Would you like to inspect the original subtitles? These are the user uploaded subtitles that are being translated:
1
00:00:03,104 --> 00:00:05,504
? BOY, THE WAY
GLENN MILLER PLAYED ?
2
00:00:05,572 --> 00:00:09,508
? SONGS THAT MADE
THE HIT PARADE ?
3
00:00:09,576 --> 00:00:12,644
? GUYS LIKE US, WE HAD IT MADE ?
4
00:00:12,713 --> 00:00:16,414
? THOSE WERE THE DAYS ?
5
00:00:16,483 --> 00:00:20,252
? AND YOU KNEW
WHERE YOU WERE THEN ?
6
00:00:20,320 --> 00:00:24,189
? GIRLS WERE GIRLS
AND MEN WERE MEN ?
7
00:00:24,258 --> 00:00:26,491
? MISTER, WE COULD USE A MAN ?
8
00:00:26,560 --> 00:00:30,362
? LIKE HERBERT HOOVER AGAIN ?
9
00:00:30,430 --> 00:00:33,498
? DIDN'T NEED NO
WELFARE STATES ?
10
00:00:33,567 --> 00:00:36,768
? EVERYBODY PULLED HIS WEIGHT ?
11
00:00:36,837 --> 00:00:41,073
? GEE, OUR OLD
LASALLE RAN GREAT ?
12
00:00:41,142 --> 00:00:42,374
? THOSE WERE ?
13
00:00:42,442 --> 00:00:44,076
? THE DAYS ?
14
00:00:46,000 --> 00:00:52,074
Advertise your product or brand here
contact www.OpenSubtitles.org today
15
00:00:55,256 --> 00:00:57,822
HELLO. OH, DAMN.
16
00:00:57,891 --> 00:01:02,628
OH, NO, LOUISE, I'M SORRY. IT'S
JUST I WAS HOPING IT WAS DADDY.
17
00:01:02,696 --> 00:01:04,696
NO, NOT A WORD YET.
18
00:01:04,765 --> 00:01:08,267
AND WE'VE BEEN CALLING THE CONVENTION
HEADQUARTERS UP IN BUFFALO EVERY HOUR.
19
00:01:08,335 --> 00:01:09,668
NOBODY'S SEEN HIM.
20
00:01:09,736 --> 00:01:11,970
IT'S AS IF HE'S
DISAPPEARED INTO THIN AIR.
21
00:01:13,541 --> 00:01:15,274
NO. MOM'S NOT HERE.
22
00:01:15,342 --> 00:01:18,088
SHE'S GONE DOWN TO THE POLICE
STATION WITH MICHAEL TO FILL OUT A REPORT.
23
00:01:18,112 --> 00:01:21,046
WELL, CALL ME THE
MINUTE YOU HEAR ANYTHING.
24
00:01:21,115 --> 00:01:22,914
AND TRY TO RELAX, SWEETIE.
25
00:01:22,983 --> 00:01:25,223
I KNOW YOU'LL BE
HEARING FROM HIM SOON.
26
00:01:28,221 --> 00:01:31,322
WELL, STILL NO WORD FROM ARCHIE.
27
00:01:31,391 --> 00:01:33,158
YEAH, PEACEFUL AIN'T IT?
28
00:01:34,928 --> 00:01:36,762
WHY DON'T YOU SHUT UP, GEORGE?
29
00:01:36,830 --> 00:01:39,208
HEY, HO, HO, HO. WHAT KIND
OF TALK IS THAT, WOMAN?
30
00:01:39,232 --> 00:01:42,267
LISTEN, GEORGE,
ARCHIE IS MISSING.
31
00:01:42,336 --> 00:01:44,970
AND EDITH IS GOING OUT
OF HER MIND WITH WORRY.
32
00:01:45,038 --> 00:01:47,205
WHY? IS SHE AFRAID
HE'S COMING BACK?
33
00:01:48,275 --> 00:01:49,774
NOW, YOU LISTEN TO ME, GEORGE.
34
00:01:49,843 --> 00:01:52,344
TAKE THAT CLAW OUT OF MY FACE.
35
00:01:52,412 --> 00:01:55,013
AND IF YOU GIVE ME THE
FINGER ONE MORE TIME, WOMAN...
36
00:01:55,082 --> 00:01:57,783
YOU CALL ME "WOMAN"
ONE MORE TIME
37
00:01:57,851 --> 00:02:00,552
AND I'M GOING TO PUT ALL
5 FINGERS TOGETHER AND...
38
00:02:00,620 --> 00:02:02,932
GO AHEAD, GO AHEAD. GIVE
ME YOUR BEST SHOT RIGHT HERE.
39
00:02:02,956 --> 00:02:04,567
AND YOU SEE WHAT HAPPENS TO YOU.
40
00:02:04,591 --> 00:02:05,924
WHAT?
41
00:02:05,992 --> 00:02:08,312
YOUR MOTHER WILL HAVE
AN UNEXPECTED GUEST. YOU.
42
00:02:10,865 --> 00:02:14,032
DAMN IT, LOUISE. WHY DO YOU
KEEP STICKING UP FOR THAT HONKY?
43
00:02:14,101 --> 00:02:16,602
YOU HEAR THE WAY HE'S
ALWAYS FAT-MOUTHING US.
44
00:02:16,670 --> 00:02:19,870
THE ONLY THING WORSE THAN
HIS INSULTS, IS HIS COMPLIMENTS.
45
00:02:20,908 --> 00:02:23,174
"I SAID, JEFFERSON, THERE,
46
00:02:23,243 --> 00:02:25,611
"YOU KNOW WHY YOU PEOPLE
GOT SUCH NATURAL RHYTHM?
47
00:02:25,679 --> 00:02:27,946
FROM BEING GROWN UP
ON ALL 'EM TOM-TOMS."
48
00:02:29,583 --> 00:02:33,418
THEN THERE'S THE BULL ABOUT JUST
'CAUSE WE BLACK, WE CAN'T GET ENOUGH SEX.
49
00:02:34,788 --> 00:02:37,522
WE BOTH KNOW THAT'S
BULL, DON'T WE GEORGE?
50
00:02:42,195 --> 00:02:43,962
YOU BETTER LIGHTEN UP, LOUISE.
51
00:02:44,030 --> 00:02:45,730
BUT YOU DO HAVE RHYTHM.
52
00:02:45,799 --> 00:02:47,398
1 OUT OF 2 AIN'T BAD.
53
00:02:53,073 --> 00:02:57,141
NOW YOU'VE GONE TOO FAR.
YOU HEAR THAT, LOUISE? TOO FAR.
54
00:02:57,210 --> 00:02:59,878
DON'T YOU SLAM MY TABLE. WHAT?
55
00:02:59,946 --> 00:03:02,992
I'LL SLAM YOUR TABLE.
I'LL SLAM YOUR CHAIR.
