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1
00:00:03,000 --> 00:00:04,117
HI, I'M MADDIE HAYES.
2
00:00:04,152 --> 00:00:05,199
AND I'M
DAVID ADDISON.
3
00:00:05,234 --> 00:00:07,033
IT'S BEEN A GREAT SEASON
SO FAR, HASN'T IT?
4
00:00:07,068 --> 00:00:08,684
YOU BETCHA.
I'M GETTING FAMOUS.
5
00:00:08,719 --> 00:00:10,265
FAMOUS? WHAT DO
YOU MEAN, FAMOUS?
6
00:00:10,300 --> 00:00:11,750
I MEAN FAMOUS. I'M
GONNA MAKE A VIDEO.
7
00:00:11,785 --> 00:00:13,200
A VIDEO? YOU'RE GONNA
MAKE A VIDEO?
8
00:00:13,235 --> 00:00:14,199
WHAT KIND OF VIDEO?
9
00:00:14,234 --> 00:00:16,017
WELL, YOU'VE SEEN
THESE HOW-TO VIDEOS?
10
00:00:16,052 --> 00:00:17,801
HOW TO EXERCISE,
HOW TO PUT ON MAKE-UP.
11
00:00:17,836 --> 00:00:18,968
I'M GONNA DO
A FUNK VIDEO.
12
00:00:19,003 --> 00:00:20,085
A FUNK VIDEO?
13
00:00:20,120 --> 00:00:21,132
A FUNK VIDEO.
14
00:00:21,167 --> 00:00:22,499
WHAT THE HELL IS
A FUNK VIDEO?
15
00:00:22,534 --> 00:00:24,384
IT'S CALLED
HOW TO BE FUNKY.
16
00:00:24,419 --> 00:00:26,199
GONNA TEACH YOU
HOW TO GET DOWN,
17
00:00:26,234 --> 00:00:28,634
HOW TO STAY DOWN,
HOW TO ROLL
AROUND...
18
00:00:28,669 --> 00:00:30,667
HOW ARE YOU
GOING TO DO THAT?
19
00:00:30,702 --> 00:00:32,632
WATCH.
20
00:00:32,667 --> 00:00:33,634
* THAT'S RIGHT *
21
00:00:34,734 --> 00:00:35,767
* THAT'S RIGHT *
22
00:00:39,167 --> 00:00:40,332
* PEOPLE *
23
00:00:40,367 --> 00:00:42,450
* LET ME TELL YOU
'BOUT A PLACE I KNOW *
24
00:00:42,485 --> 00:00:45,326
* TO GET IN
IT DON'T TAKE MUCH DOUGH *
25
00:00:45,361 --> 00:00:48,167
* WHERE YOU CAN REALLY
DO YOUR THI-I-ING *
26
00:00:48,202 --> 00:00:49,299
* OH, YEAH *
27
00:00:49,334 --> 00:00:51,132
* IT'S GOT
A NEON SIGN OUTSIDE *
28
00:00:51,167 --> 00:00:54,667
* THAT SAYS, COME IN
AND TAKE A LOOK AT YOUR MIND *
29
00:00:54,702 --> 00:00:58,501
* YOU'LL BE SURPRISED
WHAT YOU MIGHT FIND, YEAH *
30
00:00:58,536 --> 00:01:02,135
* STROBE LIGHTS FLASHING
FROM SUNUP TO SUNDOWN *
31
00:01:02,170 --> 00:01:05,734
* PEOPLE GATHER THERE
FROM ALL PARTS OF TOWN *
32
00:01:05,769 --> 00:01:06,766
* OH, YEAH *
33
00:01:06,801 --> 00:01:08,332
* RIGHT AROUND THE CORNER *
34
00:01:08,367 --> 00:01:11,100
* YOU KNOW IT'S
JUST ACROSS THE TRACK *
35
00:01:11,135 --> 00:01:12,734
* PEOPLE, I'M
TALKING ABOUT *
36
00:01:12,769 --> 00:01:14,601
* THE PSYCHEDELIC SHACK *
37
00:01:14,636 --> 00:01:15,899
* NOW GET DOWN *
38
00:01:15,934 --> 00:01:16,934
* PSYCHEDELIC SHACK,
THAT'S WHERE IT'S AT *
39
00:01:16,969 --> 00:01:18,265
* GET ON BACK *
40
00:01:18,300 --> 00:01:20,050
* PSYCHEDELIC SHACK,
THAT'S WHERE IT'S AT *
41
00:01:20,085 --> 00:01:21,801
* PSYCHEDELIC SHACK,
THAT'S WHERE IT'S AT *
42
00:01:21,836 --> 00:01:23,701
* OH, YEAH *
* YEAH *
43
00:01:25,200 --> 00:01:26,267
SO WHAT DO
YOU THINK?
44
00:01:26,302 --> 00:01:27,299
THINK? I DON'T KNOW.
45
00:01:27,334 --> 00:01:28,634
IT'S THE TEMPTATIONS
DANCING AND SINGING.
46
00:01:28,669 --> 00:01:29,934
THEY'RE GREAT.
BUT WHAT DOES THAT PROVE?
47
00:01:29,969 --> 00:01:30,951
TRY IT.
48
00:01:30,986 --> 00:01:32,260
TRY IT?
49
00:01:32,295 --> 00:01:33,431
TRY IT.
50
00:01:33,466 --> 00:01:34,567
TRY IT.
51
00:01:39,701 --> 00:01:41,801
Temptations:
* PSYCHEDELIC SHACK,
THAT'S WHERE IT'S AT *
52
00:01:41,836 --> 00:01:44,033
* PSYCHEDELIC SHACK,
THAT'S WHERE IT'S AT *
53
00:01:47,601 --> 00:01:48,933
* PEOPLE *
54
00:01:48,968 --> 00:01:50,934
* LET ME TELL YOU
'BOUT A PLACE I KNOW *
55
00:01:50,969 --> 00:01:53,768
* TO GET IN
IT DON'T TAKE MUCH DOUGH *
56
00:01:53,803 --> 00:01:56,567
* WHERE YOU CAN REALLY
DO YOUR THI-I-ING *
57
00:01:56,602 --> 00:01:57,766
* OH, YEAH *
58
00:01:57,801 --> 00:01:59,399
* IT'S GOT
A NEON SIGN OUTSIDE *
59
00:01:59,434 --> 00:02:02,300
* THAT SAYS, COME IN
AND TAKE A LOOK AT YOUR MIND *
60
00:02:02,335 --> 00:02:04,167
* YOU'LL BE SURPRISED
WHAT YOU MIGHT FI- *
61
00:02:08,367 --> 00:02:11,267
SO...WHERE DO I GET
THIS VIDEO?
62
00:02:13,067 --> 00:02:17,784
* SOME WALK BY NIGHT *
63
00:02:17,819 --> 00:02:22,466
* SOME FLY BY DAY *
64
00:02:22,501 --> 00:02:26,950
* NOTHING
COULD CHANGE YOU *
65
00:02:26,985 --> 00:02:31,365
* SET AND SURE
OF THE WAY *
66
00:02:31,400 --> 00:02:36,350
* THERE IS
THE SUN AND THE MOON *
67
00:02:36,385 --> 00:02:41,276
* THEY SING
THEIR OWN SWEET TUNE *
68
00:02:41,311 --> 00:02:46,167
* WATCH THEM
WHEN DAWN IS DUE *
69
00:02:46,202 --> 00:02:50,599
* SHARING ONE SPACE *
70
00:02:50,634 --> 00:02:55,367
* WE'LL WALK
BY NIGHT, BABE *
71
00:02:55,402 --> 00:03:00,032
* WE'LL FLY BY DAY *
72
00:03:00,067 --> 00:03:04,533
* MOONLIGHTING STRANGERS *
73
00:03:04,568 --> 00:03:08,965
* WHO JUST MET
ON THE WAY *
74
00:03:09,000 --> 00:03:11,934
CAPTIONING MADE POSSIBLE BY
LIONS GATE HOME ENTERTAINMENT
75
00:03:14,968 --> 00:03:17,767
PLEASE CHECK YOUR
TICKETS CAREFULLY
BEFORE LEAVING.
76
00:03:17,802 --> 00:03:19,400
NO EXCHANGES AFTER
LEAVING THE WINDOW.
77
00:03:23,701 --> 00:03:24,965
NO.
78
00:03:25,000 --> 00:03:26,466
I'M SORRY.
79
00:03:26,501 --> 00:03:27,632
THESE ARE NOT
WHAT I ASKED FOR.
80
00:03:27,667 --> 00:03:30,534
SIR, THOSE ARE
PRECISELY WHAT
YOU ASKED FOR-
81
00:03:30,569 --> 00:03:31,666
FRONT ROW, BALCONY.
82
00:03:31,701 --> 00:03:35,000
ONE FRONT ROW, BALCONY.
83
00:03:35,035 --> 00:03:36,217
RIGHT HERE.
84
00:03:36,252 --> 00:03:37,876
AND THE OTHER,
85
00:03:37,911 --> 00:03:39,466
RIGHT OVER HERE.
86
00:03:39,501 --> 00:03:41,300
BUT THEN
THE SEATS WOULDN'T
BE TOGETHER.
87
00:03:41,335 --> 00:03:43,033
PRECISELY.
88
00:03:45,367 --> 00:03:46,834
$60.
89
00:03:58,634 --> 00:04:00,467
SIR, YOUR RECEIPT...
90
00:04:50,267 --> 00:04:51,617
MORNING,
MISS DIPESTO.
91
00:04:51,652 --> 00:04:52,968
MORNING, MISS HAYES.
92
00:05:41,667 --> 00:05:43,232
COME IN.
93
00:05:43,267 --> 00:05:44,901
GOOD MORNING
AGAIN, MISS...
94
00:05:52,968 --> 00:05:54,567
OOH!
95
00:05:54,602 --> 00:05:56,132
OOH?
96
00:05:56,167 --> 00:05:58,934
YEAH, OOH!
97
00:05:58,969 --> 00:05:59,899
WHY?
98
00:05:59,934 --> 00:06:01,499
LET ME ASK YOU WHY.
99
00:06:01,534 --> 00:06:03,934
WHY ARE YOU ACTING
LIKE YOU'VE NEVER SEEN
THESE ROSES BEFORE?
100
00:06:05,467 --> 00:06:07,283
YOU BROUGHT THEM
IN HERE, DIDN'T YOU?
101
00:06:07,318 --> 00:06:08,942
DID I?
AND EVERYONE
SAW YOU DO IT,
102
00:06:08,977 --> 00:06:10,567
WHICH IS WHY THEY
WERE ALL WATCHING ME
103
00:06:10,602 --> 00:06:11,667
WALK IN HERE,
WEREN'T THEY?
104
00:06:11,702 --> 00:06:13,165
THEY WERE?
IN FACT,
105
00:06:13,200 --> 00:06:15,601
I'M SURPRISED YOU
DIDN'T STEAM OPEN
THE ENVELOPE.
106
00:06:15,636 --> 00:06:16,985
YOU ARE?
107
00:06:17,020 --> 00:06:18,299
YES, I AM.
108
00:06:18,334 --> 00:06:20,165
THEY DID. YOU WERE,
109
00:06:20,200 --> 00:06:22,234
SO WHY DON'T YOU
JUST COME OUT
AND ASK ME.
110
00:06:22,269 --> 00:06:24,051
ASK YOU WHAT?
WHO SENT THEM.
111
00:06:24,086 --> 00:06:25,834
WHO SENT THEM?
WHO SENT THEM.
112
00:06:25,869 --> 00:06:27,901
OK. WHO SENT THEM?
113
00:06:30,000 --> 00:06:30,965
YOU KNOW WHAT?
114
00:06:31,000 --> 00:06:32,965
IT'S NONE
OF MY BUSINESS.
115
00:06:33,000 --> 00:06:34,534
IT'S NONE
OF ANYBODY'S BUSINESS.
