Would you like to inspect the original subtitles? These are the user uploaded subtitles that are being translated:
1
00:00:01,030 --> 00:00:02,030
Hey!
2
00:00:02,100 --> 00:00:05,800
{\i1}The '80s, a decade
of incredible creativity...
3
00:00:07,740 --> 00:00:09,540
{\i1}...born from incredible conflict.
4
00:00:11,170 --> 00:00:13,480
It was like, "What the hell
are they doing to our song?"
5
00:00:14,280 --> 00:00:17,650
{\i1}A time
when new young voices demand to be heard.
6
00:00:18,810 --> 00:00:20,650
He would have had me taken out and shot.
7
00:00:22,480 --> 00:00:24,920
{\i1}Rubbing conservative
America the wrong way.
8
00:00:26,050 --> 00:00:28,960
These lyrics to these songs...
It was really pornographic.
9
00:00:29,290 --> 00:00:32,160
Oh, for God's sakes! Ugh.
10
00:00:32,790 --> 00:00:35,300
{\i1}And when the '80s culture clash
gets explosive,
11
00:00:36,830 --> 00:00:38,530
{\i1}new stars are born.
12
00:00:38,700 --> 00:00:42,200
Took us to a whole level
and made us rock stars.
13
00:00:50,580 --> 00:00:55,420
{\i1}It's the early 1980s, and those
that already have, are getting more.
14
00:00:56,420 --> 00:01:01,290
{\i1}Power dressing, muscle pressing
and stock price guessing are all the rage.
15
00:01:04,690 --> 00:01:07,130
{\i1}But the have-nots want
their voices heard too.
16
00:01:08,060 --> 00:01:09,300
{\i1}And for three young men,
17
00:01:09,360 --> 00:01:12,570
{\i1}their revolution will begin
in a New York Catholic school yard.
18
00:01:15,000 --> 00:01:18,870
{\i1}12-year-old Darryl McDaniels
is about to listen to a cassette tape
19
00:01:18,940 --> 00:01:21,010
{\i1}he's never heard before.
20
00:01:22,280 --> 00:01:23,280
{\i1}We heard a voice go...
21
00:01:35,790 --> 00:01:36,790
And we was like, "Do that again!"
22
00:01:40,660 --> 00:01:45,230
{\i1}What Darryl is listening to
is a recording of local DJ, Eddie Cheeba.
23
00:01:45,570 --> 00:01:48,900
We wanted 30 seconds
more of whatever that was.
24
00:01:49,140 --> 00:01:51,640
We stood there
for a whole half hour rewinding.
25
00:01:52,980 --> 00:01:57,950
It felt good, it sounded good,
it just hit us in our cores.
26
00:01:58,880 --> 00:01:59,980
{\i1}Darryl and his friends,
27
00:02:00,050 --> 00:02:04,050
{\i1}Joseph Run Simmons
and Jason Mizell want to do it too.
28
00:02:04,250 --> 00:02:07,060
For us, it started as a release,
it was a party.
29
00:02:08,720 --> 00:02:12,130
{\i1}In the early 1980s,
they spend their teens in Joey's attic,
30
00:02:12,190 --> 00:02:13,660
{\i1}where Darryl writes rhymes.
31
00:02:14,600 --> 00:02:16,930
The D is for doing it
All of the time
32
00:02:17,000 --> 00:02:19,300
{\i1}The M is for the rhymes that are all mine
33
00:02:19,700 --> 00:02:21,770
{\i1}The C is for cool, cool as can be
34
00:02:21,840 --> 00:02:22,910
{\i1}Then, why you wear those glasses
35
00:02:22,970 --> 00:02:24,240
{\i1}So I can see
36
00:02:24,470 --> 00:02:25,810
{\i1}And in 1982,
37
00:02:25,970 --> 00:02:28,940
{\i1}Run's brother, Russell Simmons,
block party promoter,
38
00:02:29,140 --> 00:02:32,210
{\i1}gives them a name, Run DMC.
