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Attention, please.

TWA announces the departure of flight number 203 to New York.

Stop!

Damn you! I'll kick you all the way back to England! You...

He destroyed his camera! Did he hurt you, Dad?

No, I'm fine, but the camera...

They send all the nuts over here!

My name is Father Spagna.

They're brothers.

Should I tell him anything else?

This way, please.

You have to walk for miles in these airports.

It's the first Catholic western, you know?

The second coming of Christ in a desolated borderland.

Which in the end, is the desire of all men:

that Christ should show himself again.

That he, peace, should become a concrete, tangible presence.

Alive! Christ already lives within each of us,

but to represent him like this, in our everyday lives...

It might seem like a desperate enterprise,

blasphemy, even.

But you know, you understand, with your sensibility as an artist,

being a believer does not matter,

that certain types of cinema, with substance, let's say,

can create that sublime poetry with simple images,

bare and eloquent in their poverty.

Syntagmatic, as my friend Roland Barthes would say.

Somewhere between Dreyer and Pasolini,

with a touch of Ford, naturally.

If it reflects the crises, the shocks of our society,

the reasons for the decadence of our capitalist system,

even an Italian-style western can be a work of the highest commitment.

Even Lukács says so.

We want to create characters derived from history

with a wide sociological background.

For example, what do the two outlaws in our film represent?

A sad song with its full bosom,

and the deceptive sanctuary of the irrational.

The prairie is the region of earth without history.

The bison are the sustenance for which men must fight.

The film will be in color, in loud colors.

Simple costumes that can blend the evangelical landscape

with the prairie.

Piero della Francesca and Fred Zinneman.

It really is an interesting enterprise, you know?

But you'll find your place in it, your heart will lead you.

He wants the Ferrari.

You'll have your Ferrari. Of course you will, tonight.

Go on, keep moving.

Go on, go on!

Stop! Wait. Stop the car. I need to talk to you.

Give me your hand, I'll read your fortune.

- Give the gypsy 1000 lire. - Go away!

Go away!

He's curious to know.

Of course, your desire is understandable.

But you cannot change the fate which providence has determined.

No, I don't want to.

STAND BY

ON AIR

This evening, our program's guest of honor

is an English actor who requires no introduction.

We all remember him from his famous film.

Now he's in Rome, where he will act in a film

which transposes into the Western genre the evangelical redemption story.

Ladies and gentlemen, here with us today is Toby Dammit!

Have you ever been to Italy before, Mr. Dammit?

What led you to come here now?

Do you use LSD or any other drugs?

Why?

What's the thing you love most in the world?

And what do you hate the most?

They say you no longer have a public, Mr. Dammit.

How do you explain all the criticism you received for your Hamlet?

Did you have a sad childhood?

They say you can't stand criticism.

That you can be violent, irascible, hot-headed.

Do you consider yourself neurotic?

What's lacking in your life, Mr. Dammit?

Is it true you've also held less respectable jobs?

Do you know anything about Italian cinema?

How come you're popular with both men and women?

Why haven't you been to Italy before?

Do you think you're funny?

Do you believe in God?

And in the Devil?

Interesting. What's the Devil like? Have you seen him?

Describe him to us. Is he a goat, a bat, a black cat?

Great!

Let me see.

With this face, I can do whatever I like.

See?

He never stops!

Ladies and gentlemen, good evening.

Welcome to the tenth edition of the Italian Oscars.

I would like to thank the most eminent personalities from entertainment,

politics and art who are here with us.

A warm welcome to the Honorable Mr. De Bonis,

who, with such a lovely gesture, has come up with...

Long live my producer!

I want to shake your hand. Bravo! Well done!

Long live Italy. Because this country...

Welcome, Mr. Toby. I'm Italian actor Michele Stinelli,

- stage name D'Artagnan. - Take D'Artagnan away!

I can do any voice. I'm a poet, a philosopher...

Come on, D'Artagnan. Come with me.

Forgive me for interrupting, Mr. Dammit.

This is my daughter Elizabeth. She sings, dances, acts.

Say hello, Elizabeth.

- How's it going? - Is she a virgin?

Mr. Dammit, she's just a child.

I can guarantee that.

I'm Marty from the production.

The ceremony to award the Golden Wolf will begin in a moment.

We still have some time, because first there's the procession.

Are you following me?

The actors and actresses say something on the microphone,

make a little speech.

Not the actresses, of course.

You'll recite some Shakespeare, at least that's what I've heard.

But keep it brief, okay?

