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Would you like to inspect the original subtitles? These are the user uploaded subtitles that are being translated: 1 00:00:01,418 --> 00:00:02,920 ASON: One of us should have won that shit, son. 2 00:00:02,920 --> 00:00:04,421 It's 'cause all them niggas went up there as a unit. 3 00:00:04,421 --> 00:00:06,256 BOBBY: Niggas ain't giving Staten no respect. 4 00:00:06,256 --> 00:00:08,884 We do them Wu‐Tang from the bottom up. 5 00:00:08,884 --> 00:00:10,719 ‐ Hey, yo, who this again? ‐ Wu‐Tang Clan. 6 00:00:10,719 --> 00:00:11,929 ‐ They all over the streets. 7 00:00:11,929 --> 00:00:13,722 ‐ Yeah, there's eight of them. Sound dope, right? 8 00:00:13,722 --> 00:00:14,890 ‐ Can I buy one off of you? 9 00:00:14,890 --> 00:00:16,391 ‐ You need to find a distributor. 10 00:00:16,391 --> 00:00:18,352 Get into more than just the local mom and pops. 11 00:00:18,352 --> 00:00:19,770 It would help if we had a label 12 00:00:19,770 --> 00:00:21,522 ‐ behind us, though, you know? BOBBY: Hey, yo! 13 00:00:21,522 --> 00:00:24,233 Y'all said something about a‐‐ a Def Jam party? 14 00:00:24,233 --> 00:00:25,984 ‐ Hey, excuse me. Can I help you with something? 15 00:00:25,984 --> 00:00:28,570 ‐ Hey, yo, we got something for you. 16 00:00:28,570 --> 00:00:31,490 DISC JOCKEY: Here's Wu‐Tang Clan with "Protect Ya Neck." 17 00:00:31,490 --> 00:00:32,741 BOBBY: ♪ Wu‐Tang Clan ♪ 18 00:00:32,741 --> 00:00:34,117 ‐ Oh, shit! 19 00:00:34,117 --> 00:00:35,202 ‐ Ooh, can you turn that up? 20 00:00:35,202 --> 00:00:36,662 You know what? Actually, never mind. 21 00:00:36,662 --> 00:00:38,330 I'm going to, uh‐‐ I'm going to stack that. 22 00:00:38,330 --> 00:00:41,041 [cheering, laughter] 23 00:00:41,041 --> 00:00:43,085 [crash, shattering sound] 24 00:00:43,085 --> 00:00:45,128 TRACEY WAPLES: Out of the five boroughs of New York City, 25 00:00:45,128 --> 00:00:46,713 it could be said that the Bronx 26 00:00:46,713 --> 00:00:48,507 is the most dangerous. 27 00:00:48,507 --> 00:00:50,133 But they say pressure makes diamonds, 28 00:00:50,133 --> 00:00:51,677 and out of the grit and grime, 29 00:00:51,677 --> 00:00:54,805 the culture we now know as hip‐hop was born. 30 00:00:54,805 --> 00:00:56,265 The pioneers, from Kool Herc 31 00:00:56,265 --> 00:00:58,267 to Grandmaster Flash and the Furious Five 32 00:00:58,267 --> 00:00:59,810 to the Cold Crush Brothers‐‐ 33 00:00:59,810 --> 00:01:01,728 they all hailed from the Bronx. 34 00:01:01,728 --> 00:01:04,147 The B‐X. The Boogie Down. 35 00:01:04,147 --> 00:01:06,525 The Bronx was also home to one of the most iconic 36 00:01:06,525 --> 00:01:09,653 hip‐hop venues in the city‐‐ the Fever. 37 00:01:09,653 --> 00:01:11,446 This is where legends like Kool Moe Dee, 38 00:01:11,446 --> 00:01:15,200 Busy Bee Starski, Kurtis Blow, and Run‐DMC were made. 39 00:01:15,200 --> 00:01:17,494 And those who couldn't cut it on that stage? 40 00:01:17,494 --> 00:01:19,997 Their dreams died in the club that night. 41 00:01:19,997 --> 00:01:21,873 Didn't matter if you were from Queens, 42 00:01:21,873 --> 00:01:24,626 Manhattan, Brooklyn, or even the Bronx. 43 00:01:24,626 --> 00:01:28,463 But a crew from Staten Island? The bastard borough? 44 00:01:28,463 --> 00:01:32,759 At the Fever? Good luck and Godspeed. 45 00:01:32,759 --> 00:01:33,760 [hip‐hop music] 46 00:01:33,760 --> 00:01:35,512 [men grunting] 47 00:01:35,512 --> 00:01:36,513 [blade resounds] 48 00:01:40,309 --> 00:01:44,313 ♪ ♪ 49 00:01:49,109 --> 00:01:51,111 [gun cocks] 50 00:01:58,452 --> 00:02:03,290 ♪ ♪ 51 00:02:03,290 --> 00:02:04,833 [click] 52 00:02:10,589 --> 00:02:17,596 ♪ ♪ 53 00:02:32,444 --> 00:02:33,862 [blade resounds] 54 00:02:33,862 --> 00:02:36,531 [upbeat hip‐hop music] 55 00:02:36,531 --> 00:02:38,200 ‐ It's expensive and a pain in the ass 56 00:02:38,200 --> 00:02:40,118 to get three artists on a plane, let alone eight. 57 00:02:40,118 --> 00:02:41,703 ‐ Don't forget, your recording costs 58 00:02:41,703 --> 00:02:43,413 are guaranteed to be lower 59 00:02:43,413 --> 00:02:45,374 because Bobby does all his producing. 60 00:02:45,374 --> 00:02:46,625 WENDY GOLDSTEIN: You got the streets, 61 00:02:46,625 --> 00:02:48,377 but this label is bigger than that. 62 00:02:48,377 --> 00:02:51,254 At best, what you have right now is a B‐side. 63 00:02:51,254 --> 00:02:52,714 ‐ Yo, "The Symphony" was a B‐side. 64 00:02:52,714 --> 00:02:54,716 "Live at the Barbeque"? 65 00:02:54,716 --> 00:02:56,301 Shit, a bunch of B‐sides blew artists up 66 00:02:56,301 --> 00:03:00,013 into superstars. 67 00:03:00,013 --> 00:03:03,266 ‐ No offense, but what do you do for the group? 68 00:03:03,266 --> 00:03:05,102 ‐ I'm the executive producer. 69 00:03:05,102 --> 00:03:09,648 So talk as if I'm not here. But don't forget I am. 70 00:03:09,648 --> 00:03:14,319 ♪ ♪ 71 00:03:14,319 --> 00:03:16,738 ASON: Yo, Divine, where you steal that suit from, son? 72 00:03:16,738 --> 00:03:19,032 A Forbes convention? 73 00:03:19,032 --> 00:03:21,660 I think that CEO title is getting to your head, son, word. 74 00:03:21,660 --> 00:03:22,828 ‐ Yo, why'd you even come 75 00:03:22,828 --> 00:03:25,539 if you're just gonna talk shit all day? 76 00:03:25,539 --> 00:03:27,332 ‐ Do you know your mathematics, son? 77 00:03:27,332 --> 00:03:29,835 I came so there could be four of us. 78 00:03:29,835 --> 00:03:31,795 Four represents culture, 79 00:03:31,795 --> 00:03:35,757 freedom, righteousness, 80 00:03:35,757 --> 00:03:38,385 and peace, God. 81 00:03:38,385 --> 00:03:40,971 Plus, this is Def Jam, nigga. 82 00:03:40,971 --> 00:03:42,472 Y'all really thought I was gonna let y'all 83 00:03:42,472 --> 00:03:44,474 come in here without me? 84 00:03:45,767 --> 00:03:48,520 Man, it's like being at the Hip‐Hop Hall of Fame, son. 85 00:03:48,520 --> 00:03:53,316 Yo, one day they gonna paint my name right next to LL, man. 86 00:03:53,316 --> 00:03:56,153 No, fuck that, they gonna paint me on the ceiling, 87 00:03:56,153 --> 00:03:58,238 ‐on some Michelangelo shit... BOBBY: All right, yo, yo... 88 00:03:58,238 --> 00:03:59,865 With my nuts hanging out and everything, yo, word. 89 00:03:59,865 --> 00:04:01,575 ‐ Take it easy, nigga, all right? 90 00:04:01,575 --> 00:04:03,743 ‐ Can I get you gentlemen anything? 91 00:04:03,743 --> 00:04:05,412 BOBBY: I think we're good. 92 00:04:05,412 --> 00:04:07,372 ‐ I will take a coffee 93 00:04:07,372 --> 00:04:12,711 with real and fake sugar, cream, half and half, 94 00:04:12,711 --> 00:04:14,171 and a dash of honey. 95 00:04:14,171 --> 00:04:15,630 Thank you. 96 00:04:15,630 --> 00:04:16,965 ‐ You don't even drink coffee, man. 97 00:04:16,965 --> 00:04:19,009 ‐ You should always ask for something. 98 00:04:19,009 --> 00:04:20,677 That way they get used to giving you shit 99 00:04:20,677 --> 00:04:22,304 right off the bat. 100 00:04:22,304 --> 00:04:23,305 ‐ The man's a genius. 101 00:04:23,305 --> 00:04:25,098 POWER: Yo, they ready for us. 102 00:04:26,600 --> 00:04:28,602 ASON: Hey, yo, represent, son. DIVINE: Of course, of course. 103 00:04:28,602 --> 00:04:31,438 [indistinct pop music playing] 104 00:04:31,438 --> 00:04:38,403 ♪ ♪ 105 00:04:38,403 --> 00:04:42,324 Whoo, so you one of them mocha chocka‐latte 106 00:04:42,324 --> 00:04:44,367 moisturized gold wax 107 00:04:44,367 --> 00:04:48,997 melted female angels that just be sliding in from heaven 108 00:04:48,997 --> 00:04:51,124 just to tempt a brother, huh? 109 00:04:51,124 --> 00:04:54,336 BOBBY: We produced a single that's getting mad airplay, 110 00:04:54,336 --> 00:04:56,296 our sales are up, and our name is ringing out 111 00:04:56,296 --> 00:04:57,964 in the streets more and more every day. 112 00:04:57,964 --> 00:04:59,674 ‐ And even though we've done it all independent, 113 00:04:59,674 --> 00:05:02,260 we feel like now it's time for us to sign with a label 114 00:05:02,260 --> 00:05:05,597 and, uh, you know, take over this whole game. 115 00:05:05,597 --> 00:05:08,141 ‐ You know what I always say about a new song? 116 00:05:08,141 --> 00:05:09,976 If it ain't getting my pussy wet... 117 00:05:11,228 --> 00:05:12,938 Then it ain't working. 118 00:05:14,439 --> 00:05:16,107 Seeing the looks on they faces 119 00:05:16,107 --> 00:05:17,651 when I say something like that, 120 00:05:17,651 --> 00:05:19,778 that's the highlight of my day. 121 00:05:19,778 --> 00:05:21,446 Come on, guys could talk that sex shit all day 122 00:05:21,446 --> 00:05:23,990 but as soon as those words come out of a female's mouth, 123 00:05:23,990 --> 00:05:25,408 these niggas in here stuttering 124 00:05:25,408 --> 00:05:27,953 like they being questioned by the police. 125 00:05:27,953 --> 00:05:29,246 ‐ Word? 126 00:05:29,246 --> 00:05:32,457 ‐ So may we ask... 127 00:05:32,457 --> 00:05:35,293 ‐ "Protect Ya Neck" got me wet. 128 00:05:36,962 --> 00:05:39,130 But what if it's a one‐hit‐wonder? 129 00:05:39,130 --> 00:05:40,632 I mean, it doesn't even have a hook. 130 00:05:40,632 --> 00:05:42,425 ‐ Yeah, well, there's a bunch of songs that don't have hooks 131 00:05:42,425 --> 00:05:44,302 that have been mad successful. 132 00:05:44,302 --> 00:05:46,346 "Bohemian Rhapsody." 133 00:05:46,346 --> 00:05:49,182 "Losing My Religion." "Hey Jude." 134 00:05:49,182 --> 00:05:50,892 ‐ Can you even write a hook? 135 00:05:50,892 --> 00:05:53,812 ‐ Of course I can. But that's not the point. 136 00:05:53,812 --> 00:05:55,480 ‐ What's the point then? 137 00:05:55,480 --> 00:05:56,606 ‐ Look... 138 00:05:58,066 --> 00:06:02,028 Wu‐Tang has a different energy. 139 00:06:02,028 --> 00:06:03,446 You dig? 140 00:06:03,446 --> 00:06:04,781 ‐ Speaking of energy, have you guys 141 00:06:04,781 --> 00:06:06,449 ever performed live as a group? 142 00:06:06,449 --> 00:06:10,203 I mean, how does eight people on stage even work? 143 00:06:10,203 --> 00:06:11,872 And speaking of performances, we don't even know 144 00:06:11,872 --> 00:06:13,373 what the other members of the group look like. 145 00:06:13,373 --> 00:06:15,250 POWER: So come see us then. 146 00:06:15,250 --> 00:06:18,128 We performing at the Fever this weekend. 147 00:06:18,128 --> 00:06:19,880 ‐ You're performing at the Fever? 148 00:06:19,880 --> 00:06:21,590 ‐ Yup. TRACEY: Today or tomorrow? 149 00:06:21,590 --> 00:06:23,133 ‐ Tomorrow. ‐ Today‐‐couldn't work. 150 00:06:23,133 --> 00:06:24,593 So, yeah, yeah, tomorrow. 