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[PROJECTOR CLICKING..]
>> Woman: THE FIGHT TO CONTROL
ILLEGAL IMMIGRATION ISN'T JUST
ON OUR BORDERS...
>> Man: LAWMAKERS IN ARIZONA
PASSED A SWEEPING OVERHAUL...
>> Woman 2: IN A FEW MONTHS,
PRESIDENT OBAMA WILL PUSH
LEGISLATION TO LEGALIZE THE
NATION'S 12 MILLION ILLEGAL
IMMIGRANTS.
[OVERLAPPING VOICES...]
>> Woman with accent:
...I FEEL BAD WHEN THE BUS IS
LEAVING-- [TEARFULLY]
AND I KNOW THAT HE'S THERE.
[CRACKLE, BUZZING]
[*...]
>> Man: ILLEGAL IMMIGRATION...
AMERICA'S 21st CENTURY DILEMMA.
IT'S ESTIMATED THAT MORE THAN
A MILLION ILLEGAL IMMIGRANTS
ENTER THE U.S. EVERY YEAR.
THEY FACE COUNTLESS DANGERS.
SOME SUCCUMB TO DEHYDRATION
AND EXPOSURE.
SOME FALL VICTIM TO HUMAN
TRAFFICKERS AND WARRING
DRUG CARTELS.
AND OTHERS...
SIMPLY DISAPPEAR.
WHY DO THEY RISK THEIR LIVES?
BECAUSE THE AMERICAN DREAM'S
STILL SO POWERFUL.
>> Man 2: HEY, SPIELBERG.
WE GET IT. >> COME ON, MAN.
>> Man 2: GOT A HEADACHE.
>> DUDE, DUDE, GUYS, CHECK OUT
THE BULLET HOLES IN THAT SIGN.
>> I FEEL LIKE A BEAR TOOK A
SHIT IN MY HEAD.
[ALL LAUGH]
HEY, BRAD, CAN YOU PULL OVER,
BROTHER?
[MUSIC PLAYING ON CAR RADIO]
BRAD.
BRAD.
BRAD, PULL...
BRAD.
BRAD.
BRAD.
>> HEY, WE DO NEED TO SHOOT SOME
B-ROLL ON THAT.
PULL THE SHIT OVER, BRADLEY.
>> THANK YOU.
>> NO, NO, NO, NO.
WE'RE ALREADY LATE.
>> HOW DO YOU BE LATE?
WE'RE IN MEXICO.
>> [LAUGHS] >> JIM.
>> WHAT? I'M SOR--, I HAD A BIG
NIGHT LAST NIGHT, O.K.?
I SLEPT IN.
BECAUSE...
SAKE BOMBS.
WHERE WERE YOU, BY THE WAY?
>> UH, YOU DIDN'T INVITE ME,
DOUCHEBAG.
>> RIGHT.
NEXT TIME.
NEXT TIME, DEFINITELY... MAYBE.
>> [INDISTINCT]
>> [SPEAKING SPANISH]
>> [SPEAKING SPANISH]
>> [SPEAKING SPANISH]
>> WHAT'S UP, KID?
[ALL SPEAKING SPANISH]
>> Jim: GUYS...
I THINK THAT KID TOOK MY WALLET.
[*...]
>> WHAT ARE YOU DRINKING THERE?
>> ELECTROLYTES, BRO.
>> YOU LOOK LIKE SHIT. >> MMM.
>> [WITH BRITISH ACCENT]: I LOVE
BEING AROUND CREATIVE PEOPLE
LIKE YOU GUYS; YOU'RE SO, LIKE,
IN THE MOMENT.
[MUSIC PLAYING ON CAR RADIO]
>> SO... BRAD.
WHERE ARE YOU FROM AGAIN?
>> UH, WELL, I WAS ACTUALLY BORN
IN DALLAS.
>> AND, AND, AND HOW LONG DID
YOU LIVE IN LONDON?
>> I WAS IN LONDON FOR ABOUT
A YEAR.
>> A WHOLE YEAR?
>> TRAVIS, DON'T YOU...
HAVE ANYTHING TO DO?
KEEP YOURSELF BUSY?
>> NO, THIS IS ALL I GOT TO DO
RIGHT NOW, ACTUALLY.
IT WORKS OUT NICE.
>> BABE, BABE, I CAN HANDLE
MYSELF, ALL RIGHT?
>> [AFFECTING BRITISH ACCENT]:
YEAH, WEST TEXAS BOYS COULD BE
QUITE RAMBUNCTIOUS.
HOW DO YOU SAY "SUCK MY COCK"
IN AN ENGLISH ACCENT?
>> [AFFECTING BRITISH ACCENT]:
SUCK ON MY COCK.
>> SUCK ON MY COCK.
>> SUCK, SUCK ON MY COCK.
>> SUCK ON MY COCK.
>> COCK, COCK, COCK...
>> SUCK ON MY COCK.
I'M THE QUEEN OF ENGLAND.
I SUCK COCK...
>> [STIFLED LAUGHTER]
>> WITH BRAD.
>> YOU KNOW WHAT'S REALLY FUNNY?
SHE ACTUALLY HATES LONDON.
DIDN'T YOU SAY THAT?
YOU, YOU HATED...?
>> NO, I JUST HATED LONDON
WITH YOU.
>> OOH... GET A LITTLE E.C.U.
ON THAT ONE. [LAUGHS]
>> Travis: COME ON, GO, GO, GO.
EXCUSE ME, MR. WHITAKER.
>> NO COMMENT.
>> WHAT'S YOUR RESPONSE TO THE
ALLEGATIONS YOU RAN A SWEATSHOP
OF ILLEGAL IMMIGRANTS?
>> I RUN A FAMILY BUSINESS.
>> A FAMILY BUSINESS.
THAT'S VERY NOBLE OF YOU, SIR.
DOES A FAMILY BUSINESS THREATEN
AND INTIMIDATE THEIR EMPLOYEES?
DOES IT DENY THEIR WORKERS
SAFETY EQUIPMENT?
DOES IT FIRE THEM WHEN THEY'RE
INJURED ON THE JOB?
WHOOPS.
>> GET THAT CAMERA OUT OF
MY FACE!
[LIQUID SPLASHES, MEN REACT]
>> MR. WHITAKER, WHAT ABOUT
MIGUEL GONZALES, THE MAN THAT
YOU CRIPPLED?
WAS HE FAMILY?
WOULD YOU APOLOGIZE TO HIM?
[IGNITION STALLING]
CAR TROUBLES?
I HAVE A MEXICAN FRIEND, HE CAN
FIX THAT.
[ENGINE REVS, TIRES SKID]
HE'S A CITIZEN THOUGH, IS THAT
GONNA BE AN ISSUE?
DID YOU GET THAT?
TELL ME YOU GOT THAT.
...ALL RIGHT, LET'S GET GOING.
GOT EVERYTHING.
[CAR DOOR SHUTS]
>> O.K., I'LL PING YOU.
>> ALL RIGHT.
>> Woman: THAT SOUND GOOD?
[LAUGHS] SORRY.
BE SAFE.
>> SEE YOU BACK IN AUSTIN, BABE.
>> REALLY?
>> UH-HUH.
BYE, BABE.
>> Jim: HEY, LATER BRAD.
LET'S HANG OUT.
>> YEAH?
>> NO.
[IGNITION STARTS]
>> [SPEAKING SPANISH]
>> [SPEAKING SPANISH] >> SI.
[*...]
[ALL SPEAKING SPANISH]
[*...]
>> [LAUGHS]
[*...]
>> Woman: EXCUSE ME, WATCH OUT.
[GENERAL CONVERSATIONS]
>> GUYS, GUYS, THIS IS MY COUSIN
ALBERTO.
[SPEAKING SPANISH]
...MY FRIENDS...
THIS GUY IS THE DIRECTOR.
>> YO, MAN.
>> HI, LIZ.
>> [SPEAKING SPANISH]
>> YEAH, LIZ.
>> WILL.
>> NO, NO, NO, NO, NO.
[ALL TALKING AT ONCE]
>> NO TOUCH, NO TOUCH.
[AFFECTING SPANISH ACCENT]:
NO TOUCH-EY.
>> [BARKING]
>> WHOA, WHOA...
[SPEAKING SPANISH]
>> SO, HOW MUCH IS, UH, HOW MUCH
IS THIS TRIP COSTING YOU?
>> MUCH... EH... EH, SI...
[SPEAKING SPANISH]
YES, YES.
>> [SPEAKING SPANISH]
>> ...MY DAUGHTER.
>> SI.
>> [SPEAKING SPANISH]
...HAVE A FAMILY.
GRACIAS! GRACIAS!
>> Liz: HERE'S, UM...
HERE'S ONE THOUSAND DOLLARS.
>> MMM.
[SPEAKING SPANISH]
>> WHAT?
>> [SPEAKING SPANISH]
>> 2500 IS THE BEST HE CAN DO.
>> Liz: NO, YOU TOLD ME 200
EACH-- THAT'S ONE THOUSAND
DOLLARS, COMPRENDO?
WOULD YOU TELL HIM THAT?
>> Man: HEY, HEY, HEY!
[SPEAKING SPANISH]
>> Liz: WOULD YOU STOP FILMING,
PLEASE?
>> Will: I STOPPED.
>> THANK YOU.
>> [SPEAKING SPANISH]
>> NOW IT'S A THOUSAND DOLLARS
EACH.
>> [SIGHS DEEPLY] FINE, FINE.
2500.
>> BUENO... BUENO...
BUENO... [CONTINUES IN SPANISH]
>> WHAT?
>> HE SAYS WE WON'T REGRET IT.
>> I ALREADY DO.
>> WHAT?
>> HE SAYS YOU'RE VERY
BEAUTIFUL.
[BIRDS AND INSECTS CHIRPING]
>> RIGHT.
THANK YOU.
>> COMO ESTA...
[INSECTS CHIRPING]
>> COME ON.
YOU ALL SET?
BEHIND ME, TWO DOZEN MEN, WOMEN
AND CHILDREN HAVE SACRIFICED
EVERYTHING FOR THIS MOMENT.