39
00:02:32,610 --> 00:02:36,750
No instruments needed, just two
record players, a stage, a crowd and...
40
00:02:36,820 --> 00:02:38,290
Two rhyme sayers.
41
00:02:39,090 --> 00:02:41,290
{\i1}Russell records them
on a demo tape,
42
00:02:41,760 --> 00:02:43,490
{\i1}but if white boys hated disco,
43
00:02:43,990 --> 00:02:45,630
{\i1}they loathe rap.
44
00:02:46,230 --> 00:02:50,130
Russell took it to every major
record label, they turned it down.
45
00:02:50,930 --> 00:02:54,300
The style of Hip Hop was so new
46
00:02:54,700 --> 00:02:58,070
that people just considered it
a one-summer fad!
47
00:02:59,310 --> 00:03:01,240
{\i1}And potentially illegal.
48
00:03:02,640 --> 00:03:06,750
{\i1}Now, Hip Hop relies on using the music
of others, much of it copyrighted.
49
00:03:11,350 --> 00:03:14,860
{\i1}But rising star producer Rick Rubin
has a different idea.
50
00:03:15,360 --> 00:03:18,830
{\i1}He wants Run DMC
to make a bold new move for the mainstream
51
00:03:19,600 --> 00:03:23,270
{\i1}by re-recording a hit song
by rock legends Aerosmith.
52
00:03:23,970 --> 00:03:26,570
We thought the idea
to do a full cover of Walk This Way
53
00:03:26,640 --> 00:03:28,700
was the most ridiculous thing ever!
54
00:03:29,710 --> 00:03:32,010
{\i1}It wasn't the only thing
blocking their way.
55
00:03:32,070 --> 00:03:35,080
Buongiorno, Giovanni.
56
00:03:35,510 --> 00:03:36,850
We were on tour and somebody said,
57
00:03:36,910 --> 00:03:41,320
"Hey, these guys wanna do Walk this Way,
and they've been rapping to it."
58
00:03:41,950 --> 00:03:43,420
{\i1}And I thought about it and it was like,
59
00:03:43,490 --> 00:03:45,050
"What the hell are
they doing to our song?"
60
00:03:47,160 --> 00:03:48,590
{\i1}Now there is rock music...
61
00:03:51,630 --> 00:03:53,000
{\i1}...and there is rap music...
62
00:03:54,460 --> 00:03:56,670
{\i1}...but the music
doesn't wanna play together.
63
00:03:58,800 --> 00:04:00,000
- One, two and three.
- Okay.
64
00:04:00,540 --> 00:04:03,070
{\i1}...until Rick Rubin hatches a crazy plan,
65
00:04:03,710 --> 00:04:08,380
{\i1}he puts the rap newbies and the rock
legends in the studio together.
66
00:04:10,350 --> 00:04:12,310
I didn't know what I was walking into.
67
00:04:12,680 --> 00:04:17,590
We saw Rick's big-ass smiling face,
and it just was, "What is this?"
68
00:04:18,190 --> 00:04:20,060
{\i1}We were black B-Boys and MCs
69
00:04:20,120 --> 00:04:22,390
{\i1}and DJs and graffiti writers
from New York City,
70
00:04:22,660 --> 00:04:27,460
so when we walked in there,
it was kind of like, "Oh, shoot!
71
00:04:28,260 --> 00:04:29,730
"It's The Rolling Stones."
72
00:04:29,800 --> 00:04:33,470
I don't know if they knew
who we were or not, uh, you know?
73
00:04:33,540 --> 00:04:35,970
It's not like we were sitting around
listening to rap either.
74
00:04:44,750 --> 00:04:48,650
{\i1}In the studio,
cameras roll as great musical minds meet,
75
00:04:49,020 --> 00:04:50,490
{\i1}and tear up the rule book.
76
00:04:56,020 --> 00:04:57,860
{\i1}They kept looping
the intro drums...
77
00:05:02,200 --> 00:05:07,600
And they were rooting for taters man,
they were just throwing down gang vocals,
78
00:05:08,500 --> 00:05:11,410
and, um, it was crazy good, man.
