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These are the user uploaded subtitles that are being translated: 1 00:00:01,469 --> 00:00:04,772 [PROJECTOR CLICKING..] 2 00:00:13,814 --> 00:00:14,715 >> Woman: THE FIGHT TO CONTROL 3 00:00:14,715 --> 00:00:16,350 ILLEGAL IMMIGRATION ISN'T JUST 4 00:00:16,350 --> 00:00:17,485 ON OUR BORDERS... 5 00:00:17,485 --> 00:00:18,652 >> Man: LAWMAKERS IN ARIZONA 6 00:00:18,652 --> 00:00:19,953 PASSED A SWEEPING OVERHAUL... 7 00:00:19,953 --> 00:00:21,021 >> Woman 2: IN A FEW MONTHS, 8 00:00:21,021 --> 00:00:22,123 PRESIDENT OBAMA WILL PUSH 9 00:00:22,123 --> 00:00:23,724 LEGISLATION TO LEGALIZE THE 10 00:00:23,724 --> 00:00:25,659 NATION'S 12 MILLION ILLEGAL 11 00:00:25,659 --> 00:00:26,494 IMMIGRANTS. 12 00:00:26,494 --> 00:00:32,433 [OVERLAPPING VOICES...] 13 00:00:32,433 --> 00:00:33,033 >> Woman with accent: 14 00:00:33,033 --> 00:00:35,469 ...I FEEL BAD WHEN THE BUS IS 15 00:00:35,469 --> 00:00:36,170 LEAVING-- [TEARFULLY] 16 00:00:36,170 --> 00:00:42,276 AND I KNOW THAT HE'S THERE. 17 00:00:42,276 --> 00:00:45,513 [CRACKLE, BUZZING] 18 00:00:48,282 --> 00:00:54,122 [*...] 19 00:00:54,122 --> 00:00:56,424 >> Man: ILLEGAL IMMIGRATION... 20 00:00:56,424 --> 00:00:58,526 AMERICA'S 21st CENTURY DILEMMA. 21 00:00:58,526 --> 00:00:59,760 IT'S ESTIMATED THAT MORE THAN 22 00:00:59,760 --> 00:01:00,794 A MILLION ILLEGAL IMMIGRANTS 23 00:01:00,794 --> 00:01:03,431 ENTER THE U.S. EVERY YEAR. 24 00:01:03,431 --> 00:01:04,632 THEY FACE COUNTLESS DANGERS. 25 00:01:04,632 --> 00:01:05,933 SOME SUCCUMB TO DEHYDRATION 26 00:01:05,933 --> 00:01:07,401 AND EXPOSURE. 27 00:01:07,401 --> 00:01:08,236 SOME FALL VICTIM TO HUMAN 28 00:01:08,236 --> 00:01:09,069 TRAFFICKERS AND WARRING 29 00:01:09,069 --> 00:01:10,771 DRUG CARTELS. 30 00:01:10,771 --> 00:01:11,972 AND OTHERS... 31 00:01:11,972 --> 00:01:14,642 SIMPLY DISAPPEAR. 32 00:01:14,642 --> 00:01:16,577 WHY DO THEY RISK THEIR LIVES? 33 00:01:16,577 --> 00:01:17,545 BECAUSE THE AMERICAN DREAM'S 34 00:01:17,545 --> 00:01:18,246 STILL SO POWERFUL. 35 00:01:18,246 --> 00:01:19,147 >> Man 2: HEY, SPIELBERG. 36 00:01:19,147 --> 00:01:20,148 WE GET IT. >> COME ON, MAN. 37 00:01:20,148 --> 00:01:20,981 >> Man 2: GOT A HEADACHE. 38 00:01:20,981 --> 00:01:21,982 >> DUDE, DUDE, GUYS, CHECK OUT 39 00:01:21,982 --> 00:01:23,317 THE BULLET HOLES IN THAT SIGN. 40 00:01:23,317 --> 00:01:24,552 >> I FEEL LIKE A BEAR TOOK A 41 00:01:24,552 --> 00:01:25,553 SHIT IN MY HEAD. 42 00:01:25,553 --> 00:01:26,520 [ALL LAUGH] 43 00:01:26,520 --> 00:01:27,621 HEY, BRAD, CAN YOU PULL OVER, 44 00:01:27,621 --> 00:01:28,456 BROTHER? 45 00:01:28,456 --> 00:01:29,490 [MUSIC PLAYING ON CAR RADIO] 46 00:01:29,490 --> 00:01:31,359 BRAD. 47 00:01:31,359 --> 00:01:33,227 BRAD. 48 00:01:33,227 --> 00:01:35,062 BRAD, PULL... 49 00:01:35,062 --> 00:01:37,030 BRAD. 50 00:01:37,030 --> 00:01:39,333 BRAD. 51 00:01:39,333 --> 00:01:40,301 BRAD. 52 00:01:40,301 --> 00:01:41,502 >> HEY, WE DO NEED TO SHOOT SOME 53 00:01:41,502 --> 00:01:42,170 B-ROLL ON THAT. 54 00:01:42,170 --> 00:01:43,036 PULL THE SHIT OVER, BRADLEY. 55 00:01:43,036 --> 00:01:43,837 >> THANK YOU. 56 00:01:43,837 --> 00:01:44,538 >> NO, NO, NO, NO. 57 00:01:44,538 --> 00:01:45,206 WE'RE ALREADY LATE. 58 00:01:45,206 --> 00:01:46,073 >> HOW DO YOU BE LATE? 59 00:01:46,073 --> 00:01:46,740 WE'RE IN MEXICO. 60 00:01:46,740 --> 00:01:47,675 >> [LAUGHS] >> JIM. 61 00:01:47,675 --> 00:01:48,876 >> WHAT? I'M SOR--, I HAD A BIG 62 00:01:48,876 --> 00:01:49,877 NIGHT LAST NIGHT, O.K.? 63 00:01:49,877 --> 00:01:50,678 I SLEPT IN. 64 00:01:50,678 --> 00:01:51,912 BECAUSE... 65 00:01:51,912 --> 00:01:52,846 SAKE BOMBS. 66 00:01:52,846 --> 00:01:54,448 WHERE WERE YOU, BY THE WAY? 67 00:01:54,448 --> 00:01:56,083 >> UH, YOU DIDN'T INVITE ME, 68 00:01:56,083 --> 00:01:56,984 DOUCHEBAG. 69 00:01:56,984 --> 00:01:57,618 >> RIGHT. 70 00:01:57,618 --> 00:01:58,519 NEXT TIME. 71 00:01:58,519 --> 00:02:00,188 NEXT TIME, DEFINITELY... MAYBE. 72 00:02:00,188 --> 00:02:04,425 >> [INDISTINCT] 73 00:02:04,425 --> 00:02:08,329 >> [SPEAKING SPANISH] 74 00:02:11,465 --> 00:02:13,234 >> [SPEAKING SPANISH] 75 00:02:31,552 --> 00:02:32,686 >> [SPEAKING SPANISH] 76 00:02:32,686 --> 00:02:33,787 >> WHAT'S UP, KID? 77 00:02:33,787 --> 00:02:38,692 [ALL SPEAKING SPANISH] 78 00:02:38,692 --> 00:02:40,428 >> Jim: GUYS... 79 00:02:40,428 --> 00:02:42,062 I THINK THAT KID TOOK MY WALLET. 80 00:02:42,062 --> 00:02:48,236 [*...] 81 00:02:48,236 --> 00:02:50,304 >> WHAT ARE YOU DRINKING THERE? 82 00:02:50,304 --> 00:02:52,840 >> ELECTROLYTES, BRO. 83 00:02:52,840 --> 00:02:54,508 >> YOU LOOK LIKE SHIT. >> MMM. 84 00:02:54,508 --> 00:02:55,343 >> [WITH BRITISH ACCENT]: I LOVE 85 00:02:55,343 --> 00:02:56,076 BEING AROUND CREATIVE PEOPLE 86 00:02:56,076 --> 00:02:58,011 LIKE YOU GUYS; YOU'RE SO, LIKE, 87 00:02:58,011 --> 00:02:59,213 IN THE MOMENT. 88 00:02:59,213 --> 00:03:01,515 [MUSIC PLAYING ON CAR RADIO] 89 00:03:01,515 --> 00:03:04,718 >> SO... BRAD. 90 00:03:04,718 --> 00:03:06,220 WHERE ARE YOU FROM AGAIN? 91 00:03:06,220 --> 00:03:07,255 >> UH, WELL, I WAS ACTUALLY BORN 92 00:03:07,255 --> 00:03:09,122 IN DALLAS. 93 00:03:09,122 --> 00:03:10,291 >> AND, AND, AND HOW LONG DID 94 00:03:10,291 --> 00:03:12,360 YOU LIVE IN LONDON? 95 00:03:12,360 --> 00:03:13,394 >> I WAS IN LONDON FOR ABOUT 96 00:03:13,394 --> 00:03:14,295 A YEAR. 97 00:03:14,295 --> 00:03:15,028 >> A WHOLE YEAR? 98 00:03:15,028 --> 00:03:15,929 >> TRAVIS, DON'T YOU... 99 00:03:15,929 --> 00:03:17,197 HAVE ANYTHING TO DO? 100 00:03:17,197 --> 00:03:18,031 KEEP YOURSELF BUSY? 101 00:03:18,031 --> 00:03:19,367 >> NO, THIS IS ALL I GOT TO DO 102 00:03:19,367 --> 00:03:20,100 RIGHT NOW, ACTUALLY. 103 00:03:20,100 --> 00:03:20,801 IT WORKS OUT NICE. 104 00:03:20,801 --> 00:03:21,735 >> BABE, BABE, I CAN HANDLE 105 00:03:21,735 --> 00:03:23,437 MYSELF, ALL RIGHT? 106 00:03:23,437 --> 00:03:24,171 >> [AFFECTING BRITISH ACCENT]: 107 00:03:24,171 --> 00:03:25,273 YEAH, WEST TEXAS BOYS COULD BE 108 00:03:25,273 --> 00:03:28,776 QUITE RAMBUNCTIOUS. 109 00:03:28,776 --> 00:03:31,245 HOW DO YOU SAY "SUCK MY COCK" 110 00:03:31,245 --> 00:03:32,446 IN AN ENGLISH ACCENT? 111 00:03:32,446 --> 00:03:33,213 >> [AFFECTING BRITISH ACCENT]: 112 00:03:33,213 --> 00:03:34,147 SUCK ON MY COCK. 113 00:03:34,147 --> 00:03:35,816 >> SUCK ON MY COCK. 114 00:03:35,816 --> 00:03:37,050 >> SUCK, SUCK ON MY COCK. 115 00:03:37,050 --> 00:03:37,785 >> SUCK ON MY COCK. 116 00:03:37,785 --> 00:03:38,452 >> COCK, COCK, COCK... 117 00:03:38,452 --> 00:03:39,453 >> SUCK ON MY COCK. 118 00:03:39,453 --> 00:03:41,188 I'M THE QUEEN OF ENGLAND. 119 00:03:41,188 --> 00:03:42,055 I SUCK COCK... 120 00:03:42,055 --> 00:03:42,923 >> [STIFLED LAUGHTER] 121 00:03:42,923 --> 00:03:45,125 >> WITH BRAD. 122 00:03:45,125 --> 00:03:47,695 >> YOU KNOW WHAT'S REALLY FUNNY? 123 00:03:47,695 --> 00:03:49,663 SHE ACTUALLY HATES LONDON. 124 00:03:49,663 --> 00:03:50,364 DIDN'T YOU SAY THAT? 125 00:03:50,364 --> 00:03:50,931 YOU, YOU HATED...? 126 00:03:50,931 --> 00:03:51,765 >> NO, I JUST HATED LONDON 127 00:03:51,765 --> 00:03:52,466 WITH YOU. 128 00:03:56,870 --> 00:03:59,740 >> OOH... GET A LITTLE E.C.U. 129 00:03:59,740 --> 00:04:01,709 ON THAT ONE. [LAUGHS] 130 00:04:04,111 --> 00:04:08,048 >> Travis: COME ON, GO, GO, GO. 131 00:04:08,048 --> 00:04:09,383 EXCUSE ME, MR. WHITAKER. 132 00:04:09,383 --> 00:04:10,050 >> NO COMMENT. 133 00:04:10,050 --> 00:04:10,884 >> WHAT'S YOUR RESPONSE TO THE 134 00:04:10,884 --> 00:04:11,785 ALLEGATIONS YOU RAN A SWEATSHOP 135 00:04:11,785 --> 00:04:12,920 OF ILLEGAL IMMIGRANTS? 136 00:04:12,920 --> 00:04:13,854 >> I RUN A FAMILY BUSINESS. 137 00:04:13,854 --> 00:04:14,522 >> A FAMILY BUSINESS. 138 00:04:14,522 --> 00:04:15,523 THAT'S VERY NOBLE OF YOU, SIR. 139 00:04:15,523 --> 00:04:16,390 DOES A FAMILY BUSINESS THREATEN 140 00:04:16,390 --> 00:04:17,658 AND INTIMIDATE THEIR EMPLOYEES? 141 00:04:17,658 --> 00:04:18,526 DOES IT DENY THEIR WORKERS 142 00:04:18,526 --> 00:04:19,226 SAFETY EQUIPMENT? 143 00:04:19,226 --> 00:04:20,260 DOES IT FIRE THEM WHEN THEY'RE 144 00:04:20,260 --> 00:04:21,329 INJURED ON THE JOB? 145 00:04:21,329 --> 00:04:22,195 WHOOPS. 146 00:04:22,195 --> 00:04:23,030 >> GET THAT CAMERA OUT OF 147 00:04:23,030 --> 00:04:23,831 MY FACE! 148 00:04:23,831 --> 00:04:24,665 [LIQUID SPLASHES, MEN REACT] 149 00:04:24,665 --> 00:04:25,433 >> MR. WHITAKER, WHAT ABOUT 150 00:04:25,433 --> 00:04:26,467 MIGUEL GONZALES, THE MAN THAT 151 00:04:26,467 --> 00:04:27,401 YOU CRIPPLED? 152 00:04:27,401 --> 00:04:28,336 WAS HE FAMILY? 153 00:04:28,336 --> 00:04:29,470 WOULD YOU APOLOGIZE TO HIM? 154 00:04:29,470 --> 00:04:31,605 [IGNITION STALLING] 155 00:04:31,605 --> 00:04:32,506 CAR TROUBLES? 156 00:04:32,506 --> 00:04:33,674 I HAVE A MEXICAN FRIEND, HE CAN 157 00:04:33,674 --> 00:04:34,342 FIX THAT. 158 00:04:34,342 --> 00:04:35,008 [ENGINE REVS, TIRES SKID] 159 00:04:35,008 --> 00:04:36,009 HE'S A CITIZEN THOUGH, IS THAT 160 00:04:36,009 --> 00:04:41,382 GONNA BE AN ISSUE? 161 00:04:41,382 --> 00:04:42,550 DID YOU GET THAT? 162 00:04:42,550 --> 00:04:44,885 TELL ME YOU GOT THAT. 163 00:04:44,885 --> 00:04:48,656 ...ALL RIGHT, LET'S GET GOING. 164 00:04:48,656 --> 00:04:52,059 GOT EVERYTHING. 165 00:04:52,059 --> 00:04:56,497 [CAR DOOR SHUTS] 166 00:04:56,497 --> 00:04:58,065 >> O.K., I'LL PING YOU. 167 00:04:58,065 --> 00:04:59,500 >> ALL RIGHT. 168 00:04:59,500 --> 00:05:00,934 >> Woman: THAT SOUND GOOD? 169 00:05:00,934 --> 00:05:03,270 [LAUGHS] SORRY. 170 00:05:03,270 --> 00:05:05,406 BE SAFE. 171 00:05:05,406 --> 00:05:06,507 >> SEE YOU BACK IN AUSTIN, BABE. 172 00:05:06,507 --> 00:05:07,608 >> REALLY? 173 00:05:07,608 --> 00:05:09,276 >> UH-HUH. 174 00:05:09,276 --> 00:05:10,177 BYE, BABE. 175 00:05:10,177 --> 00:05:10,944 >> Jim: HEY, LATER BRAD. 176 00:05:10,944 --> 00:05:11,579 LET'S HANG OUT. 177 00:05:11,579 --> 00:05:12,212 >> YEAH? 178 00:05:12,212 --> 00:05:12,946 >> NO. 179 00:05:12,946 --> 00:05:16,350 [IGNITION STARTS] 180 00:05:20,554 --> 00:05:23,924 >> [SPEAKING SPANISH] 181 00:05:23,924 --> 00:05:26,494 >> [SPEAKING SPANISH] >> SI. 182 00:05:38,372 --> 00:05:40,307 [*...] 183 00:05:40,307 --> 00:05:45,278 [ALL SPEAKING SPANISH] 184 00:05:49,182 --> 00:05:52,019 [*...] 185 00:06:09,403 --> 00:06:10,103 >> [LAUGHS] 186 00:06:10,103 --> 00:06:12,573 [*...] 187 00:06:12,573 --> 00:06:14,207 >> Woman: EXCUSE ME, WATCH OUT. 188 00:06:14,207 --> 00:06:16,209 [GENERAL CONVERSATIONS] 189 00:06:16,209 --> 00:06:17,277 >> GUYS, GUYS, THIS IS MY COUSIN 190 00:06:17,277 --> 00:06:18,479 ALBERTO. 191 00:06:18,479 --> 00:06:21,949 [SPEAKING SPANISH] 192 00:06:21,949 --> 00:06:23,016 ...MY FRIENDS... 193 00:06:23,016 --> 00:06:25,853 THIS GUY IS THE DIRECTOR. 194 00:06:25,853 --> 00:06:29,890 >> YO, MAN. 195 00:06:29,890 --> 00:06:30,858 >> HI, LIZ. 196 00:06:30,858 --> 00:06:32,325 >> [SPEAKING SPANISH] 197 00:06:32,325 --> 00:06:33,093 >> YEAH, LIZ. 198 00:06:33,093 --> 00:06:34,695 >> WILL. 199 00:06:38,999 --> 00:06:40,233 >> NO, NO, NO, NO, NO. 200 00:06:40,233 --> 00:06:42,936 [ALL TALKING AT ONCE] 201 00:06:42,936 --> 00:06:43,604 >> NO TOUCH, NO TOUCH. 202 00:06:43,604 --> 00:06:44,371 [AFFECTING SPANISH ACCENT]: 203 00:06:44,371 --> 00:06:45,305 NO TOUCH-EY. 204 00:06:51,945 --> 00:06:52,546 >> [BARKING] 205 00:06:52,546 --> 00:06:54,047 >> WHOA, WHOA... 206 00:06:54,047 --> 00:06:57,050 [SPEAKING SPANISH] 207 00:06:57,050 --> 00:06:59,152 >> SO, HOW MUCH IS, UH, HOW MUCH 208 00:06:59,152 --> 00:07:01,354 IS THIS TRIP COSTING YOU? 209 00:07:01,354 --> 00:07:03,891 >> MUCH... EH... EH, SI... 210 00:07:03,891 --> 00:07:05,025 [SPEAKING SPANISH] 211 00:07:05,025 --> 00:07:06,426 YES, YES. 212 00:07:06,426 --> 00:07:09,029 >> [SPEAKING SPANISH] 213 00:07:14,267 --> 00:07:16,470 >> ...MY DAUGHTER. 214 00:07:16,470 --> 00:07:17,370 >> SI. 215 00:07:17,370 --> 00:07:19,773 >> [SPEAKING SPANISH] 216 00:07:32,352 --> 00:07:35,388 ...HAVE A FAMILY. 217 00:07:52,840 --> 00:07:54,808 GRACIAS! GRACIAS! 218 00:07:54,808 --> 00:07:56,109 >> Liz: HERE'S, UM... 219 00:07:56,109 --> 00:07:57,410 HERE'S ONE THOUSAND DOLLARS. 220 00:07:57,410 --> 00:07:58,512 >> MMM. 221 00:07:58,512 --> 00:08:01,348 [SPEAKING SPANISH] 222 00:08:01,348 --> 00:08:02,215 >> WHAT? 223 00:08:02,215 --> 00:08:03,050 >> [SPEAKING SPANISH] 224 00:08:05,553 --> 00:08:07,588 >> 2500 IS THE BEST HE CAN DO. 225 00:08:07,588 --> 00:08:08,856 >> Liz: NO, YOU TOLD ME 200 226 00:08:08,856 --> 00:08:10,591 EACH-- THAT'S ONE THOUSAND 227 00:08:10,591 --> 00:08:11,992 DOLLARS, COMPRENDO? 228 00:08:11,992 --> 00:08:13,126 WOULD YOU TELL HIM THAT? 229 00:08:13,126 --> 00:08:14,628 >> Man: HEY, HEY, HEY! 230 00:08:14,628 --> 00:08:16,864 [SPEAKING SPANISH] 231 00:08:16,864 --> 00:08:17,731 >> Liz: WOULD YOU STOP FILMING, 232 00:08:17,731 --> 00:08:18,331 PLEASE? 233 00:08:18,331 --> 00:08:19,332 >> Will: I STOPPED. 234 00:08:19,332 --> 00:08:20,067 >> THANK YOU. 235 00:08:20,067 --> 00:08:21,268 >> [SPEAKING SPANISH] 236 00:08:28,108 --> 00:08:29,076 >> NOW IT'S A THOUSAND DOLLARS 237 00:08:29,076 --> 00:08:31,545 EACH. 238 00:08:31,545 --> 00:08:34,882 >> [SIGHS DEEPLY] FINE, FINE. 239 00:08:34,882 --> 00:08:36,850 2500. 240 00:08:36,850 --> 00:08:38,952 >> BUENO... BUENO... 241 00:08:38,952 --> 00:08:40,888 BUENO... [CONTINUES IN SPANISH] 242 00:08:46,526 --> 00:08:47,561 >> WHAT? 243 00:08:47,561 --> 00:08:49,597 >> HE SAYS WE WON'T REGRET IT. 244 00:08:49,597 --> 00:08:50,931 >> I ALREADY DO. 245 00:09:00,473 --> 00:09:02,910 >> WHAT? 246 00:09:02,910 --> 00:09:03,577 >> HE SAYS YOU'RE VERY 247 00:09:03,577 --> 00:09:04,978 BEAUTIFUL. 248 00:09:04,978 --> 00:09:08,348 [BIRDS AND INSECTS CHIRPING] 249 00:09:08,348 --> 00:09:09,516 >> RIGHT. 250 00:09:09,516 --> 00:09:11,819 THANK YOU. 251 00:09:11,819 --> 00:09:14,354 >> COMO ESTA... 252 00:09:14,354 --> 00:09:18,659 [INSECTS CHIRPING] 253 00:09:18,659 --> 00:09:21,528 >> COME ON. 254 00:09:21,528 --> 00:09:23,631 YOU ALL SET? 255 00:09:23,631 --> 00:09:25,465 BEHIND ME, TWO DOZEN MEN, WOMEN 256 00:09:25,465 --> 00:09:26,366 AND CHILDREN HAVE SACRIFICED 257 00:09:26,366 --> 00:09:29,102 EVERYTHING FOR THIS MOMENT. 258 00:09:29,102 --> 00:09:30,203 THEY'RE ABOUT TO CROSS OVER 300 259 00:09:30,203 --> 00:09:31,304 MILES OF TREACHEROUS TERRAIN FOR 260 00:09:31,304 --> 00:09:34,407 THE PROMISE OF A BETTER LIFE. 261 00:09:34,407 --> 00:09:37,544 WE'RE GONNA JOIN THEM. 262 00:09:37,544 --> 00:09:40,413 [SIGHS] HOW WAS THAT? 263 00:09:40,413 --> 00:09:41,514 >> PATRONIZING. 264 00:09:41,514 --> 00:09:43,050 >> [SPEAKING SPANISH] 265 00:09:43,050 --> 00:09:43,951 COME ON. 266 00:09:43,951 --> 00:09:45,953 JIM! 267 00:09:45,953 --> 00:09:46,519 LET'S GO, MAN. 268 00:09:46,519 --> 00:09:48,188 WHAT ARE YOU DOING? 269 00:09:48,188 --> 00:09:50,891 [INDISTINCT CONVERSATIONS] 270 00:09:50,891 --> 00:09:52,325 >> Jim: O.K., COMING! 