Original subtitles

s]YOU'RE TWO MINUTES EARLY.

I WASN'T EXPECTING YOU UNTIL 10:45.

YOU MUST REALLY WANT SOME OF THIS PHONE NANA.

- OKAY, OKAY, UH, DON'T GET MAD,

BUT WE MIGHT HAVE TO GIVE ME SOME "PHONE," YOU KNOW, LATER.

I'M KIND OF IN THE MIDDLE OF SOMETHING DOWN HERE.

- WELL, THAT'S TOO BAD.

THIS L.A. SMOG'S GOT ME VERY, VERY DIRTY,

AND I JUST GOT OUT THE SHOWER,

SO I'M SITTING HERE COMPLETELY NAKED, DRIPPING WET.

- YOU ARE?

I MEAN... [clears throat]

SAME HERE.

WELL, THAT'S NOT TOTALLY TRUE.

I'M PRETTY MUCH BONE DRY.

AND I HAVE ON MY SHIRT AND MY PANTS, AND MY SHOES.

YEAH, I'M PRETTY FULLY CLOTHED HERE, YEAH.

- BOY, YOU ARE HORRIBLE AT THIS.

- [chuckles]

WELL, YOU SHOULD GO TO SLEEP ANYWAY.

DON'T YOU HAVE YOUR BIG PRESS JUNKET TOMORROW?

- OH, I KNOW.

I'M NERVOUS.

RYAN SEACREST SCARES ME.

- HE SHOULDN'T.

YOU GUYS WEAR THE SAME SHOE SIZE.

[chuckles]

- MY WHOLE COMEBACK IS RIDING ON THIS.

I NAIL IT, AND I'M ONE STEP CLOSER

TO SHEDDING THIS CHILD STAR, PARTY GIRL IMAGE.

- HEY, HEY, HEY, YOU'LL BE FINE.

YOU'LL GET THROUGH YOUR PRESS JUNKET,

AND BEFORE YOU KNOW IT,

RIGHT BACK TOGETHER HAVING NANA IN PERSON.

TILL THEN, I'LL BE COUNTING DOWN THE MINUTES.

- ME TOO.

ONE, TWO, THREE.

- FOUR, FIVE...

BYE.

- ♪ PUT YOUR NAME ON IT

♪ COME AND PUT YOUR NAME ON IT

♪ YOUR NAME, BET YOU WANNA...

- HEY, HEY, HEY, HEY, HEY!

EVERYBODY GATHER ROUND. COME ON.

- ♪ PUT YOUR NAME ON IT

♪

- HEY, HERE WE GO, HERE WE GO.

all: THREE, TWO, ONE,

HAPPY BIRTHDAY!

[cheers and applause]

- [barking]

[aggressive rock music]

- [laughs]

OH, THERE IS NOTHING BETTER

THAN WATCHING TV WITH THE ONE THAT I LOVE.

MM-HMM.

OH, YEAH, IT'S YOU AND ME AGAINST THE WORLD, BABY.

OH, WELL, WE THE NEW BONNIE AND CLYDE.

MM-HMM. YES, WE ARE.

[groans]

- WHAT IN THE HELL?

TASHA.

- HMM?

- YOU OKAY? - MM-HMM.

GIRL, ME AND MY BOO JUST CHILLIN', WATCHING OUR STORIES.

- THAT'S THE TEMPERATURE CHANNEL.

- MM-HMMD, GIRL, AIN'T NOBODY GOT TIME FOR THAT.

NOW, I NEED YOU TO GET UP

SO YOU CAN STOP FEELING SORRY FOR YOURSELF

AND START FEELING SORRY FOR ME.

- WHAT? - YES.

GIRL, I LOST MY MAN BEFORE YOU LOST YOURS.

OH, TASHA--TASHA, LOOK. - WHAT?

- GIRL, I HAVEN'T TALKED TO JASON IN DAYS, BUT LOOK AT ME.

I'M STILL SMILING.

SEE?

- YOU KNOW WHAT?

YOU'RE A STRONGER WOMAN THAN ME.