151 00:06:24,593 --> 00:06:27,095 ‐ Tomorrow then. What time? 152 00:06:27,095 --> 00:06:28,722 ‐ Early. ‐ Late. 153 00:06:28,722 --> 00:06:30,390 ‐ Okay. 154 00:06:30,390 --> 00:06:33,143 ‐ We're still trying to figure out the details, so... 155 00:06:34,561 --> 00:06:36,938 ‐ Okay, I'll be there tomorrow. 156 00:06:36,938 --> 00:06:38,690 DIVINE: Great. BOBBY: All right, cool. 157 00:06:38,690 --> 00:06:40,150 Thank you for your time. 158 00:06:40,150 --> 00:06:41,735 ‐ Mm‐hmm. Great. Yeah. BOBBY: Cool. 159 00:06:41,735 --> 00:06:44,154 TRACEY: No one just books the Fever. 160 00:06:44,154 --> 00:06:46,656 I got signed acts I'm still trying to get on that stage. 161 00:06:46,656 --> 00:06:48,909 Being one of the few female A&Rs in the game, 162 00:06:48,909 --> 00:06:50,702 I'm used to these niggas trying to serve me up 163 00:06:50,702 --> 00:06:52,370 a scoop of bullshit on a cone, 164 00:06:52,370 --> 00:06:54,456 expecting me to take a bite with a smile. 165 00:06:54,456 --> 00:06:55,665 I didn't get to Def Jam 166 00:06:55,665 --> 00:06:57,876 by putting up with any of that. 167 00:06:57,876 --> 00:07:00,211 ‐ With all due respect, yo, but what the fuck, man? 168 00:07:00,211 --> 00:07:02,005 ‐ Yeah, we don't have no damn slot at the Fever, 169 00:07:02,005 --> 00:07:03,298 know what I mean? 170 00:07:03,298 --> 00:07:04,799 ‐ Yo, look, I was getting tired of everybody 171 00:07:04,799 --> 00:07:06,968 talking about y'all lack of live performance experience 172 00:07:06,968 --> 00:07:08,511 so I stepped the fuck up. ‐ Oh, yeah. 173 00:07:08,511 --> 00:07:10,013 Yeah, you stepped in something. I'll give you that 174 00:07:10,013 --> 00:07:11,473 ASON: Yo, whatchu talking about, son? 175 00:07:11,473 --> 00:07:12,766 ‐ Yo, this nigga Power lied and told them 176 00:07:12,766 --> 00:07:14,601 that we's performing at the Fever. 177 00:07:14,601 --> 00:07:16,978 Tomorrow, yo. ‐ Ooh! 178 00:07:16,978 --> 00:07:18,688 POWER: Listen, listen, listen, all right? 179 00:07:18,688 --> 00:07:20,148 I'ma handle it, a'ight? 180 00:07:20,148 --> 00:07:22,567 We will have a spot at the Fever, a'ight? 181 00:07:22,567 --> 00:07:24,361 Trust. That's my word. 182 00:07:24,361 --> 00:07:26,905 ‐ Well, I guess I could... get the fellas together 183 00:07:26,905 --> 00:07:28,573 for a rehearsal or some shit 184 00:07:28,573 --> 00:07:31,284 while you go and pull a rabbit out your ass, nigga. 185 00:07:31,284 --> 00:07:33,870 ‐ Yeah, nigga, 'cause hustling is magic, nigga. 186 00:07:33,870 --> 00:07:35,664 I'ma catch y'all later. 187 00:07:35,664 --> 00:07:36,873 ‐ Yo, and I'll go back to the labels 188 00:07:36,873 --> 00:07:39,125 and make sure that they come to the show. 189 00:07:39,125 --> 00:07:40,543 You know, this could be our one shot, 190 00:07:40,543 --> 00:07:42,712 you know what I mean? ‐ Yeah. 191 00:07:42,712 --> 00:07:44,214 It's looking like it. 192 00:07:44,214 --> 00:07:46,466 ‐ Yeah. ‐ All right. 193 00:07:46,466 --> 00:07:47,676 ASON: Bam! 194 00:07:47,676 --> 00:07:50,053 Look at the digits I got, nigga. 195 00:07:51,930 --> 00:07:53,890 Yeah. 196 00:07:53,890 --> 00:07:55,558 ‐ That's the main number to Def Jam. 197 00:07:57,143 --> 00:07:59,938 ‐ Yo, at least it ain't fake. You know what I'm saying, son? 198 00:07:59,938 --> 00:08:02,982 ‐ Hey, Dirty, don't even think 199 00:08:02,982 --> 00:08:04,567 about telling anybody about the Fever 200 00:08:04,567 --> 00:08:06,403 until we know for sure that we got it. 201 00:08:06,403 --> 00:08:07,570 All right? ASON: Come on, son. 202 00:08:07,570 --> 00:08:09,364 I ain't gonna tell nobody nothing. 203 00:08:09,364 --> 00:08:11,533 Yo, that's what's wrong with Negroes now, son. 204 00:08:11,533 --> 00:08:13,660 Always accusing motherfuckers and shit. 205 00:08:13,660 --> 00:08:15,578 Yo, that's why we can't get along, son. 206 00:08:15,578 --> 00:08:17,539 Just remember that. 207 00:08:17,539 --> 00:08:20,583 [tinkling lullaby playing] 208 00:08:20,583 --> 00:08:22,293 [Shurrie sighs] 209 00:08:22,293 --> 00:08:25,130 ‐ Thank you for letting me nap in there. 210 00:08:25,130 --> 00:08:27,632 ‐ Girl, you need a break. 211 00:08:27,632 --> 00:08:29,008 Why don't you go for a walk or something? 212 00:08:29,008 --> 00:08:31,261 I can watch the baby. 213 00:08:31,261 --> 00:08:32,846 ‐ No, it's okay. 214 00:08:32,846 --> 00:08:34,472 What are you making? 215 00:08:36,015 --> 00:08:38,017 Oh, my God. 216 00:08:38,017 --> 00:08:40,186 I didn't know you had skills like that. 217 00:08:40,186 --> 00:08:44,149 ‐ Yeah, my mama taught me. I hated it. 218 00:08:44,149 --> 00:08:45,608 Didn't think it was very empowering. 219 00:08:45,608 --> 00:08:48,194 Learning how to sew, you know. 220 00:08:48,194 --> 00:08:50,030 But I was wrong. 221 00:08:50,030 --> 00:08:54,451 Making something from beginning to end is very powerful. 222 00:08:54,451 --> 00:08:57,787 ‐ Yeah. Yeah, I get that. 223 00:08:57,787 --> 00:09:01,124 That's kind of how I felt when I helped the boys the other day. 224 00:09:01,124 --> 00:09:03,376 I was making all these calls to the radio station. 225 00:09:03,376 --> 00:09:04,461 NIA: Yeah, girl. ‐ Yeah. 226 00:09:04,461 --> 00:09:06,004 NIA: I heard about that. 227 00:09:06,004 --> 00:09:08,339 See, I ain't the only one with mad skills. 228 00:09:08,339 --> 00:09:10,175 SHURRIE: Yeah, thanks. 229 00:09:10,175 --> 00:09:13,470 But nothing since then. 230 00:09:13,470 --> 00:09:15,972 Like, Dennis doesn't even invite me to the studio. 231 00:09:15,972 --> 00:09:18,224 ‐ You don't need permission for shit, okay? 232 00:09:18,224 --> 00:09:20,685 Them fools better recognize. [phone ringing] 233 00:09:20,685 --> 00:09:22,812 Oh, get that, get that. Hurry up. Go, go, go. 234 00:09:22,812 --> 00:09:25,899 [baby fussing] 235 00:09:25,899 --> 00:09:26,900 ‐ Hello? 236 00:09:29,569 --> 00:09:31,154 What are you talking about? 237 00:09:31,154 --> 00:09:32,781 ‐ Who is it? 238 00:09:32,781 --> 00:09:34,866 ‐ Yeah, hold on, hold on. 239 00:09:34,866 --> 00:09:38,036 Is Wu‐Tang performing at the Fever tomorrow? 240 00:09:38,036 --> 00:09:39,662 ‐ Girl, the Fever? [laughs] 241 00:09:39,662 --> 00:09:41,539 ‐ Right. ‐ The Fever. What? 242 00:09:41,539 --> 00:09:43,166 BOBBY: Where the fuck you hear that? 243 00:09:43,166 --> 00:09:44,876 ‐ [murmuring] 244 00:09:44,876 --> 00:09:47,253 ‐ Oh, shit. 245 00:09:47,253 --> 00:09:48,588 PATRON: Cool. Thanks, man. 246 00:09:48,588 --> 00:09:49,923 DIRTY: Playing at the Fever tomorrow night. 247 00:09:49,923 --> 00:09:51,800 BOBBY: Yo. ‐ Yo. 248 00:09:51,800 --> 00:09:54,928 If you wanted it kept a secret, why you tell me? 249 00:09:54,928 --> 00:09:56,596 Hey, yo, what's up, girl? 250 00:09:57,889 --> 00:10:01,017 Come on, you know you wanna see me at the Fever. 251 00:10:01,017 --> 00:10:03,770 ‐ Yeah, see you get chased the hell up out of there. 252 00:10:03,770 --> 00:10:05,772 ASON: Yeah, right. Nobody chasing me nowhere. 253 00:10:05,772 --> 00:10:07,273 You know that. 254 00:10:07,273 --> 00:10:08,650 PATRON: Got stabbed four different times. 255 00:10:08,650 --> 00:10:10,527 ‐ Pow! ‐ All of them at the Fever. 256 00:10:10,527 --> 00:10:13,071 ‐ Damn, yo! All at the Fever? 257 00:10:13,071 --> 00:10:14,656 ‐ Hope you bring a army with you. 258 00:10:14,656 --> 00:10:16,116 Bronx ain't no joke. 259 00:10:16,116 --> 00:10:19,619 ‐ Hey, the Wu‐Tang Clan is an army. 260 00:10:20,578 --> 00:10:21,871 You coming? ‐ Hell, yeah. 261 00:10:21,871 --> 00:10:23,581 ‐ Hell, yeah. ‐ We'll see you there, right? 262 00:10:23,581 --> 00:10:26,918 ‐ Hey, yo, Dirty, let's hit it. 263 00:10:26,918 --> 00:10:28,461 ASON: All right. 264 00:10:30,088 --> 00:10:31,589 ‐ Good work, Tom. Damn! 265 00:10:37,262 --> 00:10:40,265 [indistinct chatter] 266 00:10:40,265 --> 00:10:44,227 [country music playing indistinctly] 267 00:10:44,227 --> 00:10:47,814 ‐ Excuse me, are you the owner of the Fever? 268 00:10:47,814 --> 00:10:49,941 ‐ I am. 269 00:10:49,941 --> 00:10:51,568 ‐ May I? 270 00:10:56,447 --> 00:10:59,075 Look, if I could have a moment of your time, 271 00:10:59,075 --> 00:11:02,912 I represent a group called the Wu‐Tang Clan. 272 00:11:02,912 --> 00:11:05,039 ‐ Yeah, I've heard of them. ‐ You have? 273 00:11:05,039 --> 00:11:06,583 OWNER: Yeah, they're the group who keeps 274 00:11:06,583 --> 00:11:07,792 having people call asking 275 00:11:07,792 --> 00:11:09,210 if they're gonna be performing this weekend. 276 00:11:09,210 --> 00:11:13,047 ‐ That's actually kind of what I wanted to talk to you about. 277 00:11:13,047 --> 00:11:15,425 ‐ You got some balls trying to force my hand. 278 00:11:15,425 --> 00:11:17,635 Wh‐‐what am I? Some kinda asshole? 279 00:11:17,635 --> 00:11:20,346 ‐ Look, we just wanna play at the venue, all right? 280 00:11:20,346 --> 00:11:22,891 So how can we make that happen? 281 00:11:22,891 --> 00:11:25,101 OWNER: You get in line like everybody else. 282 00:11:28,897 --> 00:11:30,815 ‐ It's gotta be tomorrow night. 283 00:11:30,815 --> 00:11:32,567 ‐ Tomorrow night? POWER: Yeah. 284 00:11:32,567 --> 00:11:34,444 ‐ First off, we're booked. We been booked. 285 00:11:34,444 --> 00:11:36,362 Second, fuck off. 286 00:11:44,120 --> 00:11:45,872 ‐ [chuckles] 287 00:11:48,917 --> 00:11:50,168 ‐ Yo, finally! 288 00:11:50,168 --> 00:11:52,587 Yo, it's Saturday, not Take Forever Day, nigga. 289 00:11:52,587 --> 00:11:54,631 Let me get a number three on a hero. 290 00:11:54,631 --> 00:11:57,508 Yo, and cut the tomatoes sideways and thin, a'ight? 291 00:11:57,508 --> 00:12:00,470 And the pickles too. Cut them in three pieces. 292 00:12:00,470 --> 00:12:01,763 Hey, yo, and spread my shit out evenly. 293 00:12:01,763 --> 00:12:03,514 I don't like‐‐I don't like when I take a bite 294 00:12:03,514 --> 00:12:05,225 and all the shit fall out the back and shit. 295 00:12:05,225 --> 00:12:07,268 Hey, yo, wash the blade first, nigga. 296 00:12:07,268 --> 00:12:08,478 Y'all supposed to be Muslim in here. 297 00:12:08,478 --> 00:12:10,647 What's up? All I smell is mad pork. 298 00:12:10,647 --> 00:12:12,232 When you finish the sandwich, 299 00:12:12,232 --> 00:12:14,859 cut it up into eight pieces, all right? 300 00:12:14,859 --> 00:12:17,278 And wash your hands, nigga. 301 00:12:17,278 --> 00:12:19,697 With soap this time. 302 00:12:19,697 --> 00:12:20,990 PASSERBY: Yo, Stapleton! 