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IF IT WERE LOVE

Don't accelerate Vincent. That's good, very good.

Vincent, don't accelerate, but that's very good.

- Are we ready? - Yes!

Then, you see, you can really fall into each other's arms...

Then move back into these tensions.

You're too quick, Massimo. You're both too quick.

Look, Marine and I are miles behind you.

Now, take time to caress each other. There's no charge.

Slower, slower, slower... You need to go now. Go on.

Marine will slow you down a little.

And very... Yes, keep the tension.

That's right.

Whilst you caress yourself, caress his shoulder with your head.

Stroke your arm against his arm.

Don't accelerate. Move slowly.

It's a very gentle fight.

Don't accelerate, Sylvain.

Yes, you can do that but caress him, Sylvain.

You strangle him and caress him.

That's right.

You struggle but you don't want to.

Caress Massimo. Caress him.

Don't accelerate. Ground yourselves.

Taste every touch.

Really ground yourselves.

Abandon yourselves.

Caress each other.

Release.

When she, she...

I don't know, when you're in the intimate part,

and you start to twitch.

You see, it can be very slight?

The tendency you have, you're in slow motion,

and everything is fine, then you start to twitch,

and it becomes something,

you distance yourself.

Stay with the same thing.

It's the same thing, you see.

Like they were moments where you...

- What's your character? - My scenario?

Your story, yeah.

- I go out a lot. - Yeah?

I like partying, and I go with Rémi, my mate.

He's the one who takes me to the party.

I really want to have fun.

I really want it to be not just another party, but the party.

So you've got expectations, right?

I've got expectations for this party.

I know quite a lot of people as I go out a lot.

And I'm joyful and friendly, you know.

So, I like partying.

During the course of the evening,

I let loose a little,

with the guys and the girls, and

I pretend that I'm straight,

that I date loads of girls.

But in fact,

what I'm evidently trying to do

is get off with a guy,

and preferably with Sylvain, you know,

handsome, mysterious, irresistible Sylvain.

And at the end, being abandoned

is really, really hard.

Because we've all been through that,

difficult breakups,

and I bring that directly into this situation.

What about you? Do you use things from your life?

- From my life. Yeah. A lot. - Like what?

Everything in the show that's to do with joy

is really easy to bring up.

Because I'm really happy to play in this show

and to be with you.

So I don't need to feed that.

But for all moments

when the character breaks down,

I use things from my own life.

They're brief moments,

where I see myself.

I put myself in a state where physically,

I'm on the ground, crying...

I've had loads of complicated times in my life recently.

So I've got a multitude...

- I never use the same ones...

...a multitude of times I broke down that I can project myself back into.

But I'm aware it's sublimated by being on stage.

And it's short but it's enough to bring on tears.

But I need that.

I have to take something from my own life.

Oh, shit.

So cotton buds...

Shall I come in on the music, or shall I wait a few seconds?

Wait around 3 seconds.

Come in straight away. You're not immediately visible.

- Can I go? - They can't wait.

Enjoy your trip.

Bye, mom.

It'll be fine.

If only it were love.

Sophie, more to the right.

Not too much.

Kiss!

Jonathan, move around less.

And when she comes here...

- More static. - It's really, here I go.

- More anchored. - I eye her up.

Then, when you go, you go.

My character is very withdrawn,

because she's a little antisocial.

She's a weird chick.

And she's attracted by strange people, like Théo.

In that part, what do you bring of yourself, of Katia,

to the show, in general?

- Which moment? - For example this part.

What do you bring of yourself?

In particular, in this part?

In particular, in this part, it's totally me.

It's not acting any more. It's the only part.

And it's hard.

- Is it difficult? - Yeah.

Sometimes, yeah.

Because things get mixed up.

Luckily we can party.

To forget.

Luckily, there are the others. To forget.

Do you want to forget Théo, or... ?

How handsome he is?

What do you want to forget?

I want to forget he's there.

Maybe that's why I go nuts, after.

I'm not very comfortable with it.

I can't control it at all.

In fact, we don't control it at all.

But you know that. That's why you're laughing.

No, I don't know anything. I just thought you looked good

and I think it's a pity to want to simply erase that.

To just want to forget...

Not controlling it, doesn't matter.

Yeah, but if things get out of hand.

It's a party. It's okay if things get out of hand.

Yeah.

But afterwards, it hurts.

You know. You see. You see everything.

And that's why I'm telling you, it doesn't matter.

It was completely crazy.

Last night.

I remember everything.

I was having fun and then I saw you on the ground.

I was really frightened.

I saw you were completely stoned.

I had the feeling that...

everything was over.

It was horrible.

And then...

It was such a relief to see you smile.

I thought you were dead.

Would you like us to dance together for the end of the film, Gisèle?

I'll put on a record.