00:08:02,300 --> 00:08:04,667
AND WHO WOULD HAVE
MET MRS. KENDRICK
FOR BREAKFAST?
226
00:08:06,501 --> 00:08:08,467
YOU DON'T HAVE
A QUICK ANSWER FOR
THAT ONE, DO YOU?
227
00:08:10,601 --> 00:08:13,467
WHAT'S THE MATTER,
WIT WELL RUN DRY?
228
00:08:13,502 --> 00:08:15,051
YEAH. I GUESS SO.
229
00:08:15,086 --> 00:08:16,566
AM I EXCUSED?
230
00:08:16,601 --> 00:08:18,717
I'M NOT SURE
I'M THROUGH TALKING.
231
00:08:18,752 --> 00:08:20,834
WELL, I'M SURE
I'M THROUGH LISTENING.
232
00:08:31,267 --> 00:08:32,334
DAVID!
233
00:08:34,501 --> 00:08:36,117
DAVID.
234
00:08:36,152 --> 00:08:37,734
DON'T.
235
00:08:40,100 --> 00:08:42,299
I JUST CALLED
MRS. KENDRICK.
236
00:08:42,334 --> 00:08:44,434
AND SHE'S WILLING
TO GIVE US
ANOTHER CHANCE.
237
00:08:44,469 --> 00:08:46,000
WE'RE MEETING WITH HER
TOMORROW MORNING.
238
00:08:46,035 --> 00:08:48,101
I CAN'T.
239
00:08:48,136 --> 00:08:50,132
EXCUSE ME?
240
00:08:50,167 --> 00:08:51,601
I HAVE TO GO
TO NEW YORK.
241
00:08:51,636 --> 00:08:53,051
NEW YORK?
242
00:08:53,086 --> 00:08:54,432
YEAH.
243
00:08:54,467 --> 00:08:55,432
I HAVE TO LEAVE
RIGHT AWAY.
244
00:08:55,467 --> 00:08:56,868
I'LL JUST BE GONE
A COUPLE DAYS.
245
00:08:56,903 --> 00:08:58,332
I SEE.
246
00:08:58,367 --> 00:09:01,133
FUNNY. I DON'T
REMEMBER YOU ASKING ME
FOR THE TIME OFF.
247
00:09:01,168 --> 00:09:02,901
I JUST GOT A CALL.
248
00:09:04,467 --> 00:09:05,766
SOMETHING CAME UP.
249
00:09:05,801 --> 00:09:07,868
SOME OLD FRIEND
THROWING A PARTY
YOU CAN'T MISS?
250
00:09:07,903 --> 00:09:10,734
SOME OLD FRIEND
THROWING A FUNERAL-
251
00:09:10,769 --> 00:09:11,767
HIS OWN.
252
00:09:13,868 --> 00:09:15,251
OH, DAVID.
253
00:09:15,286 --> 00:09:17,826
I'M SORRY.
254
00:09:17,861 --> 00:09:20,367
YEAH. ME, TOO.
255
00:09:22,767 --> 00:09:23,933
WHO WAS IT?
256
00:09:23,968 --> 00:09:25,300
A GUY I USED TO KNOW
WHEN I LIVED
257
00:09:25,335 --> 00:09:26,868
IN THE VILLAGE
IN NEW YORK.
258
00:09:28,267 --> 00:09:31,234
ROLLED HIS CAR OVER
ON THE JERSEY TURNPIKE
THIS MORNING.
259
00:09:33,400 --> 00:09:35,400
I THOUGHT I WAS
HAVING A BAD DAY.
260
00:09:37,801 --> 00:09:39,133
WHEN WAS THE LAST TIME
YOU SAW HIM?
261
00:09:43,567 --> 00:09:45,117
ABOUT NINE YEARS AGO.
262
00:09:45,152 --> 00:09:46,667
BUT YOU KEPT IN TOUCH?
263
00:09:46,702 --> 00:09:49,065
NOT REALLY.
264
00:09:49,100 --> 00:09:51,417
I DON'T MEAN
TO SEEM COLD,
265
00:09:51,452 --> 00:09:53,326
BUT I THINK YOU
COULD GET AWAY
266
00:09:53,361 --> 00:09:55,200
WITH SENDING
A NICE WREATH.
267
00:09:55,235 --> 00:09:57,965
IT'S NOT THAT SIMPLE.
268
00:09:58,000 --> 00:10:00,434
EVERYBODY I KNOW'S
GOING TO BE AT THIS FUNERAL.
269
00:10:00,469 --> 00:10:01,701
I'M SURE
THEY'D UNDERSTAND.
270
00:10:01,736 --> 00:10:04,965
I...I CAN'T.
271
00:10:05,000 --> 00:10:06,399
I HAVE AN OBLIGATION.
272
00:10:06,434 --> 00:10:08,501
TO SOME GUY YOU HAVEN'T
SEEN IN A DECADE?
273
00:10:10,000 --> 00:10:12,100
HE'S MORE THAN
JUST SOME GUY, MADDIE.
274
00:10:12,135 --> 00:10:13,384
EVEN IF HE'S
YOUR FRIEND-
275
00:10:13,419 --> 00:10:14,634
HE'S MORE
THAN MY FRIEND.
276
00:10:18,567 --> 00:10:20,968
I WAS SORT OF
RELATED TO HIM
FOR A WHILE.
277
00:10:22,634 --> 00:10:25,667
I WAS SORT OF MARRIED
TO HIS SISTER.
278
00:10:37,033 --> 00:10:38,367
COME IN.
279
00:10:39,934 --> 00:10:41,000
MISS HAYES?
280
00:10:43,133 --> 00:10:46,634
WOULD YOU LIKE ME TO GET
YOU A SANDWICH OR SOMETHING?
281
00:10:52,567 --> 00:10:53,833
YOU THINK
YOU KNOW A PERSON,
282
00:10:53,868 --> 00:10:55,466
YOU THINKA PERSON
IS YOUR FRIEND,
283
00:10:55,501 --> 00:10:57,750
YOU THINK THERE'S
NOTHING ANYONE
CAN TELL YOU
284
00:10:57,785 --> 00:11:00,000
ABOUT THAT PERSON
THAT WOULD COME
AS A SHOCK.
285
00:11:00,035 --> 00:11:02,200
MR. ADDISON?
286
00:11:04,567 --> 00:11:06,234
OH.
287
00:11:07,968 --> 00:11:08,901
WHAT?
288
00:11:15,334 --> 00:11:17,667
HE'S GAY, ISN'T HE?
289
00:11:17,702 --> 00:11:19,000
MR. ADDISON?
290
00:11:21,667 --> 00:11:24,300
MR. ADDISON'S
BEEN MARRIED.
291
00:11:24,335 --> 00:11:26,200
HAS HE?
292
00:11:32,300 --> 00:11:33,998
WOW...
293
00:11:34,033 --> 00:11:35,850
THAT'S BETTER THAN GAY.
294
00:11:35,885 --> 00:11:37,426
I GUESS IT'S NO BIG DEAL
295
00:11:37,461 --> 00:11:38,933
THAT HE NEVER
MENTIONED IT.
296
00:11:38,968 --> 00:11:41,100
NO REASON WHY HE SHOULD
HAVE MENTIONED IT.
297
00:11:41,135 --> 00:11:42,766
MR. ADDISON...MARRIED.
298
00:11:42,801 --> 00:11:43,801
IT'S NOT LIKE
HE TRIED TO HIDE IT.
299
00:11:43,836 --> 00:11:46,335
GOSH. SOMEWHERE
IN THE WORLD,
300
00:11:46,370 --> 00:11:48,834
THERE'S
A MRS. MR. ADDISON.
301
00:11:48,869 --> 00:11:51,365
YEAH...NO!
302
00:11:51,400 --> 00:11:53,868
A FORMER
MRS. MR. ADDISON.
303
00:11:53,903 --> 00:11:55,666
WOW.
