Original subtitles

>> TOM, LET'S TAKE FIVE.

>> SURE. SHUT HER DOWN.

>> HOW WAS YOUR WEEKEND WITH

DAD, SWEETIE?

>> [ SCOFFS ] WITH DAD?

I WOULDN'T KNOW.

BUT MY WEEKEND WAS GRANDMA AND

GRANDPA WAS JUST SWELL IF YOU

LIKE THE SMELL OF HARD CANDY AND

BENGAY.

>> LOVE YOU, TOO, PUMPKIN.

I TOLD HER NOT TO TELL YOU.

>> JASON.

>> WHAT?

>> DON'T TELL ME YOU DUMPED HER

OFF ON YOUR PARENTS AGAIN.

>> KELL, I, UNLIKE YOU, HAVE TO

WORK FOR A LIVING.

>> [ SCOFFS ]

>> I DON'T HAVE A RICH

EX-HUSBAND THAT PAYS MY BILLS.

OH, WHICH REMINDS ME...

A-SPLOOSH.

>> OOH! MY RACETRACK MONEY.

I'VE GOT RICH DIVORCéE IN THE

THIRD.

[ LAUGHS ]

UH, WAIT.

THERE'S NO GREEN IN HERE.

>> REALLY?

>> MNH-MNH.

>> HUH.

OH, BUT THERE ARE SOME WORDS.

WHAT DOES THIS SAY?

IT SAYS "CEASE AND DESIST."

YEAH, I THINK YOU FORGOT THAT

OUR DIVORCE HAS A

CONFIDENTIALITY AGREEMENT THAT

YOU ARE SOIN BREACH OF.

>> [ SCOFFS ] SO?

>> SO THAT MEANS YOU CAN'T EVEN

MENTION MY NAME ON YOUR

RIDICULOUS SHOW.

YEAH, I SAW THE PROMO.

IT'S A TRAIN WRECK.

KEEP ME OUT OF IT, OR YOU'RE NOT

GONNA GET ANOTHER DIME OF MY

MONEY.

>> [ SCOFFS ] OH, PLEASE, JASON,

GET OVER YOURSELF.

NO ONE CARES ABOUT YOUR STUPID

LITTLE NAME.

IN FACT, I'VE BEEN THINKING

ABOUT GETTING OUT OF THE PITTS

GAME FOR A WHILE NOW.

HOW DOES "KELLY DEVEREAUX"

SOUND?

>> LIKE SOMEONE ELSE'S NAME.

>> YEAH?

WELL, I AM SOMEONE ELSE NOW.

I'M KELLY DEVEREAUX.

>> OKAY, MISS DEVEREAUX.

UM, THE NAME OF YOUR SHOW IS

"EX-BALLER'S WIVES."

WHO'S THE EX-BALLER?

WHAT? WHO IS --

IT'S ME.

IT'S ME.

SO WITHOUT ME OR MY NAME, YOU

HAVE NO SHOW.

OH. OH, IT HURTS, DOESN'T IT?

YEAH. YOU DIDN'T THINK ABOUT

THAT WHEN YOU WERE TOO BUSY

GOOGLING FRENCH NAMES.

[ LAUGHS ]

[ French accent ] AU REVOIR,

MADEMOISELLE DEVEREAUX.

[ LAUGHS ]

>> [ SIGHS ]

>> [ SIGHS ] >> ♪

>> ♪

>> SO, I BELIEVE, LAST TIME, WE

WERE MAKING PROGRESS WITH BEN.

BEN, YOU WERE RECALLING WALKING

IN ON YOUR DAUGHTER RIGHT AFTER

SHE HAD PRICKED HERSELF WITH ONE

OF YOUR DIRTY HEROIN NEEDLES.

HOW DID THAT MAKE YOU FEEL?

>> WHOO!

BREAKTHROUGH TIME, Y'ALL.

>> OR WE CAN START WITH MALIK.

>> "M.C. INTERRUPTER" STRIKES

AGAIN.

>> NO, NO, NO, NO, NO, Y'ALL.