56
00:03:03,016 --> 00:03:05,928
I'LL SLAM YOUR WALL. ANYTHING
ELSE YOU WANT ME TO SLAM?
57
00:03:05,952 --> 00:03:08,853
YES. THE DOOR
FROM THE OTHER SIDE.
58
00:03:10,056 --> 00:03:11,189
YOU GOT IT.
59
00:03:24,737 --> 00:03:26,904
MR. WARD, WHAT YOU
DID IS AGAINST THE LAW.
60
00:03:26,974 --> 00:03:28,614
I'LL BE WITH YOU
FOLKS IN JUST A MINUTE.
61
00:03:28,675 --> 00:03:30,755
YOU UNDERSTAND THAT? YES, SIR.
62
00:03:30,811 --> 00:03:35,013
LOOK, IF I PROMISE
NEVER TO DO IT AGAIN,
63
00:03:35,616 --> 00:03:37,715
WILL YOU LET ME GO?
64
00:03:37,784 --> 00:03:41,119
OK, MR. WARD, BUT,
IT'S THE LAST TIME.
65
00:03:41,188 --> 00:03:44,148
NOW BEAT IT. THANK YOU,
SERGEANT. THANK YOU.
66
00:03:52,399 --> 00:03:54,832
HEY, HEY! GET OUT OF HERE!
67
00:03:54,901 --> 00:03:55,911
WHAT ARE YOU, CRAZY?
68
00:03:55,935 --> 00:03:57,469
DON'T DO THAT!
69
00:03:57,537 --> 00:03:59,097
BOOK HIM.
70
00:04:10,584 --> 00:04:12,917
SORRY YOU HAD TO SEE THAT, MA.
71
00:04:15,689 --> 00:04:19,657
THAT REMINDS ME, ARCHIE
FORGOT TO PACK HIS RAINCOAT.
72
00:04:23,931 --> 00:04:26,364
I'M, UH, I'M SORRY
ABOUT THAT, MA'AM.
73
00:04:26,433 --> 00:04:28,033
NOW CAN I HELP YOU?
74
00:04:28,102 --> 00:04:32,403
Y-Y-YEAH. MY HUSBAND IS SUPPOSED
TO BE IN BUFFALO AT A CONVENTION,
75
00:04:32,472 --> 00:04:34,272
BUT HE DIDN'T EVEN
GET ON THE BUS.
76
00:04:34,341 --> 00:04:36,708
UH, WE'D LIKE TO FILE A
MISSING PERSONS REPORT.
77
00:04:36,777 --> 00:04:38,610
OK. WHAT'S YOUR
HUSBANDS NAME, LADY?
78
00:04:38,678 --> 00:04:41,613
ARCHIE BUNKER. AND HOW
LONG HAS HE BEEN MISSING?
79
00:04:41,682 --> 00:04:43,548
SINCE NOON, YESTERDAY.
80
00:04:43,617 --> 00:04:45,657
OH, WE CAN'T FILE A
MISSING PERSONS REPORT
81
00:04:45,719 --> 00:04:47,552
UNTIL 24 HOURS HAVE PASSED.
82
00:04:47,620 --> 00:04:49,799
THAT'S RIDICULOUS. I MEAN.
WHAT'S ANOTHER FEW HOURS?
83
00:04:49,823 --> 00:04:51,701
A MAN IS MISSING. WE'VE
COME HERE TO REPORT IT.
84
00:04:51,725 --> 00:04:53,925
ALL WE'RE ASKING YOU
TO DO IS TRY TO FIND HIM.
85
00:04:53,993 --> 00:04:55,505
LOOK, I'D LIKE TO BE
ABLE TO HELP YOU,
86
00:04:55,529 --> 00:04:57,407
BUT THERE ISN'T TOO
MUCH WE CAN DO RIGHT NOW.
87
00:04:57,431 --> 00:04:59,531
UH, UNLESS...
88
00:04:59,599 --> 00:05:02,066
HAS YOUR HUSBAND
EVER HAD AMNESIA?
89
00:05:02,135 --> 00:05:04,336
OH, NO, I DON'T THINK SO.
90
00:05:04,405 --> 00:05:07,071
HE NEVER USED LAXATIVES.
JUST PRUNE JUICE.
91
00:05:11,878 --> 00:05:14,512
LADY, THIS, UH, HUSBAND OF YOURS
92
00:05:14,581 --> 00:05:16,448
IS HE FIFTY-ISH, OVERWEIGHT,
93
00:05:16,516 --> 00:05:18,450
ALWAYS WORRIED ABOUT MONEY,
94
00:05:18,518 --> 00:05:21,053
STUCK IN A DULL JOB,
KIND OF SOUR IN LIFE?
95
00:05:21,121 --> 00:05:23,421
THAT'S WONDERFUL,
YOU'VE SEEN HIM.
96
00:05:25,792 --> 00:05:28,437
NO, BUT, I'VE SEEN A
MILLION GUYS JUST LIKE HIM.
97
00:05:28,461 --> 00:05:29,995
LET ME TELL YOU SOMETHING.
98
00:05:30,063 --> 00:05:33,665
A LOT OF OUR MISSING PERSONS
TURN OUT TO BE RUNAWAYS.
99
00:05:33,734 --> 00:05:36,868
AND 98 PERCENT OF
ALL THE MEN INVOLVED
100
00:05:36,937 --> 00:05:41,173
ARE RUNNING AWAY BECAUSE
OF, UH, EXTRA-MARITAL AFFAIRS.
101
00:05:41,241 --> 00:05:44,442
OH, ARCHIE AIN'T
INTERESTED IN AFFAIRS.
102
00:05:44,511 --> 00:05:47,312
HE DON'T EVEN LIKE
SMALL DINNER PARTIES.
103
00:05:52,052 --> 00:05:54,452
H-HELLO. REGISTRATION DESK?
104
00:05:54,521 --> 00:05:57,222
YES, COULD YOU PLEASE TELL
ME IF A MR. ARCHIE BUNKER
105
00:05:57,291 --> 00:05:59,157
HAS CHECKED INTO THE HOTEL YET?
106
00:05:59,226 --> 00:06:00,825
Y-YES, I'LL HOLD.
107
00:06:05,465 --> 00:06:07,164
HE HASN'T CHECKED IN YET.
108
00:06:07,901 --> 00:06:08,901
THANK YOU.
109
00:06:10,036 --> 00:06:12,838
OH, BOY. WHAT'S THAT?
110
00:06:12,906 --> 00:06:16,241
OH, IT'S A COLLECTION OF STUFF
I FOUND UP IN ARCHIE'S CLOSET.
111
00:06:16,309 --> 00:06:19,410
MICHAEL, YOU WENT INTO DADDY'S
ROOM? THOSE THINGS ARE PERSONAL.
112
00:06:19,479 --> 00:06:21,112
GLORIA, THE POLICE
SAID IT WOULD HELP
113
00:06:21,181 --> 00:06:23,560
IF WE COULD BUILD UP A
PSYCHOLOGICAL PROFILE OF ARCHIE.
