All language subtitles for Were.Here.S02E04.TQ_English

af Afrikaans
ak Akan
sq Albanian
am Amharic
ar Arabic
hy Armenian
az Azerbaijani
eu Basque
be Belarusian
bem Bemba
bn Bengali
bh Bihari
bs Bosnian
br Breton
bg Bulgarian
km Cambodian
ca Catalan
ceb Cebuano
chr Cherokee
ny Chichewa
zh-CN Chinese (Simplified)
zh-TW Chinese (Traditional)
co Corsican
hr Croatian
cs Czech
da Danish
nl Dutch
en English
eo Esperanto
et Estonian
ee Ewe
fo Faroese
tl Filipino
fi Finnish
fr French
fy Frisian
gaa Ga
gl Galician
ka Georgian
de German
el Greek
gn Guarani
gu Gujarati
ht Haitian Creole
ha Hausa
haw Hawaiian
iw Hebrew
hi Hindi
hmn Hmong
hu Hungarian
is Icelandic
ig Igbo
id Indonesian
ia Interlingua
ga Irish
it Italian
ja Japanese
jw Javanese
kn Kannada
kk Kazakh
rw Kinyarwanda
rn Kirundi
kg Kongo
ko Korean
kri Krio (Sierra Leone)
ku Kurdish
ckb Kurdish (Soranî)
ky Kyrgyz
lo Laothian
la Latin
lv Latvian
ln Lingala
lt Lithuanian
loz Lozi
lg Luganda
ach Luo
lb Luxembourgish
mk Macedonian
mg Malagasy
ms Malay
ml Malayalam
mt Maltese
mi Maori
mr Marathi
mfe Mauritian Creole
mo Moldavian
mn Mongolian
my Myanmar (Burmese)
sr-ME Montenegrin
ne Nepali
pcm Nigerian Pidgin
nso Northern Sotho
no Norwegian
nn Norwegian (Nynorsk)
oc Occitan
or Oriya
om Oromo
ps Pashto
fa Persian
pl Polish
pt-BR Portuguese (Brazil)
pt Portuguese (Portugal) Download
pa Punjabi
qu Quechua
ro Romanian
rm Romansh
nyn Runyakitara
ru Russian
sm Samoan
gd Scots Gaelic
sr Serbian
sh Serbo-Croatian
st Sesotho
tn Setswana
crs Seychellois Creole
sn Shona
sd Sindhi
si Sinhalese
sk Slovak
sl Slovenian
so Somali
es Spanish Download
es-419 Spanish (Latin American)
su Sundanese
sw Swahili
sv Swedish
tg Tajik
ta Tamil
tt Tatar
te Telugu
th Thai
ti Tigrinya
to Tonga
lua Tshiluba
tum Tumbuka
tr Turkish
tk Turkmen
tw Twi
ug Uighur
uk Ukrainian
ur Urdu
uz Uzbek
vi Vietnamese
cy Welsh
wo Wolof
xh Xhosa
yi Yiddish
yo Yoruba
zu Zulu
Would you like to inspect the original subtitles? These are the user uploaded subtitles that are being translated: 1 00:00:05,038 --> 00:00:09,109 ♪ ♪ 2 00:00:09,175 --> 00:00:28,695 ♪ ♪ 3 00:00:28,762 --> 00:00:41,875 ♪ ♪ 4 00:00:41,941 --> 00:00:42,909 >> Shangela: SELMA FEELS TO ME 5 00:00:42,976 --> 00:00:44,077 LIKE ONE OF THE MOST 6 00:00:44,144 --> 00:00:46,112 FROZEN-IN-TIME TOWNS THAT WE 7 00:00:46,179 --> 00:00:46,813 VISITED SO FAR. 8 00:00:46,880 --> 00:00:47,614 >> Eureka: I AGREE. 9 00:00:47,680 --> 00:00:51,818 >> Bob: RIGHT. 10 00:00:51,885 --> 00:00:52,519 >> AND IT'S INTERESTING TO ME TO 11 00:00:52,585 --> 00:00:53,386 SEE A TOWN THAT LIKE CLEARLY 12 00:00:53,453 --> 00:00:55,455 EVERYONE IN AMERICA KNOWS ABOUT. 13 00:00:55,522 --> 00:00:56,055 >> EVERYONE KNOWS ABOUT DOCTOR 14 00:00:56,122 --> 00:00:56,589 KING. 15 00:00:56,656 --> 00:00:57,223 >> Shangela: BLOODY SUNDAY TOOK 16 00:00:57,290 --> 00:00:58,591 PLACE HERE. 17 00:00:58,658 --> 00:00:59,559 >> Bob: IN AN EIGHTY PERCENT 18 00:00:59,626 --> 00:01:02,195 BLACK TOWN WE STILL HAVE THIS 19 00:01:02,262 --> 00:01:05,832 MONUMENT WHICH IS MASSIVE TO 20 00:01:05,899 --> 00:01:07,434 SOMEONE WHO WAS A LEADER OF THE 21 00:01:07,500 --> 00:01:08,468 KU KLUX KLAN IT'S STILL THE NAME 22 00:01:08,535 --> 00:01:12,338 OF THE BRIDGE. 23 00:01:12,405 --> 00:01:16,109 ♪ ♪ 24 00:01:16,176 --> 00:01:17,076 >> Bob: I DID SELMA PRIDE AND 25 00:01:17,143 --> 00:01:18,578 WHAT WAS INTERESTING ABOUT IT, 26 00:01:18,645 --> 00:01:23,183 THE ENTIRE EVENT HAD ABOUT 27 00:01:23,249 --> 00:01:24,117 PEOPLE AT IT. 28 00:01:24,184 --> 00:01:26,252 TEN OF US WERE THE PERFORMERS. 29 00:01:26,319 --> 00:01:27,220 WHAT THEY WERE SAYING WAS LIKE, 30 00:01:27,287 --> 00:01:28,221 THEY DON'T FEEL COMFORTABLE 31 00:01:28,288 --> 00:01:31,658 ADVERTISING THEIR PRIDE. 32 00:01:31,724 --> 00:01:33,526 IN SELMA, PEOPLE'S QUEERNESS IS 33 00:01:33,593 --> 00:01:35,328 REALLY DIMINISHED. 34 00:01:35,395 --> 00:01:39,566 >> Shangela: WHERE THE GAYS AT. 35 00:01:39,632 --> 00:01:46,439 ♪ ♪ 36 00:01:46,506 --> 00:02:00,520 ♪ ♪ 37 00:02:00,587 --> 00:02:08,828 ♪ ♪ 38 00:02:08,895 --> 00:02:09,496 HELLO? 39 00:02:09,562 --> 00:02:10,163 OH YEAH GIRL, WE'RE HERE. 40 00:02:10,230 --> 00:02:11,764 YES. 41 00:02:11,831 --> 00:02:15,435 OKAY, TEXT ME. 42 00:02:15,502 --> 00:02:21,074 ♪ ♪ 43 00:02:21,140 --> 00:02:21,708 >> Shangela: WE ARE IN SELMA 44 00:02:21,774 --> 00:02:23,309 ALABAMA, A PLACE WIDELY KNOWN 45 00:02:23,376 --> 00:02:25,478 FOR THEIR EXPERIENCES WITH THE 46 00:02:25,545 --> 00:02:26,846 CIVIL RIGHTS MOVEMENT. 47 00:02:26,913 --> 00:02:28,214 >> Eureka: BEING IN SELMA, I 48 00:02:28,281 --> 00:02:29,449 THINK ESPECIALLY AS A WHITE 49 00:02:29,516 --> 00:02:30,416 PERSON IT'S AN OPPORTUNITY FOR 50 00:02:30,483 --> 00:02:32,819 ME TO BE EDUCATED. 51 00:02:32,886 --> 00:02:34,387 >> Bob: IT SEEMS LIKE THE WORLD 52 00:02:34,454 --> 00:02:35,321 HAS BEEN BENEFITED FROM SELMA 53 00:02:35,388 --> 00:02:36,256 BUT SELMA'S HAVING A HARD TIME 54 00:02:36,322 --> 00:02:37,857 BENEFITTING FROM THE WORLD. 55 00:02:37,924 --> 00:02:38,558 THERE'S A LOT OF CLOSED DOWN 56 00:02:38,625 --> 00:02:41,794 SHOPS, A LOT OF ABANDONED 57 00:02:41,861 --> 00:02:44,097 BUILDINGS. 58 00:02:44,163 --> 00:02:44,998 IT MUST BE TOUGH TO BE QUEER 59 00:02:45,064 --> 00:02:46,032 SELMA. 60 00:02:46,099 --> 00:02:47,734 >> Shangela: THEY NEED TO SEE 61 00:02:47,800 --> 00:02:49,536 GAY PEOPLE ON STAGE OWNING THEIR 62 00:02:49,602 --> 00:02:53,206 POWER, EVEN FOR JUST ONE NIGHT. 63 00:02:53,273 --> 00:02:56,843 OOH, SELMA NEEDS DRAG. 64 00:02:56,910 --> 00:02:58,845 SELMA NEEDS DRAG, HONEY. 65 00:02:58,912 --> 00:03:09,756 ♪ ♪ 66 00:03:09,822 --> 00:03:15,762 >> Bob: MY FREEDOM AS A BLACK 67 00:03:15,828 --> 00:03:17,764 QUEER PERSON IN AMERICA IS 68 00:03:17,830 --> 00:03:19,732 DIRECTLY LINKED TO SELMA. 69 00:03:19,799 --> 00:03:27,373 DIRECTLY. 70 00:03:27,440 --> 00:03:27,941 >> WE'RE ALL GOING TOGETHER 71 00:03:28,007 --> 00:03:28,141 TODAY. 72 00:03:28,207 --> 00:03:28,875 WE'RE GONNA WALK TOGETHER. 73 00:03:28,942 --> 00:03:29,475 WE'VE COME TOO FAR NOW TO TURN 74 00:03:29,542 --> 00:03:30,944 BACK. 75 00:03:31,010 --> 00:03:32,478 >> Bob: I DON'T THINK THAT SELMA 76 00:03:32,545 --> 00:03:34,814 WILL EVER FORGET WHAT HAPPENED 77 00:03:34,881 --> 00:03:36,950 ON THE EDMUND PETTUS BRIDGE AND 78 00:03:37,016 --> 00:03:44,390 I DON'T THINK THEY, THEY SHOULD. 79 00:03:44,457 --> 00:03:46,693 >> YOUR ORDER TO DISPERSED, THIS 80 00:03:46,759 --> 00:03:49,262 MARCH WILL NOT CONTINUE. 81 00:03:49,329 --> 00:03:49,963 >> Bob: YOU KNOW SELMA'S STORY 82 00:03:50,029 --> 00:03:52,265 EXTENDS BEYOND BLOODY SUNDAY 83 00:03:52,332 --> 00:03:53,600 BECAUSE THE STRUGGLES BETWEEN 84 00:03:53,666 --> 00:03:56,903 PEOPLE OF COLOR AND QUEER 85 00:03:56,970 --> 00:03:57,503 PEOPLE, THEY'RE NOT MUTUALLY 86 00:03:57,570 --> 00:04:04,444 EXCLUSIVE. 87 00:04:04,510 --> 00:04:21,561 >> GROWING UP IN SELMA IT WAS 88 00:04:21,628 --> 00:04:24,130 LIKE A PRISON, I, I WASN'T 89 00:04:24,197 --> 00:04:26,899 ALLOWED TO BE ME. 90 00:04:26,966 --> 00:04:28,701 PUT ON THE BOXERS, PUT ON THE 91 00:04:28,768 --> 00:04:31,070 BOOTS, PRETEND TO BE THIS MALE 92 00:04:31,137 --> 00:04:32,672 PERSONA THAT EVERYONE EXPECTS 93 00:04:32,739 --> 00:04:37,844 YOU TO BE. 94 00:04:37,910 --> 00:04:40,847 OKAY, WORLD. 95 00:04:40,913 --> 00:04:43,416 YOU HAVE TO STAY INSIDE A LOT. 96 00:04:43,483 --> 00:04:44,651 YOU CAN'T REALLY WALK OUT IN THE 97 00:04:44,717 --> 00:04:45,785 DAY TIME BECAUSE HERE IN SELMA 98 00:04:45,852 --> 00:04:47,353 PEOPLE JUST DON'T HAVE 99 00:04:47,420 --> 00:04:49,255 ACCEPTANCE. 100 00:04:49,322 --> 00:04:56,396 SO, I'M ALWAYS HIDING. 101 00:04:56,462 --> 00:04:57,463 SELMA IS A DANGEROUS PLACE FOR 102 00:04:57,530 --> 00:05:00,233 TRANS WOMEN BECAUSE NO MATTER 103 00:05:00,299 --> 00:05:01,734 WHERE YOU GO THEY'RE ALWAYS 104 00:05:01,801 --> 00:05:06,773 WATCHING YOU. 105 00:05:06,839 --> 00:05:08,975 I CARRY MACE IN MY PURSE BECAUSE 106 00:05:09,042 --> 00:05:10,343 IT'S SCARY. 107 00:05:10,410 --> 00:05:11,811 THEY DON'T WANT TO ACCEPT 108 00:05:11,878 --> 00:05:13,479 ANYTHING BUT WHAT THEY'RE USED 109 00:05:13,546 --> 00:05:15,381 TO, PERIOD. 110 00:05:15,448 --> 00:05:16,783 YOU SHOULDN'T JUDGE PEOPLE FOR 111 00:05:16,849 --> 00:05:18,117 BEING SOMETHING THAT THEY CAN'T 112 00:05:18,184 --> 00:05:19,919 HELP. 113 00:05:19,986 --> 00:05:29,228 I CAN'T HELP BEING WHO I AM. 114 00:05:29,295 --> 00:05:35,168 ♪ ♪ 115 00:05:35,234 --> 00:05:39,672 >> LET ME SEE ALL THAT. 116 00:05:39,739 --> 00:05:40,006 >> Bob: HI. 117 00:05:40,073 --> 00:05:40,640 I'M LOOKING FOR SOMEONE NAMED 118 00:05:40,707 --> 00:05:41,407 AKEELAH, YOU ALL KNOW WHERE SHE 119 00:05:41,474 --> 00:05:43,109 WAS, WHERE SHOULD I GO? 120 00:05:43,176 --> 00:05:44,911 RIGHT HERE? 121 00:05:44,977 --> 00:05:45,511 ALL RIGHT, THANK YOU SO MUCH, 122 00:05:45,578 --> 00:05:50,249 THANK YOU. 123 00:05:50,316 --> 00:05:51,350 >> YES. 124 00:05:51,417 --> 00:05:55,888 BOOM, GO. 125 00:05:55,955 --> 00:05:56,756 OH, MY GOD! 126 00:05:56,823 --> 00:05:57,557 >> Bob: DAMN. 127 00:05:57,623 --> 00:05:58,057 >> OH MY GOD. 128 00:05:58,124 --> 00:06:00,860 >> Bob: DAMN. 129 00:06:00,927 --> 00:06:01,427 UH. 130 00:06:01,494 --> 00:06:02,295 UH. 131 00:06:02,361 --> 00:06:05,431 UH. 132 00:06:05,498 --> 00:06:05,765 >> YES, OH MY. 133 00:06:05,832 --> 00:06:06,499 >> Bob: UH, UH, UH. 134 00:06:06,566 --> 00:06:07,166 >> OH MY GOD. 135 00:06:07,233 --> 00:06:09,969 OH MY GOD. 136 00:06:10,036 --> 00:06:11,270 I LOVE YOU. 137 00:06:11,337 --> 00:06:13,372 >> Bob: SO NICE TO SEE YOU CAN 138 00:06:13,439 --> 00:06:13,973 YOU INTRODUCE YOUR FRIENDS AS 139 00:06:14,040 --> 00:06:14,540 WELL? 140 00:06:14,607 --> 00:06:18,878 >> YES, THIS IS LAKEEYAH, 141 00:06:18,945 --> 00:06:19,245 >> HELLO. 142 00:06:19,312 --> 00:06:19,846 >> Bob: NAKEEYAH. 143 00:06:19,912 --> 00:06:20,446 >> SHE HAS BEEN WITH ME, OH MY 144 00:06:20,513 --> 00:06:20,980 GOD, SINCE THE BEGINNING. 145 00:06:21,047 --> 00:06:21,547 I STARTED TEACHING THE DANCE 146 00:06:21,614 --> 00:06:22,148 CLASS AT THE COMMUNITY COLLEGE 147 00:06:22,215 --> 00:06:23,082 AND SHE WAS ONE OF MY STUDENTS. 148 00:06:23,149 --> 00:06:23,683 >> Bob: PLEASURE TO MEET YOU. 149 00:06:23,750 --> 00:06:24,150 PLEASURE TO MEET YOU. 150 00:06:24,217 --> 00:06:24,917 >> THIS IS WANEESHA. 151 00:06:24,984 --> 00:06:26,285 I'VE BEEN WORK ON HER SINCE 152 00:06:26,352 --> 00:06:27,720 SEVENTH GRADE. 153 00:06:27,787 --> 00:06:28,821 >> MIDDLE SCHOOL YEARS. 154 00:06:28,888 --> 00:06:29,222 >> SEVENTH GRADE. 155 00:06:29,288 --> 00:06:29,789 >> Bob: PLEASURE TO MEET YOU 156 00:06:29,856 --> 00:06:30,056 WANNESHA. 157 00:06:30,123 --> 00:06:30,957 >> YOU TOO, THANK YOU. 158 00:06:31,023 --> 00:06:31,390 >> Bob: MY PLEASURE. 159 00:06:31,457 --> 00:06:31,991 MY NAME IS BOB, IT'S NICE TO 160 00:06:32,058 --> 00:06:32,692 MEET YOU ALL. 161 00:06:32,759 --> 00:06:33,292 >> I KNOW, OH MY GOD, IN THE 162 00:06:33,359 --> 00:06:33,960 FLESH. 163 00:06:34,026 --> 00:06:35,361 [SCREAMS] 164 00:06:35,428 --> 00:06:36,195 >> Bob: OH YOU'VE BEEN SO SWEET 165 00:06:36,262 --> 00:06:40,933 TO ME. 166 00:06:41,000 --> 00:06:41,501 >> NO, I LOVE YOU, YOU DON'T 167 00:06:41,567 --> 00:06:42,168 UNDERSTAND, TEAM DARK SKINNED. 168 00:06:42,235 --> 00:06:43,002 >> Bob: YOU KNOW TEAM MELANIN. 169 00:06:43,069 --> 00:06:43,336 >> YES. 170 00:06:43,402 --> 00:06:43,736 GOD. 171 00:06:43,803 --> 00:06:44,403 >> Bob: EXTRA MELANIN. 172 00:06:44,470 --> 00:06:45,204 >> HELLO. 173 00:06:45,271 --> 00:06:46,272 THE MORE THE BETTER. 174 00:06:46,339 --> 00:06:47,140 >> Bob: I'M EXCITED TO GET TO 175 00:06:47,206 --> 00:06:48,174 CHAT WITH YOU. 176 00:06:48,241 --> 00:06:48,808 MAY I STEAL MISS AKEELAH FOR A 177 00:06:48,875 --> 00:06:49,809 SECOND? 178 00:06:49,876 --> 00:06:51,310 >> I'M ALL SWEATY, I'M SORRY. 179 00:06:51,377 --> 00:06:53,746 >> Bob: THANK YOU. 180 00:06:53,813 --> 00:06:54,280 >> AND YOU'VE BEEN 181 00:06:54,347 --> 00:06:55,214 CHOREOGRAPHING THEM FOR YEARS? 182 00:06:55,281 --> 00:06:56,682 >> FOR YEARS. 183 00:06:56,749 --> 00:07:00,253 >> Bob: I'M ALSO EXCITED TO BE 184 00:07:00,319 --> 00:07:00,720 BACK HERE IN ALABAMA. 185 00:07:00,787 --> 00:07:01,654 I DON'T KNOW IF YOU KNOW THIS 186 00:07:01,721 --> 00:07:02,421 BUT I USED TO LIVE IN ALABAMA SO 187 00:07:02,488 --> 00:07:03,222 I'M FROM THE SOUTH. 