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Would you like to inspect the original subtitles? These are the user uploaded subtitles that are being translated: 1 00:00:03,104 --> 00:00:05,504 ? BOY, THE WAY GLENN MILLER PLAYED ? 2 00:00:05,572 --> 00:00:09,508 ? SONGS THAT MADE THE HIT PARADE ? 3 00:00:09,576 --> 00:00:12,644 ? GUYS LIKE US, WE HAD IT MADE ? 4 00:00:12,713 --> 00:00:16,414 ? THOSE WERE THE DAYS ? 5 00:00:16,483 --> 00:00:20,252 ? AND YOU KNEW WHERE YOU WERE THEN ? 6 00:00:20,320 --> 00:00:24,189 ? GIRLS WERE GIRLS AND MEN WERE MEN ? 7 00:00:24,258 --> 00:00:26,491 ? MISTER, WE COULD USE A MAN ? 8 00:00:26,560 --> 00:00:30,362 ? LIKE HERBERT HOOVER AGAIN ? 9 00:00:30,430 --> 00:00:33,498 ? DIDN'T NEED NO WELFARE STATES ? 10 00:00:33,567 --> 00:00:36,768 ? EVERYBODY PULLED HIS WEIGHT ? 11 00:00:36,837 --> 00:00:41,073 ? GEE, OUR OLD LASALLE RAN GREAT ? 12 00:00:41,142 --> 00:00:42,374 ? THOSE WERE ? 13 00:00:42,442 --> 00:00:44,076 ? THE DAYS ? 14 00:00:46,000 --> 00:00:52,074 Advertise your product or brand here contact www.OpenSubtitles.org today 15 00:00:55,256 --> 00:00:57,822 HELLO. OH, DAMN. 16 00:00:57,891 --> 00:01:02,628 OH, NO, LOUISE, I'M SORRY. IT'S JUST I WAS HOPING IT WAS DADDY. 17 00:01:02,696 --> 00:01:04,696 NO, NOT A WORD YET. 18 00:01:04,765 --> 00:01:08,267 AND WE'VE BEEN CALLING THE CONVENTION HEADQUARTERS UP IN BUFFALO EVERY HOUR. 19 00:01:08,335 --> 00:01:09,668 NOBODY'S SEEN HIM. 20 00:01:09,736 --> 00:01:11,970 IT'S AS IF HE'S DISAPPEARED INTO THIN AIR. 21 00:01:13,541 --> 00:01:15,274 NO. MOM'S NOT HERE. 22 00:01:15,342 --> 00:01:18,088 SHE'S GONE DOWN TO THE POLICE STATION WITH MICHAEL TO FILL OUT A REPORT. 23 00:01:18,112 --> 00:01:21,046 WELL, CALL ME THE MINUTE YOU HEAR ANYTHING. 24 00:01:21,115 --> 00:01:22,914 AND TRY TO RELAX, SWEETIE. 25 00:01:22,983 --> 00:01:25,223 I KNOW YOU'LL BE HEARING FROM HIM SOON. 26 00:01:28,221 --> 00:01:31,322 WELL, STILL NO WORD FROM ARCHIE. 27 00:01:31,391 --> 00:01:33,158 YEAH, PEACEFUL AIN'T IT? 28 00:01:34,928 --> 00:01:36,762 WHY DON'T YOU SHUT UP, GEORGE? 29 00:01:36,830 --> 00:01:39,208 HEY, HO, HO, HO. WHAT KIND OF TALK IS THAT, WOMAN? 30 00:01:39,232 --> 00:01:42,267 LISTEN, GEORGE, ARCHIE IS MISSING. 31 00:01:42,336 --> 00:01:44,970 AND EDITH IS GOING OUT OF HER MIND WITH WORRY. 32 00:01:45,038 --> 00:01:47,205 WHY? IS SHE AFRAID HE'S COMING BACK? 33 00:01:48,275 --> 00:01:49,774 NOW, YOU LISTEN TO ME, GEORGE. 34 00:01:49,843 --> 00:01:52,344 TAKE THAT CLAW OUT OF MY FACE. 35 00:01:52,412 --> 00:01:55,013 AND IF YOU GIVE ME THE FINGER ONE MORE TIME, WOMAN... 36 00:01:55,082 --> 00:01:57,783 YOU CALL ME "WOMAN" ONE MORE TIME 37 00:01:57,851 --> 00:02:00,552 AND I'M GOING TO PUT ALL 5 FINGERS TOGETHER AND... 38 00:02:00,620 --> 00:02:02,932 GO AHEAD, GO AHEAD. GIVE ME YOUR BEST SHOT RIGHT HERE. 39 00:02:02,956 --> 00:02:04,567 AND YOU SEE WHAT HAPPENS TO YOU. 40 00:02:04,591 --> 00:02:05,924 WHAT? 41 00:02:05,992 --> 00:02:08,312 YOUR MOTHER WILL HAVE AN UNEXPECTED GUEST. YOU. 42 00:02:10,865 --> 00:02:14,032 DAMN IT, LOUISE. WHY DO YOU KEEP STICKING UP FOR THAT HONKY? 43 00:02:14,101 --> 00:02:16,602 YOU HEAR THE WAY HE'S ALWAYS FAT-MOUTHING US. 44 00:02:16,670 --> 00:02:19,870 THE ONLY THING WORSE THAN HIS INSULTS, IS HIS COMPLIMENTS. 45 00:02:20,908 --> 00:02:23,174 "I SAID, JEFFERSON, THERE, 46 00:02:23,243 --> 00:02:25,611 "YOU KNOW WHY YOU PEOPLE GOT SUCH NATURAL RHYTHM? 47 00:02:25,679 --> 00:02:27,946 FROM BEING GROWN UP ON ALL 'EM TOM-TOMS." 48 00:02:29,583 --> 00:02:33,418 THEN THERE'S THE BULL ABOUT JUST 'CAUSE WE BLACK, WE CAN'T GET ENOUGH SEX. 49 00:02:34,788 --> 00:02:37,522 WE BOTH KNOW THAT'S BULL, DON'T WE GEORGE? 50 00:02:42,195 --> 00:02:43,962 YOU BETTER LIGHTEN UP, LOUISE. 51 00:02:44,030 --> 00:02:45,730 BUT YOU DO HAVE RHYTHM. 52 00:02:45,799 --> 00:02:47,398 1 OUT OF 2 AIN'T BAD. 53 00:02:53,073 --> 00:02:57,141 NOW YOU'VE GONE TOO FAR. YOU HEAR THAT, LOUISE? TOO FAR. 54 00:02:57,210 --> 00:02:59,878 DON'T YOU SLAM MY TABLE. WHAT? 55 00:02:59,946 --> 00:03:02,992 I'LL SLAM YOUR TABLE. I'LL SLAM YOUR CHAIR. 