303 00:12:20,990 --> 00:12:24,077 [foreboding music] 304 00:12:24,077 --> 00:12:26,246 DENNIS: Hey, yo, what's up? Is there a problem here? 305 00:12:26,246 --> 00:12:29,874 ‐ Yo, that shit y'all Wu‐Tang did was fire, bro! 306 00:12:29,874 --> 00:12:31,834 ‐ Oh, word, word. ‐ Yo, what's the word? 307 00:12:31,834 --> 00:12:34,295 Everything good? ‐ Hell yeah, everything good. 308 00:12:34,295 --> 00:12:35,672 And make sure you kill it tonight at the Fever too. 309 00:12:35,672 --> 00:12:37,215 You heard? ‐ You know who 310 00:12:37,215 --> 00:12:38,758 you talking to, man. Come on, man. 311 00:12:38,758 --> 00:12:40,301 ‐ All right. ‐ Yeah. 312 00:12:44,138 --> 00:12:45,848 Son, that's cra‐‐ 313 00:12:45,848 --> 00:12:49,060 I‐‐I thought he was about to be static. 314 00:12:49,060 --> 00:12:51,145 You know what I mean? ‐ Me too, shit. 315 00:12:51,145 --> 00:12:54,524 He was just showing Wu some love, though. 316 00:12:54,524 --> 00:12:56,818 Hey, you know what? 317 00:12:56,818 --> 00:12:59,153 I think I robbed that nigga last year. 318 00:12:59,153 --> 00:13:01,698 [laughs] ‐ Yo, son. 319 00:13:01,698 --> 00:13:05,910 Yo, this Wu sound done squashed the Stapleton‐Park Hill beef. 320 00:13:05,910 --> 00:13:08,079 ‐ Hey, yo, when it come to this hip‐hop shit, 321 00:13:08,079 --> 00:13:11,207 it's Gattin' Staten versus the world, B! 322 00:13:11,207 --> 00:13:12,583 ‐ Hell yeah. 323 00:13:12,583 --> 00:13:13,835 DENNIS: Hey, yo, and you know how many dope groups 324 00:13:13,835 --> 00:13:15,003 played at the Fever, son? 325 00:13:15,003 --> 00:13:16,629 SHA: Grandmaster Flash. DENNIS: Mm. 326 00:13:16,629 --> 00:13:19,173 SHA: Run‐DMC, KRS‐One. 327 00:13:19,173 --> 00:13:20,800 DENNIS: The Fat Boys, Whodini. 328 00:13:20,800 --> 00:13:22,885 ‐ Word. The Fever got history. 329 00:13:22,885 --> 00:13:24,887 This‐‐yo, what's the word, God? 330 00:13:24,887 --> 00:13:26,639 DENNIS: Hey, yo, what up, what up, what up? 331 00:13:26,639 --> 00:13:28,057 U‐GOD: Yo, peace, peace. 332 00:13:30,351 --> 00:13:32,770 ‐ Yo. You ready for rehearsal? 333 00:13:32,770 --> 00:13:34,480 ‐ Nigga, is you ready for rehearsal? 334 00:13:34,480 --> 00:13:36,190 ‐ Come on, man. You know who you talking to. 335 00:13:36,190 --> 00:13:37,442 FAN: Yo, man, y'all kill 336 00:13:37,442 --> 00:13:38,943 that shit tonight. ‐ Yo, appreciate y'all. 337 00:13:38,943 --> 00:13:40,361 SHA: Y'all coming tonight, right? 338 00:13:40,361 --> 00:13:42,780 FAN: Hell, yeah. SHA: Wack‐ass boom box. 339 00:13:43,865 --> 00:13:45,283 BOBBY: Yo, what's up? 340 00:13:45,283 --> 00:13:47,493 ASON: Yo, Bobby. What up, guy? 341 00:13:47,493 --> 00:13:49,287 BOBBY: Hey, yo, yo. ASON: Yo. 342 00:13:49,287 --> 00:13:51,122 BOBBY: What's good, cuz? ASON: Peace, man. 343 00:13:51,122 --> 00:13:52,457 BOBBY: Boom, boom. 344 00:13:53,416 --> 00:13:55,460 Hey, yo, check one, check two. 345 00:13:55,460 --> 00:13:57,170 Man, check all them bitches, son! 346 00:13:57,170 --> 00:13:59,172 ‐ Hey, yo. Yo, I've already labeled and leveled 347 00:13:59,172 --> 00:14:01,090 all of these, all right? 348 00:14:01,090 --> 00:14:02,967 First one right here is yours. 349 00:14:02,967 --> 00:14:04,427 ‐ This mine‐‐yo, why mine's 350 00:14:04,427 --> 00:14:07,180 got to be the busted up ghetto corded one, yo? 351 00:14:07,180 --> 00:14:08,639 ‐ Yo. ‐ Come on, son. 352 00:14:08,639 --> 00:14:12,643 Yo‐‐wilding, yo. Hey, yo, check one, check two. 353 00:14:12,643 --> 00:14:15,188 Yo, sound guy, turn this up, man! 354 00:14:15,188 --> 00:14:17,815 Yo, check one, check two. [feedback squeals] 355 00:14:17,815 --> 00:14:19,567 Four score and seven years ago, 356 00:14:19,567 --> 00:14:21,611 a motherfucker went and did some shit, 357 00:14:21,611 --> 00:14:23,863 then went and got that motherfucker fucked up, yo! 358 00:14:23,863 --> 00:14:25,573 Amen. 359 00:14:25,573 --> 00:14:27,992 ‐ Yeah, sounds ill. Perfect. 360 00:14:27,992 --> 00:14:29,827 ASON: Word. 361 00:14:29,827 --> 00:14:31,204 ‐ Yo, when we get started, 362 00:14:31,204 --> 00:14:32,580 turn that shit back down to two. 363 00:14:32,580 --> 00:14:34,624 Can't have him blowing up the mic. 364 00:14:34,624 --> 00:14:36,250 ASON: Peace, guy. DIVINE: Hey, peace. 365 00:14:37,418 --> 00:14:38,795 Yo, Bobby. 366 00:14:38,795 --> 00:14:41,005 All right, so, uh, all the executives 367 00:14:41,005 --> 00:14:42,799 confirmed that they're coming. 368 00:14:42,799 --> 00:14:44,342 But that means that we can't mess this up. 369 00:14:44,342 --> 00:14:45,843 So, you know, where the hell is everyone, huh? 370 00:14:45,843 --> 00:14:48,846 ‐ Hey, relax. They're not even late yet. 371 00:14:48,846 --> 00:14:50,765 ASON: Fuck it, yo. Hey, yo, hold on, man. 372 00:14:50,765 --> 00:14:52,350 Hey, yo, check one. 373 00:14:52,350 --> 00:14:53,684 ♪ Suuu ♪ 374 00:14:53,684 --> 00:14:56,145 ‐ You're right, you're right. ‐ All right. 375 00:14:56,145 --> 00:14:57,563 U‐GOD: Hey, yo. 376 00:14:57,563 --> 00:14:58,981 It's the God, bro. SHA: It's the God. 377 00:14:58,981 --> 00:15:00,399 [overlapping greetings] 378 00:15:00,399 --> 00:15:03,194 SHA: Hey, yo, what's that? Turkey and cheese? 379 00:15:03,194 --> 00:15:05,154 Damn, son, you know I need parts of that, yo. 380 00:15:05,154 --> 00:15:07,323 Come on, son. You know I need this. 381 00:15:07,323 --> 00:15:09,158 Hey, yo, sound good! 382 00:15:09,158 --> 00:15:11,035 Come on, man, I sound good right here. 383 00:15:11,035 --> 00:15:13,704 ‐ Hey, yo, yo, when everybody else gets here, 384 00:15:13,704 --> 00:15:15,123 I'ma go over the set list, 385 00:15:15,123 --> 00:15:17,041 then we gotta rehearse the hell out of this shit. 386 00:15:17,041 --> 00:15:20,211 We got less than an hour, so we gotta really be on top of it. 387 00:15:20,211 --> 00:15:22,213 All right? SHA: All right, word. 388 00:15:22,213 --> 00:15:23,464 [overlapping chatter] 389 00:15:23,464 --> 00:15:27,009 ‐ Most important... have you talked to Power? 390 00:15:27,009 --> 00:15:28,344 The show is in five hours, 391 00:15:28,344 --> 00:15:29,846 and we don't even know if we in the motherfucker! 392 00:15:29,846 --> 00:15:33,015 ‐ I know; I haven't spoken to him since we last saw him. 393 00:15:33,015 --> 00:15:34,267 [sighs] Shit. 394 00:15:34,267 --> 00:15:37,228 I‐‐I gotta get some air, okay? 395 00:15:37,228 --> 00:15:40,189 Can we rehearse, please? Let's get started. 396 00:15:42,316 --> 00:15:44,152 [lively jazz music playing] 397 00:15:44,152 --> 00:15:46,404 POWER: Yo, yo, I've been paging you all day, son. 398 00:15:46,404 --> 00:15:48,114 MOOK: I've been on my route. 399 00:15:48,114 --> 00:15:50,324 Came down here to get my shit tight. 400 00:15:50,324 --> 00:15:52,076 [laughs] 401 00:15:52,076 --> 00:15:53,953 Yo. ‐ What up, what up? 402 00:15:53,953 --> 00:15:55,663 ‐ Anything else you need to know? 403 00:15:55,663 --> 00:15:57,665 You're worse than my girl. 404 00:15:57,665 --> 00:16:00,251 Yo, everybody's talking about how y'all playing 405 00:16:00,251 --> 00:16:01,544 down at the Fever tonight. 406 00:16:01,544 --> 00:16:03,129 Congratulations. POWER: Yeah, yeah, yeah. Yeah. 407 00:16:03,129 --> 00:16:04,380 ‐ Yeah, I imagine my name's gonna be 408 00:16:04,380 --> 00:16:05,423 on that list, though, right? 409 00:16:05,423 --> 00:16:07,383 ‐ So look, about that, right? 410 00:16:07,383 --> 00:16:09,969 That's not, like, official official yet, 411 00:16:09,969 --> 00:16:11,262 you know what I mean? 412 00:16:11,262 --> 00:16:13,306 I kinda exaggerated at the Def Jam meeting. 413 00:16:13,306 --> 00:16:14,557 ‐ Exaggerated, huh? 414 00:16:14,557 --> 00:16:15,975 ‐ Yeah, and all the labels is gonna be there, 415 00:16:15,975 --> 00:16:17,560 so if we don't perform, we going to look like jokes, 416 00:16:17,560 --> 00:16:18,895 you know what I'm saying? MOOK: Hmm. 417 00:16:18,895 --> 00:16:20,438 POWER: I need you to work that magic, yo. 418 00:16:20,438 --> 00:16:21,731 Come on, son. 419 00:16:21,731 --> 00:16:23,191 ‐ Well, they gotta be booked up this late. 420 00:16:23,191 --> 00:16:25,651 ‐ Yeah, but your name's good in the Bronx, I know that. 421 00:16:25,651 --> 00:16:28,112 ‐ My name's good in Botswana. Everywhere I go. 422 00:16:28,112 --> 00:16:31,115 ‐ Right, so look, you know, I went and talked to the owner. 423 00:16:31,115 --> 00:16:32,700 He won't give me no kind of play. 424 00:16:32,700 --> 00:16:35,077 So I was thinking maybe you could, like, help us 425 00:16:35,077 --> 00:16:36,913 get a little sit down with this guy. 426 00:16:36,913 --> 00:16:39,248 You know what I'm saying? Talk it out. 427 00:16:39,248 --> 00:16:41,500 I know you got that. Come on. 428 00:16:44,378 --> 00:16:45,922 ‐ I might could make some phone calls. 429 00:16:45,922 --> 00:16:47,340 ‐ Word? MOOK: Yeah. 430 00:16:47,340 --> 00:16:50,092 ‐ Appreciate you, B. Appreciate you. 431 00:16:50,092 --> 00:16:53,387 ‐ Yo, try not to do any more exaggerating for a while. 432 00:16:53,387 --> 00:16:54,764 ‐ I got you. Nice cut, though. 433 00:16:54,764 --> 00:16:56,974 ‐ I know, he's the best, this guy. 434 00:16:56,974 --> 00:16:58,976 ‐ ♪ Yo, for crying out loud, my style is wild ♪ 435 00:16:58,976 --> 00:17:00,394 BOTH: ♪ So book me ♪ 436 00:17:00,394 --> 00:17:03,564 ‐ All right, so we have Deck. He has the first verse. 437 00:17:03,564 --> 00:17:05,608 I'm thinking he comes out first. 438 00:17:05,608 --> 00:17:07,693 DENNIS: ♪ Hos in there go ♪ ‐ And then... 439 00:17:07,693 --> 00:17:09,987 BOTH: "Yo tell!" 440 00:17:09,987 --> 00:17:11,656 [laughter, chatter] 441 00:17:13,324 --> 00:17:14,617 ‐ Come on, Bobby, let's get started. 442 00:17:14,617 --> 00:17:16,452 Come on. ‐ All right. 443 00:17:16,452 --> 00:17:18,788 Yo, everybody bring it in. 444 00:17:18,788 --> 00:17:20,623 ‐ Why we doing sound check here anyway? 445 00:17:20,623 --> 00:17:23,918 ‐ Because, nigga, there's no sound check at the Fever. 446 00:17:23,918 --> 00:17:27,255 ‐ Man, I still don't get it. This ain't the same system. 447 00:17:27,255 --> 00:17:28,506 This ain't the venue. 448 00:17:28,506 --> 00:17:29,757 It's not like we gonna sound the same 449 00:17:29,757 --> 00:17:31,133 when we get there anyway. 450 00:17:31,133 --> 00:17:33,135 BOBBY: Yeah, exactly, nigga. 451 00:17:33,135 --> 00:17:34,929 When we walk on that stage, we ain't going to sound 452 00:17:34,929 --> 00:17:36,556 how we want to sound. 453 00:17:36,556 --> 00:17:37,974 We gotta keep on performing 454 00:17:37,974 --> 00:17:39,475 even if the crowd can't hear us. 455 00:17:39,475 --> 00:17:41,644 ‐ Well, they going to hear me regardless, son, 456 00:17:41,644 --> 00:17:42,687 you know what I'm saying? 