271 00:09:52,325 --> 00:09:53,160 SORRY, BRO. 272 00:09:53,160 --> 00:09:54,161 HAD TO TAKE CARE OF SOME 273 00:09:54,161 --> 00:09:54,695 BUSINESS. 274 00:09:54,695 --> 00:09:55,395 >> YOU'RE TRYING TO GET 275 00:09:55,395 --> 00:09:56,029 SOME BUD? 276 00:09:56,029 --> 00:09:56,664 >> WHAT? 277 00:09:56,664 --> 00:09:57,497 I GET NAUSEOUS ON LONG 278 00:09:57,497 --> 00:09:58,431 CAR RIDES. 279 00:09:58,431 --> 00:09:59,867 [IGNITION SPUTTERS AND STARTS] 280 00:09:59,867 --> 00:10:00,701 [*...] 281 00:10:00,701 --> 00:10:01,735 >> Davie: WHEN I FOUND ABOUT OUT 282 00:10:01,735 --> 00:10:02,736 WHAT HAPPENED TO MIGUEL, 283 00:10:02,736 --> 00:10:03,871 I CRIED. 284 00:10:03,871 --> 00:10:04,705 ...PROBABLY FOR THE FIRST TIME 285 00:10:04,705 --> 00:10:06,874 SINCE MY DAUGHTER CLAUDIA 286 00:10:06,874 --> 00:10:07,741 WAS BORN. 287 00:10:07,741 --> 00:10:10,177 [*...] 288 00:10:10,177 --> 00:10:11,178 FAMILY IS THE MOST IMPORTANT 289 00:10:11,178 --> 00:10:12,579 THING TO ME, SUPPORTING THEM AND 290 00:10:12,579 --> 00:10:16,583 WHEN I FOUND OUT, I HAD TO DO 291 00:10:16,583 --> 00:10:17,217 SOMETHING. 292 00:10:17,217 --> 00:10:18,351 >> BOO! 293 00:10:18,351 --> 00:10:19,787 >> WHAT ARE YOU DOING? 294 00:10:19,787 --> 00:10:21,621 I'M DOING AN INTERVIEW, SILLY. 295 00:10:21,621 --> 00:10:23,156 WHAT ARE YOU DOING? 296 00:10:23,156 --> 00:10:24,057 YOU CAN'T DO THAT. 297 00:10:24,057 --> 00:10:25,225 I'M DOING AN INTERVIEW. 298 00:10:25,225 --> 00:10:26,727 [CLAUDIA GIGGLES] 299 00:10:26,727 --> 00:10:29,162 I'M A BLESSED MAN. 300 00:10:29,162 --> 00:10:29,930 I LOVE YOU. 301 00:10:29,930 --> 00:10:31,131 >> I LOVE YOU. 302 00:10:31,131 --> 00:10:34,802 [*...] 303 00:10:34,802 --> 00:10:36,569 >> Maria: I KNOW. 304 00:10:36,569 --> 00:10:40,473 [SPEAKING SPANISH] 305 00:10:40,473 --> 00:10:41,975 [CHUCKLES] 306 00:10:41,975 --> 00:10:43,543 >> [SPEAKING SPANISH] 307 00:10:43,543 --> 00:10:45,913 >> [SPEAKING SPANISH] 308 00:10:49,850 --> 00:10:51,484 >> GRACIAS. 309 00:11:07,234 --> 00:11:08,936 >> DISNEYLAND. 310 00:11:08,936 --> 00:11:10,037 >> DISNEYLANDIA! 311 00:11:10,037 --> 00:11:11,138 [ALL LAUGH] 312 00:11:15,208 --> 00:11:16,910 >> ...HAVE A SAFE TRIP. 313 00:11:16,910 --> 00:11:18,311 CIAO, AMIGA, GOOD-BYE. 314 00:11:18,311 --> 00:11:21,448 >> GRACIAS. 315 00:11:23,216 --> 00:11:24,384 >> SORRY. 316 00:11:24,384 --> 00:11:28,155 >> [SPEAKING SPANISH] 317 00:11:31,158 --> 00:11:32,893 >> [SPEAKING SPANISH] 318 00:11:32,893 --> 00:11:36,663 >> [SPEAKING SPANISH] 319 00:11:45,806 --> 00:11:46,874 SHH. 320 00:11:46,874 --> 00:11:48,575 [CRICKETS CHIRPING] 321 00:11:53,881 --> 00:11:54,748 >> Will: ALL RIGHT, ALL RIGHT, 322 00:11:54,748 --> 00:11:55,615 WE'RE RECORDING. 323 00:11:55,615 --> 00:11:56,950 >> COME ON, LET'S GO. 324 00:11:56,950 --> 00:11:58,151 >> WAIT, WAIT, WAIT... 325 00:11:58,151 --> 00:11:59,252 [CAMERA CLICKS AND WHIRS] 326 00:11:59,252 --> 00:12:01,054 GOOD, O.K. 327 00:12:01,054 --> 00:12:03,456 >> UM... 328 00:12:03,456 --> 00:12:04,457 I CAN'T DISCLOSE OUR EXACT 329 00:12:04,457 --> 00:12:06,593 LOCATION, BUT, UM, AS YOU CAN 330 00:12:06,593 --> 00:12:07,560 SEE BEHIND ME, EVERYONE IS 331 00:12:07,560 --> 00:12:10,297 HEADING TO THE POINT OF ENTRY. 332 00:12:10,297 --> 00:12:11,965 THE BORDER FENCE IS JUST PAST 333 00:12:11,965 --> 00:12:14,334 THAT HILL OVER THERE. 334 00:12:14,334 --> 00:12:15,969 UH... 335 00:12:15,969 --> 00:12:17,104 WE'RE ABOUT TO CROSS, 336 00:12:17,104 --> 00:12:18,305 ILLEGALLY, INTO THE 337 00:12:18,305 --> 00:12:21,174 UNITED STATES. 338 00:12:21,174 --> 00:12:21,942 GOT THAT SHIT? 339 00:12:21,942 --> 00:12:23,243 GOOD. 340 00:12:31,384 --> 00:12:33,954 [WHISPERING IN SPANISH] 341 00:12:33,954 --> 00:12:37,057 [CRICKETS CHIRPING] 342 00:12:39,526 --> 00:12:42,495 [METAL RATTLING] 343 00:13:00,313 --> 00:13:04,818 [METAL CLATTERS, HINGE SQUEAKS] 344 00:13:09,957 --> 00:13:14,727 [ALL WHISPERING, INDISTINCT] 345 00:13:17,998 --> 00:13:19,967 [CAMERA CLICKS AND WHIRS] 346 00:13:19,967 --> 00:13:21,734 >> [SPEAKING SPANISH] 347 00:13:21,734 --> 00:13:22,402 >> Will: WHOA, WHOA, WHOA, 348 00:13:22,402 --> 00:13:23,136 GO, GO! 349 00:13:23,136 --> 00:13:23,803 WATCH THE CAMERA! 350 00:13:23,803 --> 00:13:27,340 [THUD] 351 00:13:27,340 --> 00:13:28,108 HOLY SHIT. 352 00:13:28,108 --> 00:13:28,942 IT'S DARK IN HERE, GUYS. 353 00:13:28,942 --> 00:13:30,110 WE'RE GONNA HAVE TO TURN ON THE 354 00:13:30,110 --> 00:13:30,777 NIGHT VISION. 355 00:13:30,777 --> 00:13:32,612 [CAMERA CLICKS AND WHIRS] 356 00:13:32,612 --> 00:13:35,582 [EERIE WHOOSHING] 357 00:13:35,582 --> 00:13:38,085 FUCK ME. 358 00:13:38,085 --> 00:13:40,320 >> [MAN SPEAKING SPANISH] 359 00:13:45,658 --> 00:13:47,360 >> Travis: HEY, DUDE, YOU O.K.? 360 00:13:47,360 --> 00:13:50,063 >> Will: YEAH. 361 00:13:50,063 --> 00:13:51,831 >> Travis: WHAT IS THIS PLACE? 362 00:13:51,831 --> 00:13:53,333 >> Jim: IT'S A DRUG TUNNEL. 363 00:14:00,207 --> 00:14:01,208 >> Liz: I DON'T KNOW ABOUT THIS 364 00:14:01,208 --> 00:14:03,610 AT ALL. 365 00:14:03,610 --> 00:14:04,912 >> YOU A LITTLE SCARED? 366 00:14:04,912 --> 00:14:05,612 >> NO. 367 00:14:05,612 --> 00:14:08,448 [DISTANT WHOOSH, CLANG] 368 00:14:08,448 --> 00:14:11,251 A LOT SCARED. 369 00:14:11,251 --> 00:14:13,053 [DISTANT CLATTERING] 370 00:14:13,053 --> 00:14:14,121 YOU ALL RIGHT? 371 00:14:14,121 --> 00:14:17,090 >> Davie: YEAH. 372 00:14:17,090 --> 00:14:18,058 [INDISTINCT WHISPERING] 373 00:14:18,058 --> 00:14:20,928 [*...] 374 00:14:30,570 --> 00:14:31,471 [INDISTINCT WHISPERING 375 00:14:31,471 --> 00:14:33,673 IN SPANISH] 376 00:14:33,673 --> 00:14:40,013 [*...] 377 00:14:40,013 --> 00:14:43,683 [THUD, ROCKS FALLING] 378 00:14:43,683 --> 00:14:47,520 [MAN BREATHING HEAVILY] 379 00:14:47,520 --> 00:14:48,288 >> WHAT WAS THAT? 380 00:14:48,288 --> 00:14:49,756 >> Travis: I DON'T KNOW-- GO. 381 00:14:49,756 --> 00:14:52,092 LET'S MOVE. 382 00:14:52,092 --> 00:14:54,561 [*...] 383 00:14:54,561 --> 00:14:55,762 DON'T WORRY. 384 00:14:55,762 --> 00:14:58,231 >> Liz: FINE, I'M FINE. 385 00:14:58,231 --> 00:14:58,932 >> Jim: NOT NERVOUS. 386 00:14:58,932 --> 00:15:00,233 NOT NERVOUS. 387 00:15:00,233 --> 00:15:03,703 [*...] 388 00:15:03,703 --> 00:15:07,840 [DOG BARKS, PEOPLE GASP] 389 00:15:07,840 --> 00:15:08,741 [MAN SPEAKING SPANISH, 390 00:15:08,741 --> 00:15:10,643 INDISTINCT] 391 00:15:10,643 --> 00:15:11,644 [DOG GROWLING] 392 00:15:11,644 --> 00:15:12,645 >> SHH, SHH. 393 00:15:12,645 --> 00:15:15,282 >> SHH... 394 00:15:23,790 --> 00:15:25,858 [INDISTINCT WHISPERING] 395 00:15:33,633 --> 00:15:34,701 >> Jim, whispering: WHAT IS IT? 396 00:15:34,701 --> 00:15:38,571 >> Man: SHIT, I CAN'T TELL. 397 00:15:38,571 --> 00:15:39,239 >> WAIT-- NO, NO! 398 00:15:39,239 --> 00:15:41,374 >> [WOMAN SCREAMING, INDISTINCT] 399 00:15:44,877 --> 00:15:46,079 OH, MY GOD! 400 00:15:46,079 --> 00:15:48,215 [SPEAKING SPANISH, SCREAMING] 401 00:15:49,182 --> 00:15:54,254 >> [MAN SPEAKING SPANISH] 402 00:15:54,254 --> 00:15:55,055 >> Liz: DAVIE, GET, 403 00:15:55,055 --> 00:15:55,555 GET BACK HERE. 404 00:15:59,926 --> 00:16:04,764 [METAL CLATTERS] 405 00:16:04,764 --> 00:16:10,537 >> Will: [COUGHING, RETCHING] 406 00:16:10,537 --> 00:16:12,839 [GROANING, SPITTING] 407 00:16:12,839 --> 00:16:16,709 GET THAT FUCKING CAMERA OFF ME. 408 00:16:16,709 --> 00:16:17,777 >> [MARIA SPEAKING SPANISH] 409 00:16:17,777 --> 00:16:20,580 >> [SPEAKING SPANISH] 410 00:16:20,580 --> 00:16:24,317 [*...] 411 00:16:32,992 --> 00:16:34,094 >> Man: AMEN. 412 00:16:34,094 --> 00:16:36,863 [*...] 413 00:16:36,863 --> 00:16:38,398 >> HEY, T. 414 00:16:38,398 --> 00:16:39,299 I'M GONNA MAKE SURE EVERYONE'S 415 00:16:39,299 --> 00:16:43,170 ALL RIGHT, O.K.? 416 00:16:43,170 --> 00:16:44,204 HEY. 417 00:16:44,204 --> 00:16:45,472 HEY, MAN, YOU O.K.? 418 00:16:45,472 --> 00:16:46,406 >> NO. 419 00:16:46,406 --> 00:16:47,940 >> [RUBBING WILL'S BACK] 420 00:16:47,940 --> 00:16:48,708 O.K. 421 00:16:48,708 --> 00:16:49,476 >> FUCKING BULLSHIT. 422 00:16:49,476 --> 00:16:50,277 >> JESUS. 423 00:16:50,277 --> 00:16:51,278 WHAT THE FUCK DID WE GET 424 00:16:51,278 --> 00:16:51,944 OURSELVES INTO? 425 00:16:51,944 --> 00:16:52,712 >> [GASPING] I KNOW. 426 00:16:52,712 --> 00:16:53,346 >> LISTEN TO ME. 427 00:16:53,346 --> 00:16:54,214 IN EIGHT HOURS, WE'RE GONNA 428 00:16:54,214 --> 00:16:55,382 BE... WE'RE GONNA BE BACK, 429 00:16:55,382 --> 00:16:56,649 BACK IN OUR APARTMENT. 430 00:16:56,649 --> 00:16:57,617 ALL RIGHT? 431 00:16:57,617 --> 00:16:59,018 TAKE A SHOWER. 432 00:16:59,018 --> 00:16:59,686 WE'LL HAVE A BEER. 433 00:16:59,686 --> 00:17:00,520 >> OH, A SHOWER, MAN. [BURPS] 434 00:17:00,520 --> 00:17:01,254 >> WE'LL SMOKE A FATTY. 435 00:17:01,254 --> 00:17:01,854 ALL RIGHT? 436 00:17:01,854 --> 00:17:03,223 RELAX. 437 00:17:03,223 --> 00:17:04,391 YOU'RE O.K. 438 00:17:08,595 --> 00:17:09,996 >> LISTEN, THIS WAS A MISTAKE. 439 00:17:09,996 --> 00:17:10,663 I'M GONNA CALL BRAD, 440 00:17:10,663 --> 00:17:11,664 HE'S GONNA COME PICK US UP. 441 00:17:11,664 --> 00:17:12,365 >> NO, NO, NO. 442 00:17:12,365 --> 00:17:13,032 DO NOT CALL BRAD. 443 00:17:13,032 --> 00:17:14,033 >> Liz: I HAVE TO CALL HIM. 444 00:17:14,033 --> 00:17:14,567 [PHONE BEEPING] 445 00:17:14,567 --> 00:17:15,602 >> Travis: HEY, WHAT DID WE SAY? 446 00:17:15,602 --> 00:17:17,036 ARE YOU KIDDING ME? 447 00:17:17,036 --> 00:17:17,570 >> WHAT? 448 00:17:17,570 --> 00:17:18,471 >> ARE YOU KIDDING ME? 449 00:17:18,471 --> 00:17:19,072 >> WE'RE DONE. 450 00:17:19,072 --> 00:17:20,240 WE DID NOT SIGN UP FOR THIS. 451 00:17:20,240 --> 00:17:21,241 >> I KNOW, THIS IS A THOUSAND 452 00:17:21,241 --> 00:17:22,442 TIMES BETTER. 453 00:17:22,442 --> 00:17:23,476 >> YOU THINK THAT WAS BETTER? 454 00:17:23,476 --> 00:17:25,378 HOW WAS THAT BETTER, TRAVIS? 455 00:17:25,378 --> 00:17:26,079 SOMEBODY DIED BACK THERE. 456 00:17:26,079 --> 00:17:26,879 THAT IS NOT BETTER. 457 00:17:26,879 --> 00:17:27,447 >> PUT YOUR PHONES-- 458 00:17:27,447 --> 00:17:29,149 >> [MAN SPEAKING SPANISH] 459 00:17:29,149 --> 00:17:30,049 >> LISTEN TO ME, O.K.? 460 00:17:30,049 --> 00:17:31,084 THIS TRIP, THIS WHOLE THING WAS 461 00:17:31,084 --> 00:17:32,852 YOUR IDEA, ALL RIGHT? 462 00:17:32,852 --> 00:17:34,020 WE GOT SHIT HERE, WE GOT SHIT 463 00:17:34,020 --> 00:17:34,854 NO ONE HAS EVER EVEN 464 00:17:34,854 --> 00:17:36,456 SEEN BEFORE. 465 00:17:36,456 --> 00:17:37,124 >> THAT'S TRUE. 466 00:17:37,124 --> 00:17:37,957 LET'S GO FINISH. 467 00:17:37,957 --> 00:17:38,625 >> THE WORST IS OVER. 468 00:17:38,625 --> 00:17:40,160 LET'S JUST... LET'S JUST FINISH 469 00:17:40,160 --> 00:17:41,228 THIS, O.K.? >> Liz: ALL RIGHT. 470 00:17:41,228 --> 00:17:42,028 >> WE'RE FALLING APART. 471 00:17:42,028 --> 00:17:42,795 IS HE O.K.? 472 00:17:42,795 --> 00:17:43,530 >> ARE YOU O.K.? 473 00:17:43,530 --> 00:17:44,164 >> YEAH, I'M FINE. 474 00:17:44,164 --> 00:17:44,731 YOU ALL RIGHT? 475 00:17:44,731 --> 00:17:45,565 >> THIRSTY, YOU WANT SOME WATER? 476 00:17:45,565 --> 00:17:46,499 >> YEAH. 477 00:17:46,499 --> 00:17:47,967 >> DO YOU HAVE ANY? 478 00:17:47,967 --> 00:17:48,835 I DON'T KNOW WHAT HAPPENED 479 00:17:48,835 --> 00:17:49,636 TO MINE. 480 00:17:49,636 --> 00:17:50,337 >> DON'T WORRY ABOUT ME, 481 00:17:50,337 --> 00:17:50,903 I'M FINE. 482 00:17:50,903 --> 00:17:51,938 >> NO-- DO YOU HAVE MY WATER, 483 00:17:51,938 --> 00:17:52,639 ACTUALLY? 484 00:17:52,639 --> 00:17:56,709 [CRICKETS CHIRPING] 485 00:17:56,709 --> 00:17:59,579 [INDISTINCT CONVERSATIONS] 486 00:17:59,579 --> 00:18:00,447 >> Liz: HELLO? 487 00:18:00,447 --> 00:18:01,981 HEY, HEY, YEAH, IT'S ME. 488 00:18:01,981 --> 00:18:03,116 WE'RE IN THE U.S. 489 00:18:03,116 --> 00:18:04,151 YOU'RE NOT GONNA BELIEVE WHAT 490 00:18:04,151 --> 00:18:04,984 HAPPENED. 491 00:18:04,984 --> 00:18:05,885 [VEHICLE PASSES] 492 00:18:05,885 --> 00:18:06,919 NO, I'M FINE, I'M FINE. 493 00:18:06,919 --> 00:18:09,789 IT'S O.K., YEAH. 494 00:18:09,789 --> 00:18:10,857 UM, HE'S, HE'S ALL RIGHT, 495 00:18:10,857 --> 00:18:12,325 HE'S NOT BOTHERING ME. 496 00:18:12,325 --> 00:18:13,593 >> Travis: FUCK YOU, BRAD. 497 00:18:13,593 --> 00:18:15,995 [CRICKETS CHIRPING] 498 00:18:15,995 --> 00:18:17,230 >> YEAH, THAT WAS HIM. 499 00:18:17,230 --> 00:18:18,331 THAT'S FINE. 500 00:18:18,331 --> 00:18:22,034 I CAN HANDLE HIM, O.K.? 501 00:18:22,034 --> 00:18:24,537 [WHISPERS] COME ON. 502 00:18:24,537 --> 00:18:25,972 >> GO ON. 503 00:18:25,972 --> 00:18:26,906 >> I LOVE YOU. 504 00:18:26,906 --> 00:18:30,943 O.K., BYE. 505 00:18:36,183 --> 00:18:38,685 [INDISTINCT WHISPERING] 506 00:18:38,685 --> 00:18:39,519 >> Travis: ARE WE ROLLING? 507 00:18:39,519 --> 00:18:42,955 >> Davie: YEAH. 508 00:18:42,955 --> 00:18:43,990 >> FOLLOW THE COYOTE WHEN HE'S 509 00:18:43,990 --> 00:18:45,692 OVER THERE. 510 00:18:45,692 --> 00:18:46,693 MAKE SURE YOU GET THE COYOTE 511 00:18:46,693 --> 00:18:48,127 WHEN HE'S GOING UP OVER THERE. 512 00:18:48,127 --> 00:18:49,128 >> Jim: THERE HE GOES, THERE HE 513 00:18:49,128 --> 00:18:50,263 GOES, THERE HE GOES. 514 00:18:50,263 --> 00:18:51,531 >> SHH. 515 00:18:51,531 --> 00:18:55,235 >> IT'S O.K. 516 00:18:55,235 --> 00:18:55,802 >> Coyote: [INDISTINCT 517 00:18:55,802 --> 00:18:57,804 CONVERSATION IN SPANISH] 518 00:18:57,804 --> 00:18:58,805 >> [INDISTINCT WHISPERING 519 00:18:58,805 --> 00:19:01,541 BEHIND CAMERA] 520 00:19:01,541 --> 00:19:02,642 >> WE'RE NOW ON AMERICAN SOIL, 521 00:19:02,642 --> 00:19:03,643 WHERE IT LOOKS LIKE OUR MIDNIGHT 522 00:19:03,643 --> 00:19:05,011 RIDE HAS ARRIVED. 523 00:19:05,011 --> 00:19:06,012 EVERYONE SEEMS TO BE IN GOOD 524 00:19:06,012 --> 00:19:07,113 SPIRITS. 525 00:19:07,113 --> 00:19:08,114 IF YOU LOOK AROUND, THE TENSION 526 00:19:08,114 --> 00:19:09,316 HAS DIED. 527 00:19:09,316 --> 00:19:10,183 THERE'S A STILLNESS TO THE 528 00:19:10,183 --> 00:19:10,817 NIGHT. 529 00:19:10,817 --> 00:19:11,784 >> [MAN SPEAKING SPANISH] 530 00:19:11,784 --> 00:19:12,852 >> SEEMS LIKE IT'S GONNA BE A 531 00:19:12,852 --> 00:19:13,686 PRETTY TIGHT FIT. 532 00:19:13,686 --> 00:19:14,921 SHIT, GRAB YOUR SHIT. 533 00:19:14,921 --> 00:19:15,888 GRAB YOUR SHIT, COME ON, 534 00:19:15,888 --> 00:19:17,357 GO, GO, GO. 535 00:19:17,357 --> 00:19:18,891 [PEOPLE GRUNTING AND PANTING] 536 00:19:18,891 --> 00:19:21,828 [*...] 537 00:19:24,931 --> 00:19:29,869 ARE YOU GETTING THIS, FILMING? 538 00:19:29,869 --> 00:19:33,340 [INDISTINCT WHISPERING] 539 00:19:33,340 --> 00:19:36,809 [*...] 540 00:19:44,651 --> 00:19:45,485 >> Will: WAIT-- NO, NO, NO, 541 00:19:45,485 --> 00:19:46,253 MY CAMERA! 542 00:19:46,253 --> 00:19:47,787 [GLASS SHATTERS] 543 00:19:47,787 --> 00:19:49,155 FUCK! 544 00:19:49,155 --> 00:19:51,123 [INDISTINCT WHISPERING] 545 00:19:51,123 --> 00:19:52,459 O.K., IT'S WORKING. 