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Would you like to inspect the original subtitles? These are the user uploaded subtitles that are being translated: 1 00:00:01,030 --> 00:00:02,030 Hey! 2 00:00:02,100 --> 00:00:05,800 {\i1}The '80s, a decade of incredible creativity... 3 00:00:07,740 --> 00:00:09,540 {\i1}...born from incredible conflict. 4 00:00:11,170 --> 00:00:13,480 It was like, "What the hell are they doing to our song?" 5 00:00:14,280 --> 00:00:17,650 {\i1}A time when new young voices demand to be heard. 6 00:00:18,810 --> 00:00:20,650 He would have had me taken out and shot. 7 00:00:22,480 --> 00:00:24,920 {\i1}Rubbing conservative America the wrong way. 8 00:00:26,050 --> 00:00:28,960 These lyrics to these songs... It was really pornographic. 9 00:00:29,290 --> 00:00:32,160 Oh, for God's sakes! Ugh. 10 00:00:32,790 --> 00:00:35,300 {\i1}And when the '80s culture clash gets explosive, 11 00:00:36,830 --> 00:00:38,530 {\i1}new stars are born. 12 00:00:38,700 --> 00:00:42,200 Took us to a whole level and made us rock stars. 13 00:00:50,580 --> 00:00:55,420 {\i1}It's the early 1980s, and those that already have, are getting more. 14 00:00:56,420 --> 00:01:01,290 {\i1}Power dressing, muscle pressing and stock price guessing are all the rage. 15 00:01:04,690 --> 00:01:07,130 {\i1}But the have-nots want their voices heard too. 16 00:01:08,060 --> 00:01:09,300 {\i1}And for three young men, 17 00:01:09,360 --> 00:01:12,570 {\i1}their revolution will begin in a New York Catholic school yard. 18 00:01:15,000 --> 00:01:18,870 {\i1}12-year-old Darryl McDaniels is about to listen to a cassette tape 19 00:01:18,940 --> 00:01:21,010 {\i1}he's never heard before. 20 00:01:22,280 --> 00:01:23,280 {\i1}We heard a voice go... 21 00:01:35,790 --> 00:01:36,790 And we was like, "Do that again!" 22 00:01:40,660 --> 00:01:45,230 {\i1}What Darryl is listening to is a recording of local DJ, Eddie Cheeba. 23 00:01:45,570 --> 00:01:48,900 We wanted 30 seconds more of whatever that was. 24 00:01:49,140 --> 00:01:51,640 We stood there for a whole half hour rewinding. 25 00:01:52,980 --> 00:01:57,950 It felt good, it sounded good, it just hit us in our cores. 26 00:01:58,880 --> 00:01:59,980 {\i1}Darryl and his friends, 27 00:02:00,050 --> 00:02:04,050 {\i1}Joseph Run Simmons and Jason Mizell want to do it too. 28 00:02:04,250 --> 00:02:07,060 For us, it started as a release, it was a party. 29 00:02:08,720 --> 00:02:12,130 {\i1}In the early 1980s, they spend their teens in Joey's attic, 30 00:02:12,190 --> 00:02:13,660 {\i1}where Darryl writes rhymes. 31 00:02:14,600 --> 00:02:16,930 The D is for doing it All of the time 32 00:02:17,000 --> 00:02:19,300 {\i1}The M is for the rhymes that are all mine 33 00:02:19,700 --> 00:02:21,770 {\i1}The C is for cool, cool as can be 34 00:02:21,840 --> 00:02:22,910 {\i1}Then, why you wear those glasses 35 00:02:22,970 --> 00:02:24,240 {\i1}So I can see 36 00:02:24,470 --> 00:02:25,810 {\i1}And in 1982, 37 00:02:25,970 --> 00:02:28,940 {\i1}Run's brother, Russell Simmons, block party promoter, 38 00:02:29,140 --> 00:02:32,210 {\i1}gives them a name, Run DMC. 39 00:02:32,610 --> 00:02:36,750 No instruments needed, just two record players, a stage, a crowd and... 40 00:02:36,820 --> 00:02:38,290 Two rhyme sayers. 