79
00:05:13,640 --> 00:05:17,550
Jase showed Steve exactly
what we used to do with the record,
80
00:05:17,750 --> 00:05:19,410
how he used to mix it so we could rap.
81
00:05:23,890 --> 00:05:27,090
Every time Jay would "Deh" and go back
to the front of record,
82
00:05:27,160 --> 00:05:28,420
Steven Tyler said to Jay,
83
00:05:28,490 --> 00:05:31,190
while Jay was still showing him,
"Hey, when do you get to hear me?"
84
00:05:31,260 --> 00:05:33,500
And Jay was like, "That's it, Steve,
we never get to hear you."
85
00:05:33,560 --> 00:05:34,600
And Steve was like, "Wow."
86
00:05:48,410 --> 00:05:50,680
Now, I know when something's good,
and I'm the first one
87
00:05:50,750 --> 00:05:53,320
to jump on something... Something...
Something better.
88
00:05:54,020 --> 00:05:56,920
How is this version
going to be different from the original?
89
00:05:56,990 --> 00:05:57,990
'Cause we're gonna be on it.
90
00:05:59,790 --> 00:06:02,460
{\i1}Opposites not only attract,
they make magic.
91
00:06:03,790 --> 00:06:08,860
{\i1}Not just in the recording studio,
but in a classic video made for MTV.
92
00:06:19,540 --> 00:06:22,240
We had to do a video,
and we came up with this idea
93
00:06:22,310 --> 00:06:24,710
of breaking the walls down between
black and white, and hello!
94
00:06:27,480 --> 00:06:29,180
I grabbed the mike stand, and I go over,
and I go...
95
00:06:30,720 --> 00:06:33,960
And it was like in the old cartoons
where it went boing!
96
00:06:36,120 --> 00:06:37,760
Damn near pulled every muscle in my back,
97
00:06:37,830 --> 00:06:41,400
and I got so pissed
that I thought they were with me
98
00:06:41,460 --> 00:06:43,400
that I went back and whammed it again.
99
00:06:43,470 --> 00:06:44,930
And that's when it
started breaking through.
100
00:06:45,800 --> 00:06:48,300
And then the light came through,
and it was perfect.
101
00:06:53,110 --> 00:06:56,980
It took us to a whole level
and made us rock stars,
102
00:06:57,050 --> 00:06:58,710
made us rock stars.
103
00:06:58,780 --> 00:07:02,550
{\i1}Run DMC's latest album
has sold more than a million copies
104
00:07:02,620 --> 00:07:03,820
{\i1}in just 13 weeks.
105
00:07:03,950 --> 00:07:05,120
Yo! Check this out.
106
00:07:07,590 --> 00:07:10,290
{\i1}It felt so good
to be a part of breaking down the walls.
107
00:07:10,930 --> 00:07:12,590
Such the God child, you know?
108
00:07:19,840 --> 00:07:22,100
{\i1}There are stories
of kids going away to college
109
00:07:22,170 --> 00:07:24,710
that would say because of Walk This Way,
110
00:07:24,770 --> 00:07:28,380
in my dorm room, the black people
and white people were able to sit together
111
00:07:28,440 --> 00:07:29,610
and listen to music.
112
00:07:29,950 --> 00:07:31,010
Hit it!
113
00:07:31,480 --> 00:07:33,580
{\i1}With rap and rock
coming together,
114
00:07:33,650 --> 00:07:36,190
{\i1}the old walls of division are crumbling.
115
00:07:37,990 --> 00:07:41,660
{\i1}But if America's teenagers think
that they can listen to what they want,
116
00:07:41,720 --> 00:07:43,390
{\i1}they've got another thing coming.
117
00:07:43,690 --> 00:07:48,500
I heard the lyrics, "I met a girl named
Nicky, masturbating with a magazine."
118
00:07:48,560 --> 00:07:52,000
I was like, that's really
pretty raunchy for this kid.
119
00:07:56,310 --> 00:08:00,440
{\i1}It's the summer of 1984,
with the economy booming,
120
00:08:00,510 --> 00:08:02,110
{\i1}all is well in the capital.