THEY'RE ABOUT TO CROSS OVER 300
MILES OF TREACHEROUS TERRAIN FOR
THE PROMISE OF A BETTER LIFE.
WE'RE GONNA JOIN THEM.
[SIGHS] HOW WAS THAT?
>> PATRONIZING.
>> [SPEAKING SPANISH]
COME ON.
JIM!
LET'S GO, MAN.
WHAT ARE YOU DOING?
[INDISTINCT CONVERSATIONS]
>> Jim: O.K., COMING!
SORRY, BRO.
HAD TO TAKE CARE OF SOME
BUSINESS.
>> YOU'RE TRYING TO GET
SOME BUD?
>> WHAT?
I GET NAUSEOUS ON LONG
CAR RIDES.
[IGNITION SPUTTERS AND STARTS]
[*...]
>> Davie: WHEN I FOUND ABOUT OUT
WHAT HAPPENED TO MIGUEL,
I CRIED.
...PROBABLY FOR THE FIRST TIME
SINCE MY DAUGHTER CLAUDIA
WAS BORN.
[*...]
FAMILY IS THE MOST IMPORTANT
THING TO ME, SUPPORTING THEM AND
WHEN I FOUND OUT, I HAD TO DO
SOMETHING.
>> BOO!
>> WHAT ARE YOU DOING?
I'M DOING AN INTERVIEW, SILLY.
WHAT ARE YOU DOING?
YOU CAN'T DO THAT.
I'M DOING AN INTERVIEW.
[CLAUDIA GIGGLES]
I'M A BLESSED MAN.
I LOVE YOU.
>> I LOVE YOU.
[*...]
>> Maria: I KNOW.
[SPEAKING SPANISH]
[CHUCKLES]
>> [SPEAKING SPANISH]
>> [SPEAKING SPANISH]
>> GRACIAS.
>> DISNEYLAND.
>> DISNEYLANDIA!
[ALL LAUGH]
>> ...HAVE A SAFE TRIP.
CIAO, AMIGA, GOOD-BYE.
>> GRACIAS.
>> SORRY.
>> [SPEAKING SPANISH]
>> [SPEAKING SPANISH]
>> [SPEAKING SPANISH]
SHH.
[CRICKETS CHIRPING]
>> Will: ALL RIGHT, ALL RIGHT,
WE'RE RECORDING.
>> COME ON, LET'S GO.
>> WAIT, WAIT, WAIT...
[CAMERA CLICKS AND WHIRS]
GOOD, O.K.
>> UM...
I CAN'T DISCLOSE OUR EXACT
LOCATION, BUT, UM, AS YOU CAN
SEE BEHIND ME, EVERYONE IS
HEADING TO THE POINT OF ENTRY.
THE BORDER FENCE IS JUST PAST
THAT HILL OVER THERE.
UH...
WE'RE ABOUT TO CROSS,
ILLEGALLY, INTO THE
UNITED STATES.
GOT THAT SHIT?
GOOD.
[WHISPERING IN SPANISH]
[CRICKETS CHIRPING]
[METAL RATTLING]
[METAL CLATTERS, HINGE SQUEAKS]
[ALL WHISPERING, INDISTINCT]
[CAMERA CLICKS AND WHIRS]
>> [SPEAKING SPANISH]
>> Will: WHOA, WHOA, WHOA,
GO, GO!
WATCH THE CAMERA!
[THUD]
HOLY SHIT.
IT'S DARK IN HERE, GUYS.
WE'RE GONNA HAVE TO TURN ON THE
NIGHT VISION.
[CAMERA CLICKS AND WHIRS]
[EERIE WHOOSHING]
FUCK ME.
>> [MAN SPEAKING SPANISH]
>> Travis: HEY, DUDE, YOU O.K.?
>> Will: YEAH.
>> Travis: WHAT IS THIS PLACE?
>> Jim: IT'S A DRUG TUNNEL.
>> Liz: I DON'T KNOW ABOUT THIS
AT ALL.
>> YOU A LITTLE SCARED?
>> NO.
[DISTANT WHOOSH, CLANG]
A LOT SCARED.
[DISTANT CLATTERING]
YOU ALL RIGHT?
>> Davie: YEAH.
[INDISTINCT WHISPERING]
[*...]
[INDISTINCT WHISPERING
IN SPANISH]
[*...]
[THUD, ROCKS FALLING]
[MAN BREATHING HEAVILY]
>> WHAT WAS THAT?
>> Travis: I DON'T KNOW-- GO.
LET'S MOVE.
[*...]
DON'T WORRY.
>> Liz: FINE, I'M FINE.
>> Jim: NOT NERVOUS.
NOT NERVOUS.
[*...]
[DOG BARKS, PEOPLE GASP]
[MAN SPEAKING SPANISH,
INDISTINCT]
[DOG GROWLING]
>> SHH, SHH.
>> SHH...
[INDISTINCT WHISPERING]
>> Jim, whispering: WHAT IS IT?
>> Man: SHIT, I CAN'T TELL.
>> WAIT-- NO, NO!
>> [WOMAN SCREAMING, INDISTINCT]
OH, MY GOD!
[SPEAKING SPANISH, SCREAMING]
>> [MAN SPEAKING SPANISH]
>> Liz: DAVIE, GET,
GET BACK HERE.
[METAL CLATTERS]
>> Will: [COUGHING, RETCHING]
[GROANING, SPITTING]
GET THAT FUCKING CAMERA OFF ME.
>> [MARIA SPEAKING SPANISH]
>> [SPEAKING SPANISH]
[*...]
>> Man: AMEN.
[*...]
>> HEY, T.
I'M GONNA MAKE SURE EVERYONE'S
ALL RIGHT, O.K.?
HEY.
HEY, MAN, YOU O.K.?
>> NO.
>> [RUBBING WILL'S BACK]
O.K.
>> FUCKING BULLSHIT.
>> JESUS.
WHAT THE FUCK DID WE GET
OURSELVES INTO?
>> [GASPING] I KNOW.
>> LISTEN TO ME.
IN EIGHT HOURS, WE'RE GONNA
BE... WE'RE GONNA BE BACK,
BACK IN OUR APARTMENT.
ALL RIGHT?
TAKE A SHOWER.
WE'LL HAVE A BEER.
>> OH, A SHOWER, MAN. [BURPS]
>> WE'LL SMOKE A FATTY.
ALL RIGHT?
RELAX.
YOU'RE O.K.
>> LISTEN, THIS WAS A MISTAKE.
I'M GONNA CALL BRAD,
HE'S GONNA COME PICK US UP.
>> NO, NO, NO.
DO NOT CALL BRAD.
>> Liz: I HAVE TO CALL HIM.
[PHONE BEEPING]
>> Travis: HEY, WHAT DID WE SAY?
ARE YOU KIDDING ME?
>> WHAT?
>> ARE YOU KIDDING ME?
>> WE'RE DONE.
WE DID NOT SIGN UP FOR THIS.
>> I KNOW, THIS IS A THOUSAND
TIMES BETTER.
>> YOU THINK THAT WAS BETTER?
HOW WAS THAT BETTER, TRAVIS?
SOMEBODY DIED BACK THERE.
THAT IS NOT BETTER.
>> PUT YOUR PHONES--
>> [MAN SPEAKING SPANISH]
>> LISTEN TO ME, O.K.?
THIS TRIP, THIS WHOLE THING WAS
YOUR IDEA, ALL RIGHT?
WE GOT SHIT HERE, WE GOT SHIT
NO ONE HAS EVER EVEN
SEEN BEFORE.
>> THAT'S TRUE.
LET'S GO FINISH.
>> THE WORST IS OVER.
LET'S JUST... LET'S JUST FINISH
THIS, O.K.? >> Liz: ALL RIGHT.
>> WE'RE FALLING APART.
IS HE O.K.?
>> ARE YOU O.K.?
>> YEAH, I'M FINE.
YOU ALL RIGHT?
>> THIRSTY, YOU WANT SOME WATER?
>> YEAH.
>> DO YOU HAVE ANY?
I DON'T KNOW WHAT HAPPENED
TO MINE.
>> DON'T WORRY ABOUT ME,
I'M FINE.
>> NO-- DO YOU HAVE MY WATER,
ACTUALLY?
[CRICKETS CHIRPING]
[INDISTINCT CONVERSATIONS]
>> Liz: HELLO?
HEY, HEY, YEAH, IT'S ME.
WE'RE IN THE U.S.
YOU'RE NOT GONNA BELIEVE WHAT
HAPPENED.
[VEHICLE PASSES]
NO, I'M FINE, I'M FINE.
IT'S O.K., YEAH.
UM, HE'S, HE'S ALL RIGHT,
HE'S NOT BOTHERING ME.
>> Travis: FUCK YOU, BRAD.
[CRICKETS CHIRPING]
>> YEAH, THAT WAS HIM.
THAT'S FINE.
I CAN HANDLE HIM, O.K.?
[WHISPERS] COME ON.
>> GO ON.
>> I LOVE YOU.
O.K., BYE.
[INDISTINCT WHISPERING]
>> Travis: ARE WE ROLLING?
>> Davie: YEAH.
>> FOLLOW THE COYOTE WHEN HE'S
OVER THERE.
MAKE SURE YOU GET THE COYOTE
WHEN HE'S GOING UP OVER THERE.
>> Jim: THERE HE GOES, THERE HE
GOES, THERE HE GOES.
>> SHH.
>> IT'S O.K.
>> Coyote: [INDISTINCT
CONVERSATION IN SPANISH]
>> [INDISTINCT WHISPERING
BEHIND CAMERA]
>> WE'RE NOW ON AMERICAN SOIL,
WHERE IT LOOKS LIKE OUR MIDNIGHT
RIDE HAS ARRIVED.
EVERYONE SEEMS TO BE IN GOOD
SPIRITS.
IF YOU LOOK AROUND, THE TENSION
HAS DIED.
THERE'S A STILLNESS TO THE
NIGHT.
>> [MAN SPEAKING SPANISH]
>> SEEMS LIKE IT'S GONNA BE A
PRETTY TIGHT FIT.