546 00:19:52,459 --> 00:19:54,594 [THUD ECHOES] 547 00:19:55,495 --> 00:19:59,332 [OVERLAPPING VOICES IN SPANISH] 548 00:20:05,572 --> 00:20:06,172 >> Travis: [WHISPERING] 549 00:20:06,172 --> 00:20:12,379 SELINA, SELINA, COME HERE. 550 00:20:12,379 --> 00:20:16,182 WANNA DO SHADOW PUPPETS? 551 00:20:16,182 --> 00:20:17,884 IT LOOKS LIKE A MOUSE TO ME. 552 00:20:17,884 --> 00:20:21,220 THAT'S A VERY GOOD ONE. 553 00:20:36,569 --> 00:20:38,070 >> IT'S VERY CRAMPED IN HERE. 554 00:20:38,070 --> 00:20:39,238 WE'RE ABOUT A HUNDRED MILES AWAY 555 00:20:39,238 --> 00:20:41,040 FROM THE SAFE HOUSE. 556 00:20:41,040 --> 00:20:43,710 THE AIR IS TENSE. 557 00:20:43,710 --> 00:20:44,544 LET'S GO TALK TO SOME 558 00:20:44,544 --> 00:20:45,378 OF OUR TRAVELERS. 559 00:20:57,824 --> 00:20:58,725 >> Man: COMO? 560 00:20:58,725 --> 00:21:02,929 [TIRES SQUEALING, TRUCK STOPS] 561 00:21:02,929 --> 00:21:06,733 [HUSHED INDISTINCT CONVERSATION] 562 00:21:21,013 --> 00:21:22,582 >> Driver outside: YES, OFFICER? 563 00:21:22,582 --> 00:21:23,883 >> Officer: I'M GONNA NEED YOU 564 00:21:23,883 --> 00:21:24,951 TO STEP OUT OF YOUR VEHICLE. 565 00:21:24,951 --> 00:21:26,118 >> WHAT DID I DO WRONG, SIR? 566 00:21:26,118 --> 00:21:27,487 >> Travis: SHH, SHH, SHH. 567 00:21:27,487 --> 00:21:33,125 [*...] 568 00:21:33,125 --> 00:21:33,993 >> Selina, loudly: PAPI. 569 00:21:33,993 --> 00:21:40,800 [*...] 570 00:21:46,639 --> 00:21:48,575 [LOUD THUD] 571 00:21:48,575 --> 00:21:52,912 [MORE LOUD THUDS, GROANING] 572 00:21:52,912 --> 00:21:59,719 [*...] 573 00:22:04,457 --> 00:22:06,593 [TRUCK CAB DOOR SHUTS] 574 00:22:06,593 --> 00:22:10,062 [ENGINE STARTS, TRUCK MOVES] 575 00:22:10,062 --> 00:22:14,434 [*...] 576 00:22:20,072 --> 00:22:22,108 [WOMAN CRYING] 577 00:22:22,108 --> 00:22:25,745 [*...] 578 00:22:28,448 --> 00:22:30,683 [MEN SPEAKING IN SPANISH] 579 00:22:30,683 --> 00:22:33,152 [*...] 580 00:22:38,124 --> 00:22:41,828 [METALLIC THUDS] 581 00:22:41,828 --> 00:22:43,195 [DIALING PHONE] 582 00:22:51,738 --> 00:22:52,472 >> YEAH? 583 00:22:52,472 --> 00:22:53,239 CAN YOU HEAR ME, 584 00:22:53,239 --> 00:22:54,206 IT'S AN EMERGENCY. 585 00:22:54,206 --> 00:22:55,174 HELLO? 586 00:22:55,174 --> 00:22:56,909 HE-- 587 00:22:56,909 --> 00:22:59,512 DAMN IT, NOTHING. 588 00:22:59,512 --> 00:23:00,447 [THUDS] 589 00:23:00,447 --> 00:23:07,253 [*...] 590 00:23:17,329 --> 00:23:20,232 [BRAKES SLAM ON, THUDS] 591 00:23:20,232 --> 00:23:23,035 [TRUCK BEEPS, BACKING UP] 592 00:23:26,673 --> 00:23:28,641 >> Liz: PUT THE CAMERA AWAY. 593 00:23:28,641 --> 00:23:29,642 WE'VE GOTTA PUT IT AWAY NOW. 594 00:23:29,642 --> 00:23:30,309 PUT THEM AWAY NOW. 595 00:23:30,309 --> 00:23:31,878 DO WHAT I'M SAYING. 596 00:23:31,878 --> 00:23:32,945 PUT 'EM AWAY, JUST DO WHAT 597 00:23:32,945 --> 00:23:35,314 I'M SAYING, PUT IT DOWN. 598 00:23:35,314 --> 00:23:36,248 >> ALL RIGHT. 599 00:23:36,248 --> 00:23:37,116 EVERYBODY SHOULD GET YOUR 600 00:23:37,116 --> 00:23:37,884 PASSPORTS READY, I'LL TRY... 601 00:23:37,884 --> 00:23:40,853 [METAL DOOR CLATTERING] 602 00:23:40,853 --> 00:23:41,488 >> Man [THROUGH BULLHORN, 603 00:23:41,488 --> 00:23:44,657 IN SPANISH]: 604 00:24:20,392 --> 00:24:21,628 [GUNSHOTS] 605 00:24:21,628 --> 00:24:22,562 [SHRIEKING] 606 00:24:22,562 --> 00:24:23,295 >> Travis: WE'RE AMERICANS! 607 00:24:23,295 --> 00:24:23,863 PLEASE! 608 00:24:23,863 --> 00:24:25,698 DON'T SHOOT!! 609 00:24:25,698 --> 00:24:28,635 PLEASE. 610 00:24:36,342 --> 00:24:39,145 [DOOR OPENS, FOOTSTEPS] 611 00:24:42,815 --> 00:24:45,618 >> Man: WHAT IS YOUR FULL NAME? 612 00:24:49,656 --> 00:24:53,125 >> TRAVIS WILLIAMS. 613 00:24:53,125 --> 00:24:54,193 >> WHY AM I BLINDFOLDED? 614 00:24:54,193 --> 00:24:58,030 >> Man: FULL NAME. NOW. 615 00:24:58,030 --> 00:25:00,567 >> ELIZABETH TONIN. 616 00:25:00,567 --> 00:25:02,368 >> MY NAME? UH... 617 00:25:02,368 --> 00:25:03,536 IT'S JAMES. 618 00:25:03,536 --> 00:25:04,704 BOWMAN. 619 00:25:04,704 --> 00:25:07,139 >> DAVID JUAN LUIS 620 00:25:07,139 --> 00:25:08,507 MARTIN DeCARIO. 621 00:25:08,507 --> 00:25:15,347 >> [EXHALES SHARPLY...] 622 00:25:15,347 --> 00:25:16,215 >> ALL RIGHT, WE'LL DO THIS 623 00:25:16,215 --> 00:25:17,083 THE HARD WAY. 624 00:25:17,083 --> 00:25:18,751 >> [SCOFFS, LAUGHS] 625 00:25:18,751 --> 00:25:20,252 [CHAIR SCRAPES FLOOR] 626 00:25:20,252 --> 00:25:23,155 >> Man: WHAT ARE YOU DOING HERE? 627 00:25:23,155 --> 00:25:23,856 >> I'M SOUND. 628 00:25:23,856 --> 00:25:24,390 >> Man: SPEAK UP. 629 00:25:24,390 --> 00:25:25,758 >> SOUND. 630 00:25:25,758 --> 00:25:30,096 SOUND GUY. 631 00:25:30,096 --> 00:25:31,530 >> I'M A DIRECTOR. 632 00:25:31,530 --> 00:25:33,165 >> Man: DIRECTOR OF WHAT? 633 00:25:33,165 --> 00:25:33,866 >> I ALREADY TOLD YOU, 634 00:25:33,866 --> 00:25:35,234 WE WERE SHOOTING A DOCUMENTARY. 635 00:25:35,234 --> 00:25:37,003 >> Man: ABOUT WHAT? 636 00:25:37,003 --> 00:25:38,104 >> ILLEGAL IMMIGRATION. 637 00:25:38,104 --> 00:25:40,573 >> Man: ARE YOU A U.S. CITIZEN? 638 00:25:40,573 --> 00:25:41,407 >> COME ON, MAN, YOU HAVE 639 00:25:41,407 --> 00:25:43,109 MY PASSPORT-- WHAT IS THIS? 640 00:25:43,109 --> 00:25:44,176 >> LOOK IN MY WALLET PLEASE. 641 00:25:44,176 --> 00:25:45,578 CHECK-- GIVE ME MY WALLET. 642 00:25:45,578 --> 00:25:46,278 LOOK, THERE SHOULD BE 643 00:25:46,278 --> 00:25:47,013 A WAD OF CASH-- 644 00:25:47,013 --> 00:25:47,847 >> Man: YOU WANT YOUR WALLET? 645 00:25:47,847 --> 00:25:48,915 [CLATTERS ON FLOOR] 646 00:25:48,915 --> 00:25:51,183 THERE'S YOUR WALLET. 647 00:25:51,183 --> 00:25:52,752 >> WE'RE GRAD STUDENTS. 648 00:25:52,752 --> 00:25:53,753 MAKING A THESIS FILM. 649 00:25:53,753 --> 00:25:55,121 NOBODY'S GONNA SEE IT. 650 00:25:55,121 --> 00:25:57,056 [THUD] 651 00:25:57,056 --> 00:26:01,093 [METALLIC CLATTERING] 652 00:26:01,093 --> 00:26:01,928 >> Man: THAT IS PEYOTE. 653 00:26:01,928 --> 00:26:04,396 IT WAS IN YOUR BACKPACK. 654 00:26:04,396 --> 00:26:06,766 >> [PANICKING] NO, UH, THAT'S, 655 00:26:06,766 --> 00:26:07,800 THAT'S NOT POSSIBLE. 656 00:26:07,800 --> 00:26:09,301 BECAUSE... I DON'T EVEN 657 00:26:09,301 --> 00:26:13,339 OWN A BACKPACK... SORRY. 658 00:26:13,339 --> 00:26:14,540 [THUD] 659 00:26:14,540 --> 00:26:16,008 AH! 660 00:26:16,008 --> 00:26:16,308 OW! 661 00:26:21,147 --> 00:26:23,482 >> Man: YOU FEEL THAT? 662 00:26:23,482 --> 00:26:26,418 ...LISTEN TO ME VERY CAREFULLY. 663 00:26:26,418 --> 00:26:29,121 WHATEVER YOU THINK THIS IS... 664 00:26:29,121 --> 00:26:31,924 IT'S FAR WORSE. 665 00:26:35,828 --> 00:26:39,131 >> [CLEARS THROAT] 666 00:26:39,131 --> 00:26:41,567 WHAT DO I HAVE TO DO? 667 00:26:41,567 --> 00:26:42,902 WHAT, WHAT DO I HAVE TO DO TO 668 00:26:42,902 --> 00:26:46,238 GET THEM OUT OF THIS, TELL ME. 669 00:26:49,275 --> 00:26:50,777 UH. 670 00:26:50,777 --> 00:26:53,579 HOLD ON, JUST GIMME A SECOND. 671 00:26:56,916 --> 00:26:58,718 [CLEARS THROAT] 672 00:27:01,387 --> 00:27:02,989 MY CREW AND I HAVE BEEN DETAINED 673 00:27:02,989 --> 00:27:08,327 BY A GROUP... 674 00:27:08,327 --> 00:27:11,630 OF PATRIOTS. 675 00:27:11,630 --> 00:27:12,832 THEY PROMISED, THEY SAID THAT 676 00:27:12,832 --> 00:27:14,000 THEY WOULD LET US GO IF WE 677 00:27:14,000 --> 00:27:17,837 DOCUMENT THEIR ACTIVITIES... 678 00:27:17,837 --> 00:27:20,973 AND THEIR PHILOSOPHY. 679 00:27:20,973 --> 00:27:22,441 IF, UH, IF WE SPREAD WORD OF 680 00:27:22,441 --> 00:27:25,244 THEIR MOVEMENT, SO... 681 00:27:28,981 --> 00:27:30,917 IS THAT GOOD, IS THAT IT OR NO? 682 00:27:30,917 --> 00:27:32,885 IS THAT O.K.? 683 00:27:32,885 --> 00:27:36,188 >> Head Patriot: OVER HERE. 684 00:27:36,188 --> 00:27:41,060 COME CLOSER. 685 00:27:41,060 --> 00:27:43,562 [WOMEN WHIMPERING] 686 00:27:43,562 --> 00:27:48,000 ILLEGAL IMMIGRATION IS A PLAGUE 687 00:27:48,000 --> 00:27:50,169 THAT THREATENS TO OVERTAKE THE 688 00:27:50,169 --> 00:27:54,240 UNITED STATES OF AMERICA. 689 00:27:54,240 --> 00:27:55,708 [WOMEN WEEPING, WHIMPERING] 690 00:27:55,708 --> 00:27:59,011 WE ARE SICK AND TIRED OF THESE 691 00:27:59,011 --> 00:28:00,679 VERMIN POURING IN OVER 692 00:28:00,679 --> 00:28:02,648 OUR BORDERS... 693 00:28:02,648 --> 00:28:05,051 CRAWLING UP ON OUR SHORES... 694 00:28:05,051 --> 00:28:08,187 BLEEDING THIS COUNTRY DRY. 695 00:28:08,187 --> 00:28:10,790 WE ARE SLOWLY LOSING OUR 696 00:28:10,790 --> 00:28:14,026 COUNTRY, BUT WE ARE DETERMINED 697 00:28:14,026 --> 00:28:16,729 TO TAKE IT BACK. 698 00:28:16,729 --> 00:28:18,831 WELL, AS YOU WILL SEE, 699 00:28:18,831 --> 00:28:21,567 WE'RE NOT WITHOUT MERCY. 700 00:28:21,567 --> 00:28:24,236 ALL CHILDREN ARE FREE TO GO. 701 00:28:24,236 --> 00:28:25,337 >> PSST, MIRA. 702 00:28:41,988 --> 00:28:43,289 [WOMEN SHOUTING] 703 00:28:43,289 --> 00:28:44,957 >> NO, NO, NO, NO! 704 00:29:11,918 --> 00:29:13,019 NO. 705 00:29:13,019 --> 00:29:14,653 NO. 706 00:29:14,653 --> 00:29:16,422 NO. 707 00:29:16,422 --> 00:29:18,524 NO, MIJA. 708 00:29:18,524 --> 00:29:21,760 NO, MIJA, NO. 709 00:29:21,760 --> 00:29:23,930 >> MAMA. 710 00:29:23,930 --> 00:29:25,631 MAMA. 711 00:29:25,631 --> 00:29:26,498 MAMA. 712 00:29:48,254 --> 00:29:51,590 TE QUIERES, TU MAMI... 713 00:29:51,590 --> 00:29:56,395 [SOBBING, REPEATING IT...] 714 00:29:56,395 --> 00:29:57,096 >> Head Patriot: CHILDREN ARE 715 00:29:57,096 --> 00:29:58,764 SMART. 716 00:29:58,764 --> 00:29:59,866 THEY'LL FIND THEIR WAY HOME. 717 00:29:59,866 --> 00:30:02,701 >> Maria: [SOBBING LOUDLY] 718 00:30:02,701 --> 00:30:04,703 DIOS MIO. 719 00:30:04,703 --> 00:30:05,872 >> Head Patriot: LET'S SHOW THEM 720 00:30:05,872 --> 00:30:06,538 WHAT WE'RE REALLY ABOUT. 721 00:30:06,538 --> 00:30:09,475 >> Maria: MI NINA, MI NINA. 722 00:30:12,311 --> 00:30:15,381 [*...] 723 00:30:15,381 --> 00:30:16,548 >> Head Patriot: LISTEN UP. 724 00:30:16,548 --> 00:30:18,117 I NEED ONE CAMERA. 725 00:30:18,117 --> 00:30:20,686 HIM, TO FILM OVER THERE. 726 00:30:20,686 --> 00:30:21,220 >> Will: EXCUSE ME. 727 00:30:21,220 --> 00:30:22,288 >> Head Patriot: YEAH, YOU PUT 728 00:30:22,288 --> 00:30:23,422 THAT ON-- HEY, NOT YET. 729 00:30:23,422 --> 00:30:25,257 COME BACK HERE. 730 00:30:25,257 --> 00:30:25,824 ONE CAMERA. 731 00:30:25,824 --> 00:30:28,594 YOU, STAY HERE WITH ME. 732 00:30:28,594 --> 00:30:29,761 WHAT THE HELL DO YOU DO? 733 00:30:29,761 --> 00:30:30,930 >> I'M A PRODUCER. 734 00:30:30,930 --> 00:30:31,730 >> YOU'RE A WHAT? 735 00:30:31,730 --> 00:30:33,465 >> SHE HOLDS THE BATTERIES. 736 00:30:33,465 --> 00:30:35,034 >> LISTEN UP. 737 00:30:35,034 --> 00:30:37,836 I HAVE ONLY ONE RULE WITH YOU. 738 00:30:37,836 --> 00:30:39,906 I TALK, YOU FILM. 739 00:30:39,906 --> 00:30:42,341 IF YOU INTERFERE, IF YOU SAY ONE 740 00:30:42,341 --> 00:30:43,943 SINGLE WORD WITHOUT BEING SPOKEN 741 00:30:43,943 --> 00:30:46,078 TO, YOU'RE NOT GONNA LIKE 742 00:30:46,078 --> 00:30:48,014 WHAT'S GONNA HAPPEN. 743 00:30:48,014 --> 00:30:49,215 IS THAT CLEAR? 744 00:30:49,215 --> 00:30:50,950 [SHOUTING] IS THAT CLEAR? 745 00:30:50,950 --> 00:30:54,353 GOOD. 746 00:30:54,353 --> 00:30:56,788 LET'S ROLL. 747 00:30:56,788 --> 00:30:59,591 YOU THERE, NOT TOO CLOSE. 748 00:30:59,591 --> 00:30:59,992 THAT'S ENOUGH. 749 00:31:00,326 --> 00:31:03,129 >> Man: 750 00:31:17,609 --> 00:31:18,577 >> THIS CHARMING FELLOW FORCES 751 00:31:18,577 --> 00:31:20,112 WOMEN TO CROSS OUR BORDER 752 00:31:20,112 --> 00:31:21,880 AS DRUG MULES. 753 00:31:21,880 --> 00:31:23,182 THEY HAVE TO SWALLOW CONDOMS 754 00:31:23,182 --> 00:31:25,117 FILLED WITH COCAINE. 755 00:31:25,117 --> 00:31:26,052 >> Patriot 2: IT'S ABOUT 756 00:31:26,052 --> 00:31:27,453 THE ONLY TIME YOU EVER HEAR OF 757 00:31:27,453 --> 00:31:28,187 MEXICANS USING CONDOMS. 758 00:31:28,187 --> 00:31:29,555 >> IF THEY REFUSE, 759 00:31:29,555 --> 00:31:30,822 A FAMILY MEMBER GETS SHOT. 760 00:31:37,863 --> 00:31:39,231 >> HE SAID "FUCK YOUR MOTHER." 761 00:31:39,231 --> 00:31:40,266 >> HE SAID "FUCK MY MOTHER"? 762 00:31:40,266 --> 00:31:43,069 >> YOU MOTHER. 763 00:31:46,472 --> 00:31:48,840 >> I GOT THIS. 764 00:31:48,840 --> 00:31:49,775 >> [SPITS] 765 00:31:49,775 --> 00:31:55,881 [MUSIC BECOMES OMINOUS] 766 00:31:55,881 --> 00:31:57,716 >> OPEN UP, COME HERE, OPEN UP. 767 00:31:57,716 --> 00:31:59,851 OPEN UP! OPEN UP! 768 00:31:59,851 --> 00:32:01,220 OPEN UP! 769 00:32:01,220 --> 00:32:02,121 TAKE IT! 770 00:32:02,121 --> 00:32:04,056 TAKE IT ALL! 771 00:32:04,056 --> 00:32:06,892 >> 90% OF DRUGS IN AMERICA COME 772 00:32:06,892 --> 00:32:10,329 FROM VERMIN LIKE THIS. 773 00:32:10,329 --> 00:32:11,697 >> Patriot 2: YOU KNOW WHAT 774 00:32:11,697 --> 00:32:13,232 YOU'RE DOING TO MY COUNTRY? 775 00:32:13,232 --> 00:32:13,899 >> Patriot 3: [TRANSLATES 776 00:32:13,899 --> 00:32:14,833 INTO SPANISH] 777 00:32:14,833 --> 00:32:16,468 [THUD] 778 00:32:16,468 --> 00:32:17,536 >> Patriot 2: THE HARM THAT 779 00:32:17,536 --> 00:32:18,304 YOU ARE CAUSING? [THUD] 780 00:32:18,304 --> 00:32:20,939 >> Patriot 3: [TRANSLATES] 781 00:32:20,939 --> 00:32:21,807 >> Patriot 2: THE PEOPLE THAT 782 00:32:21,807 --> 00:32:25,511 YOU'RE HURTING? [THUD] 783 00:32:25,511 --> 00:32:26,012 THE FAMILIES THAT 784 00:32:26,012 --> 00:32:31,850 YOU'RE TEARING APART? [THUD] 785 00:32:31,850 --> 00:32:32,651 >> [GASPS] 786 00:32:36,088 --> 00:32:38,991 >> [SPITS] 787 00:32:38,991 --> 00:32:41,227 [THUD] 788 00:32:41,227 --> 00:32:42,161 >> ENOUGH, ENOUGH OF THIS, 789 00:32:42,161 --> 00:32:43,429 ENOUGH! 790 00:33:01,580 --> 00:33:02,414 >> [ANGRILY] COME HERE! 791 00:33:02,414 --> 00:33:04,816 TAKE IT! 792 00:33:04,816 --> 00:33:11,623 [*...] 793 00:33:15,094 --> 00:33:16,395 [HARD WET SPLAT, VICTIM GRUNTS] 794 00:33:16,395 --> 00:33:21,200 [GRUNTING..., BLOWS CONTINUE] 795 00:33:28,274 --> 00:33:30,209 >> [GRUNTS] 796 00:33:30,209 --> 00:33:31,710 >> AW, SHIT. 797 00:33:31,710 --> 00:33:34,646 >> WHAT? 798 00:33:34,646 --> 00:33:37,649 >> THE CONDOM BROKE. 799 00:33:37,649 --> 00:33:39,651 [*...] 800 00:33:45,191 --> 00:33:46,058 >> Davie: FUCK. 801 00:33:46,058 --> 00:33:46,858 HEY, HEY. 802 00:33:46,858 --> 00:33:47,459 >> Jim: HEY. 803 00:33:47,459 --> 00:33:49,728 WHAT THE FUCK. 804 00:33:49,728 --> 00:33:50,962 WHAT IS THIS PLACE? 805 00:33:50,962 --> 00:33:52,431 >> Liz: OH. 806 00:33:52,431 --> 00:33:53,599 >> Patriot 2 (Klaus): COME ON. 807 00:33:53,599 --> 00:33:54,533 YOU TOO. 808 00:33:54,533 --> 00:33:55,301 >> Travis: THAT'S MY CAMERA. 809 00:33:55,301 --> 00:33:56,135 >> Klaus: THAT'S A SECURITY 810 00:33:56,135 --> 00:33:59,871 CAMERA NOW-- DON'T TOUCH IT. 811 00:33:59,871 --> 00:34:02,040 NOW TRY AND GET SOME SLEEP. 812 00:34:02,040 --> 00:34:04,843 YOU'VE GOT A LONG DAY TOMORROW. 813 00:34:09,548 --> 00:34:10,116 >> Jim: JESUS CHRIST. 814 00:34:10,116 --> 00:34:10,916 THEY'RE GONNA KNOCK OUR 815 00:34:10,916 --> 00:34:12,184 FUCKING TEETH OUT. 816 00:34:12,184 --> 00:34:13,085 >> Travis: NO, THEY'RE NOT, 817 00:34:13,085 --> 00:34:13,619 O.K.? 818 00:34:13,619 --> 00:34:14,386 WE'RE GONNA STICK TOGETHER. 