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1
00:00:03,103 --> 00:00:05,904
? BOY, THE WAY
GLENN MILLER PLAYED ?
2
00:00:05,973 --> 00:00:09,508
? SONGS THAT MADE
THE HIT PARADE ?
3
00:00:09,577 --> 00:00:13,211
? GUYS LIKE US, WE HAD IT MADE ?
4
00:00:13,280 --> 00:00:16,482
? THOSE WERE THE DAYS ?
5
00:00:16,550 --> 00:00:20,185
? AND YOU KNEW
WHERE YOU WERE THEN ?
6
00:00:20,254 --> 00:00:24,056
? GIRLS WERE GIRLS
AND MEN WERE MEN ?
7
00:00:24,125 --> 00:00:26,324
? MISTER, WE COULD USE A MAN ?
8
00:00:26,393 --> 00:00:30,395
? LIKE HERBERT HOOVER AGAIN ?
9
00:00:30,464 --> 00:00:33,431
? DIDN'T NEED NO
WELFARE STATES ?
10
00:00:33,500 --> 00:00:36,701
? EVERYBODY PULLED HIS WEIGHT ?
11
00:00:36,771 --> 00:00:41,039
? GEE, OUR OLD
LASALLE RAN GREAT ?
12
00:00:41,108 --> 00:00:42,273
? THOSE WERE ?
13
00:00:42,342 --> 00:00:46,477
? THE DAYS ?
14
00:00:54,121 --> 00:00:55,121
OH.
15
00:00:59,260 --> 00:01:00,492
HI, MA.
16
00:01:00,561 --> 00:01:03,695
OH, HI, GLORIA.
HOW WAS YOUR DAY?
17
00:01:03,764 --> 00:01:04,896
LOUSY.
18
00:01:04,965 --> 00:01:06,064
THAT'S NICE.
19
00:01:08,401 --> 00:01:10,379
OH, BOY, MA, THERE
WERE MILLION PEOPLE
20
00:01:10,403 --> 00:01:11,503
AT KRESSLER'S TODAY
21
00:01:11,572 --> 00:01:13,738
AND ALL OF THEM AT
THE COSMETIC COUNTER.
22
00:01:13,807 --> 00:01:15,841
M-MA, WHAT YOU DOING HERE?
23
00:01:15,909 --> 00:01:17,476
I'M SETTIN' THE TABLE.
24
00:01:17,544 --> 00:01:18,621
OH.
25
00:01:18,645 --> 00:01:19,923
YEAH, BUT LOOK WHAT YOU DID.
26
00:01:19,947 --> 00:01:22,158
YOU GOT A KNIFE HERE,
2 FORKS AND A SPOON
27
00:01:22,182 --> 00:01:23,660
AND... AND HERE YOU GOT A SPOON,
28
00:01:23,684 --> 00:01:24,794
2 FORKS AND A KNIFE.
29
00:01:24,818 --> 00:01:26,785
AND THERE YOU GOT 2
SPOONS AND 2 KNIVES,
30
00:01:26,854 --> 00:01:28,694
AND OVER THERE YOU
DON'T HAVE ANYTHING.
31
00:01:29,656 --> 00:01:32,023
THAT AIN'T RIGHT, IS IT?
32
00:01:33,393 --> 00:01:35,861
OK, MA, WHAT'S ON YOUR MIND?
33
00:01:35,929 --> 00:01:37,328
ARCHIE.
34
00:01:37,397 --> 00:01:39,297
THAT'LL DO IT.
35
00:01:39,366 --> 00:01:41,032
HE'S HAVIN' A FIT.
36
00:01:41,101 --> 00:01:44,335
HE SAYS HE DON'T WANT MY
COUSIN ESTELLE AND RALPH
37
00:01:44,404 --> 00:01:46,404
COMIN' TO VISIT US NEXT WEEK,
38
00:01:46,473 --> 00:01:48,640
AND I ALREADY ASKED THEM.
39
00:01:48,709 --> 00:01:50,475
WELL, HOW CAN HE SAY THAT?
40
00:01:50,544 --> 00:01:52,856
AND WHEN YOU AND HE WENT
TO PHILADELPHIA TO VISIT THEM,
41
00:01:52,880 --> 00:01:54,791
THEY SHOWED YOU
A REALLY GREAT TIME.
42
00:01:54,815 --> 00:01:57,115
WELL, HE SAYS THAT
IT'S EASY FOR THEM
43
00:01:57,183 --> 00:01:59,618
TO BE NICE TO HIM
'CAUSE THEY LIKE HIM.
44
00:01:59,686 --> 00:02:02,353
BUT IT'S HARD FOR HIM
TO BE NICE TO THEM.
45
00:02:05,993 --> 00:02:08,660
MA, MA,
46
00:02:08,729 --> 00:02:11,107
WHAT ARE YOU GONNA DO IF
YOU'VE ALREADY INVITED 'EM?
47
00:02:11,131 --> 00:02:12,931
OH, I WROTE 'EM A LETTER.
48
00:02:13,000 --> 00:02:15,199
I SAID THE FURNACE
WAS BROKE DOWN,
49
00:02:15,268 --> 00:02:16,501
AND THE PLUMBIN' DIDN'T WORK,
50
00:02:16,570 --> 00:02:18,703
AND THE HOUSE WAS BEIN' PAINTED.
51
00:02:18,772 --> 00:02:21,050
MA, HOW COULD YOU LIE LIKE THAT?
52
00:02:21,074 --> 00:02:23,274
ARCHIE TOLD ME TO.
53
00:02:25,412 --> 00:02:27,412
BUT I TORE THE LETTER UP,
54
00:02:27,480 --> 00:02:30,615
CAUSE' AS SOON AS I READ IT I
COULD SEE RIGHT THROUGH ME.
55
00:02:32,052 --> 00:02:34,464
OH, I'M GLAD YOU DID, MA.
56
00:02:34,488 --> 00:02:36,032
YOU KNOW, IT ISN'T FAIR.
57
00:02:36,056 --> 00:02:37,734
ESTELLE IS YOUR FAVORITE COUSIN
58
00:02:37,758 --> 00:02:38,935
AND IF YOU WANT 'EM HERE,
59
00:02:38,959 --> 00:02:41,004
YOU SHOULD HAVE AN
EQUAL SAY ABOUT IT.
60
00:02:41,028 --> 00:02:42,294
WE DID.
61
00:02:42,363 --> 00:02:45,430
I SAID THEY COULD COME AND
ARCHIE SAID THEY COULDN'T.
62
00:02:45,499 --> 00:02:47,177
THEN YOU SHOULD HAVE ANOTHER SAY
63
00:02:47,201 --> 00:02:49,513
AND TELL HIM ESTELLE AND
RALPH ARE COMING, PERIOD.
64
00:02:49,537 --> 00:02:51,970
OH, I CAN'T DO THAT, GLORIA.
65
00:02:52,039 --> 00:02:55,474
'CAUSE ARCHIE ALREADY
SAID CASE CLOSED.
66
00:02:55,543 --> 00:02:58,277
BUT, MA, WHAT KIND OF... MA.
67
00:02:59,580 --> 00:03:01,258
WHAT KIND OF A MARRIAGE IS IT
68
00:03:01,282 --> 00:03:03,193
WHEN ONE PARTNER IS
ALWAYS GIVIN' THE ORDERS
69
00:03:03,217 --> 00:03:05,817
AND THE OTHER ONE
ALWAYS HAS TO OBEY?
70
00:03:05,886 --> 00:03:10,855
WELL, THE WORD "OBEY" WAS
IN OUR MARRIAGE CEREMONY.