304
00:11:55,701 --> 00:11:59,165
I MEAN...BOY!
305
00:11:59,200 --> 00:12:03,199
WELL...WE'VE WASTED
ENOUGH TIME
306
00:12:03,234 --> 00:12:05,717
ON THIS MILDLY
INTERESTING DEVELOPMENT.
307
00:12:05,752 --> 00:12:08,226
THINK THE TRAFFIC'S
DIED DOWN BY NOW?
308
00:12:08,261 --> 00:12:10,330
WHAT DO YOU SUPPOSE
SHE LOOKS LIKE?
309
00:12:10,365 --> 00:12:12,166
I DON'T KNOW.
HOW WOULD I KNOW?
310
00:12:12,201 --> 00:12:13,968
I HAVEN'T GIVEN IT
A THOUGHT.
311
00:12:14,003 --> 00:12:15,065
NOT AT ALL?
312
00:12:15,100 --> 00:12:17,365
WELL, MAYBE A LITTLE.
313
00:12:17,400 --> 00:12:21,400
BUT IF IT TOOK HIM THIS
LONG TO TELL ANYBODY,
314
00:12:21,435 --> 00:12:23,118
I'M NOT GOING TO HOLD
MY BREATH WAITING
315
00:12:23,153 --> 00:12:24,801
FOR HIM TO BRING
THE WEDDING PICTURES IN.
316
00:12:37,000 --> 00:12:38,901
I'LL TAKE THIS DRAWER,
YOU TAKE THAT ONE!
317
00:12:48,834 --> 00:12:50,232
UGH!
318
00:12:50,267 --> 00:12:52,065
DON'T WORRY.
319
00:12:52,100 --> 00:12:55,299
HE BUYS THOSE
ONLY FOR THE ARTICLES.
320
00:12:55,334 --> 00:12:58,601
AND I SUPPOSE THIS IS
FOR THE FINE PRINT?
321
00:12:58,636 --> 00:13:00,799
WE'RE WASTING
OUR TIME.
322
00:13:00,834 --> 00:13:03,232
THERE'S NOTHING HERE
BUT JUNK AND SMUT.
323
00:13:03,267 --> 00:13:08,200
BESIDES,
I DON'T EVEN CARE
WHAT SHE LOOKS LIKE.
324
00:13:09,734 --> 00:13:11,499
IT'S LATE.
325
00:13:11,534 --> 00:13:13,167
WE REALLY
SHOULD GO HOME.
326
00:13:17,634 --> 00:13:19,666
MRS. MR. ADDISON.
327
00:13:19,701 --> 00:13:22,901
THE FORMER
MRS. MR. ADDISON.
328
00:13:26,234 --> 00:13:28,067
DAVID...
329
00:13:28,102 --> 00:13:29,901
MARRIED.
330
00:13:50,601 --> 00:13:52,334
GREENWICH VILLAGE.
331
00:14:33,133 --> 00:14:37,165
* WHY CAN'T I LAY LOW *
332
00:14:37,200 --> 00:14:41,367
* WHY CAN'T I SAY
WHAT I MEAN *
333
00:14:41,402 --> 00:14:45,833
* WHY DON'T I STAY HOME *
334
00:14:45,868 --> 00:14:50,100
* GET MYSELF INTO
SOME BORING ROUTINE *
335
00:14:50,135 --> 00:14:54,267
* WHY CAN'T I CALM DOWN *
336
00:14:54,302 --> 00:14:58,518
* WHY IS IT ALWAYS I FIND *
337
00:14:58,553 --> 00:15:02,699
* I CAN'T GET UNWOUND *
338
00:15:02,734 --> 00:15:06,834
* WHY DO I THROW MYSELF
INTO THE NIGHTS *
339
00:15:23,767 --> 00:15:28,032
* I'M ON THE OUTSIDE *
340
00:15:28,067 --> 00:15:32,133
* I DON'T FIT
INTO THE GROOVE *
341
00:15:32,168 --> 00:15:35,965
* NOW, I AIN'T A BAD GUY *
342
00:15:36,000 --> 00:15:40,734
* SO TELL ME WHAT
AM I TRYING TO PROVE *
343
00:15:40,769 --> 00:15:44,566
* WHY CAN'T I COOL OUT *
344
00:15:44,601 --> 00:15:49,167
* WHY DON'T I
BUTTON MY LIP *
345
00:15:49,202 --> 00:15:53,165
* WHY DO I LASH OUT *
346
00:15:53,200 --> 00:15:56,616
* WHY IS IT I ALWAYS
SHOOT FROM THE HIP *
347
00:15:56,651 --> 00:16:00,033
* I CRUISE FROM HOUSTON
TO CANAL STREET *
348
00:16:00,068 --> 00:16:05,599
* A MISFIT AND A REBEL *
349
00:16:05,634 --> 00:16:07,934
* SEE THE ONES
TALKIN' TO THEMSELVES *
350
00:16:07,969 --> 00:16:12,100
* AND I CAN UNDERSTAND *
351
00:16:13,834 --> 00:16:17,517
* WHY IS IT
EVERY TIME I GO OUT *
352
00:16:17,552 --> 00:16:21,200
* I ALWAYS SEEM
TO GET IN TROUBLE *
353
00:16:22,367 --> 00:16:23,833
* I GUESS I MADE
AN IMPRESSION *
354
00:16:23,868 --> 00:16:28,667
* ON SOMEBODY NORTH OF HESTER
AND SOUTH OF GRAND *
355
00:16:43,734 --> 00:16:47,632
* SO IN MY SMALL WAY *
356
00:16:47,667 --> 00:16:52,133
* I'M A BIG MAN
ON MULBERRY STREET *
357
00:16:52,168 --> 00:16:56,532
* I DON'T MEAN ALWAYS *
358
00:16:56,567 --> 00:17:00,834
* ONLY AT NIGHT WHEN
I'M LIGHT ON MY FEET *
359
00:17:00,869 --> 00:17:04,933
* WHAT ELSE HAVE I GOT *
360
00:17:04,968 --> 00:17:09,134
* THAT I'D BE
TRYING TO HIDE *
361
00:17:09,169 --> 00:17:13,265
* THERE'D BE
A BLIND SPOT *
362
00:17:13,300 --> 00:17:17,934
* I HAVEN'T SEEN
FROM THE SENSITIVE SIDE *
363
00:18:54,501 --> 00:18:58,632
* TO KNOW IN MY OWN HEART *
364
00:18:58,667 --> 00:19:03,067
* I'M A BIG MAN
ON MULBERRY STREET *
365
00:19:03,102 --> 00:19:07,399
* I PLAY THE WHOLE PART *
366
00:19:07,434 --> 00:19:11,634
* I LEAVE A BIG TIP
WITH EVERY RECEIPT *
367
00:19:11,669 --> 00:19:15,566
* I'M SO ROMANTIC *
368
00:19:15,601 --> 00:19:20,067
* I'M SUCH
A PASSIONATE MAN *
369
00:19:20,102 --> 00:19:24,365
* SOMETIMES I PANIC *
370
00:19:24,400 --> 00:19:28,968
* WHAT IF NOBODY
FINDS OUT WHO I AM **
371
00:20:43,801 --> 00:20:45,151
AHH!
372
00:20:45,186 --> 00:20:46,501
OH.
373
00:20:48,267 --> 00:20:49,200
OH.
374
00:21:08,767 --> 00:21:10,632
YES, COULD YOU TELL ME,
375
00:21:10,667 --> 00:21:12,601
WHAT IS THE NEXT FLIGHT
TO NEW YORK?
376
00:21:18,534 --> 00:21:20,033
BILL.
377
00:21:22,067 --> 00:21:23,000
WILLIAM.
378
00:21:25,601 --> 00:21:27,767
YO, FISH, WHAT ARE
YOU TRYING TO PROVE?