188 00:07:03,289 --> 00:07:04,090 SO I WANT TO TALK ABOUT YOUR 189 00:07:04,157 --> 00:07:08,594 EXPERIENCE HERE IN THE SOUTH, 190 00:07:08,661 --> 00:07:09,195 NOT JUST THE SOUTH, BUT IN 191 00:07:09,262 --> 00:07:11,464 HISTORIC SELMA. 192 00:07:11,531 --> 00:07:12,098 >> THIS RIGHT HERE IS THE ONLY 193 00:07:12,165 --> 00:07:15,101 TIME THAT WE, I GET TO LIVE. 194 00:07:15,168 --> 00:07:16,002 IF YOU WANT ME TO BE TOTALLY 195 00:07:16,068 --> 00:07:16,669 HONEST. 196 00:07:16,736 --> 00:07:17,436 BEHIND CLOSED DOORS, NOBODY CAN 197 00:07:17,503 --> 00:07:20,039 SEE. 198 00:07:20,106 --> 00:07:21,507 OTHER THAN THAT THAT'S IN THE 199 00:07:21,574 --> 00:07:21,941 HOUSE. 200 00:07:22,008 --> 00:07:24,710 IT'S BEEN THREE YEARS, ALMOST 201 00:07:24,777 --> 00:07:25,778 FOUR YEARS SINCE I TRANS SO YOU 202 00:07:25,845 --> 00:07:26,379 KNOW I'VE BEEN HIDING. 203 00:07:26,445 --> 00:07:29,182 >> Bob: YEAH. 204 00:07:29,248 --> 00:07:30,817 >> MY FAMILY I PRETTY MUCH LIKE, 205 00:07:30,883 --> 00:07:35,288 THEY'RE NOT DEALING WITH ME. 206 00:07:35,354 --> 00:07:36,656 >> Bob: THAT HAS TO HURT. 207 00:07:36,722 --> 00:07:37,757 >> IT DOES. 208 00:07:37,824 --> 00:07:38,958 DON'T NOBODY UNDERSTAND ME. 209 00:07:39,025 --> 00:07:39,759 >> Bob: YEAH. 210 00:07:39,826 --> 00:07:40,426 >> THEY THINK I AM A FREAK OF 211 00:07:40,493 --> 00:07:41,727 NATURE. 212 00:07:41,794 --> 00:07:42,428 >> Bob: AND THEY SAY THIS TO 213 00:07:42,495 --> 00:07:42,595 YOU? 214 00:07:42,662 --> 00:07:44,497 >> OH YEAH. 215 00:07:44,564 --> 00:07:45,598 IT'S UNFAIR, BECAUSE I 216 00:07:45,665 --> 00:07:46,833 CONTRIBUTE, I TAUGHT MY GIRLS 217 00:07:46,899 --> 00:07:47,400 HOW TO BE GIRLS FROM LITTLE 218 00:07:47,466 --> 00:07:48,100 ONES. 219 00:07:48,167 --> 00:07:48,968 >> Bob: YEAH. 220 00:07:49,035 --> 00:07:51,504 >> WHEN THEY FIRST CAME TO ME I 221 00:07:51,571 --> 00:07:52,705 HADN'T TRANSITIONED YET. 222 00:07:52,772 --> 00:07:53,773 I WAS THE OTHER PERSON THAT WAS 223 00:07:53,840 --> 00:07:55,007 BORN THAT I WAS FORCED TO BE AND 224 00:07:55,074 --> 00:07:55,942 THEY ALL SEEN THE PRISON THAT I 225 00:07:56,008 --> 00:07:58,211 WAS IN FROM TEACHING THEM. 226 00:07:58,277 --> 00:07:59,679 TEACH MY GIRLS AND THEN I GET 227 00:07:59,745 --> 00:08:01,614 PUT THEM OUT AND I STEP BACK AND 228 00:08:01,681 --> 00:08:03,115 WATCH THEM DO WHAT I WOULD HAVE 229 00:08:03,182 --> 00:08:09,922 DONE. 230 00:08:09,989 --> 00:08:11,123 >> Bob: WHEN WE PUT YOU UP ON 231 00:08:11,190 --> 00:08:13,159 THE STAGE THIS WEEK I WANT TO 232 00:08:13,226 --> 00:08:14,060 MAKE SURE THAT ALL WE'RE DOING 233 00:08:14,126 --> 00:08:15,127 IS RESPECTING YOU, RESPECTING 234 00:08:15,194 --> 00:08:17,530 YOUR STORY, RESPECTING YOUR 235 00:08:17,597 --> 00:08:17,830 EXPERIENCE. 236 00:08:17,897 --> 00:08:18,431 WHAT DO YOU WANT TO BE ABLE TO 237 00:08:18,497 --> 00:08:20,466 SAY? 238 00:08:20,533 --> 00:08:23,169 >> I JUST WANT TO SAY THAT, YES, 239 00:08:23,236 --> 00:08:23,936 I'M TRANS, BUT THAT DOESN'T MAKE 240 00:08:24,003 --> 00:08:26,706 ME LESS OF A PERSON. 241 00:08:26,772 --> 00:08:27,373 SO I'M GONNA CONTRIBUTE FOR THE 242 00:08:27,440 --> 00:08:28,908 ONES THAT'S COMING AFTER ME CUZ 243 00:08:28,975 --> 00:08:30,376 I DON'T WANT THEM TO HAVE A LIFE 244 00:08:30,443 --> 00:08:35,548 LIKE I HAD TO HAVE. 245 00:08:35,615 --> 00:08:37,250 >> Bob: WE'RE GONNA, WE'RE GONNA 246 00:08:37,316 --> 00:08:38,885 CRY, WE'RE GONNA KIKI, WE'RE 247 00:08:38,951 --> 00:08:40,286 GONNA DANCE, WE'RE GONNA LAUGH. 248 00:08:40,353 --> 00:08:40,987 >> LET'S DO THIS. 249 00:08:41,053 --> 00:08:41,787 >> Bob: WE MAY EVEN ARGUE. 250 00:08:41,854 --> 00:08:43,956 >> OKAY. 251 00:08:44,023 --> 00:08:45,391 ALL RIGHT, I'M OKAY WITH THAT. 252 00:08:45,458 --> 00:08:47,193 FAMILY IS FAMILY. 253 00:08:47,260 --> 00:08:47,760 >> Bob: BUT WE'RE GONNA BE 254 00:08:47,827 --> 00:08:48,361 FAMILY. 255 00:08:48,427 --> 00:08:49,161 >> RIGHT. 256 00:08:49,228 --> 00:08:50,229 >> Bob: LET'S DO SOME WORK. 257 00:08:50,296 --> 00:08:58,004 >> LET'S WORK. 258 00:08:58,070 --> 00:09:04,911 ♪ ♪ 259 00:09:04,977 --> 00:09:09,148 ♪ ♪ 260 00:09:09,215 --> 00:09:10,049 >> I AM A PROFESSIONAL REAL 261 00:09:10,116 --> 00:09:15,187 ESTATE BROKER HERE IN SELMA. 262 00:09:15,254 --> 00:09:15,821 I TOOK REAL ESTATE AND I MADE IT 263 00:09:15,888 --> 00:09:20,293 MY PASSION. 264 00:09:20,359 --> 00:09:20,793 I DON'T HAVE TO WORK FOR 265 00:09:20,860 --> 00:09:21,961 ANYBODY, I DON'T CLOCK IN, I GO 266 00:09:22,028 --> 00:09:29,669 AND COME AS I PLEASE AND I JUST 267 00:09:29,735 --> 00:09:33,839 LIKE NICE THINGS. 268 00:09:33,906 --> 00:09:34,507 I WANT TO DO THESE, WITH THESE 269 00:09:34,573 --> 00:09:36,475 SHOES. 270 00:09:36,542 --> 00:09:37,343 BEST OF THE BEST FOR ME, ONLY 271 00:09:37,410 --> 00:09:42,615 THE BEST FOR ME. 272 00:09:42,682 --> 00:09:46,585 LET'S GO WITH MY FAVORITE. 273 00:09:46,652 --> 00:09:48,888 I'M PRETTY MUCH OUT BUT WITH MY 274 00:09:48,955 --> 00:09:53,659 LIFESTYLE YOU HAVE TO TURN IT ON 275 00:09:53,726 --> 00:09:56,195 AND OFF. 276 00:09:56,262 --> 00:09:56,796 I HAVE DIFFERENT PERSONAS WITH 277 00:09:56,862 --> 00:09:57,630 DIFFERENT INDIVIDUALS BECAUSE 278 00:09:57,697 --> 00:09:59,699 PEOPLE MAY NOT WANT TO DEAL WITH 279 00:09:59,765 --> 00:10:01,033 YOU BUSINESSWISE BECAUSE OF THE 280 00:10:01,100 --> 00:10:03,836 WAY THAT YOU LIVE YOUR LIFESTYLE 281 00:10:03,903 --> 00:10:04,704 WHICH IS NOT FAIR BUT PEOPLE 282 00:10:04,770 --> 00:10:05,771 STILL HAVE THAT MENTALITY AND 283 00:10:05,838 --> 00:10:08,941 THEY HAVE THAT SMALL MINDSET. 284 00:10:09,008 --> 00:10:09,709 I MEAN SELMA'S A TOUGH PLACE. 285 00:10:09,775 --> 00:10:10,509 IF YOU DON'T HAVE TOUGH SKIN, 286 00:10:10,576 --> 00:10:18,451 YOU WON'T SURVIVE HERE. 287 00:10:18,517 --> 00:10:20,786 >> Shangela: ONE OF THESE IS THE 288 00:10:20,853 --> 00:10:24,256 DING DONG. 289 00:10:24,323 --> 00:10:26,192 I GOT TO GET ME ONE OF THESE. 290 00:10:26,258 --> 00:10:27,059 HEY! 291 00:10:27,126 --> 00:10:28,094 >> HEY. 292 00:10:28,160 --> 00:10:28,694 COME ON IN. 293 00:10:28,761 --> 00:10:29,328 >> Shangela: NICE TO MEET YOU, 294 00:10:29,395 --> 00:10:31,831 SHANGELA. 295 00:10:31,897 --> 00:10:32,765 WOW. 296 00:10:32,832 --> 00:10:33,966 WHAT A BEAUTIFUL HOUSE. 297 00:10:34,033 --> 00:10:35,568 >> IT'S HOME. 298 00:10:35,634 --> 00:10:36,202 >> Shangela: IT IS; DO YOU MIND 299 00:10:36,268 --> 00:10:37,837 TAKING ME ON A TOUR? 300 00:10:37,903 --> 00:10:40,606 >> OKAY, SO LET'S GO THIS WAY. 301 00:10:40,673 --> 00:10:41,774 >> Shangela: OKAY. 302 00:10:41,841 --> 00:10:42,375 >> LOVE THE KITCHEN, LOVE THE 303 00:10:42,441 --> 00:10:42,808 CLOSETS. 304 00:10:42,875 --> 00:10:43,676 THERE'S A POOL TABLE DOWN HERE. 305 00:10:43,743 --> 00:10:44,844 DO YOU PLAY? 306 00:10:44,910 --> 00:10:47,646 >> NO, IT'S AN IRONING BOARD. 307 00:10:47,713 --> 00:10:50,116 >> Shangela: HUH. 308 00:10:50,182 --> 00:10:51,517 THAT'S HOW YOU GET IT. 309 00:10:51,584 --> 00:10:52,118 >> THEN WE'RE GONNA GO BACK OUT 310 00:10:52,184 --> 00:10:52,685 HERE. 311 00:10:52,752 --> 00:10:55,888 >> Shangela: OH, OKAY. 312 00:10:55,955 --> 00:10:56,288 >> AND WE'VE GOT, 313 00:10:56,355 --> 00:10:56,789 >> Shangela: OH MY GOD. 314 00:10:56,856 --> 00:10:57,690 >> SO YEAH. 315 00:10:57,757 --> 00:10:58,657 >> Shangela: BUT I, WHEN I DROVE 316 00:10:58,724 --> 00:11:01,327 UP I SAW CARS OUTSIDE TOO. 317 00:11:01,394 --> 00:11:05,765 YOU CAN ONLY DRIVE ONE CAR. 318 00:11:05,831 --> 00:11:06,365 >> ONE AT A TIME BUT YOU MIGHT 319 00:11:06,432 --> 00:11:06,999 AS WELL HAVE AS MANY AS YOU CAN 320 00:11:07,066 --> 00:11:07,266 HAVE. 321 00:11:07,333 --> 00:11:07,933 >> Shangela: OH COME ON REAL 322 00:11:08,000 --> 00:11:08,467 ESTATE, REAL ESTATE MOGUL. 323 00:11:08,534 --> 00:11:09,235 >> YES. 324 00:11:09,301 --> 00:11:10,002 >> Shangela: COME ON MOGUL, FISH 325 00:11:10,069 --> 00:11:11,937 OUT HERE I LOVE IT. 326 00:11:12,004 --> 00:11:12,705 A RANGE ROVER, A MERCEDES, A 327 00:11:12,772 --> 00:11:14,540 LEXUS, A TRUCK. 328 00:11:14,607 --> 00:11:16,575 >> CURRENTLY I HAVE SEVEN. 329 00:11:16,642 --> 00:11:17,143 >> Shangela: YOU LIKE SILVER 330 00:11:17,209 --> 00:11:17,977 DON'T YOU? 331 00:11:18,044 --> 00:11:19,712 >> SILVER'S MY FAVORITE COLOR. 332 00:11:19,779 --> 00:11:20,813 >> Shangela: I LOVE HOW YOU 333 00:11:20,880 --> 00:11:22,181 DECORATED TOO. 334 00:11:22,248 --> 00:11:22,681 >> THANK YOU. 335 00:11:22,748 --> 00:11:23,215 >> Shangela: OH MY GOSH. 336 00:11:23,282 --> 00:11:23,949 >> EXCUSE THE DUST. 337 00:11:24,016 --> 00:11:24,917 >> Shangela: WHAT, WHERE? 338 00:11:24,984 --> 00:11:26,152 GOOD LUCK. 339 00:11:26,218 --> 00:11:27,119 THIS IS, YOU'RE SO FABULOUS AND 340 00:11:27,186 --> 00:11:28,554 SOUTHERN, LIKE OH, EXCUSE MY 341 00:11:28,621 --> 00:11:30,856 MESS, EVERYTHING IS IN PLACE. 342 00:11:30,923 --> 00:11:33,426 >> OF COURSE. 343 00:11:33,492 --> 00:11:34,026 >> Shangela: NOW, YOU KNOW YOU 344 00:11:34,093 --> 00:11:34,627 GONNA HAVE TO PUT A PICTURE IN 345 00:11:34,693 --> 00:11:35,061 THIS PICTURE FRAME. 346 00:11:35,127 --> 00:11:35,694 WHAT DOES THAT SYMBOLIZE TO YOU 347 00:11:35,761 --> 00:11:36,996 THOUGH? 348 00:11:37,063 --> 00:11:37,596 >> IT'S A PICTURE OF MY EX IN 349 00:11:37,663 --> 00:11:40,900 THERE. 350 00:11:40,966 --> 00:11:41,534 >> Shangela: OH, OKAY, A PICTURE 351 00:11:41,600 --> 00:11:42,234 OF YOU AND THE EX AND YOU HAD TO 352 00:11:42,301 --> 00:11:48,340 TAKE THAT PICTURE OUT. 353 00:11:48,407 --> 00:11:48,974 YEAH, NEGATIVE VIBES, BAD VIBES, 354 00:11:49,041 --> 00:11:49,542 SO EMPTY PICTURE FRAME RIGHT 355 00:11:49,608 --> 00:11:50,242 NOW. 356 00:11:50,309 --> 00:11:51,010 MY DL PARTNER WAS NOTHING SHY OF 357 00:11:51,077 --> 00:11:51,877 A BUNCH OF PROBLEMS. 358 00:11:51,944 --> 00:11:55,047 THE DL COMMUNITY WOULD BE PEOPLE 359 00:11:55,114 --> 00:11:56,382 WHO SLEEP AROUND WITH THE SAME 360 00:11:56,449 --> 00:11:58,317 SEX WITHOUT IT BEING KNOWN TO 361 00:11:58,384 --> 00:12:00,453 THE GENERAL PUBLIC. 362 00:12:00,519 --> 00:12:02,188 MY LAST RELATIONSHIP WAS 363 00:12:02,254 --> 00:12:04,657 THIRTEEN YEARS LONG AND I 364 00:12:04,723 --> 00:12:08,761 BASICALLY WAS CLOSETED TO THE 365 00:12:08,828 --> 00:12:13,299 WHOLE RELATIONSHIP. 366 00:12:13,365 --> 00:12:13,899 I MEAN I WAS A SECRET; NOBODY 367 00:12:13,966 --> 00:12:14,333 KNEW ABOUT ME. 368 00:12:14,400 --> 00:12:16,302 SO IT WAS VERY HARD. 369 00:12:16,368 --> 00:12:17,670 I GAVE A HUNDRED AND TWENTY 370 00:12:17,736 --> 00:12:18,304 PERCENT WHEN I WAS ONLY GETTING 371 00:12:18,370 --> 00:12:19,305 FORTY PERCENT BACK. 372 00:12:19,371 --> 00:12:19,939 >> Shangela: AND WHY'D YOU THINK 373 00:12:20,005 --> 00:12:23,142 THAT WAS FAIR? 374 00:12:23,209 --> 00:12:25,344 >> IT WAS THE MERE FACT THAT I 375 00:12:25,411 --> 00:12:27,680 HAD INVESTED SO MUCH TIME, SO 376 00:12:27,746 --> 00:12:29,949 MUCH OF ME INTO IT THAT I FELT 377 00:12:30,015 --> 00:12:32,284 LIKE I WOULD BE LOSING OUT IF I 378 00:12:32,351 --> 00:12:36,422 JUST UP AND WALKED AWAY. 379 00:12:36,489 --> 00:12:37,056 AND THEN, LIKE, IT WAS KIND OF 380 00:12:37,123 --> 00:12:37,690 AN ULTIMATUM EITHER YOU GIVE ME 381 00:12:37,756 --> 00:12:38,791 THE LIFE THAT I DESERVE OR I'M 382 00:12:38,858 --> 00:12:40,025 GONE. 383 00:12:40,092 --> 00:12:40,626 >> Shangela: AND YOU SAID I'M 384 00:12:40,693 --> 00:12:44,430 OUT? 385 00:12:44,497 --> 00:12:45,364 >> I -- AT THE TIME I HAD A, A 386 00:12:45,431 --> 00:12:50,970 NINE MILLIMETER POINTED IN MY 387 00:12:51,036 --> 00:12:51,470 FACE SO, -- 388 00:12:51,537 --> 00:12:52,104 >> Shangela: HE, HE, WAIT, HOLD 389 00:12:52,171 --> 00:12:52,304 ON. 390 00:12:52,371 --> 00:12:53,272 THE DL BOYFRIEND COMES IN THIS 391 00:12:53,339 --> 00:12:55,374 HOUSE WITH YOU, OH MY GOD. 392 00:12:55,441 --> 00:12:56,308 >> SO I WAS THROWN INTO THIS 393 00:12:56,375 --> 00:12:59,778 SITUATION, WAS LIKE, WE'RE GONNA 394 00:12:59,845 --> 00:13:01,213 HAVE THIS CONVERSATION NOW 395 00:13:01,280 --> 00:13:03,816 THERE'S NOTHING YOU CAN DO ABOUT 396 00:13:03,883 --> 00:13:04,416 IT, AND THAT'S WHEN HE PULLED 397 00:13:04,483 --> 00:13:05,251 OUT THE GUN. 398 00:13:05,317 --> 00:13:07,620 AND IT WAS LIKE IF I CAN'T HAVE 399 00:13:07,686 --> 00:13:08,254 YOU NO ONE WILL HAVE YOU AND SO 400 00:13:08,320 --> 00:13:09,755 FORTH AND SO FORTH. 