Original subtitles

[slow rock music]

♪

- ♪ WOKE UP, YEAH

♪ WOKE UP IN NEW YORK CITY

♪ LYING ON THE FLOOR

♪

♪ JUST OUTSIDE OF MARCY'S WEST 54 ♪

- ALL RIGHT, LADIES,

THIS CONCLUDES YOUR MALIK WRIGHT EXPERIENCE.

THERE IS A CAR WAITING DOWNSTAIRS

TO TAKE YOU TO YOUR RESPECTIVE HOMES OR HOTELS,

AND YOUR CHLOE GIFT BAGS ARE WITH THE DRIVER.

THANK YOU.

- [sighs]

- MR. WRIGHT, IT'S DRAFT DAY,

AND I KNOW YOU WANTED A FRESH START.

HERE IS YOUR PROTEIN SHAKE AND YOUR PAPER

WITH HIGHLIGHTED ARTICLES OF IMPORTANCE.

I ALSO TOOK THE LIBERTY OF WRITING OUT THE DEFINITIONS

FOR THE MORE CHALLENGING WORDS.

- [laughs] THANK YOU, TORI.

- MM. - UGH.

WELL, I WANT YOU TO PENCIL US IN FOR A LITTLE SEX LATER.

- MM.

- YOU LIKE THAT? - YEAH.

- YEAH?

- ♪ TO MY HEAD

♪ BRIGHT LIGHTS, BIG CITY GOING TO MY HEAD ♪

♪ I DON'T CARE, NO

♪ 'CAUSE YOU DON'T CARE, NO

- AHA.

SENDIN', POOK.

THAT'S RIGHT. LOOKING LIKE TWO BAGS OF MONEY.

ABOUT THAT LIFE.

- 33.

34.

- ♪ WITH THE BOTTLE

♪ ENDING UP WITH THE BOTTLE

♪ TAKING SHOTS

- JUST 26 MORE LAPS.

POWER THROUGH.

- ♪ YOU GONNA KNOW MY NAME

♪ YOU GONNA KNOW MY NAME

♪ BRIGHT LIGHTS, BIG CITY GOING TO MY HEAD ♪

♪ BRIGHT LIGHTS, BIG CITY GOING TO MY HEAD ♪

- GIRL, WHAT HAVE YOU BEEN DOING?

YOU KNOW YOU CAN'T KEEP

NEW YORK CITY WAITING LIKE THAT.

- OKAY. - YOU READY?

- [sighs]

LET'S GO GET 'EM.

- ♪ DON'T CARE, NO

[aggressive rock music]

♪

- OH, THE NIGHT I WENT NUMBER ONE...

A BLUR.

ALL I REMEMBER IS BEING HANDED MY SIGNING BONUS.

I ACTUALLY KEEP A COPY OF IT RIGHT HERE.

CAN YOU ZOOM IN ON THAT, HANS?

YOU GOT IT? YOU ZOOMED IN?

- WOW.

- THAT'S 12.6 MIL

NOT ADJUSTED FOR INFLATION.

DO THE MATH AT HOME.

MALIK. - YO.

- TELL US ABOUT YOUR NUMBER ONE DRAFT PICK NIGHT.

- WHOO. ALL RIGHT.

Y'ALL READY AT HOME FOR THIS ONE?

SO I WAKE UP IN MY HOTEL ROOM, MY JOHNSON IS SORE.

NAKED WOMAN EVERYWHERE, WALL-TO-WALL, DOG.

TWO SHOTS OF PENICILLIN.

WE HAD TO CALL THE CORONER--

YOU KNOW WHAT?

I'M SAYING TOO MUCH.

ALL RIGHT, IT'LL ALL BE IN MY BOOK,

MALIK WRIGHT: I'LL HIT ANY DAMN THING.

NOW, IT'S A WORKING TITLE.

YOU GUYS CAN GET BACK WITH ME. TWEET ME.

LET ME KNOW IF YOU THINK IT'S COOL OR NOT.

- OKAY, REMEMBER WHEN YOU SAID, "I THINK I'VE SAID TOO MUCH"?

- YEAH, YEAH. - LET'S GO WITH THAT.

- OKAY.

- DING DONG.

- SHOUT-OUT TO MY BOO, DR. MELANIE BARNETT-DAVIS,

WHO'S RIGHT NOW IN B-MORE DOING HER RESIDENCY.

- YEAH, UM, GIVING OUT SHOUT-OUTS

DOESN'T DISTRACT ANYONE FROM THE FACT

THAT YOU WENT IN THE 517TH ROUND.

[laughter]

- DUDE, WAS THE DRAFT EVEN ON TV?

IT HAPPENS, PEOPLE.

- MALIK. - YEAH?

- WHOSE LIFE IS GONNA CHANGE TONIGHT?

TELL THE PEOPLE. CAMERA 1.

- WHOO, OKAY. ALL RIGHT, PEOPLE.

THERE'S ACTUALLY ONLY ONE CHOICE FOR BALTIMORE,

WHO HAS A REALLY DECENT QUARTERBACK.

HIS PASSING GAME COULD WORK IF HE HAD SOMEBODY TO THROW TO.

YOU KNOW WHO THAT IS?

TAKE A GUESS AT HOME. HMM?

IT'S THE KID THEY CALL BRYCE "BLUEPRINT" WESTBROOK.

- STANFORD. - YO, KID HAS AMAZING HANDS.

- SO CAN I BE HONEST WITH YOU?

- YES.

- I'M ONLY HERE 'CAUSE I OWE YOUR AGENT A FAVOR.

I-I DON'T SEE YOU IN THIS PART.

- LOOK, EVERYBODY SEES ME AS THIS WHOLESOME LITTLE GIRL

WHO WAS ON STUCK TOGETHER.

AND I'M GRATEFUL FOR IT, BUT I'VE GROWN UP.

- WELL, THE CHARACTER SAYS, "DON'T MESS WITH ME, CRACKER,"

AFTER GETTING SHOT IN THE ARM.

SO...

GIVE IT TO ME.

- AH...

DON'T YOU MESS WITH ME, CRACKER!

- LOOK AT YOU, YOU KNOW?

YOU DON'T HAVE THE INSTINCTS.

IT'S "CRACKA." "CRA-CKA-CKA-CKA."

YOU KNOW WHAT I MEAN?

LIKE, YOU'RE LIKE, "DON'T MESS WITH ME, CRACKER."

LIKE YOU'VE BEEN AROUND "CRACK-ERS" YOUR WHOLE LIFE.

YOU'RE STILL STUCK IN THAT LITTLE '90s SITCOM.

- NO, CRACKA.

- NO. - CRACKER!

- HOLD ON. SHUSH, SHUSH, SHUSH.

SOMETHING'S GOING ON HERE. LOOK AT THIS.

- BALTIMORE SELECTS FROM STANFORD UNIVERSITY

WIDE RECEIVER BRYCE WESTBROOK.

[cheers and applause]

- THIS DUDE, BLUE,

HE'S GONNA CHANGE THE WHOLE GAME OF FOOTBALL.

YOU REMEMBER THIS DAY.

REMEMBER THIS DAY NOW.

- WELL, I'D NEVER FORGET IT IF IT WAS ALSO THE DAY

THAT YOU HIRED ME TO BE IN YOUR NEW MOVIE.

- I TELL YOU WHAT,

YOU GOT A HOT AGENT, AND SHE'S GOT A BUBBLE BOOTY.