SHIT, GRAB YOUR SHIT.
GRAB YOUR SHIT, COME ON,
GO, GO, GO.
[PEOPLE GRUNTING AND PANTING]
[*...]
ARE YOU GETTING THIS, FILMING?
[INDISTINCT WHISPERING]
[*...]
>> Will: WAIT-- NO, NO, NO,
MY CAMERA!
[GLASS SHATTERS]
FUCK!
[INDISTINCT WHISPERING]
O.K., IT'S WORKING.
[THUD ECHOES]
[OVERLAPPING VOICES IN SPANISH]
>> Travis: [WHISPERING]
SELINA, SELINA, COME HERE.
WANNA DO SHADOW PUPPETS?
IT LOOKS LIKE A MOUSE TO ME.
THAT'S A VERY GOOD ONE.
>> IT'S VERY CRAMPED IN HERE.
WE'RE ABOUT A HUNDRED MILES AWAY
FROM THE SAFE HOUSE.
THE AIR IS TENSE.
LET'S GO TALK TO SOME
OF OUR TRAVELERS.
>> Man: COMO?
[TIRES SQUEALING, TRUCK STOPS]
[HUSHED INDISTINCT CONVERSATION]
>> Driver outside: YES, OFFICER?
>> Officer: I'M GONNA NEED YOU
TO STEP OUT OF YOUR VEHICLE.
>> WHAT DID I DO WRONG, SIR?
>> Travis: SHH, SHH, SHH.
[*...]
>> Selina, loudly: PAPI.
[*...]
[LOUD THUD]
[MORE LOUD THUDS, GROANING]
[*...]
[TRUCK CAB DOOR SHUTS]
[ENGINE STARTS, TRUCK MOVES]
[*...]
[WOMAN CRYING]
[*...]
[MEN SPEAKING IN SPANISH]
[*...]
[METALLIC THUDS]
[DIALING PHONE]
>> YEAH?
CAN YOU HEAR ME,
IT'S AN EMERGENCY.
HELLO?
HE--
DAMN IT, NOTHING.
[THUDS]
[*...]
[BRAKES SLAM ON, THUDS]
[TRUCK BEEPS, BACKING UP]
>> Liz: PUT THE CAMERA AWAY.
WE'VE GOTTA PUT IT AWAY NOW.
PUT THEM AWAY NOW.
DO WHAT I'M SAYING.
PUT 'EM AWAY, JUST DO WHAT
I'M SAYING, PUT IT DOWN.
>> ALL RIGHT.
EVERYBODY SHOULD GET YOUR
PASSPORTS READY, I'LL TRY...
[METAL DOOR CLATTERING]
>> Man [THROUGH BULLHORN,
IN SPANISH]:
[GUNSHOTS]
[SHRIEKING]
>> Travis: WE'RE AMERICANS!
PLEASE!
DON'T SHOOT!!
PLEASE.
[DOOR OPENS, FOOTSTEPS]
>> Man: WHAT IS YOUR FULL NAME?
>> TRAVIS WILLIAMS.
>> WHY AM I BLINDFOLDED?
>> Man: FULL NAME. NOW.
>> ELIZABETH TONIN.
>> MY NAME? UH...
IT'S JAMES.
BOWMAN.
>> DAVID JUAN LUIS
MARTIN DeCARIO.
>> [EXHALES SHARPLY...]
>> ALL RIGHT, WE'LL DO THIS
THE HARD WAY.
>> [SCOFFS, LAUGHS]
[CHAIR SCRAPES FLOOR]
>> Man: WHAT ARE YOU DOING HERE?
>> I'M SOUND.
>> Man: SPEAK UP.
>> SOUND.
SOUND GUY.
>> I'M A DIRECTOR.
>> Man: DIRECTOR OF WHAT?
>> I ALREADY TOLD YOU,
WE WERE SHOOTING A DOCUMENTARY.
>> Man: ABOUT WHAT?
>> ILLEGAL IMMIGRATION.
>> Man: ARE YOU A U.S. CITIZEN?
>> COME ON, MAN, YOU HAVE
MY PASSPORT-- WHAT IS THIS?
>> LOOK IN MY WALLET PLEASE.
CHECK-- GIVE ME MY WALLET.
LOOK, THERE SHOULD BE
A WAD OF CASH--
>> Man: YOU WANT YOUR WALLET?
[CLATTERS ON FLOOR]
THERE'S YOUR WALLET.
>> WE'RE GRAD STUDENTS.
MAKING A THESIS FILM.
NOBODY'S GONNA SEE IT.
[THUD]
[METALLIC CLATTERING]
>> Man: THAT IS PEYOTE.
IT WAS IN YOUR BACKPACK.
>> [PANICKING] NO, UH, THAT'S,
THAT'S NOT POSSIBLE.
BECAUSE... I DON'T EVEN
OWN A BACKPACK... SORRY.
[THUD]
AH!
OW!
>> Man: YOU FEEL THAT?
...LISTEN TO ME VERY CAREFULLY.
WHATEVER YOU THINK THIS IS...
IT'S FAR WORSE.
>> [CLEARS THROAT]
WHAT DO I HAVE TO DO?
WHAT, WHAT DO I HAVE TO DO TO
GET THEM OUT OF THIS, TELL ME.
UH.
HOLD ON, JUST GIMME A SECOND.
[CLEARS THROAT]
MY CREW AND I HAVE BEEN DETAINED
BY A GROUP...
OF PATRIOTS.
THEY PROMISED, THEY SAID THAT
THEY WOULD LET US GO IF WE
DOCUMENT THEIR ACTIVITIES...
AND THEIR PHILOSOPHY.
IF, UH, IF WE SPREAD WORD OF
THEIR MOVEMENT, SO...
IS THAT GOOD, IS THAT IT OR NO?
IS THAT O.K.?
>> Head Patriot: OVER HERE.
COME CLOSER.
[WOMEN WHIMPERING]
ILLEGAL IMMIGRATION IS A PLAGUE
THAT THREATENS TO OVERTAKE THE
UNITED STATES OF AMERICA.
[WOMEN WEEPING, WHIMPERING]
WE ARE SICK AND TIRED OF THESE
VERMIN POURING IN OVER
OUR BORDERS...
CRAWLING UP ON OUR SHORES...
BLEEDING THIS COUNTRY DRY.
WE ARE SLOWLY LOSING OUR
COUNTRY, BUT WE ARE DETERMINED
TO TAKE IT BACK.
WELL, AS YOU WILL SEE,
WE'RE NOT WITHOUT MERCY.
ALL CHILDREN ARE FREE TO GO.
>> PSST, MIRA.
[WOMEN SHOUTING]
>> NO, NO, NO, NO!
NO.
NO.
NO.
NO, MIJA.
NO, MIJA, NO.
>> MAMA.
MAMA.
MAMA.
TE QUIERES, TU MAMI...
[SOBBING, REPEATING IT...]
>> Head Patriot: CHILDREN ARE
SMART.
THEY'LL FIND THEIR WAY HOME.
>> Maria: [SOBBING LOUDLY]
DIOS MIO.
>> Head Patriot: LET'S SHOW THEM
WHAT WE'RE REALLY ABOUT.
>> Maria: MI NINA, MI NINA.
[*...]
>> Head Patriot: LISTEN UP.
I NEED ONE CAMERA.
HIM, TO FILM OVER THERE.
>> Will: EXCUSE ME.
>> Head Patriot: YEAH, YOU PUT
THAT ON-- HEY, NOT YET.
COME BACK HERE.
ONE CAMERA.
YOU, STAY HERE WITH ME.
WHAT THE HELL DO YOU DO?
>> I'M A PRODUCER.
>> YOU'RE A WHAT?
>> SHE HOLDS THE BATTERIES.
>> LISTEN UP.
I HAVE ONLY ONE RULE WITH YOU.
I TALK, YOU FILM.
IF YOU INTERFERE, IF YOU SAY ONE
SINGLE WORD WITHOUT BEING SPOKEN
TO, YOU'RE NOT GONNA LIKE
WHAT'S GONNA HAPPEN.
IS THAT CLEAR?
[SHOUTING] IS THAT CLEAR?
GOOD.
LET'S ROLL.
YOU THERE, NOT TOO CLOSE.
THAT'S ENOUGH.
>> Man:
>> THIS CHARMING FELLOW FORCES
WOMEN TO CROSS OUR BORDER
AS DRUG MULES.
THEY HAVE TO SWALLOW CONDOMS
FILLED WITH COCAINE.
>> Patriot 2: IT'S ABOUT
THE ONLY TIME YOU EVER HEAR OF
MEXICANS USING CONDOMS.
>> IF THEY REFUSE,
A FAMILY MEMBER GETS SHOT.
>> HE SAID "FUCK YOUR MOTHER."
>> HE SAID "FUCK MY MOTHER"?
>> YOU MOTHER.
>> I GOT THIS.
>> [SPITS]
[MUSIC BECOMES OMINOUS]
>> OPEN UP, COME HERE, OPEN UP.
OPEN UP! OPEN UP!
OPEN UP!
TAKE IT!
TAKE IT ALL!
>> 90% OF DRUGS IN AMERICA COME
FROM VERMIN LIKE THIS.
>> Patriot 2: YOU KNOW WHAT
YOU'RE DOING TO MY COUNTRY?
>> Patriot 3: [TRANSLATES
INTO SPANISH]
[THUD]
>> Patriot 2: THE HARM THAT
YOU ARE CAUSING? [THUD]
>> Patriot 3: [TRANSLATES]
>> Patriot 2: THE PEOPLE THAT
YOU'RE HURTING? [THUD]
THE FAMILIES THAT
YOU'RE TEARING APART? [THUD]
>> [GASPS]
>> [SPITS]
[THUD]
>> ENOUGH, ENOUGH OF THIS,
ENOUGH!
>> [ANGRILY] COME HERE!
TAKE IT!
[*...]
[HARD WET SPLAT, VICTIM GRUNTS]
[GRUNTING..., BLOWS CONTINUE]
>> [GRUNTS]
>> AW, SHIT.
>> WHAT?