OKAY, 'CAUSE IF I HAD WALKED OUT ON MY RICH, GREEDY HUSBAND,

WHO I KNEW WAS NOT GONNA GIVE ME NOTHIN' IN THE DAMN DIVORCE,

GIRL, I'D HAVE MY FINGER ON THE TRIGGER.

- MM-MM. I'M NOT GONNA LET YOU TAKE ME DOWN, GIRL.

- MM-HMM.

FORCING ME TO GO BACK

REFILLING PRETZEL BOWLS AS A DAMN BARTENDER.

- THEY WERE WASABI PEAS.

- LIVING IN A COLD, CRAMPED, ROACH-INFESTED STUDIO APARTMENT

WITH PANORAMIC VIEWS OF A BRICK WALL!

HA! MM-MM.

- I DID WAKE UP WITH A ROACH IN MY EAR ONCE.

GIVE ME THAT DAMN BOTTLE!

- HEY!

♪

- YO, THESE MODELS ARE GORGEOUS.

- BOY, THESE AIN'T JUST MODELS.

THESE IS CHERUBS.

- WHAT'S THE DIFFERENCE?

- ABOUT 30 POUNDS...

both: IN THE ASS.

[laughter]

- MY MAN!

- Y'ALL STUPID.

- WHEW, ALCOHOL, CHERUBS...

- YOU WON'T GIVE ME YOUR PASSWORD, 'CAUSE EVERY--

- A LITTLE DOMESTIC ABUSE...

HEY, IT'S REALLY STARTING TO FEEL LIKE MY BIRTHDAY.

- MY MAN.

- HEY...HEY, IS THAT TORI?

- GET YOUR FINGER OUT OF MY FACE.

- MY FINGER AIN'T IN YOUR FACE.

- AND FRANKO.

JUVON, YOU LET THESE FOOLS IN YOUR PARTY, DOG?

- I RUN MY PARTIES LIKE I RUN MY SEX LIFE--

EASY ENTRY, NO PROTECTION.

- THAT'S DISGUSTING.

- YES, IT IS. - YOU KNOW WHAT, MAN?

I CANNOT BELIEVE, AFTER ALL THEY WENT THROUGH,

SHE'S STILL HANGING WITH THIS DAMN DUDE.

APPARENTLY, ME FIRING HER WASN'T ENOUGH OF A DAMN WAKE-UP CALL.

- YOU THINK I'M SUPPOSED TO FORGET ABOUT THAT?

HUH?

WHAT ARE YOU DOING?

- WHOA, WHOA, WHOA. HOLD UP, HOLD UP, HOLD UP.

MALIK, SHE IS NOT YOUR PROBLEM ANYMORE, MALIK.

- I USED TO WORK FOR HIM. WHY ARE YOU--

- I DON'T GIVE A DAMN WHO-- YOU WAS ONLY WITH THEM

BECAUSE MARVIN GAYE - THAT'S MY CUE.

EXCUSE ME.

- UH, HE'LL BE OKAY, RIGHT?

I MEAN, HE SAID HE'S A FIFTH DEGREE BLACK BELT.

- HE ALSO SAID HE JUST SAW BIGGIE

AT A TACO BELL IN ESCONDIDO.

- YO, WHAT'S UP, TORI?

WHAT'S UP?

- MALIK, HI.

- WELL, IF IT AIN'T THE PENIS TEXTER.

- EVERYTHING ALL RIGHT?

- WHY DON'T YOU TAKE YOUR ASS BACK OVER TO THE BAR?

- FRANKO!

- WHY DON'T YOU GET YOUR HANDS OFF ME

BEFORE I BREAK 'EM?

- FRANKO, NO!

[crowd screams]

OH, MY GOD!

[panicked shouts]

FRANKO!

OH, MY GOD.

FRANKO, NO!

FRANKO.

- MALIK, MALIK, COME ON, MAN.

- I'M BLEEDING!

OH, SNAP!

GET MY LAWYER ON THE PHONE.

WE BACK IN BUSINESS.

- HEY, COME ON, MAN.

HEY, MALIK, MALIK, COME ON, MAN.

COME ON, MAN. MALIK!

