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Would you like to inspect the original subtitles? These are the user uploaded subtitles that are being translated: 1 00:01:43,200 --> 00:01:45,930 WELL, THAT'S NOT GOING TO WORK BECAUSE I CAN'T GIVE YOU ANY 2 00:01:46,000 --> 00:01:47,200 MORE EXTENSIONS. YEAH. 3 00:01:47,270 --> 00:01:51,000 I GOT TO TURN AROUND THESE NOTES BY C.O.B. 4 00:01:51,070 --> 00:01:53,170 GREAT. WELL, I'M RUNNING INTO A 5 00:01:53,240 --> 00:01:55,340 MEETING. I'LL CALL YOU AFTER. 6 00:01:55,410 --> 00:01:58,510 ALL RIGHT. THANKS. 7 00:01:58,580 --> 00:02:02,280 ALEC, I'M SO SORRY. NO, NO, NO. 8 00:02:02,350 --> 00:02:06,720 WHAT ABOUT DINNER THOUGH? YOU DIDN'T SAY NO. 9 00:02:06,790 --> 00:02:08,290 HOW ABOUT 7:00? GOOD. 10 00:02:08,360 --> 00:02:13,260 PICK YOU UP AT 7:00. HAVE A GOOD DAY. 11 00:02:13,330 --> 00:02:20,200 I WAS LIKE, LOOK AT HER. YOU REALLY WERE SOMETHING IN 12 00:02:20,270 --> 00:02:21,070 THERE. SOMETHING? 13 00:02:21,140 --> 00:02:24,570 SOMETHING LIKE WHAT? LIKE A YOUNG, HOT EXECUTIVE 14 00:02:24,640 --> 00:02:27,640 BOSS LADY READY TO TAKE ON THE WORLD. 15 00:02:27,710 --> 00:02:30,610 YEAH, RIGHT. NO, SERIOUSLY. 16 00:02:30,680 --> 00:02:33,650 YOU WERE IN CHARGE. YOU WERE CONFIDENT. 17 00:02:33,720 --> 00:02:37,820 YOU WERE TOUGH BUT KIND. YOU KNOW, ALL THE MAKINGS OF A 18 00:02:37,890 --> 00:02:41,520 WOMAN ON THE MOVE. A WOMAN IN CHARGE. 19 00:02:41,590 --> 00:02:45,730 WOW. YOU SAW ALL THAT JUST IN A FEW 20 00:02:45,790 --> 00:02:47,660 MINUTES IN MY OFFICE. YEAH, YEAH. 21 00:02:47,730 --> 00:02:51,330 I WAS IMPRESSED. BUT I WASN'T SURPRISED. 22 00:02:51,400 --> 00:02:54,070 YOU HAVE REALLY TAKEN THE BALL AND RUN WITH IT. 23 00:02:54,140 --> 00:02:57,000 I WAS PROUD OF YOU. THANK YOU. 24 00:02:57,070 --> 00:03:03,080 I MEAN, I DO LOVE IT. AND I HAVE LEARNED SO MUCH. 25 00:03:03,140 --> 00:03:05,710 BUT ENOUGH ABOUT ME. I MEAN, WHAT ABOUT YOU? 26 00:03:05,780 --> 00:03:08,420 HOW DOES IT FEEL TO BE THE MAN OF THE HOUR? 27 00:03:08,480 --> 00:03:14,990 I SEE YOUR FACE EVERYWHERE. OH, IT'S NOT EVERYWHERE. 28 00:03:15,060 --> 00:03:18,830 BESIDE A FEW BUILDINGS AND THE BUSSES GOING BY. 29 00:03:18,890 --> 00:03:24,530 OH, HUMBLE AS EVER I SEE. YOU KNOW, I REALLY FEEL LIKE 30 00:03:24,600 --> 00:03:28,440 I FOUND MY CALLING HERE. YOU KNOW, WHEN MY PLAYING CAREER 31 00:03:28,500 --> 00:03:32,340 ENDED AS ABRUPTLY AS IT DID, I WASN'T SURE I WAS GOING TO BE 32 00:03:32,410 --> 00:03:36,210 ABLE TO FIND MYSELF AGAIN, YOU KNOW? 33 00:03:36,280 --> 00:03:39,750 BUT NOW IF I CAN'T PLAY FOOTBALL, AT LEAST I CAN TALK 34 00:03:39,850 --> 00:03:42,520 ABOUT IT. YOU MEAN RANT ABOUT IT, DON'T 35 00:03:42,580 --> 00:03:44,150 YOU? OH, COME ON. 36 00:03:44,220 --> 00:03:47,320 I'M JUST TELLING THE TRUTH NOW. AND THE FACT THAT I HAVE A 37 00:03:47,390 --> 00:03:49,690 CO-HOST MAKES IT A FAIR EXCHANGE OF IDEAS. 38 00:03:49,760 --> 00:03:53,290 I'M NOT SURE THAT DeMARCO FOX WOULD SAY IT WAS FAIR. 39 00:03:53,360 --> 00:03:57,300 OH, DeMARCO. THAT BOY MEANS WELL. 40 00:03:57,370 --> 00:04:00,330 HE IS JUST AFRAID OF A LITTLE FIRE, YOU KNOW? 41 00:04:00,400 --> 00:04:03,440 AND I JUST HAPPEN TO BE THE MATCH THAT KEEPS IT LIT. 42 00:04:03,500 --> 00:04:05,540 THAT'S KIND OF WHAT MAKES US WORK. 43 00:04:05,610 --> 00:04:09,080 OH, OKAY. AGAIN, SO HUMBLE. 44 00:04:09,140 --> 00:04:12,780 RIGHT. LISTEN, I'M JUST NOT AFRAID TO 45 00:04:12,850 --> 00:04:16,420 SAY WHAT A LOT OF PEOPLE ARE THINKING. 46 00:04:16,480 --> 00:04:19,450 YOU KNOW? THE TRUTH. 47 00:04:19,520 --> 00:04:25,860 THE SOMETIMES CONTROVERSIAL PERSPECTIVE BUT RAW HONESTY. 48 00:04:25,930 --> 00:04:29,230 ISN'T THAT WHAT THE WORLD NEEDS A LITTLE BIT MORE OF THESE DAYS? 49 00:04:29,300 --> 00:04:33,470 I THINK THAT TRUTH AND HONESTY ARE A RARE COMMODITY 50 00:04:33,530 --> 00:04:40,640 THESE DAYS. WAS THAT SHOT AIMED AT ME? 51 00:04:40,710 --> 00:04:45,180 ARE YOU SAYING THAT I SOMEHOW HAVEN'T BEEN HONEST WITH YOU? 52 00:04:45,250 --> 00:04:50,380 I MEAN, I'M JUST WONDERING, ALEC, DOES YOUR FIANCÉE KNOW 53 00:04:50,450 --> 00:04:53,450 THAT YOU WEREN'T GOING TO BE HOME FOR DINNER. 54 00:04:53,520 --> 00:04:59,190 IS HER COOKING AS TIGHT AS THOSE SHORT SKIRTS THAT SHE WEARS? 55 00:04:59,260 --> 00:05:00,760 MADISON, I TOLD YOU THAT WAS OVER. 56 00:05:00,830 --> 00:05:03,030 IT WAS OVER WHEN I SAW YOU AT THE SHELTER. 57 00:05:03,100 --> 00:05:06,500 YOU KNOW, SHELLY, SHE WAS NEVER REALLY THE ONE. 58 00:05:06,570 --> 00:05:14,470 SHE HARDLY KNEW ME. SO I TOLD HER RESPECTFULLY THAT 59 00:05:14,540 --> 00:05:24,380 OUR RELATIONSHIP WAS OVER, AND THEN I POLITELY THREW HER OUT. 60 00:05:24,450 --> 00:05:28,060 ALEC, THAT DOESN'T SOUND POLITE. 61 00:05:28,120 --> 00:05:32,630 YEAH. WE 62 00:05:32,690 --> 00:05:39,270 WELL, IF I'M GONNA BE HONEST ABOUT IT, IT WAS BECAUSE OF YOU. 63 00:05:39,330 --> 00:05:44,570 I MEAN, YOU REALLY, REALLY OPENED MY EYES. 64 00:05:44,640 --> 00:05:49,010 YOU MADE ME TAKE A LOOK INSIDE AND SEE WHAT KIND OF MAN I 65 00:05:49,080 --> 00:05:53,410 REALLY WANT TO BE. MORE IMPORTANTLY, WHAT KIND OF 66 00:05:53,480 --> 00:06:02,790 WOMAN I WANT IN MY LIFE. AND I NEED SOMEBODY THAT KNOWS 67 00:06:02,860 --> 00:06:09,360 MY HEART AND TOUCHES IT. EVERY DAY. 68 00:06:09,460 --> 00:06:15,640 SOMEBODY LIKE YOU. I MISS YOU. 69 00:06:15,700 --> 00:06:23,040 I THINK ABOUT YOU EVERY DAY. CAN'T STOP. 70 00:06:23,110 --> 00:06:30,750 WHY DON'T YOU GIVE ME A CHANCE? LET ME SHOW YOU HOW MUCH I CARE 71 00:06:30,820 --> 00:06:37,920 ABOUT YOU. WHY DON'T YOU GIVE US A CHANCE? 72 00:06:37,990 --> 00:06:41,290 MAN, THAT WAS GOOD. IT WAS. 73 00:06:41,360 --> 00:06:45,530 SO WHAT DO YOU THINK? COME BY THE HOUSE, HAVE A NIGHT 74 00:06:45,600 --> 00:06:48,440 CAP? I REALLY NEED TO GET HOME NOW 75 00:06:48,500 --> 00:06:56,610 TO THE KIDS. AND, HONESTLY, ALEC, MY HEART IS 76 00:06:56,680 --> 00:07:04,450 ON LOCKDOWN. WELL, LISTEN, IF I PROMISE NO 77 00:07:04,520 --> 00:07:10,090 FUNNY STUFF, I REALLY DON'T WANT THE NIGHT TO END JUST YET. 78 00:07:10,160 --> 00:07:13,530 YOU KNOW? THAT SOUNDS NICE. 79 00:07:13,590 --> 00:07:17,900 IT DOES. BUT MAYBE ANOTHER TIME. 80 00:07:17,970 --> 00:07:26,010 MAYBE SO. THANK YOU. 81 00:07:26,070 --> 00:07:29,640 YOU'RE WELCOME. DRIVE SAFE, OKAY? 82 00:07:29,710 --> 00:07:32,880 I WILL. LET ME KNOW WHEN YOU MAKE IT 83 00:07:32,950 --> 00:07:34,510 HOME. YEAH, I'LL TEXT YOU. 84 00:07:34,580 --> 00:07:36,520 ALL RIGHT. OKAY, GOOD NIGHT. 85 00:07:36,580 --> 00:07:49,630 GOOD NIGHT. I HEAR YOU, BUT I CANNOT 86 00:07:49,700 --> 00:07:54,970 UNDERSTAND ANY OF THESE NEW RAPPERS. 87 00:07:55,040 --> 00:07:58,270 HI. HI. 88 00:07:58,340 --> 00:08:01,980 DID YOU GUYS HEAT UP THE DINNER THAT I LEFT FOR YOU? 89 00:08:02,040 --> 00:08:05,680 YEAH, IT WAS PRETTY GOOD. JACKIE AND I WERE JUST GOING 90 00:08:05,750 --> 00:08:08,550 TO FINISH OUR HOMEWORK. RIGHT, JACKIE? 91 00:08:08,650 --> 00:08:10,850 YEAH. NIGHT DAD. 92 00:08:10,920 --> 00:08:13,390 NIGHT, CHAMP. NIGHT, PRINCESS. 93 00:08:13,450 --> 00:08:15,160 LOVE YOU. LOVE YOU, TOO. 94 00:08:15,220 --> 00:08:19,930 JAKE, SURPRISED TO SEE YOU HERE. 95 00:08:19,990 --> 00:08:24,530 THE LAST TIME YOU SPENT TIME WITH YOUR KIDS WAS WEEKS AGO. 96 00:08:24,600 --> 00:08:27,570 JACKIE'S SHOES HAVE GOTTEN THREE SIZES BIGGER. 97 00:08:27,640 --> 00:08:31,040 BUT YOU KNOW WHAT? WHY DON'T YOU JUST SPIT IT OUT 98 00:08:31,110 --> 00:08:32,940 AND TELL ME WHY YOU'RE REALLY HERE. 99 00:08:33,010 --> 00:08:36,210 LOOK, I WAS GIVING YOU A LITTLE SPACE FOR YOU TO CALM 100 00:08:36,280 --> 00:08:38,580 DOWN A LITTLE BIT. OH, YEAH, RIGHT. 101 00:08:38,650 --> 00:08:41,410 YOU MEAN SINCE YOU RAN TO L.A. WITH YOUR CLIENT AND LEFT YOUR 102 00:08:41,480 --> 00:08:44,520 FAMILY HIGH AND DRY. YOU KNOW IT WASN'T LIKE THAT. 103 00:08:44,590 --> 00:08:47,050 OH, MY GOSH. I CAN'T BELIEVE YOU'RE STILL 104 00:08:47,120 --> 00:08:49,660 TRYING TO LIE ABOUT THIS. JAKE, JUST ADMIT IT. 105 00:08:49,720 --> 00:08:52,630 WHILE YOU WERE SLEEPING WITH ME TRYING TO CONVINCE ME THAT YOU 106 00:08:52,690 --> 00:08:56,430 LOVED ME AND THAT YOU WANTED YOUR FAMILY BACK, YOU WERE ALSO 107 00:08:56,500 --> 00:08:59,300 SLEEPING WITH YOUR LATEST CONTEST, WHO ALSO HAPPENS TO BE 108 00:08:59,370 --> 00:09:01,400 YOUR CLIENT. OKAY, OKAY, OKAY. 109 00:09:01,470 --> 00:09:06,940 IT LOOKS BAD. MADDIE, I REALLY DO LOVE YOU. 110 00:09:07,010 --> 00:09:10,740 YOU GUYS ARE MY FAMILY, AND I WANT TO COME HOME. 111 00:09:10,810 --> 00:09:13,550 THINK ABOUT THE KIDS. THEY NEED THEIR FATHER. 112 00:09:13,610 --> 00:09:15,480 OKAY. NO, STOP. 113 00:09:15,550 --> 00:09:18,420 DON'T DO THAT. DON'T USE OUR CHILDREN TO 114 00:09:18,490 --> 00:09:23,760 MANIPULATE MY EMOTIONS. THAT'S NOT GOING TO WORK 115 00:09:23,820 --> 00:09:31,570 ANYMORE. I SAID I WAS GOING TO START 116 00:09:31,630 --> 00:09:34,170 MAKING REGULAR PAYMENTS, AND I WAS SERIOUS ABOUT THAT. 117 00:09:34,270 --> 00:09:37,300 OKAY. WELL, I REALLY WANT TO THROW 118 00:09:37,410 --> 00:09:41,540 THIS BACK IN YOUR FACE, ALONG WITH YOU OUT THE DOOR. 119 00:09:41,610 --> 00:09:44,140 I'M NOT GOING TO DO THAT. YOU KNOW WHY? 120 00:09:44,210 --> 00:09:46,910 BECAUSE OF THEM. THEY DESERVE BETTER AND MORE 121 00:09:46,980 --> 00:09:52,220 THAN WHAT'S IN THIS ENVELOPE. SO ON THEIR BEHALF, THANK YOU 122 00:09:52,290 --> 00:10:11,610 AND GOOD NIGHT. HEY. 123 00:10:11,670 --> 00:10:15,910 I'M JUST SAYING WHY DO YOU ALWAYS HAVE TO HARP ON THE 124 00:10:15,980 --> 00:10:17,880 NEGATIVE. CAN'T WE FIND SOMETHING POSITIVE 125 00:10:17,950 --> 00:10:21,950 WE BOTH CAN AGREE ON FOR ONCE? OKAY, LOOK. 126 00:10:22,020 --> 00:10:25,020 I'M NEVER GOING TO AGREE WITH YOU ON ANYTHING I DON'T AGREE 127 00:10:25,090 --> 00:10:25,920 WITH. IMPOSSIBLE. 128 00:10:25,990 --> 00:10:29,290 NOW MAYBE IF YOU COULD COME UP WITH A SENSIBLE PERSPECTIVE 129 00:10:29,360 --> 00:10:32,460 ON, I DON'T KNOW, ANYTHING, WE COULD FIND SOME COMMON GROUND. 130 00:10:32,530 --> 00:10:36,630 SO YOU'RE SAYING I'M NOT SENSIBLE, ALEC, REALLY? 131 00:10:36,700 --> 00:10:38,730 GUYS, LET'S SAVE IT FOR THE SHOW. 132 00:10:38,800 --> 00:10:43,940 I HAVE SOMEONE I WOULD LIKE YOU TO MEET, VERONICA ISAACS. 133 00:10:44,010 --> 00:10:47,370 NICE TO MEET YOU. ALEC DARBY. 134 00:10:47,440 --> 00:10:50,310 DeMARCO FOX. VERY NICE TO MEET YOU. 135 00:10:50,380 --> 00:10:52,580 OKAY. I'M HERE. 136 00:10:52,680 --> 00:10:56,780 WHAT HAPPENED IN TELL ME HOW IT WENT. 137 00:10:56,850 --> 00:10:59,720 WHAT? YOU KNOW WHAT. 138 00:10:59,790 --> 00:11:02,160 DINNER WITH ALEC. DON'T LEAVE ME HANGING. 139 00:11:02,220 --> 00:11:04,790 OKAY. WELL, YOU WERE RIGHT ALL ALONG. 140 00:11:04,860 --> 00:11:08,860 HE ADMITTED THAT HE MISSED ME AND THAT HE THINKS ABOUT ME ALL 141 00:11:08,930 --> 00:11:09,730 THE TIME. SEE? 142 00:11:09,830 --> 00:11:12,970 I TOLD YOU. HE GOT IT BAD FOR YOU. 143 00:11:13,030 --> 00:11:15,240 WHAT ABOUT THAT GOLD DIGGER FIANCE? 144 00:11:15,300 --> 00:11:19,070 SHE STILL HANGING AROUND HIM? ACCORDING TO ALEC, NO. 145 00:11:19,140 --> 00:11:22,110 HE THREW HER OUT. HE ACTUALLY SAID THAT SOMETHING 146 00:11:22,180 --> 00:11:25,480 I SAID OPENED HIS EYES. WAIT. 147 00:11:25,550 --> 00:11:28,310 GIVE ME THE DEETS. WHAT HAPPENED? 