All language subtitles for The Game s06e01e02 The Blueprint.eng

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Would you like to inspect the original subtitles? These are the user uploaded subtitles that are being translated: 1 00:00:02,931 --> 00:00:05,931 [slow rock music] 2 00:00:05,931 --> 00:00:13,861 ♪ 3 00:00:23,137 --> 00:00:24,657 - ♪ WOKE UP, YEAH 4 00:00:24,655 --> 00:00:27,785 ♪ WOKE UP IN NEW YORK CITY 5 00:00:27,793 --> 00:00:31,793 ♪ LYING ON THE FLOOR 6 00:00:31,793 --> 00:00:36,483 ♪ 7 00:00:36,482 --> 00:00:42,282 ♪ JUST OUTSIDE OF MARCY'S WEST 54 ♪ 8 00:00:42,275 --> 00:00:43,715 - ALL RIGHT, LADIES, 9 00:00:43,724 --> 00:00:46,554 THIS CONCLUDES YOUR MALIK WRIGHT EXPERIENCE. 10 00:00:46,551 --> 00:00:48,001 THERE IS A CAR WAITING DOWNSTAIRS 11 00:00:48,000 --> 00:00:50,970 TO TAKE YOU TO YOUR RESPECTIVE HOMES OR HOTELS, 12 00:00:50,965 --> 00:00:53,305 AND YOUR CHLOE GIFT BAGS ARE WITH THE DRIVER. 13 00:00:53,310 --> 00:00:54,620 THANK YOU. 14 00:00:54,620 --> 00:00:55,720 - [sighs] 15 00:00:55,724 --> 00:00:56,864 - MR. WRIGHT, IT'S DRAFT DAY, 16 00:00:56,862 --> 00:00:59,242 AND I KNOW YOU WANTED A FRESH START. 17 00:00:59,241 --> 00:01:03,141 HERE IS YOUR PROTEIN SHAKE AND YOUR PAPER 18 00:01:03,137 --> 00:01:05,517 WITH HIGHLIGHTED ARTICLES OF IMPORTANCE. 19 00:01:05,516 --> 00:01:07,656 I ALSO TOOK THE LIBERTY OF WRITING OUT THE DEFINITIONS 20 00:01:07,655 --> 00:01:08,855 FOR THE MORE CHALLENGING WORDS. 21 00:01:08,862 --> 00:01:10,832 - [laughs] THANK YOU, TORI. 22 00:01:10,827 --> 00:01:13,897 - MM. - UGH. 23 00:01:13,896 --> 00:01:17,066 WELL, I WANT YOU TO PENCIL US IN FOR A LITTLE SEX LATER. 24 00:01:17,068 --> 00:01:18,448 - MM. 25 00:01:18,448 --> 00:01:19,408 - YOU LIKE THAT? - YEAH. 26 00:01:19,413 --> 00:01:20,413 - YEAH? 27 00:01:20,413 --> 00:01:22,523 - ♪ TO MY HEAD 28 00:01:22,517 --> 00:01:28,167 ♪ BRIGHT LIGHTS, BIG CITY GOING TO MY HEAD ♪ 29 00:01:28,172 --> 00:01:30,972 ♪ I DON'T CARE, NO 30 00:01:30,965 --> 00:01:35,205 ♪ 'CAUSE YOU DON'T CARE, NO 31 00:01:35,206 --> 00:01:36,826 - AHA. 32 00:01:36,827 --> 00:01:38,067 SENDIN', POOK. 33 00:01:38,068 --> 00:01:41,308 THAT'S RIGHT. LOOKING LIKE TWO BAGS OF MONEY. 34 00:01:41,310 --> 00:01:43,520 ABOUT THAT LIFE. 35 00:01:43,517 --> 00:01:45,587 - 33. 36 00:01:45,586 --> 00:01:46,756 34. 37 00:01:46,758 --> 00:01:48,278 - ♪ WITH THE BOTTLE 38 00:01:48,275 --> 00:01:51,205 ♪ ENDING UP WITH THE BOTTLE 39 00:01:51,206 --> 00:01:53,026 ♪ TAKING SHOTS 40 00:01:53,034 --> 00:01:55,034 - JUST 26 MORE LAPS. 41 00:01:55,034 --> 00:01:57,174 POWER THROUGH. 42 00:01:57,172 --> 00:02:02,312 - ♪ YOU GONNA KNOW MY NAME 43 00:02:02,310 --> 00:02:08,000 ♪ YOU GONNA KNOW MY NAME 44 00:02:08,000 --> 00:02:14,170 ♪ BRIGHT LIGHTS, BIG CITY GOING TO MY HEAD ♪ 45 00:02:14,172 --> 00:02:16,762 ♪ BRIGHT LIGHTS, BIG CITY GOING TO MY HEAD ♪ 46 00:02:16,758 --> 00:02:19,308 - GIRL, WHAT HAVE YOU BEEN DOING? 47 00:02:19,310 --> 00:02:20,310 YOU KNOW YOU CAN'T KEEP 48 00:02:20,310 --> 00:02:21,760 NEW YORK CITY WAITING LIKE THAT. 49 00:02:21,758 --> 00:02:25,068 - OKAY. - YOU READY? 50 00:02:25,068 --> 00:02:27,308 - [sighs] 51 00:02:27,310 --> 00:02:28,930 LET'S GO GET 'EM. 52 00:02:28,931 --> 00:02:32,481 - ♪ DON'T CARE, NO 53 00:02:33,793 --> 00:02:36,793 [aggressive rock music] 54 00:02:36,793 --> 00:02:40,343 ♪ 55 00:02:42,827 --> 00:02:44,207 - OH, THE NIGHT I WENT NUMBER ONE... 56 00:02:44,206 --> 00:02:45,476 A BLUR. 57 00:02:45,482 --> 00:02:48,552 ALL I REMEMBER IS BEING HANDED MY SIGNING BONUS. 58 00:02:48,551 --> 00:02:51,281 I ACTUALLY KEEP A COPY OF IT RIGHT HERE. 59 00:02:51,275 --> 00:02:53,515 CAN YOU ZOOM IN ON THAT, HANS? 60 00:02:53,517 --> 00:02:54,477 YOU GOT IT? YOU ZOOMED IN? 61 00:02:54,482 --> 00:02:55,482 - WOW. 62 00:02:55,482 --> 00:02:57,622 - THAT'S 12.6 MIL 63 00:02:57,620 --> 00:02:59,210 NOT ADJUSTED FOR INFLATION. 64 00:02:59,206 --> 00:03:01,096 DO THE MATH AT HOME. 65 00:03:01,103 --> 00:03:02,383 MALIK. - YO. 66 00:03:02,379 --> 00:03:04,339 - TELL US ABOUT YOUR NUMBER ONE DRAFT PICK NIGHT. 67 00:03:04,344 --> 00:03:06,214 - WHOO. ALL RIGHT. 68 00:03:06,206 --> 00:03:07,996 Y'ALL READY AT HOME FOR THIS ONE? 69 00:03:08,000 --> 00:03:11,590 SO I WAKE UP IN MY HOTEL ROOM, MY JOHNSON IS SORE. 70 00:03:11,586 --> 00:03:14,516 NAKED WOMAN EVERYWHERE, WALL-TO-WALL, DOG. 71 00:03:14,517 --> 00:03:15,897 TWO SHOTS OF PENICILLIN. 72 00:03:15,896 --> 00:03:17,516 WE HAD TO CALL THE CORONER-- 73 00:03:17,517 --> 00:03:19,207 YOU KNOW WHAT? 74 00:03:19,206 --> 00:03:20,376 I'M SAYING TOO MUCH. 75 00:03:20,379 --> 00:03:21,859 ALL RIGHT, IT'LL ALL BE IN MY BOOK, 76 00:03:21,862 --> 00:03:24,382 MALIK WRIGHT: I'LL HIT ANY DAMN THING. 77 00:03:24,379 --> 00:03:25,519 NOW, IT'S A WORKING TITLE. 78 00:03:25,517 --> 00:03:26,967 YOU GUYS CAN GET BACK WITH ME. TWEET ME. 79 00:03:26,965 --> 00:03:28,545 LET ME KNOW IF YOU THINK IT'S COOL OR NOT. 80 00:03:28,551 --> 00:03:30,901 - OKAY, REMEMBER WHEN YOU SAID, "I THINK I'VE SAID TOO MUCH"? 81 00:03:30,896 --> 00:03:32,716 - YEAH, YEAH. - LET'S GO WITH THAT. 82 00:03:32,724 --> 00:03:34,524 - OKAY. 83 00:03:34,517 --> 00:03:37,997 - DING DONG. 84 00:03:38,000 --> 00:03:40,830 - SHOUT-OUT TO MY BOO, DR. MELANIE BARNETT-DAVIS, 85 00:03:40,827 --> 00:03:43,857 WHO'S RIGHT NOW IN B-MORE DOING HER RESIDENCY. 86 00:03:43,862 --> 00:03:45,722 - YEAH, UM, GIVING OUT SHOUT-OUTS 87 00:03:45,724 --> 00:03:47,554 DOESN'T DISTRACT ANYONE FROM THE FACT 88 00:03:47,551 --> 00:03:49,831 THAT YOU WENT IN THE 517TH ROUND. 89 00:03:49,827 --> 00:03:52,517 [laughter] 90 00:03:52,517 --> 00:03:54,517 - DUDE, WAS THE DRAFT EVEN ON TV? 91 00:03:54,517 --> 00:03:55,757 IT HAPPENS, PEOPLE. 92 00:03:55,758 --> 00:03:57,308 - MALIK. - YEAH? 93 00:03:57,310 --> 00:03:58,760 - WHOSE LIFE IS GONNA CHANGE TONIGHT? 94 00:03:58,758 --> 00:03:59,828 TELL THE PEOPLE. CAMERA 1. 95 00:03:59,827 --> 00:04:01,997 - WHOO, OKAY. ALL RIGHT, PEOPLE. 96 00:04:02,000 --> 00:04:04,240 THERE'S ACTUALLY ONLY ONE CHOICE FOR BALTIMORE, 97 00:04:04,241 --> 00:04:06,281 WHO HAS A REALLY DECENT QUARTERBACK. 98 00:04:06,275 --> 00:04:09,135 HIS PASSING GAME COULD WORK IF HE HAD SOMEBODY TO THROW TO. 99 00:04:09,137 --> 00:04:10,137 YOU KNOW WHO THAT IS? 100 00:04:10,137 --> 00:04:11,997 TAKE A GUESS AT HOME. HMM? 101 00:04:12,000 --> 00:04:15,550 IT'S THE KID THEY CALL BRYCE "BLUEPRINT" WESTBROOK. 102 00:04:15,551 --> 00:04:17,721 - STANFORD. - YO, KID HAS AMAZING HANDS. 103 00:04:17,724 --> 00:04:19,484 - SO CAN I BE HONEST WITH YOU? 104 00:04:19,482 --> 00:04:21,212 - YES. 105 00:04:21,206 --> 00:04:24,616 - I'M ONLY HERE 'CAUSE I OWE YOUR AGENT A FAVOR. 106 00:04:24,620 --> 00:04:27,410 I-I DON'T SEE YOU IN THIS PART. 107 00:04:27,413 --> 00:04:30,903 - LOOK, EVERYBODY SEES ME AS THIS WHOLESOME LITTLE GIRL 108 00:04:30,896 --> 00:04:32,656 WHO WAS ON STUCK TOGETHER. 109 00:04:32,655 --> 00:04:35,545 AND I'M GRATEFUL FOR IT, BUT I'VE GROWN UP. 110 00:04:35,551 --> 00:04:40,521 - WELL, THE CHARACTER SAYS, "DON'T MESS WITH ME, CRACKER," 111 00:04:40,517 --> 00:04:41,657 AFTER GETTING SHOT IN THE ARM. 112 00:04:41,655 --> 00:04:43,995 SO... 113 00:04:44,000 --> 00:04:45,760 GIVE IT TO ME. 114 00:04:45,758 --> 00:04:47,408 - AH... 115 00:04:47,413 --> 00:04:50,763 DON'T YOU MESS WITH ME, CRACKER! 116 00:04:50,758 --> 00:04:51,758 - LOOK AT YOU, YOU KNOW? 117 00:04:51,758 --> 00:04:52,928 YOU DON'T HAVE THE INSTINCTS. 118 00:04:52,931 --> 00:04:54,411 IT'S "CRACKA." "CRA-CKA-CKA-CKA." 119 00:04:54,413 --> 00:04:55,863 YOU KNOW WHAT I MEAN? 120 00:04:55,862 --> 00:04:57,862 LIKE, YOU'RE LIKE, "DON'T MESS WITH ME, CRACKER." 121 00:04:57,862 --> 00:05:00,002 LIKE YOU'VE BEEN AROUND "CRACK-ERS" YOUR WHOLE LIFE. 122 00:05:00,000 --> 00:05:01,970 YOU'RE STILL STUCK IN THAT LITTLE '90s SITCOM. 123 00:05:01,965 --> 00:05:03,615 - NO, CRACKA. 124 00:05:03,620 --> 00:05:04,660 - NO. - CRACKER! 125 00:05:04,655 --> 00:05:05,895 - HOLD ON. SHUSH, SHUSH, SHUSH. 126 00:05:05,896 --> 00:05:07,476 SOMETHING'S GOING ON HERE. LOOK AT THIS. 127 00:05:07,482 --> 00:05:10,282 - BALTIMORE SELECTS FROM STANFORD UNIVERSITY 128 00:05:10,275 --> 00:05:12,685 WIDE RECEIVER BRYCE WESTBROOK. 129 00:05:12,689 --> 00:05:15,619 [cheers and applause] 130 00:05:21,206 --> 00:05:23,446 - THIS DUDE, BLUE, 131 00:05:23,448 --> 00:05:25,238 HE'S GONNA CHANGE THE WHOLE GAME OF FOOTBALL. 132 00:05:25,241 --> 00:05:26,411 YOU REMEMBER THIS DAY. 133 00:05:26,413 --> 00:05:27,973 REMEMBER THIS DAY NOW. 134 00:05:27,965 --> 00:05:30,715 - WELL, I'D NEVER FORGET IT IF IT WAS ALSO THE DAY 135 00:05:30,724 --> 00:05:32,794 THAT YOU HIRED ME TO BE IN YOUR NEW MOVIE. 136 00:05:32,793 --> 00:05:35,283 - I TELL YOU WHAT, 137 00:05:35,275 --> 00:05:38,475 YOU GOT A HOT AGENT, AND SHE'S GOT A BUBBLE BOOTY. 138 00:05:38,482 --> 00:05:40,102 - [laughs] 139 00:05:40,103 --> 00:05:42,453 - SO IF YOU CAN GET HER TO GO TO DINNER WITH ME, 140 00:05:42,448 --> 00:05:45,068 I'LL GIVE YOU THE PART OF THE SHOOTER. 