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These are the user uploaded subtitles that are being translated: 1 00:00:03,300 --> 00:00:07,450 * SOME WALK BY NIGHT * 2 00:00:07,485 --> 00:00:11,601 * SOME FLY BY DAY * 3 00:00:12,667 --> 00:00:17,250 * NOTHING COULD CHANGE YOU * 4 00:00:17,285 --> 00:00:22,076 * SET AND SURE OF THE WAY * 5 00:00:22,111 --> 00:00:26,833 * THERE IS THE SUN AND MOON * 6 00:00:26,868 --> 00:00:31,551 * THEY SING THEIR OWN SWEET TUNE * 7 00:00:31,586 --> 00:00:36,234 * WATCH THEM WHEN DAWN IS NEW * 8 00:00:36,269 --> 00:00:40,566 * SHARING ONE SPACE * 9 00:00:40,601 --> 00:00:45,400 * WE'LL WALK BY NIGHT, BABE * 10 00:00:45,435 --> 00:00:49,933 * WE'LL FLY BY DAY * 11 00:00:49,968 --> 00:00:54,801 * MOONLIGHTING STRANGERS * 12 00:00:54,836 --> 00:00:59,634 * WHO JUST MET ON THE WAY ** 13 00:01:03,767 --> 00:01:06,701 CAPTIONING MADE POSSIBLE BY LIONS GATE HOME ENTERTAINMENT 14 00:01:49,534 --> 00:01:51,866 YOU MUST BE THE UNHAPPY BRIDE. 15 00:01:51,901 --> 00:01:53,667 IF I HAD KNOWN THROWING THIS PARTY FOR YOU 16 00:01:53,702 --> 00:01:54,699 WOULD DEPRESS YOU SO, 17 00:01:54,734 --> 00:01:55,868 I NEVER WOULD HAVE INVITED YOU. 18 00:01:55,903 --> 00:01:57,566 I'M NOT DEPRESSED. 19 00:01:57,601 --> 00:01:59,667 WHAT MAKES YOU THINK I'M DEPRESSED? 20 00:01:59,702 --> 00:02:01,499 I DON'T KNOW. 21 00:02:01,534 --> 00:02:03,834 COULD BE THAT BLACK CLOUD OVER YOUR HEAD, 22 00:02:03,869 --> 00:02:04,833 OR THE WAY YOUR CHIN 23 00:02:04,868 --> 00:02:06,933 KEEPS DRAGGING ON THE GROUND, 24 00:02:06,968 --> 00:02:08,868 OR THE WAY YOU KEEP BELTING DOWN THAT GIN. 25 00:02:10,033 --> 00:02:11,067 IT'S A PARTY. 26 00:02:12,734 --> 00:02:15,400 I WANT YOU TO HAVE A GOOD TIME. 27 00:02:15,435 --> 00:02:17,167 I AM HAVING A GOOD TIME. 28 00:02:25,801 --> 00:02:27,365 WHAT'S THIS? 29 00:02:27,400 --> 00:02:29,699 I DON'T KNOW. WHAT IS IT? 30 00:02:29,734 --> 00:02:32,133 WHY DON'T YOU OPEN IT AND SEE? I DON'T KNOW. 31 00:02:33,367 --> 00:02:35,000 THANK YOU. 32 00:02:37,100 --> 00:02:38,850 HAPPY ANNIVERSARY. 33 00:02:38,885 --> 00:02:40,726 IT'S A CRUISE. 34 00:02:40,761 --> 00:02:42,532 AROUND THE WORLD. 35 00:02:42,567 --> 00:02:44,165 YOU'VE GIVEN ME TEN YEARS. 36 00:02:44,200 --> 00:02:46,000 THE LEAST I CAN GIVE YOU IS SIX MONTHS. 37 00:04:14,634 --> 00:04:15,933 *YEAH, YEAH, YEAH * 38 00:04:15,968 --> 00:04:18,601 * I SAY SHAKE, RATTLE, AND ROLL * 39 00:04:18,636 --> 00:04:21,234 * I SAY SHAKE, RATTLE, AND ROLL * 40 00:04:21,269 --> 00:04:22,265 * WHAT'S UP, KIDS? * 41 00:04:22,300 --> 00:04:25,000 * I SAY SHAKE, RATTLE, AND ROLL ** 42 00:04:25,035 --> 00:04:26,467 WHAT'S THE SCHEME, TEAM? 43 00:04:26,502 --> 00:04:27,968 FIRE DRILL? 44 00:04:33,634 --> 00:04:36,466 LA DOLCE DIPESTO! 45 00:04:36,501 --> 00:04:38,234 YOU ALLOW THIS KIND OF THING TO HAPPEN IN YOUR OFFICE? 46 00:04:38,269 --> 00:04:39,365 ME? 47 00:04:39,400 --> 00:04:41,067 WELL, I DIDN'T SAY IT WAS A BAD THING, DID I? 48 00:04:44,334 --> 00:04:46,667 15-YARD PENALTY! TOO MUCH TIME IN THE HUDDLE. 49 00:04:50,801 --> 00:04:52,484 MR. HAYES... 50 00:04:52,519 --> 00:04:53,926 MISS ADDISON... 51 00:04:53,961 --> 00:04:55,299 CLOSE ENOUGH. 52 00:04:55,334 --> 00:04:56,734 HAVEN'T YOU EVER HEARD OF A FIRE ESCAPE? 53 00:04:58,334 --> 00:05:00,365 THE TIMES CALLED. 54 00:05:00,400 --> 00:05:02,367 THEY SAID YOUR RADIATOR'S ON THE BLINK. 55 00:05:02,402 --> 00:05:03,799 YOUR POOL MAN CALLED, 56 00:05:03,834 --> 00:05:07,100 WANTS TO KNOW IF YOU WANT TO RENEW YOUR SUBSCRIPTION. 57 00:05:07,135 --> 00:05:09,084 THE MECHANIC CALLED. 58 00:05:09,119 --> 00:05:10,726 HE SAID IT WAS, UH... 59 00:05:10,761 --> 00:05:12,334 TIME FOR MORE CHLORINE. 60 00:05:12,369 --> 00:05:14,299 MISS DIPESTO! 61 00:05:14,334 --> 00:05:17,634 I'D LIKE TO SEE YOU IN MY OFFICE. 62 00:05:17,669 --> 00:05:19,434 AND I THINK DAVID AND MR... 63 00:05:19,469 --> 00:05:22,000 VIOLA. HERBERT VIOLA. 64 00:05:22,035 --> 00:05:24,632 HERBERT VIOLA... 65 00:05:24,667 --> 00:05:27,467 MIGHT ALSO WANT TO HAVE A CONVERSATION, 66 00:05:27,502 --> 00:05:29,034 AS WELL. 67 00:05:29,069 --> 00:05:30,532 WE MIGHT? 68 00:05:30,567 --> 00:05:32,699 OF COURSE WE MIGHT. 69 00:05:32,734 --> 00:05:34,632 INTO THE WOODSHED, VIOLA. 70 00:05:34,667 --> 00:05:36,834 SEEMS LIKE THERE'S A PADDLE WITH YOUR NAME ON IT. 71 00:05:57,133 --> 00:06:00,133 OOH! OOH! OOH! 72 00:06:06,501 --> 00:06:07,766 I'M SORRY. 73 00:06:07,801 --> 00:06:09,534 THAT'S NOT WHY I CALLED YOU IN HERE. 74 00:06:09,569 --> 00:06:11,165 WELL, I'M SORRY ANYWAY? 75 00:06:11,200 --> 00:06:13,601 YOU WANT TO TELL ME HOW IT HAPPENED? 76 00:06:13,636 --> 00:06:14,666 NO. 77 00:06:14,701 --> 00:06:16,133 AGNES, DON'T BE EMBARRASSED. 78 00:06:16,168 --> 00:06:17,467 YOU CAN TALK TO ME. 79 00:06:18,834 --> 00:06:20,100 DID HE HURT YOU? 80 00:06:21,534 --> 00:06:23,300 DID HE FORCE HIMSELF ON YOU? 81 00:06:24,734 --> 00:06:26,601 HE JUST GRABBED YOU AND KISSED YOU 82 00:06:26,636 --> 00:06:27,732 AND THREW YOU ON THE DESK 83 00:06:27,767 --> 00:06:29,367 AND FORCED YOU TO RETURN HIS AFFECTIONS? 84 00:06:29,402 --> 00:06:31,934 NO, I GRABBED HIM AND KISSED HIM 85 00:06:31,969 --> 00:06:33,032 AND THREW HIM ON THE DESK 86 00:06:33,067 --> 00:06:34,501 AND FORCED HIM TO RETURN MY AFFECTIONS. 87 00:06:35,868 --> 00:06:37,801 YOU DON'T THINK HE'LL PRESS CHARGES, DO YOU? 88 00:06:39,000 --> 00:06:40,365 I WAS THINKING, 89 00:06:40,400 --> 00:06:41,866 MAYBE I COULD GET SOME OF THE OTHER GIRLS 90 00:06:41,901 --> 00:06:44,367 TO SWEAR THAT THEY'D BEEN ON A DESK WITH HIM, TOO. 91 00:06:44,402 --> 00:06:47,067 SHE ATTACKED HIM- WHAT ARE YOU DOING? 92 00:06:47,102 --> 00:06:48,384 WAIT A SECOND. WHOA, WHOA, WHOA! 93 00:06:48,419 --> 00:06:50,160 NO HITTING BELOW THE KNUCKLE. 94 00:06:50,195 --> 00:06:51,901 THERE! BEG FOR MERCY, YOU DIGIT! 95 00:06:51,936 --> 00:06:53,332 1, 2, 3. 96 00:06:53,367 --> 00:06:54,399 IT'S ALL OVER. 97 00:06:54,434 --> 00:06:55,901 CLEAN OUT YOUR LOCKER AND GO HOME. 98 00:06:55,936 --> 00:06:57,165 ONE MORE TIME? 99 00:06:57,200 --> 00:06:58,367 DIDN'T YOU HEAR WHAT I SAID? 100 00:06:58,402 --> 00:06:59,367 SHE ATTACKED HIM! 101 00:06:59,402 --> 00:07:00,434 SHE? SHE! 102 00:07:00,469 --> 00:07:02,098 SEE? 103 00:07:02,133 --> 00:07:04,200 I TOLD HIM, MS. HAYES, BUT HE WOULDN'T LISTEN TO ME. 104 00:07:04,235 --> 00:07:05,234 IS THIS WHAT YOU'VE BEEN DOING 105 00:07:05,269 --> 00:07:06,434 FOR THE PAST 10 MINUTES? 106 00:07:06,469 --> 00:07:07,566 ARE YOU KIDDING? 107 00:07:07,601 --> 00:07:09,151 I'VE BEEN GRILLING HIM EVERY WHICH WAY. 108 00:07:09,186 --> 00:07:10,560 WE'RE JUST TAKING A BREAK, THAT'S ALL. 109 00:07:10,595 --> 00:07:12,364 WHY DO I FIND THAT HARD TO BELIEVE? 110 00:07:12,399 --> 00:07:14,133 WHO KNOWS? I PELTED HIM WITH STONES. 111 00:07:14,168 --> 00:07:15,833 I STITCHED A SCARLET "K" ON HIS SHIRT 112 00:07:15,868 --> 00:07:17,567 SO EVERYBODY WOULD KNOW WHAT KIND OF KNUCKLEHEAD HE WAS. 113 00:07:17,602 --> 00:07:19,501 MISS HAYES, MR. ADDISON. 