121
00:08:02,540 --> 00:08:05,850
{\i1}But a group of local mothers
are about to get a wakeup call.
122
00:08:06,520 --> 00:08:09,080
{\i1}I was in my daughter's room
when she was like,
123
00:08:09,150 --> 00:08:11,420
"You've gotta hear my new album,
I love this album.
124
00:08:11,490 --> 00:08:14,790
"It's by a guy named Prince,
but just don't listen to the words."
125
00:08:27,400 --> 00:08:29,540
It was kind of like, "Whoa!"
126
00:08:35,740 --> 00:08:39,950
That's really pretty raunchy for this kid
who, you know, and I was like,
127
00:08:40,020 --> 00:08:41,450
"I don't like that."
128
00:08:41,950 --> 00:08:45,150
And that started me thinking about like,
"What else is out there?"
129
00:08:49,060 --> 00:08:52,130
This was like picking up a rock
and looking under the rock
130
00:08:52,190 --> 00:08:53,500
and seeing all these things.
131
00:08:58,830 --> 00:09:01,200
{\i1}It was drugs and alcohol.
132
00:09:05,810 --> 00:09:07,310
{\i1}It was very violent.
133
00:09:13,780 --> 00:09:16,290
And it was pornographic lyrics.
134
00:09:21,920 --> 00:09:24,460
"I like a beast," I mean, please.
135
00:09:25,060 --> 00:09:27,500
You know, I feel that I have
to do something about this.
136
00:09:27,560 --> 00:09:29,630
Do other parents know about this?
137
00:09:31,870 --> 00:09:34,800
{\i1}I was a journalist, and so I wrote a piece
about it for Newsweek.
138
00:09:35,840 --> 00:09:40,480
{\i1}It turns out Kandie Stroud
is not the only outraged mother in DC.
139
00:09:40,910 --> 00:09:45,210
{\i1}She's joined by Susan Baker,
wife of the Treasury Secretary,
140
00:09:45,280 --> 00:09:48,420
{\i1}and Tipper Gore, wife of Senator Al Gore.
141
00:09:48,480 --> 00:09:50,350
{\i1}Mary Elizabeth Gore says she was shocked
142
00:09:50,420 --> 00:09:51,620
{\i1}at what she was hearing.
143
00:09:52,020 --> 00:09:55,120
{\i1}Gore's the mother of four and the wife
of a United States Senator.
144
00:09:56,360 --> 00:10:00,060
{\i1}The Washington wives
form the Parents Music Resource Centre,
145
00:10:00,130 --> 00:10:01,600
{\i1}or PMRC,
146
00:10:01,700 --> 00:10:04,330
{\i1}an organization with one intention.
147
00:10:04,500 --> 00:10:10,510
The goal was, "Gentlemen,
with all due respect, clean up your act."
148
00:10:14,680 --> 00:10:19,680
{\i1}And there's one particular band
they want to target, Twisted Sister.
149
00:10:28,490 --> 00:10:33,960
The PMRC were saying that Under the Blade
is about sado-masochism and bondage.
150
00:10:35,060 --> 00:10:36,270
And I was like, "What?"
151
00:10:39,130 --> 00:10:42,800
They had read into lyrics
about a throat operation.
152
00:10:42,870 --> 00:10:43,870
A throat operation!
153
00:10:47,180 --> 00:10:51,680
So, when the PMRC
and the Washington Wives, uh,
154
00:10:51,750 --> 00:10:54,780
started rearing their ugly heads,
155
00:10:54,850 --> 00:10:57,390
or their well-quaffed heads, I should say,
156
00:10:57,450 --> 00:11:00,660
um, we didn't take it seriously.
157
00:11:00,720 --> 00:11:02,760
Nobody took it seriously in my world.
158
00:11:02,820 --> 00:11:05,460
We just thought,
"Who's going to pay attention
159
00:11:05,530 --> 00:11:07,330
"to a bunch of complaining housewives."