379
00:21:28,868 --> 00:21:30,300
DO YOU BELIEVE
THEY'LL ONLY GIVE US
380
00:21:30,335 --> 00:21:31,365
ONE PITCHER OF BEER
AT A TIME?
381
00:21:31,400 --> 00:21:33,266
I MEAN, WHAT IS
THE DEAL WITH THAT?
382
00:21:33,301 --> 00:21:35,133
WE'RE HAVING MY WAKE
SOMEWHERE ELSE.
383
00:21:35,168 --> 00:21:36,334
TA-DA!
384
00:21:38,901 --> 00:21:40,301
YOU'RE GOING TO DIE.
385
00:21:40,336 --> 00:21:41,666
YEAH, OK, SURE FINE.
386
00:21:41,701 --> 00:21:44,501
ANYWAY,
HE USED TO GET
REAL DEPRESSED.
387
00:21:44,536 --> 00:21:47,132
ABOUT ANYTHING.
ABOUT EVERYTHING.
388
00:21:47,167 --> 00:21:50,067
HE USED TO CALL ME
AT 4:30 IN THE MORNING,
389
00:21:50,102 --> 00:21:52,968
CRYING ABOUT SOME MOVIE
HE'D JUST SEEN ON TV
390
00:21:53,003 --> 00:21:55,935
OR SOME STORY
HE'D READ IN THE PAPER.
391
00:21:55,970 --> 00:21:58,833
I HALF THINK
HE SAW THAT CAR COMING
392
00:21:58,868 --> 00:22:01,400
AND JUST DECIDED
HE DIDN'T WANT
TO GET OUT OF THE WAY.
393
00:22:05,234 --> 00:22:07,267
WHAT THE HELL HAPPENED
TO YOUR HAIR?
394
00:22:16,267 --> 00:22:17,432
YEAH.
395
00:22:17,467 --> 00:22:19,968
WHAT IN THE HELL HAPPENED
TO YOUR HAIR, T.C.?
396
00:22:22,234 --> 00:22:23,901
T.C...
397
00:22:26,300 --> 00:22:28,634
TOP CAT.
398
00:22:29,701 --> 00:22:32,767
* THAT INDISPUTABLE *
399
00:22:32,802 --> 00:22:34,933
* TOP CAT *
400
00:22:34,968 --> 00:22:37,299
* WHO'S INTELLECTUAL *
401
00:22:37,334 --> 00:22:42,334
* CLOSE FRIENDS
GET TO CALL HIM T.C. *
402
00:22:42,369 --> 00:22:47,434
* PROVIDING
IT WITH DIGNITY *
403
00:22:47,469 --> 00:22:49,065
* TOP CAT *
404
00:22:49,100 --> 00:22:52,034
* THE MOST DISPUTABLE *
405
00:22:52,069 --> 00:22:54,968
* LEADER OF THE GANG *
406
00:22:55,003 --> 00:22:56,518
* HE'S THE TOP *
407
00:22:56,553 --> 00:22:57,998
* HE'S THE KING *
408
00:22:58,033 --> 00:23:01,417
* BUT ABOVE EVERYTHING *
409
00:23:01,452 --> 00:23:05,459
* HE'S THE MOST TIPTOP *
410
00:23:05,494 --> 00:23:09,467
* BIPPITY BOP, TOP CAT **
411
00:23:13,367 --> 00:23:14,901
YEAH!
412
00:23:16,767 --> 00:23:18,067
TO JIMMY, BOYS.
413
00:23:19,667 --> 00:23:21,000
THE JIMMER.
414
00:23:29,834 --> 00:23:31,965
DID HE EVER
DO THAT TO YOU?
415
00:23:32,000 --> 00:23:34,667
CALL YOU UP
IN THE MIDDLE
OF THE NIGHT...
416
00:23:34,702 --> 00:23:36,200
CRYING?
417
00:23:38,567 --> 00:23:40,400
YEAH.
418
00:23:43,367 --> 00:23:45,067
I'D JUST HANG UP ON HIM.
419
00:23:53,734 --> 00:23:55,934
WHERE YOU GOING?
WHAT, DO YOU
WANT TO WATCH?
420
00:23:59,000 --> 00:24:02,067
WHAT THE HELL DO YOU THINK
HAPPENED TO HIS HAIR?
421
00:24:06,567 --> 00:24:08,400
HOW WOULD YOU
LIKE TO BILL THIS CALL?
422
00:24:08,435 --> 00:24:10,234
YEAH, CHARGE THIS
TO MY HOME NUMBER,
PLEASE-
423
00:24:10,269 --> 00:24:12,985
213-555-6867.
424
00:24:13,020 --> 00:24:14,860
ONE MOMENT.
425
00:24:14,895 --> 00:24:16,701
THANK YOU.
426
00:24:19,234 --> 00:24:20,934
HI. THIS IS
MADDIE HAYES.
427
00:24:20,969 --> 00:24:22,165
I'M NOT HERE RIGHT NOW,
428
00:24:22,200 --> 00:24:23,534
BUT PLEASE LEAVE
YOUR NAME AND NUMBER
429
00:24:23,569 --> 00:24:24,532
AT THE SOUND OF THE BEEP.
430
00:24:24,567 --> 00:24:25,834
AND I'LL GET
RIGHT BACK TO YOU.
431
00:24:28,334 --> 00:24:31,167
UH...HI,
IT'S, UH, ME.
432
00:24:32,334 --> 00:24:34,950
UH...I GOT IN OK.
433
00:24:34,985 --> 00:24:37,532
EVERYTHING'S FINE.
434
00:24:37,567 --> 00:24:40,717
THE, UH...FUNERAL
IS TOMORROW.
435
00:24:40,752 --> 00:24:43,059
I'LL BE HOME LATE THURSDAY,
436
00:24:43,094 --> 00:24:45,367
BE IN THE OFFICE FRIDAY.
437
00:24:47,667 --> 00:24:50,134
SO...IF YOU
NEED ANYTHING,
438
00:24:50,169 --> 00:24:52,601
YOU CAN REACH ME
AT THE HOTEL.
439
00:24:55,467 --> 00:24:57,434
WHAT ARE YOU DOING
OUT THIS LATE?
440
00:25:20,601 --> 00:25:22,367
I KNOW YOU'RE WONDERING
WHAT I'M DOING HERE.
441
00:25:22,402 --> 00:25:25,051
I DON'T KNOW MYSELF.
442
00:25:25,086 --> 00:25:27,666
SOMEWHERE OVER ARIZONA,
443
00:25:27,701 --> 00:25:31,132
I REALIZED I SHOULDN'T
BE ON THIS PLANE.
444
00:25:31,167 --> 00:25:33,234
BY THEN, THERE WAS NOTHING
I COULD DO ABOUT IT.
445
00:25:33,269 --> 00:25:34,199
SO HERE I AM.
446
00:25:34,234 --> 00:25:36,199
AND THE ONLY
EXPLANATION I HAVE
447
00:25:36,234 --> 00:25:39,234
IS, I GUESS, I THOUGHT
I COULD HELP YOU.
448
00:25:40,534 --> 00:25:42,534
I DON'T KNOW WHY
I THOUGHT THAT,
BUT I DID.
449
00:25:42,569 --> 00:25:44,566
BUT DON'T WORRY...
450
00:25:44,601 --> 00:25:45,868
DON'T WORRY,
I CAN LEAVE.
451
00:25:45,903 --> 00:25:47,332
I ALREADY CHECKED,
452
00:25:47,367 --> 00:25:48,868
THERE'S A FLIGHT
BACK TO L.A. IN AN HOUR.
453
00:25:48,903 --> 00:25:51,400
IF I CATCH A CAB NOW,
I CAN MAKE IT.
454
00:25:53,534 --> 00:25:56,666
EXCEPT THAT I'M
REALLY EXHAUSTED,
455
00:25:56,701 --> 00:25:59,968
AND I'D KIND OF LIKE
TO GET SOME REST.