141 00:05:45,068 --> 00:05:48,068 - SO I'LL BASICALLY BE AN EXTRA. 142 00:05:48,068 --> 00:05:50,168 - FOR NO MONEY. 143 00:05:50,172 --> 00:05:52,972 YOU GOT TO START AGAIN SOMEWHERE, BABY. 144 00:05:52,965 --> 00:05:54,615 - [scoffs] 145 00:05:54,620 --> 00:05:56,280 [laughing] 146 00:05:56,275 --> 00:05:58,545 WHATEVER. 147 00:05:58,551 --> 00:06:01,071 - DIME A DOZEN, TV STAR. 148 00:06:03,655 --> 00:06:05,235 - TASHA. 149 00:06:05,241 --> 00:06:06,691 HEY, COME SIT DOWN WITH ME. 150 00:06:06,689 --> 00:06:09,829 - OOH, NOT WITH YOU LOOKING LIKE YOU THREW UP CARRIE BRADSHAW, 151 00:06:09,827 --> 00:06:11,067 CHOPPED THAT THING IN A BLENDER, 152 00:06:11,068 --> 00:06:12,688 AND THEN POURED IT OVER A PUSH-UP BRA. 153 00:06:12,689 --> 00:06:14,069 - WHATEVER. 154 00:06:14,068 --> 00:06:15,378 I'M NOT GONNA LET YOU BRING ME DOWN 155 00:06:15,379 --> 00:06:16,929 'CAUSE I FINALLY REALIZED MY DREAM. 156 00:06:16,931 --> 00:06:20,211 I'VE MADE IT TO NEW YORK, AKA MY HONEYMOON. 157 00:06:20,206 --> 00:06:21,516 - GIRL, PLEASE. 158 00:06:21,517 --> 00:06:24,067 YOU ARE ON A WORK TRIP WITH YOUR CHEAP-ASS HUSBAND. 159 00:06:24,068 --> 00:06:25,618 SEE THAT'S WHERE BLACK GIRLS GO WRONG: 160 00:06:25,620 --> 00:06:27,720 LIVING IN THE POTENTIAL OF A MAN. 161 00:06:27,724 --> 00:06:29,104 [crunching] 162 00:06:29,103 --> 00:06:30,103 [cell phone ringing] 163 00:06:30,103 --> 00:06:32,003 OOH, EXCUSE ME. 164 00:06:33,655 --> 00:06:34,965 UGH. 165 00:06:34,965 --> 00:06:36,545 DAMN YOU, RICKY FOX. 166 00:06:36,551 --> 00:06:38,791 - OOH, YOU DOUBLING BACK TO THAT? 167 00:06:38,793 --> 00:06:40,033 - UH, EXCUSE YOU, OKAY? 168 00:06:40,034 --> 00:06:41,384 I AM WITH POOKIE, ALL RIGHT? 169 00:06:41,379 --> 00:06:42,689 YOU NEED TO DOUBLE BACK TO OLD NAVY 170 00:06:42,689 --> 00:06:43,689 AND GET YOU A NEW OUTFIT. 171 00:06:43,689 --> 00:06:44,969 - THIS IS FASHION. 172 00:06:44,965 --> 00:06:47,375 NOW, WHEN YOU READY TO LEARN ABOUT FASHION-- 173 00:06:47,379 --> 00:06:49,239 - OH, OH. SHUT UP, TACKY. 174 00:06:49,241 --> 00:06:51,241 - IN A SURPRISE MOVE-- - SOMETHING'S GOING ON HERE. 175 00:06:51,241 --> 00:06:53,521 - THE NUMBER ONE DRAFT PICK, WESTBROOK, 176 00:06:53,517 --> 00:06:56,407 HAS BEEN TRADED FROM BALTIMORE TO THE SAN DIEGO SABERS. 177 00:06:56,413 --> 00:06:59,593 [cheering and shouting] 178 00:06:59,586 --> 00:07:01,616 - THE SABERS DYNASTY CONTINUES, BABY! 179 00:07:01,620 --> 00:07:04,660 - AWW, NOT ONE, NOT TWO, 180 00:07:04,655 --> 00:07:06,235 NOT THREE, NOT FOUR-- 181 00:07:06,241 --> 00:07:08,241 - WAIT, WAIT, WAIT. WE GOT SOME MORE BREAKING NEWS. 182 00:07:08,241 --> 00:07:09,661 WE GOT A LITTLE MORE BREAKING NEWS. 183 00:07:09,655 --> 00:07:11,785 IN ORDER TO GET WESTBROOK, THE SABERS HAVE MADE A TRADE. 184 00:07:11,793 --> 00:07:14,243 THEY HAVE TRADED... 185 00:07:15,862 --> 00:07:18,662 SABERS HAVE TRADED DERWIN DAVIS. 186 00:07:18,655 --> 00:07:21,475 [crowd shouting] 187 00:07:21,482 --> 00:07:23,102 - THE HELL? 188 00:07:34,655 --> 00:07:37,475 [acoustic guitar music] 189 00:07:37,482 --> 00:07:41,072 - [in slow motion] GOOD GOD, FREAKIN'-- 190 00:07:41,068 --> 00:07:42,588 - WHAT DO YOU THINK OF THE TRADE? 191 00:07:42,586 --> 00:07:44,276 - DON'T LOSE IT. BITE THE INSIDE OF YOUR MOUTH. 192 00:07:44,275 --> 00:07:45,585 JUST HOLD IT TOGETHER. 193 00:07:45,586 --> 00:07:47,856 - DERWIN, YOU FLIRTED WITH THE IDEA OF WASHINGTON, 194 00:07:47,862 --> 00:07:50,832 [in slow motion] BUT...BALTIMORE? 195 00:07:50,827 --> 00:07:53,617 - KEVIN, WAY TOO SOON. 196 00:07:53,620 --> 00:07:55,240 LET'S GO. GOT TO WALK. 197 00:07:55,241 --> 00:07:57,211 [in slow motion] JUST WALK. JUST WALK. 198 00:07:57,206 --> 00:08:01,476 BREATHE DEEPLY. 199 00:08:01,482 --> 00:08:03,412 GET OUT OF THE WAY! 200 00:08:03,413 --> 00:08:05,173 [normal speed] COME ON, GUYS, SERIOUSLY. 201 00:08:05,172 --> 00:08:07,552 SERIOUSLY. 202 00:08:07,551 --> 00:08:08,721 ONE FOOT IN FRONT OF THE OTHER. 203 00:08:08,724 --> 00:08:10,214 EXCUSE ME, CLEAR THE WAY. 204 00:08:10,206 --> 00:08:14,166 - ♪ SO DEEP I CAN'T COME UP FOR AIR ♪ 205 00:08:14,172 --> 00:08:18,792 - MALIK, LET ME INTRODUCE YOU TO YOUR NEWEST TEAMMATE. 206 00:08:18,793 --> 00:08:20,483 BRYCE AND HIS FATHER, THE COLONEL. 207 00:08:20,482 --> 00:08:21,592 - HEY, MAN. NICE TO MEET YOU. 208 00:08:21,586 --> 00:08:23,276 - CONGRATULATIONS. - GOOD TO MEET YOU, SON. 209 00:08:23,275 --> 00:08:24,375 - YOU TOO, SIR. 210 00:08:24,379 --> 00:08:25,929 - LISTEN, LET ME TALK TO HIM FOR A MINUTE. 211 00:08:25,931 --> 00:08:28,211 I'LL CATCH UP WITH YOU TWO. 212 00:08:28,206 --> 00:08:30,586 I KNOW YOU'RE UPSET ABOUT YOUR FRIEND BEING TRADED-- 213 00:08:30,586 --> 00:08:31,926 - NO, NO, NO BUMP FRIEND. 214 00:08:31,931 --> 00:08:32,931 THIS IS BUSINESS, 215 00:08:32,931 --> 00:08:34,551 AND THIS IS MY DAMN TEAM, ROGER. 216 00:08:34,551 --> 00:08:36,001 - UH, WHAT MALIK IS TRYING TO SAY 217 00:08:36,000 --> 00:08:38,480 IS THAT AS CAPTAIN OF THIS TEAM, HE SHOULD HAVE BEEN CONSULTED. 218 00:08:38,482 --> 00:08:40,692 - YOU JUST GOT RID OF ONE OF THE TOP RECEIVERS 219 00:08:40,688 --> 00:08:42,758 IN THIS LEAGUE FOR AN UNPROVEN ROOKIE. 220 00:08:42,758 --> 00:08:44,548 - IT'S ABOUT ME SMASHING YOUR WIFE, ISN'T IT? 221 00:08:44,551 --> 00:08:45,861 YOU GOT TO GET OVER THAT, PLAYBOY. 222 00:08:45,862 --> 00:08:47,552 - OKAY, AGAIN, MALIK WAS JUST TRYING 223 00:08:47,551 --> 00:08:49,481 TO APOLOGIZE FOR HAVING SEXUAL INTERCOURSE 224 00:08:49,482 --> 00:08:50,902 WITH YOUR SPOUSE, RIGHT, SON? 225 00:08:50,896 --> 00:08:53,826 - MY DECISION HAS NOTHING TO DO WITH THAT. 226 00:08:53,827 --> 00:08:56,377 ACCIDENT OR NOT, I HAD TO RETIRE 227 00:08:56,379 --> 00:08:58,479 A TALENTED QUARTERBACK IN KWAN KIRKLAND 228 00:08:58,482 --> 00:08:59,482 BECAUSE OF HIM. 229 00:08:59,482 --> 00:09:01,552 DERWIN WAS A CANCER. 230 00:09:01,551 --> 00:09:03,621 AND JUST TO CLARIFY, 231 00:09:03,620 --> 00:09:05,550 THIS IS MY TEAM, 232 00:09:05,551 --> 00:09:07,621 AND YOU ARE THE EMPLOYEE, 233 00:09:07,620 --> 00:09:09,970 NOW GRANTED A HIGHLY PAID EMPLOYEE, 234 00:09:09,965 --> 00:09:12,995 BUT AN EMPLOYEE NONETHELESS. 235 00:09:13,000 --> 00:09:16,170 AND YOU PUNCH THE CLOCK NEXT MONTH FOR TRAINING CAMP, 236 00:09:16,172 --> 00:09:18,072 PLAYBOY. 237 00:09:18,068 --> 00:09:19,168 EXCUSE ME. 238 00:09:23,034 --> 00:09:25,244 - YOU KNOW, IT'S ALL RIGHT TO CRY, MAN. 239 00:09:25,241 --> 00:09:26,901 GO AHEAD AND LET IT OUT. 240 00:09:26,896 --> 00:09:30,096 GET YOUR SOB ON. 241 00:09:30,103 --> 00:09:32,073 DING DONG, SERIOUSLY, 242 00:09:32,068 --> 00:09:34,168 IT'S NOT GOOD TO HOLD IN PAIN LIKE THIS. 243 00:09:34,172 --> 00:09:35,592 THAT'S HOW SERIAL KILLERS ARE BORN. 244 00:09:42,931 --> 00:09:43,861 OKAY. 245 00:09:50,482 --> 00:09:53,762 [gentle R&B music] 246 00:09:53,758 --> 00:09:57,028 ♪ 247 00:09:57,034 --> 00:10:01,144 NO ONE CAN RESIST A DITTY ABOUT DEATH. 248 00:10:01,137 --> 00:10:02,927 YOU KNOW, SOMETIMES I WISH MY DAD WAS DEAD, 249 00:10:02,931 --> 00:10:05,691 JUST SO I CAN ENJOY THIS SONG THAT MUCH MORE. 250 00:10:07,000 --> 00:10:10,310 - IS THIS REALLY HAPPENING? 251 00:10:10,310 --> 00:10:12,280 - YOU GOT TRADED, D. 252 00:10:12,275 --> 00:10:15,305 - NAH, NAH, SEE THAT'S THE PART THAT DOESN'T MAKE ANY SENSE, 253 00:10:15,310 --> 00:10:16,550 OKAY? 254 00:10:16,551 --> 00:10:19,171 MY HOUSE IS IN SAN DIEGO. 255 00:10:19,172 --> 00:10:21,762 GET MY GAS IN TORREY PINES. 256 00:10:24,137 --> 00:10:26,897 DON'T THEY KNOW MY CELL PHONE IS A 619? 257 00:10:26,896 --> 00:10:28,516 I'M A 619 IN THIS PIECE! 258 00:10:28,517 --> 00:10:31,337 - HEY, I'M A 619 RIGHT THERE WITH YOU, MAN. 259 00:10:31,344 --> 00:10:32,834 WHY YOU THINK I NEVER LEFT THE CITY? 260 00:10:32,827 --> 00:10:35,027 THEY'RE GONNA BURY ME THERE. 261 00:10:35,034 --> 00:10:37,694 "HERE LIES JASON PITTS. HE WAS A GOOD 619." 262 00:10:37,689 --> 00:10:39,029 - J, COME ON WITH THE JOKES. 263 00:10:39,034 --> 00:10:41,174 - I'M NOT JOKING. 264 00:10:41,172 --> 00:10:42,412 YOU WANT TO TALK ABOUT JOKES? 265 00:10:42,413 --> 00:10:44,143 LET'S TALK ABOUT MY REPORTING CAREER. 266 00:10:44,137 --> 00:10:46,027 THAT IS A JOKE. 267 00:10:46,034 --> 00:10:47,484 I HEAR 'EM SNICKERING BEHIND MY BACK 268 00:10:47,482 --> 00:10:50,342 SAYING I'M NOT A REAL SPORTS JOURNALIST. 269 00:10:50,344 --> 00:10:52,104 ALL I DO IS PUFF PIECES. 270 00:10:52,103 --> 00:10:55,033 I JUST HAVE A SHTICK. 271 00:10:55,034 --> 00:10:56,664 STUPID ROSS GETS ALL THE MEATY STORIES. 272 00:10:56,655 --> 00:10:59,615 IT'S NOT FAIR. 273 00:10:59,620 --> 00:11:03,410 - STUPID SABERS TURNED ON ME. 274 00:11:03,413 --> 00:11:04,453 I CAN'T BELIEVE-- 275 00:11:04,448 --> 00:11:05,898 'CAUSE I GAVE THEM EVERYTHING 276 00:11:05,896 --> 00:11:10,856 AND THEY TRADE ME TO THE WORST TEAM IN THE LEAGUE 277 00:11:10,862 --> 00:11:13,722 IN THE MOST DANGEROUS CITY POSSIBLE. 