- [laughs]

- SO IF YOU CAN GET HER TO GO TO DINNER WITH ME,

I'LL GIVE YOU THE PART OF THE SHOOTER.

- SO I'LL BASICALLY BE AN EXTRA.

- FOR NO MONEY.

YOU GOT TO START AGAIN SOMEWHERE, BABY.

- [scoffs]

[laughing]

WHATEVER.

- DIME A DOZEN, TV STAR.

- TASHA.

HEY, COME SIT DOWN WITH ME.

- OOH, NOT WITH YOU LOOKING LIKE YOU THREW UP CARRIE BRADSHAW,

CHOPPED THAT THING IN A BLENDER,

AND THEN POURED IT OVER A PUSH-UP BRA.

- WHATEVER.

I'M NOT GONNA LET YOU BRING ME DOWN

'CAUSE I FINALLY REALIZED MY DREAM.

I'VE MADE IT TO NEW YORK, AKA MY HONEYMOON.

- GIRL, PLEASE.

YOU ARE ON A WORK TRIP WITH YOUR CHEAP-ASS HUSBAND.

SEE THAT'S WHERE BLACK GIRLS GO WRONG:

LIVING IN THE POTENTIAL OF A MAN.

[crunching]

[cell phone ringing]

OOH, EXCUSE ME.

UGH.

DAMN YOU, RICKY FOX.

- OOH, YOU DOUBLING BACK TO THAT?

- UH, EXCUSE YOU, OKAY?

I AM WITH POOKIE, ALL RIGHT?

YOU NEED TO DOUBLE BACK TO OLD NAVY

AND GET YOU A NEW OUTFIT.

- THIS IS FASHION.

NOW, WHEN YOU READY TO LEARN ABOUT FASHION--

- OH, OH. SHUT UP, TACKY.

- IN A SURPRISE MOVE-- - SOMETHING'S GOING ON HERE.

- THE NUMBER ONE DRAFT PICK, WESTBROOK,

HAS BEEN TRADED FROM BALTIMORE TO THE SAN DIEGO SABERS.

[cheering and shouting]

- THE SABERS DYNASTY CONTINUES, BABY!

- AWW, NOT ONE, NOT TWO,

NOT THREE, NOT FOUR--

- WAIT, WAIT, WAIT. WE GOT SOME MORE BREAKING NEWS.

WE GOT A LITTLE MORE BREAKING NEWS.

IN ORDER TO GET WESTBROOK, THE SABERS HAVE MADE A TRADE.

THEY HAVE TRADED...

SABERS HAVE TRADED DERWIN DAVIS.

[crowd shouting]

- THE HELL?

[acoustic guitar music]

- [in slow motion] GOOD GOD, FREAKIN'--

- WHAT DO YOU THINK OF THE TRADE?

- DON'T LOSE IT. BITE THE INSIDE OF YOUR MOUTH.

JUST HOLD IT TOGETHER.

- DERWIN, YOU FLIRTED WITH THE IDEA OF WASHINGTON,

[in slow motion] BUT...BALTIMORE?

- KEVIN, WAY TOO SOON.

LET'S GO. GOT TO WALK.

[in slow motion] JUST WALK. JUST WALK.

BREATHE DEEPLY.

GET OUT OF THE WAY!

[normal speed] COME ON, GUYS, SERIOUSLY.

SERIOUSLY.

ONE FOOT IN FRONT OF THE OTHER.

EXCUSE ME, CLEAR THE WAY.

- ♪ SO DEEP I CAN'T COME UP FOR AIR ♪

- MALIK, LET ME INTRODUCE YOU TO YOUR NEWEST TEAMMATE.

BRYCE AND HIS FATHER, THE COLONEL.

- HEY, MAN. NICE TO MEET YOU.

- CONGRATULATIONS. - GOOD TO MEET YOU, SON.

- YOU TOO, SIR.

- LISTEN, LET ME TALK TO HIM FOR A MINUTE.

I'LL CATCH UP WITH YOU TWO.

I KNOW YOU'RE UPSET ABOUT YOUR FRIEND BEING TRADED--

- NO, NO, NO BUMP FRIEND.

THIS IS BUSINESS,

AND THIS IS MY DAMN TEAM, ROGER.

- UH, WHAT MALIK IS TRYING TO SAY

IS THAT AS CAPTAIN OF THIS TEAM, HE SHOULD HAVE BEEN CONSULTED.

- YOU JUST GOT RID OF ONE OF THE TOP RECEIVERS

IN THIS LEAGUE FOR AN UNPROVEN ROOKIE.

- IT'S ABOUT ME SMASHING YOUR WIFE, ISN'T IT?

YOU GOT TO GET OVER THAT, PLAYBOY.

- OKAY, AGAIN, MALIK WAS JUST TRYING

TO APOLOGIZE FOR HAVING SEXUAL INTERCOURSE

WITH YOUR SPOUSE, RIGHT, SON?

- MY DECISION HAS NOTHING TO DO WITH THAT.

ACCIDENT OR NOT, I HAD TO RETIRE

A TALENTED QUARTERBACK IN KWAN KIRKLAND

BECAUSE OF HIM.

DERWIN WAS A CANCER.

AND JUST TO CLARIFY,

THIS IS MY TEAM,

AND YOU ARE THE EMPLOYEE,

NOW GRANTED A HIGHLY PAID EMPLOYEE,

BUT AN EMPLOYEE NONETHELESS.

AND YOU PUNCH THE CLOCK NEXT MONTH FOR TRAINING CAMP,

PLAYBOY.

EXCUSE ME.

- YOU KNOW, IT'S ALL RIGHT TO CRY, MAN.

GO AHEAD AND LET IT OUT.

GET YOUR SOB ON.

DING DONG, SERIOUSLY,

IT'S NOT GOOD TO HOLD IN PAIN LIKE THIS.

THAT'S HOW SERIAL KILLERS ARE BORN.

OKAY.

[gentle R&B music]

♪

NO ONE CAN RESIST A DITTY ABOUT DEATH.

YOU KNOW, SOMETIMES I WISH MY DAD WAS DEAD,

JUST SO I CAN ENJOY THIS SONG THAT MUCH MORE.

- IS THIS REALLY HAPPENING?

- YOU GOT TRADED, D.

- NAH, NAH, SEE THAT'S THE PART THAT DOESN'T MAKE ANY SENSE,

OKAY?

MY HOUSE IS IN SAN DIEGO.

GET MY GAS IN TORREY PINES.

DON'T THEY KNOW MY CELL PHONE IS A 619?

I'M A 619 IN THIS PIECE!

- HEY, I'M A 619 RIGHT THERE WITH YOU, MAN.

WHY YOU THINK I NEVER LEFT THE CITY?

THEY'RE GONNA BURY ME THERE.

"HERE LIES JASON PITTS. HE WAS A GOOD 619."

- J, COME ON WITH THE JOKES.

- I'M NOT JOKING.

YOU WANT TO TALK ABOUT JOKES?

LET'S TALK ABOUT MY REPORTING CAREER.

THAT IS A JOKE.

I HEAR 'EM SNICKERING BEHIND MY BACK

SAYING I'M NOT A REAL SPORTS JOURNALIST.

ALL I DO IS PUFF PIECES.

I JUST HAVE A SHTICK.

STUPID ROSS GETS ALL THE MEATY STORIES.

IT'S NOT FAIR.

- STUPID SABERS TURNED ON ME.

