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1
00:00:02,567 --> 00:00:04,818
What's in the
dark is also in the light.
2
00:00:04,819 --> 00:00:07,072
It's just your
perception that changes.
3
00:00:08,865 --> 00:00:10,199
See?
4
00:00:10,200 --> 00:00:14,036
Good night, Bobby. ‐
Good night, Uncle Hollis.
5
00:00:14,037 --> 00:00:16,705
‐ That verse was crazy!
6
00:00:16,706 --> 00:00:18,582
Go ahead and hit me with
that next verse, nigga.
7
00:00:26,466 --> 00:00:28,717
‐ Hey, yo, D. Yo,
I'm in the studio.
8
00:00:28,718 --> 00:00:31,553
And it‐‐it don't feel
right without you, man.
9
00:00:32,889 --> 00:00:34,557
Go to New York
and get with Bobby.
10
00:00:34,558 --> 00:00:35,933
Now is the time for you to see
11
00:00:35,934 --> 00:00:38,227
if you could really make
this music thing work.
12
00:00:38,228 --> 00:00:40,646
‐ You know how many
rappers is out there?
13
00:00:40,647 --> 00:00:42,231
‐ Better than you?
14
00:00:42,232 --> 00:00:44,108
‐ The single‐‐it's not moving
like they hoped it would.
15
00:00:44,109 --> 00:00:46,569
I mean, people are
over that corny poppy shit.
16
00:00:46,570 --> 00:00:47,736
People want that real shit.
17
00:00:47,737 --> 00:00:49,029
There's not
gonna be an album.
18
00:00:49,030 --> 00:00:50,281
It's over.
19
00:00:50,282 --> 00:00:52,241
‐ I tried to do this shit
by myself, and I failed.
20
00:00:52,242 --> 00:00:54,076
If we want to checkmate
this industry,
21
00:00:54,077 --> 00:00:55,577
we need all the pieces.
22
00:00:55,578 --> 00:00:59,374
Once we get all them pieces,
the whole industry will know.
23
00:01:01,376 --> 00:01:03,419
You don't get an album
if you don't have a single‐‐
24
00:01:03,420 --> 00:01:06,589
something that
distinguishes you.
25
00:01:06,590 --> 00:01:08,299
That's
self‐distribution.
26
00:01:08,300 --> 00:01:10,593
If we want to get the
DJs and the local spots
27
00:01:10,594 --> 00:01:12,011
to put it on the shelves,
28
00:01:12,012 --> 00:01:14,680
we're gonna need, like,
5,000 vinyls and 5,000 tapes.
29
00:01:14,681 --> 00:01:16,265
For one
single? DIVINE: Yeah.
30
00:01:16,266 --> 00:01:18,809
But if we move fast and
wide, then that single‐‐
31
00:01:18,810 --> 00:01:20,603
That's gonna
get us our record deal, huh?
32
00:01:20,604 --> 00:01:22,104
‐ Right, if it's the right one.
33
00:01:22,105 --> 00:01:23,314
What are
you talking about‐‐
34
00:01:23,315 --> 00:01:24,815
all the tracks that we recorded?
35
00:01:24,816 --> 00:01:27,067
‐ Right now, "Method Man"
is killing in the streets.
36
00:01:27,068 --> 00:01:28,485
That's the one, son.
37
00:01:28,486 --> 00:01:30,029
It's a banger
for sure, but‐‐
38
00:01:30,030 --> 00:01:33,282
‐ Right‐‐exact‐‐Yo, the ladies
is fucking with it, too, son.
39
00:01:33,283 --> 00:01:34,700
Meth is a star. You know that.
40
00:01:34,701 --> 00:01:36,869
‐ But, see, that's the problem.
41
00:01:36,870 --> 00:01:38,704
Meth's the only one
who's rhyming on it.
42
00:01:38,705 --> 00:01:41,081
No, people need to know
the Wu‐Tang is a group.
43
00:01:41,082 --> 00:01:44,626
So I'm thinking‐‐you know,
I'm thinking we do, uh...
44
00:01:44,627 --> 00:01:46,045
we do "Tearz."
45
00:01:46,046 --> 00:01:47,755
‐ "Tearz,"
nigga? DIVINE: Mm‐hmm.
46
00:01:47,756 --> 00:01:49,006
‐ "Tearz"?
47
00:01:49,007 --> 00:01:51,050
"Tearz" only got two
people on that shit.
48
00:01:51,051 --> 00:01:52,551
That's not a group track, nigga.
49
00:01:52,552 --> 00:01:54,386
Yeah, but it's
Ghostface, and it's the RZA.
50
00:01:54,387 --> 00:01:56,680
That's the heart, and that's
the brain right there.
51
00:01:56,681 --> 00:01:57,931
You know what I mean?
52
00:01:57,932 --> 00:01:59,308
‐ Yeah, "Tearz" is my shit.
53
00:01:59,309 --> 00:02:01,352
But that shit ain't gonna
go in the club, son.
54
00:02:01,353 --> 00:02:02,936
‐ This is what I'm thinking
about "Tearz," right?
55
00:02:02,937 --> 00:02:04,480
It's got a bomb‐ass‐‐
56
00:02:04,481 --> 00:02:07,817
‐ Yo, it ain't "Tearz,"
and it's not "Method Man."
57
00:02:10,111 --> 00:02:12,696
‐ All right, so‐‐so
what you thinking, huh?
58
00:02:12,697 --> 00:02:15,074
You thinking about‐‐oh, you
thinking about that track
59
00:02:15,075 --> 00:02:17,576
that you and Rae
were working on?
60
00:02:17,577 --> 00:02:20,412
‐ It ain't that one either.
61
00:02:20,413 --> 00:02:22,623
No, we don't got that shit.
62
00:02:22,624 --> 00:02:25,042
‐ Then what?
63
00:02:25,043 --> 00:02:27,461
‐ Gonna have to
start from scratch.
64
00:02:29,547 --> 00:02:30,714
‐ What the fu‐‐
65
00:03:31,317 --> 00:03:32,693
‐ Yo, Bobby.
66
00:03:32,694 --> 00:03:34,820
Yo, son, you got floppy
disks full of tracks, son.
67
00:03:34,821 --> 00:03:36,655
Yo, all of these shits
is bangin', come on.
68
00:03:36,656 --> 00:03:39,074
‐ We're introducing
the Wu‐Tang Clan
69
00:03:39,075 --> 00:03:41,660
to the entire world
with this single.
70
00:03:41,661 --> 00:03:43,912
It's like making a first
impression with a chick.
71
00:03:43,913 --> 00:03:45,706
If you don't do it right,
72
00:03:45,707 --> 00:03:47,166
she ain't gonna let
you in her crib.
