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These are the user uploaded subtitles that are being translated: 1 00:00:11,000 --> 00:00:15,875 [Captioning sponsored by HALLMARK HOME ENTERTAINMENT] 2 00:00:15,959 --> 00:00:20,959 and HALLMARK HALL OF FAME PRODUCTIONS] 3 00:00:54,125 --> 00:00:58,333 ...AT LONG LAST REVEALS THE TRUE NATURE OF THIS MAN 4 00:00:58,417 --> 00:01:02,875 AND I SAY IN LIGHT OF THAT REVELATION 5 00:01:02,959 --> 00:01:06,041 THAT THIS PRESIDENT AND ALL FUTURE PRESIDENTS 6 00:01:06,125 --> 00:01:09,500 MUST LEARN THAT THEY ARE SERVANTS OF THE PEOPLE. 7 00:01:09,583 --> 00:01:13,083 GOD FORBID THAT HE SHOULD HAVE 8 00:01:13,166 --> 00:01:16,000 ONE TITLE OF POWER, EXCEPT WHAT IS DERIVED 9 00:01:16,083 --> 00:01:18,083 THROUGH CONGRESS 10 00:01:18,166 --> 00:01:20,000 AND THE CONSTITUTION. 11 00:01:20,083 --> 00:01:23,750 OURS IS NOT A GOVERNMENT OF KINGS AND SATRAPS 12 00:01:23,834 --> 00:01:27,417 BUT A GOVERNMENT-- IN THE WORDS OF OUR BELOVED 13 00:01:27,500 --> 00:01:29,875 MARTYRED PRESIDENT LINCOLN-- 14 00:01:29,959 --> 00:01:31,542 "OF THE PEOPLE 15 00:01:31,625 --> 00:01:32,750 "FOR THE PEOPLE 16 00:01:32,834 --> 00:01:35,667 AND BY THE PEOPLE." 17 00:01:35,750 --> 00:01:38,041 ( whistling ) 18 00:01:38,125 --> 00:01:38,750 AND... 19 00:01:38,834 --> 00:01:40,041 OVER HERE! 20 00:01:40,125 --> 00:01:41,333 AND AFTER 21 00:01:41,500 --> 00:01:44,667 IF HE SHOULD FAIL TO GRASP... THAT SIMPLE PRINCIPLE 22 00:01:44,750 --> 00:01:47,417 WHICH WAS INSCRIBED... 23 00:01:47,500 --> 00:01:49,000 IN THE CONSTITUTION... 24 00:01:53,291 --> 00:01:55,208 ( police whistle blowing ) 25 00:01:55,291 --> 00:01:56,375 THIEF! 26 00:01:56,458 --> 00:01:58,709 YOUNG RUFFIANS! 27 00:01:58,792 --> 00:02:00,625 COME BACK HERE! 28 00:02:02,542 --> 00:02:05,417 ( whistle blowing ) 29 00:02:20,041 --> 00:02:21,792 THIEF! 30 00:02:36,792 --> 00:02:38,542 ( whistle blowing ) 31 00:02:42,709 --> 00:02:44,125 COME THIS WAY. 32 00:02:47,917 --> 00:02:49,250 ( whistle blowing ) 33 00:02:57,125 --> 00:02:58,500 ANYTHING? 34 00:02:58,583 --> 00:03:00,750 ( whistle blowing ) 35 00:03:00,834 --> 00:03:02,542 COME ON. GET IN. 36 00:03:07,625 --> 00:03:08,542 LET'S GO! 37 00:03:08,625 --> 00:03:10,750 STOP! 38 00:03:10,834 --> 00:03:11,500 STOP! 39 00:03:12,375 --> 00:03:13,000 STOP! 40 00:03:13,083 --> 00:03:14,792 HEY, GET OFF! 41 00:03:16,333 --> 00:03:17,250 HA! 42 00:03:17,333 --> 00:03:18,750 HELP ME! 43 00:03:18,834 --> 00:03:19,917 WHAT? 44 00:03:20,000 --> 00:03:21,041 HELP ME! 45 00:03:22,750 --> 00:03:25,375 MEET YOU AT THE OLD FERRY BUILDING. 46 00:03:31,542 --> 00:03:32,834 LET GO OF ME! 47 00:03:32,917 --> 00:03:34,166 I THOUGHT YOU WERE HURT. 48 00:03:34,250 --> 00:03:35,500 STAY AWAY FROM ME. 49 00:04:19,667 --> 00:04:21,125 WHOA, WHOA. 50 00:04:24,417 --> 00:04:25,792 DO YOU KNOW HOW CLOSE 51 00:04:25,875 --> 00:04:27,291 WE CAME BACK THERE? 52 00:04:27,375 --> 00:04:28,583 AW, COME ON. 53 00:04:28,667 --> 00:04:30,792 WE GOT AWAY CLEAN, LIKE WE ALWAYS DO. 54 00:04:30,875 --> 00:04:32,250 THEY HAD COPS ALL AROUND 55 00:04:32,333 --> 00:04:33,417 THAT SQUARE. 56 00:04:33,500 --> 00:04:35,250 THEY'RE ON TO US. 57 00:04:35,333 --> 00:04:38,208 TIME I WAS ON MY WAY. 58 00:04:38,291 --> 00:04:40,208 WHAT? WHAT? 59 00:04:40,291 --> 00:04:42,041 I TOLD YOU HOW IT WAS GOING TO BE. 60 00:04:42,125 --> 00:04:44,375 I TOLD YOU I'M GOING WEST SOMEDAY. 61 00:04:44,458 --> 00:04:46,083 I'M GOING TO BE A COWBOY. 62 00:04:46,166 --> 00:04:47,792 WE THOUGHT IT WAS JUST TALK. 63 00:04:47,875 --> 00:04:49,625 WELL, START THINKING DIFFERENT. 64 00:04:49,709 --> 00:04:52,667 I AIN'T NEVER HEARD OF NO COLORED COWBOYS. 65 00:04:52,750 --> 00:04:54,291 BECAUSE IT'S DIFFERENT OUT THERE. 66 00:04:54,375 --> 00:04:57,083 OUT WEST A MAN AIN'T LOOKED DOWN ON FOR HIS COLOR. 67 00:04:57,166 --> 00:04:59,166 WE NEVER LOOKED DOWN ON YOU, ADAM. 68 00:04:59,250 --> 00:05:00,417 THAT'S BECAUSE 69 00:05:00,500 --> 00:05:02,834 YOU'D BE DEAD OR JAILED BY NOW WASN'T FOR ME. 70 00:05:02,917 --> 00:05:05,417 FINE. GO AHEAD. I DON'T CARE. 71 00:05:05,500 --> 00:05:08,417 I CAN TAKE CARE OF MYSELF JUST FINE. 72 00:05:08,500 --> 00:05:10,208 GOOD. 73 00:05:10,291 --> 00:05:11,417 I WILL. 74 00:05:11,500 --> 00:05:14,125 ( baby cryin ) 75 00:05:25,291 --> 00:05:28,125 YOU'RE NOT GOING TO BELIEVE THIS. 76 00:05:35,709 --> 00:05:38,000 THAT'S A BABY. 77 00:05:38,083 --> 00:05:39,792 WHAT'S IT DOING IN THERE? 78 00:05:39,875 --> 00:05:41,041 WHAT DO YOU THINK? 79 00:05:41,125 --> 00:05:42,333 SOMEBODY THREW IT AWAY. 80 00:05:42,417 --> 00:05:44,083 PEOPLE DO IT ALL THE TIME. 81 00:05:44,166 --> 00:05:45,542 THAT GIRL IN THE STREET. 82 00:05:45,625 --> 00:05:46,583 WHAT GIRL? 83 00:05:46,667 --> 00:05:47,709 HALF CRAZY. 84 00:05:47,792 --> 00:05:49,750 TRIED TO JUMP ON THE WAGON. 85 00:05:49,834 --> 00:05:51,041 IT MUST BE HERS. 86 00:05:51,125 --> 00:05:53,083 HER OWN BABY? 87 00:05:53,166 --> 00:05:54,083 WHY? 88 00:05:54,166 --> 00:05:55,959 I KNOW WHERE SHE CAME FROM. 89 00:05:56,041 --> 00:05:57,083 I FOLLOWED HER. 90 00:05:57,166 --> 00:05:58,458 WE COULD BRING IT HOME. 91 00:05:58,542 --> 00:06:00,834 IF SHE WANTED IT BACK, SHE WOULDN'T HAVE GOT 92 00:06:00,917 --> 00:06:02,500 SHUT OF HIM IN THE FIRST PLACE. 93 00:06:02,583 --> 00:06:04,250 LEAST SHE PUT SOME MILK 94 00:06:04,333 --> 00:06:05,250 AND EXTRA NAPPIES 95 00:06:05,333 --> 00:06:07,041 IN HERE. 96 00:06:07,125 --> 00:06:08,500 MAN, HE'S SOAKED THROUGH. 97 00:06:08,583 --> 00:06:11,375 ANYBODY KNOW ANYTHING ABOUT BABIES? 98 00:06:12,166 --> 00:06:13,083 I DO. 99 00:06:13,166 --> 00:06:14,458 THERE WERE SOME IN THE ORPHANAGE. 100 00:06:14,542 --> 00:06:17,750 WE GOT TO GET THE NAPPIE OFF HIM. 101 00:06:17,834 --> 00:06:19,125 HIS BACKSIDE'LL GET SORE. 102 00:06:19,208 --> 00:06:20,417 THEN DO IT. 103 00:06:20,500 --> 00:06:21,709 ALL RIGHT. 104 00:06:21,792 --> 00:06:23,959 WE COULD JUST LEAVE HIM RIGHT HERE. 105 00:06:24,041 --> 00:06:25,959 SOMEBODY WILL PROBABLY COME ALONG. 106 00:06:26,041 --> 00:06:28,500 WE'RE NOT GOING TO LEAVE HIM. 107 00:06:29,750 --> 00:06:31,083 ( baby cooin ) 108 00:06:31,166 --> 00:06:32,583 IT'S A GIRL. 109 00:06:32,667 --> 00:06:33,625 YOU SURE? 110 00:06:33,709 --> 00:06:36,125 I'M DEFINITELY SURE. 111 00:06:36,208 --> 00:06:38,750 WE GOT TO FIND A HOME FOR HER. 112 00:06:38,834 --> 00:06:39,834 WHAT? WHY US? 113 00:06:39,917 --> 00:06:41,542 'CAUSE WE'RE ALL SHE'S GOT. 114 00:06:41,625 --> 00:06:43,000 CAN'T LEAVE HER HERE. 115 00:06:43,083 --> 00:06:44,959 I AIN'T GOT TIME FOR THIS. 116 00:06:45,041 --> 00:06:46,083 I'M GOING WEST. 117 00:06:46,166 --> 00:06:47,959 I AIN'T STAYING IN THE CITY 118 00:06:48,041 --> 00:06:49,583 FOR NOBODY OR NO BABY. 119 00:06:49,667 --> 00:06:50,667 OH. 120 00:06:52,166 --> 00:06:54,917 NEVER SAID YOU GUYS COULDN'T COME ALONG 121 00:06:55,000 --> 00:06:57,166 IF THAT'S WHAT YOU DECIDE YOU WANT TO DO. 122 00:06:57,250 --> 00:06:59,000 I THOUGHT YOU SAID IT WAS TIME 123 00:06:59,083 --> 00:07:00,750 WE STARTED TAKING CARE OF OURSELVES. 124 00:07:00,834 --> 00:07:03,250 WELL... 125 00:07:03,333 --> 00:07:05,000 I AIN'T BEGGING YOU. 126 00:07:05,083 --> 00:07:05,875 ( whistle blowing ) 127 00:07:05,959 --> 00:07:06,875 ADAM! 128 00:07:06,959 --> 00:07:08,166 Man: I'LL CHECK THE ALLEY. 129 00:07:08,250 --> 00:07:09,750 COPPERS. LET'S GET OUT OF HERE. 130 00:07:09,834 --> 00:07:11,125 WHAT ABOUT THE BABY? 131 00:07:11,208 --> 00:07:11,792 BRING HER. 132 00:07:12,750 --> 00:07:14,166 QUICKLY. 133 00:07:14,250 --> 00:07:16,125 COME ON, HURRY! CAREFUL. 134 00:07:20,750 --> 00:07:21,834 THERE YOU ARE-- 135 00:07:21,917 --> 00:07:24,500 FOUR TICKETS TO ABILENE, KANSAS. 136 00:07:24,583 --> 00:07:27,500 BOARDING IN ABOUT 20 MINUTES, TRACK TWO. 137 00:07:27,583 --> 00:07:28,834 THANK YOU, SIR. 138 00:07:28,917 --> 00:07:30,208 GOOD LUCK TO YOU 139 00:07:30,291 --> 00:07:31,917 SON. 140 00:07:32,000 --> 00:07:33,875 $65 FOR A TRAIN RIDE. 141 00:07:33,959 --> 00:07:35,333 I HOPE YOU REALIZE 142 00:07:35,417 --> 00:07:37,875 WE ONLY GOT A COUPLE HUNDRED LEFT. 143 00:07:37,959 --> 00:07:41,208 I TOLD YOU-- QUIT WORRYING. 144 00:07:41,291 --> 00:07:43,041 SURE IS A FUNNY-LOOKING LITTLE THING. 145 00:07:43,125 --> 00:07:44,542 EVERYTHING OKAY? 146 00:07:44,625 --> 00:07:45,875 NO PROBLEM 147 00:07:45,959 --> 00:07:46,417 MA. 148 00:07:47,208 --> 00:07:48,083 MORNING, BOYS. 149 00:07:49,458 --> 00:07:50,083 WHERE IS THIS 150 00:07:50,166 --> 00:07:51,750 CUTE LITTLE BABY'S MAMA? 151 00:07:52,458 --> 00:07:53,959 THAT'S OUR LITTLE SISTER 152 00:07:54,041 --> 00:07:55,542 SIR. 153 00:07:55,625 --> 00:07:58,041 OUR MAMA DIED HAVING HER, I'M SORRY TO SAY. 154 00:07:58,125 --> 00:07:59,709 WHERE'S YOUR DADDY? 155 00:07:59,792 --> 00:08:00,875 PAPA? 156 00:08:00,959 --> 00:08:02,083 REST HIS SOUL. 157 00:08:02,166 --> 00:08:04,333 CAME DOWN WITH THE FEVER. 158 00:08:04,417 --> 00:08:05,625 PASSED ON 159 00:08:05,709 --> 00:08:07,000 RIGHT AFTER MAMA. 160 00:08:07,083 --> 00:08:08,041 YES, SIR. 161 00:08:08,125 --> 00:08:09,375 SO NOW WE'RE HEADED WEST 162 00:08:09,458 --> 00:08:11,333 TO GO LIVE WITH OUR AUNTIE PRUDENCE. 163 00:08:11,417 --> 00:08:12,500 YES. YES. 164 00:08:12,583 --> 00:08:13,792 Policeman 1: I SEE. 165 00:08:13,875 --> 00:08:14,834 WHAT'S THIS PRETTY 166 00:08:14,917 --> 00:08:15,875 LITTLE DARLING'S NAME? 167 00:08:15,959 --> 00:08:17,083 MARY. ROSE. 168 00:08:17,166 --> 00:08:18,959 UH, MARY ROSE. 169 00:08:19,041 --> 00:08:20,333 CLAYBORNE. 170 00:08:20,417 --> 00:08:22,041 AND YOU ARE...? 171 00:08:22,125 --> 00:08:23,250 I'M ADAM CLAYBORNE. 172 00:08:23,333 --> 00:08:24,750 DOUGLAS CLAYBORNE, SIR. 173 00:08:24,834 --> 00:08:26,000 COLE CLAYBORNE. 174 00:08:26,083 --> 00:08:27,792 TRAVIS CLAYBORNE. 175 00:08:27,875 --> 00:08:29,583 BUT TRAV'S FINE. 176 00:08:29,667 --> 00:08:30,458 SON? 177 00:08:30,542 --> 00:08:32,208 HOW'D YOU ALL COME TO BE 178 00:08:32,291 --> 00:08:33,667 BY THE SAME LAST NAME? 179 00:08:33,750 --> 00:08:35,041 WELL, YOU SEE, SIR 180 00:08:35,125 --> 00:08:37,542 ADAM HERE WAS ADOPTED. 181 00:08:37,625 --> 00:08:39,291 THAT'S RIGHT, OFFICER. 182 00:08:39,375 --> 00:08:41,792 MAMA AND PAPA TOOK HIM IN AFTER PA FOUND HIM 183 00:08:41,875 --> 00:08:43,750 NEAR FROZE TO DEATH IN A SNOWSTORM. 184 00:08:43,834 --> 00:08:46,583 HALF STARVED AND ALL PITIFUL LIKE. 185 00:08:48,834 --> 00:08:50,625 THAT SO? 186 00:08:50,709 --> 00:08:52,333 YES, SIR. 187 00:08:52,417 --> 00:08:53,417 YES. 188 00:08:56,709 --> 00:08:57,834 YOU BOYS SURE 189 00:08:57,917 --> 00:08:59,333 YOU CAN HANDLE THIS SWEETHEART? 190 00:08:59,417 --> 00:09:00,375 YES, SIR. 191 00:09:00,458 --> 00:09:02,458 OKAY, ANY PROBLEMS ON THE TRAIN 192 00:09:02,542 --> 00:09:04,333 YOU GO STRAIGHT TO THE CONDUCTOR. 193 00:09:04,417 --> 00:09:05,542 YOU HEAR NOW? 194 00:09:05,625 --> 00:09:07,583 YES, SIR. YES, SIR. 195 00:09:13,792 --> 00:09:15,792 Adam: WHERE'D "MARY" COME FROM? 196 00:09:15,875 --> 00:09:19,375 MY MAMA. DON'T REMEMBER MUCH ABOUT HER BEFORE SHE DIED. 197 00:09:20,917 --> 00:09:22,166 WHAT ABOUT "ROSE"? 198 00:09:23,959 --> 00:09:25,583 IT'S MY MAMA. 199 00:09:28,166 --> 00:09:29,291 MARY ROSE. 200 00:09:30,625 --> 00:09:32,792 THAT'S A FINE NAME. 201 00:09:32,875 --> 00:09:35,333 HELLO, MARY ROSE CLAYBORNE. 202 00:09:35,417 --> 00:09:36,625 WELL... 203 00:09:36,709 --> 00:09:39,333 IF WE'RE GOING WEST... 204 00:09:39,417 --> 00:09:40,959 LET'S GET GOING. 205 00:10:22,959 --> 00:10:24,291 ADAM. 206 00:10:24,375 --> 00:10:25,667 WHOA! 207 00:10:37,375 --> 00:10:39,041 HEY. 208 00:10:39,125 --> 00:10:40,333 WHAT ABOUT THOSE PEOPLE? 209 00:10:41,291 --> 00:10:43,333 Adam: TOO RICH. 210 00:10:43,417 --> 00:10:44,625 YOU THINK RICH FOLKS ARE LIKELY 211 00:10:44,709 --> 00:10:46,125 TO TAKE IN A STRANGE BABY? 212 00:10:47,125 --> 00:10:49,667 THEY MIGHT START ASKING TOO MANY QUESTIONS. 213 00:10:51,125 --> 00:10:53,709 WE GOT TO AT LEAST GET US SOME BOOTS. 214 00:10:53,792 --> 00:10:56,333 A REAL COWBOY AIN'T NOTHING WITHOUT HIS BOOTS. 215 00:10:56,417 --> 00:10:57,667 FORGET ABOUT BOOTS. 216 00:10:57,750 --> 00:10:58,417 START WORRYING ABOUT 217 00:10:58,875 --> 00:11:00,750 GETTING SOME JOBS AND MAKING SOME MONEY. 218 00:11:01,500 --> 00:11:03,959 YOU MEAN WE'RE GOING TO GO STRAIGHT 219 00:11:04,041 --> 00:11:06,000 AND HAVE TO WORK REAL JOBS? 220 00:11:06,083 --> 00:11:08,875 YOU SEE ALL THOSE FOLKS WEARING GUNS? 221 00:11:09,583 --> 00:11:13,083 YOU WANT TO LIFT A WALLET OFF OF ONE OF THEM? 222 00:11:15,583 --> 00:11:17,041 HOW'S MARY ROSE DOING? 