278 00:11:13,724 --> 00:11:15,454 I MEAN, HAVE YOU NOT SEEN THE WIRE? 279 00:11:15,448 --> 00:11:18,718 - PREMIUM CHANNELS ARE, LIKE, SIX BUCKS EXTRA, DUDE. 280 00:11:18,724 --> 00:11:20,074 I HEAR GOOD THINGS. 281 00:11:20,068 --> 00:11:23,238 - ROOKIE CAME IN AND STOLE MY LIFE. 282 00:11:23,241 --> 00:11:24,721 I WAS M.V.P. 283 00:11:24,724 --> 00:11:27,594 ME! THAT'S WHO. 284 00:11:29,206 --> 00:11:32,026 NOW I'M IRRELEVANT. 285 00:11:32,034 --> 00:11:34,594 - OH, MY GOD, YOU'RE RIGHT. 286 00:11:34,586 --> 00:11:36,786 I SHOULD BE TALKING TO THE ROOKIE. 287 00:11:36,793 --> 00:11:37,863 THAT'S MY STORY. 288 00:11:37,862 --> 00:11:39,622 DUDE. 289 00:11:39,620 --> 00:11:41,310 THAT'S GOT EMMY WRITTEN ALL OVER IT. 290 00:11:41,310 --> 00:11:42,860 DING DONG, 291 00:11:42,862 --> 00:11:45,972 YOU ALWAYS KNOW EXACTLY WHAT TO SAY, MAN. 292 00:11:45,965 --> 00:11:47,405 THANKS FOR CHEERING ME UP, BUDDY. 293 00:11:47,413 --> 00:11:49,903 [door opening] 294 00:11:49,896 --> 00:11:52,066 - ♪ SHINE BRIGHT LIKE A DIAMOND ♪ 295 00:11:52,068 --> 00:11:53,408 - WHAT'S UP, NUMBER ONE? 296 00:11:53,413 --> 00:11:55,073 YOU GOING TO MALIK'S POP-UP PARTY, RIGHT? 297 00:11:55,068 --> 00:11:56,618 - OH, MAN, YOU KNOW IT, NUMBER-- 298 00:11:56,620 --> 00:11:58,070 MAN, HEY, LOOK, IT DON'T EVEN MATTER. 299 00:11:58,068 --> 00:11:59,098 I'LL BE THERE. 300 00:11:59,103 --> 00:12:00,453 I MEAN, IT IS ALL ABOUT ME, RIGHT? 301 00:12:00,448 --> 00:12:02,718 - YOU RIGHT. YOU'LL SEE ME ON THE FIELD. 302 00:12:02,724 --> 00:12:04,034 - SLOW YOUR ROLL, HOLLYWOOD. 303 00:12:04,034 --> 00:12:05,384 PUT DOWN THE COCAINE SPOON. 304 00:12:05,379 --> 00:12:06,449 YOU'LL HAVE PLENTY OF TIME 305 00:12:06,448 --> 00:12:09,138 TO START YOUR DOGFIGHTING RING LATER. 306 00:12:09,137 --> 00:12:11,447 - COLONEL, WHEN DOES THIS DYNAMIC CHANGE? 307 00:12:11,448 --> 00:12:13,208 THE ONE WHERE IT'S NO LONGER BOY-TO-MAN, 308 00:12:13,206 --> 00:12:14,236 BUT MAN-TO-MAN. 309 00:12:14,241 --> 00:12:16,591 - WHEN YOU EARN IT. 310 00:12:16,586 --> 00:12:18,586 NOW, YOU HAVE AN APPEARANCE ON GOOD MORNING AMERICA 311 00:12:18,586 --> 00:12:19,926 FIRST THING TOMORROW. 312 00:12:19,931 --> 00:12:22,451 AND REMEMBER, YOU SELL MORE THAN FOOTBALL TICKETS. 313 00:12:22,448 --> 00:12:25,138 NOW YOU SELL DRINKS, SHOES, AND SANDWICHES TOO. 314 00:12:25,137 --> 00:12:27,897 SO GET SOME SHUT-EYE. 315 00:12:27,896 --> 00:12:31,406 CONGRATULATIONS, SON. 316 00:12:31,413 --> 00:12:33,213 - ♪ AT FIRST SIGHT I 317 00:12:33,206 --> 00:12:34,206 - HI. 318 00:12:34,206 --> 00:12:35,826 - GIRL, DON'T SWEAT IT. 319 00:12:35,827 --> 00:12:39,167 IT WAS JUST ONE BAD MEETING WITH ONE BAD DIRECTOR. 320 00:12:39,172 --> 00:12:40,972 - IT WAS JOHN SINGLETON. 321 00:12:40,965 --> 00:12:43,095 - WELL, BOYZ N THE HOOD WASN'T THAT GOOD. 322 00:12:43,103 --> 00:12:45,763 - ♪ TONIGHT 323 00:12:45,758 --> 00:12:47,968 YEAH, IT WAS. 324 00:12:47,965 --> 00:12:49,235 both: IT WAS. 325 00:12:49,241 --> 00:12:52,481 - BUT WE'RE IN NEW YORK, AND WE CAME TO PARTY. 326 00:12:52,482 --> 00:12:53,862 - EXACTLY. 327 00:12:53,862 --> 00:12:57,862 OH, INSTAGRAM A PICTURE OF ME PRETENDING TO PARTY. 328 00:12:57,862 --> 00:12:59,932 HOLD ON. 329 00:12:59,931 --> 00:13:01,241 CHEESE. 330 00:13:01,241 --> 00:13:02,551 - SHE'S CRAZY. 331 00:13:02,551 --> 00:13:03,831 - CUTE. - AH, CUTE. 332 00:13:03,827 --> 00:13:06,587 - WE SHOULDN'T EVEN BE TAKING MEETINGS. 333 00:13:06,586 --> 00:13:07,966 NOW I DO HAVE A QUICK DINNER MEETING 334 00:13:07,965 --> 00:13:09,855 TO GET TO AN ELLEMAGAZINE COVER, 335 00:13:09,862 --> 00:13:11,762 BUT WHEN I GET BACK, 336 00:13:11,758 --> 00:13:13,278 TURN UP, 337 00:13:13,275 --> 00:13:14,405 PAR TO THE TAY. 338 00:13:14,413 --> 00:13:15,453 - MM. 339 00:13:15,448 --> 00:13:17,788 - AND YOU BETTER BE HAPPY AND FLY 340 00:13:17,793 --> 00:13:19,033 AND NOT ALL MOPEY AND DRY. 341 00:13:19,034 --> 00:13:21,034 - YEAH, WELL, THAT'S EASY FOR YOU 342 00:13:21,034 --> 00:13:22,974 'CAUSE EVERY TIME SOMEONE ASKS WHAT YOU'RE UP TO, 343 00:13:22,965 --> 00:13:24,375 YOU HAVE AN ANSWER, 344 00:13:24,379 --> 00:13:27,899 MISS "I JUST GOT DONE FILMING AN ADAM SANDLER MOVIE." 345 00:13:27,896 --> 00:13:30,446 "I'M ON TOUR WITH JUSTIN TIMBERLAKE." 346 00:13:30,448 --> 00:13:31,718 WHAT CAN I SAY? 347 00:13:31,724 --> 00:13:33,624 JOHN SINGLETON WANTS TO SLEEP WITH MY AGENT? 348 00:13:33,620 --> 00:13:36,240 NO, NOT ME. MY AGENT. 349 00:13:36,241 --> 00:13:38,341 - YOU'LL BE FINE. 350 00:13:38,344 --> 00:13:39,454 TRUST ME. 351 00:13:39,448 --> 00:13:41,448 - [sighs] OKAY. 352 00:13:41,448 --> 00:13:42,968 - NOW COME ON, STEEVI, LET'S ROCK. 353 00:13:42,965 --> 00:13:43,965 - ALL RIGHT. 354 00:13:43,965 --> 00:13:46,375 both: BYE. 355 00:13:46,379 --> 00:13:49,279 [camera shutter clicking] 356 00:13:50,551 --> 00:13:51,551 - [sighs] 357 00:13:51,551 --> 00:13:53,591 OH. 358 00:13:53,586 --> 00:13:54,966 HM. 359 00:13:54,965 --> 00:13:56,205 - YO, KEIRA WASHELL WHITAKER. 360 00:13:56,206 --> 00:13:57,206 I LOVE YOU. 361 00:13:57,206 --> 00:13:59,376 I MEAN--I MEAN, UM... 362 00:13:59,379 --> 00:14:01,069 I MEAN, I USED TO LOVE YOUR SHOW. 363 00:14:01,068 --> 00:14:02,068 - MM. 364 00:14:02,068 --> 00:14:03,068 - HEY, UH, WHAT-- 365 00:14:03,068 --> 00:14:04,378 WHAT WAS YOUR CATCHPHRASE AGAIN? 366 00:14:04,379 --> 00:14:05,549 UH... 367 00:14:05,551 --> 00:14:06,791 "AND WHY WASN'T I INVITED?" 368 00:14:06,793 --> 00:14:08,723 [laughs] 369 00:14:08,724 --> 00:14:09,724 IT WAS HILARIOUS. 370 00:14:09,724 --> 00:14:12,624 - THANK YOU. 371 00:14:12,620 --> 00:14:15,410 - OH, UH, DID YOU WANT MY AUTOGRAPH TOO? 372 00:14:15,413 --> 00:14:16,453 - WHAT? 373 00:14:16,448 --> 00:14:17,828 - DID YOU WANT MY AUTOGRAPH? 374 00:14:17,827 --> 00:14:20,027 - UH, WHY? 375 00:14:20,034 --> 00:14:21,454 - BECAUSE OF WHO I AM. 376 00:14:21,448 --> 00:14:23,208 - AND WHO IS THAT? 377 00:14:23,206 --> 00:14:24,826 - [laughs] 378 00:14:24,827 --> 00:14:26,167 ARE YOU SERIOUS RIGHT NOW? 379 00:14:26,172 --> 00:14:29,032 - ARE YOUSERIOUS RIGHT NOW? 380 00:14:29,034 --> 00:14:31,624 - BRYCE WESTBROOK. NUMBER ONE DRAFT PICK. 381 00:14:31,620 --> 00:14:33,380 THE MEDIA CALLS ME BLUEPRINT 382 00:14:33,379 --> 00:14:35,719 BECAUSE I'M ABOUT TO CHANGE THE FACE OF FOOTBALL. 383 00:14:35,724 --> 00:14:37,594 THEIR WORDS, NOT MINE. 384 00:14:37,586 --> 00:14:38,966 YOU CAN CALL ME BLUE. 385 00:14:38,965 --> 00:14:41,305 - WELL, BLUEPRINT, 386 00:14:41,310 --> 00:14:42,830 YOU'RE THE REASON I DIDN'T GET THE PART 387 00:14:42,827 --> 00:14:44,717 IN JOHN SINGLETON'S NEXT MOVIE. 388 00:14:44,724 --> 00:14:45,724 THANK YOU. 389 00:14:45,724 --> 00:14:46,974 - WAIT, UM... 390 00:14:46,965 --> 00:14:48,335 HOW IS THAT MY FAULT? 391 00:14:48,344 --> 00:14:50,384 - BECAUSE HE WAS SO INTO YOUR LITTLE DRAFT, 392 00:14:50,379 --> 00:14:51,899 HE WASN'T PAYING ANY ATTENTION TO ME. 393 00:14:51,896 --> 00:14:53,896 - UH-HUH, SO YOU DO KNOW I'M FAMOUS. 394 00:14:53,896 --> 00:14:57,446 - YOU DON'T KNOW WHAT IT IS TO BE FAMOUS YET. 395 00:14:59,517 --> 00:15:02,477 [camera shutters clicking] 396 00:15:04,413 --> 00:15:05,793 NOW WE'RE DATING. 397 00:15:05,793 --> 00:15:08,343 LATER ON TONIGHT, THE RUMOR WILL BE WE'RE ENGAGED. 398 00:15:08,344 --> 00:15:12,174 BY TOMORROW, WE'LL BE MARRIED. 399 00:15:12,172 --> 00:15:15,142 NOW YOU'RE FAMOUS. 400 00:15:15,137 --> 00:15:17,337 GOOD LUCK IN FOOTBALL. 401 00:15:20,620 --> 00:15:22,970 - ♪ THEY SAY THE END IS NEAR 402 00:15:22,965 --> 00:15:24,545 ♪ WELL, BABY, SINCE THIS THE END OF TIME ♪ 403 00:15:24,551 --> 00:15:27,001 ♪ HOW ABOUT WE SPEND EVERY SECOND... ♪ 404 00:15:27,000 --> 00:15:29,210 - NOW MALIK, WHY AIN'T NO MEN AT THIS PARTY? 405 00:15:29,206 --> 00:15:30,926 - WHY IN THE HELL WOULD I INVITE MEN TO A PARTY 406 00:15:30,931 --> 00:15:32,931 WHEN I KNOW YOU GONNA SHOW UP LOOKING LIKE THAT? 407 00:15:32,931 --> 00:15:34,551 - YOU'RE CRAZY. I'M NOT MESSING WITH YOU. 408 00:15:34,551 --> 00:15:36,901 - I'M MESSING WITH YOU. - THEN YOU MAKE NO DAMN SENSE. 409 00:15:36,896 --> 00:15:38,096 - I KNOW. - I'M OUT OF HERE. 410 00:15:38,103 --> 00:15:39,973 - I'M CRAZY ABOUT YOU, THOUGH. 411 00:15:39,965 --> 00:15:42,135 - BOY, STOP. - MM-HMM. 412 00:15:44,310 --> 00:15:47,450 WHAT THE HELL KIND OF BACON IS THIS, TORI, HUH? 413 00:15:47,448 --> 00:15:49,208 - I BELIEVE THAT'S CALLED CANADIAN. 414 00:15:49,206 --> 00:15:50,756 - I BELIEVE I'VE TOLD YOU 415 00:15:50,758 --> 00:15:53,098 THERE IS NO SUCH THING AS CANADIAN BACON. 416 00:15:53,103 --> 00:15:55,243 LOOK AT THIS. IT'S JUST THIN HAM. 417 00:15:55,241 --> 00:15:58,171 CANADIANS JUST CAN'T BE RENAMING BREAKFAST MEATS ALL WILLY-NILLY. 418 00:15:58,172 --> 00:16:00,412 NOW GO, GO FIND ME SOME BACON, CRISPY. 419 00:16:00,413 --> 00:16:02,213 - YES, SIR. - YES, THANK YOU. 420 00:16:02,206 --> 00:16:03,966 BACON. 421 00:16:03,965 --> 00:16:07,025 - YO, YOU KNOW YOU GOT SOME MISGUIDED ANGER, RIGHT? 