73
00:03:47,167 --> 00:03:49,251
‐ Boom, see, if it's about
the chicks, then let's go
74
00:03:49,252 --> 00:03:51,128
with "Method Man,"
just like I said.
75
00:03:51,129 --> 00:03:52,713
‐ It's not about chicks, yo.
76
00:03:52,714 --> 00:03:54,715
‐ So then what it
is about, Bobby?
77
00:03:54,716 --> 00:03:59,136
Explain it to us. ‐
78
00:03:59,137 --> 00:04:01,555
It's got to be...
79
00:04:01,556 --> 00:04:05,184
Wu‐Tang rugged, you dig?
80
00:04:05,185 --> 00:04:07,478
Grimy as shit,
81
00:04:07,479 --> 00:04:11,857
but like Power said, it's
got to play in the clubs.
82
00:04:11,858 --> 00:04:15,360
And like you said, it's got
to have the entire Clan on it.
83
00:04:15,361 --> 00:04:17,654
Mm‐hmm. ‐
84
00:04:17,655 --> 00:04:20,324
We got to do a posse cut.
85
00:04:20,325 --> 00:04:23,744
‐ Hey, yo, I, uh‐‐
I hear you, Bobby.
86
00:04:23,745 --> 00:04:25,788
I hear you, but we
don't got any time
87
00:04:25,789 --> 00:04:28,332
to be‐‐to be making
new tracks, man.
88
00:04:28,333 --> 00:04:29,958
‐ Yeah, and we ain't
got money either.
89
00:04:29,959 --> 00:04:31,418
‐ Mm‐hmm. ‐ You know
what I'm saying?
90
00:04:31,419 --> 00:04:33,212
We got enough to pay for
two days in the studio
91
00:04:33,213 --> 00:04:35,005
to mix and master, you
know what I'm saying?
92
00:04:35,006 --> 00:04:37,257
And the rest of the cream is
for pressing up wax and tape.
93
00:04:37,258 --> 00:04:38,425
Just trust
what you already have.
94
00:04:38,426 --> 00:04:39,676
‐ No, yo‐‐
95
00:04:39,677 --> 00:04:41,094
We got to come through
chopping heads, yo.
96
00:04:41,095 --> 00:04:44,389
We got to have high
BPM and high energy,
97
00:04:44,390 --> 00:04:47,893
not just one animal roaring.
98
00:04:47,894 --> 00:04:49,812
We got to have the
entire fucking soundtrack
99
00:04:49,813 --> 00:04:51,605
of the jungle, yo.
100
00:04:51,606 --> 00:04:53,607
And we ain't got that shit.
101
00:04:53,608 --> 00:04:56,193
‐ Bobby, look, what do you
mean we ain't got that shit?
102
00:04:56,194 --> 00:04:58,237
Look at all the
damn floppy tapes.
103
00:04:58,238 --> 00:05:00,113
‐ Yo, let me have a couple
more days to figure this out,
104
00:05:00,114 --> 00:05:01,782
and if I don't,
105
00:05:01,783 --> 00:05:04,868
we can pick something else
for the single, all right?
106
00:05:04,869 --> 00:05:07,955
Okay. Bobby, I
hear what you're saying.
107
00:05:07,956 --> 00:05:09,206
We do not have a couple‐‐
108
00:05:11,709 --> 00:05:14,419
‐ Oh. All right, I
guess we leaving then.
109
00:05:14,420 --> 00:05:16,839
‐ Mm‐hmm.
110
00:05:42,031 --> 00:05:44,492
‐
111
00:06:47,847 --> 00:06:49,723
‐ Shit.
112
00:06:49,724 --> 00:06:52,142
Didn't you
hear what he said?
113
00:06:58,941 --> 00:07:01,151
I see that
you know how to fight.
114
00:07:01,152 --> 00:07:06,114
Well, today you are up
against the Ting brothers.
115
00:07:12,914 --> 00:07:14,915
‐ What?
116
00:07:14,916 --> 00:07:17,084
Ain't you supposed to
answer "Wu‐Tang Productions"?
117
00:07:17,085 --> 00:07:18,502
Yeah, my bad.
118
00:07:18,503 --> 00:07:20,545
Studio's
booked for tomorrow.
119
00:07:20,546 --> 00:07:22,047
‐ For tomorrow?
Tomorrow.
120
00:07:22,048 --> 00:07:23,465
It's the only time I could get.
121
00:07:23,466 --> 00:07:24,883
They're booked for
the rest of the month.
122
00:07:24,884 --> 00:07:26,343
Know what I mean? We got
it for two days, kid.
123
00:07:26,344 --> 00:07:29,262
That's it. You're
gonna be ready, right?
124
00:07:29,263 --> 00:07:30,263
‐ Yeah.
125
00:07:36,562 --> 00:07:38,980
What's up, man? ‐
What you looking for?
126
00:07:38,981 --> 00:07:40,565
‐ I have no idea.
127
00:07:44,362 --> 00:07:46,154
What's up, man?
128
00:08:51,429 --> 00:08:52,804
‐ What's up?
129
00:08:52,805 --> 00:08:54,264
‐ What's up, yo?
130
00:08:59,937 --> 00:09:01,480
‐ Yo, what up with Dennis?
131
00:09:01,481 --> 00:09:03,273
I heard about him and Shurrie.
132
00:09:05,693 --> 00:09:09,237
‐ Yeah. Yeah, he's‐‐he's cool.
133
00:09:09,238 --> 00:09:11,156
It's all in the family.
134
00:09:11,157 --> 00:09:13,617
‐ Cool, cool.
135
00:09:13,618 --> 00:09:15,452
Yeah, man.
136
00:09:15,453 --> 00:09:17,579
Tell D‐Lover I said what up.
137
00:09:17,580 --> 00:09:19,247
Heads been wanting
to hear more from us
138
00:09:19,248 --> 00:09:22,167
ever since we did that "No
More Mr. Nice Guy" track.
139
00:09:22,168 --> 00:09:24,461
‐ That shit was cool...
140
00:09:24,462 --> 00:09:27,506
you know, for the‐‐
for the neighborhood.
141
00:09:27,507 --> 00:09:30,008
Oh, by the way, he's going
by, uh, Ghostface Killah now.
142
00:09:30,009 --> 00:09:34,097
‐ Oh, yeah, I forgot.
Y'all be on that kung fu shit.
143
00:09:35,681 --> 00:09:36,973
‐ Yes.
144
00:09:41,896 --> 00:09:43,772
‐ So, uh, you working
on anything new?