- [inhales] WHOO!

HOME SWEET HOME.

YO, AGENT, TALK TO MY LAWYER?

- IT'S "ADAM," AND YES, THREE TIMES ALREADY.

YOU'RE GOOD.

AND I TALKED WITH THE POST.

WITHOUT THIS LITTLE PIECE OF VIDEO FOOTAGE,

THEY'RE LOOKING AT A LIBEL SUIT, AND THEY DON'T WANT THAT.

- AH, GOOD.

WHAT ABOUT MY MAMA?

- YOU KNOW, I SPOKE WITH HER,

AND I'M NOT QUITE SURE SHE'S 100% COHERENT.

SHE KEPT RAAND BEING ABOUT MEN A"'BOUT THAT GAY LIFE."

- YEAH, YEAH, YEAH.

SHE'S GOING THROUGH SOMETHING, DOG.

NO NEED TO PILE IT ON HER.

BABY, YOU MAD AT ME?

DID I FORGET TO THANK YOU FOR BAILING ME OUT OF JAIL?

HMM? HMM?

- STOP.

MALIK. MALIK.

HOW DO YOU EXPECT TO BE THE FACE OF BASICALLY WATER

WHEN YOU ARE POPPING UP WITH BRUISES ALL OVER YOUR BODY?

PICKING BAR FIGHTS WITH B-LIST RAPPERS.

- B-LIST?

BABY, FRANKO IS D-LIST AT BEST.

DUDE AIN'T HAD A HIT SINCE TUPAC WAS ALIVE.

[gasps] YO!

DID I FORGET TO TELL YOU I SAW BIGGIE AT THE TACO BELL?

- IS EVERYTHING A JOKE WITH YOU?

- IT'S NOT A JOKE. I'M SERIOUS.

I ALMOST GOT HIS AUTOGRAPH.

- MALIK, WHAT IF YOU ARE CHARGED WITH A FELONY?

OR IF THE SABERS KICK YOU OFF THE TEAM, IS THAT A JOKE?

- B--BABY, THERE WAS A GANG OF EYE-WITNESSES, OKAY?

PLUS, JUVON'S SLIP-AND-FALL ATTORNEY GOT DEPOSITIONS

FROM EVERY SINGLE PERSON THERE.

RELAX.

- I WENT OUT ON A LIMB FOR YOU.

- I KNOW YOU DID.

- WELL, DID YOU KNOW THAT

I HAVEN'T SPOKEN TO MY FATHER IN WEEKS?

- NO, I DIDN'T.

- MALIK, I TOOK A CHANCE ON YOU,

AND YOU ARE STARTING TO MAKE ME FEEL LIKE MY DAD WAS RIGHT.

- BABY, LISTEN, DON'T GIVE UP ON ME YET, PLEASE, OKAY?

LET ME MAKE THIS UP TO YOU.

PLEASE.

- THERE'S SOMEONE HERE TO SEE YOU.

- REALLY?

- DON'T MOVE, OKAY?

- REALLY?

- MALIK, I AM SO SORRY ABOUT LAST NIGHT.

- YEAH, YOU AND ME BOTH.

- MALIK?

- LOOK, NOW IS REALLY NOT A GOOD TIME, OKAY?

- CAN I JUST HAVE A SECOND, PLEASE?

- HOLD ON.

LOOK, BABE, JUST...

CAN YOU GIVE ME A MINUTE WITH HER, PLEASE?

- MALIK, SHE'S NOT YOUR PROBLEM.

YOU NEED TO WORRY ABOUT YOU.

HELL, ME, US, OUR BUSINESS.

- LOOK, YOU DON'T UNDERSTAND

BECAUSE YOU'VE LIVED A LIFE OF PRIVILEGE, OKAY?

THIS GIRL HAS NOTHING, MAN.

I'M TRYING TO HAVE HER BACK.

- THEN YOU KNOW WHAT?

YOU GO HAVE HER BACK.

- WHOA, WHOA, WHOA, WHOA.

SO THAT'S YOUR MOVE?

SO YOU'RE JUST GONNA LEAVE?