160
00:11:07,900 --> 00:11:09,970
It's only rock and roll,
but a lot of people don't like it.
161
00:11:10,270 --> 00:11:12,900
Today, some rock songs
are downright X-rated,
162
00:11:12,970 --> 00:11:14,840
and that's got people from Main Street
163
00:11:14,900 --> 00:11:17,270
{\i1}to Pennsylvania Avenue
saying, "Enough is enough."
164
00:11:18,710 --> 00:11:22,080
{\i1}Suddenly, this thing started
to snowball and steamroll,
165
00:11:22,380 --> 00:11:24,180
and it got bigger and bigger and bigger.
166
00:11:30,050 --> 00:11:33,560
"Out go the lights, in goes my knife,
pull out his life,
167
00:11:33,620 --> 00:11:35,560
"consider that bastard dead."
168
00:11:35,720 --> 00:11:37,930
Oh, for God's sakes.
169
00:11:39,190 --> 00:11:42,160
I mean, it doesn't mean that some kid's
gonna go out and murder someone
170
00:11:42,230 --> 00:11:43,730
because the song told him to.
171
00:11:44,130 --> 00:11:45,370
I don't really care about the words.
172
00:11:45,430 --> 00:11:47,570
I listen to the beat so I can dance to it.
173
00:11:48,540 --> 00:11:51,740
{\i1}Those kids put on
their favorite Twisted Sister record,
174
00:11:52,040 --> 00:11:56,950
and then mom and dad come in and say,
"Take that crap off." It's like, "What?"
175
00:11:58,210 --> 00:12:02,850
We would like to see a warning label
put on records, albums, cassettes
176
00:12:02,920 --> 00:12:05,790
where you have sexually explicit
or violent material.
177
00:12:06,320 --> 00:12:12,190
{\i1}The PMRC draws up the filthy 15,
a hit list of the worst offenders.
178
00:12:14,000 --> 00:12:16,800
I think we were celebrating,
you know, it was like,
179
00:12:16,870 --> 00:12:19,400
"Yeah, we're on the filthy 15!"
180
00:12:21,640 --> 00:12:25,570
{\i1}But it's no laughing matter
for the founding wives of the PMRC,
181
00:12:25,640 --> 00:12:29,480
{\i1}who soon use their husband's political
clout to haul those on the naughty list
182
00:12:29,750 --> 00:12:31,310
{\i1}into the principal's office.
183
00:12:33,120 --> 00:12:37,620
Tipper got a hearing set up on the hill
through her husband, Al Gore.
184
00:12:38,120 --> 00:12:40,320
{\i1}It is believed to be
the biggest media event
185
00:12:40,390 --> 00:12:42,320
{\i1}in the history of congressional hearings.
186
00:12:42,820 --> 00:12:47,400
{\i1}No, not on the budget or deficit,
but on raunchy lyrics in rock music.
187
00:12:48,360 --> 00:12:51,530
{\i1}The whole event
would never have happened
188
00:12:51,630 --> 00:12:56,440
if these weren't the wives
of prominent US Senators.
189
00:12:57,110 --> 00:13:00,740
Rock lyrics have turned from,
"I can't get no satisfaction"
190
00:13:00,810 --> 00:13:03,810
to "I'm going to force you
at gun point to eat me alive."
191
00:13:05,450 --> 00:13:07,380
When management called and said,
192
00:13:07,450 --> 00:13:09,380
"They've asked
if you would like to testify."
193
00:13:10,150 --> 00:13:11,990
And I was like, "Hell, yeah."
194
00:13:22,900 --> 00:13:27,900
He kinda walked in and in his kind
of t-shirt and blonde hair out to here,
195
00:13:27,970 --> 00:13:29,400
uh, which I think was a wig.
196
00:13:30,310 --> 00:13:31,540
{\i1}I thought, "Oh, my God."
197
00:13:32,810 --> 00:13:37,850
I was certainly not going to dress up
or be somebody I was not
198
00:13:38,410 --> 00:13:39,880
{\i1}to impress these Senators.