41 00:02:39,090 --> 00:02:41,290 {\i1}Russell records them on a demo tape, 42 00:02:41,760 --> 00:02:43,490 {\i1}but if white boys hated disco, 43 00:02:43,990 --> 00:02:45,630 {\i1}they loathe rap. 44 00:02:46,230 --> 00:02:50,130 Russell took it to every major record label, they turned it down. 45 00:02:50,930 --> 00:02:54,300 The style of Hip Hop was so new 46 00:02:54,700 --> 00:02:58,070 that people just considered it a one-summer fad! 47 00:02:59,310 --> 00:03:01,240 {\i1}And potentially illegal. 48 00:03:02,640 --> 00:03:06,750 {\i1}Now, Hip Hop relies on using the music of others, much of it copyrighted. 49 00:03:11,350 --> 00:03:14,860 {\i1}But rising star producer Rick Rubin has a different idea. 50 00:03:15,360 --> 00:03:18,830 {\i1}He wants Run DMC to make a bold new move for the mainstream 51 00:03:19,600 --> 00:03:23,270 {\i1}by re-recording a hit song by rock legends Aerosmith. 52 00:03:23,970 --> 00:03:26,570 We thought the idea to do a full cover of Walk This Way 53 00:03:26,640 --> 00:03:28,700 was the most ridiculous thing ever! 54 00:03:29,710 --> 00:03:32,010 {\i1}It wasn't the only thing blocking their way. 55 00:03:32,070 --> 00:03:35,080 Buongiorno, Giovanni. 56 00:03:35,510 --> 00:03:36,850 We were on tour and somebody said, 57 00:03:36,910 --> 00:03:41,320 "Hey, these guys wanna do Walk this Way, and they've been rapping to it." 58 00:03:41,950 --> 00:03:43,420 {\i1}And I thought about it and it was like, 59 00:03:43,490 --> 00:03:45,050 "What the hell are they doing to our song?" 60 00:03:47,160 --> 00:03:48,590 {\i1}Now there is rock music... 61 00:03:51,630 --> 00:03:53,000 {\i1}...and there is rap music... 62 00:03:54,460 --> 00:03:56,670 {\i1}...but the music doesn't wanna play together. 63 00:03:58,800 --> 00:04:00,000 - One, two and three. - Okay. 64 00:04:00,540 --> 00:04:03,070 {\i1}...until Rick Rubin hatches a crazy plan, 65 00:04:03,710 --> 00:04:08,380 {\i1}he puts the rap newbies and the rock legends in the studio together. 66 00:04:10,350 --> 00:04:12,310 I didn't know what I was walking into. 67 00:04:12,680 --> 00:04:17,590 We saw Rick's big-ass smiling face, and it just was, "What is this?" 68 00:04:18,190 --> 00:04:20,060 {\i1}We were black B-Boys and MCs 69 00:04:20,120 --> 00:04:22,390 {\i1}and DJs and graffiti writers from New York City, 70 00:04:22,660 --> 00:04:27,460 so when we walked in there, it was kind of like, "Oh, shoot! 71 00:04:28,260 --> 00:04:29,730 "It's The Rolling Stones." 72 00:04:29,800 --> 00:04:33,470 I don't know if they knew who we were or not, uh, you know? 73 00:04:33,540 --> 00:04:35,970 It's not like we were sitting around listening to rap either. 74 00:04:44,750 --> 00:04:48,650 {\i1}In the studio, cameras roll as great musical minds meet, 75 00:04:49,020 --> 00:04:50,490 {\i1}and tear up the rule book. 76 00:04:56,020 --> 00:04:57,860 {\i1}They kept looping the intro drums... 