56 00:03:03,016 --> 00:03:05,928 I'LL SLAM YOUR WALL. ANYTHING ELSE YOU WANT ME TO SLAM? 57 00:03:05,952 --> 00:03:08,853 YES. THE DOOR FROM THE OTHER SIDE. 58 00:03:10,056 --> 00:03:11,189 YOU GOT IT. 59 00:03:24,737 --> 00:03:26,904 MR. WARD, WHAT YOU DID IS AGAINST THE LAW. 60 00:03:26,974 --> 00:03:28,614 I'LL BE WITH YOU FOLKS IN JUST A MINUTE. 61 00:03:28,675 --> 00:03:30,755 YOU UNDERSTAND THAT? YES, SIR. 62 00:03:30,811 --> 00:03:35,013 LOOK, IF I PROMISE NEVER TO DO IT AGAIN, 63 00:03:35,616 --> 00:03:37,715 WILL YOU LET ME GO? 64 00:03:37,784 --> 00:03:41,119 OK, MR. WARD, BUT, IT'S THE LAST TIME. 65 00:03:41,188 --> 00:03:44,148 NOW BEAT IT. THANK YOU, SERGEANT. THANK YOU. 66 00:03:52,399 --> 00:03:54,832 HEY, HEY! GET OUT OF HERE! 67 00:03:54,901 --> 00:03:55,911 WHAT ARE YOU, CRAZY? 68 00:03:55,935 --> 00:03:57,469 DON'T DO THAT! 69 00:03:57,537 --> 00:03:59,097 BOOK HIM. 70 00:04:10,584 --> 00:04:12,917 SORRY YOU HAD TO SEE THAT, MA. 71 00:04:15,689 --> 00:04:19,657 THAT REMINDS ME, ARCHIE FORGOT TO PACK HIS RAINCOAT. 72 00:04:23,931 --> 00:04:26,364 I'M, UH, I'M SORRY ABOUT THAT, MA'AM. 73 00:04:26,433 --> 00:04:28,033 NOW CAN I HELP YOU? 74 00:04:28,102 --> 00:04:32,403 Y-Y-YEAH. MY HUSBAND IS SUPPOSED TO BE IN BUFFALO AT A CONVENTION, 75 00:04:32,472 --> 00:04:34,272 BUT HE DIDN'T EVEN GET ON THE BUS. 76 00:04:34,341 --> 00:04:36,708 UH, WE'D LIKE TO FILE A MISSING PERSONS REPORT. 77 00:04:36,777 --> 00:04:38,610 OK. WHAT'S YOUR HUSBANDS NAME, LADY? 78 00:04:38,678 --> 00:04:41,613 ARCHIE BUNKER. AND HOW LONG HAS HE BEEN MISSING? 79 00:04:41,682 --> 00:04:43,548 SINCE NOON, YESTERDAY. 80 00:04:43,617 --> 00:04:45,657 OH, WE CAN'T FILE A MISSING PERSONS REPORT 81 00:04:45,719 --> 00:04:47,552 UNTIL 24 HOURS HAVE PASSED. 82 00:04:47,620 --> 00:04:49,799 THAT'S RIDICULOUS. I MEAN. WHAT'S ANOTHER FEW HOURS? 83 00:04:49,823 --> 00:04:51,701 A MAN IS MISSING. WE'VE COME HERE TO REPORT IT. 84 00:04:51,725 --> 00:04:53,925 ALL WE'RE ASKING YOU TO DO IS TRY TO FIND HIM. 85 00:04:53,993 --> 00:04:55,505 LOOK, I'D LIKE TO BE ABLE TO HELP YOU, 86 00:04:55,529 --> 00:04:57,407 BUT THERE ISN'T TOO MUCH WE CAN DO RIGHT NOW. 87 00:04:57,431 --> 00:04:59,531 UH, UNLESS... 88 00:04:59,599 --> 00:05:02,066 HAS YOUR HUSBAND EVER HAD AMNESIA? 89 00:05:02,135 --> 00:05:04,336 OH, NO, I DON'T THINK SO. 90 00:05:04,405 --> 00:05:07,071 HE NEVER USED LAXATIVES. JUST PRUNE JUICE. 91 00:05:11,878 --> 00:05:14,512 LADY, THIS, UH, HUSBAND OF YOURS 92 00:05:14,581 --> 00:05:16,448 IS HE FIFTY-ISH, OVERWEIGHT, 93 00:05:16,516 --> 00:05:18,450 ALWAYS WORRIED ABOUT MONEY, 94 00:05:18,518 --> 00:05:21,053 STUCK IN A DULL JOB, KIND OF SOUR IN LIFE? 95 00:05:21,121 --> 00:05:23,421 THAT'S WONDERFUL, YOU'VE SEEN HIM. 96 00:05:25,792 --> 00:05:28,437 NO, BUT, I'VE SEEN A MILLION GUYS JUST LIKE HIM. 97 00:05:28,461 --> 00:05:29,995 LET ME TELL YOU SOMETHING. 98 00:05:30,063 --> 00:05:33,665 A LOT OF OUR MISSING PERSONS TURN OUT TO BE RUNAWAYS. 99 00:05:33,734 --> 00:05:36,868 AND 98 PERCENT OF ALL THE MEN INVOLVED 100 00:05:36,937 --> 00:05:41,173 ARE RUNNING AWAY BECAUSE OF, UH, EXTRA-MARITAL AFFAIRS. 101 00:05:41,241 --> 00:05:44,442 OH, ARCHIE AIN'T INTERESTED IN AFFAIRS. 102 00:05:44,511 --> 00:05:47,312 HE DON'T EVEN LIKE SMALL DINNER PARTIES. 103 00:05:52,052 --> 00:05:54,452 H-HELLO. REGISTRATION DESK? 104 00:05:54,521 --> 00:05:57,222 YES, COULD YOU PLEASE TELL ME IF A MR. ARCHIE BUNKER 105 00:05:57,291 --> 00:05:59,157 HAS CHECKED INTO THE HOTEL YET? 106 00:05:59,226 --> 00:06:00,825 Y-YES, I'LL HOLD. 107 00:06:05,465 --> 00:06:07,164 HE HASN'T CHECKED IN YET. 108 00:06:07,901 --> 00:06:08,901 THANK YOU. 109 00:06:10,036 --> 00:06:12,838 OH, BOY. WHAT'S THAT? 110 00:06:12,906 --> 00:06:16,241 OH, IT'S A COLLECTION OF STUFF I FOUND UP IN ARCHIE'S CLOSET. 111 00:06:16,309 --> 00:06:19,410 MICHAEL, YOU WENT INTO DADDY'S ROOM? THOSE THINGS ARE PERSONAL. 112 00:06:19,479 --> 00:06:21,112 GLORIA, THE POLICE SAID IT WOULD HELP 113 00:06:21,181 --> 00:06:23,560 IF WE COULD BUILD UP A PSYCHOLOGICAL PROFILE OF ARCHIE. 