401 00:13:09,822 --> 00:13:10,322 WITH A GUN IN MY FACE BEING 402 00:13:10,389 --> 00:13:10,923 SHOT. 403 00:13:10,990 --> 00:13:12,658 >> Shangela: WHAT? 404 00:13:12,725 --> 00:13:15,161 >> YEAH. 405 00:13:15,227 --> 00:13:16,662 HE WAS ACTUALLY AIMING FOR MY 406 00:13:16,729 --> 00:13:18,330 HEAD AND I THREW MY ARM UP LIKE 407 00:13:18,397 --> 00:13:18,998 THIS AND MY ARM CAUGHT THE 408 00:13:19,064 --> 00:13:21,100 BULLET. 409 00:13:21,167 --> 00:13:21,734 YOU WILL SEE THE MARK WHERE THE 410 00:13:21,800 --> 00:13:23,102 BULLET WENT IN. 411 00:13:23,169 --> 00:13:25,504 IT SHATTERED THE ULNA AND THE 412 00:13:25,571 --> 00:13:26,739 RADIUS AND BASICALLY ME THROWING 413 00:13:26,805 --> 00:13:29,508 MY ARM AND CATCHING THE BULLET 414 00:13:29,575 --> 00:13:30,142 AND MY BONES CATCHING THE BULLET 415 00:13:30,209 --> 00:13:30,776 IS ACTUALLY WHAT SAVED MY LIFE. 416 00:13:30,843 --> 00:13:31,277 >> Shangela: WOW. 417 00:13:31,343 --> 00:13:33,179 >> BECAUSE IF IT HAD HAVE WENT 418 00:13:33,245 --> 00:13:33,746 THROUGH MUSCLE IT WOULD HAVE 419 00:13:33,812 --> 00:13:34,380 WENT STRAIGHT THROUGH MY ARM AND 420 00:13:34,446 --> 00:13:34,680 HIT MY HEAD. 421 00:13:34,747 --> 00:13:35,181 >> Shangela: OH MY GOD. 422 00:13:35,247 --> 00:13:36,615 >> SO. 423 00:13:36,682 --> 00:13:37,383 OOH. 424 00:13:37,449 --> 00:13:39,185 OKAY. 425 00:13:39,251 --> 00:13:42,321 YEAH. 426 00:13:42,388 --> 00:13:43,289 SO, I DON'T WANT TO TALK ABOUT 427 00:13:43,355 --> 00:13:47,259 THIS ANYMORE. 428 00:13:47,326 --> 00:13:47,860 >> Shangela: LET ME GIVE YOU 429 00:13:47,927 --> 00:13:49,161 A -- HERE. 430 00:13:49,228 --> 00:13:49,762 >> I DON'T WANT TO TALK ABOUT 431 00:13:49,828 --> 00:13:50,095 THIS NO MORE. 432 00:13:50,162 --> 00:13:50,729 >> Shangela: WE DON'T HAVE TO. 433 00:13:50,796 --> 00:13:51,897 WE DON'T HAVE TO. 434 00:13:51,964 --> 00:13:55,000 WE DON'T HAVE TO. 435 00:13:55,067 --> 00:13:57,002 >> BUT I TELL YOU THIS. 436 00:13:57,069 --> 00:13:59,738 YOU ARE SO BLESSED. 437 00:13:59,805 --> 00:14:00,072 >> THAT I AM. 438 00:14:00,139 --> 00:14:05,244 THAT I KNOW. 439 00:14:05,311 --> 00:14:11,116 BUT, I ALLOWED IT. 440 00:14:11,183 --> 00:14:11,750 I ALLOWED SOMEONE TO COME INTO 441 00:14:11,817 --> 00:14:12,751 MY PERSONAL SPACE AND VIOLATE 442 00:14:12,818 --> 00:14:15,120 IT. 443 00:14:15,187 --> 00:14:17,456 YOU HAVE A SENSE OF UTTER 444 00:14:17,523 --> 00:14:18,624 STUPIDITY FOR LACK OF A BETTER 445 00:14:18,691 --> 00:14:20,025 PHRASE. 446 00:14:20,092 --> 00:14:21,427 >> Shangela: BUT YOU WEREN'T 447 00:14:21,493 --> 00:14:25,497 STUPID, YOU WERE IN LOVE. 448 00:14:25,564 --> 00:14:26,799 WELL, WHAT DID TINA TURNER SAY? 449 00:14:26,865 --> 00:14:27,866 OOH, MY OH MY I'M A FOOL IN 450 00:14:27,933 --> 00:14:30,970 LOVE. 451 00:14:31,036 --> 00:14:31,403 >> I -- AND I WAS. 452 00:14:31,470 --> 00:14:32,871 I WAS A FOOL. 453 00:14:32,938 --> 00:14:36,108 >> Shangela: HAVING SOMEONE 454 00:14:36,175 --> 00:14:39,979 WHO'S DL, THAT'S HIDING YOU, 455 00:14:40,045 --> 00:14:41,313 I CAN ONLY IMAGINE HOW HE HAS 456 00:14:41,380 --> 00:14:41,680 DEALT WITH THAT. 457 00:14:41,747 --> 00:14:42,514 HE'S CREATED A, A PALACE FOR 458 00:14:42,581 --> 00:14:43,415 HIMSELF, I HAVE THIS LOVELY HOME 459 00:14:43,482 --> 00:14:45,551 AND THE CARS AND REALLY I'M 460 00:14:45,618 --> 00:14:47,620 GOOD, I'M ME AND TO YOU ALL I 461 00:14:47,686 --> 00:14:48,487 WANT TO LET YOU KNOW EVERYTHING 462 00:14:48,554 --> 00:14:49,855 IS FINE. 463 00:14:49,922 --> 00:14:51,790 EVERYTHING'S COOL. 464 00:14:51,857 --> 00:14:54,426 IT'S NOT COOL. 465 00:14:54,493 --> 00:14:55,060 FOR THIRTEEN YEARS YOU WERE THE 466 00:14:55,127 --> 00:14:57,730 SECRET. 467 00:14:57,796 --> 00:14:59,665 YOU FEEL ASHAMED, THAT TYPE OF 468 00:14:59,732 --> 00:15:01,100 SHAME TRICKLES INTO SO MANY 469 00:15:01,166 --> 00:15:03,269 DIFFERENT PARTS OF OUR LIVES AND 470 00:15:03,335 --> 00:15:05,104 IT PROBABLY MADE HIM QUESTION IS 471 00:15:05,170 --> 00:15:06,272 BEING GAY SOMETHING THAT I COULD 472 00:15:06,338 --> 00:15:14,113 EVER BE PROUD OF. 473 00:15:14,179 --> 00:15:27,893 ♪ ♪ 474 00:15:27,960 --> 00:15:29,828 >> LIVING HERE IN THIS AREA IS 475 00:15:29,895 --> 00:15:32,031 REALLY A NICE PLACE TO LIVE. 476 00:15:32,097 --> 00:15:33,499 THIS HOME HAS BEEN HERE FOR OVER 477 00:15:33,565 --> 00:15:35,701 SEVENTEEN YEARS. 478 00:15:35,768 --> 00:15:37,202 THIS IS LIKE MY LITTLE COMFORT 479 00:15:37,269 --> 00:15:37,970 ZONE WHEN I GET TO LOOK AT MY 480 00:15:38,037 --> 00:15:39,371 LITTLE GLAMOROUS, MY LITTLE 481 00:15:39,438 --> 00:15:40,806 GLAMOROUS STUFF. 482 00:15:40,873 --> 00:15:43,409 I LOVE CAPS, I AM A CAP FREAK 483 00:15:43,475 --> 00:15:44,610 AND I'M A PURSE PERSON FROM TIME 484 00:15:44,677 --> 00:15:46,612 TO TIME AS WELL. 485 00:15:46,679 --> 00:15:48,614 THIS IS MY AFRO WIG, MY FRIZZ 486 00:15:48,681 --> 00:15:50,416 BABY. 487 00:15:50,482 --> 00:15:56,188 I LOVE WIGS. 488 00:15:56,255 --> 00:15:59,091 I HAVE A REALLY LARGE FAMILY AND 489 00:15:59,158 --> 00:16:01,327 THEY MEAN THE WORLD TO ME, I 490 00:16:01,393 --> 00:16:04,563 WOULD GIVE MY SHIRT OFF MY BACK, 491 00:16:04,630 --> 00:16:05,731 I WOULD GIVE UP EVERYTHING THAT 492 00:16:05,798 --> 00:16:12,638 I HAVE FOR MY FAMILY. 493 00:16:12,705 --> 00:16:14,606 I'M A MATRIARCH DUE TO THE FACT 494 00:16:14,673 --> 00:16:16,342 THAT I'M BEING THE BACKBONE IN 495 00:16:16,408 --> 00:16:18,644 THE FAMILY. 496 00:16:18,711 --> 00:16:20,079 MY FAMILY MEMBERS THEY TELL ME 497 00:16:20,145 --> 00:16:21,513 ALL THE TIME I NEED TO SLOW IT 498 00:16:21,580 --> 00:16:24,249 DOWN SOME AND JUST FOCUS ON ME 499 00:16:24,316 --> 00:16:27,186 BUT I FIND IT HARD TO DO. 500 00:16:27,252 --> 00:16:28,187 THIS IS KE'AIRA'S T SHIRT THAT 501 00:16:28,253 --> 00:16:33,359 WE HAD MADE. 502 00:16:33,425 --> 00:16:34,426 KE'AIRA, MY AWESOME 503 00:16:34,493 --> 00:16:41,200 GRANDDAUGHTER, WAS MURDERED JUNE 504 00:16:41,266 --> 00:16:43,535 NINETEENTH, 2020. 505 00:16:43,602 --> 00:16:51,210 KE'AIRA'S DEATH WAS DEVASTATING. 506 00:16:51,276 --> 00:16:52,010 >> MY SISTER, KE'AIRA, SHE WAS 507 00:16:52,077 --> 00:16:55,147 SPONTANEOUS, SHE WAS LOVING AND 508 00:16:55,214 --> 00:17:01,387 SHE LIVED IN HER TRUTH. 509 00:17:01,453 --> 00:17:03,856 >> MY SISTER AND I BEING GAY AND 510 00:17:03,922 --> 00:17:08,193 LESBIAN MADE OUR BOND CLOSER. 511 00:17:08,260 --> 00:17:10,362 >> OH, I NEED TO LAY THIS DOWN. 512 00:17:10,429 --> 00:17:12,698 >> WHEN MY GRANDCHILDREN, 513 00:17:12,765 --> 00:17:14,400 KE'AIRA AND ALKERIOUS WERE 514 00:17:14,466 --> 00:17:16,068 GROWING UP I ALWAYS TRIED TO 515 00:17:16,135 --> 00:17:20,272 HAVE A SAFE HAVEN FOR THEM BEING 516 00:17:20,339 --> 00:17:22,141 GAY WAS FINE WITH ME. 517 00:17:22,207 --> 00:17:28,447 JUST AS BEING WHO YOU ARE. 518 00:17:28,514 --> 00:17:30,249 KE'AIRA WAS LIFE, SHE WAS LIKE A 519 00:17:30,315 --> 00:17:32,785 SMILE. 520 00:17:32,851 --> 00:17:35,154 SO FOR ME TO JUST SIT AROUND AND 521 00:17:35,220 --> 00:17:37,356 JUST WALLOW IN MY SORROW, SHE 522 00:17:37,423 --> 00:17:48,233 WOULDN'T WANT THAT. 523 00:17:48,300 --> 00:17:51,303 >> THE WATER IS SO COMFORTING. 524 00:17:51,370 --> 00:17:52,438 >> IT IS. 525 00:17:52,504 --> 00:17:56,542 >> I LOVE IT. 526 00:17:56,608 --> 00:17:58,010 >> MY GRANDMOTHER, SHE'S ALWAYS 527 00:17:58,076 --> 00:18:00,112 BEEN A GIVER BUT HASN'T TAKEN 528 00:18:00,179 --> 00:18:01,713 TIME OUT TO TAKE CARE OF 529 00:18:01,780 --> 00:18:03,916 HERSELF. 530 00:18:03,982 --> 00:18:05,517 I WANT TO GIVE BACK TO MY 531 00:18:05,584 --> 00:18:07,619 GRANDMOTHER BECAUSE DEBORAH'S 532 00:18:07,686 --> 00:18:10,022 LOVE AND SUPPORT IS 533 00:18:10,088 --> 00:18:12,491 UNCONDITIONAL LOVE AND SUPPORT. 534 00:18:12,558 --> 00:18:13,492 >> Eureka: OH MY GOODNESS I'M SO 535 00:18:13,559 --> 00:18:14,393 EXCITED TO FINALLY MEET YOU. 536 00:18:14,460 --> 00:18:16,662 >> PLEASURE. 537 00:18:16,728 --> 00:18:17,262 >> Eureka: OH, I NEED TO MEET 538 00:18:17,329 --> 00:18:17,863 HER. 539 00:18:17,930 --> 00:18:18,096 HELLO. 540 00:18:18,163 --> 00:18:19,431 >> HEY BABY, HOW ARE YOU DOING? 541 00:18:19,498 --> 00:18:20,098 >> Eureka: YOU ARE ALL SO 542 00:18:20,165 --> 00:18:21,166 GORGEOUS. 543 00:18:21,233 --> 00:18:24,403 OH MY GOD. 544 00:18:24,470 --> 00:18:24,970 I'M SORRY TO HEAR ABOUT YOUR 545 00:18:25,037 --> 00:18:26,305 SISTER. 546 00:18:26,371 --> 00:18:27,873 >> KE'AIRA AND I, WE WERE 547 00:18:27,940 --> 00:18:30,776 INSEPARABLE. 548 00:18:30,843 --> 00:18:31,710 I CALLED MY GRANDMOTHER RIGHT 549 00:18:31,777 --> 00:18:33,946 AFTER I GOT THE NEWS AND WE BOTH 550 00:18:34,012 --> 00:18:36,615 WERE DISTRAUGHT REALLY. 551 00:18:36,682 --> 00:18:37,683 >> NOW THAT'S REALLY HARD FOR ME 552 00:18:37,749 --> 00:18:40,352 TO TALK ABOUT BECAUSE YOU KNOW 553 00:18:40,419 --> 00:18:42,087 IT KEEPS HAPPENING TIME AND TIME 554 00:18:42,154 --> 00:18:44,656 AGAIN, MY GRANDDAD, MY GRANDMOM, 555 00:18:44,723 --> 00:18:46,592 MY NEPHEW. 556 00:18:46,658 --> 00:18:48,460 I'VE HAD TWO DEATHS WITHIN MY 557 00:18:48,527 --> 00:18:49,795 FAMILY WITHIN THE LAST THREE 558 00:18:49,862 --> 00:18:51,463 YEARS. 559 00:18:51,530 --> 00:18:53,932 AND AFTER KE'AIRA PASSED THAT 560 00:18:53,999 --> 00:18:55,167 REALLY CAUGHT A BITE WITH ME. 561 00:18:55,234 --> 00:18:56,735 SERIOUSLY. 562 00:18:56,802 --> 00:18:57,870 >> Eureka: YOU'VE LOST A LOT. 563 00:18:57,936 --> 00:19:01,273 >> I'VE LOST A LOT BUT I HAVE TO 564 00:19:01,340 --> 00:19:06,311 KEEP IT MOVING. 565 00:19:06,378 --> 00:19:06,979 >> SHE'S ACTUALLY HELPED ME WITH 566 00:19:07,045 --> 00:19:10,082 HOW NOT TO STRUGGLE AND YOU KNOW 567 00:19:10,148 --> 00:19:11,817 HOLD ON TO THAT, THAT WEIGHT OF 568 00:19:11,884 --> 00:19:14,486 SORROW. 569 00:19:14,553 --> 00:19:17,089 >> SHE WOULD WANT ME TO CARRY ON 570 00:19:17,155 --> 00:19:19,458 BUT NEVER EVER FORGET ABOUT HER 571 00:19:19,525 --> 00:19:21,527 YOU KNOW JUST CONTINUALLY KEEP 572 00:19:21,593 --> 00:19:23,829 THAT LIGHT BURNING SO THAT'S MY 573 00:19:23,896 --> 00:19:26,965 THING, I'M JUST GONNA KEEP ON 574 00:19:27,032 --> 00:19:28,667 SHINING HER LIGHT. 575 00:19:28,734 --> 00:19:29,635 >> Eureka: ARE YOU LIKE MAMA DEB 576 00:19:29,701 --> 00:19:30,302 OR SOMETHING? 577 00:19:30,369 --> 00:19:32,170 WHAT DO THEY CALL YOU? 578 00:19:32,237 --> 00:19:33,171 >> GRANNY G. 579 00:19:33,238 --> 00:19:34,039 >> Eureka: OH GRANNY G. 580 00:19:34,106 --> 00:19:35,607 >> THAT'S WHAT KE'AIRA NAMED ME 581 00:19:35,674 --> 00:19:35,874 GRANNY G. 582 00:19:35,941 --> 00:19:36,808 >> Eureka: REALLY? 583 00:19:36,875 --> 00:19:37,276 >> YES. 584 00:19:37,342 --> 00:19:37,876 >> Eureka: OH, HO, HO, HO, I 585 00:19:37,943 --> 00:19:38,911 LOVE IT. 586 00:19:38,977 --> 00:19:39,511 >> IT STANDS FOR GANGSTER 587 00:19:39,578 --> 00:19:41,079 GRANNY. 588 00:19:41,146 --> 00:19:42,180 >> Eureka: OH, LOVE IT. 589 00:19:42,247 --> 00:19:43,949 YOU DON'T GOT TO WHISPER THAT 590 00:19:44,016 --> 00:19:46,418 MAMA, SAY IT PROUD. 591 00:19:46,485 --> 00:19:46,919 WHEN YOU'RE A PERSON OF 592 00:19:46,985 --> 00:19:47,819 DIFFERENCE OR YOU'RE QUEER 593 00:19:47,886 --> 00:19:50,489 YOU'RE IN A VULNERABLE SITUATION 594 00:19:50,556 --> 00:19:51,557 HERE IN SELMA, BUT DEBORAH WAS A 595 00:19:51,623 --> 00:19:53,258 HUGE SUPPORT FOR ALKERIOUS AND 596 00:19:53,325 --> 00:19:54,660 KE'AIRA THE TWO QUEER PEOPLE IN 597 00:19:54,726 --> 00:19:56,828 THEIR FAMILY. 598 00:19:56,895 --> 00:19:59,698 SHE GIVES SO MUCH LOVE TO OTHER 599 00:19:59,765 --> 00:20:00,265 PEOPLE, THIS PERFORMANCE IS 600 00:20:00,332 --> 00:20:00,866 GONNA GIVE DEBORAH A MOMENT TO 601 00:20:00,933 --> 00:20:02,267 RECEIVE THE LOVE. 602 00:20:02,334 --> 00:20:02,834 AND I JUST HOPE THAT SHE CAN 603 00:20:02,901 --> 00:20:06,638 ACCEPT IT. 604 00:20:06,705 --> 00:20:07,005 WELL, THANK YOU. 605 00:20:07,072 --> 00:20:07,539 >> YOU'RE WELCOME. 606 00:20:07,606 --> 00:20:08,173 >> Eureka: I ADORE YOU ALREADY, 607 00:20:08,240 --> 00:20:09,975 I CAN'T WAIT. 608 00:20:10,042 --> 00:20:14,413 >> MY FAITH. 609 00:20:14,479 --> 00:20:28,260 >> Bob: WE JUST DROVE A BLOCK 610 00:20:28,327 --> 00:20:29,328 AND WE PASSED TWO CHURCHES, TWO 611 00:20:29,394 --> 00:20:30,395 MASSIVE CHURCHES. 