All language subtitles for 2010 The Black Tulip.VOAF.SDH.EN
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Would you like to inspect the original subtitles? These are the user uploaded subtitles that are being translated:
1
00:00:00,000 --> 00:00:00,000
For Afghan to english embedded release
LU2021
2
00:00:16,605 --> 00:00:20,022
(light orchestral music)
3
00:00:41,716 --> 00:00:44,633
(woman vocalizing)
4
00:00:51,928 --> 00:00:54,428
(dog barking)
5
00:03:48,710 --> 00:03:52,127
(light orchestral music)
6
00:04:32,072 --> 00:04:34,322
(laughing)
7
00:04:41,887 --> 00:04:44,240
Cannot believe how
different your store looks
8
00:04:44,440 --> 00:04:45,890
than your father's bookstore.
9
00:04:47,650 --> 00:04:51,100
Everybody says so, but I
see my father everywhere.
10
00:04:51,300 --> 00:04:52,400
It's funny.
11
00:04:52,600 --> 00:04:53,730
[Man] What kinds of things
are you going to sell?
12
00:04:53,930 --> 00:04:56,300
Oh, let me show you the menu.
13
00:04:56,500 --> 00:04:58,393
Okay, actually you can have this.
14
00:04:58,593 --> 00:05:00,211
This is the menu, okay?
15
00:06:38,548 --> 00:06:41,370
(both){\an1}
16
00:06:49,633 --> 00:06:50,633
(chuckling)
17
00:08:15,087 --> 00:08:22,420
(Hadar){\an1}
18
00:09:04,768 --> 00:09:07,842
(Farishta){\an1}
19
00:09:08,042 --> 00:09:11,523
(Hadar){\an1}
20
00:09:11,723 --> 00:09:14,223
(bird crying)
21
00:09:15,597 --> 00:09:19,264
(dramatic orchestral music)
22
00:09:26,738 --> 00:09:29,488
(man vocalizing)
23
00:09:40,095 --> 00:09:42,845
(stone knocking)
24
00:09:57,282 --> 00:09:59,865
(men whooping)
25
00:10:00,940 --> 00:10:05,023
(girl){\an1}
26
00:10:18,057 --> 00:10:20,716
(men whooping)
27
00:10:20,916 --> 00:10:25,669
(man singing){\an1}
28
00:10:25,869 --> 00:10:29,644
(man){\an1}
29
00:10:29,844 --> 00:10:33,844
(man){\an1}
30
00:10:54,025 --> 00:10:58,192
(man singing){\an1}
31
00:11:03,392 --> 00:11:06,142
(fire whooshing)
32
00:11:15,038 --> 00:11:19,121
(girl){\an1}
33
00:11:36,735 --> 00:11:41,152
(Farishta){\an1}
34
00:11:58,532 --> 00:12:02,699
(Hadar){\an1}
35
00:12:21,809 --> 00:12:25,226
(light orchestral music)
36
00:12:35,502 --> 00:12:36,639
(gasping)
37
00:13:52,167 --> 00:13:53,750
Bye bye, bye bye.
38
00:13:57,034 --> 00:13:58,034
Bye bye.
39
00:13:59,271 --> 00:14:00,271
Bye.
40
00:14:11,351 --> 00:14:13,248
Bye bye.
41
00:14:15,199 --> 00:14:18,199
(Farishta laughing)
42
00:14:49,625 --> 00:14:53,625
{\an1}(All)
43
00:15:22,054 --> 00:15:25,054
(Farishta laughing)
44
00:15:30,748 --> 00:15:32,950
(both laughing)
45
00:15:33,150 --> 00:15:35,733
(upbeat music)
46
00:15:43,908 --> 00:15:48,325
(Farishta){\an1}
47
00:16:01,743 --> 00:16:03,678
(all clapping)
(upbeat music)
48
00:16:03,878 --> 00:16:08,045
(man singing){\an1}
49
00:16:39,073 --> 00:16:40,750
Salaam-Alaikum.
50
00:16:40,950 --> 00:16:43,180
Salaam, welcome to The Poet's Corner.
51
00:16:43,380 --> 00:16:44,388
Oh, you speak English.
52
00:16:44,588 --> 00:16:45,222
Yes.
53
00:16:45,422 --> 00:16:47,200
Our whole family speaks English.
54
00:16:47,400 --> 00:16:48,210
Well, that's good.
55
00:16:48,410 --> 00:16:51,185
I'm Colonel Williams, Miss
Julie Brown, native liaison.
56
00:16:51,385 --> 00:16:52,118
Colonel Tinelli.
57
00:16:52,318 --> 00:16:53,147
Nice to meet you.
58
00:16:53,347 --> 00:16:54,450
Nice to meet you, sir.
59
00:16:54,650 --> 00:16:55,719
I'm Hadar Mansouri.
60
00:16:55,919 --> 00:16:57,187
Welcome, sir.
61
00:16:57,387 --> 00:16:58,713
Please.
62
00:16:58,913 --> 00:17:02,746
(singing){\an1}
63
00:17:07,320 --> 00:17:09,343
Would you like something for now?
64
00:17:09,543 --> 00:17:12,953
You know, I think I
will have your specialty.
65
00:17:13,153 --> 00:17:13,912
Yes.
66
00:17:14,112 --> 00:17:16,369
For our friend in uniform, always.
67
00:17:16,569 --> 00:17:17,203
[Williams] Thank you.