THIS TIME, I'M

"M.C. READY TO SHARE."

CHECK-A, CHECK-A, CHECK THIS

OUT.

ALL RIGHT, SO, DOC, YOU KNOW,

THE PILLS I'VE BEEN USING --

I'VE BEEN TAKEN THEM FOR PAIN,

'CAUSE, AS A STAR ATHLETE, PART

OF MY JOB IS PAIN MANAGEMENT.

YOU KNOW WHAT I'M SAYING?

>> I KNOW WHAT YOU'RE SAYING.

>> YEAH, SO, THE PRESCRIPTION

SAYS, "TAKE AS NEEDED," RIGHT?

>> OKAY.

>> RIGHT. I WAS DOING THE MATH.

NOW, ON A GOOD DAY, I ONLY NEED

FOUR TO FIVE PILLS.

ON MY WORST DAYS, I NEED

15 TO 20.

NOW, DOC, WHAT I NEED TO KNOW

FROM YOU IS, WHAT NUMBER BETWEEN

4 AND 20 MAKES ME NOT AN ADDICT?

>> MALIK, ALLOW ME TO BREAK THIS

DOWN FOR YOU, PLEASE?

MIGHT I SUGGEST YOUR THAT

DEFINITION OF "NEED" HAS MOVED

FROM A PHYSICAL ONE TO A

PSYCHOLOGICAL ONE?

>> SO, WHAT YOU SAYING --

I AIN'T IN PAIN?

'CAUSE BEING HIT BY A 300-POUND

LINEBACKER IS LIKE GETTING HIT

BY A CAR AT 30 MILES AN HOUR,

DOC.

>> NOBODY IS SAYING THAT YOU

HAVEN'T SUFFERED FROM PHYSICAL

TRAUMA, BUT PERHAPS NOW YOU ARE

TAKING THESE PILLS NOT ONLY FOR

PHYSICAL PAIN, BUT FOR EMOTIONAL

PAIN, AS WELL.

>> WELL, PERHAPS I SHOULD WHUP

YOUR ASS.

>> UNPROVOKED VIOLENCE -- A

CLEAR SIGN OF EMOTIONAL PAIN.

LET'S GO WITH IT.

WHY DO YOU WANT TO WHUP MY ASS?

DO I RESEMBLE YOUR FATHER?

>> WHOA, WHOA, WHOA, WHOA, DOC.

YOU'RE PLAYING WITH FIRE NOW,

'CAUSE I'M TRYING TO TELL YOU

WHAT MY PROBLEM IS, BUT YOU'RE

BRINGING UP OTHER STUFF.

>> AH, BUT, MALIK, YOUR PROBLEM

IS THE OTHER STUFF.

>> WHEW! OKAY.

ALL RIGHT, YODA, I SEE WHERE

YOU'RE TRYING TO GO WITH THIS.

BUT THE FORCE IS REAL STRONG

WITH THIS MAN ON THIS.

SO YOU KNOW WHAT I'M GONNA DO?

I'M GONNA GET OUT OF HERE BEFORE

I BREAK YOUR JAW.

LIVE LONG AND PROSPER.

OH. AND IF ANY OF YOU DRUGGIES

MENTION THAT THAT WAS FROM

"STAR TREK," I'M GONNA CRACK

YOUR JAW, TOO.

YOUR JAW, TOO. BEN, I'M TALKING ABOUT YOUR ASS.

BEN, I'M TALKING ABOUT YOUR ASS.

>> [ CAMERA SHUTTERS CLICKING ]

>> ALL RIGHT.

>> COME ON OVER HERE.

>> HERE YOU GO.

YOU LOOK HOT.

>> THANK YOU.

>> WHAT'S GOOD, SON?

>> OH, EXCUSE YOU.

>> YOU SHOULD COME UP TO MY

CLUB, DUDE.

>> YO, I NEED YOU TO BACK UP,

OKAY?

YOU GOT A BUSINESS CARD?

>> HELL, YEAH, I GOT A BUSINESS

CARD.

>> OKAY.