114 00:07:22,334 --> 00:07:23,766 OH... 115 00:07:23,801 --> 00:07:26,000 HELLO AGAIN. 116 00:07:29,234 --> 00:07:30,766 MISS DIPESTO, WHAT IS IT? 117 00:07:30,801 --> 00:07:32,734 THERE'S SOMEONE HERE TO SEE YOU. 118 00:07:33,968 --> 00:07:35,151 WHO? 119 00:07:35,186 --> 00:07:36,299 HUH? 120 00:07:36,334 --> 00:07:38,033 WELL, SHOW WHOEVER IT IS IN. 121 00:07:42,634 --> 00:07:44,100 AHH! 122 00:07:47,567 --> 00:07:49,200 SO WHAT ARE WE GOING TO DO ABOUT IT? 123 00:07:49,235 --> 00:07:50,432 ABOUT WHAT? 124 00:07:50,467 --> 00:07:51,850 ABOUT WHAT? THANKS. 125 00:07:51,885 --> 00:07:53,059 MADELYN, MADELYN- 126 00:07:53,094 --> 00:07:54,199 DAVID, SAVE IT. 127 00:07:54,234 --> 00:07:55,734 I KNOW THIS CONVERSATION BY HEART. 128 00:07:55,769 --> 00:07:56,751 IT'S TWO PARTS "LIGHTEN UP," 129 00:07:56,786 --> 00:07:57,699 AND 10 PARTS WHAT MY GARDNER 130 00:07:57,734 --> 00:07:58,767 SPREADS ON THE LAWN EVERY SPRING. 131 00:07:58,802 --> 00:08:00,065 EXCUSE ME. 132 00:08:00,100 --> 00:08:01,632 I'M NOT CERTAIN IF THIS IS 133 00:08:01,667 --> 00:08:03,684 THE OFFICE I WAS SUPPOSED TO WALK INTO OR NOT. 134 00:08:03,719 --> 00:08:05,701 THE RECEPTIONIST WAS RUNNING BY ME SO FAST. 135 00:08:05,736 --> 00:08:08,185 OH, COME RIGHT IN. I'M MADELYN HAYES, 136 00:08:08,220 --> 00:08:10,027 AND THIS IS MY ASSOCIATE DAVID ADDISON. 137 00:08:10,062 --> 00:08:11,834 HOW YOU DOING? HAVE A SEAT, PLEASE. 138 00:08:11,869 --> 00:08:12,934 THANK YOU. 139 00:08:15,534 --> 00:08:17,199 MY NAME IS GAIL WOODLEY. 140 00:08:17,234 --> 00:08:18,784 I DON'T QUITE KNOW HOW TO DO THIS. 141 00:08:18,819 --> 00:08:20,334 I'VE BEEN MARRIED FOR 10 YEARS- 142 00:08:20,369 --> 00:08:22,065 10 YEARS A MONTH AGO. 143 00:08:22,100 --> 00:08:24,000 MY HUSBAND IS A VERY NICE MAN. 144 00:08:24,035 --> 00:08:25,132 I LOVE MY HUSBAND. 145 00:08:25,167 --> 00:08:27,132 I GUESS THE POINT THAT I'M TRYING TO MAKE 146 00:08:27,167 --> 00:08:30,334 IS THAT I WOULD NEVER DO ANYTHING TO HARM OUR MARRIAGE, 147 00:08:30,369 --> 00:08:33,133 AND I WOULD NEVER DO ANYTHING TO HARM HIM, NEVER. 148 00:08:33,168 --> 00:08:34,632 I HAVE NEVER CHEATED. 149 00:08:34,667 --> 00:08:36,000 I HAVE NEVER EVEN THOUGHT ABOUT IT. 150 00:08:36,035 --> 00:08:37,367 NOT SERIOUSLY ANYWAY. 151 00:08:39,634 --> 00:08:43,901 ANYWAY, ABOUT 21/2 YEARS AGO, 152 00:08:43,936 --> 00:08:45,499 I RECEIVED A LETTER. 153 00:08:45,534 --> 00:08:47,200 THERE WAS NO RETURN ADDRESS ON IT, 154 00:08:47,235 --> 00:08:48,965 JUST A POST OFFICE BOX. 155 00:08:49,000 --> 00:08:50,834 IT WAS TYPEWRITTEN, ADDRESSED TO ME. 156 00:08:53,601 --> 00:08:55,984 IT WAS WRITTEN BY THIS PERSON-THIS MAN- 157 00:08:56,019 --> 00:08:58,410 WHO SAYS HE KNOWS ME, KNOWS ALL ABOUT ME. 158 00:08:58,445 --> 00:09:00,766 HE KNOWS THE DRESS THAT I WORE LAST THURSDAY, 159 00:09:00,801 --> 00:09:03,300 HE KNOWS THE BLOUSE THAT I WORE THE MONDAY BEFORE THAT. 160 00:09:03,335 --> 00:09:05,717 HE SAYS HE LIKES THE SMELL OF MY PERFUME. 161 00:09:05,752 --> 00:09:07,976 HE LIKES TO SPEND HIS DAYS IMAGINING... 162 00:09:08,011 --> 00:09:10,165 WELL, YOU CAN FIGURE THE REST OF THAT OUT. 163 00:09:10,200 --> 00:09:12,868 THERE WERE OTHER THINGS, TOO. IT WAS QUITE A LETTER. 164 00:09:12,903 --> 00:09:14,265 NEEDLESS TO SAY, 165 00:09:14,300 --> 00:09:16,200 I DO NOT KNOW WHO THIS PERSON IS. 166 00:09:16,235 --> 00:09:17,532 IT COULD BE ANYONE. 167 00:09:17,567 --> 00:09:19,032 IT COULD'VE BEEN THE MAN 168 00:09:19,067 --> 00:09:20,900 WHO FILLS MY CAR AT THE GAS STATION, 169 00:09:20,935 --> 00:09:22,734 IT COULD HAVE BEEN THE FELLOW BEHIND 170 00:09:22,769 --> 00:09:25,067 THE MEAT COUNTER AT THE MARKET. 171 00:09:25,102 --> 00:09:27,167 IT COULD'VE BEEN ANYONE. 172 00:09:27,202 --> 00:09:28,766 HE KNOWS ME 173 00:09:28,801 --> 00:09:30,934 AND CLEARLY WANTS TO GET TO KNOW ME BETTER. 174 00:09:30,969 --> 00:09:33,567 I WAS A LITTLE FRIGHTENED AT FIRST. 175 00:09:33,602 --> 00:09:35,299 I PUT THE LETTER AWAY. 176 00:09:35,334 --> 00:09:38,067 AND THEN ABOUT A WEEK LATER, I TOOK IT OUT AND READ IT. 177 00:09:38,102 --> 00:09:40,365 THE MORE I REREAD IT, 178 00:09:40,400 --> 00:09:42,234 THE MORE INTRIGUED I BECAME. 179 00:09:42,269 --> 00:09:45,534 IT SEEMED SO ANONYMOUS. 180 00:09:47,400 --> 00:09:48,733 SO... 181 00:09:48,768 --> 00:09:50,067 RECKLESS. 182 00:09:52,467 --> 00:09:53,701 THEN... 183 00:09:55,267 --> 00:09:56,899 ONE RAINY AFTERNOON, 184 00:09:56,934 --> 00:09:59,734 I SAT DOWN, AND I WROTE HIM BACK. 185 00:10:01,601 --> 00:10:03,767 I GAVE IT TO THE POSTMAN BECAUSE I WAS AFRAID 186 00:10:03,802 --> 00:10:05,467 I'D CHANGE MY MIND AT THE MAILBOX. 187 00:10:06,868 --> 00:10:08,532 AND I WAITED. 188 00:10:08,567 --> 00:10:11,934 A WEEK LATER, I RECEIVED HIS LETTER. 189 00:10:11,969 --> 00:10:14,965 ONLY THIS TIME, IT WAS... 190 00:10:15,000 --> 00:10:18,383 MORE PERSONAL. IT WAS MORE INTIMATE. 191 00:10:18,418 --> 00:10:21,732 I FOUND MYSELF RACING TO THE MAILBOX 192 00:10:21,767 --> 00:10:24,968 EVERY MORNING, HOPING TO FIND ANOTHER LETTER. 193 00:10:25,003 --> 00:10:26,801 I'D SEE MEN LOOKING AT ME ON THE STREET, 194 00:10:26,836 --> 00:10:30,599 AND I'D WONDER IF THAT WAS HIM. 195 00:10:30,634 --> 00:10:32,400 I WOULD WONDER IF HE WAS THINKING ABOUT 196 00:10:32,435 --> 00:10:34,367 WHAT I HAD WRITTEN TO HIM. 197 00:10:34,402 --> 00:10:36,300 IT JUST SEEMED SO HARMLESS. 198 00:10:36,335 --> 00:10:37,432 SO WHAT HAPPENED? 199 00:10:37,467 --> 00:10:39,934 ABOUT A MONTH AGO, OUR 10th WEDDING ANNIVERSARY, 200 00:10:39,969 --> 00:10:42,134 MY HUSBAND SURPRISES ME WITH A GIFT- 201 00:10:42,169 --> 00:10:44,265 A CRUISE AROUND THE WORLD FOR SIX MONTHS. 202 00:10:44,300 --> 00:10:47,167 SOMEHOW MY FRIEND FINDS OUT, AND HE WASN'T PLEASED. 203 00:10:47,202 --> 00:10:48,599 DIDN'T I REALIZE 204 00:10:48,634 --> 00:10:50,065 THAT THE MAIL COULD BE DELAYED FOR WEEKS 205 00:10:50,100 --> 00:10:52,334 ON A CRUISE SHIP AS IT MOVES FROM PORT TO PORT? 206 00:10:52,369 --> 00:10:53,965 AND HOW COULD I POSSIBLY WRITE HIM BACK 207 00:10:54,000 --> 00:10:56,200 IF I'M WITH MY HUSBAND EVERY MINUTE OF THE DAY? 208 00:10:56,235 --> 00:10:58,332 HE SAID HE COULDN'T POSSIBLY STAND 209 00:10:58,367 --> 00:11:00,850 NOT COMMUNICATING WITH ME FOR SIX MONTHS. 210 00:11:00,885 --> 00:11:03,334 HE TOLD ME I SHOULDN'T GO, I COULDN'T GO. 211 00:11:03,369 --> 00:11:04,998 I TOLD HIM I HAD TO GO. 212 00:11:05,033 --> 00:11:07,016 HIS NEXT LETTER WAS ANGRIER. 213 00:11:07,051 --> 00:11:08,965 HE TOLD ME TO LEAVE MY HUSBAND. 214 00:11:09,000 --> 00:11:12,100 AND HIS LAST LETTER SUGGESTED SOMETHING DARKER STILL. 215 00:11:12,135 --> 00:11:14,299 WHAT WOULD YOU LIKE US TO DO? 216 00:11:14,334 --> 00:11:17,017 I WANT YOU TO FIND HIM AND STOP HIM! 217 00:11:17,052 --> 00:11:19,666 I'M NOT ABOUT TO LEAVE MY HUSBAND. 