456
00:26:01,667 --> 00:26:02,833
ONLY IF I STAYED,
457
00:26:02,868 --> 00:26:06,184
I- I THOUGHT I'D LIKE
TO BE SORT OF NEARBY.
458
00:26:06,219 --> 00:26:09,466
BUT I ALREADY ASKED
ABOUT THE ROOM NEXT DOOR,
459
00:26:09,501 --> 00:26:12,934
AND THE MAN AT THE DESK SAID
HE WOULDN'T GIVE IT TO ME...
460
00:26:12,969 --> 00:26:15,935
UNLESS YOU SAID
IT WAS OK.
461
00:26:15,970 --> 00:26:18,901
SO I GUESS
YOU HAVE TO...
462
00:26:18,936 --> 00:26:20,601
TELL HIM IT'S OK.
463
00:26:24,100 --> 00:26:27,267
UNLESS IT ISN'T OK.
464
00:26:27,302 --> 00:26:28,951
I FEEL...
465
00:26:28,986 --> 00:26:30,566
LIKE AN ASS.
466
00:26:30,601 --> 00:26:32,867
I KNOW I'M NOT
MAKING MUCH SENSE.
467
00:26:32,902 --> 00:26:35,098
WHAT I'M TRYING
TO SAY IS, UH,
468
00:26:35,133 --> 00:26:38,100
THAT I'M REALLY SORRY
ABOUT YOUR FRIEND,
469
00:26:38,135 --> 00:26:40,566
I MEAN ABOUT
YOUR BROTHER-IN-LAW.
470
00:26:40,601 --> 00:26:43,801
AND IF I SEEMED
A LITTLE FROSTY
WHEN YOU TOLD ME,
471
00:26:43,836 --> 00:26:47,033
IT'S ONLY BECAUSE
I WAS SO SURPRISED
472
00:26:47,068 --> 00:26:49,117
THAT YOU'D BEEN MARRIED.
473
00:26:49,152 --> 00:26:51,167
WHICH IS STUPID, RIGHT?
474
00:26:52,834 --> 00:26:54,232
I MEAN,
WHY SHOULD I THINK
475
00:26:54,267 --> 00:26:56,933
YOU WOULD HAVE TOLD ME
YOU WERE MARRIED?
476
00:26:56,968 --> 00:27:01,167
I MEAN, I UNDERSTAND
THAT THERE ARE THINGS...
477
00:27:01,202 --> 00:27:03,634
WE'LL NEVER TALK ABOUT.
478
00:27:05,501 --> 00:27:07,267
THERE SHOULD BE THINGS.
479
00:27:09,801 --> 00:27:11,933
PIECES...
480
00:27:11,968 --> 00:27:13,567
POCKETS OF OUR LIVES
481
00:27:13,602 --> 00:27:15,132
THAT ARE PRIVATE.
482
00:27:15,167 --> 00:27:18,901
I CERT-I MEAN,
I CERTAINLY...
483
00:27:20,434 --> 00:27:23,200
HAVE PLENTY OF THINGS
I'VE NEVER...
484
00:27:23,235 --> 00:27:25,599
TALKED TO YOU ABOUT.
485
00:27:25,634 --> 00:27:28,934
I MEAN, IT'S NOT
LIKE WE HAVE THAT KIND
OF RELATIONSHIP.
486
00:27:28,969 --> 00:27:30,767
IT'S NOT LIKE WE'RE...
487
00:27:42,767 --> 00:27:44,850
YOU KNOW, I JUST REALIZED
WHAT I SHOULD DO.
488
00:27:44,885 --> 00:27:46,934
WHAT I SHOULD DO
IS GO CATCH
THAT AIRPLANE.
489
00:27:46,969 --> 00:27:48,267
DON'T GO.
490
00:27:49,834 --> 00:27:52,367
I WANT YOU TO STAY.
491
00:27:55,834 --> 00:27:58,632
I'LL TELL THE, UH...
492
00:27:58,667 --> 00:28:01,300
I'LL TELL
THE GUY AT THE DESK
YOU'RE MY SISTER.
493
00:28:05,234 --> 00:28:06,534
MY MOTHER.
494
00:28:08,100 --> 00:28:09,801
I'LL TELL HIM
I'M YOUR FATHER.
495
00:28:14,434 --> 00:28:16,467
YOU CAN HAVE
THE ROOM NEXT DOOR.
496
00:28:27,901 --> 00:28:29,300
I'LL SEE YOU
IN A MINUTE.
497
00:28:49,000 --> 00:28:50,200
David:
YOU AWAKE?
498
00:29:05,634 --> 00:29:07,334
YOU CAME ALL
THE WAY OUT HERE.
499
00:29:11,634 --> 00:29:14,067
YOU CAME ALL
THE WAY OUT HERE.
500
00:29:14,102 --> 00:29:15,300
WHY DID YOU DO THAT?
501
00:29:17,567 --> 00:29:18,834
I DON'T KNOW.
502
00:29:21,667 --> 00:29:23,267
I DON'T KNOW.
503
00:29:38,200 --> 00:29:40,934
THAT WAS A PRETTY LOUSY
THING I DID TO YOU,
504
00:29:40,969 --> 00:29:43,632
WASN'T IT?
505
00:29:43,667 --> 00:29:46,134
I MEAN TELLING YOU
I WAS MARRIED
506
00:29:46,169 --> 00:29:48,868
AND THEN HOPPING
ON A PLANE.
507
00:29:48,903 --> 00:29:51,567
BUT I KNEW
WHAT I WAS DOING.
508
00:29:51,602 --> 00:29:53,534
I KNEW
THAT IT STUNK.
509
00:29:56,100 --> 00:29:58,400
I JUST DIDN'T WANT
TO TALK ABOUT IT.
510
00:30:01,100 --> 00:30:03,484
IT WASN'T VERY
IMPORTANT, ANYWAY.
511
00:30:03,519 --> 00:30:05,868
SHE WASN'T VERY
IMPORTANT, ANYWAY.
512
00:30:05,903 --> 00:30:07,501
WHAT WAS SHE LIKE?
513
00:30:07,536 --> 00:30:09,100
WHAT HAPPENED?
514
00:30:11,667 --> 00:30:13,634
WHAT WAS SHE LIKE?
WHAT HAPPENED?
515
00:30:15,100 --> 00:30:18,567
I REALLY KNEW HER
JUST ABOUT ALL MY LIFE.
516
00:30:18,602 --> 00:30:20,299
UH...
517
00:30:20,334 --> 00:30:22,299
GRADE SCHOOL,
HIGH SCHOOL.
518
00:30:22,334 --> 00:30:25,167
WE USED TO WALK
TO SCHOOL TOGETHER.
519
00:30:26,767 --> 00:30:28,232
AND ONE DAY,
520
00:30:28,267 --> 00:30:29,834
WE WERE WALKING
TO SCHOOL
521
00:30:29,869 --> 00:30:31,232
AND IT WAS RAINING.
522
00:30:31,267 --> 00:30:33,367
AND NEITHER OF US
REALLY WANTED TO GO
TO SCHOOL ANYWAY,
523
00:30:33,402 --> 00:30:35,701
IT WAS THE LAST PLACE
WE WANTED TO BE.
524
00:30:35,736 --> 00:30:37,335
SO WE WENT
BACK TO HER HOUSE.
525
00:30:37,370 --> 00:30:38,968
AND LIKE I SAID,
IT WAS RAINING,
526
00:30:39,003 --> 00:30:40,567
AND IT WAS RAINING
ALL THE WAY HOME,
527
00:30:40,602 --> 00:30:42,965
SO WE WERE
SOAKING WET.
528
00:30:43,000 --> 00:30:45,868
AND WE TOOK
OUR CLOTHES OFF.
529
00:30:47,801 --> 00:30:51,134
YOU KNOW,
WHAT'S REALLY FUNNY IS
530
00:30:51,169 --> 00:30:54,467
I CANNOT REMEMBER
ANY OTHER THING
531
00:30:54,502 --> 00:30:55,801
ABOUT THAT DAY.