77 00:05:02,200 --> 00:05:07,600 And they were rooting for taters man, they were just throwing down gang vocals, 78 00:05:08,500 --> 00:05:11,410 and, um, it was crazy good, man. 79 00:05:13,640 --> 00:05:17,550 Jase showed Steve exactly what we used to do with the record, 80 00:05:17,750 --> 00:05:19,410 how he used to mix it so we could rap. 81 00:05:23,890 --> 00:05:27,090 Every time Jay would "Deh" and go back to the front of record, 82 00:05:27,160 --> 00:05:28,420 Steven Tyler said to Jay, 83 00:05:28,490 --> 00:05:31,190 while Jay was still showing him, "Hey, when do you get to hear me?" 84 00:05:31,260 --> 00:05:33,500 And Jay was like, "That's it, Steve, we never get to hear you." 85 00:05:33,560 --> 00:05:34,600 And Steve was like, "Wow." 86 00:05:48,410 --> 00:05:50,680 Now, I know when something's good, and I'm the first one 87 00:05:50,750 --> 00:05:53,320 to jump on something... Something... Something better. 88 00:05:54,020 --> 00:05:56,920 How is this version going to be different from the original? 89 00:05:56,990 --> 00:05:57,990 'Cause we're gonna be on it. 90 00:05:59,790 --> 00:06:02,460 {\i1}Opposites not only attract, they make magic. 91 00:06:03,790 --> 00:06:08,860 {\i1}Not just in the recording studio, but in a classic video made for MTV. 92 00:06:19,540 --> 00:06:22,240 We had to do a video, and we came up with this idea 93 00:06:22,310 --> 00:06:24,710 of breaking the walls down between black and white, and hello! 94 00:06:27,480 --> 00:06:29,180 I grabbed the mike stand, and I go over, and I go... 95 00:06:30,720 --> 00:06:33,960 And it was like in the old cartoons where it went boing! 96 00:06:36,120 --> 00:06:37,760 Damn near pulled every muscle in my back, 97 00:06:37,830 --> 00:06:41,400 and I got so pissed that I thought they were with me 98 00:06:41,460 --> 00:06:43,400 that I went back and whammed it again. 99 00:06:43,470 --> 00:06:44,930 And that's when it started breaking through. 100 00:06:45,800 --> 00:06:48,300 And then the light came through, and it was perfect. 101 00:06:53,110 --> 00:06:56,980 It took us to a whole level and made us rock stars, 102 00:06:57,050 --> 00:06:58,710 made us rock stars. 103 00:06:58,780 --> 00:07:02,550 {\i1}Run DMC's latest album has sold more than a million copies 104 00:07:02,620 --> 00:07:03,820 {\i1}in just 13 weeks. 105 00:07:03,950 --> 00:07:05,120 Yo! Check this out. 106 00:07:07,590 --> 00:07:10,290 {\i1}It felt so good to be a part of breaking down the walls. 107 00:07:10,930 --> 00:07:12,590 Such the God child, you know? 108 00:07:19,840 --> 00:07:22,100 {\i1}There are stories of kids going away to college 109 00:07:22,170 --> 00:07:24,710 that would say because of Walk This Way, 110 00:07:24,770 --> 00:07:28,380 in my dorm room, the black people and white people were able to sit together 111 00:07:28,440 --> 00:07:29,610 and listen to music. 112 00:07:29,950 --> 00:07:31,010 Hit it! 113 00:07:31,480 --> 00:07:33,580 {\i1}With rap and rock coming together, 114 00:07:33,650 --> 00:07:36,190 {\i1}the old walls of division are crumbling. 115 00:07:37,990 --> 00:07:41,660 {\i1}But if America's teenagers think that they can listen to what they want, 116 00:07:41,720 --> 00:07:43,390 {\i1}they've got another thing coming. 117 00:07:43,690 --> 00:07:48,500 I heard the lyrics, "I met a girl named Nicky, masturbating with a magazine." 118 00:07:48,560 --> 00:07:52,000 I was like, that's really pretty raunchy for this kid. 119 00:07:56,310 --> 00:08:00,440 {\i1}It's the summer of 1984, with the economy booming, 120 00:08:00,510 --> 00:08:02,110 {\i1}all is well in the capital. 