218 00:11:19,701 --> 00:11:22,667 I'M NOT ABOUT TO DO ANY OF THE THINGS THAT HE SUGGESTED. 219 00:11:22,702 --> 00:11:24,265 I'M SCARED. 220 00:11:24,300 --> 00:11:25,866 I MEAN, HE HAS MY ADDRESS. 221 00:11:25,901 --> 00:11:27,566 WHAT'S TO STOP HIM FROM PHONING ME, 222 00:11:27,601 --> 00:11:30,234 OR FOR THAT MATTER, SHOWING UP AT MY HOME? 223 00:11:31,868 --> 00:11:33,998 IT STARTED OUT AS BEING FUN, 224 00:11:34,033 --> 00:11:37,100 KIND OF LIKE MAKING LOVE WITH A BLINDFOLD ON. 225 00:11:40,767 --> 00:11:42,767 BUT THIS ISN'T FUN ANYMORE. 226 00:11:45,634 --> 00:11:47,400 HOW LONG DO YOU THINK THIS IS GOING TO TAKE? 227 00:11:47,435 --> 00:11:48,634 I DON'T KNOW, HOW LONG? 228 00:11:48,669 --> 00:11:50,466 HOW MANY DAYS? 229 00:11:50,501 --> 00:11:51,934 HOW MANY DAYS ARE WE GONNA HAVE TO GET UP 230 00:11:51,969 --> 00:11:53,065 AT 6:00 IN THE MORNING 231 00:11:53,100 --> 00:11:54,600 AND DRIVE DOWN TO THE POST OFFICE 232 00:11:54,635 --> 00:11:55,984 AND SIT BESIDE A POST OFFICE BOX 233 00:11:56,019 --> 00:11:57,299 TO WAIT AND SEE IF SOME CRANK 234 00:11:57,334 --> 00:11:58,701 IS GONNA SHOW UP TO PICK UP HIS MAIL? 235 00:11:58,736 --> 00:12:00,566 WELL, I DON'T KNOW. 236 00:12:00,601 --> 00:12:01,950 COULD BE A COUPLE DAYS. 237 00:12:01,985 --> 00:12:03,265 COULD BE A COUPLE WEEKS. 238 00:12:03,300 --> 00:12:05,167 YOU GOT A BETTER WAY TO CATCH THIS ROMEO? 239 00:12:07,067 --> 00:12:08,699 LOOK AT THE BRIGHT SIDE- 240 00:12:08,734 --> 00:12:10,065 FOR WHO KNOWS HOW MANY MORNINGS, 241 00:12:10,100 --> 00:12:12,334 MINE WILL BE THE FIRST FACE YOU'LL SEE. 242 00:12:17,701 --> 00:12:19,117 YOU KNOW, THIS IS GOOD PRACTICE. 243 00:12:19,152 --> 00:12:20,499 WHEN WE START SHOWERING TOGETHER, 244 00:12:20,534 --> 00:12:22,100 WHICH SIDE DO YOU WANT ME TO SCRUB FIRST? 245 00:12:25,367 --> 00:12:27,200 ALL RIGHT, I GIVE UP. WHAT'S WITH YOU TODAY? 246 00:12:27,235 --> 00:12:29,001 THE WORLD'S WITH ME. 247 00:12:29,036 --> 00:12:30,868 THE WORLD? IS THAT ALL? 248 00:12:30,903 --> 00:12:32,402 NEVER MIND. FORGET IT. 249 00:12:32,437 --> 00:12:33,901 YOU WOULDN'T UNDERSTAND. 250 00:12:33,936 --> 00:12:35,601 OK. 251 00:12:38,367 --> 00:12:40,267 DAVID, WHAT'S GOING ON IN THE WORLD? 252 00:12:40,302 --> 00:12:42,599 IN THE WORLD? 253 00:12:42,634 --> 00:12:45,584 WELL, YOU GOT YOUR ARMS RACE. 254 00:12:45,619 --> 00:12:47,993 YOU GOT YOUR ASSORTED DISEASES. 255 00:12:48,028 --> 00:12:50,331 YOU STILL GOT YOUR APARTHEID 256 00:12:50,366 --> 00:12:52,599 DOWN THERE IN SOUTH AFRICA. 257 00:12:52,634 --> 00:12:54,734 WHAT "WHAT" WERE YOU REFERRING TO? 258 00:12:54,769 --> 00:12:56,032 MAYBE IT'S NOT THE WORLD. 259 00:12:56,067 --> 00:12:57,599 MAYBE IT'S ME. MAYBE WHAT'S YOU? 260 00:12:57,634 --> 00:12:59,367 MAYBE I'M THE ONLY ONE WHO GETS UPSET 261 00:12:59,402 --> 00:13:00,632 ABOUT SEEING A SECRETARY 262 00:13:00,667 --> 00:13:02,998 LAY A MAN ACROSS HER DESK LIKE A BLOTTER 263 00:13:03,033 --> 00:13:06,834 OR CHASE HIM AROUND AN OFFICE LIKE PEP� LE PEW. 264 00:13:06,869 --> 00:13:09,084 MAYBE I'M THE ONLY ONE WHO FINDS IT STRANGE 265 00:13:09,119 --> 00:13:11,300 WHEN A MARRIED WOMAN WALKS IN AND TELLS US 266 00:13:11,335 --> 00:13:12,432 SHE WANTS TO STOP AN AFFAIR 267 00:13:12,467 --> 00:13:13,732 THAT SHE'S HAVING THROUGH THE MAIL. 268 00:13:13,767 --> 00:13:15,467 CAN YOU BLAME HER? THOSE LITTLE ENVELOPES 269 00:13:15,502 --> 00:13:16,799 KINDA LIMIT THE POSSIBILITIES. 270 00:13:16,834 --> 00:13:19,501 OH, DAVID, NOTHING MAKES SENSE ANYMORE. 271 00:13:19,536 --> 00:13:21,833 WHAT'S HAPPENED TO ALL THE RULES? 272 00:13:21,868 --> 00:13:24,133 YOU MEET SOMEONE. YOU FLIRT WITH THEM A LITTLE. 273 00:13:24,168 --> 00:13:25,834 YOU FLIRT WITH THEM ALITTLE MORE. 274 00:13:25,869 --> 00:13:27,466 YOU GO OUT. YOU FALL IN LOVE. 275 00:13:27,501 --> 00:13:29,484 YOU GET MARRIED. YOU STAY MARRIED. 276 00:13:29,519 --> 00:13:31,660 WHAT'S HAPPENED TO ALL OF THAT? 277 00:13:31,695 --> 00:13:33,766 WHAT'S HAPPENED TO ROMANCE? 278 00:13:33,801 --> 00:13:35,467 HAVE YOU LOOKED AT A CALENDAR LATELY? 279 00:13:35,502 --> 00:13:36,965 WHAT'S THAT SUPPOSED TO MEAN? 280 00:13:37,000 --> 00:13:38,817 IT MEANS THIS IS THE EIGHTIES, MADDIE, 281 00:13:38,852 --> 00:13:40,634 AND IN THE EIGHTIES, YOU TAKE YOUR ROMANCE 282 00:13:40,669 --> 00:13:42,132 WHERE YOU CAN FIND IT. 283 00:13:42,167 --> 00:13:44,417 AND IF THAT MEANS A 22-CENT STAMP, FINE. 284 00:13:44,452 --> 00:13:46,667 IF IT MEANS A BUCK TO RENT AN ADULT VIDEO, 285 00:13:46,702 --> 00:13:47,833 THAT'S FINE, TOO. 286 00:13:47,868 --> 00:13:49,434 MAYBE IT'S A $2.00 TOLL CALL 287 00:13:49,469 --> 00:13:50,965 TO SOMEONE YOU NEVER MET 288 00:13:51,000 --> 00:13:52,683 WHO WOULD SAY THINGS YOU WOULD NEVER UTTER 289 00:13:52,718 --> 00:13:54,367 TO SOMEONE YOU KNOW. IT'S ALL ROMANCE. 290 00:13:54,402 --> 00:13:56,135 THAT'S NOT ROMANCE. 291 00:13:56,170 --> 00:13:57,833 THAT'S DIRTY SOLITAIRE. 292 00:13:57,868 --> 00:14:00,534 YEAH. THESE ARE GREAT TIMES WE'RE LIVING IN, HUH? 293 00:14:00,569 --> 00:14:02,267 IT NO LONGER TAKES TWO TO TANGO. 294 00:14:05,467 --> 00:14:09,200 EXACTLY 7:00 A.M. I LOVE THIS COUNTRY. 295 00:14:14,567 --> 00:14:16,032 YOU'RE AWFULLY HAPPY FOR SOMEONE 296 00:14:16,067 --> 00:14:17,834 WHO'S GOING TO SIT ON A COLD MARBLE FLOOR 297 00:14:17,869 --> 00:14:20,032 FOR HOURS, DAYS, WEEKS. 298 00:14:20,067 --> 00:14:22,833 SURE I'M HAPPY. I LOVE POST OFFICES. 299 00:14:22,868 --> 00:14:25,300 WHEN I WAS IN JUNIOR HIGH, POST OFFICE WAS MY GAME. 300 00:14:29,634 --> 00:14:31,767 "4692." 301 00:14:31,802 --> 00:14:33,901 54... 302 00:14:35,667 --> 00:14:37,867 97... 4... 303 00:14:37,902 --> 00:14:40,218 4... 2... 304 00:14:40,253 --> 00:14:42,499 94, 98... 305 00:14:42,534 --> 00:14:44,234 4692, THERE'S THE LITTLE SCOUNDREL. 306 00:14:44,269 --> 00:14:45,701 NOW WHAT? 307 00:14:45,736 --> 00:14:47,133 NOW WE WAIT. 308 00:14:59,334 --> 00:15:00,850 2:00. I WATCH. YOU WALK. 309 00:15:00,885 --> 00:15:02,367 HOW WERE THE WANTED POSTERS? 310 00:15:02,402 --> 00:15:03,332 THEY LEFT ME WANTING. 311 00:15:03,367 --> 00:15:04,567 STILL HAVEN'T MADE THE TOP 10? 312 00:15:04,602 --> 00:15:06,098 WHAT CAN I SAY? 313 00:15:06,133 --> 00:15:08,567 I'M DOOMED TO BE UNDER-APPRECIATED. 314 00:15:10,467 --> 00:15:12,100 BYE. 315 00:15:36,901 --> 00:15:38,734 I'VE WRITTEN MY MOTHER, MY FATHER, 316 00:15:38,769 --> 00:15:40,232 MY AUNT GRACE... 317 00:15:40,267 --> 00:15:42,367 WELL, AT LEAST YOU WON'T HAVE TOO FAR TO GO TO MAIL THEM. 318 00:15:52,567 --> 00:15:54,100 WHAT ARE YOU WRITING NOW? 319 00:15:55,834 --> 00:15:57,399 MY WILL. 320 00:15:57,434 --> 00:15:58,699 THIS PLACE IS MAKING ME SUICIDAL. 321 00:15:58,734 --> 00:16:01,067 OH, YEAH? MAKE SURE YOU LEAVE ME SOMETHING. 