68
00:17:17,403 --> 00:17:21,235
(singing){\an1}
69
00:17:40,407 --> 00:17:42,544
30 years of war and
they're still fighting.
70
00:17:42,744 --> 00:17:44,656
Gotta respect them for that.
71
00:17:44,856 --> 00:17:46,236
Thanks.
72
00:17:46,436 --> 00:17:47,603
Our special.
73
00:17:48,695 --> 00:17:49,919
[Williams] Very good, thanks.
74
00:17:50,119 --> 00:17:53,952
(singing){\an1}
75
00:18:25,931 --> 00:18:26,565
Farishta.
76
00:18:26,765 --> 00:18:28,961
(Farishta){\an1}
77
00:18:29,161 --> 00:18:30,826
This is my wife.
78
00:18:31,026 --> 00:18:32,196
Farishta Mansouri.
79
00:18:32,396 --> 00:18:33,225
No, no, sit.
80
00:18:33,425 --> 00:18:35,453
Don't get up, don't get up.
81
00:18:35,653 --> 00:18:37,318
Officer Tinelli.
82
00:18:37,518 --> 00:18:38,273
Officer Williams.
83
00:18:38,473 --> 00:18:39,228
And Miss Brown.
84
00:18:39,428 --> 00:18:41,104
I'll have to be sure
and spread the word.
85
00:18:41,304 --> 00:18:42,282
You can count on it.
86
00:18:42,482 --> 00:18:43,647
- Will you?
- Yeah.
87
00:18:43,847 --> 00:18:45,593
Thank you so much.
88
00:18:47,154 --> 00:18:48,000
Belkis.
89
00:18:48,200 --> 00:18:49,880
That's my little sister, Belkis.
90
00:18:50,080 --> 00:18:50,714
Oh, hi.
91
00:18:50,914 --> 00:18:52,240
Hello, how are you, everybody?
92
00:18:52,440 --> 00:18:53,312
Nice to meet you.
93
00:18:53,512 --> 00:18:55,680
(all chattering)
94
00:18:55,880 --> 00:18:58,285
(upbeat music)
95
00:18:58,485 --> 00:19:00,674
Excuse me one moment.
96
00:19:00,874 --> 00:19:01,507
Excuse me.
97
00:19:01,707 --> 00:19:02,707
Might be the fuse.
98
00:19:03,630 --> 00:19:04,264
Excuse me.
99
00:19:04,464 --> 00:19:06,170
We will be right with you.
100
00:19:47,520 --> 00:19:48,841
(both laughing)
101
00:20:04,908 --> 00:20:06,707
(laughing)
102
00:20:11,423 --> 00:20:14,035
(laughing)
103
00:20:28,526 --> 00:20:29,728
(upbeat music)
104
00:20:29,928 --> 00:20:33,761
(singing){\an1}
105
00:20:57,049 --> 00:21:00,216
(audience applauding)
106
00:21:19,893 --> 00:21:22,143
(laughing)
107
00:21:44,991 --> 00:21:49,991
♪ Somewhere lost in time ♪
108
00:21:50,485 --> 00:21:53,691
♪ Back when our souls first met ♪
109
00:22:09,179 --> 00:22:13,179
(man){\an1}
110
00:22:30,342 --> 00:22:32,475
♪ Your again losin' ♪
111
00:22:32,675 --> 00:22:35,258
♪ Forgotten my ♪
112
00:23:55,287 --> 00:23:58,287
(light piano music)
113
00:24:05,601 --> 00:24:08,601
(Farishta laughing)
114
00:24:15,806 --> 00:24:20,806
♪ So touch me now ♪
115
00:24:21,302 --> 00:24:26,302
♪ The way you touched me then ♪
116
00:24:27,511 --> 00:24:30,661
♪ I am yours ♪
117
00:24:30,861 --> 00:24:33,960
♪ You are mine ♪
118
00:24:34,160 --> 00:24:39,160
♪ And time stands still again ♪
119
00:24:43,493 --> 00:24:47,669
♪ One love ♪
120
00:24:47,869 --> 00:24:50,119
♪ One love ♪
121
00:25:05,392 --> 00:25:06,392
(Farishta){\an1}
122
00:25:10,317 --> 00:25:11,891
(Belkis){\an1}
123
00:26:45,575 --> 00:26:48,128
(light orchestral music)
124
00:26:48,328 --> 00:26:50,628
(man){\an1}
125
00:26:50,828 --> 00:26:53,317
{\an1}(All)
126
00:26:53,517 --> 00:26:55,127
(man){\an1}
127
00:26:55,327 --> 00:26:57,257
{\an1}(All)
128
00:26:57,457 --> 00:26:58,516
(man){\an1}
129
00:26:58,716 --> 00:27:00,343
{\an1}(All)
130
00:27:00,543 --> 00:27:01,755
(man){\an1}
131
00:27:01,955 --> 00:27:04,167
{\an1}(All)
132
00:27:04,367 --> 00:27:05,913
(girl laughing)
133
00:27:52,259 --> 00:27:54,509
(laughing)
134
00:27:56,432 --> 00:27:57,694
(whistle blowing)
135
00:28:01,350 --> 00:28:03,922
(whistle blowing)
136
00:28:07,395 --> 00:28:09,018
(whistle blowing)
137
00:28:56,653 --> 00:28:57,951
{\an1}(Teacher)
138
00:28:59,755 --> 00:29:03,816
{\an1}(Teacher)
139
00:29:04,016 --> 00:29:08,016
(man){\an1}
140
00:29:18,710 --> 00:29:21,627
(percussive music)
141
00:29:29,085 --> 00:29:31,835
(man vocalizing){\an1}
142
00:29:47,543 --> 00:29:51,710
(man singing){\an1}
143
00:29:54,221 --> 00:29:58,221
(man){\an1}
144
00:31:46,808 --> 00:31:48,545
(horse neighing)
145
00:32:13,861 --> 00:32:14,861
Belkis.