116
00:06:34,569 --> 00:06:37,133
I'M GOING TO GO NOW.
117
00:06:42,834 --> 00:06:44,901
I DON'T KNOW WHAT
THOSE PEOPLE ARE DOING
OUT THERE.
118
00:06:44,936 --> 00:06:46,267
GO.
119
00:06:51,033 --> 00:06:52,499
HERE WE GO.
120
00:06:52,534 --> 00:06:57,934
OK, SIMMONS HAS GOT HIM
PEGGED FOR A ROGER,
39, ORTHODONTIST,
121
00:06:57,969 --> 00:07:00,234
AND YES, SHE WILL GO OUT
WITH HIM AGAIN.
122
00:07:00,269 --> 00:07:01,167
GOOD CALL, SIMMONS.
123
00:07:03,067 --> 00:07:06,701
McMANN HERE SAYS HE'S
AN OSCAR-ECCH-35-
124
00:07:06,736 --> 00:07:08,418
AND OH, I'M VERY
SORRY, McMANN,
125
00:07:08,453 --> 00:07:10,100
CONTORTIONIST IS
NOT AN OCCUPATION.
126
00:07:11,234 --> 00:07:12,466
MY BOY ESTERHAUS PICKS
127
00:07:12,501 --> 00:07:13,899
THE RAIDERS
ON A GANG DATE.
128
00:07:13,934 --> 00:07:16,167
OH, AND HERE'S
OUR SECRET SOURCE
RIGHT NOW.
129
00:07:16,202 --> 00:07:17,232
WHAT'S THE VERDICT?
130
00:07:17,267 --> 00:07:19,532
SHE'S NOT TALKING.
NOT TALKING?
131
00:07:19,567 --> 00:07:22,634
SHE THREW THE FLOWERS
INTO THE TRASH
AND ISN'T SAYING A WORD.
132
00:07:22,669 --> 00:07:24,267
Maddie:
OH, YES, SHE IS.
133
00:07:25,367 --> 00:07:27,399
MR. ADDISON...
134
00:07:27,434 --> 00:07:29,799
OH, I'M VERY
SORRY, LADIES
AND GENTLEMEN,
135
00:07:29,834 --> 00:07:31,766
BUT I'VE JUST
RECEIVED WORD FROM
OUR PANEL OF JUDGES
136
00:07:31,801 --> 00:07:35,000
THAT SOME CONTROVERSY
HAS ARISEN OVER OUR
BIG BONUS QUESTION.
137
00:07:35,035 --> 00:07:36,732
WOULD YOU KINDLY EXCUSE
MISS HAYES AND I
138
00:07:36,767 --> 00:07:39,534
WHILE YOUR HOST
FINDS A SOLUTION
TO OUR TIE-BREAKER,
139
00:07:39,569 --> 00:07:42,367
WHAT DID SHE DO
TO EARN THOSE FLOWERS?
140
00:07:42,402 --> 00:07:44,067
PARDON ME.
141
00:07:45,868 --> 00:07:48,466
SINCE WHEN DID
MY PRIVATE LIFE
OUTSIDE THE OFFICE
142
00:07:48,501 --> 00:07:51,617
BECOME FAIR GAME
FOR YOUR AMUSEMENT
INSIDE THE OFFICE?
143
00:07:51,652 --> 00:07:54,734
IF I REMEMBER CORRECTLY,
SINCE YOU STARTED
WORKING HERE.
144
00:07:54,769 --> 00:07:57,199
AND SINCE SOMEONE
STARTED SENDING
YOU ROSES.
145
00:07:57,234 --> 00:08:00,601
WHICH, I'M TOLD, ADD
A CERTAIN DECORATIVE
TOUCH TO YOUR TRASH CAN.
146
00:08:00,636 --> 00:08:02,200
WHAT'S THE MATTER?
YOU A CARNATION PERSON?
147
00:08:02,235 --> 00:08:03,451
I DON'T HAVE
TO DISCUSS THIS.
148
00:08:03,486 --> 00:08:04,632
NOW, WHO WOULD
SEND YOU ROSES?
149
00:08:04,667 --> 00:08:06,098
IT'S NOT
YOUR BIRTHDAY.
NO, IT'S NOT.
150
00:08:06,133 --> 00:08:07,300
AND YOU ALREADY
POKED YOUR HEAD
OUT OF YOUR HOLE
151
00:08:07,335 --> 00:08:08,265
AND SAW YOUR SHADOW
THIS YEAR.
152
00:08:08,300 --> 00:08:09,968
THIS TOPIC IS NOT OPEN
FOR DISCUSSION!
153
00:08:10,003 --> 00:08:11,200
AND YOU SURE DON'T
LOOK DEAD.
154
00:08:13,033 --> 00:08:14,833
YOU WANNA
KNOW ABOUT IT?
155
00:08:14,868 --> 00:08:16,933
YOU REALLY WANNA
KNOW ABOUT IT?
156
00:08:16,968 --> 00:08:19,767
WELL, I DO HAVE
THIS WHOLE BACKLOG
OF WORK HERE,
157
00:08:19,802 --> 00:08:22,567
BUT SURE, I'LL CLEAR
6 OR 8 HOURS FOR YOU.
158
00:08:22,602 --> 00:08:24,101
LAST NIGHT,
I WENT ON A DATE.
159
00:08:24,136 --> 00:08:25,566
GET THE HELL
OUT OF HERE.
160
00:08:25,601 --> 00:08:27,199
FINE. MAKE JOKES.
IT IS FUNNY.
161
00:08:27,234 --> 00:08:29,350
IT'S HYSTERICAL,
IF YOU WANT TO KNOW
THE TRUTH.
162
00:08:29,385 --> 00:08:31,467
IT'S ALWAYS THE SAME.
SOME GUY PICKS YOU UP.
163
00:08:31,502 --> 00:08:35,067
P.H. LAWYER, M.B.A.,
MR. SUCCESS.
164
00:08:35,102 --> 00:08:36,532
HE SHOWS UP.
165
00:08:36,567 --> 00:08:40,434
YOU'RE SUPPOSED TO BE
THRILLED AND READY
WHEN HE GETS THERE.
166
00:08:40,469 --> 00:08:43,501
THEN MR. WONDERDATE
ANNOUNCED THE PLAN
FOR THE EVENING.
167
00:08:43,536 --> 00:08:46,332
LET'S SEE WHAT HAPPENS.
168
00:08:46,367 --> 00:08:50,567
SO YOU SPEND ALL EVENING
DRIVING AROUND TRYING
TO FIND A RESTAURANT
169
00:08:50,602 --> 00:08:52,051
THAT DOESN'T HAVE
AN HOUR WAIT,
170
00:08:52,086 --> 00:08:53,466
AND YOU END UP
AT SOME DUMP
171
00:08:53,501 --> 00:08:56,000
WITH LINOLEUM TABLES
AND THE MENU
ON THE PLACEMAT.
172
00:08:56,035 --> 00:09:00,801
AND THEN-THEN!
THE BIG EVENT.
173
00:09:00,836 --> 00:09:02,566
YOU GO TO HIS PLACE
174
00:09:02,601 --> 00:09:05,567
AND WATCH THE LAST
3 INNINGS OF SOME
SILLY GAME
175
00:09:05,602 --> 00:09:06,933
WHILE HE WORKS UP
THE NERVE
176
00:09:06,968 --> 00:09:08,167
TO TRY TO ASK YOU IF
YOU'RE GOING TO STAY.
177
00:09:08,202 --> 00:09:09,632
WHICH YOU ARE NOT,
178
00:09:09,667 --> 00:09:12,767
AND WHICH YOU DECIDED
WHEN HE SAID, "LET'S SEE
WHAT HAPPENS."
179
00:09:12,802 --> 00:09:15,868
IT'S TOUGH BEING
BLONDE AND BEAUTIFUL
IN TODAY'S AMERICA.
180
00:09:15,903 --> 00:09:18,532
I KNOW.
I SOUND SILLY.
181
00:09:18,567 --> 00:09:20,734
I SOUND RIDICULOUS, BUT
I CAN'T HELP MYSELF.
182
00:09:20,769 --> 00:09:23,032
IT'S JUST
THE WAY I FEEL.
183
00:09:23,067 --> 00:09:25,067
WHATEVER HAPPENED
TO PLANNING AN EVENING,
184
00:09:25,102 --> 00:09:27,032
SHOWING UP ON TIME,
185
00:09:27,067 --> 00:09:28,632
MAKING YOU THINK
HE THINKS
186
00:09:28,667 --> 00:09:31,067
YOU'RE SOMEONE SPECIAL
ENOUGH TO MAKE
AN EFFORT FOR?
187
00:09:31,102 --> 00:09:32,601
I DON'T KNOW WHAT
COMES INTO ME.
188
00:09:32,636 --> 00:09:33,998
EVERY SIX
OR SEVEN WEEKS,
189
00:09:34,033 --> 00:09:37,132
I GET MY HOPES UP,
TAKE A CHANCE
AND GO OUT.
190
00:09:37,167 --> 00:09:39,617
I GO THROUGH
EXACTLY THE SAME THING
ALL OVER AGAIN.
191
00:09:39,652 --> 00:09:42,067
GIVE THE GUY A BREAK.
AT LEAST HE SENT
YOU FLOWERS.
192
00:09:42,102 --> 00:09:43,566
COME ON.
193
00:09:43,601 --> 00:09:45,199
ANYONE CAN
PICK UP A PHONE
194
00:09:45,234 --> 00:09:46,667
OR HAVE
HIS SECRETARY
PICK UP A PHONE
195
00:09:46,702 --> 00:09:48,365
AND ORDER FLOWERS.
196
00:09:48,400 --> 00:09:51,050
DOES ANYONE EVER
MAKE THE EFFORT-
197
00:09:51,085 --> 00:09:53,666
THE EFFORT-TO GO
TO THE FLOWER SHOP,
198
00:09:53,701 --> 00:09:56,567
PICK THEM OUT,
AND BRING THEM OVER
HIMSELF?
199
00:09:56,602 --> 00:09:58,032
HA!
200
00:09:58,067 --> 00:10:00,200
HA? I DO THAT.
201
00:10:00,235 --> 00:10:01,399
YOU WHAT?
202
00:10:01,434 --> 00:10:03,667
I'VE BEEN KNOW
TO DELIVER MY OWN FLORA,
203
00:10:03,702 --> 00:10:05,501
AND, ON OCCASION,
MY OWN FAUNA.
204
00:10:05,536 --> 00:10:07,399
I PLAN MY EVENINGS.
205
00:10:07,434 --> 00:10:08,833
I EVEN WAIT
TILL THE SECOND DATE
206
00:10:08,868 --> 00:10:10,717
BEFORE I SUGGEST
A 7th INNING STRETCH.
207
00:10:10,752 --> 00:10:12,226
WHAT ARE YOU SAYING?
I'M SAYING I KNOW
208
00:10:12,261 --> 00:10:13,666
EXACTLY WHAT YOU'RE
TALKING ABOUT.
209
00:10:13,701 --> 00:10:15,601
YOU WANT A LITTLE EFFORT,
A LITTLE ELBOW GREASE,
210
00:10:15,636 --> 00:10:17,165
A GOOD NIGHT'S WORK
PLUS OVERTIME
211
00:10:17,200 --> 00:10:19,601
BEFORE ANYBODY SHOULD
EXPECT A PAYOFF.
A PAYOFF?
212
00:10:19,636 --> 00:10:21,101
JUST EXTENDING
THE METAPHOR.
213
00:10:21,136 --> 00:10:22,651
EXTEND IT
SOMEWHERE ELSE.