121 00:08:02,540 --> 00:08:05,850 {\i1}But a group of local mothers are about to get a wakeup call. 122 00:08:06,520 --> 00:08:09,080 {\i1}I was in my daughter's room when she was like, 123 00:08:09,150 --> 00:08:11,420 "You've gotta hear my new album, I love this album. 124 00:08:11,490 --> 00:08:14,790 "It's by a guy named Prince, but just don't listen to the words." 125 00:08:27,400 --> 00:08:29,540 It was kind of like, "Whoa!" 126 00:08:35,740 --> 00:08:39,950 That's really pretty raunchy for this kid who, you know, and I was like, 127 00:08:40,020 --> 00:08:41,450 "I don't like that." 128 00:08:41,950 --> 00:08:45,150 And that started me thinking about like, "What else is out there?" 129 00:08:49,060 --> 00:08:52,130 This was like picking up a rock and looking under the rock 130 00:08:52,190 --> 00:08:53,500 and seeing all these things. 131 00:08:58,830 --> 00:09:01,200 {\i1}It was drugs and alcohol. 132 00:09:05,810 --> 00:09:07,310 {\i1}It was very violent. 133 00:09:13,780 --> 00:09:16,290 And it was pornographic lyrics. 134 00:09:21,920 --> 00:09:24,460 "I like a beast," I mean, please. 135 00:09:25,060 --> 00:09:27,500 You know, I feel that I have to do something about this. 136 00:09:27,560 --> 00:09:29,630 Do other parents know about this? 137 00:09:31,870 --> 00:09:34,800 {\i1}I was a journalist, and so I wrote a piece about it for Newsweek. 138 00:09:35,840 --> 00:09:40,480 {\i1}It turns out Kandie Stroud is not the only outraged mother in DC. 139 00:09:40,910 --> 00:09:45,210 {\i1}She's joined by Susan Baker, wife of the Treasury Secretary, 140 00:09:45,280 --> 00:09:48,420 {\i1}and Tipper Gore, wife of Senator Al Gore. 141 00:09:48,480 --> 00:09:50,350 {\i1}Mary Elizabeth Gore says she was shocked 142 00:09:50,420 --> 00:09:51,620 {\i1}at what she was hearing. 143 00:09:52,020 --> 00:09:55,120 {\i1}Gore's the mother of four and the wife of a United States Senator. 144 00:09:56,360 --> 00:10:00,060 {\i1}The Washington wives form the Parents Music Resource Centre, 145 00:10:00,130 --> 00:10:01,600 {\i1}or PMRC, 146 00:10:01,700 --> 00:10:04,330 {\i1}an organization with one intention. 147 00:10:04,500 --> 00:10:10,510 The goal was, "Gentlemen, with all due respect, clean up your act." 148 00:10:14,680 --> 00:10:19,680 {\i1}And there's one particular band they want to target, Twisted Sister. 149 00:10:28,490 --> 00:10:33,960 The PMRC were saying that Under the Blade is about sado-masochism and bondage. 150 00:10:35,060 --> 00:10:36,270 And I was like, "What?" 151 00:10:39,130 --> 00:10:42,800 They had read into lyrics about a throat operation. 152 00:10:42,870 --> 00:10:43,870 A throat operation! 153 00:10:47,180 --> 00:10:51,680 So, when the PMRC and the Washington Wives, uh, 154 00:10:51,750 --> 00:10:54,780 started rearing their ugly heads, 155 00:10:54,850 --> 00:10:57,390 or their well-quaffed heads, I should say, 156 00:10:57,450 --> 00:11:00,660 um, we didn't take it seriously. 157 00:11:00,720 --> 00:11:02,760 Nobody took it seriously in my world. 158 00:11:02,820 --> 00:11:05,460 We just thought, "Who's going to pay attention 159 00:11:05,530 --> 00:11:07,330 "to a bunch of complaining housewives." 160 00:11:07,900 --> 00:11:09,970 It's only rock and roll, but a lot of people don't like it. 161 00:11:10,270 --> 00:11:12,900 Today, some rock songs are downright X-rated, 162 00:11:12,970 --> 00:11:14,840 and that's got people from Main Street 163 00:11:14,900 --> 00:11:17,270 {\i1}to Pennsylvania Avenue saying, "Enough is enough." 