422 00:16:07,034 --> 00:16:08,864 - SAY WHAT? 423 00:16:08,862 --> 00:16:10,722 - LOOK, YOU'RE NOT MAD AT TORI. 424 00:16:10,724 --> 00:16:12,484 YOU JUST MAD ABOUT DERWIN BEING TRADED. 425 00:16:12,482 --> 00:16:13,832 THAT'S UNDERSTANDABLE. 426 00:16:13,827 --> 00:16:15,657 I, ON THE OTHER HAND, THINK IT'S POETIC JUSTICE 427 00:16:15,655 --> 00:16:18,405 HOW THE UNIVERSE PUNISHED DERWIN FOR STEALING MELANIE. 428 00:16:18,413 --> 00:16:19,723 UM. 429 00:16:19,724 --> 00:16:21,004 DON'T MESS WITH TERRENCE 430 00:16:21,000 --> 00:16:22,410 'CAUSE GOD LOVES HIM. 431 00:16:22,413 --> 00:16:24,003 - WOW. 432 00:16:24,000 --> 00:16:26,550 I REMEMBER WHEN I USED TO BE ABLE TO DO THE HAPPY DANCE 433 00:16:26,551 --> 00:16:28,691 AT OTHER PEOPLE'S MISFORTUNE, TEE TEE. 434 00:16:28,689 --> 00:16:31,029 THAT WAS BEFORE I REALIZED I'M JUST A PAWN 435 00:16:31,034 --> 00:16:32,414 IN A RICH MAN'S GAME. 436 00:16:32,413 --> 00:16:33,623 SO YOU KNOW WHAT, TEE TEE? 437 00:16:33,620 --> 00:16:36,030 TO RICH-ASS PAWNS. 438 00:16:36,034 --> 00:16:37,664 - COME ON, MAN, IS THAT ALCOHOL? 439 00:16:37,655 --> 00:16:39,545 DON'T TELL ME YOU FELL OFF THE WAGON AGAIN. 440 00:16:39,551 --> 00:16:41,171 - YOU'RE DAMN SKIPPY. 441 00:16:41,172 --> 00:16:43,932 AND I LANDED IN A GLASS OF HENNESSY, BABY. 442 00:16:43,931 --> 00:16:46,211 HAVE SOME. 443 00:16:46,206 --> 00:16:48,826 - WHAT'S GOING ON, DUDE? - OH, MR. AND MRS. JASON. 444 00:16:48,827 --> 00:16:49,997 WELCOME TO MY-- 445 00:16:50,000 --> 00:16:51,620 WHAT THE HELL DO YOU HAVE ON, CHARDONNAY? 446 00:16:51,620 --> 00:16:54,480 - EXCUSE ME, MALIK, THIS IS PATRICIA FIELDS, OKAY? 447 00:16:54,482 --> 00:16:55,522 SEX AND THE CITY. 448 00:16:55,517 --> 00:16:57,407 - I DON'T GIVE A DAMN WHO IT IS, 449 00:16:57,413 --> 00:16:59,343 AND AIN'T NO BLACK PEOPLE ON SEX AND THE CITY. 450 00:16:59,344 --> 00:17:01,664 - WELL, I'M IN CHARACTER 'CAUSE MY MAN IS GIVING ME 451 00:17:01,655 --> 00:17:03,095 THE FULL NEW YORK EXPERIENCE. 452 00:17:03,103 --> 00:17:05,033 I'M TALKING ABOUT THE STATUE OF LIBERTY, 453 00:17:05,034 --> 00:17:06,414 THE EMPIRE STATE BUILDING, 454 00:17:06,413 --> 00:17:08,963 OH, AND WALKING ACROSS THE BROOKLYN BRIDGE TO JUNIOR'S 455 00:17:08,964 --> 00:17:10,384 FOR SOME CHEESECAKE. 456 00:17:10,378 --> 00:17:12,478 - BRING ME BACK A STRAWBERRY SHAKE. 457 00:17:12,482 --> 00:17:14,282 - I DON'T EVEN KNOW YOU ANYMORE, DOG. 458 00:17:14,275 --> 00:17:15,545 - THERE'S BLUE. THERE'S BLUE. 459 00:17:15,550 --> 00:17:17,100 OKAY. - NO. 460 00:17:17,103 --> 00:17:19,173 BABY, THIS IS OUR HONEYMOON. NO MORE WORK. 461 00:17:19,172 --> 00:17:21,002 - LOOK, I'M JUST GONNA GO OVER THERE REAL QUICK, 462 00:17:21,000 --> 00:17:22,830 SEE IF HE'S AVAILABLE TO DO IT AT ANOTHER TIME. 463 00:17:22,827 --> 00:17:24,477 I'M NOT GONNA DO IT NOW. I'LL BE RIGHT BACK. 464 00:17:24,482 --> 00:17:26,482 OKAY, THEN WE CAN GET ALL THE CHEESECAKE AND COSMOS 465 00:17:26,482 --> 00:17:29,452 YOUR LITTLE MRS. FIELDS-WEARING HEART DESIRES. 466 00:17:29,448 --> 00:17:30,658 - PATRICIA FIELDS. 467 00:17:30,655 --> 00:17:33,825 - YEAH, SHE CAN COME TOO. 468 00:17:33,827 --> 00:17:35,337 BABY BLUE. 469 00:17:35,344 --> 00:17:37,864 NUMERO UNO. 470 00:17:37,862 --> 00:17:38,862 HOW'S IT FEEL? 471 00:17:38,862 --> 00:17:40,212 - THANK YOU, THANK YOU, THANK YOU. 472 00:17:40,206 --> 00:17:41,896 - WOW, CONGRATULATIONS. BIG NIGHT FOR YOU. 473 00:17:41,896 --> 00:17:43,236 - YEAH. 474 00:17:43,241 --> 00:17:45,071 - SO LET'S--LET'S TALK ABOUT IT ON THE RECORD. 475 00:17:45,068 --> 00:17:47,448 - HA, DUDE, ARE YOU TRYING TO GET A INTERVIEW RIGHT NOW? 476 00:17:47,448 --> 00:17:49,028 - YES, I ACTUALLY AM AND IT WORKS BETTER 477 00:17:49,034 --> 00:17:50,624 IF I ASK THE QUESTIONS, SO-- 478 00:17:50,620 --> 00:17:52,450 - LOOK, MAN, I WOULD REALLY LOVE TO HELP YOU OUT, 479 00:17:52,448 --> 00:17:54,788 BUT I GOT AN EXCLUSIVE WITH GOOD MORNING AMERICATOMORROW. 480 00:17:54,793 --> 00:17:56,343 - [scoffs] WHO DOESN'T? 481 00:17:56,344 --> 00:17:58,664 - OKAY, SORRY, MAN, BUT I CAN'T. 482 00:17:58,655 --> 00:18:02,335 - I GET IT. FORGET I EVEN MENTIONED IT. 483 00:18:02,344 --> 00:18:04,484 - IT'S A PRETTY COOL PARTY, MAN. YOU DIGGING THE PARTY? 484 00:18:04,482 --> 00:18:06,592 - UH, NAH, IT'S NOT REALLY MY KIND OF MIX. 485 00:18:06,586 --> 00:18:08,026 - YEAH, ME NEITHER. 486 00:18:08,034 --> 00:18:10,934 I'M MORE INTO THE KIND OF STUFF THAT YOU'RE INTO. 487 00:18:10,931 --> 00:18:13,931 [indistinct chattering] 488 00:18:19,517 --> 00:18:21,997 OH. 489 00:18:22,000 --> 00:18:24,100 YOU WANT THE TRUE NUMBER ONE DRAFT PICK EXPERIENCE. 490 00:18:24,103 --> 00:18:25,593 OKAY. OKAY. 491 00:18:25,586 --> 00:18:28,026 NO, HEY, I REMEMBER MY DRAFT NIGHT INGENUE. 492 00:18:28,034 --> 00:18:29,864 THE YEAR WAS 1998. 493 00:18:29,862 --> 00:18:32,452 HER NAME WAS NEVE CAMPBELL. 494 00:18:32,448 --> 00:18:35,208 I MADE HER SCREAM. 495 00:18:35,206 --> 00:18:36,616 MADE HER SCREAM. 496 00:18:36,620 --> 00:18:38,760 SCREAMWAS THE NAME OF A MOVIE NEVE CAMPBELL WAS IN. 497 00:18:38,758 --> 00:18:41,688 CAME OUT WHEN YOU WERE A LITTLE KID. 498 00:18:43,620 --> 00:18:45,690 OH, YOU'RE TWEETING HER. SWEET. 499 00:18:45,689 --> 00:18:48,859 YEAH, I HAD TO BEEP NEVE CAMPBELL. 500 00:18:48,862 --> 00:18:52,172 MIND IF I... 501 00:18:52,172 --> 00:18:55,382 "AT A POP-UP PARTY WITH @KEIRAWHITAKER. 502 00:18:55,379 --> 00:18:58,029 "BABY GIRL'S ALL GROWED UP. 503 00:18:58,034 --> 00:18:59,384 I'D INVITE HER ANYWHERE." 504 00:18:59,379 --> 00:19:00,859 AND THEN WHAT, YOU JUST SEND IT? 505 00:19:00,862 --> 00:19:02,662 - JUST BOOM. 506 00:19:02,655 --> 00:19:04,065 RIGHT THERE, YEAH. - WOW. 507 00:19:04,068 --> 00:19:06,758 SHE'S READING IT. 508 00:19:06,758 --> 00:19:11,448 - "DON'T YOU GIRLS HATE IT WHEN GUYS LIKE @BLUEPRINTWEST 509 00:19:11,448 --> 00:19:14,448 TRY TO FLIRT ON TWITTER BUT ARE TOO SCARED TO STEP?" 510 00:19:14,448 --> 00:19:15,898 [laughter] 511 00:19:15,896 --> 00:19:18,236 - OH. - OH. 512 00:19:18,241 --> 00:19:20,381 - SHOULD I STEP? 513 00:19:20,379 --> 00:19:21,549 - STEPPING LEADS TO SEX, RIGHT? 514 00:19:21,551 --> 00:19:22,591 - OF COURSE. 515 00:19:22,586 --> 00:19:23,656 - YOU BETTER GET TO STEPPING. 516 00:19:23,655 --> 00:19:24,585 - I'M GOING THEN. 517 00:19:29,862 --> 00:19:32,242 - ♪ YEAH, BRIGHT LIGHTS, BIG CITY ♪ 518 00:19:32,241 --> 00:19:33,901 - YO, WHAT UP, SON? - OH. 519 00:19:33,896 --> 00:19:35,236 - YOU ALL RIGHT? 520 00:19:35,241 --> 00:19:37,141 - WASN'T EXPECTING TO SEE YOU HERE TONIGHT, MAN. 521 00:19:37,137 --> 00:19:39,277 AND I CAN SMELL THE TEQUILA BROUGHT YOU OUT, BROTHER. 522 00:19:39,275 --> 00:19:40,375 - YEAH, I NEED A RELEASE, MAN. 523 00:19:40,379 --> 00:19:41,619 YOU KNOW, I FIGURE I COME BY HERE 524 00:19:41,620 --> 00:19:42,620 AND LET OFF A LITTLE STEAM. 525 00:19:42,620 --> 00:19:44,550 - KNOW WHAT, BROTHER? - WHAT? 526 00:19:44,551 --> 00:19:46,341 - NO BETTER PLACE TO LET OFF SOME STEAM 527 00:19:46,344 --> 00:19:47,484 THAN RIGHT HERE WITH YOUR BOY. 528 00:19:47,482 --> 00:19:49,592 A TOAST TO YOU, 529 00:19:49,586 --> 00:19:51,306 DERWIN "DING DONG" DAVIS. 530 00:19:51,310 --> 00:19:53,210 YOU CAME IN THIS GAME A LITTLE PUNK. 531 00:19:53,206 --> 00:19:54,476 LITTLE PUNK-ASS CHUMP. 532 00:19:54,482 --> 00:19:57,102 LITTLE ROOKIE PUSS IN BOOTS. PANSY-ASS ROOKIE. 533 00:19:57,103 --> 00:19:58,863 - HEY, HEY, HEY! I GET IT. 534 00:19:58,862 --> 00:20:00,452 - OKAY, OKAY. 535 00:20:00,448 --> 00:20:01,618 TO YOU, DERWIN. 536 00:20:01,620 --> 00:20:03,590 WE HAD A NICE RUN, MY BROTHER. 537 00:20:03,586 --> 00:20:05,136 - SURE DID. 538 00:20:06,517 --> 00:20:07,997 - MM. - WHOO! 539 00:20:08,000 --> 00:20:09,000 [cell phone ringing] 540 00:20:09,000 --> 00:20:10,380 STOP CALLING ME. 541 00:20:10,379 --> 00:20:11,309 AH. 542 00:20:14,724 --> 00:20:16,034 - YOU NOT GONNA TALK TO HER? 543 00:20:16,034 --> 00:20:20,004 [cell phone ringing] 544 00:20:20,000 --> 00:20:21,410 - AND SAY WHAT? THAT I'M A HAS-BEEN? 545 00:20:21,413 --> 00:20:22,973 - DOG, YOU ARE NOT A HAS-BEEN, MAN. 546 00:20:22,965 --> 00:20:25,585 HE-- HE AIN'T NO YOU, DOG. 547 00:20:25,586 --> 00:20:26,586 - GODDAMN RIGHT, HE AIN'T. 548 00:20:26,586 --> 00:20:27,966 - WELL, ACTUALLY, 549 00:20:27,965 --> 00:20:29,755 HE'S A LITTLE TALLER THAN YOU, THOUGH, I MEAN-- 550 00:20:29,758 --> 00:20:30,998 - YEAH, BARELY. 551 00:20:31,000 --> 00:20:32,620 I TELL YOU WHAT, BET YOU HE AIN'T RUNNING A 4.3. 552 00:20:32,620 --> 00:20:35,240 - HELL NO. DUDE'S RUNNING A 4.1. 553 00:20:35,241 --> 00:20:36,791 MM. 554 00:20:36,793 --> 00:20:37,833 AH. 555 00:20:37,827 --> 00:20:39,477 FACT, I HEAR THAT DUDE IS SO FAST, 556 00:20:39,482 --> 00:20:41,142 LIKE, HE BLOW THROUGH BUILDINGS-- 557 00:20:41,137 --> 00:20:43,207 - HOLD THAT. HOLD THAT. HOLD THAT. 558 00:20:43,206 --> 00:20:44,406 - OKAY, NO, YOU GET IT. 559 00:20:44,413 --> 00:20:46,383 - THEY ARE BY FAR THE MOST COMFORTABLE PAIR 560 00:20:46,379 --> 00:20:47,829 OF CASUAL SLIP-ONS I HAVE EVER OWNED. 