322 00:16:01,102 --> 00:16:02,501 CONSIDER YOURSELF LEFT. 323 00:16:21,701 --> 00:16:23,267 OH, EXCUSE ME. 324 00:17:00,167 --> 00:17:01,399 COME ON. 325 00:17:01,434 --> 00:17:03,267 OUR MYSTERY GUEST JUST SIGNED IN. 326 00:17:06,067 --> 00:17:07,299 THAT'S HIM- 327 00:17:07,334 --> 00:17:08,766 THE DAPPER-LOOKING VAGRANT 328 00:17:08,801 --> 00:17:10,834 STUDYING THAT LETTER FROM PUBLISHER'S CLEARING HOUSE. 329 00:17:10,869 --> 00:17:12,232 LISTEN, KEEP AN EYE ON HIM. 330 00:17:12,267 --> 00:17:13,868 IF HE GETS ON THE BUS, GET THE NUMBER. 331 00:17:13,903 --> 00:17:15,133 I'M GONNA GO GET THE CAR. 332 00:17:45,167 --> 00:17:46,532 I DON'T KNOW, DAVID. 333 00:17:46,567 --> 00:17:48,634 SURE YOU DO. HE LOOKS JUST LIKE ME. 334 00:17:48,669 --> 00:17:50,666 NO, I MEAN, I DON'T KNOW, DAVID. 335 00:17:50,701 --> 00:17:53,767 THIS MAN DOESN'T LOOK LIKE I EXPECTED THIS MAN TO LOOK. 336 00:17:53,802 --> 00:17:55,400 WHAT DID YOU EXPECT THIS MAN TO LOOK LIKE? 337 00:17:55,435 --> 00:17:57,334 I DON'T KNOW. WELL-TO-DO. 338 00:17:57,369 --> 00:17:59,199 OR AT LEAST BETTER-TO-DO. 339 00:17:59,234 --> 00:18:00,834 LIKE HE TOOK A BATH ONCE IN A WHILE. 340 00:18:02,234 --> 00:18:03,399 WAIT A SECOND. 341 00:18:03,434 --> 00:18:05,868 PUT YOUR SEATS IN FULL UPRIGHT POSITION. 342 00:18:05,903 --> 00:18:08,200 WE MAY BE COMING IN FOR A LANDING. 343 00:18:28,567 --> 00:18:29,998 WELL... 344 00:18:30,033 --> 00:18:33,601 IT'S EITHER MRS. G. BROWN OR MR. P. MASON. 345 00:18:47,834 --> 00:18:48,866 COME ON. 346 00:18:48,901 --> 00:18:51,201 COME ON WHAT? WHAT ARE WE GOING TO DO? 347 00:18:51,236 --> 00:18:53,501 COME ON, WE'RE GONNA GO TALK TO HIM. 348 00:18:53,536 --> 00:18:55,252 WHAT'S A MATTER WITH YOU? 349 00:18:55,287 --> 00:18:56,933 I DON'T KNOW. THIS PLACE. 350 00:18:56,968 --> 00:18:58,968 I MEAN, I WASN'T EXPECTING HIM TO LIVE HERE, 351 00:18:59,003 --> 00:19:00,335 IN A PLACE LIKE THIS. I MEAN, 352 00:19:00,370 --> 00:19:01,667 THE LETTERS WERE SO WELL WRITTEN. 353 00:19:01,702 --> 00:19:02,766 WHAT ARE YOU TALKING ABOUT? 354 00:19:02,801 --> 00:19:03,967 YOU THINK THEY GIVE YOU SOME KIND 355 00:19:04,002 --> 00:19:05,133 OF AN ILLITERACY TEST TO MOVE INTO 356 00:19:05,168 --> 00:19:06,199 A PLACE LIKE THIS? 357 00:19:06,234 --> 00:19:08,183 MADDIE, THIS IS A HOVEL. 358 00:19:08,218 --> 00:19:10,098 LOTS OF YOUR MAJOR WRITERS 359 00:19:10,133 --> 00:19:12,067 LIVED, WORKED, AND DIED IN HOVELS. 360 00:19:12,102 --> 00:19:13,699 IT MAKES SENSE. IT COMPUTES. 361 00:19:13,734 --> 00:19:16,267 WE'RE JUST GONNA HAVE A LITTLE CHAT WITH THIS GUY. 362 00:19:19,667 --> 00:19:21,100 YO! MR. MACY. 363 00:19:26,968 --> 00:19:29,200 MR. MACY, CAN WE SPEAK TO YOU? 364 00:19:36,100 --> 00:19:39,000 IF WE COULD JUST SPEAK TO YOU FOR A MINUTE, SIR. 365 00:19:39,035 --> 00:19:41,133 IF YOU'LL JUST OPEN THIS DOOR. 366 00:19:45,534 --> 00:19:46,998 WHAT ARE YOU DOING? 367 00:19:47,033 --> 00:19:48,333 I'M GETTING READY TO BREAK THIS DOOR DOWN. 368 00:19:48,368 --> 00:19:49,634 BREAK THIS DOOR DOWN? YOU CAN'T DO THAT. 369 00:19:49,669 --> 00:19:50,799 WHY NOT? 370 00:19:50,834 --> 00:19:52,332 BECAUSE IT'S NOT OUR DOOR, IT'S HIS DOOR. 371 00:19:52,367 --> 00:19:54,167 YOU CAN'T GO AROUND BREAKING OTHER PEOPLE'S DOORS DOWN. 372 00:19:54,202 --> 00:19:55,367 WE'LL GET HIM A NEW DOOR. 373 00:19:55,402 --> 00:19:56,499 BUT THIS IS HIS DOOR. 374 00:19:56,534 --> 00:19:57,868 WHAT IF HE LIKES HIS DOOR, DAVID? 375 00:19:57,903 --> 00:19:59,367 MADDIE, DO YOU REALIZE- 376 00:20:01,367 --> 00:20:03,133 ...AND DOWN THE FIRE ESCAPE. 377 00:20:05,701 --> 00:20:07,968 END OF DISCUSSION. 378 00:20:14,000 --> 00:20:16,267 I HOPE WE DIDN'T DISTURB YOU, SIR. 379 00:20:19,067 --> 00:20:23,165 OK, WE'LL DO IT YOUR WAY. 380 00:20:23,200 --> 00:20:24,601 I HAVE THREE MESSAGES TO DELIVER 381 00:20:24,636 --> 00:20:26,834 FROM A MRS. GAIL WOODLEY. 382 00:20:26,869 --> 00:20:27,998 MESSAGE NUMBER ONE, 383 00:20:28,033 --> 00:20:30,300 STOP WRITING HER. MESSAGE NUMBER TWO, 384 00:20:30,335 --> 00:20:32,567 DON'T EVEN THINK ABOUT THREATENING HER 385 00:20:32,602 --> 00:20:33,632 OR HER HUSBAND. 386 00:20:33,667 --> 00:20:34,866 MESSAGE NUMBER THREE, 387 00:20:34,901 --> 00:20:36,501 WE KNOW WHO YOU ARE AND WHERE YOU LIVE. 388 00:20:36,536 --> 00:20:37,501 CAPISCE? 389 00:20:42,901 --> 00:20:45,234 YOU DON'T SEEM TO UNDERSTAND, MR. MACY. 390 00:20:45,269 --> 00:20:46,567 WE HAVE A LITTLE PROBLEM HERE. 391 00:20:46,602 --> 00:20:47,768 YOU SEE, I DON'T GET PAID 392 00:20:47,803 --> 00:20:49,035 UNTIL I DELIVER THIS MESSAGE, 393 00:20:49,070 --> 00:20:50,185 AND I'M NOT GONNA BE SURE 394 00:20:50,220 --> 00:20:51,293 I DELIVERED THIS MESSAGE 395 00:20:51,328 --> 00:20:52,332 UNTIL I SEE YOU TURN AROUND. 396 00:20:52,367 --> 00:20:54,367 SO WHY DON'T YOU JUST TURN AROUND 397 00:20:54,402 --> 00:20:55,732 OR I'M GONNA BE FORCED 398 00:20:55,767 --> 00:20:58,767 TO FINISH KICKING THIS DOOR IN! 399 00:21:04,133 --> 00:21:06,634 NO MORE LETTERS, AND NO MORE THREATS. 400 00:21:08,234 --> 00:21:09,367 WELL, SAY SOMETHING. 401 00:21:09,402 --> 00:21:11,732 UHH! UHH! 402 00:21:11,767 --> 00:21:12,834 DAVID, HE'S... 403 00:21:22,868 --> 00:21:24,534 MRS. WOODLEY. 404 00:21:24,569 --> 00:21:25,651 GAIL? 405 00:21:25,686 --> 00:21:26,699 GAIL? 406 00:21:26,734 --> 00:21:28,799 WE WORK FOR GAIL. 407 00:21:28,834 --> 00:21:32,784 SHE'S NOT GOING TO WRITE YOU ANYMORE. 408 00:21:32,819 --> 00:21:36,734 SHE DOESN'T WANT YOU TO WRITE, EITHER. 409 00:21:36,769 --> 00:21:38,634 YOU FRIGHTEN HER. 410 00:21:38,669 --> 00:21:39,899 NO. 411 00:21:39,934 --> 00:21:42,466 NO, YOU DO. 412 00:21:42,501 --> 00:21:44,234 SEE, IT'S A GAME. 413 00:21:44,269 --> 00:21:46,035 THAT'S ALL. 414 00:21:46,070 --> 00:21:47,551 A GAME. 415 00:21:47,586 --> 00:21:49,033 UNDERSTAND? 416 00:21:52,200 --> 00:21:53,734 MR. MACY, LOOK AT ME. 417 00:21:55,767 --> 00:21:59,400 SHE DOESN'T LOVE YOU. 418 00:21:59,435 --> 00:22:00,998 SHE NEVER DID. 419 00:22:01,033 --> 00:22:04,501 SHE THOUGHT IT WAS...FUN. 420 00:22:04,536 --> 00:22:06,232 THAT'S ALL. 421 00:22:06,267 --> 00:22:09,183 NOW IT'S NOT FUN ANYMORE. 422 00:22:09,218 --> 00:22:12,100 NOW SHE WANTS YOU TO GO AWAY 423 00:22:12,135 --> 00:22:13,667 AND LEAVE HER ALONE. 424 00:22:13,702 --> 00:22:14,901 UNDERSTAND? 425 00:22:18,100 --> 00:22:19,400 DO YOU UNDERSTAND? 426 00:22:31,334 --> 00:22:33,067 MR. MACY. 427 00:22:33,102 --> 00:22:34,766 MR. MACY- 428 00:22:34,801 --> 00:22:36,601 HE UNDERSTANDS. 429 00:22:44,467 --> 00:22:47,100 HERE. THIS IS FOR THE DOOR. 430 00:22:55,300 --> 00:22:57,200 I HATE THIS JOB. 431 00:23:08,267 --> 00:23:09,667 MR. ADDISON IN YET? 432 00:23:09,702 --> 00:23:11,801 YES. YES. 433 00:23:13,701 --> 00:23:15,901 MS. DIPESTO? MR. VIOLA. 434 00:23:17,200 --> 00:23:18,633 HELP ME. I'M SORRY. 435 00:23:18,668 --> 00:23:20,067 I'M SORRY. HELP ME. 436 00:23:20,102 --> 00:23:21,434 KNOCK IT OFF. 437 00:23:26,701 --> 00:23:28,466 I GOT AN IDEA! EXCUSE ME? 438 00:23:28,501 --> 00:23:30,000 AN IDEA, YOU KNOW, AN ORIGINAL THOUGHT. 