199
00:13:42,180 --> 00:13:44,190
Mr. Snider, thank you for being here.
200
00:13:47,090 --> 00:13:52,130
At that point, the seriousness hit me,
201
00:13:53,400 --> 00:13:55,200
{\i1}and terror set in,
202
00:13:57,800 --> 00:14:03,210
and I said, "Oh, my God,
what have you gotten yourself into?"
203
00:14:04,510 --> 00:14:07,880
But then the other voice said,
"Snap out of it man!
204
00:14:08,010 --> 00:14:11,550
"You've got a job to do here, damn it,"
and I just started reading.
205
00:14:13,580 --> 00:14:17,020
I would like to use this occasion to speak
on a more personal note
206
00:14:17,150 --> 00:14:19,860
and show just how unfair the whole concept
207
00:14:19,920 --> 00:14:22,490
of lyrical interpretation
and judgement can be.
208
00:14:22,930 --> 00:14:24,360
And how many times this can amount
209
00:14:24,430 --> 00:14:26,730
to little more
than character assassination.
210
00:14:27,460 --> 00:14:31,170
Dee Snider was...
You know, he impressed me actually.
211
00:14:32,130 --> 00:14:36,100
The beauty of literature, poetry and music
is that they leave room
212
00:14:36,170 --> 00:14:39,780
for the audience to put its own
imagination, experiences and dreams
213
00:14:39,840 --> 00:14:40,840
into the words.
214
00:14:42,910 --> 00:14:44,650
As the creator of Under the Blade,
215
00:14:44,710 --> 00:14:46,480
I can say categorically
216
00:14:46,650 --> 00:14:49,950
that the only sado-masochism bondage
and rape in this song
217
00:14:50,020 --> 00:14:51,850
is in the mind of Miss Gore.
218
00:14:56,020 --> 00:14:59,230
Al was fuming, fuming.
219
00:15:01,130 --> 00:15:05,330
He would have had me taken out
and shot, uh, if he could have. He was...
220
00:15:05,530 --> 00:15:07,400
The fire in his eyes...
221
00:15:07,970 --> 00:15:09,540
Mr. Snider, thank you very much.
222
00:15:09,610 --> 00:15:10,810
Thank you for your time.
223
00:15:18,450 --> 00:15:24,690
I was really proud of Dee Snider
because he took them on.
224
00:15:27,290 --> 00:15:30,690
The PMRC hearings really backfired.
225
00:15:30,760 --> 00:15:32,260
They got their warning stickers,
226
00:15:32,900 --> 00:15:36,030
{\i1}but some artists saw that
as a badge of honor,
227
00:15:36,230 --> 00:15:37,270
saying to themselves,
228
00:15:37,330 --> 00:15:41,400
"if we haven't gotten
the warning label sticker,
229
00:15:41,470 --> 00:15:42,940
"we haven't been offensive enough."
230
00:15:46,440 --> 00:15:50,880
{\i1}The iconic parental advisory
sticker becomes the everlasting symbol
231
00:15:50,950 --> 00:15:54,980
{\i1}of the '80s culture war
between conservative America and its kids.
232
00:15:55,980 --> 00:16:01,990
All the songs that PMRC had on that list,
the filthy 15, are looked back on fondly
233
00:16:02,060 --> 00:16:08,000
by everybody and sung loudly and proudly
at every karaoke bar in the world.
234
00:16:17,370 --> 00:16:20,180
{\i1}If America's teen rockers
have silenced their parents,
235
00:16:20,410 --> 00:16:24,210
{\i1}a different group of young rebels
is about to face tougher opposition
236
00:16:24,280 --> 00:16:25,480
{\i1}on the streets of New York.
237
00:16:25,980 --> 00:16:30,050
This is not a game, you know,
it is a crime, you can go to jail for it.
238
00:16:33,360 --> 00:16:34,920
{\i1}It's the early '80s,
239
00:16:34,990 --> 00:16:37,090
{\i1}and there's a battle
on the streets of New York.