561 00:20:47,827 --> 00:20:49,027 - SLIP-ONS? 562 00:20:49,034 --> 00:20:50,864 - OH, THEY'RE GREAT AT THE AIRPORT SECURITY. 563 00:20:50,862 --> 00:20:52,242 COME RIGHT OFF. 564 00:20:52,241 --> 00:20:53,241 DING DONG. 565 00:20:53,241 --> 00:20:54,451 - WHAT UP? 566 00:20:54,448 --> 00:20:58,658 SO THIS IS MR. BRYCE "BLUE" WESTBROOK. 567 00:20:58,655 --> 00:21:04,855 IT MUST FEEL REAL GOOD TO BE, UH, THE NUMBER ONE DRAFT PICK 568 00:21:04,862 --> 00:21:09,452 6'3"/SUPERSTAR RUNNING A 4.1? 569 00:21:09,448 --> 00:21:10,758 - I BELIEVE SO. 570 00:21:10,758 --> 00:21:12,618 - DAMN, THAT'S FAST. - HEY, HEY, HEY, MAN. 571 00:21:12,620 --> 00:21:13,790 PULL UP A LITTLE BIT. 572 00:21:13,793 --> 00:21:16,003 AND I RUN A 4 FLAT. 573 00:21:16,000 --> 00:21:17,790 - OKAY, FIRST OF ALL, FRIEND, DON'T TOUCH ME. 574 00:21:17,793 --> 00:21:18,793 YOU UNDERSTAND? 575 00:21:18,793 --> 00:21:20,033 - NO NEED TO TAKE THE JACKET OFF. 576 00:21:20,034 --> 00:21:21,284 - NO, I TOOK IT OFF. I TOOK IT OFF. 577 00:21:21,275 --> 00:21:22,475 CHECK THE MOOD. CHECK THE MOOD. 578 00:21:22,482 --> 00:21:23,522 - OH, BIBS. 579 00:21:23,517 --> 00:21:25,757 - YOU UP HERE IN MY SPOT-- 580 00:21:25,758 --> 00:21:29,208 OH, GOD-- 581 00:21:29,206 --> 00:21:32,096 WITH MY PEOPLE AFTER YOU STOLE MY POSITION. 582 00:21:32,103 --> 00:21:33,243 - BIBS. 583 00:21:33,241 --> 00:21:35,591 - YOU GOT THE NERVE TO BE DISRESPECTFUL, 584 00:21:35,586 --> 00:21:36,756 MY NINJA? 585 00:21:36,758 --> 00:21:38,068 I'M RIGHT HERE. 586 00:21:38,068 --> 00:21:39,378 - WE'RE ALL WEARING SUITS HERE, SO LET'S JUST-- 587 00:21:39,379 --> 00:21:40,449 - OKAY, OKAY, J, NO, I GET IT. - HOLD ON FOR A SECOND. 588 00:21:40,448 --> 00:21:41,688 - NO, LET HIM SPEAK. HE A BIG BOY. 589 00:21:41,689 --> 00:21:44,339 - LOOK HERE-- - I'M RIGHT HERE LOOKING. 590 00:21:44,344 --> 00:21:46,104 - I DIDN'T STEAL ANYTHING FROM YOU. 591 00:21:46,103 --> 00:21:47,623 ALL RIGHT? 592 00:21:47,620 --> 00:21:49,760 AND IF THERE'S ANYONE TO BLAME HERE, LOOK AT YOURSELF, 593 00:21:49,758 --> 00:21:51,998 BECAUSE OBVIOUSLY YOU COULDN'T HOLD ON TO YOUR POSITION. 594 00:21:52,000 --> 00:21:53,550 WHICH, YOU KNOW, IT LEADS ONE TO QUESTION 595 00:21:53,551 --> 00:21:58,171 WHETHER OR NOT IT WAS REALLY YOURPOSITION TO HOLD ON TO, 596 00:21:58,172 --> 00:21:59,312 MY NINJA. 597 00:21:59,310 --> 00:22:01,100 - UH! - NO, NO, NO, NO. BIBS. 598 00:22:01,103 --> 00:22:02,343 - HEY, HEY, HEY! 599 00:22:02,344 --> 00:22:04,314 - ♪ I GOT ICE IN MY VEINS 600 00:22:04,310 --> 00:22:06,030 ♪ BLOOD IN MY EYES 601 00:22:06,034 --> 00:22:07,694 ♪ HATE IN MY HEART 602 00:22:07,689 --> 00:22:08,719 ♪ LOVE IN MY MIND 603 00:22:08,724 --> 00:22:11,004 ♪ I SEEN NIGHTS FULL OF PAIN 604 00:22:11,000 --> 00:22:12,620 ♪ DAYS OF THE SAME 605 00:22:12,620 --> 00:22:14,240 ♪ YOU KEEP THE SUNSHINE 606 00:22:14,241 --> 00:22:15,311 ♪ SAVE ME THE RAIN 607 00:22:15,310 --> 00:22:17,280 ♪ I SEARCH BUT NEVER FIND 608 00:22:17,275 --> 00:22:18,685 ♪ HURT BUT NEVER CRY 609 00:22:18,689 --> 00:22:20,239 ♪ I WORK AND FOREVER TRY 610 00:22:20,241 --> 00:22:21,411 ♪ BUT I'M CURSED SO NEVER MIND 611 00:22:21,413 --> 00:22:23,173 ♪ AND IT'S WORSE BUT BETTER TIMES ♪ 612 00:22:23,172 --> 00:22:25,762 - MAMA. 613 00:22:25,758 --> 00:22:27,278 WE GOT A REAL PROBLEM. 614 00:22:27,275 --> 00:22:28,825 - ♪ THE MORE THAT I CLIMB 615 00:22:28,827 --> 00:22:31,857 ♪ THE SPOT GETS SMALLER AND I GET BIGGER ♪ 616 00:22:31,862 --> 00:22:33,722 ♪ TRYING TO GET INTO WHERE I FIT IN ♪ 617 00:22:33,724 --> 00:22:35,214 ♪ NO ROOM FOR A [...] 618 00:22:35,206 --> 00:22:38,786 ♪ BUT SOON FOR A [...] IT BE ON [...] ♪ 619 00:22:38,793 --> 00:22:41,663 ♪ 'CAUSE ALL THIS [...] JUST MAKE ME STRONG ♪ 620 00:22:41,655 --> 00:22:43,235 ♪ SO I PICK THE WORLD UP 621 00:22:43,241 --> 00:22:47,551 ♪ AND I'MA DROP IT ON YOUR [...] HEAD ♪ 622 00:22:47,551 --> 00:22:49,931 ♪ YEAH, I'MA PICK THE WORLD UP ♪ 623 00:22:49,931 --> 00:22:51,721 ♪ AND I'MA DROP IT ON YOUR [...] HEAD ♪ 624 00:22:51,724 --> 00:22:52,724 - WHAT? 625 00:22:52,724 --> 00:22:53,904 - CALM YOUR ASS DOWN, DOG. 626 00:22:53,896 --> 00:22:56,066 - WHAT THE HELL IS WRONG WITH YOU, D? 627 00:22:56,068 --> 00:22:57,408 - NOTHING, MAN, JUST, YOU KNOW, 628 00:22:57,413 --> 00:22:59,103 I JUST WELCOMED THAT CAT TO THE GAME. 629 00:22:59,103 --> 00:23:01,173 - NO, NO, NO. DING DONG. 630 00:23:01,172 --> 00:23:02,342 - GET OFF ME. 631 00:23:02,344 --> 00:23:04,074 - COME ON, DOG. WHAT ARE YOU TRYING TO DO, MAN? 632 00:23:04,068 --> 00:23:05,518 - I'M TRYING TO GET OUT THIS FREEZER. 633 00:23:05,517 --> 00:23:06,897 YO, J, GET OFF ME, MAN. I'M SERIOUS. 634 00:23:06,896 --> 00:23:08,066 - NO, NO. - CALM YOUR HEAD. 635 00:23:08,068 --> 00:23:09,858 - YO, GET OFF ME, MAN. YOU CAN GET IT TOO. 636 00:23:09,862 --> 00:23:11,212 YOU CAN GET IT TOO. - YO, CALM DOWN. 637 00:23:11,206 --> 00:23:12,306 - YOU NEED TO RELAX RIGHT NOW. 638 00:23:12,310 --> 00:23:13,590 - I CAN'T! 639 00:23:13,586 --> 00:23:15,026 - WHAT'S GOING ON WITH YOU, MAN? 640 00:23:15,034 --> 00:23:18,484 - I DON'T WANT TO LEAVE! 641 00:23:18,482 --> 00:23:20,002 THERE, I SAID IT. I DON'T WANT TO LEAVE. 642 00:23:20,000 --> 00:23:23,170 [panting] 643 00:23:23,172 --> 00:23:26,342 Y'ALL TWO OF MY FAMILY, MAN. 644 00:23:26,344 --> 00:23:28,004 YOU ARE. 645 00:23:28,000 --> 00:23:28,930 SABER BLUE. 646 00:23:35,620 --> 00:23:36,860 - IS HE CRYING? 647 00:23:36,862 --> 00:23:37,932 - SHH. 648 00:23:37,931 --> 00:23:39,411 - COME HERE. COME HERE! 649 00:23:39,413 --> 00:23:41,383 YOU PULL IT TOGETHER, YOU HEAR ME, RIGHT NOW! 650 00:23:41,379 --> 00:23:42,719 YOU KNOW THIS IS THE GAME, DOG. 651 00:23:42,724 --> 00:23:44,524 WE AIN'T GOT NO CONTROL OVER THIS, DERWIN. 652 00:23:44,517 --> 00:23:45,967 WE ARE CHESS PIECES, MAN. 653 00:23:45,965 --> 00:23:46,965 WE PRAWNS! 654 00:23:46,965 --> 00:23:47,965 - YOU MEAN PAWNS. 655 00:23:47,965 --> 00:23:49,515 - NO, I MEAN WE PRAWNS! 656 00:23:49,517 --> 00:23:50,477 - I DON'T THINK YOU DO. 657 00:23:50,482 --> 00:23:51,522 - I THINK WE PRAWNS. 658 00:23:51,517 --> 00:23:52,967 YOU HEAR ME. WE BOTTOM-FEEDERS, MAN. 659 00:23:52,965 --> 00:23:53,965 - OKAY. 660 00:23:53,965 --> 00:23:55,585 - WAITIN' ON OUR OWNER/SHARKS 661 00:23:55,586 --> 00:23:58,066 TO GIVE US OUR LAST MORSEL AT THE BOTTOM. 662 00:23:58,068 --> 00:24:00,098 THEY DON'T TELL YOU THINK WHEN YOU COME INTO THE GAME, DO THEY? 663 00:24:00,103 --> 00:24:01,763 NO, ALL THEY SAY TO US IS, 664 00:24:01,758 --> 00:24:04,898 "DERWIN, MALIK, JASON, YOU'RE GONNA BE A STAR. 665 00:24:04,896 --> 00:24:05,896 "WE LOVE YOU. 666 00:24:05,896 --> 00:24:07,616 LET ME JUGGLE YOUR PEBBLES, MALIK." 667 00:24:07,620 --> 00:24:09,210 - YEAH. - THAT'S WHAT THEY TELL US, MAN. 668 00:24:09,206 --> 00:24:10,206 - YEAH, THEY TELL US THAT. 669 00:24:10,206 --> 00:24:11,406 MALIK, I'M WITH YOU. - YES. 670 00:24:11,413 --> 00:24:12,763 - THEY SAY IT 671 00:24:12,758 --> 00:24:13,828 'CAUSE THAT'S WHAT THE SABERS SAY TO ME. 672 00:24:13,827 --> 00:24:15,237 THEY LIKE, "YO, DERWIN, WE LOVE YOU." 673 00:24:15,241 --> 00:24:17,551 AND THEN THEY GO AND DUMP ME FOR A YOUNGER, HOTTER DUDE. 674 00:24:17,551 --> 00:24:19,791 BUT THEN, YOU KNOW, I HEAR BALTIMORE'S LIKE, 675 00:24:19,793 --> 00:24:22,073 "YEAH, YO, DERWIN, WE'LL LOVE YOU." 676 00:24:22,068 --> 00:24:24,168 BUT BALTIMORE'S FAT AND ALWAYS BREATHING HEAVY. 677 00:24:24,172 --> 00:24:25,282 I'M JUST NOT INTO HER. 678 00:24:25,275 --> 00:24:26,855 - YEAH, WE PAWN-PRAWNS. 679 00:24:26,862 --> 00:24:28,482 WE ARE. YOU KNOW WHAT? 680 00:24:28,482 --> 00:24:30,032 WE LOVE IT. WE LOVE IT ALL. 681 00:24:30,034 --> 00:24:31,554 WE LOVE GETTING UP EARLY IN THE MORNING 682 00:24:31,551 --> 00:24:32,551 AND GOING TO PRACTICE. 683 00:24:32,551 --> 00:24:33,551 WE LOVE TWO-A-DAYS. 684 00:24:33,551 --> 00:24:34,831 WE LOVE RUNNING DRILLS. 685 00:24:34,827 --> 00:24:36,687 WE LOVE GAME NIGHT. 686 00:24:36,689 --> 00:24:39,069 WE LOVE GOING TO THE SUPERMARKET AND BEING APPROACHED BY FANS 687 00:24:39,068 --> 00:24:40,308 WHILE WE'RE IN THE FEMININE HYGIENE AISLE 688 00:24:40,310 --> 00:24:42,830 BUYING TAMPONS FOR OUR LADIES. 689 00:24:42,827 --> 00:24:44,857 YOU KNOW WHAT ELSE WE LOVE? 690 00:24:44,862 --> 00:24:45,862 WE LOVE THE MONEY. 691 00:24:45,862 --> 00:24:47,622 BUT IT'S NOT ABOUT THE MONEY. 692 00:24:47,620 --> 00:24:48,760 IT'S ABOUT THE GAME. 693 00:24:48,758 --> 00:24:49,998 - MM. 694 00:24:50,000 --> 00:24:51,310 - LISTEN TO ME. 695 00:24:51,310 --> 00:24:54,070 IT DOESN'T MATTER WHERE WE PLAY. 696 00:24:54,068 --> 00:24:56,168 IT DOESN'T MATTER WHO'S CHEERING FOR US IN THE STANDS. 697 00:24:56,172 --> 00:24:58,972 IT DOESN'T MATTER WHAT JERSEY WE HAVE ON OUR BACK. 698 00:24:58,965 --> 00:25:01,965 WE PLAY THIS GAME BECAUSE IT'S WHO WE ARE. 699 00:25:01,965 --> 00:25:02,965 IT'S WHAT WE DO. 700 00:25:02,965 --> 00:25:04,305 WE ARE FOOTBALL PLAYERS, DAMN IT. 701 00:25:04,310 --> 00:25:07,790 WE ARE WARRIORS! AND THIS IS SPARTA! 