146
00:33:37,698 --> 00:33:41,181
(dramatic music)
147
00:35:13,032 --> 00:35:14,253
(Belkis){\an1}
148
00:35:16,643 --> 00:35:17,852
(Akram laughing)
149
00:35:18,052 --> 00:35:19,466
(Belkis){\an1}
150
00:35:24,074 --> 00:35:26,824
(dramatic music)
151
00:36:51,773 --> 00:36:53,735
(Akram laughing)
152
00:37:12,087 --> 00:37:14,837
(Akram laughing)
153
00:37:27,096 --> 00:37:28,792
(dramatic music)
154
00:37:28,992 --> 00:37:32,992
(man){\an1}
155
00:38:03,059 --> 00:38:05,809
(dramatic music)
156
00:38:58,945 --> 00:39:01,320
(Farouk){\an1}
157
00:40:14,533 --> 00:40:16,869
(Hadar){\an1}
158
00:40:22,048 --> 00:40:26,131
(both){\an1}
159
00:40:40,095 --> 00:40:44,512
(Farishta){\an1}
160
00:40:58,623 --> 00:40:59,819
(all laughing)
161
00:41:02,118 --> 00:41:03,571
(Hadar){\an1}
162
00:41:05,381 --> 00:41:07,205
(Hadar){\an1}
163
00:41:10,023 --> 00:41:10,927
(Farishta laughing)
164
00:41:11,127 --> 00:41:11,761
(Hadar){\an1}
165
00:41:11,961 --> 00:41:14,960
(Farishta laughing)
166
00:41:38,210 --> 00:41:39,720
(Satara){\an1}
167
00:41:47,578 --> 00:41:51,828
(Belkis){\an1}
168
00:42:42,914 --> 00:42:45,581
(both laughing)
169
00:43:07,910 --> 00:43:12,284
(light acoustic guitar music)
170
00:43:24,810 --> 00:43:26,365
(Hadar sighing)
171
00:43:26,565 --> 00:43:27,896
Farishta?
172
00:43:28,096 --> 00:43:29,100
(Farishta){\an1}
173
00:44:16,632 --> 00:44:19,382
(dramatic music)
174
00:45:07,173 --> 00:45:07,962
Got a light?
175
00:45:08,162 --> 00:45:09,162
Yes, sir.
176
00:45:14,827 --> 00:45:16,756
[Williams] You okay?
177
00:45:16,956 --> 00:45:18,289
I'm okay, sir.
178
00:45:20,875 --> 00:45:22,765
You look a little nervous.
179
00:45:22,965 --> 00:45:26,504
I am a little tired tonight, sir.
180
00:45:26,704 --> 00:45:27,338
Yeah.
181
00:45:27,538 --> 00:45:29,345
Just so you know, I don't
like my posts nervous,
182
00:45:29,545 --> 00:45:30,970
Yes, sir.
183
00:45:31,170 --> 00:45:32,980
The food is coming soon.
184
00:45:33,180 --> 00:45:36,370
Well, when it comes
through, show it upstairs.
185
00:45:36,570 --> 00:45:37,570
Yes, sir, okay.
186
00:46:17,540 --> 00:46:19,760
He is my friend from the restaurant.
187
00:46:19,960 --> 00:46:21,435
Okay, come with me.
188
00:46:28,186 --> 00:46:30,846
(jet roaring)
189
00:46:31,046 --> 00:46:31,989
(Tinelli laughing)
190
00:46:32,189 --> 00:46:33,175
You like it, eh?
191
00:46:33,375 --> 00:46:34,542
Okay, now one.
192
00:46:35,588 --> 00:46:36,222
Oh, look who's here.
193
00:46:36,422 --> 00:46:39,360
Hadar, come here, come here, you play.
194
00:46:39,560 --> 00:46:40,808
- Salaam-Alaikum.
- Salaam-Alaikum.
195
00:46:41,008 --> 00:46:41,740
(Tinelli){\an1}
196
00:46:41,940 --> 00:46:42,780
(sniffing)
197
00:46:42,980 --> 00:46:43,698
Smell this kabob
198
00:46:43,898 --> 00:46:45,680
direct from God's own oven.
199
00:46:45,880 --> 00:46:47,103
- Yeah.
- Who is she?
200
00:46:49,130 --> 00:46:50,070
My daughter.
201
00:46:50,270 --> 00:46:51,760
My name is Satara.
202
00:46:51,960 --> 00:46:52,930
She's so beautiful.
203
00:46:53,130 --> 00:46:54,130
Like her mother.
204
00:46:54,850 --> 00:46:55,694
What do you have?
205
00:46:55,894 --> 00:46:57,743
I have hot bread for you.
206
00:46:57,943 --> 00:46:58,577
Oh.
207
00:46:58,777 --> 00:46:59,880
(Tinelli){\an1}
208
00:47:00,080 --> 00:47:00,897
Thank you, thank you.
209
00:47:01,097 --> 00:47:02,580
Come, come, come on.
210
00:47:02,780 --> 00:47:04,427
Best food in all Kabul.