I CAN'T BELIEVE--

'CAUSE I GAVE THEM EVERYTHING

AND THEY TRADE ME TO THE WORST TEAM IN THE LEAGUE

IN THE MOST DANGEROUS CITY POSSIBLE.

I MEAN, HAVE YOU NOT SEEN THE WIRE?

- PREMIUM CHANNELS ARE, LIKE, SIX BUCKS EXTRA, DUDE.

I HEAR GOOD THINGS.

- ROOKIE CAME IN AND STOLE MY LIFE.

I WAS M.V.P.

ME! THAT'S WHO.

NOW I'M IRRELEVANT.

- OH, MY GOD, YOU'RE RIGHT.

I SHOULD BE TALKING TO THE ROOKIE.

THAT'S MY STORY.

DUDE.

THAT'S GOT EMMY WRITTEN ALL OVER IT.

DING DONG,

YOU ALWAYS KNOW EXACTLY WHAT TO SAY, MAN.

THANKS FOR CHEERING ME UP, BUDDY.

[door opening]

- ♪ SHINE BRIGHT LIKE A DIAMOND ♪

- WHAT'S UP, NUMBER ONE?

YOU GOING TO MALIK'S POP-UP PARTY, RIGHT?

- OH, MAN, YOU KNOW IT, NUMBER--

MAN, HEY, LOOK, IT DON'T EVEN MATTER.

I'LL BE THERE.

I MEAN, IT IS ALL ABOUT ME, RIGHT?

- YOU RIGHT. YOU'LL SEE ME ON THE FIELD.

- SLOW YOUR ROLL, HOLLYWOOD.

PUT DOWN THE COCAINE SPOON.

YOU'LL HAVE PLENTY OF TIME

TO START YOUR DOGFIGHTING RING LATER.

- COLONEL, WHEN DOES THIS DYNAMIC CHANGE?

THE ONE WHERE IT'S NO LONGER BOY-TO-MAN,

BUT MAN-TO-MAN.

- WHEN YOU EARN IT.

NOW, YOU HAVE AN APPEARANCE ON GOOD MORNING AMERICA

FIRST THING TOMORROW.

AND REMEMBER, YOU SELL MORE THAN FOOTBALL TICKETS.

NOW YOU SELL DRINKS, SHOES, AND SANDWICHES TOO.

SO GET SOME SHUT-EYE.

CONGRATULATIONS, SON.

- ♪ AT FIRST SIGHT I

- HI.

- GIRL, DON'T SWEAT IT.

IT WAS JUST ONE BAD MEETING WITH ONE BAD DIRECTOR.

- IT WAS JOHN SINGLETON.

- WELL, BOYZ N THE HOOD WASN'T THAT GOOD.

- ♪ TONIGHT

YEAH, IT WAS.

both: IT WAS.

- BUT WE'RE IN NEW YORK, AND WE CAME TO PARTY.

- EXACTLY.

OH, INSTAGRAM A PICTURE OF ME PRETENDING TO PARTY.

HOLD ON.

CHEESE.

- SHE'S CRAZY.

- CUTE. - AH, CUTE.

- WE SHOULDN'T EVEN BE TAKING MEETINGS.

NOW I DO HAVE A QUICK DINNER MEETING

TO GET TO AN ELLEMAGAZINE COVER,

BUT WHEN I GET BACK,

TURN UP,

PAR TO THE TAY.

- MM.

- AND YOU BETTER BE HAPPY AND FLY

AND NOT ALL MOPEY AND DRY.

- YEAH, WELL, THAT'S EASY FOR YOU

'CAUSE EVERY TIME SOMEONE ASKS WHAT YOU'RE UP TO,

YOU HAVE AN ANSWER,

MISS "I JUST GOT DONE FILMING AN ADAM SANDLER MOVIE."

"I'M ON TOUR WITH JUSTIN TIMBERLAKE."

WHAT CAN I SAY?

JOHN SINGLETON WANTS TO SLEEP WITH MY AGENT?

NO, NOT ME. MY AGENT.

- YOU'LL BE FINE.

TRUST ME.

- [sighs] OKAY.

- NOW COME ON, STEEVI, LET'S ROCK.

- ALL RIGHT.

both: BYE.

[camera shutter clicking]

- [sighs]

OH.

HM.

- YO, KEIRA WASHELL WHITAKER.

I LOVE YOU.

I MEAN--I MEAN, UM...

I MEAN, I USED TO LOVE YOUR SHOW.

- MM.

- HEY, UH, WHAT--

WHAT WAS YOUR CATCHPHRASE AGAIN?

UH...

"AND WHY WASN'T I INVITED?"

[laughs]

IT WAS HILARIOUS.

- THANK YOU.

- OH, UH, DID YOU WANT MY AUTOGRAPH TOO?

- WHAT?

- DID YOU WANT MY AUTOGRAPH?

- UH, WHY?

- BECAUSE OF WHO I AM.

- AND WHO IS THAT?

- [laughs]

ARE YOU SERIOUS RIGHT NOW?

- ARE YOUSERIOUS RIGHT NOW?

- BRYCE WESTBROOK. NUMBER ONE DRAFT PICK.

THE MEDIA CALLS ME BLUEPRINT

BECAUSE I'M ABOUT TO CHANGE THE FACE OF FOOTBALL.

THEIR WORDS, NOT MINE.

YOU CAN CALL ME BLUE.

- WELL, BLUEPRINT,

YOU'RE THE REASON I DIDN'T GET THE PART

IN JOHN SINGLETON'S NEXT MOVIE.

THANK YOU.

- WAIT, UM...

HOW IS THAT MY FAULT?

- BECAUSE HE WAS SO INTO YOUR LITTLE DRAFT,

HE WASN'T PAYING ANY ATTENTION TO ME.

- UH-HUH, SO YOU DO KNOW I'M FAMOUS.

- YOU DON'T KNOW WHAT IT IS TO BE FAMOUS YET.

[camera shutters clicking]

NOW WE'RE DATING.

LATER ON TONIGHT, THE RUMOR WILL BE WE'RE ENGAGED.

BY TOMORROW, WE'LL BE MARRIED.

NOW YOU'RE FAMOUS.

GOOD LUCK IN FOOTBALL.

- ♪ THEY SAY THE END IS NEAR

♪ WELL, BABY, SINCE THIS THE END OF TIME ♪

♪ HOW ABOUT WE SPEND EVERY SECOND... ♪

- NOW MALIK, WHY AIN'T NO MEN AT THIS PARTY?

- WHY IN THE HELL WOULD I INVITE MEN TO A PARTY

WHEN I KNOW YOU GONNA SHOW UP LOOKING LIKE THAT?

- YOU'RE CRAZY. I'M NOT MESSING WITH YOU.

- I'M MESSING WITH YOU. - THEN YOU MAKE NO DAMN SENSE.

- I KNOW. - I'M OUT OF HERE.

- I'M CRAZY ABOUT YOU, THOUGH.

- BOY, STOP. - MM-HMM.

WHAT THE HELL KIND OF BACON IS THIS, TORI, HUH?

- I BELIEVE THAT'S CALLED CANADIAN.

- I BELIEVE I'VE TOLD YOU

THERE IS NO SUCH THING AS CANADIAN BACON.

LOOK AT THIS. IT'S JUST THIN HAM.

CANADIANS JUST CAN'T BE RENAMING BREAKFAST MEATS ALL WILLY-NILLY.

NOW GO, GO FIND ME SOME BACON, CRISPY.