532
00:31:00,534 --> 00:31:03,200
THE SECOND
THAT WE STARTED...
533
00:31:04,334 --> 00:31:06,868
I FELT SO SAFE.
534
00:31:08,267 --> 00:31:09,801
THEN I WAS SCARED.
535
00:31:09,836 --> 00:31:11,232
I WAS SCARED.
536
00:31:11,267 --> 00:31:13,434
I MEAN, I HAD BEEN
WITH OTHER GIRLS,
537
00:31:13,469 --> 00:31:15,068
I MEAN,
I HAD FOOLED AROUND,
538
00:31:15,103 --> 00:31:16,868
BUT THIS WAS
REALLY SPECIAL.
539
00:31:16,903 --> 00:31:18,402
THIS WAS
REALLY SPECIAL.
540
00:31:18,437 --> 00:31:20,035
LIKE MY MIND
IS GOING CRAZY.
541
00:31:20,070 --> 00:31:22,085
ONE SIDE OF MY BRAIN
IS SAYING,
542
00:31:22,120 --> 00:31:24,100
"YOU WANT TO WORK
IN A GAS STATION
543
00:31:24,135 --> 00:31:25,365
FOR THE REST
OF YOUR LIFE?"
544
00:31:25,400 --> 00:31:27,000
I MEAN, THAT'S THE STORY
YOU ALWAYS HEAR, RIGHT?
545
00:31:27,035 --> 00:31:28,965
18-YEAR-OLD GUY
KNOCKS UP SOME GIRL,
546
00:31:29,000 --> 00:31:31,334
GETS MARRIED,
HAS TO WORK IN
A GAS STATION, RIGHT?
547
00:31:31,369 --> 00:31:32,899
BUT THE OTHER SIDE
OF MY BRAIN-
548
00:31:32,934 --> 00:31:35,617
THE OTHER SIDE
OF MY BRAIN IS GOING,
549
00:31:35,652 --> 00:31:38,300
"EVERYTHING IS
JUST FINE, DAVE."
550
00:31:43,434 --> 00:31:45,499
ANYWAY...
551
00:31:45,534 --> 00:31:47,167
AS SOON
AS WE WERE DONE,
552
00:31:47,202 --> 00:31:48,801
THE SECOND
WE WERE DONE,
553
00:31:48,836 --> 00:31:50,100
IT GOT REALLY WEIRD.
554
00:31:50,135 --> 00:31:51,265
I JUST GOT UP
555
00:31:51,300 --> 00:31:53,132
AND GOT DRESSED
AND LEFT.
556
00:31:53,167 --> 00:31:55,667
I REALLY DIDN'T HAVE
ANYPLACE TO GO,
557
00:31:55,702 --> 00:31:57,268
SO I'M JUST
WALKING AROUND.
558
00:31:57,303 --> 00:31:58,799
AND WHILE I'M
WALKING AROUND,
559
00:31:58,834 --> 00:32:01,200
IN MY HEAD, I'M HAVING
A CONVERSATION WITH GOD.
560
00:32:01,235 --> 00:32:04,117
I'M SAYING,
"GOD, PLEASE, PLEASE.
561
00:32:04,152 --> 00:32:06,965
"I WILL NEVER EVER
DO IT AGAIN.
562
00:32:07,000 --> 00:32:09,000
PLEASE JUST DON'T
LET HER GET PREGNANT."
563
00:32:09,035 --> 00:32:11,332
AND IN MY MIND,
ALL I SEE
564
00:32:11,367 --> 00:32:13,666
IS ME IN A BLUE
SUNOCO UNIFORM
565
00:32:13,701 --> 00:32:15,667
WITH "DAVE" STITCHED
OVER THE POCKET.
566
00:32:23,167 --> 00:32:27,701
ANYWAY, I GUESS GOD
HAD SOMETHING ELSE
ON HIS MIND.
567
00:32:30,567 --> 00:32:31,632
WE HAD TO GET MARRIED,
568
00:32:31,667 --> 00:32:34,300
AND THE BABY
DIDN'T MAKE IT.
569
00:32:36,400 --> 00:32:38,098
SO, ANYWAY,
570
00:32:38,133 --> 00:32:39,666
SHE WANTS
TO BE AN ACTRESS.
571
00:32:39,701 --> 00:32:41,300
HER BROTHER JIMMY
LIVED IN NEW YORK,
572
00:32:41,335 --> 00:32:43,566
SO WE MOVED
TO NEW YORK.
573
00:32:43,601 --> 00:32:46,699
GOT A PLACE
DOWN ON 9th STREET.
574
00:32:46,734 --> 00:32:49,234
IT WAS EARLY SEVENTIES,
REALLY A WILD TIME.
575
00:32:49,269 --> 00:32:51,734
I WAS TENDING BAR,
SHE WAS GOING TO CLASS.
576
00:32:53,133 --> 00:32:54,699
AND ONE DAY,
I COME HOME
577
00:32:54,734 --> 00:32:57,100
AND FIND
THE CENSUS TAKER
ON TOP OF HER
578
00:32:57,135 --> 00:32:59,467
GETTING ALL KINDS OF
PERTINENT INFORMATION
579
00:32:59,502 --> 00:33:01,367
THAT ISN'T ON THE FORM.
580
00:33:05,300 --> 00:33:07,466
SEE?
581
00:33:07,501 --> 00:33:10,133
I TOLD YOU IT WASN'T
VERY IMPORTANT.
582
00:33:11,901 --> 00:33:13,501
I'M SORRY.
583
00:33:15,634 --> 00:33:17,701
IT WAS A LONG TIME AGO.
584
00:33:17,736 --> 00:33:18,934
GOOD NIGHT.
585
00:33:29,334 --> 00:33:31,033
MADDIE, YOU AWAKE?
586
00:33:31,068 --> 00:33:32,098
I GOT TO GO.
587
00:33:32,133 --> 00:33:33,167
Maddie:
JUST A SECOND.
588
00:33:39,968 --> 00:33:41,167
GOOD MORNING.
589
00:33:44,767 --> 00:33:46,534
HELLO.
590
00:33:48,000 --> 00:33:49,834
WHY ARE YOU LOOKING
AT ME LIKE THAT?
591
00:33:49,869 --> 00:33:51,751
NO REASON.
NO REASON?
592
00:33:51,786 --> 00:33:53,599
YOU'RE WEARING BLACK.
593
00:33:53,634 --> 00:33:55,251
I KNOW, WE'RE GOING
TO A FUNERAL.
594
00:33:55,286 --> 00:33:56,833
I USED TO WEAR HOT PINK
TO FUNERALS,
595
00:33:56,868 --> 00:33:58,901
BUT I ALWAYS FELT GUILTY
ABOUT WAKING UP THE DEAD.
596
00:34:00,434 --> 00:34:03,100
IS THERE
SOME SUBTLETY
TO THIS CONVERSATION
597
00:34:03,135 --> 00:34:04,167
THAT I'M MISSING?
598
00:34:07,601 --> 00:34:10,766
DID YOU NOT WANT ME
599
00:34:10,801 --> 00:34:12,534
TO GO WITH YOU
TO THIS FUNERAL?
600
00:34:14,033 --> 00:34:16,632
OF COURSE.
601
00:34:16,667 --> 00:34:18,365
OF COURSE YOU DIDN'T.
602
00:34:18,400 --> 00:34:20,250
LOOK,
IT'S NOTHING PERSONAL.
603
00:34:20,285 --> 00:34:21,776
JUST HAVEN'T
SEEN THESE PEOPLE
604
00:34:21,811 --> 00:34:23,267
FOR A LONG TIME,
THAT'S ALL.
605
00:34:23,302 --> 00:34:24,351
YOU UNDERSTAND.
606
00:34:24,386 --> 00:34:25,400
I UNDERSTAND.