ALL RIGHT, WE'LL BE IN TOUCH.

>> ALL RIGHT, PEACE. MY MAN.

>> PEACE.

WOW, TASHA, YOU ARE COLD.

>> COLD AS A NUN'S VAJAYJAY, SO

YOU DON'T HAVE TO BE, ALL RIGHT?

LET'S DO THIS.

Y'ALL WANT A DRINK?

>> MM-HMM.

>> OKAY, FOLLOW ME.

>> HERE COME "PALE-ASS HILTON."

>> SHE PROBABLY WANTS TO GET

SOME MAKEUP.

>> ALL RIGHT.

[ LAUGHS ]

>> HEY, DERWIN!

OOH! IT'S SO GOOD TO SEE YOU!

>> HEY, WHAT'S UP, KELL?

>> I'M SORRY. LOOK, UNH-UNH.

Y'ALL CAN'T DO NO CHOKE HERE.

JUST KEEP THIS MOVING.

>> COME ON, TASHA -- JUST TWO

SECONDS.

>> NO, KELLY. I'M SORRY.

DERWIN DAVIS DOES NOT DO

REALITY, OKAY?

NEXT THING YOU KNOW, THEY'RE

GONNA BE CHANGING HIS NAME TO

"OCHO-UNO" OR SOME MESS.

>> SORRY, KELLY.

YOU KNOW, TASH GOT ME ON LOCK.

>> ♪ IF YOU WANT

>> FAB, WHAT'S UP?

>> WHAT'S GOOD, MAN?

>> WHAT'S UP, MAN?

>> THANKS FOR COMING THROUGH.

>> OH, NO DOUBT.

>> SHE'S JUST TRYING TO PROTECT

HIS BRAND.

>> WHATEVER, JEALOUS TRAMPS.

>> OH!

>> COME ON, DANNY.

>> HONESTLY, KELLY, IT'S BEEN

TWO WEEKS SINCE YOU STORMED OUT

OF GIRLS' NIGHT.

>> OH, YOU MEAN SINCE YOU

UNCEREMONIOUSLY KICKED ME OUT OF

THE GIRLS' NIGHT THAT I STARTED?

>> YEAH, WHEN YOU WERE A

SUNBEAM, AND NOW YOU'RE NOT.

BUT YOU'RE STILL OUR GIRL, AND

WE MISS YOU.

>> YES.

>> OH, COME ON.

YOU KNOW YOU MISS US -- THE WINE

AND THE GIRL TALK -- THE WINE.

COME AND GET SOME OF THIS.

>> WHY DON'T YOU GO SWAB YOUR

ILLEGITIMATE STEPBABY?

AND WHILE YOU'RE AT IT, STOP

CALLING YOURSELF A DOCTOR.

IT'S JUST SAD.

>> ♪ DON'T...

>> SHE GOT YOU WITH A TWO-PIECE.

I WAS WAITING ON THE BISCUIT.

>> OH, AND, TASHA, IT'S JUST A

MATTER OF TIME BEFORE DANTE

REACHES PUBERTY AND DUMPS YOUR

ASS, JUST LIKE RICK FOX DID.

ASS, JUST LIKE RICK FOX DID. >> THERE'S YOUR BISCUIT.

>> THERE'S YOUR BISCUIT.

>> [ INSECTS CHIRPING ]

>> [ INSECTS CHIRPING ] >> [ FOOTSTEPS ]

>> [ FOOTSTEPS ]

>> [ SIGHS ]

>> JELLYBEAN?

>> JELLYBEAN?

THAT'S NOT REALLY SUPERMODEL

FOOD.

>> WELL, IT'S EITHER THIS OR

CRACK.

>> OKAY, WELL, I'LL TAKE SOME OF

THE RED CRACK.

[ SIGHS ]

DR. RANGARAJAN SEND YOU OUT

HERE?

>> NO. YOU JUST LOOKED LIKE YOU

COULD USE A FRIEND, ESPECIALLY

AFTER GROUP.