819 00:34:14,386 --> 00:34:15,053 >> Will: OH, STICK TOGETHER? 820 00:34:15,053 --> 00:34:16,088 STICK TOGETHER AND DO WHAT? 821 00:34:16,088 --> 00:34:20,025 [PEOPLE SHRIEKING, SHOUTING] 822 00:34:20,025 --> 00:34:24,496 WHAT WAS THAT? 823 00:34:24,496 --> 00:34:25,364 >> Travis: I'M GONNA GET US 824 00:34:25,364 --> 00:34:27,799 OUT OF HERE. 825 00:34:27,799 --> 00:34:28,900 I'M GONNA GET US THE FUCK 826 00:34:28,900 --> 00:34:29,435 OUT OF HERE. 827 00:34:29,435 --> 00:34:29,968 [POUNDING ON DOOR] 828 00:34:29,968 --> 00:34:34,806 >> [PEOPLE SHRIEKING, ROARING] 829 00:34:34,806 --> 00:34:36,608 >> Will: WHAT WAS THAT? 830 00:34:36,608 --> 00:34:37,376 OH GOD. 831 00:34:37,376 --> 00:34:38,076 >> Travis: I'M GETTING US 832 00:34:38,076 --> 00:34:38,577 OUT OF HERE. 833 00:34:38,577 --> 00:34:38,977 >> Will: FUCK THIS. 834 00:34:43,048 --> 00:34:43,749 [MICROPHONE RATTLES, POPS] 835 00:34:43,749 --> 00:34:45,151 >> Klaus: PUT THE CAMERA ON. 836 00:34:45,151 --> 00:34:45,684 NOW! 837 00:34:45,684 --> 00:34:46,352 >> I'M TURNING IT ON! 838 00:34:46,352 --> 00:34:46,885 >> TURN IT ON! 839 00:34:46,885 --> 00:34:47,586 >> IT'S ON, IT'S ON! 840 00:34:47,586 --> 00:34:48,187 >> Klaus: IT'S ON? 841 00:34:48,187 --> 00:34:50,922 >> Travis: YES, IT'S ON. 842 00:34:50,922 --> 00:34:54,393 >> RISE AND SHINE, EVERYONE. 843 00:34:54,393 --> 00:34:56,862 Z WANTS TO SEE YOU. 844 00:34:56,862 --> 00:34:57,863 NOW, JUST KEEP FILMING, O.K.? 845 00:34:57,863 --> 00:34:58,697 GET SOME BREAKFAST, HAVE A 846 00:34:58,697 --> 00:34:59,698 GOOD TIME, TAKE A LOAD OFF. 847 00:34:59,698 --> 00:35:00,699 HAVE A LITTLE BITE TO EAT, 848 00:35:00,699 --> 00:35:01,867 BUT KEEP THAT CAMERA ON, O.K.? 849 00:35:01,867 --> 00:35:02,368 COME ON. 850 00:35:02,368 --> 00:35:04,836 >> Woman [ON VIDEO CAMERA]: 851 00:35:04,836 --> 00:35:05,571 >> Klaus: COME ON. 852 00:35:05,571 --> 00:35:06,805 >> Man [ON VIDEO CAMERA]: 853 00:35:06,805 --> 00:35:07,706 >> Klaus: YOU MUST ALL 854 00:35:07,706 --> 00:35:11,877 BE HUNGRY. 855 00:35:11,877 --> 00:35:13,011 >> Z: WELCOME, EVERYBODY. 856 00:35:13,011 --> 00:35:17,916 PLEASE SIT DOWN. 857 00:35:17,916 --> 00:35:19,185 >> Woman: YOU WANT ME TO BRING 858 00:35:19,185 --> 00:35:20,051 THEM BREAKFAST, MR. Z? 859 00:35:20,051 --> 00:35:20,986 >> OH YES, PLEASE DO. 860 00:35:20,986 --> 00:35:23,955 THANK YOU, MARTA. 861 00:35:23,955 --> 00:35:25,591 I AM REALLY IMPRESSED WHAT YOU 862 00:35:25,591 --> 00:35:27,125 GOT HERE. 863 00:35:27,125 --> 00:35:28,494 YOU'VE GOT SOME VERY INTERESTING 864 00:35:28,494 --> 00:35:29,661 SHIT ON THIS. 865 00:35:29,661 --> 00:35:35,033 REALLY NICE. 866 00:35:35,033 --> 00:35:37,536 THANK YOU, MARTA. 867 00:35:37,536 --> 00:35:41,873 [MUTTERING PRAYER] 868 00:35:41,873 --> 00:35:45,110 EAT. 869 00:35:45,110 --> 00:35:48,747 HUNGRY? 870 00:35:48,747 --> 00:35:50,649 WHAT? 871 00:35:50,649 --> 00:35:52,050 HEY, SWEETHEART, IT'S IMPOLITE 872 00:35:52,050 --> 00:35:54,186 TO STARE. 873 00:35:54,186 --> 00:35:55,587 >> YOU HAVE MAIDS? 874 00:35:55,587 --> 00:35:56,455 >> WELL, THEY CAME TO THIS 875 00:35:56,455 --> 00:35:57,956 COUNTRY TO WORK, AND BY GOD, 876 00:35:57,956 --> 00:36:01,126 I'M NOT GONNA STOP 'EM. 877 00:36:01,126 --> 00:36:06,432 >> Woman: [COUGHS] 878 00:36:06,432 --> 00:36:09,067 >> Z: PLEASE. PLEASE. EAT. 879 00:36:09,067 --> 00:36:12,304 >> Woman: [COUGHS] 880 00:36:12,304 --> 00:36:13,038 >> Travis: WHERE IS HE 881 00:36:13,038 --> 00:36:13,539 TAKING HER? 882 00:36:13,539 --> 00:36:15,607 >> Z: HEY, COME BACK, COME BACK. 883 00:36:15,607 --> 00:36:16,775 THIS YOUNG GENTLEMAN 884 00:36:16,775 --> 00:36:19,411 HAD A QUESTION. 885 00:36:19,411 --> 00:36:20,646 GET THIS ON FILM. 886 00:36:20,646 --> 00:36:21,480 >> I WANT TO KNOW WHERE 887 00:36:21,480 --> 00:36:22,047 YOU'RE TAKING HER. 888 00:36:22,047 --> 00:36:23,014 >> SHE'S SICK. 889 00:36:23,014 --> 00:36:24,283 I'M TAKING HER TO THE INFIRMARY. 890 00:36:24,283 --> 00:36:25,083 >> Travis: YOU DON'T HAVE 891 00:36:25,083 --> 00:36:25,584 A DOCTOR HERE. 892 00:36:25,584 --> 00:36:27,219 >> OF COURSE WE DO. 893 00:36:27,219 --> 00:36:30,389 WE'RE NOT SAVAGES. 894 00:36:30,389 --> 00:36:31,823 >> GRAB THAT. 895 00:36:31,823 --> 00:36:32,558 >> Z: WHAT THE HELL 896 00:36:32,558 --> 00:36:33,058 ARE YOU DOING? 897 00:36:33,058 --> 00:36:33,892 >> I'M GIVING IT TO HER. 898 00:36:33,892 --> 00:36:34,593 >> Z: PICK IT UP. 899 00:36:34,593 --> 00:36:36,262 >> WE HAVE PEOPLE FOR THAT. 900 00:36:36,262 --> 00:36:36,828 >> YOU HEARD ME. 901 00:36:36,828 --> 00:36:37,529 YOU PICK THAT UP, 902 00:36:37,529 --> 00:36:40,432 YOU MOTHERFUCKER-- HEY! 903 00:36:40,432 --> 00:36:42,067 ROSA, GIVE THAT BACK. 904 00:36:42,067 --> 00:36:43,068 >> Klaus: WHAT DO YOU WANT 905 00:36:43,068 --> 00:36:44,336 ME TO DO? >> Z: THROW IT OUT! 906 00:36:44,336 --> 00:36:45,203 THROW IT OUT. 907 00:36:45,203 --> 00:36:46,104 >> Klaus: THAT'S HER JOB. 908 00:36:46,104 --> 00:36:49,107 >> Z: DON'T EVER DO THAT AGAIN. 909 00:36:49,107 --> 00:36:51,109 I THINK WE'VE GOTTEN OFF ON 910 00:36:51,109 --> 00:36:53,211 THE WRONG FOOT. [CHUCKLES] 911 00:36:53,211 --> 00:36:54,846 SO, LET'S START OVER. 912 00:36:54,846 --> 00:36:56,382 GET TO KNOW EACH OTHER. 913 00:36:56,382 --> 00:36:57,349 >> JIM. 914 00:36:57,349 --> 00:36:58,216 >> I'M HUNGRY. 915 00:36:58,216 --> 00:37:00,952 >> Z: MARTA IS A FANTASTIC COOK. 916 00:37:00,952 --> 00:37:02,220 WHAT ABOUT YOU? 917 00:37:02,220 --> 00:37:04,890 ARE YOU ON A DIET? [LAUGHS] 918 00:37:04,890 --> 00:37:06,692 HERE. 919 00:37:06,692 --> 00:37:07,493 >> I DON'T WANT IT. 920 00:37:07,493 --> 00:37:08,560 >> COME ON. 921 00:37:08,560 --> 00:37:09,695 YOU HAVE TO EAT. 922 00:37:09,695 --> 00:37:10,662 IT'S PROTEIN. 923 00:37:10,662 --> 00:37:11,763 IT'S GOOD FOR YOU. 924 00:37:11,763 --> 00:37:13,932 CHEW, CHEW, CHEW, CHEW. 925 00:37:13,932 --> 00:37:16,668 THAT'S HOW WE DO IT. 926 00:37:16,668 --> 00:37:17,503 [CHUCKLES] 927 00:37:19,137 --> 00:37:20,406 >> Remy: THIS, I CAN SHOW 928 00:37:20,406 --> 00:37:21,540 YOU, THIS IS EL TORO'S ROOM. 929 00:37:21,540 --> 00:37:23,241 UP HERE. [POUNDING] 930 00:37:23,241 --> 00:37:24,610 GIVING A TOUR. 931 00:37:24,610 --> 00:37:26,778 [LOUDER] GIVING A TOUR! 932 00:37:26,778 --> 00:37:28,013 HE'S GOT ALL KINDS OF, LIKE, 933 00:37:28,013 --> 00:37:30,682 COMPUTERS AND, AND STUFF 934 00:37:30,682 --> 00:37:32,150 IN THERE. 935 00:37:32,150 --> 00:37:32,751 [CLEARS THROAT] 936 00:37:32,751 --> 00:37:33,719 LET'S SEE. 937 00:37:33,719 --> 00:37:34,520 THESE GATES RIGHT HERE, 938 00:37:34,520 --> 00:37:35,587 THEY'RE MEANT FOR, 939 00:37:35,587 --> 00:37:36,522 ORIGINALLY FOR CATTLE. 940 00:37:36,522 --> 00:37:37,389 BUT THEY WORK REAL GOOD 941 00:37:37,389 --> 00:37:38,457 ON THE MEXICANS. 942 00:37:38,457 --> 00:37:39,425 AND IT JUST KEEPS THEM 943 00:37:39,425 --> 00:37:40,125 RIGHT IN LINE. 944 00:37:40,125 --> 00:37:41,126 AND THEN IF YOU LOOK DOWN, 945 00:37:41,126 --> 00:37:42,093 THERE'S, WE PAINTED THIS 946 00:37:42,093 --> 00:37:43,429 ORANGE LINE HERE BECAUSE SOME 947 00:37:43,429 --> 00:37:46,231 OF THEM... [CHUCKLES] 948 00:37:46,231 --> 00:37:46,998 SOME OF THEM AREN'T, 949 00:37:46,998 --> 00:37:47,799 AREN'T REAL SMART. 950 00:37:47,799 --> 00:37:49,034 SO YOU PAINT THE LINE AND THEN 951 00:37:49,034 --> 00:37:50,369 THEY JUST FOLLOW RIGHT ALONG. 952 00:37:50,369 --> 00:37:51,437 AND IT'S LIKE, IT MAKES IT 953 00:37:51,437 --> 00:37:53,639 REALLY, REALLY EASY. 954 00:37:53,639 --> 00:37:54,706 JUST ON THIS SIDE, THAT'S WHERE 955 00:37:54,706 --> 00:37:55,974 THE ARTIST'S ROOM IS. 956 00:37:55,974 --> 00:37:57,008 HE'S GOT ALL KINDS OF STUFF 957 00:37:57,008 --> 00:37:57,976 IN THERE. 958 00:37:57,976 --> 00:37:59,177 AND MY ROOM IS JUST ON 959 00:37:59,177 --> 00:38:00,211 THE OTHER SIDE. 960 00:38:00,211 --> 00:38:01,580 AND THEN A WHOLE, THIS IS ALL, 961 00:38:01,580 --> 00:38:02,948 THIS IS LIKE RIGHT IN THE MIDDLE 962 00:38:02,948 --> 00:38:03,649 OF EVERYTHING. 963 00:38:03,649 --> 00:38:05,083 AND THAT'S THE, UM, 964 00:38:05,083 --> 00:38:06,818 THE INFIRMARY IS OVER HERE. 965 00:38:06,818 --> 00:38:07,819 >> Travis: WHERE'S THAT PREGNANT 966 00:38:07,819 --> 00:38:08,820 GIRL THAT YOU GUYS WERE SUPPOSED 967 00:38:08,820 --> 00:38:14,092 TO BRING HERE? 968 00:38:14,092 --> 00:38:16,161 >> UM... 969 00:38:16,161 --> 00:38:17,529 AND THEN JUST SUPPLIES. 970 00:38:17,529 --> 00:38:19,531 WE KEEP SUPPLIES RIGHT HERE. 971 00:38:19,531 --> 00:38:21,333 OH, AND THEN, UM, 972 00:38:21,333 --> 00:38:22,801 HERE'S THE FOOD. 973 00:38:22,801 --> 00:38:24,269 WE JUST MIX IT IN. 974 00:38:24,269 --> 00:38:25,771 ONE OF MY JOBS. 975 00:38:25,771 --> 00:38:26,605 OH, HERE. 976 00:38:26,605 --> 00:38:28,374 SHE'S, SHE'S ONE OF 977 00:38:28,374 --> 00:38:29,040 MY FAVORITES. 978 00:38:29,040 --> 00:38:31,109 HER, HER NAME'S ESPA-SOMETHING, 979 00:38:31,109 --> 00:38:32,611 BUT I, I JUST CALL HER MARIA. 980 00:38:32,611 --> 00:38:34,980 AND, I LIKE TO, I LIKE TO SPOIL 981 00:38:34,980 --> 00:38:35,747 HER REAL GOOD. 982 00:38:35,747 --> 00:38:37,383 BECAUSE SHE'S MY FAVORITE. 983 00:38:37,383 --> 00:38:38,083 >> Travis: WHY IS SHE 984 00:38:38,083 --> 00:38:39,017 YOUR FAVORITE? 985 00:38:39,017 --> 00:38:40,586 >> OH. 986 00:38:40,586 --> 00:38:42,654 SHE'S REAL SMART, REAL SMART. 987 00:38:42,654 --> 00:38:43,855 I'LL SHOW YOU THIS. 988 00:38:43,855 --> 00:38:47,793 APPLE SLICE. 989 00:38:47,793 --> 00:38:51,797 * MARIA HAD A LITTLE... 990 00:38:51,797 --> 00:38:54,466 >> LAMB? 991 00:38:54,466 --> 00:38:56,735 >> SEE? 992 00:38:56,735 --> 00:38:58,103 HERE, THIS IS THE WOMEN'S ROOM. 993 00:38:58,103 --> 00:38:58,937 WE KEEP ALL THE WOMEN 994 00:38:58,937 --> 00:39:01,039 JUST OVER HERE. 995 00:39:01,039 --> 00:39:02,073 EVERYBODY SAY HI. 996 00:39:02,073 --> 00:39:03,875 [WOMEN CRYING] 997 00:39:03,875 --> 00:39:04,610 THEY'RE REAL SHY. 998 00:39:04,610 --> 00:39:05,444 THEY'RE REAL, LOT OF THEM 999 00:39:05,444 --> 00:39:06,945 ARE REAL SHY. 1000 00:39:06,945 --> 00:39:09,448 HI. 1001 00:39:09,448 --> 00:39:13,184 HI. 1002 00:39:13,184 --> 00:39:14,686 MUST BE, MUST BE THAT TIME 1003 00:39:14,686 --> 00:39:17,355 OF THE MONTH. 1004 00:39:17,355 --> 00:39:18,089 HEY, HEY! 1005 00:39:18,089 --> 00:39:20,559 HEY! 1006 00:39:20,559 --> 00:39:21,560 YOU NEED TO STAY OVER HERE 1007 00:39:21,560 --> 00:39:22,661 WITH EVERYBODY ELSE. 1008 00:39:22,661 --> 00:39:23,462 >> Travis: HE'S JUST FILMING. 1009 00:39:23,462 --> 00:39:24,430 >> YOU GOTTA STAY TOGETHER. 1010 00:39:24,430 --> 00:39:25,196 >> William: I'M JUST FILMING. 1011 00:39:25,196 --> 00:39:25,764 >> Man: TRAVIS! 1012 00:39:27,733 --> 00:39:28,500 >> Travis: [WHISPERING] OH GOD, 1013 00:39:28,500 --> 00:39:29,100 ALBERTO. 1014 00:39:29,100 --> 00:39:29,868 >> OH, NO, NO, NO. 1015 00:39:29,868 --> 00:39:30,769 NO, NO, NO, NO, NO. 1016 00:39:30,769 --> 00:39:31,470 YOU GOTTA STAY BACK, 1017 00:39:31,470 --> 00:39:32,170 'CAUSE, LISTEN. 1018 00:39:32,170 --> 00:39:33,338 'CAUSE THEY WILL BITE YOU. 1019 00:39:33,338 --> 00:39:34,172 THEY WILL BITE YOU AND 1020 00:39:34,172 --> 00:39:34,606 YOU'LL BE SORRY. 1021 00:39:38,143 --> 00:39:38,444 >> NO, SHH. 1022 00:39:39,978 --> 00:39:40,812 >> SHUT THE FUCK UP! 1023 00:39:40,812 --> 00:39:43,615 SHUT UP! 1024 00:39:46,752 --> 00:39:53,559 [WATER ROARING] 1025 00:40:03,435 --> 00:40:08,239 [MEN SCREAMING] 1026 00:40:51,016 --> 00:40:54,553 >> I'M NOT A MEXICAN LIKE YOU. 1027 00:40:54,553 --> 00:40:58,023 I'M A GOD DAMN AMERICAN CITIZEN. 1028 00:41:05,497 --> 00:41:06,798 GET HIS WIFE. 1029 00:41:06,798 --> 00:41:13,338 [*...] 1030 00:41:13,338 --> 00:41:14,940 >> [SPEAKING IN SPANISH] 1031 00:41:14,940 --> 00:41:19,945 [PANTING, WHIMPERING...] 1032 00:41:22,447 --> 00:41:28,453 [DOOR OPENS] 1033 00:41:28,453 --> 00:41:30,889 [DOOR SLAMS] 1034 00:41:30,889 --> 00:41:33,491 >> Z: YOU AND YOUR WIFE HAVE 1035 00:41:33,491 --> 00:41:36,995 BEEN GRANTED A RARE OPPORTUNITY 1036 00:41:36,995 --> 00:41:40,198 TO GAIN ENTRY INTO THE UNITED 1037 00:41:40,198 --> 00:41:44,502 STATES OF AMERICA. 1038 00:41:44,502 --> 00:41:47,438 THIS IS THE OFFICIAL 1039 00:41:47,438 --> 00:41:49,975 CITIZENSHIP TEST. 1040 00:41:49,975 --> 00:41:52,410 TAKE IT AWAY, REMY. 1041 00:41:52,410 --> 00:41:53,478 >> O.K., I'MA GIVE YOU 1042 00:41:53,478 --> 00:41:58,850 THE RULES NOW. 1043 00:41:58,850 --> 00:41:59,685 O.K., WE'RE GONNA ASK 1044 00:41:59,685 --> 00:42:01,086 YOU SOME QUESTIONS. 1045 00:42:01,086 --> 00:42:02,253 AND FOR EVERY ONE THAT YOU GET 1046 00:42:02,253 --> 00:42:03,555 RIGHT, WE'RE GONNA UNDO ONE OF 1047 00:42:03,555 --> 00:42:04,956 HER WRISTS, SO WE'RE MAKING IT 1048 00:42:04,956 --> 00:42:07,158 REAL EASY ON YOU. 1049 00:42:07,158 --> 00:42:08,594 QUESTION ONE. 1050 00:42:08,594 --> 00:42:10,228 HOW MANY REPRESENTATIVES ARE 1051 00:42:10,228 --> 00:42:11,997 THERE IN CONGRESS? 1052 00:42:14,900 --> 00:42:17,035 >> [IMITATES STOPWATCH TICKING] 1053 00:42:17,035 --> 00:42:18,003 [SHOUTS] HOW MANY 1054 00:42:18,003 --> 00:42:20,238 REPRESENTATIVES ARE THERE 1055 00:42:20,238 --> 00:42:22,407 IN CONGRESS? 1056 00:42:33,284 --> 00:42:34,319 >> OH YEAH, NO, IT'S NOT A 1057 00:42:34,319 --> 00:42:35,120 ENGLISH QUESTION, 1058 00:42:35,120 --> 00:42:36,487 IT'S A MATH QUESTION. 1059 00:42:36,487 --> 00:42:37,923 YOU KNOW MATH? 1060 00:42:37,923 --> 00:42:40,291 435, YOU'RE WRONG. 1061 00:42:40,291 --> 00:42:41,326 [BANGS GAVEL] 1062 00:42:41,326 --> 00:42:45,831 [RACK CLATTERS, GEARS CLANKING] 1063 00:42:45,831 --> 00:42:46,632 >> Maria: [SCREAMING...] 1064 00:43:00,712 --> 00:43:03,114 >> Remy: O.K., QUESTION TWO. 1065 00:43:03,114 --> 00:43:04,582 WHO WROTE THE STAR-SPANGLED 1066 00:43:04,582 --> 00:43:06,985 BANNER? 1067 00:43:11,056 --> 00:43:11,690 >> HUH? 1068 00:43:15,727 --> 00:43:17,863 >> Z: QUE? 1069 00:43:17,863 --> 00:43:20,531 NOW THAT IS VERY CLOSE. 1070 00:43:20,531 --> 00:43:23,334 IT'S NOT QUE, IT'S KEY! 1071 00:43:23,334 --> 00:43:27,138 FRANCIS SCOTT KEY. 1072 00:43:27,138 --> 00:43:28,573 [*...] 1073 00:43:28,573 --> 00:43:29,875 [BANGS GAVEL] 1074 00:43:29,875 --> 00:43:34,880 [CLANKING, MARIA SCREAMING] 1075 00:43:42,353 --> 00:43:43,554 >> STOP, STOP IT! 1076 00:43:43,554 --> 00:43:44,756 PLEASE! 1077 00:43:44,756 --> 00:43:47,125 PLEASE STOP. 1078 00:43:47,125 --> 00:43:48,159 >> Z: WHEN I APPLIED FOR MY 1079 00:43:48,159 --> 00:43:49,360 CITIZENSHIP, I HAD TO TAKE 1080 00:43:49,360 --> 00:43:51,229 THIS TEST. 1081 00:43:51,229 --> 00:43:52,230 AND I WAS PROUD. 1082 00:43:52,230 --> 00:43:54,565 I STUDIED VERY HARD. 1083 00:43:54,565 --> 00:43:55,834 BUT YOU'RE DEFENDING A MAN WHO 1084 00:43:55,834 --> 00:43:57,235 ENTERED A COUNTRY HE DOESN'T 1085 00:43:57,235 --> 00:43:58,603 EVEN RESPECT! 1086 00:43:58,603 --> 00:43:59,604 >> HE DOESN'T UNDERSTAND WHAT 1087 00:43:59,604 --> 00:44:00,338 YOU'RE SAYING. 