439 00:23:30,035 --> 00:23:31,165 YOU'VE HEARD OF THEM. 440 00:23:31,200 --> 00:23:32,667 ANYWAY, I WAS JUST LYING IN MY BED LAST NIGHT, 441 00:23:32,702 --> 00:23:34,351 JUST LYING THERE FEELING TERRIBLE 442 00:23:34,386 --> 00:23:35,965 ABOUT HAVING TO TELL THAT POOR MAN 443 00:23:36,000 --> 00:23:37,200 THAT HE COULDN'T WRITE MRS. WOODLEY ANYMORE, 444 00:23:37,235 --> 00:23:38,200 WHEN SUDDENLY, BA-BING! 445 00:23:38,235 --> 00:23:39,667 I GET THIS IDEA. 446 00:23:39,702 --> 00:23:41,065 BA-WHAT? HUH? 447 00:23:41,100 --> 00:23:43,567 BA-WHAT? I THOUGHT I JUST HEARD YOU SAY "BA-BING." 448 00:23:43,602 --> 00:23:44,998 BA-BING? BA-BING. 449 00:23:45,033 --> 00:23:47,817 SO WHAT IF I DID SAY BA-BING? SO WHAT? 450 00:23:47,852 --> 00:23:49,893 ANYWAY, DAVID, I SUDDENLY REALIZED... 451 00:23:49,928 --> 00:23:52,030 WHY ARE YOU LOOKING AT ME LIKE THAT? 452 00:23:52,065 --> 00:23:54,133 HUH? WHY ARE LOOKING AT ME LIKE THAT? 453 00:23:54,168 --> 00:23:55,534 YOU'RE DOING ME. 454 00:23:55,569 --> 00:23:56,833 I'M WHAT? 455 00:23:56,868 --> 00:23:59,732 YOU'RE DOING ME, MADDIE. 456 00:23:59,767 --> 00:24:01,332 YOU COME IN HERE, YOU SLAM THE DOOR, 457 00:24:01,367 --> 00:24:03,267 YOU SAY BA-BING, YOU SIT ON THE CORNER OF THAT DESK... 458 00:24:03,302 --> 00:24:05,334 I KNOW WHAT I'M TALKING ABOUT, MADDIE HAYES. 459 00:24:05,369 --> 00:24:06,566 THIS IS NOT JUST SOME IDEA 460 00:24:06,601 --> 00:24:08,334 I PLUCKED OUT OF THE AIR WILLY- 461 00:24:08,369 --> 00:24:09,899 NOW I'M DOING YOU! 462 00:24:09,934 --> 00:24:11,265 DAVID, ARE YOU ALL RIGHT? 463 00:24:11,300 --> 00:24:13,067 TRUST ME, MADDIE. WE'RE DOING THIS BACKWARDS. 464 00:24:13,102 --> 00:24:14,234 WE'LL JUST GO OUT INTO YOUR OFFICE 465 00:24:14,269 --> 00:24:15,401 AND START ALL OVER AGAIN. 466 00:24:15,436 --> 00:24:16,534 THERE ARE JUST CERTAIN THINGS 467 00:24:16,569 --> 00:24:17,699 THAT HAPPEN CERTAIN WAYS. 468 00:24:17,734 --> 00:24:19,400 YOU SLEEP AT NIGHT, WAKE UP IN THE MORNING. 469 00:24:19,435 --> 00:24:21,067 YOU KISS BEFORE YOU PET, I SAY BA-BING, 470 00:24:21,102 --> 00:24:22,132 YOU SAY EXCUSE ME. 471 00:24:22,167 --> 00:24:24,500 AND IT ALL HAPPENS IN YOUR OFFICE, 472 00:24:24,535 --> 00:24:26,967 AND THAT IS JUST THE WAY IT IS. 473 00:24:27,002 --> 00:24:28,768 NOW, TELL ME ABOUT THIS IDEA. 474 00:24:28,803 --> 00:24:30,485 WELL, IT'S REALLY VERY SIMPLE. 475 00:24:30,520 --> 00:24:31,860 SIMPLE, BUT A LITTLE CRAZY. 476 00:24:31,895 --> 00:24:33,281 THE LONG OF THE SHORT OF IT IS, 477 00:24:33,316 --> 00:24:34,667 I WANT TO GO BACK TO MRS. WOODLEY 478 00:24:34,702 --> 00:24:35,851 AND ASK HER TO KEEP WRITING 479 00:24:35,886 --> 00:24:37,143 TO THAT MAN. YOU WANT TO WHAT? 480 00:24:37,178 --> 00:24:38,365 I WANT TO ASK MRS. WOODLEY 481 00:24:38,400 --> 00:24:39,801 IF SHE'LL CONSIDER WRITING TO THAT MAN 482 00:24:39,836 --> 00:24:41,100 AND LETTING HIM WRITE TO HER. 483 00:24:41,135 --> 00:24:42,501 WRITE? RIGHT. 484 00:24:42,536 --> 00:24:43,868 WRITE? RIGHT! 485 00:24:45,334 --> 00:24:46,632 MADDIE, THAT WOMAN JUST PAID US 486 00:24:46,667 --> 00:24:48,667 A GOOD DEAL OF MONEY TO STOP THOSE LETTERS 487 00:24:48,702 --> 00:24:50,401 FROM COMING TO HER HOUSE. I KNOW. 488 00:24:50,436 --> 00:24:52,100 THEN WHY WOULD SHE BE INTERESTED 489 00:24:52,135 --> 00:24:53,165 IN STARTING THEM UP AGAIN? 490 00:24:53,200 --> 00:24:54,200 BECAUSE YOU AND I WILL TELL HER 491 00:24:54,235 --> 00:24:55,200 IT'S THE RIGHT THING TO DO. 492 00:24:55,235 --> 00:24:56,701 WE WILL? WE WILL. 493 00:24:56,736 --> 00:24:58,132 MADDIE, BE REALISTIC. 494 00:24:58,167 --> 00:24:59,667 THE MAN THREATENED HER HUSBAND'S LIFE. 495 00:24:59,702 --> 00:25:01,332 OH, COME ON, DAVID! 496 00:25:01,367 --> 00:25:02,934 YOU MET THAT POOR LITTLE MAN! 497 00:25:02,969 --> 00:25:04,351 HE'S NOT GOING TO HURT ANYBODY. 498 00:25:04,386 --> 00:25:05,734 SO HE SAID SOME FRIGHTENING THINGS 499 00:25:05,769 --> 00:25:07,299 IN HIS LAST FEW LETTERS. 500 00:25:07,334 --> 00:25:08,965 BUT THAT WAS ONLY BECAUSE HE WAS CONVINCED 501 00:25:09,000 --> 00:25:10,801 HE WAS GOING TO LOSE SOMETHING PRECIOUS TO HIM. 502 00:25:10,836 --> 00:25:12,268 THIS IS A CRAZY IDEA. 503 00:25:12,303 --> 00:25:13,666 IT'S A ROMANTIC IDEA, 504 00:25:13,701 --> 00:25:15,165 A WONDERFULLY ROMANTIC IDEA. 505 00:25:15,200 --> 00:25:17,200 WHAT'S THE HARM IN HIM WRITING LETTERS 506 00:25:17,235 --> 00:25:19,200 OR DREAMING ABOUT THE COLOR OF HER DRESS 507 00:25:19,235 --> 00:25:20,499 OR THE SMELL OF HER PERFUME? 508 00:25:20,534 --> 00:25:23,734 THIS ISN'T A LOVE ANYBODY EXPECTS TO BE CONSUMMATED. 509 00:25:23,769 --> 00:25:25,199 IT'S A LOVE FROM AFAR. 510 00:25:25,234 --> 00:25:27,167 IT AIN'T A LOVE FROM A-ANYWHERE. 511 00:25:27,202 --> 00:25:28,132 HE'S A NUT. 512 00:25:28,167 --> 00:25:29,766 WHETHER HE'S A DISABLED NUT 513 00:25:29,801 --> 00:25:31,751 OR A SYMPATHETIC NUT OR CHOCK FULL OF NUTS, 514 00:25:31,786 --> 00:25:33,666 HE'S A NUT! TAKE IT FROM YOUR OLD BUDDY, 515 00:25:33,701 --> 00:25:35,734 DRY ROASTED DAVE. LET'S LEAVE WELL ENOUGH ALONE. 516 00:25:35,769 --> 00:25:37,133 WE DID OUR JOB, AND LET'S LEAVE IT AT THAT. 517 00:25:39,167 --> 00:25:40,866 WHERE ARE YOU GOING? 518 00:25:40,901 --> 00:25:43,501 TO MRS. WOODLEY'S. ARE YOU COMING? 519 00:25:43,536 --> 00:25:44,434 NOPE. 520 00:25:48,501 --> 00:25:49,968 ARE YOU COMING? 521 00:25:50,003 --> 00:25:51,601 N- O. 522 00:25:56,767 --> 00:25:58,467 DAVID! NO! 523 00:25:59,834 --> 00:26:01,901 COME ON. YOU KNEW I WAS GOING TO GO. 524 00:26:01,936 --> 00:26:03,701 WE STILL GOT HALF A SHOW LEFT. 525 00:26:03,736 --> 00:26:05,467 DAVID, WHAT'S THAT? WHAT'S WHAT? 526 00:26:20,234 --> 00:26:22,534 LOOKS LIKE THIS JOINT'S A HOT TICKET. 527 00:26:29,100 --> 00:26:30,984 DAVID, YOU DON'T THINK THAT'S... 528 00:26:31,019 --> 00:26:32,868 THERE'S ONLY ONE WAY TO FIND OUT. 529 00:26:37,067 --> 00:26:38,232 HELLO, OFFICER. 530 00:26:38,267 --> 00:26:39,365 WE'RE FROM CLEVELAND MUTUAL LIFE. 531 00:26:39,400 --> 00:26:41,234 I UNDERSTAND YOU HAVE A POLICYHOLDER INSIDE 532 00:26:41,269 --> 00:26:42,367 IN DIRE NEED. 533 00:26:45,300 --> 00:26:46,683 WOODLEY. 534 00:26:46,718 --> 00:26:48,067 W- O-O-D-L-E-Y. 535 00:26:48,102 --> 00:26:49,332 GAIL. 536 00:26:49,367 --> 00:26:51,065 BLUNT INSTRUMENT. 537 00:26:51,100 --> 00:26:52,767 THERE'S SOME BLOOD ON THE BEDROOM PHONE, 538 00:26:52,802 --> 00:26:53,801 SO WE'RE BRINGING THAT WITH US. 539 00:26:53,836 --> 00:26:55,265 NO, NO, NO. 540 00:26:55,300 --> 00:26:57,234 NO SIGNS OF FORCED ENTRY. NO SIGNS OF THEFT. 541 00:26:57,269 --> 00:26:59,534 JUST A NIGHT TABLE DRAWER FORCED OPEN. 542 00:27:00,601 --> 00:27:01,632 NO, THE HUSBAND SAYS HIS WIFE 543 00:27:01,667 --> 00:27:02,968 DIDN'T KEEP ANYTHING OF VALUE IN THERE, 544 00:27:03,003 --> 00:27:05,485 MAYBE A FEW LETTERS OR SOMETHING. 545 00:27:05,520 --> 00:27:07,560 TRUST ME. I'M DUSTING THE WORLD. 546 00:27:07,595 --> 00:27:09,601 YEAH. I'LL GET BACK TO YOU- 547 00:27:09,636 --> 00:27:10,901 MR. WOODLEY? 