- YOU MADE MY MOVE FOR ME.

- REECE.

REECE...

YO, REECE!

DAMN IT!

[sighs]

- I'M SO SORRY.

I'M SORRY.

- [slurping]

- OOH, HEY, PRETTY WOMAN'BOUT TO COME ON.

- EWW.

LOOK, GIRL, I CANNOT BEAR TO LOOK AT RICHARD GERE.

HE TOO PRETTY.

ALL THAT SALT-AND-PEPPER HAIR.

LOOKING LIKE A WHITE RICK FOX.

- OOH, DON'T YOU SAY "WHITE," GIRL.

IT REMIND ME TOO MUCH OF JASON.

JUST LIKE YELLOW AND BEIGE...

AND BUTTERSCOTCH.

- A DAMN MARSHMALLOW HEAD.

[laughter]

- OH, GIRL, DON'T YOU BE TALKIN' ABOUT MY BABY.

- OKAY, OKAY, LOOK.

SO THIS IS WHY I CAN'T STAND PRETTY WOMAN.

YOU GOT JULIA ROBERTS.

SHE GOT HER BOOBS ALL OUT, RIGHT?

OKAY, SHE GOT ON THAT CHEAP-ASS NICKI MINAJ WIG...

- OKAY.

- AND STILL, SHE GETS THE PRINCE CHARMING.

I MEAN, IT MAKE ME THINK, YOU KNOW,

WHAT THE HELL IS WRONG WITH US?

I MEAN, DON'T WE DESERVE A HAPPY HOLLYWOOD ENDING?

- GIRL, I DON'T EVEN KNOW.

BUT MAYBE WE SHOULD CHANNEL OUR INNER JULIA

AND START SELLING OUR GOODS OUT ON THE STREET.

1,000!

CAN I GET A 2,000?

SOLD FOR 2,000!

[laughter]

- OKAY [laughter]

- OKAY, YOU ON ONE. - RIGHT.

- BUT LOOK.

DAMN, I'M ABOUT OUT OF MY GO-GO JUICE TOO.

DROP BAR?

- IT'S 10:00 A.M.

- THEY GOT MIMOSAS.

- OH, WELL, THEN...

♪ LET'S ROCK!

[laughter]

[knock at door]

- WHO DOES CLICHE BETTER THAN I DO?

HUH? HUH?

HEY, GIVE ME A KISS.

WHOA.

[imitating Keira] "OH, I MISSED YOU."

REALLY? I MISSED YOU TOO.

"OH, REALLY?

"I'M GONNA GET NAKED RIGHT NOW

SO YOU CAN HAVE YOUR WAY WITH ME."

- WERE YOU AT THE DROP BAR LAST NIGHT?

- YEAH, IT WAS JUVON'S BIRTHDAY.

- OH, JUVON.

THAT--THAT'S YOUR HOMEBOY NOW?

- YEAH, I MEAN, WE'RE ON THE SAME TEAM, SO...

- SO WHY DIDN'T YOU TELL ME YOU WENT OUT LAST NIGHT

WHEN WE WERE ON THE PHONE?

- BECAUSE WE WERE HAVING PHONE SEX,

AND I WAS ON THE TOILET.

THAT'S NOT SEXY.

- SO YOU WEREN'T TRYING TO HIDE THE FACT

THAT YOU WERE IN THE STREETS?

- FOR WHAT?

NOW THAT WE'RE DATING, I'M NOT ALLOWED TO GO OUT?

- OH, SO I GO OUT OF TOWN FOR A WEEK,

AND YOU TURN INTO BOBBY BROWN?

- WHAT? COME ON, MAN. WHAT?

- THERE WAS A FIGHT.

YOU COULD HAVE GOTTEN HURT,

ARRESTED, ANYTHING.

- OKAY, OKAY, BUT I DIDN'T GET HURT OR ARRESTED.

WHAT ARE YOU TRIPPIN' ON?

- I'M TRIPPIN' ON THE FACT THAT THE GUY I MET

WOULDN'T BE HANGING OUT WITH A BUNCH OF BUSTERS

OR LINGERIE MODELS

OR SOME GUY WHOSE NICKNAME IS TROPICAL HERPES.