1088 00:44:00,338 --> 00:44:01,840 >> WHEN IT COMES TO FUCKING FOOD 1089 00:44:01,840 --> 00:44:03,508 STAMPS, THESE PEOPLE UNDERSTAND 1090 00:44:03,508 --> 00:44:08,479 ENGLISH PERFECTLY WELL! 1091 00:44:08,479 --> 00:44:10,581 >> Remy: O.K., QUESTION THREE. 1092 00:44:10,581 --> 00:44:11,950 HOW MANY STRIPES ARE THERE IN 1093 00:44:11,950 --> 00:44:14,820 THE U.S. FLAG? 1094 00:44:14,820 --> 00:44:17,555 >> [SOBBING, GASPING] 1095 00:44:17,555 --> 00:44:19,457 [RAGGED BREATHING] 1096 00:44:27,032 --> 00:44:28,399 >> HEY, HEY, HEY! 1097 00:44:28,399 --> 00:44:30,301 CHEATING. 1098 00:44:30,301 --> 00:44:32,337 NO CHEATING. 1099 00:44:38,209 --> 00:44:39,110 >> TEN. 1100 00:44:42,447 --> 00:44:44,515 ELEVEN. 1101 00:44:44,515 --> 00:44:45,516 TWELVE. 1102 00:44:45,516 --> 00:44:47,052 TWELVE? 1103 00:44:47,052 --> 00:44:49,287 NO, NO, THIRTEEN. 1104 00:44:49,287 --> 00:44:50,722 THIRTEEN. 1105 00:44:50,722 --> 00:44:51,589 THIRTEEN. 1106 00:44:51,589 --> 00:44:52,323 THIRTEEN! 1107 00:44:52,323 --> 00:44:54,392 >> AH! 1108 00:44:54,392 --> 00:44:55,560 >> THIRTEEN, THIRTEEN. 1109 00:44:55,560 --> 00:44:56,694 >> Z: CORRECT. 1110 00:44:56,694 --> 00:44:57,829 >> THIRTEEN! 1111 00:44:57,829 --> 00:44:59,164 >> Z: UNDO! 1112 00:44:59,164 --> 00:45:00,531 UNDO HER WRIST. 1113 00:45:00,531 --> 00:45:03,969 >> [GASPING IN PAIN] 1114 00:45:07,138 --> 00:45:09,841 GOOD JOB. [LAUGHS] 1115 00:45:09,841 --> 00:45:12,844 KEEP UP THE GOOD WORK. 1116 00:45:12,844 --> 00:45:15,580 QUESTION NUMBER FOUR. 1117 00:45:15,580 --> 00:45:16,748 >> Remy: O.K. 1118 00:45:16,748 --> 00:45:17,448 O.K. 1119 00:45:17,448 --> 00:45:18,784 HEY, HEY, NO, YOU, NO. 1120 00:45:18,784 --> 00:45:19,350 NO, NO, NO. 1121 00:45:26,091 --> 00:45:26,792 >> O.K. 1122 00:45:26,792 --> 00:45:28,960 WHO SAID, "GIVE ME LIBERTY OR 1123 00:45:28,960 --> 00:45:30,762 GIVE ME DEATH?" 1124 00:45:30,762 --> 00:45:33,564 >> [SOBBING] PLEASE. 1125 00:45:33,564 --> 00:45:35,433 PLEASE. 1126 00:45:35,433 --> 00:45:37,502 >> Z: "GIVE ME LIBERTY OR 1127 00:45:37,502 --> 00:45:41,472 GIVE ME DEATH." 1128 00:45:41,472 --> 00:45:43,308 >> [RAGGED BREATHING] 1129 00:45:43,308 --> 00:45:45,643 >> Z: CLOCK IS TICKING. 1130 00:45:50,548 --> 00:45:51,316 >> NO. 1131 00:45:53,218 --> 00:45:55,921 >> [WAILING] NO! 1132 00:45:55,921 --> 00:46:00,525 NO! 1133 00:46:00,525 --> 00:46:01,092 >> [WHISPERING] THOMAS 1134 00:46:01,092 --> 00:46:03,829 JEFFERSON. 1135 00:46:03,829 --> 00:46:06,064 THOMAS JEFFERSON. 1136 00:46:06,064 --> 00:46:07,065 THOMAS JEFFERSON. 1137 00:46:07,065 --> 00:46:09,667 THOMAS JEFFERSON. 1138 00:46:09,667 --> 00:46:11,369 >> WHAT IS THAT? 1139 00:46:11,369 --> 00:46:14,239 THIS IS ONE OF THE MOST FAMOUS 1140 00:46:14,239 --> 00:46:16,908 QUOTES IN AMERICAN HISTORY. 1141 00:46:16,908 --> 00:46:18,576 AND IT DEFINES THE 1142 00:46:18,576 --> 00:46:19,677 AMERICAN SPIRIT. 1143 00:46:19,677 --> 00:46:21,646 >> [AGONIZED MOANING] 1144 00:46:21,646 --> 00:46:24,082 >> GIVE ME LIBERTY OR GIVE ME... 1145 00:46:24,082 --> 00:46:24,950 [GUNSHOT] 1146 00:46:24,950 --> 00:46:27,385 >> Jim: OH MY GOD! 1147 00:46:27,385 --> 00:46:31,656 >> Liz: [SCREAMING] 1148 00:46:31,656 --> 00:46:33,124 >> Z, slowly: I THOUGHT WE HAD 1149 00:46:33,124 --> 00:46:35,961 AN AGREEMENT... HUH? 1150 00:46:35,961 --> 00:46:37,863 WE TALK, YOU FILM. 1151 00:46:37,863 --> 00:46:41,232 >> Liz: [CRYING] 1152 00:46:41,232 --> 00:46:46,771 >> Z: PICK UP THE CAMERA. 1153 00:46:46,771 --> 00:46:48,573 SOMEONE PICK UP THE 1154 00:46:48,573 --> 00:46:50,008 FUCKING CAMERA! 1155 00:46:50,008 --> 00:46:52,110 >> Liz: O.K., O.K. 1156 00:46:52,110 --> 00:46:54,779 O.K. 1157 00:46:54,779 --> 00:46:56,381 >> Z: GET THAT UP. 1158 00:46:56,381 --> 00:46:57,582 YOU HEAR ME? 1159 00:46:57,582 --> 00:46:59,717 >> Jim: O.K., O.K. 1160 00:46:59,717 --> 00:47:00,886 >> Remy: PICK THAT THING UP. 1161 00:47:00,886 --> 00:47:03,188 >> Liz to Will: I'M SORRY. 1162 00:47:03,188 --> 00:47:06,657 >> Z: COME ON. 1163 00:47:06,657 --> 00:47:07,692 >> Liz, whimpering: JESUS. 1164 00:47:07,692 --> 00:47:08,293 >> Z: CONTINUE FILMING. 1165 00:47:08,293 --> 00:47:12,397 [*...] 1166 00:47:12,397 --> 00:47:15,200 NOW... 1167 00:47:15,200 --> 00:47:19,971 WHAT IS THE ANSWER? 1168 00:47:19,971 --> 00:47:23,841 >> TOMA JESSERFEE? 1169 00:47:23,841 --> 00:47:26,244 TOMA... 1170 00:47:26,244 --> 00:47:27,678 JE-JEFF... 1171 00:47:27,678 --> 00:47:30,448 >> HUH? 1172 00:47:30,448 --> 00:47:33,418 >> [WHIMPERS] JE-JEFFREY...? 1173 00:47:33,418 --> 00:47:34,785 >> OH. 1174 00:47:34,785 --> 00:47:35,853 HE'S VERY CLOSE. 1175 00:47:35,853 --> 00:47:38,890 >> [RAGGED SOBBING...] 1176 00:47:38,890 --> 00:47:39,590 >> NOW, THE ANSWER IS 1177 00:47:39,590 --> 00:47:44,029 PATRICK HENRY... HMM. 1178 00:47:44,029 --> 00:47:45,130 [BANGING GAVEL] 1179 00:47:45,130 --> 00:47:45,830 [GEARS CLANKING LOUDLY...] 1180 00:47:45,830 --> 00:47:48,799 >> Maria: [SCREAMING...] 1181 00:47:48,799 --> 00:47:54,139 >> Alberto: [SHOUTING...] 1182 00:47:54,139 --> 00:47:55,540 [CRACK, SCREAMING STOPS] 1183 00:47:55,540 --> 00:47:56,107 >> [SOBBING] 1184 00:47:56,107 --> 00:48:02,147 [*...] 1185 00:48:02,147 --> 00:48:03,248 [CLANK] 1186 00:48:03,248 --> 00:48:04,415 >> PUT HIM ON THE RACK AND BRING 1187 00:48:04,415 --> 00:48:05,883 IN ANOTHER WETBACK. 1188 00:48:05,883 --> 00:48:06,751 >> Travis: WAIT, WAIT. 1189 00:48:06,751 --> 00:48:08,253 NO, NO, STOP, STOP. 1190 00:48:08,253 --> 00:48:08,786 WE NEED HIM. 1191 00:48:08,786 --> 00:48:11,156 WE NEED ANOTHER CAMERAMAN. 1192 00:48:11,156 --> 00:48:11,990 DAVIE CAN'T DO THIS SHIT 1193 00:48:11,990 --> 00:48:13,591 BY HIMSELF. 1194 00:48:13,591 --> 00:48:15,893 >> WELL, SHE SEEMS TO BE 1195 00:48:15,893 --> 00:48:17,963 HANDLING HERSELF PERFECTLY WELL. 1196 00:48:17,963 --> 00:48:18,696 >> SHE'S A PRODUCER. 1197 00:48:18,696 --> 00:48:19,931 SHE DOESN'T KNOW SHIT. 1198 00:48:19,931 --> 00:48:21,099 SHE'S NEVER HELD A CAMERA IN HER 1199 00:48:21,099 --> 00:48:22,433 ENTIRE LIFE, PLEASE. 1200 00:48:22,433 --> 00:48:23,101 >> Davie: ALBERTO TOLD ME 1201 00:48:23,101 --> 00:48:24,102 ON THE TRUCK HE KNOWS HOW 1202 00:48:24,102 --> 00:48:25,036 TO USE A CAMERA. 1203 00:48:25,036 --> 00:48:26,837 WE NEED HIM. 1204 00:48:32,377 --> 00:48:33,411 >> Z: YOU'RE NOT GONNA GET AN 1205 00:48:33,411 --> 00:48:35,280 ILLEGAL IMMIGRANT WHEN THERE ARE 1206 00:48:35,280 --> 00:48:38,083 AMERICANS WHO CAN DO THE JOB. 1207 00:48:40,551 --> 00:48:43,354 >> YOU HAVE MARTA. 1208 00:48:47,292 --> 00:48:51,296 >> Travis: HEY, HEY, HEY. 1209 00:48:51,296 --> 00:48:54,099 >> Liz: [SNIFFLING] 1210 00:49:06,777 --> 00:49:09,814 >> Z: O.K. 1211 00:49:09,814 --> 00:49:10,848 LET'S CONTINUE FILMING. 1212 00:49:10,848 --> 00:49:11,716 GET HIM OFF THE CHAIR, 1213 00:49:11,716 --> 00:49:14,652 GET HER OUT OF HERE. 1214 00:49:14,652 --> 00:49:17,989 >> Alberto: [SOBBING...] 1215 00:49:27,198 --> 00:49:34,005 [*...] 1216 00:49:49,987 --> 00:49:51,989 >> BIEN. 1217 00:49:51,989 --> 00:49:55,826 [*...] 1218 00:50:00,765 --> 00:50:02,800 BIEN. 1219 00:50:02,800 --> 00:50:09,074 [*...] 1220 00:50:09,074 --> 00:50:11,042 >> Davie: THEY'RE LEAVING. 1221 00:50:11,042 --> 00:50:11,876 I COULDN'T SEE HOW MANY, 1222 00:50:11,876 --> 00:50:12,877 I DON'T KNOW, THREE OR FOUR. 1223 00:50:12,877 --> 00:50:13,878 BUT THEY GOT IN THEIR TRUCK 1224 00:50:13,878 --> 00:50:14,679 AND THEY'RE LEAVING. 1225 00:50:14,679 --> 00:50:15,513 >> Liz: ARE YOU SURE? 1226 00:50:15,513 --> 00:50:16,614 >> Davie: NO, I MEAN I'M NOT 1227 00:50:16,614 --> 00:50:17,648 "SURE SURE", BUT YEAH, THERE'S A 1228 00:50:17,648 --> 00:50:19,650 TRUCK LEAVING. 1229 00:50:19,650 --> 00:50:21,552 YEAH, IT'S GONE. 1230 00:50:21,552 --> 00:50:23,821 >> Travis: WHAT ARE YOU DOING? 1231 00:50:23,821 --> 00:50:24,389 LIZ? 1232 00:50:24,389 --> 00:50:24,922 >> WHAT? 1233 00:50:24,922 --> 00:50:25,990 >> WHAT ARE YOU DOING? 1234 00:50:25,990 --> 00:50:28,126 >> TRYING TO GET OUT. 1235 00:50:28,126 --> 00:50:28,993 [THUD] 1236 00:50:28,993 --> 00:50:29,560 >> Davie: LIZ. 1237 00:50:29,560 --> 00:50:30,361 LIZ. 1238 00:50:30,361 --> 00:50:31,196 DON'T BREAK, DON'T BREAK. 1239 00:50:31,196 --> 00:50:32,397 IT'S UNBREAKABLE. 1240 00:50:32,397 --> 00:50:34,965 WE TRIED THAT LAST NIGHT. 1241 00:50:34,965 --> 00:50:36,167 >> Liz: DOES ANYBODY HAVE A 1242 00:50:36,167 --> 00:50:38,002 SCREWDRIVER OR SOMETHING? 1243 00:50:38,002 --> 00:50:43,408 TO TRY AND GET THE HINGES OUT? 1244 00:50:43,408 --> 00:50:46,211 >> Jim: WHAT THE FUCK? 1245 00:50:50,315 --> 00:50:50,915 >> WAIT. 1246 00:50:50,915 --> 00:50:51,816 WAIT, WAIT, WAIT. 1247 00:50:51,816 --> 00:50:53,884 LET ME SEE, LET ME SEE. 1248 00:50:53,884 --> 00:50:55,953 >> WHAT ARE YOU DOING? 1249 00:50:55,953 --> 00:50:56,921 WHAT ARE YOU DOING? 1250 00:50:56,921 --> 00:50:58,055 >> HOLD ON, HOLD ON. 1251 00:50:58,055 --> 00:50:58,823 >> YOU'RE SMARTER THAN THIS, 1252 00:50:58,823 --> 00:50:59,324 LISTEN TO ME. 1253 00:50:59,324 --> 00:51:00,458 >> I'M NOT LISTENING TO YOU, I 1254 00:51:00,458 --> 00:51:01,459 LISTENED TO YOU... >> SHH, SHH! 1255 00:51:01,459 --> 00:51:03,228 >> ...ANYMORE WITH YOU! 1256 00:51:03,228 --> 00:51:04,895 I'M NOT GONNA CALM DOWN! 1257 00:51:04,895 --> 00:51:06,097 MARIA IS DEAD. 1258 00:51:06,097 --> 00:51:07,265 AND WILLIAM IS DEAD! 1259 00:51:07,265 --> 00:51:09,600 I AM NOT GONNA BE THE NEXT ONE! 1260 00:51:09,600 --> 00:51:10,468 >> Jim: HEY, HEY. 1261 00:51:10,468 --> 00:51:11,669 >> Travis: SORRY. 1262 00:51:11,669 --> 00:51:12,603 >> Jim: YOU ALL RIGHT? 1263 00:51:12,603 --> 00:51:13,604 >> Travis: WHY DO YOU THINK THEY 1264 00:51:13,604 --> 00:51:14,672 LEFT THAT DOOR UNLOCKED? 1265 00:51:14,672 --> 00:51:16,241 WE ARE FUCKING MICE. 1266 00:51:16,241 --> 00:51:17,007 >> Davie: IT DOESN'T MATTER, 1267 00:51:17,007 --> 00:51:18,209 MAN, LISTEN, THE DOOR'S OPEN, 1268 00:51:18,209 --> 00:51:18,709 THEY'RE GONE. 1269 00:51:18,709 --> 00:51:19,844 WE'VE GOTTA TAKE A SHOT. 1270 00:51:19,844 --> 00:51:20,611 >> SORRY, LISTEN. 1271 00:51:20,611 --> 00:51:21,612 I JUST NEED YOU TO THINK 1272 00:51:21,612 --> 00:51:22,880 ABOUT THIS, O.K.? 1273 00:51:22,880 --> 00:51:23,681 THERE'S A RIGHT WAY, 1274 00:51:23,681 --> 00:51:24,582 THERE'S A WRONG WAY. 1275 00:51:24,582 --> 00:51:25,650 WE USE PRECISION. 1276 00:51:25,650 --> 00:51:26,651 WE HAVE SOME STRATEGY, WE HAVE 1277 00:51:26,651 --> 00:51:27,652 OUR TAPES, WE HAVE OUR POINTS 1278 00:51:27,652 --> 00:51:29,354 OF ENTRY, EXIT. 1279 00:51:29,354 --> 00:51:30,020 WE'RE NOT JUST GONNA 1280 00:51:30,020 --> 00:51:31,222 GO BLINDLY INTO THE DARK. 1281 00:51:31,222 --> 00:51:32,423 I MEAN, WHAT... 1282 00:51:32,423 --> 00:51:33,090 >> Liz: WAIT A MINUTE. 1283 00:51:33,090 --> 00:51:33,591 >> JESUS. 1284 00:51:33,591 --> 00:51:34,625 >> Jim: HE'S RIGHT. 1285 00:51:34,625 --> 00:51:35,960 O.K., WE THINK ABOUT IT FOR A 1286 00:51:35,960 --> 00:51:36,861 SECOND, O.K.? 1287 00:51:36,861 --> 00:51:38,062 >> LISTEN TO ME. 1288 00:51:38,062 --> 00:51:39,964 WE CAN HELP THEM. 1289 00:51:39,964 --> 00:51:41,966 WE CAN. 1290 00:51:41,966 --> 00:51:42,567 PLEASE. 1291 00:51:42,567 --> 00:51:45,203 >> Jim: WE CAN'T STAY HERE. 1292 00:51:45,203 --> 00:51:49,073 >> Liz: O.K. 1293 00:51:49,073 --> 00:51:50,775 >> O.K., GOOD. 1294 00:51:50,775 --> 00:51:54,912 ALL RIGHT. 1295 00:51:54,912 --> 00:51:55,746 >> Davie: GIVE ME A FLASHLIGHT. 1296 00:51:55,746 --> 00:51:56,747 >> Jim: NO, NO, NO FLASHLIGHT. 1297 00:51:56,747 --> 00:51:59,184 O.K., BE QUIET. 1298 00:51:59,184 --> 00:51:59,984 >> Travis: O.K. 1299 00:51:59,984 --> 00:52:00,818 >> Liz: WHY ARE YOU BRINGING 1300 00:52:00,818 --> 00:52:01,319 THE TAPES? 1301 00:52:01,319 --> 00:52:02,453 >> IT'S FOR THE POLICE. 1302 00:52:02,453 --> 00:52:03,188 SOMEONE'S GOTTA SHUT THESE 1303 00:52:03,188 --> 00:52:05,990 FUCKERS DOWN. 1304 00:52:12,597 --> 00:52:13,264 >> Davie: ALBERTO. 1305 00:52:24,175 --> 00:52:24,775 >> Alberto: 1306 00:52:37,054 --> 00:52:37,788 >> Travis, whispering: O.K. 1307 00:52:37,788 --> 00:52:40,758 HERE, HERE-- TAKE, TAKE THIS. 1308 00:52:45,930 --> 00:52:46,764 >> Jim: WHAT IF THEY SEE 1309 00:52:46,764 --> 00:52:47,398 THE LIGHTS? 1310 00:52:47,398 --> 00:52:48,032 >> Travis: THEY CAN'T, 1311 00:52:48,032 --> 00:52:50,134 IT'S NIGHT VISION. 1312 00:52:50,134 --> 00:52:51,402 >> Liz: TRAVIS, I CAN'T SEE. 1313 00:52:51,402 --> 00:52:52,603 WHERE ARE YOU? 1314 00:52:52,603 --> 00:52:53,304 >> Travis: JUST FOLLOW US. 1315 00:52:53,304 --> 00:52:55,105 WE GOT NIGHT VISION. 1316 00:53:01,312 --> 00:53:04,114 WAIT, WAIT, WAIT, WAIT. 1317 00:53:09,287 --> 00:53:10,421 THEY MAKE THEM SLEEP LIKE THIS. 1318 00:53:10,421 --> 00:53:10,721 >> HEY. 1319 00:53:12,323 --> 00:53:12,623 >> All: SHH! 1320 00:53:23,000 --> 00:53:26,404 >> Travis: WAIT, WAIT, WAIT. 1321 00:53:26,404 --> 00:53:30,875 WAIT, WHERE IS IT? 1322 00:53:30,875 --> 00:53:32,677 >> Jim: OH, OH SHIT. 1323 00:53:32,677 --> 00:53:33,344 >> Travis: WHAT IS IT? 1324 00:53:33,344 --> 00:53:35,846 HOLD THE FENCE. 1325 00:53:35,846 --> 00:53:36,681 >> Davie: TRAVIS, WHAT THE FUCK 1326 00:53:36,681 --> 00:53:38,783 ARE YOU DOING? GET DOWN! 1327 00:53:38,783 --> 00:53:39,884 [METALLIC CLANK] 1328 00:53:39,884 --> 00:53:40,551 >> Liz: TRAVIS, WHAT ARE 1329 00:53:40,551 --> 00:53:44,021 YOU DOING? 1330 00:53:44,021 --> 00:53:45,122 ALL RIGHT, THIS IS TAKING TOO 1331 00:53:45,122 --> 00:53:47,525 LONG, WE GOTTA GO. 1332 00:53:47,525 --> 00:53:50,261 [GLASS SHATTERS QUIETLY] 1333 00:53:50,261 --> 00:53:51,228 >> Travis: TAKE THIS. 1334 00:53:51,228 --> 00:53:55,165 [METALLIC THUD] 1335 00:53:55,165 --> 00:53:56,967 >> Liz: O.K., O.K. 1336 00:54:00,471 --> 00:54:03,374 >> Davie: EASY, EASY. 1337 00:54:03,374 --> 00:54:04,174 [METALLIC CLINK] 1338 00:54:04,174 --> 00:54:05,209 >> Travis: OH SHIT. 1339 00:54:05,209 --> 00:54:06,944 [LOUD METALLIC CLATTERING] 1340 00:54:06,944 --> 00:54:09,380 [PANICKED BREATHING...] 1341 00:54:09,380 --> 00:54:10,548 FUCK, FUCK. 1342 00:54:10,548 --> 00:54:13,884 CAN'T SEE SHIT. 1343 00:54:13,884 --> 00:54:17,054 FUCK, WHERE'S ALBERTO? 1344 00:54:17,054 --> 00:54:17,655 WE GOTTA GO! 1345 00:54:17,655 --> 00:54:18,823 >> Woman shouts: HEY! 1346 00:54:19,624 --> 00:54:20,291 >> Davie: 1347 00:54:23,394 --> 00:54:26,196 [FOOTSTEPS, *...] 1348 00:54:44,682 --> 00:54:49,387 [FOOTSTEPS CONTINUE APPROACHING] 1349 00:55:08,639 --> 00:55:11,442 >> SHH. 1350 00:55:24,021 --> 00:55:25,823 >> Davie: [WHISPERING] ALBERTO. 1351 00:55:35,032 --> 00:55:37,835 [FOOTSTEPS LEAVING] 1352 00:55:40,938 --> 00:55:45,410 [*...] 1353 00:55:45,410 --> 00:55:48,379 COME ON, ALBERTO, BACK UP. 1354 00:55:48,379 --> 00:55:51,181 >> WHAT'S GOING ON? 1355 00:55:54,852 --> 00:55:56,286 >> Travis: WE GOTTA GO, NOW. 1356 00:55:56,286 --> 00:55:56,821 >> Liz: O.K. 1357 00:55:56,821 --> 00:55:58,756 >> Jim: WHICH WAY? WHICH WAY? 1358 00:55:58,756 --> 00:56:02,059 [*...] 