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>> HEY, BUDDY!
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HOW YOU DOING TODAY, HUH?
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GOOD, FELLA?
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>> BITE ME.
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>> OKAY.
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THAT'S BETTER THAN YESTERDAY,
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WHEN YOU TOLD ME TO TAKE A SWAN
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DIVE OFF THE ROOF.
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>> YOU KNOW WHAT, TEE TEE?
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[ CHUCKLES ]
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TODAY IS MY LAST DAY AT MY CRIB,
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MAN.
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CAN A BROTHER JUST ENJOY HIS
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POOL IN PRIVATE ONE LAST TIME,
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PLEASE?
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>> YEAH. OKAY.
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YEAH, I'LL JUST SIT HERE REAL
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QUIET, MAN.
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YOU WON'T EVEN KNOW I'M HERE.
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>> GOOD.
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>> GOOD.
>> I'LL BE LIKE A GHOST.
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>> I'LL BE LIKE A GHOST.
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HEY, UH, THE WEATHER'S REALLY
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NICE, THOUGH, HUH?
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I MEAN, THE DAY REALLY CAME
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TOGETHER REAL NICE.
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>> DUDE!
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WHY ARE YOU HERE, TEE TEE?
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>> YOUR MOM TOLD ME TO COME OVER
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AND CHECK ON YOU.
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I MEAN, YOU JUST SOLD YOUR
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HOUSE, MAN.
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IT'S A PRETTY BIG DEAL.
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>> MAN, I KNOW WHAT IT IS.
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I'M GONNA SOLDIER THROUGH THIS.
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>> COME ON, MALIK.
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YOU DON'T GOT TO PUT THAT FRONT
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UP FOR ME.
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I'VE ONLY SEEN YOU WEAR THEM
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SHADES TWO TIMES --
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UNCLE RAY RAY'S FUNERAL AND
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WHEN THEY CANCELED
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"SMALL WONDER."
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>> THAT ROBOT HAD HEART, MAN.
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>> AND SO DO YOU.
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SO I'M JUST CHECKING ON YOU,
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MAN, MAKING SURE YOU'RE GOOD,
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YOU'RE NOT OVER HERE, OFFING
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YOURSELF OR DRINKING...
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ANYTHING STRONGER THAN LEMONADE.
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>> YOU PUT YOUR NOSE IN MY DRINK
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WITH YOUR NASTY ASS?
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KEEP IT.
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>> SO LOOK, MAN, IF YOU NEED A
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PLACE TO CRASH, YOU KNOW I'VE
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GOT A FUTON WITH YOUR NAME ON
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IT, RIGHT?
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>> [ CHUCKLES ]
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YEAH, I DO KNOW, 'CAUSE YOUR
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THIEVING ASS STOLE MY
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MONOGRAMMED SHEETS.
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>> [ LAUGHS ]
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YEAH, THAT'S TRUE.
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HEY, SO, IS THAT THE COUPLE
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THAT'S BUYING YOUR HOUSE?
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>> YEP.
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ACCELERATED ESCROW.
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[ SCOFFS ]
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IMPATIENT BASTARDS.
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>> I CAN'T BELIEVE I'M GONNA BE
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LIVING IN A FAMOUS PERSON'S
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HOUSE!
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CAN I HAVE YOUR AUTOGRAPH?
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>> YEAH.
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>> HEY, SEE THAT?
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NOTHING ELSE, YOU STILL GOT YOUR
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FANS.
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>> HERE YOU GO, LITTLE MAN.
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NOW YOU FRAME THAT.
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NOW YOU FRAME THAT.
>> YOU'RE NOT CUBA GOODING JR.?
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>> YOU'RE NOT CUBA GOODING JR.?
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>> ROSA, ARE YOU STILL HERE?
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OH, I GET IT.
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IT'S TOUGH.
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YOU CAN'T LEAVE YOUR BOY, HUH?
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>> NO, I CAN LEAVE.
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THE NEW FAMILY PAY ME DOUBLE.
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>> YEAH, WHATEVER.
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LOOK, ROSA, WHEN YOU WAS PACKING
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MY STUFF, DID YOU SEE A LITTLE,
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SMALL CIGAR BOX?
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>> NO, I HAVEN'T SEEN IT.
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>> NO, I HAVEN'T SEEN IT.
>> HMM.
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>> HMM.
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>> HEY, MAN, LET ME GET THESE.
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>> NO!
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>> WHY?!
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LOOK, MAN, YOU CAN'T TAKE ALL
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THIS STUFF TO THE HOTEL WITH
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YOU, AND I KNOW YOU DON'T NEED
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NO REMINDERS OF ALL THE MONEY
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YOU WASTED.
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>> WHAT MONEY I WASTED, TEE TEE?
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>> WELL, LIKE ON CLOTHES, FOR
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INSTANCE.
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YOU WEAR SOMETHING ONCE, YOU
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THROW IT AWAY.
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>> THAT AIN'T WASTING MONEY.
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THAT'S KEEPING IT FRESH TO DEAF.
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>> HEY, MR. MALIK?
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>> WHAT?!
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>> CAN I SEND THESE CLOTHES TO
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MY FAMILY?
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>> HELL NO!
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THROW THOSE CLOTHES IN THE TRASH
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AND LEAVE ME ALONE!
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GIRL, I...
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DAMN!
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[ SIGHS ]
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THIS HOUSE HAS BEEN REAL GOOD TO
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ME, TEE TEE.
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BEST SIX MONTHS OF MY LIFE, MAN.
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BEST SIX MONTHS.
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HUH!
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DON'T YOU KNOW, I AM LITTLE MAC,
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VON KAISER!
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BOOM! TKO.
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[ LAUGHS ]
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YO, WHAT ARE YOU DOING,
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GOLDMEMBER?!
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I WAS ABOUT TO GO PUT THE
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WHUPPING ON KING HIPPO'S
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THROWBACK ASS.
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>> YEAH, WELL, KING HIPPO'S ASS
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CAN WAIT.
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DERWIN, I'M BORED!
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I WANT TO GO OUT.
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>> GIVE ME...
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[ SIGHS ] ALL RIGHT, FINE.
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THEN GO OUT THEN, MEL.
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>> NO, NO, DERWIN.
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I WANT TO GO OUT WITH YOU, ON A
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DATE.
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HOW ABOUT HAPPY HOUR AT THAT
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HOTEL, THE EASTON?
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OH! DROP BAR.
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>> HA! PLEASE.
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THE ONLY REASON WHY YOU WANT TO
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GO TO THE DROP BAR IS TO MESS
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AROUND WITH TASHA.
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>> NO, I DON'T.
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DROP BAR IS LIKE THE HOTTEST
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LOUNGE IN SAN DIEGO.
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BESIDES, WHAT ARE THE ODDS OF US
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EVEN RUNNING INTO TASHA?
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IT'S CALLED HAPPY HOUR FOR A
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REASON.
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>> MELANIE, YOU ALREADY TOOK
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THE WOMAN'S FASHION SHOW.
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ISN'T THAT ENOUGH?
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>> DERWIN, THIS ISN'T ABOUT
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TASHA, OKAY?
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AND SHE DOESN'T OWN DROP BAR.
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>> OKAY, I AM NOT GONNA BE PART
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OF THIS WICKEDRY, SHE-DEVIL.
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IN FACT, I CAST YOU OUT.
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PUFF, POW. BEGONE.
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>> DERWIN, I'M NOT LETTING UP,
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SO YOU MAY AS WELL GIVE IN,
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OKAY?