211
00:47:05,473 --> 00:47:06,107
Okay.
212
00:47:06,307 --> 00:47:07,580
Hadar, how nice to see you again.
213
00:47:07,780 --> 00:47:09,080
[Hadar] Nice to see you.
214
00:47:13,684 --> 00:47:14,318
Menu.
215
00:47:14,518 --> 00:47:15,750
A menu for me.
216
00:47:15,950 --> 00:47:18,560
I'll make sure these
get around the base.
217
00:47:18,760 --> 00:47:19,394
Put that there.
218
00:47:19,594 --> 00:47:21,153
I think that should cover it.
219
00:47:22,822 --> 00:47:23,556
Here you go, sweetheart.
220
00:47:23,756 --> 00:47:24,389
Thank you.
221
00:47:24,589 --> 00:47:25,222
Thank you so much for coming.
222
00:47:25,422 --> 00:47:26,055
Thank you.
223
00:47:26,255 --> 00:47:26,888
- Thank you.
- Good to see you again.
224
00:47:27,088 --> 00:47:27,721
[Tinelli] Thank you.
225
00:47:27,921 --> 00:47:28,670
(Tinelli){\an1}
226
00:47:28,870 --> 00:47:31,786
(percussive music)
227
00:47:51,331 --> 00:47:52,331
Oh.
228
00:48:36,694 --> 00:48:39,444
(dramatic music)
229
00:50:58,082 --> 00:51:01,249
(audience applauding)
230
00:51:11,452 --> 00:51:14,202
(dramatic music)
231
00:51:25,698 --> 00:51:27,583
(man){\an1}
232
00:51:27,783 --> 00:51:30,233
{\an1}(All)
233
00:51:30,433 --> 00:51:31,685
(man){\an1}
234
00:51:31,885 --> 00:51:33,737
{\an1}(All)
235
00:51:33,937 --> 00:51:35,221
(man){\an1}
236
00:51:35,421 --> 00:51:36,903
{\an1}(All)
237
00:51:37,103 --> 00:51:38,402
(man){\an1}
238
00:51:38,602 --> 00:51:40,483
{\an1}(All)
239
00:51:40,683 --> 00:51:42,129
(man){\an1}
240
00:51:42,329 --> 00:51:44,186
{\an1}(All)
241
00:51:44,386 --> 00:51:45,267
(man){\an1}
242
00:51:45,467 --> 00:51:47,768
{\an1}(All)
243
00:51:47,968 --> 00:51:49,527
(man){\an1}
244
00:51:49,727 --> 00:51:51,506
{\an1}(All)
245
00:51:51,706 --> 00:51:53,587
(man){\an1}
246
00:51:53,787 --> 00:51:56,294
{\an1}(All)
247
00:51:56,494 --> 00:51:57,980
(man){\an1}
248
00:51:58,180 --> 00:52:02,180
{\an1}(All)
249
00:52:07,107 --> 00:52:11,107
(man){\an1}
250
00:52:16,838 --> 00:52:20,671
(light acoustic guitar music)
251
00:52:22,786 --> 00:52:25,369
(bell ringing)
252
00:52:28,069 --> 00:52:29,069
Belkis!
253
00:52:29,939 --> 00:52:30,939
Belkis!
254
00:52:34,728 --> 00:52:35,728
Belkis.
255
00:52:36,448 --> 00:52:39,031
(bell ringing)
256
00:54:15,320 --> 00:54:17,300
He tipped his brim to hide his eyes,
257
00:54:17,500 --> 00:54:19,714
said, "Take care of yourself, son."
258
00:54:22,894 --> 00:54:26,894
(man){\an1}
259
00:54:33,267 --> 00:54:35,850
(all laughing)
260
00:54:42,349 --> 00:54:43,349
Hey.
261
00:54:44,626 --> 00:54:45,566
Okay.
262
00:54:45,766 --> 00:54:46,766
Calm down.
263
00:54:58,490 --> 00:54:59,490
Good job, son.
264
00:55:04,630 --> 00:55:05,830
What do you wanna get?
265
00:55:18,450 --> 00:55:19,270
One second.
266
00:55:19,470 --> 00:55:21,423
We're just going to have pizza.
267
00:55:22,350 --> 00:55:23,350
Pizza?
268
00:55:24,158 --> 00:55:25,158
Pizza.
269
00:55:26,274 --> 00:55:27,671
What was the duh-duh-duh?
270
00:55:27,871 --> 00:55:29,038
Koo-koo-koo.
271
00:55:33,492 --> 00:55:34,492
No, no.
272
00:55:39,383 --> 00:55:40,370
Don't encourage the guy, okay?
273
00:55:40,570 --> 00:55:41,204
He's a funny man.
274
00:55:41,404 --> 00:55:43,910
(laughing)
275
00:55:44,110 --> 00:55:45,110
That's good, no.
276
00:55:46,270 --> 00:55:47,360
Okay.
277
00:55:47,560 --> 00:55:48,193
Pizza.
278
00:55:48,393 --> 00:55:49,191
Can you, pizza.
279
00:55:49,391 --> 00:55:50,360
They always have pizza.
280
00:55:50,560 --> 00:55:51,212
Okay.
281
00:55:51,412 --> 00:55:52,046
All right.
282
00:55:52,246 --> 00:55:54,740
For me, palau, palau.
283
00:55:54,940 --> 00:55:56,437
And.
284
00:55:59,920 --> 00:56:00,553
Water.
285
00:56:00,753 --> 00:56:01,753
- Water.