702 00:25:10,482 --> 00:25:12,932 AND I'LL TELL YOU SOMETHING ELSE, DING DONG-- 703 00:25:15,655 --> 00:25:16,655 - THAT WAS CRAZY. 704 00:25:16,655 --> 00:25:17,655 - SHH, KEEP IT DOWN. 705 00:25:17,655 --> 00:25:18,655 I DON'T WANT TO WAKE MY DAD. 706 00:25:18,655 --> 00:25:20,515 - WHO? - MY DAD. 707 00:25:20,517 --> 00:25:22,547 HE'S ACROSS THE HALL. 708 00:25:22,551 --> 00:25:26,101 AND HE'S GONNA KILL ME IF THIS GETS OUT. 709 00:25:26,103 --> 00:25:29,213 I NEED A NEW SHIRT. 710 00:25:29,206 --> 00:25:30,446 - DAMN. 711 00:25:30,448 --> 00:25:32,278 YOU KNOW, I'M REALLY CONCERNED ABOUT YOUR EYE. 712 00:25:32,275 --> 00:25:33,275 - I'LL BE RIGHT BACK. 713 00:25:33,275 --> 00:25:34,275 I'M JUST GRABBING A SHIRT. 714 00:25:34,275 --> 00:25:36,655 - JUST FORGET ABOUT THE DAMN SHIRT. 715 00:25:39,310 --> 00:25:41,070 I'M REALLY CONCERNED ABOUT YOUR EYE. 716 00:25:48,724 --> 00:25:50,214 WOW. 717 00:25:50,206 --> 00:25:51,616 - GOOD MORNING AMERICA'S GONNA HAVE A FIELD DAY 718 00:25:51,620 --> 00:25:53,620 WITH THIS TOMORROW. 719 00:25:53,620 --> 00:25:55,620 - WELL, YOU KNOW YOU COULD HAVE AVOIDED THIS. 720 00:25:55,620 --> 00:25:57,660 - HEY, THAT DUDE CAME AT ME. 721 00:25:57,655 --> 00:25:59,615 - WELL, YOU'RE SUPPOSED TO BE THE BLUEPRINT, 722 00:25:59,620 --> 00:26:01,310 THE GUY CHANGING THE FACE OF FOOTBALL, 723 00:26:01,310 --> 00:26:03,030 AND YOU'RE FIGHTING IN THE CLUB. 724 00:26:03,034 --> 00:26:04,594 THEY SHOULD CALL YOU "THE CLICHE." 725 00:26:04,586 --> 00:26:06,476 - LOOK, GROWING UP IN THE ARMY 726 00:26:06,482 --> 00:26:07,862 AND THEN MOVING FROM TOWN TO TOWN 727 00:26:07,862 --> 00:26:09,692 AND THEN BEING A BLACK GUY AT STANFORD. 728 00:26:09,689 --> 00:26:12,309 PEOPLE ALWAYS THINK I'M SOFT AND TRY AND TEST ME. 729 00:26:12,310 --> 00:26:14,070 WELL, LET'S JUST SAY I TEST VERY WELL. 730 00:26:14,068 --> 00:26:15,788 - WELL, THIS AIN'T STANFORD. 731 00:26:15,793 --> 00:26:17,483 YOU'RE IN THE PROS NOW, 732 00:26:17,482 --> 00:26:19,932 IN V.I.P., TRYING TO RUN WITH STARS, 733 00:26:19,931 --> 00:26:22,411 YOU BETTER GET IT TOGETHER 'CAUSE THEY WILL CHEW YOU UP 734 00:26:22,413 --> 00:26:23,833 AND SPIT YOU OUT. 735 00:26:23,827 --> 00:26:25,237 TRUST ME. 736 00:26:28,655 --> 00:26:30,095 - BEING FAMOUS SUCKS, HUH? 737 00:26:30,103 --> 00:26:32,343 - SOMETIMES, YEAH. 738 00:26:32,344 --> 00:26:34,384 BUT I MEAN, IT HAS ITS PERKS: 739 00:26:34,379 --> 00:26:37,069 PRESIDENTIAL SUITES, RED CARPETS, 740 00:26:37,068 --> 00:26:38,618 SWAG BAGS, 741 00:26:38,620 --> 00:26:41,210 ALL THE GREEK YOGURT YOU CAN EAT. 742 00:26:41,206 --> 00:26:44,926 "AND WHY WASN'T I INVITED TO GREECE?" 743 00:26:44,931 --> 00:26:46,521 - HEY, I REMEMBER THAT COMMERCIAL. 744 00:26:46,517 --> 00:26:48,027 I EVEN REWOUND IT A COUPLE TIMES. 745 00:26:48,034 --> 00:26:49,034 [laughs] 746 00:26:49,034 --> 00:26:50,764 - OH, REALLY? ONLY A COUPLE? 747 00:26:50,758 --> 00:26:53,548 - YEAH, A COUPLE. 748 00:26:53,551 --> 00:26:54,481 - [laughs] 749 00:26:58,586 --> 00:27:01,306 - MAN, IT MUST BE EASY FOR YOU. 750 00:27:01,310 --> 00:27:03,210 I MEAN, YOU KNOW, YOU'VE BEEN FAMOUS FOR SO LONG, 751 00:27:03,206 --> 00:27:04,996 YOU GOT THIS WHOLE THING SEWN UP. 752 00:27:06,551 --> 00:27:07,721 - I GUESS. 753 00:27:07,724 --> 00:27:08,764 NAH, I DON'T KNOW. 754 00:27:08,758 --> 00:27:10,718 YOU KNOW, I WAS SO YOUNG WHEN I HIT. 755 00:27:10,724 --> 00:27:13,524 IT'S LIKE MY FAME IS FROZEN IN TIME. 756 00:27:13,517 --> 00:27:16,517 EVERYBODY JUST WANTS ME TO BE THAT GIRL ON STUCK TOGETHER. 757 00:27:16,517 --> 00:27:20,337 I'LL BE 14 FOREVER. 758 00:27:20,344 --> 00:27:23,834 AND I'M NOT. 759 00:27:23,827 --> 00:27:25,617 - WELL, LOOK. 760 00:27:25,620 --> 00:27:27,100 ALL I KNOW IS, 761 00:27:27,103 --> 00:27:29,313 I'M LOOKING AT A BEAUTIFUL, CONFIDENT, 762 00:27:29,310 --> 00:27:32,100 ACCOMPLISHED YOUNG WOMAN 763 00:27:32,103 --> 00:27:35,003 WHO'S DEFINITELY NOT 14. 764 00:27:35,000 --> 00:27:36,660 - THAT WAS CORNY. 765 00:27:36,655 --> 00:27:38,095 SWEET BUT CORNY. 766 00:27:38,103 --> 00:27:39,103 - OH, YEAH? - YES. 767 00:27:39,103 --> 00:27:40,553 - YEAH? 768 00:27:40,551 --> 00:27:43,211 WHICH ONE IS THIS? 769 00:27:43,206 --> 00:27:45,966 - ♪ I'M READY, GIRL, TAKE MY HAND ♪ 770 00:27:45,965 --> 00:27:50,275 ♪ I WANT TO BE YOUR MAN 771 00:27:50,275 --> 00:27:51,655 ♪ UNDERSTAND? 772 00:27:51,655 --> 00:27:55,095 - CORNY, BUT, UM, 773 00:27:55,103 --> 00:27:56,553 I KIND OF LIKE CORNY. 774 00:27:56,551 --> 00:27:58,521 - ♪ IF YOU LET ME IN 775 00:27:58,517 --> 00:28:01,477 ♪ CAUGHT IN YOUR HANDS 776 00:28:01,482 --> 00:28:04,242 ♪ NO GAMES WILL BE PLAYED 777 00:28:04,241 --> 00:28:06,831 ♪ GIVE ME A CHANCE 778 00:28:06,827 --> 00:28:08,997 ♪ LADY, IT'S YOU 779 00:28:11,620 --> 00:28:14,620 [R&B music] 780 00:28:14,620 --> 00:28:18,070 ♪ 781 00:28:18,068 --> 00:28:19,588 [doorbell ringing] 782 00:28:19,586 --> 00:28:22,236 - OH, HELL, IT'S MY DAD. 783 00:28:22,241 --> 00:28:23,931 - [sighs] 784 00:28:28,551 --> 00:28:30,281 - NO, IT'S HOUSEKEEPING. 785 00:28:30,275 --> 00:28:32,925 WHAT ARE THEY DOING HERE SO LATE? 786 00:28:35,344 --> 00:28:37,314 - [whispering] NO, NO, NO, THAT'S MALIK'S MOTHER. 787 00:28:37,310 --> 00:28:38,410 - WHAT? 788 00:28:38,413 --> 00:28:39,863 MALIK LETS HIS MOM DO HOUSEKEEPING? 789 00:28:39,862 --> 00:28:41,002 - SHH. 790 00:28:41,000 --> 00:28:42,380 - YO, HE'S GOT TO DO BETTER BY HER. 791 00:28:42,379 --> 00:28:44,029 - COME ON, BLUE'S CLUES. OPEN UP THIS DOOR. 792 00:28:44,034 --> 00:28:47,004 - YOU GOT TO GET RID OF HER, ALL RIGHT? 793 00:28:50,862 --> 00:28:52,452 - HEY, MISS MACK, WHAT ARE YOU DOING HERE? 794 00:28:52,448 --> 00:28:54,618 - I'M LOOKING FOR YOUR LITTLE BOYFRIEND, THE BLUEPRINT. 795 00:28:54,620 --> 00:28:56,140 MORE LIKE THE DAMN CLICHE. 796 00:28:56,137 --> 00:28:57,517 - BLUE NOT MY BOYFRIEND. 797 00:28:57,517 --> 00:28:59,517 - WELL, ACCORDING TO BOSSIP, YOU HAVING HIS BABY. 798 00:28:59,517 --> 00:29:00,857 - SEE, THAT IS A JOKE 799 00:29:00,862 --> 00:29:02,212 THAT'S GOTTEN WAY OUT OF CONTROL. 800 00:29:02,206 --> 00:29:03,236 WE'RE NOT EVEN DATING. 801 00:29:03,241 --> 00:29:04,411 - GIRL, YOU KNOW HOW MANY TIMES 802 00:29:04,413 --> 00:29:05,593 I'VE BEEN NOT DATING SOMEBODY 803 00:29:05,586 --> 00:29:07,066 IN THEY ROOM AT 2:00 IN THE MORNING? 804 00:29:07,068 --> 00:29:08,068 - A LOT. 805 00:29:08,068 --> 00:29:09,238 - AH-- 806 00:29:09,241 --> 00:29:10,481 WATCH YOUR DIMPLES, OKAY? 807 00:29:10,482 --> 00:29:12,032 LOOK, NOW ALL JOKING ASIDE, ALL RIGHT, 808 00:29:12,034 --> 00:29:13,834 I NEED TO TALK TO BLUE AND GET OUR DUCKS IN A ROW. 809 00:29:13,827 --> 00:29:15,587 - UH, HE'S TIED UP RIGHT NOW. 810 00:29:15,586 --> 00:29:17,856 - GIRL, I DON'T CARE ABOUT YOUR TRAMPINESS, OKAY? 811 00:29:17,862 --> 00:29:19,102 I'M TRYING TO HELP THAT BOY OUT. 812 00:29:19,103 --> 00:29:20,663 NOW EXCUSE YOU. 813 00:29:20,655 --> 00:29:21,995 - BLUE-- - OH, MY GOD. 814 00:29:22,000 --> 00:29:23,450 - OH, HEY. WHAT THE HELL? 815 00:29:23,448 --> 00:29:26,378 - LITTLE BOY BLUE COME BLOW YOUR HORN. 816 00:29:26,379 --> 00:29:27,969 LOOK, I DON'T THINK WE'VE OFFICIALLY MET. 817 00:29:27,965 --> 00:29:29,475 TASHA MACK, TASHA MACK MANAGEMENT. 818 00:29:29,482 --> 00:29:30,522 MALIK'S MA. 819 00:29:30,517 --> 00:29:31,997 - HEY, WHAT ARE YOU DOING? 820 00:29:32,000 --> 00:29:33,210 - JUST A LITTLE INSURANCE 821 00:29:33,206 --> 00:29:35,446 TO MAKE SURE YOU PLAY YOUR POSITION. 822 00:29:35,448 --> 00:29:37,408 NOW, AS FAR AS WE ARE CONCERNED, 823 00:29:37,413 --> 00:29:38,623 THAT LITTLE INCIDENT EARLIER, 824 00:29:38,620 --> 00:29:40,140 IT WAS JUST A PLAYFUL EXCHANGE OF WORDS 825 00:29:40,137 --> 00:29:41,547 THAT WAS BLOWN WAY OUT OF PROPORTION 826 00:29:41,551 --> 00:29:43,591 BY CERTAIN EYEWITNESSES 827 00:29:43,586 --> 00:29:46,136 THAT HAPPENED TO HAVE BEEN HIGHLY INTOXICATED. 828 00:29:46,137 --> 00:29:48,827 THAT IS WHAT YOU AND DERWIN WILL TELL THE PRESS. 829 00:29:48,827 --> 00:29:49,827 WE COOL? 830 00:29:49,827 --> 00:29:51,377 - YES, MA'AM. WE COOL. 831 00:29:51,379 --> 00:29:52,859 - ALL RIGHT. 832 00:29:52,862 --> 00:29:54,142 MM, KAY. 833 00:29:54,137 --> 00:29:56,447 NOW DON'T YOU KIDS FORGET YOUR CONDOMS, OKAY? 834 00:29:56,448 --> 00:29:59,788 'CAUSE IT'S 2013, THEY STILL AIN'T CRACKED THAT MONSTER YET. 835 00:29:59,793 --> 00:30:01,243 - WHAT IS WRONG WITH YOU? 836 00:30:01,241 --> 00:30:02,661 - WHAT? 837 00:30:02,655 --> 00:30:04,715 - YOU THINK BECAUSE YOU'RE THE NUMBER ONE DRAFT PICK, 838 00:30:04,724 --> 00:30:06,724 I'M GONNA GIVE YOU SOME AFTER 45 MINUTES AND A KISS? 839 00:30:06,724 --> 00:30:09,144 LAYING UP HERE LOOKING LIKE THE GIRL FROM TITANIC. 840 00:30:09,137 --> 00:30:10,207 - I'M SORRY, OKAY? 841 00:30:10,206 --> 00:30:11,686 WE KISSING AND RUBBING AND NIBBLING. 