- OKAY, FIRST OF ALL, IT'S TOPICAL HERPES.

AND THEY WEREN'T JUST MODELS; THEY WERE CHERUBS.

- WHAT'S THE DIFFERENCE?

- ABOUT 30 POUN--

YOU KNOW WHAT?

I-I KNOW WHAT THIS IS.

YOU'RE MAD BECAUSE I WAS OUT

GETTING MY SWAG ON LAST NIGHT.

- [laughs]

DO YOU HEAR YOURSELF?

- UH-HUH. - WHO ARE YOU RIGHT NOW?

- I'M THE DUDE WHO WAS OUT WITHOUT YOU,

AND YOU'RE PISSED ABOUT IT.

- TRUST ME, I AM NOT CONCERNED

WITH YOUR LITTLE WACK-ASS CREW.

I'VE SEEN YOUR GAME.

- OH, I'M PRETTY SURE MY GAME IS QUITE FINE.

IN FACT, WHY DON'T YOU TAKE A LOOK AT ALL THE CHERUBS

THAT I HAD TO TURN DOWN LAST NIGHT?

- EWW! I DON'T WANT TO LOOK AT YOUR WACK-ASS SOUVENIRS!

MATTER OF FACT, WHY DON'T YOU TAKE YOUR WACK-ASS FLOWERS

AND YOUR WACK-ASS CHAMPAGNE

AND TAKE YOUR WACK, CORNY ASS HOME!

- COOL.

BECAUSE I'M A GROWN WACK-ASS MAN

WHO DOES NOT HAVE TO ANSWER TO YOU--

OR ANYBODY ELSE, FOR THAT MATTER.

- BYE. - BYE.

- AND YOU LEFT YOUR LITTLE WACK-ASS PHONE.

HMM.

- YOU FEEL ME?

AND Y'ALL GUYS SAY Y'ALL WANT

A STRONG WOMAN WHO HAS A CAREER,

BUT WHEN YOU FIND ONE, YOU WANT TO BREAK HER DOWN.

- HA!

- AM I RIGHT?

- UH! DAMN IT, SHE ASKED YOU A QUESTION.

NOW ANSWER THE DAMN QUESTION.

IS SHE RIGHT?

- HEY, SIR--

- OH, OKAY, HE GONNA RUN FROM THE SITUATION NOW.

YOU NEED TO HANDLE IT!

- HEY, HEY, LADIES, COME ON.

I'VE LOOKED THE OTHER WAY LONG ENOUGH.

YOU TWO HAVE BEEN RUNNING OFF MY MALE CUSTOMERS

ALL MORNING LONG WITH THIS MAN-BASHING STUFF.

AND BESIDES, ONE OF Y'ALL SMELL A LITTLE TAINTED.

- TAINTED? - WHO?

- WHAT THE HELL THAT SUPPOSED TO MEAN?

- I'M SORRY. I'M SORRY.

JUST--ONE OF Y'ALL SMELL LIKE A TAINT.

- UGH!I MEAN, GIRL,.

THIS AIN'T A GOOD LOOK.

I KNEW I SHOULD'VE LISTENED TO MY OWN ADVICE.

- WHAT, SMILE?

- YES.

I MEAN, WE IN OUR PAJAMAS, GIRL,

UP IN A BAR WHERE THEY'RE STILL SERVING BREAKFAST,

DRUNK AND CARRYING ON.

I MEAN, WE THE ONES THAT LOOK LOST.

AND SHOOT, IF ANYBODY IS LOST,

IT'S JASON, POOKIE, AND RICK, OKAY?

- HUH, I GUESS.

- JUST LIKE MY DADDY ALWAYS USED TO TELL ME.

"BABY GIRL, YOU ARE THE PRIZE."

THAT, AND, "DON'T EAT THE TILAPIA."

OH, YES.

AND I THINK WHAT HE WAS TRYING TO SAY--

- WAIT, WAIT, YOU GOT A DADDY?

SAN QUENTIN OR CHINO?

- FRESNO.