>> YEAH, WELL, I DON'T REALLY

NEED ANOTHER HALF-ASSED FRIEND.

THAT'S THE REASON WHY I'M HERE

IN THE FIRST PLACE.

THEY DON'T GIVE A DAMN ABOUT ME.

>> YOU, MR. $80 MILLION?

I'M SURE THERE ARE PEOPLE LINED

UP AROUND THE BLOCK TO BE YOUR

FRIEND.

>> OH, YEAH...ALL USERS.

THE MINUTE THEY GET WHAT THEY

WANT, THEY ALL BOUNCE OR--

[CHUCKLES]-- THEY GET A LITTLE

EDUCATION AND A LITTLE CASH AND

THEY WANT TO OPEN UP A CHICKEN

TRUCK.

OR THEY FALL IN LOVE -- THEY

WANT TO BE UP UNDER THEIR MAN

THE WHOLE TIME.

OR THEY GET OLD, AND THEN THEY

WANT TO RETIRE -- SELFISH

BASTARDS.

YO, AND DON'T GET ME STARTED ON

DERWIN.

HE WAS NOTHING UNTIL I STARTED

PUTTING THE BALL IN HIS HANDS.

NOW HE GONNA TELL ME HE GOT TO

SAVE HIS CAREER FROM ME.

I MADE HIS CAREER.

I MADE HIS CAREER. BOOM THAT.

BOOM THAT.

>> [ HIP-HOP MUSIC PLAYS ]

>> HEY, EVERYBODY, I WANT TO

THANK Y'ALL FOR COMING OUT FOR

MY LISTENING PARTY, MAN.

IT'S -- IT'S GONNA BE A GOOD

NIGHT.

I WANT TO REMIND Y'ALL THAT THE

BAR'S OPEN TONIGHT -- FREE

DRINKS.

AND DON'T FORGET TO CHECK THE

VENDING MACHINES OUT -- I'M

TRYING TO EXPAND THE PORTFOLIO

A LITTLE BIT.

BUT WITH THAT SAID, I THINK IT'S

TIME WE LET THE NEW SINGING GO.

DJ DRAMA, WHAT YOU THINK?

>> COME ON, LET'S KILL THE

COMPETITION.

>> LET'S GO.

>> LET'S GO. >> [ HIP-HOP MUSIC PLAYS ]

>> [ HIP-HOP MUSIC PLAYS ]

♪ NICE

♪

♪ OH

♪ OH

[ INDISTINCT RAPPING ]

>> WHAT'S UP WITH DERWIN DAVIS?

I THOUGHT YOU WERE GONNA GET HIM

ON CAMERA.

>> I'M TRYING!

THERE'S SOME MAJOR SEA BLOCKING

GOING ON IN HERE.

>> FORGET IT.

FIRST YOU LOSE JASON PITTS.

NOW YOU LOSE DERWIN DAVIS.

KELLY, WE CAN'T DO A SHOW ABOUT

EX-BALLERS' WIVES WITH NO

BALLERS.

>> NO, NO, NO, NO, NO.

I KNOW BALLERS -- DEREK McGEE,

HIGH SCHOOL.

HE OWNS LIKE FOUR DAIRY QUEENS

AND A FIVE-MINUTE CAR WASH.

BALLING! [ CHUCKLES ]

DEREK, PICK UP.

>> KELLY, KELLY.

STOP, PLEASE.

IT'S OVER.

COME ON, DANNY.

LET'S GET A SHOT OF THESE BOOTY

SHAKERS SO THIS WON'T BE A

COMPLETE WASTE OF TIME.

>> NO, NO, NO, NO. NO. NO!

IT IS NOT OVER UNTIL I SAY IT'S

OVER.

DON'T YOU KNOW WHO I AM?

I AM KELLY DEVEREAUX, DAMN IT!

I AM KELLY DEVEREAUX, DAMN IT! >> [ RAPPING, MUSIC CONTINUE ]

>> [ RAPPING, MUSIC CONTINUE ]

>> I DON'T CARE IF IT'S GOOD

PUBLICITY FOR THE SHOW.