223 00:11:17,125 --> 00:11:18,417 UM... 224 00:11:18,500 --> 00:11:20,959 SHE'S STILL SLEEPING, BUT SHE'S GOING TO WANT 225 00:11:21,041 --> 00:11:22,500 SOMETHING TO EAT PRETTY SOON. 226 00:11:22,583 --> 00:11:24,083 WE'RE GOING TO HAVE TO GET 227 00:11:24,166 --> 00:11:25,333 SOME MORE GOAT'S MILK. 228 00:11:25,417 --> 00:11:26,667 I GOT A BETTER IDEA. 229 00:11:26,750 --> 00:11:27,458 WHY DON'T WE FIND 230 00:11:27,667 --> 00:11:29,792 A GOAT FARMER TO GIVE HER TO? 231 00:11:30,667 --> 00:11:33,750 LOOK, WHAT ABOUT THOSE LADIES? 232 00:11:36,208 --> 00:11:38,250 YOU FOOL. 233 00:11:38,333 --> 00:11:39,333 WELL, WE HAVE 234 00:11:39,417 --> 00:11:40,709 TO PICK SOMEBODY. 235 00:11:40,792 --> 00:11:42,500 THAT WAS THE DEAL, RIGHT? 236 00:11:44,625 --> 00:11:45,250 WASN'T IT? 237 00:11:45,333 --> 00:11:46,709 SHUT UP, TRAV. 238 00:11:47,792 --> 00:11:50,208 I AIN'T SEEN NO COLORED COWBOYS, ADAM. 239 00:11:50,291 --> 00:11:52,375 YOU SURE YOU GOT IT RIGHT? 240 00:11:52,458 --> 00:11:54,417 I'M GOING TO THE STOCKYARDS. 241 00:11:54,875 --> 00:11:56,834 HEY, YOU WATCH HER CAREFUL NOW. 242 00:12:20,959 --> 00:12:22,625 MY NAME'S ADAM CLAYBORNE. 243 00:12:23,792 --> 00:12:24,834 LOOKING FOR WORK. 244 00:12:26,458 --> 00:12:27,875 A CATTLE RUN. 245 00:12:27,959 --> 00:12:29,250 YOU SURE? 246 00:12:31,375 --> 00:12:32,834 SURE? 247 00:12:56,166 --> 00:12:57,750 THIS IS 248 00:12:57,834 --> 00:12:58,792 MRS. PRUITT, DOUG. 249 00:12:58,875 --> 00:13:00,542 THEY'RE RAISING A BIG FAMILY 250 00:13:00,625 --> 00:13:02,041 ON A FARM OUTSIDE OF TOWN. 251 00:13:02,125 --> 00:13:04,000 THAT'S DOUGLAS, AND THAT'S COLE. 252 00:13:06,750 --> 00:13:08,250 ( crying ) 253 00:13:08,333 --> 00:13:10,500 THAT'S OUR LITTLE SISTER YOU'VE GOT THERE. 254 00:13:10,583 --> 00:13:12,083 COME ON. WE HAD A DEAL. 255 00:13:12,166 --> 00:13:13,375 SHUT UP! 256 00:13:13,458 --> 00:13:14,875 GOOD AFTERNOON, EVERYBODY. 257 00:13:14,959 --> 00:13:17,083 TRAV GAVE MARY ROSE AWAY TO THEM. 258 00:13:17,166 --> 00:13:19,417 AGAIN? 259 00:13:19,500 --> 00:13:22,542 MA'AM, I'M REAL SORRY ABOUT ALL THIS 260 00:13:22,625 --> 00:13:25,166 BUT TRAVIS HERE IS A LITTLE OFF HIS HEAD-- 261 00:13:25,250 --> 00:13:27,041 ALWAYS COMING OUT WITH THE FIRST 262 00:13:27,125 --> 00:13:29,041 FOOL THING THAT POPS INTO HIS BRAIN. 263 00:13:29,125 --> 00:13:32,083 IT'S BEEN A TERRIBLE TRIAL FOR ALL OF US 264 00:13:32,166 --> 00:13:34,959 AND I CAN'T IMAGINE HOW HIS TWO BROTHERS 265 00:13:35,041 --> 00:13:36,834 COULD HAVE BEEN SO STUPID 266 00:13:36,917 --> 00:13:39,375 AND LEAVE LITTLE MARY ALONE WITH HIM. 267 00:13:39,458 --> 00:13:42,208 THEN SHE HAS A HOME. 268 00:13:42,291 --> 00:13:44,917 WITH A WARM AND LOVING FAMILY. 269 00:13:45,000 --> 00:13:46,583 ( baby cooin ) 270 00:13:48,417 --> 00:13:50,709 AS LONG AS SHE'S CARED FOR-- 271 00:13:50,792 --> 00:13:53,125 THAT'S THE IMPORTANT THING. 272 00:13:57,417 --> 00:13:58,750 COME ON, CHILDREN. 273 00:14:00,250 --> 00:14:03,291 GREAT. I SOLVE OUR PROBLEM AND WHAT DO WE GET? 274 00:14:07,875 --> 00:14:09,333 ( sigh ) 275 00:14:10,959 --> 00:14:14,000 ( baby cryin ) 276 00:14:14,083 --> 00:14:17,125 WE DON'T HAVE A PROBLEM. 277 00:14:28,625 --> 00:14:31,375 HEY, MISTER, WHO'S THAT? 278 00:14:31,458 --> 00:14:33,750 HIM? 279 00:14:33,834 --> 00:14:35,041 THAT'S ISOM DART-- 280 00:14:35,125 --> 00:14:37,083 ABOUT THE BEST BRONC BUSTER TO EVER CROSS 281 00:14:37,166 --> 00:14:39,125 THE RED RIVER, IN EITHER DIRECTION. 282 00:14:44,291 --> 00:14:46,000 HEY, FELLAS! 283 00:14:46,083 --> 00:14:47,709 FELLAS! 284 00:14:47,792 --> 00:14:49,041 PACK UP. 285 00:14:49,125 --> 00:14:49,959 WE'RE GOING TO TEXAS. 286 00:14:50,041 --> 00:14:51,458 TEXAS? 287 00:14:51,625 --> 00:14:53,500 THAT'S WHERE ALL THE BIG CATTLE RANCHES ARE 288 00:14:53,583 --> 00:14:56,625 AND WHERE MY GOOD FRIEND MR. ISOM DART 289 00:14:56,709 --> 00:14:58,917 WHO HAPPENS TO BE A COLORED COWBOY 290 00:14:59,333 --> 00:15:01,709 HAS PROMISED TO HELP FIND US WORK. 291 00:15:04,709 --> 00:15:05,875 THAT'S RIGHT. 292 00:15:05,959 --> 00:15:07,542 YOU SMILE, LITTLE MARY ROSE. 293 00:15:07,625 --> 00:15:09,917 'CAUSE WE'RE ON OUR WAY. 294 00:15:10,000 --> 00:15:12,125 RIDE HIM, ADAM, RIDE HIM! 295 00:15:12,208 --> 00:15:13,458 COME ON, ADAM! 296 00:15:13,542 --> 00:15:15,125 GIVE HIM WHAT FOR! 297 00:15:15,208 --> 00:15:16,709 COME ON, ADAM! 298 00:15:16,792 --> 00:15:18,875 GIVE HIM WHAT FOR! 299 00:15:18,959 --> 00:15:20,333 COME ON! 300 00:15:20,417 --> 00:15:21,625 RIDE HIM, ADAM! 301 00:15:21,709 --> 00:15:23,166 RIDE HIM! 302 00:15:23,250 --> 00:15:25,333 GIVE HIM WHAT FOR, ADAM! 303 00:15:25,417 --> 00:15:27,709 MIND HOW YOU TALK NOW, YOUNG LADY. 304 00:15:27,792 --> 00:15:29,709 Adam: YOU AIN'T GOT NOTHING! 305 00:15:29,792 --> 00:15:32,750 BUT, TRAVIS, I WANT TO STAY AND WATCH ADAM. 306 00:15:34,917 --> 00:15:36,125 WELL, YOU CAN'T. 307 00:15:36,208 --> 00:15:38,250 WE'RE JUST HIRED HANDS AROUND HERE TRYING TO LEARN 308 00:15:38,333 --> 00:15:40,834 THE RANCH BUSINESS, AND WE GOT TO GET TO WORK. 309 00:15:51,667 --> 00:15:52,750 HYAH! 310 00:15:58,083 --> 00:15:59,709 NOW YOU MIND 311 00:15:59,792 --> 00:16:01,709 WHAT MS. NELSON SAYS NOW. 312 00:16:02,834 --> 00:16:04,375 OKAY. 313 00:16:04,458 --> 00:16:06,959 I'LL SEE YOU TONIGHT, SWEETIE. 314 00:16:10,458 --> 00:16:12,041 YOU WANT TO PLAY? 315 00:16:12,125 --> 00:16:13,333 I DON'T CARE. 316 00:16:19,625 --> 00:16:21,458 THAT'S ONE OF YOUR BROTHERS, RIGHT? 317 00:16:21,542 --> 00:16:22,792 UH-HUH. HE'S DOUG 318 00:16:22,875 --> 00:16:25,709 AND THERE'S ADAM AND THERE'S TRAVIS AND THERE'S COLE 319 00:16:25,792 --> 00:16:28,834 EXCEPT COLE AIN'T HERE 'CAUSE HE'S A TEXAS RANGER. 320 00:16:28,917 --> 00:16:29,959 HE AIN'T NO RANGER. 321 00:16:30,041 --> 00:16:31,250 IS TOO. 322 00:16:31,333 --> 00:16:33,417 RIGHT NOW, HE'S OFF CHASING DIRTY GUN SLICKS 323 00:16:33,500 --> 00:16:35,166 AND DRY-GULCHERS AND BACK SHOOTERS. 324 00:16:35,250 --> 00:16:36,458 I DON'T BELIEVE IT. 325 00:16:36,542 --> 00:16:37,792 AND ANOTHER THING. 326 00:16:37,875 --> 00:16:39,625 ADAM CAN'T BE YOUR BROTHER. 327 00:16:39,709 --> 00:16:41,375 HE AIN'T EVEN THE RIGHT COLOR. 328 00:16:41,458 --> 00:16:42,709 HE IS SO! 329 00:16:42,792 --> 00:16:44,792 COLOR DON'T MATTER; HE SAID IT DON'T. 330 00:16:44,875 --> 00:16:46,875 IF HE SAID THAT, HE'S JUST LYING. 331 00:16:46,959 --> 00:16:47,875 YOU'RE THE LIAR. 332 00:16:47,959 --> 00:16:48,959 I'M NOT A LIAR. 333 00:16:49,041 --> 00:16:50,083 YEAH, YOU ARE! 334 00:16:50,166 --> 00:16:51,041 NOW WHAT'S ALL THIS 335 00:16:51,125 --> 00:16:52,083 RUCKUS ABOUT? 336 00:16:54,208 --> 00:16:55,083 I SEE. 337 00:16:55,166 --> 00:16:56,875 WELL, WHY DON'T YOU TWO SHARE 338 00:16:56,959 --> 00:16:58,917 THESE HOT CINNAMON BUNS I JUST MADE 339 00:16:59,000 --> 00:17:00,375 AND MAKE FRIENDS AGAIN? 340 00:17:00,458 --> 00:17:01,875 ANNIE, WHAT IS THE PROBLEM NOW? 341 00:17:01,959 --> 00:17:04,333 IT'S JUST A LITTLE SPAT. 342 00:17:04,417 --> 00:17:05,917 ANNIE... 343 00:17:09,792 --> 00:17:11,667 I'VE TOLD YOU. 344 00:17:11,750 --> 00:17:14,333 YOU'RE NOT TO GIVE THE HELP FOOD FROM THE KITCHEN. 345 00:17:14,417 --> 00:17:15,792 MARY'S JUST A LITTLE GIRL. 346 00:17:15,875 --> 00:17:18,375 THOSE CLAYBORNES ARE THE NEXT THING TO A BAND 347 00:17:18,458 --> 00:17:19,417 OF GYPSIES. 348 00:17:19,500 --> 00:17:20,375 LET THEM GET TOO FAMILIAR, NEXT THING 349 00:17:20,750 --> 00:17:21,667 YOU KNOW, WE'LL BE MISSING THINGS AROUND HERE. 350 00:17:21,750 --> 00:17:22,834 OH, I... 351 00:17:23,000 --> 00:17:26,041 ANNIE, BEING KIN AND ALL 352 00:17:26,125 --> 00:17:27,583 YOU'RE WELCOME TO LIVE HERE 353 00:17:27,667 --> 00:17:29,458 BUT YOU MUST RESPECT MY WISHES. 354 00:17:30,667 --> 00:17:32,000 OH, GO BACK INSIDE. 355 00:17:32,083 --> 00:17:33,458 I'LL HANDLE IT. 356 00:17:39,834 --> 00:17:41,542 PLAYTIME IS OVER, CARRIE. 357 00:17:43,917 --> 00:17:45,041 MARY... 358 00:17:45,125 --> 00:17:47,291 MARY, I WANT TO HAVE A WORD WITH YOU. 359 00:17:47,375 --> 00:17:49,250 A WORD ABOUT WHAT, MRS. PARKER? 360 00:17:51,166 --> 00:17:52,166 FIGHTING. 361 00:17:52,250 --> 00:17:55,000 I HAVE WARNED MARY ROSE 362 00:17:55,083 --> 00:17:57,166 I WON'T HAVE HER PROVOKING CARRIE. 363 00:17:57,250 --> 00:17:58,417 PROVOKING, WAS IT? 364 00:17:58,500 --> 00:17:59,959 MY HUSBAND TELLS ME 365 00:18:00,041 --> 00:18:02,709 YOU'RE NEAR FINISHED WITH OUR BAND OF HORSES. 366 00:18:04,083 --> 00:18:05,667 JUST AS WELL. 367 00:18:05,750 --> 00:18:08,208 JUST AS WELL Y'ALL BE MOVING ON. 368 00:18:12,250 --> 00:18:14,625 BEDTIME, MARY, HONEY. 369 00:18:18,125 --> 00:18:21,166 YOU WANT TO TELL ME WHAT'S ON YOUR MIND? 370 00:18:21,250 --> 00:18:22,458 YOU KNOW I WON'T BE ABLE 371 00:18:22,542 --> 00:18:24,208 TO SLEEP A WINK IF YOU DON'T. 372 00:18:24,291 --> 00:18:25,542 I HATE MOVING. 373 00:18:25,625 --> 00:18:27,500 I WISH WE DIDN'T HAVE TO. 374 00:18:27,583 --> 00:18:30,542 I FIGURED THAT MIGHT HAVE SOMETHING TO DO WITH IT. 375 00:18:32,291 --> 00:18:33,792 GUESS WHAT I'M THINKING. 376 00:18:35,041 --> 00:18:38,125 I'M THINKING OF A PLACE. 377 00:18:38,208 --> 00:18:40,000 WHAT KIND OF PLACE? 378 00:18:40,083 --> 00:18:41,417 OH, IT'S A FINE PLACE. 379 00:18:41,500 --> 00:18:44,291 IT'S ON A HILL, AND IT'S OVERLOOKING A LAKE. 380 00:18:44,375 --> 00:18:46,583 IT'S GOT PLENTY OF GOOD GRASS 381 00:18:46,667 --> 00:18:48,458 FOR CATTLE AND FLOWERS, TOO. 382 00:18:49,583 --> 00:18:51,208 IT'S GOING TO BE OURS SOMEDAY. 383 00:18:51,291 --> 00:18:53,166 OURS? ALL OF US? 384 00:18:53,250 --> 00:18:54,667 THAT'S RIGHT, MARY, HONEY. 385 00:18:54,750 --> 00:18:57,000 WE'RE GOING TO BUILD US A HOUSE OF OUR OWN 386 00:18:57,083 --> 00:18:58,667 AND THAT'S WHERE WE'LL LIVE-- 387 00:18:58,750 --> 00:19:01,583 YOU AND ME AND COLE AND DOUG AND TRAV. 388 00:19:01,667 --> 00:19:04,166 WHEN? WHEN CAN WE GO THERE, ADAM? 389 00:19:04,250 --> 00:19:06,250 I AIN'T FOUND IT YET. 390 00:19:06,333 --> 00:19:08,083 SEE, THAT'S WHY WE'RE ALL WORKING 391 00:19:08,166 --> 00:19:09,583 AND MOVING AROUND SO MUCH-- 392 00:19:09,667 --> 00:19:12,291 SO THAT, WELL, WE'LL HAVE THE MONEY IT TAKES 393 00:19:12,375 --> 00:19:14,291 FOR WHEN THE TIME COMES. 394 00:19:18,125 --> 00:19:20,166 YOU SLEEP TIGHT, MARY, HONEY. 395 00:19:20,250 --> 00:19:22,375 GOOD NIGHT, ADAM. 396 00:19:31,792 --> 00:19:33,291 THAT'S QUITE A PROMISE. 397 00:19:33,375 --> 00:19:35,792 WELL, IT'S GOING TO COME TRUE FOR HER. 398 00:19:35,875 --> 00:19:38,208 OH? WE AIN'T GOT NEAR WHAT IT TAKES 399 00:19:38,291 --> 00:19:39,625 TO SET UP A SPREAD ON OUR OWN. 400 00:19:39,709 --> 00:19:40,875 IT'LL BE AT LEAST ANOTHER THREE 401 00:19:40,959 --> 00:19:42,792 FOUR MORE YEARS THE WAY I FIGURE. 402 00:19:44,291 --> 00:19:45,834 WE CAN'T WAIT THAT LONG. 403 00:19:45,917 --> 00:19:48,583 I MEAN, MARY'LL BE GROWN UP BEFORE WE KNOW IT. 404 00:19:48,667 --> 00:19:50,208 AND MAYBE YOU HEARD. 405 00:19:50,291 --> 00:19:53,709 THEY HIT GOLD UP IN MONTANA TERRITORY. 406 00:19:53,792 --> 00:19:57,542 YOU THINKING ABOUT TAKING UP PROSPECTING? 407 00:19:57,625 --> 00:19:59,792 WELL, MINERS GET HUNGRY-- 408 00:19:59,875 --> 00:20:01,250 HUNGRY FOR BEEF. 409 00:20:01,333 --> 00:20:03,250 AND I HEAR THE GRASS UP THAT WAY 410 00:20:03,333 --> 00:20:04,875 IS FREE FOR THE CLAIMING. 411 00:20:22,333 --> 00:20:23,667 ( rooster crowing ) 412 00:20:23,750 --> 00:20:26,166 ( horse whinnying and hoofbeats ) 413 00:20:42,375 --> 00:20:43,542 COLE! 414 00:20:44,917 --> 00:20:46,834 COLE! 415 00:20:46,917 --> 00:20:48,333 COLE! 416 00:20:48,417 --> 00:20:50,208 LITTLE MARY ROSE. 417 00:20:50,291 --> 00:20:51,792 WHOO-HEE! 418 00:20:52,709 --> 00:20:54,291 HOW YOU DOING? 419 00:20:54,375 --> 00:20:56,125 IT'S GOOD TO SEE YOU. 420 00:20:57,458 --> 00:20:58,542 TRAVIS. 421 00:20:58,625 --> 00:20:59,667 COLE. 422 00:20:59,750 --> 00:21:00,917 DOUGLAS. 423 00:21:01,000 --> 00:21:03,250 NOW AIN'T THIS HERE A SURPRISE. 424 00:21:07,208 --> 00:21:09,000 MARY ROSE 425 00:21:09,083 --> 00:21:10,959 YOU COME AWAY FROM THERE NOW. 426 00:21:11,041 --> 00:21:13,834 DON'T YOU BE LOOKING AT THAT. 427 00:21:13,917 --> 00:21:15,041 IS HE DEAD? 428 00:21:15,125 --> 00:21:17,250 I WANT YOU TO QUIT RIGHT NOW 429 00:21:17,333 --> 00:21:18,875 BEFORE SOMEBODY KILLS YOU. 430 00:21:18,959 --> 00:21:19,959 MARY, MARY... 431 00:21:20,041 --> 00:21:21,417 LOOK, MARY, THIS BADGE HERE 432 00:21:21,500 --> 00:21:23,917 HAS PAID GOOD HARD MONEY FOR A LONG TIME. 433 00:21:24,000 --> 00:21:24,709 ALL RIGHT? 434 00:21:24,792 --> 00:21:26,083 MONEY WE ALL NEEDED HERE. 435 00:21:26,166 --> 00:21:27,041 BUT I'M ALL FINISHED 436 00:21:27,125 --> 00:21:30,125 WITH THAT NOW, ALL RIGHT? 