612 00:20:30,462 --> 00:20:31,763 >> AND IF YOU GO AROUND A CORNER 613 00:20:31,830 --> 00:20:34,733 IT'S ANOTHER ONE. 614 00:20:34,800 --> 00:20:35,434 THAT'S WHY I'M TAKING THROUGH 615 00:20:35,500 --> 00:20:37,035 THE HOOD BECAUSE I LIKE THIS 616 00:20:37,102 --> 00:20:39,471 LITTLE BRIDGE AND EVERYTHING BUT 617 00:20:39,538 --> 00:20:41,907 YOU NEED TO SEE HOW WE HAVE BEEN 618 00:20:41,974 --> 00:20:45,644 LIVING. 619 00:20:45,711 --> 00:20:49,414 THIS IS THE REAL LOOK OF SELMA. 620 00:20:49,481 --> 00:20:54,987 EVERYTHING IS PRETTY MUCH GONE 621 00:20:55,053 --> 00:20:57,089 THE ONLY THING HERE IS VIOLENCE. 622 00:20:57,155 --> 00:20:57,856 VENEESHA, ONE OF THE DANCERS, 623 00:20:57,923 --> 00:20:59,191 SHE CAME FROM OUT OF HERE. 624 00:20:59,257 --> 00:21:00,459 AND THESE GIRLS IN HERE WERE 625 00:21:00,525 --> 00:21:02,160 GETTING PREGNANT AT LIKE 626 00:21:02,227 --> 00:21:04,329 THIRTEEN, FOURTEEN YEARS OLD. 627 00:21:04,396 --> 00:21:05,330 AND SO THAT'S WHEN I STARTED THE 628 00:21:05,397 --> 00:21:06,131 WHOLE DANCE THING WITH THE 629 00:21:06,198 --> 00:21:07,966 COMMUNITY AND I WAS PULLING 630 00:21:08,033 --> 00:21:09,401 GIRLS LIKE TO GET THEM OUT OF 631 00:21:09,468 --> 00:21:10,702 THE HOOD TO HAVE SOMETHING TO DO 632 00:21:10,769 --> 00:21:13,005 TO HAVE SOMETHING TO LIVE FOR 633 00:21:13,071 --> 00:21:16,608 VERSUS WHAT THEY SEE EVERY DAY. 634 00:21:16,675 --> 00:21:19,378 THE ONLY THING HERE IS VIOLENCE. 635 00:21:19,444 --> 00:21:24,182 LIKE HERE IT'S SO DANGEROUS, 636 00:21:24,249 --> 00:21:25,484 IT'S THE REASON WHY I HATE IT SO 637 00:21:25,550 --> 00:21:26,084 MUCH IS BECAUSE LIKE I'M MORE OF 638 00:21:26,151 --> 00:21:27,953 A TARGET THAN EVERYBODY ELSE 639 00:21:28,020 --> 00:21:28,620 BECAUSE I'M TOTALLY DIFFERENT. 640 00:21:28,687 --> 00:21:31,723 I'M FEELING LIKE IF SOMEONE WAS 641 00:21:31,790 --> 00:21:32,958 TO TAKE ME OUT THEY LITERALLY 642 00:21:33,025 --> 00:21:34,993 WOULD NOT WORK HARD TO FIGURE 643 00:21:35,060 --> 00:21:36,028 OUT WHO DID IT. 644 00:21:36,094 --> 00:21:37,462 >> Bob: YOU DON'T KNOW HOW, HOW 645 00:21:37,529 --> 00:21:39,464 THE JUSTICE SYSTEM WOULD HANDLE 646 00:21:39,531 --> 00:21:40,098 YOU? 647 00:21:40,165 --> 00:21:42,334 >> BECAUSE OF WHAT I WAS, THEY 648 00:21:42,401 --> 00:21:43,335 WILL SAY, OH WELL IT WAS A DEMON 649 00:21:43,402 --> 00:21:44,770 ANYWAY BECAUSE OF WHAT THEY 650 00:21:44,836 --> 00:21:50,475 BELIEVE. 651 00:21:50,542 --> 00:21:52,444 >> Bob: WE DON'T NEED TO DO ANY 652 00:21:52,511 --> 00:21:53,078 WORK ON AKEELAH, WE NEED TO DO 653 00:21:53,145 --> 00:21:56,181 WORK ON EVERYONE ELSE. 654 00:21:56,248 --> 00:21:57,115 IT'S NOT FOR FEAR WHAT AKEELAH'S 655 00:21:57,182 --> 00:21:58,917 GONNA DO TO, TO SELMA, I DON'T 656 00:21:58,984 --> 00:21:59,551 KNOW WHAT SHE DONE, SHE MADE IT 657 00:21:59,618 --> 00:22:00,452 MORE BEAUTIFUL, SHE'S ADDED 658 00:22:00,519 --> 00:22:02,921 DANCE TO IT, SHE'S TAUGHT THE 659 00:22:02,988 --> 00:22:04,222 CHILDREN OF SELMA HOW TO BE 660 00:22:04,289 --> 00:22:05,157 WOMEN, SHE'S, FOR ME SHE'S THE 661 00:22:05,223 --> 00:22:11,329 BIGGEST REASON THAT WE'RE HERE. 662 00:22:11,396 --> 00:22:12,497 >> Shangela: OH HI! 663 00:22:12,564 --> 00:22:12,964 >> OH MY GOSH HI. 664 00:22:13,031 --> 00:22:13,432 >> Shangela: SURPRISE. 665 00:22:13,498 --> 00:22:14,866 >> HELLO. 666 00:22:14,933 --> 00:22:15,500 >> Shangela: HOW ARE YOU MISS 667 00:22:15,567 --> 00:22:16,101 KIKI. 668 00:22:16,168 --> 00:22:17,903 HI, HELENE. 669 00:22:17,969 --> 00:22:19,337 VERY NICE TO MEET YOU. 670 00:22:19,404 --> 00:22:20,939 >> IT'S A PLEASURE, THANK YOU SO 671 00:22:21,006 --> 00:22:21,773 MUCH. 672 00:22:21,840 --> 00:22:22,708 >> Shangela: I DON'T KNOW IF 673 00:22:22,774 --> 00:22:23,809 JOSEPH HAS TOLD YOU OR SHARED 674 00:22:23,875 --> 00:22:25,177 WITH YOU BUT WE'RE NOT ONLY 675 00:22:25,243 --> 00:22:27,312 CONNECTING AS NEW FRIENDS BUT 676 00:22:27,379 --> 00:22:28,380 WE'RE ALSO GONNA BE PERFORMING 677 00:22:28,447 --> 00:22:28,914 AND PUTTING ON A DRAG SHOW 678 00:22:28,980 --> 00:22:30,182 TOGETHER. 679 00:22:30,248 --> 00:22:30,982 >> HE DID MENTION IT TO ME AND 680 00:22:31,049 --> 00:22:32,050 I'M EXCITED. 681 00:22:32,117 --> 00:22:32,718 >> Shangela: HAS HE TOLD YOU 682 00:22:32,784 --> 00:22:32,918 TOO? 683 00:22:32,984 --> 00:22:33,785 >> YES. 684 00:22:33,852 --> 00:22:34,419 >> Shangela: WELL YOU DONE TOLD 685 00:22:34,486 --> 00:22:34,686 EVERYBODY. 686 00:22:34,753 --> 00:22:35,787 >> I DID. 687 00:22:35,854 --> 00:22:36,154 WELL THESE TWO. 688 00:22:36,221 --> 00:22:36,988 THESE TWO. 689 00:22:37,055 --> 00:22:37,622 >> Shangela: WHAT DO YOU THINK 690 00:22:37,689 --> 00:22:40,892 ABOUT DRAG? 691 00:22:40,959 --> 00:22:41,693 >> I'VE ALWAYS RESPECTED IT AND 692 00:22:41,760 --> 00:22:43,395 OF COURSE I MEAN LOOK AT ME. 693 00:22:43,462 --> 00:22:44,029 >> Shangela: WHAT DO YOU THINK 694 00:22:44,096 --> 00:22:45,097 FOR JOSEPH? 695 00:22:45,163 --> 00:22:47,299 >> SO JOSEPH, I'M EXCITED, I 696 00:22:47,365 --> 00:22:48,767 CAN'T WAIT. 697 00:22:48,834 --> 00:22:50,268 LIKE BECAUSE IT'S SOMETHING I 698 00:22:50,335 --> 00:22:51,236 WOULD NEVER, I WOULD NEVER BE 699 00:22:51,303 --> 00:22:54,506 ABLE TO TALK HIM INTO DOING THAT 700 00:22:54,573 --> 00:22:55,207 ON MY OWN, SO I'M EXCITED. 701 00:22:55,273 --> 00:22:56,308 . 702 00:22:56,374 --> 00:22:57,576 >> Shangela: DO YOU KNOW WHAT HE 703 00:22:57,642 --> 00:22:58,376 IS? 704 00:22:58,443 --> 00:23:01,046 I CAN SEE A LITTLE NERVOUS. 705 00:23:01,113 --> 00:23:02,214 >> OH DEFINITELY. 706 00:23:02,280 --> 00:23:02,614 >> YEAH. 707 00:23:02,681 --> 00:23:03,448 >> CUZ YOU ROCKING HARD IN THAT 708 00:23:03,515 --> 00:23:04,116 CHAIR. 709 00:23:04,182 --> 00:23:06,685 >> I AM CUZ YOU KNOW WHAT? 710 00:23:06,752 --> 00:23:07,652 FOR ONE, FOR ONE I DON'T WANT TO 711 00:23:07,719 --> 00:23:08,620 SHOW THEM A PICTURE OF MY MOM 712 00:23:08,687 --> 00:23:09,855 BUT I FEEL LIKE I WOULD BE HER 713 00:23:09,921 --> 00:23:11,990 TWIN. 714 00:23:12,057 --> 00:23:12,991 >> YES! 715 00:23:13,058 --> 00:23:14,426 I THINK SO. 716 00:23:14,493 --> 00:23:15,360 I DO. 717 00:23:15,427 --> 00:23:16,027 >> Shangela: YOU THINK YOU'RE 718 00:23:16,094 --> 00:23:16,661 GONNA LOOK LIKE YOUR MOTHER IN 719 00:23:16,728 --> 00:23:17,162 DRAG? 720 00:23:17,229 --> 00:23:19,197 >> I THINK SO. 721 00:23:19,264 --> 00:23:20,532 WHEN YOU DID THAT I THINK, OH MY 722 00:23:20,599 --> 00:23:21,500 GOSH YOU ARE. 723 00:23:21,566 --> 00:23:22,467 >> YEAH, IF SHE SAW IT SHE 724 00:23:22,534 --> 00:23:23,568 PROBABLY WOULD DROP DEAD RIGHT 725 00:23:23,635 --> 00:23:25,137 THERE. 726 00:23:25,203 --> 00:23:26,538 AND LORD I CAN'T LET HER SEE IT, 727 00:23:26,605 --> 00:23:30,142 I CAN'T DO IT, I CANNOT DO IT. 728 00:23:30,208 --> 00:23:31,943 BABY, IF MY MAMA WALKED INTO 729 00:23:32,010 --> 00:23:34,646 THAT ROOM I WOULD BE THE FIRST 730 00:23:34,713 --> 00:23:35,347 THING UNDER A TABLE CLOTH, UNDER 731 00:23:35,413 --> 00:23:35,580 A TABLE. 732 00:23:35,647 --> 00:23:39,518 >> NO YOU, NO YOU WON'T. 733 00:23:39,584 --> 00:23:39,851 >> I WOULD. 734 00:23:39,918 --> 00:23:40,352 >> Shangela: WHY WOULD YOU 735 00:23:40,418 --> 00:23:40,685 THOUGH? 736 00:23:40,752 --> 00:23:42,154 >> YEAH. 737 00:23:42,220 --> 00:23:43,321 >> BECAUSE MY SEXUALITY IS STILL 738 00:23:43,388 --> 00:23:43,989 TO THIS DAY A TOUCHY SUBJECT FOR 739 00:23:44,055 --> 00:23:44,222 MY MOM. 740 00:23:44,289 --> 00:23:44,823 >> Shangela: BUT, BUT LOOK AT 741 00:23:44,890 --> 00:23:45,357 ALL THAT YOU'VE BUILT FOR 742 00:23:45,423 --> 00:23:45,624 YOURSELF. 743 00:23:45,690 --> 00:23:46,258 YOU HAVE THIS HOME, YOU HAVE A 744 00:23:46,324 --> 00:23:47,559 GARAGE FULL OF CARS, SO MANY 745 00:23:47,626 --> 00:23:48,927 CARS YOU CAN'T EVEN FIT NO MORE 746 00:23:48,994 --> 00:23:49,561 CARS, THEY GOT TO BE UNDER A CAR 747 00:23:49,628 --> 00:23:50,395 SHED OVER THERE. 748 00:23:50,462 --> 00:23:51,663 YOU HAVE GREAT FRIENDS. 749 00:23:51,730 --> 00:23:53,131 >> RIGHT. 750 00:23:53,198 --> 00:23:54,432 >> Shangela: YOU HAVE NOTHING TO 751 00:23:54,499 --> 00:23:57,102 BE ASHAMED OF. 752 00:23:57,169 --> 00:23:58,503 RIGHT NOW IT FEELS LIKE JOSEPH 753 00:23:58,570 --> 00:23:59,237 IS EXCLUDING CERTAIN PARTS OF 754 00:23:59,304 --> 00:24:00,806 HIMSELF. 755 00:24:00,872 --> 00:24:03,775 JOSEPH HAS SOME MORE WORK TO DO 756 00:24:03,842 --> 00:24:05,577 TO RELEASE ANY TYPE OF BLAME OR 757 00:24:05,644 --> 00:24:07,579 SHAME. 758 00:24:07,646 --> 00:24:08,914 IT'S A JOURNEY, IT'S A JOURNEY 759 00:24:08,980 --> 00:24:11,783 ABOUT GETTING TO TRYING TO FIND 760 00:24:11,850 --> 00:24:13,552 OUT IF OTHERS ARE GONNA ACCEPT 761 00:24:13,618 --> 00:24:15,086 US BUT ALSO SHAKING IT OFF. 762 00:24:15,153 --> 00:24:15,821 WE'LL SEE. 763 00:24:15,887 --> 00:24:17,122 >> WE'LL SEE. 764 00:24:17,189 --> 00:24:25,530 >> Shangela: WHO KNOWS? 765 00:24:25,730 --> 00:24:31,369 >> I BE KIND OF, LIKE, SCARED 766 00:24:31,436 --> 00:24:33,438 OUT HERE TOO. 767 00:24:33,505 --> 00:24:34,272 EVERYBODY LOOKING AT US. 768 00:24:34,339 --> 00:24:36,374 >> THEY WATCHING. 769 00:24:36,441 --> 00:24:38,310 >> I HAVE NEVER EXPERIENCED A 770 00:24:38,376 --> 00:24:40,712 GUY GENUINELY LOVING ME AND 771 00:24:40,779 --> 00:24:42,180 LOVING ME IN THE DAYLIGHT UNTIL 772 00:24:42,247 --> 00:24:49,254 I MET MY BOYFRIEND DERRICK. 773 00:24:49,321 --> 00:24:49,888 WE WERE ON GRINDER, IT STARTED 774 00:24:49,955 --> 00:24:50,555 AS FRIENDS THOUGH. 775 00:24:50,622 --> 00:24:53,325 HE LIKED MUSIC, I LIKED MUSIC. 776 00:24:53,391 --> 00:24:53,992 AND I DIDN'T BELIEVE IN 777 00:24:54,059 --> 00:24:55,894 RELATIONSHIPS ANYMORE JUST 778 00:24:55,961 --> 00:24:58,897 BECAUSE YOU KNOW IT'S ALL A GAME 779 00:24:58,964 --> 00:25:02,367 WHEN IT COMES DOWN TO GIRLS LIKE 780 00:25:02,434 --> 00:25:03,368 ME, BUT HE JUST KEPT WANTING TO 781 00:25:03,435 --> 00:25:04,703 SEE ME. 782 00:25:04,769 --> 00:25:08,139 IT WENT FROM FRIENDSHIP TO WE 783 00:25:08,206 --> 00:25:08,974 STARTED HAVING FEELINGS FOR EACH 784 00:25:09,040 --> 00:25:10,442 OTHER. 785 00:25:10,508 --> 00:25:11,309 >> YOU MY BABY FOREVER. 786 00:25:11,376 --> 00:25:15,080 >> YEAH. 787 00:25:15,146 --> 00:25:15,614 ONCE I MET AKEELAH IT WAS 788 00:25:15,680 --> 00:25:17,616 INCREDIBLE BECAUSE IT WAS LIKE I 789 00:25:17,682 --> 00:25:19,150 SEE YOU IN A STRUGGLE, I'M IN A 790 00:25:19,217 --> 00:25:21,119 STRUGGLE TOO, WE CAN TALK ABOUT 791 00:25:21,186 --> 00:25:23,021 IT CUZ IT WAS JUST LIKE WE 792 00:25:23,088 --> 00:25:24,422 COULDN'T STOP CALLING EACH 793 00:25:24,489 --> 00:25:26,892 OTHER, YOU SEE HOW, YOU SEE HOW 794 00:25:26,958 --> 00:25:29,027 I'M SMILING RIGHT NOW, I LOVE 795 00:25:29,094 --> 00:25:30,395 HER. 796 00:25:30,462 --> 00:25:31,863 WE ACTUALLY CAME TO A POINT 797 00:25:31,930 --> 00:25:33,565 WHERE IT WAS LIKE I CAN'T SEE 798 00:25:33,632 --> 00:25:36,368 MYSELF WITHOUT YOU. 799 00:25:36,434 --> 00:25:37,002 >> YOU KNOW IT'S TIME FOR ME TO 800 00:25:37,068 --> 00:25:41,373 TWIST YOUR HAIR AGAIN. 801 00:25:41,439 --> 00:25:41,973 SOMETIMES I'LL BE SCARED CUZ I 802 00:25:42,040 --> 00:25:42,607 DON'T WANT NOTHING BAD AND HE'S 803 00:25:42,674 --> 00:25:44,576 LIKE I DON'T CARE, WE'RE GOING 804 00:25:44,643 --> 00:25:47,579 TO DO THIS AND IF WHOEVER DON'T 805 00:25:47,646 --> 00:25:48,213 LIKE IT THAN THAT'S JUST WHAT IT 806 00:25:48,280 --> 00:25:49,347 IS, WE'RE GONNA HAVE TO HANDLE 807 00:25:49,414 --> 00:25:52,484 IT WHEN WE GET THERE. 808 00:25:52,550 --> 00:25:54,452 >> ME BEING DOWN LOW I KNOW THE 809 00:25:54,519 --> 00:25:56,121 CAGE THAT I'VE BEEN IN SO IT'S 810 00:25:56,187 --> 00:25:58,590 LIKE ONCE I BROKE THAT CHAIN I'M 811 00:25:58,657 --> 00:26:00,225 LIVING MY TRUTH AND IT FEELS 812 00:26:00,292 --> 00:26:12,237 GREAT. 813 00:26:12,304 --> 00:26:12,771 >> Shangela: IT'S LIKE,-- 814 00:26:12,837 --> 00:26:12,971 >> HI. 815 00:26:13,038 --> 00:26:13,772 >> HI. 816 00:26:13,838 --> 00:26:14,940 >> Bob: THIS IS MY BABY. 817 00:26:15,006 --> 00:26:15,674 >> Shangela: OH MY GOD, HI. 818 00:26:15,740 --> 00:26:18,576 YOU ALREADY KNOW EACH OTHER. 819 00:26:18,643 --> 00:26:20,245 >> WE GREW UP RIGHT AROUND THE 820 00:26:20,312 --> 00:26:21,513 CORNER FROM EACH OTHER, WE'VE 821 00:26:21,579 --> 00:26:22,147 BEEN FRIENDS SINCE LIKE BOOGERS 822 00:26:22,213 --> 00:26:23,949 IN THE NOSE SERIOUSLY. 823 00:26:24,015 --> 00:26:25,250 >> Shangela: REALLY? 824 00:26:25,317 --> 00:26:26,518 >> SINCE WHAT, EIGHT, SEVEN, 825 00:26:26,584 --> 00:26:30,622 NINE-ISH? 826 00:26:30,689 --> 00:26:31,189 >> WE DONE BEEN THROUGH OOH 827 00:26:31,256 --> 00:26:36,328 LORD, THICK AND THIN UP AND 828 00:26:36,394 --> 00:26:36,594 DOWN, WE, 829 00:26:36,661 --> 00:26:37,128 >> RIDING BIKES TOGETHER. 