548 00:27:13,467 --> 00:27:15,634 I'M MADOLYN HAYES, THIS IS DAVID ADDISON. 549 00:27:15,669 --> 00:27:17,801 WE KNEW YOUR WIFE. WE'RE TERRIBLY SORRY. 550 00:27:22,067 --> 00:27:24,933 I WAS AT WORK. 551 00:27:24,968 --> 00:27:26,767 I WAS TRYING TO SCHEDULE A MANICURE. 552 00:27:26,802 --> 00:27:28,732 EXCUSE ME? 553 00:27:28,767 --> 00:27:30,467 WHILE THIS ANIMAL WAS KILLING MY WIFE, 554 00:27:30,502 --> 00:27:32,799 I WAS ON A TELEPHONE 555 00:27:32,834 --> 00:27:34,868 TRYING TO GET SOMEBODY TO FILE MY NAILS. 556 00:27:38,033 --> 00:27:39,534 I'D NEVER HAD ONE BEFORE. 557 00:27:41,033 --> 00:27:43,634 WHAT ARE YOU SUPPOSED TO DO, 558 00:27:43,669 --> 00:27:44,984 SPEND ALL DAY EVERY DAY 559 00:27:45,019 --> 00:27:46,300 GUARDING THE ONES YOU LOVE? 560 00:27:50,367 --> 00:27:51,868 HE HIT HER. 561 00:27:53,100 --> 00:27:54,734 THEY THINK HE HIT HER... 562 00:27:57,534 --> 00:27:59,132 WITH THE PHONE. 563 00:27:59,167 --> 00:28:01,799 WHAT KIND OF A MONSTER... 564 00:28:01,834 --> 00:28:04,534 WHO KILLS A HELPLESS WOMAN LIKE THAT? 565 00:28:04,569 --> 00:28:06,033 BREAKS IN... 566 00:28:07,534 --> 00:28:08,968 HITS HER... 567 00:28:12,167 --> 00:28:14,133 I BITE MY NAILS. 568 00:28:18,167 --> 00:28:20,200 I SHOULD HAVE BEEN HERE. 569 00:28:23,501 --> 00:28:25,534 WE'RE SORRY, MR. WOODLEY. 570 00:28:30,701 --> 00:28:32,834 WHERE ARE WE GOING? THIS ISN'T THE WAY BACK- 571 00:28:32,869 --> 00:28:34,034 YOU KNOW WHERE WE'RE GOING. 572 00:28:34,069 --> 00:28:35,200 YOU WERE RIGHT, I WAS WRONG. 573 00:28:35,235 --> 00:28:36,165 HE'S A NUT. 574 00:28:36,200 --> 00:28:37,534 HE KILLED HER, DIDN'T HE, DAVID? 575 00:28:37,569 --> 00:28:38,734 WE DON'T KNOW THAT. 576 00:28:38,769 --> 00:28:40,399 WE KNOW THAT, 577 00:28:40,434 --> 00:28:42,434 OR WE'RE GOING TO KNOW IT. 578 00:28:50,367 --> 00:28:52,766 MR. MACY, OPEN THE DOOR. 579 00:28:52,801 --> 00:28:54,267 I DON'T THINK HE'S GONNA HEAR YOU. 580 00:28:56,033 --> 00:28:57,467 MR. MACY! 581 00:28:58,534 --> 00:28:59,965 KICK IT IN. 582 00:29:00,000 --> 00:29:01,566 WHAT? KICK THE DOOR DOWN! 583 00:29:01,601 --> 00:29:03,534 BUT IT'S HIS DOOR. HE'S HAD IT SINCE HE WAS A BOY! 584 00:29:03,569 --> 00:29:05,118 HE RAISED IT FROM A PEEP HOLE! 585 00:29:05,153 --> 00:29:06,667 KICK IT, OR I'LL KICK YOU. 586 00:29:08,267 --> 00:29:10,100 EASY CHOICE. 587 00:29:15,901 --> 00:29:17,499 HE'S GONE. 588 00:29:17,534 --> 00:29:18,984 WHAT'D YOU THINK, HE WAS GOING 589 00:29:19,019 --> 00:29:20,434 TO HANG AROUND FOR THE FUNERAL? 590 00:29:22,067 --> 00:29:23,532 DAVID. 591 00:29:23,567 --> 00:29:25,332 "TO WHOM IT MAY CONCERN, 592 00:29:25,367 --> 00:29:27,601 "MY NAME IS PETER MACY. NO FUTURE EXISTS FOR ME. 593 00:29:27,636 --> 00:29:29,399 "MY FUTURE WAS A WOMAN NAMED GAIL, 594 00:29:29,434 --> 00:29:31,400 "THE MAGNET OF MY BEING, THE THOUGHT THAT DREW MY EVERY BREATH. 595 00:29:31,435 --> 00:29:33,434 "WHEN SHE DENIED HERSELF TO ME IN THIS LIFE, 596 00:29:33,469 --> 00:29:35,132 "SHE LEFT ME NO CHOICE BUT TO END HERS. 597 00:29:35,167 --> 00:29:37,467 "BY DOING WHAT I'VE DONE, PERHAPS BEYOND THIS WORLD 598 00:29:37,502 --> 00:29:39,100 I'LL FIND GAIL IN ANOTHER LIFE." 599 00:29:39,135 --> 00:29:41,167 GEE, THAT SOUNDS LIKE- 600 00:29:41,202 --> 00:29:42,334 IT IS. 601 00:29:45,601 --> 00:29:47,467 HE DID. 602 00:29:52,934 --> 00:29:54,334 SORRY I'M LATE. TELL MR. ADDISON 603 00:29:54,369 --> 00:29:55,699 TO GO DOWN AND START THE CAR. 604 00:29:55,734 --> 00:29:56,801 WE'LL NEVER MAKE IT TO THIS FUNERAL. 605 00:29:56,836 --> 00:29:57,968 I'VE GOT TO MAKE A QUICK CALL- 606 00:29:58,003 --> 00:30:00,098 MR. ADDISON ISN'T IN YET. 607 00:30:00,133 --> 00:30:02,901 WHAT DO YOU MEAN MR. ADDISON ISN'T IN YET? 608 00:30:02,936 --> 00:30:04,466 IT'S 10:30! 609 00:30:04,501 --> 00:30:06,032 HE'S NOT IN YET. 610 00:30:06,067 --> 00:30:07,801 LOTS OF PEOPLE AREN'T IN YET. 611 00:30:07,836 --> 00:30:08,901 HUH? 612 00:30:12,334 --> 00:30:14,100 OH! 613 00:30:15,968 --> 00:30:17,965 OH... 614 00:30:18,000 --> 00:30:21,199 NOBODY ANSWERS AT HIS PLACE. 615 00:30:21,234 --> 00:30:24,067 I CALLED THE POLICE, THE HOSPITALS, 616 00:30:24,102 --> 00:30:26,584 EVERY TEMP AGENCY IN TOWN. 617 00:30:26,619 --> 00:30:28,809 AT LEAST I KNOW HE'S NOT DEAD 618 00:30:28,844 --> 00:30:30,965 OR WORKING SOMEWHERE ELSE. 619 00:30:31,000 --> 00:30:33,734 WELL, THAT CERTAINLY TAKES A LOAD OFF MY MIND. 620 00:30:35,801 --> 00:30:38,901 YOU'LL BUZZ ME WHEN MR. ADDISON ARRIVES? 621 00:30:38,936 --> 00:30:40,234 UH-HUH. 622 00:30:48,968 --> 00:30:50,566 OW! 623 00:30:50,601 --> 00:30:52,834 WHAT ARE YOU DOING UNDER THERE? 624 00:30:52,869 --> 00:30:54,300 GET OUT! 625 00:30:58,234 --> 00:31:00,534 WHAT WERE YOU DOING UNDER THERE? 626 00:31:00,569 --> 00:31:02,098 FISCAL '85. 627 00:31:02,133 --> 00:31:03,133 THAT'S NOT WHAT I MEANT. 628 00:31:03,168 --> 00:31:04,200 I KNOW. 629 00:31:09,767 --> 00:31:11,901 CAN I ASK YOU A QUESTION? 630 00:31:11,936 --> 00:31:13,232 WHY DO YOU STAY HERE? 631 00:31:13,267 --> 00:31:14,766 WHY DO YOU COME IN EVERY DAY? 632 00:31:14,801 --> 00:31:17,133 CLEARLY, SHE'S MAKING YOUR LIFE MISERABLE FOR YOU. 633 00:31:17,168 --> 00:31:18,866 YOU'RE A TEMPORARY EMPLOYEE. 634 00:31:18,901 --> 00:31:20,500 WHY DON'T YOU JUST CALL YOUR EMPLOYER 635 00:31:20,535 --> 00:31:22,100 AND ASK HIM TO GET YOU OUT OF HERE? 636 00:31:23,467 --> 00:31:25,150 I DON'T KNOW. 637 00:31:25,185 --> 00:31:26,834 I LIKE IT HERE. 638 00:31:32,667 --> 00:31:34,365 I LIKE YOU. 639 00:31:34,400 --> 00:31:36,500 I LIKE MR. ADDISON. 640 00:31:36,535 --> 00:31:38,718 I LIKE THIS PLACE. 641 00:31:38,753 --> 00:31:41,210 HEY, IT'S CRAZY. 642 00:31:41,245 --> 00:31:43,667 I MEAN, IT'S LIKE... 643 00:31:43,702 --> 00:31:45,132 IT'S LIKE... 644 00:31:45,167 --> 00:31:49,467 SPECIAL CLASS IN JUNIOR HIGH SCHOOL, YOU KNOW? 645 00:31:49,502 --> 00:31:53,767 AND EVERY DAY'S AN ASSEMBLY OR A FIELD TRIP. 646 00:31:53,802 --> 00:31:55,267 I DON'T KNOW, UH... 647 00:31:57,834 --> 00:31:59,767 HOW ABOUT MISS DIPESTO? 648 00:31:59,802 --> 00:32:00,968 DO YOU LIKE HER? 649 00:32:01,003 --> 00:32:03,133 WELL... 650 00:32:04,834 --> 00:32:06,384 SHE'S NOT YOUR COUSIN, IS SHE? 651 00:32:06,419 --> 00:32:07,809 I MEAN, I FIGURE SHE'S GOT TO BE 652 00:32:07,844 --> 00:32:09,872 RELATED TO SOMEBODY AROUND HERE. 653 00:32:09,907 --> 00:32:11,901 NO. SHE KINDA CAME WITH THE PLACE. 654 00:32:11,936 --> 00:32:13,732 AH! 655 00:32:13,767 --> 00:32:15,767 WELL, THEN, UM... 656 00:32:15,802 --> 00:32:16,868 HONESTLY? 657 00:32:19,534 --> 00:32:20,934 I... 658 00:32:23,033 --> 00:32:25,100 DON'T KNOW HOW I FEEL ABOUT HER. 659 00:32:27,267 --> 00:32:29,868 I MEAN, I'M ALWAYS TOO BUSY RUNNING AWAY FROM HER. 660 00:32:29,903 --> 00:32:31,285 THEN WHY NOT STOP RUNNING? 661 00:32:31,320 --> 00:32:32,693 BECAUSE THEN SHE'D CATCH ME. 662 00:32:32,728 --> 00:32:34,067 AND THEN WHAT WILL HAPPEN? 