I LOOK LIKE A WHORE!

>> [ RAP MUSIC PLAYING ]

>> OH, REALLY?

NUMBER ONE ON THE INTERNET'S

HOTTEST BOOTY LIST?

COOL!

OKAY. SEE YOU GUYS TOMORROW.

>> HEY, KEL.

>> HOW DID YOU GET IN HERE?

>> YOUR UNDOCUMENTED WORKER LET

ME IN.

>> SHE HAS PAPERS.

>> DOES SHE?

>> NO.

>> WELL, I HOPE YOU'RE PROUD OF

YOUR LITTLE DANCE ROUTINE.

>> OH, RELAX, JUDGE JUDY.

I CAN'T HELP WHAT PEOPLE FILM ON

THEIR SMARTPHONES -- EVEN IF

IT HAPPENS TO BE MY PERFECT

INTERNET BOOTY.

MISS IT?

>> PLEASE, KEL.

I DON'T GIVE A DAMN ABOUT YOUR

FLAT ASS OR YOUR STUPID PORN

VIDEO.

YOU WANT TO WHORE YOURSELF OUT

FOR ATTENTION, THAT'S YOUR

BUSINESS -- UNTIL IT STARTS

RUBBING OFF ON OUR DAUGHTER.

>> OH, WHAT ARE YOU TALKING

ABOUT?

>> I'M TALKING ABOUT THIS...

AND THIS AND THIS AND THIS.

YOU GETTING IT?

>> [ GASPS ]

>> SHE'S GOT THEM SPLATTERED ALL

OVER THE INTERNET FOR EVERYONE

TO SEE.

>> [ GASPS ]

>> APPLE DOESN'T FALL TOO FAR

FROM THE TREE, KELLY.

AND IN THIS CASE, WE'RE TALKING

ABOUT A VERY ROTTEN, SLUTTY,

TAINTED TREE THAT KNOWS HOW TO

MAKE ITS ASS CLAP.

>> I DON'T KNOW WHAT TO SAY.

>> SAY THAT YOU'RE GONNA QUIT

YOUR PATHETIC SHOW.

BECAUSE IF YOU DON'T...

BECAUSE IF YOU DON'T... I'M TAKING MY DAUGHTER.

I'M TAKING MY DAUGHTER.

>> OH, MY GOD.

>> OH, MY GOD. [ SIGHS ]

[ SIGHS ]

>> BECAUSE I SAID SO,

YOUNG LADY.

THAT'S WHY.

I BROUGHT YOU INTO THIS WORLD

AND I CAN TAKE YOU OUT!

>> MOM, YOU HAVE TOTALLY LOST

IT.

>> BRIT, I'M GLAD YOU'RE HOME.

WE NEED TO TALK.

>> UM, I CAN'T.

I'M MEETING WYATT AT THE MALL.

I'M MEETING WYATT AT THE MALL. >> NO, YOU'RE NOT. SIT DOWN.

>> NO, YOU'RE NOT. SIT DOWN.

>> THAT ONE IS MY FAVORITE.

>> ARE YOU SERIOUS?

THIS IS INAPPROPRIATE BEHAVIOR

FOR A 13-YEAR-OLD.

>> IT'S JUST A BIKINI.

WHY'D YOU BUY IT FOR ME IF YOU

DIDN'T WANT ME TO WEAR IT?

>> WELL, I DIDN'T MEAN FOR YOU

TO WEAR IT ON THE INTERNET.

>> I'M WEARING IT IN THE

BATHROOM.

THE PICTURESARE ON THE

INTERNET.

YOU ARE JUST THE WORST.

>> YOU'RETHE WORST.

LOOK, YOU KNOW WHAT I MEAN,

YOUNG LADY.

I DON'T WANT YOU POSTING THESE

KIND OF PHOTOS.

>> WHY NOT?

YOU DO IT, "INTERNET'S HOTTEST

BOOTY."

YOU'RE A HYPOCRITE.

>> I AM AN ADULT.

>> REALLY?

>> YES, REALLY.