148 00:11:28,380 --> 00:11:31,690 WHAT ELSE DID YOU OPEN? OH, MY GOSH. 149 00:11:31,750 --> 00:11:33,090 NOTHING. DID YOU GO INTO HIS ROOM 150 00:11:33,150 --> 00:11:35,590 AND -- NO, NO. 151 00:11:35,660 --> 00:11:41,430 BUT I THOUGHT ABOUT IT HARD. YOU KNOW WHAT, THE LAST THING I 152 00:11:41,500 --> 00:11:45,230 NEED IS TO JUMP INTO BED WITH THIS MAN AND REALIZED I CHECKED 153 00:11:45,300 --> 00:11:47,670 MYSELF INTO THE HEARTBREAK HOTEL AGAIN. 154 00:11:47,740 --> 00:11:53,010 YOU BETTER GO AHEAD AND JUMP HIM BEFORE ANYBODY ELSE DOES. 155 00:11:53,070 --> 00:11:59,410 THEY ALL GOT A KEY AND A ROOM WITH A VIEW. 156 00:11:59,480 --> 00:12:02,880 SPEAKING OF THE DEVIL. BE QUIET. 157 00:12:02,950 --> 00:12:04,750 WELL, HELLO. HI, ALEC. 158 00:12:04,820 --> 00:12:08,390 WELL, HELLO TO YOU. I WANT TO THANK YOU FOR DINNER. 159 00:12:08,460 --> 00:12:11,060 OH, NO. I'M THE ONE WHO SHOULD BE 160 00:12:11,130 --> 00:12:14,330 THANKING YOU. WELL, THAT'S ACTUALLY NOT THE 161 00:12:14,400 --> 00:12:18,600 ONLY REASON I CALLED. I'M SORRY IN ADVANCE FOR THE 162 00:12:18,670 --> 00:12:21,630 LAST-MINUTE INVITATION, BUT I WAS WONDERING IF YOU WOULD BE MY 163 00:12:21,700 --> 00:12:24,070 PLUS ONE TO A WORK EVENT TOMORROW NIGHT. 164 00:12:24,140 --> 00:12:26,710 TOMORROW? YEAH. 165 00:12:26,770 --> 00:12:29,940 REX WAS SUPPOSED TO GO WITH ME BUT APPARENTLY HE LANDED SOME 166 00:12:30,010 --> 00:12:33,250 HOT DATE AND CANCELED ON ME. THE NETWORK IS CELEBRATING THE 167 00:12:33,310 --> 00:12:37,980 SUCCESS OF THE SHOW, AND APPARENTLY "HARDBALLING" HAS 168 00:12:38,050 --> 00:12:42,590 BECOME GT M's SIGNATURE EVENT TO THEY'RE DOING A BIG PRECEDENT. 169 00:12:42,660 --> 00:12:45,890 WELL, CONGRATULATIONS, BUT I'M NOT SURE I CAN MAKE IT 170 00:12:45,960 --> 00:12:47,390 TOMORROW. SAY YES. 171 00:12:47,460 --> 00:12:49,460 WHATEVER IT IS, JUST GO. ARE YOU SURE? 172 00:12:49,530 --> 00:12:53,000 BEING THE STAR OF THE SHOW, IT'S GOING TO LOOK KIND OF WEIRD FOR 173 00:12:53,070 --> 00:12:56,540 ME TO SHOW UP BY MYSELF. AND HONESTLY, I CAN'T THINK 174 00:12:56,600 --> 00:12:59,640 ABOUT ANYBODY ELSE I'D RATHER HAVE WITH ME. 175 00:12:59,710 --> 00:13:01,610 OKAY. YES. 176 00:13:01,680 --> 00:13:04,410 IT SOUNDS LIKE FUN. GREAT. 177 00:13:04,480 --> 00:13:08,480 CAN YOU MEET ME AT THE STUDIO? WE'RE FILMING AN EPISODE BEFORE 178 00:13:08,550 --> 00:13:10,620 THE EVENT AND WE CAN GO FROM THERE. 179 00:13:10,720 --> 00:13:13,990 I CAN GIVE YOU A TOUR. HOW'S 6:00? 180 00:13:14,050 --> 00:13:15,160 ALL RIGHT. 6:00 IT IS. 181 00:13:15,220 --> 00:13:17,660 AWESOME. I LOOK FORWARD TO IT. 182 00:13:17,730 --> 00:13:21,260 I'LL SEE YOU THEN. YEAH, ME TOO. 183 00:13:21,330 --> 00:13:23,260 BYE. WELL, NOW WHAT AM I GOING TO 184 00:13:23,330 --> 00:13:25,100 WEAR? COME ON, GIRL. 185 00:13:25,170 --> 00:13:29,750 LET'S WORK ON T 186 00:13:33,260 --> 00:13:36,930 >MIND IF I COME IN? NO, OF COURSE NOT. 187 00:13:37,030 --> 00:13:41,200 WHAT CAN I DO FOR YOU? WOW. 188 00:13:41,270 --> 00:13:49,470 WELL, YOU LOOK AMAZING. THAT COLOR IS GORGEOUS WITH YOUR 189 00:13:49,540 --> 00:13:51,770 EYES. THANK YOU. 190 00:13:51,840 --> 00:13:56,280 WHAT CAN I HELP YOU WITH? WELL, MR. DARBY, 191 00:13:56,350 --> 00:13:59,750 CONGRATULATIONS ON THE SUCCESS OF THE SHOW. 192 00:13:59,820 --> 00:14:04,520 IT IS A REALLY BIG DEAL. A LOT OF A LISTERS, SPORTS 193 00:14:04,590 --> 00:14:06,320 STARS. BUT YOU ARE THE BIGGEST ONE OF 194 00:14:06,390 --> 00:14:08,190 THEM ALL. COME ON. 195 00:14:08,260 --> 00:14:10,860 YEAH, YOU. I THINK SO. 196 00:14:10,930 --> 00:14:14,730 I DO. YOU KNOW, YOU'RE THE MAN OF THE 197 00:14:14,830 --> 00:14:16,630 HOUR. YOU HAVE CAPTURED THE 198 00:14:16,700 --> 00:14:20,040 FASCINATION OF THE COUNTRY. COME ON, YOU KNOW THAT. 199 00:14:20,100 --> 00:14:23,870 MEN ARE LOVING YOUR NO HOLD PUNCHES COMMENTARY. 200 00:14:23,940 --> 00:14:29,610 AND THE WOMEN, WELL, THEY JUST -- THEY SEEM TO LOVE YOU. 201 00:14:29,680 --> 00:14:33,120 YOU HAVE PUT OUR START-UP NETWORK ON THE MAP. 202 00:14:33,180 --> 00:14:36,090 THAT'S A LOT. I'M NOT SURE I'M BUYING ALL 203 00:14:36,150 --> 00:14:37,490 THAT. BUT THANK YOU. 204 00:14:37,560 --> 00:14:41,760 OH, NO NEED TO EAT THAT HUMBLE PIE. 205 00:14:41,830 --> 00:14:45,300 I HAVE AN IDEA. HOW ABOUT YOU AND ME GO TO THE 206 00:14:45,360 --> 00:14:47,260 PARTY TOGETHER TONIGHT? WHAT DO YOU THINK? 207 00:14:47,330 --> 00:14:52,870 YOU KNOW, WITH YOUR STAR POWER AND MY NEW EXECUTIVE TITLE, WE 208 00:14:52,940 --> 00:14:57,670 CAN MAKE A DRAMATIC ENTRANCE, DRIVE THE PRESS CRAZY. 209 00:14:57,740 --> 00:15:00,280 WE'LL BE FRONT PAGE NEWS. WHAT DO YOU SAY? 210 00:15:00,340 --> 00:15:03,650 YEAH, WE PROBABLY WOULD, BUT UNFORTUNATELY I ALREADY HAVE A 211 00:15:03,710 --> 00:15:06,480 DATE, SO I'M NOT GOING TO BE ABLE TO MAKE THAT HAPPEN. 212 00:15:06,550 --> 00:15:09,020 OH. I'M SORRY. 213 00:15:09,090 --> 00:15:12,020 I DIDN'T REALIZE THERE WAS A MRS. DARBY. 214 00:15:12,090 --> 00:15:16,090 IS IT SERIOUS? YOU KNOW WHAT, THOUGH, I DO 215 00:15:16,160 --> 00:15:22,730 THINK THAT DeMARCO RSVPED TODAY AND I THINK HE WOULD BE HAPPY TO 216 00:15:22,800 --> 00:15:26,400 ACCOMPANY YOU. AND HE COULD USE THE FRONT PAGE 217 00:15:26,470 --> 00:15:28,270 NEWS. NOW, WITH ALL THE WEALTHY BLACK 218 00:15:28,340 --> 00:15:30,810 PEOPLE IN THE UNITED STATES, MICHAEL JORDAN IS THE ONLY ONE 219 00:15:30,870 --> 00:15:33,680 THAT OWNS A PRO TEAM. WHAT'S UP WITH THAT? 220 00:15:33,740 --> 00:15:38,510 THE NFL HAS BEEN AROUND FOR 100 YEARS AND STILL NO BLACK OWNERS. 221 00:15:38,580 --> 00:15:42,650 NOW, WE'RE FIGHTING OUT THERE AND RISK OUR NECK TO MAKE THEM A 222 00:15:42,720 --> 00:15:46,590 LOT OF MONEY. HEY, THERE'S BEEN A LOT OF 223 00:15:46,660 --> 00:15:49,790 PROGRESS, THOUGH, RIGHT? LOOK AT ALL THE BLACK ATHLETES 224 00:15:49,860 --> 00:15:53,160 IN LEADERSHIP POSITIONS. YOU DIDN'T SEE THAT YEARS AGO, 225 00:15:53,230 --> 00:15:57,070 SO THE ROONEY RULE IS WORKING, OBVIOUSLY. 226 00:15:57,130 --> 00:16:00,600 BUT WHEN YOU LOOK AT THE STATS, HOW CAN YOU SAY THAT? 227 00:16:00,700 --> 00:16:03,310 SURE, WE MADE SOME PROGRESS. BUT NOW WE'RE ABOUT BACK WHERE 228 00:16:03,370 --> 00:16:06,310 WE STARTED. LOOK AT HOW MANY TEAMS HAVE 229 00:16:06,380 --> 00:16:09,280 BLACK QUARTERBACKS. NOT JUST BACKUPS. 230 00:16:09,350 --> 00:16:12,520 THEY'RE THE STARTERS. THEY'RE IN THE PLAYOFFS. 231 00:16:12,580 --> 00:16:15,720 I'M TALKING ABOUT OWNERSHIP, DeMARCO. 232 00:16:15,790 --> 00:16:18,420 100 YEARS AND STILL NOT ONE BLACK OWNER. 233 00:16:18,490 --> 00:16:19,990 NO. THEY KEEP THOSE FRANCHISES IN 234 00:16:20,090 --> 00:16:22,790 THEIR FAMILIES GOING ON SECOND AND THIRD GENERATIONS. 235 00:16:22,860 --> 00:16:25,600 WE CAN'T GET IN THIS ELITE CIRCLE IF WE TRIED. 236 00:16:25,660 --> 00:16:29,770 AND YOU'RE NOT GOING TO LIKE IT, BUT I'M GOING TO TELL YOU 237 00:16:29,830 --> 00:16:30,770 ANYWAY. IT'S RACIST. 238 00:16:30,830 --> 00:16:33,800 FIRST THING YOU PEOPLE WANT TO CRY IS RACISM. 239 00:16:33,870 --> 00:16:38,740 BUT HOW MANY OF US HAVE $2 TO $3 BILLION LYING AROUND TO BUY A 240 00:16:38,810 --> 00:16:40,480 TEAM. FIRST OF ALL, LAST TIME I 241 00:16:40,540 --> 00:16:44,210 CHECKED, YOU ARE ONE OF "YOU PEOPLE." 242 00:16:44,280 --> 00:16:48,250 IT'S NOT ALWAYS ABOUT THE MONEY. MAN, THAT WAS A RARE 243 00:16:48,350 --> 00:16:52,860 INSTANCE. EXACTLY MY POINT. 244 00:16:52,920 --> 00:16:55,220 A BLIND MAN CAN SEE THIS, BRO. 245 00:16:55,290 --> 00:16:59,200 SO NOW YOU CALLING ME BLIND? WELL, I'M NOT THE ONE THAT'S 246 00:16:59,260 --> 00:17:01,800 BLIND AS A BAT. AT LEAST I CAN SEE IT'S TIME TO 247 00:17:01,900 --> 00:17:04,470 WRAP IT UP FOR NOW. I'M DeMARCO FOX. 248 00:17:04,540 --> 00:17:10,170 AND I'M ALEC DARBY TAKING A TIME-OUT UNTIL THE NEXT 249 00:17:10,240 --> 00:17:11,870 "HARDBALLING". OKAY, CLEAR. 250 00:17:11,940 --> 00:17:19,280 BRO, I DON'T APPRECIATE THOSE LITTLE DIGS YOU KEEP PUSHING MY 251 00:17:19,350 --> 00:17:21,950 WAY ON THE AIR. IT'S JUST A SHOW. 252 00:17:22,020 --> 00:17:25,860 GET OVER IT. WHOO! 253 00:17:25,920 --> 00:17:27,760 YOU LOOK AMAZING. THANK YOU. 254 00:17:27,830 --> 00:17:29,530 HELLO. HI. 255 00:17:29,590 --> 00:17:34,260 HEY, I DON'T KNOW IF YOU HAVE MET MY COHOST DeMARCO FOX. 256 00:17:34,330 --> 00:17:35,430 MADISON MORRIS. WOW. 257 00:17:35,500 --> 00:17:38,700 I GUESS IT'S TRUE WHAT THEY SAY, BEAUTY AND THE BEAST. 258 00:17:38,770 --> 00:17:42,570 OPPOSITES REALLY DO ATTRACT. IT IS NICE TO MEET YOU, MADISON. 259 00:17:42,640 --> 00:17:45,140 NICE TO MEET YOU TOO, DeMARCO. 260 00:17:45,210 --> 00:18:01,960 OKAY WITH THE SMILE. GOSH, I HATE HIM. 261 00:18:02,030 --> 00:18:04,760 ALEC. HOW ARE YOU DOING, BROTHER? 262 00:18:04,830 --> 00:18:07,100 I'M GOOD, MAN. I'M GOOD. 263 00:18:07,160 --> 00:18:09,100 YOU LOOK BEAUTIFUL, MADISON. THANK YOU, NICK. 264 00:18:09,170 --> 00:18:14,740 WELL, IT LOOKS LIKE THE SHOW IS A BONA FIDE HIT BROTHER, SO 265 00:18:14,810 --> 00:18:17,970 LET'S KEEP IT GOING. MR. DARBY, OVER HERE. 266 00:18:18,040 --> 00:18:21,680 YOU SAID SOME PRETTY HARSH THINGS ABOUT THE NFL AND ITS 267 00:18:21,750 --> 00:18:27,220 OWNERS ON THE SHOW. ARE YOU DISHING BACK PAY BACK 268 00:18:27,280 --> 00:18:28,650 BEING CUT FROM THE LEAGUE? NO. 269 00:18:28,720 --> 00:18:30,090 NO. AND WHAT IS THE DEAL BETWEEN 270 00:18:30,150 --> 00:18:35,120 YOU AND DeMARCO FOX. ARE YOU FOR REAL ADVERSARIES ON 271 00:18:35,230 --> 00:18:36,990 AND OFF AIR? YEAH, NO. 272 00:18:37,060 --> 00:18:38,760 WE'RE GOOD. IT'S JUST FOR THE SHOW. 273 00:18:38,860 --> 00:18:41,060 I LIKE HIM. HE'S A GOOD GUY. 274 00:18:41,130 --> 00:18:45,370 ARE YOU SAYING Y'ALL GOT A BROMANCE GOING? 275 00:18:45,440 --> 00:18:49,170 WHO IS THIS LOVELY LADY WITH YOU TONIGHT? 276 00:18:49,240 --> 00:18:52,140 IS THIS THE NEW BOO? THAT'S A GOOD QUESTION. 277 00:18:52,210 --> 00:18:56,910 I'M SURE ALL THE LADIES OUT THERE DYING TO KNOW. 278 00:18:56,980 --> 00:18:58,750 OKAY. THANK YOU. 279 00:18:58,820 --> 00:19:01,820 THANK YOU. GO ON. 280 00:19:01,920 --> 00:19:04,950 IF I COULD ASK YOU A FEW MORE QUESTIONS. 281 00:19:05,020 --> 00:19:21,140 YES, PLEASE. SO BASICALLY -- 282 00:19:21,210 --> 00:19:26,640 YOU KNOW, I HAD NO IDEA HOW WELL THE SHOW WAS ALREADY DOING. 283 00:19:26,710 --> 00:19:29,980 THE NETWORK IS ALREADY TALKING ABOUT PICKING UP ANOTHER SEASON. 284 00:19:30,050 --> 00:19:35,280 WOW. THAT'S TERRIFIC. 285 00:19:35,350 --> 00:19:38,020 YEAH. I HOPE YOU HAD A GOOD TIME. 286 00:19:38,090 --> 00:19:41,620 I MEAN, THE PARTY WAS REALLY SOMETHING. 287 00:19:41,690 --> 00:19:44,430 YOU KNOW, THE FOOD, THE CELEBRITIES, THE MEDIA. 288 00:19:44,490 --> 00:19:46,560 YEAH. I'M SORRY. 289 00:19:46,660 --> 00:19:50,870 I FORGOT HOW CRAZY IT COULD BE TO BE THRUST IN THAT SPOTLIGHT, 290 00:19:50,970 --> 00:19:53,700 WALKING A GAUNTLET. THE PRESS CAN BE BRUTAL. 291 00:19:53,770 --> 00:19:57,870 I'M SORRY. I HAVE TO ADMIT I JUST WASN'T 292 00:19:57,940 --> 00:20:01,080 PREPARED FOR ANY OF THAT. I CERTAINLY WASN'T PREPARED FOR 293 00:20:01,140 --> 00:20:03,980 YOUR NEW BOSS. SHE'S A PIECE OF WORK. 294 00:20:04,050 --> 00:20:08,650 YEAH. SHE IS A BIT MUCH. 295 00:20:08,720 --> 00:20:13,690 I THINK SHE WANTS YOU. WHAT? 296 00:20:13,760 --> 00:20:15,960 NO. YOU THINK? 