214
00:10:22,686 --> 00:10:24,132
AND ANYWAY,
IF ANY OF THAT
215
00:10:24,167 --> 00:10:25,601
WERE REMOTELY
SIMILAR TO WHAT
I WAS SAYING,
216
00:10:25,636 --> 00:10:27,951
YOU ARE HARDLY
THE PERSON
I'D TURN TO
217
00:10:27,986 --> 00:10:29,676
IN HOPES
OF IMPROVING
THE SITUATION.
218
00:10:29,711 --> 00:10:31,367
YEAH, WELL, YOU'RE
HARDLY THE SITUATION
219
00:10:31,402 --> 00:10:32,918
I WOULD EXPEND ENERGY
TO IMPROVE,
220
00:10:32,953 --> 00:10:34,399
BUT JUST FOR THE SAKE
OF ARGUMENT,
221
00:10:34,434 --> 00:10:35,968
WHAT KIND OF NIGHT
WERE YOU TALKING ABOUT?
222
00:10:41,367 --> 00:10:44,601
OK.
JUST FOR THE SAKE
OF ARGUMENT?
223
00:10:48,100 --> 00:10:51,133
I WAS THINKING OF
SOMEPLACE SPECIAL-
224
00:10:51,168 --> 00:10:54,300
SOMEPLACE I COULD
WEAR A GOWN.
225
00:10:54,335 --> 00:10:55,599
YOU COULD-
HUH?
226
00:10:55,634 --> 00:10:57,934
HE COULD WEAR
A TUXEDO.
227
00:10:57,969 --> 00:10:59,951
THE BALLET,
THE SYMPHONY...
228
00:10:59,986 --> 00:11:01,899
THE BALLET?
THE SYMPHONY?
229
00:11:01,934 --> 00:11:03,199
WHAT? THAT'S
NOT WHAT YOU HAD
IN MIND?
230
00:11:03,234 --> 00:11:05,868
NO, I JUST THOUGHT
SOMETHING A LITTLE MORE FUN
231
00:11:05,903 --> 00:11:07,265
MIGHT BE IN ORDER,
232
00:11:07,300 --> 00:11:09,834
LIKE BOILERMAKERS, PRETZELS,
DANCING TRANSVESTITES.
233
00:11:09,869 --> 00:11:12,068
DAVID, I'M NOT
JUST TALKING ABOUT
HAVING FUN.
234
00:11:12,103 --> 00:11:14,232
YOU'RE TELLING ME.
UHH! YOU'RE
ALL ALIKE.
235
00:11:14,267 --> 00:11:17,334
YOU KNOW, IT MIGHT JUST
BE THAT THE PROBLEM
ISN'T THE GUYS,
236
00:11:17,369 --> 00:11:19,732
OR THE DATES,
OR THE PLANS.
237
00:11:19,767 --> 00:11:21,300
MAYBE THE PROBLEM
IS YOU, SISTER.
238
00:11:21,335 --> 00:11:22,532
ME?
YOU.
239
00:11:22,567 --> 00:11:23,632
MAYBE YOU'RE JUST UPSET
240
00:11:23,667 --> 00:11:24,968
BECAUSE YOU DON'T KNOW
HOW TO HAVE ANY FUN.
241
00:11:25,003 --> 00:11:25,965
I WHAT?
242
00:11:26,000 --> 00:11:27,400
EVERYDAY PLAIN-WRAP
GENERIC FUN.
243
00:11:27,435 --> 00:11:28,766
YOU DON'T KNOW
HOW TO DO IT.
244
00:11:28,801 --> 00:11:30,632
WHY? BECAUSE MY IDEA
OF A FINE EVENING
245
00:11:30,667 --> 00:11:33,234
DOESN'T MEAN HAVING
LARGE DOSES OF
PENICILLIN ON HAND?
246
00:11:33,269 --> 00:11:34,199
A WHAT?
A FINE EVENING.
247
00:11:34,234 --> 00:11:35,334
IS THAT TOO MUCH
TO ASK FOR?
248
00:11:35,369 --> 00:11:36,299
NO. DONE.
249
00:11:36,334 --> 00:11:37,599
DONE? WHAT DO
YOU MEAN, DONE?
250
00:11:37,634 --> 00:11:39,667
I'LL MAKE
A DEAL WITH YOU.
I'LL TRADE YOU.
251
00:11:39,702 --> 00:11:41,184
I'LL SHOW YOU
A FINE EVENING,
252
00:11:41,219 --> 00:11:42,632
YOU SHOW ME
A FUN EVENING.
253
00:11:42,667 --> 00:11:44,200
YOU SHOW ME
HOW MADDIE HAYES
GETS DOWN
254
00:11:44,235 --> 00:11:45,734
AND I'LL SHOW YOU
THE SOPHISTICATION
255
00:11:45,769 --> 00:11:47,218
BENEATH THE
RUGGED EXTERIOR.
256
00:11:47,253 --> 00:11:48,826
THE WHAT
BENEATH THE WHAT?
257
00:11:48,861 --> 00:11:50,400
I'M SERIOUS.
TIT FOR TAT.
258
00:11:50,435 --> 00:11:51,634
TAT FOR TIT.
259
00:11:51,669 --> 00:11:52,799
YOU'RE SERIOUS.
260
00:11:52,834 --> 00:11:57,167
I'LL EVEN GO FIRST,
SAY TONIGHTISH,
261
00:11:57,202 --> 00:11:59,801
EIGHTISH, I'LL
PICK YOU UPISH?
262
00:12:03,033 --> 00:12:05,032
I DON'T THINK SO.
263
00:12:05,067 --> 00:12:07,567
WHAT'S THE MATTER?
AFRAID YOU CAN'T
PULL IT OFF?
264
00:12:07,602 --> 00:12:10,199
I CAN PULL IT OFF.
CAN YOU?
265
00:12:10,234 --> 00:12:13,467
IN MY SLEEP.
OR AT THE VERY
LEAST, ON MY BACK.
266
00:12:13,502 --> 00:12:14,998
THE KIND OF EVENING
I DESCRIBED?
267
00:12:15,033 --> 00:12:17,933
IN EXCHANGE
FOR AN EVENING
LIKE I DESCRIBED.
268
00:12:17,968 --> 00:12:20,734
AND WE'LL SEE WHO'S
MORE COMFORTABLE
IN WHOSE BACK YARD.
269
00:12:30,968 --> 00:12:32,284
FINE.
270
00:12:32,319 --> 00:12:33,601
FUN.
271
00:12:52,901 --> 00:12:54,934
HI. I NEED 2 TICKETS
FOR TONIGHT,
BEST YOU GOT,
272
00:12:54,969 --> 00:12:56,065
PREFERABLY
BETWEEN THE BASES.
273
00:12:56,100 --> 00:12:57,799
TONIGHT'S PERFORMANCE
IS SOLD OUT.
274
00:12:57,834 --> 00:12:59,300
NO, YOU SEE,
I'VE ALREADY HEARD
"SOLD OUT"
275
00:12:59,335 --> 00:13:00,566
AT 15 OTHER PLACES.
276
00:13:00,601 --> 00:13:01,734
WHY DON'T WE TRY
SOMETHING A LITTLE
MORE ORIGINAL?
277
00:13:01,769 --> 00:13:03,534
SORRY.
TONIGHT IS SOLD OUT.
278
00:13:03,569 --> 00:13:05,265
WHO COMES
TO SEE THIS STUFF?
279
00:13:05,300 --> 00:13:06,734
ARE WE TALKING ABOUT
THE SAME THING?
280
00:13:06,769 --> 00:13:07,799
A BUNCH OF OLD GUYS
281
00:13:07,834 --> 00:13:08,834
SITTING AROUND
PLAYING BORING
INSTRUMENTS,
282
00:13:08,869 --> 00:13:11,265
YOU NEVER KNOW
WHEN TO APPLAUD?
283
00:13:11,300 --> 00:13:13,601
WELL, WE DO HAVE
A FEW SEATS AVAILABLE
284
00:13:13,636 --> 00:13:15,199
NEAR THE END
OF THE MONTH.
285
00:13:15,234 --> 00:13:16,617
NO, NO, NO.
YOU DON'T UNDERSTAND.
286
00:13:16,652 --> 00:13:17,965
I NEED 2 TICKETS
FOR TONIGHT,
287
00:13:18,000 --> 00:13:19,600
AND I'VE ALREADY TRIED
EVERYTHING ELSE IN TOWN
288
00:13:19,635 --> 00:13:21,200
YOU CAN WEAR A TUX TO
SHORT OF CRASHING
A PROM.
289
00:13:21,235 --> 00:13:22,634
I'M RUNNING OUT
OF TIME, PAL.
290
00:13:22,669 --> 00:13:23,766
SORRY, SIR.
291
00:13:23,801 --> 00:13:25,067
I CAN'T HELP YOU.
292
00:13:28,300 --> 00:13:31,100
HOW ABOUT THIS? I SHOW
UP WITH MY DATE AT 8:30,
293
00:13:31,135 --> 00:13:33,098
YOU SAY, "BOY,
IS MY FACE RED.
294
00:13:33,133 --> 00:13:35,267
I GAVE YOUR TICKETS
TO SOMEBODY ELSE NAMED
DAVID ADDISON."
295
00:13:35,302 --> 00:13:36,666
YOU APOLOGIZE PROFUSELY,
296
00:13:36,701 --> 00:13:38,267
YOU GET US A COUPLE
FOLDING SEATS
ON THE AISLE,
297
00:13:38,302 --> 00:13:40,065
COMPLIMENTARY CHAMPAGNE,
298
00:13:40,100 --> 00:13:41,968
CAN THINK OF A WORSE WAY
TO MAKE $100.
299
00:13:42,003 --> 00:13:43,566
SORRY, SIR.
300
00:13:43,601 --> 00:13:45,334
I CAN'T HELP YOU!
301
00:13:58,300 --> 00:14:00,550
HELLO, MADDIE?
302
00:14:00,585 --> 00:14:02,766
CAN YOU HEAR ME?
303
00:14:02,801 --> 00:14:06,868
I'M SORRY. YOU KNOW
HOW NOISY THESE
EMERGENCY ROOMS ARE.
304
00:14:06,903 --> 00:14:08,085
WHAT'S THAT?
305
00:14:08,120 --> 00:14:09,232
NO. NO, I'M OK.
306
00:14:09,267 --> 00:14:12,334
JUST STILL A LITTLE GROGGY
FROM THE DRUGS.
307
00:14:12,369 --> 00:14:14,368
UH, NO, I DON'T KNOW
WHAT HAPPENED.
308
00:14:14,403 --> 00:14:16,485
I'D JUST PICKED UP
THE TICKETS.
309
00:14:16,520 --> 00:14:18,532
AND I WAS ON MY WAY
TO THE CAR,
310
00:14:18,567 --> 00:14:20,667
AND I-I GUESS
I DIDN'T SEE THE STEP.
311
00:14:25,801 --> 00:14:27,599
MADDIE, GREAT NEWS!
312
00:14:27,634 --> 00:14:29,834
THE X-RAYS ARE BACK.
IT'S A MINOR SPRAIN!
313
00:14:29,869 --> 00:14:31,267
I'LL SEE YOU AT 8:00.
314
00:14:54,667 --> 00:14:56,000
OH.
315
00:15:06,334 --> 00:15:07,634
HI.
316
00:15:07,669 --> 00:15:08,934
HI.
317
00:15:11,167 --> 00:15:13,968
DON'T THROW IT IN THE TRASH
TILL AFTER I'VE LEFT.
318
00:15:14,003 --> 00:15:15,701
THANK YOU.
319
00:15:17,067 --> 00:15:18,566
HAVE WE MET?
320
00:15:18,601 --> 00:15:20,767
WE HAVE, BUT DON'T
LET THAT INFLUENCE YOU.
321
00:15:24,367 --> 00:15:26,267
WELL.
322
00:15:26,302 --> 00:15:28,132
WELL.
323
00:15:28,167 --> 00:15:29,834
LIMO'S WAITING.