YOU KNOW WHAT?

GO TO YOUR ROOM!

>> NO.

>> NO?

BRITTANY OLIVE PITTS, GO TO YOUR

ROOM OR -- OR --

>> OR WHAT? YOU GONNA SPANK ME?

>> GO TO YOUR ROOM.

GO TO YOUR ROOM!

GO TO YOUR ROOM!

>> FINE! GOD, RELAX.

>> FINE! GOD, RELAX. SPAZ.

SPAZ.

>> TURTLE.

FIGURED IF YOU'RE GONNA GO

CANDY, MIGHT AS WELL HAVE SOME

CLASS ABOUT YOURSELF.

>> NICE.

YOU KNOW, I WAS THINKING ABOUT

YOU.

>> [ CHUCKLES ]

THAT TOTALLY MAKES SENSE.

>> NO. I WAS THINKING ABOUT YOUR

ISSUE -- ALL THE PEOPLE YOU WERE

TALKING ABOUT, YOU KNOW, THE

ONES FALLING IN LOVE, STARTING

BUSINESSES, RETIRING.

SOUNDS TO ME LIKE THEY'RE JUST

GETTING LIVES.

>> OH. OKAY.

YEAH. YEAH, I SEE.

GIVE ME BACK MY CANDY.

>> LOOK, WE'RE GONNA GET OUT OF

THIS HELLHOLE SOON.

WE GOT TO FIGURE IT OUT.

MAYBE I'M MISSING SOMETHING.

YOU TELL ME.

BUT WHAT DID YOU EXPECT YOUR

FRIENDS TO DO?

STAY THE SAME FOREVER?

>> LOOK, I DON'T KNOW, OKAY?

I THOUGHT THINGS WERE GOOD THE

WAY THEY WERE.

>> LOOK, MALIK, I KNOW CHANGE IS

SCARY.

I'M A MODEL.

CHANGE IS MY WORST ENEMY.

IMAGINE YOUR WHOLE LIFE, YOUR

WHOLE EXISTENCE BEING ABOUT HOW

YOU LOOK, GETTING OLDER, GETTING

FATTER.

THE IDEA OF ALL THOSE THINGS

SCARE THE HELL OUT OF ME.

WHY DO YOU THINK I USED TO DRUG

MYSELF INTO A STUPOR?

BUT NOW THAT I'M SOBER, I'VE

REALIZED, AT THE END OF THE DAY,

LIFE'S GONNA GO ON WITH OR

WITHOUT ME.

SO NOW IT'S ON YOU.

DO YOU WANT TO STAND ON THE

SIDELINES AND WATCH WHILE LIFE

PASSES YOU BY...

OR DO YOU WANT TO GET IN THE

GAME AND PLAY?

>> OKAY, I SEE.

SO YOU THREW THE LITTLE FOOTBALL

THING IN THERE SO I CAN RELATE.

WELL-PLAYED.

WELL-PLAYED. >> THANK YOU.

>> THANK YOU.

>> GIRL, WILL YOU COME ON?

WE DON'T WANT TO MISS DERWIN'S

SEGMENT.

YOU KNOW THAT SEXY JIMMY KIMMEL

BE STARTING ON TIME.

>> UGH! I'M READY. I'M READY.

JUST ZIP ME UP. THANKS.

>> THAT'S CUTE.

>> UH, THANKS FOR SAVING ME SOME

CHEESE.

>> [ KNOCKING ON DOOR ]

>> UNH-UNH. BEAT IT, BLONDIE.

DON'T NOBODY WANT WHAT YOU'RE

SELLING.

>> LOOK, I KNOW YOU GUYS ARE MAD

AT ME, BUT TRUCE.

LOOK AT THIS.

>> OH, HELL.

BEAT HER. BEAT HER ASS.

>> NO, TASHA.

THAT IS NOT HOW YOU RAISE A

CHILD.

IT IS PROVEN CORPORAL PUNISHMENT

DOES NOT YIELD POSITIVE RESULTS.

OH! MAYBE THAT'S WHERE YOU WENT

WRONG WITH MALIK.