- OH, OKAY, HE DOING THAT WHITE-COLLAR TIME.

[laughs]

- TASHA. COME ON, NOW.

MY DADDY'S NOT IN JAIL.

HE'S A FOREMAN AT G.M.

- OKAY, SO YOUR MAMA IN PRISON.

- MM-MM.

SHE'S A SECRETARY FOR THE SCHOOL DISTRICT.

- OH. WHICH IS SOMEHOW ASSOCIATED TO PRISON.

- NO.

- OH.

- TASHA, I GREW UP IN A TYPICAL

MIDDLE CLASS AFRICAN-AMERICAN FAMILY.

YOU KNOW, LIKE, SUMMER VACATIONS, SUNDAY SCHOOL,

EVERYBODY HOME FOR THE HOLIDAYS. YOU KNOW?

- MM-HMM, OH, OKAY, OKAY.

SO HERE I AM JUST OPENING UP TO YOU

THINKING WE CUT FROM THE SAME CLOTH,

BUT YOU JUST MASQUERADING AROUND AS ONE OF US

WHEN YOU'RE REALLY ONE OF THEM, HUH?

OH, YEAH. OH, YEAH.

YOU A HOLIDAY-CELEBRATIN', TWO-PARENT-HAVIN' HUXTABLE!

YOU KNOW, YOU NEED TO GO ON AND GET OUT OF HERE!

ALL RIGHT?

AND LEAVE US FATHERLESS, HEARTBROKEN DRUNKS

TO FEND FOR OURSELVES, RIGHT, JAVY?

JAVY?

- TASHA, YOU'RE NOT.NE, BABE

YOU JUST NEED A LITTLE THERAPY.

- PLEASE.

YOU KNOW WHAT? LEAVE ME.

ALL RIGHT? LEAVE ME!

PLEASE, I DON'T NEED YOU.

HELL, LEAVE ME AND MY FOSTER BROTHER JAVIER.

JUST GO ON.

- SORRY, MS. MACK.

TWO PARENTS.

- IN JAIL?

I'M NOT RIGHT, HUH?

I REALLY NEED TO TALK TO SOMEBODY, HUH?

- YOU KNOW, I'D THANK YOU TO NOT USE MY KEY

WHEN WERE BEEFING.

- HELLO, SON.

I SEE YOU'VE BEEN SIPPING ON SOME SY-SYRUP.

- COLONEL, WHAT--

WHAT ARE YOU DOING HERE?

- I CALLED HIM.

- OH, YOU CALLED MY DAD?

- DAMN RIGHT I CALLED YOUR DAD.

YOU WOULDN'T LISTEN TO ME,

SO MAYBE HE CAN GET THROUGH TO YOU.

- WHAT-- OH, HEY, UH, COLONEL,

WHAT ARE YOU-- WHAT ARE YOU DOING?

I JUST GOT ALL THAT--

- SO THINKING ABOUT LEAVING LAS VEGAS, NIC CAGE?

- NO, SIR, I'M NOT SURE WHAT SHE TOLD YOU,

BUT THAT IS NOT--

- WHAT SHE TOLD ME WAS THAT

YOU ARE OUT HERE PARTYING,

FIGHTING, CARRYING ON,

- I'M TALKING.

I SENT YOU OUT HERE TO PLAY FOOTBALL.

- YEP.

- NOT TO BE PART OF THE WU-TANG CLAN.

- [laughs] TELL HIM.

- OR SHACK UP WITH UNEMPLOYED ACTRESSES.

- WAIT, WHAT?

- YOUNG LADY, THANK YOU FOR CALLING ME.

BUT IF YOU'LL EXCUSE US NOW,

I NEED TO HAVE A SERIOUS TALK WITH MY SON.

- I THOUGHT WE WERE ON THE SAME TEAM.

- SHOO, NOW.

- YOU KNOW, I JUST DID A MOVIE, COLONEL.

- HEY, HEY, HEY, HEY, HEY.

THAT WAS HARSH, DON'T YOU THINK?

- HARSH? NO, NO, NO.