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OTHERWISE, YOU WILL BE FIGHTING
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ALL NIGHT LONG, AND I'M NOT
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TALKING ABOUT WITH MIKE TYSON.
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>> AAH!
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>> NOW COME ON.
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LET'S GO.
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>> HIS INJURY AND THE LEAGUE
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GOING ON STRIKE DEFINITELY HURT
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HIM.
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AND WHILE THE ODDS ARE AGAINST
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TIO MAKING A MIDSEASON RETURN,
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DON'T STICK A FORK IN HIM YET.
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RYAN, HOW'S THAT?
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ARE MY LEVELS OKAY?
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>> THAT'S BEAUTIFUL.
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JUST KEEP TALKING.
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WE'LL TELL YOU WHEN WE GOT
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ENOUGH.
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>> OKAY.
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>> OH, WHAT'S THIS?
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GOT A STAND-IN FILLING IN FOR
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ME?
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LOOKS ARE COMPARABLE.
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I THINK MY TATAS ARE A LITTLE
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BIGGER.
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[ LAUGHS ]
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>> JASON, THAT'S SUMMER GRAYSON.
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>> OH, YEAH, YEAH, YEAH.
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SHE LOOKS SMALLER ON TV.
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HOW'D YOU GET HER TO BE MY
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STAND-IN?
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>> LISTEN, WE BROUGHT YOU DOWN
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HERE BECAUSE WE NEED TO TALK.
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>> IS THIS ABOUT THE BATHROOM
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THING?
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AGAIN, DUDE, I TOLD YOU, I
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ALWAYS DOUBLE FLUSH.
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IT WASN'T ME.
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>> NO, JASON.
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>> HEY, SUMMER GRAYSON.
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>> HI.
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>> KEEP UP THE GOOD WORK, GIRL.
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MAYBE ONE DAY, YOU'LL HAVE YOUR
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OWN SHOW, TOO, JUST LIKE THE
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DIP, HUH?
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>> [ LAUGHS ]
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YOU HAVEN'T TALKED TO HIM YET.
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>> TALKED TO ME ABOUT WHAT?
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You told her about the
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bathroom incident?!
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>> NO.
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J-JASON, SUMMER LEFT ESPN.
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SHE'S YOUR NEW CO-ANCHOR.
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>> [ CHUCKLES ]
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>> CO-ANCHOR?
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>> [ MUTTERS ]
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>> ARE YOU KIDDING ME?
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YOU MUST BE KIDDING ME, BECAUSE
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THIS IS A JOKE ON EVERY LEVEL.
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EVEN HER NAME'S A JOKE --
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SUMMER GRAYSON, PLEASE.
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>> UH, THAT'S MY GREAT
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GRANDMOTHER'S NAME, SO --
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>> DID SHE DO PORN IN THE '20s?
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>> SUMMER, WOULD YOU GIVE US
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JUST A --
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>> YEAH, YEAH.
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WOULD YOU JUST GIVE US JUST A --
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YEAH.
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ARE YOU KIDDING ME?!
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>> I KNOW YOU'RE UPSET, OKAY,
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BUT THE NETWORK HAS SUGGESTED WE
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SEXY UP THE SHOW.
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>> THEN I'LL WEAR TIGHTER
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SHIRTS, RYAN.
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I'LL GIVE A LITTLE NIP SLIP.
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THE NAME OF THE SHOW IS
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"THE PITTS STOP," AS IN
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JASON PITTS, AS IN J. PITTY.
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♪ BROUGHT A RING TO THE CITY
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♪ ALL THE LADIES LOVE ME
252
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♪ HANDSOME/WITTY
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COME ON.
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>> LISTEN --
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>> ♪ JAY SONIC, DIP THE PIT
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TRONIC ♪
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♪ SO ATHLETIC, THE PEOPLE THINK
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THAT I'M BIONIC ♪
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DON'T ACT LIKE YOU DON'T KNOW
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IT.
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>> I DON'T.
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>> ♪ JAY POPPER, QUARTERBACK
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STOPPER ♪
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♪ DROPPING CHANDELIERS LIKE THE
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00:06:03,275 --> 00:06:04,545
PHANTOM OF THE OPERA ♪
266
00:06:04,551 --> 00:06:05,211
>> I KNOW --
267
00:06:05,206 --> 00:06:06,136
>> ♪ THAT LINE DIDN'T MAKE
268
00:06:06,137 --> 00:06:07,067
SENSE, BUT IT SOUNDED DOPE ♪
269
00:06:07,068 --> 00:06:07,788
♪ IT'S THE DIP, BITCHES
270
00:06:07,793 --> 00:06:08,523
♪ ALL YOU OTHER SUCKERS CAN'T
271
00:06:08,517 --> 00:06:09,097
COPE ♪
272
00:06:09,103 --> 00:06:10,453
>> I KNOW IT'S SUDDEN, OKAY, BUT
273
00:06:10,448 --> 00:06:11,448
THIS IS A GREAT MOVE FOR THE
274
00:06:11,448 --> 00:06:12,138
SHOW.
275
00:06:12,137 --> 00:06:13,167
LOOK, THE TWO OF YOU -- IT'S
276
00:06:13,172 --> 00:06:13,932
GONNA BE HUGE.
277
00:06:13,931 --> 00:06:14,791
YOU'LL SEE.
278
00:06:14,793 --> 00:06:15,763
LOOK, WHAT DO YOU SAY?
279
00:06:15,758 --> 00:06:16,898
COME ON.
280
00:06:16,896 --> 00:06:17,926
YOU COOL WITH THIS?
281
00:06:17,931 --> 00:06:19,791
>> HELL NO I'M NOT COOL WITH IT.
282
00:06:19,793 --> 00:06:22,143
>> HELL NO I'M NOT COOL WITH IT.
>> WELL, THAT WAS RHETORICAL.
283
00:06:22,137 --> 00:06:26,857
>> WELL, THAT WAS RHETORICAL.
284
00:06:26,862 --> 00:06:27,972
>> HEY, YOU KNOW I NEVER LIKED
285
00:06:27,965 --> 00:06:29,825
EATING IN THIS ROOM?
286
00:06:29,827 --> 00:06:31,097
IT ALWAYS MADE ME FEEL LIKE I
287
00:06:31,103 --> 00:06:32,623
WAS IN A PERIOD PIECE.
288
00:06:32,620 --> 00:06:35,000
>> REALLY?
289
00:06:35,000 --> 00:06:36,830
NO, MAN, I'M GONNA MISS IT.
290
00:06:36,827 --> 00:06:38,207
[ CHUCKLES ]
291
00:06:38,206 --> 00:06:40,856
CELEBRATING THE HOLIDAYS, HAVING
292
00:06:40,862 --> 00:06:44,072
THE TEAM DINNERS, HOSTING THE
293
00:06:44,068 --> 00:06:46,378
SEX PARTIES.
294
00:06:46,379 --> 00:06:48,999
MAN, TEE TEE, IF THESE WALLS
295
00:06:49,000 --> 00:06:50,100
COULD TALK, BROTHER.
296
00:06:50,103 --> 00:06:51,033
>> [ LAUGHS ]
297
00:06:51,034 --> 00:06:52,214
>> DUDE, IF THESE WALLS COULD
298
00:06:52,206 --> 00:06:55,546
TALK, THEY WOULD SAY, "WASH ME."
299
00:06:55,551 --> 00:06:58,281
>> YEAH. THEY WOULD.