145
00:09:43,773 --> 00:09:45,273
‐ Always, yo.
146
00:09:48,820 --> 00:09:51,905
Oh, shit, I was just there...
147
00:09:51,906 --> 00:09:54,908
A couple
of hours ago.
148
00:09:54,909 --> 00:09:57,577
That shit was kind of dry,
though, a little stale.
149
00:09:57,578 --> 00:09:59,121
‐ I mean, I guess
it's easy to miss shit
150
00:09:59,122 --> 00:10:00,872
when you don't know
what you looking for.
151
00:10:05,711 --> 00:10:09,422
Oh, I was looking
for this! Deep cut.
152
00:10:09,423 --> 00:10:12,634
Yo, Puba and his people gonna
love what I do with this shit.
153
00:10:12,635 --> 00:10:14,719
I got a session
with them next week.
154
00:10:16,681 --> 00:10:18,140
‐ Word.
155
00:10:55,803 --> 00:10:59,181
‐ Hey, yo, yo, yo,
what he just cop?
156
00:10:59,182 --> 00:11:00,182
Man‐‐
157
00:11:25,291 --> 00:11:27,375
‐ Almost.
158
00:12:57,174 --> 00:13:00,093
‐ You know Stevie Wonder
wrote this, right?
159
00:13:00,094 --> 00:13:02,095
You should know.
160
00:13:02,096 --> 00:13:05,432
I only played these boys
for you 10, 20 times.
161
00:13:05,433 --> 00:13:07,809
I do remember,
Uncle Hollis.
162
00:13:07,810 --> 00:13:09,728
That's why I had
to pick them up.
163
00:13:11,731 --> 00:13:13,481
‐ Good man.
164
00:13:42,887 --> 00:13:46,765
‐ So this is what
goes on in your head?
165
00:13:46,766 --> 00:13:49,142
It's like Radio City.
166
00:14:00,196 --> 00:14:03,740
‐
167
00:14:16,629 --> 00:14:19,589
‐ Bobby, they don't like that.
168
00:14:19,590 --> 00:14:22,217
What you doing to them?
169
00:14:22,218 --> 00:14:26,054
‐ It wasn't‐‐it wasn't
what I needed it to be.
170
00:14:26,055 --> 00:14:28,598
So I had to‐‐I had
to pick them up.
171
00:14:32,686 --> 00:14:36,064
‐ Oh, damn, Bobby.
172
00:14:50,830 --> 00:14:53,456
I still don't see why you
want to use this music
173
00:14:53,457 --> 00:14:55,667
if you just gonna tear it up.
174
00:14:55,668 --> 00:14:59,420
‐ That's just your
perception. ‐ My perception?
175
00:15:03,175 --> 00:15:07,720
‐ Do you remember when I was‐‐
I was afraid of the dark?
176
00:15:07,721 --> 00:15:09,639
‐ Oh, I remember very well.
177
00:15:09,640 --> 00:15:11,558
‐ Well, you told me
not to be scared.
178
00:15:11,559 --> 00:15:13,226
You told me that‐‐
179
00:15:13,227 --> 00:15:16,521
that everything in
the dark exists...
180
00:15:16,522 --> 00:15:18,106
in the light.
181
00:15:18,107 --> 00:15:19,732
It's a change in
your perception.
182
00:15:19,733 --> 00:15:21,526
It's the same with this music.
183
00:15:21,527 --> 00:15:23,403
I can't change exactly what's‐‐
184
00:15:23,404 --> 00:15:24,863
what they're playing
with the notes,
185
00:15:24,864 --> 00:15:27,323
but I can‐‐I can shape it.
186
00:15:27,324 --> 00:15:29,826
I can...
187
00:15:29,827 --> 00:15:32,412
I can push it from...
188
00:15:32,413 --> 00:15:35,206
from dark to light,
189
00:15:35,207 --> 00:15:38,084
make it whatever
I need it to be.
190
00:15:38,085 --> 00:15:40,044
‐ Whatever you can imagine.
191
00:15:40,045 --> 00:15:41,546
‐ Yeah.
192
00:15:46,010 --> 00:15:48,052
‐ Make up your mind already!
193
00:15:48,053 --> 00:15:51,097
‐ I told you your
imagination can turn on you.
194
00:15:51,098 --> 00:15:53,433
‐ See, that's exactly why, uh‐‐
195
00:16:20,961 --> 00:16:23,504
‐ Hey, man, what the hell?
196
00:16:23,505 --> 00:16:26,299
‐ Keep that shit going.
197
00:16:26,300 --> 00:16:28,176
That shit's good.
198
00:16:28,177 --> 00:16:30,303
Yeah. Yeah, yeah.
199
00:16:42,107 --> 00:16:44,275
Bong, bong.
200
00:16:44,276 --> 00:16:46,277
Yeah, yeah, yeah.
201
00:16:50,032 --> 00:16:52,158
Wu‐Tang city.
202
00:17:03,879 --> 00:17:05,338
‐ Ladies and gentlemen,
203
00:17:05,339 --> 00:17:07,423
we have the Honey Drippers
in the house tonight.
204
00:17:07,424 --> 00:17:09,842
And they just got back
from Washington, D. C.
205
00:17:09,843 --> 00:17:11,886
And I think they got
something they want to say.
206
00:17:21,397 --> 00:17:24,482
‐ Hey, man, look, we know
you ain't gonna use us.
207
00:17:24,483 --> 00:17:26,276
All y'all ever want is Phil.
208
00:17:26,277 --> 00:17:29,821
‐ Oh, you know
what? You're right.
209
00:17:29,822 --> 00:17:32,240
‐ Oh, whoa, brother, brother,
210
00:17:32,241 --> 00:17:35,493
brother, you know Phil
wasn't shit when I found him.
211
00:17:35,494 --> 00:17:36,661
I had to drill his ass!
212
00:17:36,662 --> 00:17:39,789
Oh, shit! PHIL:
213
00:17:39,790 --> 00:17:42,417
Thanks. He always riding me.
214
00:17:42,418 --> 00:17:44,294
‐ Hey, that motherfucker
talks too much.
215
00:17:44,295 --> 00:17:46,546
I ain't got time for
none of that shit.
216
00:17:46,547 --> 00:17:49,340
‐ So now that Hammond's out,
how you want me to play it?
217
00:17:49,341 --> 00:17:51,342
Most of y'all like it like
how Marley Marl has it.
218
00:17:51,343 --> 00:17:52,594
‐ Let me hear that.
219
00:17:52,595 --> 00:17:54,846
‐ This is Hammond's version.
220
00:17:58,434 --> 00:18:00,935
But Marley Marl love that kick.