240
00:16:37,260 --> 00:16:39,760
{\i1}It's the spray can versus the man.
241
00:16:40,500 --> 00:16:42,400
I hate graffiti.
242
00:16:54,710 --> 00:16:57,350
I think it's the most disgusting thing
that New York City has.
243
00:16:58,310 --> 00:17:01,350
{\i1}But to some of the people
spritzing out their fluorescent visions,
244
00:17:01,520 --> 00:17:04,150
{\i1}graffiti is a profound expression
of creativity.
245
00:17:06,120 --> 00:17:09,360
We were just teenagers
going out there painting
246
00:17:09,420 --> 00:17:12,960
without any art training whatsoever.
247
00:17:13,030 --> 00:17:15,460
It was pure. It was coming from the gut.
248
00:17:15,830 --> 00:17:18,000
How did you get started painting graffiti?
249
00:17:18,970 --> 00:17:22,540
These guys came into the scene,
and I just started hanging out with them.
250
00:17:22,600 --> 00:17:24,370
Got to love graffiti, the trains.
251
00:17:24,440 --> 00:17:26,410
Aren't you scared to be a girl and do it?
252
00:17:29,140 --> 00:17:32,710
{\i1}It was one
of the few cross-racial movement.
253
00:17:33,080 --> 00:17:36,690
{\i1}So there were white kids,
there were black kids, and Latin kids,
254
00:17:36,750 --> 00:17:39,220
and I think that our whole movement
was based on rebellion,
255
00:17:39,290 --> 00:17:40,660
we were sticking it to the man.
256
00:17:48,300 --> 00:17:51,000
{\i1}The subway car
becomes the canvas of choice.
257
00:17:53,240 --> 00:17:56,540
{\i1}It was the matter of getting a tag
on each line and each division,
258
00:17:56,870 --> 00:17:59,140
you know, it's called, "going all city."
259
00:17:59,840 --> 00:18:02,910
People see your tags
in Queens, uptown, downtown, all over.
260
00:18:06,980 --> 00:18:12,250
The trains were a natural vehicle
because writers were presenting art,
261
00:18:12,890 --> 00:18:14,820
sending it to the other end of the city
262
00:18:14,890 --> 00:18:16,660
for those on the other end of the city
to see.
263
00:18:17,190 --> 00:18:19,060
And then the people
on the other end of the city would say,
264
00:18:19,130 --> 00:18:21,460
"Wow," and they would do something
and respond.
265
00:18:21,530 --> 00:18:25,000
So, basically send it back
to the Bronx, and that's how we did it.
266
00:18:27,140 --> 00:18:30,410
And we exposed our work
to thousands and thousands
267
00:18:30,540 --> 00:18:31,640
of schmucks going to work.
268
00:18:34,580 --> 00:18:37,110
So, our audience was large, it was huge.
269
00:18:38,610 --> 00:18:41,620
{\i1}But graffiti has no appeal
for the authorities.
270
00:18:42,650 --> 00:18:47,360
I will show you graffiti
such as the letters on the end of that car
271
00:18:47,420 --> 00:18:48,760
directly in back of me.
272
00:18:49,190 --> 00:18:50,390
Is that an art form?
273
00:18:50,460 --> 00:18:53,260
I don't know, I'm not an art critic,
274
00:18:53,330 --> 00:18:56,030
but I can sure as hell tell you
that that's a crime.
275
00:18:56,930 --> 00:18:59,470
You have the right to remain silent
and refuse to answer any questions.
276
00:18:59,540 --> 00:19:00,540
Do you understand?
277
00:19:01,400 --> 00:19:04,810
{\i1}I knew full well
what I was doing, this is not a game,
278
00:19:04,870 --> 00:19:07,580
you know, it is a crime,
you can go to jail for it.
279
00:19:09,180 --> 00:19:11,280
{\i1}Realizing it's fighting
a losing battle,
280
00:19:11,450 --> 00:19:14,280
{\i1}the city launches a new attack
on the rebels.
281
00:19:14,350 --> 00:19:17,050
So if you really wanna make something
out of your life, use your head.