114
00:06:23,584 --> 00:06:25,795
YEAH, BUT THIS IS JUST A
BUNCH OF OLD SOUVENIRS.
115
00:06:25,819 --> 00:06:28,653
IT MIGHT GIVE US A CLUE
TO WHERE ARCHIE'S GONE.
116
00:06:28,722 --> 00:06:31,456
A "WIN WITH WILKIE" BUTTON?
117
00:06:31,525 --> 00:06:35,126
LOOK AT THIS. AN OLD RIPLEY'S
"BELIEVE IT OR NOT" CLIPPING.
118
00:06:35,195 --> 00:06:37,696
"BECAUSE OF THE POPULATION
GROWTH RATE IN CHINA
119
00:06:37,764 --> 00:06:40,042
"IF YOU LINED UP ALL
THE CHINESE, 4 ABREAST
120
00:06:40,066 --> 00:06:44,402
AND MARCHED THEM INTO THE
SEA, THE LINE WOULD NEVER END."
121
00:06:44,471 --> 00:06:46,604
I WONDER WHY HE KEPT THIS.
122
00:06:46,673 --> 00:06:48,306
MAYBE HE LIKED THE IDEA.
123
00:06:51,311 --> 00:06:52,878
WHAT'S THIS?
124
00:06:52,946 --> 00:06:55,713
OH, DADDY GOT THAT
FROM HIGH SCHOOL.
125
00:06:55,782 --> 00:06:57,482
YOU MEAN HE KEPT HIS GRADES?
126
00:07:01,221 --> 00:07:04,022
NO, MICHAEL. IT
STANDS FOR FLUSHING.
127
00:07:04,091 --> 00:07:05,957
OH, SO THAT'S
WHAT HE MAJORED IN.
128
00:07:08,495 --> 00:07:11,662
FLUSHING HIGH SCHOOL. HE
WAS ON THE BASEBALL TEAM.
129
00:07:11,731 --> 00:07:13,965
HEY! IT COULD HAVE
STARTED WAY BACK THEN.
130
00:07:15,235 --> 00:07:16,712
OH, I'LL GET IT.
YEAH. THAT'S IT.
131
00:07:16,736 --> 00:07:18,714
MAYBE HE NEVER BECAME
A REAL BALLPLAYER,
132
00:07:18,738 --> 00:07:20,671
SO NOW HE'S STILL MAD AT LIFE.
133
00:07:20,740 --> 00:07:22,540
MAYBE NOT. I DON'T KNOW.
134
00:07:24,478 --> 00:07:26,545
HI. HI.
135
00:07:26,613 --> 00:07:28,057
YEAH, WELL, THAT MAKES 2 HIGH.
136
00:07:28,081 --> 00:07:29,726
ONE OF US BETTER COME
DOWN FROM UP THERE.
137
00:07:31,752 --> 00:07:33,351
UH, I'M NOT SURE...
138
00:07:33,420 --> 00:07:35,064
OH, I'M, UH, STRETCH
CUNNINGHAM, GLORIA.
139
00:07:35,088 --> 00:07:36,265
FROM YOUR FATHER'S PLANT.
140
00:07:36,289 --> 00:07:40,091
OH, OH, STRETCH
CUNNINGHAM. OH, COME ON IN.
141
00:07:40,160 --> 00:07:43,061
OH, BUT I'M, UH, I'M AFRAID
THAT DADDY'S NOT HERE.
142
00:07:43,129 --> 00:07:45,441
YEAH, I HEARD. YEAH, I ASKED
STRETCH TO COME OVER, GLORIA.
143
00:07:45,465 --> 00:07:46,731
THANKS A LOT, STRETCH.
144
00:07:46,800 --> 00:07:48,844
OH, THAT'S OK. I HAD TO
WALK THAT WAY, ANYWAY.
145
00:07:48,868 --> 00:07:50,880
AS THE MAN SAID WHEN HE
BOUGHT THE TALCUM POWDER.
146
00:07:56,776 --> 00:07:58,855
WHY DID YOU WANT TO
TALK WITH MR. CUNNINGHAM?
147
00:07:58,879 --> 00:08:01,691
WELL, I THOUGHT THAT MAYBE STRETCH
COULD TELL US SOMETHING ABOUT ARCHIE
148
00:08:01,715 --> 00:08:02,848
THAT WE DON'T ALREADY KNOW.
149
00:08:02,916 --> 00:08:04,427
OH. WOULD YOU LIKE SOME COFFEE?
150
00:08:04,451 --> 00:08:06,162
OH, NO THANKS. I AIN'T GOT LONG.
151
00:08:06,186 --> 00:08:08,386
I PROMISED TINY STUBAFORE
I'D GO BOWLING WITH HIM.
152
00:08:08,455 --> 00:08:10,188
YOU KNOW TINY? NO.
153
00:08:10,256 --> 00:08:12,856
OH, TOO BAD. THEY GET A BIG
KICK OUT OF US DOWN AT THE ALLEY.
154
00:08:12,893 --> 00:08:14,804
LIKE SOMETIMES, UH,
WHEN TINY BEATS ME,
155
00:08:14,828 --> 00:08:17,006
I GET DOWN ON MY KNEES
NEXT TO HIM AND I YELL:
156
00:08:17,030 --> 00:08:19,675
"HEY. WHY DON'T YOU PICK
ON SOMEBODY YOUR OWN SIZE?"
157
00:08:19,699 --> 00:08:21,198
AND FUNNY THINGS LIKE THAT.
158
00:08:23,570 --> 00:08:28,072
THAT'S FUNNY, STRETCH. W-WHY
DON'T YOU SIT DOWN OVER HERE?
159
00:08:28,141 --> 00:08:30,841
UH, AT WORK DID ARCHIE
MENTION ANYTHING
160
00:08:30,910 --> 00:08:32,477
ABOUT THE LODGE CONVENTION?
161
00:08:32,546 --> 00:08:34,424
SURE, HE WAS
LOOKING FORWARD TO IT.
162
00:08:34,448 --> 00:08:35,813
HE SAID WITH ANY LUCK
163
00:08:35,882 --> 00:08:38,015
THEY'D HAVE OF 'EM FEMALE CAKES.
164
00:08:38,084 --> 00:08:39,718
A WHAT?
165
00:08:39,786 --> 00:08:43,654
Y-YOU KNOW, ONE OF THEM CAKES
WHERE THE BROAD POPS OUT OF THE TOP.
166
00:08:43,723 --> 00:08:46,791
UH, DOES ARCHIE OFTEN
TALK ABOUT THINGS LIKE THAT?
167
00:08:46,860 --> 00:08:47,959
CAKE?
168
00:08:49,429 --> 00:08:51,262
UH, NO, NO, NO, NO. WOMEN, SEX.
169
00:08:51,331 --> 00:08:53,475
MICHAEL! GLORIA, THIS
COULD ME IMPORTANT.