437 00:21:30,375 --> 00:21:33,208 SO I WANT YOU TO KEEP THIS FOR ME. 438 00:21:33,291 --> 00:21:34,417 THAT'S YOURS. 439 00:21:34,500 --> 00:21:36,041 ( sigh ) 440 00:21:36,125 --> 00:21:37,291 WHERE'S ADAM? 441 00:21:37,375 --> 00:21:38,625 MONTANA TERRITORY. 442 00:21:38,709 --> 00:21:41,291 HE'S SCOUTING THE COUNTRY FOR GRASS. 443 00:22:45,375 --> 00:22:47,583 Mary: A-B-C-D-E... 444 00:22:47,667 --> 00:22:49,583 DO YOU REMEMBER WHEN MS. NELSON 445 00:22:49,667 --> 00:22:52,125 GOT IN TROUBLE FOR GIVING ME THEM BUNS? 446 00:22:52,208 --> 00:22:53,667 SHE DID? 447 00:22:53,750 --> 00:22:56,166 WELL, COME ON. 448 00:22:56,250 --> 00:22:57,667 F-Q... 449 00:22:57,750 --> 00:22:58,917 THAT'S A "G." 450 00:23:00,542 --> 00:23:04,125 NOW THERE'S A "Q" WITH THE LITTLE SQUIGGLY THING. 451 00:23:04,208 --> 00:23:05,583 HOW DO YOU KNOW? 452 00:23:05,667 --> 00:23:08,291 'CAUSE I LEARNED TO READ A LONG TIME AGO. 453 00:23:08,375 --> 00:23:09,583 WHO LEARNED YOU? 454 00:23:09,667 --> 00:23:11,583 MARY, HONEY, I MOSTLY LEARNED MYSELF. 455 00:23:11,667 --> 00:23:13,458 NOW QUIT CHANGING THE SUBJECT. 456 00:23:13,542 --> 00:23:14,709 F-G-H-I... 457 00:23:14,792 --> 00:23:16,750 YOU WANT TO KNOW WHAT HAPPENED 458 00:23:16,834 --> 00:23:18,333 TO MS. NELSON'S FACE? 459 00:23:18,417 --> 00:23:19,333 SHE TOLD YOU? 460 00:23:19,417 --> 00:23:21,125 WE TALK A LOT. 461 00:23:21,208 --> 00:23:23,250 IT WAS DURING THE WAR. 462 00:23:23,333 --> 00:23:25,792 SHE SAID THE SOLDIERS KILLED HER HUSBAND 463 00:23:25,875 --> 00:23:27,500 AND HER TWO LITTLE KIDS. 464 00:23:27,583 --> 00:23:29,458 BURNT OUT THEIR PLACE... 465 00:23:29,542 --> 00:23:31,166 WITH HER IN IT. 466 00:23:31,250 --> 00:23:32,583 BUT SHE GOT OUT. 467 00:23:32,667 --> 00:23:34,750 THAT'S SAD. 468 00:23:34,834 --> 00:23:37,208 NOW BACK TO WORK. 469 00:23:37,667 --> 00:23:39,083 J-K-L-M... 470 00:23:39,166 --> 00:23:40,542 THEN SHE HAD TO COME 471 00:23:40,625 --> 00:23:42,583 OUT HERE AND LIVE WITH HER BROTHER 472 00:23:42,667 --> 00:23:44,792 BUT I DON'T THINK SHE'S VERY HAPPY. 473 00:23:44,875 --> 00:23:48,458 I THINK SHE'D LIKE TO GET AWAY FROM THAT 474 00:23:48,542 --> 00:23:49,750 MEAN MS. PARKER. 475 00:23:49,834 --> 00:23:51,333 YOU JUST HOLD YOUR HORSES. 476 00:23:51,417 --> 00:23:53,667 NOW I'D LIKE TO HELP MS. NELSON 477 00:23:53,750 --> 00:23:55,000 TOO, BUT... 478 00:23:55,083 --> 00:23:57,333 WELL, WE JUST DON'T HAVE ANY ROOM 479 00:23:57,417 --> 00:23:59,709 IN THE WAGON FOR ANYBODY ELSE. 480 00:24:15,083 --> 00:24:16,208 MARY ROSE 481 00:24:16,291 --> 00:24:17,500 NOW I TOLD YOU... 482 00:24:17,583 --> 00:24:19,083 THERE IS SO ROOM. 483 00:24:20,583 --> 00:24:22,583 HAS THERE BEEN SOME 484 00:24:22,667 --> 00:24:23,792 MISUNDERSTANDING? 485 00:24:23,875 --> 00:24:26,041 FROM WHAT MARY SAID, I... 486 00:24:28,333 --> 00:24:29,792 SEE? 487 00:24:37,000 --> 00:24:39,166 IT AIN'T FANCY, MS. NELSON. 488 00:24:39,250 --> 00:24:41,500 I DON'T NEED FANCY, MR. CLAYBORNE. 489 00:24:41,583 --> 00:24:43,834 I NEED A FAMILY AGAIN. 490 00:25:27,041 --> 00:25:28,125 WHOA. 491 00:25:34,834 --> 00:25:37,083 Mary: LOOK AT ALL THE ROSES. 492 00:25:37,166 --> 00:25:39,583 IT'S ROSE HILL, MARY. 493 00:25:41,250 --> 00:25:42,834 WE'RE HOME. 494 00:25:50,959 --> 00:25:54,083 Bates: COME ON. LET'S GO. 495 00:25:54,166 --> 00:25:56,125 THAT'S IT. 496 00:25:56,208 --> 00:25:57,542 EASY, EASY. 497 00:26:00,041 --> 00:26:03,417 EASY, EASY. 498 00:26:03,500 --> 00:26:04,834 WHOA. 499 00:26:04,917 --> 00:26:06,834 WHOA. 500 00:26:06,917 --> 00:26:08,834 HELLO, CHARLIE. HELLO, SAM. 501 00:26:08,917 --> 00:26:10,667 WHAT ARE YOU BOYS UP TO 502 00:26:10,750 --> 00:26:12,166 IF YOU DON'T MIND MY INQUIRY? 503 00:26:12,250 --> 00:26:13,917 TODAY'S MISS MARY'S BIRTHDAY. 504 00:26:14,000 --> 00:26:15,500 I COME TO PAY MY RESPECTS. 505 00:26:15,583 --> 00:26:17,125 SAME. AND I GOT HERE FIRST. 506 00:26:17,208 --> 00:26:18,667 Orr: IF YOU GOT FIRST DIBS 507 00:26:18,750 --> 00:26:20,333 WHY DIDN'T YOU RIDE ON IN? 508 00:26:20,417 --> 00:26:21,458 I GOT MY REASONS. 509 00:26:21,542 --> 00:26:22,875 WHY DON'T YOU? 510 00:26:22,959 --> 00:26:24,792 ALL THE CLAYBORNES IS HOME, ARE THEY? 511 00:26:24,875 --> 00:26:26,083 YEAH. ALL OF THEM. 512 00:26:26,166 --> 00:26:29,166 ONE OR TWO OF THEM CLAYBORNES IS BAD ENOUGH-- 513 00:26:29,250 --> 00:26:31,208 WATCHING EVERY MOVE A MAN MAKES AROUND MISS MARY. 514 00:26:31,291 --> 00:26:33,166 BUT ALL FOUR... 515 00:26:33,250 --> 00:26:37,083 ( chuckling ): I'LL TELL MISS MARY ROSE YOU'RE A-ROOSTING DOWN HERE. 516 00:26:38,000 --> 00:26:39,375 MAYBE SHE'LL SEND Y'ALL A PIECE OF CAKE 517 00:26:39,458 --> 00:26:41,375 OR SOMETHING. 518 00:26:42,542 --> 00:26:44,041 ( chuckling ): COME ON, BOYS. 519 00:26:44,125 --> 00:26:45,583 ( making kissing sound ) 520 00:26:54,583 --> 00:26:56,166 WHOA, WHOA. 521 00:26:56,250 --> 00:26:57,917 HEY. 522 00:27:15,083 --> 00:27:17,625 WHOA, WHOA. 523 00:27:20,834 --> 00:27:22,625 ( laughing ): HEY, MR. BATES. 524 00:27:22,709 --> 00:27:24,959 WELL, NOW... MISS MARY. 525 00:27:25,041 --> 00:27:27,750 YOU JOINING US FOR MARY ROSE'S BIRTHDAY PARTY, MR. BATES? 526 00:27:27,834 --> 00:27:29,542 WELL, I WAS WONDERING HOW LONG 527 00:27:29,625 --> 00:27:31,792 IT WAS GOING TO TAKE FOR SOMEBODY TO ASK. 528 00:27:32,959 --> 00:27:34,458 NOW, I GOT ALL THE MERCHANDISE 529 00:27:34,542 --> 00:27:36,125 YOU FOLKS ORDERED. 530 00:27:36,208 --> 00:27:39,000 AND I GOT SOMETHING REAL SPECIAL 531 00:27:39,083 --> 00:27:40,792 FOR YOU, MISS MARY. 532 00:27:40,875 --> 00:27:43,500 OH, BY THE WAY, THERE'S A COUPLE OF BOYS-- 533 00:27:43,583 --> 00:27:46,333 SAM TUCKER AND CHARLIE ORR-- 534 00:27:46,417 --> 00:27:48,959 THEY'S COUNTING THEIR CHICKENS DOWN BY THE FORK. 535 00:27:49,041 --> 00:27:50,083 I 'SPECT THEY MIGHT 536 00:27:50,166 --> 00:27:51,375 ENJOY AN INVITE. 537 00:27:51,458 --> 00:27:53,917 WELL, I GUESS WE'D BETTER GO TALK TO THEM, THEN. 538 00:27:54,000 --> 00:27:55,458 COLE, DON'T YOU DARE. 539 00:27:55,542 --> 00:27:57,458 DON'T YOU WORRY ABOUT A THING, MARY. 540 00:27:57,542 --> 00:27:59,709 WE'RE ALWAYS REAL POLITE WITH YOUR YOUNG MEN. 541 00:27:59,792 --> 00:28:01,000 ( laughter ) 542 00:28:01,083 --> 00:28:03,125 COME IN AND MAKE YOURSELF AT HOME, MR. BATES. 543 00:28:03,208 --> 00:28:05,667 WE'LL BE SITTING DOWN TO SUPPER DIRECTLY. 544 00:28:11,542 --> 00:28:13,125 OH! OH! 545 00:28:13,208 --> 00:28:14,458 MARY! 546 00:28:14,542 --> 00:28:16,917 WHERE IS YOUR MIND TODAY? 547 00:28:17,000 --> 00:28:20,208 MIGHT AS WELL HAVE A MAN IN THE KITCHEN. 548 00:28:20,291 --> 00:28:22,166 IF SOMEBODY WOULD FIX THAT... 549 00:28:24,500 --> 00:28:27,291 ANNIE, WHEN YOU WERE MARRIED-- 550 00:28:27,375 --> 00:28:30,166 BEFORE YOU CAME TO LIVE WITH US-- 551 00:28:30,250 --> 00:28:33,208 WHAT WAS IT LIKE? 552 00:28:33,417 --> 00:28:35,250 WHEN I WAS MARRIED? 553 00:28:35,417 --> 00:28:37,417 THAT WAS A LONG TIME AGO. 554 00:28:37,500 --> 00:28:39,208 IF YOU DON'T WANT TO TALK ABOUT IT... 555 00:28:43,250 --> 00:28:45,166 WELL... 556 00:28:45,250 --> 00:28:48,000 I DON'T KNOW WHAT TO TELL YOU. 557 00:28:48,083 --> 00:28:50,041 I HAD A WONDERFUL MARRIAGE. 558 00:28:50,125 --> 00:28:52,709 YOU KNOW, BUT A MARRIAGE ISN'T JUST ONE THING. 559 00:28:52,792 --> 00:28:56,166 AT FIRST, WHEN IT'S JUST THE TWO OF YOU 560 00:28:56,250 --> 00:28:59,333 EVERYTHING'S ALL SWEET AND ROSY. 561 00:28:59,417 --> 00:29:01,166 THEN THE BABIES START TO COME ALONG. 562 00:29:01,250 --> 00:29:03,458 YOU HAVE TO THINK ABOUT THE FUTURE. 563 00:29:03,542 --> 00:29:05,250 I'M STARVED. 564 00:29:05,333 --> 00:29:07,375 WHAT IS FOR SUPPER? 565 00:29:07,458 --> 00:29:09,250 OH, GET. 566 00:29:09,333 --> 00:29:12,291 COLE, WHERE ARE THE BOYS? 567 00:29:12,375 --> 00:29:13,750 WHAT... BOYS? 568 00:29:13,834 --> 00:29:17,208 OH, YEAH! THEM TWO UP THE ROAD THERE. 569 00:29:17,291 --> 00:29:20,542 TURNS OUT THEY HAD A PRESSING ENGAGEMENT... 570 00:29:20,625 --> 00:29:22,208 ELSEWHERE. 571 00:29:22,291 --> 00:29:23,792 OH! 572 00:29:23,875 --> 00:29:25,000 OH! 573 00:29:25,083 --> 00:29:26,458 ( laughing ) 574 00:29:26,542 --> 00:29:28,166 OH! 575 00:29:32,417 --> 00:29:36,250 ( playing bluegrass tune on guitar ) 576 00:30:01,166 --> 00:30:03,250 ( music end ) 577 00:30:12,625 --> 00:30:14,667 MARY... 578 00:30:14,750 --> 00:30:15,667 WHAT'S WRONG? 579 00:30:15,750 --> 00:30:17,583 DIDN'T YOU HAVE A GOOD TIME? 580 00:30:17,667 --> 00:30:20,750 WONDERFUL. THE ONLY MEN I GOT TO DANCE WITH 581 00:30:20,834 --> 00:30:23,417 ON MY BIRTHDAY WAS EITHER MY BROTHER 582 00:30:23,500 --> 00:30:26,083 OR... FAT COW BATES. 583 00:30:26,166 --> 00:30:28,083 I'M NOT A CHILD, AND THEY ALL STILL 584 00:30:28,166 --> 00:30:29,458 KEEP TREATING ME LIKE ONE. 585 00:30:29,542 --> 00:30:31,041 THAT'S BECAUSE YOU LET THEM. 586 00:30:31,125 --> 00:30:33,583 DO NOT. 587 00:30:33,667 --> 00:30:35,083 MARY... 588 00:30:35,208 --> 00:30:39,041 THOSE BOYS TREAT YOU THE WAY THEY HAVE ALWAYS TREATED YOU 589 00:30:39,125 --> 00:30:41,583 SINCE YOU WERE A LITTLE GIRL 590 00:30:41,667 --> 00:30:42,667 AND YOU LOVE IT. 591 00:30:42,750 --> 00:30:44,542 WELL, YOU SHOULD. 592 00:30:44,625 --> 00:30:46,458 BLESS THEM. 593 00:30:46,542 --> 00:30:49,458 THEY THREW UP A PROTECTIVE CIRCLE AROUND YOU 594 00:30:49,542 --> 00:30:52,375 THAT NO HARM COULD EVER GET THROUGH. 595 00:30:52,458 --> 00:30:54,458 OH, BUT YOU'RE 596 00:30:54,542 --> 00:30:56,959 A YOUNG WOMAN NOW. 597 00:30:57,041 --> 00:30:59,291 IT'S TIME YOU STEP OUT OF THAT CIRCLE 598 00:30:59,375 --> 00:31:00,583 AND BECOME YOUR OWN PERSON. 599 00:31:00,667 --> 00:31:03,375 I AM MY OWN PERSON. 600 00:31:04,417 --> 00:31:06,750 I KNOW YOU BELIEVE THAT. 601 00:31:06,834 --> 00:31:09,667 I THINK YOU STILL HAVE A WAYS TO GO. 602 00:31:14,333 --> 00:31:16,792 I DIDN'T GET A CHANCE 603 00:31:16,917 --> 00:31:19,917 TO GIVE YOU THIS EARLIER. 604 00:31:21,083 --> 00:31:25,166 THIS WAS FROM YOUR HUSBAND. 605 00:31:25,250 --> 00:31:28,166 THAT PART OF MY LIFE IS OVER. 606 00:31:28,250 --> 00:31:30,875 YOU'VE GIVEN ME A NEW LIFE. 607 00:31:32,583 --> 00:31:36,000 I WANT YOU TO TAKE IT, MARY ROSE. 608 00:31:56,542 --> 00:31:59,625 I THINK IT'S TIME WE TOLD HER THE TRUTH. 609 00:31:59,709 --> 00:32:01,458 SHE KNOWS ENOUGH FOR NOW. 610 00:32:01,542 --> 00:32:04,083 I'M NOT SURE HOW TO TELL MARY 611 00:32:04,166 --> 00:32:06,959 ABOUT HER REAL MOTHER ABANDONING HER 612 00:32:07,041 --> 00:32:10,083 IN THE BACK OF A GARBAGE WAGON. 613 00:32:10,250 --> 00:32:13,333 WE DON'T KNOW FOR SURE IT WAS HER REAL MOTHER. 614 00:32:13,417 --> 00:32:15,583 YOU SURE YOU'RE NOT JUST AFRAID 615 00:32:15,667 --> 00:32:18,875 SHE MIGHT FIND OUT SHE HAS A REAL FAMILY SOMEWHERE? 616 00:32:20,333 --> 00:32:22,542 THIS IS HER REAL FAMILY. 617 00:32:33,291 --> 00:32:34,750 YAH! 618 00:32:37,125 --> 00:32:39,083 ( shouting at horse ) 619 00:32:41,959 --> 00:32:44,542 WHOA! 620 00:33:21,291 --> 00:33:23,542 SHORTHANDED HERE, MISTER. 621 00:33:23,625 --> 00:33:25,041 CARE TO SIT IN? 622 00:33:25,125 --> 00:33:26,583 ( clears throat ) 623 00:33:26,667 --> 00:33:28,583 ( Scottish accent ): AH, WHY NOT? 624 00:33:28,667 --> 00:33:30,458 FOREIGNER, HUH? 625 00:33:30,542 --> 00:33:31,792 AYE. 626 00:33:31,875 --> 00:33:34,750 FERGUS CARROLL'S THE NAME, FROM EDINBURGH, SCOTLAND. 627 00:33:34,834 --> 00:33:37,000 WELL, THAT UGLY CRITTER SITTING NEXT TO YOU 628 00:33:37,083 --> 00:33:38,250 IS CHARLEY TRENT. 629 00:33:38,333 --> 00:33:41,083 THAT'S WILBUR TRUEBLOOD AND ERNIE HAWSER 630 00:33:41,166 --> 00:33:43,208 AND I'M TRAVIS CLAYBORNE. 631 00:33:43,291 --> 00:33:45,667 PLEASED TO MEET YOU, FERGUS. 632 00:33:45,750 --> 00:33:48,000 CLAYBORNE. 633 00:33:50,667 --> 00:33:54,333 YOU WOULDN'T HAPPEN TO KNOW A MR. COLE CLAYBORNE? 634 00:33:54,417 --> 00:33:55,625 THAT'S MY BROTHER. 635 00:33:55,709 --> 00:33:57,917 WHAT'S YOUR BUSINESS WITH HIM? 636 00:34:01,208 --> 00:34:05,000 MIGHT I HAVE A WORD IN PRIVATE WITH YOU, MR. CLAYBORNE? 637 00:34:05,083 --> 00:34:07,250 I WOULDN'T INTERFERE WITH ANOTHER MAN'S BUSINESS 638 00:34:07,333 --> 00:34:08,792 BUT WHEN I OVERHEARD THEM SUGGEST 639 00:34:08,875 --> 00:34:10,667 THEY HAD A JOB OF KILLING TO DO, WELL... 640 00:34:10,750 --> 00:34:12,166 YOU SURE THEY'RE FROM TEXAS? 641 00:34:12,250 --> 00:34:13,333 IF ME GEOGRAPHY SERVES ME 642 00:34:13,417 --> 00:34:15,458 FT. WORTH WAS LAST SITUATED THERE. 643 00:34:15,542 --> 00:34:17,709 DOES YOUR BROTHER ATTRACT THIS KIND OF ATTENTION OFTEN? 644 00:34:17,792 --> 00:34:19,000 OFTEN ENOUGH, YEAH. 645 00:34:19,417 --> 00:34:21,709 COME ON, COLE. WE GOT A PROBLEM. 646 00:34:21,959 --> 00:34:23,417 THANK YOU. 647 00:34:26,125 --> 00:34:28,166 ADAM, WE NEED TO TALK. 648 00:34:28,250 --> 00:34:29,291 OUTSIDE. 