>> THE CONDOM BROKE.
[*...]
>> Davie: FUCK.
HEY, HEY.
>> Jim: HEY.
WHAT THE FUCK.
WHAT IS THIS PLACE?
>> Liz: OH.
>> Patriot 2 (Klaus): COME ON.
YOU TOO.
>> Travis: THAT'S MY CAMERA.
>> Klaus: THAT'S A SECURITY
CAMERA NOW-- DON'T TOUCH IT.
NOW TRY AND GET SOME SLEEP.
YOU'VE GOT A LONG DAY TOMORROW.
>> Jim: JESUS CHRIST.
THEY'RE GONNA KNOCK OUR
FUCKING TEETH OUT.
>> Travis: NO, THEY'RE NOT,
O.K.?
WE'RE GONNA STICK TOGETHER.
>> Will: OH, STICK TOGETHER?
STICK TOGETHER AND DO WHAT?
[PEOPLE SHRIEKING, SHOUTING]
WHAT WAS THAT?
>> Travis: I'M GONNA GET US
OUT OF HERE.
I'M GONNA GET US THE FUCK
OUT OF HERE.
[POUNDING ON DOOR]
>> [PEOPLE SHRIEKING, ROARING]
>> Will: WHAT WAS THAT?
OH GOD.
>> Travis: I'M GETTING US
OUT OF HERE.
>> Will: FUCK THIS.
[MICROPHONE RATTLES, POPS]
>> Klaus: PUT THE CAMERA ON.
NOW!
>> I'M TURNING IT ON!
>> TURN IT ON!
>> IT'S ON, IT'S ON!
>> Klaus: IT'S ON?
>> Travis: YES, IT'S ON.
>> RISE AND SHINE, EVERYONE.
Z WANTS TO SEE YOU.
NOW, JUST KEEP FILMING, O.K.?
GET SOME BREAKFAST, HAVE A
GOOD TIME, TAKE A LOAD OFF.
HAVE A LITTLE BITE TO EAT,
BUT KEEP THAT CAMERA ON, O.K.?
COME ON.
>> Woman [ON VIDEO CAMERA]:
>> Klaus: COME ON.
>> Man [ON VIDEO CAMERA]:
>> Klaus: YOU MUST ALL
BE HUNGRY.
>> Z: WELCOME, EVERYBODY.
PLEASE SIT DOWN.
>> Woman: YOU WANT ME TO BRING
THEM BREAKFAST, MR. Z?
>> OH YES, PLEASE DO.
THANK YOU, MARTA.
I AM REALLY IMPRESSED WHAT YOU
GOT HERE.
YOU'VE GOT SOME VERY INTERESTING
SHIT ON THIS.
REALLY NICE.
THANK YOU, MARTA.
[MUTTERING PRAYER]
EAT.
HUNGRY?
WHAT?
HEY, SWEETHEART, IT'S IMPOLITE
TO STARE.
>> YOU HAVE MAIDS?
>> WELL, THEY CAME TO THIS
COUNTRY TO WORK, AND BY GOD,
I'M NOT GONNA STOP 'EM.
>> Woman: [COUGHS]
>> Z: PLEASE. PLEASE. EAT.
>> Woman: [COUGHS]
>> Travis: WHERE IS HE
TAKING HER?
>> Z: HEY, COME BACK, COME BACK.
THIS YOUNG GENTLEMAN
HAD A QUESTION.
GET THIS ON FILM.
>> I WANT TO KNOW WHERE
YOU'RE TAKING HER.
>> SHE'S SICK.
I'M TAKING HER TO THE INFIRMARY.
>> Travis: YOU DON'T HAVE
A DOCTOR HERE.
>> OF COURSE WE DO.
WE'RE NOT SAVAGES.
>> GRAB THAT.
>> Z: WHAT THE HELL
ARE YOU DOING?
>> I'M GIVING IT TO HER.
>> Z: PICK IT UP.
>> WE HAVE PEOPLE FOR THAT.
>> YOU HEARD ME.
YOU PICK THAT UP,
YOU MOTHERFUCKER-- HEY!
ROSA, GIVE THAT BACK.
>> Klaus: WHAT DO YOU WANT
ME TO DO? >> Z: THROW IT OUT!
THROW IT OUT.
>> Klaus: THAT'S HER JOB.
>> Z: DON'T EVER DO THAT AGAIN.
I THINK WE'VE GOTTEN OFF ON
THE WRONG FOOT. [CHUCKLES]
SO, LET'S START OVER.
GET TO KNOW EACH OTHER.
>> JIM.
>> I'M HUNGRY.
>> Z: MARTA IS A FANTASTIC COOK.
WHAT ABOUT YOU?
ARE YOU ON A DIET? [LAUGHS]
HERE.
>> I DON'T WANT IT.
>> COME ON.
YOU HAVE TO EAT.
IT'S PROTEIN.
IT'S GOOD FOR YOU.
CHEW, CHEW, CHEW, CHEW.
THAT'S HOW WE DO IT.
[CHUCKLES]
>> Remy: THIS, I CAN SHOW
YOU, THIS IS EL TORO'S ROOM.
UP HERE. [POUNDING]
GIVING A TOUR.
[LOUDER] GIVING A TOUR!
HE'S GOT ALL KINDS OF, LIKE,
COMPUTERS AND, AND STUFF
IN THERE.
[CLEARS THROAT]
LET'S SEE.
THESE GATES RIGHT HERE,
THEY'RE MEANT FOR,
ORIGINALLY FOR CATTLE.
BUT THEY WORK REAL GOOD
ON THE MEXICANS.
AND IT JUST KEEPS THEM
RIGHT IN LINE.
AND THEN IF YOU LOOK DOWN,
THERE'S, WE PAINTED THIS
ORANGE LINE HERE BECAUSE SOME
OF THEM... [CHUCKLES]
SOME OF THEM AREN'T,
AREN'T REAL SMART.
SO YOU PAINT THE LINE AND THEN
THEY JUST FOLLOW RIGHT ALONG.
AND IT'S LIKE, IT MAKES IT
REALLY, REALLY EASY.
JUST ON THIS SIDE, THAT'S WHERE
THE ARTIST'S ROOM IS.
HE'S GOT ALL KINDS OF STUFF
IN THERE.
AND MY ROOM IS JUST ON
THE OTHER SIDE.
AND THEN A WHOLE, THIS IS ALL,
THIS IS LIKE RIGHT IN THE MIDDLE
OF EVERYTHING.
AND THAT'S THE, UM,
THE INFIRMARY IS OVER HERE.
>> Travis: WHERE'S THAT PREGNANT
GIRL THAT YOU GUYS WERE SUPPOSED
TO BRING HERE?
>> UM...
AND THEN JUST SUPPLIES.
WE KEEP SUPPLIES RIGHT HERE.
OH, AND THEN, UM,
HERE'S THE FOOD.
WE JUST MIX IT IN.
ONE OF MY JOBS.
OH, HERE.
SHE'S, SHE'S ONE OF
MY FAVORITES.
HER, HER NAME'S ESPA-SOMETHING,
BUT I, I JUST CALL HER MARIA.
AND, I LIKE TO, I LIKE TO SPOIL
HER REAL GOOD.
BECAUSE SHE'S MY FAVORITE.
>> Travis: WHY IS SHE
YOUR FAVORITE?
>> OH.
SHE'S REAL SMART, REAL SMART.
I'LL SHOW YOU THIS.
APPLE SLICE.
* MARIA HAD A LITTLE...
>> LAMB?
>> SEE?
HERE, THIS IS THE WOMEN'S ROOM.
WE KEEP ALL THE WOMEN
JUST OVER HERE.
EVERYBODY SAY HI.
[WOMEN CRYING]
THEY'RE REAL SHY.
THEY'RE REAL, LOT OF THEM
ARE REAL SHY.
HI.
HI.
MUST BE, MUST BE THAT TIME
OF THE MONTH.
HEY, HEY!
HEY!
YOU NEED TO STAY OVER HERE
WITH EVERYBODY ELSE.
>> Travis: HE'S JUST FILMING.
>> YOU GOTTA STAY TOGETHER.
>> William: I'M JUST FILMING.
>> Man: TRAVIS!
>> Travis: [WHISPERING] OH GOD,
ALBERTO.
>> OH, NO, NO, NO.
NO, NO, NO, NO, NO.
YOU GOTTA STAY BACK,
'CAUSE, LISTEN.
'CAUSE THEY WILL BITE YOU.
THEY WILL BITE YOU AND
YOU'LL BE SORRY.
>> NO, SHH.
>> SHUT THE FUCK UP!
SHUT UP!
[WATER ROARING]
[MEN SCREAMING]
>> I'M NOT A MEXICAN LIKE YOU.
I'M A GOD DAMN AMERICAN CITIZEN.
GET HIS WIFE.
[*...]
>> [SPEAKING IN SPANISH]
[PANTING, WHIMPERING...]
[DOOR OPENS]
[DOOR SLAMS]
>> Z: YOU AND YOUR WIFE HAVE
BEEN GRANTED A RARE OPPORTUNITY
TO GAIN ENTRY INTO THE UNITED
STATES OF AMERICA.
THIS IS THE OFFICIAL
CITIZENSHIP TEST.
TAKE IT AWAY, REMY.
>> O.K., I'MA GIVE YOU
THE RULES NOW.
O.K., WE'RE GONNA ASK
YOU SOME QUESTIONS.
AND FOR EVERY ONE THAT YOU GET
RIGHT, WE'RE GONNA UNDO ONE OF
HER WRISTS, SO WE'RE MAKING IT
REAL EASY ON YOU.
QUESTION ONE.
HOW MANY REPRESENTATIVES ARE
THERE IN CONGRESS?
>> [IMITATES STOPWATCH TICKING]
[SHOUTS] HOW MANY
REPRESENTATIVES ARE THERE
IN CONGRESS?
>> OH YEAH, NO, IT'S NOT A
ENGLISH QUESTION,
IT'S A MATH QUESTION.
YOU KNOW MATH?
435, YOU'RE WRONG.