- YES, SIR. - YES, THANK YOU.

BACON.

- YO, YOU KNOW YOU GOT SOME MISGUIDED ANGER, RIGHT?

- SAY WHAT?

- LOOK, YOU'RE NOT MAD AT TORI.

YOU JUST MAD ABOUT DERWIN BEING TRADED.

THAT'S UNDERSTANDABLE.

I, ON THE OTHER HAND, THINK IT'S POETIC JUSTICE

HOW THE UNIVERSE PUNISHED DERWIN FOR STEALING MELANIE.

UM.

DON'T MESS WITH TERRENCE

'CAUSE GOD LOVES HIM.

- WOW.

I REMEMBER WHEN I USED TO BE ABLE TO DO THE HAPPY DANCE

AT OTHER PEOPLE'S MISFORTUNE, TEE TEE.

THAT WAS BEFORE I REALIZED I'M JUST A PAWN

IN A RICH MAN'S GAME.

SO YOU KNOW WHAT, TEE TEE?

TO RICH-ASS PAWNS.

- COME ON, MAN, IS THAT ALCOHOL?

DON'T TELL ME YOU FELL OFF THE WAGON AGAIN.

- YOU'RE DAMN SKIPPY.

AND I LANDED IN A GLASS OF HENNESSY, BABY.

HAVE SOME.

- WHAT'S GOING ON, DUDE? - OH, MR. AND MRS. JASON.

WELCOME TO MY--

WHAT THE HELL DO YOU HAVE ON, CHARDONNAY?

- EXCUSE ME, MALIK, THIS IS PATRICIA FIELDS, OKAY?

SEX AND THE CITY.

- I DON'T GIVE A DAMN WHO IT IS,

AND AIN'T NO BLACK PEOPLE ON SEX AND THE CITY.

- WELL, I'M IN CHARACTER 'CAUSE MY MAN IS GIVING ME

THE FULL NEW YORK EXPERIENCE.

I'M TALKING ABOUT THE STATUE OF LIBERTY,

THE EMPIRE STATE BUILDING,

OH, AND WALKING ACROSS THE BROOKLYN BRIDGE TO JUNIOR'S

FOR SOME CHEESECAKE.

- BRING ME BACK A STRAWBERRY SHAKE.

- I DON'T EVEN KNOW YOU ANYMORE, DOG.

- THERE'S BLUE. THERE'S BLUE.

OKAY. - NO.

BABY, THIS IS OUR HONEYMOON. NO MORE WORK.

- LOOK, I'M JUST GONNA GO OVER THERE REAL QUICK,

SEE IF HE'S AVAILABLE TO DO IT AT ANOTHER TIME.

I'M NOT GONNA DO IT NOW. I'LL BE RIGHT BACK.

OKAY, THEN WE CAN GET ALL THE CHEESECAKE AND COSMOS

YOUR LITTLE MRS. FIELDS-WEARING HEART DESIRES.

- PATRICIA FIELDS.

- YEAH, SHE CAN COME TOO.

BABY BLUE.

NUMERO UNO.

HOW'S IT FEEL?

- THANK YOU, THANK YOU, THANK YOU.

- WOW, CONGRATULATIONS. BIG NIGHT FOR YOU.

- YEAH.

- SO LET'S--LET'S TALK ABOUT IT ON THE RECORD.

- HA, DUDE, ARE YOU TRYING TO GET A INTERVIEW RIGHT NOW?

- YES, I ACTUALLY AM AND IT WORKS BETTER

IF I ASK THE QUESTIONS, SO--

- LOOK, MAN, I WOULD REALLY LOVE TO HELP YOU OUT,

BUT I GOT AN EXCLUSIVE WITH GOOD MORNING AMERICATOMORROW.

- [scoffs] WHO DOESN'T?

- OKAY, SORRY, MAN, BUT I CAN'T.

- I GET IT. FORGET I EVEN MENTIONED IT.

- IT'S A PRETTY COOL PARTY, MAN. YOU DIGGING THE PARTY?

- UH, NAH, IT'S NOT REALLY MY KIND OF MIX.

- YEAH, ME NEITHER.

I'M MORE INTO THE KIND OF STUFF THAT YOU'RE INTO.

[indistinct chattering]

OH.

YOU WANT THE TRUE NUMBER ONE DRAFT PICK EXPERIENCE.

OKAY. OKAY.

NO, HEY, I REMEMBER MY DRAFT NIGHT INGENUE.

THE YEAR WAS 1998.

HER NAME WAS NEVE CAMPBELL.

I MADE HER SCREAM.

MADE HER SCREAM.

SCREAMWAS THE NAME OF A MOVIE NEVE CAMPBELL WAS IN.

CAME OUT WHEN YOU WERE A LITTLE KID.

OH, YOU'RE TWEETING HER. SWEET.

YEAH, I HAD TO BEEP NEVE CAMPBELL.

MIND IF I...

"AT A POP-UP PARTY WITH @KEIRAWHITAKER.

"BABY GIRL'S ALL GROWED UP.

I'D INVITE HER ANYWHERE."

AND THEN WHAT, YOU JUST SEND IT?

- JUST BOOM.

RIGHT THERE, YEAH. - WOW.

SHE'S READING IT.

- "DON'T YOU GIRLS HATE IT WHEN GUYS LIKE @BLUEPRINTWEST

TRY TO FLIRT ON TWITTER BUT ARE TOO SCARED TO STEP?"

[laughter]

- OH. - OH.

- SHOULD I STEP?

- STEPPING LEADS TO SEX, RIGHT?

- OF COURSE.

- YOU BETTER GET TO STEPPING.

- I'M GOING THEN.

- ♪ YEAH, BRIGHT LIGHTS, BIG CITY ♪

- YO, WHAT UP, SON? - OH.

- YOU ALL RIGHT?

- WASN'T EXPECTING TO SEE YOU HERE TONIGHT, MAN.

AND I CAN SMELL THE TEQUILA BROUGHT YOU OUT, BROTHER.

- YEAH, I NEED A RELEASE, MAN.

YOU KNOW, I FIGURE I COME BY HERE

AND LET OFF A LITTLE STEAM.

- KNOW WHAT, BROTHER? - WHAT?

- NO BETTER PLACE TO LET OFF SOME STEAM

THAN RIGHT HERE WITH YOUR BOY.

A TOAST TO YOU,

DERWIN "DING DONG" DAVIS.

YOU CAME IN THIS GAME A LITTLE PUNK.

LITTLE PUNK-ASS CHUMP.

LITTLE ROOKIE PUSS IN BOOTS. PANSY-ASS ROOKIE.

- HEY, HEY, HEY! I GET IT.

- OKAY, OKAY.

TO YOU, DERWIN.

WE HAD A NICE RUN, MY BROTHER.

- SURE DID.

- MM. - WHOO!

[cell phone ringing]

STOP CALLING ME.

AH.

- YOU NOT GONNA TALK TO HER?

[cell phone ringing]

- AND SAY WHAT? THAT I'M A HAS-BEEN?

- DOG, YOU ARE NOT A HAS-BEEN, MAN.

HE-- HE AIN'T NO YOU, DOG.

- GODDAMN RIGHT, HE AIN'T.

- WELL, ACTUALLY,

HE'S A LITTLE TALLER THAN YOU, THOUGH, I MEAN--

- YEAH, BARELY.

I TELL YOU WHAT, BET YOU HE AIN'T RUNNING A 4.3.

- HELL NO. DUDE'S RUNNING A 4.1.