324
00:15:29,869 --> 00:15:31,501
I'LL GET MY WRAP.
325
00:15:32,701 --> 00:15:34,901
DID YOU SAY LIMO?
326
00:15:36,667 --> 00:15:38,517
NOT BAD, HUH?
327
00:15:38,552 --> 00:15:40,332
TARA ON WHEELS.
328
00:15:40,367 --> 00:15:43,117
COUPLE FEET LONGER,
WE'D BE TALKING STATEHOOD.
329
00:15:43,152 --> 00:15:46,326
GOT A TV, BAR,
9- HOLE GOLF COURSE
IN THE TRUNK.
330
00:15:46,361 --> 00:15:49,501
EVEN GOT A BATHTUB
IF WE'RE FEELING
DIRTY LATER ON.
331
00:15:49,536 --> 00:15:51,033
I HAVE TO SAY,
THIS IS...
332
00:15:51,068 --> 00:15:52,934
KIND OF CLASSY?
333
00:15:52,969 --> 00:15:54,766
KIND OF ORGANIZED?
334
00:15:54,801 --> 00:15:57,300
KIND OF MAKES YOU
WONDER WHY YOU EVER
DOUBTED ME BEFORE?
335
00:15:57,335 --> 00:15:58,934
THE NIGHT IS YOUNG.
336
00:15:58,969 --> 00:16:00,499
WHICH REMINDS ME.
337
00:16:00,534 --> 00:16:02,033
WOULD YOU CARE
FOR SOME BUBBLY?
338
00:16:02,068 --> 00:16:03,100
CHAMPAGNE?
339
00:16:27,767 --> 00:16:29,734
ARE WE HAVING FINE YET?
340
00:16:31,234 --> 00:16:33,017
OH, DAVID,
THIS IS PERFECT!
341
00:16:33,052 --> 00:16:34,801
THE LIMOUSINE,
THE SYMPHONY,
342
00:16:34,836 --> 00:16:35,998
I LOVE BEETHOVEN.
343
00:16:36,033 --> 00:16:37,501
YEAH, I HEAR HE PUTS ON
A PRETTY GOOD SHOW.
344
00:16:37,536 --> 00:16:38,833
UH, THIS WAY,
PLEASE.
345
00:16:38,868 --> 00:16:42,033
DOES HE EVER BITE THE HEADS
OFF ANY SMALL ANIMALS?
346
00:16:52,868 --> 00:16:54,801
HERE YOU ARE,
MADAM.
347
00:16:55,868 --> 00:16:58,365
OH, DAVID! BOX SEATS!
348
00:16:58,400 --> 00:17:01,801
TOOK A LITTLE EXTRA
PLANNING, BUT I FIGURED
YOU WERE WORTH IT.
349
00:17:01,836 --> 00:17:04,151
OK, GRAMPS,
BACK TO THE NOSEBLEEDS.
350
00:17:04,186 --> 00:17:06,467
SIR, IF YOU'LL
FOLLOW ME, PLEASE.
351
00:17:06,502 --> 00:17:07,918
FOLLOW YOU WHERE?
352
00:17:07,953 --> 00:17:09,299
TO YOUR SEAT.
353
00:17:09,334 --> 00:17:11,200
THIS IS MY SEAT,
AND SOMEONE IS
SITTING IN IT.
354
00:17:11,235 --> 00:17:13,367
NO, SIR. YOUR SEAT'S
SOMEWHERE ELSE.
355
00:17:13,402 --> 00:17:14,567
WHERE?
356
00:17:21,634 --> 00:17:23,065
BUT YOU DON'T
UNDERSTAND.
357
00:17:23,100 --> 00:17:26,033
THAT WOMAN IS NOT WELL.
SHE HAS 3 DAYS TO LIVE.
358
00:17:26,068 --> 00:17:27,332
THE ONLY THING
SHE ASKED FOR
359
00:17:27,367 --> 00:17:29,098
WAS ONE MORE NIGHT
AT THE SYMPHONY.
360
00:17:29,133 --> 00:17:31,234
AND NOW YOU'RE GONNA MAKE
HER SPEND THAT NIGHT ALONE,
361
00:17:31,269 --> 00:17:33,098
SEPARATED FROM HER
BIG BROTHER,
362
00:17:33,133 --> 00:17:36,200
THE ONE PERSON SHE CHERISHES
MORE THAN LIFE ITSELF?
363
00:17:37,501 --> 00:17:39,332
HER MIND'S
NOT WHAT IT WAS.
364
00:17:39,367 --> 00:17:42,467
SEAT 9-A.
IT'S THE ONLY EMPTY ONE.
365
00:17:42,502 --> 00:17:44,933
KEEP UP THE BAD WORK.
366
00:17:44,968 --> 00:17:47,067
EXCUSE ME.
PARDON ME, PLEASE.
367
00:17:47,102 --> 00:17:49,400
NICE HAT.
EXCUSE ME.
368
00:18:36,834 --> 00:18:38,868
HE SAYS
HE'S SORRY.
369
00:18:38,903 --> 00:18:40,101
THANK YOU.
370
00:18:40,136 --> 00:18:41,300
HE SHOULD BE!
371
00:18:44,367 --> 00:18:45,434
Maddie.
372
00:18:46,934 --> 00:18:48,601
MADDIE.
373
00:18:50,434 --> 00:18:51,450
MADDIE!
374
00:18:51,485 --> 00:18:52,432
SHH!
375
00:18:52,467 --> 00:18:53,934
PIPE DOWN, LADY.
376
00:18:55,400 --> 00:18:57,667
MADDIE, LOOK AT ME.
377
00:18:59,067 --> 00:19:02,701
MADDIE, I AM REALLY,
REALLY SORR-
378
00:19:02,736 --> 00:19:04,033
AAH!
AAH!
AAH!
379
00:19:10,701 --> 00:19:12,717
I'M SORRY.
IF YOU DON'T
HAVE TICKETS-
380
00:19:12,752 --> 00:19:14,734
IT'S NOT THAT WE
DON'T HAVE TICKETS.
381
00:19:14,769 --> 00:19:16,466
OUR TICKETS WERE STOLEN.
382
00:19:16,501 --> 00:19:18,350
IT SHOULD BE
VERY EASY TO CHECK.
383
00:19:18,385 --> 00:19:20,200
ONE IS A FRONT ROW
BOX SEAT.
384
00:19:20,235 --> 00:19:21,351
THE OTHER ONE IS-
385
00:19:21,386 --> 00:19:22,432
I'M SORRY, MA'AM.
386
00:19:22,467 --> 00:19:25,034
I CAN'T HELP YOU,
AND THAT IS FINAL!
387
00:19:25,069 --> 00:19:27,218
LET GO OF MY ARM. I
CAN FIND MY WAY OUT.
388
00:19:27,253 --> 00:19:29,332
SEE THAT YOU DO
IMMEDIATELY.
MADDIE-
389
00:19:29,367 --> 00:19:31,100
DON'T SPEAK
TO ME AGAIN
IN THIS LIFETIME!
390
00:19:43,000 --> 00:19:44,100
MADDIE!
391
00:19:47,334 --> 00:19:49,767
WE COULD GO NEXT DOOR,
SNEAK INTO THE SECOND
ACT OF THE BALLET.
392
00:19:54,667 --> 00:19:57,501
GUESS YOU HAD ENOUGH CULTURE
FOR ONE EVENING, HUH?
393
00:20:01,734 --> 00:20:04,033
MISS HAYES, HOW WAS
THE EVENING?
394
00:20:04,068 --> 00:20:05,434
UNFORGETTABLE.
395
00:20:10,701 --> 00:20:11,965
I'D KNOW THAT SLAM
ANYWHERE.
396
00:20:12,000 --> 00:20:14,200
MR. ADDISON,
I DIDN'T KNOW
YOU WERE HERE.
397
00:20:14,235 --> 00:20:16,367
THE IMPORTANT THING
IS, DOES SHE?
398
00:20:16,402 --> 00:20:18,217
I DON'T
THINK SO.
399
00:20:18,252 --> 00:20:19,998
SO FAR, SO GOOD.
400
00:20:20,033 --> 00:20:23,499
I GUESS I'LL JUST
MOSEY ON IN,
401
00:20:23,534 --> 00:20:28,033
STICK THE OLD CABEZA IN,
AND SAY GOOD MORNING.
402
00:20:28,068 --> 00:20:29,534
YO, MADDIE!
403
00:20:31,567 --> 00:20:33,601
GOT ANY RAW MEAT?
404
00:20:39,801 --> 00:20:41,500
ADDISON.
405
00:20:41,535 --> 00:20:43,200
YOU CALLED?
406
00:20:44,901 --> 00:20:46,567
DID I CALL?
407
00:20:46,602 --> 00:20:48,199
YES, I CALLED.
408
00:20:48,234 --> 00:20:50,567
I CALLED YOU EVERY NAME
IN EVERY LANGUAGE
I COULD THINK OF
409
00:20:50,602 --> 00:20:51,532
AND A FEW I COULDN'T.
410
00:20:51,567 --> 00:20:52,965
AND I'LL BE CALLING YOU
AN AMBULANCE
411
00:20:53,000 --> 00:20:54,901
IF YOU DON'T GET OUT OF
MY OFFICE THIS SECOND.
412
00:20:54,936 --> 00:20:56,767
IS THIS ABOUT LAST NIGHT?
413
00:20:56,802 --> 00:20:58,866
OUT. OUT!
414
00:20:58,901 --> 00:21:01,234
MADDIE, LOOK, LOOK-
ALL RIGHT,
IT WAS MY FAULT!
415
00:21:01,269 --> 00:21:03,167
MEA CULPA, ALL RIGHT?
ROBERT CULPA.
416
00:21:03,202 --> 00:21:04,167
MADDIE, LISTEN TO ME.
417
00:21:04,202 --> 00:21:06,234
I...AM...SORRY.
418
00:21:07,567 --> 00:21:09,000
HONEST INJUN.
419
00:21:10,634 --> 00:21:12,801
I WAS THINKIN' ABOUT IT
ALL LAST NIGHT.
420
00:21:12,836 --> 00:21:15,799
I WAS AWAKE,
LYING IN BED.
421
00:21:15,834 --> 00:21:17,834
I JUST WANT YOU TO KNOW,
I UNDERSTAND.
422
00:21:17,869 --> 00:21:19,301
I KNOW HOW YOU FEEL.
423
00:21:19,336 --> 00:21:20,734
DAVID, LISTEN TO ME.
424
00:21:20,769 --> 00:21:22,199
NO, YOU DON'T.
425
00:21:22,234 --> 00:21:25,267
I HAVE NEVER, NEVER,
NEVER IN MY ENTIRE LIFE
FELT SO FOOLISH,
426
00:21:25,302 --> 00:21:29,968
SO HUMILIATED,
SO MORTIFIED,
AS I DID LAST NIGHT.
427
00:21:30,003 --> 00:21:32,100
I WAS HELD UP TO
PUBLIC RIDICULE.
428
00:21:32,135 --> 00:21:33,466
MADE A LAUGHINGSTOCK.
429
00:21:33,501 --> 00:21:35,100
AND YOU WANNA KNOW
THE WORST PART OF IT?
430
00:21:35,135 --> 00:21:37,467
WHAT?
I HAVE ONLY MYSELF
TO BLAME.
431
00:21:37,502 --> 00:21:38,801
I KNEW IT
WOULD HAPPEN.
432
00:21:38,836 --> 00:21:40,100
I SAW
THE SMOKE SIGNALS,
433
00:21:40,135 --> 00:21:41,165
HEARD THE DRUMS,
434
00:21:41,200 --> 00:21:42,933
BUT I CHARGED AHEAD
ANYWAY.
435
00:21:42,968 --> 00:21:45,034
WELL, I LEARNED
MY LESSON, DIDN'T I?