>> NO.

>> DO YOU KNOW WHAT BRITTANY

TOLD ME?

SHE TOLD ME I WAS THE WORST.

SHE TOLD ME TO RELAX.

>> WELL I HOPE

YOU PUT HER IN TIME-OUT.

>> [ GASPS ] SEE?

THAT'S SOME WHITE MESS.

>> TASHA, WHY DO YOU ALWAYS HAVE

TO BRING RACE INTO IT?

>> COLUMBINE, TIMOTHY McVEIGH,

LINDSAY LOHAN -- THEM SOME

TIME-OUT BABIES.

>> OH, MY GOD.

JUST BECAUSE SHE TOOK SOME SILLY

BIKINI PHOTOS DOESN'T --

MAYBE A LITTLE BEATING WOULDN'T

HURT.

>> LOOK, I USED TO BE SUCH A

GOOD MOTHER.

WHAT HAPPENED?

>> IT'S NOT YOUR FAULT, KELLY.

>> WOULD YOU STOP LYING TO THE

GIRL?

OKAY, NOW, LOOK, IF WE GONNA

HELP HER, WE GOT TO START

TELLING EACH OTHER THE TRUTH,

OKAY?

NOW, FACTOID ONE -- YOU'RE OUT

THERE SHAKING YOUR ASS AND

TRYING TO BE CUTE ON THIS DAMN

REALITY SHOW, WHEN YOU NEED TO

BE AT HOME BEING A PARENT, OKAY?

>> JASON WAS RIGHT.

I'M A HORRIBLE MOTHER.

>> WELL, THAT WAS FACTOID TWO.

BUT, NOW, FACTOID THREE IS WE

CAN GET THROUGH THIS, ALL RIGHT?

>> YEAH. TASHA'S RIGHT.

BRITTANY'S A GOOD GIRL.

I MEAN, SHE'S JUST ACTING OUT.

SHE'S BEEN THROUGH A LOT -- THE

DIVORCE, JASON AND CAMILLE

BREAKING UP.

>> AND SHE LOVED HER SOME

CAMILLE.

BUT SHE'S GONE. THANK GOD.

>> I'M -- I'M JUST SAYING

BRITTANY'S 13.

THERE'S ONLY SO MUCH SHE CAN

DEAL WITH.

BUT THE TRUTH IS -- SHE'S 13 AND

SHE'LL GET THROUGH THIS, AND YOU

WILL, TOO.

BUT YOU JUST HAVE TO START

MAKING BETTER DECISIONS,

SWEETIE.

>> LOOK AT THIS.

STUDENT HAS BECOME THE MASTER.

>> [ LAUGHS ]

>> I JUST HOPE YOUR STORY

>> I JUST HOPE YOUR STORY DOESN'T END LIKE MINE.

DOESN'T END LIKE MINE.

>> W-WHAT DO YOU MEAN BY THAT?

>> GIRL, PLEASE, DON'T TRY TO

ACT LIKE YOU DON'T HAVE

BLACK-WOMAN PROBLEMS.

BLACK-WOMAN PROBLEMS. >> OKAY? [ LAUGHS ]

>> OKAY? [ LAUGHS ]

>> THERE YOU GO, SIR. ENJOY.

HOLLA. WHO'S NEXT?

>> EXCUSE ME.

I SEE YOU GUYS GOT SOME NEW

SPECIALS.

ANY RECOMMENDATIONS?

>> ALOHA WINGS ARE PRETTY

POPULAR.

>> OH, YEAH?

HOW DO YOU MAKE THOSE?

>> HONEY-BARBECUE SAUCE, TOUCH

OF PINEAPPLE.

ORIGINAL RECIPE IS STILL THE

BIGGEST SELLER, THOUGH.

>> YEAH. THOSE ARE GOOD.

>> DUDE, COME ON, I ONLY GOT AN

HOUR FOR BREAK.

>> YO, BRO, RELAX, ALL RIGHT?

YOUR WINGS ARE ON ME.