300
00:06:58,275 --> 00:07:03,965
>> ♪ FOREVER'S GONE AWAY
301
00:07:03,965 --> 00:07:05,755
♪ IT'S SO HARD TO SAY GOODBYE
302
00:07:05,758 --> 00:07:08,998
>> [ SIGHS ]
303
00:07:09,000 --> 00:07:10,830
YOU KNOW, TEE TEE, I REALLY
304
00:07:10,827 --> 00:07:12,307
SHOULD HAVE LEARNED HOW TO SWIM.
305
00:07:12,310 --> 00:07:13,140
>> [ CHUCKLES ]
306
00:07:13,137 --> 00:07:14,447
WELL, YOU KNOW WHAT?
307
00:07:14,448 --> 00:07:17,408
IT'S NEVER TOO LATE TO START.
308
00:07:17,413 --> 00:07:19,313
IT'S NEVER TOO LATE TO START.
>> YOU'RE RIGHT.
309
00:07:19,310 --> 00:07:22,140
>> YOU'RE RIGHT.
310
00:07:22,137 --> 00:07:23,717
[ SHOUTING INDISTINCTLY ]
311
00:07:23,724 --> 00:07:25,624
HELP, HELP!
312
00:07:25,620 --> 00:07:26,930
I'M DROWNING!
313
00:07:26,931 --> 00:07:28,311
>> PUT YOUR FEET DOWN, MAN!
314
00:07:28,310 --> 00:07:31,790
>> TEE TEE!
315
00:07:31,793 --> 00:07:33,623
>> TEE TEE!
>> WATCH OUT!
316
00:07:33,620 --> 00:07:39,860
>> WATCH OUT!
317
00:07:39,862 --> 00:07:43,102
REALLY? REALLY?
318
00:07:43,103 --> 00:07:45,173
REALLY? REALLY?
GOT ME ALL MY CLOTHES ALL WET.
319
00:07:45,172 --> 00:07:47,592
GOT ME ALL MY CLOTHES ALL WET.
320
00:07:47,586 --> 00:07:48,716
>> [ SIGHS ]
321
00:07:48,724 --> 00:07:51,244
MIDNIGHT BLACK.
322
00:07:51,241 --> 00:07:53,831
NEVER RODE YOU.
323
00:07:53,827 --> 00:07:55,927
NEVER FED YOU.
324
00:07:55,931 --> 00:07:57,971
NEVER PET YOU.
325
00:07:57,965 --> 00:07:59,235
BUT I'M DAMN SURE GONNA MISS
326
00:07:59,241 --> 00:08:00,311
YOU, BABY.
327
00:08:00,310 --> 00:08:02,310
YOU, BABY.
[ HORSE NEIGHS ]
328
00:08:02,310 --> 00:08:07,690
[ HORSE NEIGHS ]
329
00:08:07,689 --> 00:08:10,279
[ KNOCK AT DOOR ]
330
00:08:10,275 --> 00:08:11,275
>> HEY.
331
00:08:11,275 --> 00:08:12,305
>> HEY, PRETTY GIRL.
332
00:08:12,310 --> 00:08:14,240
>> [ LAUGHS ]
333
00:08:14,241 --> 00:08:15,071
YOU KNOW WHAT?
334
00:08:15,068 --> 00:08:16,208
YOU'RE JUST IN TIME.
335
00:08:16,206 --> 00:08:17,206
CENTRAL IS DOING A
336
00:08:17,206 --> 00:08:18,546
"WHERE ARE THEY NOW?" ON
337
00:08:18,551 --> 00:08:19,481
ALEXANDER O'NEAL.
338
00:08:19,482 --> 00:08:21,142
THIS FOOL STILL HAS A SLICK-BACK
339
00:08:21,137 --> 00:08:22,587
HAIRDO AND A TURQUOISE SUIT.
340
00:08:22,586 --> 00:08:23,856
HE'S JUST MISSING A COUPLE
341
00:08:23,862 --> 00:08:24,662
TEETH NOW.
342
00:08:24,655 --> 00:08:26,655
>> PBHT!
343
00:08:26,655 --> 00:08:27,895
>> WHAT'S WRONG WITH YOU?
344
00:08:27,896 --> 00:08:28,716
>> I DON'T WANT TO TALK ABOUT
345
00:08:28,724 --> 00:08:29,384
IT.
346
00:08:29,379 --> 00:08:30,099
>> ALL RIGHT, FINE.
347
00:08:30,103 --> 00:08:31,003
YOU WANT SOME TRISCUITS?
348
00:08:31,000 --> 00:08:31,970
CUT UP A LITTLE CHEESE TO GIVE
349
00:08:31,965 --> 00:08:32,785
IT A LITTLE POP.
350
00:08:32,793 --> 00:08:33,933
>> OH, OH, WHAT, THE TRISCUITS
351
00:08:33,931 --> 00:08:34,721
AREN'T GOOD ENOUGH BY
352
00:08:34,724 --> 00:08:35,414
THEMSELVES?
353
00:08:35,413 --> 00:08:36,243
NOT EXCITING ENOUGH FOR YOU?
354
00:08:36,241 --> 00:08:37,241
GOT TO ADD A LITTLE CHEESE TO
355
00:08:37,241 --> 00:08:38,001
MAKE IT SEXY?
356
00:08:38,000 --> 00:08:38,860
>> UH, NO CHEESE?
357
00:08:38,861 --> 00:08:41,721
>> NO. NO CHEESE.
358
00:08:41,724 --> 00:08:42,724
>> JASON, WHAT'S -- WHAT'S THE
359
00:08:42,724 --> 00:08:43,484
MATTER?
360
00:08:43,482 --> 00:08:44,172
>> [ GROANS ]
361
00:08:44,172 --> 00:08:45,032
IT'S MY -- IT'S MY SHOW.
362
00:08:45,034 --> 00:08:46,314
THEY ADDED A CO-ANCHOR.
363
00:08:46,310 --> 00:08:47,280
>> WELL, WHAT'S WRONG WITH THAT?
364
00:08:47,275 --> 00:08:48,515
YOU'VE BEEN PAIRED WITH PEOPLE
365
00:08:48,517 --> 00:08:49,587
BEFORE -- CHRIS WEBBER.
366
00:08:49,586 --> 00:08:50,756
>> CHARDONNAY, I TOLD YOU DO NOT
367
00:08:50,758 --> 00:08:51,618
SAY THAT MAN'S NAME.
368
00:08:51,620 --> 00:08:52,450
HE'S DEAD TO ME.
369
00:08:52,448 --> 00:08:53,928
>> [ SCOFFS ]
370
00:08:53,931 --> 00:08:55,521
LOOK, I COMPLETELY UNDERSTAND
371
00:08:55,517 --> 00:08:57,207
WHAT YOU'RE GOING THROUGH, OKAY?
372
00:08:57,206 --> 00:08:58,716
DOWN AT THE BAR, THE MANAGER
373
00:08:58,724 --> 00:09:00,524
BROUGHT IN MR. SEXY LATIN MAN,
374
00:09:00,517 --> 00:09:01,997
JAVIER, TO WAIT THE TABLETOPS.
375
00:09:02,000 --> 00:09:03,620
BUT I WAS LIKE, "HOLD UP!
376
00:09:03,620 --> 00:09:04,900
EVERYBODY KNOWS BARTENDERS
377
00:09:04,896 --> 00:09:06,026
HANDLE THE TABLETOPS.