114 00:06:23,584 --> 00:06:25,795 YEAH, BUT THIS IS JUST A BUNCH OF OLD SOUVENIRS. 115 00:06:25,819 --> 00:06:28,653 IT MIGHT GIVE US A CLUE TO WHERE ARCHIE'S GONE. 116 00:06:28,722 --> 00:06:31,456 A "WIN WITH WILKIE" BUTTON? 117 00:06:31,525 --> 00:06:35,126 LOOK AT THIS. AN OLD RIPLEY'S "BELIEVE IT OR NOT" CLIPPING. 118 00:06:35,195 --> 00:06:37,696 "BECAUSE OF THE POPULATION GROWTH RATE IN CHINA 119 00:06:37,764 --> 00:06:40,042 "IF YOU LINED UP ALL THE CHINESE, 4 ABREAST 120 00:06:40,066 --> 00:06:44,402 AND MARCHED THEM INTO THE SEA, THE LINE WOULD NEVER END." 121 00:06:44,471 --> 00:06:46,604 I WONDER WHY HE KEPT THIS. 122 00:06:46,673 --> 00:06:48,306 MAYBE HE LIKED THE IDEA. 123 00:06:51,311 --> 00:06:52,878 WHAT'S THIS? 124 00:06:52,946 --> 00:06:55,713 OH, DADDY GOT THAT FROM HIGH SCHOOL. 125 00:06:55,782 --> 00:06:57,482 YOU MEAN HE KEPT HIS GRADES? 126 00:07:01,221 --> 00:07:04,022 NO, MICHAEL. IT STANDS FOR FLUSHING. 127 00:07:04,091 --> 00:07:05,957 OH, SO THAT'S WHAT HE MAJORED IN. 128 00:07:08,495 --> 00:07:11,662 FLUSHING HIGH SCHOOL. HE WAS ON THE BASEBALL TEAM. 129 00:07:11,731 --> 00:07:13,965 HEY! IT COULD HAVE STARTED WAY BACK THEN. 130 00:07:15,235 --> 00:07:16,712 OH, I'LL GET IT. YEAH. THAT'S IT. 131 00:07:16,736 --> 00:07:18,714 MAYBE HE NEVER BECAME A REAL BALLPLAYER, 132 00:07:18,738 --> 00:07:20,671 SO NOW HE'S STILL MAD AT LIFE. 133 00:07:20,740 --> 00:07:22,540 MAYBE NOT. I DON'T KNOW. 134 00:07:24,478 --> 00:07:26,545 HI. HI. 135 00:07:26,613 --> 00:07:28,057 YEAH, WELL, THAT MAKES 2 HIGH. 136 00:07:28,081 --> 00:07:29,726 ONE OF US BETTER COME DOWN FROM UP THERE. 137 00:07:31,752 --> 00:07:33,351 UH, I'M NOT SURE... 138 00:07:33,420 --> 00:07:35,064 OH, I'M, UH, STRETCH CUNNINGHAM, GLORIA. 139 00:07:35,088 --> 00:07:36,265 FROM YOUR FATHER'S PLANT. 140 00:07:36,289 --> 00:07:40,091 OH, OH, STRETCH CUNNINGHAM. OH, COME ON IN. 141 00:07:40,160 --> 00:07:43,061 OH, BUT I'M, UH, I'M AFRAID THAT DADDY'S NOT HERE. 142 00:07:43,129 --> 00:07:45,441 YEAH, I HEARD. YEAH, I ASKED STRETCH TO COME OVER, GLORIA. 143 00:07:45,465 --> 00:07:46,731 THANKS A LOT, STRETCH. 144 00:07:46,800 --> 00:07:48,844 OH, THAT'S OK. I HAD TO WALK THAT WAY, ANYWAY. 145 00:07:48,868 --> 00:07:50,880 AS THE MAN SAID WHEN HE BOUGHT THE TALCUM POWDER. 146 00:07:56,776 --> 00:07:58,855 WHY DID YOU WANT TO TALK WITH MR. CUNNINGHAM? 147 00:07:58,879 --> 00:08:01,691 WELL, I THOUGHT THAT MAYBE STRETCH COULD TELL US SOMETHING ABOUT ARCHIE 148 00:08:01,715 --> 00:08:02,848 THAT WE DON'T ALREADY KNOW. 149 00:08:02,916 --> 00:08:04,427 OH. WOULD YOU LIKE SOME COFFEE? 150 00:08:04,451 --> 00:08:06,162 OH, NO THANKS. I AIN'T GOT LONG. 151 00:08:06,186 --> 00:08:08,386 I PROMISED TINY STUBAFORE I'D GO BOWLING WITH HIM. 152 00:08:08,455 --> 00:08:10,188 YOU KNOW TINY? NO. 153 00:08:10,256 --> 00:08:12,856 OH, TOO BAD. THEY GET A BIG KICK OUT OF US DOWN AT THE ALLEY. 154 00:08:12,893 --> 00:08:14,804 LIKE SOMETIMES, UH, WHEN TINY BEATS ME, 155 00:08:14,828 --> 00:08:17,006 I GET DOWN ON MY KNEES NEXT TO HIM AND I YELL: 156 00:08:17,030 --> 00:08:19,675 "HEY. WHY DON'T YOU PICK ON SOMEBODY YOUR OWN SIZE?" 157 00:08:19,699 --> 00:08:21,198 AND FUNNY THINGS LIKE THAT. 158 00:08:23,570 --> 00:08:28,072 THAT'S FUNNY, STRETCH. W-WHY DON'T YOU SIT DOWN OVER HERE? 159 00:08:28,141 --> 00:08:30,841 UH, AT WORK DID ARCHIE MENTION ANYTHING 160 00:08:30,910 --> 00:08:32,477 ABOUT THE LODGE CONVENTION? 161 00:08:32,546 --> 00:08:34,424 SURE, HE WAS LOOKING FORWARD TO IT. 162 00:08:34,448 --> 00:08:35,813 HE SAID WITH ANY LUCK 163 00:08:35,882 --> 00:08:38,015 THEY'D HAVE OF 'EM FEMALE CAKES. 164 00:08:38,084 --> 00:08:39,718 A WHAT? 165 00:08:39,786 --> 00:08:43,654 Y-YOU KNOW, ONE OF THEM CAKES WHERE THE BROAD POPS OUT OF THE TOP. 166 00:08:43,723 --> 00:08:46,791 UH, DOES ARCHIE OFTEN TALK ABOUT THINGS LIKE THAT? 167 00:08:46,860 --> 00:08:47,959 CAKE? 168 00:08:49,429 --> 00:08:51,262 UH, NO, NO, NO, NO. WOMEN, SEX. 169 00:08:51,331 --> 00:08:53,475 MICHAEL! GLORIA, THIS COULD ME IMPORTANT. 