MM.

AH.

FACT, I HEAR THAT DUDE IS SO FAST,

LIKE, HE BLOW THROUGH BUILDINGS--

- HOLD THAT. HOLD THAT. HOLD THAT.

- OKAY, NO, YOU GET IT.

- THEY ARE BY FAR THE MOST COMFORTABLE PAIR

OF CASUAL SLIP-ONS I HAVE EVER OWNED.

- SLIP-ONS?

- OH, THEY'RE GREAT AT THE AIRPORT SECURITY.

COME RIGHT OFF.

DING DONG.

- WHAT UP?

SO THIS IS MR. BRYCE "BLUE" WESTBROOK.

IT MUST FEEL REAL GOOD TO BE, UH, THE NUMBER ONE DRAFT PICK

6'3"/SUPERSTAR RUNNING A 4.1?

- I BELIEVE SO.

- DAMN, THAT'S FAST. - HEY, HEY, HEY, MAN.

PULL UP A LITTLE BIT.

AND I RUN A 4 FLAT.

- OKAY, FIRST OF ALL, FRIEND, DON'T TOUCH ME.

YOU UNDERSTAND?

- NO NEED TO TAKE THE JACKET OFF.

- NO, I TOOK IT OFF. I TOOK IT OFF.

CHECK THE MOOD. CHECK THE MOOD.

- OH, BIBS.

- YOU UP HERE IN MY SPOT--

OH, GOD--

WITH MY PEOPLE AFTER YOU STOLE MY POSITION.

- BIBS.

- YOU GOT THE NERVE TO BE DISRESPECTFUL,

MY NINJA?

I'M RIGHT HERE.

- WE'RE ALL WEARING SUITS HERE, SO LET'S JUST--

- OKAY, OKAY, J, NO, I GET IT. - HOLD ON FOR A SECOND.

- NO, LET HIM SPEAK. HE A BIG BOY.

- LOOK HERE-- - I'M RIGHT HERE LOOKING.

- I DIDN'T STEAL ANYTHING FROM YOU.

ALL RIGHT?

AND IF THERE'S ANYONE TO BLAME HERE, LOOK AT YOURSELF,

BECAUSE OBVIOUSLY YOU COULDN'T HOLD ON TO YOUR POSITION.

WHICH, YOU KNOW, IT LEADS ONE TO QUESTION

WHETHER OR NOT IT WAS REALLY YOURPOSITION TO HOLD ON TO,

MY NINJA.

- UH! - NO, NO, NO, NO. BIBS.

- HEY, HEY, HEY!

- ♪ I GOT ICE IN MY VEINS

♪ BLOOD IN MY EYES

♪ HATE IN MY HEART

♪ LOVE IN MY MIND

♪ I SEEN NIGHTS FULL OF PAIN

♪ DAYS OF THE SAME

♪ YOU KEEP THE SUNSHINE

♪ SAVE ME THE RAIN

♪ I SEARCH BUT NEVER FIND

♪ HURT BUT NEVER CRY

♪ I WORK AND FOREVER TRY

♪ BUT I'M CURSED SO NEVER MIND

♪ AND IT'S WORSE BUT BETTER TIMES ♪

- MAMA.

WE GOT A REAL PROBLEM.

- ♪ THE MORE THAT I CLIMB

♪ THE SPOT GETS SMALLER AND I GET BIGGER ♪

♪ TRYING TO GET INTO WHERE I FIT IN ♪

♪ NO ROOM FOR A [...]

♪ BUT SOON FOR A [...] IT BE ON [...] ♪

♪ 'CAUSE ALL THIS [...] JUST MAKE ME STRONG ♪

♪ SO I PICK THE WORLD UP

♪ AND I'MA DROP IT ON YOUR [...] HEAD ♪

♪ YEAH, I'MA PICK THE WORLD UP ♪

♪ AND I'MA DROP IT ON YOUR [...] HEAD ♪

- WHAT?

- CALM YOUR ASS DOWN, DOG.

- WHAT THE HELL IS WRONG WITH YOU, D?

- NOTHING, MAN, JUST, YOU KNOW,

I JUST WELCOMED THAT CAT TO THE GAME.

- NO, NO, NO. DING DONG.

- GET OFF ME.

- COME ON, DOG. WHAT ARE YOU TRYING TO DO, MAN?

- I'M TRYING TO GET OUT THIS FREEZER.

YO, J, GET OFF ME, MAN. I'M SERIOUS.

- NO, NO. - CALM YOUR HEAD.

- YO, GET OFF ME, MAN. YOU CAN GET IT TOO.

YOU CAN GET IT TOO. - YO, CALM DOWN.

- YOU NEED TO RELAX RIGHT NOW.

- I CAN'T!

- WHAT'S GOING ON WITH YOU, MAN?

- I DON'T WANT TO LEAVE!

THERE, I SAID IT. I DON'T WANT TO LEAVE.

[panting]

Y'ALL TWO OF MY FAMILY, MAN.

YOU ARE.

SABER BLUE.

- IS HE CRYING?

- SHH.

- COME HERE. COME HERE!

YOU PULL IT TOGETHER, YOU HEAR ME, RIGHT NOW!

YOU KNOW THIS IS THE GAME, DOG.

WE AIN'T GOT NO CONTROL OVER THIS, DERWIN.

WE ARE CHESS PIECES, MAN.

WE PRAWNS!

- YOU MEAN PAWNS.

- NO, I MEAN WE PRAWNS!

- I DON'T THINK YOU DO.

- I THINK WE PRAWNS.

YOU HEAR ME. WE BOTTOM-FEEDERS, MAN.

- OKAY.

- WAITIN' ON OUR OWNER/SHARKS

TO GIVE US OUR LAST MORSEL AT THE BOTTOM.

THEY DON'T TELL YOU THINK WHEN YOU COME INTO THE GAME, DO THEY?

NO, ALL THEY SAY TO US IS,

"DERWIN, MALIK, JASON, YOU'RE GONNA BE A STAR.

"WE LOVE YOU.

LET ME JUGGLE YOUR PEBBLES, MALIK."

- YEAH. - THAT'S WHAT THEY TELL US, MAN.

- YEAH, THEY TELL US THAT.

MALIK, I'M WITH YOU. - YES.

- THEY SAY IT

'CAUSE THAT'S WHAT THE SABERS SAY TO ME.

THEY LIKE, "YO, DERWIN, WE LOVE YOU."

AND THEN THEY GO AND DUMP ME FOR A YOUNGER, HOTTER DUDE.

BUT THEN, YOU KNOW, I HEAR BALTIMORE'S LIKE,

"YEAH, YO, DERWIN, WE'LL LOVE YOU."

BUT BALTIMORE'S FAT AND ALWAYS BREATHING HEAVY.

I'M JUST NOT INTO HER.

- YEAH, WE PAWN-PRAWNS.

WE ARE. YOU KNOW WHAT?

WE LOVE IT. WE LOVE IT ALL.

WE LOVE GETTING UP EARLY IN THE MORNING

AND GOING TO PRACTICE.

WE LOVE TWO-A-DAYS.

WE LOVE RUNNING DRILLS.

WE LOVE GAME NIGHT.

WE LOVE GOING TO THE SUPERMARKET AND BEING APPROACHED BY FANS

WHILE WE'RE IN THE FEMININE HYGIENE AISLE

BUYING TAMPONS FOR OUR LADIES.

YOU KNOW WHAT ELSE WE LOVE?