607
00:34:26,467 --> 00:34:28,901
NO, YOU
DON'T UNDERSTAND.
608
00:34:28,936 --> 00:34:30,165
YES, I DO UNDERSTAND.
609
00:34:30,200 --> 00:34:31,734
NO, YOU DON'T.
YES, I DO.
610
00:34:31,769 --> 00:34:33,285
NO, YOU DON'T.
611
00:34:33,320 --> 00:34:34,560
YES, I DO.
612
00:34:34,595 --> 00:34:36,064
FINE.
FINE.
613
00:34:36,099 --> 00:34:37,666
GOOD.
GOOD.
614
00:34:37,701 --> 00:34:39,234
I'M GOING.
GO!
615
00:34:56,234 --> 00:34:57,232
YOU'RE MAD?
616
00:34:57,267 --> 00:34:58,834
I THOUGHT YOU WERE GOING.
617
00:34:58,869 --> 00:35:00,165
YOU ARE MAD.
618
00:35:00,200 --> 00:35:01,532
YOU'RE MAD BECAUSE
I'M NOT TAKING YOU?
619
00:35:01,567 --> 00:35:03,067
I'M NOT MAD.
WHAT MAKES YOU
THINK I'M MAD?
620
00:35:03,102 --> 00:35:04,184
THE WAY YOU'RE
SITTING THERE.
621
00:35:04,219 --> 00:35:05,267
THE WAY YOU'RE
NOT LOOKING AT ME.
622
00:35:05,302 --> 00:35:06,334
LOOK AT ME!
623
00:35:06,369 --> 00:35:07,332
I'M NOT MAD!
624
00:35:07,367 --> 00:35:08,767
I DON'T BELIEVE THIS.
625
00:35:08,802 --> 00:35:10,132
I DO NOT BELIEVE THIS.
626
00:35:10,167 --> 00:35:12,217
WE ARE IN
NEW YORK CITY, MADDIE.
627
00:35:12,252 --> 00:35:14,232
YOU ARE A $5.00
CAB RIDE AWAY
628
00:35:14,267 --> 00:35:15,833
FROM AT LEAST
150 DEPARTMENT STORES,
629
00:35:15,868 --> 00:35:18,132
NOT MENTION RESTAURANTS,
THEATERS, MUSEUMS,
630
00:35:18,167 --> 00:35:20,267
AND YOU'RE MAD AT ME
BECAUSE I'M NOT TAKING
YOU TO THIS FUNERAL.
631
00:35:20,302 --> 00:35:22,534
I WAS LOOKING FORWARD
TO THIS FUNERAL.
632
00:35:26,868 --> 00:35:30,000
IT'S NOT THAT I DON'T
WANT TO TAKE YOU.
633
00:35:30,035 --> 00:35:32,499
IT'S JUST...
634
00:35:32,534 --> 00:35:35,200
I DON'T
WANT TO TAKE YOU,
NOT TO THIS FUNERAL.
635
00:35:41,133 --> 00:35:43,300
LOOK...LOOK...
636
00:35:44,467 --> 00:35:47,367
HERE. PICK A FUNERAL.
637
00:35:47,402 --> 00:35:48,432
HERE.
638
00:35:48,467 --> 00:35:49,801
I'LL TAKE YOU TO ANY ONE
OF THESE FUNERALS.
639
00:35:49,836 --> 00:35:50,766
HERE.
640
00:35:50,801 --> 00:35:52,550
LOOK, THIS SOUNDS GOOD.
RIGHT HERE.
641
00:35:52,585 --> 00:35:54,300
HUH? COME ON.
THIS SOUNDS LIKE FUN.
642
00:35:54,335 --> 00:35:56,468
SHORT EULOGY,
OPEN CASKET,
643
00:35:56,503 --> 00:35:58,601
DINNER, DRINKS,
OPEN BAR.
644
00:36:07,033 --> 00:36:08,334
MADDIE.
645
00:36:10,033 --> 00:36:12,332
GETTING ME
TO GO TO THIS THING
646
00:36:12,367 --> 00:36:15,300
WAS THE HARDEST THING
I'VE EVER DONE.
647
00:36:16,701 --> 00:36:18,634
I JUST CAN'T TAKE YOU.
648
00:36:27,033 --> 00:36:28,667
WHAT TIME DO
YOU THINK YOU'LL BE BACK?
649
00:36:31,767 --> 00:36:33,232
I DON'T KNOW.
650
00:36:33,267 --> 00:36:35,299
FUNERAL STARTS
AT NOON.
651
00:36:35,334 --> 00:36:36,466
THERE WILL PROBABLY
BE SOMETHING
652
00:36:36,501 --> 00:36:38,367
AT SOMEBODY'S HOUSE
AFTER. I DON'T KNOW.
653
00:36:38,402 --> 00:36:39,432
WELL, DON'T WORRY.
654
00:36:39,467 --> 00:36:40,467
STAY AS LONG AS YOU WANT.
655
00:36:40,502 --> 00:36:42,218
I'LL BE FINE.
656
00:36:42,253 --> 00:36:43,934
WILL YOU?
657
00:36:46,567 --> 00:36:48,167
WHAT TIME DO YOU THINK?
658
00:36:49,367 --> 00:36:51,034
I DON'T KNOW.
659
00:36:51,069 --> 00:36:52,818
5:00, MAYBE.
660
00:36:52,853 --> 00:36:54,260
5:00? GREAT.
661
00:36:54,295 --> 00:36:55,632
HAVE FUN.
662
00:36:55,667 --> 00:36:58,033
IT MIGHT BE
LATER THAN THAT.
663
00:36:58,068 --> 00:36:59,434
FINE.
664
00:36:59,469 --> 00:37:00,801
WHENEVER.
665
00:37:13,868 --> 00:37:15,567
THAT FABULOUS FIT.
666
00:37:15,602 --> 00:37:17,267
A BRAND-NEW CAR!
667
00:38:05,033 --> 00:38:06,501
Woman:
ADDISON RESIDENCE.
668
00:38:07,634 --> 00:38:09,034
HELLO?
669
00:38:09,069 --> 00:38:10,434
HELLO?
670
00:38:41,234 --> 00:38:42,817
HELLO.
671
00:38:42,852 --> 00:38:44,365
HELLO.
672
00:38:44,400 --> 00:38:46,365
I HOPE I'M NOT TOO LATE.
673
00:38:46,400 --> 00:38:47,766
I DON'T MEAN
TO BOTHER ANYONE.
674
00:38:47,801 --> 00:38:50,033
I JUST WOULD LIKE
TO PAY MY RESPECTS.
675
00:38:58,567 --> 00:39:00,666
I'M JIMMY'S AUNT ROSEMARY.
676
00:39:00,701 --> 00:39:03,133
NICE TO MEET YOU.
I'M MADDIE.
MADDIE HAYES.
677
00:39:03,168 --> 00:39:06,232
CAN I HELP YOU
FIND SOMEONE?
678
00:39:06,267 --> 00:39:08,667
NO, THANKS. I'LL
JUST LOOK AROUND.
679
00:39:08,702 --> 00:39:11,033
ARE YOU A FRIEND
OF JIMMY'S?
680
00:39:11,068 --> 00:39:12,599
YES.
681
00:39:12,634 --> 00:39:15,265
WELL,
A LONG TIME AGO.
682
00:39:15,300 --> 00:39:18,234
I'M SURE HE WOULDN'T
REMEMBER ME.
683
00:39:18,269 --> 00:39:20,267
I MEAN, IF HE COULD.
684
00:39:21,701 --> 00:39:23,032
ACTUALLY...
685
00:39:23,067 --> 00:39:24,667
I DIDN'T KNOW JIMMY.
686
00:39:24,702 --> 00:39:26,165
YOU DIDN'T?
687
00:39:26,200 --> 00:39:29,434
NO, I KNEW OF HIM
FROM SOMEONE ELSE-
HIS SISTER.