170 00:08:53,499 --> 00:08:56,700 MY FATHER WOULD NEVER LOOK AT ANOTHER WOMAN. 171 00:08:56,770 --> 00:08:59,604 OH YEAH? HE LOOKS AT BOOM-BOOM TURNER ALL THE TIME. 172 00:09:01,375 --> 00:09:02,840 BOOM-BOOM TURNER? 173 00:09:02,909 --> 00:09:04,954 YEAH, UH, THE RECEPTIONIST DOWN AT THE PLANT. 174 00:09:04,978 --> 00:09:06,478 MILDRED "BOOM-BOOM" TURNER. 175 00:09:07,280 --> 00:09:08,446 SHE'S BUILT... 176 00:09:09,749 --> 00:09:11,469 AND WHEN SHE WALKS, BOOM-BOOM. 177 00:09:14,887 --> 00:09:17,288 MICHAEL, I DON'T WANT TO HEAR ANYMORE OF THIS. 178 00:09:17,357 --> 00:09:19,434 OH, YOU'VE GOTTA FACE FACTS, GLORIA. 179 00:09:19,458 --> 00:09:22,171 I MEAN, YOUR OLD MAN'S GOT A LOT OF GET-UP-AND-GO. 180 00:09:22,195 --> 00:09:24,675 SO MAYBE HE JUST GOT UP AND WENT. 181 00:09:24,731 --> 00:09:26,798 YOU KNOW, BOOM-BOOM HERE, BOOM THERE... 182 00:09:26,866 --> 00:09:29,067 STRETCH! EVERYWHERE A BOOM-BOOM. 183 00:09:31,104 --> 00:09:32,871 MY FATHER ISN'T LIKE THAT. 184 00:09:32,940 --> 00:09:34,305 UH, THANKS A LOT, STRETCH, 185 00:09:34,373 --> 00:09:36,474 REALLY, UH, BUT I THINK GLORIA'S RIGHT. 186 00:09:36,542 --> 00:09:38,943 ARCHIE'S NOT SMART ENOUGH TO SET UP SOMETHING LIKE THAT. 187 00:09:39,012 --> 00:09:40,612 OH, DON'T BE TOO SURE. 188 00:09:40,681 --> 00:09:41,858 AIN'T NO FLIES ON ARCH. 189 00:09:41,882 --> 00:09:43,414 HE TOLD ME SO THE OTHER DAY. 190 00:09:43,483 --> 00:09:45,294 "AIN'T NO FLIES ON ME, STRETCH," HE SAID. 191 00:09:45,318 --> 00:09:47,730 AND I SAID, "THEN HOW DO YOU GO TO THE BATHROOM?" 192 00:09:49,022 --> 00:09:50,142 YOU GET IT? 193 00:09:51,291 --> 00:09:52,924 SORT OF A PLAY ON WORDS. 194 00:09:52,993 --> 00:09:56,093 YEAH, YEAH, WELL, UH, 195 00:09:56,162 --> 00:09:58,508 LISTEN, IF THERE'S ANYTHING ELSE I CAN DO TO HELP, 196 00:09:58,532 --> 00:10:00,831 - YOU LET ME KNOW, HUH? - YEAH, YEAH. WE WILL. 197 00:10:03,269 --> 00:10:04,969 YEAH, THAT WAS A GREAT IDEA. 198 00:10:05,038 --> 00:10:07,105 WELL, GLORIA, WE GOT TO TRY EVERYTHING. 199 00:10:07,173 --> 00:10:09,151 DO YOU REALIZE WHAT HE WAS SUGGESTING? 200 00:10:09,175 --> 00:10:11,955 HE WAS SUGGESTING THAT DADDY'S RUN OFF WITH SOME WOMAN. 201 00:10:11,979 --> 00:10:13,511 I KNOW IT SOUNDS CRAZY, GLORIA, 202 00:10:13,580 --> 00:10:16,114 BUT THE POLICE SAID THAT 98 PERCENT OF THE MEN ARCHIE'S AGE... 203 00:10:16,182 --> 00:10:19,784 BUT NOT DADDY! OH, MICHAEL. THAT'S RIDICULOUS. 204 00:10:25,558 --> 00:10:27,225 RIDICULOUS, HUH? WHAT? 205 00:10:33,099 --> 00:10:34,265 "ME AND MILDRED, 206 00:10:34,334 --> 00:10:36,567 COMPANY PICNIC, 1973." 207 00:10:41,007 --> 00:10:42,007 BOOM-BOOM? 208 00:10:45,478 --> 00:10:46,478 BOOM-BOOM. 209 00:10:58,492 --> 00:11:01,337 GLORIA, WE'RE GONNA GIVE A COMPLETE DESCRIPTION OF BOOM-BOOM 210 00:11:01,361 --> 00:11:03,328 TO EVERYBODY WE RUN INTO. ALL RIGHT? 211 00:11:03,397 --> 00:11:05,930 HEIGHT, 5' 4", 212 00:11:05,999 --> 00:11:08,166 WEIGHT, 125. 213 00:11:08,235 --> 00:11:11,235 AGE, UH, 35. 214 00:11:11,304 --> 00:11:13,938 OUTSTANDING PHYSICAL CHARACTERISTICS, 215 00:11:15,809 --> 00:11:16,841 2. 216 00:11:20,046 --> 00:11:22,012 MICHAEL, I JUST DON'T BELIEVE IT. 217 00:11:22,081 --> 00:11:24,916 WHY WOULD DADDY RUN OFF WITH A WOMAN LIKE BOOM-BOOM? 218 00:11:24,984 --> 00:11:27,886 GLORIA, HAVEN'T YOU EVER HEARD OF THE 7-YEAR ITCH? 219 00:11:27,954 --> 00:11:31,022 BUT HE'S BEEN MARRIED FOR 26 YEARS. 220 00:11:31,090 --> 00:11:33,825 ALL RIGHT, SO IT TOOK HIM 19 YEARS TO START SCRATCHING. 221 00:11:36,329 --> 00:11:37,695 WHAT ARE YOU DOING? 222 00:11:37,764 --> 00:11:38,963 I'M CALLING THE PLANT. 223 00:11:39,032 --> 00:11:40,909 OH, GLORIA, YOU CALLED THEM TWICE IN THE PAST HOUR. 224 00:11:40,933 --> 00:11:43,101 THEY SAID THEY'D CALL BOOM-BOOM AT HOME FOR YOU. 225 00:11:43,169 --> 00:11:45,503 SO, WHY HASN'T SHE PHONED US YET? 226 00:11:45,572 --> 00:11:47,071 BECAUSE SHE'S NOT HOME! 227 00:11:47,140 --> 00:11:48,906 WELL, HOW DO YOU KNOW THAT? 228 00:11:48,975 --> 00:11:51,353 OH, COME ON GLORIA. YOU DON'T BELIEVE THAT COCK-AND-BULL STORY 229 00:11:51,377 --> 00:11:54,211 THE PLANT GAVE YOU, THAT SHE'S HOME SICK, DO YOU? 230 00:11:54,280 --> 00:11:56,358 WELL, THERE'S ONLY ONE WAY TO FIND OUT. 231 00:11:56,382 --> 00:11:58,160 I'M GOING TO CALL HER AT HOME MYSELF. 