- Okay.
286
00:56:06,230 --> 00:56:08,049
I guess we're going to
make it fast with the food.
287
00:56:08,249 --> 00:56:09,462
You know, we have to get
to the wedding on time.
288
00:56:09,662 --> 00:56:12,745
(light guitar music)
289
00:56:32,904 --> 00:56:37,071
(man singing){\an1}
290
00:57:32,665 --> 00:57:34,701
(both laughing)
291
00:59:23,841 --> 00:59:28,841
(laughing)
292
00:59:29,175 --> 00:59:31,551
(light acoustic guitar music)
293
00:59:31,751 --> 00:59:35,584
(singing){\an1}
294
00:59:55,238 --> 00:59:56,324
(man){\an1}
295
01:00:18,420 --> 01:00:20,628
(Belkis){\an1}
296
01:00:21,674 --> 01:00:24,095
(Belkis){\an1}
297
01:00:25,590 --> 01:00:28,396
(Belkis){\an1}
298
01:00:31,697 --> 01:00:35,864
(man singing){\an1}
299
01:02:10,827 --> 01:02:14,910
(both){\an1}
300
01:02:28,156 --> 01:02:30,739
(all clapping)
301
01:02:35,522 --> 01:02:38,939
(light orchestral music)
302
01:02:47,367 --> 01:02:49,950
(all clapping)
303
01:02:59,201 --> 01:03:03,368
(man singing){\an1}
304
01:03:32,893 --> 01:03:37,622
(man singing){\an1}
305
01:03:37,822 --> 01:03:42,353
{\an1}(All)
306
01:04:17,830 --> 01:04:19,028
(man){\an1}
307
01:04:19,228 --> 01:04:20,927
(woman){\an1}
308
01:04:21,127 --> 01:04:25,294
(man singing){\an1}
309
01:04:31,111 --> 01:04:33,694
(all clapping)
310
01:05:01,175 --> 01:05:05,175
{\an1}(All)
311
01:05:11,373 --> 01:05:14,029
When he grows up, we'll put
him in one of our uniforms.
312
01:05:14,229 --> 01:05:14,863
(all laughing)
313
01:05:15,063 --> 01:05:16,986
(jet engine roaring)
(indistinct)
314
01:05:17,186 --> 01:05:17,820
Right?
315
01:05:18,020 --> 01:05:20,527
Look at, tough boy, huh?
316
01:05:20,727 --> 01:05:23,056
(phone ringing)
317
01:05:25,089 --> 01:05:25,723
Yes.
318
01:05:25,923 --> 01:05:27,170
(phone ringing)
319
01:05:33,230 --> 01:05:34,660
Thank you very much.
320
01:05:34,860 --> 01:05:37,040
Sorry, we've got an
emergency on the base,
321
01:05:37,240 --> 01:05:38,360
but we'll call back.
322
01:05:38,560 --> 01:05:39,193
Right now?
323
01:05:39,393 --> 01:05:40,027
- Right now.
- Nice seeing you.
324
01:05:40,227 --> 01:05:41,586
We'll see you at the point of call.
325
01:05:41,786 --> 01:05:42,809
Thank you.
326
01:05:43,009 --> 01:05:43,843
Thanks.
327
01:05:44,043 --> 01:05:46,139
(light guitar music)
328
01:05:51,922 --> 01:05:56,089
(man singing){\an1}
329
01:06:41,865 --> 01:06:44,448
(upbeat music)
330
01:06:56,496 --> 01:07:00,663
(man singing){\an1}
331
01:07:32,306 --> 01:07:34,682
(gun firing)
332
01:07:34,882 --> 01:07:36,511
(all screaming)
333
01:07:36,711 --> 01:07:37,562
(man){\an1}
334
01:07:37,762 --> 01:07:40,512
(dramatic music)
335
01:07:42,383 --> 01:07:44,707
(man singing){\an1}
336
01:07:50,058 --> 01:07:52,538
(tires screeching)
337
01:07:52,738 --> 01:07:56,738
(man){\an1}
338
01:08:08,659 --> 01:08:11,576
(Farishta sobbing)
339
01:08:16,047 --> 01:08:19,714
(dramatic orchestral music)
340
01:08:23,357 --> 01:08:27,524
(man singing){\an1}
341
01:09:24,039 --> 01:09:27,706
(dramatic orchestral music)
342
01:09:37,010 --> 01:09:39,177
(sobbing)
343
01:11:06,724 --> 01:11:09,615
(sobbing)
344
01:11:51,425 --> 01:11:54,342
(woman vocalizing)
345
01:12:36,780 --> 01:12:39,326
(Hadar sighing)
346
01:12:58,763 --> 01:13:03,180
(children){\an1}
347
01:13:07,436 --> 01:13:09,403
{\an1}(Teacher)
348
01:13:09,603 --> 01:13:10,965
{\an1}(All)
349
01:13:13,081 --> 01:13:14,294
{\an1}(All)
350
01:13:14,494 --> 01:13:15,341
{\an1}(Teacher)
351
01:13:15,541 --> 01:13:17,517
{\an1}(All)
352
01:13:30,624 --> 01:13:33,872
{\an4}(door clicking)
353
01:13:37,761 --> 01:13:40,511
{\an4}(dramatic music)
354
01:14:16,377 --> 01:14:19,127
(dramatic music)
355
01:14:28,314 --> 01:14:31,231
(thunder crashing)
356
01:14:39,736 --> 01:14:42,486
(dramatic music)
357
01:14:44,518 --> 01:14:47,601
(explosions booming)
358
01:15:02,215 --> 01:15:05,132
(woman vocalizing)
359
01:15:11,060 --> 01:15:13,977
(Farishta sobbing)
360