830 00:26:37,195 --> 00:26:37,696 >> BUILDING, MAKING, SAILOR, 831 00:26:37,762 --> 00:26:38,430 JOSEPH: THE CLUBHOUSE, YOU 832 00:26:38,496 --> 00:26:38,897 REMEMBER? 833 00:26:38,964 --> 00:26:39,297 >> THE CLUBHOUSE. 834 00:26:39,364 --> 00:26:39,531 >> YES. 835 00:26:39,597 --> 00:26:40,098 >> Shangela: AND DID YOU ALL 836 00:26:40,165 --> 00:26:40,699 EVER LIKE HAVE TO COME OUT TO 837 00:26:40,765 --> 00:26:45,670 EACH OTHER BE LIKE I'M GAY OR IT 838 00:26:45,737 --> 00:26:46,204 JUST WAS A NATURAL LIKE,-- 839 00:26:46,271 --> 00:26:46,771 >> IT PRETTY MUCH JUST CAME 840 00:26:46,838 --> 00:26:47,005 NATURAL. 841 00:26:47,072 --> 00:26:47,439 WE TALKED ABOUT IT. 842 00:26:47,505 --> 00:26:47,906 >> WE TALKED ABOUT IT. 843 00:26:47,973 --> 00:26:48,540 >> THE DL BOYS THOUGHT BRINGING 844 00:26:48,606 --> 00:26:49,407 THEMSELVES AROUND US AND THAT'S 845 00:26:49,474 --> 00:26:53,712 PRETTY MUCH WHEN WE REALIZED 846 00:26:53,778 --> 00:26:54,279 WHAT WAS GOING ON, THEY KNEW 847 00:26:54,346 --> 00:26:54,779 WHAT IT WAS SO YOU KNOW. 848 00:26:54,846 --> 00:26:58,016 IT WAS LIKE OH, OKAY, SO. 849 00:26:58,083 --> 00:26:58,616 >> LET'S TAKE ADVANTAGE OF IT. 850 00:26:58,683 --> 00:26:59,250 >> Shangela: AND YOU ALL COMING 851 00:26:59,317 --> 00:26:59,985 UP TOGETHER, I'M SURE THERE HAVE 852 00:27:00,051 --> 00:27:01,953 BEEN MOMENTS MAYBE THAT YOU 853 00:27:02,020 --> 00:27:03,888 DIDN'T ALWAYS FEEL LIKE SAFE AND 854 00:27:03,955 --> 00:27:04,923 ACCEPTED AROUND HERE? 855 00:27:04,990 --> 00:27:05,857 >> WE FOUGHT. 856 00:27:05,924 --> 00:27:07,158 >> FOUGHT, FOUGHT. 857 00:27:07,225 --> 00:27:07,759 >> FOUGHT, FOUGHT, LIKE WE CAN 858 00:27:07,826 --> 00:27:08,994 FIGHT, LIKE SERIOUSLY SO WE 859 00:27:09,060 --> 00:27:09,494 FOUGHT. 860 00:27:09,561 --> 00:27:10,395 >> HAD TO, YOU HAVE NO CHOICE 861 00:27:10,462 --> 00:27:12,430 BUT TO AROUND HERE SO. 862 00:27:12,497 --> 00:27:13,164 PICK SOMETHING UP, HIT THEM 863 00:27:13,231 --> 00:27:14,466 BACK. 864 00:27:14,532 --> 00:27:15,066 >> IT WAS KIND OF LIKE SECOND 865 00:27:15,133 --> 00:27:15,667 NATURE, YOU HAVE TO BE READY. 866 00:27:15,734 --> 00:27:16,835 >> Shangela: RIGHT. 867 00:27:16,901 --> 00:27:18,003 >> I GOT TO A POINT SO IT WAS 868 00:27:18,069 --> 00:27:19,070 JUST LIKE WHENEVER I SEE 869 00:27:19,137 --> 00:27:20,872 PROBLEMS I'M GETTING OUT OF THE 870 00:27:20,939 --> 00:27:22,040 WAY. 871 00:27:22,107 --> 00:27:22,841 YOU KNOW WHAT I MEAN? 872 00:27:22,907 --> 00:27:24,576 >> Shangela: A LOT OF TIMES 873 00:27:24,642 --> 00:27:26,311 WE'LL STAY OUT OF THE WAY OF 874 00:27:26,378 --> 00:27:27,045 DRAMA AND STUFF, A LOT OF GAY 875 00:27:27,112 --> 00:27:27,645 PEOPLE WILL JUST SECLUDE 876 00:27:27,712 --> 00:27:29,681 THEMSELVES. 877 00:27:29,748 --> 00:27:31,983 I'M NOT GOING OUT NOWHERE CUZ IT 878 00:27:32,050 --> 00:27:32,751 MAY TURN UGLY. 879 00:27:32,817 --> 00:27:34,085 >> YEAH. 880 00:27:34,152 --> 00:27:37,322 >> AND THAT'S WHY LIKE I FEEL 881 00:27:37,389 --> 00:27:38,323 LIKE AKEELAH WILL TELL YOU WHEN 882 00:27:38,390 --> 00:27:38,923 WE HANG OUT, WHERE WE HANG OUT 883 00:27:38,990 --> 00:27:39,791 AT, MY HOUSE. 884 00:27:39,858 --> 00:27:42,794 >> YEAH. 885 00:27:42,861 --> 00:27:43,428 >> MY HOUSE IS KIND OF LIKE THE 886 00:27:43,495 --> 00:27:44,062 CONGREGATION SPOT FOR ALL OF MY 887 00:27:44,129 --> 00:27:44,629 FRIENDS BECAUSE I KNOW WE'RE 888 00:27:44,696 --> 00:27:44,929 SAFE THERE. 889 00:27:44,996 --> 00:27:46,664 >> YEAH. 890 00:27:46,731 --> 00:27:47,932 >> Bob: WHAT DOES IT MEAN FOR 891 00:27:47,999 --> 00:27:49,968 YOU ALL TO BE VISIBLE? 892 00:27:50,035 --> 00:27:52,203 >> PEOPLE CHOOSE NOT TO 893 00:27:52,270 --> 00:27:52,937 PATRONIZE ME JUST BECAUSE OF WHO 894 00:27:53,004 --> 00:27:55,640 I AM RIGHT NOW IN MY BUSINESS SO 895 00:27:55,707 --> 00:27:56,574 WE HAVE TO SHOW THEM THAT 896 00:27:56,641 --> 00:27:58,610 EVERYBODY IS DIFFERENT AND JUST 897 00:27:58,676 --> 00:28:01,646 BECAUSE WE LIVE A TOTALLY 898 00:28:01,713 --> 00:28:02,247 DIFFERENT LIFESTYLE THAT WE'RE 899 00:28:02,313 --> 00:28:02,580 PEOPLE TOO. 900 00:28:02,647 --> 00:28:03,281 >> Shangela: RIGHT. 901 00:28:03,348 --> 00:28:04,282 >> SHE ALWAYS BEEN THE STRONG 902 00:28:04,349 --> 00:28:05,150 ONE, I WAS THE ONE THAT WAS 903 00:28:05,216 --> 00:28:05,750 SCARED. 904 00:28:05,817 --> 00:28:08,987 >> CRY BABY. 905 00:28:09,054 --> 00:28:09,854 >> Shangela: I LOVE THAT YOU ALL 906 00:28:09,921 --> 00:28:10,488 GET TO DO THIS TOGETHER. 907 00:28:10,555 --> 00:28:11,222 >> I KNOW. 908 00:28:11,289 --> 00:28:11,990 >> I KNOW. 909 00:28:12,057 --> 00:28:12,991 >> IT'S A BLESSING. 910 00:28:13,058 --> 00:28:13,992 >> THIS IS SOME OF THE POSITIVE 911 00:28:14,059 --> 00:28:15,460 THAT WE'VE DONE TOGETHER, THAT 912 00:28:15,527 --> 00:28:21,699 WE'RE GONNA DO TOGETHER. 913 00:28:21,766 --> 00:28:24,135 ♪ ♪ 914 00:28:24,202 --> 00:28:24,736 >> Shangela: LET ME INTRODUCE 915 00:28:24,803 --> 00:28:25,804 YOU TO ALL THE DOLLS. 916 00:28:25,870 --> 00:28:27,705 ON HAIR WE HAVE THE LOVELY 917 00:28:27,772 --> 00:28:29,674 GLORIA, ON MAKEUP, LUSCIOUS, AND 918 00:28:29,741 --> 00:28:33,211 FASHION AND STYLING, DIEGO. 919 00:28:33,278 --> 00:28:34,045 >> HAVE YOU EVER DONE DRAG 920 00:28:34,112 --> 00:28:35,113 BEFORE? 921 00:28:35,180 --> 00:28:38,416 >> I HAVE NOT. 922 00:28:38,483 --> 00:28:38,983 >> YOU, HAVE YOU EVER PUT ON 923 00:28:39,050 --> 00:28:39,551 MAKEUP? 924 00:28:39,617 --> 00:28:39,884 >> [WHISPERS] 925 00:28:39,951 --> 00:28:42,587 OF COURSE. 926 00:28:42,654 --> 00:28:43,588 >> Bob: WE NORMALLY END UP DOING 927 00:28:43,655 --> 00:28:44,989 DRAG NAMES BUT IN MY OPINION 928 00:28:45,056 --> 00:28:46,157 THIS IS DEFINITELY THE CHANCE 929 00:28:46,224 --> 00:28:49,360 FOR THE WORLD TO BE LIKE, I AM 930 00:28:49,427 --> 00:28:51,162 AKEELAH, MY NAME IS AKEE-LAH. 931 00:28:51,229 --> 00:28:52,997 CAPITAL L. 932 00:28:53,064 --> 00:28:58,036 >> AKEE-LAH. 933 00:28:58,103 --> 00:28:59,704 ♪ ♪ 934 00:28:59,771 --> 00:29:00,438 >> Eureka: I LOVE A GOOD LITTLE 935 00:29:00,505 --> 00:29:01,906 TITTY MOMENT GIRL. 936 00:29:01,973 --> 00:29:03,208 LOOK AT YOU. 937 00:29:03,274 --> 00:29:03,942 WELL YOU'RE GONNA WEAR A PAIR 938 00:29:04,008 --> 00:29:05,143 TOO. 939 00:29:05,210 --> 00:29:06,111 >> I WANT MY BIG ANYHOW. 940 00:29:06,177 --> 00:29:07,212 >> Eureka: OKAY, GOOD. 941 00:29:07,278 --> 00:29:08,046 >> IF I WERE YOUNGER I'D GET 942 00:29:08,113 --> 00:29:09,514 THEM DONE. 943 00:29:09,581 --> 00:29:14,085 >> THEY FEEL GOOD. 944 00:29:14,152 --> 00:29:14,853 >> YOU'RE MAKING MY JOB VERY 945 00:29:14,919 --> 00:29:15,987 EASY BECAUSE YOU WEAR GIANT 946 00:29:16,054 --> 00:29:19,524 LASHES AND YOU'RE ALREADY 947 00:29:19,591 --> 00:29:19,791 STUNNING. 948 00:29:19,858 --> 00:29:20,425 ALL OF THE EYELID SPACE, ALL OF 949 00:29:20,492 --> 00:29:22,127 THE CHEEKS, LOVE THAT. 950 00:29:22,193 --> 00:29:24,162 >> Eureka: AND WE'RE ALL WEARING 951 00:29:24,229 --> 00:29:24,762 YELLOW CUZ KE'AIRA'S FAVORITE 952 00:29:24,829 --> 00:29:25,563 COLOR WAS YELLOW. 953 00:29:25,630 --> 00:29:27,332 >> I LOVE IT. 954 00:29:27,398 --> 00:29:27,966 >> Shangela: LET ME SEE, THROW 955 00:29:28,032 --> 00:29:31,002 IT A LITTLE BIT. 956 00:29:31,069 --> 00:29:32,403 OOH! 957 00:29:32,470 --> 00:29:33,004 I THINK SOMEBODY'S FEELING IT 958 00:29:33,071 --> 00:29:33,471 GIRL. 959 00:29:33,538 --> 00:29:34,572 >> YES. 960 00:29:34,639 --> 00:29:37,408 >> Bob: ARE YOU ONE OF THOSE 961 00:29:37,475 --> 00:29:40,044 THAT, 962 00:29:40,111 --> 00:29:40,645 OKAY, I'LL KEEP THAT IN MIND 963 00:29:40,712 --> 00:29:41,146 WHEN DOING HAIR. 964 00:29:41,212 --> 00:29:46,117 >> I WILL BE PRAYING. 965 00:29:46,184 --> 00:29:46,784 >> Eureka: HOW DO YOU FEEL ABOUT 966 00:29:46,851 --> 00:29:47,852 THE COLOR? 967 00:29:47,919 --> 00:29:49,687 >> DO YOU LIKE THIS COLOR? 968 00:29:49,754 --> 00:29:51,923 >> Eureka: I DON'T CARE; I DON'T 969 00:29:51,990 --> 00:29:52,557 CARE ABOUT ALKERIOUS' OPINION I 970 00:29:52,624 --> 00:29:54,559 CARE ABOUT YOUR OPINION. 971 00:29:54,626 --> 00:29:56,661 WE HAVE LIKE A REDDER MOMENT. 972 00:29:56,728 --> 00:29:57,996 DO YOU WANT TO TRY IT? 973 00:29:58,062 --> 00:29:59,597 >> THAT'S FINE. 974 00:29:59,664 --> 00:30:00,765 >> Eureka: DO YOU LIKE IT? 975 00:30:00,832 --> 00:30:02,133 >> I LIKE WHATEVER. 976 00:30:02,200 --> 00:30:04,102 >> Eureka: IT SEEMS LIKE YOU'RE 977 00:30:04,169 --> 00:30:05,503 VERY QUICK TO LET OTHER PEOPLE 978 00:30:05,570 --> 00:30:08,006 MAKE THE DECISION. 979 00:30:08,072 --> 00:30:08,573 I WANT TO KNOW WHAT YOU ARE 980 00:30:08,640 --> 00:30:09,607 COMFORTABLE IN. 981 00:30:09,674 --> 00:30:11,209 IF YOU WANT A DARKER WIG THAN 982 00:30:11,276 --> 00:30:11,876 MAMA, WE'LL GET YOU A DARKER 983 00:30:11,943 --> 00:30:12,644 WIG. 984 00:30:12,710 --> 00:30:14,412 >> WELL CAN I GET A DARKER WIG? 985 00:30:14,479 --> 00:30:15,246 >> OH, MAMA! 986 00:30:15,313 --> 00:30:15,847 >> Eureka: SEE, THAT'S WHAT I 987 00:30:15,914 --> 00:30:16,681 WANT TO HEAR MAMA, IS WHAT YOU 988 00:30:16,748 --> 00:30:18,516 WANT. 989 00:30:18,583 --> 00:30:20,652 MAMA, THIS IS ABOUT YOU. 990 00:30:20,718 --> 00:30:30,094 SO SHE NEEDS A DARKER WIG. 991 00:30:30,161 --> 00:30:31,863 >> I HAVE CHOSEN TO MAKE SELMA 992 00:30:31,930 --> 00:30:34,832 MY HOME AND I LOVE IT, I 993 00:30:34,899 --> 00:30:35,800 WOULDN'T CHANGE IT FOR ANYTHING 994 00:30:35,867 --> 00:30:37,969 IN THE WORLD. 995 00:30:38,036 --> 00:30:38,937 BUT WHEN YOU HAVE PEOPLE JUDGING 996 00:30:39,003 --> 00:30:39,971 YOU IT'S KIND OF HARD TO BE 997 00:30:40,038 --> 00:30:41,906 YOURSELF, SO SELMA DOES NEED 998 00:30:41,973 --> 00:30:46,778 CHANGE. 999 00:30:46,844 --> 00:30:48,446 >> I FEEL LIKE SELMA HAS A LOT 1000 00:30:48,513 --> 00:30:50,481 OF WORK TO DO. 1001 00:30:50,548 --> 00:30:52,750 KE'AIRA'S DEATH, IT HAUNTS ME 1002 00:30:52,817 --> 00:30:54,719 STILL. 1003 00:30:54,786 --> 00:30:58,056 WE ACCEPT KINDS OVER GAYS, IT 1004 00:30:58,122 --> 00:31:01,626 DOESN'T MAKE SENSE TO ME. 1005 00:31:01,693 --> 00:31:03,161 >> IT'S SO MANY PEOPLE HERE IN 1006 00:31:03,228 --> 00:31:06,264 SELMA THAT STILL SCARED. 1007 00:31:06,331 --> 00:31:07,198 WE'RE FACED WITH CHALLENGES 1008 00:31:07,265 --> 00:31:09,167 EVERY DAY; I'M FACED WITH A 1009 00:31:09,234 --> 00:31:12,103 CHALLENGE EVERY SINGLE DAY. 1010 00:31:12,170 --> 00:31:16,841 SELMA DON'T HAVE ACCEPTANCE. 1011 00:31:16,908 --> 00:31:29,153 I PRAY THAT SOMEDAY IT COMES. 1012 00:31:29,220 --> 00:31:32,790 >> Eureka: CENTER FOR HUMANITY. 1013 00:31:32,857 --> 00:31:33,791 >> Shangela: THE CITY OF SELMA 1014 00:31:33,858 --> 00:31:35,159 PLAYED A HUGE PART IN OUR CIVIL 1015 00:31:35,226 --> 00:31:36,694 RIGHTS MOVEMENT. 1016 00:31:36,761 --> 00:31:38,329 >> WELCOME, THANK YOU FOR COMING 1017 00:31:38,396 --> 00:31:39,464 TO BY THE RIVER CENTER FOR 1018 00:31:39,530 --> 00:31:41,399 HUMANITY. 1019 00:31:41,466 --> 00:31:42,233 >> Shangela: HI, I'M DJ OR 1020 00:31:42,300 --> 00:31:43,501 SHANGELA. 1021 00:31:43,568 --> 00:31:44,269 >> HI. 1022 00:31:44,335 --> 00:31:46,337 >> Bob: I REALLY WANT TO BE A 1023 00:31:46,404 --> 00:31:47,739 PART OF SOMETHING AS ACTIVELY 1024 00:31:47,805 --> 00:31:50,174 GIVING BACK TO SELMA. 1025 00:31:50,241 --> 00:31:50,842 HI. 1026 00:31:50,908 --> 00:31:52,543 >> Shangela: OOH! 1027 00:31:52,610 --> 00:31:53,177 >> Bob: SO AS A BLACK QUEER 1028 00:31:53,244 --> 00:31:55,580 PERSON TO MEET THE FOOT SOLDIERS 1029 00:31:55,647 --> 00:31:57,982 FROM BLOODY SUNDAY IT, IT JUST 1030 00:31:58,049 --> 00:31:58,616 FEELS LIKE A SIGNIFICANT MOMENT 1031 00:31:58,683 --> 00:32:00,952 IN MY LIFE. 1032 00:32:01,019 --> 00:32:01,853 A LOT OF PEOPLE HAVE WATCHED THE 1033 00:32:01,919 --> 00:32:02,654 MOVIES ABOUT WHAT'S HAPPENED 1034 00:32:02,720 --> 00:32:03,588 HERE, READ THE BOOKS ABOUT 1035 00:32:03,655 --> 00:32:05,657 WHAT'S HAPPENED HERE, THE 1036 00:32:05,723 --> 00:32:06,457 SPEECHES, AND I'M DEFINITELY 1037 00:32:06,524 --> 00:32:07,659 INTERESTED IN HEARING YOUR 1038 00:32:07,725 --> 00:32:09,694 EXPERIENCE ABOUT WHAT IT MEANS 1039 00:32:09,761 --> 00:32:11,729 TO BE A CHILD OF SELMA. 