232 00:11:58,184 --> 00:12:00,262 THAT... THAT'S GREAT, GLORIA. THAT'S REALLY GREAT. 233 00:12:00,286 --> 00:12:02,798 AND... AND SUPPOSE SHE'S HOME, WHAT ARE YOU GOING TO SAY TO HER? 234 00:12:02,822 --> 00:12:04,666 "HELLO, MISS TURNER. I HATE TO BOTHER YOU, 235 00:12:04,690 --> 00:12:06,730 BUT ARE YOU SHACKING UP WITH MY FATHER?" 236 00:12:10,263 --> 00:12:11,562 OH, HI, MA. 237 00:12:11,631 --> 00:12:13,331 HI, MA. UH, THERE'S NO NEWS YET. 238 00:12:13,399 --> 00:12:14,898 HERE, LET ME GIVE YOU A HAND. 239 00:12:14,967 --> 00:12:16,900 OH, THANK YOU, MIKE. 240 00:12:18,904 --> 00:12:21,784 OH, MA. YOU GOT TO TRY NOT TO WORRY SO MUCH. 241 00:12:21,808 --> 00:12:24,708 OH, I WASN'T WORRYING THEN, GLORIA. 242 00:12:24,777 --> 00:12:27,278 I WAS THINKING ABOUT MY UNCLE HENRY'S WATCH. 243 00:12:27,881 --> 00:12:28,980 HUH? 244 00:12:30,383 --> 00:12:32,783 IT WAS ONE OF THEM BIG RAILWAY WATCHES 245 00:12:32,852 --> 00:12:35,019 HANGING ON A HEAVY SILVER CHAIN. 246 00:12:35,088 --> 00:12:38,022 HE USED TO WEAR IT TO WORK AT THE BREWERY. 247 00:12:38,091 --> 00:12:40,457 EXCEPT HE NEVER WORE IT ON SATURDAYS. 248 00:12:40,526 --> 00:12:44,161 ON SATURDAYS, HE'D WIND IT UP AND PUT IT ON THE TABLE 249 00:12:44,230 --> 00:12:48,900 NEXT TO HIS BED, BESIDE THE GLASS WITH HIS TEETH IN IT. 250 00:12:48,968 --> 00:12:53,004 HE NEVER WORE THEM ON SATURDAYS NEITHER. 251 00:12:53,072 --> 00:12:56,473 ANYWAY, I USE TO SNEAK INTO HIS BEDROOM 252 00:12:56,542 --> 00:12:59,843 AND PICK UP THE WATCH AND LISTEN TO IT TICKING. 253 00:12:59,913 --> 00:13:03,147 THERE IT WAS, ALL WOUND UP 254 00:13:03,216 --> 00:13:07,318 AND TELLING THE TIME EVEN THOUGH NOBODY WANTED TO KNOW. 255 00:13:12,425 --> 00:13:14,136 WHAT MADE YOU THINK OF THAT, MA? 256 00:13:14,160 --> 00:13:17,661 WELL, IT WAS JUST LIKE THAT AT FERGUSON'S MARKET. 257 00:13:17,730 --> 00:13:19,663 JUST NOW, THERE I WAS 258 00:13:19,732 --> 00:13:22,800 FILLING MY SHOPPING BASKET WITH ALL THE RIGHT THINGS, 259 00:13:22,868 --> 00:13:26,404 BUT I DON'T EVEN REMEMBER TAKING THEM OFF THE SHELVES. 260 00:13:26,472 --> 00:13:29,407 IT'S LIKE SOMEBODY ON THE OUTSIDE 261 00:13:29,475 --> 00:13:31,409 IS BUSY BEING ME 262 00:13:31,477 --> 00:13:33,844 AND SOMEBODY ON THE INSIDE 263 00:13:33,913 --> 00:13:36,547 IS BUSY THINKING ABOUT ARCHIE. 264 00:13:38,151 --> 00:13:40,050 MA, DADDY WILL COME HOME. 265 00:13:40,120 --> 00:13:43,221 OH, I KNOW HE WILL, GLORIA. 266 00:13:43,289 --> 00:13:45,889 I... I JUST BOUGHT HIM SOME BEER. 267 00:13:45,958 --> 00:13:48,359 THAT WAY HE HAS TO COME HOME, 268 00:13:48,428 --> 00:13:50,027 UH, TO DRINK IT. 269 00:13:53,299 --> 00:13:55,299 OH, I BETTER PUT THIS STUFF AWAY. 270 00:13:55,368 --> 00:13:57,146 I'M MAKING THAT CALL, MICHAEL. 271 00:13:57,170 --> 00:13:58,903 OH, I DON'T KNOW, GLORIA. 272 00:14:01,341 --> 00:14:04,742 FOR MA'S SAKE, I, I... I HOPE I'M WRONG. 273 00:14:04,810 --> 00:14:06,810 MICHAEL, I KNOW YOU'RE WRONG. 274 00:14:11,951 --> 00:14:13,551 PLEASE BE HOME, BOOM-BOOM. 275 00:14:14,587 --> 00:14:15,587 IN BED, 276 00:14:16,423 --> 00:14:17,423 SICK, 277 00:14:18,191 --> 00:14:19,191 ALONE. 278 00:14:24,797 --> 00:14:26,831 NO ANSWER? 279 00:14:26,900 --> 00:14:29,979 OH, POOR MA, WHAT ARE WE GOING TO TELL HER? 280 00:14:30,003 --> 00:14:32,603 THE TRUTH. YOU GOT TO TELL HER THE TRUTH. 281 00:14:32,671 --> 00:14:34,783 WHY ME? YOU'RE THE ONE THAT FOUND THE PICTURE. 282 00:14:34,807 --> 00:14:38,176 GLORIA, YOU'RE MUCH BETTER AT IT THAN I AM, AFTER ALL, YOU'RE A WOMAN. 283 00:14:38,244 --> 00:14:40,289 OH, YOU GOT TO GIVE ME A BETTER REASON THAN THAT. 284 00:14:40,313 --> 00:14:41,779 HOW 'BOUT I'M A COWARD? 285 00:14:43,816 --> 00:14:46,217 OK, ALL RIGHT, I'LL TELL HER. 286 00:14:46,286 --> 00:14:48,719 TELL ME WHAT, GLORIA? 