842 00:30:11,689 --> 00:30:13,279 I JUST ASSUMED YOU WANTED TO GO GET IN BED. 843 00:30:13,275 --> 00:30:15,095 - WELL, I'M SORRY THAT YOU GOT THAT IMPRESSION, 844 00:30:15,103 --> 00:30:16,313 BUT I'M NOT THAT GIRL. 845 00:30:16,310 --> 00:30:17,550 - ALL RIGHT, I GET IT. 846 00:30:17,551 --> 00:30:19,411 SHIRT'S GOING ON, MY BAD. 847 00:30:19,413 --> 00:30:20,483 BUT LOOK, JUST SO YOU KNOW, 848 00:30:20,482 --> 00:30:21,972 WHEN THIS SHIRT GOES ON, IT STAYS ON. 849 00:30:21,965 --> 00:30:24,895 THAT'S IT. - I HEAR YOU. 850 00:30:24,896 --> 00:30:26,586 - HEY, LOOK, COME ON. HEY, IT'S DRAFT NIGHT. 851 00:30:26,586 --> 00:30:27,966 COME ON, HEY, WE COULD JUST CUDDLE. 852 00:30:27,965 --> 00:30:29,405 - BYE. - DON'T LEAVE ME. 853 00:30:29,413 --> 00:30:30,863 - COME HOLD ME. 854 00:30:30,862 --> 00:30:32,862 [laughter] 855 00:30:32,862 --> 00:30:36,172 - AND YO, YO, I KEEP TELLING Y'ALL, MAN, I'M GOOD. 856 00:30:36,172 --> 00:30:40,792 LIVE FROM NEW YORK, IT'S SATURDAY NIGHT! 857 00:30:40,793 --> 00:30:42,283 WHOO! 858 00:30:42,275 --> 00:30:44,545 MM. 859 00:30:44,551 --> 00:30:46,341 AH! 860 00:30:46,344 --> 00:30:47,794 DAMN IT. 861 00:30:47,793 --> 00:30:51,413 YO, MAN, I DON'T NEED TO BE IN NO DAMN A.A. MEETING. 862 00:30:51,413 --> 00:30:53,213 I KEEP TELLING Y'ALL, MAN, I'M GOOD. 863 00:30:53,206 --> 00:30:55,686 YO, DRIVER. 864 00:30:55,689 --> 00:30:57,589 YO. 865 00:30:57,586 --> 00:31:00,716 YO, DOG, TAKE ME SOMEWHERE... 866 00:31:00,724 --> 00:31:02,724 TAKE ME SOMEWHERE THAT'S POPPIN', MAN. 867 00:31:02,724 --> 00:31:05,174 LIKE THE--LIKE THE 40/40 CLUB. 868 00:31:05,172 --> 00:31:08,212 LET ME HOLLER AT MY DOG JENK 869 00:31:08,206 --> 00:31:10,406 ON 106 & PARK. 870 00:31:10,413 --> 00:31:14,243 HEY, YO, WE STILL GOT TIME TO GO SEE JERSEY BOYS,Y'ALL. 871 00:31:14,241 --> 00:31:16,001 KEEP--I KEEP TELLING YOU ALL, MAN, 872 00:31:16,000 --> 00:31:19,070 FRANKIE VALLI IS THE WHITE MARVIN GAYE! 873 00:31:19,068 --> 00:31:20,968 - WHY HE ALWAYS SAY THAT? 874 00:31:20,965 --> 00:31:21,965 - UGH. 875 00:31:21,965 --> 00:31:24,205 - HEY, MALIK, JUST RELAX, MAN. 876 00:31:24,206 --> 00:31:25,516 'CAUSE YOU GOING TO THAT MEETING. 877 00:31:25,517 --> 00:31:26,547 END OF STORY. 878 00:31:26,551 --> 00:31:27,591 - LOOK, TEE TEE, IT'S FINE. 879 00:31:27,586 --> 00:31:30,096 I CAN JUST TAKE HIM BACK TO THE HOTEL, 880 00:31:30,103 --> 00:31:31,483 SOBER HIM UP, 881 00:31:31,482 --> 00:31:33,282 KEEP WATCH, 882 00:31:33,275 --> 00:31:34,655 MAKE SURE HE DOESN'T DO IT AGAIN. 883 00:31:34,655 --> 00:31:36,825 - NO, THAT'S JUST ENABLING HIM. 884 00:31:36,827 --> 00:31:38,377 - MAN, YOU SHUT UP, BOY. 885 00:31:38,379 --> 00:31:39,589 SHUT UP! SHUT UP! 886 00:31:39,586 --> 00:31:40,616 ALL RIGHT? 887 00:31:40,620 --> 00:31:42,210 DON'T YOU TELL HER WHAT TO DO. 888 00:31:42,206 --> 00:31:44,656 SHE WORKS FOR ME, DOG, OKAY? 889 00:31:44,655 --> 00:31:46,925 SHE GETS PAID A HEFTY SALARY TOO 890 00:31:46,931 --> 00:31:48,451 PLUS BENEFITS, FOOL. 891 00:31:48,448 --> 00:31:50,928 - WAIT, WHEN I WORKED FOR YOU, I DIDN'T GET NO BENEFITS. 892 00:31:50,931 --> 00:31:53,211 - NOT THOSE TYPE OF BENEFITS, YOU DUMBASS. 893 00:31:53,206 --> 00:31:54,756 - BE THAT AS IT MAY, 894 00:31:54,758 --> 00:31:56,378 YOU NEED TO HEAR THE TRUTH: 895 00:31:56,379 --> 00:31:57,589 YOU'RE A DRUNK. 896 00:31:57,586 --> 00:31:58,926 AND DRUNKS NEED A.A. 897 00:31:58,931 --> 00:32:01,901 - I MIGHT AS WELL DRINK, DOG, 898 00:32:01,896 --> 00:32:04,406 'CAUSE CLEARLY I AIN'T IN CONTROL 899 00:32:04,413 --> 00:32:06,283 OF MY OWN DAMN DESTINY. 900 00:32:06,275 --> 00:32:08,475 - STOP FEELING SORRY FOR YOURSELF. 901 00:32:08,482 --> 00:32:11,242 I KNOW EXACTLY HOW YOU FEEL 902 00:32:11,241 --> 00:32:12,931 'CAUSE I WAS YOU. 903 00:32:12,931 --> 00:32:14,971 YEAH, YOU WERE MY ROGER, REMEMBER? 904 00:32:14,965 --> 00:32:16,965 AND YOU GOT ON MY DAMN NERVES. 905 00:32:16,965 --> 00:32:18,335 ALWAYS THREATENING TO FIRE ME. 906 00:32:18,344 --> 00:32:20,074 ALWAYS REMINDING ME HOW MY DESTINY 907 00:32:20,068 --> 00:32:21,658 WAS TIED TO YOUR WHIM. 908 00:32:21,655 --> 00:32:24,305 BUT INSTEAD OF PUSHING YOU INTO A WOOD CHIPPER, 909 00:32:24,310 --> 00:32:26,690 I CHANGED, 910 00:32:26,689 --> 00:32:30,379 CONVINCED YOU TO LOAN ME THE MONEY TO START MY BUSINESS. 911 00:32:30,379 --> 00:32:34,759 AND NOW, FLEET OF CLUCK TRUCKS AND A BOOK DEAL LATER, 912 00:32:34,758 --> 00:32:36,168 I GOT SOME SOVEREIGNTY, 913 00:32:36,172 --> 00:32:38,692 AND THAT'S ALL A MAN'S LOOKING FOR. 914 00:32:38,689 --> 00:32:40,409 PEACE OF MIND. 915 00:32:40,413 --> 00:32:42,003 NO MAN RULES YOU BUT YOU. 916 00:32:42,000 --> 00:32:44,790 AND THAT'S THE REAL AMERICAN DREAM, MY FRIEND. 917 00:32:44,793 --> 00:32:48,933 - WHAT HE'S SAYING IS, UH... 918 00:32:48,931 --> 00:32:52,031 DREAM CAN BE WHATEVER YOU WANT IT TO BE 919 00:32:52,034 --> 00:32:56,284 JUST AS LONG YOU ABLE TO SAY, "SCREW YOU." 920 00:32:59,413 --> 00:33:00,523 I SEE YOU, BROTHER. 921 00:33:00,517 --> 00:33:03,067 I SEE YOU, MAN. 922 00:33:03,068 --> 00:33:07,028 HEY, YO, DRIVER. 923 00:33:07,034 --> 00:33:09,284 DOG, TAKE ME TO THAT MEETING, MAN. 924 00:33:11,724 --> 00:33:14,524 GOT SOME THINGS I NEED TO TAKE CARE OF, BROTHER. 925 00:33:14,517 --> 00:33:15,547 - ♪ BANG 926 00:33:15,551 --> 00:33:17,591 ♪ DUDE DROP A MONEY SHOT 927 00:33:17,586 --> 00:33:19,026 - ♪ BABY - ♪ DRINK 928 00:33:21,241 --> 00:33:23,141 [doorbell ringing] 929 00:33:24,689 --> 00:33:26,619 - [sighs] 930 00:33:28,793 --> 00:33:30,003 - HEY. - HEY. 931 00:33:30,000 --> 00:33:32,380 - CAN I COME IN? 932 00:33:32,379 --> 00:33:34,309 - WHY, SO YOU CAN TELL ME YOU TOLD ME SO? 933 00:33:34,310 --> 00:33:38,140 - NO, SO I CAN TELL YOU THAT I HANDLED THAT BLUE SITUATION. 934 00:33:38,137 --> 00:33:39,337 YOU NEED TO CALL YOUR WIFE 935 00:33:39,344 --> 00:33:41,344 'CAUSE SHE'S WORRIED SICK ABOUT YOU. 936 00:33:41,344 --> 00:33:42,934 - LOOKING OUT. 937 00:33:42,931 --> 00:33:43,931 THANKS. 938 00:33:46,655 --> 00:33:49,515 PROBABLY SHOULD HAVE STAYED WITH YOU. 939 00:33:49,517 --> 00:33:51,277 PUNK-ASS IRV HIDING OUT IN THE HOSPITAL, 940 00:33:51,275 --> 00:33:52,515 TALKING ABOUT HE GOT THE GOUT. 941 00:33:52,517 --> 00:33:53,757 - OKAY, I'M TELLING YOU. 942 00:33:53,758 --> 00:33:55,688 LOOK, ONE DAY, FOLKS GONNA REALIZE 943 00:33:55,689 --> 00:33:57,339 THAT THE BLACK WOMAN IS NOT ONLY THE MOTHER 944 00:33:57,344 --> 00:33:58,554 OF ALL MANKIND, 945 00:33:58,551 --> 00:34:00,791 BUT SHE THE BADDEST MOTHER FREAKIN' MANAGER 946 00:34:00,793 --> 00:34:02,143 IN THIS GAME. 947 00:34:02,137 --> 00:34:04,787 - [laughs] 948 00:34:04,793 --> 00:34:07,623 - [sighs] 949 00:34:07,620 --> 00:34:10,930 - YOU KNOW, I KEEP TELLING MYSELF THIS IS GOOD. 950 00:34:10,931 --> 00:34:12,171 DESTINY. 951 00:34:12,172 --> 00:34:13,972 IT WAS EXACTLY WHAT ME AND MELANIE PRAYED FOR, 952 00:34:13,965 --> 00:34:15,715 FOR THE TWO OF US TO BE IN THE SAME PLACE 953 00:34:15,724 --> 00:34:17,214 AT THE SAME TIME, 954 00:34:17,206 --> 00:34:20,586 BOTH LIVING OUT OUR DREAMS. 955 00:34:20,585 --> 00:34:23,375 - BUT... 956 00:34:23,379 --> 00:34:26,719 - BUT I THOUGHT, YOU KNOW, IF I EVER LEFT... 957 00:34:29,068 --> 00:34:32,138 IT WOULD BE ON MY TERMS. 958 00:34:32,137 --> 00:34:35,137 I MEAN, I USED TO THINK I WAS INVINCIBLE. 959 00:34:38,000 --> 00:34:41,590 LAST COUPLE YEARS, I HAVE BEEN. 960 00:34:41,585 --> 00:34:45,655 I MEAN, NOTHING COULD TOUCH ME. 961 00:34:45,655 --> 00:34:48,375 I GOT TOUCHED. 962 00:34:50,413 --> 00:34:53,903 - YOU KNOW WHY I LIKED MANAGING YOU? 963 00:34:53,896 --> 00:34:55,406 YOU'RE A LOT LIKE ME. 964 00:34:55,413 --> 00:34:58,413 EVEN WHEN YOU DOWN, YOU AIN'T OUT. 965 00:34:58,413 --> 00:35:00,693 BUT YOU WERE A THIRD-STRING WIDE RECEIVER 966 00:35:00,689 --> 00:35:02,339 BARELY ON THE SABERS, 967 00:35:02,344 --> 00:35:05,484 AND THEN YOU GOT THEM TWO CHAMPIONSHIP RINGS? 968 00:35:05,482 --> 00:35:06,552 DERWIN, WHAT YOU GONNA DO 969 00:35:06,551 --> 00:35:08,141 WITH THE WORST TEAM IN THE LEAGUE? 970 00:35:08,137 --> 00:35:09,787 HM? 971 00:35:09,793 --> 00:35:11,383 YOU'RE GONNA TAKE 'EM TO THE DANCE, WHAT, 972 00:35:11,379 --> 00:35:12,549 FIRST YEAR, SECOND YEAR? 973 00:35:12,551 --> 00:35:13,691 'CAUSE I KNOW YOU OVER THERE. 974 00:35:13,689 --> 00:35:15,479 YOU'RE PLOTTING, AND YOU'RE PLANNING. 975 00:35:15,482 --> 00:35:17,172 DIGGING YOURSELF OUT OF A HOLE, 976 00:35:17,172 --> 00:35:19,342 THAT'S WHAT MOTIVATES YOU. 977 00:35:19,344 --> 00:35:20,864 LOOK, YOU MIGHT AS WELL ACCEPT THE FACT 978 00:35:20,862 --> 00:35:22,792 THAT YOU LIKE TO LIVE LIFE HARD. 979 00:35:22,793 --> 00:35:24,453 HELL, WHAT, YOU MARRIED MELANIE. 980 00:35:24,448 --> 00:35:26,238 [laughter] 981 00:35:33,000 --> 00:35:34,970 - I'M GONNA MISS YOU, TASHA. 982 00:35:34,965 --> 00:35:37,475 [sniffs] 983 00:35:37,482 --> 00:35:38,522 YOU CRAZY. 984 00:35:44,793 --> 00:35:49,103 - MM, DRAFT NIGHT COMPLETE. 