164 00:11:18,710 --> 00:11:22,080 {\i1}Suddenly, this thing started to snowball and steamroll, 165 00:11:22,380 --> 00:11:24,180 and it got bigger and bigger and bigger. 166 00:11:30,050 --> 00:11:33,560 "Out go the lights, in goes my knife, pull out his life, 167 00:11:33,620 --> 00:11:35,560 "consider that bastard dead." 168 00:11:35,720 --> 00:11:37,930 Oh, for God's sakes. 169 00:11:39,190 --> 00:11:42,160 I mean, it doesn't mean that some kid's gonna go out and murder someone 170 00:11:42,230 --> 00:11:43,730 because the song told him to. 171 00:11:44,130 --> 00:11:45,370 I don't really care about the words. 172 00:11:45,430 --> 00:11:47,570 I listen to the beat so I can dance to it. 173 00:11:48,540 --> 00:11:51,740 {\i1}Those kids put on their favorite Twisted Sister record, 174 00:11:52,040 --> 00:11:56,950 and then mom and dad come in and say, "Take that crap off." It's like, "What?" 175 00:11:58,210 --> 00:12:02,850 We would like to see a warning label put on records, albums, cassettes 176 00:12:02,920 --> 00:12:05,790 where you have sexually explicit or violent material. 177 00:12:06,320 --> 00:12:12,190 {\i1}The PMRC draws up the filthy 15, a hit list of the worst offenders. 178 00:12:14,000 --> 00:12:16,800 I think we were celebrating, you know, it was like, 179 00:12:16,870 --> 00:12:19,400 "Yeah, we're on the filthy 15!" 180 00:12:21,640 --> 00:12:25,570 {\i1}But it's no laughing matter for the founding wives of the PMRC, 181 00:12:25,640 --> 00:12:29,480 {\i1}who soon use their husband's political clout to haul those on the naughty list 182 00:12:29,750 --> 00:12:31,310 {\i1}into the principal's office. 183 00:12:33,120 --> 00:12:37,620 Tipper got a hearing set up on the hill through her husband, Al Gore. 184 00:12:38,120 --> 00:12:40,320 {\i1}It is believed to be the biggest media event 185 00:12:40,390 --> 00:12:42,320 {\i1}in the history of congressional hearings. 186 00:12:42,820 --> 00:12:47,400 {\i1}No, not on the budget or deficit, but on raunchy lyrics in rock music. 187 00:12:48,360 --> 00:12:51,530 {\i1}The whole event would never have happened 188 00:12:51,630 --> 00:12:56,440 if these weren't the wives of prominent US Senators. 189 00:12:57,110 --> 00:13:00,740 Rock lyrics have turned from, "I can't get no satisfaction" 190 00:13:00,810 --> 00:13:03,810 to "I'm going to force you at gun point to eat me alive." 191 00:13:05,450 --> 00:13:07,380 When management called and said, 192 00:13:07,450 --> 00:13:09,380 "They've asked if you would like to testify." 193 00:13:10,150 --> 00:13:11,990 And I was like, "Hell, yeah." 194 00:13:22,900 --> 00:13:27,900 He kinda walked in and in his kind of t-shirt and blonde hair out to here, 195 00:13:27,970 --> 00:13:29,400 uh, which I think was a wig. 196 00:13:30,310 --> 00:13:31,540 {\i1}I thought, "Oh, my God." 197 00:13:32,810 --> 00:13:37,850 I was certainly not going to dress up or be somebody I was not 198 00:13:38,410 --> 00:13:39,880 {\i1}to impress these Senators. 