[BANGS GAVEL]
[RACK CLATTERS, GEARS CLANKING]
>> Maria: [SCREAMING...]
>> Remy: O.K., QUESTION TWO.
WHO WROTE THE STAR-SPANGLED
BANNER?
>> HUH?
>> Z: QUE?
NOW THAT IS VERY CLOSE.
IT'S NOT QUE, IT'S KEY!
FRANCIS SCOTT KEY.
[*...]
[BANGS GAVEL]
[CLANKING, MARIA SCREAMING]
>> STOP, STOP IT!
PLEASE!
PLEASE STOP.
>> Z: WHEN I APPLIED FOR MY
CITIZENSHIP, I HAD TO TAKE
THIS TEST.
AND I WAS PROUD.
I STUDIED VERY HARD.
BUT YOU'RE DEFENDING A MAN WHO
ENTERED A COUNTRY HE DOESN'T
EVEN RESPECT!
>> HE DOESN'T UNDERSTAND WHAT
YOU'RE SAYING.
>> WHEN IT COMES TO FUCKING FOOD
STAMPS, THESE PEOPLE UNDERSTAND
ENGLISH PERFECTLY WELL!
>> Remy: O.K., QUESTION THREE.
HOW MANY STRIPES ARE THERE IN
THE U.S. FLAG?
>> [SOBBING, GASPING]
[RAGGED BREATHING]
>> HEY, HEY, HEY!
CHEATING.
NO CHEATING.
>> TEN.
ELEVEN.
TWELVE.
TWELVE?
NO, NO, THIRTEEN.
THIRTEEN.
THIRTEEN.
THIRTEEN!
>> AH!
>> THIRTEEN, THIRTEEN.
>> Z: CORRECT.
>> THIRTEEN!
>> Z: UNDO!
UNDO HER WRIST.
>> [GASPING IN PAIN]
GOOD JOB. [LAUGHS]
KEEP UP THE GOOD WORK.
QUESTION NUMBER FOUR.
>> Remy: O.K.
O.K.
HEY, HEY, NO, YOU, NO.
NO, NO, NO.
>> O.K.
WHO SAID, "GIVE ME LIBERTY OR
GIVE ME DEATH?"
>> [SOBBING] PLEASE.
PLEASE.
>> Z: "GIVE ME LIBERTY OR
GIVE ME DEATH."
>> [RAGGED BREATHING]
>> Z: CLOCK IS TICKING.
>> NO.
>> [WAILING] NO!
NO!
>> [WHISPERING] THOMAS
JEFFERSON.
THOMAS JEFFERSON.
THOMAS JEFFERSON.
THOMAS JEFFERSON.
>> WHAT IS THAT?
THIS IS ONE OF THE MOST FAMOUS
QUOTES IN AMERICAN HISTORY.
AND IT DEFINES THE
AMERICAN SPIRIT.
>> [AGONIZED MOANING]
>> GIVE ME LIBERTY OR GIVE ME...
[GUNSHOT]
>> Jim: OH MY GOD!
>> Liz: [SCREAMING]
>> Z, slowly: I THOUGHT WE HAD
AN AGREEMENT... HUH?
WE TALK, YOU FILM.
>> Liz: [CRYING]
>> Z: PICK UP THE CAMERA.
SOMEONE PICK UP THE
FUCKING CAMERA!
>> Liz: O.K., O.K.
O.K.
>> Z: GET THAT UP.
YOU HEAR ME?
>> Jim: O.K., O.K.
>> Remy: PICK THAT THING UP.
>> Liz to Will: I'M SORRY.
>> Z: COME ON.
>> Liz, whimpering: JESUS.
>> Z: CONTINUE FILMING.
[*...]
NOW...
WHAT IS THE ANSWER?
>> TOMA JESSERFEE?
TOMA...
JE-JEFF...
>> HUH?
>> [WHIMPERS] JE-JEFFREY...?
>> OH.
HE'S VERY CLOSE.
>> [RAGGED SOBBING...]
>> NOW, THE ANSWER IS
PATRICK HENRY... HMM.
[BANGING GAVEL]
[GEARS CLANKING LOUDLY...]
>> Maria: [SCREAMING...]
>> Alberto: [SHOUTING...]
[CRACK, SCREAMING STOPS]
>> [SOBBING]
[*...]
[CLANK]
>> PUT HIM ON THE RACK AND BRING
IN ANOTHER WETBACK.
>> Travis: WAIT, WAIT.
NO, NO, STOP, STOP.
WE NEED HIM.
WE NEED ANOTHER CAMERAMAN.
DAVIE CAN'T DO THIS SHIT
BY HIMSELF.
>> WELL, SHE SEEMS TO BE
HANDLING HERSELF PERFECTLY WELL.
>> SHE'S A PRODUCER.
SHE DOESN'T KNOW SHIT.
SHE'S NEVER HELD A CAMERA IN HER
ENTIRE LIFE, PLEASE.
>> Davie: ALBERTO TOLD ME
ON THE TRUCK HE KNOWS HOW
TO USE A CAMERA.
WE NEED HIM.
>> Z: YOU'RE NOT GONNA GET AN
ILLEGAL IMMIGRANT WHEN THERE ARE
AMERICANS WHO CAN DO THE JOB.
>> YOU HAVE MARTA.
>> Travis: HEY, HEY, HEY.
>> Liz: [SNIFFLING]
>> Z: O.K.
LET'S CONTINUE FILMING.
GET HIM OFF THE CHAIR,
GET HER OUT OF HERE.
>> Alberto: [SOBBING...]
[*...]
>> BIEN.
[*...]
BIEN.
[*...]
>> Davie: THEY'RE LEAVING.
I COULDN'T SEE HOW MANY,
I DON'T KNOW, THREE OR FOUR.
BUT THEY GOT IN THEIR TRUCK
AND THEY'RE LEAVING.
>> Liz: ARE YOU SURE?
>> Davie: NO, I MEAN I'M NOT
"SURE SURE", BUT YEAH, THERE'S A
TRUCK LEAVING.
YEAH, IT'S GONE.
>> Travis: WHAT ARE YOU DOING?
LIZ?
>> WHAT?
>> WHAT ARE YOU DOING?
>> TRYING TO GET OUT.
[THUD]
>> Davie: LIZ.
LIZ.
DON'T BREAK, DON'T BREAK.
IT'S UNBREAKABLE.
WE TRIED THAT LAST NIGHT.
>> Liz: DOES ANYBODY HAVE A
SCREWDRIVER OR SOMETHING?
TO TRY AND GET THE HINGES OUT?
>> Jim: WHAT THE FUCK?
>> WAIT.
WAIT, WAIT, WAIT.
LET ME SEE, LET ME SEE.
>> WHAT ARE YOU DOING?
WHAT ARE YOU DOING?
>> HOLD ON, HOLD ON.
>> YOU'RE SMARTER THAN THIS,
LISTEN TO ME.
>> I'M NOT LISTENING TO YOU, I
LISTENED TO YOU... >> SHH, SHH!
>> ...ANYMORE WITH YOU!
I'M NOT GONNA CALM DOWN!
MARIA IS DEAD.
AND WILLIAM IS DEAD!
I AM NOT GONNA BE THE NEXT ONE!
>> Jim: HEY, HEY.
>> Travis: SORRY.
>> Jim: YOU ALL RIGHT?
>> Travis: WHY DO YOU THINK THEY
LEFT THAT DOOR UNLOCKED?
WE ARE FUCKING MICE.
>> Davie: IT DOESN'T MATTER,
MAN, LISTEN, THE DOOR'S OPEN,
THEY'RE GONE.
WE'VE GOTTA TAKE A SHOT.
>> SORRY, LISTEN.
I JUST NEED YOU TO THINK
ABOUT THIS, O.K.?
THERE'S A RIGHT WAY,
THERE'S A WRONG WAY.
WE USE PRECISION.
WE HAVE SOME STRATEGY, WE HAVE
OUR TAPES, WE HAVE OUR POINTS
OF ENTRY, EXIT.
WE'RE NOT JUST GONNA
GO BLINDLY INTO THE DARK.
I MEAN, WHAT...
>> Liz: WAIT A MINUTE.
>> JESUS.
>> Jim: HE'S RIGHT.
O.K., WE THINK ABOUT IT FOR A
SECOND, O.K.?
>> LISTEN TO ME.
WE CAN HELP THEM.
WE CAN.
PLEASE.
>> Jim: WE CAN'T STAY HERE.
>> Liz: O.K.
>> O.K., GOOD.
ALL RIGHT.
>> Davie: GIVE ME A FLASHLIGHT.
>> Jim: NO, NO, NO FLASHLIGHT.
O.K., BE QUIET.
>> Travis: O.K.
>> Liz: WHY ARE YOU BRINGING
THE TAPES?
>> IT'S FOR THE POLICE.
SOMEONE'S GOTTA SHUT THESE
FUCKERS DOWN.
>> Davie: ALBERTO.
>> Alberto:
>> Travis, whispering: O.K.
HERE, HERE-- TAKE, TAKE THIS.
>> Jim: WHAT IF THEY SEE
THE LIGHTS?
>> Travis: THEY CAN'T,
IT'S NIGHT VISION.
>> Liz: TRAVIS, I CAN'T SEE.
WHERE ARE YOU?
>> Travis: JUST FOLLOW US.
WE GOT NIGHT VISION.
WAIT, WAIT, WAIT, WAIT.
THEY MAKE THEM SLEEP LIKE THIS.
>> HEY.
>> All: SHH!
>> Travis: WAIT, WAIT, WAIT.
WAIT, WHERE IS IT?
>> Jim: OH, OH SHIT.
>> Travis: WHAT IS IT?
HOLD THE FENCE.
>> Davie: TRAVIS, WHAT THE FUCK
ARE YOU DOING? GET DOWN!
[METALLIC CLANK]
>> Liz: TRAVIS, WHAT ARE
YOU DOING?
ALL RIGHT, THIS IS TAKING TOO
LONG, WE GOTTA GO.
[GLASS SHATTERS QUIETLY]
>> Travis: TAKE THIS.
[METALLIC THUD]
>> Liz: O.K., O.K.