01:15:31,569 --> 01:15:34,486
{\an1}(woman vocalizing)
361
01:15:45,569 --> 01:15:48,486
(thunder crashing)
362
01:16:04,643 --> 01:16:09,060
(children){\an1}
363
01:16:12,351 --> 01:16:15,268
(woman vocalizing)
364
01:17:07,205 --> 01:17:10,122
(thunder crashing)
365
01:17:33,818 --> 01:17:38,235
(Farishta){\an1}
366
01:18:18,156 --> 01:18:20,906
(man vocalizing)
367
01:18:22,900 --> 01:18:27,317
(children){\an1}
368
01:18:39,534 --> 01:18:42,284
(dramatic music)
369
01:19:17,115 --> 01:19:20,032
(tires screeching)
370
01:20:33,766 --> 01:20:35,077
(line ringing)
371
01:21:14,735 --> 01:21:17,175
(Hadar){\an1}
372
01:21:21,424 --> 01:21:24,758
(Hadar){\an1}
373
01:21:27,240 --> 01:21:29,907
(phone beeping)
374
01:21:34,856 --> 01:21:39,273
(Farishta){\an1}
375
01:21:42,298 --> 01:21:46,381
(both){\an1}
376
01:22:03,688 --> 01:22:05,535
(man){\an1}
377
01:22:05,735 --> 01:22:06,735
{\an1}(tires screeching)
378
01:22:14,750 --> 01:22:16,795
So one night we're in Iraq together
379
01:22:16,995 --> 01:22:18,040
and we're out to dinner.
380
01:22:18,240 --> 01:22:21,170
We've got about 10 guys and 10 women,
381
01:22:21,370 --> 01:22:23,270
and we're having a really good time.
382
01:22:23,470 --> 01:22:24,530
And...
383
01:22:24,730 --> 01:22:26,670
Why don't you tell the story?
384
01:22:26,870 --> 01:22:27,690
You want me to tell the story?
385
01:22:27,890 --> 01:22:29,980
No, but you love telling
the story so tell it.
386
01:22:30,180 --> 01:22:30,813
Okay.
387
01:22:31,013 --> 01:22:31,646
Okay, okay.
388
01:22:31,846 --> 01:22:32,479
I'll tell the story.
389
01:22:32,679 --> 01:22:33,312
Okay.
390
01:22:33,512 --> 01:22:34,270
And you remember that night, right?
391
01:22:34,470 --> 01:22:35,231
Yeah.
392
01:22:35,431 --> 01:22:37,200
Okay, listen, listen carefully.
393
01:22:37,400 --> 01:22:41,300
And please take some notes
because this is (indistinct)
394
01:22:41,500 --> 01:22:42,638
okay?
395
01:22:42,838 --> 01:22:43,472
All right.
396
01:22:43,672 --> 01:22:45,222
So what a night.
397
01:22:45,422 --> 01:22:47,908
(car horn honking)
398
01:22:58,407 --> 01:23:00,843
Cristal Champagne, the best.
399
01:23:03,380 --> 01:23:04,530
Everything was perfect.
400
01:23:05,530 --> 01:23:06,390
And she was perfect.
401
01:23:06,590 --> 01:23:08,633
- Mm-hmm.
- What a girl.
402
01:23:08,833 --> 01:23:09,740
What a beauty.
403
01:23:09,940 --> 01:23:11,710
Like a cosmic angel.
404
01:23:11,910 --> 01:23:13,343
And she got legs.
405
01:23:37,100 --> 01:23:39,053
So we was talking, laughing.
406
01:23:40,150 --> 01:23:42,050
She had eyes only for me.
407
01:23:42,250 --> 01:23:43,250
Of course.
408
01:23:44,637 --> 01:23:48,960
The end of the evening is
coming and I felt that I had
409
01:23:49,160 --> 01:23:50,923
her right where I want to.
410
01:23:51,850 --> 01:23:53,443
Or so I was thinking.
411
01:24:05,697 --> 01:24:08,447
{\an4}(dramatic music)
412
01:24:11,383 --> 01:24:14,383
(muffled screaming)
413
01:24:36,414 --> 01:24:38,319
(Farishta){\an1}
414
01:24:38,519 --> 01:24:40,843
I suggest I take her up to the room.
415
01:24:41,043 --> 01:24:42,430
We walk up the stairs.
416
01:24:42,630 --> 01:24:45,336
She was right in front of me.
417
01:24:45,536 --> 01:24:46,536
Then, bam.
418
01:24:47,510 --> 01:24:48,984
One second, she missed the steps,
419
01:24:49,184 --> 01:24:50,070
(all laughing)
420
01:24:50,270 --> 01:24:52,393
and she falls right into my arms.
421
01:24:54,450 --> 01:24:56,483
The great Valentino as I am,
422
01:24:56,683 --> 01:24:57,943
need to make his move.
423
01:24:59,070 --> 01:25:00,170
You know what she say?
424
01:25:02,216 --> 01:25:03,703
That she doesn't date men.
425
01:25:04,874 --> 01:25:05,874
What?
426
01:25:16,058 --> 01:25:17,058
Ah, so
427
01:25:19,410 --> 01:25:20,043
I look at her
428
01:25:20,243 --> 01:25:21,243
in the eyes
429
01:25:22,309 --> 01:25:24,577
and I say the only thing I could think
430
01:25:24,777 --> 01:25:26,610
to say at that moment.