71
00:03:10,924 --> 00:03:13,425
WELL, YOU COULD HAVE
TAKEN THE WORD "OBEY" OUT.
72
00:03:14,428 --> 00:03:15,527
MMM-HMM.
73
00:03:15,596 --> 00:03:18,697
THE MINISTER ASKED
US IF WE WANTED IT IN,
74
00:03:18,765 --> 00:03:21,633
AND ARCHIE SAID, " YES,
AS OFTEN AS POSSIBLE."
75
00:03:24,672 --> 00:03:28,407
WELL, I DON'T ALWAYS
GIVE IN TO ARCHIE.
76
00:03:28,475 --> 00:03:30,275
OH, NO? HEH.
77
00:03:30,344 --> 00:03:31,843
GLORIA,
78
00:03:31,912 --> 00:03:35,146
OUR MARRIAGE MAY NOT
BE PERFECT, BUT IT WORKS.
79
00:03:35,216 --> 00:03:36,981
AND MY FATHER ALWAYS SAID,
80
00:03:37,050 --> 00:03:39,318
"IF SOMETHIN'
WORKS, DON'T FIX IT."
81
00:03:43,390 --> 00:03:44,656
BUT, MA,
82
00:03:44,725 --> 00:03:47,593
YOU CAN'T JUST KEEP THINGS
BOTTLED UP INSIDE OF YOU.
83
00:03:47,661 --> 00:03:49,939
IT'S NOT GOOD FOR YOU.
YOU GOTTA GET 'EM OUT.
84
00:03:49,963 --> 00:03:52,242
THAT'S WHAT MICHAEL AND I
HAVE BEEN TRYING TO DO LATELY.
85
00:03:52,266 --> 00:03:54,544
LIKE, THIS MORNING, I
WAS REALLY MAD AT HIM.
86
00:03:54,568 --> 00:03:55,878
BUT HE HAD TO GO OFF TO SCHOOL,
87
00:03:55,902 --> 00:03:57,146
AND I HAD TO GO TO WORK,
88
00:03:57,170 --> 00:03:59,771
SO WE AGREED TO PUT OFF
OUR ARGUMENT UNTIL TONIGHT.
89
00:03:59,840 --> 00:04:03,942
YOU MEAN YOU AND MIKE MAKE
APPOINTMENTS TO HAVE FIGHTS?
90
00:04:05,045 --> 00:04:06,578
SORT OF.
91
00:04:06,647 --> 00:04:09,981
IT'S WHAT PSYCHOLOGISTS
ARE CALLING "FAIR FIGHTING."
92
00:04:10,050 --> 00:04:11,561
MICHAEL BROUGHT
HOME A BOOK ON IT.
93
00:04:11,585 --> 00:04:13,463
YOU KNOW, YOU AND
DADDY OUGHT TO TRY THAT.
94
00:04:13,487 --> 00:04:15,186
FAIR FIGHTIN'?
95
00:04:15,256 --> 00:04:17,723
YEAH, THEY'RE TELLIN' PEOPLE
TO GET THINGS OUT IN THE OPEN.
96
00:04:17,791 --> 00:04:19,669
YOU KNOW, LET OFF STEAM, MA.
97
00:04:19,693 --> 00:04:21,404
'CAUSE WHEN YOU HOLD
THINGS THING INSIDE
98
00:04:21,428 --> 00:04:24,028
AND YOU BOTTLE 'EM UP,
IT'S CALLED GUNNYSACKING.
99
00:04:24,097 --> 00:04:25,631
AND THAT'S NOT HEALTHY.
100
00:04:25,699 --> 00:04:29,134
SOME COUPLES ARE EVEN
TAKIN' LESSONS IN FIGHTING.
101
00:04:29,202 --> 00:04:32,137
OH, I DON'T THINK
ARCHIE NEEDS LESSONS.
102
00:04:35,442 --> 00:04:36,620
I'M HOME.
103
00:04:36,644 --> 00:04:37,809
AH, HE'S HERE.
104
00:04:41,014 --> 00:04:42,413
HI, HONEY.
105
00:04:43,984 --> 00:04:45,083
HOW WAS YOUR DAY?
106
00:04:45,152 --> 00:04:47,318
DO YOU CARE, MICHAEL?
DO YOU REALLY CARE?
107
00:04:49,723 --> 00:04:52,457
CAN'T WAIT TO GET
STARTED, CAN YOU?
108
00:04:52,525 --> 00:04:54,070
ALL RIGHT. WHAT
DID I DO LAST NIGHT
109
00:04:54,094 --> 00:04:55,393
THAT WAS SO TERRIBLE, HUH?
110
00:04:55,462 --> 00:04:58,029
I WAS TELLING YOU ABOUT
A PROBLEM I HAD AT WORK,
111
00:04:58,098 --> 00:04:59,998
AND ONCE AGAIN YOU
FELL ASLEEP ON ME.
112
00:05:00,067 --> 00:05:02,733
GLORIA, GLORIA, I'M
ALWAYS HOME BY 6:00.
113
00:05:02,802 --> 00:05:04,447
WE HAVE ALL EVENING TO TALK.
114
00:05:04,471 --> 00:05:06,015
WHY DO YOU WAIT
TILL WE GET INTO BED
115
00:05:06,039 --> 00:05:07,505
BEFORE YOU START TALKIN'?
116
00:05:07,574 --> 00:05:10,908
BECAUSE THAT'S THE ONLY
PLACE I CAN GET YOUR ATTENTION.
117
00:05:12,980 --> 00:05:14,679
FUNNY, FUNNY.
118
00:05:14,747 --> 00:05:16,559
YOU GOT MY ATTENTION. I'M
HERE. WELL, WHAT'S THE PROBLEM?
119
00:05:16,583 --> 00:05:17,648
IT'S TOO LATE.
120
00:05:17,717 --> 00:05:19,684
I HAD TO SOLVE THE
PROBLEM ALL BY MYSELF.
121
00:05:19,752 --> 00:05:21,019
NO THANKS TO YOU.
122
00:05:21,087 --> 00:05:22,327
I DON'T BELIEVE THIS.
123
00:05:22,356 --> 00:05:23,566
YOU'RE ANGRY AT ME
124
00:05:23,590 --> 00:05:26,325
BECAUSE WHILE I WAS ASLEEP,
YOU SOLVED THE PROBLEM?
125
00:05:26,393 --> 00:05:28,638
THAT'S DUMB, GLORIA.
THAT'S JUST PLAIN DUMB.
126
00:05:28,662 --> 00:05:31,296
NOW DON'T CALL ME DUMB.
THAT'S HITTING BELOW THE BELT.
127
00:05:31,365 --> 00:05:32,564
HI, MIKE.
128
00:05:32,633 --> 00:05:34,866
BESIDES OUR PROBLEM
IS NOT THE POINT.
129
00:05:34,935 --> 00:05:36,134
THE POINT IS, MICHAEL,
130
00:05:36,203 --> 00:05:38,047
I COULD PUT A STRANGE
WOMAN IN THE BED WITH YOU
131
00:05:38,071 --> 00:05:39,716
AND YOU'D NEVER EVEN
KNOW THE DIFFERENCE.
132
00:05:39,740 --> 00:05:40,905
YES, I WOULD.
133
00:05:40,974 --> 00:05:42,707
I WOULDN'T FALL ASLEEP.
134
00:05:48,582 --> 00:05:50,482
YOU'RE INSENSITIVE, MICHAEL.
135
00:05:50,550 --> 00:05:53,017
YOU'RE AN INSENSITIVE,
SELFISH MAN.
136
00:05:53,086 --> 00:05:56,254
WOULD YOU TWO MIND HOLDIN'
UP YOUR FIGHT APPOINTMENT
137
00:05:56,323 --> 00:05:57,922
UNTIL AFTER DINNER?