1040 00:32:11,796 --> 00:32:12,730 >> Shangela: AND WE LIKE TO KNOW 1041 00:32:12,797 --> 00:32:13,898 ABOUT THE CITY AND THE HISTORY 1042 00:32:13,965 --> 00:32:16,334 OF THE CITIES THAT WE GO INTO SO 1043 00:32:16,401 --> 00:32:20,605 THAT WE ARE LEARNING. 1044 00:32:20,672 --> 00:32:21,239 >> I DON'T KNOW ANOTHER CITY I 1045 00:32:21,306 --> 00:32:22,740 WOULD RATHER LIVE IN. 1046 00:32:22,807 --> 00:32:24,609 BUT THE WAY SHE'S LOOKING NOW 1047 00:32:24,676 --> 00:32:26,778 SADDENS US BECAUSE SHE IS A 1048 00:32:26,844 --> 00:32:28,579 GLORIOUS CITY AND SHE GAVE THE 1049 00:32:28,646 --> 00:32:32,950 WORLD SO MUCH. 1050 00:32:33,017 --> 00:32:35,153 WE ALL GREW UP WITHIN TWO BLOCKS 1051 00:32:35,219 --> 00:32:37,322 OF EACH OTHER. 1052 00:32:37,388 --> 00:32:38,690 THE STUDENTS HAD STARTED 1053 00:32:38,756 --> 00:32:41,926 MARCHING. 1054 00:32:41,993 --> 00:32:42,560 >> MY GRANDMOTHER WOULD TAKE US 1055 00:32:42,627 --> 00:32:45,330 TO THE MEETINGS. 1056 00:32:45,396 --> 00:32:45,963 >> WE WOULD JUST SIT THERE 1057 00:32:46,030 --> 00:32:47,532 WAITING FOR DOCTOR KING TO COME 1058 00:32:47,598 --> 00:32:49,534 IN THE CHURCH AND WE HUNG ON HIS 1059 00:32:49,600 --> 00:32:52,470 EVERY WORD. 1060 00:32:52,537 --> 00:32:53,171 >> YES. 1061 00:32:53,237 --> 00:32:55,073 AND EVEN AT THIRTEEN YEARS OLD I 1062 00:32:55,139 --> 00:32:57,942 FELT THAT THIS MAN WAS TALKING 1063 00:32:58,009 --> 00:32:59,811 TO ME. 1064 00:32:59,877 --> 00:33:01,479 AND HE SAID THAT YOU COULD GET 1065 00:33:01,546 --> 00:33:03,214 ANYBODY TO DO ANYTHING WITH 1066 00:33:03,281 --> 00:33:06,050 STEADY LOVING CONFRONTATION. 1067 00:33:06,117 --> 00:33:15,159 THAT'S WHY I WAS ON THAT BRIDGE 1068 00:33:15,226 --> 00:33:18,162 ON MARCH 7TH, 1965. 1069 00:33:18,229 --> 00:33:18,796 I RECEIVED THIRTY-FIVE STITCHES 1070 00:33:18,863 --> 00:33:21,199 ON THAT BRIDGE THAT DAY. 1071 00:33:21,265 --> 00:33:24,969 THIS SHERIFF'S DEPUTY HIT ME. 1072 00:33:25,036 --> 00:33:28,906 AFTER THIS MAN HAD HIT ME AND 1073 00:33:28,973 --> 00:33:29,640 PUSHED ME I WAS ABLE TO GET UP 1074 00:33:29,707 --> 00:33:30,808 AND RUN INTO A CLOUD OF TEAR 1075 00:33:30,875 --> 00:33:33,878 GAS. 1076 00:33:33,945 --> 00:33:35,246 I ACTUALLY FELL, THE STATE 1077 00:33:35,313 --> 00:33:37,148 TROOPER KICKED ME AND HE KICKED 1078 00:33:37,215 --> 00:33:41,986 ME SO HARD I CAME UP OFF THE 1079 00:33:42,053 --> 00:33:45,223 GROUND. 1080 00:33:45,289 --> 00:33:46,023 AND THEN ANOTHER SHERIFF'S 1081 00:33:46,090 --> 00:33:47,692 DEPUTY HIT ME AND I GUESS THAT'S 1082 00:33:47,759 --> 00:33:50,294 WHEN I PASSED OUT. 1083 00:33:50,361 --> 00:33:52,830 I SAW ALL THAT HATRED THAT 1084 00:33:52,897 --> 00:33:55,466 KILLED ALL THOSE PEOPLE AND 1085 00:33:55,533 --> 00:33:56,934 THAT'S GONNA CONTINUE TO KILL 1086 00:33:57,001 --> 00:34:02,673 PEOPLE. 1087 00:34:02,740 --> 00:34:05,209 AMAD AUBREY, ERIC GARNER. 1088 00:34:05,276 --> 00:34:06,544 >> Bob: JOYCE FLOYD, EVERYONE. 1089 00:34:06,611 --> 00:34:11,449 GEORGE FLOYD. 1090 00:34:11,516 --> 00:34:12,083 I MEAN I CRY NOW ALL THE TIME 1091 00:34:12,150 --> 00:34:13,017 JUST TELLING THE STORY BE, BUT 1092 00:34:13,084 --> 00:34:15,019 YOU ALL DON'T KNOW WHAT A 1093 00:34:15,086 --> 00:34:16,087 RELEASE IT IS WHEN IT'S COMING 1094 00:34:16,154 --> 00:34:17,822 OUT. 1095 00:34:17,889 --> 00:34:19,157 >> Bob: I THINK THAT IN THE 1096 00:34:19,223 --> 00:34:21,426 BLACK COMMUNITY WE HAVE NOT AS A 1097 00:34:21,492 --> 00:34:22,360 COMMUNITY BEEN TAUGHT HOW TO 1098 00:34:22,427 --> 00:34:25,096 DEAL WITH OUR TRAUMA AND WE, AND 1099 00:34:25,163 --> 00:34:26,764 THEN WE END UP WITH WHAT FEELS 1100 00:34:26,831 --> 00:34:28,933 LIKE SURVIVOR'S REMORSE BECAUSE 1101 00:34:29,000 --> 00:34:30,268 YOU DIDN'T GET HIT ON THE 1102 00:34:30,334 --> 00:34:34,572 BRIDGE. 1103 00:34:34,639 --> 00:34:35,473 >> Bob: KNOWING WHAT MY 1104 00:34:35,540 --> 00:34:37,308 ANCESTORS PROCESSED SO THAT I 1105 00:34:37,375 --> 00:34:40,945 COULD SIT HERE. 1106 00:34:41,012 --> 00:34:51,022 >> BREATHE BABY, BREATHE. 1107 00:34:51,088 --> 00:34:51,556 >> Bob: I'M FROM ALABAMA, 1108 00:34:51,622 --> 00:34:52,857 MISSISSIPPI AND GEORGIA SO I'M 1109 00:34:52,924 --> 00:34:54,425 THE DIRECT DESCENDANT OF SLAVES, 1110 00:34:54,492 --> 00:34:56,327 MY GRANDMA'S GRANDMA WAS A SLAVE 1111 00:34:56,394 --> 00:35:02,567 SO WHAT THEY HAD TO PROCESS SO 1112 00:35:02,633 --> 00:35:03,668 THAT I COULD SIT HERE, 1113 00:35:03,734 --> 00:35:12,176 ON THIS COUCH. 1114 00:35:12,243 --> 00:35:13,845 IF YOU FEEL, AND YOU FEEL BAD 1115 00:35:13,911 --> 00:35:19,617 BECAUSE IT DIDN'T HAPPEN TO YOU. 1116 00:35:19,684 --> 00:35:22,553 AND I DON'T EVEN KNOW HOW TO, I 1117 00:35:22,620 --> 00:35:32,263 DON'T KNOW HOW TO PROCESS IT. 1118 00:35:32,330 --> 00:35:33,631 >> YOU KNOW WHAT, YOU'RE WHO YOU 1119 00:35:33,698 --> 00:35:36,767 ARE BECAUSE OF THEM. 1120 00:35:36,834 --> 00:35:37,301 >> YES. 1121 00:35:37,368 --> 00:35:38,202 >> I DON'T WANT YOU TO CRY FOR 1122 00:35:38,269 --> 00:35:39,170 WHERE THEY'VE BEEN OR WHERE 1123 00:35:39,237 --> 00:35:41,205 WE'VE BEEN. 1124 00:35:41,272 --> 00:35:42,807 I NEED YOU TO TAKE THAT 1125 00:35:42,874 --> 00:35:44,408 STRENGTH, CELEBRATE THAT YOU'RE 1126 00:35:44,475 --> 00:35:49,146 A SURVIVOR. 1127 00:35:49,213 --> 00:35:52,116 >> BUT YOU ALL RIGHT, BABY. 1128 00:35:52,183 --> 00:35:55,253 >> YOU ARE THE PRODUCT OF SOME 1129 00:35:55,319 --> 00:36:00,258 STRONG-ASS PEOPLE. 1130 00:36:00,324 --> 00:36:00,992 >> Shangela: YOU GOT MISS JOYCE 1131 00:36:01,058 --> 00:36:03,961 TALKING OVER THERE. 1132 00:36:04,028 --> 00:36:05,630 >> CELEBRATE WHO YOU ARE. 1133 00:36:05,696 --> 00:36:07,632 AND IT'S STARTS WITH NOT LETTING 1134 00:36:07,698 --> 00:36:08,799 ANYBODY ELSE DEFINE YOU. 1135 00:36:08,866 --> 00:36:10,535 >> THAT'S RIGHT. 1136 00:36:10,601 --> 00:36:11,669 >> AND THERE'S SOMETHING ABOUT 1137 00:36:11,736 --> 00:36:12,770 WHEN YOU KNOW WHO YOU ARE AND 1138 00:36:12,837 --> 00:36:14,372 YOU DECIDE TO SHOW UP IN ALL 1139 00:36:14,438 --> 00:36:16,507 YOUR GLORY AND YOUR GRACE AND 1140 00:36:16,574 --> 00:36:18,109 YOUR GREATNESS IT CHANGES 1141 00:36:18,175 --> 00:36:19,043 PEOPLE. 1142 00:36:19,110 --> 00:36:22,113 >> YES. 1143 00:36:22,179 --> 00:36:22,780 >> AND I'M DELIGHTED THAT YOU 1144 00:36:22,847 --> 00:36:26,918 GUYS ARE HERE AND IN MY 1145 00:36:26,984 --> 00:36:28,786 EXPERIENCE, THE LESBIAN AND GAY 1146 00:36:28,853 --> 00:36:30,955 COMMUNITY WAS HIDDEN. 1147 00:36:31,022 --> 00:36:32,256 I BELIEVE SOCIAL MOVEMENTS ARE 1148 00:36:32,323 --> 00:36:34,492 LIKE JIGSAW PUZZLES, EVERYBODY 1149 00:36:34,559 --> 00:36:37,528 IS A PIECE, IF YOUR PIECE IS 1150 00:36:37,595 --> 00:36:38,062 MISSING, THE PICTURE'S NOT 1151 00:36:38,129 --> 00:36:46,571 COMPLETE. 1152 00:36:46,637 --> 00:36:47,171 >> Bob: THE BLACK STRUGGLE IS 1153 00:36:47,238 --> 00:36:49,073 THE QUEER STRUGGLE. 1154 00:36:49,140 --> 00:36:50,808 RACISM, BIGOTRY, HOMOPHOBIA, 1155 00:36:50,875 --> 00:37:00,518 TRANS-PHOBIA, NO ONE WINS. 1156 00:37:00,585 --> 00:37:04,322 ♪ ♪ 1157 00:37:04,388 --> 00:37:05,556 >> Shangela: JOSEPH HAS TOLD ME 1158 00:37:05,623 --> 00:37:09,360 THAT HE REALLY DOES NOT DANCE 1159 00:37:09,427 --> 00:37:10,094 RIGHT, JOSEPH? 1160 00:37:10,161 --> 00:37:10,828 >> I DON'T, NOT MUCH. 1161 00:37:10,895 --> 00:37:11,462 >> Shangela: SO WE GONNA MAKE IT 1162 00:37:11,529 --> 00:37:12,229 WORK OKAY. 1163 00:37:12,296 --> 00:37:12,797 >> WE'LL MAKE IT WORK, WE'RE 1164 00:37:12,863 --> 00:37:13,297 GONNA MAKE IT WORK. 1165 00:37:13,364 --> 00:37:13,898 >> Shangela: ALL RIGHT, SO NOW 1166 00:37:13,965 --> 00:37:14,332 IT'S GO TIME, BITCH. 1167 00:37:14,398 --> 00:37:14,832 >> LET'S GO BITCH. 1168 00:37:14,899 --> 00:37:15,232 >> Shangela: OKAY. 1169 00:37:15,299 --> 00:37:18,436 ALL RIGHT. 1170 00:37:18,502 --> 00:37:19,403 ♪ ♪ 1171 00:37:19,470 --> 00:37:20,671 >> FIVE, SIX, SEVEN. 1172 00:37:20,738 --> 00:37:21,372 YEAH. 1173 00:37:21,439 --> 00:37:22,006 >> Shangela: OH LORD, THANK YOU 1174 00:37:22,073 --> 00:37:23,641 JESUS SHE HAS COORDINATION. 1175 00:37:23,708 --> 00:37:25,443 HALLEYLOO. 1176 00:37:25,509 --> 00:37:31,382 >> WORK THE STAGE. 1177 00:37:31,449 --> 00:37:32,350 ♪ ♪ 1178 00:37:32,416 --> 00:37:34,051 >> Shangela: THE GREEN LINES ARE 1179 00:37:34,118 --> 00:37:35,252 THE STAGE; YOU GO BEYOND THE 1180 00:37:35,319 --> 00:37:35,886 GREEN LINES YOU'RE IN THE DIRT. 1181 00:37:35,953 --> 00:37:36,587 >> I'M ON THE FLOOR. 1182 00:37:36,654 --> 00:37:37,955 >> Shangela: OKAY? 1183 00:37:38,022 --> 00:37:40,558 ALL RIGHT. 1184 00:37:40,625 --> 00:37:41,626 >> Bob: NOW YOU GOT TO STILL LIP 1185 00:37:41,692 --> 00:37:42,760 SYNC WHILE DOING THAT. 1186 00:37:42,827 --> 00:37:43,995 >> YES. 1187 00:37:44,061 --> 00:37:50,668 >> Bob: YOU GOT TO, YOU GOT TO 1188 00:37:50,735 --> 00:37:51,035 STILL, - 1189 00:37:51,102 --> 00:37:51,502 >> NUM, NUM, NUM, NUM. 1190 00:37:51,569 --> 00:37:52,336 >> Bob: ARTICULATE. 1191 00:37:52,403 --> 00:37:53,437 >> YES, LET'S TRY IT ONCE MORE. 1192 00:37:53,504 --> 00:37:53,704 LIP SYNC. 1193 00:37:53,771 --> 00:37:55,239 >> OKAY. 1194 00:37:55,306 --> 00:37:56,407 >> I SAY WE DO THAT ONCE MORE 1195 00:37:56,474 --> 00:37:57,141 AND TRY NOT TO LOOK DOWN SO 1196 00:37:57,208 --> 00:37:57,708 MUCH, YOU KNOW. 1197 00:37:57,775 --> 00:37:58,643 >> I'M SORRY. 1198 00:37:58,709 --> 00:37:59,677 >> YEAH, NO DON'T BE. 1199 00:37:59,744 --> 00:38:02,013 >> Eureka: MAMA, YOU GOT THIS 1200 00:38:02,079 --> 00:38:02,647 TRUST ME. 1201 00:38:02,713 --> 00:38:03,147 >> I'M GONNA HAVE THIS. 1202 00:38:03,214 --> 00:38:04,515 >> Eureka: OH, I KNOW. 1203 00:38:04,582 --> 00:38:06,083 >> BY WEDNESDAY, YOU GUYS ARE 1204 00:38:06,150 --> 00:38:07,718 GONNA BE LIKE OH, JUST DID IT. 1205 00:38:07,785 --> 00:38:09,253 >> Eureka: OKAY. 1206 00:38:09,320 --> 00:38:28,506 ♪ ♪ 1207 00:38:28,572 --> 00:38:32,743 ♪ ♪ 1208 00:38:32,810 --> 00:38:33,944 >> JESUS. 1209 00:38:34,011 --> 00:38:34,712 >> Shangela: THIS IS A 1210 00:38:34,779 --> 00:38:35,680 PERFORMANCE, YOU ARE 1211 00:38:35,746 --> 00:38:36,847 REPRESENTING SOMETHING BIG, 1212 00:38:36,914 --> 00:38:37,148 OKAY. 1213 00:38:37,214 --> 00:38:38,082 >> OKAY. 1214 00:38:38,149 --> 00:38:39,083 >> Shangela: AND THESE PEOPLE 1215 00:38:39,150 --> 00:38:39,717 OUT HERE, THEY'RE ACTUALLY HERE 1216 00:38:39,784 --> 00:38:41,385 TO LOVE YOU. 1217 00:38:41,452 --> 00:38:43,120 WHO'S COMING? 1218 00:38:43,187 --> 00:38:43,688 >> SEVERAL OTHER FRIENDS AND 1219 00:38:43,754 --> 00:38:45,056 FAMILY. 1220 00:38:45,122 --> 00:38:45,656 I DON'T KNOW. 1221 00:38:45,723 --> 00:38:46,257 >> Shangela: AND FAMILY? 1222 00:38:46,323 --> 00:38:47,391 >> I DON'T KNOW WHO'S COMING. 1223 00:38:47,458 --> 00:38:49,060 >> Shangela: WHO'D YOU INVITE. 1224 00:38:49,126 --> 00:38:49,393 >> [WHISPERS] 1225 00:38:49,460 --> 00:38:49,760 MY MOTHER. 1226 00:38:49,827 --> 00:38:50,261 >> Shangela: YOU DID? 1227 00:38:50,327 --> 00:38:50,561 >> YES. 1228 00:38:50,628 --> 00:38:51,028 >> Shangela: TELL ME. 1229 00:38:51,095 --> 00:38:52,296 TELL ME. 1230 00:38:52,363 --> 00:38:53,831 WE HAD THIS WHOLE CONVERSATION 1231 00:38:53,898 --> 00:38:54,465 HE WAS SO NERVOUS ABOUT TELLING 1232 00:38:54,532 --> 00:38:55,132 HIS MOTHER. 1233 00:38:55,199 --> 00:38:55,800 HOW DID YOU TELL HER? 1234 00:38:55,866 --> 00:38:56,867 WHAT'D YOU SAY? 1235 00:38:56,934 --> 00:38:58,969 >> I JUST SAID IT'S A DRAG SHOW 1236 00:38:59,036 --> 00:39:03,107 AND I WANT YOU TO COME AND SHE 1237 00:39:03,174 --> 00:39:05,710 WAS LIKE OKAY, WELL, 1238 00:39:05,776 --> 00:39:06,377 >> DOES SHE KNOW YOU'RE GONNA BE 1239 00:39:06,444 --> 00:39:06,610 IN DRAG? 1240 00:39:06,677 --> 00:39:07,078 >> Shangela: SHE DOES. 1241 00:39:07,144 --> 00:39:07,745 >> WELL IF SHE, SHE WOULD ASSUME 1242 00:39:07,812 --> 00:39:08,512 IF I'M THERE. 1243 00:39:08,579 --> 00:39:09,080 >> Shangela: YOU DIDN'T TELL 1244 00:39:09,146 --> 00:39:09,613 HER? 1245 00:39:09,680 --> 00:39:10,247 >> YOU DIDN'T TELL HER, YEAH. 1246 00:39:10,314 --> 00:39:11,182 >> I SAID IT WAS A DRAG SHOW. 1247 00:39:11,248 --> 00:39:12,917 >> Shangela: YOU OH, WELL, YOU 1248 00:39:12,983 --> 00:39:13,551 KNOW WHAT IF SHE COMES SHE'S IN 1249 00:39:13,617 --> 00:39:14,452 FOR A WONDERFUL SURPRISE. 1250 00:39:14,518 --> 00:39:15,152 >> SHE TOLD ME SHE DIDN'T WANT A 1251 00:39:15,219 --> 00:39:15,853 SURPRISE BUT SHE'S GONNA GET 1252 00:39:15,920 --> 00:39:16,220 ONE. 1253 00:39:16,287 --> 00:39:17,888 >> Shangela: HEY. 1254 00:39:17,955 --> 00:39:19,423 HAH, SHADDA BADDA, ALL RIGHT. 