431
01:25:27,720 --> 01:25:29,033
I don't date men either.
432
01:25:29,233 --> 01:25:31,816
(all laughing)
433
01:25:35,510 --> 01:25:36,513
I have no idea.
434
01:25:41,260 --> 01:25:42,334
- Where's my daughter?
- Stop!
435
01:25:42,534 --> 01:25:43,820
Where's my daughter?
436
01:25:44,020 --> 01:25:44,850
And believe it or not
437
01:25:45,050 --> 01:25:46,890
Colonel Tinelli ended up with the girl
438
01:25:47,090 --> 01:25:48,058
and we got a lesson in love.
439
01:25:48,258 --> 01:25:49,235
(all laughing)
440
01:25:49,435 --> 01:25:51,970
Sir, there's a matter that
needs your attention outside.
441
01:25:52,170 --> 01:25:52,970
Colonel, we got a problem.
442
01:25:53,170 --> 01:25:53,803
Let's go.
443
01:25:54,003 --> 01:25:54,781
(all chattering)
444
01:25:54,981 --> 01:25:56,333
Stop, holster that weapon.
445
01:25:56,533 --> 01:25:58,020
What the heck's going on?
446
01:25:58,220 --> 01:25:59,607
Where is my daughter?
447
01:25:59,807 --> 01:26:00,440
What's the problem?
448
01:26:00,640 --> 01:26:01,274
Why would I know?
449
01:26:01,474 --> 01:26:03,033
- Sent her to you.
- Calm down.
450
01:26:05,040 --> 01:26:07,161
[Williams] We didn't
order anything this evening.
451
01:26:07,361 --> 01:26:08,601
Satara?
452
01:26:08,801 --> 01:26:11,052
[Man] What's going on?
453
01:26:11,252 --> 01:26:13,919
(siren wailing)
454
01:26:18,530 --> 01:26:19,354
(Farishta sobbing)
455
01:26:19,554 --> 01:26:20,187
Satara!
456
01:26:20,387 --> 01:26:21,021
(Williams whistling)
457
01:26:21,221 --> 01:26:26,220
(siren wailing)
(dramatic music)
458
01:26:28,660 --> 01:26:29,660
Hadar.
459
01:26:33,153 --> 01:26:34,153
Hadar!
460
01:26:36,968 --> 01:26:37,961
It's my daughter's.
461
01:26:38,161 --> 01:26:38,952
This is my daughter's.
462
01:26:39,152 --> 01:26:40,092
Are you sure this is hers?
463
01:26:40,292 --> 01:26:41,180
It's my daughter's.
464
01:26:41,380 --> 01:26:42,324
Calm down, calm down.
465
01:26:42,524 --> 01:26:43,354
It's my daughter's.
466
01:26:43,554 --> 01:26:44,660
She can't be far away.
467
01:26:44,860 --> 01:26:46,386
We have dogs, we have dogs.
468
01:26:46,586 --> 01:26:48,526
We'll find her, we'll find her.
469
01:26:48,726 --> 01:26:53,726
(Farishta sobbing)
(dramatic music)
470
01:27:01,600 --> 01:27:05,893
(singing){\an1}
471
01:27:16,028 --> 01:27:19,945
(suspenseful orchestral music)
472
01:27:24,574 --> 01:27:25,574
Come on.
473
01:27:56,867 --> 01:27:59,784
(woman vocalizing)
474
01:28:04,391 --> 01:28:05,974
[Man] Move, move.
475
01:28:09,157 --> 01:28:11,042
Freeze, freeze, freeze.
476
01:28:14,039 --> 01:28:16,077
(Williams){\an1}
477
01:28:16,277 --> 01:28:17,422
(Williams grunting)
478
01:28:20,674 --> 01:28:21,674
Go.
479
01:28:28,604 --> 01:28:29,794
In the back.
480
01:28:31,756 --> 01:28:33,047
Shut up.
481
01:28:33,247 --> 01:28:33,881
Let me see your hands.
482
01:28:34,081 --> 01:28:37,365
Get your hands back, get out of the way.
483
01:28:37,565 --> 01:28:38,199
I got the girl.
484
01:28:38,399 --> 01:28:39,763
I got her.
485
01:28:39,963 --> 01:28:41,633
(man){\an1}
486
01:28:41,833 --> 01:28:42,716
(gun firing)
487
01:28:42,916 --> 01:28:44,198
I got her.
488
01:28:44,398 --> 01:28:46,813
Clear, clear, here we go.
489
01:28:47,013 --> 01:28:47,800
Here we go.
490
01:28:48,000 --> 01:28:51,666
(dramatic orchestral music)
491
01:29:33,041 --> 01:29:35,379
But there a small scar on her face.
492
01:29:35,579 --> 01:29:37,758
It will disappear in
a week or two weeks.
493
01:29:37,958 --> 01:29:39,136
- Thank you, sir.
- Thank you, Doctor.
494
01:29:39,336 --> 01:29:42,003
(pager beeping)
495
01:29:51,217 --> 01:29:52,460
[Williams] Farishta, the doctor said
496
01:29:52,660 --> 01:29:53,760
she's going to be just fine
497
01:29:53,960 --> 01:29:54,780
and you can take her home
498
01:29:54,980 --> 01:29:55,680
if you want.