457 00:17:42,687 --> 00:17:44,021 ‐ Can't just be yelling, though. 458 00:17:44,021 --> 00:17:45,940 [pager beeping] You're gonna blow your voice. 459 00:17:45,940 --> 00:17:47,984 BOBBY: Now, look, you gotta keep that same energy. 460 00:17:47,984 --> 00:17:51,070 Don't matter if it's ten people in the crowd or 10,000. 461 00:17:51,070 --> 00:17:52,280 SHA: It's the Fever. 462 00:17:52,280 --> 00:17:54,115 It's not going to be ten people in the crowd. 463 00:17:54,115 --> 00:17:55,658 ‐ You know, true, true. [pager buzzing] 464 00:17:55,658 --> 00:17:58,244 But it might only be ten people that fuck with us. 465 00:17:58,244 --> 00:17:59,537 JAMEL: They'll be more than that. 466 00:17:59,537 --> 00:18:01,205 I spoke to the Gods. They'll be there. 467 00:18:01,205 --> 00:18:02,665 REBEL: Peace, God. 468 00:18:02,665 --> 00:18:05,418 GARY: See, Jamel got our back, and so does the nation. 469 00:18:05,418 --> 00:18:07,003 BOBBY: What I'm trying to say is, 470 00:18:07,003 --> 00:18:08,504 anything could happen. [pager beeps] 471 00:18:08,504 --> 00:18:10,089 We may get booed. 472 00:18:10,089 --> 00:18:11,173 ‐ Hey, yo, we ain't getting booed, son. 473 00:18:11,173 --> 00:18:12,758 And if they do, I'ma see them. 474 00:18:12,758 --> 00:18:14,760 ‐ All right. ‐ I've been booed before. 475 00:18:14,760 --> 00:18:16,220 But, look, we're gonna win them over 476 00:18:16,220 --> 00:18:19,056 with our hand over the mic, not our hand in their face. 477 00:18:19,056 --> 00:18:20,182 U‐GOD: Yo, why y'all bugging? 478 00:18:20,182 --> 00:18:21,809 We already got a hit in the streets. 479 00:18:21,809 --> 00:18:23,144 ‐ So what? 480 00:18:23,144 --> 00:18:24,687 When we do "Protect Ya Neck," 481 00:18:24,687 --> 00:18:27,273 we gotta give them something more than the record, son. 482 00:18:27,273 --> 00:18:28,983 That shit got to be phat. BOBBY: Yo, he's right. 483 00:18:28,983 --> 00:18:31,152 The execs are coming 'cause they heard our single, 484 00:18:31,152 --> 00:18:32,945 and they fucked with it, 485 00:18:32,945 --> 00:18:34,822 and now they wanna see us perform it. 486 00:18:34,822 --> 00:18:37,825 ‐ Man, I don't give a damn about no execs, son. 487 00:18:37,825 --> 00:18:39,285 ‐ Then don't perform for them. 488 00:18:39,285 --> 00:18:40,828 When I did Cold Chillin' shows 489 00:18:40,828 --> 00:18:43,623 with Biz Markie, Kane, Kool G Rap, 490 00:18:43,623 --> 00:18:46,751 son, they was the audience every night. 491 00:18:46,751 --> 00:18:48,628 Sha, you see me? What? 492 00:18:48,628 --> 00:18:51,130 SHA: Nah, okay, you talking your shit right now. 493 00:18:51,130 --> 00:18:53,883 ‐ And with that, the set list goes... 494 00:18:53,883 --> 00:18:55,509 POWER: Yo, what up, people? 495 00:18:55,509 --> 00:18:57,470 Me and Vine got a little gift for y'all. 496 00:18:57,470 --> 00:18:58,971 ‐ Yo, word? ‐ Shit. 497 00:18:58,971 --> 00:19:00,723 Let's see, man. 498 00:19:00,723 --> 00:19:02,308 ALL: Whoo! 499 00:19:02,308 --> 00:19:03,643 SHA: Oh, shit! That's crazy! 500 00:19:03,643 --> 00:19:05,227 Know what I'm sayin'? Crazy! ‐ Yeah, yeah, yeah, 501 00:19:05,227 --> 00:19:06,395 y'all fucking with that, right? 502 00:19:06,395 --> 00:19:07,605 SHA: Su! 503 00:19:07,605 --> 00:19:09,482 ASON: Got the logo and everything, son. 504 00:19:09,482 --> 00:19:11,067 [overlapping chatter] 505 00:19:11,067 --> 00:19:12,985 BOBBY: Hey, nigga, thanks, yo. 506 00:19:12,985 --> 00:19:15,154 ‐ Yeah, all good. Hey, where Meth at? 507 00:19:15,154 --> 00:19:16,822 ‐ Anybody know where Meth is at? 508 00:19:16,822 --> 00:19:18,949 REBEL: He had to go help out Poppy's mom. 509 00:19:18,949 --> 00:19:20,242 He'll meet us at the Fever. 510 00:19:20,242 --> 00:19:22,578 POWER: All right. ‐ All right, let's get started. 511 00:19:22,578 --> 00:19:24,121 Let's start rehearsing. 512 00:19:25,456 --> 00:19:26,916 ‐ Where mine? ‐ Nigga‐‐ 513 00:19:26,916 --> 00:19:28,250 SHA: Hey, yo, we got matching outfits. 514 00:19:28,250 --> 00:19:29,794 Now all we need is the choreography and shit. 515 00:19:29,794 --> 00:19:32,630 ‐ What're you talking about? Get your corny ass out of here. 516 00:19:32,630 --> 00:19:34,715 ‐ [singing under breath] ‐ You tryin' to be like 517 00:19:34,715 --> 00:19:36,509 Las Vegas‐‐get the fuck outta here! 518 00:19:36,509 --> 00:19:39,178 ‐ The set list goes "Protect Ya Neck"... 519 00:19:39,178 --> 00:19:41,055 ‐ Oh, yeah. 520 00:19:41,055 --> 00:19:42,598 ‐ Then we got "Method Man," 521 00:19:42,598 --> 00:19:46,894 and we're gonna close with "Can It Be All So Simple." 522 00:19:46,894 --> 00:19:49,355 ASON: Whoo. [laughs] REBEL: Oh, shit. 523 00:19:49,355 --> 00:19:51,190 ‐ Hey, yo, hey, yo, we closing the set? 524 00:19:51,190 --> 00:19:54,777 ‐ Yeah, you two. Together. 525 00:19:54,777 --> 00:19:56,987 ‐ We‐‐we just recorded that record. 526 00:19:56,987 --> 00:19:58,823 I mean, the Streets of Shaolin 527 00:19:58,823 --> 00:20:00,199 ain't even heard that record yet. 528 00:20:00,199 --> 00:20:01,742 Nobody knows the song. 529 00:20:01,742 --> 00:20:04,453 ‐ Look, after tonight, everybody will. 530 00:20:06,288 --> 00:20:07,998 U‐GOD: Tell me, Bobby. 531 00:20:07,998 --> 00:20:09,792 You scared now. ‐ Yo, you good, D? 532 00:20:09,792 --> 00:20:11,293 ‐ Yeah, no doubt, son. 533 00:20:11,293 --> 00:20:14,672 BOBBY: All right, then go and rehearse them verses. 534 00:20:14,672 --> 00:20:16,966 Yo, uh, play that shit "Protect Ya Neck." 535 00:20:16,966 --> 00:20:18,968 SHA: Play my shit, son. 536 00:20:18,968 --> 00:20:20,594 ALL: Whoo! 537 00:20:20,594 --> 00:20:22,430 ‐ All right, check! 538 00:20:22,430 --> 00:20:24,849 ALL: Wu‐Tang! Wu‐Tang! 539 00:20:24,849 --> 00:20:28,269 [chanting continues] 540 00:20:28,269 --> 00:20:30,187 Wu...Tang... 541 00:20:30,187 --> 00:20:32,148 ‐ Hey, yo, yo, yo, what's‐‐what's going on? 542 00:20:32,148 --> 00:20:33,607 I thought we had 40 more minutes. 543 00:20:33,607 --> 00:20:37,111 ‐ Class got moved. I've been paging you. Sorry. 544 00:20:37,111 --> 00:20:39,238 [girls whispering] 545 00:20:48,247 --> 00:20:51,500 [bottles clinking] 546 00:20:51,500 --> 00:20:54,295 ‐ Mook? Please, have a seat. 547 00:20:57,506 --> 00:20:59,383 ‐ Thanks for meeting with us. 548 00:20:59,383 --> 00:21:00,718 OWNER: Sure. 549 00:21:00,718 --> 00:21:02,094 When a man of your reputation calls, 550 00:21:02,094 --> 00:21:03,471 I always pick up the phone. 551 00:21:03,471 --> 00:21:04,597 ‐ I appreciate that. 552 00:21:04,597 --> 00:21:07,099 ‐ That said, I'd love to help you out, 553 00:21:07,099 --> 00:21:09,435 but all due respect, my place ain't the Apollo. 554 00:21:09,435 --> 00:21:12,062 Can't just get up on stage. It's the Fever. 555 00:21:12,062 --> 00:21:13,564 Legends perform there. 556 00:21:13,564 --> 00:21:15,816 ‐ We know that. ‐ Do you? 557 00:21:17,443 --> 00:21:18,903 You know, I may look how I look, 558 00:21:18,903 --> 00:21:20,237 but that doesn't mean I don't know music. 559 00:21:20,237 --> 00:21:21,572 I love this shit. 560 00:21:21,572 --> 00:21:23,574 I'm the one who brought Kurtis Blow here first. 561 00:21:23,574 --> 00:21:26,452 The Sugarhill Gang, Afrika Bambaataa‐‐me. 562 00:21:26,452 --> 00:21:28,078 You get on my stage, and your career 563 00:21:28,078 --> 00:21:29,955 could be made in an instant. ‐ I feel you. 564 00:21:29,955 --> 00:21:32,041 ‐ Then you know I can't possibly let a group 565 00:21:32,041 --> 00:21:34,210 I never even heard of get on my stage tonight. 566 00:21:34,210 --> 00:21:37,379 ‐ You took this meeting based on my reputation, hmm? 567 00:21:37,379 --> 00:21:38,923 And I'm not about to put that on the line 568 00:21:38,923 --> 00:21:42,259 or waste your valuable time if this group wasn't for real. 569 00:21:42,259 --> 00:21:43,803 Previous overtures notwithstanding. 570 00:21:43,803 --> 00:21:44,929 ‐ Psshh. 571 00:21:48,015 --> 00:21:49,475 ‐ Okay, let's talk hypothetical. 572 00:21:49,475 --> 00:21:50,768 What if I can cram you in the spot 573 00:21:50,768 --> 00:21:52,228 right before the headliner? 574 00:21:52,228 --> 00:21:53,437 ‐ Fine by us. POWER: All right. 575 00:21:53,437 --> 00:21:55,231 ‐ The only thing, it's too late to change the flyer, 576 00:21:55,231 --> 00:21:57,441 so the crowd ain't gonna know who the hell your guys are. 577 00:21:57,441 --> 00:21:58,984 People are gonna be yelling for the headliner, 578 00:21:58,984 --> 00:22:00,236 and then you guys will come on. 579 00:22:00,236 --> 00:22:01,695 ‐ Like I said, fine by us. 580 00:22:01,695 --> 00:22:03,447 ‐ Can you put us on the marquee? 581 00:22:06,951 --> 00:22:08,452 ‐ You know what, Mook, 582 00:22:08,452 --> 00:22:10,371 I'm really not sure this is the right fit. 583 00:22:10,371 --> 00:22:12,248 ‐ Look forgive my colleague, huh? 584 00:22:12,248 --> 00:22:15,292 But‐‐but understand his enthusiasm. 585 00:22:15,292 --> 00:22:17,503 We've been negotiating with all the labels, 586 00:22:17,503 --> 00:22:20,589 and when our first album comes out, 587 00:22:20,589 --> 00:22:24,218 a huge release party is gonna be thrown by said label. 588 00:22:24,218 --> 00:22:27,596 Do you understand how much money these people can drop? 589 00:22:27,596 --> 00:22:31,600 I think the Fever would be a perfect place for that party. 590 00:22:31,600 --> 00:22:32,726 Don't you? 591 00:22:34,270 --> 00:22:36,689 OWNER: Okay, you got yourself a show. 592 00:22:36,689 --> 00:22:38,649 SHURRIE: Do you need help? NIA: Oh, I got it. 593 00:22:38,649 --> 00:22:41,110 You just enjoy your night off. 594 00:22:41,110 --> 00:22:43,779 ‐ I can't believe this is my first night out since the baby. 595 00:22:43,779 --> 00:22:46,156 ‐ I know. Dennis know you're coming? 596 00:22:46,156 --> 00:22:48,617 ‐ No. And neither does Bobby. 597 00:22:48,617 --> 00:22:49,994 Because the last time I checked, 598 00:22:49,994 --> 00:22:52,204 they don't own me or the Fever. 599 00:22:52,204 --> 00:22:55,165 ‐ [laughs] Damn, girl. Excuse me. 600 00:22:55,165 --> 00:22:57,251 ‐ Besides, Dennis would worry. 601 00:22:57,251 --> 00:22:59,837 I've actually never been to the Bronx before. 602 00:22:59,837 --> 00:23:01,338 ‐ Never? 603 00:23:01,338 --> 00:23:03,465 Oh, you're gonna get one hell of an introduction tonight. 