287 00:14:48,788 --> 00:14:52,690 MA, WILL YOU PLEASE COME OVER HERE AND SIT DOWN? 288 00:14:52,758 --> 00:14:55,559 YOU SEE, THIS IS VERY, VERY IMPORTANT. 289 00:15:00,233 --> 00:15:02,713 MICHAEL HAS SOMETHING HE WANTS TO TELL YOU. 290 00:15:04,070 --> 00:15:05,937 NO, I DON'T. 291 00:15:06,005 --> 00:15:07,616 HONEY, PLEASE. NO, NO, NO. 292 00:15:07,640 --> 00:15:09,506 HELP! UM, 293 00:15:10,409 --> 00:15:11,442 OH, BOY. 294 00:15:12,379 --> 00:15:13,677 UM, MA, 295 00:15:15,115 --> 00:15:16,981 UH, W-W-WE'RE NOT SURE, BUT, 296 00:15:18,451 --> 00:15:19,750 WELL, UH, 297 00:15:19,819 --> 00:15:21,419 WE THINK IT'S POSSIBLE THAT... 298 00:15:21,487 --> 00:15:24,755 ARE YOU TALKING ABOUT ARCHIE AND ANOTHER WOMAN? 299 00:15:28,761 --> 00:15:30,194 HOW DID YOU KNOW? 300 00:15:30,263 --> 00:15:32,129 WELL, IT'S ONLY NATURAL. 301 00:15:32,198 --> 00:15:34,865 A MAN AS HANDSOME AS ARCHIE. 302 00:15:36,369 --> 00:15:39,704 WOMEN ARE ATTRACTED TO HIM LIKE FLIES. 303 00:15:41,107 --> 00:15:43,107 YOU MEAN THERE HAVE BEEN OTHER WOMEN? 304 00:15:43,142 --> 00:15:45,476 OH, SURE, CYBIL GULEY, 305 00:15:45,545 --> 00:15:48,279 THE CHECKER DOWN AT FERGUSON'S MARKET. 306 00:15:48,347 --> 00:15:49,480 NO. 307 00:15:49,549 --> 00:15:51,515 OH, SURE, 308 00:15:51,584 --> 00:15:54,051 EVERY TIME ARCHIE GOES SHOPPING FOR ME 309 00:15:54,120 --> 00:15:56,687 SHE ALWAYS GIVES HIM DOUBLE BAGS. 310 00:16:00,360 --> 00:16:02,560 UH, MA. 311 00:16:02,629 --> 00:16:04,206 I... I THINK YOU SHOULD SEE THIS. 312 00:16:04,230 --> 00:16:07,932 OH, WHAT A NICE PICTURE OF ARCHIE. 313 00:16:08,001 --> 00:16:11,168 UH, UH, NO, MA, THE... THE WOMAN, LOOK AT... LOOK AT THE WOMAN. 314 00:16:11,237 --> 00:16:12,603 THAT'S BOOM-BOOM. 315 00:16:15,441 --> 00:16:17,007 YOU KNOW BOOM-BOOM? 316 00:16:17,077 --> 00:16:20,711 OH SURE, HER REAL NAME IS MILDRED TURNER. 317 00:16:20,780 --> 00:16:23,647 I MET HER LAST YEAR AT THE COMPANY PICNIC. 318 00:16:23,716 --> 00:16:25,928 UH, UH, H-HOW DID YOU KNOW THEY CALLED HER BOOM-BOOM? 319 00:16:25,952 --> 00:16:27,718 ARCHIE TOLD ME. 320 00:16:27,787 --> 00:16:31,054 DO YOU KNOW WHY THEY CALL HER BOOM-BOOM? 321 00:16:31,924 --> 00:16:33,457 NO. 322 00:16:33,526 --> 00:16:37,328 BECAUSE SHE USED TO PLAY DRUMS IN THE HIGH SCHOOL ORCHESTRA. 323 00:16:43,336 --> 00:16:44,535 UH, MA, 324 00:16:45,672 --> 00:16:47,438 I HATE TO SAY THIS, BUT 325 00:16:49,576 --> 00:16:53,478 WE THINK THAT ARCHIE AND BOOM-BOOM ARE 326 00:16:54,881 --> 00:16:56,681 HAVING AN AFFAIR TOGETHER. 327 00:16:56,816 --> 00:16:57,816 WHAT? 328 00:16:57,884 --> 00:16:59,883 HAVING AN AFFAIR TOGETHER! 329 00:16:59,952 --> 00:17:04,622 OH, NO, NOT ARCHIE. 330 00:17:11,130 --> 00:17:14,265 NOT UNLESS SHE'S HYPNOTIZED HIM OR SOMETHING. 331 00:17:15,968 --> 00:17:17,701 OH, WOULD YOU GET THAT? 332 00:17:17,770 --> 00:17:21,105 I, UH, NEED A COUPLE OF ASPIRIN. 333 00:17:21,174 --> 00:17:22,734 SURE, MA. 334 00:17:24,778 --> 00:17:25,877 OH, STRETCH. 335 00:17:25,945 --> 00:17:27,690 HEY, HAVE I GOT SOME NEWS FOR YOU. 336 00:17:27,714 --> 00:17:29,425 BUT FIRST I GOTTA SHOW YOU SOMETHING. 337 00:17:29,449 --> 00:17:33,017 REMEMBER I WAS TELLING YOU ABOUT BOOM-BOOM, WELL, LOOK AT THIS. 338 00:17:33,085 --> 00:17:35,052 ANOTHER PICTURE OF ARCHIE AND BOOM-BOOM. 339 00:17:35,855 --> 00:17:37,688 CHRISTMAS 1972. 340 00:17:37,756 --> 00:17:40,569 YEAH, HE AND BOOM-BOOM MAKE A GREAT LOOKING TRIO, DON'T THEY? 341 00:17:44,997 --> 00:17:47,742 ANYWAY, I, UH, FOUND OUT SOMETHING ELSE YOU SHOULD KNOW. 342 00:17:47,766 --> 00:17:49,933 STRETCH. OH, HI. EDITH. 343 00:17:50,002 --> 00:17:51,836 WHAT ARE YOU DOING HERE? 344 00:17:51,904 --> 00:17:55,172 OH, UH, WELL, UH, THIS IS KIND OF SQUIRMISH, YOU KNOW. 345 00:17:55,241 --> 00:17:58,042 PLEASE, STRETCH, TELL MA. SHE HAS A RIGHT TO KNOW. 346 00:17:58,577 --> 00:18:00,378 OK. 347 00:18:00,446 --> 00:18:02,491 UH, BEING A FRIEND, I THOUGHT I'LL DO A LITTLE CHECKING FOR YOU, 348 00:18:02,515 --> 00:18:05,155 SO I CALLED BOOM-BOOM'S HOUSE TO SEE IF SHE'S REALLY HOME SICK 349 00:18:05,184 --> 00:18:08,452 AND, UH, I HATE TO TELL YOU THIS BUT, UH, SHE AIN'T EVEN HOME. 350 00:18:08,521 --> 00:18:11,155 SO I CALL HER MOTHER, BOOM-BOOM'S OUT OF TOWN. 351 00:18:11,224 --> 00:18:13,124 OUT OF TOWN. 352 00:18:13,192 --> 00:18:16,594 UH, LISTEN, UH, I GOT TO BE GOING. 