378
00:09:06,034 --> 00:09:07,694
PLUS, PEOPLE TIP AT THE TABLES
379
00:09:07,689 --> 00:09:09,339
TWICE AS MUCH AS THE PEOPLE TIP
380
00:09:09,344 --> 00:09:10,144
AT THE BAR."
381
00:09:10,137 --> 00:09:11,027
BUT DID I UP AND QUIT?
382
00:09:11,034 --> 00:09:11,764
NO!
383
00:09:11,758 --> 00:09:13,378
BECAUSE I'M KEEPING MY EYES ON
384
00:09:13,379 --> 00:09:15,069
THAT PRIZE -- OPENING UP MY OWN
385
00:09:15,068 --> 00:09:17,138
SPA -- SPADONNAY.
386
00:09:17,137 --> 00:09:17,997
>> WOW.
387
00:09:18,000 --> 00:09:18,860
TOOK YOU A MINUTE TO COME UP
388
00:09:18,862 --> 00:09:19,622
WITH THAT NAME, HUH?
389
00:09:19,620 --> 00:09:20,380
>> YOU KNOW WHAT?
390
00:09:20,379 --> 00:09:21,379
I'M GONNA COME UP WITH A NAME
391
00:09:21,379 --> 00:09:22,209
FOR THAT NEW SHOW OF YOURS.
392
00:09:22,206 --> 00:09:23,066
IT'S CALLED "OFF THE AIR."
393
00:09:23,068 --> 00:09:24,068
>> HEY.
394
00:09:24,068 --> 00:09:24,968
>> SMARTASS MOUTH.
395
00:09:24,965 --> 00:09:25,755
>> [ LAUGHS ]
396
00:09:25,758 --> 00:09:26,968
>> LOOK, ALL I'M SAYING IS WE
397
00:09:26,965 --> 00:09:28,165
NEED TO FOCUS ON THE POSITIVES
398
00:09:28,172 --> 00:09:29,282
OF YOU HAVING A CO-ANCHOR.
399
00:09:29,275 --> 00:09:30,545
I MEAN, HAVEN'T YOU BEEN SAYING
400
00:09:30,551 --> 00:09:31,901
THAT YOU FELT BAD FOR GOING BACK
401
00:09:31,896 --> 00:09:32,856
TO THE JOB AFTER YOU QUIT FOR
402
00:09:32,862 --> 00:09:33,692
BRITTANY?
403
00:09:33,689 --> 00:09:34,689
I MEAN, THIS FREES YOU UP A
404
00:09:34,689 --> 00:09:35,999
LITTLE BIT SO YOU CAN SPEND MORE
405
00:09:36,000 --> 00:09:36,900
TIME WITH HER.
406
00:09:36,896 --> 00:09:37,716
>> OH, LET ME SEE.
407
00:09:37,724 --> 00:09:38,864
>> HAVE MY OWN TV SHOW, SPENDING
408
00:09:38,862 --> 00:09:40,102
MORE TIME WITH MY DAUGHTER AND
409
00:09:40,103 --> 00:09:41,003
HER RAGING HORMONES.
410
00:09:41,000 --> 00:09:42,830
I DON'T KNOW!
411
00:09:42,827 --> 00:09:44,277
>> LOOK, I PROMISE YOU, THIS IS
412
00:09:44,275 --> 00:09:45,275
GONNA BE GREAT.
413
00:09:45,275 --> 00:09:46,445
YOU'LL HAVE MORE TIME WITH
414
00:09:46,448 --> 00:09:47,858
BRITTANY, AND YOU CAN KICK IT
415
00:09:47,862 --> 00:09:49,312
WITH YOUR WIFEY, WHO LIKES TO
416
00:09:49,310 --> 00:09:52,450
DANCE.
417
00:09:52,448 --> 00:09:53,968
COME ON.
418
00:09:53,965 --> 00:09:55,785
COME ON, BABY.
419
00:09:55,793 --> 00:09:58,623
I WANT TO SEE WHAT YOU GOT.
420
00:09:58,620 --> 00:09:59,690
CAN YOU DANCE?
421
00:09:59,689 --> 00:10:00,719
>> I DON'T -- I DON'T FEEL LIKE
422
00:10:00,724 --> 00:10:01,454
DANCING.
423
00:10:01,448 --> 00:10:02,378
>> WELL, YOU SHOULD.
424
00:10:02,379 --> 00:10:03,859
>> NO, I DON'T.
425
00:10:03,862 --> 00:10:04,902
DANCING, CHARDONNAY.
426
00:10:04,896 --> 00:10:05,996
>> OOH, LOOK AT YOU.
427
00:10:06,000 --> 00:10:07,340
>> CHARDONNAY.
428
00:10:07,344 --> 00:10:08,174
>> DIDN'T KNOW JASON PITTS KNEW
429
00:10:08,172 --> 00:10:09,412
HOW TO DO THE CABBAGE PATCH.
430
00:10:09,413 --> 00:10:10,283
>> OH, PLEASE.
431
00:10:10,275 --> 00:10:11,305
THE CABBAGE PATCH AND SNEAKY
432
00:10:11,310 --> 00:10:12,100
SNAKES.
433
00:10:12,103 --> 00:10:13,003
>> OOH. OKAY.
434
00:10:13,000 --> 00:10:15,830
>> THE CABBIE SNAKEY PATCHES.
435
00:10:15,827 --> 00:10:16,657
>> I DON'T WANT YOU TO DO THAT.
436
00:10:16,655 --> 00:10:17,305
>> NO?
437
00:10:17,310 --> 00:10:18,140
>> NOT SEXY.
438
00:10:18,137 --> 00:10:18,827
>> OKAY. HE DOES THIS ONE.
439
00:10:18,827 --> 00:10:19,517
UH-OH, UH-OH.
440
00:10:19,517 --> 00:10:20,617
>> OH, I GOT THAT, I GOT THAT.
441
00:10:20,620 --> 00:10:22,210
OKAY.
442
00:10:22,206 --> 00:10:23,276
>> MM! YES, YES!
443
00:10:23,275 --> 00:10:24,715
I'D LIKE TO SEE SUMMER GRAYSON
444
00:10:24,724 --> 00:10:26,004
DO THAT.
445
00:10:26,000 --> 00:10:27,070
>> WAIT A MINUTE.
446
00:10:27,068 --> 00:10:28,548
SUMMER GRAYSON, THE CUTE, BLOND
447
00:10:28,551 --> 00:10:29,411
SPORTS REPORTER?
448
00:10:29,413 --> 00:10:30,483
>> "CUTE" MIGHT BE A BIT
449
00:10:30,482 --> 00:10:31,212
GENEROUS.
450
00:10:31,206 --> 00:10:32,376
SO IS "BLOND."
451
00:10:32,379 --> 00:10:35,029
SO IS "BLOND."
[ LAUGHS ]
452
00:10:35,034 --> 00:10:36,454
[ LAUGHS ]
453
00:10:36,448 --> 00:10:37,518
>> HEY, JULIE, WHERE'S
454
00:10:37,517 --> 00:10:38,757
CHARDONNAY AT?
455
00:10:38,758 --> 00:10:40,408
>> OH, IT'S HER NIGHT OFF.
456
00:10:40,413 --> 00:10:41,523
>> OH, SHE PROBABLY WITH THAT
457
00:10:41,517 --> 00:10:43,097
LITE-BRITE HUSBAND OF HERS.
458
00:10:43,103 --> 00:10:44,103
MM-HMM.
459
00:10:44,103 --> 00:10:45,003
YOU BETTER TELL HER TO BE
460
00:10:45,000 --> 00:10:46,380
CAREFUL HERE, OKAY, 'CAUSE HE
461
00:10:46,379 --> 00:10:48,069
DID A DOOZY ON MY GIRL KELLY.