1359 00:56:03,728 --> 00:56:10,535 [*...] 1360 00:56:17,742 --> 00:56:24,549 [*...] 1361 00:56:30,187 --> 00:56:31,989 [DOOR OPENS WITH METALLIC THUD] 1362 00:56:39,897 --> 00:56:40,798 >> Liz, whispers: I STILL CAN'T 1363 00:56:40,798 --> 00:56:43,634 SEE, I CAN'T SEE. 1364 00:56:47,438 --> 00:56:50,240 >> Travis: IT'S ALL BARBED WIRE. 1365 00:57:00,885 --> 00:57:02,219 WHAT IS THAT? 1366 00:57:02,219 --> 00:57:04,021 >> Liz: OH GOD. 1367 00:57:18,002 --> 00:57:18,335 >> Liz: SHH. 1368 00:57:21,606 --> 00:57:23,674 [*..., DOG GROWLS] 1369 00:57:23,674 --> 00:57:25,743 >> OH SHIT, RUN, RUN! 1370 00:57:25,743 --> 00:57:28,546 [DOG BARKS VICIOUSLY] 1371 00:57:34,785 --> 00:57:37,588 >> Jim: [SHOUTS] 1372 00:57:41,225 --> 00:57:44,028 [THUDS, DOG YELPS, SNARLS] 1373 00:57:49,299 --> 00:57:50,100 HELP ME! HELP ME! 1374 00:57:50,100 --> 00:57:54,204 [DOG CONTINUES ATTACKING] 1375 00:57:54,204 --> 00:57:55,840 AHH! 1376 00:57:55,840 --> 00:57:56,741 >> Travis: I'M COMING BACK. 1377 00:57:56,741 --> 00:57:59,243 I'M COMING BACK. 1378 00:57:59,243 --> 00:58:01,111 [SHOUTS] LIZ! 1379 00:58:01,111 --> 00:58:02,513 [ELECTRICAL ZAPPING] 1380 00:58:02,513 --> 00:58:03,313 >> Travis: [SHOUTS IN PAIN, 1381 00:58:03,313 --> 00:58:04,248 THRASHES FROM ELECTRICITY...] 1382 00:58:04,248 --> 00:58:05,282 >> Jim: AH, GET HIM OFF! 1383 00:58:05,282 --> 00:58:06,584 GET HIM OFF! HELP! 1384 00:58:06,584 --> 00:58:08,485 [DOG SNARLS] 1385 00:58:08,485 --> 00:58:11,288 [JIM SCREAMS IN PAIN] 1386 00:58:23,133 --> 00:58:24,935 [FOOTSTEPS] 1387 00:58:30,575 --> 00:58:32,442 >> PANCAKES. 1388 00:58:32,442 --> 00:58:35,245 THANK YOU, MARTA. 1389 00:58:35,245 --> 00:58:38,182 >> GOOD BACON. 1390 00:58:38,182 --> 00:58:39,650 >> NO, NOT HIM. 1391 00:58:39,650 --> 00:58:42,452 HE'S NOT EATING. 1392 00:58:49,359 --> 00:58:51,095 >> I'M NOT HUNGRY. 1393 00:58:51,095 --> 00:58:52,362 >> I MUST SAY. 1394 00:58:52,362 --> 00:58:53,330 I'M A LITTLE BIT DISAPPOINTED 1395 00:58:53,330 --> 00:58:55,399 IN YOU. 1396 00:58:55,399 --> 00:58:56,066 >> YOU SAID YOU'D LET 1397 00:58:56,066 --> 00:58:57,101 THE KIDS GO. 1398 00:58:57,101 --> 00:58:58,002 >> AND WE DID. 1399 00:58:58,002 --> 00:58:59,203 >> NO, YOU DIDN'T. 1400 00:58:59,203 --> 00:59:00,237 BECAUSE WE SAW HIS DAUGHTER 1401 00:59:00,237 --> 00:59:01,839 THERE AND THERE WERE DOGS AND 1402 00:59:01,839 --> 00:59:03,007 RAZOR WIRE AND-- 1403 00:59:03,007 --> 00:59:03,841 >> THEY WERE GIVEN CLEAR 1404 00:59:03,841 --> 00:59:05,542 INSTRUCTIONS, BUT HIS DAUGHTER 1405 00:59:05,542 --> 00:59:07,544 DIDN'T LISTEN. 1406 00:59:07,544 --> 00:59:08,245 SHE TOOK OFF IN 1407 00:59:08,245 --> 00:59:10,981 ANOTHER DIRECTION. 1408 00:59:10,981 --> 00:59:11,982 BUT THERE'S A LESSON TO BE 1409 00:59:11,982 --> 00:59:13,383 LEARNED HERE. 1410 00:59:13,383 --> 00:59:16,153 DON'T FUCK WITH ME. 1411 00:59:16,153 --> 00:59:17,722 THE ONLY WAY YOU'RE GOING 1412 00:59:17,722 --> 00:59:19,289 HOME IS TO DO EXACTLY 1413 00:59:19,289 --> 00:59:21,692 WHAT I TELL YOU. 1414 00:59:21,692 --> 00:59:23,027 THERE'S A FEW MORE THINGS I'D 1415 00:59:23,027 --> 00:59:24,862 LIKE TO GET ON CAMERA. 1416 00:59:24,862 --> 00:59:26,764 AND IF YOU CHALLENGE ME AGAIN, 1417 00:59:26,764 --> 00:59:30,100 I'M GONNA FUCKING KILL YOU. 1418 00:59:30,100 --> 00:59:31,168 COULD YOU PLEASE PASS 1419 00:59:31,168 --> 00:59:34,271 ME THE SYRUP? 1420 00:59:34,271 --> 00:59:35,572 THANK YOU, TRAVIS. 1421 00:59:35,572 --> 00:59:37,141 >> Artist: YOU'LL HAVE TO EXCUSE 1422 00:59:37,141 --> 00:59:38,275 THE MESS. 1423 00:59:38,275 --> 00:59:39,176 MARTA AND THE MAIDS AREN'T 1424 00:59:39,176 --> 00:59:40,544 ALLOWED IN HERE, AND... 1425 00:59:40,544 --> 00:59:43,147 I DON'T GET TOO MANY VISITORS. 1426 00:59:43,147 --> 00:59:45,215 [WHIPS SHEET OVER SOMETHING] 1427 00:59:45,215 --> 00:59:49,253 SORRY ABOUT THAT. 1428 00:59:49,253 --> 00:59:50,755 I'VE BEEN WONDERING SOMETHING. 1429 00:59:50,755 --> 00:59:51,756 WHEN YOU CAME IN THROUGH THE 1430 00:59:51,756 --> 00:59:53,423 DRUG TUNNEL, WHAT DID YOU THINK 1431 00:59:53,423 --> 00:59:55,626 OF MY WORK? 1432 00:59:55,626 --> 00:59:56,627 I MEAN THE, THE, YOU KNOW, 1433 00:59:56,627 --> 00:59:58,495 THE BODY IN THE TUNNEL. 1434 00:59:58,495 --> 01:00:01,298 DID IT FRIGHTEN ANYONE AWAY? 1435 01:00:01,298 --> 01:00:02,432 >> YEAH. 1436 01:00:02,432 --> 01:00:04,902 ONE, I THINK. 1437 01:00:04,902 --> 01:00:07,705 >> Artist: ONE. 1438 01:00:07,705 --> 01:00:09,573 THAT'S, THAT'S A PROBLEM. 1439 01:00:09,573 --> 01:00:10,841 YOU SEE, I'M NOT HERE TO BUILD 1440 01:00:10,841 --> 01:00:12,677 A BETTER MOUSETRAP. 1441 01:00:12,677 --> 01:00:13,811 I'M HERE TO BUILD A BETTER 1442 01:00:13,811 --> 01:00:15,179 SCARECROW. 1443 01:00:15,179 --> 01:00:16,013 >> Davie: THE HELL DOES THAT 1444 01:00:16,013 --> 01:00:17,247 MEAN? 1445 01:00:17,247 --> 01:00:19,049 >> I'M GLAD YOU ASKED THAT. 1446 01:00:19,049 --> 01:00:21,351 THINK ABOUT THAT BODY YOU SAW. 1447 01:00:21,351 --> 01:00:22,252 ALL THESE VIDEOS THAT YOU'RE 1448 01:00:22,252 --> 01:00:24,021 SHOOTING RIGHT NOW, WHEN WE SEND 1449 01:00:24,021 --> 01:00:25,790 THEM TO THE MEXICAN MEDIA, 1450 01:00:25,790 --> 01:00:27,725 IT'LL PUT THE STOPPER ON. 1451 01:00:27,725 --> 01:00:29,593 IT'LL SAY, "STAY WHERE THE FUCK 1452 01:00:29,593 --> 01:00:31,395 YOU ARE." 1453 01:00:31,395 --> 01:00:32,396 THE RIGHT IMAGE CAN MAKE ALL 1454 01:00:32,396 --> 01:00:33,230 THE DIFFERENCE IN THE WORLD. 1455 01:00:33,230 --> 01:00:34,531 I MEAN, THAT'S WHY YOU'RE HERE. 1456 01:00:34,531 --> 01:00:37,034 THAT'S THE POINT OF THIS VIDEO. 1457 01:00:37,034 --> 01:00:39,036 AND TO DO THAT, THE MESSAGE 1458 01:00:39,036 --> 01:00:41,906 NEEDS TO BE STRONGER. 1459 01:00:41,906 --> 01:00:42,973 >> Liz: JESUS! 1460 01:00:42,973 --> 01:00:45,009 [METALLIC CLANGING, CLATTERING] 1461 01:00:45,009 --> 01:00:45,642 >> "JESUS." 1462 01:00:45,642 --> 01:00:47,011 OH, THAT'S INTERESTING. 1463 01:00:47,011 --> 01:00:48,178 "JESUS." 1464 01:00:48,178 --> 01:00:49,413 YOU KNOW WHEN THE GUY COMES TO 1465 01:00:49,413 --> 01:00:50,981 SCHOOL AND HE WANTS SOMEBODY 1466 01:00:50,981 --> 01:00:51,949 FROM THE AUDIENCE, IT'S JUST 1467 01:00:51,949 --> 01:00:52,549 LIKE THAT. 1468 01:00:52,549 --> 01:00:53,818 I JUST WANT YOU TO COME UPSTAGE. 1469 01:00:53,818 --> 01:00:54,919 IT'S HARD BECAUSE SHE'S LYING 1470 01:00:54,919 --> 01:00:55,920 FLAT AND SHE'S ALL STIFF. 1471 01:00:55,920 --> 01:00:58,989 I, I NEED SOMEBODY UPRIGHT. 1472 01:00:58,989 --> 01:01:02,626 WELL, YOU'RE A BOTTICELLI NOW. 1473 01:01:02,626 --> 01:01:04,128 BUT IF I LET YOU ROT IN THE SUN 1474 01:01:04,128 --> 01:01:05,495 A FEW DAYS, YOU'LL BE 1475 01:01:05,495 --> 01:01:08,032 RUBENESQUE. 1476 01:01:08,032 --> 01:01:09,366 I'M GONNA TAKE A BONE SAW TO HER 1477 01:01:09,366 --> 01:01:11,568 SKULL, RIGHT BELOW THE HAIRLINE. 1478 01:01:11,568 --> 01:01:13,470 RIGHT HERE. 1479 01:01:13,470 --> 01:01:15,272 SKULL CAP COMES OFF. 1480 01:01:15,272 --> 01:01:16,874 REMOVE HER BRAIN, HER EYES, 1481 01:01:16,874 --> 01:01:18,776 ALL THE SOFT TISSUES. 1482 01:01:18,776 --> 01:01:20,410 THEN, I'M GONNA RUN ELECTRICAL 1483 01:01:20,410 --> 01:01:21,645 WIRING THROUGH HER SINUS 1484 01:01:21,645 --> 01:01:23,213 CAVITIES TO A HUNDRED-WATT BULB 1485 01:01:23,213 --> 01:01:25,449 AT THE BACK OF HER BRAIN PAN. 1486 01:01:25,449 --> 01:01:26,884 IT'LL LOOK LIKE A GLOWING, 1487 01:01:26,884 --> 01:01:28,753 WHITE HALO. 1488 01:01:28,753 --> 01:01:31,121 LIKE AN ANGEL. 1489 01:01:31,121 --> 01:01:32,990 IMAGINE. 1490 01:01:32,990 --> 01:01:36,761 OUR SWEET, INNOCENT GIRL HERE, 1491 01:01:36,761 --> 01:01:39,196 NAKED AT THE END OF A TUNNEL. 1492 01:01:39,196 --> 01:01:41,065 CRADLING HER BABY LIKE THE 1493 01:01:41,065 --> 01:01:43,033 VIRGIN MOTHER. 1494 01:01:43,033 --> 01:01:45,903 >> Z: PAINTS QUITE A PICTURE, 1495 01:01:45,903 --> 01:01:48,172 DOESN'T HE? 1496 01:01:58,582 --> 01:01:59,449 >> Liz: WHAT'S THE SURPRISE? 1497 01:01:59,449 --> 01:02:00,684 GONNA LECTURE AGAIN WHILE YOU 1498 01:02:00,684 --> 01:02:01,786 KILL SOMEONE? 1499 01:02:01,786 --> 01:02:03,453 >> Z: ON THE CONTRARY. 1500 01:02:03,453 --> 01:02:04,654 EL TORO SCREENS THE BLOOD OF 1501 01:02:04,654 --> 01:02:06,656 EVERYONE WHO COMES HERE. 1502 01:02:06,656 --> 01:02:08,658 AND IF THEY'RE CLEAN, WE'LL MAKE 1503 01:02:08,658 --> 01:02:11,595 A DONATION ON THEIR BEHALF. 1504 01:02:11,595 --> 01:02:14,698 AND THIS MAN HAS BEEN MATCHED... 1505 01:02:14,698 --> 01:02:16,834 FOR A KIDNEY. 1506 01:02:16,834 --> 01:02:19,937 >> [MOANING, SOBBING] 1507 01:02:19,937 --> 01:02:21,138 >> Z: THE EQUATION IS VERY 1508 01:02:21,138 --> 01:02:22,840 SIMPLE-- BY SAVING AN AMERICAN 1509 01:02:22,840 --> 01:02:25,609 LIFE, WE WILL SPARE HIS. 1510 01:02:25,609 --> 01:02:26,743 [LOUD CLATTER] 1511 01:02:26,743 --> 01:02:29,179 >> El Toro: HEY. 1512 01:02:29,179 --> 01:02:30,714 >> Z: WE'RE NOT DOING IT FOR 1513 01:02:30,714 --> 01:02:31,916 THE MONEY. 1514 01:02:31,916 --> 01:02:36,821 WE'RE DOING IT FOR OUR COUNTRY. 1515 01:02:36,821 --> 01:02:37,654 >> Klaus: HEY, REMY, WANT TO 1516 01:02:37,654 --> 01:02:39,156 PLAY SPIC-TAC-TOE? 1517 01:02:39,156 --> 01:02:40,224 >> Remy: CAN I GO FIRST? 1518 01:02:40,224 --> 01:02:41,325 >> Klaus: YOU CAN BE "X"s. 1519 01:02:41,325 --> 01:02:42,993 >> El Toro: HELP ME OR GET OUT. 1520 01:02:45,362 --> 01:02:46,030 >> Travis: IS HE REALLY 1521 01:02:46,030 --> 01:02:47,431 A SURGEON? 1522 01:02:47,431 --> 01:02:49,800 >> Z: 'COURSE HE'S A SURGEON. 1523 01:02:49,800 --> 01:02:51,401 >> El Toro: UGH. 1524 01:02:51,401 --> 01:02:53,303 GALLO, YOU'RE A BLEEDER. 1525 01:02:53,303 --> 01:02:54,304 >> [CRYING] 1526 01:02:54,304 --> 01:02:55,305 >> Z: YOU KNOW, HE'S THE FIRST 1527 01:02:55,305 --> 01:02:56,440 ONE TO GRADUATE FROM HIGH SCHOOL 1528 01:02:56,440 --> 01:02:58,008 IN HIS FAMILY. 1529 01:02:58,008 --> 01:02:59,076 AND THEN HE JUST KEPT GOING 1530 01:02:59,076 --> 01:03:01,211 RIGHT THROUGH MED SCHOOL. 1531 01:03:01,211 --> 01:03:02,913 AND THEN IN HIS THIRD YEAR OF 1532 01:03:02,913 --> 01:03:04,514 RESIDENCY, ON HIS WAY BACK FROM 1533 01:03:04,514 --> 01:03:06,416 THE HOSPITAL, A GANG OF ILLEGAL 1534 01:03:06,416 --> 01:03:08,652 IMMIGRANTS APPROACHED HIM. 1535 01:03:08,652 --> 01:03:09,486 >> El Toro: ALL RIGHT, LET'S 1536 01:03:09,486 --> 01:03:10,988 CLAMP OFF THE BLOOD VESSELS. 1537 01:03:10,988 --> 01:03:12,556 O.K., GET THE COOLER, LET'S GO. 1538 01:03:12,556 --> 01:03:13,991 >> Z: HE GAVE THEM EVERYTHING 1539 01:03:13,991 --> 01:03:15,926 HE HAD IN HIS POCKETS. 1540 01:03:15,926 --> 01:03:17,561 NO, NO, THAT WASN'T ENOUGH. 1541 01:03:17,561 --> 01:03:18,896 >> Remy: SHH, HE'S A REAL 1542 01:03:18,896 --> 01:03:20,097 GOOD DOCTOR. 1543 01:03:20,097 --> 01:03:21,098 >> Z: KNOW WHAT THEY DID? 1544 01:03:21,098 --> 01:03:24,334 THEY FUCKING CUT HIS THROAT. 1545 01:03:24,334 --> 01:03:26,103 >> El Toro: GOTTA SEW HIM UP. 1546 01:03:26,103 --> 01:03:27,304 >> Liz: DOESN'T MAKE IT RIGHT. 1547 01:03:27,304 --> 01:03:28,638 >> Z: WHAT WAS THAT? 1548 01:03:28,638 --> 01:03:29,306 >> Liz: IT DOESN'T MAKE 1549 01:03:29,306 --> 01:03:31,508 IT RIGHT. 1550 01:03:31,508 --> 01:03:32,342 >> Z: WOULD YOU SAY THE 1551 01:03:32,342 --> 01:03:33,277 SAME THING? 1552 01:03:33,277 --> 01:03:35,145 HEY! SHUT THE FUCK UP. 1553 01:03:35,145 --> 01:03:36,446 >> Travis: FUCK YOU. 1554 01:03:36,446 --> 01:03:38,048 >> Z: JUST FILM THIS. 1555 01:03:38,048 --> 01:03:39,683 IF SOMEONE CAME UP TO YOU 1556 01:03:39,683 --> 01:03:41,919 WITH A FUCKING BOX CUTTER AND 1557 01:03:41,919 --> 01:03:43,653 JUST DID THIS TO YOU. 1558 01:03:43,653 --> 01:03:44,654 [GRUNTS LOUDLY] 1559 01:03:44,654 --> 01:03:45,689 >> El Toro: HEY, Z. 1560 01:03:45,689 --> 01:03:47,191 I'D LIKE TO REMOVE HIS CORNEAS. 1561 01:03:47,191 --> 01:03:48,425 WHAT DO YOU THINK? 1562 01:03:48,425 --> 01:03:50,260 >> Z: AS LONG AS HE LIVES! 1563 01:03:50,260 --> 01:03:51,395 TAKE WHATEVER FITS IN THE 1564 01:03:51,395 --> 01:03:53,763 COOLER. 1565 01:03:53,763 --> 01:03:54,932 >> Davie: JIM-- SHIT! 1566 01:03:54,932 --> 01:03:56,533 >> Liz: JIM, JIM. 1567 01:03:56,533 --> 01:03:59,436 >> Z: HEY, COME BACK! 1568 01:03:59,436 --> 01:04:00,737 >> Man: IT'S ALL RIGHT... 1569 01:04:00,737 --> 01:04:01,939 >> Travis: I GOT HER. 1570 01:04:01,939 --> 01:04:02,606 YOU O.K.? 1571 01:04:02,606 --> 01:04:03,407 >> YEAH, I'M FINE. 1572 01:04:03,407 --> 01:04:04,508 I'M FINE, NO, DON'T WORRY 1573 01:04:04,508 --> 01:04:05,175 ABOUT IT. 1574 01:04:05,175 --> 01:04:05,976 WORRY ABOUT JIM. 1575 01:04:05,976 --> 01:04:07,244 [SIGHS] 1576 01:04:07,244 --> 01:04:08,512 WORRY ABOUT JIM. 1577 01:04:08,512 --> 01:04:13,183 >> WORRY ABOUT JIM. 1578 01:04:13,183 --> 01:04:15,352 FUCK, I DON'T KNOW. 1579 01:04:15,352 --> 01:04:16,386 I DON'T KNOW WHERE HE IS. 1580 01:04:16,386 --> 01:04:17,721 I DON'T KNOW. 1581 01:04:17,721 --> 01:04:18,956 >> THEY'RE PLAYING WITH US. 1582 01:04:18,956 --> 01:04:19,957 THEY'RE NEVER GONNA LET US GO. 1583 01:04:19,957 --> 01:04:20,690 >> HEY, DON'T. 1584 01:04:20,690 --> 01:04:24,628 >> THEY HAVE NO REASON TO. 1585 01:04:30,434 --> 01:04:31,435 >> WE JUST NEED TO FIND SOME 1586 01:04:31,435 --> 01:04:32,970 LEVERAGE. 1587 01:04:32,970 --> 01:04:34,804 SOMEHOW WE JUST, WE GOTTA FIND 1588 01:04:34,804 --> 01:04:36,073 SOMETHING, THERE'S GOTTA BE... 1589 01:04:36,073 --> 01:04:37,942 [DOOR OPENS] 1590 01:04:37,942 --> 01:04:38,943 >> ALL RIGHT, GET UP, COME ON. 1591 01:04:38,943 --> 01:04:45,215 BRING THE CAMERAS, LET'S GO. 1592 01:04:45,215 --> 01:04:48,685 >> NOT UNTIL WE SEE JIM. 1593 01:04:54,925 --> 01:04:56,994 >> Z: I WANT YOU TO RECORD THAT 1594 01:04:56,994 --> 01:04:58,328 WE'RE TAKING REALLY GOOD CARE 1595 01:04:58,328 --> 01:04:59,729 OF HIM. 1596 01:04:59,729 --> 01:05:02,799 CONTINUE FILMING. 1597 01:05:06,070 --> 01:05:08,638 >> HEY. 1598 01:05:08,638 --> 01:05:09,739 HEY. >> Jim: HEY. 1599 01:05:09,739 --> 01:05:11,942 >> Liz: HOW YOU FEELING? 1600 01:05:11,942 --> 01:05:13,110 >> FEEL REALLY GOOD. 1601 01:05:13,110 --> 01:05:14,178 >> YEAH? 1602 01:05:14,178 --> 01:05:14,945 GOOD. 1603 01:05:14,945 --> 01:05:16,113 I WANT YOU TO HANG IN THERE, 1604 01:05:16,113 --> 01:05:17,114 O.K., BECAUSE WE'RE GONNA GET 1605 01:05:17,114 --> 01:05:18,048 YOU HOME REALLY SOON. 1606 01:05:18,048 --> 01:05:19,383 >> Jim: FEEL GOOD. 1607 01:05:19,383 --> 01:05:20,550 >> Liz: GOOD, GOOD. 1608 01:05:20,550 --> 01:05:22,186 >> LISTEN, MAN. 1609 01:05:22,186 --> 01:05:24,788 ABOUT LAST NIGHT, THAT WAS JUST, 1610 01:05:24,788 --> 01:05:27,657 I DIDN'T, I WAS... 1611 01:05:27,657 --> 01:05:31,328 >> DON'T WORRY ABOUT IT, T. 1612 01:05:42,072 --> 01:05:42,939 >> Z: ALL RIGHT. 1613 01:05:42,939 --> 01:05:44,674 VISITATION'S OVER! 1614 01:05:44,674 --> 01:05:45,375 >> WAIT A MINUTE. 1615 01:05:45,375 --> 01:05:46,610 CAN WE HAVE FIVE MORE MINUTES? 1616 01:05:46,610 --> 01:05:47,177 >> Z: NO. 1617 01:05:47,177 --> 01:05:49,479 GOT A DOCUMENTARY TO SHOOT. 