221
00:18:03,939 --> 00:18:06,566
‐ Yo, uh, let's, uh‐‐
222
00:18:06,567 --> 00:18:10,486
Let's try it out my way. ‐
Whatever you say, I'm down.
223
00:18:12,156 --> 00:18:13,948
‐ Sick.
224
00:18:24,168 --> 00:18:26,002
‐ I can dig that.
225
00:18:29,173 --> 00:18:31,841
‐ It's feeling kind
of‐‐ kind of thin.
226
00:18:53,614 --> 00:18:54,864
Yeah, yeah, yeah, yeah.
227
00:18:54,865 --> 00:18:57,742
Hey, Phil, let me‐‐let
me get you on that snare.
228
00:18:57,743 --> 00:18:59,035
Lean into it.
229
00:19:02,831 --> 00:19:06,084
Yeah.
230
00:19:06,085 --> 00:19:09,295
And, yo, uh, what's your name?
231
00:19:09,296 --> 00:19:11,214
‐ Alex.
232
00:19:11,215 --> 00:19:14,342
‐ Let me get that shit
more, uh‐‐more frantic.
233
00:19:14,343 --> 00:19:16,260
‐ Frantic?
234
00:19:21,016 --> 00:19:24,894
‐ Hey, you, uh, on the
left, let me get that, uh‐‐
235
00:19:24,895 --> 00:19:27,897
the...
236
00:19:33,070 --> 00:19:36,239
‐ No, you can't. But you
can get it like this.
237
00:20:00,723 --> 00:20:02,932
‐ Yo, keep that shit going, huh?
238
00:20:27,624 --> 00:20:30,918
‐ Yo, I need more drums,
yo. Make that shit big.
239
00:20:30,919 --> 00:20:35,548
Give me‐‐give me,
uh, 4 dB on the bass.
240
00:20:35,549 --> 00:20:38,885
Okay, like that?
241
00:20:38,886 --> 00:20:40,762
How does that sound?
242
00:20:42,848 --> 00:20:44,348
‐ Yeah.
243
00:20:44,349 --> 00:20:46,559
Yeah, right?
244
00:20:46,560 --> 00:20:49,645
That shit's hard,
right? ‐ Very hard, bro.
245
00:20:49,646 --> 00:20:52,273
‐ Hey, yo, pause. ‐
Watch your mouth, son.
246
00:20:52,274 --> 00:20:53,941
‐ You heard this
nigga?
247
00:20:53,942 --> 00:20:56,235
‐ Hey, yo, what's up,
man?
248
00:20:56,236 --> 00:20:58,488
‐ Thought you said to pause.
‐ Turn that shit back on.
249
00:20:58,489 --> 00:21:00,156
‐ Hey, watch the board,
man!
250
00:21:00,157 --> 00:21:01,699
‐ Play the music.
251
00:21:01,700 --> 00:21:04,243
‐ Hey, yo, just‐‐ Never
mind them, all right?
252
00:21:04,244 --> 00:21:07,163
Let's‐‐let's stay focused here.
253
00:21:07,164 --> 00:21:10,333
‐ All right, my bad. I thought
it was hard, man, but...
254
00:21:10,334 --> 00:21:11,959
‐
255
00:21:11,960 --> 00:21:14,295
Yo, I'm done with my
shit, son. ‐ Me too.
256
00:21:14,296 --> 00:21:16,339
‐ Yo, how you even
read that shit, son?
257
00:21:16,340 --> 00:21:19,008
‐ I'ma show you. ‐
Nah, nah, nah, hold on.
258
00:21:19,009 --> 00:21:20,760
‐ What you mean? ‐ I'm
getting on the mic first.
259
00:21:20,761 --> 00:21:22,178
‐ You wilin'.
260
00:21:22,179 --> 00:21:24,305
‐ Yo, ain't nobody going
in the booth, all right?
261
00:21:24,306 --> 00:21:25,598
Until I say so.
262
00:21:25,599 --> 00:21:27,475
This shit is like a fucking
symphony, all right?
263
00:21:27,476 --> 00:21:30,937
Everybody's voice is an
instrument, all right?
264
00:21:30,938 --> 00:21:32,396
‐ What you mean?
265
00:21:32,397 --> 00:21:34,899
‐ Deck, you first.
266
00:21:34,900 --> 00:21:38,986
‐ Come on, man. ‐ The
RZA chooses wisely.
267
00:21:38,987 --> 00:21:40,822
Yo, wack, son.
268
00:21:40,823 --> 00:21:43,407
'Cause I'm going first,
y'all better get to re‐writing.
269
00:21:43,408 --> 00:21:44,492
Whatever, yo.
270
00:21:44,493 --> 00:21:45,618
What are
you talking about?
271
00:21:45,619 --> 00:21:47,829
‐ And my nigga,
Yo.
272
00:21:47,830 --> 00:21:49,205
‐ You last, yo. All right?
273
00:21:49,206 --> 00:21:51,791
‐ Ah, yeah, save
the best for last.
274
00:21:51,792 --> 00:21:53,209
I'll be right back,
matter of fact.
275
00:21:53,210 --> 00:21:54,752
You better have some shit ready.
276
00:21:54,753 --> 00:21:57,505
‐ What up, dog? ‐ Peace, dog.
277
00:21:57,506 --> 00:21:58,965
‐ You out already?
278
00:21:58,966 --> 00:22:00,424
‐ Yeah, I'm about to go
contemplate my verse.
279
00:22:00,425 --> 00:22:01,759
Know what I mean?
280
00:22:01,760 --> 00:22:03,636
Might watch a phat karate
flick or something.
281
00:22:03,637 --> 00:22:05,763
You feel me? You good?
282
00:22:05,764 --> 00:22:07,265
‐ Yeah, son, I'm chillin'.
283
00:22:07,266 --> 00:22:08,683
I just ain't realize
284
00:22:08,684 --> 00:22:11,227
we was rolling this deep
in the studio and shit.
285
00:22:11,228 --> 00:22:12,728
Oh, yeah, the
RZA wants this record
286
00:22:12,729 --> 00:22:15,273
to feel like a live
show, know what I mean?
287
00:22:15,274 --> 00:22:16,399
Yo, kill that shit.
288
00:22:16,400 --> 00:22:19,235
We gon' take care
of it. Peace, cuz.
289
00:22:22,364 --> 00:22:25,116
Oh, yeah, make sure
the kick is stand, uh...
290
00:22:25,117 --> 00:22:26,492
Okay.
291
00:22:26,493 --> 00:22:28,661
And the weight of
all that shit is just...
292
00:22:28,662 --> 00:22:31,247
You rock,
man. And we're out...