1255 00:39:19,490 --> 00:39:26,197 I BELIEVE IN YOU BITCH. 1256 00:39:26,263 --> 00:39:28,866 >> SO, WHERE WE GOING IS THE 1257 00:39:28,933 --> 00:39:29,867 KNIGHTS IN ORCHIDS. 1258 00:39:29,934 --> 00:39:31,368 NOW I WAS PROBABLY I THINK LIKE 1259 00:39:31,435 --> 00:39:35,973 A YEAR IN MAYBE AND I COME 1260 00:39:36,040 --> 00:39:36,941 ACROSS SOME COMING DOWNTOWN YOU 1261 00:39:37,007 --> 00:39:38,008 KNOW JUST THE REGULAR DAY IN 1262 00:39:38,075 --> 00:39:39,343 SELMA AND I SEE THE RAINBOW 1263 00:39:39,410 --> 00:39:40,878 FLAG, I'M LIKE RAINBOW. 1264 00:39:40,945 --> 00:39:44,482 SO I WALK IN AND I SEE QUE AND 1265 00:39:44,548 --> 00:39:45,416 THAT IS LIKE THE FIRST TRANS MAN 1266 00:39:45,483 --> 00:39:51,922 I HAVE EVER SAW. 1267 00:39:51,989 --> 00:39:52,556 >> KEELAH, LOOK AT YOU, I LOVE 1268 00:39:52,623 --> 00:39:52,757 IT. 1269 00:39:52,823 --> 00:39:54,158 >> I MISS YOU SO MUCH. 1270 00:39:54,225 --> 00:39:55,593 OH, MY GOODNESS. 1271 00:39:55,659 --> 00:39:56,761 >> I REMEMBER STARTING TOGETHER. 1272 00:39:56,827 --> 00:40:01,065 >> YES. 1273 00:40:01,132 --> 00:40:01,632 >> OH MY GOODNESS. 1274 00:40:01,699 --> 00:40:02,266 >> WHEN THIS WAS A DREAM. 1275 00:40:02,333 --> 00:40:02,867 >> A DREAM. 1276 00:40:02,933 --> 00:40:03,667 >> WE RECENTLY BECAME THE 1277 00:40:03,734 --> 00:40:05,102 STATE'S ONLY TRANS LED STD, SCI 1278 00:40:05,169 --> 00:40:05,770 CLINIC. 1279 00:40:05,836 --> 00:40:07,271 WE GOT TO THIS POINT BY HELPING 1280 00:40:07,338 --> 00:40:08,706 OUR PEOPLE. 1281 00:40:08,773 --> 00:40:09,673 LIKE WE LITERALLY FOUND EACH 1282 00:40:09,740 --> 00:40:10,908 OTHER IN SELMA OF ALL PLACES. 1283 00:40:10,975 --> 00:40:11,709 >> IN SELMA, I COULDN'T BELIEVE 1284 00:40:11,776 --> 00:40:12,810 IT. 1285 00:40:12,877 --> 00:40:15,012 >> I NEEDED TO BE VISIBLE HERE 1286 00:40:15,079 --> 00:40:15,579 BECAUSE I DIDN'T HAVE A ROLE 1287 00:40:15,646 --> 00:40:17,448 MODEL GROWING UP, UM, THERE WERE 1288 00:40:17,515 --> 00:40:18,516 NO TRANS MEN IN SELMA WHEN I WAS 1289 00:40:18,582 --> 00:40:21,385 GROWING UP SO I OWED IT TO MY 1290 00:40:21,452 --> 00:40:22,019 CITY AND TO MY PEOPLE HERE TO BE 1291 00:40:22,086 --> 00:40:24,088 VISIBLE. 1292 00:40:24,155 --> 00:40:25,089 MY DEFINING MOMENT WAS STANDING 1293 00:40:25,156 --> 00:40:26,457 ON THE BRIDGE AND THINKING THE 1294 00:40:26,524 --> 00:40:27,792 ENTIRE CIVIL RIGHTS MOVEMENT 1295 00:40:27,858 --> 00:40:29,193 HAPPENED HERE BUT TO UNDERSTAND 1296 00:40:29,260 --> 00:40:34,832 THIS IS THE SECOND LEG OF THE 1297 00:40:34,899 --> 00:40:35,466 CIVIL RIGHTS MOVEMENT SO IF YOU 1298 00:40:35,533 --> 00:40:36,066 SEE THAT FLAG AND YOU'RE FROM 1299 00:40:36,133 --> 00:40:36,700 THE COMMUNITY YOU KNOW THAT IT'S 1300 00:40:36,767 --> 00:40:37,334 A SAFE HAVEN, YOU KNOW WHAT IT 1301 00:40:37,401 --> 00:40:38,302 IS. 1302 00:40:38,369 --> 00:40:39,136 >> Bob: I DON'T KNOW IF I TOLD 1303 00:40:39,203 --> 00:40:41,305 YOU ALL THAT WE'RE, THIS, THIS 1304 00:40:41,372 --> 00:40:41,939 SHOW WE'RE DOING IS GONNA BE ON 1305 00:40:42,006 --> 00:40:47,344 TAKE A RIGHT DOWN BY THE UM, 1306 00:40:47,411 --> 00:40:47,845 >> THE ART, ART GALLERY. 1307 00:40:47,912 --> 00:40:48,179 >> Bob: YES. 1308 00:40:48,245 --> 00:40:51,849 >> LOOK AT YOU. 1309 00:40:51,916 --> 00:40:52,650 I KNEW IT. 1310 00:40:52,716 --> 00:40:53,350 >> Bob: IF YOU ALL COULD MAKE 1311 00:40:53,417 --> 00:40:53,818 IT. 1312 00:40:53,884 --> 00:40:54,285 >> YOU LIVING OUT LOUD. 1313 00:40:54,351 --> 00:40:54,919 >> Bob: LIVING OUT LOUD YOU ARE 1314 00:40:54,985 --> 00:40:55,820 OFFERING SAFETY TO SOMEONE ELSE. 1315 00:40:55,886 --> 00:40:56,620 >> CUZ I DON'T WANT NOBODY TO GO 1316 00:40:56,687 --> 00:40:58,088 THROUGH WHAT I WENT THROUGH. 1317 00:40:58,155 --> 00:40:59,690 >> I'M SO TIRED OF JUST BEING 1318 00:40:59,757 --> 00:41:02,726 SCARED LIKE, ENOUGH IS ENOUGH. 1319 00:41:02,793 --> 00:41:05,596 IT'S TIME TO DO THIS SO WHOEVER 1320 00:41:05,663 --> 00:41:06,931 GONNA DO SOMETHING TO ME, 1321 00:41:06,997 --> 00:41:09,667 THEY'LL HAVE TO GO THROUGH ME. 1322 00:41:09,733 --> 00:41:11,001 I GOT YOU, I GOT, YOU NEED ME TO 1323 00:41:11,068 --> 00:41:11,268 BE THERE? 1324 00:41:11,335 --> 00:41:12,303 >> YEAH. 1325 00:41:12,369 --> 00:41:13,871 >> OKAY. 1326 00:41:13,938 --> 00:41:20,845 I GOT YOU. 1327 00:41:20,911 --> 00:41:29,820 ♪ ♪ 1328 00:41:29,887 --> 00:41:32,423 >> Eureka: OOH, HEY DEBORAH. 1329 00:41:32,489 --> 00:41:34,525 HOW ARE YOU, GORGEOUS? 1330 00:41:34,592 --> 00:41:37,027 >> Shangela: OOOH! 1331 00:41:37,094 --> 00:41:40,164 BITCH, YOU ARE DUSTED. 1332 00:41:40,231 --> 00:41:42,666 ♪ ♪ 1333 00:41:42,733 --> 00:41:44,768 >> I FEEL LIKE AN ILLUSION. 1334 00:41:44,835 --> 00:41:46,070 >> Eureka: THAT'S GOOD THOUGH, 1335 00:41:46,136 --> 00:41:47,371 YOU LOOK GORGEOUS. 1336 00:41:47,438 --> 00:41:49,406 >> I HAVE NOT SLEPT, I SLEPT BUT 1337 00:41:49,473 --> 00:41:54,011 YOU KNOW I WAS DANCING IN MY 1338 00:41:54,078 --> 00:41:54,612 I'M IN LOVE. 1339 00:41:54,678 --> 00:41:55,045 >> Eureka: ARE YOU? 1340 00:41:55,112 --> 00:41:56,814 YOUR EYES ARE SO STUNNING. 1341 00:41:56,881 --> 00:42:06,423 YOU ARE GONNA BE A BARBIE DOLL. 1342 00:42:06,490 --> 00:42:07,191 ♪ ♪ 1343 00:42:07,258 --> 00:42:08,125 >> Shangela: YES, PATTY, YOU ALL 1344 00:42:08,192 --> 00:42:09,660 THAT. 1345 00:42:09,727 --> 00:42:10,160 >> YEAH, I CAN JUMP. 1346 00:42:10,227 --> 00:42:11,128 BUT I CAN JUMP IN THE BOOTS. 1347 00:42:11,195 --> 00:42:14,164 >> Shangela: NO YOU CAN'T BITCH. 1348 00:42:14,231 --> 00:42:14,899 >> SELMA IS NOT GONNA BE READY 1349 00:42:14,965 --> 00:42:15,799 FOR US, HONEY. 1350 00:42:15,866 --> 00:42:18,002 >> BABY NO. 1351 00:42:18,068 --> 00:42:18,636 >> THEY GONNA REMEMBER THIS FOR 1352 00:42:18,702 --> 00:42:20,838 THE REST OF THEIR LIFE. 1353 00:42:20,905 --> 00:42:21,672 >> BABY, I KNOW. 1354 00:42:21,739 --> 00:42:25,209 OOH, HOO. 1355 00:42:25,276 --> 00:42:26,710 >> Bob: I WANT TO GIVE AKEELAH 1356 00:42:26,777 --> 00:42:27,845 AN OPPORTUNITY TO TALK ABOUT 1357 00:42:27,912 --> 00:42:29,213 WHAT IT FEELS LIKE TO BE AKEELAH 1358 00:42:29,280 --> 00:42:30,681 IN THIS TOWN. 1359 00:42:30,748 --> 00:42:31,849 >> HOW ARE YOU FEELING? 1360 00:42:31,916 --> 00:42:36,954 >> SCARED. 1361 00:42:37,021 --> 00:42:37,788 >> Bob: BUT I HAVE NOT BEEN ABLE 1362 00:42:37,855 --> 00:42:38,923 TO STOP THINKING ABOUT WHAT IT 1363 00:42:38,989 --> 00:42:40,524 MEANS TO COME HERE AND EXPOSE 1364 00:42:40,591 --> 00:42:43,327 AKEELAH TO THIS TOWN. 1365 00:42:43,394 --> 00:42:46,163 BUT IT'S ALSO WHAT SHE WANTS. 1366 00:42:46,230 --> 00:42:47,564 SHE WANTS TO BE VISIBLE. 1367 00:42:47,631 --> 00:42:48,666 >> I'M NERVOUS, I'M NERVOUS, I'M 1368 00:42:48,732 --> 00:42:51,101 ABOUT TO PANIC. 1369 00:42:51,168 --> 00:42:52,937 >> Shangela: SIT DOWN. 1370 00:42:53,003 --> 00:42:54,805 BIG BREATH IN. 1371 00:42:54,872 --> 00:42:56,907 THROUGH THE NOSE. 1372 00:42:56,974 --> 00:42:58,409 THE BIGGEST THING THAT JOSEPH IS 1373 00:42:58,475 --> 00:43:02,913 UP AGAINST IS HAVING TO SAY TO 1374 00:43:02,980 --> 00:43:08,052 THE WHOLE WORLD, ESPECIALLY HIS 1375 00:43:08,118 --> 00:43:08,619 WORLD, THAT "I'M PROUD TO BE 1376 00:43:08,686 --> 00:43:10,321 GAY." 1377 00:43:10,387 --> 00:43:10,988 YOU ARE BLESSED TO BE HERE; THIS 1378 00:43:11,055 --> 00:43:11,588 IS ABOUT CELEBRATING YOU BEING 1379 00:43:11,655 --> 00:43:16,460 HERE. 1380 00:43:16,527 --> 00:43:17,027 YOU HAVE SURVIVED NEAR-DEATH 1381 00:43:17,094 --> 00:43:18,562 EXPERIENCES, SO TRUST ME, ONE 1382 00:43:18,629 --> 00:43:21,065 DRAG SHOW AIN'T TAKING YOU DOWN. 1383 00:43:21,131 --> 00:43:22,232 >> OKAY. 1384 00:43:22,299 --> 00:43:22,866 >> Shangela: ALL RIGHT, YOU ARE 1385 00:43:22,933 --> 00:43:24,101 A STAR AND TONIGHT YOU ARE MY 1386 00:43:24,168 --> 00:43:25,302 STAR. 1387 00:43:25,369 --> 00:43:27,338 >> OKAY. 1388 00:43:27,404 --> 00:43:29,006 >> Shangela: JOSEPH'S MOM IN IN 1389 00:43:29,073 --> 00:43:29,974 THE AUDIENCE AND SHE'S GONNA SEE 1390 00:43:30,040 --> 00:43:32,376 HER BABY STEP OUT ON THAT STAGE. 1391 00:43:32,443 --> 00:43:33,744 WE GOT TO SHOW THEM THAT THERE 1392 00:43:33,811 --> 00:43:35,079 ARE PEOPLE HERE IN SELMA THAT 1393 00:43:35,145 --> 00:43:37,614 ARE THRIVING AND THAT ARE GAY, 1394 00:43:37,681 --> 00:43:39,316 LET'S MAKE A BETTER TOMORROW 1395 00:43:39,383 --> 00:43:44,288 THAT'S WHY WE'RE HERE. 1396 00:43:44,355 --> 00:43:44,822 >> Eureka: HELLO, SELMA, 1397 00:43:44,888 --> 00:43:54,898 ALABAMA. 1398 00:43:54,965 --> 00:43:55,966 [CHEERS AND APPLAUSE] 1399 00:43:56,033 --> 00:44:04,541 ♪ ♪ 1400 00:44:04,608 --> 00:44:17,588 ♪ ♪ 1401 00:44:17,654 --> 00:44:24,495 ♪ ♪ 1402 00:44:24,561 --> 00:44:29,199 [CHEERS AND APPLAUSE] 1403 00:44:29,266 --> 00:44:42,813 ♪ ♪ 1404 00:44:42,880 --> 00:44:43,280 [CHEERS AND APPLAUSE] 1405 00:44:43,347 --> 00:44:44,314 ♪ ♪ 1406 00:44:44,381 --> 00:44:45,582 >> Bob: OH, OH, OH, OH, I'M 1407 00:44:45,649 --> 00:44:51,188 SORRY, Y'ALL, I'M SORRY. 1408 00:44:51,255 --> 00:44:51,789 CAN WE START THAT OVER, BACK 1409 00:44:51,855 --> 00:44:53,390 OVER, MY WIG, I'M SORRY THIS IS 1410 00:44:53,457 --> 00:44:59,530 EMBARRASSING, MY WIG FELL OFF, 1411 00:44:59,596 --> 00:45:07,938 ♪ ♪ 1412 00:45:08,005 --> 00:45:17,281 ♪ ♪ 1413 00:45:17,347 --> 00:45:32,796 ♪ ♪ 1414 00:45:32,863 --> 00:45:33,263 [CHEERS AND APPLAUSE] 1415 00:45:33,330 --> 00:45:47,044 ♪ ♪ 1416 00:45:47,111 --> 00:45:47,511 [CHEERS AND APPLAUSE] 1417 00:45:47,578 --> 00:46:08,365 ♪ ♪ 1418 00:46:08,432 --> 00:46:12,236 [CHEERS AND APPLAUSE] 1419 00:46:12,302 --> 00:46:14,138 >> Bob: I WOULD LIKE YOU ALL TO 1420 00:46:14,204 --> 00:46:18,275 GIVE A BIG ROUND OF APPLAUSE FOR 1421 00:46:18,342 --> 00:46:21,378 MY REAL LIFE NIECE, MISS NEVAEH. 1422 00:46:21,445 --> 00:46:21,845 [CHEERS AND APPLAUSE] 1423 00:46:21,912 --> 00:46:24,848 FOR THOSE OF YOU WHO DON'T KNOW 1424 00:46:24,915 --> 00:46:25,482 MY NAME IS BOB THE DRAG QUEEN, 1425 00:46:25,549 --> 00:46:29,686 HOW YOU ALL DOING TONIGHT. 1426 00:46:29,753 --> 00:46:30,220 [CHEERS AND APPLAUSE] 1427 00:46:30,287 --> 00:46:30,854 LISTEN WE ARE IN SELMA, ALABAMA; 1428 00:46:30,921 --> 00:46:31,655 THIS IS THE CORNERSTONE OF CIVIL 1429 00:46:31,722 --> 00:46:37,194 RIGHTS. 1430 00:46:37,261 --> 00:46:38,095 CIVIL RIGHTS ARE HUMAN RIGHTS, 1431 00:46:38,162 --> 00:46:42,466 AM I RIGHT? 1432 00:46:42,533 --> 00:46:43,000 DIDN'T HE SAY A THREAT TO 1433 00:46:43,066 --> 00:46:43,634 JUSTICE ANYWHERE IS A THREAT TO 1434 00:46:43,700 --> 00:46:51,208 JUSTICE EVERYWHERE? 1435 00:46:51,275 --> 00:46:53,177 >> WE BOTH SHINE DIFFERENCE; THE 1436 00:46:53,243 --> 00:46:55,679 QUEER COMMUNITY THEY LIVE FROM A 1437 00:46:55,746 --> 00:46:59,249 DISTANCE. 1438 00:46:59,316 --> 00:47:00,517 I'M LOOKING FORWARD TO THIS 1439 00:47:00,584 --> 00:47:04,087 BECAUSE I THINK THIS IS GOING TO 1440 00:47:04,154 --> 00:47:09,560 BE AN UPLIFT AND KE'AIRA'S GONNA 1441 00:47:09,626 --> 00:47:10,194 BE RIGHT HERE SIDE ME WHEN I DO 1442 00:47:10,260 --> 00:47:10,794 IT. 1443 00:47:10,861 --> 00:47:11,361 >> Shangela: GIVE IT UP FOR 1444 00:47:11,428 --> 00:47:14,698 FAMILY EUREKA. 1445 00:47:14,765 --> 00:47:21,071 [CHEERS AND APPLAUSE] 1446 00:47:21,138 --> 00:47:33,584 ♪ ♪ 1447 00:47:33,650 --> 00:47:52,603 ♪ ♪ 1448 00:47:52,669 --> 00:48:02,346 ♪ ♪ 1449 00:48:02,412 --> 00:48:05,849 [CHEERS AND APPLAUSE] 1450 00:48:05,916 --> 00:48:14,791 ♪ ♪ 1451 00:48:14,858 --> 00:48:15,259 [CHEERS AND APPLAUSE] 1452 00:48:15,325 --> 00:48:33,410 ♪ ♪ 1453 00:48:33,477 --> 00:48:33,877 [CHEERS AND APPLAUSE] 1454 00:48:33,944 --> 00:48:36,813 ♪ ♪ 1455 00:48:36,880 --> 00:48:39,416 [CHEERS AND APPLAUSE] 1456 00:48:39,483 --> 00:48:40,517 >> Eureka: I AM SO PROUD OF YOU 1457 00:48:40,584 --> 00:48:42,119 ALL, YOU HAVE NO IDEA. 1458 00:48:42,185 --> 00:48:44,121 IT WAS QUITE A ROLLER COASTER. 1459 00:48:44,187 --> 00:48:47,324 IT'S BEEN A VERY BEAUTIFUL STORY 1460 00:48:47,391 --> 00:48:48,925 AND KE'AIRA IS ACTUALLY HER 1461 00:48:48,992 --> 00:48:51,628 GRANDDAUGHTER AND HIS SISTER 1462 00:48:51,695 --> 00:48:53,463 THAT WAS TRAGICALLY MURDERED SO 1463 00:48:53,530 --> 00:48:57,134 THIS IS ACTUALLY DEDICATED TO 1464 00:48:57,200 --> 00:48:59,002 HER AND I JUST WANT TO GIVE THEM 1465 00:48:59,069 --> 00:49:00,237 A HUGE ROUND OF APPLAUSE TO 1466 00:49:00,304 --> 00:49:01,872 KE'AIRA. 1467 00:49:01,938 --> 00:49:02,906 IF THERE WAS ANYTHING THAT YOU 1468 00:49:02,973 --> 00:49:04,007 COULD SAY TO KE'AIRA WHAT WOULD 1469 00:49:04,074 --> 00:49:05,742 YOU SAY TODAY? 