1618 01:05:49,479 --> 01:05:50,114 COME ON. 1619 01:05:50,114 --> 01:05:51,681 >> YOU KNOW WHAT? 1620 01:05:51,681 --> 01:05:52,516 ALL RIGHT, YOU WANT A 1621 01:05:52,516 --> 01:05:54,018 DOCUMENTARY? 1622 01:05:54,018 --> 01:05:55,419 WE'LL HAVE A DOCUMENTARY. 1623 01:05:55,419 --> 01:05:57,054 >> Z: OVER HERE. 1624 01:05:57,054 --> 01:06:00,657 >> WHY ARE YOU DOING THIS? 1625 01:06:00,657 --> 01:06:03,327 >> Z: WHY AM I DOING THIS? 1626 01:06:03,327 --> 01:06:06,196 ISN'T THAT OBVIOUS BY NOW? 1627 01:06:06,196 --> 01:06:07,664 >> OH NO I, I, I COMPLETELY 1628 01:06:07,664 --> 01:06:08,698 GET IT. 1629 01:06:08,698 --> 01:06:11,101 ILLEGAL ALIENS CAUSE CRIME. 1630 01:06:11,101 --> 01:06:12,236 THEY CARRY DISEASES. 1631 01:06:12,236 --> 01:06:14,104 SO DOES EVERYONE ELSE. 1632 01:06:14,104 --> 01:06:15,705 THIS IS ALL JUST RACISM POSING 1633 01:06:15,705 --> 01:06:17,174 AS PATRIOTISM. 1634 01:06:17,174 --> 01:06:18,842 >> Z: I BET YOU REHEARSED THAT 1635 01:06:18,842 --> 01:06:19,809 ALL MORNING. 1636 01:06:19,809 --> 01:06:22,312 [LAUGHS] 1637 01:06:22,312 --> 01:06:23,147 >> YOU WANT TO KNOW WHAT 1638 01:06:23,147 --> 01:06:23,647 I THINK? 1639 01:06:23,647 --> 01:06:25,515 >> Z: OH, SHE CAN THINK NOW! 1640 01:06:25,515 --> 01:06:26,983 >> I'M THINKING YOU'RE TARGETING 1641 01:06:26,983 --> 01:06:28,785 PEOPLE LIKE HIM AND THE PEOPLE 1642 01:06:28,785 --> 01:06:30,120 OUTSIDE BECAUSE THEY'RE 1643 01:06:30,120 --> 01:06:32,222 UNDOCUMENTED, AND YOU GET TO DO 1644 01:06:32,222 --> 01:06:33,490 YOUR SICK THINGS ON THEM AND 1645 01:06:33,490 --> 01:06:35,292 THINK YOU CAN GET AWAY WITH IT. 1646 01:06:35,292 --> 01:06:37,494 YOUR PROPAGANDA, YOUR PATRIOTIC 1647 01:06:37,494 --> 01:06:40,430 FRONT IS BULLSHIT. 1648 01:06:40,430 --> 01:06:42,032 YOU'RE NOT A PATRIOT. 1649 01:06:42,032 --> 01:06:49,373 YOU'RE FUCKING INSANE. 1650 01:06:49,373 --> 01:06:50,374 DON'T TAKE IT! 1651 01:06:50,374 --> 01:06:52,042 [VARIOUS SHOUTING] 1652 01:06:52,042 --> 01:06:52,776 NO, NO. 1653 01:06:52,776 --> 01:07:00,016 [GRUNTING...] 1654 01:07:00,016 --> 01:07:01,118 >> Z: YOU FEEL THAT? 1655 01:07:01,118 --> 01:07:02,852 NOW THAT'S WHAT THE BRAIN OF 1656 01:07:02,852 --> 01:07:04,788 AN IDIOT FEELS LIKE. 1657 01:07:04,788 --> 01:07:05,889 YOU WANT TO BE AN IDIOT? 1658 01:07:05,889 --> 01:07:06,723 >> Travis: LEAVE HER THE FUCK 1659 01:07:06,723 --> 01:07:07,624 ALONE! 1660 01:07:07,624 --> 01:07:09,359 >> Z: THIS IS HOW IT ENDS. 1661 01:07:09,359 --> 01:07:16,866 CONTINUE FILMING. 1662 01:07:16,866 --> 01:07:18,368 >> Liz: IT'S NOT COMING OFF. 1663 01:07:18,368 --> 01:07:19,136 >> Travis: YEAH, DON'T WORRY, 1664 01:07:19,136 --> 01:07:19,869 IT'LL COME OFF. 1665 01:07:19,869 --> 01:07:21,405 >> Liz: [SPEAKS INDISTINCTLY] 1666 01:07:21,405 --> 01:07:24,174 [GRUNTS IN DISGUST] 1667 01:07:35,252 --> 01:07:36,853 >> WAIT, WAIT, WAIT. 1668 01:07:36,853 --> 01:07:38,722 WAIT, WHAT'S THAT? 1669 01:07:38,722 --> 01:07:42,526 SHH, SHH, SHH. 1670 01:07:42,526 --> 01:07:45,562 SHIT, IS THAT A TRUCK? 1671 01:07:45,562 --> 01:07:47,664 OH, SHIT. 1672 01:07:51,935 --> 01:07:52,736 >> Davie: WHERE IS IT? 1673 01:07:52,736 --> 01:07:57,774 >> Travis: HOLD IT, HOLD IT. 1674 01:07:57,774 --> 01:07:59,876 THERE IT IS. 1675 01:07:59,876 --> 01:08:05,682 THERE IT IS. 1676 01:08:05,682 --> 01:08:06,583 OH, GOD, COME ON. 1677 01:08:06,583 --> 01:08:08,051 COME ON, COME ON, COME ON. 1678 01:08:08,051 --> 01:08:10,620 COME ON-- FUCK. 1679 01:08:10,620 --> 01:08:13,390 FUCK. 1680 01:08:13,390 --> 01:08:14,958 FUCK. 1681 01:08:14,958 --> 01:08:16,793 FUCK. 1682 01:08:16,793 --> 01:08:18,462 [TRUCK RUMBLES IN DISTANCE] 1683 01:08:18,462 --> 01:08:21,431 SHIT. 1684 01:08:21,431 --> 01:08:24,401 OH, OH, GOD, FUCK. 1685 01:08:24,401 --> 01:08:25,302 LIZZIE. 1686 01:08:25,302 --> 01:08:28,238 LIZZIE, LIZ, GET UP. 1687 01:08:28,238 --> 01:08:30,674 SEE? I TOLD YOU, A TRUCK. 1688 01:08:30,674 --> 01:08:32,309 OH, MY GOD. 1689 01:08:32,309 --> 01:08:35,312 HEY! 1690 01:08:35,312 --> 01:08:36,646 [INDISTINCT CONVERSATION] 1691 01:08:36,646 --> 01:08:39,449 A TRUCK, COME ON. 1692 01:08:39,449 --> 01:08:40,984 LIZ, LIZ, A TRUCK. 1693 01:08:40,984 --> 01:08:45,955 >> Liz: JUST PLEASE HELP US! 1694 01:08:45,955 --> 01:08:46,556 >> Travis: PLEASE, CALL, 1695 01:08:46,556 --> 01:08:47,291 CALL THE POLICE. 1696 01:08:47,291 --> 01:08:48,057 >> Liz: WE'VE BEEN KIDNAPPED. 1697 01:08:48,057 --> 01:08:49,859 THEY'RE TRYING TO KILL US. 1698 01:08:49,859 --> 01:08:51,928 [SCATTERED TALKING] 1699 01:08:51,928 --> 01:08:54,063 BE QUIET, KEEP QUIET. 1700 01:08:54,063 --> 01:08:54,898 >> Travis: OH, SHIT, HE'S RIGHT 1701 01:08:54,898 --> 01:08:55,832 BEHIND YOU-- RUN! 1702 01:08:55,832 --> 01:09:00,470 [ALL SCREAMING] 1703 01:09:00,470 --> 01:09:01,571 >> WHERE THE FUCK HAVE YOU BEEN, 1704 01:09:01,571 --> 01:09:02,339 MAN? 1705 01:09:02,339 --> 01:09:03,573 >> HAD TO CHANGE A TIRE. 1706 01:09:03,573 --> 01:09:04,274 >> Davie: FUCK. 1707 01:09:04,274 --> 01:09:07,644 [SPEAKING INDISTINCTLY] 1708 01:09:07,644 --> 01:09:09,012 >> Travis: JESUS. 1709 01:09:09,012 --> 01:09:10,013 FUCK. 1710 01:09:10,013 --> 01:09:16,553 [MUFFLED FRUSTRATED GROAN] 1711 01:09:21,157 --> 01:09:22,926 >> Z: I THOUGHT I MADE MYSELF 1712 01:09:22,926 --> 01:09:26,129 PERFECTLY CLEAR, HUH? 1713 01:09:26,129 --> 01:09:27,797 NO, NO. 1714 01:09:27,797 --> 01:09:31,935 YOU CHOSE NOT TO LISTEN. 1715 01:09:31,935 --> 01:09:34,938 ME AND MY MEN HAVE SHOWN YOU 1716 01:09:34,938 --> 01:09:36,906 A LOT OF HOSPITALITY. 1717 01:09:36,906 --> 01:09:39,175 AND A LOT OF RESPECT. 1718 01:09:39,175 --> 01:09:41,077 WHAT DO WE GET IN RETURN? 1719 01:09:41,077 --> 01:09:42,479 HUH? >> Travis: WE'RE SORRY. 1720 01:09:42,479 --> 01:09:43,613 >> YES-- NO! 1721 01:09:43,613 --> 01:09:44,614 >> IT WAS, IT WASN'T LIKE THAT. 1722 01:09:44,614 --> 01:09:45,949 WE'RE SORRY. 1723 01:09:45,949 --> 01:09:48,218 >> Z: HUH? 1724 01:09:48,218 --> 01:09:49,719 [BANGS METAL HARD] 1725 01:09:49,719 --> 01:09:52,856 FUCKING RESPECT. 1726 01:09:52,856 --> 01:09:59,529 BRING 'EM IN. 1727 01:09:59,529 --> 01:10:01,498 >> [WOMAN WHIMPERING] 1728 01:10:01,498 --> 01:10:03,367 >> Z: I HAVE TO SAY, YOUR TAPES 1729 01:10:03,367 --> 01:10:05,802 WERE VERY INFORMATIVE. 1730 01:10:05,802 --> 01:10:06,703 >> [WOMAN WHIMPERING] 1731 01:10:06,703 --> 01:10:08,505 >> Davie: TIA! 1732 01:10:08,505 --> 01:10:11,241 OH, FUCK, PLEASE, MAN. 1733 01:10:11,241 --> 01:10:13,277 >> Z: MAYBE FROM NOW ON, 1734 01:10:13,277 --> 01:10:14,210 WE'LL HAVE YOUR ATTENTION. 1735 01:10:14,210 --> 01:10:16,513 >> Davie, screams: TIA! 1736 01:10:16,513 --> 01:10:19,416 TIA! TIA! 1737 01:10:19,416 --> 01:10:22,319 >> FUCKING SHIT! 1738 01:10:22,319 --> 01:10:25,322 >> HEY, HEY. 1739 01:10:25,322 --> 01:10:26,623 >> YOU FUCKING DROP YOUR KNIFE. 1740 01:10:26,623 --> 01:10:27,991 DROP THAT FUCKING KNIFE. 1741 01:10:27,991 --> 01:10:28,825 DROP THAT FUCKER RIGHT NOW. 1742 01:10:28,825 --> 01:10:29,859 >> El Toro: DON'T DO THIS. 1743 01:10:29,859 --> 01:10:34,664 >> FUCK YOU! 1744 01:10:34,664 --> 01:10:35,999 >> Z: DAVIE, YOU'RE MAKING 1745 01:10:35,999 --> 01:10:37,467 A BIG MISTAKE. 1746 01:10:37,467 --> 01:10:38,468 >> GIVE ME THE FUCKING KEYS NOW, 1747 01:10:38,468 --> 01:10:39,068 RETARD. 1748 01:10:39,068 --> 01:10:40,069 GIVE ME YOUR FUCKING KEYS. 1749 01:10:40,069 --> 01:10:41,905 >> Z: DROP YOUR GUN. 1750 01:10:41,905 --> 01:10:44,374 [PRISONERS SHOUTING] 1751 01:10:44,374 --> 01:10:46,242 >> FUCK YOU! 1752 01:10:46,242 --> 01:10:48,144 YOU SHUT THE FUCK UP! 1753 01:10:48,144 --> 01:10:51,481 >> Liz: DAVIE! 1754 01:10:51,481 --> 01:10:52,582 DAVIE! 1755 01:10:52,582 --> 01:10:54,851 >> Travis: DAVIE! 1756 01:10:54,851 --> 01:10:57,854 [SCREAMING] 1757 01:10:57,854 --> 01:10:58,655 >> Travis: FUCKING CHRIST! 1758 01:10:58,655 --> 01:10:59,356 [BASEBALL BAT POUNDING...] 1759 01:10:59,356 --> 01:11:01,458 [SCREAMING] 1760 01:11:01,458 --> 01:11:04,494 NO, DAVIE! PLEASE! 1761 01:11:04,494 --> 01:11:07,331 [SCREAMING, SOBBING] 1762 01:11:07,331 --> 01:11:09,866 [BASEBALL BAT CLATTERS ON FLOOR] 1763 01:11:09,866 --> 01:11:13,937 [BREATHING HEAVILY] 1764 01:11:13,937 --> 01:11:15,204 >> Z: ARE YOU HAPPY NOW? 1765 01:11:15,204 --> 01:11:16,740 >> FUCK... 1766 01:11:16,740 --> 01:11:20,444 >> Z, shouts: ARE YOU HAPPY NOW? 1767 01:11:20,444 --> 01:11:21,411 [WHISPERS] MOTHERFUCKER. 1768 01:11:21,411 --> 01:11:23,447 >> [SOBBING] FUCK YOU. 1769 01:11:23,447 --> 01:11:24,581 I'M GONNA BREAK YOUR FUCKING 1770 01:11:24,581 --> 01:11:27,484 FACE OFF. 1771 01:11:27,484 --> 01:11:29,319 >> Z: MR. DIRECTOR, ARE YOU 1772 01:11:29,319 --> 01:11:30,687 HAPPY NOW? 1773 01:11:30,687 --> 01:11:31,688 [TRAVIS SOBS] 1774 01:11:31,688 --> 01:11:33,723 >> Travis: PLEASE JUST... 1775 01:11:33,723 --> 01:11:35,625 [MUFFLED SCREECHING] 1776 01:11:35,625 --> 01:11:38,828 [SUDDEN SILENCE] 1777 01:11:43,833 --> 01:11:45,502 >> Z: NOW, TRAVIS, TELL ME. 1778 01:11:45,502 --> 01:11:46,970 WHY DID YOU MAKE THIS 1779 01:11:46,970 --> 01:11:52,676 DOCUMENTARY? 1780 01:11:52,676 --> 01:11:55,345 >> THOSE PEOPLE YOU KILLED. 1781 01:11:55,345 --> 01:11:57,581 THEY WERE DAVIE'S COUSINS. 1782 01:11:57,581 --> 01:12:01,150 >> YEAH, I KNOW. 1783 01:12:01,150 --> 01:12:05,121 >> DAVIE WAS MY BEST FRIEND. 1784 01:12:05,121 --> 01:12:06,022 THIS WAS IMPORTANT TO HIM. 1785 01:12:06,022 --> 01:12:07,023 WE WERE TRYING TO STOP THE 1786 01:12:07,023 --> 01:12:09,092 PEOPLE THAT HURT HIS FAMILY. 1787 01:12:09,092 --> 01:12:10,727 >> Z: I'M REALLY GLAD 1788 01:12:10,727 --> 01:12:13,963 YOU TOLD ME THAT, TRAVIS. 1789 01:12:13,963 --> 01:12:14,664 [SLAPS TRAVIS'S THIGH] 1790 01:12:14,664 --> 01:12:16,232 REALLY AM. 1791 01:12:16,232 --> 01:12:17,601 DO YOU MIND IF WE TALK SOME 1792 01:12:17,601 --> 01:12:18,768 ECONOMICS? 1793 01:12:18,768 --> 01:12:22,472 [DOOR SLAMS OPEN] 1794 01:12:27,577 --> 01:12:31,648 TRAVIS, I WANT YOU TO MEET... 1795 01:12:31,648 --> 01:12:33,517 SUPPLY. 1796 01:12:33,517 --> 01:12:38,422 AND DEMAND. 1797 01:12:38,422 --> 01:12:40,223 GO AHEAD. 1798 01:12:40,223 --> 01:12:42,492 INTERVIEW THEM. 1799 01:12:42,492 --> 01:12:46,195 >> [BREATHES HEAVILY...] 1800 01:13:03,580 --> 01:13:06,516 >> Z: ENGLISH, PLEASE? 1801 01:13:06,516 --> 01:13:07,751 THAT IS ONE OF THE BIGGEST 1802 01:13:07,751 --> 01:13:11,254 SUPPLIERS OF ILLEGAL IMMIGRANTS. 1803 01:13:11,254 --> 01:13:12,489 WHAT THE FUCK IS THE MATTER 1804 01:13:12,489 --> 01:13:15,592 WITH YOU? 1805 01:13:15,592 --> 01:13:21,698 HAVE IT YOUR WAY. 1806 01:13:27,203 --> 01:13:30,574 [DOOR CLOSES] 1807 01:13:30,574 --> 01:13:32,341 [GUNSHOT FIRES, BODY THUDS] 1808 01:13:32,341 --> 01:13:37,180 >> Whitaker: [WHIMPERS] 1809 01:13:37,180 --> 01:13:39,315 [CRYING] 1810 01:13:39,315 --> 01:13:40,550 >> Z: MY DEAR TRAVIS, I HOPE 1811 01:13:40,550 --> 01:13:43,119 YOUR SECOND INTERVIEW WILL BE 1812 01:13:43,119 --> 01:13:45,622 A LITTLE MORE IN-DEPTH. 1813 01:13:45,622 --> 01:13:46,656 >> PLEASE, GUYS, DON'T 1814 01:13:46,656 --> 01:13:48,592 FUCKING KILL ME. 1815 01:13:58,602 --> 01:14:01,237 I KNOW YOU. 1816 01:14:01,237 --> 01:14:02,606 I KNOW YOU. 1817 01:14:02,606 --> 01:14:04,874 YOU'RE THAT FUCK-- WHAT THE FUCK 1818 01:14:04,874 --> 01:14:06,175 IS THIS ABOUT, MAN? 1819 01:14:06,175 --> 01:14:08,978 >> MR. WHITAKER, WHAT IS YOUR 1820 01:14:08,978 --> 01:14:10,446 RESPONSE TO THE ALLEGATIONS THAT 1821 01:14:10,446 --> 01:14:11,447 YOU RAN A SWEATSHOP... 1822 01:14:11,447 --> 01:14:12,348 >> WHAT DO YOU WANT, HUH? 1823 01:14:12,348 --> 01:14:13,049 >> ...FOR ILLEGAL IMMIGRANTS? 1824 01:14:13,049 --> 01:14:13,717 >> Whitaker: YOU WANT MONEY? 1825 01:14:13,717 --> 01:14:14,884 I'LL GET YOU MONEY, I'LL GET YOU 1826 01:14:14,884 --> 01:14:15,785 ANYTHING YOU WANT, JUST FUCKING 1827 01:14:15,785 --> 01:14:16,319 TELL ME. 1828 01:14:16,319 --> 01:14:17,153 >> JUST LISTEN TO ME, JUST 1829 01:14:17,153 --> 01:14:17,987 ANSWER THE QUESTION, O.K.? 1830 01:14:17,987 --> 01:14:18,655 JUST ANSWER THE QUESTION. 1831 01:14:18,655 --> 01:14:20,757 JUST CONCENTRATE. 1832 01:14:20,757 --> 01:14:21,958 SAY YOU'RE SORRY. 1833 01:14:21,958 --> 01:14:23,126 JUST APOLOGIZE. 1834 01:14:23,126 --> 01:14:24,227 >> WHAT ARE YOU TALKING ABOUT? 1835 01:14:24,227 --> 01:14:26,062 >> JUST FUCKING, JUST PLEASE. 1836 01:14:26,062 --> 01:14:27,130 >> O.K. 1837 01:14:27,130 --> 01:14:30,834 O.K., O.K. 1838 01:14:30,834 --> 01:14:38,007 >> JUST SAY YOU'RE SORRY. 1839 01:14:38,007 --> 01:14:38,675 >> I'M SORRY... 1840 01:14:38,675 --> 01:14:41,277 [GUNSHOT FIRES, BODY THUDS] 1841 01:14:47,551 --> 01:14:49,318 >> Z: TOO MUCH. 1842 01:14:49,318 --> 01:14:52,288 TOO LITTLE, TOO LATE. 1843 01:14:56,526 --> 01:15:00,129 >> HE SAID HE WAS SORRY. 1844 01:15:00,129 --> 01:15:01,965 >> Z: BEFORE YOU GO, WE WOULD 1845 01:15:01,965 --> 01:15:03,633 LIKE TO LEAVE YOU WITH A SMALL 1846 01:15:03,633 --> 01:15:07,370 REMINDER OF OUR TIME TOGETHER. 1847 01:15:07,370 --> 01:15:10,707 EL TORO HAS PREPARED SOMETHING 1848 01:15:10,707 --> 01:15:13,743 TO DULL THE PAIN. 1849 01:15:13,743 --> 01:15:14,811 WOULD YOU LIKE THE INJECTION 1850 01:15:14,811 --> 01:15:18,414 NOW OR AFTER? 1851 01:15:18,414 --> 01:15:19,816 >> NOW. 1852 01:15:19,816 --> 01:15:20,884 >> Z: I REALLY HAVE TO COMMEND 1853 01:15:20,884 --> 01:15:22,251 YOU, TRAVIS. 1854 01:15:22,251 --> 01:15:23,019 YOU'RE A FAST LEARNER, 1855 01:15:23,019 --> 01:15:24,520 A SURVIVOR. 1856 01:15:24,520 --> 01:15:25,922 IF ONLY THE REST OF THE GROUP 1857 01:15:25,922 --> 01:15:26,990 WOULD HAVE FOLLOWED YOUR 1858 01:15:26,990 --> 01:15:29,458 EXAMPLE. 1859 01:15:29,458 --> 01:15:30,960 WHAT ABOUT YOU? 1860 01:15:30,960 --> 01:15:35,999 YOU WANT AN INJECTION? 1861 01:15:35,999 --> 01:15:38,301 [LAUGHS] 1862 01:15:38,301 --> 01:15:41,404 NOW, THAT'S MY TYPE OF GIRL. 1863 01:15:48,712 --> 01:15:51,247 [FLESH SIZZLING] 1864 01:15:51,247 --> 01:15:57,453 >> [SCREAMING...] 1865 01:16:02,358 --> 01:16:04,661 [WHIMPERS] 1866 01:16:04,661 --> 01:16:06,229 >> GIVE IT A COUPLE OF DAYS, 1867 01:16:06,229 --> 01:16:10,333 GOLDILOCKS, YOU'LL BE FINE. 1868 01:16:10,333 --> 01:16:11,968 >> [SLURRING] WHAT DID YOU... 1869 01:16:11,968 --> 01:16:13,970 WHAT DID, WHAT DID YOU GIVE ME? 1870 01:16:13,970 --> 01:16:18,107 >> El Toro: YOU LIKE IT, HUH? 1871 01:16:18,107 --> 01:16:18,908 [FLESH SIZZLING] 1872 01:16:18,908 --> 01:16:20,576 >> Travis, sleepy: HEY, COME ON. 1873 01:16:20,576 --> 01:16:25,048 O.K. 1874 01:16:25,048 --> 01:16:26,916 [SNIFFS] 1875 01:16:26,916 --> 01:16:28,852 IT SMELLS. 1876 01:16:28,852 --> 01:16:30,586 >> Z: GIVE ME THE CAMERA. 1877 01:16:30,586 --> 01:16:32,388 COME ON. 1878 01:16:32,388 --> 01:16:33,723 COME ON. 1879 01:16:33,723 --> 01:16:35,424 WE COULDN'T SEND YOU OFF WITHOUT 1880 01:16:35,424 --> 01:16:38,194 A REAL WRAP PARTY, HUH? 1881 01:16:38,194 --> 01:16:41,297 EL TORO... 1882 01:16:41,297 --> 01:16:42,198 MUSICA! 