WE LOVE THE MONEY.

BUT IT'S NOT ABOUT THE MONEY.

IT'S ABOUT THE GAME.

- MM.

- LISTEN TO ME.

IT DOESN'T MATTER WHERE WE PLAY.

IT DOESN'T MATTER WHO'S CHEERING FOR US IN THE STANDS.

IT DOESN'T MATTER WHAT JERSEY WE HAVE ON OUR BACK.

WE PLAY THIS GAME BECAUSE IT'S WHO WE ARE.

IT'S WHAT WE DO.

WE ARE FOOTBALL PLAYERS, DAMN IT.

WE ARE WARRIORS! AND THIS IS SPARTA!

AND I'LL TELL YOU SOMETHING ELSE, DING DONG--

- THAT WAS CRAZY.

- SHH, KEEP IT DOWN.

I DON'T WANT TO WAKE MY DAD.

- WHO? - MY DAD.

HE'S ACROSS THE HALL.

AND HE'S GONNA KILL ME IF THIS GETS OUT.

I NEED A NEW SHIRT.

- DAMN.

YOU KNOW, I'M REALLY CONCERNED ABOUT YOUR EYE.

- I'LL BE RIGHT BACK.

I'M JUST GRABBING A SHIRT.

- JUST FORGET ABOUT THE DAMN SHIRT.

I'M REALLY CONCERNED ABOUT YOUR EYE.

WOW.

- GOOD MORNING AMERICA'S GONNA HAVE A FIELD DAY

WITH THIS TOMORROW.

- WELL, YOU KNOW YOU COULD HAVE AVOIDED THIS.

- HEY, THAT DUDE CAME AT ME.

- WELL, YOU'RE SUPPOSED TO BE THE BLUEPRINT,

THE GUY CHANGING THE FACE OF FOOTBALL,

AND YOU'RE FIGHTING IN THE CLUB.

THEY SHOULD CALL YOU "THE CLICHE."

- LOOK, GROWING UP IN THE ARMY

AND THEN MOVING FROM TOWN TO TOWN

AND THEN BEING A BLACK GUY AT STANFORD.

PEOPLE ALWAYS THINK I'M SOFT AND TRY AND TEST ME.

WELL, LET'S JUST SAY I TEST VERY WELL.

- WELL, THIS AIN'T STANFORD.

YOU'RE IN THE PROS NOW,

IN V.I.P., TRYING TO RUN WITH STARS,

YOU BETTER GET IT TOGETHER 'CAUSE THEY WILL CHEW YOU UP

AND SPIT YOU OUT.

TRUST ME.

- BEING FAMOUS SUCKS, HUH?

- SOMETIMES, YEAH.

BUT I MEAN, IT HAS ITS PERKS:

PRESIDENTIAL SUITES, RED CARPETS,

SWAG BAGS,

ALL THE GREEK YOGURT YOU CAN EAT.

"AND WHY WASN'T I INVITED TO GREECE?"

- HEY, I REMEMBER THAT COMMERCIAL.

I EVEN REWOUND IT A COUPLE TIMES.

[laughs]

- OH, REALLY? ONLY A COUPLE?

- YEAH, A COUPLE.

- [laughs]

- MAN, IT MUST BE EASY FOR YOU.

I MEAN, YOU KNOW, YOU'VE BEEN FAMOUS FOR SO LONG,

YOU GOT THIS WHOLE THING SEWN UP.

- I GUESS.

NAH, I DON'T KNOW.

YOU KNOW, I WAS SO YOUNG WHEN I HIT.

IT'S LIKE MY FAME IS FROZEN IN TIME.

EVERYBODY JUST WANTS ME TO BE THAT GIRL ON STUCK TOGETHER.

I'LL BE 14 FOREVER.

AND I'M NOT.

- WELL, LOOK.

ALL I KNOW IS,

I'M LOOKING AT A BEAUTIFUL, CONFIDENT,

ACCOMPLISHED YOUNG WOMAN

WHO'S DEFINITELY NOT 14.

- THAT WAS CORNY.

SWEET BUT CORNY.

- OH, YEAH? - YES.

- YEAH?

WHICH ONE IS THIS?

- ♪ I'M READY, GIRL, TAKE MY HAND ♪

♪ I WANT TO BE YOUR MAN

♪ UNDERSTAND?

- CORNY, BUT, UM,

I KIND OF LIKE CORNY.

- ♪ IF YOU LET ME IN

♪ CAUGHT IN YOUR HANDS

♪ NO GAMES WILL BE PLAYED

♪ GIVE ME A CHANCE

♪ LADY, IT'S YOU

[R&B music]

♪

[doorbell ringing]

- OH, HELL, IT'S MY DAD.

- [sighs]

- NO, IT'S HOUSEKEEPING.

WHAT ARE THEY DOING HERE SO LATE?

- [whispering] NO, NO, NO, THAT'S MALIK'S MOTHER.

- WHAT?

MALIK LETS HIS MOM DO HOUSEKEEPING?

- SHH.

- YO, HE'S GOT TO DO BETTER BY HER.

- COME ON, BLUE'S CLUES. OPEN UP THIS DOOR.

- YOU GOT TO GET RID OF HER, ALL RIGHT?

- HEY, MISS MACK, WHAT ARE YOU DOING HERE?

- I'M LOOKING FOR YOUR LITTLE BOYFRIEND, THE BLUEPRINT.

MORE LIKE THE DAMN CLICHE.

- BLUE NOT MY BOYFRIEND.

- WELL, ACCORDING TO BOSSIP, YOU HAVING HIS BABY.

- SEE, THAT IS A JOKE

THAT'S GOTTEN WAY OUT OF CONTROL.

WE'RE NOT EVEN DATING.

- GIRL, YOU KNOW HOW MANY TIMES

I'VE BEEN NOT DATING SOMEBODY

IN THEY ROOM AT 2:00 IN THE MORNING?

- A LOT.

- AH--

WATCH YOUR DIMPLES, OKAY?

LOOK, NOW ALL JOKING ASIDE, ALL RIGHT,

I NEED TO TALK TO BLUE AND GET OUR DUCKS IN A ROW.

- UH, HE'S TIED UP RIGHT NOW.

- GIRL, I DON'T CARE ABOUT YOUR TRAMPINESS, OKAY?

I'M TRYING TO HELP THAT BOY OUT.

NOW EXCUSE YOU.

- BLUE-- - OH, MY GOD.

- OH, HEY. WHAT THE HELL?

- LITTLE BOY BLUE COME BLOW YOUR HORN.

LOOK, I DON'T THINK WE'VE OFFICIALLY MET.

TASHA MACK, TASHA MACK MANAGEMENT.

MALIK'S MA.

- HEY, WHAT ARE YOU DOING?

- JUST A LITTLE INSURANCE

TO MAKE SURE YOU PLAY YOUR POSITION.

NOW, AS FAR AS WE ARE CONCERNED,

THAT LITTLE INCIDENT EARLIER,

IT WAS JUST A PLAYFUL EXCHANGE OF WORDS

THAT WAS BLOWN WAY OUT OF PROPORTION

BY CERTAIN EYEWITNESSES

THAT HAPPENED TO HAVE BEEN HIGHLY INTOXICATED.

THAT IS WHAT YOU AND DERWIN WILL TELL THE PRESS.

WE COOL?

- YES, MA'AM. WE COOL.

- ALL RIGHT.

MM, KAY.