138
00:05:57,991 --> 00:05:59,569
YOU KNOW, MICHAEL,
THERE USED TO BE...
139
00:05:59,593 --> 00:06:00,936
GLORIA, GLORIA, HOLD IT.
140
00:06:00,960 --> 00:06:02,505
I THINK YOUR
MOTHER'S GOT A POINT.
141
00:06:02,529 --> 00:06:04,769
I FIGHT MUCH BETTER
AFTER I'VE EATEN.
142
00:06:04,831 --> 00:06:06,809
WELL, I DON'T. AND
YOU KNOW THE RULES:
143
00:06:06,833 --> 00:06:08,944
ONCE WE START
WE'VE GOT TO FINISH.
144
00:06:08,968 --> 00:06:13,104
YOU MEAN THEY GOT RULES
NOW FOR FAMILY FIGHTS?
145
00:06:13,173 --> 00:06:15,674
WELL, YEAH, MA. THAT'S WHY
THEY CALL IT FAIR FIGHTING.
146
00:06:15,742 --> 00:06:18,053
AND ONE OF THE MAIN RULES
IS NO HITTING BELOW THE BELT.
147
00:06:18,077 --> 00:06:20,244
OH, YOU SHOULDN'T HIT NOWHERE.
148
00:06:20,314 --> 00:06:21,613
NO, MA. IT JUST MEANS
149
00:06:21,682 --> 00:06:23,760
THAT YOU'RE NOT SUPPOSED
TO TALK ABOUT ANYTHING
150
00:06:23,784 --> 00:06:25,795
THAT YOUR PARTNER
IS SENSITIVE ABOUT.
151
00:06:25,819 --> 00:06:27,664
LIKE, I'M NOT SUPPOSED
TO MENTION THE FACT
152
00:06:27,688 --> 00:06:29,499
THAT I'M WORKING
TO SUPPORT MICHAEL.
153
00:06:29,523 --> 00:06:30,722
UH, CAREFUL, GLORIA.
154
00:06:30,791 --> 00:06:32,235
YOU KNOW, THAT I'M
THE BREADWINNER
155
00:06:32,259 --> 00:06:33,469
AND HE'S THE FREELOADER.
156
00:06:33,493 --> 00:06:34,926
GLORIA.
157
00:06:34,994 --> 00:06:36,972
OH, MICHAEL, I'M JUST TELLING MA
158
00:06:36,996 --> 00:06:38,674
WHAT I'M NOT
SUPPOSED TO CALL YOU.
159
00:06:38,698 --> 00:06:42,018
WELL, I NEVER EVEN THINK OF
YOU AS A FREELOADER, HONEY.
160
00:06:47,740 --> 00:06:50,241
SEE, MA, WE ALL
HAVE A WEAK SPOT.
161
00:06:50,310 --> 00:06:52,877
LIKE IN GLORIA'S CASE,
IT'S HER EDUCATION.
162
00:06:52,946 --> 00:06:54,078
WATCH IT, MICHAEL.
163
00:06:54,148 --> 00:06:55,680
I'M NOT SUPPOSED
TO BRING UP THE FACT
164
00:06:55,749 --> 00:06:56,915
THAT I'M A COLLEGE MAN
165
00:06:56,983 --> 00:06:58,583
AND SHE'S ONLY A
HIGH SCHOOL GRADUATE.
166
00:06:58,652 --> 00:06:59,696
OK!
167
00:06:59,720 --> 00:07:01,052
I... I CAN'T SAY THINGS LIKE
168
00:07:01,121 --> 00:07:02,921
THIS IS TOO COMPLICATED
FOR YOU, GLORIA.
169
00:07:02,989 --> 00:07:04,188
THIS IS WAY OVER YOUR HEAD.
170
00:07:04,257 --> 00:07:05,468
YOU'RE CUTTIN' IT CLOSE, STIVIC.
171
00:07:05,492 --> 00:07:07,392
SO WHEN WE HAVE AN ARGUMENT,
172
00:07:07,461 --> 00:07:08,927
WHEN WE HAVE AN ARGUMENT,
173
00:07:08,995 --> 00:07:11,529
I HAVE TO USE SIMPLE WORDS
SO SHE CAN UNDERSTAND.
174
00:07:11,598 --> 00:07:13,164
FOUL! FOUL!
175
00:07:13,233 --> 00:07:14,777
THAT'S HITTING WAY
BELOW THE BELT!
176
00:07:14,801 --> 00:07:16,445
WELL, WHAT ABOUT
FREELOADER, HUH?
177
00:07:16,469 --> 00:07:18,748
DON'T YOU THINK FREELOADER
IS HITTIN' BELOW THE BELT?
178
00:07:18,772 --> 00:07:21,673
I DON'T THINK I LIKE
THIS KIND OF FIGHTIN'.
179
00:07:21,742 --> 00:07:24,142
ALL RIGHT. FREELOADER
WAS ROTTEN.
180
00:07:24,210 --> 00:07:25,210
IT WAS ROTTEN.
181
00:07:25,278 --> 00:07:26,878
ALL RIGHT, I'M SORRY.
182
00:07:26,947 --> 00:07:28,858
BUT ARE YOU SORRY FOR
FALLING ASLEEP ON ME
183
00:07:28,882 --> 00:07:30,727
LAST NIGHT WHILE I
WAS TALKING TO YOU?
184
00:07:30,751 --> 00:07:31,883
YEAH, I'M SORRY.
185
00:07:31,952 --> 00:07:33,117
YEAH?
186
00:07:33,186 --> 00:07:34,186
YEAH.
187
00:07:34,254 --> 00:07:35,420
I PROMISE I...
188
00:07:35,488 --> 00:07:37,455
FROM NOW ON I'LL LISTEN
TO EVERY WORD YOU SAY.
189
00:07:37,524 --> 00:07:40,025
I-I-I'LL NEVER SLEEP
WHEN I'M LISTENIN' TO YOU.
190
00:07:40,093 --> 00:07:42,894
AS A MATTER OF FACT, IF
YOU TALK IN YOUR SLEEP,
191
00:07:42,963 --> 00:07:45,229
I'LL WAKE UP TO LISTEN TO YOU.
192
00:07:47,834 --> 00:07:48,933
OK?
193
00:07:50,036 --> 00:07:51,135
OK.
194
00:07:53,306 --> 00:07:55,974
OH, I LIKE THE WAY IT ENDS UP.
195
00:07:57,878 --> 00:07:59,144
YOU SEE, MA?
196
00:07:59,212 --> 00:08:00,857
AFTER MICHAEL AND
I HAVE A FAIR FIGHT,
197
00:08:00,881 --> 00:08:02,925
WE'RE EVEN CLOSER
THAN WE USED TO BE.
198
00:08:02,949 --> 00:08:05,094
AND IT'D WORK THE SAME
FOR YOU AND DADDY, TOO.
199
00:08:05,118 --> 00:08:07,663
YEAH, YEAH, MA, YOU SEE,
A MAN RESPECTS A WOMAN
200
00:08:07,687 --> 00:08:09,265
WHO ISN'T ALWAYS BACKIN' DOWN.
201
00:08:09,289 --> 00:08:11,823
I... I LOVE GLORIA MORE
BECAUSE SHE STANDS UP TO ME.
202
00:08:11,892 --> 00:08:13,836
AND DADDY WILL FEEL
THE SAME WAY ABOUT YOU.
203
00:08:13,860 --> 00:08:14,926
YOU'LL SEE.
204
00:08:14,995 --> 00:08:17,996
JUST DON'T BE AFRAID TO
FIGHT FOR WHAT YOU WANT.