HARSH WAS ME GETTING UP WITH YOU AT 3:00 IN THE MORNING,

RUNNING DRILLS, AND STILL HAVING ENOUGH ENERGY

TO GO BACK AND WATERBOARD FIVE STUBBORN DETAINEES.

SO YOU'LL HAVE TO EXCUSE ME IF I DIDN'T SPARE

YOUR LITTLE GIRLFRIEND'S FEELINGS.

YOU HAVE A GREAT OPPORTUNITY HERE, SON,

AND YOU ARE BLOWING IT.

FOR WHAT?

FOR SOME HAS-BEEN ACTRESS?

FOR BLEIRA?

YOU'RE A FOOTBALL PLAYER,

NOT KANYE WEST.

YOU NEED TO FOCUS.

AND THAT BEGINS BY LETTING GO OF YOUR LITTLE GIRLFRIEND.

- WELL, IF THAT'S HOW YOU FEEL, SIR,

THEN WE HAVE A PROBLEM.

- THIS IS REECE.

LEAVE A MESSAGE, AND I'LL RETURN IT.

THANK YOU. [beep]

- HEY, HEY, GIRL, IT'S ME... AGAIN.

I'M JUST, UH--

JUST REACHING OUT TO YOU. CALL ME.

SOME THINGS THAT ME AND YOU NEED TO--

- EVERYTHING OKAY?

- UH, YEAH. YEAH.

EVERYTHING'S GOOD.

[banging at door]

- I'M SO SORRY.

I'M SUCH AN IDIOT.

- NO, NO!

YOU CROSSED A LINE. - I KNOW.

I DON'T KNOW WHAT I WAS THINKING.

- YOU KNOW WHAT?

YOU HAD NO RIGHT TO CALL HIM.

LOOK, YOU HAD NO RIGHT TO CALL THE COLONEL.

- YOU HAVE TO UNDERSTAND.

I SAW YOU GOING DOWN THE WRONG ROAD,

LIKE HOW I DID, JUST PARTYING AND REBELLING.

AND I DIDN'T HAVE ANYBODY TO CALL ME ON MY STUFF

OR TO KEEP ME FOCUSED.

AND IF I DID, MAYBE MY WHOLE CAREER

WOULDN'T BE HOLDING ON TO ONE MOVIE

OR ONE STUPID LITTLE PRESS JUNKET.

I'M SORRY.

I'M REALLY SORRY.

- HOW THE HELL DID I COME DOWN HERE PISSED OFF

AND END UP COMFORTING YOU?

- BECAUSE YOU KNOW I MEAN WELL.

- THAT, AND IF IT WASN'T FOR YOUR MEDDLIN' ASS,

I WOULDN'T HAVE FINALLY STOOD UP TO THE COLONEL.

- YOU STOOD UP TO THE COLONEL?

- YEAH.

YOU SHOULD HAVE SEEN ME.

HE WAS LIKE, "YOU NEED TO FOCUS."

I WAS LIKE, "I AM FOCUSED."

HE WAS LIKE, "LET ME CHECK YOUR ARM FOR TRACKS."

I SAID, "NO."

THEN I WAS LIKE, "YOU KNOW WHAT? OKAY.

BECAUSE I GOT NOTHING TO HIDE."

HE WAS LIKE, "YOU NEED TO GET RID

OF THAT LITTLE GIRLFRIEND OF YOURS."

AND I SAID, "I CAN'T BECAUSE I LOVE HER."

AND HE WAS LIKE, "BOY, YOU DON'T KNOW WHAT LOVE IS."

AND I SAID, "I'M A GROWN-ASS MAN, SIR."

AND HE'S LIKE, "BOY, I GOT SOCKS OLDER THAN"--

- WHOA. WHAT DID YOU SAY?

- I SAID I'M A GROWN-ASS MAN.

- NO, YOU SAID THAT YOU LOVE ME.

- YEAH.

I DO.

- I LOVE YOU TOO.

BUT IF YOU EVER GET YOUR DAD'S HAIRCUT, I'M OUT.

♪

Repair and Synchronization by Easy Subtitles Synchronizer 1.0.0.0