604 00:23:03,465 --> 00:23:05,259 ‐ [sighs] I know, I know. 605 00:23:05,259 --> 00:23:07,720 Everybody talks about how wild the Fever gets. 606 00:23:07,720 --> 00:23:09,138 ‐ Yeah. 607 00:23:09,138 --> 00:23:11,640 ‐ But at this point, I'd rather get blood on my dress 608 00:23:11,640 --> 00:23:14,268 from a knife fight than baby spit‐up. 609 00:23:14,268 --> 00:23:16,478 ‐ Let's be real, too, we've given blood, 610 00:23:16,478 --> 00:23:18,314 sweat, and tears for the music. 611 00:23:18,314 --> 00:23:21,191 ‐ Preach! ‐ Even if we don't rap or sing. 612 00:23:21,191 --> 00:23:23,777 ‐ I don't know about that one 'cause I've been known 613 00:23:23,777 --> 00:23:25,321 to carry a note or two. 614 00:23:25,321 --> 00:23:27,239 ‐ Okay, I'm just saying, though. 615 00:23:27,239 --> 00:23:29,533 This our moment as much as theirs. 616 00:23:29,533 --> 00:23:31,577 And look, I know we look cute as hell, 617 00:23:31,577 --> 00:23:35,706 but, you know, it is the Fever, so how we gonna jump the line? 618 00:23:35,706 --> 00:23:36,707 ‐ Mm. 619 00:23:38,459 --> 00:23:40,294 Divine had a stack of a bunch of different ones 620 00:23:40,294 --> 00:23:42,963 just laying on the table, so tonight, I am... 621 00:23:42,963 --> 00:23:45,633 ‐ LeeAnn Canley of Capitol Records? 622 00:23:45,633 --> 00:23:47,509 ‐ And you're my associate. 623 00:23:47,509 --> 00:23:50,179 ‐ Do I get an expense account? 624 00:23:50,179 --> 00:23:51,347 ‐ Ask your man. 625 00:23:51,347 --> 00:23:53,307 ‐ Ask my man. 626 00:23:56,810 --> 00:24:00,856 TRACEY: These guys actually booked the Fever. 627 00:24:00,856 --> 00:24:02,441 Gotta give them credit. 628 00:24:02,441 --> 00:24:04,526 I mean, if they end up being garbage, 629 00:24:04,526 --> 00:24:07,363 maybe I'll hire them for our booking department. 630 00:24:07,363 --> 00:24:12,409 ♪ ♪ 631 00:24:12,409 --> 00:24:14,203 KRS‐ONE: ♪ Back in the days I knew rap would never die ♪ 632 00:24:14,203 --> 00:24:17,164 ♪ I used to listen to Awesome Two on WHBI ♪ 633 00:24:17,164 --> 00:24:18,999 ♪ I used to hear all kind of rap groups ♪ 634 00:24:18,999 --> 00:24:20,209 ♪ Before sampling loops ♪ 635 00:24:20,209 --> 00:24:22,211 ♪ Rappers wore bell‐bottom Lee suits ♪ 636 00:24:22,211 --> 00:24:24,046 ♪ Me and Kenny couldn't afford that ♪ 637 00:24:24,046 --> 00:24:25,339 ♪ So we would go to the park ♪ 638 00:24:25,339 --> 00:24:27,091 ♪ When they was jammin' to hear rap ♪ 639 00:24:27,091 --> 00:24:29,093 ♪ I used to listen till the cops broke it up ♪ 640 00:24:29,093 --> 00:24:30,594 ♪ I always thought to myself ♪ 641 00:24:30,594 --> 00:24:32,096 ♪ "Damn, why they fucked it up?" ♪ 642 00:24:32,096 --> 00:24:34,390 ♪ But nevertheless, I was in love with the microphone ♪ 643 00:24:34,390 --> 00:24:37,017 ♪ And it stayed that way until I left home ♪ 644 00:24:37,017 --> 00:24:39,478 ♪ On the streets of New York, now I'm free ♪ 645 00:24:39,478 --> 00:24:42,064 ♪ But with freedom comes big responsibility ♪ 646 00:24:42,064 --> 00:24:43,941 ♪ I used to walk around driven by the force ♪ 647 00:24:43,941 --> 00:24:45,234 ♪ I remember how large ♪ 648 00:24:45,234 --> 00:24:47,111 ♪ Super Rhymes was when he fell off ♪ 649 00:24:47,111 --> 00:24:48,612 ♪ I used to wonder about‐‐ ♪ 650 00:24:48,612 --> 00:24:51,615 [mellow R&B] 651 00:24:51,615 --> 00:24:58,622 ♪ ♪ 652 00:25:00,082 --> 00:25:01,375 ‐ It's too late to pray, nigga. 653 00:25:01,375 --> 00:25:03,002 You should have been practicing more, nigga. 654 00:25:03,002 --> 00:25:04,211 [laughs] 655 00:25:05,546 --> 00:25:07,589 TRACEY: Pressure makes diamonds, 656 00:25:07,589 --> 00:25:09,550 but it can also make coal. 657 00:25:09,550 --> 00:25:11,218 What happens when you step onto that stage 658 00:25:11,218 --> 00:25:12,803 into that pressure cooker? 659 00:25:12,803 --> 00:25:15,973 Depending on how that goes, I can sign you to Def Jam, 660 00:25:15,973 --> 00:25:18,434 and your name will ring bells for years. 661 00:25:18,434 --> 00:25:20,978 Or you can sign a whatever deal 662 00:25:20,978 --> 00:25:22,438 with a whoever label, 663 00:25:22,438 --> 00:25:25,607 and your music might be in the bargain bin forever. 664 00:25:25,607 --> 00:25:32,614 ♪ ♪ 665 00:25:33,615 --> 00:25:36,201 [thunder rumbling] 666 00:25:54,970 --> 00:25:57,389 ‐ Su! ‐ Yo, Staten Island! 667 00:25:57,389 --> 00:25:58,849 SHA: What up, niggas? BOBBY: Shaolin! 668 00:25:58,849 --> 00:26:00,768 GARY: Su! [overlapping shouting] 669 00:26:00,768 --> 00:26:03,645 ‐ Yo, how they just gonna misspell our shit, son? 670 00:26:03,645 --> 00:26:05,272 This is mad unprofessional! 671 00:26:06,940 --> 00:26:08,609 ‐ I'm here with my group. 672 00:26:08,609 --> 00:26:11,153 ‐ Yeah, I don't know them. Look like a bumblebee or. something 673 00:26:11,153 --> 00:26:13,405 [crowd cheering, shouting] 674 00:26:13,405 --> 00:26:15,991 ‐ Hey, yo, Staten Island in the house? 675 00:26:15,991 --> 00:26:18,077 ALL: Whoo! 676 00:26:20,329 --> 00:26:22,122 SHOTGUN: Yo, our people getting wet out there, son. 677 00:26:22,122 --> 00:26:24,124 Come on. ‐ Hey, I peep that. 678 00:26:24,124 --> 00:26:26,001 ‐ I brought the Wu‐Tang Clan. They're performing tonight. 679 00:26:26,001 --> 00:26:27,336 ‐ There ain't no way. [laughs] 680 00:26:27,336 --> 00:26:28,796 All eight of them in one group? 681 00:26:28,796 --> 00:26:30,756 ‐ Yeah, there is. 682 00:26:32,382 --> 00:26:33,634 ‐ I'll let three in, tops. 683 00:26:33,634 --> 00:26:34,843 ‐ How the hell they 684 00:26:34,843 --> 00:26:36,136 supposed to perform with just three of them? 685 00:26:36,136 --> 00:26:37,971 ‐ Next time, come up with a better lie. 686 00:26:39,264 --> 00:26:41,141 ‐ Yo, this the group! 687 00:26:41,141 --> 00:26:43,310 But your bouncer ain't trying to let us in. 688 00:26:44,686 --> 00:26:46,230 ‐ Yeah, all right, let them in. 689 00:26:46,230 --> 00:26:47,564 ‐ Thank you! 690 00:26:47,564 --> 00:26:49,733 ‐ Go ahead and enter. 691 00:26:49,733 --> 00:26:51,193 ‐ Thank you, sir. 692 00:26:51,193 --> 00:26:53,153 ‐ Man, come on, man. 693 00:26:53,153 --> 00:26:55,656 GARY: On some clown shit. 694 00:26:55,656 --> 00:26:58,033 ‐ Yo, we do have people outside. 695 00:26:58,033 --> 00:26:59,785 ‐ Oh hell no. 696 00:26:59,785 --> 00:27:01,120 Man, you guys are fine, 697 00:27:01,120 --> 00:27:02,496 but the rest of Staten Island? 698 00:27:02,496 --> 00:27:04,164 You can stand in line, man. 699 00:27:04,164 --> 00:27:05,916 ‐ Yo, we in the show! 700 00:27:05,916 --> 00:27:08,293 ‐ All right, so you can either go inside yourselves, 701 00:27:08,293 --> 00:27:09,795 or you can stand outside with your friends 702 00:27:09,795 --> 00:27:12,172 and get wet and miss your own show. 703 00:27:14,550 --> 00:27:16,552 ‐ Yo, it's all good. 704 00:27:17,970 --> 00:27:19,346 ‐ Damn, son. 705 00:27:19,346 --> 00:27:21,390 [crowd clamoring] 706 00:27:27,104 --> 00:27:29,773 [indistinct chatter] 707 00:27:29,773 --> 00:27:36,780 ♪ ♪ 708 00:27:36,780 --> 00:27:39,491 ‐ Come on. Arms here. 709 00:27:39,491 --> 00:27:41,034 All right, you're good. You're good. 710 00:27:41,034 --> 00:27:42,494 Come on, next. 711 00:27:44,288 --> 00:27:46,665 What is this? All right, next. 712 00:27:46,665 --> 00:27:48,792 ‐ Yo, you know I got the biscuit on me, nigga. 713 00:27:48,792 --> 00:27:51,086 I can't go through this shit. ‐ Yo, what? 714 00:27:51,086 --> 00:27:52,754 Why the fuck would you bring that shit here, nigga? 715 00:27:52,754 --> 00:27:54,631 ‐ It's the Fever, right? 716 00:27:57,801 --> 00:28:00,053 [metal detector beeping] BOBBY: Hey, yo, yo. 717 00:28:01,013 --> 00:28:02,306 MOOK: What's up? 718 00:28:02,306 --> 00:28:04,141 ‐ This nigga Dirty got a heater on him, bro. 719 00:28:04,141 --> 00:28:05,601 ‐ Fuck. ‐ I know. 720 00:28:06,935 --> 00:28:08,061 WOMAN: You buggin' out. 721 00:28:08,061 --> 00:28:09,938 ‐ Yo, yo, can't talent come on through? 722 00:28:09,938 --> 00:28:11,940 We don't got time for the metal detector. 723 00:28:11,940 --> 00:28:14,067 BOBBY: Come on, yo. 724 00:28:14,067 --> 00:28:15,777 ‐ [whispering] Dirty. Dirty. 725 00:28:19,156 --> 00:28:20,324 SECURITY GUARD: Yo. 726 00:28:20,324 --> 00:28:22,326 Yo, what the hell is that, man? 727 00:28:25,370 --> 00:28:27,456 ‐ Oh, you‐‐you know, it's the Wu‐Tang Sword. 728 00:28:27,456 --> 00:28:29,583 ‐ Man, you not going in the club with a sword. 729 00:28:29,583 --> 00:28:30,876 ‐ It's a prop, yo. 730 00:28:30,876 --> 00:28:32,127 ‐ Dude, you're not going in there with a sword. 731 00:28:32,127 --> 00:28:33,253 ‐ Yo, calm, son. ‐ Don't argue with me. 732 00:28:33,253 --> 00:28:34,463 You're not going in there with a sword. 733 00:28:34,463 --> 00:28:35,589 ‐ Yo, yo, yo, yo. I got this, I got this. 734 00:28:35,589 --> 00:28:37,090 SECURITY GUARD: You don't touch me. 735 00:28:37,090 --> 00:28:38,842 Give me the sword, man! ‐ I got this. I got this, dude. 736 00:28:38,842 --> 00:28:40,552 SECURITY GUARD: You don't tell me what to do. 737 00:28:40,552 --> 00:28:41,762 You touching me, man? 738 00:28:41,762 --> 00:28:45,223 [indistinct yelling] 739 00:28:45,223 --> 00:28:52,272 ♪ ♪ 740 00:28:52,272 --> 00:28:54,775 MAN: What the fuck is a wu tang? 741 00:28:54,775 --> 00:28:57,778 [overlapping chatter] 742 00:28:57,778 --> 00:29:01,281 MAN: Hey, Mel, this mo'fucker right here. 743 00:29:01,281 --> 00:29:03,951 [uneasy music] 744 00:29:03,951 --> 00:29:06,578 WOMAN: Do I look like I'm scareda you? 745 00:29:06,578 --> 00:29:08,664 Who fuckin' is you? 746 00:29:08,664 --> 00:29:10,332 [Boogie Down Productions' "I'm Still #1"] 747 00:29:10,332 --> 00:29:12,793 SINGER: ♪ DJ Doc, you know he's down with us ♪ 748 00:29:12,793 --> 00:29:14,127 ♪ D‐Square, he's down with us ♪ 749 00:29:14,127 --> 00:29:15,754 ‐ Yo, where the fuck the execs at, yo? 750 00:29:15,754 --> 00:29:16,797 ‐ I don't know. 751 00:29:16,797 --> 00:29:18,674 They're supposed to be here by now. 752 00:29:20,842 --> 00:29:22,135 ‐ Yo, hold on, hold on. 753 00:29:22,135 --> 00:29:24,429 No, no, no, no, no, no, these are taken, man. 754 00:29:24,429 --> 00:29:26,765 ‐ Y'all niggas in VIP? No? 755 00:29:26,765 --> 00:29:29,309 Then get the fuck outta here. 756 00:29:29,309 --> 00:29:31,645 SINGER: ♪ He's down with us...♪ 757 00:29:31,645 --> 00:29:33,355 ‐ Yo, they better show up, man. 758 00:29:34,898 --> 00:29:37,317 BOBBY: Hey, yo, yo. 759 00:29:37,317 --> 00:29:39,486 Security still ain't letting any 760 00:29:39,486 --> 00:29:42,155 of our Staten Island people in, yo. 761 00:29:42,155 --> 00:29:43,532 Yo, word. 762 00:29:43,532 --> 00:29:45,200 ‐ I'm on it. 763 00:29:45,200 --> 00:29:48,412 [crowd clamoring] 764 00:29:48,412 --> 00:29:50,122 SINGER: ♪ Uh, yeah ♪ 765 00:29:50,122 --> 00:29:52,541 ♪ Play me now, uh‐huh, we got ♪ 766 00:29:52,541 --> 00:29:54,960 ♪ Play me now, we rockin' ♪ 767 00:29:54,960 --> 00:29:57,587 ♪ Play me now...