205
00:08:18,064 --> 00:08:20,464
WHOOP-DEE-DOO, WHOOP-DEE-DOO.
206
00:08:20,534 --> 00:08:22,545
WHOOP-DEE-DOO,
WAIT TILL YOU HEAR
207
00:08:22,569 --> 00:08:24,547
WHAT HAPPENED TO ME
ON THE SUBWAY TODAY.
208
00:08:24,571 --> 00:08:27,071
OH, THAT'S WONDERFUL.
209
00:08:27,140 --> 00:08:29,707
OH, HOLD IT, HOLD IT, HOLD IT.
210
00:08:29,776 --> 00:08:31,175
WHAT'S WONDERFUL?
211
00:08:31,244 --> 00:08:32,610
WHATEVER HAPPENED.
212
00:08:34,313 --> 00:08:36,514
HOW DO YOU KNOW WHAT
HAPPENED IS WONDERFUL
213
00:08:36,583 --> 00:08:38,661
UNLESS I TELL YOU WHAT HAPPENED?
214
00:08:38,685 --> 00:08:40,484
WHY COULDN'T YOU WAIT?
215
00:08:40,554 --> 00:08:43,521
OH, I'M SORRY. WHAT HAPPENED?
216
00:08:44,891 --> 00:08:47,491
I FOUND A $20 BILL. HA HA.
217
00:08:47,561 --> 00:08:49,093
THAT'S WONDERFUL.
218
00:08:49,162 --> 00:08:51,473
YEAH. AIN'T IT BETTER NOW
THAT YOU'VE WAITED, HUH? YEAH.
219
00:08:51,497 --> 00:08:53,531
IT LOOKED DOWN ON THE
SUBWAY FLOOR, EDITH,
220
00:08:53,600 --> 00:08:54,710
AND THERE IT WAS.
221
00:08:54,734 --> 00:08:56,167
AND YOU PICKED IT UP.
222
00:08:56,235 --> 00:08:58,235
NO, NO, I PUT MY FOOT ON IT
223
00:08:58,304 --> 00:09:00,416
TILL IT WAS TIME TO
GET ON TO THE SUBWAY,
224
00:09:00,440 --> 00:09:01,973
THEN I PICKED IT UP.
225
00:09:02,042 --> 00:09:05,643
DIDN'T YOU ASK
NOBODY IF THEY LOST IT?
226
00:09:05,712 --> 00:09:09,113
YOU NEVER TALK TO
STRANGERS ON THE SUBWAY.
227
00:09:11,284 --> 00:09:14,151
ESPECIALLY WHEN YOU'RE
CARRYIN' THIS KIND OF DOUGH.
228
00:09:14,220 --> 00:09:16,721
BUT I'M GLAD YOU'RE
FEELING SO GOOD
229
00:09:16,790 --> 00:09:19,190
'CAUSE I'VE GOT
SOMETHIN' TO TELL YOU.
230
00:09:19,258 --> 00:09:20,418
GO AHEAD.
231
00:09:21,260 --> 00:09:23,160
REMEMBER THE LETTER
232
00:09:23,229 --> 00:09:25,997
THAT YOU TOLD ME TO
WRITE TO MY COUSIN ESTELLE
233
00:09:26,066 --> 00:09:27,899
TO TELL HER NOT TO COME?
234
00:09:27,968 --> 00:09:30,068
YEAH, WHAT ABOUT IT?
235
00:09:30,136 --> 00:09:31,769
I NEVER SENT IT.
236
00:09:33,073 --> 00:09:35,840
EDITH, NO PROBLEM.
NO PROBLEM AT ALL.
237
00:09:35,909 --> 00:09:38,275
TONIGHT I FEEL SO GOOD,
YOU KNOW WHAT I'M GONNA DO?
238
00:09:38,344 --> 00:09:39,889
I'M GONNA GO INTO THE KITCHEN
239
00:09:39,913 --> 00:09:42,379
AND GET MY OWN
BEER MYSELF FOR ME.
240
00:09:42,448 --> 00:09:44,393
? WHOOP-DEE-DOO, WHOOP-DEE-DOO ?
241
00:09:44,417 --> 00:09:47,051
? DOO, DOO, DOO, DOO, DOO, DOO ?
242
00:09:47,987 --> 00:09:50,121
IT WORKED.
243
00:09:50,190 --> 00:09:52,423
THERE'S SOMETHING'S WRONG HERE.
244
00:09:52,491 --> 00:09:53,891
THE GUY WHO PUTS HIS FOOT
245
00:09:53,960 --> 00:09:56,694
ON THE $20 BILL ON THE
SUBWAY, THAT'S ARCHIE.
246
00:09:56,763 --> 00:09:58,229
BUT THAT NICE GUY WHO JUST
247
00:09:58,297 --> 00:09:59,997
WHOOP-DEE-DOOED
HIMSELF INTO THE KITCHEN,
248
00:10:00,066 --> 00:10:01,632
THAT'S SOMEBODY ELSE.
249
00:10:01,701 --> 00:10:03,634
MAYBE HE DIDN'T HEAR ME.
250
00:10:03,703 --> 00:10:05,502
I BETTER GO TELL HIM AGAIN.
251
00:10:05,571 --> 00:10:07,371
NO, MA. WHY PUSH YOUR LUCK?
252
00:10:07,440 --> 00:10:09,052
I MEAN, THAT GOOD MOOD HE'S
IN FROM FINDING THAT MONEY
253
00:10:09,076 --> 00:10:10,352
COULD WEAR OFF AT ANY TIME.
254
00:10:10,376 --> 00:10:12,510
YEAH, $20 DOESN'T GO
AS FAR AS IT USED TO.
255
00:10:13,313 --> 00:10:15,580
I BETTER MAKE SURE.
256
00:10:15,649 --> 00:10:17,281
MA.
257
00:10:17,350 --> 00:10:20,218
ARCHIE, I THOUGHT YOU
CAME IN HERE TO GET A BEER.
258
00:10:20,286 --> 00:10:21,519
YEAH, BUT I SEEN THIS FIRST.
259
00:10:21,588 --> 00:10:22,754
OH, BUT THAT'S DESSERT.
260
00:10:22,823 --> 00:10:24,100
YOU AIN'T HAD YOUR DINNER YET.
261
00:10:25,158 --> 00:10:27,025
ARCHIE, DID YOU HEAR
262
00:10:27,094 --> 00:10:30,394
WHAT I SAID IN THERE
ABOUT COUSIN ESTELLE?
263
00:10:30,463 --> 00:10:32,374
YEAH, YOU SAID YOU DIDN'T
SEND HER THAT LETTER.
264
00:10:32,398 --> 00:10:33,431
WELL, FINE.
265
00:10:33,500 --> 00:10:35,767
OH, I'M SO GLAD TO
HEAR YOU SAY THAT.
266
00:10:35,836 --> 00:10:37,535
'CAUSE LETTERS CAN
GET LOST IN THE MAIL.
267
00:10:37,604 --> 00:10:38,903
WHAT I THINK YOU OUGHT TO DO IS
268
00:10:38,972 --> 00:10:40,212
GET ON A TELEPHONE TO PHILLY
269
00:10:40,240 --> 00:10:42,907
AND TELL YOUR COUSIN
FATSO AND HER HUSBAND
270
00:10:42,976 --> 00:10:44,408
THAT THEY CAN'T COME HERE.
271
00:10:44,477 --> 00:10:46,797
I WAS WRONG, THAT'S ARCHIE.
272
00:10:48,649 --> 00:10:50,381
WHAT DO I DO NOW?
273
00:10:50,449 --> 00:10:52,249
NO GUNNYSACKING.