297 00:20:16,030 --> 00:20:19,160 YEAH. TRUST ME, A WOMAN KNOWS THESE 298 00:20:19,230 --> 00:20:22,300 THINGS, SO JUST WATCH OUT BECAUSE DON'T LET HER TAKE 299 00:20:22,370 --> 00:20:24,530 ADVANTAGE OF YOU. NO, NO. 300 00:20:24,600 --> 00:20:34,240 THAT'S NOT GONNA HAPPEN. ONLY PERSON I WANT IS YOU. 301 00:20:34,310 --> 00:20:41,150 ALEC, I'M NOT SURE. I AM. 302 00:20:41,220 --> 00:20:45,590 AND I GET MORE AND MORE SURE EVERY TIME WE'RE TOGETHER. 303 00:20:45,660 --> 00:20:52,330 I THINK I HAVE BEEN FALLING IN LOVE WITH YOU SINCE THE DAY WE 304 00:20:52,400 --> 00:21:01,640 MET. ♪ 305 00:21:01,710 --> 00:21:05,240 DRIVER, I THINK WE HAVE A CHANGE IN PLANS. 306 00:21:05,310 --> 00:21:14,680 TAKE US TO MY PLACE, PLEASE. ♪ I'M READY FOR LIFTOFF 307 00:21:14,750 --> 00:21:18,550 ♪ ARE YOU ♪ ARE YOU 308 00:21:18,620 --> 00:21:21,620 ♪ ARE YOU ♪ LET'S GO 309 00:21:21,690 --> 00:21:26,360 ♪ UP, UP, UP ♪ HIGHER 310 00:21:26,430 --> 00:21:32,470 ♪ HIGHER ♪ I AM READY FOR LIFTOFF. 311 00:21:32,540 --> 00:21:35,440 OH, GOD. OKAY. 312 00:21:35,510 --> 00:21:37,970 WHAT? I GOT TO GO. 313 00:21:38,040 --> 00:21:40,110 NO. IT'S JUST I WASN'T EXPECTING TO 314 00:21:40,210 --> 00:21:45,680 FALL ASLEEP AND JACKIE AND CHLOE. 315 00:21:45,750 --> 00:21:48,050 I GOT WORK IN THE MEETING. I GOT A MEETING. 316 00:21:48,120 --> 00:21:51,050 NO, NO, NO. JUST LAY HERE 317 00:21:51,120 --> 00:21:52,070 ♪ 318 00:21:59,850 --> 00:22:02,550 TV IS STARTING TO MAKE YOU SOFT. 319 00:22:02,620 --> 00:22:04,680 YEP, YEP. I JUST HAD A LATE NIGHT, 320 00:22:04,750 --> 00:22:05,790 THAT'S ALL. OH, YEAH. 321 00:22:05,850 --> 00:22:08,250 YEAH. OTHERWISE YOU'D BE GETTING YOUR 322 00:22:08,320 --> 00:22:10,420 ASS HANDED TO YOU LIKE YOU ALWAYS DO. 323 00:22:10,490 --> 00:22:13,760 LATE NIGHT, HUH? THAT AIN'T NO EXCUSE. 324 00:22:13,830 --> 00:22:16,330 I TELL YOU WHAT. I HAD ME A LATE NIGHT. 325 00:22:16,400 --> 00:22:19,230 I HAD A LATE MORNING, TOO. BUT IT WAS WORTH IT. 326 00:22:19,300 --> 00:22:21,300 YEAH? OH, YEAH. 327 00:22:21,370 --> 00:22:25,540 EVERY MINUTE OF IT. OH, YEAH. 328 00:22:25,610 --> 00:22:31,180 WHAT YOU DO, CALL ONE OF YOUR LITTLE GROUPPY HONEYS TO BE YOUR 329 00:22:31,240 --> 00:22:32,910 PLUS ONE? NO, MAN. 330 00:22:33,010 --> 00:22:36,620 I'M FINISHED WITH THAT. SHALLOW, IMMATURE GIRLS LOOKING 331 00:22:36,680 --> 00:22:41,620 FOR A FINISH LINE. I NEED SOMETHING REAL. 332 00:22:41,690 --> 00:22:45,090 SOMEBODY THAT'S AS SMART AS SHE IS BEAUTIFUL. 333 00:22:45,160 --> 00:22:52,570 THAT'S DEEP AS SHE IS CARING. WHAT IS IT? 334 00:22:52,630 --> 00:22:56,440 IS IT SOMEBODY THAT I KNOW? YOU KNOW, I THINK YOU MIGHT 335 00:22:56,500 --> 00:22:58,140 KNOW HER. WHO IS THAT? 336 00:22:58,210 --> 00:23:01,270 MADISON. MADISON! 337 00:23:01,340 --> 00:23:07,150 IS THAT WHAT YOU WAS UP LATE WITH? 338 00:23:07,210 --> 00:23:09,520 HEY. YOU SPRUNG. 339 00:23:09,580 --> 00:23:11,820 I CAN SEE YOU. LOOK AT YOU. 340 00:23:11,890 --> 00:23:14,190 CHEESING EAR TO EAR. YOU HAVEN'T SMILED LIKE THIS 341 00:23:14,250 --> 00:23:16,320 SINCE HIGH SCHOOL. WHAT WAS THAT GIRL'S NAME YOU 342 00:23:16,390 --> 00:23:23,060 WERE HEAD OVER HEELS FOR? REGINA JENKINS? 343 00:23:23,160 --> 00:23:26,030 I DIDN'T THINK YOU WOULD EVER GET OVER HERE. 344 00:23:26,100 --> 00:23:29,170 YOU'RE RIGHT. I DIDN'T EVER GET OVER THAT ONE. 345 00:23:29,240 --> 00:23:36,940 LEAVE THAT ONE ALONE, BRO. BUT MADISON, THOUGH, I THINK I'M 346 00:23:37,010 --> 00:23:46,590 FALLING FOR HER, MAN. YOU FELL A LONG TIME AGO. 347 00:23:46,650 --> 00:23:49,020 YEAH. YOU'RE PROBABLY RIGHT. 348 00:23:49,090 --> 00:23:53,560 CHLOE, JACKIE, DINNER'S READY! 349 00:23:53,630 --> 00:23:57,330 MOM, WHAT'S GOING ON? YEAH. 350 00:23:57,400 --> 00:24:00,870 YOU'RE NOT USUALLY IN THIS GOOD OF MOOD AFTER WORK. 351 00:24:00,930 --> 00:24:03,740 YOU'RE RIGHT. I'M FEELING PRETTY GOOD. 352 00:24:03,800 --> 00:24:08,440 THERE IS SOMETHING I NEED TO TALK TO YOU ABOUT. 353 00:24:08,510 --> 00:24:12,040 I KNOW HOW MUCH YOU LOVE YOUR FATHER, AND I NEVER WANT 354 00:24:12,150 --> 00:24:16,520 ANYTHING TO CHANGE THAT. AND I HOPE THAT YOU KNOW THAT I 355 00:24:16,580 --> 00:24:20,050 WILL ALWAYS CARE ABOUT HIM, TOO. WE KNOW, MOM. 356 00:24:20,120 --> 00:24:24,760 BUT UNFORTUNATELY, THE ROMANTIC PART OF OUR 357 00:24:24,830 --> 00:24:26,130 RELATIONSHIP IS OVER. YEAH. 358 00:24:26,190 --> 00:24:28,630 WE NOTICED. WE HAVE KNOWN IT FOR A WHILE 359 00:24:28,700 --> 00:24:30,600 NOW. I MEAN, OF COURSE, I WAS 360 00:24:30,660 --> 00:24:34,400 HOPING YOU GUYS WOULD GET BACK TOGETHER, BUT I GET IT. 361 00:24:34,470 --> 00:24:37,640 YOU DON'T MAKE EACH OTHER HAPPY ANYMORE. 362 00:24:37,700 --> 00:24:42,210 WELL, I'M GLAD THAT YOU WANT US BOTH TO BE HAPPY, AND THAT'S 363 00:24:42,280 --> 00:24:45,540 KIND OF WHAT I WANT TO TALK TO YOU ABOUT. 364 00:24:45,610 --> 00:24:49,350 YOU HAVE BEEN ENCOURAGING ME TO DO SOMETHING MORE THAN JUST 365 00:24:49,420 --> 00:24:52,650 WORK, AND THERE IS SOMEONE ELSE WHO AGREES WITH YOU. 366 00:24:52,720 --> 00:24:55,550 WHO? LAINY? 367 00:24:55,620 --> 00:24:57,990 NO. ALTHOUGH YES. 368 00:24:58,060 --> 00:25:00,230 NO. ALEC. 369 00:25:00,290 --> 00:25:04,900 MR. DARBY. WAIT. 370 00:25:04,970 --> 00:25:10,500 YOU MEAN THIS GUY? OKAY. 371 00:25:10,570 --> 00:25:12,270 REALLY? YOU JUST LET ME GO THROUGH ALL 372 00:25:12,340 --> 00:25:13,810 OF THAT? PRETTY MUCH. 373 00:25:13,870 --> 00:25:15,840 ALL RIGHT, FINE. SO WHAT DO YOU THINK? 374 00:25:15,910 --> 00:25:20,310 IT'S COOL. I'M HAPPY IF YOU'RE HAPPY. 375 00:25:20,380 --> 00:25:23,980 SO TELL US ABOUT THE PARTY. I SAW PICTURES OF DRAKE. 376 00:25:24,050 --> 00:25:26,850 DID YOU GET TO MEET DRAKE? DRAKE? 377 00:25:26,950 --> 00:25:29,020 I THINK SO. YOU THINK SO? 378 00:25:29,090 --> 00:25:34,260 MOM, YOU DON'T KNOW? CHLOE, I'M JOKING. 379 00:25:34,330 --> 00:25:36,460 I KNOW WHO DRAKE IS. SWEET! 380 00:25:36,530 --> 00:25:40,670 YOU GOT TO TAKE ME NEXT TIME. MOM, YOU GOT TO GET SOCIAL. 381 00:25:40,730 --> 00:25:43,400 YEAH. YOU GOT TO HAVE A DIGITAL 382 00:25:43,470 --> 00:25:44,800 FOOTPRINT. YOU GUYS, COME ON. 383 00:25:44,870 --> 00:25:47,210 YOU KNOW I DON'T HAVE ANY TIME FOR THAT. 384 00:25:47,270 --> 00:25:49,380 PLUS, I DON'T WANT MY LIFE OUT THERE LIKE THAT. 385 00:25:49,440 --> 00:25:52,780 BUT IT'S ALREADY OUT THERE. HERE, LOOK. 386 00:25:52,850 --> 00:25:54,380 SEE? YOU CAN'T HIDE IT WHEN YOU ARE 387 00:25:54,450 --> 00:25:56,750 IN THE SPOTLIGHT. THAT'S WHY YOU YOU HAVE TO 388 00:25:56,820 --> 00:25:59,420 DEFINE A PUBLIC IMAGE BEFORE OTHERS DO IT FOR YOU. 389 00:25:59,490 --> 00:26:01,690 WE COULD START IT UP FOR YOU. YEAH. 390 00:26:01,760 --> 00:26:06,790 WE COULD MANAGE IT, TOO. WE COULD TALK TO YOUR 391 00:26:06,860 --> 00:26:09,430 FOLLOWERS AND ANSWER QUESTIONS AND KEEP UP WITH YOUR PROFILE. 392 00:26:09,500 --> 00:26:11,160 YOU WON'T HAVE TO LIFT A FINGER. 393 00:26:11,230 --> 00:26:13,030 OKAY. I'LL THINK ABOUT IT. 394 00:26:13,100 --> 00:26:22,780 BUT LET'S EAT, ALL RIGHT? YOU SAY GRACE, JACK. 395 00:26:22,840 --> 00:26:25,010 ♪ DeMARCO MUST BE RUNNING A 396 00:26:25,080 --> 00:26:27,050 LITTLE BIT. OH, HE'S NOT COMING. 397 00:26:27,110 --> 00:26:28,880 I'M SORRY? YEAH. 398 00:26:28,950 --> 00:26:35,050 I JUST THOUGHT IT MIGHT BE BETTER IF IT WAS JUST THE TWO OF 399 00:26:35,120 --> 00:26:38,290 US. I THOUGHT THIS WAS SUPPOSED 400 00:26:38,360 --> 00:26:41,030 TO BE A BUSINESS DINNER. OH. 401 00:26:41,090 --> 00:26:43,730 IT IS. IT ABSOLUTELY IS. 402 00:26:43,800 --> 00:26:49,700 I JUST THOUGHT IT MIGHT BE BETTER IF YOU AND I TALKED ALONE 403 00:26:49,770 --> 00:26:50,870 FIRST. OKAY. 404 00:26:50,940 --> 00:26:55,410 SO, ALEC, I HAVE BEEN THINKING ABOUT A BUNCH OF THINGS 405 00:26:55,480 --> 00:27:00,380 AS FAR AS YOU'RE CONCERNED. AND I HAVE A COUPLE OF IDEAS. 406 00:27:00,450 --> 00:27:07,020 SOME NEW SEGMENTS. THE ADVERTISERS ABSOLUTELY LOVE 407 00:27:07,090 --> 00:27:10,060 YOU. YOUR Q RATING IS SURPRISING BY 408 00:27:10,120 --> 00:27:12,020 HIGH. THAT'S IN THE THAT 409 00:27:12,090 --> 00:27:13,060 SURPRISING. SEE THAT? 410 00:27:13,130 --> 00:27:17,730 AND YOU'RE FUNNY. AND THEY WANT TO SEE MORE OF 411 00:27:17,800 --> 00:27:19,600 YOU. REALLY? 412 00:27:19,670 --> 00:27:24,770 YEAH. THEY DO. 413 00:27:24,870 --> 00:27:29,610 SO MY IDEAS FOR THESE SEGMENTS WOULD ACTUALLY GET YOU FROM 414 00:27:29,680 --> 00:27:33,910 BEHIND THE DESK, RIGHT? SO WE'D INCORPORATE, YOU KNOW, 415 00:27:33,980 --> 00:27:37,520 DOING MORE REMOTES, BEING MORE ACTIVE, ATHLETIC EVEN. 416 00:27:37,580 --> 00:27:42,120 I THOUGHT THAT WE COULD POSSIBLY TAP INTO, YOU KNOW, THOSE 417 00:27:42,190 --> 00:27:47,060 RELATIONSHIPS WITH SOME OF YOUR STAR ATHLETIC FRIENDS. 418 00:27:47,130 --> 00:27:52,130 AND MAYBE YOU AND I COULD WORK TOGETHER ON SOME PROPOSAL 419 00:27:52,200 --> 00:27:55,500 CONCEPTS, AND WE COULD PITCH OUR IDEAS. 420 00:27:55,570 --> 00:27:59,410 WHAT DO YOU THINK ABOUT THAT? SO I'D BE DOING THESE 421 00:27:59,470 --> 00:28:04,810 SEGMENTS ALONE? ESSENTIALLY. 422 00:28:04,880 --> 00:28:09,720 YOU KNOW, SOMEHOW I DON'T SEE THAT GOING OVER VERY WELL WITH 423 00:28:09,780 --> 00:28:11,450 DeMARCO. OH, GOD. 424 00:28:11,520 --> 00:28:15,850 DON'T YOU WORRY ABOUT DeMARCO. YOUR JOB IS TO COME UP WITH 425 00:28:15,920 --> 00:28:25,210 AMAZING C OKAY. 426 00:28:25,280 --> 00:28:28,380 WHAT ABOUT THIS ONE? OH, THAT ONE IS FINISHED. 427 00:28:28,450 --> 00:28:31,520 IT'S ALREADY AT THE PRINTER, SO WE CAN FILE IT. 428 00:28:31,590 --> 00:28:35,020 BORING. WELL, YOU BETTER NOT ALISON HEAR 429 00:28:35,090 --> 00:28:38,090 YOU SAY THAT. IT'S ONE OF YOUR FAVORITES. 430 00:28:38,160 --> 00:28:40,060 DON'T LET ALISON HEAR YOU SAY WHAT? 431 00:28:40,130 --> 00:28:44,030 WE WERE JUST GOING OVER THE REST. 432 00:28:44,100 --> 00:28:49,610 ROBIN, WOULD YOU EXCUSE US FOR A FEW MINUTES, PLEASE. 433 00:28:49,670 --> 00:28:52,270 YEAH. MADISON, I WANT TO TALK WITH 434 00:28:52,380 --> 00:28:55,810 YOU ABOUT YOUR NEXT TWO PROJECTS, PLEASE. 435 00:28:55,880 --> 00:29:02,120 OKAY. I MUST SAY I'M IMPRESSED HOW 436 00:29:02,190 --> 00:29:03,920 QUICKLY THE DEADLINE DRIVEN BASE. 437 00:29:03,990 --> 00:29:06,360 WELL, THANK YOU. IN THE SHORT TIME YOU HAVE 438 00:29:06,420 --> 00:29:10,190 BEEN HERE, YOUR EDITORIAL SKILLS HAVE IMPROVED. 439 00:29:10,260 --> 00:29:15,460 IT'S NICE TO KNOW HARD WORK. YOU STILL NEED MORE FINE 440 00:29:15,570 --> 00:29:19,900 TUNING, AND I'D LIKE TO SEE MORE PROGRESS BEFORE YOU ARE TAKEN 441 00:29:19,970 --> 00:29:20,940 OFF PROBATION. UNDERSTOOD. 442 00:29:21,000 --> 00:29:22,810 IS THERE ANYTHING IN PARTICULAR I CAN ADDRESS? 443 00:29:22,870 --> 00:29:26,710 AS A MATTER OF FACT, THERE IS. 444 00:29:26,780 --> 00:29:31,980 THE TWO MANUSCRIPTS YOU'RE WORKING ON NOW ARE TOP PRIORITY 445 00:29:32,050 --> 00:29:35,320 FOR THE FIRM. I WANT THEM ON A FAST TRACK, SO 446 00:29:35,420 --> 00:29:37,650 ALL THE DEADLINES HAVE BEEN ACCELERATED. 