499
01:29:55,880 --> 01:29:56,514
(dramatic music)
500
01:29:56,714 --> 01:29:59,630
(Farishta sighing)
501
01:30:26,881 --> 01:30:29,798
(Farishta sighing)
502
01:31:35,406 --> 01:31:39,656
(Farouk){\an1}
503
01:32:00,058 --> 01:32:03,725
{\an1}(dramatic orchestral music)
504
01:32:41,257 --> 01:32:44,007
(Satara sobbing)
505
01:32:57,529 --> 01:33:01,529
(man){\an1}
506
01:33:20,280 --> 01:33:21,630
(dramatic orchestral music)
507
01:34:39,714 --> 01:34:44,714
(dramatic orchestral music)
(singing){\an1}
508
01:36:01,303 --> 01:36:04,970
(dramatic orchestral music)
509
01:37:46,420 --> 01:37:50,837
(Farishta){\an1}
510
01:38:17,838 --> 01:38:20,403
(Farishta sighing)
511
01:38:27,007 --> 01:38:31,174
(Hadar){\an1}
512
01:38:54,562 --> 01:38:57,312
(dramatic music)
513
01:39:53,345 --> 01:39:54,345
Raheem?
514
01:39:57,891 --> 01:40:00,553
♪ Somewhere lost in time ♪
515
01:40:00,753 --> 01:40:01,753
Raheem?
516
01:40:03,731 --> 01:40:08,314
♪ Back when our souls first met I knew ♪
517
01:40:12,246 --> 01:40:13,246
Raheem?
518
01:40:16,428 --> 01:40:18,692
♪ Your again rose up ♪
519
01:40:18,892 --> 01:40:22,509
♪ Forgotten mine ♪
520
01:40:22,709 --> 01:40:25,126
♪ So hold me ♪
521
01:40:33,228 --> 01:40:35,978
(dramatic music)
522
01:40:50,436 --> 01:40:51,436
Amanullah?
523
01:41:29,928 --> 01:41:32,511
{\an1}(man shouting)
524
01:42:16,194 --> 01:42:18,108
(Amanullah){\an1}
525
01:44:05,034 --> 01:44:09,534
(Amanullah){\an1}
526
01:44:13,447 --> 01:44:17,614
(Hadar){\an1}
527
01:45:09,209 --> 01:45:11,959
(dramatic music)
528
01:45:56,087 --> 01:45:58,837
(lid clattering)
529
01:46:26,650 --> 01:46:30,567
(suspenseful orchestral music)
530
01:50:08,775 --> 01:50:10,449
(man){\an1}
531
01:50:10,649 --> 01:50:14,880
(man){\an1}
532
01:50:15,080 --> 01:50:18,080
(suspenseful music)
533
01:51:09,246 --> 01:51:12,246
(explosion booming)
534
01:51:28,147 --> 01:51:31,373
(dramatic orchestral music)
535
01:51:31,573 --> 01:51:35,740
(man singing){\an1}
536
01:51:41,947 --> 01:51:44,399
(knocking on window)
537
01:52:14,518 --> 01:52:18,685
(man singing){\an1}
538
01:52:28,450 --> 01:52:32,617
(man singing){\an1}
539
01:53:01,686 --> 01:53:06,686
♪ So we fight, fight for
our freedom, Afghanistan ♪
540
01:53:08,695 --> 01:53:12,446
♪ The land that we love ♪
541
01:53:12,646 --> 01:53:17,646
♪ Yes, we fight, fight for
our freedom, Afghanistan ♪
542
01:53:19,456 --> 01:53:22,456
♪ And never give up ♪
543
01:53:26,754 --> 01:53:30,921
(man singing){\an1}
544
01:53:47,613 --> 01:53:52,613
♪ So we fight, fight for
our freedom, Afghanistan ♪
545
01:53:54,555 --> 01:53:58,239
♪ The land that we love ♪
546
01:53:58,439 --> 01:54:03,439
♪ Yes, we'll fight, fight for
our freedom, Afghanistan ♪
547
01:54:05,647 --> 01:54:08,647
♪ And never give up ♪
548
01:54:13,119 --> 01:54:17,286
(all singing){\an1}
549
01:54:35,400 --> 01:54:38,309
(man vocalizing)
550
01:54:38,509 --> 01:54:42,676
(man singing){\an1}
551
01:54:56,851 --> 01:55:01,018
(all singing){\an1}
552
01:55:38,783 --> 01:55:43,783
♪ So we fight, fight for
our freedom, Afghanistan ♪
553
01:55:45,010 --> 01:55:48,851
♪ The land that we love ♪
554
01:55:49,051 --> 01:55:54,051
♪ Yes, we'll fight, fight for
our freedom, Afghanistan ♪
555
01:55:56,441 --> 01:55:59,514
♪ And never give up ♪
556
01:55:59,714 --> 01:56:04,714
♪ So we fight, fight for
our freedom, Afghanistan ♪
557
01:56:07,235 --> 01:56:10,331
♪ The land that we love ♪
558
01:56:10,531 --> 01:56:15,531
♪ Yes, we'll fight, fight for
our freedom, Afghanistan ♪
559
01:56:17,579 --> 01:56:22,579
♪ And never give up ♪
560
01:56:23,303 --> 01:56:28,303
♪ And never give up ♪
561
01:56:28,601 --> 01:56:31,601
♪ And never give up ♪
562
01:56:42,136 --> 01:56:45,553
(light orchestral music)
563
01:57:45,491 --> 01:57:49,324
(light acoustic guitar music)
31070