649 00:34:29,375 --> 00:34:30,500 AND WHO MIGHT THIS BE? 650 00:34:30,583 --> 00:34:32,333 A FRIEND OF MINE-- FERGUS CARROLL. 651 00:34:32,417 --> 00:34:34,500 MY BROTHER ADAM, MY SISTER MARY ROSE. 652 00:34:34,583 --> 00:34:36,750 A PLEASURE, MR... MR. CLAYBORNE. 653 00:34:36,834 --> 00:34:37,917 WHAT'S WRONG, BOYS? 654 00:34:38,000 --> 00:34:38,917 Douglas: NOTHING TO WORRY ABOUT. 655 00:34:39,000 --> 00:34:40,709 YOU STAY AND KEEP MR. CARROLL COMPANY. 656 00:34:40,917 --> 00:34:41,542 COLE... 657 00:34:41,625 --> 00:34:43,083 DO AS HE SAYS, MARY. 658 00:34:44,667 --> 00:34:45,750 COME ON, BOYS. 659 00:34:48,417 --> 00:34:51,333 WELL, THEN, MAYBE YOU'D CARE TO EXPLAIN, MR. CARROLL. 660 00:34:51,417 --> 00:34:52,583 WELL, UH... 661 00:34:52,667 --> 00:34:55,083 NEVER MIND. I KNOW IT'S SOME KIND OF TROUBLE. 662 00:34:55,166 --> 00:34:56,583 THEY MAKE ME 663 00:34:56,667 --> 00:34:57,542 SO MAD. 664 00:34:58,041 --> 00:34:58,959 I'M SURE THEY'RE ONLY TRYING TO PROTECT YOU, MISS. 665 00:34:59,041 --> 00:35:00,083 I DON'T NEED PROTEC... 666 00:35:01,583 --> 00:35:03,166 PROTECT ME FROM WHAT, MR. CARROLL? 667 00:35:03,250 --> 00:35:05,166 WELL, IF, AS YOU SUGGEST 668 00:35:05,250 --> 00:35:07,875 THERE'S SOME SORT OF TROUBLE... 669 00:35:10,000 --> 00:35:11,667 WELL, UH... 670 00:35:11,750 --> 00:35:13,208 MISS CLAYBORNE, TRAVIS TELLS ME 671 00:35:13,291 --> 00:35:15,041 YOU AND YOUR BROTHERS HAVE A RANCH. 672 00:35:15,125 --> 00:35:16,500 COINCIDENTALLY, I HAPPEN TO HAVE 673 00:35:16,583 --> 00:35:17,834 AN INTEREST IN THE CATTLE BUSINESS 674 00:35:17,917 --> 00:35:18,875 ME'SELF. 675 00:35:19,041 --> 00:35:20,041 YOU? 676 00:35:20,125 --> 00:35:21,041 AYE. 677 00:35:21,125 --> 00:35:21,875 YOU A BROKER? 678 00:35:21,959 --> 00:35:24,000 A SHIPPER THEN? 679 00:35:24,083 --> 00:35:25,542 NO, AS A MATTER OF... 680 00:35:25,709 --> 00:35:28,208 HUSH! 681 00:35:28,291 --> 00:35:30,959 MISS CLAYBORNE, I'M NOT ACCUSTOMED TO BEING TOLD HUSH. 682 00:35:31,041 --> 00:35:32,750 THERE'S GOING TO BE A FIGHT. 683 00:35:32,834 --> 00:35:34,333 I TOLD YOU TO WAIT INSIDE. 684 00:35:34,417 --> 00:35:36,500 DO YOU HEAR ME, YOUNG LADY? 685 00:35:36,583 --> 00:35:38,625 I SAID WAIT INSIDE! 686 00:35:41,583 --> 00:35:44,208 I'M OBLIGED 687 00:35:44,291 --> 00:35:45,291 MR. CARROLL. 688 00:35:45,375 --> 00:35:47,166 THINGS CALM DOWN, YOU COME VISIT 689 00:35:47,250 --> 00:35:50,375 THE ROSE-- A REAL WORKING CATTLE RANCH. 690 00:35:50,458 --> 00:35:53,125 THAT'S... QUITE KIND OF YOU, SIR. 691 00:35:58,375 --> 00:36:03,542 YOU JUST HAD TO RUN OFF AND JOIN THE RANGERS. 692 00:36:06,208 --> 00:36:08,959 MISS CLAYBORNE, I'M SURE THAT YOUR BROTHERS 693 00:36:09,041 --> 00:36:13,875 ARE MORE THAN CAPABLE OF HANDLING THEMSELVES. 694 00:36:13,959 --> 00:36:15,166 ( sighing ) 695 00:36:22,875 --> 00:36:25,083 ( trigger cock ) 696 00:36:26,041 --> 00:36:28,166 I HEAR YOU TWO MEN 697 00:36:28,250 --> 00:36:29,583 ARE LOOKING TO DO BUSINESS 698 00:36:29,667 --> 00:36:31,083 WITH COLE CLAYBORNE. 699 00:36:31,166 --> 00:36:33,166 WELL, THAT'D BE ME. 700 00:36:36,291 --> 00:36:38,041 AND MY NAME IS ADAM CLAYBORNE... 701 00:36:39,166 --> 00:36:40,917 AND THAT'S DOUGLAS. 702 00:36:42,417 --> 00:36:43,583 AND THAT'S TRAVIS. 703 00:36:43,667 --> 00:36:45,667 THEY'RE CLAYBORNES, TOO. 704 00:36:45,750 --> 00:36:48,291 GENTLEMEN, YOU GOT BUSINESS WITH ONE 705 00:36:48,375 --> 00:36:50,250 YOU GOT BUSINESS WITH ALL. 706 00:36:59,291 --> 00:37:00,834 ( gunshot ) 707 00:37:08,166 --> 00:37:09,917 I WANT TO KNOW WHAT HAPPENED. 708 00:37:10,000 --> 00:37:11,959 WAS THERE ANY KILLING? 709 00:37:12,041 --> 00:37:14,875 NOPE. DIDN'T HAVE TO. 710 00:37:14,959 --> 00:37:17,583 NOT AFTER ADAM BLEW A HOLE IN THE BAR WITH THAT 12-GAUGE. 711 00:37:17,667 --> 00:37:19,083 WE TOOK THEM OUT BACK 712 00:37:19,166 --> 00:37:21,000 HAD A CHAT, AND SENT THEM BACK 713 00:37:21,083 --> 00:37:23,000 ON THE STAGE COACH THEY COME IN ON. 714 00:37:23,083 --> 00:37:23,959 WHO WERE THEY? 715 00:37:24,041 --> 00:37:25,041 HIRED TRASH. 716 00:37:27,375 --> 00:37:29,417 WHAT-- YOU REALLY WANT TO KNOW? 717 00:37:29,500 --> 00:37:30,458 I MEAN 718 00:37:30,542 --> 00:37:31,583 HEARING ABOUT IT WILL MAKE YOU 719 00:37:31,667 --> 00:37:33,041 FEEL ALL GROWN UP, RIGHT? 720 00:37:36,458 --> 00:37:40,542 IT WAS SOME OLD BUSINESS LEFT OVER FROM TEXAS. 721 00:37:40,625 --> 00:37:42,000 IN THOSE DAYS 722 00:37:42,083 --> 00:37:45,542 RANGERS WEREN'T MUCH FOR COURTS AND JUDGES AND WHATNOT. 723 00:37:45,625 --> 00:37:47,041 YOU CAUGHT A MAN RED-HANDED 724 00:37:47,125 --> 00:37:48,583 AND THERE WAS A BIG ENOUGH TREE CLOSE BY 725 00:37:48,667 --> 00:37:50,250 BULLET IF THERE WASN'T. 726 00:37:51,750 --> 00:37:54,250 WELL, ENOUGH OF THAT KIND OF JUSTICE 727 00:37:54,333 --> 00:37:58,125 AND SOONER OR LATER, SOMEBODY'S GOING TO MAKE A MISTAKE. 728 00:37:58,208 --> 00:38:01,417 IS THAT WHY YOU QUIT THE RANGERS? 729 00:38:02,917 --> 00:38:04,667 I REMEMBER THAT DAY. 730 00:38:04,750 --> 00:38:05,667 THE DEAD MAN 731 00:38:05,750 --> 00:38:07,041 IN THE WAGON-- 732 00:38:07,125 --> 00:38:08,583 WAS HE A MISTAKE? 733 00:38:11,542 --> 00:38:15,458 I THOUGHT YOU QUIT 'CAUSE YOU KNEW I WANTED YOU TO. 734 00:38:16,333 --> 00:38:18,917 THOSE MEN TODAY...? 735 00:38:19,000 --> 00:38:20,250 THAT'S THE PAST. 736 00:38:20,333 --> 00:38:21,875 CAN'T BE BURIED, MARY ROSE. 737 00:38:23,291 --> 00:38:27,291 AS MUCH AS A PERSON MIGHT WISH IT COULD. 738 00:38:29,792 --> 00:38:31,750 ( horse whinnie ) 739 00:38:35,417 --> 00:38:36,917 MARY ROSE? 740 00:38:38,291 --> 00:38:41,375 IT'S JUST THAT FOREIGNER FROM TOWN I TOLD YOU ABOUT. 741 00:38:41,458 --> 00:38:43,375 ( Mary Rose chuckles ) 742 00:38:43,458 --> 00:38:45,834 WOULD YOU LOOK AT HIM! 743 00:38:45,917 --> 00:38:47,542 WHOA. 744 00:38:52,041 --> 00:38:53,875 GOOD MORNING, MR. CARROLL. 745 00:38:55,542 --> 00:38:57,417 AH. MISS CLAYBORNE. 746 00:38:57,500 --> 00:38:59,458 DID YOU BRING THAT HAT 747 00:38:59,542 --> 00:39:01,166 ALL THE WAY FROM SCOTLAND? 748 00:39:01,250 --> 00:39:03,500 AYE, BY THE WAY OF CAPETOWN, SYDNEY 749 00:39:03,583 --> 00:39:05,959 AND A FEW OTHER STOPS ALONG THE WAY. 750 00:39:06,041 --> 00:39:07,875 GOODNESS. ALL THOSE PLACES. 751 00:39:07,959 --> 00:39:10,000 GUESS YOU'RE SOME KIND OF TOURIST. 752 00:39:10,083 --> 00:39:11,792 WELL, BETTER TAKE 753 00:39:11,875 --> 00:39:13,625 REAL GOOD CARE OF THAT HAT. 754 00:39:13,709 --> 00:39:15,375 DOUBT YOU'LL FIND ANY MORE 755 00:39:15,458 --> 00:39:16,709 LIKE IT AROUND HERE. 756 00:39:16,792 --> 00:39:18,792 SO I'VE NOTICED. 757 00:39:18,875 --> 00:39:19,959 Adam: WELL. 758 00:39:20,041 --> 00:39:21,834 WELCOME TO THE ROSE, MR. CARROLL. 759 00:39:21,917 --> 00:39:24,375 I WAS WONDERING WHEN WE MIGHT SEE YOU AGAIN. 760 00:39:24,458 --> 00:39:25,458 MR. CLAYBORNE. 761 00:39:25,542 --> 00:39:27,500 COME IN. 762 00:39:31,417 --> 00:39:33,792 ( chuckle ) 763 00:39:33,875 --> 00:39:36,625 WELL... I REPRESENT A GROUP OF EDINBURGH FINANCIERS 764 00:39:36,709 --> 00:39:37,917 WHO HAVE FORMED 765 00:39:38,000 --> 00:39:39,083 AN INVESTMENT POOL. 766 00:39:39,166 --> 00:39:40,959 WE INTEND TO ESTABLISH A CATTLE STATION 767 00:39:41,041 --> 00:39:42,500 HERE WHICH I SHALL OPERATE. 768 00:39:42,583 --> 00:39:44,125 Travis: CATTLE STATION? 769 00:39:44,208 --> 00:39:47,041 I HEARD OF TRAIN STATIONS AND POLICE STATIONS. 770 00:39:47,125 --> 00:39:48,375 Douglas: DON'T PAY 771 00:39:48,458 --> 00:39:49,667 ANY ATTENTION TO TRAV. 772 00:39:49,750 --> 00:39:50,709 HE'S NOT QUITE 773 00:39:50,792 --> 00:39:53,291 AS IGNORANT AS HE SEEMS SOMETIMES. 774 00:39:53,375 --> 00:39:54,625 SO HAVE YOU 775 00:39:54,709 --> 00:39:56,458 FOUND YOURSELF SOME LIKELY GRASS? 776 00:39:56,542 --> 00:39:58,417 I THINK SO-- ON THE MUSSELSHELL 777 00:39:58,500 --> 00:39:59,667 ABOVE CLARK'S CROSSING. 778 00:39:59,750 --> 00:40:01,709 MORE COFFEE, MR. CARROLL? 779 00:40:02,250 --> 00:40:03,709 THANK YOU. 780 00:40:03,917 --> 00:40:06,000 AND SINCE WE'RE GOING TO BE NEIGHBORS 781 00:40:06,083 --> 00:40:07,542 MY NAME IS FERGUS. 782 00:40:07,625 --> 00:40:09,333 BETTER LAST YOUR FIRST WINTER 783 00:40:09,417 --> 00:40:12,083 BEFORE YOU CALL YOURSELF A NEIGHBOR, MR. CARROLL. 784 00:40:12,166 --> 00:40:14,792 Adam: MM. MARY HAS A POINT. 785 00:40:15,375 --> 00:40:16,542 THIS IS HARD COUNTRY. 786 00:40:16,709 --> 00:40:19,166 HE'S HANDSOME. 787 00:40:19,250 --> 00:40:22,583 CARRIES HIMSELF WELL. 788 00:40:22,667 --> 00:40:24,792 I HADN'T NOTICED. 789 00:40:24,875 --> 00:40:26,333 HE'S NOTICING YOU. 790 00:40:26,417 --> 00:40:28,166 Adam: MAN DOESN'T KNOW 791 00:40:28,250 --> 00:40:29,750 WHAT HE'S DOING. 792 00:40:29,834 --> 00:40:31,709 CHEW HIM UP, SPIT HIM OUT. 793 00:40:31,792 --> 00:40:32,625 TAKE ALL HIS MONEY 794 00:40:32,709 --> 00:40:33,875 FOR THE TROUBLE. 795 00:40:34,500 --> 00:40:35,625 YOU HAD 796 00:40:35,709 --> 00:40:37,041 ANY EXPERIENCE, MR. CARROLL? 797 00:40:37,125 --> 00:40:38,583 NOT HERE, OF COURSE 798 00:40:38,667 --> 00:40:41,208 BUT MY INVESTORS HAVE HOLDINGS IN SOUTH AFRICA 799 00:40:41,291 --> 00:40:43,583 AND AUSTRALIA WHERE I SERVED MY APPRENTICESHIP. 800 00:40:43,667 --> 00:40:46,083 OF COURSE, I STUDIED ANIMAL HUSBANDRY 801 00:40:46,166 --> 00:40:48,166 AT THE UNIVERSITY OF EDINBURGH. 802 00:40:48,250 --> 00:40:51,291 BUT I MUST SAY, I'M WORRIED ABOUT ALL THE OVERGRAZING 803 00:40:51,375 --> 00:40:52,500 I'M SEEING HERE 804 00:40:52,583 --> 00:40:55,417 AND WITH MORE CATTLE COMING IN EVERY YEAR... 805 00:40:55,500 --> 00:40:56,667 WELL, FRANKLY 806 00:40:56,750 --> 00:40:58,917 I BELIEVE THE LANDS ARE BEING MISMANAGED. 807 00:40:59,000 --> 00:41:00,417 Adam: MISMANAGED? 808 00:41:01,875 --> 00:41:03,709 I DON'T THINK SO. 809 00:41:04,750 --> 00:41:06,834 MR. CLAYBORNE, THE NUTRITIONAL QUALITY 810 00:41:06,917 --> 00:41:09,125 OF THE GRASSLANDS HERE ARE AS FINE 811 00:41:09,208 --> 00:41:10,583 AS ANYWHERE IN THE WORLD 812 00:41:10,667 --> 00:41:12,250 BUT UNLESS THE SOIL BASE 813 00:41:12,333 --> 00:41:14,417 IS ALLOWED TO REPLENISH ITSELF... 814 00:41:14,500 --> 00:41:16,083 THE POINT IS, MR. CARROLL 815 00:41:16,166 --> 00:41:18,834 THIS RANGE ISN'T BEING MANAGED AT ALL. 816 00:41:18,917 --> 00:41:20,542 IT'S FREE RANGE. 817 00:41:20,625 --> 00:41:22,542 FREE RANGE FOR FREE MEN. 818 00:41:22,625 --> 00:41:24,709 THAT'S WHY MANY OF US CAME HERE. 819 00:41:24,792 --> 00:41:27,750 AND IT ALWAYS WILL BE. 820 00:41:27,834 --> 00:41:31,291 WELL, PERHAPS I SPOKE TOO QUICKLY. 821 00:41:39,333 --> 00:41:42,083 WELL, YOU COME AND SEE US AGAIN, MR. CARROLL. 822 00:41:42,166 --> 00:41:43,542 THANKS. I SHALL. 823 00:41:43,625 --> 00:41:46,041 AND I LOOK FORWARD TO RETURNING THE HOSPITALITY. 824 00:41:46,125 --> 00:41:49,125 DON'T FORGET, MR. CARROLL, TAKE GOOD CARE OF THAT HAT. 825 00:41:50,542 --> 00:41:51,333 ( chuckle ) 826 00:41:59,750 --> 00:42:01,959 YOU TWO JUST LEAVE HIM ALONE. 827 00:42:47,333 --> 00:42:49,333 SHOSHONE?! 828 00:42:49,417 --> 00:42:51,458 WHERE ARE YOUR PEOPLE, HUH? 829 00:42:53,375 --> 00:42:54,583 YEAH... I BET 830 00:42:54,667 --> 00:42:55,250 YOU WOULDN'T MIND WATCHING ME TAKE 831 00:42:55,333 --> 00:42:56,250 AN ARROW IN THE BACK 832 00:42:56,333 --> 00:42:57,625 NOW, WOULD YOU? 833 00:42:59,750 --> 00:43:01,041 COME ON. 834 00:43:13,792 --> 00:43:16,208 ( sigh ) 835 00:43:27,083 --> 00:43:29,625 COLE? 836 00:43:29,709 --> 00:43:31,458 COLE! 837 00:43:31,542 --> 00:43:32,583 COLE! COLE! 838 00:43:32,667 --> 00:43:33,875 YOU ROSE CLAYBORNE? 839 00:43:33,959 --> 00:43:35,000 SIR? 840 00:43:35,083 --> 00:43:36,291 I'M JOHN STRINGER. 841 00:43:36,375 --> 00:43:39,542 I'M SORRY, MA'AM, BUT YOUR BROTHER'S BEEN SHOT. 842 00:43:39,625 --> 00:43:41,709 COLE... HELP ME. 843 00:43:41,792 --> 00:43:43,709 AFTER THE GAME, IT TURNED OUT COLE 844 00:43:43,792 --> 00:43:45,542 AND ME WERE RIDING THE SAME DIRECTION. 845 00:43:45,625 --> 00:43:47,458 Douglas: AND WHERE WOULD THAT BE? 846 00:43:47,542 --> 00:43:49,208 ME AND MY PARTNERS ARE CAMPED 847 00:43:49,291 --> 00:43:50,542 UP ON THE LITTLE BELL. 848 00:43:50,625 --> 00:43:53,083 ANYWAY, WHEN WE CROSSED ONTO YOUR GRASS 849 00:43:53,166 --> 00:43:54,792 COLE FOUND A FRESH TRAIL. 850 00:43:54,875 --> 00:43:56,834 IT WAS RUSTLERS, THREE OF THEM. 851 00:43:56,917 --> 00:43:59,417 ALREADY TAKEN HALF A DOZEN STEERS 852 00:43:59,500 --> 00:44:00,917 JUDGING FROM THE TRACKS 853 00:44:01,000 --> 00:44:02,250 AND THEY GOT WIND 854 00:44:02,333 --> 00:44:03,583 OF US SOMEHOW. 855 00:44:03,667 --> 00:44:04,750 OPENED UP ON US. 856 00:44:04,834 --> 00:44:07,417 THAT'S WHEN COLE GOT HIT. 857 00:44:07,500 --> 00:44:08,959 I THOUGHT HE WAS A GONER 858 00:44:09,041 --> 00:44:09,625 BUT HE COME UP SHOOTING. 