293
00:22:31,248 --> 00:22:33,040
So we got Inspectah.
294
00:22:34,751 --> 00:22:36,168
What you think?
295
00:22:39,464 --> 00:22:42,466
‐ Hey, yo, this spot mad
different than yours, son.
296
00:22:44,636 --> 00:22:46,429
‐ I'm talking about
this beat, yo.
297
00:22:46,430 --> 00:22:49,473
‐ Oh, yeah, this shit phat.
298
00:22:49,474 --> 00:22:52,018
You know, always is, though.
299
00:22:52,019 --> 00:22:53,394
‐ Hey, what's up,
man? I'm Ethan.
300
00:22:53,395 --> 00:22:56,480
‐ What up? D‐Lov‐‐
301
00:22:56,481 --> 00:22:58,691
Ghostface.
302
00:22:58,692 --> 00:23:01,152
‐ Oh, he's the one you've
been talking about?
303
00:23:01,153 --> 00:23:02,904
Yeah, yeah.
Okay, sick.
304
00:23:02,905 --> 00:23:06,282
‐ Yeah, so what you do,
Ethan? ‐ Uh, I'm the engineer.
305
00:23:08,076 --> 00:23:11,162
‐ Oh, word, word.
306
00:23:11,163 --> 00:23:13,873
‐ You're after
Deck, yo, all right?
307
00:23:15,542 --> 00:23:17,460
‐ Damn. So that's
mad soon, son.
308
00:23:17,461 --> 00:23:19,128
‐ Better get that shit cracking.
309
00:23:23,133 --> 00:23:24,926
Peace, peace.
310
00:23:26,720 --> 00:23:28,721
Imagine that.
I know, right?
311
00:24:12,474 --> 00:24:14,184
Nah.
312
00:25:12,284 --> 00:25:14,827
You hear that shit?
313
00:25:14,828 --> 00:25:16,746
Yeah, he
did, son. He did.
314
00:25:16,747 --> 00:25:20,124
‐ Hey, Ghost, you up next, yo.
315
00:25:20,125 --> 00:25:22,001
You ready?
316
00:25:22,002 --> 00:25:23,961
‐ Nah, nah, nah. Let‐‐let
one of them go first.
317
00:25:23,962 --> 00:25:25,838
I'm out here right
now. Hold my quarter.
318
00:25:25,839 --> 00:25:27,673
‐ All right, Rae?
319
00:25:27,674 --> 00:25:30,551
‐ Like you even have
to fucking ask, yo.
320
00:25:30,552 --> 00:25:32,053
All right.
‐ Word, word.
321
00:25:32,054 --> 00:25:33,054
Let's get
that fucking shit.
322
00:25:33,055 --> 00:25:34,597
‐ Yeah, yeah. Watch and learn.
323
00:25:34,598 --> 00:25:37,016
Come on, God, you already know.
324
00:26:10,759 --> 00:26:13,177
Ah!
325
00:26:13,178 --> 00:26:14,887
‐ Yo, play that shit
again. ‐ Yeah, yeah.
326
00:26:14,888 --> 00:26:17,139
‐ Yeah, play that shit,
again and again, guy.
327
00:26:20,102 --> 00:26:22,520
‐ Raise it up just a little bit.
328
00:26:47,879 --> 00:26:50,172
‐ What's up?
329
00:26:50,173 --> 00:26:52,883
‐ I don't know, yo.
It's‐‐it's not lining up.
330
00:26:52,884 --> 00:26:54,218
‐ Really?
331
00:26:54,219 --> 00:26:57,471
‐ It's like the mix
is off or something.
332
00:26:57,472 --> 00:26:58,889
‐ I don't hear it.
333
00:26:58,890 --> 00:26:59,890
‐ No?
334
00:26:59,891 --> 00:27:02,560
Everything's how you wanted it.
335
00:27:04,688 --> 00:27:06,355
‐ All right, fuck it.
336
00:27:06,356 --> 00:27:08,691
Let's just lay down
everything else,
337
00:27:08,692 --> 00:27:09,900
and we can figure it out later.
338
00:27:09,901 --> 00:27:11,110
Okay. ‐ Right?
339
00:27:11,111 --> 00:27:12,653
Yeah, that works.
340
00:27:12,654 --> 00:27:14,655
‐ Hey, yo, Ghost, you ready yet?
341
00:27:14,656 --> 00:27:15,739
‐ Nah, son.
342
00:27:15,740 --> 00:27:18,534
Nah, nah. I'm still
working on it.
343
00:27:18,535 --> 00:27:21,036
‐ All right. Dirty,
what's up with you?
344
00:27:21,037 --> 00:27:23,414
‐ Sure, I been ready,
son! What's up?
345
00:27:23,415 --> 00:27:26,250
‐ Hey, yo, let me
see this shit, man.
346
00:27:26,251 --> 00:27:28,544
‐ Yeah, you might
learn something, yeah.
347
00:27:28,545 --> 00:27:29,670
Mm‐hmm.
348
00:27:29,671 --> 00:27:31,171
‐ Hey, yo, this
nigga clowning, son.
349
00:27:31,172 --> 00:27:32,882
Look at that shit, son.
350
00:27:32,883 --> 00:27:34,175
‐ Look at it.
351
00:27:35,969 --> 00:27:37,636
‐ Yo, cuz, for real, yo?
352
00:27:37,637 --> 00:27:39,221
‐ For real, son.
353
00:27:39,222 --> 00:27:42,266
‐ Yo, this nigga‐‐you wrote
this shit when you was 13, yo.
354
00:27:44,185 --> 00:27:46,061
‐ How am I supposed to
help if I'm a prodigy, man?
355
00:27:46,062 --> 00:27:49,398
I can't help that, son.
Give me my shit, man.
356
00:27:49,399 --> 00:27:51,817
Hey, son, gold is gold.
357
00:27:51,818 --> 00:27:53,569
Man, I don't know why y'all
niggas is hating on me.
358
00:27:53,570 --> 00:27:55,362
‐ We got this studio so we
can record some new shit,
359
00:27:55,363 --> 00:27:56,947
not come up in here with
old bars, all right?
360
00:27:56,948 --> 00:27:59,158
Yo, take this shit serious.
361
00:27:59,159 --> 00:28:00,868
Go and write some new shit.
362
00:28:00,869 --> 00:28:02,953
An original verse, all right?
363
00:28:02,954 --> 00:28:04,455
‐ Man, listen,
364
00:28:04,456 --> 00:28:07,583
I can't even write under these
circumstances anyway, man.
365
00:28:07,584 --> 00:28:10,586
Don't oppress me, man.
The Black man is God.