♪ 768 00:29:57,587 --> 00:29:58,964 ‐ Shit, nigga. 769 00:29:58,964 --> 00:30:00,966 MAN: The fuck outta here. 770 00:30:00,966 --> 00:30:02,551 ‐ Aw, shit. 771 00:30:02,551 --> 00:30:05,220 ‐ Fuck these fake‐ass, dancing ass niggas. 772 00:30:05,220 --> 00:30:07,973 ‐ Told y'all. Matching outfits. 773 00:30:07,973 --> 00:30:10,225 Nigga, they wouldn't believe me, though. 774 00:30:10,225 --> 00:30:12,894 DENNIS: Yo, the execs still ain't here, man. 775 00:30:14,855 --> 00:30:16,481 SINGER: ♪ From how we do slam a few ♪ 776 00:30:16,481 --> 00:30:18,108 ♪ Then you want to purchase a dialogue of funk ♪ 777 00:30:18,108 --> 00:30:19,609 ♪ You love to pop it in your trunk ♪ 778 00:30:19,609 --> 00:30:22,279 ♪ I win, more disciplined than the Shaolin monk ♪ 779 00:30:22,279 --> 00:30:24,990 ♪ Pete Rock and C. L., well set to spark it ♪ 780 00:30:24,990 --> 00:30:26,783 ♪ The powerful target to destroy the black market ♪ 781 00:30:26,783 --> 00:30:29,703 DIVINE: Yo, you, come here, come here. 782 00:30:29,703 --> 00:30:31,413 ‐ ♪ I guess another beggar can't afford to be choosey ♪ 783 00:30:31,413 --> 00:30:32,664 ‐ Hey, baby. 784 00:30:35,167 --> 00:30:36,835 ‐ What's wrong? 785 00:30:36,835 --> 00:30:39,379 ‐ Nothing, nothing, nothing. Everything is great. 786 00:30:41,757 --> 00:30:44,926 ‐ All right, um, well, I'ma let you do your thing. 787 00:30:44,926 --> 00:30:46,636 I just wanted to give you something real quick. 788 00:30:48,388 --> 00:30:50,348 ‐ [murmurs] ‐ Open it. 789 00:30:50,348 --> 00:30:51,725 DIVINE: Okay, then. 790 00:30:52,893 --> 00:30:54,644 Good to see you. You looking beautiful. 791 00:30:54,644 --> 00:30:55,645 NIA: Mm‐hmm. 792 00:30:58,148 --> 00:30:59,775 ‐ Wow, you made it for us? 793 00:31:01,568 --> 00:31:03,612 ‐ You know why I made a flag? 794 00:31:03,612 --> 00:31:06,239 'Cause a flag represents a army. 795 00:31:07,657 --> 00:31:09,868 No matter where you are, if you in hostile territory, 796 00:31:09,868 --> 00:31:13,538 just know that you've always got a army standing with you. 797 00:31:13,538 --> 00:31:15,874 ‐ ♪ Lovely way to loop in a Lexus Coupe ♪ 798 00:31:15,874 --> 00:31:17,959 ♪ Just a little bit, set to make...♪ 799 00:31:17,959 --> 00:31:20,879 [song changes] 800 00:31:20,879 --> 00:31:23,006 MC: Oh! Make some noise! 801 00:31:23,006 --> 00:31:27,219 DIVINE: Yo, uh, thanks for getting us a spot tonight. 802 00:31:27,219 --> 00:31:30,722 ‐ Yo, make some room for free‐styling... 803 00:31:30,722 --> 00:31:34,559 ‐ And, uh, I heard about what you did with the gun. 804 00:31:34,559 --> 00:31:38,021 And not to mention getting all our Staten Island people in. 805 00:31:42,067 --> 00:31:44,736 ‐ Ain't no thing. ‐ No, no, it is. 806 00:31:46,238 --> 00:31:47,989 I want you to be the group's manager. 807 00:31:47,989 --> 00:31:50,242 Me and Power are doing the exec thing, 808 00:31:50,242 --> 00:31:52,702 and we need someone like you. 809 00:31:52,702 --> 00:31:54,996 You know, if you're interested. 810 00:31:58,208 --> 00:31:59,376 ‐ [chuckles] 811 00:32:02,295 --> 00:32:03,797 ‐ All right. 812 00:32:07,551 --> 00:32:10,846 DENNIS: ♪ Brothers passing away I got to make wakes ♪ 813 00:32:10,846 --> 00:32:14,641 ♪ Receiving all types‐‐ receiving all‐‐ ♪ 814 00:32:14,641 --> 00:32:16,935 [sighs] Damn, son. 815 00:32:16,935 --> 00:32:19,479 [sound fades] Receivin' all types. 816 00:32:20,939 --> 00:32:23,942 [low, pulsing beat] 817 00:32:34,411 --> 00:32:37,455 [feedback] [crowd booing] 818 00:32:37,455 --> 00:32:39,791 SHA: Damn, they getting rowdy out there, son! 819 00:32:39,791 --> 00:32:42,836 Them boys got soaked. ‐ Oh, my... 820 00:32:42,836 --> 00:32:45,672 He is soakin' wet! MOOK: Yo. 821 00:32:45,672 --> 00:32:48,175 Yo, you guys are on. Now. 822 00:32:48,175 --> 00:32:50,177 ‐ No, no, no, no, no, no, they not. 823 00:32:50,177 --> 00:32:51,511 The executives, they ain't here yet. 824 00:32:51,511 --> 00:32:53,138 ‐ Yo, D, they waiting. 825 00:32:53,138 --> 00:32:54,431 DIVINE: I hear that. Okay, look. 826 00:32:54,431 --> 00:32:55,807 All we got to do is stall them. 827 00:32:55,807 --> 00:32:57,058 Right, Bobby? Come on. 828 00:32:57,058 --> 00:32:58,393 We just got to figure out a way to stall them. 829 00:32:58,393 --> 00:33:00,729 ‐ Yo, fuck the execs, son. Let's just do this shit. 830 00:33:00,729 --> 00:33:02,647 ‐ No, no, no, no. Okay, everyone, just relax. 831 00:33:02,647 --> 00:33:04,232 ASON: Put your hands up! 832 00:33:04,232 --> 00:33:06,193 ‐ Yo, he shouldn't be up there like that. 833 00:33:06,193 --> 00:33:08,486 ‐ Oh, shit! ASON: Shut the fuck up, y'all. 834 00:33:08,486 --> 00:33:11,615 Yo, you looking at the original man. 835 00:33:11,615 --> 00:33:13,950 An Asiatic Black man. 836 00:33:13,950 --> 00:33:16,077 And when God be looking you dead in your face, 837 00:33:16,077 --> 00:33:17,871 you should be open to his pearls of wisdom. 838 00:33:17,871 --> 00:33:19,247 You know what I'm saying? 839 00:33:19,247 --> 00:33:21,750 When they singing the truth right at your monkey ass. 840 00:33:21,750 --> 00:33:23,084 You know what I'm saying, yo? 841 00:33:23,084 --> 00:33:24,377 PATRON: What the fuck are you talking about, man? 842 00:33:24,377 --> 00:33:25,921 ‐ Shut the fuck up, yo! 843 00:33:25,921 --> 00:33:27,505 Fuck is wrong with you, man? 844 00:33:27,505 --> 00:33:29,883 Yo, something else, too, man. 845 00:33:29,883 --> 00:33:32,719 All the boroughs be ready to fight and kill each other 846 00:33:32,719 --> 00:33:34,137 over who's the best, 847 00:33:34,137 --> 00:33:36,139 who rep the hardest, and shit like that. 848 00:33:36,139 --> 00:33:37,766 ‐ But, yo... PATRON: Yo, we reppin'! 849 00:33:37,766 --> 00:33:39,309 ‐ Who made them subway map lines, 850 00:33:39,309 --> 00:33:40,852 making them boroughs in the first place? 851 00:33:40,852 --> 00:33:42,479 You know what I'm saying? 852 00:33:42,479 --> 00:33:45,440 The same motherfuckers who made them lines in the Middle East. 853 00:33:45,440 --> 00:33:48,151 They don't care if you're a Black man, Chinaman, 854 00:33:48,151 --> 00:33:49,945 whatever the fuck, man. 855 00:33:49,945 --> 00:33:52,155 If you in here, it's 'cause a white man 856 00:33:52,155 --> 00:33:54,449 brought you over here on a motherfucking boat. 857 00:33:54,449 --> 00:33:57,077 Know what I'm sayin'? [crowd shouting agreement] 858 00:33:57,077 --> 00:33:59,663 PATRON: White motherfuckers did that shit! 859 00:34:00,872 --> 00:34:03,667 ‐ Yo, so if you wanna kill me? 860 00:34:03,667 --> 00:34:06,795 Hey, yo, try me. What I'm sayin' is 861 00:34:06,795 --> 00:34:08,171 why don't we all go kill 862 00:34:08,171 --> 00:34:09,631 the white boat‐owning motherfuckers? 863 00:34:09,631 --> 00:34:10,924 You know what I'm saying? 864 00:34:10,924 --> 00:34:12,384 POWER: Yo, what the hell is he saying? 865 00:34:12,384 --> 00:34:14,719 ‐ He's‐‐he's going full‐on Huey Newton. 866 00:34:14,719 --> 00:34:16,554 ‐ That's quite an intro. 867 00:34:16,554 --> 00:34:17,722 ASON: Yo! 868 00:34:17,722 --> 00:34:19,975 [crowd cheering] 869 00:34:19,975 --> 00:34:21,643 ‐ Yo, yo, yo! ‐ Spit that! 870 00:34:21,643 --> 00:34:23,103 [Ason indistinct] 871 00:34:28,900 --> 00:34:29,985 ‐ Why don't we all go kill 872 00:34:29,985 --> 00:34:31,194 the white boat‐owning motherfuckers. 873 00:34:31,194 --> 00:34:33,363 You know what I'm saying? 874 00:34:33,363 --> 00:34:34,864 PATRON: That's right! 875 00:34:34,864 --> 00:34:37,534 ‐ Yo, shut the fuck up! [mouthing words] 876 00:34:37,534 --> 00:34:40,662 ‐ Yo, yo, yo, hold up, hold up, hold up. 877 00:34:40,662 --> 00:34:44,165 So the point I'm making is, I don't care if you Black, 878 00:34:44,165 --> 00:34:48,169 brown, yellow, red, or white. 879 00:34:48,169 --> 00:34:49,963 [cheers and applause] 880 00:34:49,963 --> 00:34:52,090 Yo, our individual fingers form a fist. 881 00:34:52,090 --> 00:34:54,509 You know what I'm saying? We more powerful together! 882 00:34:54,509 --> 00:34:56,219 PATRON: That's right! ‐ So I need everybody to put 883 00:34:56,219 --> 00:34:57,929 their motherfucking fists in the air 884 00:34:57,929 --> 00:34:59,598 and help me welcome on stage 885 00:34:59,598 --> 00:35:01,558 the lyrical assassins, 886 00:35:01,558 --> 00:35:04,936 Wu‐Tang Clan! 887 00:35:04,936 --> 00:35:07,981 [cheers and applause] 888 00:35:10,483 --> 00:35:14,195 ‐ Wu‐Tang, huh? Whoo! Yes! 889 00:35:14,195 --> 00:35:17,198 ALL: Su! 890 00:35:18,158 --> 00:35:20,785 [indistinct shouting, crowd whooping] 891 00:35:20,785 --> 00:35:23,371 ‐ Wu‐Tang Clan coming at ya! 892 00:35:23,371 --> 00:35:25,624 Best protect ya neck, kid! 893 00:35:25,624 --> 00:35:29,461 First to set it off, the Inspectah Deck! 894 00:35:29,461 --> 00:35:31,630 ‐ ♪ I smoke on the mic like "Smokin' Joe" Frazier ♪ 895 00:35:31,630 --> 00:35:34,215 ♪ The hell‐raiser, raisin' hell with the flavor ♪ 896 00:35:34,215 --> 00:35:36,676 ♪ Terrorize the jam like troops in Pakistan ♪ 897 00:35:36,676 --> 00:35:37,927 ♪ Swinging through your town ♪ 898 00:35:37,927 --> 00:35:39,220 ♪ Like the neighborhood Spider‐Man ♪ 899 00:35:39,220 --> 00:35:41,431 ♪ So, uh, tick‐tock and keep ticking ♪ 900 00:35:41,431 --> 00:35:43,725 ♪ While I get ya flipping off the shit that I'm kicking ♪ 901 00:35:43,725 --> 00:35:46,144 ♪ The Lone Ranger, code red, danger ♪ 902 00:35:46,144 --> 00:35:48,938 ♪ Deep in the dark with the art to rip the charts apart ♪ 903 00:35:48,938 --> 00:35:51,191 ♪ The vandal, too hot to handle, you battle ♪ 904 00:35:51,191 --> 00:35:53,193 ♪ You're saying "goodbye," like Tevin Campbell ♪ 905 00:35:53,193 --> 00:35:55,278 ♪ Roughneck, Inspectah Deck's on the set ♪ 906 00:35:55,278 --> 00:35:57,572 ♪ The Rebel, I make more noise than heavy metal ♪ 907 00:35:57,572 --> 00:35:59,532 ‐ ♪ The way I make the crowd go wild ♪ 908 00:35:59,532 --> 00:36:01,409 ♪ Sit back, relax, won't smile ♪ 909 00:36:01,409 --> 00:36:05,246 ♪ Rae got it going' on, pal, call me the rap assassinator ♪ 910 00:36:05,246 --> 00:36:07,457 ♪ Rhymes rugged and built like Schwarzenegger ♪ 911 00:36:07,457 --> 00:36:09,584 ♪ And I'ma get mad deep like a threat ♪ 912 00:36:09,584 --> 00:36:12,712 ♪ Blow up your project, then take all your assets ♪ 913 00:36:12,712 --> 00:36:14,631 ♪ 'Cause I came to shake the frame in half ♪ 914 00:36:14,631 --> 00:36:16,841 ♪ With the thoughts that bomb shit like math ♪ 915 00:36:16,841 --> 00:36:19,594 ♪ So if you wanna try to flip, go flip on the next man ♪ 916 00:36:19,594 --> 00:36:22,472 ♪ 'Cause I grab the clip and hit ya with 16 shots ♪ 917 00:36:22,472 --> 00:36:24,099 ♪ And more I got ♪ 918 00:36:24,099 --> 00:36:26,059 ♪ Going' to war with the melting' pot, akh ♪ 919 00:36:26,059 --> 00:36:28,561 ‐ ♪ It's the Method Man, for short Mr. Meth ♪ 920 00:36:28,561 --> 00:36:30,689 ♪ Moving on your left, aah! ♪ 921 00:36:30,689 --> 00:36:33,608 ♪ And set it off, get it off, let it off like a gat ♪ 922 00:36:33,608 --> 00:36:35,318 ♪ I want to break full, cock me back ♪ 923 00:36:35,318 --> 00:36:37,737 ♪ Small change, they putting shame in the game ♪ 924 00:36:37,737 --> 00:36:40,115 ♪ I take aim and blow that nigga out the frame ♪ 925 00:36:40,115 --> 00:36:42,534 ♪ And like fame, my style will live forever ♪ 926 00:36:42,534 --> 00:36:44,828 ♪ Niggas crossin' over but they don't know no better ♪ 927 00:36:44,828 --> 00:36:46,746 ♪ But I do, true, can I get a ♪ 928 00:36:46,746 --> 00:36:48,248 ALL: ♪ Su! ♪ SHOTGUN: ♪ Enough respect due ♪ 929 00:36:48,248 --> 00:36:49,457 ♪ To the 1‐6 ooh ♪ 930 00:36:49,457 --> 00:36:51,626 ♪ I mean, oh, yo, check out the flow ♪ 931 00:36:51,626 --> 00:36:54,796 ♪ Like the Hudson or PCP when I'm dusting niggas off ♪ 932 00:36:54,796 --> 00:36:56,172 ♪ Because I'm hot like sauce ♪ 933 00:36:56,172 --> 00:36:58,007 ♪ The smoke from the lyrical blunt... ♪ 934 00:36:58,007 --> 00:37:00,885 Tracey: Definitely not coal, but not diamonds either. 935 00:37:00,885 --> 00:37:02,220 Stars. 936 00:37:02,220 --> 00:37:03,596 This eight‐man group 937 00:37:03,596 --> 00:37:06,057 is a bunch of motherfucking stars. 938 00:37:06,057 --> 00:37:07,892 ‐ ♪ To my crew with the ♪ 939 00:37:07,892 --> 00:37:09,686 ALL: Su! 940 00:37:09,686 --> 00:37:11,646 ASON: ♪ Watch your step, yeah ♪ BOBBY: ♪ Come on, baby, baby ♪ 941 00:37:11,646 --> 00:37:14,065 ♪ Come on, baby, baby, come on, baby, baby ♪ 942 00:37:14,065 --> 00:37:15,900 ♪ Come on, on ♪ 943 00:37:15,900 --> 00:37:17,944 ALL: ♪ Yo, you best protect ya neck ♪ 944 00:37:17,944 --> 00:37:18,987 ASON: ♪ First things first, man ♪ 945 00:37:18,987 --> 00:37:20,071 ♪ You're fucking with the worst ♪ 946 00:37:20,071 --> 00:37:21,281 ♪ I'll be sticking pins in your head ♪ 947 00:37:21,281 --> 00:37:22,615 ♪ Like a fucking nurse ♪ 948 00:37:22,615 --> 00:37:25,201 ♪ I'll attack any nigga who's slack in his mack ♪ 949 00:37:25,201 --> 00:37:27,245 ♪ Come fully packed with a fat rugged stack ♪ 950 00:37:27,245 --> 00:37:29,205 ♪ Shame on you when you step through ♪ 951 00:37:29,205 --> 00:37:30,749 ♪ To The Ol' Dirty Bastard ♪ 952 00:37:30,749 --> 00:37:32,333 ♪ Straight from the Brooklyn Zoo ♪ 953 00:37:32,333 --> 00:37:35,378 ♪ And I'll be damned if I let any man come to my center ♪ 954 00:37:35,378 --> 00:37:36,755 ♪ You enter the winter ♪ 955 00:37:36,755 --> 00:37:38,590 ♪ Straight up and down, that shit is packed jam ♪ 956 00:37:38,590 --> 00:37:41,509 ♪ You can't slam, don't let me get fool on him, man ♪ 957 00:37:41,509 --> 00:37:43,470 ♪ The Ol' Dirty Bastard is dirty and stinking ♪ 958 00:37:43,470 --> 00:37:46,139 ♪ Ason Unique rolling with the night of the creeps ♪ 959 00:37:46,139 --> 00:37:47,724 ♪ Niggas be rolling with a stash ♪ 960 00:37:47,724 --> 00:37:49,142 ♪ Ain't saying cash ♪ 961 00:37:49,142 --> 00:37:50,810 ♪ Bite my style, I'll bite your motherfucking ass ♪ 962 00:37:50,810 --> 00:37:53,062 DENNIS: ♪ For crying out loud, my style is wild, so book me ♪ 963 00:37:53,062 --> 00:37:55,565 ♪ Not long is how long that this rhyme took me ♪ 964 00:37:55,565 --> 00:37:57,650 ♪ Ejecting styles from my lethal weapon ♪ 965 00:37:57,650 --> 00:38:00,069 ♪ My pen that rocks from here to Oregon ♪ 966 00:38:00,069 --> 00:38:02,322 ♪ Here's more again, catch it like a psycho flashback ♪ 967 00:38:02,322 --> 00:38:05,074 ♪ I love gats, if rap was a gun, you wouldn't bust back ♪ 968 00:38:05,074 --> 00:38:07,744 ♪ I come with shit in all types of shapes and sounds ♪ 969 00:38:07,744 --> 00:38:09,829 ♪ And where I lounge is my stomping grounds ♪ 970 00:38:09,829 --> 00:38:12,165 ♪ I give an order to my peeps across the water ♪ 971 00:38:12,165 --> 00:38:14,417 ♪ To go and snatch up props all around the border ♪ 972 00:38:14,417 --> 00:38:16,294 ♪ And get far like a shooting star ♪ 973 00:38:16,294 --> 00:38:19,172 ♪ 'Cause who I are is living the life of Pablo Escobar ♪ 974 00:38:19,172 --> 00:38:21,424 ♪ Point‐blank as I kick the square biz ♪ 975 00:38:21,424 --> 00:38:23,384 ♪ There it is, you're fucking with pros, and there it goes ♪ 976 00:38:23,384 --> 00:38:24,803 BOBBY: ♪ Yo, chill with the feedback ♪ 977 00:38:24,803 --> 00:38:25,804 ♪ Black, we don't need that ♪ 978 00:38:25,804 --> 00:38:26,971 ♪ It's 10:00, ho ♪ 979 00:38:26,971 --> 00:38:28,348 ♪ Where the fuck is your seed at? ♪ 980 00:38:28,348 --> 00:38:30,809 ♪ Feeling mad hostile, wearing the apostle ♪ 981 00:38:30,809 --> 00:38:33,019 ♪ Flowing like Christ when I speaks the gospel ♪ 982 00:38:33,019 --> 00:38:34,771 ♪ Stroll with the holy roll ♪ 983 00:38:34,771 --> 00:38:37,190 ♪ Then attack the globe with the buckus style ♪ 984 00:38:37,190 --> 00:38:40,276 ♪ The ruckus, ten times ten men committing mad sin ♪ 985 00:38:40,276 --> 00:38:42,445 ♪ Turn the other cheek and I'll break your fucking chin ♪ 986 00:38:42,445 --> 00:38:44,447 ♪ Slaying boom‐bangs like African drums ♪ 987 00:38:44,447 --> 00:38:47,242 ♪ We'll be coming around the mountain when I come ♪ 988 00:38:47,242 --> 00:38:49,452 ♪ Crazy flamboyant for the rap enjoyment ♪ 989 00:38:49,452 --> 00:38:51,996 ♪ My clan increase like Black unemployment ♪ 990 00:38:51,996 --> 00:38:54,791 ♪ Yeah, another one dare, took‐took a genius ♪ 991 00:38:54,791 --> 00:38:56,417 ♪ To get us the fuck outta here ♪ 992 00:38:56,417 --> 00:38:58,795 ‐ ♪ The Wu is too slamming for these Cold Killin' labels ♪ 993 00:38:58,795 --> 00:39:01,256 ♪ Some ain't had hits since I seen Aunt Mabel ♪ 994 00:39:01,256 --> 00:39:03,424 ♪ Be doing artists in like Cain did Abel ♪ 995 00:39:03,424 --> 00:39:04,509 ♪ Now they money's getting stuck ♪ 996 00:39:04,509 --> 00:39:06,010 ♪ To the gum under the table ♪ 997 00:39:06,010 --> 00:39:08,930 ♪ That's what you get when you misuse what I invent ♪ 998 00:39:08,930 --> 00:39:11,432 ♪ Your empire falls and you lose every cent ♪ 999 00:39:11,432 --> 00:39:12,976 ♪ For trying to blow up a scrub ♪ 1000 00:39:12,976 --> 00:39:14,018 ♪ Now that thought is just as bright ♪ 1001 00:39:14,018 --> 00:39:15,436 ♪ As a 20‐watt light bulb ♪ 1002 00:39:15,436 --> 00:39:17,355 ♪ Should've pumped it when I rocked it ♪ 1003 00:39:17,355 --> 00:39:20,441 ♪ Niggas so stingy, they got short arms and deep pockets ♪ 1004 00:39:20,441 --> 00:39:22,986 ♪ This goes on in some companies with majors ♪ 1005 00:39:22,986 --> 00:39:25,154 ♪ They're scared to death to pump these ♪ 1006 00:39:25,154 --> 00:39:26,906 ♪ First of all, who's your A&R? ♪ 1007 00:39:26,906 --> 00:39:29,492 ♪ A mountain climber who plays an electric guitar? ♪ 1008 00:39:29,492 --> 00:39:31,119 ♪ But he don't know the meaning of dope ♪ 1009 00:39:31,119 --> 00:39:32,871 ♪ When he's looking for a suit‐and‐tie rap ♪ 1010 00:39:32,871 --> 00:39:34,414 ♪ That's cleaner than a bar of soap ♪ 1011 00:39:34,414 --> 00:39:36,249 ♪ And I'm the dirtiest thing in sight ♪ 1012 00:39:36,249 --> 00:39:37,876 ALL: ♪ Matter of fact, bring out the girls ♪ 1013 00:39:37,876 --> 00:39:39,335 ♪ And let's have a mud fight ♪ 1014 00:39:39,335 --> 00:39:42,046 [cheers and applause] 1015 00:39:42,046 --> 00:39:44,340 ‐ They what the fuck is goin' on, man! 1016 00:39:44,340 --> 00:39:45,633 It's Wu‐Tang Clan. 1017 00:39:45,633 --> 00:39:47,677 It's Shaolin in the fucking building, man! 1018 00:39:47,677 --> 00:39:49,888 Hey, let's go! Niggas goin' on! 1019 00:39:49,888 --> 00:39:51,598 SHOTGUN: Do that shit with me, you heard? 1020 00:39:51,598 --> 00:39:53,349 M‐E‐T‐H‐O‐D. 1021 00:39:53,349 --> 00:39:54,350 ALL: Man. 1022 00:39:54,350 --> 00:39:56,311 ‐ M‐E‐T‐H‐O‐D. 1023 00:39:56,311 --> 00:39:57,395 ALL: Man. 1024 00:39:57,395 --> 00:39:58,646 ‐ Hold up, hold up, hold up. 1025 00:39:58,646 --> 00:40:00,398 Why y'all backing up, son? 1026 00:40:00,398 --> 00:40:04,235 I might be the only one on this song, but this our shit! 1027 00:40:04,235 --> 00:40:06,696 ♪ M‐E‐T‐H‐O‐D ♪ ALL: ♪ Man ♪ 1028 00:40:06,696 --> 00:40:09,032 SHOTGUN: ♪ M‐E‐T‐H‐O‐D ♪ ALL: ♪ Man ♪ 1029 00:40:09,032 --> 00:40:11,409 SHOTGUN: ♪ M‐E‐T‐H‐O‐D ♪ ALL: ♪ Man ♪ 1030 00:40:11,409 --> 00:40:13,786 SHOTGUN: ♪ M‐E‐T‐H‐O‐D ♪ ALL: ♪ Man ♪ 1031 00:40:13,786 --> 00:40:16,080 ‐ ♪ Hey, you, get off my cloud ♪ 1032 00:40:16,080 --> 00:40:18,708 ♪ You don't know me and you don't know my style ♪ 1033 00:40:18,708 --> 00:40:20,543 ♪ Who be getting flam when they come to a jam? ♪ 1034 00:40:20,543 --> 00:40:23,171 ♪ Here I am, here I am, the Method Man ♪ 1035 00:40:23,171 --> 00:40:25,548 ♪ Patty cake, patty cake, hey, The Method Man ♪ 1036 00:40:25,548 --> 00:40:28,176 ♪ Don't eat Skippy, Jif, or Peter Pan ♪ 1037 00:40:28,176 --> 00:40:30,303 ♪ Peanut butter, 'Cause I'm not butter ♪ 1038 00:40:30,303 --> 00:40:33,181 ♪ In fact, I snap back like a rubber band ♪ 1039 00:40:33,181 --> 00:40:35,099 ♪ I be Sam, Sam I am ♪ 1040 00:40:35,099 --> 00:40:37,352 ♪ And I don't eat green eggs and ham ♪ 1041 00:40:37,352 --> 00:40:39,729 ♪ Style will hit you, wham, then goddamn ♪ 1042 00:40:39,729 --> 00:40:42,106 ♪ You be like, "Oh shit, that's the jam" ♪ 1043 00:40:42,106 --> 00:40:44,859 ♪ Turn it up now hear me get buck‐wu‐wu‐wild ♪ 1044 00:40:44,859 --> 00:40:46,903 ♪ I'm about to blow, light me up ♪ 1045 00:40:46,903 --> 00:40:49,238 ♪ Upside downside, inside, and outside ♪ 1046 00:40:49,238 --> 00:40:50,782 ♪ Hitting you from every angle ♪ 1047 00:40:50,782 --> 00:40:53,868 ♪ There's no doubt I am the one and only Method Man ♪ 1048 00:40:53,868 --> 00:40:56,579 ♪ The master of the plan wrapping shit like Saran ♪ 1049 00:40:56,579 --> 00:40:58,331 ♪ Wrap, with some of this and some of that ♪ 1050 00:40:58,331 --> 00:40:59,540 ♪ Hold up, what? ♪ 1051 00:40:59,540 --> 00:41:01,542 ♪ I thought I saw a putty tat over there ♪ 1052 00:41:01,542 --> 00:41:03,169 ♪ But I think he best to beware ♪ 1053 00:41:03,169 --> 00:41:05,171 ♪ Of the diggy dog shit right here ♪ 1054 00:41:05,171 --> 00:41:07,507 ♪ Yippy yippy yay yippy yah yippy yo ♪ 1055 00:41:07,507 --> 00:41:09,759 ♪ Like Deck said, this ain't your average flow ♪ 1056 00:41:09,759 --> 00:41:12,887 ♪ Coming like Rah ooh ah oochie kah ♪ 1057 00:41:12,887 --> 00:41:15,056 ♪ Tell me how ya like it so far, baby paw ♪ 1058 00:41:15,056 --> 00:41:17,183 ♪ The poetry's in motion coast to coast ♪ 1059 00:41:17,183 --> 00:41:19,352 ♪ And rub it on your skin like lotion ♪ 1060 00:41:19,352 --> 00:41:21,562 ♪ What's the commotion? Oh, my Lord! ♪ 1061 00:41:21,562 --> 00:41:24,148 ♪ Another corn chopped by the Wu‐Tang sword ♪ 1062 00:41:24,148 --> 00:41:26,484 ♪ "Hey, hey, hey," like Fat Albert ♪ 1063 00:41:26,484 --> 00:41:28,695 ♪ It's the Method Man, ain't no if ands about it ♪ 1064 00:41:28,695 --> 00:41:30,154 ♪ It's the Method ♪ 1065 00:41:30,154 --> 00:41:32,281 All right, y'all, go get ya White Owls. 1066 00:41:32,281 --> 00:41:34,200 Get ya meth, get ya skins. 