859 00:44:09,709 --> 00:44:10,375 WE BACKED OUR WAY 860 00:44:10,458 --> 00:44:12,166 OUT OF THERE. 861 00:44:13,417 --> 00:44:15,083 HE'S A GAME ONE. 862 00:44:15,166 --> 00:44:17,083 Douglas: WE APPRECIATE WHAT YOU DID. 863 00:44:17,166 --> 00:44:19,166 YOU'RE WELCOME AT THE ROSE ANYTIME. 864 00:44:19,250 --> 00:44:20,917 I'LL SHOW YOU WHERE IT HAPPENED. 865 00:44:21,000 --> 00:44:22,542 WE'LL FIND IT. 866 00:44:22,625 --> 00:44:23,625 Mary Rose: BE CAREFUL. 867 00:44:32,709 --> 00:44:34,542 WHERE ARE YOU FROM, MR. STRINGER? 868 00:44:34,625 --> 00:44:35,750 OH, HERE AND THERE. 869 00:44:35,834 --> 00:44:37,041 KANSAS LATELY. 870 00:44:37,125 --> 00:44:39,208 I MEANT, WHERE WERE YOU BORN? 871 00:44:39,291 --> 00:44:41,125 TENNESSEE. YOURSELF? 872 00:44:41,208 --> 00:44:43,458 NEW YORK CITY-- I THINK. 873 00:44:43,542 --> 00:44:45,291 IT'S A LONG STORY. 874 00:44:46,667 --> 00:44:49,500 HOW'D YOU KNOW MY NAME WHEN YOU RODE IN? 875 00:44:49,583 --> 00:44:52,375 WELL, TRUTH IS, COLE KEPT GOING ON AND ON 876 00:44:52,458 --> 00:44:55,750 ABOUT HIS KID SISTER, MARY ROSE, THE WHOLE TIME. 877 00:44:55,834 --> 00:44:58,125 MARY ROSE THIS, MARY ROSE THAT. 878 00:44:58,208 --> 00:44:59,583 ONE REASON I WENT 879 00:44:59,667 --> 00:45:02,417 IS I FIGURED IF HE WENT OFF AND GOT KILLED 880 00:45:02,500 --> 00:45:06,083 I'D NEVER GET TO MEET THE FAMOUS MARY ROSE. 881 00:45:10,750 --> 00:45:15,208 WELL... I HOPE THIS WILL DO FOR YOU TONIGHT. 882 00:45:17,041 --> 00:45:18,834 THIS WILL DO FINE. 883 00:45:18,917 --> 00:45:20,417 GOOD NIGHT, MISS CLAYBORNE. 884 00:45:21,875 --> 00:45:23,208 GOOD NIGHT. 885 00:45:32,375 --> 00:45:33,959 ( mumbling feverishly): NO... 886 00:45:34,041 --> 00:45:35,375 STOP! 887 00:45:37,709 --> 00:45:38,834 NO... 888 00:45:38,917 --> 00:45:40,417 SHH. SHH. 889 00:45:40,500 --> 00:45:42,125 SHH. 890 00:45:42,208 --> 00:45:43,667 COLE, COLE. 891 00:45:43,750 --> 00:45:46,625 SHH. SHH. 892 00:45:50,083 --> 00:45:51,375 VERY NICE. 893 00:45:51,458 --> 00:45:53,000 OKAY, NOW STAY WITH ME. 894 00:45:53,083 --> 00:45:54,417 YEAH. STAY WITH ME NOW. 895 00:45:54,500 --> 00:45:55,917 THIS IS THE TRICKY PART. 896 00:45:56,000 --> 00:45:57,959 THIS IS WHERE IT ALL GETS DANGEROUS. 897 00:45:58,041 --> 00:45:58,959 OH...! OH! 898 00:45:59,041 --> 00:46:00,000 VERY NICE. 899 00:46:00,083 --> 00:46:01,208 BACK IN. 900 00:46:01,291 --> 00:46:03,000 BEAUTIFUL. 901 00:46:03,083 --> 00:46:04,750 FORGET ABOUT YOUR FEET? 902 00:46:04,834 --> 00:46:06,083 HUH? 903 00:46:06,166 --> 00:46:07,917 NOT SO HARD, HUH? 904 00:46:09,041 --> 00:46:10,959 Douglas: MARY ROSE. 905 00:46:11,041 --> 00:46:13,000 DOUGLAS! TRAV! 906 00:46:13,083 --> 00:46:14,000 HOW'S COLE? 907 00:46:14,083 --> 00:46:15,208 HIS FEVER BROKE THIS MORNING. 908 00:46:15,291 --> 00:46:16,291 HE'S GOING TO BE ALL RIGHT. 909 00:46:19,125 --> 00:46:22,333 I WAS JUST SEEING MR. STRINGER OFF. 910 00:46:22,417 --> 00:46:24,291 I WAS JUST, UH... 911 00:46:24,375 --> 00:46:26,667 SHOWING MARY ROSE A SASHAY. 912 00:46:26,750 --> 00:46:28,500 ON YOUR WAY, WERE YOU? 913 00:46:28,583 --> 00:46:30,667 YES, I WAS. 914 00:46:30,750 --> 00:46:32,792 WE WON'T KEEP YOU. 915 00:46:34,792 --> 00:46:37,333 GOOD AFTERNOON, MISS CLAYBORNE. 916 00:46:44,667 --> 00:46:47,000 I HOPE WE'LL BE SEEING MORE OF YOU 917 00:46:47,083 --> 00:46:49,417 MR. STRINGER. 918 00:46:49,500 --> 00:46:51,792 I'D LIKE THAT VERY MUCH. 919 00:46:59,750 --> 00:47:01,000 GENTLEMEN. 920 00:47:15,166 --> 00:47:17,917 DIDN'T EVEN COME CLOSE. 921 00:47:18,000 --> 00:47:21,375 LOST THEM AT THE RIVER. 922 00:47:21,458 --> 00:47:23,625 ( sigh ) 923 00:47:31,166 --> 00:47:32,583 ( whistle ) 924 00:47:47,917 --> 00:47:50,083 ( clicks tongue ) 925 00:48:31,500 --> 00:48:32,959 MISS CLAYBORNE. 926 00:48:33,041 --> 00:48:34,125 MR. CARROLL. 927 00:48:34,208 --> 00:48:35,834 I ALMOST DIDN'T RECOGNIZE YOU 928 00:48:35,917 --> 00:48:37,166 WITHOUT YOUR FANCY HAT. 929 00:48:37,250 --> 00:48:38,583 I'VE SINCE RETIRED THE HAT, MISS CLAYBORNE. 930 00:48:38,667 --> 00:48:39,792 IT SEEMED TO ATTRACT 931 00:48:39,875 --> 00:48:41,834 A TOTALLY UNREASONABLE AMOUNT OF ATTENTION. 932 00:48:42,250 --> 00:48:43,208 HOW HAVE YOU BEEN? 933 00:48:43,625 --> 00:48:46,709 BUSY. I SEEM TO HAVE BEEN REMISS IN CALLING ON COLE. 934 00:48:46,875 --> 00:48:48,166 HOW IS HE? 935 00:48:48,250 --> 00:48:49,500 ALREADY UP AND AROUND. 936 00:48:49,583 --> 00:48:50,458 HE'S CHOMPING AT THE BIT 937 00:48:50,542 --> 00:48:51,709 TO GET AFTER THE MEN WHO SHOT HIM. 938 00:48:51,792 --> 00:48:54,166 I CAN IMAGINE. SHALL I SEE YOU AND YOUR BROTHERS 939 00:48:54,250 --> 00:48:56,500 AT THE INDEPENDENCE DAY CELEBRATION THIS WEEKEND? 940 00:48:56,583 --> 00:48:58,000 WOULDN'T MISS IT ON A BET. 941 00:48:58,375 --> 00:49:00,000 THOUGHT I MIGHT ASK, MISS CLAYBORNE 942 00:49:00,083 --> 00:49:02,583 IF I MIGHT ESCORT YOU TO THE DANCE. 943 00:49:04,750 --> 00:49:05,959 I DON'T KNOW. 944 00:49:06,041 --> 00:49:07,959 NOBODY'S HAD 945 00:49:08,041 --> 00:49:10,083 THE NERVE TO ASK ME TO A DANCE BEFORE. 946 00:49:10,166 --> 00:49:11,458 IS THAT SO? 947 00:49:11,542 --> 00:49:15,041 PERHAPS YOU'D LIKE A LITTLE TIME TO THINK ABOUT IT. 948 00:49:15,125 --> 00:49:18,875 I THINK THAT'S A GOOD IDEA. 949 00:49:18,959 --> 00:49:20,417 THANK YOU, MR. CARROLL. 950 00:49:21,500 --> 00:49:23,917 MISS. 951 00:49:24,000 --> 00:49:25,417 ( sigh ) 952 00:49:25,500 --> 00:49:27,417 WHERE HAVE YOU BEEN? 953 00:49:27,500 --> 00:49:28,625 SHOPPING. 954 00:49:30,458 --> 00:49:32,375 I RAN INTO MR. CARROLL. 955 00:49:32,458 --> 00:49:34,041 WELL, HE, UH... 956 00:49:34,125 --> 00:49:35,750 MORNING, MISS CLAYBORNE. 957 00:49:35,834 --> 00:49:37,625 JOHN. 958 00:49:37,709 --> 00:49:39,458 HEAR COLE'S BACK ON HIS FEET. 959 00:49:39,542 --> 00:49:40,542 SEND HIM MY BEST. 960 00:49:40,625 --> 00:49:42,250 I'LL DO THAT. 961 00:49:42,333 --> 00:49:45,041 SO, THERE'S A DANCE COMING UP, MISS CLAYBORNE. 962 00:49:45,125 --> 00:49:47,750 YOU BEEN PRACTICING THAT STEP I SHOWED YOU? 963 00:49:47,834 --> 00:49:49,834 I MIGHT NEED ANOTHER LESSON. 964 00:49:49,917 --> 00:49:51,583 OH. WELL... 965 00:49:51,667 --> 00:49:53,917 I'LL COUNT ON SEEING YOU THERE, THEN 966 00:49:54,000 --> 00:49:56,583 UNLESS YOU GOT OTHER PLANS. 967 00:49:56,667 --> 00:49:57,750 NO. 968 00:49:57,834 --> 00:50:00,625 GOOD. 969 00:50:06,417 --> 00:50:07,709 MARY ROSE? 970 00:50:07,792 --> 00:50:10,625 YOU MIGHT BE A LITTLE MORE SOCIABLE. 971 00:50:10,709 --> 00:50:12,667 YOU HARDLY SAID A WORD TO JOHN. 972 00:50:12,750 --> 00:50:15,458 I PROMISED ANNIE I'D BRING HER SOME BACK LINIMENT. 973 00:50:15,542 --> 00:50:16,875 I WON'T BE LONG. 974 00:51:09,792 --> 00:51:11,458 THIS IS SHINING WATER. 975 00:51:11,542 --> 00:51:13,792 SHE'S SHOSHONE. 976 00:51:15,166 --> 00:51:16,750 SHE GOT NO PEOPLE LEFT. 977 00:51:20,000 --> 00:51:21,959 SHE'S COMING TO LIVE ON THE ROSE. 978 00:51:41,417 --> 00:51:44,542 WHERE DID SHE COME FROM? 979 00:51:46,792 --> 00:51:49,000 WELL, THERE'S NO ROOM FOR HER HERE. 980 00:51:49,083 --> 00:51:51,000 SHE'S TAKING ADAM'S ROOM. 981 00:51:51,083 --> 00:51:53,375 ADAM SAYS HE'LL SLEEP IN THE BARN. 982 00:51:53,458 --> 00:51:54,542 MOVE OUT? 983 00:51:54,625 --> 00:51:55,834 HE CAN'T DO THAT! 984 00:51:55,917 --> 00:51:58,667 JUST TILL THEY BUILD A PLACE OF THEIR OWN. 985 00:51:58,750 --> 00:52:02,667 YOU WERE JUST COMPLAINING THERE AIN'T NO ROOM. 986 00:52:02,750 --> 00:52:05,333 LORD, IT AIN'T A MYSTERY. 987 00:52:05,417 --> 00:52:07,291 ADAM'S IN HIS PRIME. 988 00:52:07,375 --> 00:52:09,083 SHE'S A PRETTY, YOUNG THING. 989 00:52:09,166 --> 00:52:11,125 YOU THINK SHE'S PRETTY? 990 00:52:12,792 --> 00:52:14,583 GUESS SHE IS, KIND OF. 991 00:52:16,625 --> 00:52:18,583 I KNOW IT'S HARD, CHILD. 992 00:52:18,667 --> 00:52:22,000 YOU'VE HAD ALL ADAM'S ATTENTION TO YOURSELF ALL THIS TIME. 993 00:52:22,083 --> 00:52:23,834 NOW A YOUNG WOMAN COMES ALONG... 994 00:52:23,917 --> 00:52:25,166 BUT HE DOESN'T KNOW HER. 995 00:52:25,250 --> 00:52:26,291 HE DOESN'T EVEN SPEAK 996 00:52:26,375 --> 00:52:27,333 THE SAME LANGUAGE. 997 00:52:27,417 --> 00:52:28,417 SHE'S JUST USING HIM 998 00:52:28,500 --> 00:52:30,208 'CAUSE SHE'S GOT NO PLACE TO LIVE. 999 00:52:30,291 --> 00:52:32,083 NOW, SHAME ON YOU! 1000 00:52:32,166 --> 00:52:35,750 NOW, A LITTLE HAPPINESS IS HARD ENOUGH TO COME BY IN THIS WORLD. 1001 00:52:35,834 --> 00:52:36,917 YOU BEGRUDGE IT TO SOMEONE 1002 00:52:37,000 --> 00:52:38,083 WHO HASN'T DONE A THING IN HIS LIFE 1003 00:52:38,166 --> 00:52:39,959 BUT LOVE AND CARE FOR YOU. 1004 00:52:41,000 --> 00:52:43,333 YOU'RE A SPOILED THING, MARY ROSE. 1005 00:53:23,792 --> 00:53:26,083 GUESS YOU'RE A FAMILY MEMBER. 1006 00:53:26,166 --> 00:53:29,625 WHY DON'T YOU START OVER THERE? 1007 00:53:34,458 --> 00:53:37,458 ( band playing "Skip to My Lou" ) 1008 00:53:51,208 --> 00:53:53,542 AH, THE CLAN CLAYBORNE. 1009 00:53:53,625 --> 00:53:55,083 HELLO, HELLO. 1010 00:53:56,166 --> 00:53:57,208 SIT DOWN AND JOIN US, FERGUS. 1011 00:53:57,291 --> 00:53:58,208 THANKS. 1012 00:53:59,208 --> 00:54:00,250 MISS CLAYBORNE. 1013 00:54:00,333 --> 00:54:02,041 ( chuckling ): MR. CARROLL. 1014 00:54:02,125 --> 00:54:03,417 LOOKS SCRUMPTIOUS. 1015 00:54:03,500 --> 00:54:04,417 THANK YOU. 1016 00:54:04,500 --> 00:54:06,375 ( giggling ) 1017 00:54:06,458 --> 00:54:08,583 I, UH, HEAR THAT NEW PLACE OF YOURS 1018 00:54:08,667 --> 00:54:10,750 IS COMING ALONG JUST FINE, FERGUS. 1019 00:54:10,834 --> 00:54:11,917 INDEED, INDEED. 1020 00:54:12,000 --> 00:54:13,709 THE MAIN HOUSE IS ALMOST FINISHED. 1021 00:54:13,792 --> 00:54:14,750 I HOPE TO BE ABLE 1022 00:54:14,834 --> 00:54:16,458 TO ENTERTAIN ALL OF YOU THERE 1023 00:54:16,542 --> 00:54:17,542 IN THE NEAR FUTURE. 1024 00:54:17,625 --> 00:54:19,583 WE'D LOOK FORWARD TO IT. 1025 00:54:20,417 --> 00:54:22,500 HAS ADAM COME TO TOWN? 1026 00:54:22,583 --> 00:54:24,583 ADAM HAS OTHER THINGS ON HIS MIND THESE DAYS 1027 00:54:24,667 --> 00:54:25,667 THAN THE FOURTH OF JULY. 1028 00:54:25,750 --> 00:54:27,542 Fergus: AH. THOMAS? 1029 00:54:27,750 --> 00:54:29,709 HE PROBABLY GOT ROPED INTO A CARD GAME. 1030 00:54:29,792 --> 00:54:30,458 HE'LL BE ALONG 1031 00:54:30,625 --> 00:54:32,166 WHEN HE GETS HUNGRY ENOUGH. 1032 00:54:34,208 --> 00:54:36,417 EXCUSE ME. I BELIEVE I SEE A FRIEND OF MINE. 1033 00:54:38,875 --> 00:54:40,917 BE SURE TO ASK JOHN IF HE'S HUNGRY. 1034 00:54:41,000 --> 00:54:42,834 TELL HIM WE'VE GOT PLENTY. 1035 00:54:49,792 --> 00:54:52,000 WHAT'S THAT ABOUT? 1036 00:54:54,500 --> 00:54:57,083 MARY, YOU KNOW THERE'S BEEN A LOT OF BEEF 1037 00:54:57,166 --> 00:54:58,917 STOLEN AROUND HERE LATELY. 1038 00:55:00,291 --> 00:55:02,250 I WAS GOING TO TELL YOU THE OTHER DAY. 1039 00:55:02,333 --> 00:55:04,875 RUMOR IS, JOHN'S HAD A PART IN IT. 1040 00:55:04,959 --> 00:55:06,125 NO. 1041 00:55:06,208 --> 00:55:07,625 NO, JOHN STRINGER 1042 00:55:07,709 --> 00:55:09,750 IS NOT A RUSTLER. 1043 00:55:09,834 --> 00:55:11,083 LOOK WHAT HE DID FOR COLE. 1044 00:55:11,166 --> 00:55:14,250 I'M JUST TELLING YOU WHAT PEOPLE ARE SAYING. 1045 00:55:16,417 --> 00:55:17,667 MARY ROSE. 1046 00:55:17,750 --> 00:55:18,959 JOHN. 1047 00:55:19,041 --> 00:55:20,959 Cole: OH, JOHN, THIS IS FERGUS CARROLL. 1048 00:55:21,041 --> 00:55:21,959 THIS IS JOHN STRINGER. 1049 00:55:22,041 --> 00:55:23,166 I'VE BEEN LOOKING FORWARD 1050 00:55:23,250 --> 00:55:24,458 TO MEETING YOU, MR. STRINGER. 1051 00:55:24,542 --> 00:55:25,417 YOU'RE THE SCOTTIE 1052 00:55:25,500 --> 00:55:26,667 WITH ALL THE FOREIGN IDEAS 1053 00:55:26,750 --> 00:55:28,583 ON HOW THE CATTLE BUSINESS OUGHT TO BE RUN. 1054 00:55:28,667 --> 00:55:30,750 AYE. SOME ARE BEGINNING TO LISTEN. 1055 00:55:30,834 --> 00:55:33,083 ARE THEY NOW? 1056 00:55:33,166 --> 00:55:35,000 MARY ROSE, I CAN'T STAY. 1057 00:55:35,083 --> 00:55:37,583 I WANT TO THANK YOU FOR THE INVITE, THOUGH. 1058 00:55:37,667 --> 00:55:39,917 YOU KNOW YOU'RE ALWAYS WELCOME, JOHN. 1059 00:55:41,166 --> 00:55:42,417 HOW MANY HEAD 1060 00:55:42,500 --> 00:55:45,250 YOU GRAZING UP THERE, MR. STRINGER? 1061 00:55:45,333 --> 00:55:47,417 WELL, 5,000. 1062 00:55:47,500 --> 00:55:50,083 NOT MUCH COMPARED TO YOUR OPERATION, BUT... 1063 00:55:50,166 --> 00:55:51,625 WE'RE PROUD OF IT. 1064 00:55:52,667 --> 00:55:53,417 WILL I SEE YOU AT THE DANCE 1065 00:55:53,500 --> 00:55:54,959 LATER, MARY ROSE? 1066 00:55:56,041 --> 00:55:57,375 YES. 1067 00:55:58,875 --> 00:56:00,250 GOOD. 1068 00:56:03,291 --> 00:56:05,458 Stringer: NICE TO MEET YOU. 1069 00:56:11,500 --> 00:56:13,083 5,000 HEAD. 1070 00:56:13,166 --> 00:56:14,917 STOCKED UP PRETTY FAST. 1071 00:56:15,000 --> 00:56:16,083 DOUG, STOP IT. 1072 00:56:16,166 --> 00:56:17,625 YOU DON'T KNOW THE FIRST THING ABOUT HIM. 1073 00:56:17,792 --> 00:56:19,875 MARY, THE TRUTH IS, NOBODY DOES. 1074 00:56:19,959 --> 00:56:21,041 HE COMES FROM TENNESSEE... 