436
00:21:45,069 --> 00:21:47,065
IF YOU WANT TO HOLD
ONTO YOUR HAIR,
437
00:21:47,100 --> 00:21:49,534
YOU DON'T SPEND
THE EVENING WITH
SITTING BULL!
438
00:21:49,569 --> 00:21:51,732
RIGHT.
439
00:21:51,767 --> 00:21:52,767
SO, WHAT'S COOKING
FOR TONIGHT?
440
00:21:52,802 --> 00:21:54,501
TONIGHT?
YEAH, TONIGHT.
441
00:21:54,536 --> 00:21:56,165
TONIGHT'S
THE FUN EVENING.
442
00:21:56,200 --> 00:21:58,634
I FIGURE WE GO BY MY PLACE,
SHOOT A COUPLE BEERS IN,
443
00:21:58,669 --> 00:22:01,468
GO HEAR THE DRY HEAVES
DOWN AT THE ZERO CLUB.
444
00:22:01,503 --> 00:22:04,232
YOU ACTUALLY
EXPECT ME TO GO OUT
WITH YOU AGAIN?
445
00:22:04,267 --> 00:22:06,567
AFTER HAVING HAD THE
WORST TIME 2 PEOPLE
CAN HAVE TOGETHER
446
00:22:06,602 --> 00:22:07,965
SHORT OF A BONE
MARROW TRANSPLANT?
447
00:22:08,000 --> 00:22:10,000
WHAT ARE YOU SAYING?
YOU SAYING WE'RE NOT
GOING OUT TONIGHT?
448
00:22:10,035 --> 00:22:11,466
YES, DEFINITELY.
449
00:22:11,501 --> 00:22:14,065
THAT IS EXACTLY
WHAT I'M SAYING.
450
00:22:14,100 --> 00:22:17,968
PARDON MY DISAPPOINTMENT,
BUT I SEEM TO REMEMBER
WE HAD A DEAL.
451
00:22:18,003 --> 00:22:20,098
A FUN EVENING
FOR A FINE EVENING.
452
00:22:20,133 --> 00:22:22,000
AND I DID MY PART.
I SHOWED YOU
THAT FINE EVENING.
453
00:22:22,035 --> 00:22:23,632
YOU CALL THAT
A FINE EVENING?
454
00:22:23,667 --> 00:22:25,834
BUT NOW YOU'RE SAYING
THAT JUST BECAUSE OF
A SIMPLE TWIST OF FATE,
455
00:22:25,869 --> 00:22:27,599
A FLUKE
OF HAPPENSTANCE,
456
00:22:27,634 --> 00:22:30,334
ALL BETS ARE OFF?
ALL DEALS ARE
NULL AND VOID?
457
00:22:30,369 --> 00:22:32,184
AND THAT YOU DON'T HAVE
TO KEEP YOUR WORD
458
00:22:32,219 --> 00:22:33,965
EVEN AFTER I WENT
TO ALL THE TROUBLE I DID
459
00:22:34,000 --> 00:22:36,801
WITHOUT GETTING
AS MUCH AS A QUICK FEEL
AT THE DOOR?
460
00:22:36,836 --> 00:22:37,833
A QUICK WHAT?
461
00:22:37,868 --> 00:22:39,517
EXCUSE ME.
WHAT?
462
00:22:39,552 --> 00:22:41,167
THE FBI's HERE
TO SEE YOU.
463
00:22:41,202 --> 00:22:42,367
THE FBI?
464
00:22:43,434 --> 00:22:44,599
DID THEY
SAY WHY?
465
00:22:44,634 --> 00:22:47,667
JUST THAT IT'S
"OF THE UTMOST URGENCY
466
00:22:47,702 --> 00:22:50,666
AND OF VITAL
NATIONAL IMPORTANCE."
467
00:22:50,701 --> 00:22:53,133
CAN'T IT WAIT UNTIL WE'RE
DONE ARGUING, MISS DIPESTO?
468
00:22:53,168 --> 00:22:54,567
SHOW THEM IN.
469
00:22:59,367 --> 00:23:03,634
G- MAN AND G-WOMAN.
PROBABLY GOT A DOG
NAMED G-SPOT.
470
00:23:03,669 --> 00:23:05,901
MISS HAYES, MR. ADDISON,
MY NAME IS DAYTON.
471
00:23:05,936 --> 00:23:07,432
AGENT GREGORY.
472
00:23:07,467 --> 00:23:10,234
YOU ATTENDED THE SYMPHONY
LAST EVENING, CORRECT?
473
00:23:10,269 --> 00:23:11,801
FOR ABOUT
5 MINUTES, YES.
474
00:23:11,836 --> 00:23:13,299
DID ANYTHING
UNUSUAL HAPPEN?
475
00:23:13,334 --> 00:23:15,334
NO, LAST NIGHT WAS
PAR FOR THE COURSE.
476
00:23:15,369 --> 00:23:17,299
WE'LL COME
RIGHT TO THE POINT.
477
00:23:17,334 --> 00:23:20,000
ONE OF OUR AGENTS
WAS SUPPOSED TO RECEIVE
A DROP FROM AN INFORMANT
478
00:23:20,035 --> 00:23:20,965
AT THE CONCERT HALL.
479
00:23:21,000 --> 00:23:22,833
THERE WAS A SEATING MIXUP.
480
00:23:22,868 --> 00:23:25,167
WE THINK YOU RECEIVED
THE INFORMATION BY MISTAKE.
481
00:23:25,202 --> 00:23:27,534
ME? WHAT KIND
OF INFORMATION?
482
00:23:27,569 --> 00:23:28,998
WE'RE NOT SURE.
483
00:23:29,033 --> 00:23:31,701
A WORD, PIECE OF FILM.
IT COULD BE ANYTHING.
484
00:23:31,736 --> 00:23:33,466
ONE THING WE DO
KNOW FOR SURE-
485
00:23:33,501 --> 00:23:35,466
WE NEED TO GET THAT
INFORMATION IMMEDIATELY
486
00:23:35,501 --> 00:23:38,051
IN ORDER TO STOP A MAJOR
INTERNATIONAL INCIDENT.
487
00:23:38,086 --> 00:23:40,593
WELL, I'LL
CERTAINLY COOPERATE
IN ANY WAY I CAN,
488
00:23:40,628 --> 00:23:43,100
BUT NO ONE GAVE
ME ANYTHING OR SAID
ANYTHING TO ME.
489
00:23:43,135 --> 00:23:44,601
YOU'RE SURE?
SURE.
490
00:23:44,636 --> 00:23:46,032
POSITIVE?
POSITIVE.
491
00:23:46,067 --> 00:23:47,901
CROSS YOUR HEART
AND HOPE TO DIE?
492
00:23:47,936 --> 00:23:50,132
EXCUSE ME.
WHAT?
493
00:23:50,167 --> 00:23:53,400
COULD I TALK TO THE TWO
OF YOU FOR A MINUTE?
494
00:23:53,435 --> 00:23:55,100
IT'S KIND OF IMPORTANT.
495
00:23:55,135 --> 00:23:57,299
YOU UNDERSTAND.
496
00:23:57,334 --> 00:23:59,499
A MATTER OF PRIORITIES.
497
00:23:59,534 --> 00:24:01,934
PROBABLY RAN OUT
OF STAPLES.
498
00:24:05,434 --> 00:24:07,250
The FBI is here
to see you.
499
00:24:07,285 --> 00:24:08,809
DID YOU SCREW
YOUR CURLERS IN
500
00:24:08,844 --> 00:24:10,334
A LITTLE TOO TIGHT,
AGNES?
501
00:24:10,369 --> 00:24:11,766
NO, REALLY.
502
00:24:11,801 --> 00:24:14,567
There's another team
in your office.
503
00:24:14,602 --> 00:24:15,532
TEAM?
504
00:24:15,567 --> 00:24:17,567
ANOTHER G-WOMAN,
ANOTHER G-MAN?
505
00:24:17,602 --> 00:24:19,734
GEE-WILLIKERS.
506
00:24:19,769 --> 00:24:21,167
UHH...
507
00:24:26,434 --> 00:24:29,399
OFFICER DEJA?
AGENT VU?
508
00:24:29,434 --> 00:24:31,067
HAVEN'T WE MET
SOMEWHERE BEFORE?
509
00:24:31,102 --> 00:24:32,701
I DON'T THINK SO.
MY NAME IS GIBSON.
510
00:24:32,736 --> 00:24:33,866
AGENT BELLO.
511
00:24:33,901 --> 00:24:36,567
YOU BOTH WERE AT THE SYMPHONY
LAST NIGHT, CORRECT?
512
00:24:36,602 --> 00:24:38,532
YES, FOR ABOUT
5 MINUTES.
513
00:24:38,567 --> 00:24:41,000
DID ANYTHING OUT
OF THE ORDINARY HAPPEN?
514
00:24:41,035 --> 00:24:43,268
NO, LAST NIGHT WAS
PAR FOR THE COURSE.
515
00:24:43,303 --> 00:24:45,501
THE REASON WE'RE ASKING-
ONE OF OUR AGENTS WAS
516
00:24:45,536 --> 00:24:46,934
SUPPOSED TO INTERCEPT
SOME INFORMATION
517
00:24:46,969 --> 00:24:48,400
FROM AN INFORMANT
WHO WAS SITTING
518
00:24:48,435 --> 00:24:50,367
IN THE SEAT
NEXT TO YOURS.
519
00:24:50,402 --> 00:24:52,265
BUT THERE WAS
A TICKET MIXUP.
520
00:24:52,300 --> 00:24:56,033
WE THINK YOU MAY HAVE
ACCIDENTALLY RECEIVED
THE INFORMATION.
521
00:24:56,068 --> 00:24:57,234
HER?
ME?
522
00:24:58,434 --> 00:24:59,466
WHAT KIND
OF INFORMATION?
523
00:24:59,501 --> 00:25:01,201
A WORD?
PIECE OF FILM,
MAYBE?
524
00:25:01,236 --> 00:25:02,818
WE DON'T KNOW.
COULD BE ANYTHING.
525
00:25:02,853 --> 00:25:04,365
BUT ONE
THING'S CERTAIN-
526
00:25:04,400 --> 00:25:06,901
IF WE DON'T GET
THE INFORMATION
BEFORE TONIGHT,
527
00:25:06,936 --> 00:25:08,385
WE MIGHT NOT
BE ABLE TO HALT
528
00:25:08,420 --> 00:25:09,834
A MAJOR
INTERNATIONAL
INCIDENT.
529
00:25:11,701 --> 00:25:14,634
COULD YOU EXCUSE
US A MOMENT?
530
00:25:19,367 --> 00:25:20,933
2 SETS OF PEOPLE.
FROM THE SAME BUREAU.
531
00:25:20,968 --> 00:25:22,532
WITH THE SAME STORY.
LOOKIN' FOR
THE SAME THING.
532
00:25:22,567 --> 00:25:24,467
EITHER SOMEBODY'S LYING,
OR THE WRITER JUST
XEROXED THE OTHER SCENE.
533
00:25:24,502 --> 00:25:26,501
SO WHAT DO WE DO?
WHERE'S THE PURSE
YOU HAD LAST NIGHT?
534
00:25:26,536 --> 00:25:27,899
IT'S AT HOME.
NO PLACE LIKE IT.
LET'S GO.
535
00:25:27,934 --> 00:25:29,699
WHAT ARE YOU SAYING?
I'M SAYING,
WE SEE IF THERE'S
536
00:25:29,734 --> 00:25:32,334
ANYTHING ELSE IN YOUR PURSE
BESIDES PETRIFIED GUM
AND A BRUSH FULL OF HAIR.
537
00:25:32,369 --> 00:25:33,566
AND IF THERE IS,
WE DON'T TRUST
538
00:25:33,601 --> 00:25:35,067
WHO'S BEHIND
DOOR NUMBER ONE
OR DOOR NUMBER TWO.