688
00:39:29,469 --> 00:39:31,200
YOU KNOW TESS?
689
00:39:31,235 --> 00:39:32,466
TESS?
690
00:39:32,501 --> 00:39:35,134
YES...I DID.
A LONG TIME AGO.
691
00:39:35,169 --> 00:39:37,767
WELL, WHY DIDN'T
YOU SAY SO?
692
00:39:37,802 --> 00:39:38,767
I'LL GO FIND HER.
693
00:39:38,802 --> 00:39:39,998
THAT'S OK.
694
00:39:40,033 --> 00:39:41,033
YOU DON'T
HAVE TO BOTHER.
695
00:39:41,068 --> 00:39:42,234
Woman:
EXCUSE ME.
696
00:39:43,701 --> 00:39:45,701
WERE YOU
LOOKING FOR ME?
697
00:39:45,736 --> 00:39:47,666
Rosemary:
YES, SHE WAS.
698
00:39:47,701 --> 00:39:50,817
YOU REMEMBER HER,
YOUR OLD FRIEND?
699
00:39:50,852 --> 00:39:53,934
WHAT DID YOU SAY
YOUR NAME WAS?
700
00:39:53,969 --> 00:39:55,767
MADDIE. MADDIE HAYES.
701
00:39:57,334 --> 00:39:58,699
IT WAS A LONG TIME AGO.
702
00:39:58,734 --> 00:39:59,968
I'M SURE YOU
DON'T REMEMBER.
703
00:40:01,267 --> 00:40:03,450
I'M SORRY. YOU'RE RIGHT,
704
00:40:03,485 --> 00:40:05,599
UH, I DON'T REMEMBER.
705
00:40:05,634 --> 00:40:07,634
WHEN EXACTLY
DID WE KNOW EACH OTHER?
706
00:40:09,567 --> 00:40:11,901
IS THERE SOMEWHERE
WE COULD TALK PRIVATELY?
707
00:40:20,534 --> 00:40:21,732
IT'S A LITTLE CHILLY,
708
00:40:21,767 --> 00:40:24,634
BUT, UH, YOU CAN'T
BEAT THE VIEW.
709
00:40:27,434 --> 00:40:29,432
THIS IS
VERY AWKWARD.
I'M SORRY.
710
00:40:29,467 --> 00:40:31,300
WE DON'T
KNOW EACH OTHER.
WE'VE NEVER MET.
711
00:40:31,335 --> 00:40:33,534
I'M A FRIEND
OF DAVID'S.
712
00:40:33,569 --> 00:40:34,968
DAVID ADDISON?
713
00:40:36,801 --> 00:40:38,033
OH.
714
00:40:39,667 --> 00:40:41,400
DO YOU KNOW HAPPEN
TO KNOW WHERE HE IS?
715
00:40:41,435 --> 00:40:43,634
I THOUGHT MAYBE
HE WAS HERE.
716
00:40:43,669 --> 00:40:45,899
HE HASN'T BEEN HERE.
717
00:40:45,934 --> 00:40:47,334
NO ONE'S SEEN HIM ALL DAY.
718
00:40:47,369 --> 00:40:48,734
HE WASN'T
AT THE FUNERAL?
719
00:40:48,769 --> 00:40:50,399
NO.
720
00:40:50,434 --> 00:40:53,065
BELIEVE ME, I LOOKED.
721
00:40:53,100 --> 00:40:55,701
I REALLY WANTED
TO TALK TO HIM.
722
00:40:55,736 --> 00:40:56,968
YOU DID?
723
00:40:59,067 --> 00:41:02,467
I'VE BEEN WANTING
TO TALK TO HIM
FOR NINE YEARS.
724
00:41:02,502 --> 00:41:05,234
I'VE CALLED,
I'VE WRITTEN.
725
00:41:05,269 --> 00:41:07,265
HE NEVER ANSWERS.
726
00:41:07,300 --> 00:41:10,783
I THOUGHT I HAD HIM
CORNERED THIS TIME.
727
00:41:10,818 --> 00:41:14,267
HE LEFT THE HOTEL
AT 11:00 THIS MORNING.
728
00:41:14,302 --> 00:41:16,901
DON'T WORRY.
I'M SURE HE'S OK.
729
00:41:16,936 --> 00:41:18,501
YOU KNOW DAVID.
730
00:41:19,968 --> 00:41:24,467
HE PROBABLY JUST
WASN'T IN THE MOOD
FOR A FUNERAL TODAY.
731
00:41:26,667 --> 00:41:28,334
MAYBE HE JUST
COULDN'T FACE YOU.
732
00:41:29,501 --> 00:41:31,300
HE TOLD YOU ABOUT IT?
733
00:41:35,501 --> 00:41:36,767
WELL...
734
00:41:38,167 --> 00:41:40,033
I GUESS THAT'S HIS RIGHT.
735
00:41:42,200 --> 00:41:44,566
I'M JUST SURPRISED.
736
00:41:44,601 --> 00:41:47,534
I'VE KNOWN DAVID
SINCE WE WERE KIDS.
737
00:41:49,267 --> 00:41:53,434
BARING HIS SOUL
IS NOT HIS STRONG SUIT.
738
00:41:55,000 --> 00:41:57,267
WELL,
WE'RE PRETTY CLOSE.
739
00:41:59,000 --> 00:42:01,400
I MEAN,
CLOSE, BUT NOT...
740
00:42:01,435 --> 00:42:03,499
IT DOESN'T MATTER.
741
00:42:03,534 --> 00:42:06,934
I JUST KNOW THAT DAVID
STILL FEELS BADLY.
742
00:42:06,969 --> 00:42:10,167
I JUST WISH HE COULD...
743
00:42:10,202 --> 00:42:12,067
PUT IT BEHIND HIM.
744
00:42:13,400 --> 00:42:15,517
I MEAN I KNOW
THERE IS NO CHANCE
745
00:42:15,552 --> 00:42:17,599
THAT WE'LL EVER
BE CLOSE AGAIN.
746
00:42:17,634 --> 00:42:22,599
I WOULD JUST FEEL
SO MUCH BETTER IF...
747
00:42:22,634 --> 00:42:26,033
IF HE COULD EVEN STAND TO
BE IN THE SAME ROOM WITH ME.
748
00:42:28,400 --> 00:42:29,766
I'M SURE THAT'S NOT IT.
749
00:42:29,801 --> 00:42:32,232
I'M SURE
A LOT OF IT IS THAT...
750
00:42:32,267 --> 00:42:34,767
DAVID DOESN'T
WANT TO BE IN THE SAME
ROOM WITH YOUR...
751
00:42:37,567 --> 00:42:38,783
THAT GUY.
752
00:42:38,818 --> 00:42:39,965
WHAT GUY?
753
00:42:40,000 --> 00:42:41,933
THAT GUY. YOUR GUY.
754
00:42:41,968 --> 00:42:43,767
THE GUY HE WALKED
IN ON YOU WITH.
755
00:42:50,834 --> 00:42:51,834
WHAT?
756
00:42:53,300 --> 00:42:54,933
ANOTHER MAN?
757
00:42:54,968 --> 00:42:56,567
IS...IS THAT...
758
00:42:59,367 --> 00:43:01,667
OF COURSE THAT'S
WHAT HE TOLD YOU.
759
00:43:03,300 --> 00:43:06,065
WELL, I HAVE TO
HAND IT TO HIM.
760
00:43:06,100 --> 00:43:09,534
AT LEAST, HE WAS
IN THE NEIGHBORHOOD
OF THE TRUTH.
761
00:43:11,601 --> 00:43:13,868
I DON'T UNDERSTAND
WHAT YOU'RE SAYING.
762
00:43:16,400 --> 00:43:20,667
WELL, HONEST ABE
LEFT OUT A MINOR DETAIL.
763
00:43:22,133 --> 00:43:25,467
IT'S TRUE HE WALKED IN
ON ME AND SOMEONE ELSE.