170
00:08:53,499 --> 00:08:56,700
MY FATHER WOULD NEVER
LOOK AT ANOTHER WOMAN.
171
00:08:56,770 --> 00:08:59,604
OH YEAH? HE LOOKS AT
BOOM-BOOM TURNER ALL THE TIME.
172
00:09:01,375 --> 00:09:02,840
BOOM-BOOM TURNER?
173
00:09:02,909 --> 00:09:04,954
YEAH, UH, THE RECEPTIONIST
DOWN AT THE PLANT.
174
00:09:04,978 --> 00:09:06,478
MILDRED "BOOM-BOOM" TURNER.
175
00:09:07,280 --> 00:09:08,446
SHE'S BUILT...
176
00:09:09,749 --> 00:09:11,469
AND WHEN SHE WALKS, BOOM-BOOM.
177
00:09:14,887 --> 00:09:17,288
MICHAEL, I DON'T WANT
TO HEAR ANYMORE OF THIS.
178
00:09:17,357 --> 00:09:19,434
OH, YOU'VE GOTTA
FACE FACTS, GLORIA.
179
00:09:19,458 --> 00:09:22,171
I MEAN, YOUR OLD MAN'S
GOT A LOT OF GET-UP-AND-GO.
180
00:09:22,195 --> 00:09:24,675
SO MAYBE HE JUST
GOT UP AND WENT.
181
00:09:24,731 --> 00:09:26,798
YOU KNOW, BOOM-BOOM
HERE, BOOM THERE...
182
00:09:26,866 --> 00:09:29,067
STRETCH! EVERYWHERE A BOOM-BOOM.
183
00:09:31,104 --> 00:09:32,871
MY FATHER ISN'T LIKE THAT.
184
00:09:32,940 --> 00:09:34,305
UH, THANKS A LOT, STRETCH,
185
00:09:34,373 --> 00:09:36,474
REALLY, UH, BUT I
THINK GLORIA'S RIGHT.
186
00:09:36,542 --> 00:09:38,943
ARCHIE'S NOT SMART ENOUGH
TO SET UP SOMETHING LIKE THAT.
187
00:09:39,012 --> 00:09:40,612
OH, DON'T BE TOO SURE.
188
00:09:40,681 --> 00:09:41,858
AIN'T NO FLIES ON ARCH.
189
00:09:41,882 --> 00:09:43,414
HE TOLD ME SO THE OTHER DAY.
190
00:09:43,483 --> 00:09:45,294
"AIN'T NO FLIES ON
ME, STRETCH," HE SAID.
191
00:09:45,318 --> 00:09:47,730
AND I SAID, "THEN HOW DO
YOU GO TO THE BATHROOM?"
192
00:09:49,022 --> 00:09:50,142
YOU GET IT?
193
00:09:51,291 --> 00:09:52,924
SORT OF A PLAY ON WORDS.
194
00:09:52,993 --> 00:09:56,093
YEAH, YEAH, WELL, UH,
195
00:09:56,162 --> 00:09:58,508
LISTEN, IF THERE'S ANYTHING
ELSE I CAN DO TO HELP,
196
00:09:58,532 --> 00:10:00,831
- YOU LET ME KNOW, HUH?
- YEAH, YEAH. WE WILL.
197
00:10:03,269 --> 00:10:04,969
YEAH, THAT WAS A GREAT IDEA.
198
00:10:05,038 --> 00:10:07,105
WELL, GLORIA, WE GOT
TO TRY EVERYTHING.
199
00:10:07,173 --> 00:10:09,151
DO YOU REALIZE WHAT
HE WAS SUGGESTING?
200
00:10:09,175 --> 00:10:11,955
HE WAS SUGGESTING THAT
DADDY'S RUN OFF WITH SOME WOMAN.
201
00:10:11,979 --> 00:10:13,511
I KNOW IT SOUNDS CRAZY, GLORIA,
202
00:10:13,580 --> 00:10:16,114
BUT THE POLICE SAID THAT 98
PERCENT OF THE MEN ARCHIE'S AGE...
203
00:10:16,182 --> 00:10:19,784
BUT NOT DADDY! OH,
MICHAEL. THAT'S RIDICULOUS.
204
00:10:25,558 --> 00:10:27,225
RIDICULOUS, HUH? WHAT?
205
00:10:33,099 --> 00:10:34,265
"ME AND MILDRED,
206
00:10:34,334 --> 00:10:36,567
COMPANY PICNIC, 1973."
207
00:10:41,007 --> 00:10:42,007
BOOM-BOOM?
208
00:10:45,478 --> 00:10:46,478
BOOM-BOOM.
209
00:10:58,492 --> 00:11:01,337
GLORIA, WE'RE GONNA GIVE A
COMPLETE DESCRIPTION OF BOOM-BOOM
210
00:11:01,361 --> 00:11:03,328
TO EVERYBODY WE
RUN INTO. ALL RIGHT?
211
00:11:03,397 --> 00:11:05,930
HEIGHT, 5' 4",
212
00:11:05,999 --> 00:11:08,166
WEIGHT, 125.
213
00:11:08,235 --> 00:11:11,235
AGE, UH, 35.
214
00:11:11,304 --> 00:11:13,938
OUTSTANDING PHYSICAL
CHARACTERISTICS,
215
00:11:15,809 --> 00:11:16,841
2.
216
00:11:20,046 --> 00:11:22,012
MICHAEL, I JUST
DON'T BELIEVE IT.
217
00:11:22,081 --> 00:11:24,916
WHY WOULD DADDY RUN OFF
WITH A WOMAN LIKE BOOM-BOOM?
218
00:11:24,984 --> 00:11:27,886
GLORIA, HAVEN'T YOU EVER
HEARD OF THE 7-YEAR ITCH?
219
00:11:27,954 --> 00:11:31,022
BUT HE'S BEEN
MARRIED FOR 26 YEARS.
220
00:11:31,090 --> 00:11:33,825
ALL RIGHT, SO IT TOOK HIM 19
YEARS TO START SCRATCHING.
221
00:11:36,329 --> 00:11:37,695
WHAT ARE YOU DOING?
222
00:11:37,764 --> 00:11:38,963
I'M CALLING THE PLANT.
223
00:11:39,032 --> 00:11:40,909
OH, GLORIA, YOU CALLED
THEM TWICE IN THE PAST HOUR.
224
00:11:40,933 --> 00:11:43,101
THEY SAID THEY'D CALL
BOOM-BOOM AT HOME FOR YOU.
225
00:11:43,169 --> 00:11:45,503
SO, WHY HASN'T
SHE PHONED US YET?
226
00:11:45,572 --> 00:11:47,071
BECAUSE SHE'S NOT HOME!
227
00:11:47,140 --> 00:11:48,906
WELL, HOW DO YOU KNOW THAT?