462
00:10:48,068 --> 00:10:51,028
SENT THAT TRISCUIT CRAZY.
463
00:10:51,034 --> 00:10:52,484
MM-HMM.
464
00:10:52,482 --> 00:10:54,172
>> ISN'T THIS THE PERFECT PLACE
465
00:10:54,172 --> 00:10:55,692
FOR US TO SPEND SOME --
466
00:10:55,689 --> 00:10:56,719
[ Gasps ] Look, look.
467
00:10:56,724 --> 00:10:57,724
OH, MY GOD.
468
00:10:57,724 --> 00:10:59,554
IT'S TASHA, ALL BY HERSELF,
469
00:10:59,551 --> 00:11:01,661
GETTING DRUNK, NO MEN IN SIGHT.
470
00:11:01,655 --> 00:11:05,065
HA! LONELY OLD TROLL.
471
00:11:05,068 --> 00:11:06,168
>> EXCUSE ME, MY MAN.
472
00:11:06,172 --> 00:11:07,382
COULD WE GET A TABLE, PLEASE?
473
00:11:07,379 --> 00:11:08,069
>> TWO?
474
00:11:08,068 --> 00:11:09,478
>> TWO?
>> YES.
475
00:11:09,482 --> 00:11:11,832
>> YES.
476
00:11:11,827 --> 00:11:13,687
>> YES.
>> WHAT'S UP, TASH?
477
00:11:13,689 --> 00:11:16,139
>> WHAT'S UP, TASH?
478
00:11:16,137 --> 00:11:17,757
>> AIN'T THIS ABOUT A BLIP?
479
00:11:17,758 --> 00:11:19,378
OF ALL THE JOINTS IN ALL THE
480
00:11:19,379 --> 00:11:20,999
TOWNS IN ALL THE WORLD, THIS
481
00:11:21,000 --> 00:11:23,240
TRICK GOT TO COME INTO MINE.
482
00:11:23,241 --> 00:11:24,381
>> "CASABLANCA," RIGHT?
483
00:11:24,379 --> 00:11:25,099
>> WHO?
484
00:11:25,103 --> 00:11:26,383
NO. MELANIE BARRENETTE.
485
00:11:26,379 --> 00:11:27,619
I CALL HER "BARRENETTE."
486
00:11:27,620 --> 00:11:28,860
YOU KNOW, SHE'S BARREN.
487
00:11:28,862 --> 00:11:29,932
CAN'T HAVE NO KIDS.
488
00:11:29,931 --> 00:11:31,521
[ LAUGHS ]
489
00:11:31,517 --> 00:11:33,857
LOOK AT HER, ALL DESPERATE AND
490
00:11:33,862 --> 00:11:36,342
NEEDY, CLINGING ON HER MAN.
491
00:11:36,344 --> 00:11:38,864
IT'S PATHETIC.
492
00:11:38,862 --> 00:11:40,792
IT'S PATHETIC.
493
00:11:40,793 --> 00:11:42,793
OH, JAVIER.
494
00:11:42,793 --> 00:11:44,283
BABY, I WANT YOU TO GET ME SOME
495
00:11:44,275 --> 00:11:45,545
MORE OF THEM COMPLIMENTARY
496
00:11:45,551 --> 00:11:46,481
WASABI NUTS, OKAY?
497
00:11:46,482 --> 00:11:47,212
>> UH, SURE.
498
00:11:47,206 --> 00:11:48,306
NO PROBLEM, MS. MACK.
499
00:11:48,310 --> 00:11:49,830
GOT AN EXTRA BOWL JUST FOR YOU.
500
00:11:49,827 --> 00:11:50,997
>> THAT'S RIGHT, 'CAUSE I TIP ON
501
00:11:51,000 --> 00:11:52,070
TOP OF THE TIP!
502
00:11:52,068 --> 00:11:53,168
I'M A TIP-TOPPER!
503
00:11:53,172 --> 00:11:54,792
ALWAYS IN TIP SHAPE ON MY TIPPY
504
00:11:54,793 --> 00:11:55,863
TOES!
505
00:11:55,862 --> 00:11:58,142
[ LAUGHS ]
506
00:11:58,137 --> 00:11:58,857
>> YES.
507
00:11:58,862 --> 00:11:59,552
>> EXCUSE ME.
508
00:11:59,551 --> 00:12:00,621
CAN I HAVE SOME WASABI NUTS,
509
00:12:00,620 --> 00:12:01,660
PLEASE?
510
00:12:01,655 --> 00:12:02,515
TWO ORDERS -- ONE FOR ME AND MY
511
00:12:02,517 --> 00:12:03,207
HUSBAND.
512
00:12:03,206 --> 00:12:03,996
>> UH, NO.
513
00:12:04,000 --> 00:12:04,930
I DON'T REALLY DO THE WASABI --
514
00:12:04,931 --> 00:12:06,241
>> EAT THE NUTS.
515
00:12:06,241 --> 00:12:07,481
AND WE'LL ALSO HAVE A BOTTLE OF
516
00:12:07,482 --> 00:12:09,212
YOUR FINEST CHAMPAGNE.
517
00:12:09,206 --> 00:12:10,446
>> CRANS FOR ME, MY MAN.
518
00:12:10,448 --> 00:12:11,658
>> EXCUSE ME?
519
00:12:11,655 --> 00:12:12,615
>> [ SIGHS ]
520
00:12:12,620 --> 00:12:13,660
YOU'RE GONNA REALLY MAKE ME SAY
521
00:12:13,655 --> 00:12:14,475
IT?
522
00:12:14,482 --> 00:12:16,032
CRANBERRY JUICE, PLEASE.
523
00:12:16,034 --> 00:12:17,174
CRANBERRY JUICE, PLEASE.
I WOULD LIKE A CRANBERRY JUICE.
524
00:12:17,172 --> 00:12:24,662
I WOULD LIKE A CRANBERRY JUICE.
525
00:12:24,655 --> 00:12:25,715
>> ALL RIGHT, THAT'S ENOUGH,
526
00:12:25,724 --> 00:12:26,414
MEL.
527
00:12:26,413 --> 00:12:27,103
I'M TIRED.
528
00:12:27,103 --> 00:12:28,033
LET'S GO.
529
00:12:28,034 --> 00:12:29,004
>> JUST FIVE MORE MINUTES.
530
00:12:29,000 --> 00:12:30,240
>> BOY, YOU SAID THAT FIVE
531
00:12:30,241 --> 00:12:31,521
MINUTES AGO, OKAY?
532
00:12:31,517 --> 00:12:32,857
I'M ALREADY FIVE CRANBERRIES IN.
533
00:12:32,862 --> 00:12:35,552
I HAVE TO PEE.
534
00:12:35,551 --> 00:12:36,591
I DON'T EVEN KNOW WHO YOU ARE
535
00:12:36,586 --> 00:12:37,276
RIGHT NOW.
536
00:12:37,275 --> 00:12:38,135
THIS IS RIDICULOUS.
537
00:12:38,137 --> 00:12:38,857
I'M OUT.
538
00:12:38,862 --> 00:12:39,832
>> DERWIN, DO NOT LEAVE ME
539
00:12:39,827 --> 00:12:40,757
ALONE WITH HER, OKAY?
540
00:12:40,758 --> 00:12:43,718
I HAVE TO WIN THIS.