366
00:28:12,672 --> 00:28:13,923
Yeah. Whatever, nigga.
367
00:28:13,924 --> 00:28:16,425
Yo, come back with a
new verse, all right?
368
00:29:07,686 --> 00:29:09,479
‐ You ain't shit.
369
00:29:10,522 --> 00:29:11,981
‐ What?
370
00:29:11,982 --> 00:29:13,649
Yo.
371
00:29:13,650 --> 00:29:17,152
Yo, you hear me?
372
00:29:17,153 --> 00:29:18,237
You ready yet?
373
00:29:18,238 --> 00:29:19,238
‐ Hey, yo, I‐I got to go
374
00:29:19,239 --> 00:29:21,032
take a leak, son.
375
00:29:22,993 --> 00:29:24,660
‐ Well, hurry your
ass up, nigga.
376
00:29:24,661 --> 00:29:27,037
We have one more day left
in the studio, all right?
377
00:29:27,038 --> 00:29:28,455
‐ Hey, yo, so then don't
put me on the song then.
378
00:29:28,456 --> 00:29:29,957
‐ Everybody has
to be on the song.
379
00:29:29,958 --> 00:29:31,709
Yo, you know, everybody
has to be on the track.
380
00:29:31,710 --> 00:29:34,128
‐ All right, all right, I heard
you, I heard you, all right?
381
00:29:34,129 --> 00:29:36,130
‐
382
00:29:38,883 --> 00:29:41,677
‐ Meth, you're up.
383
00:29:41,678 --> 00:29:43,053
‐ Finally, son.
384
00:29:43,054 --> 00:29:45,514
Damn, how long you's gonna take?
385
00:29:45,515 --> 00:29:47,892
It's on you. ‐
Symphony, right?
386
00:30:20,925 --> 00:30:23,010
‐ Fuck, yo.
387
00:30:23,011 --> 00:30:24,261
‐ We've been at it for a while.
388
00:30:24,262 --> 00:30:27,306
Maybe we should
re‐do some verses.
389
00:30:27,307 --> 00:30:30,684
‐ It's not the
verses. It's the beat.
390
00:30:30,685 --> 00:30:33,687
This beat is soulful,
but I need something...
391
00:30:33,688 --> 00:30:35,898
more original.
392
00:30:35,899 --> 00:30:38,233
I need something unpredictable.
393
00:30:38,234 --> 00:30:41,695
‐ I‐I feel you. I just‐‐I
think you're burning out, man.
394
00:30:41,696 --> 00:30:45,324
I love this beat, and
these guys do, too.
395
00:30:45,325 --> 00:30:47,326
‐ Every verse...
396
00:30:47,327 --> 00:30:49,536
needs to hit hard...
397
00:30:49,537 --> 00:30:51,371
every verse.
398
00:30:51,372 --> 00:30:52,790
‐ It's just, if we
can't mix with four,
399
00:30:52,791 --> 00:30:54,500
it's gonna be crazy with seven.
400
00:30:54,501 --> 00:30:56,585
‐ Yo, I'm not taking anybody
off of the single, all right?
401
00:30:56,586 --> 00:30:59,213
Everybody will stay on the song.
402
00:30:59,214 --> 00:31:01,799
‐ All right.
403
00:31:01,800 --> 00:31:03,967
‐ I just need to‐‐
I need to think.
404
00:31:05,261 --> 00:31:07,221
‐ Atención, por favor.
405
00:31:07,222 --> 00:31:08,722
‐ This nigga here, man.
406
00:31:12,060 --> 00:31:15,395
Yeah, that
shit better be hard.
407
00:31:15,396 --> 00:31:16,980
‐ You just wrote
this shit right now?
408
00:31:16,981 --> 00:31:18,482
‐ Yeah, son.
409
00:31:18,483 --> 00:31:20,150
What you thought I was doing
on the roof the whole time?
410
00:31:20,151 --> 00:31:21,985
‐ Not supposed to
go on the roof.
411
00:31:21,986 --> 00:31:23,570
‐ Yo, if he keeps
writing like this,
412
00:31:23,571 --> 00:31:25,614
he can climb to the top of
the Empire State Building.
413
00:31:25,615 --> 00:31:26,782
‐ Word.
414
00:31:26,783 --> 00:31:29,618
‐ Yo, this shit is
fucking hard, son.
415
00:31:29,619 --> 00:31:31,578
‐ King Kong, motherfucker!
416
00:31:58,189 --> 00:32:00,774
‐ Whoo! ‐ That's
original right there.
417
00:32:00,775 --> 00:32:03,110
‐ Word! ‐ Rhymes is phat.
418
00:32:03,111 --> 00:32:06,613
‐ Hey, Ghost, well, after
that, you got to be motiva‐‐
419
00:32:06,614 --> 00:32:08,365
Yo, what the fuck?
420
00:32:08,366 --> 00:32:11,118
Yo, where this nigga Ghost at?
421
00:32:11,119 --> 00:32:12,661
Disappearing. I'm
not gonna hold you.
422
00:32:12,662 --> 00:32:15,664
Ghostface Killah for real.
You know what I mean?
423
00:32:15,665 --> 00:32:17,167
Word.
424
00:32:49,240 --> 00:32:52,117
Shh, shh, shh.
425
00:32:53,745 --> 00:32:55,829
No, as I‐‐
426
00:33:00,877 --> 00:33:03,712
‐ Wait. Shh, shh, shh.
427
00:33:03,713 --> 00:33:05,255
Oh, come here.
428
00:33:05,256 --> 00:33:06,715
Ooh.
429
00:33:06,716 --> 00:33:10,093
Oh, I got you. I got you.
430
00:33:10,094 --> 00:33:12,721
Mommy's little alarm clock.
431
00:33:12,722 --> 00:33:14,723
‐ Yo, I'm sorry. I woke
him up by accident.
432
00:33:14,724 --> 00:33:16,183
‐ It's okay.
433
00:33:16,184 --> 00:33:17,893
‐ Just go back in there and
go back to sleep. Give me‐‐
434
00:33:17,894 --> 00:33:22,105
‐ No, no, no, it's okay.
He's probably just hungry.
435
00:33:22,106 --> 00:33:24,107
How about you‐‐you
go in the bedroom,
436
00:33:24,108 --> 00:33:27,070
and, yeah, I'll stay
out here with him?
437
00:33:30,490 --> 00:33:31,907
‐ Thank you.
438
00:33:31,908 --> 00:33:35,535
‐ Mm‐hmm.
439
00:33:35,536 --> 00:33:37,913
Can you make a
bottle first, though?
440
00:33:56,975 --> 00:33:58,350
All right. All right, baby.