539
00:25:35,102 --> 00:25:36,532
WE TAKE IT
TO THE FBI OURSELVES.
540
00:25:36,567 --> 00:25:38,667
BUT MISS HAYES,
MR. ADDISON, WHAT
DO I TELL THEM?
541
00:25:38,702 --> 00:25:39,734
YOUR LIFE STORY.
542
00:25:39,769 --> 00:25:40,767
AND TAKE YOUR TIME.
543
00:25:43,567 --> 00:25:44,632
COME ON.
IT'S IN MY BEDROOM.
544
00:25:44,667 --> 00:25:47,267
MADDIE'S BEDROOM-
THE FINAL FRONTIER.
545
00:25:47,302 --> 00:25:48,566
WHERE'S THE PURSE?
546
00:25:48,601 --> 00:25:50,634
I DON'T KNOW.
I PUT IT IN ONE
OF THESE DRAWERS.
547
00:25:50,669 --> 00:25:51,801
I WAS SO MAD
WHEN I GOT HOME LAST NIGHT,
548
00:25:51,836 --> 00:25:52,933
I DON'T REMEMBER
WHICH ONE.
549
00:25:52,968 --> 00:25:54,667
I ALWAYS WANTED
TO GET INTO
YOUR DRAWERS.
550
00:25:57,501 --> 00:25:59,534
I GOTTA TELL YOU,
SO FAR, IT'S
A REAL LETDOWN.
551
00:25:59,569 --> 00:26:00,618
SPOKE TOO SOON.
552
00:26:00,653 --> 00:26:01,632
DID YOU FIND IT?
553
00:26:01,667 --> 00:26:03,734
FOR FUTURE REFERENCE,
I REALLY LIKE THIS.
554
00:26:03,769 --> 00:26:05,501
FINE. YOU CAN
BORROW IT ANYTIME.
555
00:26:07,467 --> 00:26:09,701
IS THIS TOO BUSY FOR
WHAT I'M WEARING?
556
00:26:09,736 --> 00:26:11,133
THAT'S THE PURSE.
557
00:26:13,801 --> 00:26:14,998
SPY ANYTHING
SUSPICIOUS?
558
00:26:15,033 --> 00:26:18,167
HANDKERCHIEF,
COMPACT, MAKE-UP BRUSH,
559
00:26:18,202 --> 00:26:19,318
PARKING STUB-
560
00:26:19,353 --> 00:26:20,399
PARKING STUB?
561
00:26:20,434 --> 00:26:22,033
PARKING STUB.
SO WHAT?
562
00:26:22,068 --> 00:26:23,432
WE TOOK A LIMO.
563
00:26:23,467 --> 00:26:25,367
AND AS I RECALL,
YOU WENT HOME
IN THE LIMO.
564
00:26:25,402 --> 00:26:26,901
WHY WOULD YOU
NEED A PARKING
STUB?
565
00:26:26,936 --> 00:26:28,466
I DON'T KNOW.
566
00:26:28,501 --> 00:26:32,501
"MURRAY'S PARKING,
117 OLYMPIC BOULEVARD,
LOS �NGELES, CALIFORNIA."
567
00:26:32,536 --> 00:26:33,868
DAVID,
I'VE NEVER BEEN THERE.
568
00:26:33,903 --> 00:26:35,199
COME ON.
569
00:26:35,234 --> 00:26:36,384
COME ON WHERE?
570
00:26:36,419 --> 00:26:37,499
MURRAY'S PARKING.
571
00:26:37,534 --> 00:26:39,033
DAVID, WE ARE NOT GOING
TO MURRAY'S PARKING.
572
00:26:39,068 --> 00:26:40,234
WE ARE GOING TO THE FBI.
573
00:26:44,400 --> 00:26:45,833
$35.
574
00:26:45,868 --> 00:26:48,165
$35?
2 DAYS.
575
00:26:48,200 --> 00:26:49,367
PAY THE MAN, MADDIE.
576
00:26:49,402 --> 00:26:50,499
PAY HIM?
577
00:26:50,534 --> 00:26:52,165
HEY, CALL ME SELFISH,
578
00:26:52,200 --> 00:26:54,501
BUT I'D LIKE TO WAKE UP
IN A DEMOCRACY
TOMORROW MORNING.
579
00:26:54,536 --> 00:26:55,566
YOU PAY HIM.
580
00:26:55,601 --> 00:26:57,251
UH-UH. AS FAR
AS I'M CONCERNED,
581
00:26:57,286 --> 00:26:58,901
WE'RE STARTING
MY FUN EVENING.
582
00:27:17,200 --> 00:27:18,584
THIS IS OODLES
OF FUN FOR ME.
583
00:27:18,619 --> 00:27:19,968
I'VE NEVER STOLEN
A CAR BEFORE.
584
00:27:29,634 --> 00:27:31,634
COME ON, LET'S
BUZZ OUT OF HERE.
585
00:27:35,300 --> 00:27:36,950
I'M SURE YOU'LL
LAUGH AT ME,
586
00:27:36,985 --> 00:27:38,566
BUT WHEN WE GET
TO THE FBI,
587
00:27:38,601 --> 00:27:40,868
LET'S TRY NOT TO TELL
THEM WE STOLE THIS, OK?
588
00:27:40,903 --> 00:27:41,901
I'LL MAKE 'EM
BEAT IT OUT OF ME.
589
00:27:41,936 --> 00:27:42,866
WHAT ARE YOU DOING?
590
00:27:42,901 --> 00:27:44,834
I HATE TO SAY IT,
BUT THIS CAR IS CLEAN.
591
00:27:44,869 --> 00:27:46,532
SO?
SO, THAT'S AWFUL.
592
00:27:46,567 --> 00:27:48,167
WE HAVE NOTHING
TO BACK UP OUR STORY.
593
00:27:48,202 --> 00:27:49,418
WHAT ARE WE GONNA
TELL THE FEDS?
594
00:27:49,453 --> 00:27:50,599
"ARREST THIS CAR.
IT ADVOCATED
595
00:27:50,634 --> 00:27:52,067
THE VIOLENT OVERTHROW
OF OUR GOVERNMENT"?
596
00:27:52,102 --> 00:27:53,334
IT'S GOTTA BE SOMETHING.
597
00:27:53,369 --> 00:27:54,532
ONLY WAY
I CAN SEE THIS CAR
598
00:27:54,567 --> 00:27:55,965
INVOLVED IN
AN INTERNATIONAL INCIDENT
599
00:27:56,000 --> 00:27:57,400
IS IF THERE WAS
A BOMB IN THE TRUNK
OR SOMETHING.
600
00:28:08,634 --> 00:28:10,501
COME ON, DAVID. RUN!
601
00:28:18,434 --> 00:28:20,868
I'LL LEAVE YOU ALL
MY SAM COOKE RECORDS.
602
00:28:39,400 --> 00:28:41,601
THAT'S WHY
THEY WANTED THIS CAR.
603
00:28:44,167 --> 00:28:46,934
2 TICKETS
TO ARGENTINA
AND THESE.
604
00:28:56,033 --> 00:28:58,334
AT LEAST NOW WE KNOW
WHO THE BAD GUYS ARE.
605
00:28:58,369 --> 00:29:01,100
WHAT DOES IT
ALL MEAN?
606
00:29:03,167 --> 00:29:04,699
HOW'S THIS-
607
00:29:04,734 --> 00:29:07,133
THE UNIFORMS TURN
THE PHONY FBI GUYS
608
00:29:07,168 --> 00:29:08,365
INTO PHONY
MAINTENANCE MEN,
609
00:29:08,400 --> 00:29:09,868
WHICH GETS THEM INTO
THE OLYMPIC AUDITORIUM.
610
00:29:09,903 --> 00:29:10,935
OLYMPIC AUDITORIUM?
611
00:29:10,970 --> 00:29:11,933
YEAH, ABOUT A BLOCK
612
00:29:11,968 --> 00:29:13,867
FROM WHERE
WE FOUND THIS THING.
613
00:29:13,902 --> 00:29:15,732
THE CAR GETS THEM
AWAY FROM HERE,
614
00:29:15,767 --> 00:29:17,501
THE PLANE TICKETS
GET THEM OUT OF REACH.
615
00:29:19,100 --> 00:29:22,234
DAVID, IT'S TIME
TO CALL THE FBI.
616
00:29:22,269 --> 00:29:23,499
THE FBI?
617
00:29:23,534 --> 00:29:25,467
WHY WORRY THEIR
LITTLE CREW-CUT
HEADS ABOUT THIS?
618
00:29:25,502 --> 00:29:26,701
WE CAN
HANDLE IT,
KEMOSABE.
619
00:29:26,736 --> 00:29:28,132
DAVID, BE SENSIBLE.
620
00:29:28,167 --> 00:29:30,900
THERE ARE GUNS
IN THAT CASE.
621
00:29:30,935 --> 00:29:33,634
SOMEONE IS GOING
TO BE KILLED.
622
00:29:36,501 --> 00:29:37,984
UHH...
623
00:29:38,019 --> 00:29:39,432
"F."
624
00:29:39,467 --> 00:29:42,133
"F"...WAIT A MINUTE,
WAIT A MINUTE.
625
00:29:43,701 --> 00:29:45,165
"FBI, FBI..."
626
00:29:45,200 --> 00:29:46,699
"FCC, FDA, FDIC..."
627
00:29:46,734 --> 00:29:49,667
HERE WE GO.
HERE WE GO.
628
00:29:56,734 --> 00:29:58,734
FEDERAL BUREAU
OF INVESTIGATION.
629
00:29:58,769 --> 00:30:00,699
THIS IS
AN EMERGENCY.
630
00:30:00,734 --> 00:30:03,234
I'D LIKE
TO REPORT AN
ASSASSINATION PLOT
631
00:30:03,269 --> 00:30:05,067
WHICH IN A FEW HOURS
WILL CAUSE
632
00:30:05,102 --> 00:30:06,666
AN INTERNATIONAL
INCIDENT.
633
00:30:06,701 --> 00:30:08,734
IN THE FUTURE, YOU CAN
DIAL THAT NUMBER DIRECT.
634
00:30:08,769 --> 00:30:12,234
THE EXTENSION IS 4603.
I'LL TRANSFER YOU.
635
00:30:14,234 --> 00:30:17,234
YOU HAVE REACHED
THE COUNTERTERRORISM
HOT LINE.
636
00:30:17,269 --> 00:30:19,334
ALL OUR LINES
ARE BUSY RIGHT NOW.
637
00:30:19,369 --> 00:30:20,666
PLEASE HOLD.
638
00:30:20,701 --> 00:30:24,167
YOU CALL WILL BE TAKEN
BY THE NEXT AVAILABLE AGENT.
639
00:30:24,202 --> 00:30:26,033
THIS MESSAGE
WILL NOT BE REPEATED.
640
00:30:31,868 --> 00:30:32,833
MADDIE!
641
00:30:32,868 --> 00:30:34,701
THEY'RE STEALING
OUR STOLEN CAR!
642
00:30:37,267 --> 00:30:39,300
AAH!
AAH!
643
00:30:43,167 --> 00:30:45,100
HAVING SOME FUN NOW,
AREN'T WE?
644
00:30:45,135 --> 00:30:46,033
UH-HUH.
645
00:30:54,033 --> 00:30:55,533
LET'S GO. THEY MUST'VE
ALREADY STARTED.
646
00:30:55,568 --> 00:30:57,033
HOW ARE WE GONNA GET
IN? IT'S SOLD OUT.
647
00:30:59,801 --> 00:31:02,284
HEY, BUD, WOULD
YOU LOOK AT THIS.
648
00:31:02,319 --> 00:31:04,732
WHAT ARE THE ODDS-
YOU, ME, HERE?
649
00:31:04,767 --> 00:31:08,667
PERSONALLY, I LIKE A GUY
WHO DOESN'T LIMIT HIMSELF
TO THE FINER ARTS.