274
00:10:53,053 --> 00:10:54,418
FAIR FIGHT!
275
00:10:58,558 --> 00:10:59,791
DO IT!
276
00:11:01,961 --> 00:11:02,994
ARCHIE.
277
00:11:03,063 --> 00:11:04,063
YEAH?
278
00:11:05,165 --> 00:11:08,232
I DON'T WANNA CALL PHILADELPHIA.
279
00:11:08,301 --> 00:11:09,734
DON'T WORRY ABOUT IT.
280
00:11:09,803 --> 00:11:11,843
JUST REVERSE THE CHARGES,
FATSO CAN AFFORD IT.
281
00:11:13,039 --> 00:11:15,106
NO!
282
00:11:15,175 --> 00:11:18,843
I MEAN, I REFUSE
TO CALL ESTELLE.
283
00:11:20,046 --> 00:11:21,046
OH.
284
00:11:23,516 --> 00:11:25,783
WHAT THE HELL IS GOIN' ON HERE?
285
00:11:25,852 --> 00:11:27,518
YOU... YOU...
286
00:11:27,587 --> 00:11:30,121
RUN 'EM WORDS
PAST ME ONCE AGAIN?
287
00:11:31,657 --> 00:11:34,358
I AIN'T GONNA CALL ESTELLE
288
00:11:34,427 --> 00:11:37,095
AND I AIN'T GONNA
WRITE HER, NEITHER.
289
00:11:37,163 --> 00:11:40,364
MY MIND IS MADE UP. CASE CLOSED.
290
00:11:42,000 --> 00:11:48,074
Support us and become VIP member
to remove all ads from www.OpenSubtitles.org
291
00:11:49,542 --> 00:11:51,142
I'M THE ONLY ONE
292
00:11:51,211 --> 00:11:54,145
THAT CLOSES CASES AROUND HERE.
293
00:11:54,214 --> 00:11:56,192
NOW, DON'T BE
ACTIN' LIKE A DINGBAT.
294
00:11:56,216 --> 00:11:59,616
OOH, FOUL. YOU JUST
HIT ME BELOW THE BELT.
295
00:12:05,691 --> 00:12:07,691
I'M OVER HERE. I
NEVER COME NEAR YOU.
296
00:12:09,195 --> 00:12:11,862
HOLD IT, HOLD IT,
HOLD IT, HOLD IT.
297
00:12:11,931 --> 00:12:14,371
ARE THEM TWO PUTTIN' YOU
UP TO SOME KIND OF A GAG?
298
00:12:14,401 --> 00:12:16,234
OH, NO, NO, ARCHIE.
299
00:12:16,302 --> 00:12:17,302
I JUST THINK
300
00:12:17,370 --> 00:12:20,437
THAT WE SHOULD
TRY SOMETHIN' NEW.
301
00:12:21,875 --> 00:12:23,652
WHAT ARE YOU TALKIN' ABOUT?
302
00:12:23,676 --> 00:12:24,842
I'M TALKIN' ABOUT
303
00:12:24,911 --> 00:12:27,411
THE FAIR FIGHT WE'RE GONNA HAVE.
304
00:12:29,115 --> 00:12:30,592
WE AIN'T GONNA HAVE NO FIGHT.
305
00:12:30,616 --> 00:12:32,016
YEAH, WE ARE.
306
00:12:33,819 --> 00:12:34,964
NO, WE AIN'T.
307
00:12:34,988 --> 00:12:35,988
YES, WE ARE.
308
00:12:36,022 --> 00:12:37,166
NO, WE AIN'T.
309
00:12:37,190 --> 00:12:38,356
YES, WE ARE.
310
00:12:38,424 --> 00:12:40,035
WHY ARE WE GONNA FIGHT?
311
00:12:40,059 --> 00:12:44,261
SO WE CAN BE CLOSER THAN EVER.
312
00:12:44,330 --> 00:12:47,264
AND... AND STAY HAPPILY MARRIED.
313
00:12:51,037 --> 00:12:53,357
ARE YOU GOING THROUGH
THE CHANGE AGAIN?
314
00:13:25,505 --> 00:13:27,938
MARRIAGE IS SUPPOSED
TO BE A 2-WAY STREET.
315
00:13:36,116 --> 00:13:38,382
WHAT WAS THAT?
316
00:13:38,451 --> 00:13:40,784
MA HAS THE RIGHT
TO AIR HER FEELINGS.
317
00:13:40,853 --> 00:13:43,854
SHE CAN HANG HER FEELINGS
ON A CLOTHESLINE FOR ALL I CARE.
318
00:13:43,923 --> 00:13:46,590
I DON'T WANT HER FEELINGS
BRUNG TO THIS HERE TABLE.
319
00:13:46,659 --> 00:13:47,691
ARCHIE, I...
320
00:13:50,063 --> 00:13:52,463
I DON'T WANNA HEAR NO
MORE ABOUT FAIR FIGHTS,
321
00:13:52,532 --> 00:13:55,599
OR FOULS BELOW THE
BELT OR GUNNY BAGGIN'S.
322
00:13:55,668 --> 00:13:56,734
GUNNYSACK.
323
00:13:56,802 --> 00:13:58,042
WHATEVER, WHATEVER.
324
00:13:59,406 --> 00:14:01,305
ARCHIE, GIVE ME ONE GOOD REASON
325
00:14:01,374 --> 00:14:03,574
WHY YOU DON'T WANT
COUSIN ESTELLE VISITIN' US?
326
00:14:03,643 --> 00:14:05,076
I'LL GIVE YOU 4 OF THEM.
327
00:14:05,145 --> 00:14:07,678
SHE DYES HER HAIR, SHE
NEVER SHUTS HER BIG YAP,
328
00:14:07,747 --> 00:14:09,547
AND SHE'S GOT A
REAR END LIKE A BUS.
329
00:14:13,119 --> 00:14:14,119
YOU SAID 4.
330
00:14:14,987 --> 00:14:16,487
SHE MARRIED A CREEP.
331
00:14:17,523 --> 00:14:18,922
DADDY, RALPH HAPPENS TO BE
332
00:14:18,991 --> 00:14:21,525
ONE OF THE BEST
VETERINARIANS IN PHILADELPHIA.
333
00:14:21,594 --> 00:14:22,727
HE'S GOT FLEAS.
334
00:14:24,297 --> 00:14:27,265
AND I DON'T WANT FLEAS
SLEEPIN' IN THIS HOUSE.
335
00:14:27,333 --> 00:14:29,267
AND IF HE'S SUCH A
GREAT ANIMAL DOCTOR,
336
00:14:29,336 --> 00:14:32,456
HOW COME HIS OFFICE IS RIGHT
NEXT DOOR TO THE ANIMAL CEMETERY?
337
00:14:33,540 --> 00:14:34,872
ARCHIE,
338
00:14:34,941 --> 00:14:39,209
THEY'RE INVITIN' US TO
PHILADELPHIA ALL THE TIME.
339
00:14:39,278 --> 00:14:42,379
WELL, THEY GOT A BIG HOUSE
DOWN THERE IN PHILADELPHIA.
340
00:14:42,448 --> 00:14:44,749
EDITH, THEY GOT A LOT OF
ROOM. WE AIN'T GOT NO ROOM.
341
00:14:44,817 --> 00:14:46,061
THEY COME UP HERE TO STAY,
342
00:14:46,085 --> 00:14:47,630
WHERE THE HELL THEY GONNA SLEEP?
343
00:14:47,654 --> 00:14:48,998
WELL, THEY COULD USE OUR ROOM.