447 00:29:37,720 --> 00:29:40,590 YOU WILL HAVE TO WORK CLOSELY WITH THE WRITERS TO SEE THAT 448 00:29:40,690 --> 00:29:41,890 THEY'RE MET. I CAN HANDLE THAT. 449 00:29:41,960 --> 00:29:46,500 THIS IS A BIG TEST FOR YOU, MADI 450 00:29:46,560 --> 00:29:47,600 MADISON. HOPE YOU CAN PASS IT. 451 00:29:47,660 --> 00:29:50,600 UH, ALISON, I REALLY APPRECIATE THIS OPPORTUNITY. 452 00:29:50,670 --> 00:29:58,410 AND I WON'T LET YOU DOWN. I'M COUNTING ON IT. 453 00:29:58,480 --> 00:30:01,810 I WAS GLAD YOU SUGGESTED DRINKS, VERONICA. 454 00:30:01,880 --> 00:30:05,510 I WAS GOING TO ASK YOU FIRST BUT DOESN'T SURE IF IT WAS 455 00:30:05,580 --> 00:30:07,780 APPROPRIATE, YOU KNOW, WITH YOU BEING MY BOSS AND ALL. 456 00:30:07,850 --> 00:30:09,320 STOP IT. STOP. 457 00:30:09,390 --> 00:30:14,760 WELL, I THINK IT'S IMPORTANT TO GET TO KNOW THE PEOPLE, YOU, WHO 458 00:30:14,860 --> 00:30:17,630 I WORK SO CLOSELY WITH. LOOK, I HAVE SOME IDEAS FOR 459 00:30:17,690 --> 00:30:20,260 THE SHOW. MAYBE WE CAN RUN THROUGH THEM 460 00:30:20,330 --> 00:30:22,060 TOGETHER. WHAT A COINCIDENCE. 461 00:30:22,130 --> 00:30:24,300 I WANTED TO RUN SOME IDEAS BY YOU AS WELL. 462 00:30:24,370 --> 00:30:26,070 REALLY? YEAH. 463 00:30:26,140 --> 00:30:29,670 BUT FIRST I'D LIKE TO GET TO KNOW YOU. 464 00:30:29,740 --> 00:30:30,910 YEAH. MARRIED? 465 00:30:30,970 --> 00:30:32,740 KIDS? OH, NO, NO. 466 00:30:32,810 --> 00:30:33,980 NONE OF THE ABOVE. NO. 467 00:30:34,040 --> 00:30:38,850 REALLY? I AM COMPLETELY FREE AND 468 00:30:38,920 --> 00:30:39,580 AVAILABLE. YEAH? 469 00:30:39,650 --> 00:30:43,420 YEAH. WHAT ABOUT ALEC? 470 00:30:43,520 --> 00:30:47,590 I KNOW THAT HE'S NOT MARRIED, BUT IS THERE A SIGNIFICANT 471 00:30:47,660 --> 00:30:51,390 OTHER? WHAT ABOUT THAT LIL LADY THAT HE 472 00:30:51,460 --> 00:30:55,060 BROUGHT TO THE PARTY? IS THAT LIKE A SERIOUS THING? 473 00:30:55,130 --> 00:30:59,570 YEAH. I CAN'T REALLY SPEAK FOR ALEC. 474 00:30:59,640 --> 00:31:02,240 WE'RE NOT ALL THAT CLOSE. BUT I THOUGHT YOU WANTED TO KNOW 475 00:31:02,310 --> 00:31:03,670 ABOUT ME. I DO. 476 00:31:03,740 --> 00:31:07,840 I ABSOLUTELY DO. THIS IS JUST MORE -- IT'S MORE 477 00:31:07,910 --> 00:31:10,710 LIKE BIG PICTURE STUFF. YOU KNOW? 478 00:31:10,780 --> 00:31:15,950 TRYING TO ASSESS THE DYNAMICS OF THE CHEMISTRY BETWEEN YOU AND 479 00:31:16,020 --> 00:31:17,950 ALEC, YOU KNOW, FOR BRANDING PURPOSES. 480 00:31:18,020 --> 00:31:21,490 OH, OKAY. OKAY. 481 00:31:21,560 --> 00:31:25,560 WELL, I'VE BEEN DIVORCED GOING ON FIVE YEARS NOW AFTER A VERY 482 00:31:25,630 --> 00:31:29,600 BRIEF MARRIAGE. I HAVE BEEN LOOKING FOR A NEW 483 00:31:29,670 --> 00:31:36,470 FOXY MRS. FOX EVER SINCE. SO WHAT ABOUT YOU? 484 00:31:36,540 --> 00:31:37,770 UH-HUH. WHAT ABOUT ME? 485 00:31:37,840 --> 00:31:42,080 IS THERE A MR. ISAACS OR LITTLE ISAACS RUNNING AROUND? 486 00:31:42,150 --> 00:31:46,980 NO. I'M COMPLETELY COMMITTED TO MY 487 00:31:47,050 --> 00:31:49,320 CAREER. AS A BLACK WOMAN, YOU DON'T GET 488 00:31:49,390 --> 00:31:54,190 TO BE THE HEAD OF A MAJOR NETWORK'S PROGRAMMING DIVISION 489 00:31:54,260 --> 00:31:56,960 WITHOUT SOLELY COMMITTING TO THE CHALLENGE. 490 00:31:57,030 --> 00:32:00,860 SO WHY DID YOU LEAVE ONE OF THE FOUR BIG NETWORKS FOR A 491 00:32:00,930 --> 00:32:03,100 LITTLE INFLATION START-UP LIKE THIS? 492 00:32:03,170 --> 00:32:05,270 HONESTLY? YEAH. 493 00:32:05,340 --> 00:32:09,940 WHEN THE OPPORTUNITY PRESENTED ITSELF TO BE A BIG 494 00:32:10,010 --> 00:32:17,850 FISH IN A LITTLE POND AS OPPOSED TO A GUPPY IN A SEA OF SHARKS, I 495 00:32:17,910 --> 00:32:19,380 HAD TO TAKE IT. I LIKE THAT. 496 00:32:19,450 --> 00:32:23,490 YOU DO? YEAH. 497 00:32:23,550 --> 00:32:36,260 TO BIG FISH. TO BIG FISH. 498 00:32:36,330 --> 00:32:38,600 THANK YOU. HI! 499 00:32:38,670 --> 00:32:40,100 HEY. YOU MADE IT. 500 00:32:40,170 --> 00:32:40,970 YEAH. WAIT. 501 00:32:41,040 --> 00:32:44,270 ARE WE REALLY GOING TO THE GIANTS FIRST PRESEASON GAME? 502 00:32:44,340 --> 00:32:47,110 WE ABSOLUTELY ARE. WE'RE GOING IN STYLE, TOO. 503 00:32:47,180 --> 00:32:50,850 CHECK THAT OUT. THE SKY BOX? 504 00:32:50,910 --> 00:32:51,750 YEAH. COOL! 505 00:32:51,810 --> 00:32:53,920 AND I GOT YOU SOME PASSES AFTER THE GAME. 506 00:32:53,980 --> 00:32:56,250 YOU CAN GO INTO THE LOCKER ROOM AND MEET THE PLAYERS. 507 00:32:56,320 --> 00:32:59,960 THE LOCKER ROOM? AND YOU, I HOPE YOU BROUGHT 508 00:33:00,020 --> 00:33:02,260 YOUR CAMERA. I DON'T COME WITHOUT IT. 509 00:33:02,330 --> 00:33:05,860 I GOT YOU A FIELD PASS SO YOU CAN TAKE ACTION SHOTS FOR YOUR 510 00:33:05,930 --> 00:33:07,160 PORTFOLIO. MR. DARBY, THANK YOU. 511 00:33:07,230 --> 00:33:08,730 THAT MEANS A LOT. ALL RIGHT. 512 00:33:08,800 --> 00:33:11,670 LET'S GO. THE CAR IS WAITING FOR US 513 00:33:11,730 --> 00:33:13,870 OUTSIDE. UM, HEY, YOU KNOW, THEY 514 00:33:13,940 --> 00:33:16,000 ALREADY LIKE YOU. YOU DON'T HAVE TO BRIBE THEM. 515 00:33:16,070 --> 00:33:19,510 OH, I'M NOT BRIBING THEM. I'M SPOILING THEM. 516 00:33:19,580 --> 00:33:21,040 THERE IS A BIG DIFFERENCE, YOU KNOW. 517 00:33:21,110 --> 00:33:24,010 YEAH, I KNOW. AND NEITHER ONE IS NECESSARY. 518 00:33:24,080 --> 00:33:26,210 JUST LET ME WORRY ABOUT IT. OKAY. 519 00:33:26,280 --> 00:33:28,450 ARE YOU READY? YEAH. 520 00:33:28,520 --> 00:33:32,150 LET'S GO. LET'S GO. 521 00:33:32,220 --> 00:33:37,760 YOU KNOW, I DON'T KNOW IF IT WAS PURE JOY OR PURE FEAR ON 522 00:33:37,830 --> 00:33:42,000 JACKIE'S FACE. HE LOOKED LIKE AN ANT SURROUNDED 523 00:33:42,070 --> 00:33:44,370 BY THEM. I THINK IT WAS PROBABLY A 524 00:33:44,430 --> 00:33:47,240 LITTLE BOTH. I DON'T THINK HE KNEW WHETHER TO 525 00:33:47,300 --> 00:33:51,770 REVEL IN IT OR RUN FROM IT. BUT SERIOUSLY, THANK YOU, FOR 526 00:33:51,840 --> 00:33:53,940 SPOILING MORE KIDS TODAY. OH. 527 00:33:54,010 --> 00:33:56,880 I THINK I HAD JUST AS MUCH FUN AS THEY DID. 528 00:33:56,950 --> 00:34:02,650 OH, MY GOSH. DID YOU SEE CHLOE'S FACE WHEN 529 00:34:02,720 --> 00:34:05,490 YOU SWINTRODUCED HER TO THAT QUARTERBACK? 530 00:34:05,560 --> 00:34:09,620 SHE WAS SERIOUSLY CRUSHING. THE ONLY CRUSH I NOTICED WAS 531 00:34:09,690 --> 00:34:14,400 THE ONE I HAVE ON YOU. MWAH. 532 00:34:14,460 --> 00:34:17,170 WE'RE PRETTY GOOD TOGETHER. WE ARE. 533 00:34:17,230 --> 00:34:18,100 I LOVE THAT. ME TOO. 534 00:34:18,170 --> 00:34:26,010 AND I LOVE YOU EVEN MORE. AND YOUR HEART IS SAFE WITH ME, 535 00:34:26,080 --> 00:34:31,610 I PROMISE. OH, MY -- NO, NO. 536 00:34:31,680 --> 00:34:50,000 I LOVE THIS SHOW. ♪ 537 00:34:50,070 --> 00:35:25,570 ♪ ♪ 538 00:35:25,640 --> 00:35:33,740 OVER HERE, JUST A COUPLE OF QUESTIONS, PLEASE. 539 00:35:33,810 --> 00:36:19,090 ♪ ♪ 540 00:36:19,160 --> 00:36:23,190 ♪ I COULD JUST STARE AT THOSE COLORS 541 00:36:23,260 --> 00:36:27,030 ♪ HANGING ON EVERY WORD ♪ YOU REALLY THINK I LIKE 542 00:36:27,130 --> 00:36:33,070 ♪ CLOSE AS WE EVER BEEN ♪ DON'T WANT TO WHISPER MORE 543 00:36:33,140 --> 00:36:36,200 TIME ♪ WHEN I GOT ONE THING ON MY 544 00:36:36,270 --> 00:36:40,380 MIND ♪ BABY, I DON'T WANT TO WAIT 545 00:36:40,440 --> 00:36:49,820 ♪ I JUST WANT YOU ♪ BECAUSE WHEN YOU LOOK AT ME 546 00:36:49,890 --> 00:36:57,390 THIS WAY ♪ I JUST WANT TO GET RIGHT TO 547 00:36:57,460 --> 00:37:13,690 IT ♪ TWEET LIKE 548 00:37:13,790 --> 00:37:18,700 MR. DARBY, HI. I KNOW MY MOM INVITED YOU FOR 549 00:37:18,760 --> 00:37:21,130 DINNER, BUT YOU'RE EARLY. YEAH, I KNOW. 550 00:37:21,200 --> 00:37:24,140 I WAS HOPING TO TALK TO YOU AND JACKIE FOR A SECOND. 551 00:37:24,200 --> 00:37:27,970 IS HE HERE? YEAH, COME ON IN. 552 00:37:28,040 --> 00:37:33,280 HEY, JACKIE, COME HERE! WELL, AS YOU GUYS KNOW, YOUR 553 00:37:33,350 --> 00:37:36,920 MOM AND I HAVE BEEN SPENDING A LOT OF TIME TOGETHER LATELY. 554 00:37:36,980 --> 00:37:40,390 YEAH. SHE HASN'T BEEN AS HYPED AS SHE 555 00:37:40,450 --> 00:37:42,420 IS NOW IN A LONG TIME. YEAH, TOTALLY. 556 00:37:42,490 --> 00:37:48,130 WELL, THAT'S GOOD. I'M TOTALLY HYPED ABOUT IT, TOO. 557 00:37:48,190 --> 00:37:55,070 BUT, SERIOUSLY, I'VE COME TO CARE ABOUT YOUR MOM A LOT, AND 558 00:37:55,130 --> 00:37:59,370 YOU GUYS AS WELL. AND I WAS WONDERING HOW YOU 559 00:37:59,440 --> 00:38:03,810 WOULD FEEL ABOUT US BECOMING A FAMILY. 560 00:38:03,880 --> 00:38:06,410 OFFICIALLY. OFFICIALLY? 561 00:38:06,480 --> 00:38:14,990 I WANT TO MARRY YOUR MOM, IF THAT'S OKAY WITH YOU. 562 00:38:15,050 --> 00:38:19,920 NOW, LOOK, I KNOW YOU HAVE A DAD, AND I'M NOT TRYING TO 563 00:38:19,990 --> 00:38:25,800 REPLACE HIM OR COME BETWEEN YOU GUYS IN ANY WAY. 564 00:38:25,870 --> 00:38:32,740 BUT I GENUINELY LOVE YOU GUYS, AND I WANT TO BE A PART OF YOUR 565 00:38:32,810 --> 00:38:41,150 LIVES IF THAT'S ALL RIGHT. HOW DO YOU FEEL ABOUT IT? 566 00:38:41,210 --> 00:38:43,850 WILL THERE BE A WEDDING AND EVERYTHING? 567 00:38:43,920 --> 00:38:46,350 WELL, I'D HOPE SO. WAIT. 568 00:38:46,420 --> 00:38:48,620 SO WOULD YOU COME LIVE WITH US OR -- 569 00:38:48,690 --> 00:38:52,490 NO, NO. I WAS THINKING THAT MAYBE WE 570 00:38:52,590 --> 00:38:58,660 WOULD BUY A BIG NEW HOUSE WITH ENOUGH ROOM FOR EVERYBODY AND 571 00:38:58,730 --> 00:39:01,730 MAYBE A POOL IN THE BACKYARD. A POOL? 572 00:39:01,800 --> 00:39:03,500 THAT'S DOPE! ALL RIGHT. 573 00:39:03,570 --> 00:39:06,640 SO WHEN ARE WE MOVING. SLOW DOWN, MAN. 574 00:39:06,710 --> 00:39:09,940 FIRST THINGS FIRST, I STILL GOT TO ASK HER. 575 00:39:10,010 --> 00:39:12,110 OKAY? AND THAT'S WHERE YOU GUYS COME 576 00:39:12,180 --> 00:39:13,550 IN. I NEED YOUR HELP. 577 00:39:13,610 --> 00:39:16,010 ALL RIGHT? I'M TRYING TO SURPRISE HER, SO 578 00:39:16,080 --> 00:39:17,980 YOU CAN'T SAY ANYTHING. OKAY. 579 00:39:18,080 --> 00:39:21,490 OKAY, COOL. NOW WAIT UNTIL YOU HEAR MY PLAN. 580 00:39:21,550 --> 00:39:25,290 IT'S KIND OF LIT. YEAH, OKAY. 581 00:39:25,390 --> 00:39:26,620 OKAY. IT'S KIND OF LIT, IF I COULD 582 00:39:26,690 --> 00:39:28,360 SAY SO MYSELF. SO WHAT'S THE PLAN? 583 00:39:28,430 --> 00:39:31,030 ALL RIGHT. HERE'S WHAT WE'RE GOING TO DO. 584 00:39:31,100 --> 00:39:33,870 WELL, DeMARCO, WE HAVE BEEN OVER THIS BEFORE. 585 00:39:33,930 --> 00:39:36,740 YOU KNOW THE OWNERS DON'T CARE ANYTHING ABOUT THE PLAYERS. 586 00:39:36,840 --> 00:39:41,770 THEY CARE ABOUT FILLING STADIUMS, RATINGS AND FATTENING 587 00:39:41,840 --> 00:39:44,510 UP BANK ACCOUNTS. THERE YOU GO AGAIN. 588 00:39:44,580 --> 00:39:48,450 THE OWNERS CARED ENOUGH TO INSTITUTE NEW SAFETY MEASURES, 589 00:39:48,510 --> 00:39:50,720 RIGHT? THEY HAVE GOTTEN SAFER HELMETS. 590 00:39:50,780 --> 00:39:55,250 THEY MOVED THE KICKOFF LINE CLOSER TO THE END ZONE. 591 00:39:55,320 --> 00:39:58,860 WHAT ABOUT ELIMINATING HITS ON DEFENSELESS PLAYERS? 592 00:39:58,920 --> 00:40:02,430 YOU KNOW WHAT, DeMARCO, I THINK YOU'RE RIGHT. 593 00:40:02,500 --> 00:40:04,730 KIND OF. WE DON'T REALLY KNOW IF ANY OF 594 00:40:04,800 --> 00:40:09,400 THIS STUFF IS GOING TO MAKE ANY DIFFERENCE BUT AT LEAST THEY ARE 595 00:40:09,470 --> 00:40:13,040 MAKING AN EFFORT TO MITIGATE THE DAMAGE, SO I'LL GIVE YOU CREDIT 596 00:40:13,110 --> 00:40:14,610 FOR THAT ONE. WHOA. 597 00:40:14,670 --> 00:40:17,040 FOR ONCE YOU'RE TAKING A SENSIBLE POINT OF YOU. 598 00:40:17,110 --> 00:40:20,280 ARE YOU OKAY? OR DID YOU GET A BRAIN 599 00:40:20,350 --> 00:40:22,180 TRANSPLANT. OR MAYBE YOU'RE GETTING SOFT IN 600 00:40:22,250 --> 00:40:24,280 YOUR OLD AGE. NO, MAN. 601 00:40:24,380 --> 00:40:27,950 I'M NOT GETTING OLD AND I'M NOT GETTING SOFT. 602 00:40:28,020 --> 00:40:35,630 SOMETHING AMAZING HAS HAPPENED. I HAVE FALLEN. 