>> Davie: EASY, EASY.
[METALLIC CLINK]
>> Travis: OH SHIT.
[LOUD METALLIC CLATTERING]
[PANICKED BREATHING...]
FUCK, FUCK.
CAN'T SEE SHIT.
FUCK, WHERE'S ALBERTO?
WE GOTTA GO!
>> Woman shouts: HEY!
>> Davie:
[FOOTSTEPS, *...]
[FOOTSTEPS CONTINUE APPROACHING]
>> SHH.
>> Davie: [WHISPERING] ALBERTO.
[FOOTSTEPS LEAVING]
[*...]
COME ON, ALBERTO, BACK UP.
>> WHAT'S GOING ON?
>> Travis: WE GOTTA GO, NOW.
>> Liz: O.K.
>> Jim: WHICH WAY? WHICH WAY?
[*...]
[*...]
[*...]
[DOOR OPENS WITH METALLIC THUD]
>> Liz, whispers: I STILL CAN'T
SEE, I CAN'T SEE.
>> Travis: IT'S ALL BARBED WIRE.
WHAT IS THAT?
>> Liz: OH GOD.
>> Liz: SHH.
[*..., DOG GROWLS]
>> OH SHIT, RUN, RUN!
[DOG BARKS VICIOUSLY]
>> Jim: [SHOUTS]
[THUDS, DOG YELPS, SNARLS]
HELP ME! HELP ME!
[DOG CONTINUES ATTACKING]
AHH!
>> Travis: I'M COMING BACK.
I'M COMING BACK.
[SHOUTS] LIZ!
[ELECTRICAL ZAPPING]
>> Travis: [SHOUTS IN PAIN,
THRASHES FROM ELECTRICITY...]
>> Jim: AH, GET HIM OFF!
GET HIM OFF! HELP!
[DOG SNARLS]
[JIM SCREAMS IN PAIN]
[FOOTSTEPS]
>> PANCAKES.
THANK YOU, MARTA.
>> GOOD BACON.
>> NO, NOT HIM.
HE'S NOT EATING.
>> I'M NOT HUNGRY.
>> I MUST SAY.
I'M A LITTLE BIT DISAPPOINTED
IN YOU.
>> YOU SAID YOU'D LET
THE KIDS GO.
>> AND WE DID.
>> NO, YOU DIDN'T.
BECAUSE WE SAW HIS DAUGHTER
THERE AND THERE WERE DOGS AND
RAZOR WIRE AND--
>> THEY WERE GIVEN CLEAR
INSTRUCTIONS, BUT HIS DAUGHTER
DIDN'T LISTEN.
SHE TOOK OFF IN
ANOTHER DIRECTION.
BUT THERE'S A LESSON TO BE
LEARNED HERE.
DON'T FUCK WITH ME.
THE ONLY WAY YOU'RE GOING
HOME IS TO DO EXACTLY
WHAT I TELL YOU.
THERE'S A FEW MORE THINGS I'D
LIKE TO GET ON CAMERA.
AND IF YOU CHALLENGE ME AGAIN,
I'M GONNA FUCKING KILL YOU.
COULD YOU PLEASE PASS
ME THE SYRUP?
THANK YOU, TRAVIS.
>> Artist: YOU'LL HAVE TO EXCUSE
THE MESS.
MARTA AND THE MAIDS AREN'T
ALLOWED IN HERE, AND...
I DON'T GET TOO MANY VISITORS.
[WHIPS SHEET OVER SOMETHING]
SORRY ABOUT THAT.
I'VE BEEN WONDERING SOMETHING.
WHEN YOU CAME IN THROUGH THE
DRUG TUNNEL, WHAT DID YOU THINK
OF MY WORK?
I MEAN THE, THE, YOU KNOW,
THE BODY IN THE TUNNEL.
DID IT FRIGHTEN ANYONE AWAY?
>> YEAH.
ONE, I THINK.
>> Artist: ONE.
THAT'S, THAT'S A PROBLEM.
YOU SEE, I'M NOT HERE TO BUILD
A BETTER MOUSETRAP.
I'M HERE TO BUILD A BETTER
SCARECROW.
>> Davie: THE HELL DOES THAT
MEAN?
>> I'M GLAD YOU ASKED THAT.
THINK ABOUT THAT BODY YOU SAW.
ALL THESE VIDEOS THAT YOU'RE
SHOOTING RIGHT NOW, WHEN WE SEND
THEM TO THE MEXICAN MEDIA,
IT'LL PUT THE STOPPER ON.
IT'LL SAY, "STAY WHERE THE FUCK
YOU ARE."
THE RIGHT IMAGE CAN MAKE ALL
THE DIFFERENCE IN THE WORLD.
I MEAN, THAT'S WHY YOU'RE HERE.
THAT'S THE POINT OF THIS VIDEO.
AND TO DO THAT, THE MESSAGE
NEEDS TO BE STRONGER.
>> Liz: JESUS!
[METALLIC CLANGING, CLATTERING]
>> "JESUS."
OH, THAT'S INTERESTING.
"JESUS."
YOU KNOW WHEN THE GUY COMES TO
SCHOOL AND HE WANTS SOMEBODY
FROM THE AUDIENCE, IT'S JUST
LIKE THAT.
I JUST WANT YOU TO COME UPSTAGE.
IT'S HARD BECAUSE SHE'S LYING
FLAT AND SHE'S ALL STIFF.
I, I NEED SOMEBODY UPRIGHT.
WELL, YOU'RE A BOTTICELLI NOW.
BUT IF I LET YOU ROT IN THE SUN
A FEW DAYS, YOU'LL BE
RUBENESQUE.
I'M GONNA TAKE A BONE SAW TO HER
SKULL, RIGHT BELOW THE HAIRLINE.
RIGHT HERE.
SKULL CAP COMES OFF.
REMOVE HER BRAIN, HER EYES,
ALL THE SOFT TISSUES.
THEN, I'M GONNA RUN ELECTRICAL
WIRING THROUGH HER SINUS
CAVITIES TO A HUNDRED-WATT BULB
AT THE BACK OF HER BRAIN PAN.
IT'LL LOOK LIKE A GLOWING,
WHITE HALO.
LIKE AN ANGEL.
IMAGINE.
OUR SWEET, INNOCENT GIRL HERE,
NAKED AT THE END OF A TUNNEL.
CRADLING HER BABY LIKE THE
VIRGIN MOTHER.
>> Z: PAINTS QUITE A PICTURE,
DOESN'T HE?
>> Liz: WHAT'S THE SURPRISE?
GONNA LECTURE AGAIN WHILE YOU
KILL SOMEONE?
>> Z: ON THE CONTRARY.
EL TORO SCREENS THE BLOOD OF
EVERYONE WHO COMES HERE.
AND IF THEY'RE CLEAN, WE'LL MAKE
A DONATION ON THEIR BEHALF.
AND THIS MAN HAS BEEN MATCHED...
FOR A KIDNEY.
>> [MOANING, SOBBING]
>> Z: THE EQUATION IS VERY
SIMPLE-- BY SAVING AN AMERICAN
LIFE, WE WILL SPARE HIS.
[LOUD CLATTER]
>> El Toro: HEY.
>> Z: WE'RE NOT DOING IT FOR
THE MONEY.
WE'RE DOING IT FOR OUR COUNTRY.
>> Klaus: HEY, REMY, WANT TO
PLAY SPIC-TAC-TOE?
>> Remy: CAN I GO FIRST?
>> Klaus: YOU CAN BE "X"s.
>> El Toro: HELP ME OR GET OUT.
>> Travis: IS HE REALLY
A SURGEON?
>> Z: 'COURSE HE'S A SURGEON.
>> El Toro: UGH.
GALLO, YOU'RE A BLEEDER.
>> [CRYING]
>> Z: YOU KNOW, HE'S THE FIRST
ONE TO GRADUATE FROM HIGH SCHOOL
IN HIS FAMILY.
AND THEN HE JUST KEPT GOING
RIGHT THROUGH MED SCHOOL.
AND THEN IN HIS THIRD YEAR OF
RESIDENCY, ON HIS WAY BACK FROM
THE HOSPITAL, A GANG OF ILLEGAL
IMMIGRANTS APPROACHED HIM.
>> El Toro: ALL RIGHT, LET'S
CLAMP OFF THE BLOOD VESSELS.
O.K., GET THE COOLER, LET'S GO.
>> Z: HE GAVE THEM EVERYTHING
HE HAD IN HIS POCKETS.
NO, NO, THAT WASN'T ENOUGH.
>> Remy: SHH, HE'S A REAL
GOOD DOCTOR.
>> Z: KNOW WHAT THEY DID?
THEY FUCKING CUT HIS THROAT.
>> El Toro: GOTTA SEW HIM UP.
>> Liz: DOESN'T MAKE IT RIGHT.
>> Z: WHAT WAS THAT?
>> Liz: IT DOESN'T MAKE
IT RIGHT.
>> Z: WOULD YOU SAY THE
SAME THING?
HEY! SHUT THE FUCK UP.
>> Travis: FUCK YOU.
>> Z: JUST FILM THIS.
IF SOMEONE CAME UP TO YOU
WITH A FUCKING BOX CUTTER AND
JUST DID THIS TO YOU.
[GRUNTS LOUDLY]
>> El Toro: HEY, Z.
I'D LIKE TO REMOVE HIS CORNEAS.
WHAT DO YOU THINK?
>> Z: AS LONG AS HE LIVES!
TAKE WHATEVER FITS IN THE
COOLER.
>> Davie: JIM-- SHIT!
>> Liz: JIM, JIM.
>> Z: HEY, COME BACK!
>> Man: IT'S ALL RIGHT...
>> Travis: I GOT HER.
YOU O.K.?
>> YEAH, I'M FINE.
I'M FINE, NO, DON'T WORRY
ABOUT IT.
WORRY ABOUT JIM.
[SIGHS]
WORRY ABOUT JIM.
>> WORRY ABOUT JIM.
FUCK, I DON'T KNOW.
I DON'T KNOW WHERE HE IS.
I DON'T KNOW.
>> THEY'RE PLAYING WITH US.