228
00:11:48,975 --> 00:11:51,353
OH, COME ON GLORIA. YOU DON'T
BELIEVE THAT COCK-AND-BULL STORY
229
00:11:51,377 --> 00:11:54,211
THE PLANT GAVE YOU, THAT
SHE'S HOME SICK, DO YOU?
230
00:11:54,280 --> 00:11:56,358
WELL, THERE'S ONLY
ONE WAY TO FIND OUT.
231
00:11:56,382 --> 00:11:58,160
I'M GOING TO CALL
HER AT HOME MYSELF.
232
00:11:58,184 --> 00:12:00,262
THAT... THAT'S GREAT,
GLORIA. THAT'S REALLY GREAT.
233
00:12:00,286 --> 00:12:02,798
AND... AND SUPPOSE SHE'S HOME,
WHAT ARE YOU GOING TO SAY TO HER?
234
00:12:02,822 --> 00:12:04,666
"HELLO, MISS TURNER.
I HATE TO BOTHER YOU,
235
00:12:04,690 --> 00:12:06,730
BUT ARE YOU SHACKING
UP WITH MY FATHER?"
236
00:12:10,263 --> 00:12:11,562
OH, HI, MA.
237
00:12:11,631 --> 00:12:13,331
HI, MA. UH, THERE'S NO NEWS YET.
238
00:12:13,399 --> 00:12:14,898
HERE, LET ME GIVE YOU A HAND.
239
00:12:14,967 --> 00:12:16,900
OH, THANK YOU, MIKE.
240
00:12:18,904 --> 00:12:21,784
OH, MA. YOU GOT TO TRY
NOT TO WORRY SO MUCH.
241
00:12:21,808 --> 00:12:24,708
OH, I WASN'T
WORRYING THEN, GLORIA.
242
00:12:24,777 --> 00:12:27,278
I WAS THINKING ABOUT
MY UNCLE HENRY'S WATCH.
243
00:12:27,881 --> 00:12:28,980
HUH?
244
00:12:30,383 --> 00:12:32,783
IT WAS ONE OF THEM
BIG RAILWAY WATCHES
245
00:12:32,852 --> 00:12:35,019
HANGING ON A HEAVY SILVER CHAIN.
246
00:12:35,088 --> 00:12:38,022
HE USED TO WEAR IT TO
WORK AT THE BREWERY.
247
00:12:38,091 --> 00:12:40,457
EXCEPT HE NEVER
WORE IT ON SATURDAYS.
248
00:12:40,526 --> 00:12:44,161
ON SATURDAYS, HE'D WIND IT
UP AND PUT IT ON THE TABLE
249
00:12:44,230 --> 00:12:48,900
NEXT TO HIS BED, BESIDE THE
GLASS WITH HIS TEETH IN IT.
250
00:12:48,968 --> 00:12:53,004
HE NEVER WORE THEM
ON SATURDAYS NEITHER.
251
00:12:53,072 --> 00:12:56,473
ANYWAY, I USE TO
SNEAK INTO HIS BEDROOM
252
00:12:56,542 --> 00:12:59,843
AND PICK UP THE WATCH
AND LISTEN TO IT TICKING.
253
00:12:59,913 --> 00:13:03,147
THERE IT WAS, ALL WOUND UP
254
00:13:03,216 --> 00:13:07,318
AND TELLING THE TIME EVEN
THOUGH NOBODY WANTED TO KNOW.
255
00:13:12,425 --> 00:13:14,136
WHAT MADE YOU THINK OF THAT, MA?
256
00:13:14,160 --> 00:13:17,661
WELL, IT WAS JUST LIKE
THAT AT FERGUSON'S MARKET.
257
00:13:17,730 --> 00:13:19,663
JUST NOW, THERE I WAS
258
00:13:19,732 --> 00:13:22,800
FILLING MY SHOPPING BASKET
WITH ALL THE RIGHT THINGS,
259
00:13:22,868 --> 00:13:26,404
BUT I DON'T EVEN REMEMBER
TAKING THEM OFF THE SHELVES.
260
00:13:26,472 --> 00:13:29,407
IT'S LIKE SOMEBODY
ON THE OUTSIDE
261
00:13:29,475 --> 00:13:31,409
IS BUSY BEING ME
262
00:13:31,477 --> 00:13:33,844
AND SOMEBODY ON THE INSIDE
263
00:13:33,913 --> 00:13:36,547
IS BUSY THINKING ABOUT ARCHIE.
264
00:13:38,151 --> 00:13:40,050
MA, DADDY WILL COME HOME.
265
00:13:40,120 --> 00:13:43,221
OH, I KNOW HE WILL, GLORIA.
266
00:13:43,289 --> 00:13:45,889
I... I JUST BOUGHT
HIM SOME BEER.
267
00:13:45,958 --> 00:13:48,359
THAT WAY HE HAS TO COME HOME,
268
00:13:48,428 --> 00:13:50,027
UH, TO DRINK IT.
269
00:13:53,299 --> 00:13:55,299
OH, I BETTER PUT
THIS STUFF AWAY.
270
00:13:55,368 --> 00:13:57,146
I'M MAKING THAT CALL, MICHAEL.
271
00:13:57,170 --> 00:13:58,903
OH, I DON'T KNOW, GLORIA.
272
00:14:01,341 --> 00:14:04,742
FOR MA'S SAKE, I,
I... I HOPE I'M WRONG.
273
00:14:04,810 --> 00:14:06,810
MICHAEL, I KNOW YOU'RE WRONG.
274
00:14:11,951 --> 00:14:13,551
PLEASE BE HOME, BOOM-BOOM.
275
00:14:14,587 --> 00:14:15,587
IN BED,
276
00:14:16,423 --> 00:14:17,423
SICK,
277
00:14:18,191 --> 00:14:19,191
ALONE.
278
00:14:24,797 --> 00:14:26,831
NO ANSWER?
279
00:14:26,900 --> 00:14:29,979
OH, POOR MA, WHAT ARE
WE GOING TO TELL HER?
280
00:14:30,003 --> 00:14:32,603
THE TRUTH. YOU GOT
TO TELL HER THE TRUTH.
281
00:14:32,671 --> 00:14:34,783
WHY ME? YOU'RE THE ONE
THAT FOUND THE PICTURE.
282
00:14:34,807 --> 00:14:38,176
GLORIA, YOU'RE MUCH BETTER AT IT
THAN I AM, AFTER ALL, YOU'RE A WOMAN.
283
00:14:38,244 --> 00:14:40,289
OH, YOU GOT TO GIVE ME A
BETTER REASON THAN THAT.
284
00:14:40,313 --> 00:14:41,779
HOW 'BOUT I'M A COWARD?
285
00:14:43,816 --> 00:14:46,217
OK, ALL RIGHT, I'LL TELL HER.
286
00:14:46,286 --> 00:14:48,719
TELL ME WHAT, GLORIA?
287
00:14:48,788 --> 00:14:52,690
MA, WILL YOU PLEASE COME
OVER HERE AND SIT DOWN?