541
00:12:43,724 --> 00:12:44,974
>> MELANIE, YOU MANIPULATING ME
542
00:12:44,965 --> 00:12:46,235
IN COMING DOWN HERE, OKAY?
543
00:12:46,241 --> 00:12:47,381
I'M NOT PLAYING YOUR STUPID
544
00:12:47,379 --> 00:12:48,239
LITTLE GAMES ANYMORE.
545
00:12:48,241 --> 00:12:49,241
IF YOU WANT TO WIN, YOU DO IT ON
546
00:12:49,241 --> 00:12:50,241
YOUR OWN, OKAY?
547
00:12:50,241 --> 00:12:51,481
I'M GOING TO RELEASE THE BEAST,
548
00:12:51,482 --> 00:12:53,142
I'M GOING TO RELEASE THE BEAST,
AND THEN I AM LEAVING.
549
00:12:53,137 --> 00:12:56,237
AND THEN I AM LEAVING.
550
00:12:56,241 --> 00:12:57,791
>> OKAY, LADIES, I'M SORRY, BUT
551
00:12:57,793 --> 00:12:58,903
IT'S CLOSING TIME.
552
00:12:58,896 --> 00:13:00,616
I REALLY GOT TO LOCK THINGS UP
553
00:13:00,620 --> 00:13:01,970
I REALLY GOT TO LOCK THINGS UP
HERE.
554
00:13:01,965 --> 00:13:06,995
HERE.
555
00:13:07,000 --> 00:13:08,860
HERE.
TONIGHT.
556
00:13:08,862 --> 00:13:10,482
TONIGHT.
557
00:13:10,482 --> 00:13:12,342
TONIGHT.
>> [ SIGHS ]
558
00:13:12,344 --> 00:13:26,344
>> [ SIGHS ]
559
00:13:26,344 --> 00:13:27,904
[ SIGHS ]
560
00:13:27,896 --> 00:13:30,276
OKAY, FINE.
561
00:13:30,275 --> 00:13:31,375
I WILL BE THE BIGGER PERSON AND
562
00:13:31,379 --> 00:13:32,139
SAY GOOD NIGHT.
563
00:13:32,137 --> 00:13:33,307
>> [ LAUGHS ]
564
00:13:33,310 --> 00:13:34,170
>> THANK YOU.
565
00:13:34,172 --> 00:13:35,032
>> ENJOY THE REST OF THE
566
00:13:35,034 --> 00:13:36,104
EVENING, MY GOOD MAN.
567
00:13:36,103 --> 00:13:38,283
IT'S BEEN A PLEASURE.
568
00:13:38,275 --> 00:13:40,895
OH, AND, UH...
569
00:13:40,896 --> 00:13:43,206
HERE'S A TIP FOR BEING SO
570
00:13:43,206 --> 00:13:44,476
HELPFUL.
571
00:13:44,482 --> 00:13:45,622
>> THANK YOU VERY MUCH.
572
00:13:45,620 --> 00:13:46,310
>> MM-HMM.
573
00:13:46,310 --> 00:13:47,930
>> HAVE A GOOD NIGHT.
574
00:13:47,931 --> 00:13:51,901
>> FYI, MINE IS BIGGER.
575
00:13:51,896 --> 00:13:55,026
MáS GRANDE DEL ES EL STUPIDO
576
00:13:55,034 --> 00:13:57,034
HEIFER.
577
00:13:57,034 --> 00:13:58,004
>> GRACIAS.
578
00:13:58,000 --> 00:13:59,340
HAVE A GOOD NIGHT, MS. MACK.
579
00:13:59,344 --> 00:14:00,664
HAVE A GOOD NIGHT, MS. MACK.
>> OKAY.
580
00:14:00,655 --> 00:14:02,445
>> OKAY.
581
00:14:02,448 --> 00:14:04,478
>> MALIK, WHERE YOU AT, MAN?
582
00:14:04,482 --> 00:14:05,862
YO, WHAT THE HELL ARE YOU
583
00:14:05,862 --> 00:14:07,142
DOING?!
584
00:14:07,137 --> 00:14:08,407
>> IF I CAN'T HAVE THIS HOUSE,
585
00:14:08,413 --> 00:14:09,523
NOBODY'S GONNA HAVE IT.
586
00:14:09,517 --> 00:14:11,027
>> HAVE YOU LOST YOUR MIND?!
587
00:14:11,034 --> 00:14:12,694
>> DAMN THESE FLAME-RETARDANT,
588
00:14:12,689 --> 00:14:14,999
STAIN-RESISTANT SHEETS!
589
00:14:15,000 --> 00:14:16,210
[ SIGHS ]
590
00:14:16,206 --> 00:14:17,826
>> MALIK, COME ON.
591
00:14:17,827 --> 00:14:19,517
>> MALIK, COME ON.
TALK TO ME, MAN.
592
00:14:19,517 --> 00:14:22,337
TALK TO ME, MAN.
593
00:14:22,344 --> 00:14:24,314
TALK TO ME, MAN.
>> FOUND IT.
594
00:14:24,310 --> 00:14:31,380
>> FOUND IT.
595
00:14:31,379 --> 00:14:34,029
[ SIGHS ]
596
00:14:34,034 --> 00:14:35,664
>> HEY, IS THAT THIS HOUSE?
597
00:14:35,655 --> 00:14:37,655
>> YEP.
598
00:14:37,655 --> 00:14:38,655
I DREW THIS WHEN I WAS IN THIRD
599
00:14:38,655 --> 00:14:39,305
GRADE.
600
00:14:39,310 --> 00:14:40,760
[ CHUCKLES ]
601
00:14:40,758 --> 00:14:42,028
SAID I WAS GONNA GET OUT THE
602
00:14:42,034 --> 00:14:43,384
PROJECTS AND BUILD THIS HOUSE
603
00:14:43,379 --> 00:14:45,339
FOR ME AND MY MOM.
604
00:14:45,344 --> 00:14:46,384
>> YEAH, MAN, LOOK.
605
00:14:46,379 --> 00:14:47,449
YOU GOT THE TOPIARIES.
606
00:14:47,448 --> 00:14:48,168
YOU GOT A DOG.
607
00:14:48,172 --> 00:14:49,142
>> IT'S NOT A DOG.
608
00:14:49,137 --> 00:14:49,967
THAT'S A HORSE.
609
00:14:49,965 --> 00:14:52,755
IT'S MIDNIGHT BLACK.
610
00:14:52,758 --> 00:14:53,928
KNEW WHEN I GOT IT THAT I HAD
611
00:14:53,931 --> 00:14:54,791
MADE IT.
612
00:14:54,793 --> 00:14:56,003
NOW THAT EVERYTHING'S BEING
613
00:14:56,000 --> 00:14:57,340
TAKEN AWAY FROM ME, I FEEL LIKE
614
00:14:57,344 --> 00:14:58,764
I'M LETTING THIS -- THIS KID IN
615
00:14:58,758 --> 00:15:03,138
THE PROJECTS DOWN.
616
00:15:03,137 --> 00:15:06,137
THIS WAS MY DREAM [CHUCKLES] AND
617
00:15:06,137 --> 00:15:07,237
I BLEW IT.
618
00:15:07,241 --> 00:15:07,971
[ SIGHS ]
619
00:15:07,965 --> 00:15:09,965
>> LOOK, MAN, THIS HOUSE -- THIS
620
00:15:09,965 --> 00:15:11,965
AIN'T WHO YOU ARE.
621
00:15:11,965 --> 00:15:14,755
IT'S JUST WHAT YOU BOUGHT.