344
00:14:49,022 --> 00:14:50,588
AH, GEE, YOU WOMEN,
345
00:14:50,657 --> 00:14:52,067
WHERE ARE YOUS TWO GONNA SLEEP?
346
00:14:52,091 --> 00:14:53,857
WE'LL SLEEP DOWN HERE
ON THE ROLLAWAY BED.
347
00:14:53,927 --> 00:14:55,826
YEAH.
348
00:14:55,896 --> 00:14:57,795
YOUS TWO SLEEPIN' ON WHEELS?
349
00:15:07,941 --> 00:15:10,641
THAT LIVIN' ROOM WILL BE LIKE
THE INDIANAPOLIS SPEEDWAY.
350
00:15:15,682 --> 00:15:17,181
THAT WAS GROSS.
351
00:15:20,420 --> 00:15:21,852
I'M GLAD YOU ADMIT IT.
352
00:15:22,688 --> 00:15:23,721
NOW SHUT UP.
353
00:15:23,789 --> 00:15:24,833
MICHAEL?
354
00:15:24,857 --> 00:15:25,889
JUST STAY OUT OF IT.
355
00:15:25,958 --> 00:15:27,169
DON'T TELL HER WHAT TO DO.
356
00:15:27,193 --> 00:15:28,492
SHE'S MY WIFE!
357
00:15:28,561 --> 00:15:30,801
SHE WAS MY DAUGHTER
BEFORE SHE WAS YOUR WIFE.
358
00:15:30,830 --> 00:15:32,696
YOU AIN'T SUPPOSED
TO FIGHT WITH THEM.
359
00:15:32,765 --> 00:15:34,498
YOU'RE SUPPOSED
TO FIGHT WITH ME.
360
00:15:36,202 --> 00:15:38,080
WHAT ARE WE FIGHTING FOR,
361
00:15:38,104 --> 00:15:39,736
THE WORST DINGBAT TITLE?
362
00:15:39,805 --> 00:15:42,106
YOU AIN'T SUPPOSED TO
CALL ME NAMES NEITHER.
363
00:15:42,175 --> 00:15:44,141
AH. FAIR FIGHTIN', ARCHIE.
364
00:15:44,210 --> 00:15:45,409
THAT'S RIGHT, MA.
365
00:15:45,478 --> 00:15:47,445
AND YOU SHOULDN'T CALL
MY COUSIN NAMES, NEITHER.
366
00:15:47,513 --> 00:15:49,524
I'M GETTIN' OUT OF HERE.
MIKE AND GLORIA ARE NICE...
367
00:15:49,548 --> 00:15:50,681
WHERE ARE YOU GOIN'?
368
00:15:50,750 --> 00:15:52,694
DON'T YOU WANT TO HEAR
MY SIDE OF THE STORY?
369
00:15:52,718 --> 00:15:53,885
NO, I DO NOT.
370
00:15:53,953 --> 00:15:56,220
AND FOR THE LAST TIME,
THIS HOUSE IS OFF LIMITS
371
00:15:56,289 --> 00:15:59,657
TO COUSIN FATSO AND
HER HUSBAND, DOGFACE.
372
00:16:01,928 --> 00:16:03,060
I'LL GET IT.
373
00:16:03,129 --> 00:16:05,462
HE'S NOT GETTIN' OUT
OF THIS THING SO EASY.
374
00:16:05,531 --> 00:16:07,732
ARCH, YOU CAN'T RUN
AWAY FROM A PROBLEM.
375
00:16:07,800 --> 00:16:10,134
JEEZ, YOU'RE THE
BEST PROOF OF THAT.
376
00:16:10,203 --> 00:16:12,047
THAT'S WHAT YOU'RE
DOING. YOU'RE HIDING.
377
00:16:12,071 --> 00:16:14,271
YOU'RE ESCAPING INTO THE
SECURITY OF THE KITCHEN
378
00:16:14,340 --> 00:16:16,218
LIKE A CHILD TRYING TO
RETURN TO THE WOMB.
379
00:16:16,242 --> 00:16:18,109
NO SEX WHILE I'M EATIN' HERE.
380
00:16:19,678 --> 00:16:21,824
WHY WON'T YOU
LISTEN TO MA'S SIDE?
381
00:16:21,848 --> 00:16:23,247
SHE WANTS TO SAY THAT,
382
00:16:23,315 --> 00:16:24,593
LET HER WRITE TO DEAR ABBY,
383
00:16:24,617 --> 00:16:26,183
I'LL READ ABOUT
IT IN THE PAPERS.
384
00:16:26,252 --> 00:16:27,629
YOU'RE AFRAID
SHE MIGHT BE RIGHT.
385
00:16:27,653 --> 00:16:28,893
THAT'S IT, ARCH.
386
00:16:28,955 --> 00:16:30,933
YOU CAN'T ACCEPT ANYTHING
NEW, LIKE FAIR FIGHTING.
387
00:16:30,957 --> 00:16:32,322
YOU CAN'T TAKE CHANGE.
388
00:16:32,391 --> 00:16:33,869
THERE'S A TECHNICAL
TERM FOR GUYS LIKE YOU.
389
00:16:33,893 --> 00:16:35,573
THERE'S A TECHNICAL
TERM FOR GUYS LIKE YOU.
390
00:16:39,799 --> 00:16:41,444
THAT'S YOUR ANSWER
TO EVERYTHING.
391
00:16:41,468 --> 00:16:43,212
TOTAL INABILITY TO FACE REALITY,
392
00:16:43,236 --> 00:16:44,502
SO YOU GIVE IT THE RASPBERRY.
393
00:16:44,570 --> 00:16:45,570
YOU GOT A POINT.
394
00:16:47,339 --> 00:16:49,118
YOU CAN'T RUN AWAY
FROM THE TRUTH, ARCH.
395
00:16:49,142 --> 00:16:51,022
I WISH TO HELL YOU'D
RUN AWAY FROM HOME.
396
00:16:52,411 --> 00:16:53,644
THAT CALL FOR ME?
397
00:16:53,712 --> 00:16:56,080
NO, IT'S COUSIN ESTELLE.
398
00:16:56,149 --> 00:16:59,449
OH, DON'T TELL ME
PHILADELPHIA FATS IS IN TOWN.
399
00:16:59,518 --> 00:17:01,685
NO! SHE CALLED TO SAY
400
00:17:01,754 --> 00:17:03,698
THAT THEY CAN'T
MAKE IT NEXT WEEK.
401
00:17:03,722 --> 00:17:06,824
OH, GEE, WHAT A SHAME, EDITH?
402
00:17:06,893 --> 00:17:10,261
TO WHAT DO WE OWE THIS,
MISFORTUNATE FLUKE OF LUCK?
403
00:17:10,329 --> 00:17:13,264
RALPH GOT VERY BUSY.
404
00:17:13,332 --> 00:17:16,433
HE HAD A LOT OF SICK
ANIMALS TO LOOK AFTER.
405
00:17:16,502 --> 00:17:17,879
OH, THAT'S WHAT HE OUGHT TO DO.
406
00:17:17,903 --> 00:17:20,070
STAY THERE, STAY THERE.
407
00:17:20,140 --> 00:17:21,672
WHEN A DOG IS THROWIN' UP,
408
00:17:21,741 --> 00:17:24,175
HE WANTS TO KNOW HIS
OWN DOCTOR'S IN TOWN.
409
00:17:27,546 --> 00:17:28,946
IF ESTELLE CAN'T MAKE IT,
410
00:17:29,015 --> 00:17:30,514
I GUESS YOU'RE OFF THE HOOK, MA.
411
00:17:30,583 --> 00:17:31,715
SO FORGET IT.
412
00:17:31,784 --> 00:17:33,217
THAT'S RIGHT, FORGET IT.