1067 00:41:34,200 --> 00:41:36,619 ‐ I love you, Method Man! SHOTGUN: Don't forget your 40. 1068 00:41:36,619 --> 00:41:38,287 And we gonna do it like this. 1069 00:41:38,287 --> 00:41:40,623 ♪ I got fat bags of skunk ♪ 1070 00:41:40,623 --> 00:41:42,959 ♪ I got White Owl‐ed up ♪ 1071 00:41:42,959 --> 00:41:45,128 ♪ And I'm about to go get lifted ♪ 1072 00:41:45,128 --> 00:41:47,463 ♪ Yes, I'm about to go get lifted ♪ 1073 00:41:47,463 --> 00:41:52,135 ♪ I got myself a 40, I got myself a shorty ♪ 1074 00:41:52,135 --> 00:41:54,595 ♪ And I'm about to go and stick it ♪ 1075 00:41:54,595 --> 00:41:57,015 ♪ Yes, I'm about to go and stick it ♪ 1076 00:41:57,015 --> 00:42:00,101 ♪ I'm M‐E‐T‐H‐O‐D ♪ ALL: Man! 1077 00:42:00,101 --> 00:42:02,353 SHOTGUN: ♪ M‐E‐T‐H‐O‐D ♪ ALL: Man! 1078 00:42:02,353 --> 00:42:04,689 SHOTGUN: ♪ M‐E‐T‐H‐O‐D ♪ ALL: Man! 1079 00:42:04,689 --> 00:42:07,400 SHOTGUN: ♪ Here I am, here I am, The Method Man ♪ 1080 00:42:07,400 --> 00:42:08,943 [cheers and applause] 1081 00:42:08,943 --> 00:42:11,571 [crash sound, shattering] Yeah! Make some fuckin' noise! 1082 00:42:11,571 --> 00:42:13,406 Hell, yeah! 1083 00:42:14,866 --> 00:42:17,869 ["Can It Be All So Simple"] 1084 00:42:17,869 --> 00:42:19,871 ‐ Hey, yo, Rie? What the hell you doing here? 1085 00:42:21,164 --> 00:42:23,249 Hey, yo, check this. 1086 00:42:23,249 --> 00:42:25,418 If anybody touches my girl in here tonight, 1087 00:42:25,418 --> 00:42:26,794 I'm going to jail, niggas. 1088 00:42:26,794 --> 00:42:29,172 ALL: Oh! DENNIS: Promise you that. 1089 00:42:29,172 --> 00:42:30,590 ASON: What the fuck is this nigga lookin' at? 1090 00:42:30,590 --> 00:42:32,842 ‐ Hey, yo, fuck this shit. Come on, let's do it. 1091 00:42:32,842 --> 00:42:34,510 [slow music playing] 1092 00:42:34,510 --> 00:42:35,928 ASON: Yo! 1093 00:42:35,928 --> 00:42:38,806 ♪ Started off on the island, AKA Shaolin ♪ 1094 00:42:38,806 --> 00:42:41,809 ♪ Niggas wilding, gunshots thrown, the phone dialing ♪ 1095 00:42:41,809 --> 00:42:44,854 ♪ Back in the days of eight, now, making a tape now ♪ 1096 00:42:44,854 --> 00:42:46,689 ♪ Rae gotta get a plate now ♪ 1097 00:42:46,689 --> 00:42:49,609 ♪ Ignorant and mad young, wanted to be the one ♪ 1098 00:42:49,609 --> 00:42:50,777 ♪ Till I got‐‐ ♪ ALL: Blaow! Blaow! 1099 00:42:50,777 --> 00:42:52,028 SHA: ♪ Only felt one ♪ 1100 00:42:52,028 --> 00:42:54,155 ♪ Yeah, my pops was a fiend since 16 ♪ 1101 00:42:54,155 --> 00:42:55,782 ♪ Shooting that "That's that shit!" ♪ 1102 00:42:55,782 --> 00:42:57,241 ♪ In his bloodstream ♪ 1103 00:42:57,241 --> 00:43:00,036 ♪ That's the life of a grimey, real‐life crimey ♪ 1104 00:43:00,036 --> 00:43:02,330 ♪ If niggas know that habit's behind me ♪ 1105 00:43:02,330 --> 00:43:04,707 ♪ Day one, yo, growing all up in the ghetto ♪ 1106 00:43:04,707 --> 00:43:07,502 ♪ Now I'm a weed fiend, jetting to Palmetto ♪ 1107 00:43:07,502 --> 00:43:10,588 ♪ In Medina, yo, no doubt the God got crazy clout ♪ 1108 00:43:10,588 --> 00:43:12,590 ♪ Pushing the big joint from down South ♪ 1109 00:43:12,590 --> 00:43:14,342 ♪ So if you're filthy stacked up ♪ 1110 00:43:14,342 --> 00:43:16,010 ♪ Better watch your back and duck ♪ 1111 00:43:16,010 --> 00:43:18,179 ♪ 'Cause these fiends, they got it cracked up ♪ 1112 00:43:18,179 --> 00:43:20,973 ♪ Now my man from up North, now he got the law ♪ 1113 00:43:20,973 --> 00:43:23,392 ♪ It's solid as a rock and crazy salt ♪ 1114 00:43:23,392 --> 00:43:26,020 ♪ No jokes, I'm not playing, get his folks ♪ 1115 00:43:26,020 --> 00:43:28,397 ♪ Desert Eagle his dick and put them in a yoke ♪ 1116 00:43:28,397 --> 00:43:31,526 ♪ And to know for sure, I got reck and rip shop ♪ 1117 00:43:31,526 --> 00:43:34,153 ♪ I pointed a gat at his mother's knot ♪ 1118 00:43:34,153 --> 00:43:36,280 ALL: Yo, Rae, don't do that shit, man! 1119 00:43:36,280 --> 00:43:39,117 Don't do that shit! ‐ Nah, nah, nah, fuck that! 1120 00:43:39,117 --> 00:43:41,744 ♪ Dedicated to the winners and the losers ♪ 1121 00:43:41,744 --> 00:43:44,163 DENNIS: ♪ Dedicated to all Jeeps and Land Cruisers ♪ 1122 00:43:44,163 --> 00:43:47,166 SHA: ♪ Dedicated to the 5s, 850is ♪ 1123 00:43:47,166 --> 00:43:49,585 DENNIS: ♪ Dedicated to niggas who do drive‐bys ♪ 1124 00:43:49,585 --> 00:43:52,255 SHA: ♪ Dedicated to the Lexus and the ACs ♪ 1125 00:43:52,255 --> 00:43:55,466 DENNIS: ♪ Dedicated to MPVs, phat, nigga! ♪ 1126 00:43:55,466 --> 00:43:56,884 ♪ Yeah, son ♪ 1127 00:43:56,884 --> 00:43:59,762 ♪ Now, baby, yo ♪ 1128 00:43:59,762 --> 00:44:01,305 ♪ Kicking the fly clichés ♪ 1129 00:44:01,305 --> 00:44:04,642 ♪ Doing duets with Rae and A happens to make my day ♪ 1130 00:44:04,642 --> 00:44:06,435 ♪ Though I'm tired of busting off shots ♪ 1131 00:44:06,435 --> 00:44:07,979 ♪ Having to rock knots ♪ 1132 00:44:07,979 --> 00:44:10,273 ♪ Running up in spots and making shit hot ♪ 1133 00:44:10,273 --> 00:44:11,732 ♪ I'd rather flip shows ♪ 1134 00:44:11,732 --> 00:44:13,734 ♪ Instead of those hanging on my living room wall ♪ 1135 00:44:13,734 --> 00:44:15,736 ♪ My first joint and it went gold ♪ 1136 00:44:15,736 --> 00:44:17,738 ♪ I want to lamp, I want to be in the shade ♪ 1137 00:44:17,738 --> 00:44:18,948 ♪ Plus the spotlight ♪ 1138 00:44:18,948 --> 00:44:20,825 ♪ Getting my dick rode all night ♪ 1139 00:44:20,825 --> 00:44:22,702 ♪ I want to have me a phat yacht ♪ 1140 00:44:22,702 --> 00:44:26,038 ♪ And enough land to go and plant my own sess crops ♪ 1141 00:44:26,038 --> 00:44:28,040 ♪ But for now, it's just a big dream ♪ 1142 00:44:28,040 --> 00:44:30,126 ♪ 'Cause I find myself in the place ♪ 1143 00:44:30,126 --> 00:44:31,627 ♪ Where I'm last seen ♪ 1144 00:44:31,627 --> 00:44:34,338 ♪ My thoughts must be relaxed, be able to maintain ♪ 1145 00:44:34,338 --> 00:44:36,382 ♪ 'Cause times is changed and life is strange ♪ 1146 00:44:36,382 --> 00:44:39,760 ♪ The glorious days is gone, and everybody's doing bad ♪ 1147 00:44:39,760 --> 00:44:41,762 BOTH: ♪ Yo, mad lives is up for grabs ♪ 1148 00:44:41,762 --> 00:44:44,432 SHA: ♪ Brothers passing away, I got to make wakes ♪ 1149 00:44:44,432 --> 00:44:46,851 ♪ Receiving all types of calls from upstate ♪ 1150 00:44:46,851 --> 00:44:48,895 ♪ Yo, I can't cope with the pressure ♪ 1151 00:44:48,895 --> 00:44:50,271 ♪ Settling for lesser ♪ 1152 00:44:50,271 --> 00:44:51,856 ♪ The God left lessons on my dresser ♪ 1153 00:44:51,856 --> 00:44:54,775 ♪ So I can bloom and blossom, find a new way ♪ 1154 00:44:54,775 --> 00:44:57,320 ♪ Continue to make more hits with Rae and A ♪ 1155 00:44:57,320 --> 00:44:59,864 ♪ Sunshine plays a major part in the daytime ♪ 1156 00:44:59,864 --> 00:45:01,157 DENNIS: ♪ Peace to mankind ♪ 1157 00:45:01,157 --> 00:45:03,701 ♪ Ghostface carry a black 9, nigga ♪ 1158 00:45:03,701 --> 00:45:06,454 ‐ Hold on, hold on. Y'all know what's going on. 1159 00:45:06,454 --> 00:45:08,372 Hey! Help me out! 1160 00:45:08,372 --> 00:45:10,583 Do that shit, do that shit, do it! 1161 00:45:10,583 --> 00:45:13,336 ALL: Do that shit, do that shit, do it! 1162 00:45:13,336 --> 00:45:15,796 ‐ ♪ Do that shit, do that shit ♪ 1163 00:45:15,796 --> 00:45:18,799 [crowd chanting "Wu‐Tang!"] 1164 00:45:21,344 --> 00:45:23,554 ‐ My pussy is officially wet. 1165 00:45:23,554 --> 00:45:26,599 ‐ Whoo, well, I'm, uh, I'm glad to hear it. 1166 00:45:26,599 --> 00:45:29,894 [cheers and applause] 1167 00:45:29,894 --> 00:45:32,563 ALL: Wu‐Tang! Wu‐Tang! 1168 00:45:32,563 --> 00:45:34,607 ‐ Yeah, yeah, yeah! Yeah yeah yeah! 1169 00:45:34,607 --> 00:45:37,151 Wu‐Tang, Wu‐Tang, Wu‐Tang! 1170 00:45:37,151 --> 00:45:40,071 [overlapping chatter, shouting, cheering] 1171 00:45:40,071 --> 00:45:41,864 ‐ Wu‐Tang, W‐Tang! 1172 00:45:41,864 --> 00:45:43,574 ‐ Come and talk, my man. How you doing, shaka brah? 1173 00:45:43,574 --> 00:45:45,534 Know what I'm saying? 1174 00:45:45,534 --> 00:45:47,245 Let's start the show. 1175 00:45:47,245 --> 00:45:50,539 [crowd continues cheering in background] 1176 00:45:54,168 --> 00:45:57,713 ‐ Hey, yo, y'all ready for some real fucking hip‐hop! 1177 00:45:57,713 --> 00:45:59,799 ‐ Yo, get the fuck off the stage! 1178 00:45:59,799 --> 00:46:01,509 ‐ What the fuck you say? [glass shatters] 1179 00:46:01,509 --> 00:46:04,303 [crowd booing] ‐ Go! 1180 00:46:04,303 --> 00:46:06,889 Wu‐Tang, Wu‐Tang, Wu‐Tang! 1181 00:46:06,889 --> 00:46:09,392 Wu‐Tang, Wu‐Tang, Wu‐Tang! 1182 00:46:09,392 --> 00:46:12,061 [voices fading] 1183 00:46:12,061 --> 00:46:13,688 ♪ ♪ 1184 00:46:13,688 --> 00:46:15,189 ‐ Shit! 1185 00:46:15,189 --> 00:46:18,192 ‐ Yo, why we running from the women? 1186 00:46:18,192 --> 00:46:20,403 ‐ Su! 1187 00:46:20,403 --> 00:46:23,906 [women screaming, cheering] 1188 00:46:23,906 --> 00:46:25,533 ASON: We're like the fucking Beatles! 1189 00:46:25,533 --> 00:46:28,536 [women screaming] 1190 00:46:29,787 --> 00:46:33,582 [mellow music] 1191 00:46:33,582 --> 00:46:35,584 Go, go, go, go, go, go, go! 1192 00:46:45,261 --> 00:46:46,512 TRACEY: Hip‐hop? 1193 00:46:46,512 --> 00:46:48,889 Yeah, the Bronx may have created it, 1194 00:46:48,889 --> 00:46:52,768 but tonight, Staten Island broke the motherfucking mold. 1195 00:46:54,895 --> 00:46:58,107 [mellow R&B] 1196 00:46:58,107 --> 00:47:04,947 ♪ ♪ 1197 00:48:14,350 --> 00:48:15,851 COACH: Get on the line! 87385