663 00:32:36,601 --> 00:32:39,801 YES? MR. ADDISON? PUT HIM ON. 664 00:32:39,836 --> 00:32:41,151 DAVID, WHERE ARE YOU? 665 00:32:41,186 --> 00:32:42,467 WE'RE GONNA BE LATE- 666 00:32:42,502 --> 00:32:44,299 POST OFFICE? 667 00:32:44,334 --> 00:32:46,767 STOP YELLING! ALL RIGHT. 668 00:32:46,802 --> 00:32:48,601 I'LL BE RIGHT THERE. 669 00:32:54,801 --> 00:32:57,467 LOOK, YOU CAN STAY IN HERE AS LONG AS YOU WANT. 670 00:32:57,502 --> 00:32:59,584 YOU CAN CRAWL BACK UNDER THE DESK 671 00:32:59,619 --> 00:33:01,667 FOR ALL I CARE. I JUST THINK... 672 00:33:05,167 --> 00:33:06,667 IT DOESN'T MATTER WHAT I THINK. 673 00:33:06,702 --> 00:33:08,268 IF I DON'T SEE YOU AGAIN, 674 00:33:08,303 --> 00:33:09,834 HAVE A NICE LIFE, MR. VIOLA. 675 00:33:27,267 --> 00:33:28,501 HERBERT. 676 00:33:30,167 --> 00:33:32,432 HERBERT. 677 00:33:32,467 --> 00:33:33,934 HERBERT! HERBERT! 678 00:33:33,969 --> 00:33:35,501 HERBERT. 679 00:33:41,467 --> 00:33:43,732 WHAT? 680 00:33:43,767 --> 00:33:45,734 WERE YOU IN THERE ALL THE TIME? 681 00:34:00,968 --> 00:34:03,466 WHAT ARE YOU DOING? 682 00:34:03,501 --> 00:34:04,950 I'M JUST STANDING HERE. 683 00:34:04,985 --> 00:34:06,400 WHAT ARE YOU DOING? 684 00:34:10,601 --> 00:34:11,767 OH... 685 00:35:07,701 --> 00:35:10,033 HEY, LADY! WANT TO LICK MY MAIL? 686 00:35:10,068 --> 00:35:11,399 DAVID! MADDIE! 687 00:35:11,434 --> 00:35:12,534 YOU SCARED ME TO DEATH! 688 00:35:12,569 --> 00:35:13,599 WHAT ARE WE DOING HERE? 689 00:35:13,634 --> 00:35:15,334 WHY AREN'T WE AT GAIL WOODLEY'S FUNERAL? 690 00:35:15,369 --> 00:35:16,833 WALK WITH ME. 691 00:35:16,868 --> 00:35:18,450 YOU'RE NOT GOING TO BELIEVE THIS. 692 00:35:18,485 --> 00:35:20,033 LAST NIGHT, I STARTED THINKING. 693 00:35:20,068 --> 00:35:21,232 IT'S ABOUT TIME. 694 00:35:21,267 --> 00:35:22,334 YOU KNOW THE ONE THING THAT DOESN'T MAKE SENSE? 695 00:35:22,369 --> 00:35:23,851 NOW, WHAT DOESN'T MAKE SENSE IS 696 00:35:23,886 --> 00:35:25,299 THAT OUR FRIEND PETER MACY, 697 00:35:25,334 --> 00:35:27,868 WHO APPARENTLY HAS NO CAR OR DRIVER'S LICENSE, 698 00:35:27,903 --> 00:35:30,335 TAKES A BUS, FIVE DIFFERENT BUSES IN ALL, 699 00:35:30,370 --> 00:35:32,767 ALL THE WAY ACROSS TOWN TO KILL GAIL WOODLEY. 700 00:35:32,802 --> 00:35:34,968 THEN WHEN HE'S DONE, WHAT DOES HE DO? 701 00:35:35,003 --> 00:35:36,165 COVERED WITH BLOOD AND GUILT, 702 00:35:36,200 --> 00:35:37,567 HE GOES DOWN TO THE CORNER TO WAIT 703 00:35:37,602 --> 00:35:38,766 FOR THE FIRST OF 5 BUSES 704 00:35:38,801 --> 00:35:40,550 THAT TAKE HIM ALL THE WAY BACK DOWNTOWN 705 00:35:40,585 --> 00:35:42,226 WHERE DO HE DOES WHAT? KILLS HIMSELF? 706 00:35:42,261 --> 00:35:43,833 DOESN'T MAKE SENSE. DOESN'T MAKE SENSE? 707 00:35:43,868 --> 00:35:45,834 DOESN'T MAKE SENSE. YOU TAKE THE VAST MAJORITY 708 00:35:45,869 --> 00:35:47,601 OF YOUR MURDER-SUICIDES, AND IN THE MAIN, 709 00:35:47,636 --> 00:35:48,901 THEY DO NOT FEATURE AN INTERMISSION 710 00:35:48,936 --> 00:35:50,167 BETWEEN ACT ONE AND ACT TWO. 711 00:35:50,202 --> 00:35:51,432 SO WHAT ARE YOU SAYING? 712 00:35:51,467 --> 00:35:53,184 I'M SAYING MAYBE HE DIDN'T KILL GAIL. 713 00:35:53,219 --> 00:35:54,901 AND MAYBE HE DIDN'T KILL HIMSELF. 714 00:36:01,701 --> 00:36:03,098 WHY ARE WE STANDING HERE? 715 00:36:03,133 --> 00:36:04,868 BECAUSE 10 MINUTES BEFORE I CALLED YOU, 716 00:36:04,903 --> 00:36:07,033 I PLANTED A SEED. PLANTED A SEED? 717 00:36:07,068 --> 00:36:08,567 PLANTED A SEED? INDEED. 718 00:36:08,602 --> 00:36:10,032 I CALLED MR. KEN WOODLEY. 719 00:36:10,067 --> 00:36:11,801 CAUGHT HIM JUST AS HE WAS ON HIS WAY OUT THE DOOR 720 00:36:11,836 --> 00:36:13,132 TO HIS WIFE'S FUNERAL. 721 00:36:13,167 --> 00:36:15,801 TOLD HIM WHO WE WERE, TOLD HIM HOW WE KNEW GAIL. 722 00:36:15,836 --> 00:36:17,732 TOLD HIM ABOUT POOR MR. MACY DYING, 723 00:36:17,767 --> 00:36:19,868 HOW IT LOOKED LIKE A SUICIDE, BUT WE THINK IT'S MURDER. 724 00:36:19,903 --> 00:36:22,634 TOLD HIM GAIL HAD WRITTEN A WARNING TO MR. MACY, 725 00:36:22,669 --> 00:36:24,098 WARNING HIM ABOUT THAT SOMEONE ELSE 726 00:36:24,133 --> 00:36:26,434 WAS BEHIND THIS WHOLE LETTER-WRITING GAME, 727 00:36:26,469 --> 00:36:28,185 THAT SOMEONE WAS TRYING TO USE HIM, 728 00:36:28,220 --> 00:36:29,901 AND THAT THAT LETTER IS PROBABLY STILL 729 00:36:29,936 --> 00:36:31,767 IN MR. MACY'S POST OFFICE BOX, 730 00:36:31,802 --> 00:36:33,165 JUST WAITING FOR THE COPS 731 00:36:33,200 --> 00:36:34,499 TO COME UP WITH A COURT ORDER. 732 00:36:34,534 --> 00:36:37,501 NOW, HERE'S THE BEAUTY OF THIS LITTLE BABY. 733 00:36:37,536 --> 00:36:39,834 I RUN DOWN HERE, ADDRESS AN ENVELOPE- 734 00:36:39,869 --> 00:36:41,199 PLANTED A SEED- 735 00:36:41,234 --> 00:36:42,766 AND ACCORDING TO MY CALCULATIONS, 736 00:36:42,801 --> 00:36:45,133 PRESTIDIGITATIONS, AND OTHER ASSORTED ABBREVIATIONS, 737 00:36:45,168 --> 00:36:47,000 MY LITTLE SAPLING OUGHT TO BE ARRIVING 738 00:36:47,035 --> 00:36:48,265 ANY MOMENT NOW. 739 00:36:48,300 --> 00:36:50,100 THAT'S RIDICULOUS! HOW CAN YOU BE SO- 740 00:37:02,534 --> 00:37:04,934 Maddie: YOUR OWN KEY. HOW CONVENIENT. 741 00:37:04,969 --> 00:37:07,334 GOOD MORNING, MR. WOODLEY. 742 00:37:07,369 --> 00:37:09,032 A HELPFUL TIP. 743 00:37:09,067 --> 00:37:11,083 WHEN YOU HEAR THE PELLETS HIT THE WATER, 744 00:37:11,118 --> 00:37:13,100 COUNT TO FIVE AND TAKE A REALLY DEEP BREATH. 745 00:37:13,135 --> 00:37:14,467 YOU DIE QUICKER THAT WAY. 746 00:37:16,067 --> 00:37:17,650 YOU KILLED GAIL, DIDN'T YOU? 747 00:37:17,685 --> 00:37:19,234 THEN YOU KILLED MACY AND MADE IT 748 00:37:19,269 --> 00:37:20,567 LOOK LIKE A MURDER-SUICIDE. 749 00:37:20,602 --> 00:37:21,666 WHY? 750 00:37:21,701 --> 00:37:23,484 I LOVED GAIL. 751 00:37:23,519 --> 00:37:25,267 I DID. I DO. 752 00:37:28,767 --> 00:37:30,899 I DID. 753 00:37:30,934 --> 00:37:33,100 IN THE BEGINNING, IT WAS JUST A JOKE. 754 00:37:33,135 --> 00:37:35,232 THINGS WERE GETTING A LITTLE DULL 755 00:37:35,267 --> 00:37:37,617 BACK AT THE RANCH, SO I GOT THIS IDEA. 756 00:37:37,652 --> 00:37:39,859 I SENT THIS LOVE LETTER TO MY WIFE. 757 00:37:39,894 --> 00:37:42,067 I DIDN'T SIGN IT, NO RETURN ADDRESS. 758 00:37:44,801 --> 00:37:47,032 JUST A POST OFFICE BOX. 759 00:37:47,067 --> 00:37:50,733 I SAID A LOT OF PRIVATE, KINDA PERSONAL THINGS- 760 00:37:50,768 --> 00:37:54,400 A LITTLE ANAIS NIN, A LITTLE HENRY MILLER- 761 00:37:54,435 --> 00:37:56,084 THINKING I'D COME HOME ONE EVENING 762 00:37:56,119 --> 00:37:57,960 AND SHE'D SHOW ME THIS NOTE SHE GOT, 763 00:37:57,995 --> 00:37:59,766 WE'D BOTH OF US RETIRE TO THE RACK 764 00:37:59,801 --> 00:38:02,251 AND GIGGLE ABOUT THE DAMN THING ALL NIGHT LONG. 765 00:38:02,286 --> 00:38:04,701 BUT EVERY NIGHT I'D COME HOME, SHE SAID NOTHING. 766 00:38:04,736 --> 00:38:06,834 I'D CHECK THE COFFEE TABLE, 767 00:38:06,869 --> 00:38:07,965 NO SIGN OF IT THERE. 