1075 00:56:21,125 --> 00:56:22,125 AND KANSAS AND... 1076 00:56:22,208 --> 00:56:23,125 NO ONE KNOWS 1077 00:56:23,208 --> 00:56:24,583 WHERE HIS MONEY COMES FROM 1078 00:56:24,667 --> 00:56:26,250 OR HOW HE COMES BY HIS STOCK. 1079 00:56:26,333 --> 00:56:27,250 I'M SURE DOUGLAS 1080 00:56:27,333 --> 00:56:28,750 IS ONLY TRYING TO PROTECT YOU. 1081 00:56:28,834 --> 00:56:30,083 PROTECT ME. 1082 00:56:30,166 --> 00:56:33,917 I'VE HAD ENOUGH PROTECTION FROM THE BOTH OF YOU. 1083 00:56:34,000 --> 00:56:35,667 ( sigh ) 1084 00:56:38,041 --> 00:56:40,959 I'VE LOST AT LEAST 200 HEAD ME'SELF. 1085 00:56:41,041 --> 00:56:42,959 I KNOW OTHERS THAT HAVE LOST MORE. 1086 00:56:43,041 --> 00:56:45,041 THE FEDERAL MARSHAL IN GREAT FALLS 1087 00:56:45,125 --> 00:56:47,166 MIGHT AS WELL BE ON THE BLOODY MOON. 1088 00:56:47,250 --> 00:56:49,417 AND THE ARMY, THEY'RE OF NO USE AT ALL 1089 00:56:49,500 --> 00:56:51,375 WHEN IT COMES TO CATTLE RUSTLERS. 1090 00:56:51,458 --> 00:56:53,375 IT'S TIME WE ACTED ON OUR OWN. 1091 00:56:53,458 --> 00:56:55,250 I'M IN A HARD PLACE, FERGUS. 1092 00:56:55,333 --> 00:56:58,125 HE'S COLE'S FRIEND. 1093 00:56:58,208 --> 00:57:02,166 AND ANY FOOL CAN SEE HOW MARY ROSE FEELS ABOUT HIM. 1094 00:57:02,250 --> 00:57:05,500 DOUGLAS, THESE THIEVES HAVE TO BE STOPPED-- 1095 00:57:05,583 --> 00:57:07,667 CAUGHT IN THE ACT AND DEALT WITH. 1096 00:57:07,750 --> 00:57:09,917 I'M GOING TO OFFER A $5,000 REWARD 1097 00:57:10,000 --> 00:57:12,250 FOR THE RIGHT PIECE OF INFORMATION. 1098 00:57:12,333 --> 00:57:14,250 THAT'S A LOT OF MONEY. 1099 00:57:14,333 --> 00:57:17,458 TRUE, BUT I DON'T HAVE TIME TO HAGGLE. 1100 00:57:19,083 --> 00:57:22,542 ( band playing "Turkey In The Straw" ) 1101 00:57:59,875 --> 00:58:02,667 I WONDER HOW LONG IT WILL TAKE THEM 1102 00:58:02,750 --> 00:58:04,000 TO MISS YOU. 1103 00:58:04,083 --> 00:58:06,000 MY BROTHERS? 1104 00:58:06,083 --> 00:58:08,125 DON'T MIND THEM. 1105 00:58:08,208 --> 00:58:10,125 I DON'T. 1106 00:58:10,208 --> 00:58:12,750 THEY JUST HAVEN'T FACED THE FACT 1107 00:58:12,834 --> 00:58:15,166 THAT I'M NOT A LITTLE GIRL ANYMORE. 1108 00:58:15,250 --> 00:58:17,500 DON'T YOU AGREE? 1109 00:58:18,208 --> 00:58:20,166 I AGREE. 1110 00:58:31,333 --> 00:58:32,625 ( music stop ) 1111 00:58:57,375 --> 00:58:59,583 I'VE JUST HAD WORD: 1112 00:58:59,667 --> 00:59:02,625 THEY'LL HIT BEN HAWSER'S PLACE TOMORROW NIGHT. 1113 00:59:02,709 --> 00:59:04,166 WHO ARE THEY? 1114 00:59:04,250 --> 00:59:07,917 MY INFORMANT GAVE NO NAMES. 1115 00:59:09,250 --> 00:59:12,208 ADAM, WILL YOU AND YOUR BROTHERS RIDE WITH US? 1116 00:59:13,500 --> 00:59:14,959 YEAH, WE WILL. 1117 00:59:36,041 --> 00:59:37,333 WHOA. 1118 00:59:49,959 --> 00:59:51,875 THEY'RE COMING IN FROM THE SOUTH. 1119 00:59:56,667 --> 00:59:58,375 YOU READY? 1120 01:00:01,875 --> 01:00:03,375 LET'S GO. 1121 01:00:03,458 --> 01:00:06,542 Fergus: YOU MEN, STOP WHERE YOU'RE AT! 1122 01:00:06,625 --> 01:00:09,041 THROW DOWN YOUR WEAPONS! 1123 01:00:36,667 --> 01:00:38,000 JOHN? 1124 01:00:38,083 --> 01:00:39,333 AH, COLE. 1125 01:00:48,959 --> 01:00:51,917 ( hoofbeats approaching ) 1126 01:01:03,792 --> 01:01:04,834 JOHN! 1127 01:01:04,917 --> 01:01:06,709 MARY, I NEED YOUR HELP. 1128 01:01:06,792 --> 01:01:07,959 WHAT HAPPENED? 1129 01:01:08,041 --> 01:01:10,208 NIGHT RIDERS COME AFTER ME AND MY PARTNER. 1130 01:01:10,291 --> 01:01:11,208 CLAIMED WE'D BEEN STEALING CATTLE. 1131 01:01:11,291 --> 01:01:12,375 IT'S LIES. 1132 01:01:12,458 --> 01:01:14,125 MARY, I MADE A RUN FOR IT 1133 01:01:14,208 --> 01:01:15,583 BUT THEY'RE RIGHT BEHIND ME. 1134 01:01:15,667 --> 01:01:16,917 I DON'T KNOW HOW FAR THEY ARE. 1135 01:01:17,000 --> 01:01:18,208 I NEED A FRESH HORSE. 1136 01:01:18,291 --> 01:01:19,625 MY BROTHERS RODE OUT TONIGHT. 1137 01:01:20,709 --> 01:01:21,959 THEY WERE WEARING HOODS. 1138 01:01:22,041 --> 01:01:23,166 I COULDN'T SEE WHO THEY WERE. 1139 01:01:23,250 --> 01:01:24,250 WILL YOU COME BACK? 1140 01:01:24,417 --> 01:01:25,792 I DON'T THINK SO. 1141 01:01:27,250 --> 01:01:28,917 TAKE ME WITH YOU. 1142 01:01:29,000 --> 01:01:31,000 I CAN'T. 1143 01:01:31,083 --> 01:01:33,041 I'M SORRY. 1144 01:01:34,625 --> 01:01:38,208 I'LL SEND FOR YOU, I PROMISE. 1145 01:01:38,291 --> 01:01:39,333 FIVE MINUTES, MARY. 1146 01:01:39,417 --> 01:01:41,417 GIVE ME FIVE MINUTES TO GET SADDLED. 1147 01:01:41,500 --> 01:01:42,250 THAT'S ALL I NEED. 1148 01:01:42,333 --> 01:01:43,625 GO! 1149 01:01:58,041 --> 01:02:00,792 MARY ROSE, WHAT ARE YOU DOING OUT HERE? 1150 01:02:00,875 --> 01:02:03,125 I COULDN'T SLEEP. 1151 01:02:03,208 --> 01:02:04,792 I WAS WORRIED. 1152 01:02:04,875 --> 01:02:06,041 WHERE'S ADAM AND COLE? 1153 01:02:06,125 --> 01:02:08,208 MISS CLAYBORNE, HAS ANYONE BEEN HERE TONIGHT? 1154 01:02:08,291 --> 01:02:09,250 WHAT DO YOU MEAN? 1155 01:02:09,333 --> 01:02:10,500 I THINK THAT'S A SIMPLE 1156 01:02:10,583 --> 01:02:11,834 ENOUGH QUESTION. 1157 01:02:11,917 --> 01:02:13,458 I'D BETTER CHECK THE BARN. 1158 01:02:14,917 --> 01:02:17,500 WE TRACKED ONE OF THE RUSTLERS DOWN THIS WAY. 1159 01:02:17,583 --> 01:02:20,125 LOST HIM IN THE CREEK BOTTOM. 1160 01:02:20,208 --> 01:02:21,625 I THINK IT'S JOHN STRINGER. 1161 01:02:21,709 --> 01:02:22,709 NO. 1162 01:02:22,792 --> 01:02:24,333 COULDN'T HAVE BEEN. 1163 01:02:24,417 --> 01:02:25,959 HE WASN'T, HE WOULDN'T... 1164 01:02:26,041 --> 01:02:27,125 ( horse neighing ) 1165 01:02:27,208 --> 01:02:28,709 TRAVIS? HEY, TRA... 1166 01:02:32,875 --> 01:02:34,458 NO! NO! 1167 01:02:34,542 --> 01:02:35,959 ( gunsho ) 1168 01:02:39,125 --> 01:02:40,250 ( gunshot ) 1169 01:02:40,333 --> 01:02:41,542 COLE IS DEAD! 1170 01:02:41,625 --> 01:02:43,875 JOHN STRINGER SHOT HIM! 1171 01:02:44,375 --> 01:02:45,333 IT'S TRUE. 1172 01:02:45,417 --> 01:02:47,250 NO, IT'S NOT TRUE! 1173 01:02:47,417 --> 01:02:48,667 IT'S NOT TRUE! 1174 01:02:48,750 --> 01:02:50,709 NO, IT'S NOT TRUE! 1175 01:02:56,417 --> 01:02:58,625 "MANY WATERS CANNOT QUENCH LOVE. 1176 01:02:58,709 --> 01:03:00,875 "NEITHER CAN THE FLOODS DROWN IT. 1177 01:03:00,959 --> 01:03:02,291 "A MAN WHO WILL GIVE 1178 01:03:02,375 --> 01:03:05,041 "ALL THE SUBSTANCE OF HIS HOUSE FOR LOVE 1179 01:03:05,125 --> 01:03:07,834 "WOULD UTTERLY BE CONDEMNED. 1180 01:03:07,917 --> 01:03:09,542 AMEN." 1181 01:03:15,792 --> 01:03:17,125 AMEN. AMEN. 1182 01:03:21,959 --> 01:03:25,041 MARY, MARY. 1183 01:03:25,125 --> 01:03:28,083 I KNOW THE PAIN YOU'RE FEELING. 1184 01:03:30,125 --> 01:03:32,750 IT'S THE SAME FOR YOUR BROTHERS. 1185 01:03:34,792 --> 01:03:36,792 IT WILL PASS. 1186 01:03:38,750 --> 01:03:40,041 MARY ROSE? 1187 01:03:40,125 --> 01:03:42,291 HOW'S SHE TAKING IT? 1188 01:03:42,375 --> 01:03:44,208 TRAVIS AND DOUGLAS BOTH LOVE YOU 1189 01:03:44,291 --> 01:03:46,125 AND THAT'S THE IMPORTANT THING. 1190 01:03:50,041 --> 01:03:51,083 ANY NEWS OF STRINGER? 1191 01:03:51,166 --> 01:03:53,041 THAT'S WHAT I'VE COME TO TELL YOU. 1192 01:03:53,125 --> 01:03:54,834 HE MADE A RUN FOR THE BADLANDS. 1193 01:03:54,917 --> 01:03:55,917 WE CAUGHT UP TO HIM 1194 01:03:56,000 --> 01:03:57,208 YESTERDAY MORNING 1195 01:03:57,291 --> 01:03:59,583 THE OTHER SIDE OF CROW'S LANDING. 1196 01:03:59,667 --> 01:04:01,333 STRINGER REACHED FOR HIS GUN AND I SHOT HIM. 1197 01:04:01,417 --> 01:04:02,291 NO! 1198 01:04:02,375 --> 01:04:03,458 NO! NO! 1199 01:04:03,750 --> 01:04:05,500 ARE YOU CRYING FOR HIM?! 1200 01:04:05,583 --> 01:04:06,542 FOR STRINGER?! 1201 01:04:06,625 --> 01:04:07,792 HE PROMISED 1202 01:04:07,875 --> 01:04:08,959 TO SEND FOR ME. 1203 01:04:09,041 --> 01:04:10,333 AIN'T THIS FAMILY 1204 01:04:10,417 --> 01:04:11,917 BEEN HURT ENOUGH? 1205 01:04:12,000 --> 01:04:13,875 FAMILY?! THIS ISN'T A FAMILY! 1206 01:04:13,959 --> 01:04:15,208 YOU MADE IT UP 1207 01:04:15,291 --> 01:04:16,917 AND I DON'T BELONG HERE. 1208 01:04:17,000 --> 01:04:18,583 ROSE HILL, ALL OF IT. 1209 01:04:18,667 --> 01:04:19,750 YOU NEVER TOLD ME 1210 01:04:19,834 --> 01:04:21,625 THE TRUTH ABOUT MY REAL FAMILY. 1211 01:04:21,709 --> 01:04:23,125 MARY! 1212 01:04:23,208 --> 01:04:24,709 YOU WANT TO KNOW 1213 01:04:24,792 --> 01:04:27,917 THE TRUTH ABOUT YOUR REAL FAMILY? 1214 01:04:28,000 --> 01:04:30,834 THEN IT'S TIME YOU SHOULD KNOW. 1215 01:04:39,750 --> 01:04:44,667 ALL I CAN TELL YOU IS WHAT COLE TOLD ME. 1216 01:04:44,750 --> 01:04:46,875 THE DAY WE STOLE THAT WAGON WITH YOU IN IT 1217 01:04:46,959 --> 01:04:49,750 THERE WAS A GIRL, AND SHE WAS CARRYING ON 1218 01:04:49,834 --> 01:04:51,542 AND SHE TRIED TO STOP US 1219 01:04:51,625 --> 01:04:56,709 BUT THERE WAS NO STOPPINGUS WITH THE COPS ON OUR TAIL. 1220 01:04:58,375 --> 01:05:02,667 AND COLE FOLLOWED HER BACK TO WHERE SHE CAME FROM. 1221 01:05:02,750 --> 01:05:05,667 AND MARY, HONEY, YOU HAVE TO FIGURE 1222 01:05:05,750 --> 01:05:07,125 THAT'S WHERE YOU 1223 01:05:07,208 --> 01:05:08,709 COME FROM, TO. 1224 01:05:10,333 --> 01:05:11,625 I'M SORRY. 1225 01:05:11,709 --> 01:05:14,750 COLE SAID IT WAS A BIG PLACE DOWN IN THE BATTERY. 1226 01:05:14,834 --> 01:05:17,166 HE REMEMBERED, 'CAUSE IT WAS JUST A FEW BLOCKS 1227 01:05:17,250 --> 01:05:19,250 UP MAPLE STRET FROM PURDY'S PAWN SHOW 1228 01:05:19,333 --> 01:05:23,041 WHERE WE DID A LOT OF BUSINESS BACK IN THOSE DAYS. 1229 01:05:24,750 --> 01:05:29,542 HE SAID THERE WAS A FOUNTAIN IN FRONT OF THE HOUSE 1230 01:05:29,625 --> 01:05:33,125 WITH ONE OF THEM LITTLE BABY ANGELS OFF TO ONE SIDE. 1231 01:05:33,208 --> 01:05:36,667 BUT THAT WAS A LONG TIME AGO, MARY ROSE. 1232 01:05:38,417 --> 01:05:40,917 EVERYTHING COULD HAVE CHANGED BY NOW. 1233 01:07:02,542 --> 01:07:03,834 YES? 1234 01:07:07,542 --> 01:07:09,667 IS MR. ELLIOT IN 1235 01:07:09,750 --> 01:07:11,041 PLEASE? 1236 01:07:13,542 --> 01:07:15,000 I'M RICHARD ELLIOT. 1237 01:07:17,125 --> 01:07:19,000 WHO ARE YOU? 1238 01:07:20,166 --> 01:07:22,667 MY NAME IS MARY ROSE CLAYBORNE. 1239 01:07:24,875 --> 01:07:26,834 I'M LOOKING FOR MY FAMILY. 1240 01:07:28,208 --> 01:07:31,208 I THINK YOU BETTER COME INSIDE. 1241 01:07:44,166 --> 01:07:48,041 Mary Rose: WHO IS SHE? 1242 01:07:48,125 --> 01:07:50,959 THAT'S, UH... MY WIFE, HELEN. 1243 01:07:51,041 --> 01:07:55,709 YOUR, UH... REMARKABLE RESEMBLANCE TO HER 1244 01:07:55,792 --> 01:07:57,667 IS WHY I BROUGHT YOU 1245 01:07:57,750 --> 01:07:59,041 INTO MY HOUSE. 1246 01:08:00,291 --> 01:08:01,458 WHERE IS SHE? 1247 01:08:01,542 --> 01:08:02,667 SHE'S DEAD. 1248 01:08:02,750 --> 01:08:05,917 SHE, UH, DIED ALMOST SEVEN YEARS TO THE DAY 1249 01:08:06,000 --> 01:08:08,125 SINCE OUR DAUGHTER WAS LOST. 1250 01:08:08,208 --> 01:08:09,875 THAT'S OUR DAUGHTER, VICTORIA. 1251 01:08:09,959 --> 01:08:11,917 SHE WAS, UM... 1252 01:08:12,000 --> 01:08:15,500 KIDNAPPED WHEN SHE WAS FOUR MONTHS OLD. 1253 01:08:15,583 --> 01:08:17,917 SHE WOULD BE, UH, JUST 19. 1254 01:08:19,959 --> 01:08:21,542 I'M SORRY. 1255 01:08:21,625 --> 01:08:23,709 IT WAS A LONG TIME AGO. 1256 01:08:23,792 --> 01:08:25,709 HELEN AND I HAD GONE OUT FOR SUPPER 1257 01:08:25,792 --> 01:08:28,375 EARLIER IN THE EVENING, AND WHEN WE GOT BACK 1258 01:08:28,458 --> 01:08:29,500 MAUDE HAD, UM-- 1259 01:08:29,583 --> 01:08:31,959 THAT WAS THE WOMAN YOU MET AT THE DOOR-- 1260 01:08:32,041 --> 01:08:33,917 MAUDE HAD ALREADY DISCOVERED 1261 01:08:34,000 --> 01:08:35,959 THAT VICTORIA WAS MISSING 1262 01:08:36,041 --> 01:08:37,667 AND HAD CALLED THE POLICE. 1263 01:08:37,750 --> 01:08:39,041 THERE WAS A GIRL. 1264 01:08:39,125 --> 01:08:41,041 SOMEONE WHO WORKED HERE. 1265 01:08:41,125 --> 01:08:43,709 HOW WOULD YOU KNOW THAT? 1266 01:08:43,792 --> 01:08:46,583 I KNEW SOMEONE WHO SAW HER. 1267 01:08:46,667 --> 01:08:48,875 THERE WAS A GIRL 1268 01:08:48,959 --> 01:08:51,125 A SERVANT GIRL NAMED GWEN 1269 01:08:51,208 --> 01:08:54,333 WHO WE'D... HAD TO FIRE A COUPLE OF WEEKS EARLIER 1270 01:08:54,417 --> 01:08:55,917 FOR STEALING SILVER 1271 01:08:56,000 --> 01:08:59,291 AND OBVIOUSLY, WE SUSPECTED HER, BUT THEN, SHE DISAPPEARED. 1272 01:09:02,166 --> 01:09:04,125 ANYWAY, THE POLICE TOLD US 1273 01:09:04,208 --> 01:09:06,041 TO EXPECT A RANSOM NOTE. 1274 01:09:06,125 --> 01:09:08,750 AS YOU WOULD IMAGINE, I WAS PREPARED 1275 01:09:08,834 --> 01:09:10,875 TO PAY ANY AMOUNT, BUT THE, UM... 1276 01:09:10,959 --> 01:09:13,250 THE NOTE NEVER CAME. 1277 01:09:13,333 --> 01:09:16,458 SO FINALLY, WE WERE FORCED TO ACCEPT THE IDEA 1278 01:09:16,542 --> 01:09:20,583 THAT SOMETHING TERRIBLE HAD GONE WRONG, AND THAT, UH... 1279 01:09:20,667 --> 01:09:21,959 VICTORIA WAS DEAD. 1280 01:09:24,583 --> 01:09:25,959 SO... 1281 01:09:30,667 --> 01:09:33,041 THAT'S MY STORY, MARY ROSE. 1282 01:09:34,375 --> 01:09:38,083 I THINK YOU'D BETTER TELL ME YOURS. 