NOW DON'T YOU KIDS FORGET YOUR CONDOMS, OKAY?

'CAUSE IT'S 2013, THEY STILL AIN'T CRACKED THAT MONSTER YET.

- WHAT IS WRONG WITH YOU?

- WHAT?

- YOU THINK BECAUSE YOU'RE THE NUMBER ONE DRAFT PICK,

I'M GONNA GIVE YOU SOME AFTER 45 MINUTES AND A KISS?

LAYING UP HERE LOOKING LIKE THE GIRL FROM TITANIC.

- I'M SORRY, OKAY?

WE KISSING AND RUBBING AND NIBBLING.

I JUST ASSUMED YOU WANTED TO GO GET IN BED.

- WELL, I'M SORRY THAT YOU GOT THAT IMPRESSION,

BUT I'M NOT THAT GIRL.

- ALL RIGHT, I GET IT.

SHIRT'S GOING ON, MY BAD.

BUT LOOK, JUST SO YOU KNOW,

WHEN THIS SHIRT GOES ON, IT STAYS ON.

THAT'S IT. - I HEAR YOU.

- HEY, LOOK, COME ON. HEY, IT'S DRAFT NIGHT.

COME ON, HEY, WE COULD JUST CUDDLE.

- BYE. - DON'T LEAVE ME.

- COME HOLD ME.

[laughter]

- AND YO, YO, I KEEP TELLING Y'ALL, MAN, I'M GOOD.

LIVE FROM NEW YORK, IT'S SATURDAY NIGHT!

WHOO!

MM.

AH!

DAMN IT.

YO, MAN, I DON'T NEED TO BE IN NO DAMN A.A. MEETING.

I KEEP TELLING Y'ALL, MAN, I'M GOOD.

YO, DRIVER.

YO.

YO, DOG, TAKE ME SOMEWHERE...

TAKE ME SOMEWHERE THAT'S POPPIN', MAN.

LIKE THE--LIKE THE 40/40 CLUB.

LET ME HOLLER AT MY DOG JENK

ON 106 & PARK.

HEY, YO, WE STILL GOT TIME TO GO SEE JERSEY BOYS,Y'ALL.

KEEP--I KEEP TELLING YOU ALL, MAN,

FRANKIE VALLI IS THE WHITE MARVIN GAYE!

- WHY HE ALWAYS SAY THAT?

- UGH.

- HEY, MALIK, JUST RELAX, MAN.

'CAUSE YOU GOING TO THAT MEETING.

END OF STORY.

- LOOK, TEE TEE, IT'S FINE.

I CAN JUST TAKE HIM BACK TO THE HOTEL,

SOBER HIM UP,

KEEP WATCH,

MAKE SURE HE DOESN'T DO IT AGAIN.

- NO, THAT'S JUST ENABLING HIM.

- MAN, YOU SHUT UP, BOY.

SHUT UP! SHUT UP!

ALL RIGHT?

DON'T YOU TELL HER WHAT TO DO.

SHE WORKS FOR ME, DOG, OKAY?

SHE GETS PAID A HEFTY SALARY TOO

PLUS BENEFITS, FOOL.

- WAIT, WHEN I WORKED FOR YOU, I DIDN'T GET NO BENEFITS.

- NOT THOSE TYPE OF BENEFITS, YOU DUMBASS.

- BE THAT AS IT MAY,

YOU NEED TO HEAR THE TRUTH:

YOU'RE A DRUNK.

AND DRUNKS NEED A.A.

- I MIGHT AS WELL DRINK, DOG,

'CAUSE CLEARLY I AIN'T IN CONTROL

OF MY OWN DAMN DESTINY.

- STOP FEELING SORRY FOR YOURSELF.

I KNOW EXACTLY HOW YOU FEEL

'CAUSE I WAS YOU.

YEAH, YOU WERE MY ROGER, REMEMBER?

AND YOU GOT ON MY DAMN NERVES.

ALWAYS THREATENING TO FIRE ME.

ALWAYS REMINDING ME HOW MY DESTINY

WAS TIED TO YOUR WHIM.

BUT INSTEAD OF PUSHING YOU INTO A WOOD CHIPPER,

I CHANGED,

CONVINCED YOU TO LOAN ME THE MONEY TO START MY BUSINESS.

AND NOW, FLEET OF CLUCK TRUCKS AND A BOOK DEAL LATER,

I GOT SOME SOVEREIGNTY,

AND THAT'S ALL A MAN'S LOOKING FOR.

PEACE OF MIND.

NO MAN RULES YOU BUT YOU.

AND THAT'S THE REAL AMERICAN DREAM, MY FRIEND.

- WHAT HE'S SAYING IS, UH...

DREAM CAN BE WHATEVER YOU WANT IT TO BE

JUST AS LONG YOU ABLE TO SAY, "SCREW YOU."

I SEE YOU, BROTHER.

I SEE YOU, MAN.

HEY, YO, DRIVER.

DOG, TAKE ME TO THAT MEETING, MAN.

GOT SOME THINGS I NEED TO TAKE CARE OF, BROTHER.

- ♪ BANG

♪ DUDE DROP A MONEY SHOT

- ♪ BABY - ♪ DRINK

[doorbell ringing]

- [sighs]

- HEY. - HEY.

- CAN I COME IN?

- WHY, SO YOU CAN TELL ME YOU TOLD ME SO?

- NO, SO I CAN TELL YOU THAT I HANDLED THAT BLUE SITUATION.

YOU NEED TO CALL YOUR WIFE

'CAUSE SHE'S WORRIED SICK ABOUT YOU.

- LOOKING OUT.

THANKS.

PROBABLY SHOULD HAVE STAYED WITH YOU.

PUNK-ASS IRV HIDING OUT IN THE HOSPITAL,

TALKING ABOUT HE GOT THE GOUT.

- OKAY, I'M TELLING YOU.

LOOK, ONE DAY, FOLKS GONNA REALIZE

THAT THE BLACK WOMAN IS NOT ONLY THE MOTHER

OF ALL MANKIND,

BUT SHE THE BADDEST MOTHER FREAKIN' MANAGER

IN THIS GAME.

- [laughs]

- [sighs]

- YOU KNOW, I KEEP TELLING MYSELF THIS IS GOOD.

DESTINY.

IT WAS EXACTLY WHAT ME AND MELANIE PRAYED FOR,

FOR THE TWO OF US TO BE IN THE SAME PLACE

AT THE SAME TIME,

BOTH LIVING OUT OUR DREAMS.

- BUT...

- BUT I THOUGHT, YOU KNOW, IF I EVER LEFT...

IT WOULD BE ON MY TERMS.

I MEAN, I USED TO THINK I WAS INVINCIBLE.

LAST COUPLE YEARS, I HAVE BEEN.

I MEAN, NOTHING COULD TOUCH ME.

I GOT TOUCHED.

- YOU KNOW WHY I LIKED MANAGING YOU?

YOU'RE A LOT LIKE ME.

EVEN WHEN YOU DOWN, YOU AIN'T OUT.

BUT YOU WERE A THIRD-STRING WIDE RECEIVER

BARELY ON THE SABERS,

AND THEN YOU GOT THEM TWO CHAMPIONSHIP RINGS?

DERWIN, WHAT YOU GONNA DO

WITH THE WORST TEAM IN THE LEAGUE?

HM?

YOU'RE GONNA TAKE 'EM TO THE DANCE, WHAT,

FIRST YEAR, SECOND YEAR?