282
00:19:17,120 --> 00:19:20,660
Or your voice,
but don't waste your time making a mess.
283
00:19:20,960 --> 00:19:25,090
{\i1}Make your mark in your society,
not on society.
284
00:19:25,630 --> 00:19:28,800
{\i1}New York Mayor Ed Koch
delivers the message loud and clear.
285
00:19:29,500 --> 00:19:34,940
Put your mark on society,
in doing something in society.
286
00:19:35,000 --> 00:19:37,810
I screwed it up a little bit,
but nevertheless, you got the message.
287
00:19:38,770 --> 00:19:39,780
{\i1}Sort of.
288
00:19:41,510 --> 00:19:44,880
{\i1}But the graffiti train
is quickly becoming the gravy train.
289
00:19:48,780 --> 00:19:52,120
I'm into making money.
You go to school and your teacher says,
290
00:19:52,220 --> 00:19:55,620
"It's not worth anything,
you don't make any money from graffiti."
291
00:19:55,690 --> 00:19:59,490
And you tell them, "When was the last time
you made $2,000 in a month huh?"
292
00:20:00,200 --> 00:20:03,930
What you had is a group
of non-school trained kids
293
00:20:04,530 --> 00:20:10,770
who were producing some of the most
prolific works of art ever seen.
294
00:20:11,540 --> 00:20:15,210
By the age of 16, I was exhibiting
in galleries and selling my paintings
295
00:20:15,280 --> 00:20:16,310
like hot cakes.
296
00:20:16,750 --> 00:20:19,280
Well, graffiti is more
than just the style, it's a culture.
297
00:20:20,220 --> 00:20:21,280
It's an entire culture.
298
00:20:22,320 --> 00:20:24,820
{\i1}The movement
gives rise to artists like Keith Haring,
299
00:20:25,150 --> 00:20:28,120
{\i1}Jean-Michel Basquiat and Fab 5 Freddy.
300
00:20:28,190 --> 00:20:31,390
All my friends call me Fab 5 Freddy,
you know?
301
00:20:31,990 --> 00:20:34,400
{\i1}And it's not long
before the A-list glitterati
302
00:20:34,460 --> 00:20:37,170
{\i1}are getting their faces
painted for the party.
303
00:20:48,510 --> 00:20:51,710
{\i1}When Blondie referenced
Fab 5 Freddy in the hit Rapture,
304
00:20:51,780 --> 00:20:53,220
{\i1}which I liked the song, by the way...
305
00:20:56,350 --> 00:21:00,960
...it did wonders for taking graffiti
into mainstream America
306
00:21:01,020 --> 00:21:02,620
and also across the globe.
307
00:21:05,430 --> 00:21:08,760
{\i1}Not to be outdone,
Madonna gets her own spray can out
308
00:21:08,830 --> 00:21:10,770
{\i1}in her hit song Borderline.
309
00:21:11,870 --> 00:21:15,040
{\i1}And even Andy Warhol
and Michael Jackson embrace graffiti.
310
00:21:17,240 --> 00:21:19,270
{\i1}For the urban artists of America,
311
00:21:19,340 --> 00:21:21,510
{\i1}the graffiti movement will go down
in history
312
00:21:21,580 --> 00:21:25,380
{\i1}as a fairytale story of tags to riches.
313
00:21:27,180 --> 00:21:31,550
What we see across the
1980s is forces rising up.
314
00:21:32,550 --> 00:21:37,860
{\i1}On one side you had conservative America,
on the other hand you have artists
315
00:21:38,060 --> 00:21:40,300
{\i1}who are willing to stand up
to that tidal wave
316
00:21:40,500 --> 00:21:42,900
and say,
"We're not gonna take it anymore."
317
00:21:45,430 --> 00:21:50,070
{\i1}The '80s, the decade
when pop culture waged war on its masters
318
00:21:50,670 --> 00:21:52,910
{\i1}and changed America forever.
28005
Can't find what you're looking for?
Get subtitles in any language from opensubtitles.com, and translate them here.