288
00:14:52,758 --> 00:14:55,559
YOU SEE, THIS IS
VERY, VERY IMPORTANT.
289
00:15:00,233 --> 00:15:02,713
MICHAEL HAS SOMETHING
HE WANTS TO TELL YOU.
290
00:15:04,070 --> 00:15:05,937
NO, I DON'T.
291
00:15:06,005 --> 00:15:07,616
HONEY, PLEASE. NO, NO, NO.
292
00:15:07,640 --> 00:15:09,506
HELP! UM,
293
00:15:10,409 --> 00:15:11,442
OH, BOY.
294
00:15:12,379 --> 00:15:13,677
UM, MA,
295
00:15:15,115 --> 00:15:16,981
UH, W-W-WE'RE NOT SURE, BUT,
296
00:15:18,451 --> 00:15:19,750
WELL, UH,
297
00:15:19,819 --> 00:15:21,419
WE THINK IT'S POSSIBLE THAT...
298
00:15:21,487 --> 00:15:24,755
ARE YOU TALKING ABOUT
ARCHIE AND ANOTHER WOMAN?
299
00:15:28,761 --> 00:15:30,194
HOW DID YOU KNOW?
300
00:15:30,263 --> 00:15:32,129
WELL, IT'S ONLY NATURAL.
301
00:15:32,198 --> 00:15:34,865
A MAN AS HANDSOME AS ARCHIE.
302
00:15:36,369 --> 00:15:39,704
WOMEN ARE ATTRACTED
TO HIM LIKE FLIES.
303
00:15:41,107 --> 00:15:43,107
YOU MEAN THERE HAVE
BEEN OTHER WOMEN?
304
00:15:43,142 --> 00:15:45,476
OH, SURE, CYBIL GULEY,
305
00:15:45,545 --> 00:15:48,279
THE CHECKER DOWN
AT FERGUSON'S MARKET.
306
00:15:48,347 --> 00:15:49,480
NO.
307
00:15:49,549 --> 00:15:51,515
OH, SURE,
308
00:15:51,584 --> 00:15:54,051
EVERY TIME ARCHIE
GOES SHOPPING FOR ME
309
00:15:54,120 --> 00:15:56,687
SHE ALWAYS GIVES
HIM DOUBLE BAGS.
310
00:16:00,360 --> 00:16:02,560
UH, MA.
311
00:16:02,629 --> 00:16:04,206
I... I THINK YOU
SHOULD SEE THIS.
312
00:16:04,230 --> 00:16:07,932
OH, WHAT A NICE
PICTURE OF ARCHIE.
313
00:16:08,001 --> 00:16:11,168
UH, UH, NO, MA, THE... THE WOMAN,
LOOK AT... LOOK AT THE WOMAN.
314
00:16:11,237 --> 00:16:12,603
THAT'S BOOM-BOOM.
315
00:16:15,441 --> 00:16:17,007
YOU KNOW BOOM-BOOM?
316
00:16:17,077 --> 00:16:20,711
OH SURE, HER REAL
NAME IS MILDRED TURNER.
317
00:16:20,780 --> 00:16:23,647
I MET HER LAST YEAR
AT THE COMPANY PICNIC.
318
00:16:23,716 --> 00:16:25,928
UH, UH, H-HOW DID YOU KNOW
THEY CALLED HER BOOM-BOOM?
319
00:16:25,952 --> 00:16:27,718
ARCHIE TOLD ME.
320
00:16:27,787 --> 00:16:31,054
DO YOU KNOW WHY THEY
CALL HER BOOM-BOOM?
321
00:16:31,924 --> 00:16:33,457
NO.
322
00:16:33,526 --> 00:16:37,328
BECAUSE SHE USED TO PLAY DRUMS
IN THE HIGH SCHOOL ORCHESTRA.
323
00:16:43,336 --> 00:16:44,535
UH, MA,
324
00:16:45,672 --> 00:16:47,438
I HATE TO SAY THIS, BUT
325
00:16:49,576 --> 00:16:53,478
WE THINK THAT ARCHIE
AND BOOM-BOOM ARE
326
00:16:54,881 --> 00:16:56,681
HAVING AN AFFAIR TOGETHER.
327
00:16:56,816 --> 00:16:57,816
WHAT?
328
00:16:57,884 --> 00:16:59,883
HAVING AN AFFAIR TOGETHER!
329
00:16:59,952 --> 00:17:04,622
OH, NO, NOT ARCHIE.
330
00:17:11,130 --> 00:17:14,265
NOT UNLESS SHE'S
HYPNOTIZED HIM OR SOMETHING.
331
00:17:15,968 --> 00:17:17,701
OH, WOULD YOU GET THAT?
332
00:17:17,770 --> 00:17:21,105
I, UH, NEED A COUPLE OF ASPIRIN.
333
00:17:21,174 --> 00:17:22,734
SURE, MA.
334
00:17:24,778 --> 00:17:25,877
OH, STRETCH.
335
00:17:25,945 --> 00:17:27,690
HEY, HAVE I GOT
SOME NEWS FOR YOU.
336
00:17:27,714 --> 00:17:29,425
BUT FIRST I GOTTA
SHOW YOU SOMETHING.
337
00:17:29,449 --> 00:17:33,017
REMEMBER I WAS TELLING YOU
ABOUT BOOM-BOOM, WELL, LOOK AT THIS.
338
00:17:33,085 --> 00:17:35,052
ANOTHER PICTURE OF
ARCHIE AND BOOM-BOOM.
339
00:17:35,855 --> 00:17:37,688
CHRISTMAS 1972.
340
00:17:37,756 --> 00:17:40,569
YEAH, HE AND BOOM-BOOM MAKE A
GREAT LOOKING TRIO, DON'T THEY?
341
00:17:44,997 --> 00:17:47,742
ANYWAY, I, UH, FOUND OUT
SOMETHING ELSE YOU SHOULD KNOW.
342
00:17:47,766 --> 00:17:49,933
STRETCH. OH, HI. EDITH.
343
00:17:50,002 --> 00:17:51,836
WHAT ARE YOU DOING HERE?
344
00:17:51,904 --> 00:17:55,172
OH, UH, WELL, UH, THIS IS
KIND OF SQUIRMISH, YOU KNOW.
345
00:17:55,241 --> 00:17:58,042
PLEASE, STRETCH, TELL MA.
SHE HAS A RIGHT TO KNOW.
346
00:17:58,577 --> 00:18:00,378
OK.
347
00:18:00,446 --> 00:18:02,491
UH, BEING A FRIEND, I THOUGHT
I'LL DO A LITTLE CHECKING FOR YOU,
348
00:18:02,515 --> 00:18:05,155
SO I CALLED BOOM-BOOM'S HOUSE
TO SEE IF SHE'S REALLY HOME SICK
349
00:18:05,184 --> 00:18:08,452
AND, UH, I HATE TO TELL YOU
THIS BUT, UH, SHE AIN'T EVEN HOME.