353 00:18:16,662 --> 00:18:19,830 WELL, THANKS FOR STOPPING BY, STRETCH. 354 00:18:19,898 --> 00:18:22,433 UH, YOU KNOW, I HATE TO BRING BAD NEWS, 355 00:18:22,501 --> 00:18:26,002 BUT WHEN THERE AIN'T NO GOOD NEWS, WHAT OTHER KIND OF NEWS CAN YOU BRING? 356 00:18:32,711 --> 00:18:35,446 AND THAT'S THE GUY ARCHIE CALLS THE KING OF COMEDY. 357 00:18:37,217 --> 00:18:38,683 OH, I'M SORRY, MA. 358 00:18:38,751 --> 00:18:41,952 OH, WELL, IT'S ALL RIGHT, GLORIA. HE MEANT WELL. 359 00:18:42,021 --> 00:18:45,234 UH, MA, THE POLICE SAID THAT THEY WANTED A PICTURE OF ARCHIE. 360 00:18:45,258 --> 00:18:46,702 DO YOU HAVE SOMETHING ELSE? 361 00:18:46,726 --> 00:18:49,393 DOES IT MATTER IF HE AIN'T SMILING? 362 00:18:49,462 --> 00:18:50,694 I DON'T THINK SO. 363 00:18:50,763 --> 00:18:53,331 THEN I'LL GET OUR WEDDING PICTURE. 364 00:19:00,640 --> 00:19:02,807 DOES GLORIA STIVIC LIVE HERE? 365 00:19:04,310 --> 00:19:06,644 YEAH. YOU'RE MILDRED... 366 00:19:07,947 --> 00:19:08,947 TURNER. 367 00:19:10,850 --> 00:19:13,784 THAT'S RIGHT, WHO'S GLORIA STIVIC? 368 00:19:13,853 --> 00:19:15,919 THAT'S, UH, THAT'S ME. 369 00:19:15,988 --> 00:19:17,833 OK, SO WHAT THE HECK'S GOING ON HERE? 370 00:19:17,857 --> 00:19:21,058 I TAKE A COUPLE OF DAYS SICK LEAVE AND YOU GOT THE WHOLE TOWN LOOKING FOR ME. 371 00:19:21,126 --> 00:19:22,971 YEAH, UH, WELL, WE JUST WANTED TO TALK TO YOU. 372 00:19:22,995 --> 00:19:25,563 I DON'T EVEN KNOW YOU. 373 00:19:25,631 --> 00:19:27,643 PLANT'S BEEN CALLING MY MOTHER, 374 00:19:27,667 --> 00:19:30,801 STRETCH CUNNINGHAM'S BEEN CALLING MY MOTHER, YOU GOT HER WORRIED TO DEATH. 375 00:19:30,870 --> 00:19:34,171 OH, WE'RE SORRY. YOU'RE SORRY, I'M SORRY. 376 00:19:34,239 --> 00:19:36,551 WHAT'S THE SENSE OF BEING ALONE WITH YOUR BOYFRIEND 377 00:19:36,575 --> 00:19:38,676 IF YOUR MOTHER KEEPS CALLING? 378 00:19:38,744 --> 00:19:41,278 THERE'S NOTHING WRONG WITH THAT. WE PLAN TO GET MARRIED. 379 00:19:41,347 --> 00:19:43,747 AS SOON AS HE GETS HIS DIVORCE. 380 00:19:43,816 --> 00:19:45,850 MY MOTHER WILL NEVER LET HIM GO. 381 00:19:48,020 --> 00:19:50,554 FIRST MY MOTHER, NOW YOUR MOTHER. 382 00:19:52,057 --> 00:19:54,659 W-WHAT IS GOING ON HERE ANYWAY? 383 00:19:54,727 --> 00:19:57,895 I... I DON'T THINK YOU KNOW WHO GLORIA'S MOTHER IS, BOOM-BOOM. 384 00:19:57,964 --> 00:20:00,297 BOOM-BOOM, DID YOU CALL ME BOOM-BOOM? 385 00:20:00,366 --> 00:20:01,844 I THOUGHT EVERYBODY CALLED YOU THAT. 386 00:20:01,868 --> 00:20:05,770 LET ME TELL YOU SOMETHING. I HAVE DONE SOME BIG THINGS IN MY LIFE. 387 00:20:05,838 --> 00:20:07,905 IN HIGH SCHOOL I GOT ALL A'S. 388 00:20:07,974 --> 00:20:10,214 DOES ANYBODY EVER SAY "THERE GOES THE BRAIN"? 389 00:20:10,276 --> 00:20:13,510 IN 1962, I WON A DANCE CONTEST 390 00:20:13,579 --> 00:20:16,814 AT ARTHUR MURRAY'S. 391 00:20:16,883 --> 00:20:19,583 DOES ANYBODY EVER SAY "THERE GOES MISS GRACEFUL"? 392 00:20:19,652 --> 00:20:22,019 JUST ONCE I WALK ACROSS THE LOADING DOCK 393 00:20:22,088 --> 00:20:24,900 AND A KLUTZ BY THE NAME OF ARCHIE BUNKER SAYS "BOOM-BOOM." 394 00:20:24,924 --> 00:20:26,044 THAT, THEY REMEMBER. 395 00:20:28,428 --> 00:20:31,261 WELL, IF YOU THINK THIS ARCHIE BUNKER IS SUCH A KLUTZ, 396 00:20:31,330 --> 00:20:34,131 WHY DID YOU HAVE THIS PICTURE TAKEN WITH HIM? 397 00:20:34,199 --> 00:20:38,135 I DIDN'T. SEE EVERY TIME I STAND STILL AROUND THE PLACE 398 00:20:38,203 --> 00:20:40,203 THAT KLUTZ BUNKER JUMPS NEXT TO ME. 399 00:20:40,273 --> 00:20:44,208 AND GETS HIS GOOFBALL FRIEND, STRETCH CUNNINGHAM, TO SNAP ANOTHER PICTURE. 400 00:20:44,276 --> 00:20:47,244 OH, IT DRIVES HAROLD CRAZY. 401 00:20:47,313 --> 00:20:48,445 WHO'S HAROLD? 402 00:20:48,514 --> 00:20:50,247 MY BOYFRIEND. 403 00:20:52,718 --> 00:20:53,718 OH. 404 00:20:54,587 --> 00:20:56,687 OH. 405 00:20:56,756 --> 00:21:00,591 OH, MISS TURNER, I'M SO HAPPY TO HEAR ABOUT HAROLD. 