THEY'RE NEVER GONNA LET US GO.
>> HEY, DON'T.
>> THEY HAVE NO REASON TO.
>> WE JUST NEED TO FIND SOME
LEVERAGE.
SOMEHOW WE JUST, WE GOTTA FIND
SOMETHING, THERE'S GOTTA BE...
[DOOR OPENS]
>> ALL RIGHT, GET UP, COME ON.
BRING THE CAMERAS, LET'S GO.
>> NOT UNTIL WE SEE JIM.
>> Z: I WANT YOU TO RECORD THAT
WE'RE TAKING REALLY GOOD CARE
OF HIM.
CONTINUE FILMING.
>> HEY.
HEY. >> Jim: HEY.
>> Liz: HOW YOU FEELING?
>> FEEL REALLY GOOD.
>> YEAH?
GOOD.
I WANT YOU TO HANG IN THERE,
O.K., BECAUSE WE'RE GONNA GET
YOU HOME REALLY SOON.
>> Jim: FEEL GOOD.
>> Liz: GOOD, GOOD.
>> LISTEN, MAN.
ABOUT LAST NIGHT, THAT WAS JUST,
I DIDN'T, I WAS...
>> DON'T WORRY ABOUT IT, T.
>> Z: ALL RIGHT.
VISITATION'S OVER!
>> WAIT A MINUTE.
CAN WE HAVE FIVE MORE MINUTES?
>> Z: NO.
GOT A DOCUMENTARY TO SHOOT.
COME ON.
>> YOU KNOW WHAT?
ALL RIGHT, YOU WANT A
DOCUMENTARY?
WE'LL HAVE A DOCUMENTARY.
>> Z: OVER HERE.
>> WHY ARE YOU DOING THIS?
>> Z: WHY AM I DOING THIS?
ISN'T THAT OBVIOUS BY NOW?
>> OH NO I, I, I COMPLETELY
GET IT.
ILLEGAL ALIENS CAUSE CRIME.
THEY CARRY DISEASES.
SO DOES EVERYONE ELSE.
THIS IS ALL JUST RACISM POSING
AS PATRIOTISM.
>> Z: I BET YOU REHEARSED THAT
ALL MORNING.
[LAUGHS]
>> YOU WANT TO KNOW WHAT
I THINK?
>> Z: OH, SHE CAN THINK NOW!
>> I'M THINKING YOU'RE TARGETING
PEOPLE LIKE HIM AND THE PEOPLE
OUTSIDE BECAUSE THEY'RE
UNDOCUMENTED, AND YOU GET TO DO
YOUR SICK THINGS ON THEM AND
THINK YOU CAN GET AWAY WITH IT.
YOUR PROPAGANDA, YOUR PATRIOTIC
FRONT IS BULLSHIT.
YOU'RE NOT A PATRIOT.
YOU'RE FUCKING INSANE.
DON'T TAKE IT!
[VARIOUS SHOUTING]
NO, NO.
[GRUNTING...]
>> Z: YOU FEEL THAT?
NOW THAT'S WHAT THE BRAIN OF
AN IDIOT FEELS LIKE.
YOU WANT TO BE AN IDIOT?
>> Travis: LEAVE HER THE FUCK
ALONE!
>> Z: THIS IS HOW IT ENDS.
CONTINUE FILMING.
>> Liz: IT'S NOT COMING OFF.
>> Travis: YEAH, DON'T WORRY,
IT'LL COME OFF.
>> Liz: [SPEAKS INDISTINCTLY]
[GRUNTS IN DISGUST]
>> WAIT, WAIT, WAIT.
WAIT, WHAT'S THAT?
SHH, SHH, SHH.
SHIT, IS THAT A TRUCK?
OH, SHIT.
>> Davie: WHERE IS IT?
>> Travis: HOLD IT, HOLD IT.
THERE IT IS.
THERE IT IS.
OH, GOD, COME ON.
COME ON, COME ON, COME ON.
COME ON-- FUCK.
FUCK.
FUCK.
FUCK.
[TRUCK RUMBLES IN DISTANCE]
SHIT.
OH, OH, GOD, FUCK.
LIZZIE.
LIZZIE, LIZ, GET UP.
SEE? I TOLD YOU, A TRUCK.
OH, MY GOD.
HEY!
[INDISTINCT CONVERSATION]
A TRUCK, COME ON.
LIZ, LIZ, A TRUCK.
>> Liz: JUST PLEASE HELP US!
>> Travis: PLEASE, CALL,
CALL THE POLICE.
>> Liz: WE'VE BEEN KIDNAPPED.
THEY'RE TRYING TO KILL US.
[SCATTERED TALKING]
BE QUIET, KEEP QUIET.
>> Travis: OH, SHIT, HE'S RIGHT
BEHIND YOU-- RUN!
[ALL SCREAMING]
>> WHERE THE FUCK HAVE YOU BEEN,
MAN?
>> HAD TO CHANGE A TIRE.
>> Davie: FUCK.
[SPEAKING INDISTINCTLY]
>> Travis: JESUS.
FUCK.
[MUFFLED FRUSTRATED GROAN]
>> Z: I THOUGHT I MADE MYSELF
PERFECTLY CLEAR, HUH?
NO, NO.
YOU CHOSE NOT TO LISTEN.
ME AND MY MEN HAVE SHOWN YOU
A LOT OF HOSPITALITY.
AND A LOT OF RESPECT.
WHAT DO WE GET IN RETURN?
HUH? >> Travis: WE'RE SORRY.
>> YES-- NO!
>> IT WAS, IT WASN'T LIKE THAT.
WE'RE SORRY.
>> Z: HUH?
[BANGS METAL HARD]
FUCKING RESPECT.
BRING 'EM IN.
>> [WOMAN WHIMPERING]
>> Z: I HAVE TO SAY, YOUR TAPES
WERE VERY INFORMATIVE.
>> [WOMAN WHIMPERING]
>> Davie: TIA!
OH, FUCK, PLEASE, MAN.
>> Z: MAYBE FROM NOW ON,
WE'LL HAVE YOUR ATTENTION.
>> Davie, screams: TIA!
TIA! TIA!
>> FUCKING SHIT!
>> HEY, HEY.
>> YOU FUCKING DROP YOUR KNIFE.
DROP THAT FUCKING KNIFE.
DROP THAT FUCKER RIGHT NOW.
>> El Toro: DON'T DO THIS.
>> FUCK YOU!
>> Z: DAVIE, YOU'RE MAKING
A BIG MISTAKE.
>> GIVE ME THE FUCKING KEYS NOW,
RETARD.
GIVE ME YOUR FUCKING KEYS.
>> Z: DROP YOUR GUN.
[PRISONERS SHOUTING]
>> FUCK YOU!
YOU SHUT THE FUCK UP!
>> Liz: DAVIE!
DAVIE!
>> Travis: DAVIE!
[SCREAMING]
>> Travis: FUCKING CHRIST!
[BASEBALL BAT POUNDING...]
[SCREAMING]
NO, DAVIE! PLEASE!
[SCREAMING, SOBBING]
[BASEBALL BAT CLATTERS ON FLOOR]
[BREATHING HEAVILY]
>> Z: ARE YOU HAPPY NOW?
>> FUCK...
>> Z, shouts: ARE YOU HAPPY NOW?
[WHISPERS] MOTHERFUCKER.
>> [SOBBING] FUCK YOU.
I'M GONNA BREAK YOUR FUCKING
FACE OFF.
>> Z: MR. DIRECTOR, ARE YOU
HAPPY NOW?
[TRAVIS SOBS]
>> Travis: PLEASE JUST...
[MUFFLED SCREECHING]
[SUDDEN SILENCE]
>> Z: NOW, TRAVIS, TELL ME.
WHY DID YOU MAKE THIS
DOCUMENTARY?
>> THOSE PEOPLE YOU KILLED.
THEY WERE DAVIE'S COUSINS.
>> YEAH, I KNOW.
>> DAVIE WAS MY BEST FRIEND.
THIS WAS IMPORTANT TO HIM.
WE WERE TRYING TO STOP THE
PEOPLE THAT HURT HIS FAMILY.
>> Z: I'M REALLY GLAD
YOU TOLD ME THAT, TRAVIS.
[SLAPS TRAVIS'S THIGH]
REALLY AM.
DO YOU MIND IF WE TALK SOME
ECONOMICS?
[DOOR SLAMS OPEN]
TRAVIS, I WANT YOU TO MEET...
SUPPLY.
AND DEMAND.
GO AHEAD.
INTERVIEW THEM.
>> [BREATHES HEAVILY...]
>> Z: ENGLISH, PLEASE?
THAT IS ONE OF THE BIGGEST
SUPPLIERS OF ILLEGAL IMMIGRANTS.
WHAT THE FUCK IS THE MATTER
WITH YOU?
HAVE IT YOUR WAY.
[DOOR CLOSES]
[GUNSHOT FIRES, BODY THUDS]
>> Whitaker: [WHIMPERS]
[CRYING]
>> Z: MY DEAR TRAVIS, I HOPE
YOUR SECOND INTERVIEW WILL BE
A LITTLE MORE IN-DEPTH.
>> PLEASE, GUYS, DON'T
FUCKING KILL ME.
I KNOW YOU.
I KNOW YOU.
YOU'RE THAT FUCK-- WHAT THE FUCK
IS THIS ABOUT, MAN?
>> MR. WHITAKER, WHAT IS YOUR
RESPONSE TO THE ALLEGATIONS THAT
YOU RAN A SWEATSHOP...
>> WHAT DO YOU WANT, HUH?
>> ...FOR ILLEGAL IMMIGRANTS?
>> Whitaker: YOU WANT MONEY?
I'LL GET YOU MONEY, I'LL GET YOU
ANYTHING YOU WANT, JUST FUCKING
TELL ME.
>> JUST LISTEN TO ME, JUST
ANSWER THE QUESTION, O.K.?
JUST ANSWER THE QUESTION.
JUST CONCENTRATE.
SAY YOU'RE SORRY.
JUST APOLOGIZE.
>> WHAT ARE YOU TALKING ABOUT?