603 00:40:35,690 --> 00:40:40,130 HARD. SO HARD THAT I THINK IT'S TIME I 604 00:40:40,200 --> 00:40:49,610 DO SOMETHING. WHAT? 605 00:40:49,680 --> 00:40:52,540 MADISON, I LOVE YOU MORE THAN I CAN SAY. 606 00:40:52,610 --> 00:40:55,380 WHOA, WHOA, WHOA. WHAT THE -- WHAT THE HELL IS 607 00:40:55,480 --> 00:40:56,820 GOING ON HERE? JUST WAIT. 608 00:40:56,880 --> 00:40:58,780 JUST WAIT. GET YOUR HANDS OFF ME. 609 00:40:58,850 --> 00:41:03,660 AND I HAVE GROWN TO LOVE CHLOE AND JACKIE AS IF THEY WERE 610 00:41:03,720 --> 00:41:08,730 MY OWN, AND I THINK WE CAN BUILD A FUTURE TOGETHER. 611 00:41:08,790 --> 00:41:12,030 LET'S GET MARRIED. WHAT DO YOU SAY? 612 00:41:12,100 --> 00:41:13,470 WOW. OKAY. 613 00:41:13,530 --> 00:41:14,370 ALL RIGHT. THAT'S IT. 614 00:41:14,430 --> 00:41:16,870 STOP IT. I WANT YOU TO CUT IT. 615 00:41:16,940 --> 00:41:18,270 CUT IT. KEEP GOING. 616 00:41:18,340 --> 00:41:23,610 FRANK, CUT IT NOW. STOP IT NOW. 617 00:41:23,680 --> 00:41:36,790 CUT! SO LET'S DO IT? 618 00:41:36,860 --> 00:41:48,870 [ APPLAUSE ] OH, MY GOD! 619 00:41:48,930 --> 00:41:57,980 THANKS, GUYS. THANKS, GUYS. 620 00:41:58,040 --> 00:42:00,480 MAN. REALLY? 621 00:42:00,550 --> 00:42:03,480 LET ME SEE. EVERYONE WANTS TO KNOW IF YOU 622 00:42:03,550 --> 00:42:05,820 SAID YES. THEY HAD THE SHOW CUT RIGHT 623 00:42:05,890 --> 00:42:08,920 AFTER THE PROPOSAL. AND THE NETWORK IS MAKING 624 00:42:09,020 --> 00:42:11,320 EVERYONE GO TO THE WEBSITE JUST TO SEE THE ANSWERS. 625 00:42:11,390 --> 00:42:14,130 SO CLASSIC. CONGRATULATIONS WITH PICTURES 626 00:42:14,190 --> 00:42:19,000 AND BIOS AND FEATURES. I JUST POSTED A BIG SHE SAID 627 00:42:19,060 --> 00:42:21,000 YES ON ALL YOUR SOCIALS WITH PICTURES. 628 00:42:21,070 --> 00:42:24,200 AND I'M TRYING TO KEEP UP WITH ALL THE CONGRATS COMING IN, 629 00:42:24,270 --> 00:42:26,600 BUT I CAN HARDLY KEEP UP. THERE IS JUST TOO MANY. 630 00:42:26,670 --> 00:42:28,470 ALL RIGHT. WELL, IT SOUNDS LIKE WE'LL HAVE 631 00:42:28,540 --> 00:42:34,150 TO BE PLANNING A WEDDING SOON. BUT SPEAKING OF WHICH, CHLOE, I 632 00:42:34,210 --> 00:42:38,420 HOPE YOU'LL AGREE TO BE MY MAID OF HONOR? 633 00:42:38,480 --> 00:42:43,290 MAID OF -- ALL RIGHT! I REALLY LOVE THAT. 634 00:42:43,360 --> 00:42:45,890 OH, THANK YOU. JACKIE, COULD YOU GET THE 635 00:42:45,960 --> 00:42:47,660 DOOR? IT IS PROBABLY YOUR DAD. 636 00:42:47,730 --> 00:42:51,800 AND THEN COULD YOU GUYS GIVE US SOME PRIVACY, PLEASE? 637 00:42:51,860 --> 00:42:52,900 OKAY. WHAT'S UP? 638 00:42:53,000 --> 00:42:56,030 WHAT'S UP, CHAMP? DAD! 639 00:42:56,100 --> 00:43:01,870 HEY, PRINCESS. HEY, JAKE. 640 00:43:01,940 --> 00:43:05,610 THANK YOU FOR COMING. HEY. 641 00:43:05,680 --> 00:43:13,720 GO AHEAD AND HAVE A SEAT. I -- SO I HEAR 642 00:43:13,790 --> 00:43:15,520 CONGRATULATIONS ARE IN ORDER. SO YOU KNOW. 643 00:43:15,620 --> 00:43:18,790 HOW COULD I NOT? IT'S EVERYWHERE. 644 00:43:18,860 --> 00:43:22,230 IT'S GONE VIRAL. IT'S ALL OVER THE NEWS. 645 00:43:22,290 --> 00:43:26,030 FAMILY, FRIENDS BLOWING ME UP. LOOK, JAKE, I AM SO SORRY. 646 00:43:26,100 --> 00:43:30,300 I SHOULD HAVE CALLED YOU TO TELL YOU ABOUT ALEC MUCH SOONER. 647 00:43:30,370 --> 00:43:32,870 YOU SHOULDN'T HAVE HAD TO FIND OUT ABOUT THIS LIKE THIS. 648 00:43:32,940 --> 00:43:37,710 HEY, NO WORRIES. I KIND OF FELT LIKE SOMETHING 649 00:43:37,780 --> 00:43:41,780 LIKE THIS WAS GOING TO HAPPEN. YOU KNOW, SOCIAL MEDIA HAS BEEN 650 00:43:41,850 --> 00:43:45,180 TRACKING YOUR EVERY MOVE NOW, EVEN BEFORE YOUR BIG ENGAGEMENT. 651 00:43:45,250 --> 00:43:47,650 JAKE, I HOPE YOU REALIZE THAT -- 652 00:43:47,720 --> 00:43:49,650 IT'S OKAY. I'M GOOD. 653 00:43:49,760 --> 00:43:55,060 I JUST WANT TO KNOW HOW WELL DO YOU KNOW THIS GUY ANYWAY? 654 00:43:55,130 --> 00:43:57,930 I MEAN, HE'S MOVED IN PRETTY FAST. 655 00:43:58,000 --> 00:44:02,030 I MEAN, I'M STILL JACKIE AND CHLOE'S DAD. 656 00:44:02,100 --> 00:44:05,100 I JUST WANT TO MAKE SURE THAT THEY'RE SAFE AND HAPPY. 657 00:44:05,170 --> 00:44:07,940 ALL RIGHT THEN. LET ME ASSURE YOU THAT ALEC HAS 658 00:44:08,010 --> 00:44:10,210 NO INTENTION OF TRYING TO REPLACE YOU. 659 00:44:10,280 --> 00:44:12,510 HE'S A GOOD MAN, AND HE LOVES US. 660 00:44:12,580 --> 00:44:18,220 UH-HUH. SO DO I. 661 00:44:18,280 --> 00:44:21,550 LOOK, I KNOW I BLEW IT. YOU GAVE ME A SECOND CHANCE TO 662 00:44:21,620 --> 00:44:27,830 GET MY FAMILY BACK, AND I THREW IT ALL AWAY. 663 00:44:27,890 --> 00:44:33,330 FANCY, FAKE BIBLE. I HAD THE REAL DIAMOND RIGHT 664 00:44:33,400 --> 00:44:36,600 HERE ALL ALONG. I WISH -- I WISH IT COULD HAVE 665 00:44:36,670 --> 00:44:42,410 BEEN US. PART OF ME WISHES THAT, TOO. 666 00:44:42,470 --> 00:44:48,980 LOOK AT YOU. ALL IN LINE RIGHT NOW. 667 00:44:49,050 --> 00:44:50,210 I DON'T KNOW. JUST JOKING. 668 00:44:50,280 --> 00:44:54,550 BUT SERIOUSLY, I REALLY HOPE -- WHAT'S HIS NAME? 669 00:44:54,620 --> 00:44:56,720 ALEC. YEAH. 670 00:44:56,790 --> 00:45:04,860 I REALLY HOPE HE GIVES YOU EVERYTHING I COULDN'T. 671 00:45:04,960 --> 00:45:05,600 YEP. YEAH. 672 00:45:05,700 --> 00:45:06,760 I DON'T WANT TO 673 00:45:12,570 --> 00:45:15,640 >WHO APPROVED IT, FRANK? AND WHY WASN'T I TOLD? 674 00:45:15,710 --> 00:45:18,940 COME ON, VERONICA. IT'S FUN. 675 00:45:19,010 --> 00:45:21,280 AND THE PR IS GREAT FOR THE SHOW. 676 00:45:21,350 --> 00:45:23,510 DON'T YOU DARE MAKE A PROGRAMS DECISION LIKE THIS 677 00:45:23,580 --> 00:45:25,780 WITHOUT CONSULTING WITH ME OR MY DEPARTMENT FIRST? 678 00:45:25,850 --> 00:45:28,520 WHAT ARE YOU GETTING SO TWEAKED ABOUT? 679 00:45:28,590 --> 00:45:32,360 I GET OUR RATINGS SPIKED. THIS IS DOPE. 680 00:45:32,420 --> 00:45:34,660 RIGHT? FOLKS BE BUZZING ABOUT THIS. 681 00:45:34,730 --> 00:45:36,860 YOU'RE KIDDING ME RIGHT NOW, RIGHT? 682 00:45:36,930 --> 00:45:41,330 DON'T BE COMING IN HERE WITH YOUR BROKE DOWN PATRONIZING HIP 683 00:45:41,400 --> 00:45:44,040 HOP SLANG AT ME. AND DON'T YOU EVER GO LIVE WITH 684 00:45:44,100 --> 00:45:48,740 A PUBLICITY STUNT LIKE THIS WITHOUT CHECKING IT WITH ME 685 00:45:48,810 --> 00:45:51,940 FIRST. LISTEN TO ME. 686 00:45:52,010 --> 00:45:58,080 ON'T THINK YOU CAN RUN ALL OVER ME JUST BECAUSE I'M NEW AROUND 687 00:45:58,150 --> 00:46:00,050 HERE. YOU REPORT TO ME, FRANK. 688 00:46:00,120 --> 00:46:03,490 OKAY? AND I EXPECT A REPORT THE NEXT 689 00:46:03,560 --> 00:46:06,090 TIME YOU CHANGE THE FORMAT. ARE WE CLEAR? 690 00:46:06,160 --> 00:46:08,660 UNDERSTOOD. I STILL DON'T SEE WHY YOU'RE 691 00:46:08,730 --> 00:46:11,530 GETTING SO UPSET. I DIDN'T CHANGE THE FORMAT. 692 00:46:11,600 --> 00:46:15,070 I JUST ADDED A SURPRISE ENDING. I DON'T LIKE SURPRISES, 693 00:46:15,130 --> 00:46:16,500 FRANK. AND I WON'T TOLERATE IT. 694 00:46:16,570 --> 00:46:21,410 SORRY TO INTERRUPT. BUT I THINK YOU GUYS MIGHT WANT 695 00:46:21,510 --> 00:46:25,940 TO SEE THIS. WELL, WOULD YOU LOOK AT THAT? 696 00:46:26,010 --> 00:46:27,980 OUR SOCIAL STATS ARE THROUGH THE ROOF. 697 00:46:28,050 --> 00:46:33,150 WHAT DID SHE SAY IS TRENDING. OUR WEBSITE IS BLOWING UP. 698 00:46:33,220 --> 00:46:40,990 OUR TRAFFIC IS UP 37%. WIPE THE SMUG LOOK OFF YOUR 699 00:46:41,060 --> 00:46:50,370 FACE. YOU WANTED MANY SEE ME? 700 00:46:50,440 --> 00:46:54,140 MADISON, I UNDERSTAND YOU HAVE A LOT GOING ON RIGHT NOW. 701 00:46:54,210 --> 00:46:58,310 BUT THAT DOESN'T EXCUSE YOU BEING BEHIND ON YOUR 702 00:46:58,380 --> 00:47:01,080 DELIVERABLES. I'M STILL WAITING FOR RE-WRITING 703 00:47:01,150 --> 00:47:05,680 ON "BLOWN AWAY" AND YOUR NOTES FROM YOUR NUMBERS UP FROM 704 00:47:05,750 --> 00:47:07,120 FRIDAY'S MEETING. I KNOW. 705 00:47:07,190 --> 00:47:09,420 I'M SORRY. BUT LAST WEEKEND GOT AWAY FROM 706 00:47:09,490 --> 00:47:13,090 ME AND I WASN'T ABLE TO FINISH, BUT YOU WILL HAVE EVERYTHING BY 707 00:47:13,160 --> 00:47:15,990 C.O.B. TODAY. AND YOUR REPORT ON THIRD 708 00:47:16,060 --> 00:47:19,760 QUARTER TITLES IS DUE TOMORROW. I NEED IT SO I CAN PROOFREAD IT 709 00:47:19,830 --> 00:47:22,130 AND FINE TUNE IT BEFORE I PRESENT IT TO THE BOARD NEXT 710 00:47:22,230 --> 00:47:24,000 WEEK. I'M WORKING ON THAT, TOO. 711 00:47:24,070 --> 00:47:26,770 YOU WILL HAVE IT TOMORROW. CONGRATULATIONS TO YOU, 712 00:47:26,840 --> 00:47:28,440 MADISON. BUT I HOPE YOU REALIZE YOU 713 00:47:28,510 --> 00:47:30,910 CANNOT LET YOUR PERSONAL LIFE GET IN THE WAY OF YOUR WORK. 714 00:47:30,980 --> 00:47:33,340 AS I SAID, THESE PROJECTS HAVE A HIGH PRIORITY. 715 00:47:33,410 --> 00:47:35,950 I UNDERSTAND THAT. I'M SORRY. 716 00:47:36,050 --> 00:47:41,690 I HAVE TO ASK IF YOU ARE STILL INTERESTED IN KEEPING THIS JOB, 717 00:47:41,750 --> 00:47:44,820 HUH? I SEE GREAT POTENTIAL IN YOU, 718 00:47:44,890 --> 00:47:50,060 BUT ONLY WHEN YOU KEEP YOUR NOSE TO THE GRINDSTONE. 719 00:47:50,130 --> 00:47:55,500 ALISON, I ASSURE YOU THAT MY PERSONAL COMMITMENTS WILL IN NO 720 00:47:55,570 --> 00:47:58,540 WAY INTERFERE WITH MY PROFESSIONAL COMMITMENTS TO THE 721 00:47:58,600 --> 00:48:03,210 WORK HERE AT BENTON. YOU WILL HAVE EVERYTHING TODAY. 722 00:48:03,280 --> 00:48:13,380 SEE THAT I DO. OH, BABY. 723 00:48:13,450 --> 00:48:16,120 CAN YOU GET THAT? THAT'S ALEC. 724 00:48:16,190 --> 00:48:17,190 THANK YOU. HEY. 725 00:48:17,260 --> 00:48:19,160 HOW ARE YOU DOING? I'M GOOD. 726 00:48:19,220 --> 00:48:21,490 HOW ARE YOU. HI. 727 00:48:21,560 --> 00:48:26,830 HEY. HOW ARE YOU? 728 00:48:26,900 --> 00:48:30,100 PLEASE FORGIVE ME FOR FLAKING ON OUR DATE TONIGHT. 729 00:48:30,170 --> 00:48:35,640 OH, NO. I WILL FORGIVE YOU AS LONG AS 730 00:48:35,710 --> 00:48:38,940 YOU PROMISE NOT TO DO IT ON FRIDAY, OKAY? 731 00:48:39,010 --> 00:48:42,210 IT'S KIND OF A BIG DEAL AND I NEED MY FAVORITE FIANCÉE WITH 732 00:48:42,280 --> 00:48:43,210 ME. I'M SORRY. 733 00:48:43,280 --> 00:48:45,720 WHAT YOU MEAN YOUR FAVORITE FIANCE. 734 00:48:45,820 --> 00:48:50,150 I BETTER BE YOUR OWN FIANCE. WHAT'S THE DEAL WITH FRIDAY? 735 00:48:50,220 --> 00:48:56,090 THEY'RE TRYING TO RAISE MONEY FOR THOSE TWO KIDS IN THE POLICE 736 00:48:56,160 --> 00:48:58,060 RAID. THOSE POLICE ARE OUT OF 737 00:48:58,130 --> 00:48:59,160 CONTROL. THAT'S A TRAGEDY. 738 00:48:59,230 --> 00:49:01,500 THESE PEOPLE ARE STARTING TO RECOGNIZE. 739 00:49:01,570 --> 00:49:04,300 YEAH. GTN IS REALLY STEPPING UP, TOO. 740 00:49:04,370 --> 00:49:07,470 THEY'RE ORGANIZING THIS THING WITH A BUNCH OF CELEBRITIES AND 741 00:49:07,540 --> 00:49:17,280 SPORTS STARS AND POLITICAL DIG ANY ST 742 00:49:17,380 --> 00:49:20,620 NITARIES ACROSS THE COUNTRY. WELL, YOU KNOW, RACIAL 743 00:49:20,690 --> 00:49:23,150 PREJUDICE IS THE ORIGINAL SIN IN THIS COUNTRY. 744 00:49:23,220 --> 00:49:26,160 SO THE ONLY REASON OUR VOICES ARE BEING HEARD FINALLY IS 745 00:49:26,220 --> 00:49:28,630 BECAUSE WE'RE NOT THE ONLY ONES SCREAMING. 