350
00:18:08,521 --> 00:18:11,155
SO I CALL HER MOTHER,
BOOM-BOOM'S OUT OF TOWN.
351
00:18:11,224 --> 00:18:13,124
OUT OF TOWN.
352
00:18:13,192 --> 00:18:16,594
UH, LISTEN, UH, I
GOT TO BE GOING.
353
00:18:16,662 --> 00:18:19,830
WELL, THANKS FOR
STOPPING BY, STRETCH.
354
00:18:19,898 --> 00:18:22,433
UH, YOU KNOW, I HATE
TO BRING BAD NEWS,
355
00:18:22,501 --> 00:18:26,002
BUT WHEN THERE AIN'T NO GOOD NEWS,
WHAT OTHER KIND OF NEWS CAN YOU BRING?
356
00:18:32,711 --> 00:18:35,446
AND THAT'S THE GUY ARCHIE
CALLS THE KING OF COMEDY.
357
00:18:37,217 --> 00:18:38,683
OH, I'M SORRY, MA.
358
00:18:38,751 --> 00:18:41,952
OH, WELL, IT'S ALL RIGHT,
GLORIA. HE MEANT WELL.
359
00:18:42,021 --> 00:18:45,234
UH, MA, THE POLICE SAID THAT
THEY WANTED A PICTURE OF ARCHIE.
360
00:18:45,258 --> 00:18:46,702
DO YOU HAVE SOMETHING ELSE?
361
00:18:46,726 --> 00:18:49,393
DOES IT MATTER
IF HE AIN'T SMILING?
362
00:18:49,462 --> 00:18:50,694
I DON'T THINK SO.
363
00:18:50,763 --> 00:18:53,331
THEN I'LL GET OUR
WEDDING PICTURE.
364
00:19:00,640 --> 00:19:02,807
DOES GLORIA STIVIC LIVE HERE?
365
00:19:04,310 --> 00:19:06,644
YEAH. YOU'RE MILDRED...
366
00:19:07,947 --> 00:19:08,947
TURNER.
367
00:19:10,850 --> 00:19:13,784
THAT'S RIGHT,
WHO'S GLORIA STIVIC?
368
00:19:13,853 --> 00:19:15,919
THAT'S, UH, THAT'S ME.
369
00:19:15,988 --> 00:19:17,833
OK, SO WHAT THE
HECK'S GOING ON HERE?
370
00:19:17,857 --> 00:19:21,058
I TAKE A COUPLE OF DAYS SICK LEAVE AND
YOU GOT THE WHOLE TOWN LOOKING FOR ME.
371
00:19:21,126 --> 00:19:22,971
YEAH, UH, WELL, WE JUST
WANTED TO TALK TO YOU.
372
00:19:22,995 --> 00:19:25,563
I DON'T EVEN KNOW YOU.
373
00:19:25,631 --> 00:19:27,643
PLANT'S BEEN CALLING MY MOTHER,
374
00:19:27,667 --> 00:19:30,801
STRETCH CUNNINGHAM'S BEEN CALLING MY
MOTHER, YOU GOT HER WORRIED TO DEATH.
375
00:19:30,870 --> 00:19:34,171
OH, WE'RE SORRY.
YOU'RE SORRY, I'M SORRY.
376
00:19:34,239 --> 00:19:36,551
WHAT'S THE SENSE OF BEING
ALONE WITH YOUR BOYFRIEND
377
00:19:36,575 --> 00:19:38,676
IF YOUR MOTHER KEEPS CALLING?
378
00:19:38,744 --> 00:19:41,278
THERE'S NOTHING WRONG WITH
THAT. WE PLAN TO GET MARRIED.
379
00:19:41,347 --> 00:19:43,747
AS SOON AS HE GETS HIS DIVORCE.
380
00:19:43,816 --> 00:19:45,850
MY MOTHER WILL NEVER LET HIM GO.
381
00:19:48,020 --> 00:19:50,554
FIRST MY MOTHER,
NOW YOUR MOTHER.
382
00:19:52,057 --> 00:19:54,659
W-WHAT IS GOING ON HERE ANYWAY?
383
00:19:54,727 --> 00:19:57,895
I... I DON'T THINK YOU KNOW WHO
GLORIA'S MOTHER IS, BOOM-BOOM.
384
00:19:57,964 --> 00:20:00,297
BOOM-BOOM, DID YOU
CALL ME BOOM-BOOM?
385
00:20:00,366 --> 00:20:01,844
I THOUGHT EVERYBODY
CALLED YOU THAT.
386
00:20:01,868 --> 00:20:05,770
LET ME TELL YOU SOMETHING. I HAVE
DONE SOME BIG THINGS IN MY LIFE.
387
00:20:05,838 --> 00:20:07,905
IN HIGH SCHOOL I GOT ALL A'S.
388
00:20:07,974 --> 00:20:10,214
DOES ANYBODY EVER SAY
"THERE GOES THE BRAIN"?
389
00:20:10,276 --> 00:20:13,510
IN 1962, I WON A DANCE CONTEST
390
00:20:13,579 --> 00:20:16,814
AT ARTHUR MURRAY'S.
391
00:20:16,883 --> 00:20:19,583
DOES ANYBODY EVER SAY
"THERE GOES MISS GRACEFUL"?
392
00:20:19,652 --> 00:20:22,019
JUST ONCE I WALK
ACROSS THE LOADING DOCK
393
00:20:22,088 --> 00:20:24,900
AND A KLUTZ BY THE NAME OF
ARCHIE BUNKER SAYS "BOOM-BOOM."
394
00:20:24,924 --> 00:20:26,044
THAT, THEY REMEMBER.
395
00:20:28,428 --> 00:20:31,261
WELL, IF YOU THINK THIS
ARCHIE BUNKER IS SUCH A KLUTZ,
396
00:20:31,330 --> 00:20:34,131
WHY DID YOU HAVE THIS
PICTURE TAKEN WITH HIM?
397
00:20:34,199 --> 00:20:38,135
I DIDN'T. SEE EVERY TIME I
STAND STILL AROUND THE PLACE
398
00:20:38,203 --> 00:20:40,203
THAT KLUTZ BUNKER
JUMPS NEXT TO ME.
399
00:20:40,273 --> 00:20:44,208
AND GETS HIS GOOFBALL FRIEND, STRETCH
CUNNINGHAM, TO SNAP ANOTHER PICTURE.
400
00:20:44,276 --> 00:20:47,244
OH, IT DRIVES HAROLD CRAZY.
401
00:20:47,313 --> 00:20:48,445
WHO'S HAROLD?
402
00:20:48,514 --> 00:20:50,247
MY BOYFRIEND.
403
00:20:52,718 --> 00:20:53,718
OH.
404
00:20:54,587 --> 00:20:56,687
OH.