768 00:38:08,000 --> 00:38:10,400 WHEN IT DIDN'T ARRIVE AFTER A FEW WEEKS, 769 00:38:10,435 --> 00:38:12,801 I FIGURED IT WAS LOST. I GAVE IT UP. 770 00:38:14,501 --> 00:38:16,133 FIGURED THE GOOD OLD U.S. POSTAL SERVICE 771 00:38:16,168 --> 00:38:18,133 HAD BEATEN ME OUT OF 22 CENTS 772 00:38:18,168 --> 00:38:19,965 AND A NIGHT OF PASSION. 773 00:38:20,000 --> 00:38:22,167 I DIDN'T GIVE IT MUCH THOUGHT AFTER THAT. 774 00:38:22,202 --> 00:38:24,199 THEN ABOUT 3 WEEKS LATER, 775 00:38:24,234 --> 00:38:26,101 I GET A CALL FROM THE POSTMASTER. 776 00:38:26,136 --> 00:38:27,968 DO I WANT TO RENEW RENT ON THE BOX? 777 00:38:28,003 --> 00:38:30,067 "HELL, NO. WHAT FOR?" 778 00:38:30,102 --> 00:38:31,701 SO, UH... 779 00:38:32,901 --> 00:38:34,968 I CAME BACK DOWN HERE TO RETURN THE KEY, 780 00:38:35,003 --> 00:38:36,566 AND, UH... 781 00:38:36,601 --> 00:38:38,634 THERE'S A LETTER IN THE BOX. 782 00:38:39,834 --> 00:38:41,998 GAIL WROTE THE BASTARD BACK. 783 00:38:42,033 --> 00:38:45,667 THIS GUY...THIS GUY THAT DOESN'T EXIST. 784 00:38:45,702 --> 00:38:47,532 SHE WROTE HIM BACK. 785 00:38:47,567 --> 00:38:49,432 AND HER LETTER IS AS PRIVATE 786 00:38:49,467 --> 00:38:53,534 AND AS PERSONAL AND AS INTIMATE AS MINE IS. 787 00:38:53,569 --> 00:38:56,132 SO WHAT AM I TO DO? 788 00:38:56,167 --> 00:38:59,400 I MEAN, MY WIFE IS CHEATING ON ME... 789 00:38:59,435 --> 00:39:01,067 WITH ME. 790 00:39:03,300 --> 00:39:04,934 I MEAN, THAT REALLY GOT TO ME. 791 00:39:07,534 --> 00:39:11,251 BUT I GO ON WRITING, AND SHE GOES ON WRITING. 792 00:39:11,286 --> 00:39:14,968 AND NOW SHE'S STARTING TO WRITE TO ME ABOUT ME. 793 00:39:16,534 --> 00:39:18,901 I MEAN, TO MY FACE, EVERYTHING IS WONDERFUL, 794 00:39:18,936 --> 00:39:21,868 BUT TO THIS GUY WHO DOESN'T EXIST... 795 00:39:24,434 --> 00:39:26,200 SHE SAID, UH... 796 00:39:28,033 --> 00:39:29,567 SOME TERRIBLE THINGS. 797 00:39:29,602 --> 00:39:30,732 WHAT ABOUT MACY? 798 00:39:30,767 --> 00:39:31,983 WHY'D YOU SET HIM UP? 799 00:39:32,018 --> 00:39:33,165 HOW'D YOU SET HIM UP? 800 00:39:33,200 --> 00:39:34,868 WELL, HE WAS ALWAYS HANGING AROUND HERE. 801 00:39:34,903 --> 00:39:36,299 HE WAS JUST HANGING AROUND. 802 00:39:36,334 --> 00:39:38,534 I USED TO GO SIT ON THE PARK BENCH ACROSS THE STREET 803 00:39:38,569 --> 00:39:40,232 TO READ GAIL'S LETTERS, AND ONE DAY, 804 00:39:40,267 --> 00:39:42,834 HE SAW ME CRYING, AND WE STARTED TO TALK. 805 00:39:42,869 --> 00:39:44,751 WELL, YOU KNOW WHAT I MEAN. 806 00:39:44,786 --> 00:39:46,599 HE LOOKED LIKE HE NEEDED MONEY, 807 00:39:46,634 --> 00:39:49,367 AND I WAS LOSING THE STOMACH TO KEEP UP THE CHARADE, 808 00:39:49,402 --> 00:39:51,567 SO I TOLD HIM TO TAKE OVER WRITING TO HER. 809 00:39:51,602 --> 00:39:53,199 HE DIDN'T KNOW SHE WAS MY WIFE. 810 00:39:53,234 --> 00:39:55,300 I SHOWED HIM PICTURES OF HER, WE TALKED ABOUT HER. 811 00:39:58,267 --> 00:40:00,300 I THINK HE TOOK THE JOB VERY MUCH TO HEART. 812 00:40:03,767 --> 00:40:05,901 SO WHAT DO WE DO NOW? 813 00:40:05,936 --> 00:40:07,332 THE POLICE? 814 00:40:07,367 --> 00:40:09,601 THAT'S USUALLY HOW WE WRAP THINGS UP AROUND HERE. 815 00:40:10,901 --> 00:40:12,167 WELL... 816 00:40:21,234 --> 00:40:25,067 * OH, YES, WAIT A MINUTE, MR. POSTMAN * 817 00:40:25,102 --> 00:40:28,965 * WAI-AI-AI-AIT, MR. POSTMAN * 818 00:40:29,000 --> 00:40:31,634 * PLEASE, MR. POSTMAN, LOOK AND SEE * 819 00:40:31,669 --> 00:40:33,601 * OH, YEAH * 820 00:40:33,636 --> 00:40:35,499 INCOMING MAIL! 821 00:40:35,534 --> 00:40:39,567 * PLEASE, MR. POSTMAN * 822 00:40:39,602 --> 00:40:41,951 * OH, YEAH * 823 00:40:41,986 --> 00:40:44,265 * OH, OH * 824 00:40:44,300 --> 00:40:47,700 * THERE MUST BE SOME WORD TODAY * 825 00:40:47,735 --> 00:40:51,065 * FROM MY BOYFRIEND SO FAR AWAY * 826 00:40:51,100 --> 00:40:53,734 PERSONALLY, I'D LIKE TO END THE EPISODE RIGHT HERE. 827 00:40:53,769 --> 00:40:57,933 * MR. POSTMAN, LOOK AND SEE * 828 00:40:57,968 --> 00:41:01,133 * IF THERE'S A LETTER, A LETTER FOR ME * 829 00:41:03,300 --> 00:41:05,801 THAT'LL TAKE A WHOLE LOT OF EXTRA POSTAGE. 830 00:41:08,033 --> 00:41:11,634 * I'VE BEEN STANDIN' HERE A- WAITIN', MR. POSTMAN * 831 00:41:11,669 --> 00:41:15,365 * SO-O, SO PATIENTLY * 832 00:41:15,400 --> 00:41:18,900 * FOR JUST A CARD OR JUST A LETTER * 833 00:41:18,935 --> 00:41:22,400 * SAYIN' HE'S RETURNIN' HOME TO ME * 834 00:41:22,435 --> 00:41:24,098 * PLEASE, MR. POSTMAN * 835 00:41:24,133 --> 00:41:25,934 * MR. POSTMAN, LOOK AND SEE * 836 00:41:25,969 --> 00:41:27,299 * OH, YEAH * 837 00:41:27,334 --> 00:41:29,968 * IS THERE A LETTER IN YOUR BAG FOR ME * 838 00:41:30,003 --> 00:41:34,100 * PLEASE, PLEASE, MR. POSTMAN * 839 00:41:34,135 --> 00:41:35,599 * OH, YEAH * 840 00:41:35,634 --> 00:41:38,033 "PHOTOGRAPHS- DO NOT BEND." 841 00:41:38,068 --> 00:41:39,732 NOW LOOK WHAT YOU DID! 842 00:41:39,767 --> 00:41:43,432 * SO MANY DAYS YOU PASSED ME BY * 843 00:41:43,467 --> 00:41:47,617 * YOU SAW THE TEARS STANDIN' IN MY EYES * 844 00:41:47,652 --> 00:41:51,767 * YOU WOULDN'T STOP TO MAKE ME FEEL BETTER * 845 00:41:51,802 --> 00:41:55,168 * BY LEAVIN' ME A CARD OR A LETTER * 846 00:41:55,203 --> 00:41:58,534 * PLEASE, MR. POSTMAN, LOOK AND SEE * 847 00:41:58,569 --> 00:42:01,032 * OH, YEAH * 848 00:42:01,067 --> 00:42:06,267 * PLEASE, PLEASE, MR. POSTMAN * 849 00:42:06,302 --> 00:42:07,466 * OH, YEAH * 850 00:42:07,501 --> 00:42:09,284 I'D STILL RATHER END THE SHOW 851 00:42:09,319 --> 00:42:11,032 WITH HER LEGS IN THE AIR. 852 00:42:11,067 --> 00:42:13,300 * WAIT A MINUTE, MR. POSTMAN ** 853 00:44:01,767 --> 00:44:04,300 "DEAR FELLA..." 854 00:44:04,335 --> 00:44:06,518 "HELLO, STRANGER." 855 00:44:06,553 --> 00:44:08,701 "YOU DON'T KNOW ME... 856 00:44:10,601 --> 00:44:13,766 BUT I KNOW YOU." 857 00:44:13,801 --> 00:44:17,667 "JUST FELT LIKE DROPPINGYOU AN ANONYMOUS LINE 858 00:44:17,702 --> 00:44:19,234 "AND TELL YOU I'M WATCHING 859 00:44:19,269 --> 00:44:20,767 AND WAITING AND WONDERING." 860 00:44:42,734 --> 00:44:45,098 TOMORROW. TOMORROW. 861 00:44:45,133 --> 00:44:48,132 CAPTIONING MADE POSSIBLE BY LIONS GATE HOME ENTERTAINMENT 862 00:44:48,167 --> 00:44:51,100 CAPTIONED BY THE NATIONAL CAPTIONING INSTITUTE - www.ncicap.org- 863 00:45:38,100 --> 00:45:42,566 * SOME WALK BY NIGHT * 864 00:45:42,601 --> 00:45:46,998 * SOME FLY BY DAY * 865 00:45:47,033 --> 00:45:51,867 * NOTHING COULD CHANGE YOU * 866 00:45:51,902 --> 00:45:56,701 * SET AND SURE OF THE WAY * 867 00:45:56,736 --> 00:46:01,466 * THERE IS THE SUN AND MOON * 868 00:46:01,501 --> 00:46:06,217 * THEY SING THEIR OWN SWEET TUNE * 869 00:46:06,252 --> 00:46:10,934 * WATCH THEM WHEN DAWN IS NEW * 870 00:46:10,969 --> 00:46:15,399 * SHARING ONE SPACE * 871 00:46:15,434 --> 00:46:20,267 * WE'LL WALK BY NIGHT, BABE * 872 00:46:20,302 --> 00:46:24,566 * WE'LL FLY BY DAY * 873 00:46:24,601 --> 00:46:30,000 * MOONLIGHTING STRANGERS * 874 00:46:30,035 --> 00:46:35,400 * WHO JUST MET ON THE WAY ** 60253

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