1883 01:16:42,198 --> 01:16:44,300 [MARIACHI MUSIC PLAYING...] 1884 01:16:44,300 --> 01:16:45,902 >> YES! 1885 01:16:45,902 --> 01:16:48,237 IT'S A PARTY! 1886 01:16:48,237 --> 01:16:50,006 [LAUGHS] 1887 01:16:50,006 --> 01:16:52,642 >> DO IT RIGHT. 1888 01:17:10,894 --> 01:17:12,996 >> Z: AHH... 1889 01:17:22,772 --> 01:17:26,309 [LAUGHTER...] 1890 01:17:35,651 --> 01:17:36,886 >> Z, singsong: * COME OVER. 1891 01:17:36,886 --> 01:17:38,454 >> Liz: TRAVIS, NO. 1892 01:17:38,454 --> 01:17:42,558 >> Z: NO-NO-NO! 1893 01:17:42,558 --> 01:17:44,961 >> HOLD IT UP. 1894 01:17:44,961 --> 01:17:46,295 >> TRAVIS, NO. 1895 01:17:46,295 --> 01:17:47,797 [CHEERING] 1896 01:17:47,797 --> 01:17:51,234 >> Z: THERE WE GO. 1897 01:17:51,234 --> 01:17:56,072 [TRAVIS COUGHS AND SPUTTERS] 1898 01:17:56,072 --> 01:17:58,808 >> THERE'S SOMEONE IN THERE. 1899 01:17:58,808 --> 01:17:59,709 TRAVIS, THERE'S SOMEONE 1900 01:17:59,709 --> 01:18:00,276 IN THERE. 1901 01:18:00,276 --> 01:18:06,750 >> Z: ONE MORE! 1902 01:18:06,750 --> 01:18:08,117 [MAN GRUNTING] 1903 01:18:08,117 --> 01:18:09,052 >> IT'S JIM. 1904 01:18:09,052 --> 01:18:09,719 >> Z: ONE MORE! 1905 01:18:09,719 --> 01:18:11,654 >> NO, TRAVIS, NO, NO, NO! 1906 01:18:11,654 --> 01:18:12,555 IT'S JIM! 1907 01:18:12,555 --> 01:18:13,757 [CHEERING] 1908 01:18:13,757 --> 01:18:21,564 >> NO, NO, NO, NO, NO, NO... 1909 01:18:21,564 --> 01:18:25,668 NO, LET ME GO! 1910 01:18:25,668 --> 01:18:26,402 [MAN GRUNTS] 1911 01:18:26,402 --> 01:18:30,173 >> Travis: LIZ! 1912 01:18:30,173 --> 01:18:34,277 [MEN GRUNTING...] 1913 01:18:34,277 --> 01:18:37,046 [SCREAMS] 1914 01:18:37,046 --> 01:18:40,784 [GRUNTS] 1915 01:18:40,784 --> 01:18:43,319 >> Z: SO CLOSE. 1916 01:18:43,319 --> 01:18:47,723 AY-YI-YI, AY-YI-YI. 1917 01:18:47,723 --> 01:18:50,994 >> El Toro: THERE YOU GO. 1918 01:18:50,994 --> 01:18:56,099 >> Z: GRACIAS. 1919 01:18:56,099 --> 01:18:57,400 TAKE IT EASY. 1920 01:18:57,400 --> 01:18:57,767 >> Liz: [GRUNTS] 1921 01:19:00,503 --> 01:19:04,874 >> Z: [HUMMING...] 1922 01:19:07,343 --> 01:19:12,115 [MUFFLED ANGRY SHOUTING] 1923 01:19:13,082 --> 01:19:16,519 [DOOR OPENS] 1924 01:19:16,519 --> 01:19:18,754 [DOOR SLAMS SHUT] 1925 01:19:39,175 --> 01:19:42,411 >> [MUFFLED WORDS] 1926 01:19:42,411 --> 01:19:45,949 [CRYING] 1927 01:19:45,949 --> 01:19:48,317 ...WHAT DID I DO? 1928 01:19:48,317 --> 01:19:50,553 WHAT DID I DO? 1929 01:19:50,553 --> 01:19:52,188 OH, GOD. 1930 01:19:52,188 --> 01:19:53,489 >> SHH. 1931 01:19:53,489 --> 01:19:56,092 SHH, SHH, SHH. 1932 01:19:56,092 --> 01:19:56,893 >> I SO FUCKED UP. 1933 01:19:56,893 --> 01:19:58,294 >> SHH... 1934 01:19:58,294 --> 01:19:59,896 >> I DID. 1935 01:19:59,896 --> 01:20:00,563 I FUCKED UP. 1936 01:20:00,563 --> 01:20:02,866 >> NO, IT'S O.K. 1937 01:20:02,866 --> 01:20:03,799 IT'S ALL RIGHT. 1938 01:20:03,799 --> 01:20:05,334 YOU DID EVERYTHING YOU COULD. 1939 01:20:05,334 --> 01:20:08,004 >> I KNOW, I KNOW. 1940 01:20:08,004 --> 01:20:10,473 [CRIES] 1941 01:20:10,473 --> 01:20:12,475 >> NO. 1942 01:20:21,450 --> 01:20:25,855 >> Klaus: [CLEARS THROAT] 1943 01:20:25,855 --> 01:20:30,159 Z WANTS TO SEE YOU. 1944 01:20:30,159 --> 01:20:34,297 JUST HER. 1945 01:20:34,297 --> 01:20:35,664 I SAID... 1946 01:20:35,664 --> 01:20:40,169 [LIZ SHOUTS, KLAUS GRUNTS] 1947 01:20:40,169 --> 01:20:42,805 >> MOTHER... FUCKER! 1948 01:20:42,805 --> 01:20:44,340 FUCK YOU! 1949 01:20:44,340 --> 01:20:46,042 FUCK YOU. 1950 01:20:46,042 --> 01:20:49,545 FUCK YOU, FUCK YOU, FUCK YOU! 1951 01:20:49,545 --> 01:20:52,982 FUCK YOU, YOU FUCKER! 1952 01:20:52,982 --> 01:20:54,951 >> Liz: TRAVIS, GRAB THE KEYS. 1953 01:20:54,951 --> 01:20:57,486 GRAB THE KEYS. 1954 01:20:57,486 --> 01:20:58,988 [KLAUS GRUNTS] 1955 01:20:58,988 --> 01:21:02,425 [APPROACHING FOOTSTEPS] 1956 01:21:02,425 --> 01:21:05,895 [GUNSHOT, PATRIOT GROANS] 1957 01:21:09,765 --> 01:21:13,169 [*...] 1958 01:21:13,169 --> 01:21:16,505 [MUFFLED SHOUTING IN BACKGROUND] 1959 01:21:20,977 --> 01:21:22,578 >> Z: WHAT THE HELL HAPPENED? 1960 01:21:22,578 --> 01:21:23,712 >> Patriot: WHAT HAPPENED? 1961 01:21:23,712 --> 01:21:24,713 I'M UNLOADING THE TRUCK, I HEAR 1962 01:21:24,713 --> 01:21:25,681 SHIT GOING DOWN. 1963 01:21:25,681 --> 01:21:26,849 KLAUS IS OUT COLD, AND THEY 1964 01:21:26,849 --> 01:21:28,484 SHOOT ME IN THE FUCKING LEG. 1965 01:21:28,484 --> 01:21:28,985 >> Z: IDIOT! 1966 01:21:28,985 --> 01:21:30,553 >> Patriot: [GRUNTS] 1967 01:21:42,765 --> 01:21:44,433 >> Remy: YOU WANNA GO HOME? 1968 01:21:44,433 --> 01:21:47,636 CASA? 1969 01:21:47,636 --> 01:21:50,406 YOU WANT TO GO HOME, CASA? 1970 01:21:50,406 --> 01:21:51,374 WHERE THEY HIDING? 1971 01:21:51,374 --> 01:21:52,175 JUST POINT. 1972 01:21:52,175 --> 01:21:53,009 YOU CAN SEE YOUR FAMILY. 1973 01:21:53,009 --> 01:21:53,943 YOU WANT TO GO HOME? 1974 01:21:53,943 --> 01:21:55,211 NINOS, YOU WANT TO SEE... 1975 01:21:55,211 --> 01:21:56,312 >> Z: WE'RE WASTING TIME! 1976 01:21:56,312 --> 01:21:58,547 LOCK THE EXITS. 1977 01:21:58,547 --> 01:22:01,850 [MAN GRUNTS] 1978 01:22:24,173 --> 01:22:25,841 >> Travis: COME ON, RUN. 1979 01:22:30,646 --> 01:22:31,780 >> The Artist: WHICH ONE OF THEM 1980 01:22:31,780 --> 01:22:33,282 SHOT YOU? 1981 01:22:33,282 --> 01:22:34,283 >> Henchman: HE DID. 1982 01:22:34,283 --> 01:22:35,251 >> The Artist: RIP YOUR FUCKING 1983 01:22:35,251 --> 01:22:38,287 JAW OFF! 1984 01:22:38,287 --> 01:22:39,655 IF YOU CATCH THEM, DON'T FUCK UP 1985 01:22:39,655 --> 01:22:41,357 THAT BITCH'S FACE, MAN. 1986 01:22:41,357 --> 01:22:43,492 I NEED IT FOR THAT THING. 1987 01:22:43,492 --> 01:22:45,594 >> Henchman: I JUST WANT HIM. 1988 01:22:45,594 --> 01:22:47,630 >> Z: I WANT THEM BOTH DEAD. 1989 01:22:47,630 --> 01:22:51,034 [GUN COCKING] 1990 01:23:03,146 --> 01:23:05,848 [MEN SPEAKING INDISTINCTLY] 1991 01:23:11,320 --> 01:23:14,923 >> Travis: GO, GO, GO, GO. 1992 01:23:15,891 --> 01:23:16,892 YOU GOT IT? 1993 01:23:16,892 --> 01:23:17,726 >> Liz: YEAH, I GOT IT. 1994 01:23:17,726 --> 01:23:19,062 >> Travis: THERE WE GO. 1995 01:23:19,062 --> 01:23:19,728 >> Liz: [PANICKED GRUNT] 1996 01:23:19,728 --> 01:23:23,399 >> Man: WHERE THE FUCK WERE YOU? 1997 01:23:23,399 --> 01:23:24,300 >> Liz: SHIT. 1998 01:23:24,300 --> 01:23:25,134 >> HURRY UP, WHAT THE FUCK 1999 01:23:25,134 --> 01:23:25,968 YOU DOING? 2000 01:23:25,968 --> 01:23:28,604 [DOOR OPENS] 2001 01:23:35,144 --> 01:23:36,745 [THUDDING NOISES] 2002 01:23:43,419 --> 01:23:46,189 >> Liz: COME ON. 2003 01:23:55,831 --> 01:23:59,102 >> Travis: OH, SHIT. 2004 01:23:59,102 --> 01:24:00,336 ALL RIGHT, LOOK AT ME. 2005 01:24:00,336 --> 01:24:01,904 VEN AQUI. 2006 01:24:04,973 --> 01:24:07,076 GO, GO, GO, FUCK. 2007 01:24:07,076 --> 01:24:09,278 IT'S O.K. 2008 01:24:09,278 --> 01:24:11,947 IT'S O.K. 2009 01:24:11,947 --> 01:24:14,183 I GOT-- COME ON. 2010 01:24:14,183 --> 01:24:16,185 UGH, FUCK, GO. 2011 01:24:19,555 --> 01:24:20,289 >> Henchman: HEY, REMY, 2012 01:24:20,289 --> 01:24:21,490 MAKE SURE THAT THE SOUTH GATE'S 2013 01:24:21,490 --> 01:24:23,226 LOCKED UP. 2014 01:24:23,226 --> 01:24:24,327 >> Travis: FUCK. 2015 01:24:24,327 --> 01:24:25,027 [LOUD THUD] 2016 01:24:25,027 --> 01:24:26,395 >> Liz: SHIT! 2017 01:24:26,395 --> 01:24:27,230 >> The Artist: THEY'RE OVER 2018 01:24:27,230 --> 01:24:28,464 HERE, REMY! 2019 01:24:28,464 --> 01:24:32,668 [GRUNTING AND SHOUTING...] 2020 01:24:32,668 --> 01:24:36,172 [*...] 2021 01:24:47,049 --> 01:24:50,853 [ALL GRUNTING, STRUGGLING...] 2022 01:24:56,292 --> 01:25:00,663 >> Travis: GET IN THE CAR. 2023 01:25:03,732 --> 01:25:05,668 [ENGINE STALLS] 2024 01:25:05,668 --> 01:25:06,835 >> Travis: GO. 2025 01:25:06,835 --> 01:25:09,605 [ENGINE SPUTTERS, REVS LOUDLY] 2026 01:25:09,605 --> 01:25:12,408 [*...] 2027 01:25:12,408 --> 01:25:14,377 >> Liz: SHIT! 2028 01:25:14,377 --> 01:25:15,478 TRAVIS, HE'S COMING! 2029 01:25:15,478 --> 01:25:17,213 >> Travis: [SHOUTS INDISTINCTLY] 2030 01:25:17,213 --> 01:25:18,681 HOLY MOTHERFUCKER! 2031 01:25:18,681 --> 01:25:21,550 [GLASS SMASHES] 2032 01:25:21,550 --> 01:25:22,485 [CATTLE PROD BUZZES LOUDLY...] 2033 01:25:22,485 --> 01:25:25,454 >> STOP IT! STOP IT! 2034 01:25:25,454 --> 01:25:26,021 [SHUDDERING IN PAIN] 2035 01:25:26,021 --> 01:25:27,456 [ELECTRICITY BUZZING LOUDLY...] 2036 01:25:27,456 --> 01:25:27,956 [GASPING] 2037 01:25:27,956 --> 01:25:28,557 >> [AGONIZED SHUDDERING] 2038 01:25:28,557 --> 01:25:34,129 [ELECTRICITY BUZZES LOUDLY...] 2039 01:25:34,129 --> 01:25:38,467 [GASPING, CHOKING...] 2040 01:25:38,467 --> 01:25:42,104 >> Z: THIS WAS UNFORTUNATE. 2041 01:25:42,104 --> 01:25:44,573 >> [PANTING, WHIMPERING] 2042 01:25:44,573 --> 01:25:47,109 [COCKS GUN] 2043 01:25:47,109 --> 01:25:47,610 >> [WHIMPERS] 2044 01:25:47,610 --> 01:25:51,180 [GUNSHOT] 2045 01:25:51,180 --> 01:25:52,615 [MOTOR REVS LOUDLY] 2046 01:25:54,750 --> 01:25:59,388 [GUNSHOTS...] 2047 01:26:03,659 --> 01:26:05,294 [EMPTY GUN CLICKS] 2048 01:26:05,294 --> 01:26:08,631 ...MUERTE! 2049 01:26:08,631 --> 01:26:13,168 [*...] 2050 01:26:36,692 --> 01:26:40,028 [SCREAMS] 2051 01:26:49,872 --> 01:26:54,477 [NO VOICES, *...] 2052 01:27:04,186 --> 01:27:11,594 [*...] 2053 01:27:20,903 --> 01:27:26,309 [*...] 2054 01:27:39,788 --> 01:27:44,293 [TAPE CLICKS INTO PLAYER] 2055 01:27:44,293 --> 01:27:46,261 >> Z: You'll have to, uh, excuse 2056 01:27:46,261 --> 01:27:50,299 this prerecorded message. 2057 01:27:50,299 --> 01:27:52,635 There are matters elsewhere that 2058 01:27:52,635 --> 01:27:55,504 require our attention. 2059 01:27:55,504 --> 01:27:57,473 By the way, I hope you don't 2060 01:27:57,473 --> 01:27:58,841 mind, we kept some of the 2061 01:27:58,841 --> 01:28:01,510 footage for ourselves... 2062 01:28:01,510 --> 01:28:06,882 as recruiting videos. 2063 01:28:06,882 --> 01:28:08,951 America may be a nation of 2064 01:28:08,951 --> 01:28:11,720 immigrants, but it's not 2065 01:28:11,720 --> 01:28:14,256 a landfill. 2066 01:28:14,256 --> 01:28:17,660 Give us your tired, your poor, 2067 01:28:17,660 --> 01:28:20,162 your huddled masses yearning to 2068 01:28:20,162 --> 01:28:22,598 breathe free. 2069 01:28:22,598 --> 01:28:25,734 And we'll give 'em back to you. 2070 01:28:25,734 --> 01:28:31,440 In pieces. 2071 01:28:40,483 --> 01:28:47,122 [*...] 2072 01:29:05,273 --> 01:29:06,208 >> Woman: The fight to control 2073 01:29:06,208 --> 01:29:07,910 illegal immigration isn't just 2074 01:29:07,910 --> 01:29:08,511 on our border. 2075 01:29:08,511 --> 01:29:12,114 [*...] 2076 01:29:12,114 --> 01:29:13,348 >> Woman: In a few months, 2077 01:29:13,348 --> 01:29:14,683 President Obama will push 2078 01:29:14,683 --> 01:29:16,251 legislation to legalize the 2079 01:29:16,251 --> 01:29:18,086 nation's 12-million ill-- 2080 01:29:18,086 --> 01:29:22,525 [*...] 2081 01:29:22,525 --> 01:29:23,358 >> Man: Too often in law 2082 01:29:23,358 --> 01:29:24,527 enforcement we see individuals 2083 01:29:24,527 --> 01:29:25,628 that are getting arrested for 2084 01:29:25,628 --> 01:29:26,261 D.W... 2085 01:29:26,261 --> 01:29:29,998 [*...] 2086 01:29:29,998 --> 01:29:31,099 >> Man: Lawmakers in Arizona 2087 01:29:31,099 --> 01:29:33,201 passed a sweeping overhaul that 2088 01:29:33,201 --> 01:29:34,903 would require police officers to 2089 01:29:34,903 --> 01:29:36,539 profile illegal immigrants. 2090 01:29:36,539 --> 01:29:41,209 [*...] 2091 01:29:41,209 --> 01:29:42,044 >> Man: The law is needed 2092 01:29:42,044 --> 01:29:42,911 because the federal government 2093 01:29:42,911 --> 01:29:44,547 has failed to enforce border 2094 01:29:44,547 --> 01:29:46,582 security with Mexico, allowing 2095 01:29:46,582 --> 01:29:48,283 more than 450... 2096 01:29:48,283 --> 01:29:52,054 [*...] 2097 01:29:52,054 --> 01:29:52,755 >> Man: ...in law enforcement 2098 01:29:52,755 --> 01:29:53,889 we see individuals that are 2099 01:29:53,889 --> 01:29:55,724 getting arrested for D.W.I., 2100 01:29:55,724 --> 01:29:57,392 sexual assaults, what have you, 2101 01:29:57,392 --> 01:29:58,627 and they're foreign-born. 2102 01:29:58,627 --> 01:30:03,165 [*...] 2103 01:30:03,165 --> 01:30:04,467 >> Woman: One Arizona police 2104 01:30:04,467 --> 01:30:05,868 officer is saying he won't 2105 01:30:05,868 --> 01:30:07,670 enforce the new immigration law 2106 01:30:07,670 --> 01:30:08,270 and is suing. 2107 01:30:08,270 --> 01:30:12,941 [*...] 2108 01:30:12,941 --> 01:30:13,976 >> Man: The Mexican government 2109 01:30:13,976 --> 01:30:16,044 says that 90% of guns used by 2110 01:30:16,044 --> 01:30:17,813 the drug cartels come from 2111 01:30:17,813 --> 01:30:20,248 the United States, so now you... 2112 01:30:20,248 --> 01:30:24,152 [*...] 2113 01:30:24,152 --> 01:30:24,987 >> Man: Tensions are high as 2114 01:30:24,987 --> 01:30:26,254 anti-immigrant sentiment along 2115 01:30:26,254 --> 01:30:27,856 the border is on the rise. 2116 01:30:27,856 --> 01:30:31,927 [*...] 2117 01:30:31,927 --> 01:30:33,061 >> Woman: ...here at the plant 2118 01:30:33,061 --> 01:30:34,963 on International Boulevard 2119 01:30:34,963 --> 01:30:37,533 are as young as 12. 2120 01:30:37,533 --> 01:30:40,836 [*...] 2121 01:30:40,836 --> 01:30:41,537 >> Man: ...allowing more than 2122 01:30:41,537 --> 01:30:44,473 450,000 illegal immigrants 2123 01:30:44,473 --> 01:30:46,141 to move into the state. 2124 01:30:46,141 --> 01:30:49,878 [*...] 2125 01:30:49,878 --> 01:30:50,713 >> Man: We supposed to get 2126 01:30:50,713 --> 01:30:52,314 first dibs on all them jobs, 2127 01:30:52,314 --> 01:30:53,816 and they was taken them jobs 2128 01:30:53,816 --> 01:30:54,750 away-- 2129 01:30:54,750 --> 01:30:58,286 [*...] 2130 01:30:58,286 --> 01:30:59,221 >> Man: If the border agents 2131 01:30:59,221 --> 01:31:01,023 had grabbed hold, it's likely 2132 01:31:01,023 --> 01:31:02,024 they would have met the same 2133 01:31:02,024 --> 01:31:03,859 fate as the illegal immigrants. 2134 01:31:03,859 --> 01:31:04,827 >> Woman: ...from jails in 2135 01:31:04,827 --> 01:31:06,529 54 counties, from... 2136 01:31:06,529 --> 01:31:10,899 [*...] 2137 01:31:10,899 --> 01:31:11,934 >> Man: Radical groups, 2138 01:31:11,934 --> 01:31:14,069 vigilantes, Minutemen, 2139 01:31:14,069 --> 01:31:15,571 mass grave-- 2140 01:31:15,571 --> 01:31:19,007 [*...] 2141 01:31:19,007 --> 01:31:20,208 >> Woman: People in charge at 2142 01:31:20,208 --> 01:31:22,144 the plant had no comment. 2143 01:31:22,144 --> 01:31:23,579 Their bosses in-- 2144 01:31:23,579 --> 01:31:27,415 [*...] 2145 01:31:27,415 --> 01:31:28,984 >> Woman: I feel bad when 2146 01:31:28,984 --> 01:31:31,453 the bus... leaving, and I know 2147 01:31:31,453 --> 01:31:33,922 that he is there. 2148 01:31:33,922 --> 01:31:37,793 [*...] 2149 01:31:41,630 --> 01:31:47,469 [MUSIC CHANGES] 2150 01:36:08,163 --> 01:36:10,565 [MUSIC ENDS] 120991

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