413
00:17:33,286 --> 00:17:35,786
AND STOP STEAMIN' YOUR
MOTHER UP OVER NOTHIN'.
414
00:17:35,854 --> 00:17:36,987
NOTHIN'?
415
00:17:37,056 --> 00:17:38,322
THAT'S RIGHT. NOTHIN'.
416
00:17:38,391 --> 00:17:41,925
OH, WHAT YOU THINK IS
NOTHIN' MAYBE SOMETHIN' TO ME.
417
00:17:41,994 --> 00:17:44,995
JUST LIKE WHAT'S NOTHIN'
TO ME IS SOMETHIN' TO YOU.
418
00:17:45,064 --> 00:17:46,730
ONLY, I WOULD NEVER SAY TO YOU
419
00:17:46,799 --> 00:17:48,065
YOUR NOTHIN' IS NOTHIN',
420
00:17:48,134 --> 00:17:50,234
BECAUSE IT'S SOMETHIN' TO YOU.
421
00:18:00,212 --> 00:18:02,346
I DON'T KNOW WHAT
THE HELL YOU JUST SAID.
422
00:18:03,683 --> 00:18:06,551
I JUST SAID THAT YOU
OUGHT TO RESPECT
423
00:18:06,619 --> 00:18:09,353
MY FEELINGS SOMETIMES, ARCHIE.
424
00:18:09,422 --> 00:18:11,722
I ALWAYS RESPECT YOUR FEELINGS.
425
00:18:11,791 --> 00:18:13,591
NOW SIT THE HELL DOWN.
426
00:18:14,927 --> 00:18:16,026
NO!
427
00:18:17,263 --> 00:18:18,962
I AIN'T GONNA SIT DOWN
428
00:18:19,031 --> 00:18:21,666
JUST 'CAUSE YOU
TELL ME TO SIT DOWN.
429
00:18:21,734 --> 00:18:24,101
WELL, AS LONG AS YOU'RE
UP THERE ON YOUR FEET,
430
00:18:24,170 --> 00:18:27,271
UH, WHAT WOULD YOU THINK
ABOUT GETTIN' ME A BEER?
431
00:18:27,339 --> 00:18:29,139
NO. I AIN'T GONNA GET YOU A BEER
432
00:18:29,175 --> 00:18:32,076
JUST 'CAUSE YOU TELL
ME TO GET YOU A BEER.
433
00:18:32,145 --> 00:18:34,056
WELL, WHAT WOULD YOU
THINK ABOUT SHUTTIN' UP?
434
00:18:34,080 --> 00:18:36,046
NO! I AIN'T GONNA SHUT UP.
435
00:18:36,115 --> 00:18:38,749
I'VE GOT A RIGHT TO TALK
JUST LIKE ANYBODY ELSE.
436
00:18:40,687 --> 00:18:42,787
NOW, LISTEN,
437
00:18:42,856 --> 00:18:45,122
YOU'RE GONNA DO
WHAT I TELL YOU TO DO!
438
00:18:45,191 --> 00:18:46,231
OR ELSE...
439
00:18:46,258 --> 00:18:47,391
OR ELSE, WHAT?
440
00:18:55,635 --> 00:18:57,568
I'LL GO TO KELSEY'S.
441
00:18:57,637 --> 00:18:59,236
NO!
442
00:18:59,305 --> 00:19:00,783
YEAH, I'LL GO TO KELSEY'S
NOW. NO, NO. YOU CAN'T.
443
00:19:00,807 --> 00:19:02,150
LOOK AT HER, SHE'S CHARGIN' ME.
444
00:19:02,174 --> 00:19:03,407
NO, YOU GOT TO STAY IN HERE.
445
00:19:03,476 --> 00:19:04,809
YOU GOT TO FINISH THE FIGHT.
446
00:19:04,878 --> 00:19:06,922
OH, NO. I'M GETTIN' AWAY
FROM YOU, EDITH. RIGHT NOW.
447
00:19:06,946 --> 00:19:08,190
NO, YOU AIN'T. NO, YOU CAN'T.
448
00:19:08,214 --> 00:19:09,446
OH, YES.
449
00:19:09,516 --> 00:19:10,659
AND WHEN I COME
BACK FROM KELSEY'S,
450
00:19:10,683 --> 00:19:11,994
I'LL TELL YOU WHAT I'M GONNA DO.
451
00:19:12,018 --> 00:19:13,295
I'M GONNA SLEEP
ON THE SOFA THERE.
452
00:19:13,319 --> 00:19:14,429
NO, YOU AIN'T. YES, I AM.
453
00:19:14,453 --> 00:19:16,320
NO, YOU AIN'T. YES, I AM!
454
00:19:16,389 --> 00:19:18,189
NO, YOU AIN'T! YES! WHY AIN'T I?
455
00:19:18,257 --> 00:19:20,424
BECAUSE I'M GONNA
SLEEP ON THE COUCH.
456
00:19:21,327 --> 00:19:22,660
NO, YOU AIN'T.
457
00:19:22,729 --> 00:19:24,194
YES, I AM!
458
00:19:27,132 --> 00:19:28,666
OK, EDITH,
459
00:19:28,734 --> 00:19:30,067
YOU GOT A DEAL.
460
00:19:30,135 --> 00:19:31,334
OH, ARCHIE.
461
00:19:31,403 --> 00:19:32,614
YOU GOT A DEAL.
462
00:19:32,638 --> 00:19:35,118
YOU GOT A DEAL. YOU GOT A DEAL.
463
00:19:37,309 --> 00:19:41,011
MA. WHY DIDN'T YOU LET
DADDY SLEEP ON THE COUCH?
464
00:19:41,080 --> 00:19:43,213
'CAUSE I WAS TRYIN'
TO STAND UP TO HIM,
465
00:19:43,282 --> 00:19:44,325
LIKE YOU TOLD ME.
466
00:19:45,484 --> 00:19:46,750
OH. OH.
467
00:19:48,287 --> 00:19:49,620
MA.
468
00:19:49,689 --> 00:19:51,521
OH, OH, OH.
469
00:19:51,591 --> 00:19:54,257
OH, I GUESS I BETTER GO UPSTAIRS
470
00:19:54,326 --> 00:19:57,294
AND GET SOME
SHEETS AND A BLANKET.
471
00:20:37,636 --> 00:20:40,071
JEEZ, I DIDN'T MEAN TO
WAKE YOU UP THERE, EDITH.
472
00:20:41,674 --> 00:20:44,441
I THOUGHT I'D COME DOWN
AND WATCH A LITTLE T.V.
473
00:20:44,510 --> 00:20:47,311
T.V. AT THIS HOUR?
474
00:20:47,379 --> 00:20:49,279
IT MUST BE AFTER MIDNIGHT.
475
00:20:49,348 --> 00:20:50,781
OH, YEAH, IT IS.
476
00:20:50,849 --> 00:20:52,583
BUT I SEE BY THE T.V. GUIDE
477
00:20:52,652 --> 00:20:54,751
THEY'RE RUNNIN' A
TERRIFIC MOVIE TONIGHT.
478
00:20:55,954 --> 00:20:58,222
OZZIE AND HARRIET IN
HERE COME THE NELSONS.
479
00:21:00,926 --> 00:21:01,926
OH.
480
00:21:03,195 --> 00:21:05,763
WILL IT KEEP YOU
AWAKE IF I WATCH IT?
481
00:21:05,831 --> 00:21:09,065
OH, NO. I CAN SLEEP
THROUGH THAT ONE.
482
00:21:13,940 --> 00:21:15,973
UNLESS YOU'D RATHER FIGHT.