>> JUST FUCKING, JUST PLEASE.
>> O.K.
O.K., O.K.
>> JUST SAY YOU'RE SORRY.
>> I'M SORRY...
[GUNSHOT FIRES, BODY THUDS]
>> Z: TOO MUCH.
TOO LITTLE, TOO LATE.
>> HE SAID HE WAS SORRY.
>> Z: BEFORE YOU GO, WE WOULD
LIKE TO LEAVE YOU WITH A SMALL
REMINDER OF OUR TIME TOGETHER.
EL TORO HAS PREPARED SOMETHING
TO DULL THE PAIN.
WOULD YOU LIKE THE INJECTION
NOW OR AFTER?
>> NOW.
>> Z: I REALLY HAVE TO COMMEND
YOU, TRAVIS.
YOU'RE A FAST LEARNER,
A SURVIVOR.
IF ONLY THE REST OF THE GROUP
WOULD HAVE FOLLOWED YOUR
EXAMPLE.
WHAT ABOUT YOU?
YOU WANT AN INJECTION?
[LAUGHS]
NOW, THAT'S MY TYPE OF GIRL.
[FLESH SIZZLING]
>> [SCREAMING...]
[WHIMPERS]
>> GIVE IT A COUPLE OF DAYS,
GOLDILOCKS, YOU'LL BE FINE.
>> [SLURRING] WHAT DID YOU...
WHAT DID, WHAT DID YOU GIVE ME?
>> El Toro: YOU LIKE IT, HUH?
[FLESH SIZZLING]
>> Travis, sleepy: HEY, COME ON.
O.K.
[SNIFFS]
IT SMELLS.
>> Z: GIVE ME THE CAMERA.
COME ON.
COME ON.
WE COULDN'T SEND YOU OFF WITHOUT
A REAL WRAP PARTY, HUH?
EL TORO...
MUSICA!
[MARIACHI MUSIC PLAYING...]
>> YES!
IT'S A PARTY!
[LAUGHS]
>> DO IT RIGHT.
>> Z: AHH...
[LAUGHTER...]
>> Z, singsong: * COME OVER.
>> Liz: TRAVIS, NO.
>> Z: NO-NO-NO!
>> HOLD IT UP.
>> TRAVIS, NO.
[CHEERING]
>> Z: THERE WE GO.
[TRAVIS COUGHS AND SPUTTERS]
>> THERE'S SOMEONE IN THERE.
TRAVIS, THERE'S SOMEONE
IN THERE.
>> Z: ONE MORE!
[MAN GRUNTING]
>> IT'S JIM.
>> Z: ONE MORE!
>> NO, TRAVIS, NO, NO, NO!
IT'S JIM!
[CHEERING]
>> NO, NO, NO, NO, NO, NO...
NO, LET ME GO!
[MAN GRUNTS]
>> Travis: LIZ!
[MEN GRUNTING...]
[SCREAMS]
[GRUNTS]
>> Z: SO CLOSE.
AY-YI-YI, AY-YI-YI.
>> El Toro: THERE YOU GO.
>> Z: GRACIAS.
TAKE IT EASY.
>> Liz: [GRUNTS]
>> Z: [HUMMING...]
[MUFFLED ANGRY SHOUTING]
[DOOR OPENS]
[DOOR SLAMS SHUT]
>> [MUFFLED WORDS]
[CRYING]
...WHAT DID I DO?
WHAT DID I DO?
OH, GOD.
>> SHH.
SHH, SHH, SHH.
>> I SO FUCKED UP.
>> SHH...
>> I DID.
I FUCKED UP.
>> NO, IT'S O.K.
IT'S ALL RIGHT.
YOU DID EVERYTHING YOU COULD.
>> I KNOW, I KNOW.
[CRIES]
>> NO.
>> Klaus: [CLEARS THROAT]
Z WANTS TO SEE YOU.
JUST HER.
I SAID...
[LIZ SHOUTS, KLAUS GRUNTS]
>> MOTHER... FUCKER!
FUCK YOU!
FUCK YOU.
FUCK YOU, FUCK YOU, FUCK YOU!
FUCK YOU, YOU FUCKER!
>> Liz: TRAVIS, GRAB THE KEYS.
GRAB THE KEYS.
[KLAUS GRUNTS]
[APPROACHING FOOTSTEPS]
[GUNSHOT, PATRIOT GROANS]
[*...]
[MUFFLED SHOUTING IN BACKGROUND]
>> Z: WHAT THE HELL HAPPENED?
>> Patriot: WHAT HAPPENED?
I'M UNLOADING THE TRUCK, I HEAR
SHIT GOING DOWN.
KLAUS IS OUT COLD, AND THEY
SHOOT ME IN THE FUCKING LEG.
>> Z: IDIOT!
>> Patriot: [GRUNTS]
>> Remy: YOU WANNA GO HOME?
CASA?
YOU WANT TO GO HOME, CASA?
WHERE THEY HIDING?
JUST POINT.
YOU CAN SEE YOUR FAMILY.
YOU WANT TO GO HOME?
NINOS, YOU WANT TO SEE...
>> Z: WE'RE WASTING TIME!
LOCK THE EXITS.
[MAN GRUNTS]
>> Travis: COME ON, RUN.
>> The Artist: WHICH ONE OF THEM
SHOT YOU?
>> Henchman: HE DID.
>> The Artist: RIP YOUR FUCKING
JAW OFF!
IF YOU CATCH THEM, DON'T FUCK UP
THAT BITCH'S FACE, MAN.
I NEED IT FOR THAT THING.
>> Henchman: I JUST WANT HIM.
>> Z: I WANT THEM BOTH DEAD.
[GUN COCKING]
[MEN SPEAKING INDISTINCTLY]
>> Travis: GO, GO, GO, GO.
YOU GOT IT?
>> Liz: YEAH, I GOT IT.
>> Travis: THERE WE GO.
>> Liz: [PANICKED GRUNT]
>> Man: WHERE THE FUCK WERE YOU?
>> Liz: SHIT.
>> HURRY UP, WHAT THE FUCK
YOU DOING?
[DOOR OPENS]
[THUDDING NOISES]
>> Liz: COME ON.
>> Travis: OH, SHIT.
ALL RIGHT, LOOK AT ME.
VEN AQUI.
GO, GO, GO, FUCK.
IT'S O.K.
IT'S O.K.
I GOT-- COME ON.
UGH, FUCK, GO.
>> Henchman: HEY, REMY,
MAKE SURE THAT THE SOUTH GATE'S
LOCKED UP.
>> Travis: FUCK.
[LOUD THUD]
>> Liz: SHIT!
>> The Artist: THEY'RE OVER
HERE, REMY!
[GRUNTING AND SHOUTING...]
[*...]
[ALL GRUNTING, STRUGGLING...]
>> Travis: GET IN THE CAR.
[ENGINE STALLS]
>> Travis: GO.
[ENGINE SPUTTERS, REVS LOUDLY]
[*...]
>> Liz: SHIT!
TRAVIS, HE'S COMING!
>> Travis: [SHOUTS INDISTINCTLY]
HOLY MOTHERFUCKER!
[GLASS SMASHES]
[CATTLE PROD BUZZES LOUDLY...]
>> STOP IT! STOP IT!
[SHUDDERING IN PAIN]
[ELECTRICITY BUZZING LOUDLY...]
[GASPING]
>> [AGONIZED SHUDDERING]
[ELECTRICITY BUZZES LOUDLY...]
[GASPING, CHOKING...]
>> Z: THIS WAS UNFORTUNATE.
>> [PANTING, WHIMPERING]
[COCKS GUN]
>> [WHIMPERS]
[GUNSHOT]
[MOTOR REVS LOUDLY]
[GUNSHOTS...]
[EMPTY GUN CLICKS]
...MUERTE!
[*...]
[SCREAMS]
[NO VOICES, *...]
[*...]
[*...]
[TAPE CLICKS INTO PLAYER]
>> Z: You'll have to, uh, excuse
this prerecorded message.
There are matters elsewhere that
require our attention.
By the way, I hope you don't
mind, we kept some of the
footage for ourselves...
as recruiting videos.
America may be a nation of
immigrants, but it's not
a landfill.
Give us your tired, your poor,
your huddled masses yearning to
breathe free.
And we'll give 'em back to you.
In pieces.
[*...]
>> Woman: The fight to control
illegal immigration isn't just
on our border.
[*...]
>> Woman: In a few months,
President Obama will push
legislation to legalize the
nation's 12-million ill--
[*...]
>> Man: Too often in law
enforcement we see individuals
that are getting arrested for
D.W...
[*...]
>> Man: Lawmakers in Arizona
passed a sweeping overhaul that
would require police officers to
profile illegal immigrants.
[*...]
>> Man: The law is needed
because the federal government
has failed to enforce border
security with Mexico, allowing
more than 450...
[*...]
>> Man: ...in law enforcement
we see individuals that are
getting arrested for D.W.I.,
sexual assaults, what have you,
and they're foreign-born.
[*...]
>> Woman: One Arizona police
officer is saying he won't
enforce the new immigration law
and is suing.
[*...]
>> Man: The Mexican government
says that 90% of guns used by
the drug cartels come from
the United States, so now you...
[*...]
>> Man: Tensions are high as
anti-immigrant sentiment along
the border is on the rise.
[*...]
>> Woman: ...here at the plant
on International Boulevard
are as young as 12.
[*...]
>> Man: ...allowing more than
450,000 illegal immigrants
to move into the state.
[*...]
>> Man: We supposed to get
first dibs on all them jobs,
and they was taken them jobs
away--
[*...]
>> Man: If the border agents
had grabbed hold, it's likely
they would have met the same
fate as the illegal immigrants.
>> Woman: ...from jails in
54 counties, from...
[*...]
>> Man: Radical groups,
vigilantes, Minutemen,
mass grave--
[*...]
>> Woman: People in charge at
the plant had no comment.
Their bosses in--
[*...]
>> Woman: I feel bad when
the bus... leaving, and I know
that he is there.
[*...]
[MUSIC CHANGES]
[MUSIC ENDS]
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