1283 01:09:38,166 --> 01:09:39,291 ( woman laughing ) 1284 01:09:39,375 --> 01:09:40,625 WHERE'S THE MAJOR? 1285 01:09:40,709 --> 01:09:41,834 HE'S IN 1286 01:09:41,917 --> 01:09:42,959 THE DRAWING ROOM. 1287 01:09:43,041 --> 01:09:44,125 HE HAS A VISITOR. 1288 01:09:44,208 --> 01:09:45,375 OH? 1289 01:09:46,709 --> 01:09:47,959 GOOD LORD, MAUDE. 1290 01:09:48,041 --> 01:09:49,625 YOU LOOK AS THOUGH SOMEBODY 1291 01:09:49,709 --> 01:09:51,291 PUT SALT IN YOUR PUDDING. 1292 01:09:51,375 --> 01:09:52,458 IGNORE HIM, MAUDE. 1293 01:09:52,542 --> 01:09:53,625 HARRISON, COME IN. 1294 01:09:53,709 --> 01:09:54,750 THERE'S SOMEBODY 1295 01:09:54,834 --> 01:09:55,959 I'D LIKE YOU TO MEET. 1296 01:09:56,041 --> 01:09:57,959 THIS IS HARRISON, VICTORIA'S BROTHER 1297 01:09:58,041 --> 01:09:59,834 AND HIS WIFE, EMILY. 1298 01:09:59,917 --> 01:10:02,500 THIS IS MARY ROSE CLAYBORNE. 1299 01:10:02,583 --> 01:10:04,709 SHE'S COME HERE ALL THE WAY FROM MONTANA 1300 01:10:04,792 --> 01:10:05,834 TO FIND HER FAMILY. 1301 01:10:05,917 --> 01:10:08,083 OH... HELLO. 1302 01:10:10,792 --> 01:10:12,667 IT'S OBVIOUS SHE'S A GOLD DIGGER. 1303 01:10:12,750 --> 01:10:15,667 PLEASE DON'T TELL ME YOU BELIEVE SHE'S VICTORIA. 1304 01:10:15,750 --> 01:10:17,667 I DON'T KNOW. 1305 01:10:17,750 --> 01:10:19,000 I DO BELIEVE HER STORY. 1306 01:10:19,083 --> 01:10:22,000 AT LEAST, I BELIEVE IT UNTIL IT'S PROVEN I SHOULDN'T. 1307 01:10:22,083 --> 01:10:24,667 FATHER, ASSUMING, FOR A CHARITABLE MOMENT 1308 01:10:24,750 --> 01:10:26,750 THAT EVERYTHING SHE SAYS IS TRUE 1309 01:10:26,834 --> 01:10:29,166 IT STILL DOESN'T MEAN SHE'S VICTORIA. 1310 01:10:29,250 --> 01:10:31,333 SHE HAS ONLY A SECOND-HAND ACCOUNT 1311 01:10:31,417 --> 01:10:33,041 OF AN INCIDENT 18 YEARS OLD 1312 01:10:33,125 --> 01:10:35,125 AND SOMEHOW, AFTER ALL THIS TIME 1313 01:10:35,208 --> 01:10:36,583 SHE STUMBLED ON TO YOU. 1314 01:10:36,667 --> 01:10:38,000 A GOLDEN OPPORTUNITY. 1315 01:10:38,083 --> 01:10:40,458 HOW DO YOU ACCOUNT FOR THE RESEMBLANCE? 1316 01:10:40,542 --> 01:10:42,000 SHE IS AFTER THE MONEY. 1317 01:10:42,083 --> 01:10:43,542 HARRISON, WHETHER YOU UNDERSTAND THIS OR NOT 1318 01:10:43,625 --> 01:10:46,375 THIS IS SOMETHING THAT I HAVE TO PURSUE. 1319 01:10:48,000 --> 01:10:50,166 I SUPPOSE. 1320 01:10:51,291 --> 01:10:54,542 BUT WHY MUST YOU INVITE HER TO STAY HERE? 1321 01:10:54,625 --> 01:10:56,083 IF SHE IS A HOAX 1322 01:10:56,166 --> 01:10:57,667 THE QUICKEST WAY TO FIND HER OUT 1323 01:10:57,750 --> 01:10:59,333 IS TO HAVE HER HERE WHERE I CAN WATCH HER. 1324 01:10:59,625 --> 01:11:00,959 DON'T YOU AGREE? 1325 01:11:04,125 --> 01:11:06,041 THE GUEST ROOM. 1326 01:11:06,125 --> 01:11:08,000 I'VE BEEN BADGERING RICHARD TO LET ME 1327 01:11:08,083 --> 01:11:10,458 IN HERE TO REDECORATE 1328 01:11:10,542 --> 01:11:13,083 BUT HE'S BEEN ON AN ECONOMY BINGE LATELY. 1329 01:11:13,166 --> 01:11:16,083 WELL, IT WILL HAVE TO DO, I'M AFRAID. 1330 01:11:16,792 --> 01:11:19,417 I'VE NEVER SEEN ANYTHING SO FANCY. 1331 01:11:21,792 --> 01:11:25,709 YOU KNOW, I NEVER WAS CUT OUT TO PUNCH COWS. 1332 01:11:25,792 --> 01:11:28,083 THERE'S TOO MUCH HARD WORK IN IT. 1333 01:11:28,166 --> 01:11:29,709 Adam: YOU'LL BE BACK. 1334 01:11:29,792 --> 01:11:31,709 I KNOW YOU WILL. 1335 01:11:31,792 --> 01:11:33,333 GOOD-BYE, ADAM. 1336 01:11:33,417 --> 01:11:36,417 YOU TAKE CARE OF HIM. 1337 01:11:36,500 --> 01:11:38,667 GOING TO MISS YOU, ANNIE. 1338 01:11:38,750 --> 01:11:41,083 ESPECIALLY THEM SOURDOUGHS. 1339 01:11:41,166 --> 01:11:45,083 DON'T KNOW WHO YOU GOT LEFT TO BOSS AROUND. 1340 01:11:45,166 --> 01:11:48,417 GOT TO GO OUT AND GET YOURSELF A LAZY DOG. 1341 01:11:48,500 --> 01:11:49,917 MAYBE I WILL. 1342 01:11:50,000 --> 01:11:52,792 YOU BE CAREFUL. 1343 01:11:58,083 --> 01:11:59,959 ( cough ) 1344 01:12:14,166 --> 01:12:16,125 ( whispering ) 1345 01:12:19,083 --> 01:12:21,125 SNOW OWL. 1346 01:12:21,208 --> 01:12:24,333 I HEARD OF THEM, BUT I AIN'T NEVER SEEN ONE. 1347 01:12:24,417 --> 01:12:27,625 HER PEOPLE CALL IT "KISSIN-AY-OOO-WAY-OH." 1348 01:12:27,709 --> 01:12:30,166 IT MEANS, "IT BLOWS COLD." 1349 01:12:35,208 --> 01:12:38,166 ( people chattering ) 1350 01:12:45,166 --> 01:12:47,125 OH. 1351 01:12:47,458 --> 01:12:49,125 TELEGRAM. 1352 01:12:49,208 --> 01:12:52,166 IT'S FROM THE INVESTIGATORS YOU SENT TO MONTANA. 1353 01:12:54,834 --> 01:12:56,875 "INQUIRY MARY ROSE CLAYBORNE. 1354 01:12:56,959 --> 01:12:58,333 "CONFIRM ROSE HILL. 1355 01:12:58,417 --> 01:13:02,083 "CONFIRM BROTHERS ADAM, DOUGLAS, TRAVIS CLAYBORNE. 1356 01:13:02,166 --> 01:13:05,125 "CONFIRM DECEASED BROTHER COLE CLAYBORNE. 1357 01:13:05,208 --> 01:13:08,917 "STILL INVESTIGATING OUTLAW JOHN STRINGER, DECEASED. 1358 01:13:09,000 --> 01:13:10,166 DETAILS TO FOLLOW." 1359 01:13:10,250 --> 01:13:11,166 HMM. 1360 01:13:11,250 --> 01:13:12,500 OUTLAW? I'D SAY 1361 01:13:12,583 --> 01:13:13,667 THE PLOT THICKENS. 1362 01:13:13,750 --> 01:13:16,166 WHEN ARE YOU GOING TO CONFRONT HER WITH THIS? 1363 01:13:16,250 --> 01:13:17,959 I'M NOT GOING TO CONFRONT HER. 1364 01:13:18,041 --> 01:13:19,125 MUCH OF THIS 1365 01:13:19,208 --> 01:13:21,250 SHE'S ALREADY TOLD ME. 1366 01:13:33,208 --> 01:13:34,834 EMILY HAS TAKEN A GREAT LIKING 1367 01:13:34,917 --> 01:13:36,709 TO MARY ROSE, HASN'T SHE? 1368 01:14:19,125 --> 01:14:21,542 ( wind whistling ) 1369 01:14:28,667 --> 01:14:30,625 OH, LORD HAVE MERCY. 1370 01:14:35,000 --> 01:14:38,208 OH, GOD. 1371 01:14:38,291 --> 01:14:39,583 OH, THANK YOU, ANNIE. 1372 01:14:39,667 --> 01:14:42,250 ( gasping ) 1373 01:14:42,333 --> 01:14:46,250 ( shuddering ) 1374 01:14:46,333 --> 01:14:48,583 IT'S BAD. 1375 01:14:48,667 --> 01:14:52,041 I NEVER SEEN IT THIS BAD SO EARLY. 1376 01:15:20,417 --> 01:15:21,750 DON'T BE NERVOUS, MY DEAR. 1377 01:15:21,834 --> 01:15:23,917 YOU'RE GOING TO BE THE BELLE OF THE BALL. 1378 01:15:24,000 --> 01:15:25,792 I WOULDN'T BET MY SADDLE ON IT. 1379 01:15:25,875 --> 01:15:27,125 I WOULD. BESIDES, I HAVE A SUSPICION 1380 01:15:27,208 --> 01:15:30,583 THEY'RE GOING TO HAVE TO GET USED TO YOU. 1381 01:15:31,375 --> 01:15:33,959 RICHARD, I DON'T EVEN KNOW IF I BELONG HERE. 1382 01:15:34,041 --> 01:15:35,709 SMILE. 1383 01:15:37,709 --> 01:15:39,917 ( chamber music playing ) 1384 01:15:40,083 --> 01:15:42,625 LET ME INTRODUCE YOU TO SOME OF THE PEOPLE. 1385 01:15:42,709 --> 01:15:44,959 MRS. AMBERS... 1386 01:15:45,041 --> 01:15:48,333 I'D LIKE YOU TO MEET MARY ROSE FROM MONTANA. 1387 01:15:48,417 --> 01:15:50,375 NICE TO MEET YOU, MARY ROSE. 1388 01:15:54,709 --> 01:15:56,041 Man: MERRY CHRISTMAS. 1389 01:16:22,250 --> 01:16:24,208 AND WHERE DID YOU GO TO SCHOOL? 1390 01:16:24,291 --> 01:16:25,875 MOST OF THE TIME, IN THE FRONT ROOM. 1391 01:16:26,458 --> 01:16:28,291 SOMETIMES, IN THE BACK OF THE WAGON 1392 01:16:28,375 --> 01:16:30,667 OR MAYBE AROUND THE CAMPFIRE COME ROUND-UP. 1393 01:16:30,750 --> 01:16:33,709 OH! WELL, THAT JUST SOUNDS... 1394 01:16:33,792 --> 01:16:35,750 CHARMING. 1395 01:16:40,667 --> 01:16:42,542 MISS... 1396 01:16:42,625 --> 01:16:43,917 MAUDE. 1397 01:16:44,000 --> 01:16:45,166 WHAT IS IT? 1398 01:16:45,250 --> 01:16:47,750 I'M... 1399 01:16:47,834 --> 01:16:49,166 I'M SO SORRY. 1400 01:16:50,667 --> 01:16:52,500 I'M SO SORRY. 1401 01:16:52,583 --> 01:16:55,000 WHAT ARE YOU SORRY ABOUT, MAUDE? 1402 01:16:55,083 --> 01:16:57,250 HE SAID IT WOULD BE ALL RIGHT-- 1403 01:16:57,333 --> 01:16:59,542 THERE'D BE NO HARM DONE TO YOU. 1404 01:17:00,500 --> 01:17:02,834 WE WOULD JUST HIDE YOU FOR A LITTLE WHILE 1405 01:17:02,917 --> 01:17:05,125 AND COLLECT THE RANSOM AND BRING YOU BACK 1406 01:17:05,208 --> 01:17:06,333 AND THEN, HE DIDN'T 1407 01:17:06,417 --> 01:17:08,375 SHOW UP WHEN HE WAS SUPPOSED TO 1408 01:17:08,458 --> 01:17:10,125 AND THE POLICE WERE COMING 1409 01:17:10,208 --> 01:17:12,000 AND THE WAGON WAS RIGHT THERE 1410 01:17:12,083 --> 01:17:13,166 BUT THE BOYS... 1411 01:17:13,250 --> 01:17:14,834 THE BOYS CAME RUNNING. 1412 01:17:14,917 --> 01:17:16,625 IT WAS YOU. 1413 01:17:16,709 --> 01:17:19,458 IT WAS YOU. 1414 01:17:19,542 --> 01:17:22,709 MISS VICTORIA, I'M SO SORRY. 1415 01:17:24,667 --> 01:17:25,959 HE... 1416 01:17:26,041 --> 01:17:28,333 HE WENT AWAY. 1417 01:17:28,417 --> 01:17:32,041 HE SAID HE'D SEND FOR ME, BUT HE NEVER DID. 1418 01:17:32,125 --> 01:17:33,375 HE? 1419 01:17:33,458 --> 01:17:35,458 WHO ARE YOU TALKING ABOUT? 1420 01:17:35,542 --> 01:17:38,125 HIS NAME WAS TOM FLANNAGAN. 1421 01:17:38,208 --> 01:17:40,917 I LOVED HIM, BUT HE WAS JUST USING ME. 1422 01:17:43,500 --> 01:17:46,291 CAN YOU EVER FORGIVE ME? 1423 01:17:53,709 --> 01:17:56,000 MAUDE, I KNOW WHAT IT'S LIKE 1424 01:17:56,083 --> 01:17:59,000 TO DO SOMETHING WRONG IN THE NAME OF LOVE. 1425 01:18:04,500 --> 01:18:07,166 I DO FORGIVE YOU. 1426 01:18:07,250 --> 01:18:10,291 I THINK WHAT YOU DID CAUSED YOU 1427 01:18:10,375 --> 01:18:14,542 SO MUCH MORE UNHAPPINESS THAN IT EVER DID ME. 1428 01:18:17,625 --> 01:18:20,542 THIS IS THE END OF IT. 1429 01:18:20,625 --> 01:18:23,458 IT'S DEAD AND BURIED FOREVER. 1430 01:18:34,792 --> 01:18:36,208 MORNING. 1431 01:18:36,291 --> 01:18:37,750 MORNING. 1432 01:18:46,792 --> 01:18:49,750 I'VE NEVER CALLED ANYONE "FATHER" BEFORE. 1433 01:18:52,291 --> 01:18:55,208 IT'S GOING TO TAKE SOME GETTING USED TO. 1434 01:18:55,291 --> 01:18:56,917 ARE YOU SURE? 1435 01:18:59,166 --> 01:19:00,917 OH, VICTORIA. 1436 01:19:01,000 --> 01:19:02,750 THANK GOD. 1437 01:19:02,834 --> 01:19:04,792 THANK GOD. 1438 01:19:07,750 --> 01:19:11,041 WHAT HAPPENED BETWEEN LAST NIGHT AND THIS MORNING? 1439 01:19:11,125 --> 01:19:12,834 I'M SORRY, FATHER. 1440 01:19:12,917 --> 01:19:13,875 THAT'S... 1441 01:19:15,333 --> 01:19:18,458 IT'S JUST SOMETHING I CAN'T TELL YOU. 1442 01:19:18,542 --> 01:19:20,458 OH, VICTORIA... 1443 01:19:22,291 --> 01:19:24,750 THE THINGS YOU'VE MISSED. 1444 01:19:24,834 --> 01:19:27,375 OH, IT MAKES ME SO ANGRY. 1445 01:19:29,083 --> 01:19:30,375 YOU COULD'VE BEEN RAISED 1446 01:19:30,458 --> 01:19:32,333 IN A FINE HOME WITH A LOVING FAMILY. 1447 01:19:32,417 --> 01:19:33,709 YOU'D HAVE ATTENDED THE FINEST SCHOOLS. 1448 01:19:33,792 --> 01:19:35,083 YOU'D HAVE SEEN THE WORLD BY NOW. 1449 01:19:35,166 --> 01:19:37,250 NO, FATHER. 1450 01:19:37,333 --> 01:19:39,125 I WAS VERY LUCKY. 1451 01:19:40,792 --> 01:19:41,917 I WAS RAISED BY A FAMILY 1452 01:19:42,000 --> 01:19:43,959 THAT LOVED ME MORE THAN ANYTHING IN THE WORLD. 1453 01:19:44,125 --> 01:19:45,375 THESE WERE THE VERY PEOPLE 1454 01:19:45,458 --> 01:19:46,458 WHO TOOK YOU AWAY 1455 01:19:46,542 --> 01:19:47,917 THAT DIDN'T EVEN TRY TO FIND YOUR FAMILY. 1456 01:19:48,000 --> 01:19:49,208 FATHER, THEY WERE BOYS! 1457 01:19:49,291 --> 01:19:51,208 TH-THEY WERE RUNNING FROM THE POLICE. 1458 01:19:51,291 --> 01:19:53,083 THEY DIDN'T MEAN ANYBODY ANY HARM. 1459 01:19:53,166 --> 01:19:54,667 DON'T YOU SEE, FATHER? 1460 01:19:54,750 --> 01:19:55,750 THEY GAVE ME 1461 01:19:55,834 --> 01:19:57,333 SO MUCH. 1462 01:19:57,417 --> 01:20:01,333 I HAD THE WHOLE WILD WEST FOR A PLAYGROUND. 1463 01:20:03,291 --> 01:20:05,083 AND... AND AS FOR SCHOOLING 1464 01:20:05,166 --> 01:20:06,500 MAYBE IT WAS IN THE BACK OF A WAGON 1465 01:20:06,583 --> 01:20:07,709 GOING FROM CAMP TO CAMP 1466 01:20:07,792 --> 01:20:10,625 BUT IT WAS ENOUGH. 1467 01:20:10,917 --> 01:20:13,750 AND I HAD ROSE HILL... 1468 01:20:13,917 --> 01:20:18,166 THE MOST BEAUTIFUL HOME THAT EVER WAS. 1469 01:20:18,250 --> 01:20:20,667 I HAD FOUR BROTHERS 1470 01:20:20,750 --> 01:20:23,667 WHO WOULD DO ANYTHING FOR ME. 1471 01:20:28,125 --> 01:20:32,333 I DON'T THINK I EVER REALLY APPRECIATED THAT UNTIL NOW. 1472 01:20:36,041 --> 01:20:37,458 I'M SORRY. 1473 01:20:39,917 --> 01:20:41,875 I HAD NO IDEA. 1474 01:20:45,041 --> 01:20:49,875 PERHAPS IF YOU'D LIKE TO GO BACK THERE FOR A VISIT... 1475 01:20:52,709 --> 01:20:55,667 THANK YOU FOR UNDERSTANDING 1476 01:20:55,750 --> 01:20:58,750 BUT AFTER WHAT I DID, I CAN NEVER GO BACK. 1477 01:21:01,041 --> 01:21:03,041 THAT'S NOT TRUE. 1478 01:21:16,583 --> 01:21:18,166 ( coughing ) 1479 01:21:21,875 --> 01:21:23,625 ( coughing ) 1480 01:21:23,709 --> 01:21:25,333 ( snorting ) 1481 01:21:25,417 --> 01:21:28,750 IF THE UPPER SANDS ARE ANYTHING LIKE THIS... 1482 01:21:30,375 --> 01:21:32,208 IT'S 90% OF THE HERD. 1483 01:21:49,291 --> 01:21:50,750 ( coughing ) 1484 01:21:53,458 --> 01:21:55,333 DOUGLAS... 