199 00:13:42,180 --> 00:13:44,190 Mr. Snider, thank you for being here. 200 00:13:47,090 --> 00:13:52,130 At that point, the seriousness hit me, 201 00:13:53,400 --> 00:13:55,200 {\i1}and terror set in, 202 00:13:57,800 --> 00:14:03,210 and I said, "Oh, my God, what have you gotten yourself into?" 203 00:14:04,510 --> 00:14:07,880 But then the other voice said, "Snap out of it man! 204 00:14:08,010 --> 00:14:11,550 "You've got a job to do here, damn it," and I just started reading. 205 00:14:13,580 --> 00:14:17,020 I would like to use this occasion to speak on a more personal note 206 00:14:17,150 --> 00:14:19,860 and show just how unfair the whole concept 207 00:14:19,920 --> 00:14:22,490 of lyrical interpretation and judgement can be. 208 00:14:22,930 --> 00:14:24,360 And how many times this can amount 209 00:14:24,430 --> 00:14:26,730 to little more than character assassination. 210 00:14:27,460 --> 00:14:31,170 Dee Snider was... You know, he impressed me actually. 211 00:14:32,130 --> 00:14:36,100 The beauty of literature, poetry and music is that they leave room 212 00:14:36,170 --> 00:14:39,780 for the audience to put its own imagination, experiences and dreams 213 00:14:39,840 --> 00:14:40,840 into the words. 214 00:14:42,910 --> 00:14:44,650 As the creator of Under the Blade, 215 00:14:44,710 --> 00:14:46,480 I can say categorically 216 00:14:46,650 --> 00:14:49,950 that the only sado-masochism bondage and rape in this song 217 00:14:50,020 --> 00:14:51,850 is in the mind of Miss Gore. 218 00:14:56,020 --> 00:14:59,230 Al was fuming, fuming. 219 00:15:01,130 --> 00:15:05,330 He would have had me taken out and shot, uh, if he could have. He was... 220 00:15:05,530 --> 00:15:07,400 The fire in his eyes... 221 00:15:07,970 --> 00:15:09,540 Mr. Snider, thank you very much. 222 00:15:09,610 --> 00:15:10,810 Thank you for your time. 223 00:15:18,450 --> 00:15:24,690 I was really proud of Dee Snider because he took them on. 224 00:15:27,290 --> 00:15:30,690 The PMRC hearings really backfired. 225 00:15:30,760 --> 00:15:32,260 They got their warning stickers, 226 00:15:32,900 --> 00:15:36,030 {\i1}but some artists saw that as a badge of honor, 227 00:15:36,230 --> 00:15:37,270 saying to themselves, 228 00:15:37,330 --> 00:15:41,400 "if we haven't gotten the warning label sticker, 229 00:15:41,470 --> 00:15:42,940 "we haven't been offensive enough." 230 00:15:46,440 --> 00:15:50,880 {\i1}The iconic parental advisory sticker becomes the everlasting symbol 231 00:15:50,950 --> 00:15:54,980 {\i1}of the '80s culture war between conservative America and its kids. 232 00:15:55,980 --> 00:16:01,990 All the songs that PMRC had on that list, the filthy 15, are looked back on fondly 233 00:16:02,060 --> 00:16:08,000 by everybody and sung loudly and proudly at every karaoke bar in the world. 234 00:16:17,370 --> 00:16:20,180 {\i1}If America's teen rockers have silenced their parents, 235 00:16:20,410 --> 00:16:24,210 {\i1}a different group of young rebels is about to face tougher opposition 236 00:16:24,280 --> 00:16:25,480 {\i1}on the streets of New York. 237 00:16:25,980 --> 00:16:30,050 This is not a game, you know, it is a crime, you can go to jail for it. 238 00:16:33,360 --> 00:16:34,920 {\i1}It's the early '80s, 239 00:16:34,990 --> 00:16:37,090 {\i1}and there's a battle on the streets of New York. 240 00:16:37,260 --> 00:16:39,760 {\i1}It's the spray can versus the man. 241 00:16:40,500 --> 00:16:42,400 I hate graffiti. 