764
00:43:27,334 --> 00:43:29,033
BUT IT WASN'T
ANOTHER MAN.
765
00:43:32,634 --> 00:43:34,599
THEN IN
MY SOPHOMORE YEAR,
766
00:43:34,634 --> 00:43:37,601
I HAD THIS INCIDENT
WITH MY CHEMISTRY TEACHER,
767
00:43:37,636 --> 00:43:39,566
MRS. DOHERTY.
768
00:43:39,601 --> 00:43:42,400
I WON'T BORE YOU WITH
ALL THE GRUESOME DETAILS,
769
00:43:43,968 --> 00:43:46,501
BUT IT HAD TO DO
WITH A SUGGESTION I MADE
770
00:43:46,536 --> 00:43:48,766
CONCERNING PART
OF HER ANATOMY
771
00:43:48,801 --> 00:43:51,701
AND THE BUSINESS END
OF A BUNSEN BURNER.
772
00:43:54,534 --> 00:43:56,534
DON'T WORRY
ABOUT THE METER.
773
00:44:03,734 --> 00:44:04,699
I'M PLAYING HOOKY
774
00:44:04,734 --> 00:44:06,400
FROM MY BROTHER-IN-LAW'S
FUNERAL.
775
00:44:10,200 --> 00:44:11,601
I DIDN'T PLAN ON IT.
776
00:44:13,801 --> 00:44:16,200
I MEAN, I DON'T THINK
I PLANNED ON IT.
777
00:44:25,334 --> 00:44:27,599
I MEAN...
778
00:44:27,634 --> 00:44:30,100
IT'S NOT LIKE
I DON'T WANT TO SEE HER.
779
00:44:32,300 --> 00:44:33,732
IT'S JUST THAT
I KNOW TESS.
780
00:44:33,767 --> 00:44:37,400
IF I SEE HER,
SHE'S GOING TO WANT TO TALK
781
00:44:37,435 --> 00:44:38,732
ABOUT WHAT HAPPENED.
782
00:44:38,767 --> 00:44:40,432
SHE'S GOING TO
WANT TO ANALYZE IT.
783
00:44:40,467 --> 00:44:43,567
SHE'S GOING TO WANT ME
TO TELL HER I'M OK WITH IT.
784
00:44:43,602 --> 00:44:45,365
WELL, I'M OK WITH IT,
785
00:44:45,400 --> 00:44:47,834
LONG AS I DON'T
GOT TO THINK ABOUT IT.
786
00:44:53,200 --> 00:44:56,834
AND I'VE GOT THIS OTHER
WOMAN BACK AT THE HOTEL.
787
00:44:56,869 --> 00:45:00,501
I DON'T KNOW WHAT IS
GOING ON IN HER MIND.
788
00:45:00,536 --> 00:45:02,133
SHE FLIES
ALL THE WAY OUT HERE.
789
00:45:02,168 --> 00:45:03,601
IT MUST BE SOMETHING.
790
00:45:10,534 --> 00:45:12,634
I DIDN'T TELL HER
THE WHOLE TRUTH.
791
00:45:14,200 --> 00:45:16,367
NAH, I TOLD HER
THE MOST IMPORTANT PART.
792
00:45:17,701 --> 00:45:21,299
BUT LOOK,
LET'S FACE IT,
793
00:45:21,334 --> 00:45:23,517
A PERSON IN BED
WITH YOUR WIFE
794
00:45:23,552 --> 00:45:25,701
IS A PERSON IN BED
WITH YOUR WIFE.
795
00:45:25,736 --> 00:45:27,834
GENDER IS NOT
THE MAIN ISSUE.
796
00:45:29,067 --> 00:45:30,399
IF THIS MAKES ME A JERK,
797
00:45:30,434 --> 00:45:32,367
THEN I GUESS
I'M A JERK, HUH?
798
00:45:40,334 --> 00:45:41,868
YEAH.
799
00:45:43,133 --> 00:45:45,734
WELL, EVERYBODY'S ENTITLED
TO THEIR OPINION.
800
00:46:57,434 --> 00:46:59,133
SHE WAS THERE
WITH THAT GUY.
801
00:46:59,168 --> 00:47:00,466
WHAT GUY?
802
00:47:00,501 --> 00:47:02,767
YOU KNOW,
AT THE FUNERAL.
803
00:47:02,802 --> 00:47:05,033
MY EX-WIFE'S GUY.
THAT GUY.
804
00:47:05,068 --> 00:47:07,200
OH...HIM.
805
00:47:08,901 --> 00:47:11,367
YEAH. SOMEBODY TOLD ME
THEY'RE GETTING MARRIED.
806
00:47:11,402 --> 00:47:13,418
REALLY?
807
00:47:13,453 --> 00:47:15,434
ABOUT TIME.
808
00:47:15,469 --> 00:47:16,634
YEAH.
809
00:47:17,701 --> 00:47:19,234
I GUESS SO.
810
00:47:25,400 --> 00:47:27,434
WAKE ME UP WHEN
WE'RE IN THE CAB.
811
00:47:28,767 --> 00:47:30,100
DAVID?
812
00:47:30,135 --> 00:47:31,434
MADDIE?
813
00:47:33,868 --> 00:47:35,499
WANT HALF THE BLANKET?
814
00:47:35,534 --> 00:47:37,934
WE'LL FIGURE THAT OUT
WHEN WE GET TO YOUR PLACE.
815
00:47:41,167 --> 00:47:42,800
YEAH.
816
00:47:42,835 --> 00:47:44,434
THANKS.
817
00:47:48,634 --> 00:47:50,998
IF I CAN BORROW
HALF A SHOULDER.
818
00:47:51,033 --> 00:47:53,434
ONLY FOR ABOUT
THE NEXT 20 OR 30 YEARS.
819
00:47:54,534 --> 00:47:56,534
THEN I'M GOING
TO NEED IT BACK.
820
00:48:17,934 --> 00:48:20,899
CAPTIONING MADE POSSIBLE BY
LIONS GATE HOME ENTERTAINMENT
821
00:48:20,934 --> 00:48:23,868
CAPTIONED BY THE NATIONAL
CAPTIONING INSTITUTE
- www.ncicap.org-
822
00:48:30,200 --> 00:48:35,084
* SOME WALK BY NIGHT *
823
00:48:35,119 --> 00:48:39,933
* SOME FLY BY DAY *
824
00:48:39,968 --> 00:48:43,866
* SOMETHING IS SWEETER *
825
00:48:43,901 --> 00:48:48,217
* 'CAUSE WE MET
ON THE WAY *
826
00:48:48,252 --> 00:48:52,534
* 'CAUSE WE MET
ON THE WAY **
56618
Can't find what you're looking for?
Get subtitles in any language from opensubtitles.com, and translate them here.
Afrikaans
Albanian
Amharic
Arabic
Armenian
Azerbaijani
Basque
Belarusian
Bengali
Bosnian
Bulgarian
Catalan
Cebuano
Chichewa
Chinese (Traditional)
Corsican
Croatian
Czech
Danish
Dutch
English
Esperanto
Estonian
Finnish
French
Frisian
Galician
Georgian
German
Greek
Gujarati
Haitian Creole
Hawaiian
Hungarian
Icelandic
Indonesian
Irish
Italian
Japanese
Kazakh
Khmer
Korean
Kurdish (Kurmanji)
Kyrgyz
Lao
Latvian
Lithuanian
Luxembourgish
Macedonian
Malagasy
Malay
Maltese
Maori
Mongolian
Myanmar (Burmese)
Nepali
Norwegian
Pashto
Polish
Portuguese
Romanian
Russian
Samoan
Serbian
Sesotho
Shona
Sinhala
Slovak
Slovenian
Somali
Spanish
Swahili
Swedish
Tajik
Thai
Turkish
Ukrainian
Urdu
Uzbek
Vietnamese