746 00:49:28,690 --> 00:49:31,600 THE WORK THAT YOU AND GTN IS IMPORTANT, SO OF COURSE I 747 00:49:31,660 --> 00:49:33,860 WOULDN'T BE ANYWHERE ELSE BUT BY YOUR SIDE. 748 00:49:33,930 --> 00:49:37,940 WELL, I'M GLAD YOU FEEL THAT WAY BECAUSE IT'S NOT REALLY MY 749 00:49:38,040 --> 00:49:39,140 KIND OF THING. I KNOW. 750 00:49:39,200 --> 00:49:42,110 BUT I FEEL LIKE I CAN DO ANYTHING WHEN I'M WITH YOU. 751 00:49:42,170 --> 00:49:43,770 OH. YOU NEED ME. 752 00:49:43,840 --> 00:49:48,310 YOU REALLY NEED ME. I DO. 753 00:49:48,380 --> 00:49:52,780 OKAY. SO WE NEED TO TALK ABOUT THIS 754 00:49:52,850 --> 00:49:55,690 WEDDING. WHAT'S UP, MADISON? 755 00:49:55,750 --> 00:50:00,360 I HAVE SUBMITTED THE AUTHOR'S FINAL RE-WRITE FOR "BLOWN AWAY," 756 00:50:00,430 --> 00:50:03,560 BUT YOUR NUMBERS UP WON'T BE READY FOR A FEW HOURS. 757 00:50:03,630 --> 00:50:05,960 WOULD IT BE ALL RIGHT IF I PROOFREAD IT OVER THE WEEKEND 758 00:50:06,030 --> 00:50:08,100 AND GOT IT TO YOU FIRST THING IN THE MORNING? 759 00:50:08,170 --> 00:50:10,170 I'M AFRAID MONDAY IS TOO LATE. 760 00:50:10,270 --> 00:50:12,970 I PROMISED THEY WOULD GO TO THE PRINTER TODAY. 761 00:50:13,040 --> 00:50:15,910 YOU KNOW HOW TIGHT THE DEADLINES ARE ON THIS. 762 00:50:15,970 --> 00:50:17,340 YOU HAVE TO WORK TONIGHT. I'M SORRY. 763 00:50:17,410 --> 00:50:18,980 NO. I UNDERSTAND. 764 00:50:19,040 --> 00:50:35,730 GOOD ANSWER. HEY, HONEY. 765 00:50:35,790 --> 00:50:37,630 IT'S ME. HEY, BABE. 766 00:50:37,700 --> 00:50:40,500 I'M GOING TO COME BY AND PICK YOU UP IN ABOUT AN HOUR, OKAY? 767 00:50:40,600 --> 00:50:42,370 I GOT TO SHOOT BY THE STUDIO FIRST. 768 00:50:42,430 --> 00:50:45,700 LOOK, ALEC, I AM SO SORRY BUT -- 769 00:50:45,770 --> 00:50:49,070 BUT WHAT? OH, NO. 770 00:50:49,140 --> 00:50:51,340 DON'T TELL ME YOU'RE CANCELING. PLEASE. 771 00:50:51,410 --> 00:50:53,480 NOT TONIGHT. JUST I HAVE A DEADLINE AND 772 00:50:53,550 --> 00:50:55,480 I'M STILL WAITING FOR A DRAFT TO PROOF. 773 00:50:55,550 --> 00:50:57,780 ON A FRIDAY NIGHT? I TOLD YOU THIS IS REALLY 774 00:50:57,850 --> 00:50:58,420 IMPORTANT. I KNOW. 775 00:50:58,520 --> 00:51:00,320 I KNOW. IT IS JUST THAT ALISON NEEDS ME. 776 00:51:00,390 --> 00:51:03,350 OKAY. BUT, HEY, WHAT ABOUT WHAT I 777 00:51:03,460 --> 00:51:06,090 NEED? LOOK, HONEY, TRY TO 778 00:51:06,160 --> 00:51:07,690 UNDERSTAND HOW IMPORTANT THIS IS TO ME. 779 00:51:07,760 --> 00:51:09,830 AND THIS IS IMPORTANT TO ME, MADISON. 780 00:51:09,900 --> 00:51:13,660 LISTEN, IF I GET DONE EARLY ENOUGH I'LL TRY TO GET BY THERE, 781 00:51:13,730 --> 00:51:14,430 OKAY? ALL RIGHT. 782 00:51:14,500 --> 00:51:17,800 YOU KNOW WHAT, MADISON. NEVER MIND. 783 00:51:17,870 --> 00:51:21,170 DON'T WORRY ABOUT IT. DON'T PUT YOURSELF. 784 00:51:21,240 --> 00:51:37,570 I'LL TALK TO YOU ABOUT IT >MR. FOX, A COUPLE QUESTIONS, 785 00:51:37,710 --> 00:51:40,440 PLEASE. CHLOE, HERE'S WHAT I NEED. 786 00:51:40,510 --> 00:51:42,240 CANDID SHOTS. CAPTURE PEOPLE IN ACTION. 787 00:51:42,310 --> 00:51:46,110 I WANT TO KNOW WHO WAS HERE, WHO CAME WITH WHO, WHO'S TALKING TO 788 00:51:46,180 --> 00:51:49,720 WHO. GET THE WHOLE STORY. 789 00:51:49,790 --> 00:51:52,590 YEAH, I GOT THAT. IT'S SO GREAT. 790 00:51:52,650 --> 00:51:54,420 THANK YOU SO MUCH FOR THIS OPPORTUNITY. 791 00:51:54,490 --> 00:51:59,590 ALL RIGHT. GO. 792 00:51:59,660 --> 00:52:02,130 OH. MS. ISAACS. 793 00:52:02,200 --> 00:52:03,660 HI. WELC 794 00:52:03,730 --> 00:52:05,670 WELCOME, WELCOME, WELCOME. YOU KNOW, WE WANT THE PEOPLE IN 795 00:52:05,730 --> 00:52:09,640 THIS CITY AND ACROSS THE COUNTRY TO KNOW THAT GTN STANDS FOR 796 00:52:09,700 --> 00:52:15,640 JUSTICE AND FOR THE CELEBRITIES, MOVERS AND SHAKERS THAT ARE 797 00:52:15,710 --> 00:52:18,310 STANDING UP TONIGHT, THAT'S THE IMPORTANT MESSAGE THAT I WANT 798 00:52:18,380 --> 00:52:21,080 EVERYONE TO TAKE FROM THIS. ACTUALLY, WHY DON'T YOU ALL JUST 799 00:52:21,150 --> 00:52:24,550 MOVE INTO THE BANQUET ROOM AND THERE WILL BE MORE TIME FOR MORE 800 00:52:24,650 --> 00:52:27,120 QUESTIONS, MORE PHOTOS, OKAY? THANKS. 801 00:52:27,190 --> 00:52:31,090 HEY. SO GLAD YOU MADE IT. 802 00:52:31,160 --> 00:52:33,130 WOW. NO WIFEY? 803 00:52:33,200 --> 00:52:34,500 NO FIANCÉE? NO. 804 00:52:34,560 --> 00:52:36,960 SHE COULDN'T MAKE IT TONIGHT. OH, WOW. 805 00:52:37,030 --> 00:52:39,230 THAT'S TOO BAD. YOU KNOW, BE SURE TO ACKNOWLEDGE 806 00:52:39,300 --> 00:52:42,240 THE MAYOR, THE CHIEF OF POLICE AND THE CITY COUNCILMAN. 807 00:52:42,340 --> 00:52:45,210 IT IS IMPORTANT THAT EVERYONE KNOWS WHO WE ARE SUPPORTING IN 808 00:52:45,270 --> 00:52:46,140 OUR EFFORT. OKAY. 809 00:52:46,210 --> 00:52:47,410 GOT IT. OKAY. 810 00:52:47,480 --> 00:52:50,340 AND ALSO DON'T FORGET TO GIVE A SHOUT-OUT TO ALL THE CELEBRITIES 811 00:52:50,410 --> 00:52:53,080 OUT THERE. I'LL BE SURE TO GET YOU A LIST, 812 00:52:53,150 --> 00:52:55,350 OKAY AND IF THERE IS TIME, BE SURE TO 813 00:52:55,420 --> 00:52:59,820 ACKNOWLEDGE THE GRIEVING MOTHER, YOU KNOW, SEE IF SHE IS UP FOR 814 00:52:59,890 --> 00:53:01,790 SAYING A FEW WORDS. OKAY? 815 00:53:01,860 --> 00:53:03,890 OF COURSE. OF COURSE. 816 00:53:03,960 --> 00:53:07,960 YOU LOOK GOOD. JUST THE KIND OF SHOTS WE 817 00:53:08,030 --> 00:53:17,170 NEED. THAT'S A PRIVATE MOMENT. 818 00:53:17,240 --> 00:53:19,840 HEY. THAT'S NOT GOING TO HAPPEN. 819 00:53:19,910 --> 00:53:37,690 THANK YOU, THOUGH. HI. 820 00:53:37,760 --> 00:53:51,070 COME ON IN. THANK YOU. 821 00:53:51,140 --> 00:53:52,270 ALEC, I HATE THAT I MISSED LAST NIGHT. 822 00:53:52,370 --> 00:53:59,380 I REALLY WANTED TO BE THERE. HONESTLY, I COULDN'T GET AWAY. 823 00:53:59,480 --> 00:54:02,520 I HOPE YOU KNOW THAT. WHAT I KNOW IS THAT I TOLD 824 00:54:02,580 --> 00:54:07,590 YOU HOW MUCH IT MEANT TO ME. YOU PROMISED ME YOU HAD OTHER 825 00:54:07,660 --> 00:54:10,190 THINGS TO DO. MY JOB, ALEC. 826 00:54:10,260 --> 00:54:14,730 IT'S MY JOB. AND IT'S AS IMPORTANT TO ME AS 827 00:54:14,800 --> 00:54:18,800 YOURS IS TO YOU. I'M JUST TRYING TO SEE WHERE 828 00:54:18,870 --> 00:54:24,140 I FIT IN, YOU KNOW? LIKE IT'S THE KIDS AND THE JOB, 829 00:54:24,210 --> 00:54:27,210 THEN ME. OKAY. 830 00:54:27,280 --> 00:54:32,750 YOU KNEW WHAT MY LIFE WAS WHEN YOU ASKED ME TO MARRY YOU. 831 00:54:32,810 --> 00:54:39,150 ALEC, I AM STRUGGLING IN THIS PROBATIONARY PERIOD OF MY JOB, A 832 00:54:39,220 --> 00:54:44,430 JOB THAT YOU CONVINCED ME AND ENCOURAGING ME THAT I COULD DO. 833 00:54:44,490 --> 00:54:48,500 AND THIS IS ABOUT SELF-RESPECT AND MY PRIDE AND THE KIND OF 834 00:54:48,600 --> 00:54:51,470 PERSON I WANT TO BE IN THIS WORLD. 835 00:54:51,530 --> 00:54:54,170 YOU OF ALL PEOPLE I WOULD THINK WOULD UNDERSTAND THAT. 836 00:54:54,240 --> 00:55:02,110 I KNOW YOU DO. I -- I DO. 837 00:55:02,180 --> 00:55:07,950 I UNDERSTAND. I JUST MISS YOU. 838 00:55:08,020 --> 00:55:12,720 WE HAVEN'T SPENT ANY TIME TOGETHER, AND I JUST -- I MISS 839 00:55:12,790 --> 00:55:17,390 YOU. I MISS YOU, TOO. 840 00:55:17,460 --> 00:55:24,530 AND -- AND I PROMISE I WILL MAKE IT UP TO YOU IF YOU'LL LET ME. 841 00:55:24,600 --> 00:55:27,230 YOU'RE GONNA MAKE IT UP TO ME? 842 00:55:27,300 --> 00:55:32,540 IF THE KIDS AREN'T HERE. ALL RIGHT. 843 00:55:32,610 --> 00:55:36,410 I'LL TELL YOU WHAT. I HAVE THIS THING NEXT FRIDAY, I 844 00:55:36,510 --> 00:55:39,350 THINK, THIS REMOTE THING IN D.C. WE CAN GO OUT THERE. 845 00:55:39,410 --> 00:55:44,020 WE CAN HAVE A GOOD TIME. WE CAN -- WHAT? 846 00:55:44,090 --> 00:55:49,660 NEXT WEEKEND? OKAY. 847 00:55:49,720 --> 00:55:53,160 SO I HAVE THIS BIG BOARD MEETING COMING UP, AND I AM THE POINT 848 00:55:53,230 --> 00:55:56,700 PERSON AND I'M IN CHARGE OF GETTING ALL THE PRESENTATION 849 00:55:56,770 --> 00:55:58,970 MATERIALS. I CAN'T LET ALISON DOWN. 850 00:55:59,030 --> 00:56:03,070 AND THEN THE KIDS -- THE KIDS WILL BE FINE. 851 00:56:03,140 --> 00:56:07,110 I MEAN MAYBE THEIR DAD CAN COME CHECK ON THEM FOR A CHANGE. 852 00:56:07,180 --> 00:56:09,940 CAN'T YOU GET THE WEEKEND OFF? IT'S A WEEKEND. 853 00:56:10,010 --> 00:56:11,480 I CAN'T. I JUST TOLD YOU. 854 00:56:11,550 --> 00:56:19,950 YEAH, OKAY. YOU KNOW, LET ME KNOW IF YOU 855 00:56:20,020 --> 00:56:22,760 HAVE TIME FOR ME IN YOUR LIFE, LET ALONE A MARRIAGE. 856 00:56:22,820 --> 00:56:24,990 OKAY. IT'S ONE WEEKEND. 857 00:56:25,060 --> 00:56:29,400 YOU WANT TO BLOW UP OUR ENGAGEMENT OVER ONE WEEKEND? 858 00:56:29,460 --> 00:56:33,270 NO, IT'S THE WEEK END. IT'S FRIDAY. 859 00:56:33,330 --> 00:56:34,900 AND IT'S THE WEEKEND BEFORE THAT. 860 00:56:34,970 --> 00:56:40,340 DID THE LOVELY VERONICA COME UP WITH THIS REMOTE D.C. 861 00:56:40,410 --> 00:56:41,710 WEEKEND? IS SHE GOING TO BE THERE? 862 00:56:41,780 --> 00:56:46,410 I'M INVITING YOU. WHAT DOES THAT MATTER? 863 00:56:46,480 --> 00:56:48,620 I'M INVITING YOU BECAUSE I WANT TO SPEND TIME WITH YOU. 864 00:56:48,680 --> 00:56:53,820 SO, ALEC, IF THE ROLES WERE REVERSED, YOU WOULD ABANDON YOUR 865 00:56:53,890 --> 00:56:57,060 JOB TO GO TRAPSING OFF WITH ME FOR A WEEKEND. 866 00:56:57,130 --> 00:57:00,660 WELL, I WOULD AT LEAST TRY. NO, YOU WOULDN'T. 867 00:57:00,730 --> 00:57:05,630 SO JUST GO TO D.C. WITH YOUR NEW BOSS AND KEEP YOUR JOB, AND I'LL 868 00:57:05,700 --> 00:57:32,860 STAY HERE AND TRY TO KEEP MINE. THAT PACKAGE HASN'T SHOWN UP 869 00:57:32,930 --> 00:57:35,730 YET. IT SHOULD HAVE BEEN HERE BY NOW. 870 00:57:35,800 --> 00:57:36,760 UGH. VERONICA, HEY. 871 00:57:36,830 --> 00:57:38,370 OH, HEY. JUST GETTING HERE? 872 00:57:38,430 --> 00:57:41,170 YEAH. I GOT A MEETING WITH A SPONSOR 873 00:57:41,240 --> 00:57:44,070 IN A HALF HOUR. STILL WAITING ON A PACKAGE THAT 874 00:57:44,140 --> 00:57:46,640 HASN'T GOTTEN HERE. OH, NO. 875 00:57:46,710 --> 00:57:49,740 YEAH. ALEC AND HIS LITTLE FIANCE SHOWN 876 00:57:49,810 --> 00:57:52,150 UP YET? NO, I AIN'T SEEN HIM. 877 00:57:52,210 --> 00:57:56,320 BUT HE TOLD ME MADISON ISN'T COMING. 878 00:57:56,380 --> 00:57:58,450 SEEMS LIKE THERE IS A LITTLE TROUBLE IN PARADISE. 879 00:57:58,520 --> 00:58:03,790 OH, REALLY? WELL, WHAT MAKES YOU THINK THAT? 880 00:58:03,860 --> 00:58:08,160 HE'S BEEN ALL OUT OF SORTS THIS WEEK. 881 00:58:08,230 --> 00:58:10,930 DISTRACTED. HE'S BEEN MORE SURLY AND HOT 882 00:58:11,000 --> 00:58:14,000 TELLERED ON AIR, ESPECIALLY WITH YOU. 883 00:58:14,070 --> 00:58:16,440 MAYBE HE NEEDS A LITTLE BREAK, TOO. 884 00:58:16,500 --> 00:58:18,970 SORT OUT HIS PERSONAL PROBLEMS, YOU KNOW. 885 00:58:19,040 --> 00:58:22,010 SUPPOSE YOU AND I GET TOGETHER LATER, WORK OUT A PLAN FOR THE 886 00:58:22,080 --> 00:58:23,240 SHOW? YEAH. 887 00:58:23,310 --> 00:58:25,010 YEAH. YOU KNOW WHAT, I AM RUNNING 888 00:58:25,080 --> 00:58:35,840 LATE, SO I'LL CHECK US IN, PUT IT ON THE 889 00:58:35,910 --> 00:58:41,040 LOOKING PRETTY GOOD. THIS LAST DOCUMENT NEEDS 890 00:58:41,110 --> 00:58:47,650 MINOR TWEAKING, BUT I THINK WE HAVE WHAT WE NEED FOR MONDAY'S 891 00:58:47,720 --> 00:58:49,820 BOARD MEETING. I MUST SAY, YOU PULLED 892 00:58:49,890 --> 00:58:52,820 EVERYTHING TOGETHER WITH A MINIMUM OF DRAMA AND A MAXIMUM 893 00:58:52,890 --> 00:58:54,790 OF PRECISION. I KNOW YOU HAVE WORKED LONG 894 00:58:54,860 --> 00:58:58,160 HOURS THIS WEEK, SO THE GOOD NEWS IS WE WON'T BE WORKING THIS 895 00:58:58,230 --> 00:58:59,600 WEEKEND LIKE I THOUGHT. GO HOME. 896 00:58:59,660 --> 00:59:03,530 GET SOME REST. HEY, KEEP YOUR CELL PHONES CLOSE 897 00:59:03,600 --> 00:59:07,940 IN CASE I HAVE ANY QUESTIONS. MADISON, DO YOU MIND STAYING FOR 898 00:59:08,010 --> 00:59:16,080 JUST A MINUTE? SURE. 899 00:59:16,150 --> 00:59:19,180 I JUST WANTED TO SAY I KNEW FROM THE DAY WE MET YOU HAD WHAT 900 00:59:19,250 --> 00:59:23,320 IT TAKES. YOU'RE A CONSCIENTIOUS WORKER, A 901 00:59:23,390 --> 00:59:28,260 FAST LEARNER, AND YOU HAVE PROVEN TO BE A REAL ASSET TO 902 00:59:28,330 --> 00:59:30,690 BENTON PUBLISHING. THANK YOU, ALISON. 