650
00:31:08,702 --> 00:31:10,799
DO YOU KNOW HIM?
CASUALLY.
651
00:31:10,834 --> 00:31:13,965
GOTTA TELL YOU,
IT'S NOT OFTEN I GET
REPEAT BUSINESS.
652
00:31:14,000 --> 00:31:17,667
YEAH, WELL, IT PAYS
TO HAVE BRANCH OFFICES
ALL OVER TOWN. HOW MUCH?
653
00:31:17,702 --> 00:31:19,265
40...APIECE.
654
00:31:19,300 --> 00:31:21,701
YOU'LL LIKE THESE 2.
THEY'RE TOGETHER.
655
00:31:21,736 --> 00:31:23,734
THIS IS YOUR EVENING.
656
00:31:28,467 --> 00:31:30,933
WHY THE EXTRA SECURITY?
657
00:31:30,968 --> 00:31:34,232
NASTY RUMORS ABOUT
THE RUSSIAN BOXER
NOT BEING SAFE.
658
00:31:34,267 --> 00:31:37,234
ANYTHING HAPPENS TO
THEIR BOXER, MIGHT
CAUSE BAD RELATIONS.
659
00:31:37,269 --> 00:31:38,501
MADDIE, THAT'S IT!
IF THE RUSSIAN BOXER-
660
00:31:38,536 --> 00:31:40,200
THE MAJOR
INTERNATIONAL
INCIDENT!
661
00:31:40,235 --> 00:31:41,200
WHERE'S
THE RUSSIAN DRESSING?
662
00:31:41,235 --> 00:31:42,133
IN THE KITCHEN.
663
00:31:45,434 --> 00:31:47,984
GONNA TAKE MORE
THAN A PHRASE BOOK
TO GET PAST THESE GUYS.
664
00:31:48,019 --> 00:31:50,534
WE BETTER TRY
EXPLAINING THIS AT THE
AMERICAN LOCKER ROOM.
665
00:31:50,569 --> 00:31:51,734
RIGHT.
666
00:32:03,434 --> 00:32:05,265
EXCUSE ME.
667
00:32:05,300 --> 00:32:06,432
I'M DAVID ADDISON.
668
00:32:06,467 --> 00:32:07,601
TONIGHT'S RING GIRL,
MADDIE HAYES.
669
00:32:07,636 --> 00:32:09,265
HI.
670
00:32:09,300 --> 00:32:12,300
LOOK, THIS IS GONNA
SOUND LIKE GIBBERISH,
BUT YOU'VE GOTTA HELP US.
671
00:32:12,335 --> 00:32:15,300
YOUR FIGHT HAS TURNED
INTO A LOT MORE THAN
A LITTLE EXHIBITION.
672
00:32:19,601 --> 00:32:21,466
INDUBITABLY.
673
00:32:21,501 --> 00:32:24,334
THIS GUY'S TAKEN
A FEW TRILLION TOO MANY
SHOTS TO THE HEAD.
674
00:32:24,369 --> 00:32:25,334
WHAT'LL WE DO?
675
00:32:26,601 --> 00:32:27,998
OK, CHAMP.
676
00:32:28,033 --> 00:32:30,234
BOXING COMMISSION
WANTS A FINAL CHECK
ON YOUR REFLEXES.
677
00:32:34,767 --> 00:32:35,732
GOOD.
678
00:32:35,767 --> 00:32:37,767
OK. WATCH OVER HERE.
679
00:32:37,802 --> 00:32:38,901
HERE WE GO.
680
00:32:50,634 --> 00:32:52,732
AND UNLESS
I MISS MY GUESS,
681
00:32:52,767 --> 00:32:55,634
MY EXPECTATION IS
THE RUSSIAN PUGILIST
WILL ATTACK TENACIOUSLY.
682
00:32:55,669 --> 00:32:56,934
NO DOUBT
FROM THE OUTSET.
683
00:32:56,969 --> 00:32:58,165
OF COURSE HE'LL
BE SEEKING
684
00:32:58,200 --> 00:32:59,701
AN EARLY CONCLUSION
TO THE ENTERPRISE.
685
00:32:59,736 --> 00:33:01,033
HOLD THAT THOUGHT.
686
00:33:06,133 --> 00:33:07,467
GOOZ NIGHT.
687
00:33:10,400 --> 00:33:12,968
KNOCKED SOME SENSE
INTO HIS HEAD.
688
00:33:13,003 --> 00:33:14,934
HEY, SLUGGER, LET'S GO.
689
00:33:16,667 --> 00:33:18,234
WHAT'S HE DOING?
690
00:33:18,269 --> 00:33:19,766
TAKING A NAP.
691
00:33:19,801 --> 00:33:21,466
HEY, RIP VAN WINKLE!
692
00:33:21,501 --> 00:33:23,467
COME ON, MAN!
IT'S TIME TO RUMBLE, MAN!
693
00:33:26,801 --> 00:33:28,217
BOOGALOO!
694
00:33:28,252 --> 00:33:29,642
BOOGALOO!
695
00:33:29,677 --> 00:33:31,072
BOOGALOO!
696
00:33:31,107 --> 00:33:32,520
BOOGALOO!
697
00:33:32,555 --> 00:33:33,934
BOOGALOO!
698
00:33:36,067 --> 00:33:38,000
SO FAR, SO GOOD.
699
00:34:07,100 --> 00:34:08,200
DAVID.
700
00:34:12,968 --> 00:34:15,067
HE DON'T LOOK
THAT BIG.
701
00:34:15,102 --> 00:34:16,400
HE'S SITTING DOWN.
702
00:34:23,467 --> 00:34:26,634
I'VE WORKED
IN HIGH-RISES
SMALLER THAN THAT.
703
00:34:26,669 --> 00:34:28,300
DAVID, YOU DON'T
HAVE TO FIGHT HIM.
704
00:34:28,335 --> 00:34:29,651
YOU JUST HAVE
TO TALK TO HIM.
705
00:34:29,686 --> 00:34:30,933
YOU JUST HAVE
TO WARN HIM.
706
00:34:30,968 --> 00:34:32,601
HE'LL NEVER BE
ABLE TO HEAR ME
UP THERE.
707
00:34:32,636 --> 00:34:34,667
I'LL HAVE
TO CLIMB UP
TO HIS EAR.
708
00:34:34,702 --> 00:34:36,167
LADIES AND GENTLEMEN,
709
00:34:36,202 --> 00:34:38,467
DON KING!
710
00:34:52,834 --> 00:34:56,199
MR. DON KING
IS DOING HIS PART
711
00:34:56,234 --> 00:35:00,033
TO BRING PEACE TO
THE WORLD THROUGH FIGHTS!
712
00:35:03,334 --> 00:35:05,332
NOW LET'S GET IT ON.
713
00:35:05,367 --> 00:35:07,601
IT'S TIME TO MEET
OUR FIGHTERS.
714
00:35:07,636 --> 00:35:09,884
IN THE RED CORNER,
715
00:35:09,919 --> 00:35:12,098
STANDING 6'7",
716
00:35:12,133 --> 00:35:14,998
WEIGHING 270 POUNDS,
717
00:35:15,033 --> 00:35:17,850
WEARING THE RED
AND GOLD TRUNKS,
718
00:35:17,885 --> 00:35:20,667
REPRESENTING
THE SOVIET UNI�N,
719
00:35:20,702 --> 00:35:24,133
WITH 110 WINS, NO LOSSES,
720
00:35:24,168 --> 00:35:26,599
109 BY KNOCKOUT...
721
00:35:26,634 --> 00:35:29,601
ILLYA IVANOVITCH GABINOV!
722
00:35:36,100 --> 00:35:38,667
AND IN THE BLUE CORNER,
723
00:35:38,702 --> 00:35:41,666
STANDING 6'3",
724
00:35:41,701 --> 00:35:44,566
WEIGHING 220 POUNDS,
725
00:35:44,601 --> 00:35:47,684
WITH THE RED,
WHITE, AND BLUE TRUNKS,
726
00:35:47,719 --> 00:35:50,767
REPRESENTING UNITED
STATES OF AMERICA...
727
00:35:50,802 --> 00:35:55,300
MUHAMMED "BOOGALOO" BROWN!
728
00:36:01,434 --> 00:36:03,250
YOU KNOW THE RULES.
729
00:36:03,285 --> 00:36:05,032
3- ROUND EXHIBITION.
730
00:36:05,067 --> 00:36:06,466
LET'S HAVE
A CLEAN FIGHT.
731
00:36:06,501 --> 00:36:08,701
SHAKE HANDS
AND LET'S GET TO IT.
732
00:36:17,167 --> 00:36:18,567
LET'S SAVE IT
FOR THE MATCH!
733
00:36:20,467 --> 00:36:22,400
BOOGALOO!
BOOGALOO!
734
00:36:22,435 --> 00:36:24,499
BOOGALOO!
735
00:36:24,534 --> 00:36:26,165
MADDIE,
I CAN'T FIGHT
THAT GUY.
736
00:36:26,200 --> 00:36:28,434
DAVID, JUST TELL HIM
WHAT'S HAPPENING
737
00:36:28,469 --> 00:36:30,968
AND GET HIM
OUT OF THERE.
738
00:36:31,003 --> 00:36:33,000
WHAT'S HAPPENING?
739
00:36:36,000 --> 00:36:37,934
LET ME GO TALK
TO THE BROTHER.
740
00:36:37,969 --> 00:36:40,701
HEY,
WHAT'S GOING ON?
741
00:36:40,736 --> 00:36:43,434
WHO IS THIS GUY,
ANYWAY?
742
00:36:44,934 --> 00:36:47,033
HEY, HOME, YOU
LOOK A BIT PALE.
743
00:36:47,068 --> 00:36:47,998
WHAT'S
HAPPENING, MAN?
744
00:36:48,033 --> 00:36:49,834
I GOT A HOLD
OF SOME BAD ROAST BEEF.
745
00:36:53,167 --> 00:36:54,767
DON'T LOOK
LIKE NO BOOGALOO
TO ME.
746
00:37:08,434 --> 00:37:10,233
COME ON,
DO IT, BOOGALOO!
747
00:37:10,268 --> 00:37:12,033
GET IT, BABY,
GET IT!
748
00:37:16,434 --> 00:37:18,017
3...
749
00:37:18,052 --> 00:37:19,542
4...
750
00:37:19,577 --> 00:37:20,805
5...
751
00:37:20,840 --> 00:37:22,220
6...
752
00:37:22,255 --> 00:37:23,566
7...
753
00:37:23,601 --> 00:37:25,267
DIDN'T YOU EVER
HEAR OF FIRING
A WARNING SHOT?
754
00:37:27,033 --> 00:37:28,750
LOOK, YOU DON'T
UNDERSTAND.
755
00:37:28,785 --> 00:37:30,467
I'M YOUR FRIEND.
COMRADES.
756
00:37:30,502 --> 00:37:31,801
TALK TO HIM, DAVID!
757
00:37:33,234 --> 00:37:35,067
HE SEEMS TO BE
A LITTLE TIED UP
AT THE MOMENT!
758
00:37:45,434 --> 00:37:48,400
MR. KING, PLEASE!
GABINOV'S GOING
TO BE KILLED.
759
00:37:48,435 --> 00:37:50,184
I ADMIRE
YOUR COURAGE
AND CONFIDENCE,
760
00:37:50,219 --> 00:37:51,934
BUT YOUR BOY HAS
TO HIT HIM FIRST.
761
00:37:57,901 --> 00:37:59,434
COME ON.
BREAK IT UP.
762
00:37:59,469 --> 00:38:00,466
OK, BIG BOY,
LISTEN UP.
763
00:38:00,501 --> 00:38:01,899
THERE'S SOMEONE
IN THIS ARENA
764
00:38:01,934 --> 00:38:03,601
THAT IS AIMING
AT GUN AT US
RIGHT NOW.