483
00:21:16,042 --> 00:21:18,809
WELL, YOU KNOW, I THOUGHT
ONE OF THEM FAIR FIGHTS,
484
00:21:18,877 --> 00:21:20,577
IF IT'D MAKE YOU HAPPY.
485
00:21:20,646 --> 00:21:22,546
THANK YOU, ARCHIE.
486
00:21:23,549 --> 00:21:25,349
MAYBE IN THE MORNING.
487
00:21:31,256 --> 00:21:33,023
WELL, I KIND OF THINK
488
00:21:33,091 --> 00:21:35,192
THAT I KNOW WHAT
WOULD MAKE YOU HAPPY.
489
00:21:36,329 --> 00:21:37,795
WHAT?
490
00:21:37,863 --> 00:21:39,262
A SAUSAGE PIZZA.
491
00:21:41,467 --> 00:21:42,833
A PIZZA?
492
00:21:42,902 --> 00:21:45,436
YEAH, THERE'S A
NEW ALL-NIGHT JOINT
493
00:21:45,505 --> 00:21:47,338
ABOUT 4 BLOCKS FROM HERE.
494
00:21:47,406 --> 00:21:50,107
I SEEN THE DAGO THROWIN' THE
DOUGH AROUND IN THE WINDOW.
495
00:21:52,845 --> 00:21:55,045
I GO UP THERE AND GET DRESSED,
496
00:21:55,114 --> 00:21:56,880
AND I COULD GO OUT IN THE COLD
497
00:21:56,949 --> 00:21:58,348
AND GET YOU ONE.
498
00:21:59,685 --> 00:22:01,785
YOU KNOW, UNLESS
YOU FEEL LIKE, UH,
499
00:22:01,854 --> 00:22:02,953
GETTIN' OUT OF THE COUCH
500
00:22:03,021 --> 00:22:04,981
AND MAKIN' ME A
SANDWICH IN THE KITCHEN.
501
00:22:07,793 --> 00:22:10,093
OH, GEE, I'D BE GLAD
502
00:22:10,162 --> 00:22:13,430
TO FIX SOMETHING FOR
YOU IF YOU'RE HUNGRY.
503
00:22:13,499 --> 00:22:15,109
YEAH, BUT I... I
WOULDN'T WANT TO, UH,
504
00:22:15,133 --> 00:22:16,867
MAKE YOU FEEL LIKE A
SERVANT THERE, EDITH,
505
00:22:16,935 --> 00:22:20,404
IF YOU'RE JUST MAKIN' ME A
SANDWICH LIKE A GOOD WIFE SHOULD.
506
00:22:20,473 --> 00:22:22,840
I DON'T FEEL LIKE A SERVANT.
507
00:22:22,908 --> 00:22:24,508
YEAH.
508
00:22:24,577 --> 00:22:27,210
YEAH, WELL, I-I'LL TELL YOU
SOMETHIN' ELSE THERE, EDITH.
509
00:22:27,279 --> 00:22:31,281
AS LONG AS WE'RE, YOU KNOW,
WHAT YOU CALL EQUAL PARTNERS,
510
00:22:31,350 --> 00:22:34,184
UH, WHY DON'T YOU MAKE
US BOTH A SANDWICH?
511
00:22:35,488 --> 00:22:36,787
OK?
512
00:22:37,757 --> 00:22:39,055
OK.
513
00:22:40,259 --> 00:22:42,760
OH, NAH. AIN'T THAT NICE?
514
00:22:46,866 --> 00:22:48,777
WELL, MAYBE THERE'S
SOMETHIN' AFTER ALL
515
00:22:48,801 --> 00:22:50,200
IN THIS FAIR FIGHTIN', HUH?
516
00:22:51,537 --> 00:22:53,417
YOU GOT ANY BALONEY OUT THERE?
517
00:22:55,140 --> 00:22:57,574
I'LL SEE. YEAH.
518
00:22:57,643 --> 00:23:00,811
I'D RATHER HAVE THAT
THAN THAT PIZZA ANYWAY,
519
00:23:00,879 --> 00:23:03,158
I'D PROBABLY BE TASTIN'
THE PIZZA TILL JULY.
520
00:23:03,182 --> 00:23:04,622
UH-HUH. YEAH.
521
00:23:04,684 --> 00:23:08,952
I WANNA TELL YOU, EDITH, I
WAS WRONG, WRONG, WRONG.
522
00:23:09,021 --> 00:23:10,661
YOU'VE GOT A RIGHT
TO SEE YOUR RELATIONS
523
00:23:10,723 --> 00:23:12,389
NO MATTER WHAT THEY LOOK LIKE.
524
00:23:13,626 --> 00:23:15,626
OH, THANK YOU, ARCHIE.
525
00:23:15,695 --> 00:23:17,361
AND I WANT YOU TO KNOW
526
00:23:17,430 --> 00:23:20,241
I AIN'T SAYIN' THAT JUST
'CAUSE I KNOW THEY AIN'T COMIN'.
527
00:23:20,265 --> 00:23:22,165
DO YOU REALLY MEAN THAT?
528
00:23:22,234 --> 00:23:23,600
OH, I CERTAINLY DO.
529
00:23:23,669 --> 00:23:25,636
OH, THAT'S WONDERFUL,
530
00:23:25,705 --> 00:23:28,171
'CAUSE ESTELLE SAID
THEY COULD COME
531
00:23:28,240 --> 00:23:29,540
WEEK AFTER NEXT.
532
00:23:40,018 --> 00:23:41,184
ARE YOU KIDDIN'?
533
00:23:42,154 --> 00:23:43,354
NO.
534
00:23:43,422 --> 00:23:45,556
SO, I'LL GET ON THE
PHONE IN THE MORNING
535
00:23:45,624 --> 00:23:47,824
AND TELL HER IT'S
OK, COME AHEAD.
536
00:23:47,893 --> 00:23:51,295
YOU TRICKED ME, EDITH.
YOU TRICKED ME, EDITH.
537
00:23:51,364 --> 00:23:53,364
YOU KNOW DAMN
WELL THAT I DON'T WANT
538
00:23:53,432 --> 00:23:54,664
THAT REDHEAD HIPPO
539
00:23:54,733 --> 00:23:56,933
AND HER FLEA-BITTEN
HUSBAND IN THIS HOUSE.
540
00:23:57,002 --> 00:23:58,035
OH, THAT'S FOUL.
541
00:23:58,103 --> 00:23:59,648
CALLIN' PEOPLE NAMES, IT'S FOUL.
542
00:23:59,672 --> 00:24:02,139
FOUL! WHEN YOU'RE
FIGHTIN' A FREAKO FAMILY
543
00:24:02,207 --> 00:24:03,974
FROM PHILLY, YOU
GOT A FIGHT FOUL.
544
00:24:04,043 --> 00:24:06,723
BUT YOU WERE JUST SAYIN'... I'LL
TELL YOU WHAT YOU'RE GONNA DO.
545
00:24:06,779 --> 00:24:08,345
YOU'RE GONNA GET
ON THAT TELEPHONE
546
00:24:08,414 --> 00:24:09,813
AND YOU'RE GONNA TELL 'EM THAT
547
00:24:09,882 --> 00:24:11,481
IF THEY GET ON
THAT TRAIN IN PHILLY,
548
00:24:11,551 --> 00:24:14,952
I'M GONNA DERAIL THAT TRAIN
IN ELIZABETH, NEW JERSEY!
549
00:24:30,636 --> 00:24:33,215
ALL IN THE FAMILY WAS
RECORDED ON TAPE
550
00:24:33,239 --> 00:24:34,771
BEFORE A LIVE AUDIENCE.
551
00:24:35,305 --> 00:25:35,365
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