903 00:59:30,760 --> 00:59:33,200 NO, THANK YOU FOR ORGANIZING ALL THESE MATERIALS TO THE 904 00:59:33,260 --> 00:59:35,330 BOARD. I KNOW IT'S TO YOUR CREDIT IT 905 00:59:35,400 --> 00:59:37,670 WAS ALL DONE SO EFFICIENTLY AND QUICKLY. 906 00:59:37,740 --> 00:59:40,300 WELL, I'M JUST GLAD WE GOT IT DONE. 907 00:59:40,370 --> 00:59:41,970 WELL, CONGRATULATIONS. WHAT? 908 00:59:42,040 --> 00:59:45,580 CONGRATULATIONS. YOU PASSED YOUR PROBATION. 909 00:59:45,640 --> 00:59:48,880 OH, MY GOD! HR WILL BE IN TOUCH ABOUT 910 00:59:48,950 --> 00:59:51,820 YOUR NEW SALARY. GOOD JOB! 911 00:59:51,880 --> 00:59:54,150 OH. THANK YOU SO MUCH, ALISON. 912 00:59:54,220 --> 00:59:56,120 NOW GO. ENJOY YOUR WEEKEND. 913 00:59:56,190 --> 01:00:07,700 MUCH NEEDED. WELL DESERVED, I MIGHT ADD. 914 01:00:07,770 --> 01:00:11,870 LAINY, GUESS WHAT? I'M OFF PROBATION, AND I GOT A 915 01:00:11,940 --> 01:00:13,340 RAISE. WHAT? 916 01:00:13,400 --> 01:00:15,640 CONGRATS, GIRL. YOU WORKED HARD FOR THAT BAD 917 01:00:15,710 --> 01:00:16,870 BOY. OH, GIRL. 918 01:00:16,940 --> 01:00:18,940 HEY, BUT LISTEN, I NEED A HUGE FAVOR. 919 01:00:19,010 --> 01:00:21,110 CAN YOU CHECK ON THE KIDS THIS WEEKEND? 920 01:00:21,180 --> 01:00:26,980 I WANT TO SURPRISE ALEC IN D.C. I CAN'T WAIT TO TELL HIM THE 921 01:00:27,050 --> 01:00:27,520 NEWS. OF COURSE. 922 01:00:27,590 --> 01:00:31,990 BUT ESPECIALLY CHLOE. SOMETHING IS UP WITH HER. 923 01:00:32,060 --> 01:00:33,390 REALLY? LIKE WHAT? 924 01:00:33,460 --> 01:00:35,760 I DON'T KNOW. BUT MAYBE SHE'LL TELL YOU. 925 01:00:35,860 --> 01:00:38,860 THANK YOU SO MUCH. HEY. 926 01:00:38,930 --> 01:00:40,360 HEY. ALL RIGHT, LOOK. 927 01:00:40,430 --> 01:00:42,400 SO HERE'S YOUR KEY CARD. OKAY. 928 01:00:42,470 --> 01:00:45,270 ALEC IS IN THE FRONT DESK WHEN HE CHECKS IN. 929 01:00:45,340 --> 01:00:47,670 LISTEN, COULD YOU DO ME A FAVOR? SURE, ANYTHING. 930 01:00:47,740 --> 01:00:51,070 I'M LATE FOR MY MEETING AND MY PACKAGE STILL HASN'T GOTTEN 931 01:00:51,140 --> 01:00:52,880 HERE. DO YOU MIND WAITING FOR IT UNTIL 932 01:00:52,940 --> 01:00:55,110 IT GETS HERE? OF COURSE. 933 01:00:55,180 --> 01:00:59,450 IT'S MARKED PERSONAL AND CONFIDENTIAL AND IT'S COMING BY 934 01:00:59,520 --> 01:01:02,120 SPECIAL KOCOURIER. I CALLED THEM TO PUT YOUR NAME 935 01:01:02,190 --> 01:01:03,750 ON IT. NO WORRIES. 936 01:01:03,820 --> 01:01:07,120 AND MAYBE WE COULD DISCUSS THOSE IDEAS FOR THE SHOW OVER DINNER 937 01:01:07,230 --> 01:01:08,860 LATER. YEAH, OF COURSE. 938 01:01:08,930 --> 01:01:13,060 JUST PUT MY KEY IN MY ROOM WITH THE PACKAGE WHEN IT'S THERE. 939 01:01:13,130 --> 01:01:14,700 OKAY. YOU'RE AMAZING. 940 01:01:14,770 --> 01:01:17,300 I GOT YOU. YEAH. 941 01:01:17,370 --> 01:01:24,570 SUITE 200, HUH? NICE. 942 01:01:24,640 --> 01:01:26,410 HEY. HOW ARE YOU DOING? 943 01:01:26,480 --> 01:01:30,410 ALEC DARBY CHECKING IN. YES, MR. DARBY. 944 01:01:30,480 --> 01:01:32,780 YOU ARE ALREADY CHECKED IN. SUITE 200. 945 01:01:32,850 --> 01:01:34,950 HEY, YOU MADE IT. OF COURSE I MADE IT. 946 01:01:35,020 --> 01:01:38,120 HEY, YOU GOT THE CALL TIME FOR TOMORROW? 947 01:01:38,190 --> 01:01:43,230 NO, NOT YET. I'LL SEE YOU TOMORROW. 948 01:01:43,290 --> 01:01:47,460 YEAH. HEY. 949 01:01:47,530 --> 01:01:54,740 HEY, CHLOE, WHAT'S GOING ON? UM. 950 01:01:54,810 --> 01:01:59,080 SOMETHING BOTHERING YOU? LAINY, I SAW SOMETHING SO 951 01:01:59,140 --> 01:02:02,210 MESSED UP, AND I DON'T KNOW WHAT TO FEEL ABOUT IT. 952 01:02:02,280 --> 01:02:05,020 WELL, HAVE YOU TALKED IT OVER WITH YOUR MOM? 953 01:02:05,080 --> 01:02:07,880 I TRIED. I JUST COULDN'T FIGURE OUT HOW 954 01:02:07,950 --> 01:02:09,790 TO. WHY NOT? 955 01:02:09,850 --> 01:02:15,730 BECAUSE IT'S ABOUT ALEC. I SAW HIM KISSING THAT NEW BOSS 956 01:02:15,790 --> 01:02:17,760 OF HIS AT THE FUNDRAISER LAST NIGHT. 957 01:02:17,830 --> 01:02:20,460 ARE YOU SURE? LOOK. 958 01:02:20,530 --> 01:02:23,830 I TOOK THAT AT THE FUNDRAISER AND PRINTED IT OUT TO GIVE TO 959 01:02:23,900 --> 01:02:32,840 MOM, BUT I JUST COULDN'T DO IT. YOU DON'T NEED TO WORRY ABOUT 960 01:02:32,910 --> 01:02:35,880 THIS, CHLOE. YOUR MOTHER IS A VERY SMART 961 01:02:35,950 --> 01:02:38,220 WOMAN. IF ALEC IS CHEATING ON HER, 962 01:02:38,280 --> 01:02:41,650 SHE'LL KNOW ABOUT IT. JUST GET SOME REST FOR NOW AND 963 01:02:41,720 --> 01:02:44,760 WE'LL FIGURE OUT WHAT TO DO WITH THIS IN THE MORNING. 964 01:02:44,820 --> 01:02:46,320 OKAY. GOOD NIGHT. 965 01:02:46,390 --> 01:02:59,770 GOOD NIGHT. THAT'S NICE. 966 01:02:59,840 --> 01:03:03,140 OH. OH. 967 01:03:03,210 --> 01:03:04,710 VERONICA. HOW DID YOU GET HERE? 968 01:03:04,780 --> 01:03:09,580 WELL, THIS IS THE KEY THE FRONT DESK GAVE ME. 969 01:03:09,710 --> 01:03:12,320 I GUESS THERE MUST HAVE BEEN SOME KIND OF MISTAKE. 970 01:03:12,380 --> 01:03:15,350 I'M SORRY. THAT'S ODD BECAUSE I'M NOT 971 01:03:15,420 --> 01:03:17,450 WHO CHECKED EVERYONE IN. YOU KNOW WHAT? 972 01:03:17,560 --> 01:03:20,490 I'LL CALL DOWNSTAIRS AND GET THIS WHOLE THING STRAIGHTENED 973 01:03:20,560 --> 01:03:21,560 OUT. ARE YOU SURE? 974 01:03:21,630 --> 01:03:23,560 YEAH. I WAS GOING TO CALL YOU ANYWAY 975 01:03:23,630 --> 01:03:26,330 BECAUSE I WAS GOING TO SET UP A DINNER MEETING FOR YOU AND 976 01:03:26,400 --> 01:03:27,600 DeMARCO FOR TOMORROW'S SHOOT. OH. 977 01:03:27,670 --> 01:03:30,330 YEAH. SO WHY DON'T YOU MAKE YOURSELF A 978 01:03:30,400 --> 01:03:33,800 DRINK AT THE BAR, AND I'LL GO CHANGE INTO SOMETHING, YOU KNOW, 979 01:03:33,870 --> 01:03:37,170 MORE COMFORTABLE AND WE CAN GET GOING. 980 01:03:37,240 --> 01:03:38,510 OH, OKAY. GOOD? 981 01:03:38,580 --> 01:03:42,650 ALL RIGHT, YEAH. COOL. 982 01:03:42,710 --> 01:03:46,620 I CAN PROBABLY GET YOU ONSET. MADISON, HEY. 983 01:03:46,680 --> 01:03:49,190 WHAT ARE YOU DOING HERE. ALEC SAID YOU WASN'T COMING. 984 01:03:49,250 --> 01:03:51,050 YEAH. I FINISHED WORK EARLY. 985 01:03:51,120 --> 01:03:53,620 I THOUGHT I WOULD SURPRISE HIM. OH, COOL. 986 01:03:53,690 --> 01:03:58,160 HE'S IN SUITE 200, AND I JUST HAPPEN TO HAVE AN EXTRA KEY. 987 01:03:58,230 --> 01:04:00,400 WHY DON'T YOU TAKE IT AND REALLY SURPRISE HIM. 988 01:04:00,460 --> 01:04:05,470 THANK YOU, DeMARCO. NO, THANK YOU. 989 01:04:05,540 --> 01:04:27,990 SO WHAT ARE WE DOING IN THE MORNING? 990 01:04:28,090 --> 01:04:33,300 SURPRISE! ARE YOU HAPPY TO SEE ME? 991 01:04:33,360 --> 01:04:35,730 MADISON, YOU'RE HERE? YEAH. 992 01:04:35,830 --> 01:04:40,000 I GOT OFF EARLY SO WE COULD HAVE A ROMANTIC EVENING. 993 01:04:40,070 --> 01:04:43,170 I CHANGED MY MIND. I THOUGHT WE WOULD DO THE 994 01:04:43,240 --> 01:04:45,410 APPETIZER FIRST. WHAT IS SHE DOING HERE? 995 01:04:45,480 --> 01:04:47,540 EXCUSE ME. ME? 996 01:04:47,610 --> 01:04:50,150 THIS IS MY ROOM. HOW DID YOU GET IN HERE? 997 01:04:50,210 --> 01:04:51,720 MADISON, THERE'S BEEN A MISTAKE. 998 01:04:51,780 --> 01:04:57,120 YEAH, THERE'S BEEN A MIXUP AND IT'S YOU WHO MADE IT. 999 01:04:57,190 --> 01:05:00,190 DO I LOOK STUPID TO YOU. YOU DON'T HAVE TO GO AWAY 1000 01:05:00,260 --> 01:05:03,230 MAD. WE DIDN'T KNOW YOU WERE COMING. 1001 01:05:03,290 --> 01:05:05,600 OBVIOUSLY! WHAT THE HELL IS THIS? 1002 01:05:05,660 --> 01:05:07,900 I KNOW. DO YOU LIKE IT? 1003 01:05:07,970 --> 01:05:09,800 OH, STOP. COME ON. 1004 01:05:09,870 --> 01:05:13,040 IT'S JUST A LITTLE MIXUP. HEY. 1005 01:05:13,100 --> 01:05:15,610 IT'S PROBABLY FOR THE BEST, YOU KNOW? 1006 01:05:15,670 --> 01:05:21,010 I MEAN, COME ON. WHAT DO YOU SEE IN HER ANYWAY? 1007 01:05:21,080 --> 01:05:34,490 I COULD DO SO MUCH MORE FOR YOU. WHAT ARE YOU SUGGESTING? 1008 01:05:34,560 --> 01:05:40,430 BOSS? SOME KIND OF QUID PRO QUO? 1009 01:05:40,500 --> 01:05:56,710 ISN'T THAT ILLEGAL? ♪ 1010 01:05:56,780 --> 01:05:59,620 MADISON, PLEASE, LET ME EXPLAIN. 1011 01:05:59,680 --> 01:06:04,550 COME ON. IT'S NOT WHAT YOU THINK IT IS. 1012 01:06:04,620 --> 01:06:43,510 ♪ 1013 01:06:44,610 --> 01:06:46,280 GIRL, WHAT ARE YOU DOING BACK? 1014 01:06:46,350 --> 01:06:49,120 I THOUGHT YOU WERE STAYING UNTIL TOMORROW. 1015 01:06:49,180 --> 01:06:56,420 LAINY, WHAT IS WRONG WITH MEN? 1016 01:06:56,490 --> 01:07:00,990 WHY DO THEY HAVE TO CONSTANTLY PLAY MORE THAN ONE WOMAN AT A 1017 01:07:01,060 --> 01:07:03,060 TIME? OR IS IT JUST ME? 1018 01:07:03,130 --> 01:07:05,630 MAYBE IT'S JUST ME. BUT YOU KNOW WHAT? 1019 01:07:05,730 --> 01:07:08,100 I KNOW THIS. I'M NOT DOING THIS AGAIN. 1020 01:07:08,170 --> 01:07:11,670 I'M NOT GOING TO LAY IN A BED FOR THE REST OF MY LIFE NEXT TO 1021 01:07:11,740 --> 01:07:14,010 A MAN THAT I DON'T KNOW I CAN TRUST. 1022 01:07:14,080 --> 01:07:15,340 I'M DONE. TELL ME WHAT HAPPENED. 1023 01:07:15,410 --> 01:07:17,840 NOTHING. I'M JUST -- YOU KNOW, I FOUND 1024 01:07:17,910 --> 01:07:22,020 ALEC IN A HOTEL ROOM WITH HIS BARELY DRESSED BOSS. 1025 01:07:22,080 --> 01:07:26,120 OH, NO. I WAS AFRAID OF THAT. 1026 01:07:26,190 --> 01:07:28,020 WAIT. WHAT? 1027 01:07:28,090 --> 01:07:38,530 YOU KNEW ABOUT THIS? CHLOE TOOK THIS LAST WEEK AT 1028 01:07:38,600 --> 01:07:50,780 THE FUNDRAISER. SO THIS MUST BE WHAT SHE'S 1029 01:07:50,850 --> 01:07:53,350 BEEN TRYING TO TELL ME THIS WHOLE TIME. 1030 01:07:53,410 --> 01:07:56,950 POOR BABY. YEAH. 1031 01:07:57,020 --> 01:08:02,860 YOU KNOW, I ASSUME THIS HAS BEEN GOING ON FOR A LONG TIME. 1032 01:08:02,960 --> 01:08:05,560 THE THING IS, YOU KNOW, I SAW IT. 1033 01:08:05,660 --> 01:08:07,360 I KNEW SHE WAS GOING TO GO AFTER HIM. 1034 01:08:07,430 --> 01:08:11,800 AND I WARNED HIM. HOW DID YOU LEAVE THINGS? 1035 01:08:11,870 --> 01:08:15,240 I JUST LEFT. I MEAN, HE'S BEEN CALLING. 1036 01:08:15,300 --> 01:08:18,710 MY PHONE WAS BLOWING UP. THERE IS NOTHING HE COULD SAY. 1037 01:08:18,770 --> 01:08:22,910 I WENT TO THE TRAIN STATION. HEY. 1038 01:08:22,980 --> 01:08:25,350 HEY! YOU'RE BACK. 1039 01:08:25,410 --> 01:08:28,180 GOOD MORNING. HAVE A SEAT. 1040 01:08:28,250 --> 01:08:59,810 JACKIE, SIT DOWN. WE NEED TO TALK. 1041 01:08:59,880 --> 01:09:02,450 I HAVE NOTHING TO STAY TO YOU, ALEC. 1042 01:09:02,520 --> 01:09:06,450 YOU DON'T HAVE TO SAY ANYTHING. 1043 01:09:06,520 --> 01:09:10,090 JUST LISTEN. LOOK, I'M NOT GOING ANYWHERE 1044 01:09:10,160 --> 01:09:12,060 UNTIL YOU DO. FINE. 1045 01:09:12,130 --> 01:09:15,960 SAY WHAT YOU NEED TO SAY AND THEN GO. 1046 01:09:16,030 --> 01:09:21,000 YOU'RE NOT GOING TO LET ME IN? 1047 01:09:21,070 --> 01:09:26,810 NO. WHAT DO YOU WANT? 1048 01:09:26,870 --> 01:09:32,510 THE HOTEL GAVE ME THE WRONG KEY. 1049 01:09:32,580 --> 01:09:36,880 IT WAS A MISTAKE. A SIMPLE MISTAKE. 1050 01:09:36,980 --> 01:09:39,920 I DIDN'T DO ANYTHING THAT YOU'RE THINKING I DID. 1051 01:09:39,990 --> 01:09:42,820 OKAY. JUST STOP. 1052 01:09:42,920 --> 01:09:45,020 ALL RIGHT? BLAH, BLAH, BLAH. 1053 01:09:45,090 --> 01:09:49,400 I'VE HEARD IT ALL BEFORE. NOTHING HAPPENED. 