765
00:38:03,636 --> 00:38:04,732
THEY'RE TRYING
TO KILL YOU.
766
00:38:04,767 --> 00:38:07,367
SO WHAT WE GOT
TO DO-WE GOT TO
HAVE A PLAN.
767
00:38:07,402 --> 00:38:08,933
WE GOT TO GET YOU
OUT OF HERE.
768
00:38:08,968 --> 00:38:10,866
SO WHAT I'LL DO IS,
I'LL KNOCK YOU OUT,
769
00:38:10,901 --> 00:38:13,968
AND THEN WE GET
BACK TO THE-UHH-
DRESSING ROOM,
770
00:38:14,003 --> 00:38:15,200
EXPLAIN EVERYTHING
TO THE PRESS LATER.
771
00:38:16,200 --> 00:38:17,501
HOW'S THAT SOUND?
772
00:38:21,767 --> 00:38:23,701
THANKS FOR THE LIFT.
773
00:38:31,467 --> 00:38:33,200
DID YOU TALK TO HIM?
DID YOU TELL HIM?
774
00:38:33,235 --> 00:38:34,884
IT'S COOL, MADDIE.
WE'RE IN SYNC.
775
00:38:34,919 --> 00:38:36,534
ALL I GOTTA DO IS
KNOCK HIM OUT.
776
00:38:36,569 --> 00:38:38,135
THANK GOODNESS.
777
00:38:38,170 --> 00:38:39,701
GIVE ME SOME WATER.
778
00:38:43,901 --> 00:38:45,867
MMMMM.
779
00:38:45,902 --> 00:38:47,568
MMMMM.
780
00:38:47,603 --> 00:38:49,234
MMMMM.
781
00:38:54,901 --> 00:38:56,532
WHAT'S GOING ON?
782
00:38:56,567 --> 00:38:58,167
I DON'T THINK
HE LIKES THE PLAN.
783
00:38:58,202 --> 00:38:59,467
THEN HIT HIM!
784
00:39:12,234 --> 00:39:13,534
MADDIE, GET A PICTURE
OF THIS, WILL YOU?
785
00:39:25,534 --> 00:39:27,367
THERE ARE FOUR Os
IN BOOGALOO.
786
00:39:38,601 --> 00:39:40,232
OH!
787
00:39:40,267 --> 00:39:41,968
OH!
788
00:39:42,003 --> 00:39:43,735
OH!
789
00:39:43,770 --> 00:39:45,385
OH!
790
00:39:45,420 --> 00:39:47,027
OH!
791
00:39:47,062 --> 00:39:48,431
OH!
792
00:39:48,466 --> 00:39:49,733
OH!
793
00:39:49,768 --> 00:39:51,000
OH!
794
00:39:59,300 --> 00:40:00,567
ROUND 3.
795
00:40:04,467 --> 00:40:05,766
DAVID.
796
00:40:05,801 --> 00:40:08,251
DAVID,
ARE YOU ALL RIGHT?
797
00:40:08,286 --> 00:40:10,666
DAVID. SAY
SOMETHING. DAVID.
798
00:40:10,701 --> 00:40:12,567
WHAT ROUND IS IT?
WHAT'S MY NAME?
SAY SOMETHING!
799
00:40:12,602 --> 00:40:13,735
OW.
800
00:40:13,770 --> 00:40:14,868
OH.
801
00:40:22,934 --> 00:40:24,250
DAVID, I THOUGHT
YOU HAD A PLAN.
802
00:40:24,285 --> 00:40:25,532
I THOUGHT YOU'D
TALKED TO HIM.
803
00:40:25,567 --> 00:40:27,334
HE MUST NOT BE ABLE
TO SPEAK ENGLISH.
804
00:40:27,369 --> 00:40:28,799
AND IF I GO BACK
OUT THERE,
805
00:40:28,834 --> 00:40:31,000
I AIN'T GONNA BE ABLE
TO SPEAK ANY ENGLISH.
806
00:40:35,234 --> 00:40:37,499
THIS IS
THE LAST ROUND.
807
00:40:37,534 --> 00:40:40,601
THINGS DON'T
LOOK TOO GOOD
FOR THE U.S.A.
808
00:40:45,100 --> 00:40:46,367
WHAT ARE WE
GOING TO DO?
809
00:40:49,167 --> 00:40:50,834
I GOT A NEW PLAN.
810
00:40:50,869 --> 00:40:52,501
WHAT?
WHAT NEW PLAN?
811
00:40:52,536 --> 00:40:54,218
RUN.
RUN?
812
00:40:54,253 --> 00:40:55,866
FOR HIS SAKE.
813
00:40:55,901 --> 00:40:57,000
HARDER TO HIT
A MOVING TARGET.
814
00:40:57,035 --> 00:40:58,134
DAVID, HOW CAN
YOU SAY THAT?
815
00:40:58,169 --> 00:40:59,234
HOW CAN YOU EVEN
THINK THAT?
816
00:40:59,269 --> 00:41:00,734
I DIDN'T BRING
MY BIKE.
817
00:41:00,769 --> 00:41:02,165
DAVID,
DON'T YOU SEE?
818
00:41:02,200 --> 00:41:03,799
THIS IS MORE
THAN JUST A FIGHT.
819
00:41:03,834 --> 00:41:06,067
THIS IS MUCH BIGGER
THAN JUST SAVING
HIS LIFE.
820
00:41:06,102 --> 00:41:07,799
IF WE FAIL
HERE TODAY,
821
00:41:07,834 --> 00:41:09,766
THE WHOLE
AMERICAN WAY
COULD FAIL.
822
00:41:09,801 --> 00:41:11,968
THE VERY WAY
OF LIFE THAT MADE
THIS COUNTRY
823
00:41:12,003 --> 00:41:13,801
THE GREATEST COUNTRY
IN THE WORLD.
824
00:41:15,400 --> 00:41:17,734
DID JOHN PAUL JONES
SAY, "GIVE UP
THE SHIP"?
825
00:41:17,769 --> 00:41:19,868
DID DOUGLAS
MacARTHUR SAY,
826
00:41:19,903 --> 00:41:22,235
"I WON'T
GO HOME AGAIN"?
827
00:41:22,270 --> 00:41:24,532
IN FACT,
DON'T YOU SEE?
828
00:41:24,567 --> 00:41:26,167
THIS IS THE KIND
OF CHALLENGE
829
00:41:26,202 --> 00:41:27,767
THAT REAL AMERICANS
LOVE MOST-
830
00:41:27,802 --> 00:41:29,718
THE KIND
THAT FORCES YOU
831
00:41:29,753 --> 00:41:31,599
TO DIG DEEP
DOWN INSIDE
832
00:41:31,634 --> 00:41:33,100
TO FIND OUT WHAT
YOU'RE REALLY
MADE OF.
833
00:41:33,135 --> 00:41:35,265
AND I KNOW YOU,
DAVID ADDISON.
834
00:41:35,300 --> 00:41:38,167
I KNOW YOU'RE
MADE OF AND FOR
GREATNESS.
835
00:41:38,202 --> 00:41:40,067
YOU CAN DO IT,
DAVID.
836
00:41:40,102 --> 00:41:41,468
FOR HIM...
837
00:41:41,503 --> 00:41:43,035
FOR US...
838
00:41:43,070 --> 00:41:44,532
FOR AMERICA.
839
00:41:44,567 --> 00:41:46,417
YOU REALLY THINK SO,
MADDIE?
840
00:41:46,452 --> 00:41:48,267
IF YOU WON'T
LISTEN TO ME,
841
00:41:48,302 --> 00:41:50,532
LISTEN TO HIM.
842
00:41:50,567 --> 00:41:52,667
HEY, YO, DAVID.
GO FOR IT.
843
00:41:52,702 --> 00:41:55,132
YEAH! YEAH, THAT'S IT!
844
00:41:55,167 --> 00:41:57,300
WE'LL DO IT FOR THE-
FOR THE AMERICAN WAY!
845
00:41:58,300 --> 00:42:00,467
AAH! COME HERE,
YOU RUSSKIE!
846
00:42:00,502 --> 00:42:01,734
AAH!
847
00:42:06,801 --> 00:42:08,217
1...
848
00:42:08,252 --> 00:42:09,676
2...
849
00:42:09,711 --> 00:42:11,106
3...
850
00:42:11,141 --> 00:42:12,720
4...
851
00:42:12,755 --> 00:42:14,144
5...
852
00:42:14,179 --> 00:42:15,440
6...
853
00:42:15,475 --> 00:42:16,666
7...
854
00:42:16,701 --> 00:42:18,998
COME ON!
YOU WANNA FIGHT?
855
00:42:19,033 --> 00:42:22,601
PUT 'EM UP!
PUT 'EM UP!
COME ON!
856
00:42:22,636 --> 00:42:24,668
COME ON!
857
00:42:24,703 --> 00:42:26,701
YOU BIG OX!
858
00:42:29,133 --> 00:42:31,767
YOU THINK
YOU'RE SO TOUGH.
859
00:42:31,802 --> 00:42:33,067
COME ON!
COME ON!
860
00:42:38,067 --> 00:42:40,567
COME ON! COME ON!
861
00:42:42,734 --> 00:42:44,601
YOU'D HIT A GIRL?
862
00:42:46,200 --> 00:42:48,367
HE'D HIT A GIRL.
863
00:42:48,402 --> 00:42:50,534
HE'D HIT A GIRL!
864
00:43:02,167 --> 00:43:03,417
IT CAME FROM
OVER THERE!
865
00:43:03,452 --> 00:43:04,632
SEAL OFF
THE CATWALK!
866
00:43:04,667 --> 00:43:06,667
HE'S ON THE CATWALK!
SEAL UP ALL EXITS!
867
00:43:09,501 --> 00:43:11,232
YOU WERE GREAT, BABY.
868
00:43:11,267 --> 00:43:13,534
I WANT THE OPTIONS
ON YOUR NEXT
THREE FIGHTS
869
00:43:13,569 --> 00:43:16,100
PLUS THE CABLE AND
SYNDICATION RIGHTS.
870
00:43:16,135 --> 00:43:17,532
ONLY IN AMERICA!
871
00:43:17,567 --> 00:43:19,934
DAVID,
ARE YOU ALL RIGHT?
872
00:43:22,167 --> 00:43:24,734
ARE WE TALKING
FUN EVENING OR WHAT?
873
00:43:26,801 --> 00:43:29,766
CAPTIONING MADE POSSIBLE BY
LIONS GATE HOME ENTERTAINMENT
874
00:43:29,801 --> 00:43:32,734
CAPTIONED BY THE NATIONAL
CAPTIONING INSTITUTE
- www.ncicap.org-
875
00:43:36,400 --> 00:43:41,017
* SOME WALK BY NIGHT *
876
00:43:41,052 --> 00:43:45,599
* SOME FLY BY DAY *
877
00:43:45,634 --> 00:43:50,050
* NOTHING CAN
CHANGE YOU *
878
00:43:50,085 --> 00:43:55,159
* SET AND SURE
OF THE WAY *
879
00:43:55,194 --> 00:44:00,199
* THERE IS
THE SUN AND MOON *
880
00:44:00,234 --> 00:44:04,917
* THEY SING THEIR OWN
SWEET TUNE *
881
00:44:04,952 --> 00:44:09,601
* WATCH THEM
WHEN DAWN IS DUE *
882
00:44:09,636 --> 00:44:13,866
* SHARING ONE SPACE *
883
00:44:13,901 --> 00:44:18,534
* WE'LL WALK
BY NIGHT, BABE *
884
00:44:18,569 --> 00:44:23,299
* WE'LL FLY BY DAY *
885
00:44:23,334 --> 00:44:28,651
* MOONLIGHTING
STRANGERS *
886
00:44:28,686 --> 00:44:33,968
* WHO JUST MET
ON THE WAY *
61660
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