622
00:15:14,758 --> 00:15:16,168
AND MALIK WRIGHT WILL RISE AGAIN
623
00:15:16,172 --> 00:15:18,832
LIKE A PHOENIX FROM THE ASHES,
624
00:15:18,827 --> 00:15:20,167
AND YOU JUST MOVE ON TO THE NEXT
625
00:15:20,172 --> 00:15:23,142
DREAM.
626
00:15:23,137 --> 00:15:25,967
>> YEAH, BUT IT STILL HURTS.
627
00:15:25,965 --> 00:15:27,585
>> YEAH, WELL, IT'LL HURT A
628
00:15:27,586 --> 00:15:29,516
LOT LESS ONCE YOU GET THIS HOUSE
629
00:15:29,517 --> 00:15:31,377
LOT LESS ONCE YOU GET THIS HOUSE
OFF YOUR BACK.
630
00:15:31,379 --> 00:15:39,239
OFF YOUR BACK.
631
00:15:39,241 --> 00:15:40,311
>> ON TO THE NEXT DREAM,
632
00:15:40,310 --> 00:15:41,340
TEE TEE.
633
00:15:41,344 --> 00:15:43,454
>> THIS IS THE LAST EXISTING BOX
634
00:15:43,448 --> 00:15:45,028
OF JASON PITTS' FOOTBALLS
635
00:15:45,034 --> 00:15:46,034
AND CHEESE.
636
00:15:46,034 --> 00:15:48,554
[ BOTH LAUGH ]
637
00:15:48,551 --> 00:15:49,411
YOU HAVEN'T SET MY TABLE YET!
638
00:15:49,413 --> 00:15:50,243
WHAT'S UP?
639
00:15:50,241 --> 00:15:51,931
>> OH, OH.
640
00:15:51,931 --> 00:15:53,171
>> COME ON, HOSTESS.
641
00:15:53,172 --> 00:15:55,172
>> COME ON, HOSTESS.
>> I'M COMING, I'M COMING.
642
00:15:55,172 --> 00:15:59,762
>> I'M COMING, I'M COMING.
643
00:15:59,758 --> 00:16:01,688
>> OKAY. DIG IN.
644
00:16:01,689 --> 00:16:02,519
>> [ SIGHS ]
645
00:16:02,517 --> 00:16:03,447
>> SERIOUSLY, DIG IN.
646
00:16:03,448 --> 00:16:04,618
YOU'VE GOT FIVE MINUTES BEFORE
647
00:16:04,620 --> 00:16:06,140
IT COAGULATES.
648
00:16:06,137 --> 00:16:07,547
>> JASON, AS DELICIOUS AS THIS
649
00:16:07,551 --> 00:16:08,931
LOOKS, YOU KNOW I CAN'T EAT ON A
650
00:16:08,931 --> 00:16:10,001
STOMACH FULL OF ISSUES.
651
00:16:10,000 --> 00:16:11,000
>> OH, BOY.
652
00:16:11,000 --> 00:16:11,930
>> YEAH.
653
00:16:11,931 --> 00:16:12,931
SO NOW THAT YOU'RE IN A BETTER
654
00:16:12,931 --> 00:16:14,001
PLACE WITH THIS WHOLE CO-ANCHOR
655
00:16:14,000 --> 00:16:15,280
THING, I THOUGHT IT'D BE GREAT
656
00:16:15,275 --> 00:16:16,275
TO TALK ABOUT HOW YOU INTEND TO
657
00:16:16,275 --> 00:16:17,165
HANDLE IT.
658
00:16:17,172 --> 00:16:18,592
>> HANDLE WHAT?
659
00:16:18,586 --> 00:16:19,966
>> YOUR PROXIMITY TO YOUR NEW
660
00:16:19,965 --> 00:16:21,135
WHITE, FEMALE CO-WORKER.
661
00:16:21,137 --> 00:16:21,857
>> WOW.
662
00:16:21,862 --> 00:16:23,212
>> YOU KNOW HOW YOU ARE, JASON.
663
00:16:23,206 --> 00:16:24,446
YOU'RE LIKE A LION IN A
664
00:16:24,448 --> 00:16:25,968
SHEEPHOUSE.
665
00:16:25,965 --> 00:16:27,165
>> YOU MEAN "FOX IN A HENHOUSE"?
666
00:16:27,172 --> 00:16:28,552
>> HEY, WHATEVER ANIMAL LIKES
667
00:16:28,551 --> 00:16:29,861
WHITE WOMEN.
668
00:16:29,862 --> 00:16:31,622
>> ARE YOU SERIOUS RIGHT NOW?
669
00:16:31,620 --> 00:16:32,520
>> ARE YOU TRYING TO TELL ME
670
00:16:32,517 --> 00:16:33,997
THAT YOU DON'T LOVE WHITE WOMEN?
671
00:16:34,000 --> 00:16:35,520
>> NO. I-I MEAN, LOOK.
672
00:16:35,517 --> 00:16:36,857
OKAY, OKAY, YES, I'M ATTRACTED
673
00:16:36,862 --> 00:16:38,142
TO BLOND HAIR, BLUE EYES, THIN
674
00:16:38,137 --> 00:16:39,167
LIPS THAT DON'T SASS.
675
00:16:39,172 --> 00:16:40,412
>> OH, SEE? EXACTLY.
676
00:16:40,413 --> 00:16:41,213
YOU'VE GOT A PROBLEM.
677
00:16:41,206 --> 00:16:42,066
YOU HAVE A PROBLEM.
678
00:16:42,068 --> 00:16:43,478
>> CHAR, I TOLD YOU ABOUT WHAT
679
00:16:43,482 --> 00:16:45,452
HAPPENED WHEN I WAS A KID.
680
00:16:45,448 --> 00:16:46,758
IN THE PAST, I PREFERRED TO BE
681
00:16:46,758 --> 00:16:48,238
WITH WHITE WOMEN.
682
00:16:48,241 --> 00:16:49,281
I'M WITH YOU NOW.
683
00:16:49,275 --> 00:16:50,405
THAT SHOULD MAKE YOU FEEL
684
00:16:50,413 --> 00:16:51,243
SPECIAL.
685
00:16:51,241 --> 00:16:52,971
>> OH, MR. JASON, I'S DO WANT TO
686
00:16:52,965 --> 00:16:54,205
THANK YOU FOR MAKING ME FEEL SO
687
00:16:54,206 --> 00:16:55,206
SPECIALS.
688
00:16:55,206 --> 00:16:56,406
CAN I TROUBLE YOU FOR SOME MORE
689
00:16:56,413 --> 00:16:57,453
OF YOUR MAC AND CHEESES?
690
00:16:57,448 --> 00:16:59,588
>> NO. IT'S COAGULATED.
691
00:16:59,586 --> 00:17:00,686
>> YOUR MAMA'S COAGULATED.
692
00:17:00,689 --> 00:17:01,379
>> YOU KNOW WHAT?
693
00:17:01,379 --> 00:17:02,449
I DON'T HAVE TO DEAL WITH THIS.
694
00:17:02,448 --> 00:17:03,718
I GOT ENOUGH GOING ON AS IT IS.
695
00:17:03,724 --> 00:17:05,244
I GOT A TEMPERAMENTAL TEENAGER.
696
00:17:05,241 --> 00:17:06,281
I GOT AN EX-WIFE OUT IN THE
697
00:17:06,275 --> 00:17:07,305
WORLD, TRYING TO FIND HERSELF.