I DIDN'T REALLY COME UP FOR NO

WINGS, TEE TEE.

>> I KNOW.

>> I'M SORRY ABOUT ME AND YOUR

GIRL.

I'M TRYING TO CHANGE, BRO.

>> I KNOW.

ALL RIGHT, CHECK THESE OUT.

CALL THESE THE RIGHT WINGS.

THEY'RE EXTRA SPICY.

NOW, BE CAREFUL, 'CAUSE THEY

MIGHT BURN YOU, BUT THEY'LL

ALWAYS BE ON THE MENU.

>> THANKS, MAN.

>> YOU GUYS SHOULD JUST KISS.

>> YOU KNOW WHAT, KERMIT?

YOU JUST LOST YOUR FREE WINGS.

>> WHAT'S GOING ON OUT THERE?

THE LINE'S NOT MOVING.

OH...HEY, MALIK.

>> HEY, ALISON.

>> WELL, THE HEART WANTS WHAT

THE HEART WANTS.

>> ♪ FAITHFULLY

>> ♪ FAITHFULLY ♪

♪

>> KELLY, YOU KNOW THIS IS MY

JOB, RIGHT, NOT

ASS SHAKERS ANONYMOUS?

>> JASON, I QUIT THE SHOW.

>> GOOD. THANK GOD.

WHAT WERE YOU THINKING?

>> I DON'T KNOW, JASON.

I'M JUST HAVING A HARD TIME

MOVING ON FROM THIS LIFE -- THE

SABERS, THE SUNBEAMS.

GOD, YOU'RE GONNA LOVE THIS, BUT

I'M -- I'M JUST HAVING A REALLY

I'M -- I'M JUST HAVING A REALLY HARD TIME MOVING ON FROM YOU.

HARD TIME MOVING ON FROM YOU.

>> WELL, YOU KNOW, WHO WOULDN'T?

WELL, SERIOUSLY, I GET IT.

I MEAN, WHERE ARE YOU GONNA FIND

ANOTHER ME?

>> SHUT UP.

>> YOU KNOW, I DIDN'T EXACTLY

PLAN FOR US TO END UP LIKE THIS,

EITHER.

>> [ SIGHS ]

WE COULDN'T SAVE OUR MARRIAGE,

JASON, BUT WE CAN STILL SAVE OUR

DAUGHTER...

WHICH IS WHY...

I WANT HER TO STAY WITH YOU.

>> WHAT DO YOU MEAN STAY WITH

ME?

WHAT? LIKE EVERY DAY?

KELLY, THAT WAS A THREAT.

YOU QUIT THE SHOW. WE'RE GOOD.

>> JASON, JUST FOR A LITTLE

WHILE.

I JUST -- I NEED TO GET OUT OF

SABERTOWN AND REGROUP.

I NEED TO FIND OUT WHO I AM

WITHOUT BEING STUCK UNDER THE

SHADOW OF YOUR BIG HEAD.

>> OKAY, I GET THAT.

TAKE BRITTANY WITH YOU.

SHE LIKES TO TRAVEL.

>> JASON --

>> KELLY, I'M -- I'M SINGLE

JASON NOW.

I'M SINGLE JASON.

>> JASON, COME ON.

THIS WOULD BE A GREAT TIME FOR

YOU TO BOND WITH YOUR DAUGHTER.

AND I CAN GO AWAY AND REGROUP

AND JUST GET MYSELF TOGETHER.

I REALLY NEED THIS, JASON.

I REALLY NEED THIS, JASON. I NEED THIS.

I NEED THIS.

>> OKAY, YEAH. I MEAN...

I'M HER DAD, SO I

SHOULD BE ABLE TO -- YEAH, YEAH.

YEAH, TAKE ALL THE TIME YOU

NEED.

NEED. I GOT IT.

I GOT IT.

>> JUST, UH, TAKE CARE OF

YOURSELF, ALL RIGHT?

>> TAKE CARE OF MY BABY.

>> TAKE CARE OF MY BABY. >> ♪

>> ♪

>> ♪ >> ♪

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