1485 01:21:55,417 --> 01:21:57,458 ARE YOU SURE YOU MUST GO? 1486 01:21:57,542 --> 01:21:59,333 THERE'S NOTHING LEFT TO STAY FOR. 1487 01:21:59,417 --> 01:22:00,458 YOU WERE RIGHT. 1488 01:22:00,542 --> 01:22:02,000 FREE RANGE IS FINISHED. 1489 01:22:02,083 --> 01:22:04,166 WHAT ARE YOU GOING TO DO? 1490 01:22:04,250 --> 01:22:06,125 I'LL FIND SOMETHING... 1491 01:22:07,083 --> 01:22:08,542 A LONG WAY FROM HERE. 1492 01:22:08,625 --> 01:22:10,500 ALL RIGHT, THEN. 1493 01:22:12,917 --> 01:22:14,125 GIDDYAP! 1494 01:22:14,208 --> 01:22:15,667 HA! 1495 01:22:20,375 --> 01:22:21,834 IT'S A SAD DAY. 1496 01:22:23,875 --> 01:22:25,417 A SAD DAY. 1497 01:22:25,500 --> 01:22:26,917 ADAM... 1498 01:22:27,000 --> 01:22:28,917 WHAT HAVE YOU HEARD FROM MARY ROSE? 1499 01:22:29,000 --> 01:22:31,250 SHE WRITES. 1500 01:22:31,333 --> 01:22:32,333 SHE FOUND 1501 01:22:32,417 --> 01:22:33,750 HER REAL FAMILY. 1502 01:22:37,208 --> 01:22:39,583 SHE MADE HER CHOICE, FERGUS. 1503 01:22:39,667 --> 01:22:41,583 THAT'S THE END OF IT. 1504 01:22:41,667 --> 01:22:43,667 ( coughing ) 1505 01:23:04,709 --> 01:23:06,125 EMILY... 1506 01:23:06,208 --> 01:23:08,125 IT'S FERGUS. 1507 01:23:08,208 --> 01:23:09,542 IT'S FERGUS CARROLL. 1508 01:23:09,625 --> 01:23:11,125 MM... 1509 01:23:11,208 --> 01:23:12,208 ( giggling ) 1510 01:23:12,291 --> 01:23:13,417 COME WITH ME. 1511 01:23:24,750 --> 01:23:26,959 MARY ROSE. 1512 01:23:27,041 --> 01:23:28,542 FERGUS. 1513 01:23:28,625 --> 01:23:31,458 IT'S SO GOOD TO SEE YOU. 1514 01:23:33,709 --> 01:23:36,500 WE MUST TALK. 1515 01:23:36,583 --> 01:23:39,041 I HEARD IT WAS A HARD WINTER. 1516 01:23:39,125 --> 01:23:41,000 BY JANUARY, IT WAS HOPELESS. 1517 01:23:41,083 --> 01:23:43,709 THE CATTLE HEADED DOWN FOR THE COULEES 1518 01:23:43,792 --> 01:23:45,458 BUNCHED UP AGAINST THE SNOW. 1519 01:23:45,542 --> 01:23:47,000 BUT WHAT GRASS THERE WAS 1520 01:23:47,083 --> 01:23:48,750 LAY UNDER A DOZEN FEET OF SNOW. 1521 01:23:48,834 --> 01:23:51,041 THEY STARVED TO DEATH BY THE THOUSANDS-- 1522 01:23:51,125 --> 01:23:52,125 TENS OF THOUSANDS-- 1523 01:23:52,208 --> 01:23:54,208 FROM TEXAS TO THE CANADIAN PLAINS. 1524 01:24:04,417 --> 01:24:06,500 ADAM AND DOUGLAS DID WHAT THEY COULD 1525 01:24:06,583 --> 01:24:07,542 AND MORE 1526 01:24:07,625 --> 01:24:10,208 OUT IN IT FOR DAYS ON END 1527 01:24:10,291 --> 01:24:12,250 BUT THE HERD WAS LOST. 1528 01:24:14,291 --> 01:24:16,166 WHAT ABOUT YOURSELF, FERGUS? 1529 01:24:16,250 --> 01:24:18,000 I MADE IT THROUGH, BARELY. 1530 01:24:18,083 --> 01:24:22,750 BUT THEN, I WAS BETTER PREPARED THAN MOST. 1531 01:24:22,834 --> 01:24:25,375 MARY... DOUGLAS IS GONE. 1532 01:24:25,458 --> 01:24:27,166 I DON'T KNOW WHERE HE WENT. 1533 01:24:27,250 --> 01:24:28,834 IT RUINED ADAM'S HEALTH. 1534 01:24:28,917 --> 01:24:30,875 HE'S VERY ILL. 1535 01:24:32,083 --> 01:24:33,500 WHAT ABOUT TRAVIS? 1536 01:24:33,583 --> 01:24:35,583 HE'S GONE, AS WELL-- 1537 01:24:35,667 --> 01:24:38,166 IN THE FALL, BEFORE THE BLIZZARDS. 1538 01:24:38,250 --> 01:24:40,375 I HEARD HE WENT DOWN TO SANTA FE 1539 01:24:40,458 --> 01:24:41,917 TO RUN A CARD PARLOR. 1540 01:24:42,000 --> 01:24:44,875 BUT YOU'RE THE ONE THAT ADAM MOST NEEDS TO SEE. 1541 01:24:44,959 --> 01:24:47,291 I SHOULD HAVE GONE BACK A LONG TIME AGO. 1542 01:24:47,375 --> 01:24:48,750 I KEPT PUTTING IT OFF. 1543 01:24:48,834 --> 01:24:51,375 I WAS AFRAID TO FACE THEM-- 1544 01:24:51,458 --> 01:24:53,792 ADAM ESPECIALLY. 1545 01:24:53,875 --> 01:24:56,125 IT'S WHAT ADAM WANTS, MARY. 1546 01:24:59,834 --> 01:25:01,959 WON'T YOU COME HOME, THEN? 1547 01:25:11,083 --> 01:25:12,792 THE MADAGASCAR WHITE. 1548 01:25:12,875 --> 01:25:15,583 I THOUGHT YOU SAID IT WAS BEING STUBBORN. 1549 01:25:15,667 --> 01:25:16,792 ( laugh ) 1550 01:25:18,667 --> 01:25:23,542 I SAW YOU TALKING TO A MAN IN THE STREET. 1551 01:25:23,625 --> 01:25:26,083 HIS NAME IS FERGUS CARROLL. 1552 01:25:26,166 --> 01:25:29,375 HE'S A FRIEND OF MINE FROM MONTANA. 1553 01:25:32,458 --> 01:25:35,250 FATHER, I'M GOING BACK TO ROSE HILL. 1554 01:25:39,417 --> 01:25:42,125 WELL, I HAD HOPED THAT YOU'D NEVER GO BACK 1555 01:25:42,208 --> 01:25:43,333 BUT, UH... 1556 01:25:45,000 --> 01:25:47,125 I CAN'T SAY I'M SURPRISED. 1557 01:25:47,208 --> 01:25:48,375 I HAVE TO. 1558 01:25:48,458 --> 01:25:50,250 ADAM'S VERY ILL. 1559 01:25:50,333 --> 01:25:52,875 I SEE. 1560 01:25:52,959 --> 01:25:55,834 THE TRUTH IS, I WANT TO GO BACK. 1561 01:25:55,917 --> 01:25:58,375 PLEASE DON'T WORRY. 1562 01:25:58,458 --> 01:26:00,333 I'M YOUR FATHER, VICTORIA. 1563 01:26:00,417 --> 01:26:02,625 IT'S MY JOB TO WORRY ABOUT YOU. 1564 01:26:02,709 --> 01:26:04,959 DON'T BE HURT. 1565 01:26:05,041 --> 01:26:08,125 YOU ARE MY FATHER. 1566 01:26:08,208 --> 01:26:11,041 AND ADAM IS MY BROTHER 1567 01:26:11,125 --> 01:26:12,709 AND TRAVIS AND DOUGLAS 1568 01:26:12,792 --> 01:26:15,000 AND COLE IS STILL A PART OF ME 1569 01:26:15,083 --> 01:26:17,917 AND NOW, HARRISON AND EMILY ARE, TOO. 1570 01:26:18,000 --> 01:26:21,834 BUT I'M MARY ROSE. 1571 01:26:21,917 --> 01:26:24,333 ROSE HILL IS MY HOME. 1572 01:26:24,417 --> 01:26:28,792 THEN GO BACK TO ROSE HILL, MARY ROSE. 1573 01:26:28,875 --> 01:26:31,208 GO BACK WITH MY BLESSING. 1574 01:27:36,000 --> 01:27:37,417 MARY... 1575 01:27:39,625 --> 01:27:41,417 OH... 1576 01:27:41,500 --> 01:27:43,542 IT'S BEEN SO LONG. 1577 01:27:43,834 --> 01:27:46,875 SHINING WATER, LOOK AT YOU. 1578 01:27:46,959 --> 01:27:50,375 ADAM MUST BE SO THRILLED. 1579 01:27:53,083 --> 01:27:55,041 CAN I SEE HIM? 1580 01:27:56,500 --> 01:27:57,625 COME IN. 1581 01:28:05,667 --> 01:28:08,625 ( coughing ) 1582 01:28:25,709 --> 01:28:26,834 MARY... 1583 01:28:30,917 --> 01:28:31,959 ADAM. 1584 01:28:33,709 --> 01:28:35,667 NONE OF THAT. 1585 01:28:39,667 --> 01:28:43,166 IT'S JUST GOOD TO REST EYES ON YOU. 1586 01:28:44,375 --> 01:28:46,333 YOU LOOK FINE. 1587 01:28:47,500 --> 01:28:48,625 FINE. 1588 01:28:52,333 --> 01:28:55,083 HOW ARE YOU, MARY, HONEY? 1589 01:28:55,166 --> 01:28:56,709 I'M HOME. 1590 01:28:56,792 --> 01:28:58,959 I'M HAPPY TO BE HOME. 1591 01:28:59,041 --> 01:29:02,083 LORD, I WISH YOU DIDN'T HAVE TO SEE IT THIS WAY. 1592 01:29:02,166 --> 01:29:03,542 ( coughing ) 1593 01:29:06,583 --> 01:29:08,792 ADAM, WE'RE GOING TO FIX IT UP. 1594 01:29:08,875 --> 01:29:11,291 FIX IT UP JUST LIKE IT USED TO BE. 1595 01:29:11,375 --> 01:29:12,291 NO... 1596 01:29:12,375 --> 01:29:16,000 NEVER GOING TO BE THAT WAY AGAIN. 1597 01:29:16,083 --> 01:29:20,583 NOT LIKE IT WAS WHEN WE FIRST COME. 1598 01:29:20,667 --> 01:29:24,667 WHEN IT WAS ALL SO BIG AND FREE. 1599 01:29:24,750 --> 01:29:29,125 AS FAR AS THE EYE COULD SEE. 1600 01:29:29,208 --> 01:29:31,542 OH, MADE A MAN'S... HEART 1601 01:29:31,625 --> 01:29:33,125 WANT TO EXPLODE. 1602 01:29:33,208 --> 01:29:35,083 ( coughing ) 1603 01:29:38,875 --> 01:29:41,500 IT'S ALL GONE NOW. 1604 01:29:41,583 --> 01:29:42,834 ALL OF IT. 1605 01:29:42,917 --> 01:29:45,208 NO, ADAM, IT'S GOING TO BE BETTER. 1606 01:29:45,291 --> 01:29:46,750 FIRST THING I'M GOING TO DO 1607 01:29:46,834 --> 01:29:49,083 IS HELP SHINING WATER TO GET YOU WELL. 1608 01:29:49,166 --> 01:29:51,542 THEN WE'LL ALL GO TO WORK ON THIS PLACE. 1609 01:29:53,458 --> 01:29:57,166 AND I'M GOING TO BE HERE WHEN YOUR BABY'S BORN 1610 01:29:57,250 --> 01:30:00,542 AND SEE WHAT KIND OF DADDY YOU'RE GOING TO MAKE. 1611 01:30:00,625 --> 01:30:02,583 WE'LL DO THAT, MARY. 1612 01:30:08,166 --> 01:30:10,792 WE'LL DO THAT. 1613 01:30:23,417 --> 01:30:26,291 WELL... 1614 01:30:26,375 --> 01:30:29,542 THIS IS A FINE MESS. 1615 01:30:37,667 --> 01:30:38,959 HELLO, JAKE. 1616 01:30:39,041 --> 01:30:40,542 MR. CARROLL. 1617 01:30:40,625 --> 01:30:42,834 COULD YOU SEND THIS IMMEDIATELY? 1618 01:30:42,917 --> 01:30:44,333 "SANTA FE SENTINEL-- 1619 01:30:44,417 --> 01:30:46,709 "PLACE THE FOLLOWING UNDER YOUR 'PERSONALS' COLUMN: 1620 01:30:46,792 --> 01:30:48,250 "'URGENT: TRAVIS CLAYBORNE 1621 01:30:48,333 --> 01:30:49,333 "'CONTACT ROSE HILL. 1622 01:30:49,417 --> 01:30:50,583 "'ADAM ILL. 1623 01:30:50,667 --> 01:30:51,667 "WHEREABOUTS 1624 01:30:51,750 --> 01:30:53,417 OF DOUGLAS UNKNOWN.'" 1625 01:31:14,458 --> 01:31:15,750 ALL RIGHT. LOOKS LIKE EVERYTHING'S IN ORDER. 1626 01:31:15,834 --> 01:31:20,000 I APPRECIATE YOUR COMING IN, AND IT'S BEEN A PLEASURE. 1627 01:31:25,041 --> 01:31:26,375 TRAVIS. 1628 01:31:26,458 --> 01:31:28,250 WE NEED TO TALK. 1629 01:31:32,208 --> 01:31:35,166 ( hoofbeats approaching ) 1630 01:31:45,375 --> 01:31:47,500 I'M GLAD YOU COULD COME. 1631 01:31:47,583 --> 01:31:48,917 HOW IS HE? 1632 01:31:49,000 --> 01:31:50,000 POOR. 1633 01:31:50,083 --> 01:31:52,250 DOC DOESN'T THINK HE'LL MAKE IT. 1634 01:31:52,333 --> 01:31:53,792 HE'S GOT CONSUMPTION. 1635 01:31:53,875 --> 01:31:55,792 I GUESS WE'LL GO SEE HIM. 1636 01:31:55,875 --> 01:31:56,667 WAIT. 1637 01:31:56,750 --> 01:31:57,875 PLEASE. 1638 01:31:58,583 --> 01:31:59,750 I DIDN'T ASK YOU TO COME BACK 1639 01:31:59,834 --> 01:32:01,208 JUST TO SAY GOOD-BYE. 1640 01:32:01,875 --> 01:32:05,583 LORD KNOWS, I'VE MADE MISTAKES 1641 01:32:05,667 --> 01:32:06,667 AND I'M SORRY 1642 01:32:06,750 --> 01:32:08,834 BUT... THERE'S SOME OTHER THINGS 1643 01:32:08,917 --> 01:32:10,667 TO THINK ABOUT HERE. 1644 01:32:10,750 --> 01:32:11,834 WHAT DO YOU MEAN? 1645 01:32:11,917 --> 01:32:15,291 SHINING WATER HAS A BABY COMING. 1646 01:32:15,375 --> 01:32:17,709 I CAN'T LET ADAM GO NOT KNOWING IF HIS CHILD 1647 01:32:17,792 --> 01:32:19,500 HAS A PLACE IN THIS WORLD. 1648 01:32:20,208 --> 01:32:22,500 I WANT TO BUILD ROSE HILL BACK UP 1649 01:32:22,583 --> 01:32:24,208 SO ADAM CAN SEE IT ONE MORE TIME 1650 01:32:24,291 --> 01:32:25,500 THE WAY IT WAS. 1651 01:32:26,417 --> 01:32:29,291 I CAN'T DO IT ALONE. 1652 01:32:29,375 --> 01:32:32,125 WILL YOU TWO HELP ME? 1653 01:33:19,500 --> 01:33:22,917 WHERE DO WE START? 1654 01:33:34,333 --> 01:33:36,542 I HEARD THERE'S WORK TO BE HAD IN THESE PARTS. 1655 01:33:36,625 --> 01:33:38,125 CAN'T PAY MUCH. 1656 01:33:38,208 --> 01:33:40,542 WE'LL WORK FOR OUR SUPPER. 1657 01:33:42,583 --> 01:33:45,625 ANOTHER ONE, DOUGLAS, COMING UP FOR YOU. 1658 01:34:20,166 --> 01:34:22,041 ALL RIGHT. 1659 01:34:22,125 --> 01:34:23,625 GO, GO, GO, GO. 1660 01:34:46,667 --> 01:34:49,291 Douglas: MARY ROSE! IT WORKS! 1661 01:34:56,917 --> 01:34:58,583 ( horse whinnying ) 1662 01:35:01,792 --> 01:35:04,417 WHAT DO YOU THINK, ADAM? 1663 01:35:07,208 --> 01:35:11,041 Adam: A RANCH WITHOUT CATTLE AIN'T MUCH OF A RANCH. 1664 01:35:12,583 --> 01:35:14,750 Mary Rose: THEY'RE COMING. 1665 01:35:15,375 --> 01:35:17,375 MY FATHER OFFERED ENOUGH 1666 01:35:17,458 --> 01:35:19,709 TO GET US STARTED. 1667 01:35:25,583 --> 01:35:28,834 YOU DID FINE, MARY, HONEY. 1668 01:35:28,917 --> 01:35:31,750 YOU DID FINE. 1669 01:35:31,834 --> 01:35:34,834 IT'S ROSE HILL AGAIN, ADAM... 1670 01:35:34,917 --> 01:35:36,709 FOR ALL OF US... 1671 01:35:36,792 --> 01:35:39,250 ALWAYS. 1672 01:35:46,375 --> 01:35:49,208 HERE, COLE. FOR YOU. 1673 01:35:54,041 --> 01:35:56,542 STAY. 1674 01:35:56,625 --> 01:35:59,667 ROSE HILL'S AS MUCH YOURS AS IT IS ANYBODY'S. 1675 01:35:59,750 --> 01:36:01,625 IT WAS ALWAYS YOURS, MARY. 1676 01:36:01,709 --> 01:36:04,250 YOU'RE THE ONLY REASON THERE EVER WAS FOR IT. 1677 01:36:04,333 --> 01:36:07,083 I'M HAPPY YOU BROUGHT US BACK HERE, MARY 1678 01:36:07,542 --> 01:36:08,750 AND I KNOW COLE WOULD HAVE BEEN PROUD 1679 01:36:08,834 --> 01:36:10,792 OF WHAT YOU'VE DONE. 1680 01:36:29,750 --> 01:36:31,667 WILL YOU BE BACK? 1681 01:36:31,750 --> 01:36:34,041 WE'LL BE BACK FOR THANKSGIVING. 1682 01:36:34,125 --> 01:36:37,875 BE HAPPY HERE, MARY. 1683 01:37:01,542 --> 01:37:03,709 THANK YOU, FERGUS. 1684 01:37:03,792 --> 01:37:05,959 WELL, I... I DID NOTHING. 1685 01:37:06,041 --> 01:37:08,166 IT WAS YOU, MARY. 1686 01:37:08,250 --> 01:37:10,500 YOU BROUGHT THIS PLACE BACK. 1687 01:37:10,583 --> 01:37:12,792 YOU SAVED ADAM'S LIFE. 1688 01:37:12,875 --> 01:37:17,208 THANK YOU FOR BRINGING ME HOME. 1689 01:37:17,291 --> 01:37:19,041 WELL... IT WASN'T 1690 01:37:19,250 --> 01:37:22,166 ONLY FOR ADAM'S SAKE THAT I CAME FOR YOU. 1691 01:37:22,750 --> 01:37:25,291 I KNOW. 1692 01:37:45,125 --> 01:37:48,542 [Captioning sponsored by HALLMARK HOME ENTERTAINMENT 1693 01:37:48,792 --> 01:37:52,166 and HALLMARK HALL OF FAME PRODUCTIONS 1694 01:37:52,250 --> 01:37:55,750 Captioned by The Caption Center WGBH Educational Foundation] 103376

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