405
00:20:56,756 --> 00:21:00,591
OH, MISS TURNER, I'M SO
HAPPY TO HEAR ABOUT HAROLD.
406
00:21:00,660 --> 00:21:03,861
YOU SEE, I'M ARCHIE
BUNKER'S DAUGHTER.
407
00:21:03,929 --> 00:21:07,264
OH, IS THAT SO, WELL,
408
00:21:07,900 --> 00:21:09,867
YOU GOT MY SYMPATHY.
409
00:21:11,570 --> 00:21:14,437
NOW YOU MIND TELLING
ME WHAT IS ALL THE PANIC
410
00:21:14,506 --> 00:21:16,106
ABOUT GETTING AHOLD OF ME?
411
00:21:16,175 --> 00:21:19,977
WELL, UH, THIS IS KIND
OF EMBARRASSING, UH,
412
00:21:20,046 --> 00:21:22,012
SEE, UH, UH, UH,
413
00:21:22,081 --> 00:21:26,817
ARCHIE LEFT TOWN YESTERDAY A-A-AND
STRETCH SAID THAT YOU WERE OUT OF TOWN.
414
00:21:26,886 --> 00:21:31,421
SO WELL, WE THOUGHT MAYBE
YOU AND ARCHIE WERE TOGETHER.
415
00:21:31,490 --> 00:21:32,490
I DON'T KNOW.
416
00:21:36,295 --> 00:21:39,697
ME WITH ARCHIE BUNKER?
417
00:21:39,765 --> 00:21:42,766
WHY WOULD I WANT TO
BE WITH ARCHIE BUNKER?
418
00:21:42,835 --> 00:21:46,303
WHY WOULD ANY WOMAN WANT
TO BE WITH ARCHIE BUNKER?
419
00:21:46,372 --> 00:21:49,606
NOW, WAIT A MINUTE, HE
HAPPENS TO BE A WONDERFUL MAN.
420
00:21:49,675 --> 00:21:51,753
NOW WAIT, GLORIA,
LET'S NOT EXAGGERATE.
421
00:21:51,777 --> 00:21:53,177
WHAT?
422
00:21:53,245 --> 00:21:54,678
MA, MA, LOOK WHO'S HERE.
423
00:21:54,746 --> 00:21:57,381
OH, YEAH, LOOK, IT'S BOOM-BOOM.
424
00:21:57,450 --> 00:22:00,217
OH, I'M SORRY.
425
00:22:00,286 --> 00:22:03,653
WHY SHOULD YOU BE ANY
DIFFERENT? YOU KNOW,
426
00:22:03,722 --> 00:22:07,357
NOBODY EVER
REMEMBERS MY REAL NAME.
427
00:22:07,426 --> 00:22:09,093
MILDRED...
428
00:22:09,161 --> 00:22:10,327
THANK YOU.
429
00:22:10,396 --> 00:22:11,962
"BOOM-BOOM" TURNER.
430
00:22:12,631 --> 00:22:13,964
THAT'S IT. GOODBYE.
431
00:22:14,033 --> 00:22:16,300
OH, WAIT A MINUTE
MISS TURNER, DON'T GO.
432
00:22:16,369 --> 00:22:17,835
WHY, WHAT'S TO KEEP ME?
433
00:22:17,903 --> 00:22:20,904
WELL, UH, I WAS WONDERING IF
434
00:22:20,973 --> 00:22:23,240
YOU AND ME NEED TO HAVE
435
00:22:23,309 --> 00:22:26,176
A WOMAN-TO-OTHER-WOMAN TALK?
436
00:22:26,245 --> 00:22:28,512
UH, MA, NO, WE WERE,
WE WERE WRONG.
437
00:22:28,581 --> 00:22:31,193
ARCHIE... ARCHIE AND, UH, MISS
TURNER WERE NEVER TOGETHER.
438
00:22:31,217 --> 00:22:35,719
REALLY, OH, I'M SO GLAD.
439
00:22:35,788 --> 00:22:38,255
BELIEVE ME, SO AM I.
440
00:22:50,535 --> 00:22:51,902
OH, MA.
441
00:22:51,971 --> 00:22:53,570
WHY ARE YOU LOOKING LIKE THAT?
442
00:22:53,639 --> 00:22:55,939
DADDY'S NOT WITH BOOM-BOOM.
443
00:22:56,008 --> 00:22:58,475
I KNOW, GLORIA.
444
00:22:58,544 --> 00:23:02,846
BUT IF HE WAS WITH BOOM-BOOM,
I'D KNOW WHERE HE WAS.
445
00:23:03,615 --> 00:23:04,848
THIS WAY,
446
00:23:05,651 --> 00:23:07,117
WHERE IS HE?
447
00:23:22,902 --> 00:23:24,802
WHY, AIN'T THIS FUN?
448
00:23:24,870 --> 00:23:26,982
NEXT WEEK ON ALL IN THE FAMILY.
449
00:23:27,006 --> 00:23:29,306
SO GLOOMY AND I
WAS MISSING ARCHIE.
450
00:23:29,374 --> 00:23:32,209
AND NOW HE'S COMING HOME
AND WE'RE HAVING A PARTY.
451
00:23:33,545 --> 00:23:34,990
WHEN IS ARCHIE
GOING TO GET HOME?
452
00:23:35,014 --> 00:23:36,313
WHO CARES?
453
00:23:36,381 --> 00:23:37,621
GEORGE!
454
00:23:38,217 --> 00:23:40,985
? WHO CARES IF THE SKY ?
455
00:23:41,053 --> 00:23:43,520
? STARTS TO FALL INTO THE SEA ?
456
00:23:44,890 --> 00:23:46,490
EDITH, I THINK YOU
HAVE HAD ENOUGH.
457
00:23:46,559 --> 00:23:48,058
OH, NO.
458
00:23:48,127 --> 00:23:50,194
YOU CAN'T FLY ON ONE LEG.
459
00:23:54,466 --> 00:23:57,201
YOU KNOW, I'VE BEEN
TRYING TO DO THIS ALL DAY.
460
00:23:57,269 --> 00:23:59,837
NOW I'M GOING TO
REALLY DO IT. WATCH.
461
00:24:02,208 --> 00:24:04,107
OH!
462
00:24:04,176 --> 00:24:07,056
BE SURE TO JOIN US NEXT
WEEK FOR ARCHIE'S RETURN.
463
00:24:23,095 --> 00:24:25,440
ALL IN THE FAMILY WAS
RECORDED ON TAPE
464
00:24:25,464 --> 00:24:26,763
BEFORE A LIVE AUDIENCE.
465
00:24:27,305 --> 00:25:27,701
-== [ www.OpenSubtitles.org ] ==-
466
00:25:27,751 --> 00:25:32,301
Repair and Synchronization by
Easy Subtitles Synchronizer 1.0.0.0
34897
Can't find what you're looking for?
Get subtitles in any language from opensubtitles.com, and translate them here.