406 00:21:00,660 --> 00:21:03,861 YOU SEE, I'M ARCHIE BUNKER'S DAUGHTER. 407 00:21:03,929 --> 00:21:07,264 OH, IS THAT SO, WELL, 408 00:21:07,900 --> 00:21:09,867 YOU GOT MY SYMPATHY. 409 00:21:11,570 --> 00:21:14,437 NOW YOU MIND TELLING ME WHAT IS ALL THE PANIC 410 00:21:14,506 --> 00:21:16,106 ABOUT GETTING AHOLD OF ME? 411 00:21:16,175 --> 00:21:19,977 WELL, UH, THIS IS KIND OF EMBARRASSING, UH, 412 00:21:20,046 --> 00:21:22,012 SEE, UH, UH, UH, 413 00:21:22,081 --> 00:21:26,817 ARCHIE LEFT TOWN YESTERDAY A-A-AND STRETCH SAID THAT YOU WERE OUT OF TOWN. 414 00:21:26,886 --> 00:21:31,421 SO WELL, WE THOUGHT MAYBE YOU AND ARCHIE WERE TOGETHER. 415 00:21:31,490 --> 00:21:32,490 I DON'T KNOW. 416 00:21:36,295 --> 00:21:39,697 ME WITH ARCHIE BUNKER? 417 00:21:39,765 --> 00:21:42,766 WHY WOULD I WANT TO BE WITH ARCHIE BUNKER? 418 00:21:42,835 --> 00:21:46,303 WHY WOULD ANY WOMAN WANT TO BE WITH ARCHIE BUNKER? 419 00:21:46,372 --> 00:21:49,606 NOW, WAIT A MINUTE, HE HAPPENS TO BE A WONDERFUL MAN. 420 00:21:49,675 --> 00:21:51,753 NOW WAIT, GLORIA, LET'S NOT EXAGGERATE. 421 00:21:51,777 --> 00:21:53,177 WHAT? 422 00:21:53,245 --> 00:21:54,678 MA, MA, LOOK WHO'S HERE. 423 00:21:54,746 --> 00:21:57,381 OH, YEAH, LOOK, IT'S BOOM-BOOM. 424 00:21:57,450 --> 00:22:00,217 OH, I'M SORRY. 425 00:22:00,286 --> 00:22:03,653 WHY SHOULD YOU BE ANY DIFFERENT? YOU KNOW, 426 00:22:03,722 --> 00:22:07,357 NOBODY EVER REMEMBERS MY REAL NAME. 427 00:22:07,426 --> 00:22:09,093 MILDRED... 428 00:22:09,161 --> 00:22:10,327 THANK YOU. 429 00:22:10,396 --> 00:22:11,962 "BOOM-BOOM" TURNER. 430 00:22:12,631 --> 00:22:13,964 THAT'S IT. GOODBYE. 431 00:22:14,033 --> 00:22:16,300 OH, WAIT A MINUTE MISS TURNER, DON'T GO. 432 00:22:16,369 --> 00:22:17,835 WHY, WHAT'S TO KEEP ME? 433 00:22:17,903 --> 00:22:20,904 WELL, UH, I WAS WONDERING IF 434 00:22:20,973 --> 00:22:23,240 YOU AND ME NEED TO HAVE 435 00:22:23,309 --> 00:22:26,176 A WOMAN-TO-OTHER-WOMAN TALK? 436 00:22:26,245 --> 00:22:28,512 UH, MA, NO, WE WERE, WE WERE WRONG. 437 00:22:28,581 --> 00:22:31,193 ARCHIE... ARCHIE AND, UH, MISS TURNER WERE NEVER TOGETHER. 438 00:22:31,217 --> 00:22:35,719 REALLY, OH, I'M SO GLAD. 439 00:22:35,788 --> 00:22:38,255 BELIEVE ME, SO AM I. 440 00:22:50,535 --> 00:22:51,902 OH, MA. 441 00:22:51,971 --> 00:22:53,570 WHY ARE YOU LOOKING LIKE THAT? 442 00:22:53,639 --> 00:22:55,939 DADDY'S NOT WITH BOOM-BOOM. 443 00:22:56,008 --> 00:22:58,475 I KNOW, GLORIA. 444 00:22:58,544 --> 00:23:02,846 BUT IF HE WAS WITH BOOM-BOOM, I'D KNOW WHERE HE WAS. 445 00:23:03,615 --> 00:23:04,848 THIS WAY, 446 00:23:05,651 --> 00:23:07,117 WHERE IS HE? 447 00:23:22,902 --> 00:23:24,802 WHY, AIN'T THIS FUN? 448 00:23:24,870 --> 00:23:26,982 NEXT WEEK ON ALL IN THE FAMILY. 449 00:23:27,006 --> 00:23:29,306 SO GLOOMY AND I WAS MISSING ARCHIE. 450 00:23:29,374 --> 00:23:32,209 AND NOW HE'S COMING HOME AND WE'RE HAVING A PARTY. 451 00:23:33,545 --> 00:23:34,990 WHEN IS ARCHIE GOING TO GET HOME? 452 00:23:35,014 --> 00:23:36,313 WHO CARES? 453 00:23:36,381 --> 00:23:37,621 GEORGE! 454 00:23:38,217 --> 00:23:40,985 ? WHO CARES IF THE SKY ? 455 00:23:41,053 --> 00:23:43,520 ? STARTS TO FALL INTO THE SEA ? 456 00:23:44,890 --> 00:23:46,490 EDITH, I THINK YOU HAVE HAD ENOUGH. 457 00:23:46,559 --> 00:23:48,058 OH, NO. 458 00:23:48,127 --> 00:23:50,194 YOU CAN'T FLY ON ONE LEG. 459 00:23:54,466 --> 00:23:57,201 YOU KNOW, I'VE BEEN TRYING TO DO THIS ALL DAY. 460 00:23:57,269 --> 00:23:59,837 NOW I'M GOING TO REALLY DO IT. WATCH. 461 00:24:02,208 --> 00:24:04,107 OH! 462 00:24:04,176 --> 00:24:07,056 BE SURE TO JOIN US NEXT WEEK FOR ARCHIE'S RETURN. 463 00:24:23,095 --> 00:24:25,440 ALL IN THE FAMILY WAS RECORDED ON TAPE 464 00:24:25,464 --> 00:24:26,763 BEFORE A LIVE AUDIENCE. 465 00:24:27,305 --> 00:25:27,701 -== [ www.OpenSubtitles.org ] ==- 466 00:25:27,751 --> 00:25:32,301 Repair and Synchronization by Easy Subtitles Synchronizer 1.0.0.0 34897

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