985 00:35:49,103 --> 00:35:50,623 - [laughs] 986 00:35:50,620 --> 00:35:53,970 YES, IT IS. 987 00:35:53,965 --> 00:35:55,995 [kissing] 988 00:35:56,000 --> 00:35:58,830 MAYBE WE CAN REENACT IT. 989 00:35:58,827 --> 00:36:01,967 - AS MUCH AS I'D LOVE FOR YOU TO STAY, 990 00:36:01,965 --> 00:36:05,275 YOU HAVE TO GO. 991 00:36:05,275 --> 00:36:07,165 - COOL. 992 00:36:07,172 --> 00:36:08,832 GOT MY APPEARANCE ON GOOD MORNING AMERICA 993 00:36:08,827 --> 00:36:10,137 IN A FEW HOURS. 994 00:36:10,137 --> 00:36:14,477 SO LET THE RECORD SHOW YOU DIDN'T PUT ME OUT; 995 00:36:14,482 --> 00:36:16,792 I GOT BUSINESS TO TEND TO. 996 00:36:16,793 --> 00:36:19,453 - SPIN IT HOWEVER YOU LIKE, 997 00:36:19,448 --> 00:36:21,068 BUT YOU GOT TO GO. 998 00:36:21,068 --> 00:36:22,378 - [laughs] 999 00:36:22,379 --> 00:36:25,409 - ♪ TELL ME IT'S NOTHIN' 1000 00:36:25,413 --> 00:36:28,723 ♪ TELL ME THAT IT'S SOMETHIN' 1001 00:36:28,724 --> 00:36:32,074 ♪ THAT YOU THINK THAT YOU GOIN' ♪ 1002 00:36:32,068 --> 00:36:36,718 ♪ AWAY FROM WHAT'S RIGHT HERE 1003 00:36:36,724 --> 00:36:38,314 - ♪ I 1004 00:36:38,310 --> 00:36:41,550 ♪ NEVER IN MY LIFE 1005 00:36:41,551 --> 00:36:46,141 ♪ HEARD SO MANY LIES 1006 00:36:46,137 --> 00:36:47,377 - MY BAD. 1007 00:36:47,379 --> 00:36:49,859 I HOPE WE DIDN'T WAKE YOU. 1008 00:36:49,862 --> 00:36:52,482 - UH... 1009 00:36:52,482 --> 00:36:56,102 I'M SORRY. 1010 00:36:56,103 --> 00:36:58,973 - NO, NO, YOU'RE FINE. 1011 00:36:58,965 --> 00:37:01,405 - ♪ DEVIL IN DISGUISE 1012 00:37:01,413 --> 00:37:04,143 - ALL RIGHT, GO ON. 1013 00:37:04,137 --> 00:37:06,587 GET OUT OF HERE. 1014 00:37:06,586 --> 00:37:10,206 - ♪ YOU'RE FULL OF IT, BABY 1015 00:37:10,206 --> 00:37:11,966 ♪ MY TRUST IS GONE 1016 00:37:11,965 --> 00:37:13,235 ♪ I'M MOVIN' ON 1017 00:37:13,241 --> 00:37:15,141 - GIRL, CAUGHT THE NUMBER ONE DRAFT PICK 1018 00:37:15,137 --> 00:37:16,307 MOPING AT THE BAR. 1019 00:37:16,310 --> 00:37:17,900 - [laughs] 1020 00:37:17,896 --> 00:37:21,336 - YOU KNOW THE REST. 1021 00:37:21,344 --> 00:37:24,794 HOW WAS YOUR DRAFT NIGHT? 1022 00:37:24,793 --> 00:37:27,103 - UNEVENTFUL. 1023 00:37:27,103 --> 00:37:31,343 - ♪ AWAY FROM WHAT'S REAL 1024 00:37:31,344 --> 00:37:32,664 - I'M GONNA GO TO SLEEP. 1025 00:37:32,655 --> 00:37:33,965 I'LL SEE YOU IN THE MORNING, OKAY? 1026 00:37:33,965 --> 00:37:37,335 - ♪ TELL ME THAT IT'S SOMETHIN' ♪ 1027 00:37:37,344 --> 00:37:39,344 ♪ THAT YOU THINK THAT YOU GOIN' ♪ 1028 00:37:39,344 --> 00:37:40,454 - HM. 1029 00:37:40,448 --> 00:37:41,758 - MM, MM, MM. - YOU ARE GOOD, BABY. 1030 00:37:41,758 --> 00:37:44,588 - ALL RIGHT, NOW EXPOSE YOURSELF. 1031 00:37:44,586 --> 00:37:46,996 OOH, YES, LORD. 1032 00:37:47,000 --> 00:37:48,550 [laughing] 1033 00:37:48,551 --> 00:37:49,551 OW. 1034 00:37:49,551 --> 00:37:50,831 - [laughing] 1035 00:37:50,827 --> 00:37:53,757 - DAMN! - LIKE THAT, HUH? 1036 00:37:53,758 --> 00:37:55,238 - OOH, OH! 1037 00:37:55,241 --> 00:37:56,241 HERCULES. 1038 00:37:56,241 --> 00:37:58,241 [laughter] 1039 00:37:58,241 --> 00:37:59,311 YOU KNOW I LOVE THAT. 1040 00:37:59,310 --> 00:38:01,240 HOT DAMN. 1041 00:38:01,241 --> 00:38:02,621 - HEY, YOU CRAZY. 1042 00:38:02,620 --> 00:38:04,140 AND YOU KNOW WHAT, I ONLY DO THIS CRAP 1043 00:38:04,137 --> 00:38:05,167 BECAUSE I LOVE YOU. 1044 00:38:05,172 --> 00:38:07,312 - AND I LOVE YOU TOO, POOKIE. 1045 00:38:07,310 --> 00:38:09,240 AND THERE IS NO ONE ELSE IN THIS WORLD 1046 00:38:09,241 --> 00:38:11,901 THAT I WOULD RATHER HAVE FLASH ME 1047 00:38:11,896 --> 00:38:13,166 THAN YOU. 1048 00:38:13,172 --> 00:38:15,002 COME ON NOW. - IS THAT RIGHT? 1049 00:38:15,000 --> 00:38:17,280 - YEAH, DON'T BE SHY. 1050 00:38:17,275 --> 00:38:20,235 AHH! HOT DAMN! 1051 00:38:20,241 --> 00:38:21,861 THAT'S IT! 1052 00:38:21,862 --> 00:38:23,552 ALL RIGHT, I'M GOOD NOW. 1053 00:38:23,551 --> 00:38:24,551 I'M GOOD. 1054 00:38:24,551 --> 00:38:26,521 MM-HMM. - MM. 1055 00:38:26,517 --> 00:38:27,617 - ALL RIGHT, BABY, 1056 00:38:27,620 --> 00:38:28,590 YOU GO AND GET YOU SOME REST, OKAY? 1057 00:38:28,586 --> 00:38:30,206 AND WE GONNA CHAT LATER. 1058 00:38:30,206 --> 00:38:32,926 - ALL RIGHT, BABY, I'LL TALK TO YOU LATER. 1059 00:38:32,931 --> 00:38:33,931 - I LOVE YOU, POOKIE. 1060 00:38:33,931 --> 00:38:35,591 - ALL RIGHT, BABY, I LOVE YOU TOO. 1061 00:38:35,586 --> 00:38:36,586 - ALL RIGHT. 1062 00:38:36,586 --> 00:38:37,586 both: BYE. 1063 00:38:37,586 --> 00:38:38,656 - BYE. 1064 00:38:40,931 --> 00:38:42,521 - [sighs] 1065 00:38:48,379 --> 00:38:51,689 [line ringing] 1066 00:38:51,689 --> 00:38:53,099 - HEY, IT'S FORMER LOS ANGELES LAKER 1067 00:38:53,103 --> 00:38:54,933 AND STAR OF HBO'S OZ, 1068 00:38:54,931 --> 00:38:57,071 RICK FOX. 1069 00:38:57,068 --> 00:38:58,518 LEAVE ME A MESSAGE. 1070 00:38:58,517 --> 00:39:01,757 - HEY, RICK. THIS IS TASHA. 1071 00:39:01,758 --> 00:39:04,238 OKAY, NOW, THE REASON WHY I HAVEN'T BEEN ANSWERING 1072 00:39:04,241 --> 00:39:05,971 OR RETURNING ANY OF YOUR PHONE CALLS-- 1073 00:39:05,965 --> 00:39:07,995 I'M GONNA MAKE THIS REAL SHORT AND SWEET-- 1074 00:39:08,000 --> 00:39:09,760 IS 'CAUSE I DIDN'T WANT TO TALK TO YOU. 1075 00:39:09,758 --> 00:39:10,898 OKAY? 1076 00:39:10,896 --> 00:39:11,996 THAT'S IT. PERIOD. 1077 00:39:12,000 --> 00:39:13,140 POINT BLANK. END OF STORY. 1078 00:39:13,137 --> 00:39:14,337 ALL RIGHT? 1079 00:39:14,344 --> 00:39:15,694 AND I AIN'T JUST SAYING THAT JUST TO BE MEAN 1080 00:39:15,689 --> 00:39:18,279 OR 'CAUSE I DON'T LIKE YOU, 1081 00:39:18,275 --> 00:39:20,925 BUT BECAUSE I CARE. 1082 00:39:20,931 --> 00:39:22,761 YEAH, THERE, I SAID IT, ALL RIGHT? 1083 00:39:22,758 --> 00:39:25,138 I STILL CARE ABOUT YOUR PUNK ASS, OKAY? 1084 00:39:25,137 --> 00:39:26,897 AND THAT'S WHAT-- 1085 00:39:26,896 --> 00:39:27,896 THAT'S WHAT HAD ME AFRAID. 1086 00:39:27,896 --> 00:39:30,446 [doorbell ringing] 1087 00:39:30,448 --> 00:39:32,478 UGH, SHOOT. 1088 00:39:32,482 --> 00:39:34,722 OKAY, AND I WAS AFRAID OF THAT. 1089 00:39:34,724 --> 00:39:37,794 BUT I AIN'T GOT TO BE AFRAID NO MORE, ALL RIGHT? 1090 00:39:37,793 --> 00:39:39,213 BECAUSE I'M HAPPY. 1091 00:39:39,206 --> 00:39:40,406 THAT'S RIGHT, RICK, I'M HAPPY. 1092 00:39:40,413 --> 00:39:42,833 I GOT A NEW MAN AND A NEW LIFE, OKAY? 1093 00:39:42,827 --> 00:39:46,027 AND IT'S JUST TIME THAT WE JUST LET THE PAST GO, OKAY? 1094 00:39:48,586 --> 00:39:50,656 - HELLO, TASHA. 1095 00:39:50,655 --> 00:39:52,135 - OH, DAMN. 1096 00:39:52,137 --> 00:39:54,717 - IF YOU ARE SATISFIED WITH YOUR MESSAGE, PRESS 1. 1097 00:39:54,724 --> 00:39:57,344 TO LISTEN TO YOUR MESSAGE, PRESS 2. 1098 00:39:57,344 --> 00:39:58,664 beep! MESSAGE ERASED. 1099 00:39:58,655 --> 00:40:02,135 - ♪ I FEEL THE NIGHT ABOUT YOU 1100 00:40:02,137 --> 00:40:03,377 - YOUR TEA? 1101 00:40:03,379 --> 00:40:05,279 - THANK YOU. 1102 00:40:05,275 --> 00:40:06,545 - UP EARLY, HUH? 1103 00:40:06,551 --> 00:40:08,241 - MORE LIKE A LONG NIGHT. 1104 00:40:08,241 --> 00:40:10,411 - WELL, THAT'S DRAFT WEEKEND FOR YOU. 1105 00:40:10,413 --> 00:40:12,073 WHERE YOU FROM? 1106 00:40:12,068 --> 00:40:13,338 - SAN DIEGO. 1107 00:40:13,344 --> 00:40:15,834 - AH, YOU GUYS GOT THAT KID, BLUE. 1108 00:40:15,827 --> 00:40:17,237 YOU MIGHT GET YOURSELF A RING RIGHT AWAY WITH HIM. 1109 00:40:17,241 --> 00:40:19,661 - MMM. 1110 00:40:19,655 --> 00:40:23,275 I DOUBT IT. 1111 00:40:23,275 --> 00:40:24,655 - SNAP, THERE'S DERWIN DAVIS. 1112 00:40:24,655 --> 00:40:29,205 - ♪ AND THOUGH I CARE ABOUT YOU ♪ 1113 00:40:29,206 --> 00:40:32,786 ♪ THE NIGHT IS CALLING ME 1114 00:40:32,793 --> 00:40:35,483 - WELL, THEY COME AND THEY GO. THAT'S LIFE. 1115 00:40:35,482 --> 00:40:38,762 - ♪ BEFORE THE SUN 1116 00:40:38,758 --> 00:40:42,998 ♪ ALL YOU HAVE TO DO IS RUN, RUN ♪ 1117 00:40:43,000 --> 00:40:47,590 ♪ JUST PROMISE ME YOU'LL RUN, YOU'LL RUN ♪ 1118 00:40:47,586 --> 00:40:52,026 ♪ AND DON'T LOOK BACK 1119 00:40:52,034 --> 00:40:55,004 ♪ DON'T LOOK BACK 1120 00:40:56,275 --> 00:41:00,165 ♪ DON'T LOOK BACK 1121 00:41:00,172 --> 00:41:04,072 ♪ YEAH, DON'T LOOK BACK 1122 00:41:04,068 --> 00:41:07,718 ♪ OH, AND PROMISE ME 1123 00:41:07,724 --> 00:41:11,694 ♪ IF I SHOULD CLAIM A VICTIM 1124 00:41:11,689 --> 00:41:16,379 ♪ TO DEVOUR BEFORE THE LIGHT 1125 00:41:16,379 --> 00:41:20,309 ♪ I PRAY THAT YOU'LL FORGIVE ME ♪ 1126 00:41:20,310 --> 00:41:23,690 ♪ IT'S JUST MY APPETITE 1127 00:41:23,689 --> 00:41:25,659 ♪ IF I, IF I 1128 00:41:25,655 --> 00:41:30,065 ♪ DON'T MAKE IT BACK BEFORE THE SUN ♪ 1129 00:41:30,068 --> 00:41:34,408 ♪ ALL YOU HAVE TO DO IS RUN, RUN ♪ 1130 00:41:34,413 --> 00:41:39,033 ♪ JUST PROMISE ME YOU'LL RUN, YOU'LL RUN ♪ 1131 00:41:39,034 --> 00:41:43,484 ♪ AND DON'T LOOK BACK 1132 00:41:43,482 --> 00:41:46,552 ♪ DON'T LOOK BACK 1133 00:41:47,896 --> 00:41:50,896 [hard rock music] 1134 00:41:50,896 --> 00:41:58,826 ♪ 1135 00:41:58,876 --> 00:42:03,426 Repair and Synchronization by Easy Subtitles Synchronizer 1.0.0.0 77661

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