441
00:33:58,351 --> 00:34:01,812
All right, all right,
I'm coming, I'm coming.
442
00:35:35,615 --> 00:35:38,033
Yo, son, you gonna
keep me like this?
443
00:35:42,789 --> 00:35:44,456
Gonna let me get through
my whole verse this time?
444
00:35:44,457 --> 00:35:46,083
‐ I don't fucking know yet.
445
00:35:46,084 --> 00:35:47,584
‐ Yo, I ain't doing this
shit all night, son.
446
00:35:47,585 --> 00:35:49,920
‐ Hey, man, cool out.
Give the man his space.
447
00:35:49,921 --> 00:35:52,130
‐ Yo, drummer boy,
check this out.
448
00:35:52,131 --> 00:35:53,882
You don't know me, son.
449
00:36:02,016 --> 00:36:03,433
What's up?
Come on.
450
00:36:03,434 --> 00:36:05,268
Yeah, motherfucker!
Jamaica Queens, baby!
451
00:36:05,269 --> 00:36:06,709
You jive
turkey motherfucker!
452
00:36:09,482 --> 00:36:12,275
‐ Damn, son, Honey
Drippers ain't no joke.
453
00:36:12,276 --> 00:36:15,445
‐
454
00:36:15,446 --> 00:36:18,073
All right, let's
get back to work.
455
00:36:22,036 --> 00:36:25,455
Yo, let me‐‐let
me get something‐‐
456
00:36:25,456 --> 00:36:29,251
something a little more like...
457
00:36:29,252 --> 00:36:31,128
this.
458
00:36:38,594 --> 00:36:40,721
‐ That's a totally
different beat.
459
00:36:40,722 --> 00:36:42,055
‐ Yeah, yeah, I know.
460
00:36:42,056 --> 00:36:45,685
I know, but it just
might work, all right?
461
00:37:19,302 --> 00:37:22,220
Why you messing
with the beat, son?
462
00:37:22,221 --> 00:37:24,848
We already wrote to the other
one, and now you changing it?
463
00:37:24,849 --> 00:37:28,226
‐ Yo, why did you bail on
the studio session earlier?
464
00:37:28,227 --> 00:37:29,478
You know that shit cost money.
465
00:37:29,479 --> 00:37:31,313
‐ Hey, yo, I ain't
bail on that shit, son.
466
00:37:31,314 --> 00:37:32,898
It was just too
crowded in there.
467
00:37:32,899 --> 00:37:36,526
It wasn't really my
style, know what I mean?
468
00:37:36,527 --> 00:37:40,280
‐ All right, but we got a
day to get that single, so...
469
00:37:40,281 --> 00:37:42,324
‐ I know. So why you
fucking with the beat, son?
470
00:37:42,325 --> 00:37:43,617
‐ Yo, where the fuck
is your verse at?
471
00:37:43,618 --> 00:37:44,826
‐ Man, I already told you
472
00:37:44,827 --> 00:37:48,330
I need space to
hear myself, son.
473
00:37:48,331 --> 00:37:50,665
‐ Is that not why we
got the studio space
474
00:37:50,666 --> 00:37:52,167
in the first place, for us to‐‐
475
00:37:52,168 --> 00:37:53,960
‐ Yeah, and then
you filled it up
476
00:37:53,961 --> 00:37:56,129
with a bunch of random dudes.
477
00:37:56,130 --> 00:37:58,131
‐ Random?
478
00:37:58,132 --> 00:37:59,925
Who is you talking
about‐‐ Ethan?
479
00:37:59,926 --> 00:38:02,345
‐ Hey, yo, fuck
Ethan. ‐
480
00:38:03,971 --> 00:38:07,224
Yo! I'ma tell Ethan exactly
how the fuck you feel
481
00:38:07,225 --> 00:38:08,475
about his ass, man.
482
00:38:08,476 --> 00:38:10,101
‐ Yeah, whatever,
son. Whatever.
483
00:38:10,102 --> 00:38:12,103
And I don't mean to be
wasting studio time and shit.
484
00:38:12,104 --> 00:38:14,564
I just...
485
00:38:14,565 --> 00:38:16,358
nothing's sticking
right now, you know.
486
00:38:16,359 --> 00:38:18,735
I ain't flowing. It
don't sound right.
487
00:38:18,736 --> 00:38:21,905
‐ Yeah, I feel that.
488
00:38:21,906 --> 00:38:25,993
I have not been able to
get this shit together.
489
00:38:28,496 --> 00:38:31,122
My beats are cool,
490
00:38:31,123 --> 00:38:33,834
but the shit just sounds
like it's clashing, yo.
491
00:38:33,835 --> 00:38:37,630
‐ Hmm. Hey, yo, push
through all of that shit.
492
00:38:39,257 --> 00:38:40,716
You always find it.
493
00:38:42,343 --> 00:38:44,636
‐ I know.
494
00:38:44,637 --> 00:38:46,513
I know.
495
00:38:46,514 --> 00:38:49,057
That's why I changed up the
drums on this motherfucker,
496
00:38:49,058 --> 00:38:50,642
so...
497
00:38:50,643 --> 00:38:51,852
‐ Yeah, well,
498
00:38:51,853 --> 00:38:54,272
play that shit again.
Let me hear it.
499
00:39:05,074 --> 00:39:07,409
Let me hear U‐God on top.
500
00:39:20,381 --> 00:39:24,259
‐ Yeah, see, when I‐‐when I try
to mix in Rae and Meth's verse
501
00:39:24,260 --> 00:39:25,677
over this,
502
00:39:25,678 --> 00:39:29,681
it just‐‐it doesn't
mix, you know?
503
00:39:29,682 --> 00:39:33,310
‐ Yeah, I think I hear what
you talking about, son.
504
00:39:33,311 --> 00:39:36,313
‐
505
00:39:41,277 --> 00:39:43,278
Hey, y'all sure
y'all want him back, man?
506
00:39:43,279 --> 00:39:45,280
I like having more room.
507
00:39:56,751 --> 00:39:59,462
‐ Hey, yo, shut
the fuck up, son!
508
00:40:02,506 --> 00:40:04,132
Go ahead.
509
00:40:12,308 --> 00:40:13,725
Nah, nah, son.
510
00:40:13,726 --> 00:40:16,019
Yeah, t‐this the one right here.
511
00:40:16,020 --> 00:40:17,730
‐ This one right here?
512
00:40:19,357 --> 00:40:22,567
Okay. Okay.
513
00:40:25,363 --> 00:40:27,739
‐ It's easier to think and
shit when we back home.
514
00:40:27,740 --> 00:40:29,741
‐ Well, this is cool
to be trying shit out.