1054 01:09:49,460 --> 01:09:53,230 IT'S NOT WHAT IT LOOKS LIKE. I LOVE YOU AND ONLY YOU. 1055 01:09:53,300 --> 01:09:59,510 BLAH, BLAH. PLEASE! 1056 01:09:59,570 --> 01:10:17,960 GOOD-BYE, ALEC. HEY, GIRL. 1057 01:10:18,030 --> 01:10:25,770 JUST THOUGHT I'D CHECK ON YOU. GOT TIME FOR LUNCH? 1058 01:10:25,830 --> 01:10:34,870 NO. LAINY, I'M HAVING TAKE YOUR RING 1059 01:10:34,980 --> 01:10:39,380 AND GO TO HELL FOR LUNCH TODAY. I'LL GO WITH YOU. 1060 01:10:39,450 --> 01:10:41,350 AND CUT. THANK YOU, GUYS. 1061 01:10:41,420 --> 01:10:43,420 ALL RIGHT, EVERYONE. THAT IS A WRAP. 1062 01:10:43,480 --> 01:10:46,650 WHAT IS WRONG WITH YOU, MAN? YOU NEED TO CHECK YOUR ATTITUDE. 1063 01:10:46,720 --> 01:10:51,290 OKAY. SO THERE ARE MY TWO STARLETS. 1064 01:10:51,360 --> 01:10:56,430 YOU GUYS, I HAVE HEARD THAT SHOOT LAST WEEKEND WENT 1065 01:10:56,500 --> 01:11:00,970 AMAZINGLY WELL. YEAH, IT WAS FANTASTIC. 1066 01:11:01,040 --> 01:11:20,520 OH, MAN. THAT HASN'T CHANGED. 1067 01:11:20,620 --> 01:11:23,890 HOW ARE YOU? I'M GOOD. 1068 01:11:23,960 --> 01:11:25,460 LISTEN -- WHAT? 1069 01:11:25,530 --> 01:11:31,000 LOOKS LIKE YOUR SALACIOUS LITTLE PART LAST WEEKEND 1070 01:11:31,100 --> 01:11:32,430 BACKFIRED. YOU WERE THE ONES WHO WAS 1071 01:11:32,500 --> 01:11:34,730 PLAYING GAMES, DeMARCO. OKAY. 1072 01:11:34,800 --> 01:11:40,170 YOU TOLD ME, REMEMBER, THAT THE LITTLE FIANCE WASN'T COMING, AND 1073 01:11:40,240 --> 01:11:43,910 THEN YOU GAVE HER MY ROOM KEY, DIDN'T YOU? 1074 01:11:43,980 --> 01:11:47,110 SO WHY WOULD YOU DO SOMETHING LIKE THAT, DeMARCO? 1075 01:11:47,180 --> 01:11:50,250 WHY WOULD YOU GIVE IT TO ME IN THE FIRST PLACE IF YOU KNEW 1076 01:11:50,320 --> 01:11:52,990 YOU WERE GOING TO BOOK ALEC UP IN THERE. 1077 01:11:53,050 --> 01:11:56,720 YOUR JOB TO GET THE PACKAGE AND LEAVE THE KEY IN MY ROOM. 1078 01:11:56,790 --> 01:11:58,760 THAT'S ALL. SOMEHOW THE FRONT DESK GOT IT 1079 01:11:58,860 --> 01:12:01,260 ALL MIXED UP AND ALEC HAD ANOTHER ROOM. 1080 01:12:01,330 --> 01:12:05,600 SO WHAT WAS I, VERONICA? THE BACKUP? 1081 01:12:05,670 --> 01:12:09,770 THE SECOND PLACE CONSOLATION PRIZE IN CASE IT DIDN'T WORK OUT 1082 01:12:09,840 --> 01:12:12,940 WITH DARBY? YOU ARE SO DELUSIONAL. 1083 01:12:13,010 --> 01:12:18,010 AS DELIGHTED AS I AM THAT IT TURNED OUT THE WAY IT DID, I HAD 1084 01:12:18,080 --> 01:12:22,180 NO IDEA ALEC WAS IN MY ROOM. I DON'T WANT YOU. 1085 01:12:22,250 --> 01:12:25,320 SO YOU ADMIT YOU'RE GOING AFTER ALEC? 1086 01:12:25,390 --> 01:12:28,860 THIS IS YOUR WHOLE LITTLE THING THAT YOU DO, HUH? 1087 01:12:28,960 --> 01:12:32,760 THAT'S WHY YOU WANTED ME TO FIRE HIM. 1088 01:12:32,830 --> 01:12:37,360 FOR GOD SAKES. SOMEONE CUT HIS MIC. 1089 01:12:37,430 --> 01:12:39,330 I KNEW THAT SHE WAS AFTER HIM ALL ALONG. 1090 01:12:39,400 --> 01:12:44,300 AND THE THING THAT REALLY MAKES ME FURIOUS IS THAT HE LET HER 1091 01:12:44,370 --> 01:12:48,470 CATCH HIM. NOPE. 1092 01:12:48,540 --> 01:12:59,150 NOT EVEN FOR A SECOND. HOW MANY TIMES DO I HAVE TO 1093 01:12:59,220 --> 01:13:01,990 TELL YOU? THE ONLY WOMAN THAT I WANT 1094 01:13:02,060 --> 01:13:08,130 CATCHING ME IS YOU. YOUR LIES AREN'T GOING TO CUT 1095 01:13:08,200 --> 01:13:10,160 IT, ALEX. MADISON, WHY DON'T YOU 1096 01:13:10,260 --> 01:13:11,960 BELIEVE ME? NOTHING HAPPENED. 1097 01:13:12,030 --> 01:13:14,170 LOOK, I UNDERSTAND. YOU HAVE BEEN THROUGH A LOT, AND 1098 01:13:14,230 --> 01:13:17,840 IT'S HARD, BUT EVENTUALLY YOU ARE GOING TO HAVE TO TRUST 1099 01:13:17,910 --> 01:13:21,470 SOMEBODY. I WAS HOPING IT WOULD BE ME. 1100 01:13:21,540 --> 01:13:34,250 I CAN'T TRUST A LIAR. HELLO. 1101 01:13:34,320 --> 01:13:35,920 HEY! GLAD YOU'RE BACK. 1102 01:13:35,990 --> 01:13:45,000 HEY! NICE TO MEET YOU. 1103 01:13:45,070 --> 01:13:49,200 ALTHEA CAME OVER TO SHOW ME SOME PICTURES FROM WHAT SHE TOOK 1104 01:13:49,270 --> 01:13:50,940 THE OTHER NIGHT. IT WASN'T WHAT I THOUGHT. 1105 01:13:51,000 --> 01:13:55,780 HE WALKED AWAY. ALTHEA, THANK YOU SO MUCH FOR 1106 01:13:55,840 --> 01:13:57,940 BRINGING THESE. I'M A STORY TELLER. 1107 01:13:58,010 --> 01:14:00,280 THAT'S WHAT I DO, BRING THE TRUTH TO LIGHT. 1108 01:14:00,350 --> 01:14:03,150 CAN YOU MAKE SURE THAT THE KIDS GET SOMETHING TO EAT? 1109 01:14:03,220 --> 01:14:04,450 YES, OF COURSE. NICE 1110 01:14:14,230 --> 01:14:16,700 GO AHEAD. JUST WHAT I NEED. 1111 01:14:16,760 --> 01:14:20,800 WHAT COULD YOU POSSIBLY WANT, MADISON? 1112 01:14:20,870 --> 01:14:30,010 WHAT DO I WANT? I WANT TO KNOW WHY A BEAUTIFUL, 1113 01:14:30,080 --> 01:14:34,550 INTELLIGENT WOMAN WITH A STELLAR CAREER WHO COULD PROBABLY HAVE 1114 01:14:34,620 --> 01:14:39,290 ANY MAN SHE WANTED WOULD CHOOSE TO GO AFTER A MAN WHO ALREADY IS 1115 01:14:39,350 --> 01:14:44,560 COMMITTED TO SOMEBODY ELSE. I MEAN, SHOULDN'T THERE BE KIND 1116 01:14:44,630 --> 01:14:49,130 OF SISTERHOOD AMONG SISTERS? IF THE SHOE WERE ON THE OTHER 1117 01:14:49,200 --> 01:14:51,100 FOOT, HOW WOULD YOU FEEL? JUST SAVE IT. 1118 01:14:51,200 --> 01:14:54,870 I HAVE NO IDEA WHAT YOU ARE TALKING ABOUT. 1119 01:14:54,940 --> 01:14:58,070 I REALLY DON'T. YOU SHOULD KNOW I OVERHEARD 1120 01:14:58,140 --> 01:15:00,440 THE CONVERSATION BETWEEN YOU AND DeMARCO FOX. 1121 01:15:00,510 --> 01:15:03,510 GOOD FOR YOU. APPARENTLY THE WHOLE WORLD WAS 1122 01:15:03,580 --> 01:15:05,140 LISTENING. I'M NOT IMPLYING ANYTHING. 1123 01:15:05,210 --> 01:15:07,450 YOU DIDN'T HEAR ME. I SAID I WAS LISTENING WHEN YOU 1124 01:15:07,510 --> 01:15:10,350 SAID THAT YOU DIDN'T CARE THAT ALEC IS ENGAGED TO ME. 1125 01:15:10,420 --> 01:15:30,200 SO HOW DO YOU JUSTIFY THAT? I CAN'T. 1126 01:15:30,300 --> 01:15:40,480 I CAN'T JUSTIFY IT AT ALL. AND YOU SHOULD KNOW, TO ALEC'S 1127 01:15:40,550 --> 01:15:46,650 CREDIT, THAT HE MADE IT VERY CLEAR THAT HE WASN'T INTERESTED, 1128 01:15:46,720 --> 01:15:52,430 NO MATTER HOW HARD I TRIED. BUT YOU STILL GAVE HIM THE 1129 01:15:52,490 --> 01:15:55,560 HARD CORE PRESS. SO WHY? 1130 01:15:55,630 --> 01:16:07,110 I DID. FOR YEARS I HAD TO FIGHT OFF MEN 1131 01:16:07,170 --> 01:16:18,320 WHO TRIED CONSTANTLY TO USE THEIR POSITIONS, THEIR POWER 1132 01:16:18,390 --> 01:16:24,190 OVER ME FOR THEIR PERSONAL PLEASURE. 1133 01:16:24,290 --> 01:16:33,900 THEY TRIED BECAUSE THEY COULD. I TRIED TO DO TO ALEC WHAT I 1134 01:16:33,970 --> 01:16:41,470 HAVE BEEN FIGHTING MY ENTIRE CAREER BECAUSE I COULD. 1135 01:16:41,540 --> 01:16:52,150 AND THAT'S NOT A GOOD LOOK. MADISON, WILL YOU PLEASE ACCEPT 1136 01:16:52,220 --> 01:16:59,130 MY APOLOGY? TRULY, I -- I -- I HOPE THAT YOU 1137 01:16:59,190 --> 01:17:07,670 AND ALEC GO ON TO HAVE A HAPPY MARRIAGE. 1138 01:17:07,730 --> 01:17:18,640 I DO. THANK YOU, VERONICA, FOR THE 1139 01:17:18,710 --> 01:17:23,650 TRUTH. HEY. 1140 01:17:23,720 --> 01:17:30,490 I REALLY HOPE I FIND SOMEONE SOME DAY WHO LOVES ME THE WAY 1141 01:17:30,560 --> 01:17:42,940 ALEC LOVES YOU. I HOPE YOU DO, TOO. 1142 01:17:43,000 --> 01:17:50,780 HI. CAN I COME IN? 1143 01:17:50,840 --> 01:18:05,290 YEAH, SURE. I'VE BEEN THROUGH SOME 1144 01:18:05,360 --> 01:18:08,460 THINGS. YEAH. 1145 01:18:08,560 --> 01:18:13,730 I KNOW. AND THOSE THINGS, THEY HAVE 1146 01:18:13,800 --> 01:18:17,400 INFLUENCED THE WAY THAT I SEE THE WORLD. 1147 01:18:17,470 --> 01:18:25,080 PERHAPS TAINTED. I'VE SEEN PRETTY THINGS 1148 01:18:25,150 --> 01:18:32,320 PRESENTED TO DISGUISE THE UGLY, AND I'VE HAD LIES PRESENTED TO 1149 01:18:32,390 --> 01:18:41,030 ME TO DISGUISE THE TRUTH. THEN I MET YOU, ALEC. 1150 01:18:41,090 --> 01:18:46,230 AND ALL THAT COMES WITH YOU, IT JUST -- IT SCARES ME BECAUSE I 1151 01:18:46,300 --> 01:18:50,800 DIDN'T WANT TO WAKE UP IN ANOTHER NIGHTMARE. 1152 01:18:50,870 --> 01:18:57,310 BUT I HAVE REALIZED, ALEC, THAT YOU ARE MY DREAM COME TRUE. 1153 01:18:57,380 --> 01:19:14,340 SO CAN YOU PLEASE FORGIVE ME? BECAUSE I LOVE YOU. 1154 01:19:30,090 --> 01:19:35,500 I HAVE TO GO. UHN-UHN, UHN-UHN, UHN-UHN. 1155 01:19:35,570 --> 01:19:37,530 I KNOW. I HAVE TO GO TO WORK. 1156 01:19:37,600 --> 01:19:42,070 CALL IN SICK. TAKE A BREAK OR SOMETHING. 1157 01:19:42,140 --> 01:19:45,440 I'M NOT READY TO LET YOU OUT OF MY SIGHT. 1158 01:19:45,510 --> 01:19:49,880 I MAY NEVER LEAVE YOU AGAIN. OKAY. 1159 01:19:49,950 --> 01:20:01,760 WELL, THAT'S RIDICULOUS. I CAME SO CLOSE TO LOSING YOU 1160 01:20:01,830 --> 01:20:08,700 AGAIN. I'M NOT TAKING ANY MORE CHANCES, 1161 01:20:08,770 --> 01:20:20,440 THOUGH. I WANT TO HOLD YOU IN MY ARMS 1162 01:20:20,510 --> 01:20:23,080 FOREVER. I HAVE A BETTER IDEA. 1163 01:20:23,150 --> 01:20:28,650 WHAT'S THAT? YOU'RE GONNA LOVE IT. 1164 01:20:28,720 --> 01:20:33,690 LAINY, HEY, LISTEN, I CAN'T TALK LONG, BUT I NEED A HUGE 1165 01:20:33,760 --> 01:20:37,230 FAVOR, AND YOU CAN'T TELL A SOUL. 1166 01:20:37,290 --> 01:20:44,170 YOU IN? HEY, CHAMP. 1167 01:20:44,230 --> 01:20:46,640 WHAT'S GOING ON? WHERE'S YOUR MOM? 1168 01:20:46,700 --> 01:20:51,610 LAINY SENT US. OKAY. 1169 01:20:51,680 --> 01:20:52,910 OKAY. YEAH. 1170 01:20:52,980 --> 01:20:54,980 LOOK, LOOK, I GOT STUFF TO DO, ALL RIGHT? 1171 01:20:55,050 --> 01:20:56,610 WHAT'S GOING ON? YEAH. 1172 01:20:56,680 --> 01:21:00,080 WHAT'S UP WITH ALL THE SECRECY. THIS CAN'T BE GOOD. 1173 01:21:00,150 --> 01:21:03,420 EVERYBODY CALM DOWN. ALL I KNOW IS MADISON WANTED YOU 1174 01:21:03,490 --> 01:21:09,330 ALL TO BE HERE TONIGHT. SURPRISE! 1175 01:21:09,390 --> 01:21:13,060 HI. HI, HI, HI. 1176 01:21:13,160 --> 01:21:17,500 ♪ WHAT'S UP, MAN? 1177 01:21:17,570 --> 01:21:20,940 CONGRATULATIONS. OH, MAN. 1178 01:21:21,000 --> 01:21:24,570 NOTHING HAPPENED. IT WAS ALL A BIG 1179 01:21:24,640 --> 01:21:28,440 MISUNDERSTANDING. LISTEN, GET OVER IT. 1180 01:21:28,510 --> 01:21:35,820 MOM, YOU PROMISED I COULD GIVE YOU AWAY. 1181 01:21:35,890 --> 01:21:39,220 I KNOW, SWEETHEART. I DID. 1182 01:21:39,290 --> 01:21:42,520 I'M REALLY SORRY. I HOPE YOU CAN FORGIVE ME. 1183 01:21:42,590 --> 01:21:45,630 JUST ALEC AND I HAVE BEEN THROUGH SO MUCH AND WE COULDN'T 1184 01:21:45,700 --> 01:21:48,830 WAIT ANOTHER MINUTE. BUT, LISTEN, WE ARE GONNA HAVE 1185 01:21:48,900 --> 01:21:52,370 THE BIGGEST PARTY JUST FOR YOU AND CHLOE. 1186 01:21:52,440 --> 01:21:54,570 WAIT. JUST FOR US? 1187 01:21:54,640 --> 01:22:00,680 YES. DANCING AND FOOD AND TONS OF 1188 01:22:00,740 --> 01:22:01,480 PEOPLE. COME ON. 1189 01:22:01,540 --> 01:22:07,080 YOU KNOW I GOT TO POST IT ON MY SOCIAL. 1190 01:22:07,150 --> 01:22:16,930 EVERYBODY JUST LISTEN. EVERYBODY LISTEN, PLEASE. 1191 01:22:16,990 --> 01:22:22,930 MADDIE, I CANNOT SAY THAT I'M NOT HURT. 1192 01:22:23,000 --> 01:22:28,200 EVERYBODY DESERVES IT, IT'S YOU. CONGRATULATIONS. 1193 01:22:28,270 --> 01:22:32,440 THANKS. APPRECIATE THAT, MAN. 1194 01:22:32,510 --> 01:22:36,980 OH. I MEAN, WE THANK ALL OF YOU FOR 1195 01:22:37,080 --> 01:22:40,480 YOUR LOVE AND SUPPORT. WE WOULDN'T BE HERE WITHOUT YOU. 1196 01:22:40,550 --> 01:22:44,120 YOU GUYS ARE OUR VILLAGE. WELL, HERE HERE. 1197 01:22:44,190 --> 01:22:52,260 OKAY, EVERYONE. LET'S GET READY TO CHEERS FOR 1198 01:22:52,330 --> 01:23:01,300 MR. AND MRS. ALEC DARBY. ♪ 1199 01:23:01,370 --> 01:23:25,140 ♪ 96547