242 00:16:54,710 --> 00:16:57,350 I think it's the most disgusting thing that New York City has. 243 00:16:58,310 --> 00:17:01,350 {\i1}But to some of the people spritzing out their fluorescent visions, 244 00:17:01,520 --> 00:17:04,150 {\i1}graffiti is a profound expression of creativity. 245 00:17:06,120 --> 00:17:09,360 We were just teenagers going out there painting 246 00:17:09,420 --> 00:17:12,960 without any art training whatsoever. 247 00:17:13,030 --> 00:17:15,460 It was pure. It was coming from the gut. 248 00:17:15,830 --> 00:17:18,000 How did you get started painting graffiti? 249 00:17:18,970 --> 00:17:22,540 These guys came into the scene, and I just started hanging out with them. 250 00:17:22,600 --> 00:17:24,370 Got to love graffiti, the trains. 251 00:17:24,440 --> 00:17:26,410 Aren't you scared to be a girl and do it? 252 00:17:29,140 --> 00:17:32,710 {\i1}It was one of the few cross-racial movement. 253 00:17:33,080 --> 00:17:36,690 {\i1}So there were white kids, there were black kids, and Latin kids, 254 00:17:36,750 --> 00:17:39,220 and I think that our whole movement was based on rebellion, 255 00:17:39,290 --> 00:17:40,660 we were sticking it to the man. 256 00:17:48,300 --> 00:17:51,000 {\i1}The subway car becomes the canvas of choice. 257 00:17:53,240 --> 00:17:56,540 {\i1}It was the matter of getting a tag on each line and each division, 258 00:17:56,870 --> 00:17:59,140 you know, it's called, "going all city." 259 00:17:59,840 --> 00:18:02,910 People see your tags in Queens, uptown, downtown, all over. 260 00:18:06,980 --> 00:18:12,250 The trains were a natural vehicle because writers were presenting art, 261 00:18:12,890 --> 00:18:14,820 sending it to the other end of the city 262 00:18:14,890 --> 00:18:16,660 for those on the other end of the city to see. 263 00:18:17,190 --> 00:18:19,060 And then the people on the other end of the city would say, 264 00:18:19,130 --> 00:18:21,460 "Wow," and they would do something and respond. 265 00:18:21,530 --> 00:18:25,000 So, basically send it back to the Bronx, and that's how we did it. 266 00:18:27,140 --> 00:18:30,410 And we exposed our work to thousands and thousands 267 00:18:30,540 --> 00:18:31,640 of schmucks going to work. 268 00:18:34,580 --> 00:18:37,110 So, our audience was large, it was huge. 269 00:18:38,610 --> 00:18:41,620 {\i1}But graffiti has no appeal for the authorities. 270 00:18:42,650 --> 00:18:47,360 I will show you graffiti such as the letters on the end of that car 271 00:18:47,420 --> 00:18:48,760 directly in back of me. 272 00:18:49,190 --> 00:18:50,390 Is that an art form? 273 00:18:50,460 --> 00:18:53,260 I don't know, I'm not an art critic, 274 00:18:53,330 --> 00:18:56,030 but I can sure as hell tell you that that's a crime. 275 00:18:56,930 --> 00:18:59,470 You have the right to remain silent and refuse to answer any questions. 276 00:18:59,540 --> 00:19:00,540 Do you understand? 277 00:19:01,400 --> 00:19:04,810 {\i1}I knew full well what I was doing, this is not a game, 278 00:19:04,870 --> 00:19:07,580 you know, it is a crime, you can go to jail for it. 279 00:19:09,180 --> 00:19:11,280 {\i1}Realizing it's fighting a losing battle, 280 00:19:11,450 --> 00:19:14,280 {\i1}the city launches a new attack on the rebels. 