698
00:17:07,310 --> 00:17:08,310
AND I GOT SOME HOT LITTLE WHITE
699
00:17:08,310 --> 00:17:09,310
CHICK COMING AFTER MY JOB.
700
00:17:09,310 --> 00:17:10,450
THE LAST THING THAT I NEED IS TO
701
00:17:10,448 --> 00:17:11,448
COME HERE AND DEAL WITH YOUR
702
00:17:11,448 --> 00:17:13,408
INSECURITIES, OKAY?
703
00:17:13,413 --> 00:17:14,833
YOU'RE SUPPOSED TO BE MY ROCK,
704
00:17:14,827 --> 00:17:16,857
MY RESPITE, MY -- MY SHELTER
705
00:17:16,862 --> 00:17:17,902
FROM THE STORM, OR, TO USE
706
00:17:17,896 --> 00:17:18,826
YOUR TERM, MY RIGHT-OR-DIE
707
00:17:18,827 --> 00:17:19,617
CHICK.
708
00:17:19,619 --> 00:17:20,859
NOW, IF YOU CAN'T BE ANY OF
709
00:17:20,862 --> 00:17:22,382
THOSE THINGS, THEN DEUCES.
710
00:17:22,378 --> 00:17:23,998
AGAIN, YOUR TURN.
711
00:17:24,000 --> 00:17:25,590
>> WELL, SO MUCH FOR SPENDING
712
00:17:25,586 --> 00:17:27,236
THE NEXT FOUR WEEKS TRYING TO
713
00:17:27,241 --> 00:17:29,141
WOO ME -- YOUR SELLOUT-ASS TERM!
714
00:17:29,137 --> 00:17:30,167
>> I'M SORRY, I'M NOT WOOING
715
00:17:30,172 --> 00:17:31,072
YOU?
716
00:17:31,068 --> 00:17:31,788
>> NO!
717
00:17:31,793 --> 00:17:32,793
>> I'M EATING OFF A TV TRAY!
718
00:17:32,793 --> 00:17:33,793
I'M KEEPING TABS ON
719
00:17:33,793 --> 00:17:34,833
ALEXANDER O'NEAL AND
720
00:17:34,827 --> 00:17:35,927
BILLY OCEAN.
721
00:17:35,931 --> 00:17:37,721
PLEASE.
722
00:17:37,724 --> 00:17:40,074
LAST BOX, HMM?
723
00:17:40,068 --> 00:17:41,588
I DON'T GIVE MY LAST BOX OF
724
00:17:41,586 --> 00:17:43,276
ANYTHING TO ANYONE, SO DON'T
725
00:17:43,275 --> 00:17:44,895
TELL ME I'M NOT DOING MY PART.
726
00:17:44,896 --> 00:17:45,896
I'M GOING ABOVE AND BEYOND TO
727
00:17:45,896 --> 00:17:46,826
PROVE THAT I WANT TO BE HERE.
728
00:17:46,827 --> 00:17:47,967
>> [ SCOFFS ]
729
00:17:47,965 --> 00:17:49,025
YOU KNOW WHAT, JASON?
730
00:17:49,034 --> 00:17:50,764
I DON'T HAVE MY OWN TALK SHOW OR
731
00:17:50,758 --> 00:17:52,238
MY OWN MAC AND CHEESE OR EVEN A
732
00:17:52,241 --> 00:17:54,101
DAMN DOOR TO MY BEDROOM.
733
00:17:54,103 --> 00:17:56,313
BUT HERE'S MY TV TRAY, AND
734
00:17:56,310 --> 00:17:57,520
HERE'S MY SUEDE COUCH!
735
00:17:57,517 --> 00:17:58,517
>> IT'S NOT SUEDE.
736
00:17:58,517 --> 00:18:00,447
>> IT'S ALL I GOT, JASON, AND
737
00:18:00,448 --> 00:18:02,098
I'M SHARING IT WITH YOU.
738
00:18:02,103 --> 00:18:03,523
AND MAYBE THAT'S WHY I'M SO
739
00:18:03,517 --> 00:18:05,757
INSECURE.
740
00:18:05,758 --> 00:18:08,758
HOW ABOUT THAT?
741
00:18:08,758 --> 00:18:10,618
HOW ABOUT THAT?
>> LOOK, CHARDONNAY...
742
00:18:10,620 --> 00:18:14,000
>> LOOK, CHARDONNAY...
743
00:18:14,000 --> 00:18:15,140
COME HERE.
744
00:18:15,137 --> 00:18:15,997
>> JASON, I --
745
00:18:16,000 --> 00:18:17,000
>> JUST COME -- COME HERE.
746
00:18:17,000 --> 00:18:18,280
COME HERE.
747
00:18:18,275 --> 00:18:19,685
>> YOU MAKE ME SICK.
748
00:18:19,689 --> 00:18:20,899
YOU MAKE ME SICK.
749
00:18:20,896 --> 00:18:22,786
YOU MAKE ME SICK.
>> LOOK.
750
00:18:22,793 --> 00:18:30,523
>> LOOK.
751
00:18:30,517 --> 00:18:32,757
PLEASE, PLEASE, PLEASE DON'T LET
752
00:18:32,758 --> 00:18:33,998
YOUR INSECURITIES GET IN THE WAY
753
00:18:34,000 --> 00:18:35,210
OF WHAT WE'VE GOT GOING HERE.
754
00:18:35,206 --> 00:18:35,996
>> [ SIGHS ]
755
00:18:36,000 --> 00:18:37,140
>> ALL RIGHT, JUST LET IT GO,
756
00:18:37,137 --> 00:18:37,857
DUDE.
757
00:18:37,862 --> 00:18:38,902
DO -- DO WHAT I DO.
758
00:18:38,896 --> 00:18:39,896
PUMP YOURSELF UP SO MUCH, YOU
759
00:18:39,896 --> 00:18:40,896
FORGET YOU EVEN HAVE THEM.
760
00:18:40,896 --> 00:18:41,896
>> UH...
761
00:18:41,896 --> 00:18:44,166
[ CHUCKLES ]
762
00:18:44,172 --> 00:18:45,832
JASON, SHE'S NOT GONNA STEAL
763
00:18:45,827 --> 00:18:47,827
YOUR SHOW, OKAY?
764
00:18:47,827 --> 00:18:49,657
THEY'RE GONNA SOON REALIZE THAT
765
00:18:49,655 --> 00:18:50,965
YOU'RE THE REASON WHY THE SHOW
766
00:18:50,965 --> 00:18:53,065
WAS SEXY TO BEGIN WITH.
767
00:18:53,068 --> 00:18:54,788
>> THANK YOU.
768
00:18:54,793 --> 00:18:57,103
>> WHAT, NO -- NO FOREHEAD KISS?
769
00:18:57,103 --> 00:18:58,453
>> NO, NO. THAT FIRST ONE WAS A
770
00:18:58,448 --> 00:18:59,548
LITTLE GREASIER THAN I THOUGHT
771
00:18:59,551 --> 00:19:00,311
IT WOULD BE.
772
00:19:00,310 --> 00:19:01,210
OW!
773
00:19:01,206 --> 00:19:02,336
>> YOU NEEDED THAT. YES!
774
00:19:02,344 --> 00:19:03,384
>> WHY YOU GOT TO BE SO VIOLENT
775
00:19:03,379 --> 00:19:04,449
ALL THE TIME?
776
00:19:04,448 --> 00:19:05,618
ALL THE TIME?
>> [ LAUGHS ]
777
00:19:05,668 --> 00:19:10,218
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