515
00:40:29,742 --> 00:40:34,412
No, but if you want to take
that sound to that next level,
516
00:40:34,413 --> 00:40:36,164
we got to record at
Firehouse Studio.
517
00:40:36,165 --> 00:40:37,707
‐ It's just‐‐you
know, when we here,
518
00:40:37,708 --> 00:40:39,334
shit could just
flow when it flows.
519
00:40:39,335 --> 00:40:43,129
You know what I am saying?
Back at the studio‐‐
520
00:40:43,130 --> 00:40:46,550
‐ Yeah, it feels like you got
to force yourself sometimes.
521
00:40:48,177 --> 00:40:49,553
Yeah.
522
00:40:51,347 --> 00:40:52,889
‐ Hey, yo, let me‐‐let me hear
523
00:40:52,890 --> 00:40:55,517
that thing you was trying
with the keyboard, though.
524
00:40:55,518 --> 00:40:58,520
‐
525
00:41:03,859 --> 00:41:05,944
Check this out.
526
00:41:22,044 --> 00:41:23,795
Yo, what? What?
527
00:41:23,796 --> 00:41:26,548
What, you're not
fucking with it?
528
00:41:26,549 --> 00:41:29,259
‐ Nah, son. I'm just‐‐I'm
just wild hungry.
529
00:41:29,260 --> 00:41:30,427
‐ Oh, shit.
530
00:41:30,428 --> 00:41:31,721
‐ You trying to eat?
531
00:41:37,768 --> 00:41:40,228
‐
532
00:41:40,229 --> 00:41:43,356
Oh, shit. Yo! Yo, yo, yo, yo!
533
00:41:43,357 --> 00:41:46,651
"And
now I will kill you
534
00:41:46,652 --> 00:41:51,406
"not because you
killed my family,
535
00:41:51,407 --> 00:41:56,411
but because you are
an ugly motherfucker."
536
00:41:56,412 --> 00:41:58,998
‐ Oh, man, yo.
537
00:42:15,514 --> 00:42:18,266
‐ Whoa!
538
00:42:21,937 --> 00:42:23,646
‐ Whoa, shit!
539
00:42:23,647 --> 00:42:26,441
‐ What the fuck
is going on, dog?
540
00:42:26,442 --> 00:42:28,526
This shit's fucking
crazy right here.
541
00:42:28,527 --> 00:42:30,028
Yo, Dirty! Is it just‐‐
542
00:42:30,029 --> 00:42:32,363
can y'all hear me?
543
00:42:32,364 --> 00:42:34,240
Where are we?
544
00:42:35,826 --> 00:42:37,202
‐ How you feeling about this?
545
00:42:37,203 --> 00:42:38,828
What you think?
546
00:42:43,667 --> 00:42:45,627
‐ Hey, yo. Yo.
547
00:42:45,628 --> 00:42:48,671
Yo, check this.
548
00:42:48,672 --> 00:42:49,881
All right.
549
00:42:49,882 --> 00:42:52,300
Oh, shit.
550
00:42:54,678 --> 00:42:56,096
Okay.
551
00:43:02,895 --> 00:43:05,105
‐ Ooh!
552
00:43:05,106 --> 00:43:08,149
Yo, that's‐‐that's the sound.
That's it right there, B.
553
00:43:08,150 --> 00:43:09,776
That's it. That's
the sound, B.
554
00:43:18,035 --> 00:43:21,287
Yeah. Yeah, baby.
555
00:43:21,288 --> 00:43:22,372
‐ Hey, yo.
556
00:43:33,801 --> 00:43:35,426
‐ It's about
fucking time, nigga.
557
00:43:36,846 --> 00:43:40,431
It's about fucking time,
yo. I was waiting for this.
558
00:44:19,138 --> 00:44:20,305
Whoo!
559
00:44:55,007 --> 00:44:56,299
‐ Hey, yo, what's
this beat, son?
560
00:44:56,300 --> 00:44:57,800
This ain't the
shit we spit over.
561
00:44:57,801 --> 00:45:00,929
‐ It's better now, nigga.
This that Wu‐Tang shit.
562
00:45:00,930 --> 00:45:02,430
Yeah, word.
563
00:45:02,431 --> 00:45:04,140
‐ Yo, this shit gonna
tear the club up.
564
00:45:07,228 --> 00:45:09,270
‐ Yo, yo, yo. ‐ Hey, what up?
565
00:45:09,271 --> 00:45:10,980
‐ Whoo! ‐ What up?
566
00:45:10,981 --> 00:45:13,066
‐ It is, bro.
567
00:45:13,067 --> 00:45:14,943
‐ I like your handshake.
There you go.
568
00:45:14,944 --> 00:45:17,904
‐ Yo, son, I ain't never heard
no shit like this before, yo.
569
00:45:17,905 --> 00:45:19,822
I ain't never heard
no shit like this.
570
00:45:19,823 --> 00:45:21,616
‐ Nah, nah, no one has.
571
00:45:21,617 --> 00:45:23,618
‐ Peace, peace, peace!
572
00:45:23,619 --> 00:45:25,370
Peace, peace,
peace. ‐ Hey, yo.
573
00:45:25,371 --> 00:45:26,496
‐ You went to the movies
574
00:45:26,497 --> 00:45:28,456
and dipped off for,
like, two days, son.
575
00:45:28,457 --> 00:45:31,584
‐ Yo, son, they was playing
the whole Dragon marathon.
576
00:45:31,585 --> 00:45:33,795
Dragon Fist, Dragon
Lord, what's the shit?
577
00:45:33,796 --> 00:45:36,047
The Dragon Forever
shit. ‐ Oh, yeah.
578
00:45:36,048 --> 00:45:38,174
‐ The whole shit had me
spent on Dragons now.
579
00:45:38,175 --> 00:45:39,426
I need to chill out.
580
00:46:00,406 --> 00:46:03,449
‐ What you think?
581
00:46:03,450 --> 00:46:05,660
‐ I think‐‐
582
00:46:05,661 --> 00:46:08,663
I think we getting this
pressed up tomorrow, right?
583
00:46:08,664 --> 00:46:10,790
Yo. Yo.
584
00:46:26,223 --> 00:46:27,932
Sooh!
585
00:46:51,623 --> 00:46:55,793
Wu‐Tang! Wu‐Tang!
Wu‐Tang! Wu‐Tang!
586
00:46:55,794 --> 00:46:58,671
Watch your step, kid!
Watch your step, kid!
587
00:47:30,120 --> 00:47:31,621
Whoo!
588
00:48:15,374 --> 00:48:16,875
Get on the line.
42495
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