281 00:19:14,350 --> 00:19:17,050 So if you really wanna make something out of your life, use your head. 282 00:19:17,120 --> 00:19:20,660 Or your voice, but don't waste your time making a mess. 283 00:19:20,960 --> 00:19:25,090 {\i1}Make your mark in your society, not on society. 284 00:19:25,630 --> 00:19:28,800 {\i1}New York Mayor Ed Koch delivers the message loud and clear. 285 00:19:29,500 --> 00:19:34,940 Put your mark on society, in doing something in society. 286 00:19:35,000 --> 00:19:37,810 I screwed it up a little bit, but nevertheless, you got the message. 287 00:19:38,770 --> 00:19:39,780 {\i1}Sort of. 288 00:19:41,510 --> 00:19:44,880 {\i1}But the graffiti train is quickly becoming the gravy train. 289 00:19:48,780 --> 00:19:52,120 I'm into making money. You go to school and your teacher says, 290 00:19:52,220 --> 00:19:55,620 "It's not worth anything, you don't make any money from graffiti." 291 00:19:55,690 --> 00:19:59,490 And you tell them, "When was the last time you made $2,000 in a month huh?" 292 00:20:00,200 --> 00:20:03,930 What you had is a group of non-school trained kids 293 00:20:04,530 --> 00:20:10,770 who were producing some of the most prolific works of art ever seen. 294 00:20:11,540 --> 00:20:15,210 By the age of 16, I was exhibiting in galleries and selling my paintings 295 00:20:15,280 --> 00:20:16,310 like hot cakes. 296 00:20:16,750 --> 00:20:19,280 Well, graffiti is more than just the style, it's a culture. 297 00:20:20,220 --> 00:20:21,280 It's an entire culture. 298 00:20:22,320 --> 00:20:24,820 {\i1}The movement gives rise to artists like Keith Haring, 299 00:20:25,150 --> 00:20:28,120 {\i1}Jean-Michel Basquiat and Fab 5 Freddy. 300 00:20:28,190 --> 00:20:31,390 All my friends call me Fab 5 Freddy, you know? 301 00:20:31,990 --> 00:20:34,400 {\i1}And it's not long before the A-list glitterati 302 00:20:34,460 --> 00:20:37,170 {\i1}are getting their faces painted for the party. 303 00:20:48,510 --> 00:20:51,710 {\i1}When Blondie referenced Fab 5 Freddy in the hit Rapture, 304 00:20:51,780 --> 00:20:53,220 {\i1}which I liked the song, by the way... 305 00:20:56,350 --> 00:21:00,960 ...it did wonders for taking graffiti into mainstream America 306 00:21:01,020 --> 00:21:02,620 and also across the globe. 307 00:21:05,430 --> 00:21:08,760 {\i1}Not to be outdone, Madonna gets her own spray can out 308 00:21:08,830 --> 00:21:10,770 {\i1}in her hit song Borderline. 309 00:21:11,870 --> 00:21:15,040 {\i1}And even Andy Warhol and Michael Jackson embrace graffiti. 310 00:21:17,240 --> 00:21:19,270 {\i1}For the urban artists of America, 311 00:21:19,340 --> 00:21:21,510 {\i1}the graffiti movement will go down in history 312 00:21:21,580 --> 00:21:25,380 {\i1}as a fairytale story of tags to riches. 313 00:21:27,180 --> 00:21:31,550 What we see across the 1980s is forces rising up. 314 00:21:32,550 --> 00:21:37,860 {\i1}On one side you had conservative America, on the other hand you have artists 315 00:21:38,060 --> 00:21:40,300 {\i1}who are willing to stand up to that tidal wave 316 00:21:40,500 --> 00:21:42,900 and say, "We're not gonna take it anymore." 317 00:21:45,430 --> 00:21:50,070 {\i1}The '80s, the decade when pop culture waged war on its masters 318 00:21:50,670 --> 00:21:52,910 {\i1}and changed America forever. 28005

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