'CAUSE I KNOW YOU OVER THERE.

YOU'RE PLOTTING, AND YOU'RE PLANNING.

DIGGING YOURSELF OUT OF A HOLE,

THAT'S WHAT MOTIVATES YOU.

LOOK, YOU MIGHT AS WELL ACCEPT THE FACT

THAT YOU LIKE TO LIVE LIFE HARD.

HELL, WHAT, YOU MARRIED MELANIE.

[laughter]

- I'M GONNA MISS YOU, TASHA.

[sniffs]

YOU CRAZY.

- MM, DRAFT NIGHT COMPLETE.

- [laughs]

YES, IT IS.

[kissing]

MAYBE WE CAN REENACT IT.

- AS MUCH AS I'D LOVE FOR YOU TO STAY,

YOU HAVE TO GO.

- COOL.

GOT MY APPEARANCE ON GOOD MORNING AMERICA

IN A FEW HOURS.

SO LET THE RECORD SHOW YOU DIDN'T PUT ME OUT;

I GOT BUSINESS TO TEND TO.

- SPIN IT HOWEVER YOU LIKE,

BUT YOU GOT TO GO.

- [laughs]

- ♪ TELL ME IT'S NOTHIN'

♪ TELL ME THAT IT'S SOMETHIN'

♪ THAT YOU THINK THAT YOU GOIN' ♪

♪ AWAY FROM WHAT'S RIGHT HERE

- ♪ I

♪ NEVER IN MY LIFE

♪ HEARD SO MANY LIES

- MY BAD.

I HOPE WE DIDN'T WAKE YOU.

- UH...

I'M SORRY.

- NO, NO, YOU'RE FINE.

- ♪ DEVIL IN DISGUISE

- ALL RIGHT, GO ON.

GET OUT OF HERE.

- ♪ YOU'RE FULL OF IT, BABY

♪ MY TRUST IS GONE

♪ I'M MOVIN' ON

- GIRL, CAUGHT THE NUMBER ONE DRAFT PICK

MOPING AT THE BAR.

- [laughs]

- YOU KNOW THE REST.

HOW WAS YOUR DRAFT NIGHT?

- UNEVENTFUL.

- ♪ AWAY FROM WHAT'S REAL

- I'M GONNA GO TO SLEEP.

I'LL SEE YOU IN THE MORNING, OKAY?

- ♪ TELL ME THAT IT'S SOMETHIN' ♪

♪ THAT YOU THINK THAT YOU GOIN' ♪

- HM.

- MM, MM, MM. - YOU ARE GOOD, BABY.

- ALL RIGHT, NOW EXPOSE YOURSELF.

OOH, YES, LORD.

[laughing]

OW.

- [laughing]

- DAMN! - LIKE THAT, HUH?

- OOH, OH!

HERCULES.

[laughter]

YOU KNOW I LOVE THAT.

HOT DAMN.

- HEY, YOU CRAZY.

AND YOU KNOW WHAT, I ONLY DO THIS CRAP

BECAUSE I LOVE YOU.

- AND I LOVE YOU TOO, POOKIE.

AND THERE IS NO ONE ELSE IN THIS WORLD

THAT I WOULD RATHER HAVE FLASH ME

THAN YOU.

COME ON NOW. - IS THAT RIGHT?

- YEAH, DON'T BE SHY.

AHH! HOT DAMN!

THAT'S IT!

ALL RIGHT, I'M GOOD NOW.

I'M GOOD.

MM-HMM. - MM.

- ALL RIGHT, BABY,

YOU GO AND GET YOU SOME REST, OKAY?

AND WE GONNA CHAT LATER.

- ALL RIGHT, BABY, I'LL TALK TO YOU LATER.

- I LOVE YOU, POOKIE.

- ALL RIGHT, BABY, I LOVE YOU TOO.

- ALL RIGHT.

both: BYE.

- BYE.

- [sighs]

[line ringing]

- HEY, IT'S FORMER LOS ANGELES LAKER

AND STAR OF HBO'S OZ,

RICK FOX.

LEAVE ME A MESSAGE.

- HEY, RICK. THIS IS TASHA.

OKAY, NOW, THE REASON WHY I HAVEN'T BEEN ANSWERING

OR RETURNING ANY OF YOUR PHONE CALLS--

I'M GONNA MAKE THIS REAL SHORT AND SWEET--

IS 'CAUSE I DIDN'T WANT TO TALK TO YOU.

OKAY?

THAT'S IT. PERIOD.

POINT BLANK. END OF STORY.

ALL RIGHT?

AND I AIN'T JUST SAYING THAT JUST TO BE MEAN

OR 'CAUSE I DON'T LIKE YOU,

BUT BECAUSE I CARE.

YEAH, THERE, I SAID IT, ALL RIGHT?

I STILL CARE ABOUT YOUR PUNK ASS, OKAY?

AND THAT'S WHAT--

THAT'S WHAT HAD ME AFRAID.

[doorbell ringing]

UGH, SHOOT.

OKAY, AND I WAS AFRAID OF THAT.

BUT I AIN'T GOT TO BE AFRAID NO MORE, ALL RIGHT?

BECAUSE I'M HAPPY.

THAT'S RIGHT, RICK, I'M HAPPY.

I GOT A NEW MAN AND A NEW LIFE, OKAY?

AND IT'S JUST TIME THAT WE JUST LET THE PAST GO, OKAY?

- HELLO, TASHA.

- OH, DAMN.

- IF YOU ARE SATISFIED WITH YOUR MESSAGE, PRESS 1.

TO LISTEN TO YOUR MESSAGE, PRESS 2.

beep! MESSAGE ERASED.

- ♪ I FEEL THE NIGHT ABOUT YOU

- YOUR TEA?

- THANK YOU.

- UP EARLY, HUH?

- MORE LIKE A LONG NIGHT.

- WELL, THAT'S DRAFT WEEKEND FOR YOU.

WHERE YOU FROM?

- SAN DIEGO.

- AH, YOU GUYS GOT THAT KID, BLUE.

YOU MIGHT GET YOURSELF A RING RIGHT AWAY WITH HIM.

- MMM.

I DOUBT IT.

- SNAP, THERE'S DERWIN DAVIS.

- ♪ AND THOUGH I CARE ABOUT YOU ♪

♪ THE NIGHT IS CALLING ME

- WELL, THEY COME AND THEY GO. THAT'S LIFE.

- ♪ BEFORE THE SUN

♪ ALL YOU HAVE TO DO IS RUN, RUN ♪

♪ JUST PROMISE ME YOU'LL RUN, YOU'LL RUN ♪

♪ AND DON'T LOOK BACK

♪ DON'T LOOK BACK

♪ DON'T LOOK BACK

♪ YEAH, DON'T LOOK BACK

♪ OH, AND PROMISE ME

♪ IF I SHOULD CLAIM A VICTIM

♪ TO DEVOUR BEFORE THE LIGHT

♪ I PRAY THAT YOU'LL FORGIVE ME ♪

♪ IT'S JUST MY APPETITE

♪ IF I, IF I

♪ DON'T MAKE IT BACK BEFORE THE SUN ♪

♪ ALL YOU HAVE TO DO IS RUN, RUN ♪

♪ JUST PROMISE ME YOU'LL RUN, YOU'LL RUN ♪

♪ AND DON'T LOOK BACK

♪ DON'T LOOK BACK

[hard rock music]

♪

Repair and Synchronization by Easy Subtitles Synchronizer 1.0.0.0