Real short.

The gentleman is right. Even Shakespeare can become boring.

But you're an expert.

Our artist has outdone himself with his creativity.

The Grand Premiere.

The Submerged Cathedral.

Roman Fountains and Humiliation.

Mr. Dammit, we need to go. Will you follow me, please?

They've set up a section for those who are to receive prizes.

I'll sit next to you.

Hi, Roberto. Give me a hand, bring him over here.

I'm your stunt double.

Can I take a photo with you? Will you take a photo of us?

Yes, a photo of the three of us. Come on.

I know London very well. I've been there twice.

I'm happy to be your stunt double. I was Tomas Milian's stunt double.

I'm a stuntman, too.

- Photo! - Thank you.

Paparazzo, 20 copies for me.

- When were you in London? - I would live in London!

I love the underground.

And the English, they're so polite!

And they make great films! Much better than us here in Italy.

You'll be more comfortable here.

What's wrong?

No, that's enough.

Not now. If you behave, I'll bring you some later.

You mustn't drink so much, it's not good for you.

It's a pleasure to meet you. I'm a painter, my name is Stagni.

I won the prize for screenplay.

Have you seen the film Take Your Cadaver Home?

He hasn't seen it. Welcome. I really admire you.

- Have a seat. - Poor thing, he's nearly gone blind.

Good evening! Don't you remember me?

Good evening.

My magazine is preparing a special series.

The theme is the ancient pagan gods.

The editors have unanimously chosen you

to represent the youth of the Greek god, Mars.

Eight large shots.

Almost entirely naked.

May I count on a "yes" from you?

We've arrived at the most exciting moment of the evening.

But first, a big round of applause for our illustrious jury,

who were able to distinguish, from among so many talented people,

those most deserving of this prestigious recognition.

The Golden Wolf goes to Marilù Traversi,

for revealing, with her debut,

a temperament that attests to her bright future.

The Golden Wolf goes to the sensational twin dancers,

Lion and Tiger!

Come, Vicky, you're all mine now.

Come to the microphone and tell us what you think.

Were you expecting it? This is a wonderful moment.

Go on, what would you like to say?

I'm deeply moved.

I have only one thing to say: Thank you.

- And you? - I am also deeply moved.

I have only one thing to say: Thank you.

Yes, I'm deeply moved as well.

I have only one thing to say: Thank you.

Well done! Well done!

And now, an actress whose performances you all love,

rich in drama and humanity.

The Golden Wolf goes to Annie Ravel.

Good morning.

At this point, I'll have to ask your forgiveness

if you detect a certain touch of emotion in my voice.

How can one not be moved

when one has the honor of inviting onto the stage...

You've guessed it!

An artist who for so many years...

An artist who for so many years has made us happy and carefree,

who has made us laugh until we cry, who has given everything of himself

with the enthusiasm only true, great artists have.

Congratulations.

Excuse me, would you like to say something, or do something?

I'd love to, but I see you're not equipped here.

I wanted to do a trapeze number.

Many think there's a secret...

I'll take care of you.

I understand you.

I already know you. I've always known you.

From this moment on, you're no longer alone.

You have me, and I have you. I will always be at your side.

Whenever you reach out your hand, you will find mine.

You'll no longer feel like a castaway.

You'll no longer need to run away.

Solitude is over, selfishness is over.

The two of us will live a peaceful, loyal life.

A real life.

The life you and I have been searching for, for so long.

You've lost your faith, but you've held onto your confidence and found me.

I'm the one you've been waiting for.

And I'm here with you.

Forever.

We have one more wonderful surprise for you this evening.

A true star of the stage. Ladies and gentlemen, Toby Dammit!

Well done! Congratulations.

Come, let me help you.

Move, let him through.

Well done!

A round of applause!

Ladies and gentlemen, Toby Dammit!

This amazing English actor,

who after bringing prestige to British film,

has come to honor Italian cinema.

It is with true pleasure that we give this award,

a symbol of the highest Roman honor,

to Toby Dammit, an unrivaled interpreter

the consummate English playwright, William Shakespeare,

one of the pinnacles of world poetry.

Second only to our Dante.

Congratulations...

Here are the keys. I've already taken it for a test drive.

Toby, stop! Just a moment!

Where are you going? Toby! Toby!

- What are you doing? - You hooligan!

Hey, madman, why are you driving so fast?

The bridge has collapsed.

You have to go through Trevigliano.

Go back to where the mill is.

That's where the road to Trevigliano begins.