1470 00:49:05,809 --> 00:49:08,211 >> I STILL LOVE YOU AND MISS YOU 1471 00:49:08,278 --> 00:49:11,882 SO MUCH, YOU WILL BE MISSED BUT 1472 00:49:11,948 --> 00:49:12,749 YOU WILL BE FOREVER IN OUR 1473 00:49:12,816 --> 00:49:15,919 HEARTS. 1474 00:49:15,986 --> 00:49:16,320 [APPLAUSE] 1475 00:49:16,386 --> 00:49:17,054 >> Eureka: YES, YOU ALL GIVE IT 1476 00:49:17,120 --> 00:49:17,821 UP FOR THESE TWO BEAUTIFUL SOULS 1477 00:49:17,888 --> 00:49:19,790 ONE MORE TIME FOR ME. 1478 00:49:19,856 --> 00:49:22,559 >> THESE SHOES ARE KILLING ME. 1479 00:49:22,626 --> 00:49:23,126 >> I STILL HAD SOME 1480 00:49:23,193 --> 00:49:24,895 RESERVATIONS. 1481 00:49:24,961 --> 00:49:25,829 HOW IS THIS GOING TO AFFECT ME 1482 00:49:25,896 --> 00:49:27,998 PROFESSIONALLY? 1483 00:49:28,065 --> 00:49:29,366 WHAT PEOPLE WERE GONNA THINK, 1484 00:49:29,433 --> 00:49:34,338 WHAT PEOPLE ARE GONNA SAY. 1485 00:49:34,404 --> 00:49:34,938 IF I DON'T SIT DOWN, I'M GONNA 1486 00:49:35,005 --> 00:49:35,505 FALL. 1487 00:49:35,572 --> 00:49:36,073 >> Bob: THIS LOCAL HAS BEEN 1488 00:49:36,139 --> 00:49:37,307 WORKING WITH MISS SHANGELA 1489 00:49:37,374 --> 00:49:39,209 LAQUIFA WADLEY ALL WEEK LONG. 1490 00:49:39,276 --> 00:49:39,943 YOU MAY KNOW THEM AS JOSEPH, BUT 1491 00:49:40,010 --> 00:49:42,679 YOU BETTER SAY HELLO TO MISS 1492 00:49:42,746 --> 00:49:50,954 SHANTEL ROSE. 1493 00:49:51,021 --> 00:49:51,421 [CHEERS AND APPLAUSE] 1494 00:49:51,488 --> 00:50:14,578 ♪ ♪ 1495 00:50:14,644 --> 00:50:15,045 [CHEERS AND APPLAUSE] 1496 00:50:15,112 --> 00:50:29,526 ♪ ♪ 1497 00:50:29,593 --> 00:50:29,993 [CHEERS AND APPLAUSE] 1498 00:50:30,060 --> 00:50:49,846 ♪ ♪ 1499 00:50:49,913 --> 00:50:50,313 [CHEERS AND APPLAUSE] 1500 00:50:50,380 --> 00:51:09,599 ♪ ♪ 1501 00:51:09,666 --> 00:51:10,934 [CHEERS AND APPLAUSE] 1502 00:51:11,001 --> 00:51:30,220 ♪ ♪ 1503 00:51:30,287 --> 00:51:30,687 [CHEERS AND APPLAUSE] 1504 00:51:30,754 --> 00:51:34,324 ♪ ♪ 1505 00:51:34,391 --> 00:51:40,297 [CHEERS AND APPLAUSE] 1506 00:51:40,363 --> 00:51:41,431 >> Shangela: I HEAR THAT IN 1507 00:51:41,498 --> 00:51:43,800 ADDITION TO YOUR FRIENDS WHO WE 1508 00:51:43,867 --> 00:51:45,035 LOVE ALREADY, HALLEYLOO, BUT I 1509 00:51:45,101 --> 00:51:46,536 HEAR YOU HAVE A VERY SPECIAL 1510 00:51:46,603 --> 00:51:47,170 GUEST THAT'S HERE TODAY. 1511 00:51:47,237 --> 00:51:49,239 WHO IS THAT? 1512 00:51:49,306 --> 00:51:50,674 >> THAT IS MY MOM. 1513 00:51:50,740 --> 00:51:52,576 >> Shangela: OH, WHERE'S MAMA? 1514 00:51:52,642 --> 00:51:53,243 WHERE'S MAMA? 1515 00:51:53,310 --> 00:51:56,413 >> RIGHT THERE. 1516 00:51:56,480 --> 00:51:59,783 >> Shangela: STAND UP, MAMA. 1517 00:51:59,850 --> 00:52:01,418 COME HERE, MAMA. 1518 00:52:01,485 --> 00:52:03,220 COME HERE, BEAUTIFUL. 1519 00:52:03,286 --> 00:52:03,887 COME HERE, MAMA. 1520 00:52:03,954 --> 00:52:10,260 OOH, LOOK AT MAMA. 1521 00:52:10,327 --> 00:52:13,663 >> OH, MY GOD, I'M ABOUT TO CRY. 1522 00:52:13,730 --> 00:52:18,502 I AM SO HAPPY THAT YOU'RE HERE. 1523 00:52:18,568 --> 00:52:19,269 I AM SO ELATED THAT YOU'RE HERE. 1524 00:52:19,336 --> 00:52:20,003 >> I'M HAPPY TO BE HERE. 1525 00:52:20,070 --> 00:52:21,338 I'M HAPPY TO BE HERE. 1526 00:52:21,404 --> 00:52:22,239 I'M SO PROUD OF YOU. 1527 00:52:22,305 --> 00:52:23,440 YOU DID GOOD. 1528 00:52:23,507 --> 00:52:24,674 >> THANK YOU. 1529 00:52:24,741 --> 00:52:26,376 >> Shangela: OH, THIS IS SO, NOW 1530 00:52:26,443 --> 00:52:27,010 MAMA YOU KNOW I'M IN THE FAMILY 1531 00:52:27,077 --> 00:52:27,611 NOW RIGHT? 1532 00:52:27,677 --> 00:52:33,350 HEY. 1533 00:52:33,416 --> 00:52:34,684 >> I PRAY IT'S GONNA BE OKAY CUZ 1534 00:52:34,751 --> 00:52:36,520 YOU KNOW EVERYBODY GONNA BE 1535 00:52:36,586 --> 00:52:37,621 THERE. 1536 00:52:37,687 --> 00:52:38,588 AND I'M NERVOUS CUZ I KNOW 1537 00:52:38,655 --> 00:52:40,190 THERE'S GONNA BE A LOT OF PEOPLE 1538 00:52:40,257 --> 00:52:40,824 JUST WANTING TO SEE WHAT'S GOING 1539 00:52:40,891 --> 00:52:45,128 ON AND THEN UP COMES OH MY GOD, 1540 00:52:45,195 --> 00:52:46,997 THAT'S THAT THING THAT I SEEN ON 1541 00:52:47,063 --> 00:52:49,499 TOWN BUT WE DESERVE A CHANCE 1542 00:52:49,566 --> 00:52:51,368 JUST LIKE EVERYBODY ELSE. 1543 00:52:51,434 --> 00:52:52,569 >> HOW ARE YOU FEELING? 1544 00:52:52,636 --> 00:52:55,238 >> OKAY, I'M READY. 1545 00:52:55,305 --> 00:52:57,407 I'M READY, YEAH. 1546 00:52:57,474 --> 00:52:58,008 I'M SCARED BUT I'M STILL GONNA 1547 00:52:58,074 --> 00:52:59,743 DO IT. 1548 00:52:59,809 --> 00:53:03,113 >> YOU GOT THIS. 1549 00:53:03,179 --> 00:53:03,680 >> Eureka: GOOD LUCK, BABY. 1550 00:53:03,747 --> 00:53:08,552 >> THANK YOU SO MUCH. 1551 00:53:08,618 --> 00:53:09,019 [CHEERS AND APPLAUSE] 1552 00:53:09,085 --> 00:53:18,194 IS AGO MUSICAL 1553 00:53:18,261 --> 00:53:32,709 ♪ ♪ 1554 00:53:32,776 --> 00:53:36,313 [CHEERS AND APPLAUSE] 1555 00:53:36,379 --> 00:53:50,594 ♪ ♪ 1556 00:53:50,660 --> 00:53:54,831 >> I AM A CHILD OF SELMA, AND I 1557 00:53:54,898 --> 00:53:58,635 DESERVE HAPPINESS JUST LIKE YOU. 1558 00:53:58,702 --> 00:54:00,637 I'VE BEEN CALLED A DEMON, I'VE 1559 00:54:00,704 --> 00:54:03,673 BEEN CALLED A MONSTER, I'VE BEEN 1560 00:54:03,740 --> 00:54:04,441 CALLED EVERYTHING EXCEPT THE 1561 00:54:04,507 --> 00:54:05,875 CHILD OF GOD, BUT I'M NONE OF 1562 00:54:05,942 --> 00:54:10,413 THAT. 1563 00:54:10,480 --> 00:54:13,383 SAY MY NAME. 1564 00:54:13,450 --> 00:54:21,157 I AM AKEELAH. 1565 00:54:21,224 --> 00:54:30,800 ♪ ♪ 1566 00:54:30,867 --> 00:54:34,337 [CHEERS AND APPLAUSE] 1567 00:54:34,404 --> 00:54:44,748 ♪ ♪ 1568 00:54:44,814 --> 00:54:48,084 [CHEERS AND APPLAUSE] 1569 00:54:48,151 --> 00:54:51,488 ♪ ♪ 1570 00:54:51,554 --> 00:54:56,526 [CHEERS AND APPLAUSE] 1571 00:54:56,593 --> 00:55:03,833 ♪ ♪ 1572 00:55:03,900 --> 00:55:14,944 [CHEERS AND APPLAUSE] 1573 00:55:15,011 --> 00:55:25,622 ♪ ♪ 1574 00:55:25,689 --> 00:55:30,360 [CHEERS AND APPLAUSE] 1575 00:55:30,427 --> 00:55:45,742 ♪ ♪ 1576 00:55:49,512 --> 00:55:50,747 [CHEERS AND APPLAUSE] 1577 00:55:50,814 --> 00:55:56,519 >> Bob: TAKE THAT SPOTLIGHT. 1578 00:55:56,586 --> 00:55:58,822 EVERYONE WHO COMES IN CONTACT 1579 00:55:58,888 --> 00:56:00,056 WITH THIS BEAUTIFUL WOMAN KNOWS 1580 00:56:00,123 --> 00:56:03,026 HER LIFE, HER LOVE, HOW MUCH SHE 1581 00:56:03,093 --> 00:56:04,894 GIVES AND GIVES AND GIVES AND 1582 00:56:04,961 --> 00:56:12,135 GIVES. 1583 00:56:12,202 --> 00:56:12,502 >> THANK Y'ALL. 1584 00:56:12,569 --> 00:56:13,703 MY BOYFRIEND, YOU HAVE TAUGHT ME 1585 00:56:13,770 --> 00:56:14,871 SO MUCH LOVE IN THE DARK AND IN 1586 00:56:14,938 --> 00:56:18,041 THE DAYLIGHT. 1587 00:56:18,108 --> 00:56:18,975 NO MATTER WHAT, I LOVE YOU SO 1588 00:56:19,042 --> 00:56:21,945 MUCH. 1589 00:56:22,011 --> 00:56:23,913 >> Bob: I LOVE YOU, BABE. 1590 00:56:23,980 --> 00:56:24,414 >> I LOVE YOU, MAMA. 1591 00:56:24,481 --> 00:56:30,420 UH, UH STOP, WAIT. 1592 00:56:30,487 --> 00:56:31,721 LET ME TELL Y'ALL SOMETHING. 1593 00:56:31,788 --> 00:56:36,559 SHE WILL TURN YOU INTO THIS. 1594 00:56:36,626 --> 00:56:39,095 THANK YOU, MAMA. 1595 00:56:39,162 --> 00:56:43,600 [CHEERS AND APPLAUSE] 1596 00:56:43,666 --> 00:56:45,034 >> Bob: THIS WEEK WOULD NOT HAVE 1597 00:56:45,101 --> 00:56:45,735 BEEN POSSIBLE WITHOUT SOME 1598 00:56:45,802 --> 00:56:47,470 REALLY PHENOMENAL PEOPLE THAT 1599 00:56:47,537 --> 00:56:49,572 I'M GONNA ASK IF THEY COULD JUST 1600 00:56:49,639 --> 00:56:51,441 STAND UP FOR JUST A MOMENT SO 1601 00:56:51,508 --> 00:56:52,609 THAT WE CAN ACKNOWLEDGE THEM NOW 1602 00:56:52,675 --> 00:56:54,310 CAN WE PLEASE HAVE TKO, THE 1603 00:56:54,377 --> 00:56:55,078 KNIGHTS IN ORCHIDS PLEASE STAND 1604 00:56:55,145 --> 00:57:01,484 UP WAVE AT THEM PLEASE. 1605 00:57:01,551 --> 00:57:03,586 [CHEERS AND APPLAUSE] 1606 00:57:03,653 --> 00:57:04,220 MISS AFRIYE PLEASE, PLEASE STAND 1607 00:57:04,287 --> 00:57:05,655 UP MISS AFRIYE. 1608 00:57:05,722 --> 00:57:08,725 TRULY A BRILLIANT ORATOR AND 1609 00:57:08,792 --> 00:57:10,493 JUST KEEPER OF CULTURE RIGHT 1610 00:57:10,560 --> 00:57:12,996 HERE AND PLEASE GIVE YOUR HANDS 1611 00:57:13,062 --> 00:57:15,698 FOR ONE OF THE ORIGINAL FOOT 1612 00:57:15,765 --> 00:57:16,266 SOLDIERS, MISS JOANNE RIGHT 1613 00:57:16,332 --> 00:57:22,071 HERE, YOU ALL. 1614 00:57:22,138 --> 00:57:23,072 [CHEERS AND APPLAUSE] 1615 00:57:23,139 --> 00:57:23,673 YES, YEAH, THAT'S, THAT'S THE 1616 00:57:23,740 --> 00:57:24,307 STAND, THAT'S A STAND UP. 1617 00:57:24,374 --> 00:57:29,946 THAT'S A STAND UP. 1618 00:57:30,013 --> 00:57:31,281 [CHEERS AND APPLAUSE] 1619 00:57:31,347 --> 00:57:32,682 I DON'T THINK THAT THE QUEER 1620 00:57:32,749 --> 00:57:34,884 STRUGGLE AND THE BLACK STRUGGLE 1621 00:57:34,951 --> 00:57:39,622 ARE EXCLUSIVE IN ANY REGARD. 1622 00:57:39,689 --> 00:57:42,959 ESPECIALLY FOR ME, ESPECIALLY 1623 00:57:43,026 --> 00:57:43,927 FOR AKEELAH. 1624 00:57:43,993 --> 00:57:45,228 FOR ME, THEY'RE THE SAME, 1625 00:57:45,295 --> 00:57:45,829 ESPECIALLY FOR ME, ESPECIALLY 1626 00:57:45,895 --> 00:57:46,296 FOR AKEELAH. 1627 00:57:46,362 --> 00:57:47,864 ESPECIALLY FOR JOSEPH. 1628 00:57:47,931 --> 00:57:48,631 WE ARE ALL ENGAGING IN THE BLACK 1629 00:57:48,698 --> 00:57:50,133 STRUGGLE AND THE QUEER STRUGGLE. 1630 00:57:50,200 --> 00:57:51,301 >> I LOVE YOU GOOD. 1631 00:57:51,367 --> 00:57:51,935 >> YOU CAN'T KISS ME CUZ I GOT 1632 00:57:52,001 --> 00:57:53,136 GLITTER. 1633 00:57:53,203 --> 00:57:53,503 >> YEAH, MWAH. 1634 00:57:53,570 --> 00:57:55,605 >> MWAH. 1635 00:57:55,672 --> 00:57:56,406 THANK YOU, BABE. 1636 00:57:56,472 --> 00:57:57,974 >> I LOVE YOU. 1637 00:57:58,041 --> 00:58:00,243 >> I LOVE YOU, TOO. 1638 00:58:00,310 --> 00:58:01,444 >> I'M SO HAPPY YOU'RE HERE, YOU 1639 00:58:01,511 --> 00:58:02,045 JUST DON'T KNOW HOW MUCH THIS 1640 00:58:02,111 --> 00:58:03,179 MEANS TO ME. 1641 00:58:03,246 --> 00:58:05,315 THAT YOU SUPPORT ME. 1642 00:58:05,381 --> 00:58:06,449 OH, MY GOD. 1643 00:58:06,516 --> 00:58:07,116 >> Shangela: LOVE YOU. 1644 00:58:07,183 --> 00:58:07,717 WELL ALL RIGHT, GROUP, FAMILY 1645 00:58:07,784 --> 00:58:08,418 HUG. 1646 00:58:08,484 --> 00:58:10,186 FAMILY HUG. 1647 00:58:10,253 --> 00:58:11,554 >> IT WAS UNBELIEVABLE FOR 1648 00:58:11,621 --> 00:58:15,458 SELMA, SELMA BROUGHT ME TO SO 1649 00:58:15,525 --> 00:58:17,460 MANY TEARS CUZ I COULD NOT 1650 00:58:17,527 --> 00:58:19,429 BELIEVE WHAT I WAS WITNESSING. 1651 00:58:19,495 --> 00:58:21,664 ABSOLUTELY AMAZING. 1652 00:58:21,731 --> 00:58:23,833 [CRYING] 1653 00:58:23,900 --> 00:58:25,368 WHEN I DECIDED TO MAKE MY NAME 1654 00:58:25,435 --> 00:58:27,370 AKEELAH NEVER IN A MILLION YEARS 1655 00:58:27,437 --> 00:58:28,605 DID I THINK THAT I WOULD SEE 1656 00:58:28,671 --> 00:58:31,140 THAT LIKE THAT. 1657 00:58:31,207 --> 00:58:35,812 NEVER IN A MILLION YEARS. 1658 00:58:35,879 --> 00:58:37,113 >> MADE OUR DREAMS COME TRUE, 1659 00:58:37,180 --> 00:58:37,847 YOU GUYS HAVE MADE OUR DREAMS 1660 00:58:37,914 --> 00:58:39,716 COME TRUE. 1661 00:58:39,782 --> 00:58:41,384 TRUST ME. 1662 00:58:41,451 --> 00:58:43,653 >> Bob: IMAGINE BEING IN A TOWN 1663 00:58:43,720 --> 00:58:44,320 AND SEEING NO REFLECTION OF 1664 00:58:44,387 --> 00:58:46,089 YOURSELF NOWHERE. 1665 00:58:46,155 --> 00:58:47,790 NOT A SINGLE PERSON. 1666 00:58:47,857 --> 00:58:48,424 WHAT IMPACT DOES THAT HAVE ON A 1667 00:58:48,491 --> 00:58:51,394 COMMUNITY. 1668 00:58:51,461 --> 00:58:53,329 SOMETIMES YOU NEED TO SEE PEOPLE 1669 00:58:53,396 --> 00:58:55,531 LOVING SOMEONE SO YOU FEEL LIKE 1670 00:58:55,598 --> 00:58:56,566 IT'S OKAY FOR YOU TO LOVE THEM 1671 00:58:56,633 --> 00:58:58,268 TOO. 1672 00:58:58,334 --> 00:58:59,402 FOR THAT REASON, THE QUEER 1673 00:58:59,469 --> 00:59:03,039 COMMUNITY HERE HAS A BEACON OF 1674 00:59:03,106 --> 00:59:12,382 HOPE IN SELMA. 1675 00:59:12,448 --> 00:59:13,783 OH, OH LORD. 1676 00:59:13,850 --> 00:59:14,918 OH. 1677 00:59:14,984 --> 00:59:17,787 OH, LORD, PLEASE. 1678 00:59:17,854 --> 00:59:24,327 OH, MY WIG, OH, MY LORD. 1679 00:59:24,394 --> 00:59:50,453 ♪ ♪ 1680 00:59:50,520 --> 01:00:11,674 ♪ ♪ 98754

Can't find what you're looking for?
Get subtitles in any language from opensubtitles.com, and translate them here.